4 files changed, 372 insertions, 0 deletions
diff --git a/Lobe_den_Herrn_meine_Seele_/Lobe_den_Herrn_meine_Seele_.ly b/Lobe_den_Herrn_meine_Seele_/Lobe_den_Herrn_meine_Seele_.ly
new file mode 100644
index 0000000..637d5e6
--- /dev/null
+++ b/Lobe_den_Herrn_meine_Seele_/Lobe_den_Herrn_meine_Seele_.ly
@@ -0,0 +1,55 @@
+\include "deutsch.ly"
+#(ly:set-option 'relative-includes #t)
+\include "stimmen.ly"
+\include "texte.ly"
+#(ly:set-option 'relative-includes #f)
+
+%spezifisch%
+
+\version "2.19.83"
+
+\pointAndClickOff
+\header {
+  tagline = ""
+}
+\paper {
+  top-margin = 5
+  print-all-headers = ##t
+}
+
+\score {
+  \header {
+    title = "Lobe den Herrn, meine Seele"
+    poet = "Text: Psalm 103, 1-5"
+    composer = "Musik: Eduard August Grell (1800-1886)"
+    arranger = "Bearbeitung: Klaus Heizmann"
+  }
+  <<
+    \set Score.skipBars = ##t
+    \new Staff <<
+      \new Voice = oberstimme { \global \oneVoice \oberstimmeMelodie }
+    >>
+    \new Lyrics = sopranText { }
+    \new Staff <<
+      \new Voice = frauen  { \global \oneVoice \frauenPausen }
+      \new Voice = sopran  { \global \voiceOne \sopranMelodie }
+      \new Voice = alt     { \global \voiceTwo \altMelodie }
+    >>
+    \new Lyrics = altText { }
+    \new Lyrics = tenorText { }
+    \new Staff <<
+      \clef "bass"
+      \new Voice = maenner { \global \oneVoice \maennerPausen }
+      \new Voice = tenor   { \global \voiceOne \tenorMelodie }
+      \new Voice = bass    { \global \voiceTwo \bassMelodie }
+    >>
+    \new Lyrics = bassText { }
+    \context Lyrics = sopranText \lyricsto sopran \sopranText
+    \context Lyrics = altText    \lyricsto alt    \altText
+    \context Lyrics = tenorText  \lyricsto tenor  \tenorText
+    \context Lyrics = bassText   \lyricsto bass   \bassText
+  >>
+  \layout {
+    indent = #0
+  }
+}
diff --git a/Lobe_den_Herrn_meine_Seele_/Makefile b/Lobe_den_Herrn_meine_Seele_/Makefile
new file mode 100644
index 0000000..300cdb2
--- /dev/null
+++ b/Lobe_den_Herrn_meine_Seele_/Makefile
@@ -0,0 +1,24 @@
+CURDOC=$(shell basename "$(CURDIR)")
+
+ifeq ($(FUER),ewe)
+  SPEZIFISCH=\#(set! paper-alist (cons '(\"kindle\" . (cons (* 210 mm) (* 130 mm))) paper-alist))\n\#(set-default-paper-size \"kindle\")
+else
+  SPEZIFISCH=
+  # \#(set-global-staff-size 14)
+endif
+
+all: $(CURDOC).pdf
+	pkill -SIGHUP -xf 'mupdf(-x11)? (.*/)?$<' || true
+
+clean:
+	rm -f *.pre
+
+Clean: clean
+	rm -f *.pdf *.midi
+
+%.pre: %.ly
+	sed "s@%spezifisch%@$(SPEZIFISCH)@" "$<" > "$@"
+
+%.pdf: %.pre *.ly
+	lilypond $<
+
