diff options
| -rw-r--r-- | Hoere_nun_Herr_die_Bitten/Hoere_nun_Herr_die_Bitten.ly | 58 | ||||
| -rw-r--r-- | Hoere_nun_Herr_die_Bitten/Makefile | 31 | ||||
| -rw-r--r-- | Hoere_nun_Herr_die_Bitten/stimmen.ly | 114 | ||||
| -rw-r--r-- | Hoere_nun_Herr_die_Bitten/texte.ly | 30 |
4 files changed, 233 insertions, 0 deletions
diff --git a/Hoere_nun_Herr_die_Bitten/Hoere_nun_Herr_die_Bitten.ly b/Hoere_nun_Herr_die_Bitten/Hoere_nun_Herr_die_Bitten.ly new file mode 100644 index 0000000..8629022 --- /dev/null +++ b/Hoere_nun_Herr_die_Bitten/Hoere_nun_Herr_die_Bitten.ly @@ -0,0 +1,58 @@ +\include "deutsch.ly" +#(ly:set-option 'relative-includes #t) +\include "stimmen.ly" +\include "texte.ly" +#(ly:set-option 'relative-includes #f) + +%spezifisch% + +\pointAndClickOff + +\header { + tagline = "" +} +\paper { + top-margin = 5 + print-all-headers = ##t +} + +\book { + \score { + \header { + title = "Zu den Fürbitten oder zur Gabenbereitung" + composer = "Melodie: Swing low, sweet chariot" + tagline = "" + } + + \new Staff << + \set Score.skipBars = ##t + \new ChoirStaff << + \new Staff << + \new Voice = frauen { \global \oneVoice \pausen } + \new Voice = sopran { \global \voiceOne \melodieSopran } + \new Voice = alt { \global \voiceTwo \melodieAlt } + >> + \new Lyrics = textI { } + \new Lyrics = textII { } + \new Staff << + \clef "bass" + \new Voice = maenner { \global \oneVoice \pausen } + \new Voice = tenor { \global \voiceOne \melodieTenor } + \new Voice = bass { \global \voiceTwo \melodieBass } + >> + \new Lyrics = textBass { } + >> + \context Lyrics = textI \lyricsto tenor { \textI } + \context Lyrics = textII \lyricsto tenor { \textII } + \context Lyrics = textBass \lyricsto bass { \textBass } + >> + \layout { + indent = #0 + \context { + \Staff + \RemoveEmptyStaves + \override VerticalAxisGroup #'remove-first = ##t + } + } + } +} diff --git a/Hoere_nun_Herr_die_Bitten/Makefile b/Hoere_nun_Herr_die_Bitten/Makefile new file mode 100644 index 0000000..5b3af49 --- /dev/null +++ b/Hoere_nun_Herr_die_Bitten/Makefile @@ -0,0 +1,31 @@ +CURDOC=$(shell basename "$(CURDIR)") + +ifeq ($(FUER),ewe) + SPEZIFISCH=\#(set! paper-alist (cons '(\"kindle\" . (cons (* 210 mm) (* 130 mm))) paper-alist))\n\#(set-default-paper-size \"kindle\") +else + SPEZIFISCH= + # \#(set-global-staff-size 14) +endif + +ifeq ($(MIDI),1) + MIDI_REGEX= +else + MIDI_REGEX=/\\\\midi/{ :a; s/\\\\midi[^{}]*{/\\\\midi/; tb; N; ba; :b; s/{[^{}]*}//; tb; s/\\\\midi[^{}]*}//; t; N; bb; } +endif + +all: $(CURDOC).pdf + +clean: + rm -f *.pre + +Clean: clean + rm -f *.pdf *.midi + +%.pre: %.ly + sed " \ + s@%spezifisch%@$(SPEZIFISCH)@ ; \ + $(MIDI_REGEX) \ + " "$<" > "$@" + +%.pdf: %.pre *.ly + lilypond $< diff --git a/Hoere_nun_Herr_die_Bitten/stimmen.ly b/Hoere_nun_Herr_die_Bitten/stimmen.ly new file mode 100644 index 0000000..aac474a --- /dev/null +++ b/Hoere_nun_Herr_die_Bitten/stimmen.ly @@ -0,0 +1,114 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.18" + + global = { + \key g \major + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + \autoBeamOff + } + +% Die Stimmen + + pausen = { + \repeat volta 2 { + s1*7 | % -> Kopf + s1*8 | + s2. r4 | + } % Kopf <- + s1*2 | \bar "|." + } + + melodieSopran = \relative h' { + \repeat volta 2 { + h4 g2 h4 | + g4. g8 e d4. | + g8 g g g h d4. | + d1 | + e8[ d] c2 d4 | + g,4. g8 e d4. | + g8 g g g h[ g] a4 \mark \markup { \musicglyph #"scripts.coda" } | + g2. h4 | + d8 g,4 e8 g4 g | + g8 g4 fis8 e d4. | + g8 g g g h d4. | + d2. d4 | + e8 d h4 d8 h g4 | + g8 g g g e d4. | + g8 g g g h[ g] a4 | + g2. s4 | + } + \mark \markup { \musicglyph #"scripts.coda" } + g2. a8 h | + a a g e g2 | \bar "|." + } + + melodieAlt = \relative h { + \repeat volta 2 { + h4 h2 h4 | + d4. d8 c c4. | + h8 h c c d e4. | + g4( e fis2) | + e4 fis2 fis4 | + e4. e8 c c4. | + h8 h d d cis4 d | + h2. d4 | + d8 d4 c8 d4 d | + c8 c4 d8 c c4. | + h8 h c c d e4. | + g4( e fis) fis | + e8 g fis4 d8 d e4 | + e8 e d d c c4. | + h8 h d d cis4 d | + h2. s4 | + } + h2. e8 fis | + e e d c d2 | \bar "|." + } + + melodieTenor = \relative g { + \repeat volta 2 { + <g d>4 <g d>2 <g d>4 | + g4. g8 g fis4. | + g8 g e e fis g4. | + a1 | + <h g>4 h2 a4 | + g4. g8 g fis4. | + g8 g g g g4 fis | + g2. g4 | + fis8 g4 g8 g4 g | + e8 e4 fis8 g fis4. | + g8 g e e fis g4. | + a2. c4 | + <h g>8 <h g> h4 fis8 fis h4 | + c8 c g g g fis4. | + g8 g g g g4 fis | + g2. s4 | + } + g2. c8 d | + c c h a h2 | \bar "|." + } + + melodieBass = \relative g, { + \repeat volta 2 { + g4 g2 g4 | + h4. h8 a a4. | + g8 g a a h c4. | + d1 | + g,4 d'2 h4 | + c4. c8 c d4. | + g,8 g h h e4 d | + g,2. g4 | + h8 h4 c8 h4 h | + a8 a4 h8 c d4. | + g,8 g a a h c4. | + d2. d4 | + g,8 g d'4 h8 h e4 | + c8 c h h a a4. | + g8 g h h e4 d | + g,2. s4 | + } + g2 <g g'> | + <g g'> <g g'> | \bar "|." + } diff --git a/Hoere_nun_Herr_die_Bitten/texte.ly b/Hoere_nun_Herr_die_Bitten/texte.ly new file mode 100644 index 0000000..50f7997 --- /dev/null +++ b/Hoere_nun_Herr_die_Bitten/texte.ly @@ -0,0 +1,30 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + +% Die Textaufteilungen + + textI = \lyricmode { + Hö -- re nun, Herr, die Bit -- ten, hör die Bit -- ten uns -- rer Zeit, + hö -- re nun, Herr, die Bit -- ten, hör die Bit -- ten uns -- rer Zeit. + \set stanza = "1." + Lass Lie -- be uns schen -- ken, Frie -- den uns fin -- den, + ma -- che un -- ser Herz be -- reit! + Lass Not und Leid, Hass und Streit all uns ü -- ber -- win -- den, + ma -- che un -- ser Herz be -- reit! + Zeit! Hör die Bit -- ten uns -- rer Zeit! + } + + textII = \lyricmode { + \repeat unfold 28 { \skip 1 } + \set stanza = "2." + Wir müs -- sen im Bru -- der dein Bild er -- ken -- nen, + öff -- ne uns -- re Au -- gen weit! + Lass brü -- der -- lich al -- le dich ih -- ren Va -- ter nen -- nen, + öff -- ne uns -- re Au -- gen weit! + } + + textBass = \lyricmode { + \repeat unfold 66 { \skip 1 } + Zeit, uns -- rer Zeit! + } |