From 3aa92b2ab1f77c8c2db9458befaa8e9615a8dad0 Mon Sep 17 00:00:00 2001 From: Erich Eckner Date: Wed, 18 Apr 2018 16:02:03 +0200 Subject: The_armed_man: Stichnoten begonnen --- The_armed_man/parts/Der_bewaffnete_Mann.ly | 3 + The_armed_man/parts/stimmen_Der_bewaffnete_Mann.ly | 117 +++++++++++++++++---- 2 files changed, 100 insertions(+), 20 deletions(-) (limited to 'The_armed_man') diff --git a/The_armed_man/parts/Der_bewaffnete_Mann.ly b/The_armed_man/parts/Der_bewaffnete_Mann.ly index b85e322..f9f74ca 100644 --- a/The_armed_man/parts/Der_bewaffnete_Mann.ly +++ b/The_armed_man/parts/Der_bewaffnete_Mann.ly @@ -3,6 +3,9 @@ \score { \new ChoirStaff << \set Score.skipBars = ##t + \addQuote "floete" { \melodieFloete } + \addQuote "trommel" { \melodieTrommel } + \addQuote "trompete" { \melodieTrompete } \new Staff << \label #'DerBewaffneteMann \new Voice = frauen { \globalDerBewaffneteMann \frauenPausenDerBewaffneteMann } diff --git a/The_armed_man/parts/stimmen_Der_bewaffnete_Mann.ly b/The_armed_man/parts/stimmen_Der_bewaffnete_Mann.ly index 500e837..c4cd899 100644 --- a/The_armed_man/parts/stimmen_Der_bewaffnete_Mann.ly +++ b/The_armed_man/parts/stimmen_Der_bewaffnete_Mann.ly @@ -6,10 +6,82 @@ globalDerBewaffneteMann = { \autoBeamOff } +melodieFloete = \relative g' { + s1.*4 | + g4 g8 c4 c8 b a4 g4. | + r8 d' d g,4. r8 d' d d c4 | + b8 a4 g4. d'8 d d g,4 r8 | + g'4 g8 f4 f8 g4 g8 d4. | + g4 g8 f4 f8 g4 g8 d4 g8 | + a4 g8 f4 e8 d2 r4 | + g,4 g8 c4 c8 b a4 g4. | + r8 d' d g,4. r8 d' d d c4 | \time 3/8 + b8 a4 | \time 12/8 | + g1.~ | + g2.~ g4.~ g8 r4 | \bar "||" + s1.*8 | \time 3/8 + s4. | \time 12/8 + s1.*2 | \bar "||" + s1.*6 | \bar "||" + s1.*8 | \time 3/8 + s4. | \time 12/8 + s1.*4 | \bar "||" + s1.*9 | % \bar "||" +} + +melodieTrommel = \relative g { + \repeat unfold 4 { + g8. g16 g8 g g16 g g8 g8. g16 g8 g4. | + } + s1.*8 | \time 3/8 + s4. | \time 12/8 | + s1.*2 | \bar "||" + s1.*8 | \time 3/8 + s4. | \time 12/8 + s1. | + g8. g16 g8 g g16 g g8 g8. g16 g8 g4. | \bar "||" + s1.*4 | + \repeat unfold 2 { g8. g16 g8 g g16 g g8 g8. g16 g8 g4. | } \bar "||" + s1.*8 | \time 3/8 + s4. | \time 12/8 + s1. | + \repeat unfold 3 { + g8. g16 g8 g g16 g g8 g8. g16 g8 g4. | + } \bar "||" + s1.*9 | % \bar "||" +} + +melodieTrompete = \relative d'' { + s1.*12 | \time 3/8 + s4. | \time 12/8 | + s1.*2 | \bar "||" + s1.*8 | \time 3/8 + s4. | \time 12/8 + s1.*2 | \bar "||" + r8 d16 d d d g,8 d'4 f8. e16 c8 d4. | + r8 d16 d d d g,8 d'4 f e c | + r8 d16 d d d g,8 d'4 f8. e16 c8 d4. | + r8 f16 f f f g,8 d'4 f e c | + d1.~ | + d1. | \bar "||" + s1.*8 | \time 3/8 + s4. | \time 12/8 + s1.*4 | \bar "||" + \repeat unfold 2 { + r8 d16 d d d g,8 d'4 f8. e16 c8 d4. | + r8 d16 d d d g,8 d'4 f e c | + } + es2.~ es4.~ es4 es16 es | + d1. | + es2.~ es4.~ es4 es16 des | + d1.~ | + d | % \bar "||" +} + frauenPausenDerBewaffneteMann = { - R1.*12 | \time 3/8 - R4. | \time 12/8 - R1.*2 | \bar "||" + s1.*12 | \time 3/8 + s4. | \time 12/8 + s1.*2 | \bar "||" s1. | r8 s2 s8 r s2 s8 | s1.