diff options
| -rw-r--r-- | Lobe_den_Herrn_meine_Seele_/Lobe_den_Herrn_meine_Seele_.ly | 55 | ||||
| -rw-r--r-- | Lobe_den_Herrn_meine_Seele_/Makefile | 24 | ||||
| -rw-r--r-- | Lobe_den_Herrn_meine_Seele_/stimmen.ly | 252 | ||||
| -rw-r--r-- | Lobe_den_Herrn_meine_Seele_/texte.ly | 41 |
4 files changed, 372 insertions, 0 deletions
diff --git a/Lobe_den_Herrn_meine_Seele_/Lobe_den_Herrn_meine_Seele_.ly b/Lobe_den_Herrn_meine_Seele_/Lobe_den_Herrn_meine_Seele_.ly new file mode 100644 index 0000000..637d5e6 --- /dev/null +++ b/Lobe_den_Herrn_meine_Seele_/Lobe_den_Herrn_meine_Seele_.ly @@ -0,0 +1,55 @@ +\include "deutsch.ly" +#(ly:set-option 'relative-includes #t) +\include "stimmen.ly" +\include "texte.ly" +#(ly:set-option 'relative-includes #f) + +%spezifisch% + +\version "2.19.83" + +\pointAndClickOff +\header { + tagline = "" +} +\paper { + top-margin = 5 + print-all-headers = ##t +} + +\score { + \header { + title = "Lobe den Herrn, meine Seele" + poet = "Text: Psalm 103, 1-5" + composer = "Musik: Eduard August Grell (1800-1886)" + arranger = "Bearbeitung: Klaus Heizmann" + } + << + \set Score.skipBars = ##t + \new Staff << + \new Voice = oberstimme { \global \oneVoice \oberstimmeMelodie } + >> + \new Lyrics = sopranText { } + \new Staff << + \new Voice = frauen { \global \oneVoice \frauenPausen } + \new Voice = sopran { \global \voiceOne \sopranMelodie } + \new Voice = alt { \global \voiceTwo \altMelodie } + >> + \new Lyrics = altText { } + \new Lyrics = tenorText { } + \new Staff << + \clef "bass" + \new Voice = maenner { \global \oneVoice \maennerPausen } + \new Voice = tenor { \global \voiceOne \tenorMelodie } + \new Voice = bass { \global \voiceTwo \bassMelodie } + >> + \new Lyrics = bassText { } + \context Lyrics = sopranText \lyricsto sopran \sopranText + \context Lyrics = altText \lyricsto alt \altText + \context Lyrics = tenorText \lyricsto tenor \tenorText + \context Lyrics = bassText \lyricsto bass \bassText + >> + \layout { + indent = #0 + } +} diff --git a/Lobe_den_Herrn_meine_Seele_/Makefile b/Lobe_den_Herrn_meine_Seele_/Makefile new file mode 100644 index 0000000..300cdb2 --- /dev/null +++ b/Lobe_den_Herrn_meine_Seele_/Makefile @@ -0,0 +1,24 @@ +CURDOC=$(shell basename "$(CURDIR)") + +ifeq ($(FUER),ewe) + SPEZIFISCH=\#(set! paper-alist (cons '(\"kindle\" . (cons (* 210 mm) (* 130 mm))) paper-alist))\n\#(set-default-paper-size \"kindle\") +else + SPEZIFISCH= + # \#(set-global-staff-size 14) +endif + +all: $(CURDOC).pdf + pkill -SIGHUP -xf 'mupdf(-x11)? (.*/)?$<' || true + +clean: + rm -f *.pre + +Clean: clean + rm -f *.pdf *.midi + +%.pre: %.ly + sed "s@%spezifisch%@$(SPEZIFISCH)@" "$<" > "$@" + +%.pdf: %.pre *.ly + lilypond $< + diff --git a/Lobe_den_Herrn_meine_Seele_/stimmen.ly b/Lobe_den_Herrn_meine_Seele_/stimmen.ly new file mode 100644 index 0000000..9d5f469 --- /dev/null +++ b/Lobe_den_Herrn_meine_Seele_/stimmen.ly @@ -0,0 +1,252 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" + +global = { + \key f \major + %\override Staff.TimeSignature #'style = #'() + \time 3/4 + \autoBeamOff +} + +% Die Stimmen + +oberstimmeMelodie = \relative f'' { + f4( g a | + b a g | + a2 f4~ | + f) r2 | + R2.*2 | + f4( g a | + b2.) | + g4( f g | + a2.) | + d,4( b' a | + g f e | + f2.~ | + f) | \bar "||" + R2.*2 | + f4( g a | + c b a | + g2 f4 | + c) r8 c[( g' c] | + a4. b8 g[ a] | + f2.~ | + f2) r4 | + R2. | + c8[( f) f( a) a( c)] | + g2 r4 | + R2.*2 | + f4(^\mf g a | + c b a | + g4. a8 g[ f] | + e2) r4 | + a4.( b8 g[ a] | + a2) r4 | + R2. | + b4^\f c d | + f4.( e8) d4 | + c2. | + R2.*3 | + r2 a4^\mf | + g4. g8 f[( e]) | + f4 g a | + c2( h4) | + c2 r4 | + R2.*6 | + f,4(^\mf g a | + c b a | + g2 f4 | + g) r8 g[-. g( c)] | + a4.( b8) g[( a]) | + f2 r4 | + r2 f,4( | + b c d8[ e] | + f4 g a8[ b] | + c2.