diff --git a/Lobe_den_Herrn_meine_Seele_/stimmen.ly b/Lobe_den_Herrn_meine_Seele_/stimmen.ly
new file mode 100644
index 0000000..9d5f469
--- /dev/null
+++ b/Lobe_den_Herrn_meine_Seele_/stimmen.ly
@@ -0,0 +1,252 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+
+global = {
+  \key f \major
+  %\override Staff.TimeSignature #'style = #'()
+  \time 3/4
+  \autoBeamOff
+}
+
+% Die Stimmen
+
+oberstimmeMelodie = \relative f'' {
+  f4( g a |
+  b a g |
+  a2 f4~ |
+  f) r2 |
+  R2.*2 |
+  f4( g a |
+  b2.) |
+  g4( f g |
+  a2.) |
+  d,4( b' a |
+  g f e |
+  f2.~ |
+  f) | \bar "||"
+  R2.*2 |
+  f4( g a |
+  c b a |
+  g2 f4 |
+  c) r8 c[( g' c] |
+  a4. b8 g[ a] |
+  f2.~ |
+  f2) r4 |
+  R2. |
+  c8[( f) f( a) a( c)] |
+  g2 r4 |
+  R2.*2 |
+  f4(^\mf g a |
+  c b a |
+  g4. a8 g[ f] |
+  e2) r4 |
+  a4.( b8 g[ a] |
+  a2) r4 |
+  R2. |
+  b4^\f c d |
+  f4.( e8) d4 |
+  c2. |
+  R2.*3 |
+  r2 a4^\mf |
+  g4. g8 f[( e]) |
+  f4 g a |
+  c2( h4) |
+  c2 r4 |
+  R2.*6 |
+  f,4(^\mf g a |
+  c b a |
+  g2 f4 |
+  g) r8 g[-. g( c)] |
+  a4.( b8) g[( a]) |
+  f2 r4 |
+  r2 f,4( |
+  b c  d8[ e] |
+  f4 g a8[ b] |
+  c2.~ | \bar "||" \time 4/4
+  c2) r |
+  \repeat volta 2 {
+    R1*4 |
+    r4 a8[(^\f f]) f[( c) c( d16 e]) |
+    \tuplet 3/2 { f4( c) f-. } \tuplet 3/2 { a4( f) a-. } |
+    c1~^\markup { tr } |
+    c~ |
+    c2.^\> r4^\! |
+    R1 |
+    r2. f,4(^\mf |
+    b8 a g f] e4 f8[ g] |
+    f2.) c4 |
+    b8[( c16 d] e[ f g a]) b8[( g) g( d']) |
+    c2 c |
+  }
+  \alternative {
+    {
+      c1^\prall |
+    }
+    {
+      c2^\prall r |
+    }
+  }
+  R1 |
+  r2 c4^\f f |
+  e4.( d8) c4( g8[ a16 b]) |
+  a2.\breathe a,4( |
+  b8[ a16 b c8 d] e[ d16 e f8 g] |
+  a2^\markup { tr } \grace { g16[ a] } b2^\markup { tr } |
+  \grace { a16[ b] } c1~^\markup { tr } |
+  c) |
+  R1 |
+  c,8[( f) f( c']) c4( f,) |
+  d'(^\markup { rit. } b) f( b) |
+  c1^\fermata | \bar "|."
+}
+
+frauenPausen = {
+  s2.*14 | \bar "||"
+  s2.*11 |
+  s2 r4 |
+  s2.*23 |
+  s2 r4 |
+  s2.*12 | \bar "||" \time 4/4
+  s2 r |
+  \repeat volta 2 {
+    r4 s2. |
+    s1*3 |
+    r4 s2. |
+    s1*10 |
+  }
+  \alternative {
+    {
+      s1 |
+    }
+    {
+      s1 |
+    }
+  }
+  s1*12 | \bar "|."
+}
+
+maennerPausen = {
+  s2.*14 | \bar "||"
+  s2.*7 |
+  s2 r4 |
+  r s2 |
+  s2.*2 |
+  s2 r4 |
+  s2.*7 |
+  s2 r4 |
+  s2.*15 |
+  s2 r4 |
+  s2.*12 | \bar "||" \time 4/4
+  s2 r |
+  \repeat volta 2 {
+    r4 s2. |
+    s1*3 |
+    r4 s2. |
+    s1*10 |
+  }
+  \alternative {
+    {
+      s1 |
+    }
+    {
+      s1 |
+    }
+  }
+  s1*12 | \bar "|."