*3 | @@ -18,8 +90,8 @@ frauenPausenDerBewaffneteMann = { r8 s4 s4. r8 s4 s4. | \time 3/8 s4. | \time 12/8 s2. r | - R1. | \bar "||" - R1.*6 | \bar "||" + s1. | \bar "||" + s1.*6 | \bar "||" s1. | r8 s2 s8 r s2 s8 | s1.*3 | @@ -28,7 +100,7 @@ frauenPausenDerBewaffneteMann = { r8 s4 s4. r8 s4 s4. | \time 3/8 s4. | \time 12/8 s2. r | - R1.*12 | % \bar "||" + s1.*12 | % \bar "||" \repeat volta 2 { s1. | r8 s4 s4. r8 s4 s4. | @@ -74,7 +146,8 @@ maennerPausenDerBewaffneteMann = { s4. | \time 12/8 s2. r | R1. | \bar "||" - R1.*6 | \bar "||" + R1.*4 | + s1.*2 | \bar "||" s1. | r8 s2 s8 r s2 s8 | s1.*3 | @@ -120,9 +193,10 @@ maennerPausenDerBewaffneteMann = { } sopranMelodieDerBewaffneteMann = \relative g' { - s1.*12 | \time 3/8 + \transposedCueDuring trommel #UP c'' { s1.*4 | } + \cueDuring floete #UP { s1.*8 | \time 3/8 s4. | \time 12/8 - s1.*2 | \bar "||" + s1.*2 | } \bar "||" g4^\mf g8 c4 c8 b a4 g4. | s8 d' d g,4. s8 d' d d c4 | b8 a4 g4. d'8 d d g,4. | @@ -133,8 +207,8 @@ sopranMelodieDerBewaffneteMann = \relative g' { s8 d' d g,4. s8 d' d d c4 | \time 3/8 b8 a4 | \time 12/8 g2. s | - s1. | \bar "||" - s1.*6 | \bar "||" + \transposedCueDuring trommel #UP c'' { s1. | } \bar "||" + \cueDuring trompete #UP { s1.*6 | } \bar "||" g4 g8 c4 c8 b a4 g4. | s8 d' d g,4. s8 d' d d c4 | b8 a4 g4. d'8 d d g,4. | @@ -145,7 +219,8 @@ sopranMelodieDerBewaffneteMann = \relative g' { s8 d' d g,4. s8 d' d d c4 | \time 3/8 b8 a4 | \time 12/8 g2. s | - s1.*12 | % \bar "||" + \transposedCueDuring trommel #UP c'' { s1.*3 | } + \cueDuring trompete #UP { s1.*9 | } % \bar "||" \repeat volta 2 { g4 g8 c4 c8 b a4 g4. | s8 d' d g,4. s8 d' d d c4 | @@ -185,9 +260,9 @@ sopranMelodieDerBewaffneteMann = \relative g' { } altMelodieDerBewaffneteMann = \relative g { - s1.*12 | \time 3/8 - s4. | \time 12/8 - s1.*2 | \bar "||" + R1.*12 | \time 3/8 + R4. | \time 12/8 + R1.*2 | \bar "||" g4 g8 c4 c8 b a4 g4. | s8 d' d g,4. s8 d' d d c4 | b8 a4 g4. d'8 d d g,4. | @@ -198,8 +273,8 @@ altMelodieDerBewaffneteMann = \relative g { s8 d d g,4. s8 d' d d c4 | \time 3/8 b8 a4 | \time 12/8 g2. s | - s1. | \bar "||" - s1.*6 | \bar "||" + R1. | \bar "||" + R1.*6 | \bar "||" g4 g8 c4 c8 b a4 g4. | s8 d' d g,4. s8 d' d d c4 | b8 a4 g4. d'8 d d g,4. | @@ -210,7 +285,7 @@ altMelodieDerBewaffneteMann = \relative g { s8 d' d g,4. s8 d' d d c4 | \time 3/8 b8 a4 | \time 12/8 g2. s | - s1.*12 | % \bar "||" + R1.*12 | % \bar "||" \repeat volta 2 { g4 g8 c4 c8 b a4 g4. | s8 d' d g,4. s8 d' d d c4 | @@ -259,7 +334,8 @@ tenorMelodieDerBewaffneteMann = \relative g { b8 a4 | \time 12/8 g2. s | s1. | \bar "||" - s1.*6 | \bar "||" + s1.*4 | + R1.*2 | \bar "||" g4 g8 c4 c8 b a4 g4. | s8 d' d g,4. s8 d' d d c4 | b8 a4 g4. d'8 d d g,4. | @@ -319,7 +395,8 @@ bassMelodieDerBewaffneteMann = \relative g { b8 a4 | \time 12/8 g2. s | s1. | \bar "||" - s1.*6 | \bar "||" + s1.*4 | + \transposedCueDuring trommel #UP c { s1.*2 | } \bar "||" g4 g8 c4 c8 b a4 g4. | s8 d' d g,4. s8 d' d d c4 | b8 a4 g4. d'8 d d g,4. | -- cgit v1.2.3-70-g09d2