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-rw-r--r--Hoere_nun_Herr_die_Bitten/Hoere_nun_Herr_die_Bitten.ly58
-rw-r--r--Hoere_nun_Herr_die_Bitten/Makefile31
-rw-r--r--Hoere_nun_Herr_die_Bitten/stimmen.ly114
-rw-r--r--Hoere_nun_Herr_die_Bitten/texte.ly30
4 files changed, 233 insertions, 0 deletions
diff --git a/Hoere_nun_Herr_die_Bitten/Hoere_nun_Herr_die_Bitten.ly b/Hoere_nun_Herr_die_Bitten/Hoere_nun_Herr_die_Bitten.ly
new file mode 100644
index 0000000..8629022
--- /dev/null
+++ b/Hoere_nun_Herr_die_Bitten/Hoere_nun_Herr_die_Bitten.ly
@@ -0,0 +1,58 @@
+\include "deutsch.ly"
+#(ly:set-option 'relative-includes #t)
+\include "stimmen.ly"
+\include "texte.ly"
+#(ly:set-option 'relative-includes #f)
+
+%spezifisch%
+
+\pointAndClickOff
+
+\header {
+ tagline = ""
+}
+\paper {
+ top-margin = 5
+ print-all-headers = ##t
+}
+
+\book {
+ \score {
+ \header {
+ title = "Zu den Fürbitten oder zur Gabenbereitung"
+ composer = "Melodie: Swing low, sweet chariot"
+ tagline = ""
+ }
+
+ \new Staff <<
+ \set Score.skipBars = ##t
+ \new ChoirStaff <<
+ \new Staff <<
+ \new Voice = frauen { \global \oneVoice \pausen }
+ \new Voice = sopran { \global \voiceOne \melodieSopran }
+ \new Voice = alt { \global \voiceTwo \melodieAlt }
+ >>
+ \new Lyrics = textI { }
+ \new Lyrics = textII { }
+ \new Staff <<
+ \clef "bass"
+ \new Voice = maenner { \global \oneVoice \pausen }
+ \new Voice = tenor { \global \voiceOne \melodieTenor }
+ \new Voice = bass { \global \voiceTwo \melodieBass }
+ >>
+ \new Lyrics = textBass { }
+ >>
+ \context Lyrics = textI \lyricsto tenor { \textI }
+ \context Lyrics = textII \lyricsto tenor { \textII }
+ \context Lyrics = textBass \lyricsto bass { \textBass }
+ >>
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \RemoveEmptyStaves
+ \override VerticalAxisGroup #'remove-first = ##t
+ }
+ }
+ }
+}
diff --git a/Hoere_nun_Herr_die_Bitten/Makefile b/Hoere_nun_Herr_die_Bitten/Makefile
new file mode 100644
index 0000000..5b3af49
--- /dev/null
+++ b/Hoere_nun_Herr_die_Bitten/Makefile
@@ -0,0 +1,31 @@
+CURDOC=$(shell basename "$(CURDIR)")
+
+ifeq ($(FUER),ewe)
+ SPEZIFISCH=\#(set! paper-alist (cons '(\"kindle\" . (cons (* 210 mm) (* 130 mm))) paper-alist))\n\#(set-default-paper-size \"kindle\")
+else
+ SPEZIFISCH=
+ # \#(set-global-staff-size 14)
+endif
+
+ifeq ($(MIDI),1)
+ MIDI_REGEX=
+else
+ MIDI_REGEX=/\\\\midi/{ :a; s/\\\\midi[^{}]*{/\\\\midi/; tb; N; ba; :b; s/{[^{}]*}//; tb; s/\\\\midi[^{}]*}//; t; N; bb; }
+endif
+
+all: $(CURDOC).pdf
+
+clean:
+ rm -f *.pre
+
+Clean: clean
+ rm -f *.pdf *.midi
+
+%.pre: %.ly
+ sed " \
+ s@%spezifisch%@$(SPEZIFISCH)@ ; \
+ $(MIDI_REGEX) \
+ " "$<" > "$@"
+
+%.pdf: %.pre *.ly
+ lilypond $<
diff --git a/Hoere_nun_Herr_die_Bitten/stimmen.ly b/Hoere_nun_Herr_die_Bitten/stimmen.ly
new file mode 100644
index 0000000..aac474a
--- /dev/null
+++ b/Hoere_nun_Herr_die_Bitten/stimmen.ly
@@ -0,0 +1,114 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.18"
+
+ global = {
+ \key g \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ \autoBeamOff
+ }
+
+% Die Stimmen
+
+ pausen = {
+ \repeat volta 2 {
+ s1*7 | % -> Kopf
+ s1*8 |
+ s2. r4 |
+ } % Kopf <-
+ s1*2 | \bar "|."
