The_armed_man: Stichnoten begonnen

2 files changed, 100 insertions, 20 deletions

diff --git a/The_armed_man/parts/Der_bewaffnete_Mann.ly b/The_armed_man/parts/Der_bewaffnete_Mann.ly
index b85e322..f9f74ca 100644
--- a/The_armed_man/parts/Der_bewaffnete_Mann.ly
+++ b/The_armed_man/parts/Der_bewaffnete_Mann.ly
@@ -3,6 +3,9 @@
 \score {
   \new ChoirStaff <<
     \set Score.skipBars = ##t
+    \addQuote "floete"   { \melodieFloete }
+    \addQuote "trommel"  { \melodieTrommel }
+    \addQuote "trompete" { \melodieTrompete }
     \new Staff <<
       \label #'DerBewaffneteMann
       \new Voice = frauen   { \globalDerBewaffneteMann \frauenPausenDerBewaffneteMann }
diff --git a/The_armed_man/parts/stimmen_Der_bewaffnete_Mann.ly b/The_armed_man/parts/stimmen_Der_bewaffnete_Mann.ly
index 500e837..c4cd899 100644
--- a/The_armed_man/parts/stimmen_Der_bewaffnete_Mann.ly
+++ b/The_armed_man/parts/stimmen_Der_bewaffnete_Mann.ly
@@ -6,10 +6,82 @@ globalDerBewaffneteMann = {
   \autoBeamOff
 }
 
+melodieFloete = \relative g' {
+  s1.*4 |
+  g4 g8 c4 c8 b a4 g4. |
+  r8 d' d g,4. r8 d' d d c4 |
+  b8 a4 g4. d'8 d d g,4 r8 |
+  g'4 g8 f4 f8 g4 g8 d4. |
+  g4 g8 f4 f8 g4 g8 d4 g8 |
+  a4 g8 f4 e8 d2 r4 |
+  g,4 g8 c4 c8 b a4 g4. |
+  r8 d' d g,4. r8 d' d d c4 | \time 3/8
+  b8 a4 | \time 12/8 |
+  g1.~ |
+  g2.~ g4.~ g8 r4 | \bar "||"
+  s1.*8 | \time 3/8
+  s4. | \time 12/8
+  s1.*2 | \bar "||"
+  s1.*6 | \bar "||"
+  s1.*8 | \time 3/8
+  s4. | \time 12/8
+  s1.*4 | \bar "||"
+  s1.*9 | % \bar "||"
+}
+
+melodieTrommel = \relative g {
+  \repeat unfold 4 {
+    g8. g16 g8 g g16 g g8 g8. g16 g8 g4. |
+  }
+  s1.*8 | \time 3/8
+  s4. | \time 12/8 |
+  s1.*2 | \bar "||"
+  s1.*8 | \time 3/8
+  s4. | \time 12/8
+  s1. |
+  g8. g16 g8 g g16 g g8 g8. g16 g8 g4. | \bar "||"
+  s1.*4 |
+  \repeat unfold 2 { g8. g16 g8 g g16 g g8 g8. g16 g8 g4. | } \bar "||"
+  s1.*8 | \time 3/8
+  s4. | \time 12/8
+  s1. |
+  \repeat unfold 3 {
+    g8. g16 g8 g g16 g g8 g8. g16 g8 g4. |
+  } \bar "||"
+  s1.*9 | % \bar "||"
+}
+
+melodieTrompete = \relative d'' {
+  s1.*12 | \time 3/8
+  s4. | \time 12/8 |
+  s1.*2 | \bar "||"
+  s1.*8 | \time 3/8
+  s4. | \time 12/8
+  s1.*2 | \bar "||"
+  r8 d16 d d d g,8 d'4 f8. e16 c8 d4. |
+  r8 d16 d d d g,8 d'4 f e c |
+  r8 d16 d d d g,8 d'4 f8. e16 c8 d4. |
+  r8 f16 f f f g,8 d'4 f e c |
+  d1.~ |
+  d1. | \bar "||"
+  s1.*8 | \time 3/8
+  s4. | \time 12/8
+  s1.*4 | \bar "||"
+  \repeat unfold 2 {
+    r8 d16 d d d g,8 d'4 f8. e16 c8 d4. |
+    r8 d16 d d d g,8 d'4 f e c |
+  }
+  es2.~ es4.~ es4 es16 es |
+  d1. |
+  es2.~ es4.~ es4 es16 des |
+  d1.~ |
+  d | % \bar "||"
+}
+
 frauenPausenDerBewaffneteMann = {
-  R1.*12 | \time 3/8
-  R4. | \time 12/8
-  R1.*2 | \bar "||"
+  s1.*12 | \time 3/8
+  s4. | \time 12/8
+  s1.*2 | \bar "||"
   s1. |
   r8 s2 s8 r s2 s8 |
   s1.*3 |
@@ -18,8 +90,8 @@ frauenPausenDerBewaffneteMann = {
   r8 s4 s4. r8 s4 s4. | \time 3/8
   s4. | \time 12/8
   s2. r |
-  R1. | \bar "||"
-  R1.*6 | \bar "||"
+  s1. | \bar "||"
+  s1.*6 | \bar "||"
   s1. |
   r8 s2 s8 r s2 s8 |
   s1.*3 |
@@ -28,7 +100,7 @@ frauenPausenDerBewaffneteMann = {
   r8 s4 s4. r8 s4 s4. | \time 3/8
   s4. | \time 12/8
   s2. r |
-  R1.*12 | % \bar "||"
+  s1.*12 | % \bar "||"
   \repeat volta 2 {
     s1. |
     r8 s4 s4. r8 s4 s4. |
@@ -74,7 +146,8 @@ maennerPausenDerBewaffneteMann = {
   s4. | \time 12/8
   s2. r |
   R1. | \bar "||"
-  R1.*6 | \bar "||"
+  R1.*4 |
+  s1.*2 | \bar "||"
   s1. |
   r8 s2 s8 r s2 s8 |
   s1.*3 |
@@ -120,9 +193,10 @@ maennerPausenDerBewaffneteMann = {
 }
 