~ | \bar "||" \time 4/4 + c2) r | + \repeat volta 2 { + R1*4 | + r4 a8[(^\f f]) f[( c) c( d16 e]) | + \tuplet 3/2 { f4( c) f-. } \tuplet 3/2 { a4( f) a-. } | + c1~^\markup { tr } | + c~ | + c2.^\> r4^\! | + R1 | + r2. f,4(^\mf | + b8 a g f] e4 f8[ g] | + f2.) c4 | + b8[( c16 d] e[ f g a]) b8[( g) g( d']) | + c2 c | + } + \alternative { + { + c1^\prall | + } + { + c2^\prall r | + } + } + R1 | + r2 c4^\f f | + e4.( d8) c4( g8[ a16 b]) | + a2.\breathe a,4( | + b8[ a16 b c8 d] e[ d16 e f8 g] | + a2^\markup { tr } \grace { g16[ a] } b2^\markup { tr } | + \grace { a16[ b] } c1~^\markup { tr } | + c) | + R1 | + c,8[( f) f( c']) c4( f,) | + d'(^\markup { rit. } b) f( b) | + c1^\fermata | \bar "|." +} + +frauenPausen = { + s2.*14 | \bar "||" + s2.*11 | + s2 r4 | + s2.*23 | + s2 r4 | + s2.*12 | \bar "||" \time 4/4 + s2 r | + \repeat volta 2 { + r4 s2. | + s1*3 | + r4 s2. | + s1*10 | + } + \alternative { + { + s1 | + } + { + s1 | + } + } + s1*12 | \bar "|." +} + +maennerPausen = { + s2.*14 | \bar "||" + s2.*7 | + s2 r4 | + r s2 | + s2.*2 | + s2 r4 | + s2.*7 | + s2 r4 | + s2.*15 | + s2 r4 | + s2.*12 | \bar "||" \time 4/4 + s2 r | + \repeat volta 2 { + r4 s2. | + s1*3 | + r4 s2. | + s1*10 | + } + \alternative { + { + s1 | + } + { + s1 | + } + } + s1*12 | \bar "|." +} + +sopranMelodie = \relative f' { + f4 g a | + b a g | \oneVoice + <f a>2 f4 | + <f a> <g b> <a c> | \voiceOne + d c b | \oneVoice + <f c'>2 <d f>4 | + <d f> <e g> <f a> | \voiceOne + d b' a | + g f \oneVoice <e g> | + <f a>2. | \voiceOne + d4 b' a | + g f \oneVoice <c e> | + <c f>2.~ | + <c f> | \bar "||" \voiceOne + f4 g a | + b a g | + a2. | + f4\breathe f f | + b2 a4 g\breathe g g | + c2 b4 | + a2 r4 | + r b c d c b | +} + +altMelodie = \relative f' { + f2. | + f2 s4 | + s2.*2 | + f2. | + s2.*2 | + d2 s4 | + d2 s4 | + s2. | + d | + d2 s4 | + c2.~ | + c | \bar "||" + f4 f f | + f f f | + f2. | + f4 f f | + e2 f4 | + e e e | + f2 e4 | + f f f | + f2.~ | + f4 f f | +} + +tenorMelodie = \relative a { + a4 b c | + d c b | + c2. | \oneVoice + c | + b4 a g | + a g f8[ e] | + d2. | + b | + c | + f4 g a | + b2. | + <b b,>2 <b c,>4~ | \voiceOne + b4 g b | \oneVoice + <a f>2. | \bar "||" \voiceOne + a4 b c | + d c b | + c2. | + a4\breathe d c | + c2 c4 | + c\breathe c c | + c2 c4 c2 s4 | + s b a | + b c d | +} + +bassMelodie = \relative f { + f2. | + f | + f4 g a | + s2.*9 | + f2. | + f | \bar "||" + f4 f f | + f f f | + f2. | + f4 b a | + g2 f4 | + c c' b | + a2 g4 | + f2 s4 | + s d c | + b a b | +} diff --git a/Lobe_den_Herrn_meine_Seele_/texte.ly b/Lobe_den_Herrn_meine_Seele_/texte.ly new file mode 100644 index 0000000..2e20787 --- /dev/null +++ b/Lobe_den_Herrn_meine_Seele_/texte.ly @@ -0,0 +1,41 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + +% Die Textaufteilungen + +textRefrain = \lyricmode { + Lo -- be den Herrn, mei -- ne See -- le, und sei -- nen hei -- li -- gen Na -- men. + Was er dir Gu -- tes ge -- tan hat, See -- le ver -- giss es nicht, a -- men. + \repeat unfold 2 { Lo -- be, lo -- be den Herrn, lo -- be den Herrn, mei -- ne See -- le. } +} +textI = \lyricmode { + \set stanza = "1." + Der mei -- ne Sün -- den ver -- ge -- ben hat, der mich von Krank -- heit ge -- sund ge -- macht, + \set stanza = "1.-4." + den will ich prei -- sen mit Psal -- men und Wei -- sen, von Her -- zen ihm e -- wig -- lich sin -- gen: +} +textII = \lyricmode { + \set stanza = "2." + Der mich im Lei -- den ge -- trös -- tet hat, der mei -- nen Mund wie -- der fröh -- lich macht, +} +textIII = \lyricmode { + \set stanza = "3." + Der mich vom To -- de er -- ret -- tet hat, der mich be -- hü -- tet bei Tag und Nacht, +} +textIV = \lyricmode { + \set stanza = "4." + Der Erd und Him -- mel zu -- sam -- men -- hält, un -- ter sein gött -- li -- ches Ja -- wort stellt, +} + +sopranText = \lyricmode { +} + +altText = \lyricmode { +} + +tenorText = \lyricmode { +} + +bassText = \lyricmode { +} |