+ }
+
+ melodieSopran = \relative h' {
+ \repeat volta 2 {
+ h4 g2 h4 |
+ g4. g8 e d4. |
+ g8 g g g h d4. |
+ d1 |
+ e8[ d] c2 d4 |
+ g,4. g8 e d4. |
+ g8 g g g h[ g] a4 \mark \markup { \musicglyph #"scripts.coda" } |
+ g2. h4 |
+ d8 g,4 e8 g4 g |
+ g8 g4 fis8 e d4. |
+ g8 g g g h d4. |
+ d2. d4 |
+ e8 d h4 d8 h g4 |
+ g8 g g g e d4. |
+ g8 g g g h[ g] a4 |
+ g2. s4 |
+ }
+ \mark \markup { \musicglyph #"scripts.coda" }
+ g2. a8 h |
+ a a g e g2 | \bar "|."
+ }
+
+ melodieAlt = \relative h {
+ \repeat volta 2 {
+ h4 h2 h4 |
+ d4. d8 c c4. |
+ h8 h c c d e4. |
+ g4( e fis2) |
+ e4 fis2 fis4 |
+ e4. e8 c c4. |
+ h8 h d d cis4 d |
+ h2. d4 |
+ d8 d4 c8 d4 d |
+ c8 c4 d8 c c4. |
+ h8 h c c d e4. |
+ g4( e fis) fis |
+ e8 g fis4 d8 d e4 |
+ e8 e d d c c4. |
+ h8 h d d cis4 d |
+ h2. s4 |
+ }
+ h2. e8 fis |
+ e e d c d2 | \bar "|."
+ }
+
+ melodieTenor = \relative g {
+ \repeat volta 2 {
+ <g d>4 <g d>2 <g d>4 |
+ g4. g8 g fis4. |
+ g8 g e e fis g4. |
+ a1 |
+ <h g>4 h2 a4 |
+ g4. g8 g fis4. |
+ g8 g g g g4 fis |
+ g2. g4 |
+ fis8 g4 g8 g4 g |
+ e8 e4 fis8 g fis4. |
+ g8 g e e fis g4. |
+ a2. c4 |
+ <h g>8 <h g> h4 fis8 fis h4 |
+ c8 c g g g fis4. |
+ g8 g g g g4 fis |
+ g2. s4 |
+ }
+ g2. c8 d |
+ c c h a h2 | \bar "|."
+ }
+
+ melodieBass = \relative g, {
+ \repeat volta 2 {
+ g4 g2 g4 |
+ h4. h8 a a4. |
+ g8 g a a h c4. |
+ d1 |
+ g,4 d'2 h4 |
+ c4. c8 c d4. |
+ g,8 g h h e4 d |
+ g,2. g4 |
+ h8 h4 c8 h4 h |
+ a8 a4 h8 c d4. |
+ g,8 g a a h c4. |
+ d2. d4 |
+ g,8 g d'4 h8 h e4 |
+ c8 c h h a a4. |
+ g8 g h h e4 d |
+ g,2. s4 |
+ }
+ g2 <g g'> |
+ <g g'> <g g'> | \bar "|."
+ }
diff --git a/Hoere_nun_Herr_die_Bitten/texte.ly b/Hoere_nun_Herr_die_Bitten/texte.ly
new file mode 100644
index 0000000..50f7997
--- /dev/null
+++ b/Hoere_nun_Herr_die_Bitten/texte.ly
@@ -0,0 +1,30 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ textI = \lyricmode {
+ Hö -- re nun, Herr, die Bit -- ten, hör die Bit -- ten uns -- rer Zeit,
+ hö -- re nun, Herr, die Bit -- ten, hör die Bit -- ten uns -- rer Zeit.
+ \set stanza = "1."
+ Lass Lie -- be uns schen -- ken, Frie -- den uns fin -- den,
+ ma -- che un -- ser Herz be -- reit!
+ Lass Not und Leid, Hass und Streit all uns ü -- ber -- win -- den,
+ ma -- che un -- ser Herz be -- reit!
+ Zeit! Hör die Bit -- ten uns -- rer Zeit!
+ }
+
+ textII = \lyricmode {
+ \repeat unfold 28 { \skip 1 }
+ \set stanza = "2."
+ Wir müs -- sen im Bru -- der dein Bild er -- ken -- nen,
+ öff -- ne uns -- re Au -- gen weit!
+ Lass brü -- der -- lich al -- le dich ih -- ren Va -- ter nen -- nen,
+ öff -- ne uns -- re Au -- gen weit!
+ }
+
+ textBass = \lyricmode {
+ \repeat unfold 66 { \skip 1 }
+ Zeit, uns -- rer Zeit!
+ }