 sopranMelodieDerBewaffneteMann = \relative g' {
-  s1.*12 | \time 3/8
+  \transposedCueDuring trommel #UP c'' { s1.*4 | }
+  \cueDuring floete #UP { s1.*8 | \time 3/8
   s4. | \time 12/8
-  s1.*2 | \bar "||"
+  s1.*2 | } \bar "||"
   g4^\mf g8 c4 c8 b a4 g4. |
   s8 d' d g,4. s8 d' d d c4 |
   b8 a4 g4. d'8 d d g,4. |
@@ -133,8 +207,8 @@ sopranMelodieDerBewaffneteMann = \relative g' {
   s8 d' d g,4. s8 d' d d c4 | \time 3/8
   b8 a4 | \time 12/8
   g2. s |
-  s1. | \bar "||"
-  s1.*6 | \bar "||"
+  \transposedCueDuring trommel #UP c'' { s1. | } \bar "||"
+  \cueDuring trompete #UP { s1.*6 | } \bar "||"
   g4 g8 c4 c8 b a4 g4. |
   s8 d' d g,4. s8 d' d d c4 |
   b8 a4 g4. d'8 d d g,4. |
@@ -145,7 +219,8 @@ sopranMelodieDerBewaffneteMann = \relative g' {
   s8 d' d g,4. s8 d' d d c4 | \time 3/8
   b8 a4 | \time 12/8
   g2. s |
-  s1.*12 | % \bar "||"
+  \transposedCueDuring trommel #UP c'' { s1.*3 | }
+  \cueDuring trompete #UP { s1.*9 | } % \bar "||"
   \repeat volta 2 {
     g4 g8 c4 c8 b a4 g4. |
     s8 d' d g,4. s8 d' d d c4 |
@@ -185,9 +260,9 @@ sopranMelodieDerBewaffneteMann = \relative g' {
 }
 
 altMelodieDerBewaffneteMann = \relative g {
-  s1.*12 | \time 3/8
-  s4. | \time 12/8
-  s1.*2 | \bar "||"
+  R1.*12 | \time 3/8
+  R4. | \time 12/8
+  R1.*2 | \bar "||"
   g4 g8 c4 c8 b a4 g4. |
   s8 d' d g,4. s8 d' d d c4 |
   b8 a4 g4. d'8 d d g,4. |
@@ -198,8 +273,8 @@ altMelodieDerBewaffneteMann = \relative g {
   s8 d d g,4. s8 d' d d c4 | \time 3/8
   b8 a4 | \time 12/8
   g2. s |
-  s1. | \bar "||"
-  s1.*6 | \bar "||"
+  R1. | \bar "||"
+  R1.*6 | \bar "||"
   g4 g8 c4 c8 b a4 g4. |
   s8 d' d g,4. s8 d' d d c4 |
   b8 a4 g4. d'8 d d g,4. |
@@ -210,7 +285,7 @@ altMelodieDerBewaffneteMann = \relative g {
   s8 d' d g,4. s8 d' d d c4 | \time 3/8
   b8 a4 | \time 12/8
   g2. s |
-  s1.*12 | % \bar "||"
+  R1.*12 | % \bar "||"
   \repeat volta 2 {
     g4 g8 c4 c8 b a4 g4. |
     s8 d' d g,4. s8 d' d d c4 |
@@ -259,7 +334,8 @@ tenorMelodieDerBewaffneteMann = \relative g {
   b8 a4 | \time 12/8
   g2. s |
   s1. | \bar "||"
-  s1.*6 | \bar "||"
+  s1.*4 |
+  R1.*2 | \bar "||"
   g4 g8 c4 c8 b a4 g4. |
   s8 d' d g,4. s8 d' d d c4 |
   b8 a4 g4. d'8 d d g,4. |
@@ -319,7 +395,8 @@ bassMelodieDerBewaffneteMann = \relative g {
   b8 a4 | \time 12/8
   g2. s |
   s1. | \bar "||"
-  s1.*6 | \bar "||"
+  s1.*4 |
+  \transposedCueDuring trommel #UP c { s1.*2 | } \bar "||"
   g4 g8 c4 c8 b a4 g4. |
   s8 d' d g,4. s8 d' d d c4 |
   b8 a4 g4. d'8 d d g,4. |