+}
+
+sopranMelodie = \relative f' {
+  f4 g a |
+  b a g | \oneVoice
+  <f a>2 f4 |
+  <f a> <g b> <a c> | \voiceOne
+  d c b | \oneVoice
+  <f c'>2 <d f>4 |
+  <d f> <e g> <f a> | \voiceOne
+  d b' a |
+  g f \oneVoice <e g> |
+  <f a>2. | \voiceOne
+  d4 b' a |
+  g f \oneVoice <c e> |
+  <c f>2.~ |
+  <c f> | \bar "||" \voiceOne
+  f4 g a |
+  b a g |
+  a2. |
+  f4\breathe f f |
+  b2 a4 g\breathe g g |
+  c2 b4 |
+  a2 r4 |
+  r b c d c b |
+}
+
+altMelodie = \relative f' {
+  f2. |
+  f2 s4 |
+  s2.*2 |
+  f2. |
+  s2.*2 |
+  d2 s4 |
+  d2 s4 |
+  s2. |
+  d |
+  d2 s4 |
+  c2.~ |
+  c | \bar "||"
+  f4 f f |
+  f f f |
+  f2. |
+  f4 f f |
+  e2 f4 |
+  e e e |
+  f2 e4 |
+  f f f |
+  f2.~ |
+  f4 f f |
+}
+
+tenorMelodie = \relative a {
+  a4 b c |
+  d c b |
+  c2. | \oneVoice
+  c |
+  b4 a g |
+  a g f8[ e] |
+  d2. |
+  b |
+  c |
+  f4 g a |
+  b2. |
+  <b b,>2 <b c,>4~ | \voiceOne
+  b4 g b | \oneVoice
+  <a f>2. | \bar "||" \voiceOne
+  a4 b c |
+  d c b |
+  c2. |
+  a4\breathe d c |
+  c2 c4 |
+  c\breathe c c |
+  c2 c4 c2 s4 |
+  s b a |
+  b c d |
+}
+
+bassMelodie = \relative f {
+  f2. |
+  f |
+  f4 g a |
+  s2.*9 |
+  f2. |
+  f | \bar "||"
+  f4 f f |
+  f f f |
+  f2. |
+  f4 b a |
+  g2 f4 |
+  c c' b |
+  a2 g4 |
+  f2 s4 |
+  s d c |
+  b a b |
+}
diff --git a/Lobe_den_Herrn_meine_Seele_/texte.ly b/Lobe_den_Herrn_meine_Seele_/texte.ly
new file mode 100644
index 0000000..2e20787
--- /dev/null
+++ b/Lobe_den_Herrn_meine_Seele_/texte.ly
@@ -0,0 +1,41 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+textRefrain = \lyricmode {
+  Lo -- be den Herrn, mei -- ne See -- le, und sei -- nen hei -- li -- gen Na -- men.
+  Was er dir Gu -- tes ge -- tan hat, See -- le ver -- giss es nicht, a -- men.
+  \repeat unfold 2 { Lo -- be, lo -- be den Herrn, lo -- be den Herrn, mei -- ne See -- le. }
+}
+textI = \lyricmode {
+  \set stanza = "1."
+  Der mei -- ne Sün -- den ver -- ge -- ben hat, der mich von Krank -- heit ge -- sund ge -- macht,
+  \set stanza = "1.-4."
+  den will ich prei -- sen mit Psal -- men und Wei -- sen, von Her -- zen ihm e -- wig -- lich sin -- gen:
+}
+textII = \lyricmode {
+  \set stanza = "2."
+  Der mich im Lei -- den ge -- trös -- tet hat, der mei -- nen Mund wie -- der fröh -- lich macht,
+}
+textIII = \lyricmode {
+  \set stanza = "3."
+  Der mich vom To -- de er -- ret -- tet hat, der mich be -- hü -- tet bei Tag und Nacht,
+}
+textIV = \lyricmode {
+  \set stanza = "4."
+  Der Erd und Him -- mel zu -- sam -- men -- hält, un -- ter sein gött -- li -- ches Ja -- wort stellt,
+}
+
+sopranText = \lyricmode {
+}
+
+altText = \lyricmode {
+}
+
+tenorText = \lyricmode {
+}
+
+bassText = \lyricmode {
+}