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author | Erich Eckner <erich.eckner.ext@bestsecret.com> | 2024-07-19 12:22:24 +0200 |
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committer | Erich Eckner <erich.eckner.ext@bestsecret.com> | 2024-07-19 12:22:24 +0200 |
commit | 88efe16215de89fcd03b5f0906f011b1447e4dc0 (patch) | |
tree | 322911368607a7a4bbd66310621df745ab5c8462 /Spanische_Naechte | |
parent | 9db14e615a7d872dd33984331092f0f94396cf7c (diff) | |
download | Musik-88efe16215de89fcd03b5f0906f011b1447e4dc0.tar.xz |
Spanische_Naechte neu
Diffstat (limited to 'Spanische_Naechte')
-rw-r--r-- | Spanische_Naechte/Makefile | 36 | ||||
-rw-r--r-- | Spanische_Naechte/Spanische Nächte.ly | 318 |
2 files changed, 354 insertions, 0 deletions
diff --git a/Spanische_Naechte/Makefile b/Spanische_Naechte/Makefile new file mode 100644 index 0000000..93067fb --- /dev/null +++ b/Spanische_Naechte/Makefile @@ -0,0 +1,36 @@ +CURDOC=$(shell basename "$(CURDIR)") + +DIRS=../Geh_aus_mein_Herz ../In_dieser_lieben_Sommerzeit + +EXTRAS=-mit-Texthinweisen + +all: $(CURDOC)$(EXTRAS).pdf + +print: + @echo $(CURDOC)$(EXTRAS).pdf + +clean: + rm -f *.pre *.post + +Clean: clean + rm -f *.pdf *.midi + +include ../.meta/*.mk + +%.pre: %.ly + cat "$<" > "$@" + +Geh_aus_mein_Herz_%.pre: ../Geh_aus_mein_Herz/%.ly + cat "$<" > "$@" + +In_dieser_lieben_Sommerzeit_%.pre: ../In_dieser_lieben_Sommerzeit/%.ly + cat "$<" > "$@" + +%.post: %.pre $(patsubst %.ly,%.pre,$(shell find $(DIRS) -name '*.ly' | cut -d/ -f2,3 | tr '/' '_')) ../.meta/header.ly + cat ../.meta/header.ly "$<" \ + |m4 \ + >"$@" + +%.pdf: %.post + lilypond $< + pkill -SIGHUP -xf "mupdf(-x11)? $@" || true diff --git a/Spanische_Naechte/Spanische Nächte.ly b/Spanische_Naechte/Spanische Nächte.ly new file mode 100644 index 0000000..9d2f6b8 --- /dev/null +++ b/Spanische_Naechte/Spanische Nächte.ly @@ -0,0 +1,318 @@ +\version "2.24.3" +% automatically converted by musicxml2ly from Spanische Nächte.musicxml +\pointAndClickOff + +\header { + encodingsoftware = "MuseScore 4.3.2" + encodingdate = "2024-07-19" + } + +#(set-global-staff-size 17.37142857142857) +\paper { + + paper-width = 21.01\cm + paper-height = 29.69\cm + top-margin = 1.5\cm + bottom-margin = 1.5\cm + left-margin = 1.5\cm + right-margin = 1.5\cm + indent = 1.6161538461538463\cm + } +\layout { + \context { \Score + autoBeaming = ##f + } + } +PartPOneVoiceOne = \relative c' { + \clef "treble_8"\time 4/4 \key f \major | + c4 ^ "42" s2 c4 | + c4 ^\markup{ \bold\large {Spanische Nächte} } s2 c4 | + c4 s2 c4 | + c4 s2 c4 \break | + c4 s2 c4 | + c4 s2 c4 | + c1~ | + c2 s8 c8 c8 c8 \break | + c4 d8 e8 f4 g8 f8 | + f4 e4 s8 g4 f8 | + f8 e4 d8 d4 c8 b8 | + a8 b8 c4 s8 c8 c8 c8 \break | + c4 d8 e8 f8 s8 g8 f8 | + f4 e4 s8 g4 f8 | + f8 e4 d8 d4 c8 g'8 | + f4 s4. f8 f8 f8 \break | + f4 s4. f8 f8 f8 | + f4 s4. f8 f8 f8 | + f4 s4. d8 e8 f8 \break | + e4 g4 s8 c,8 ^ "43" c8 c8 | + c4 d8 e8 f4 g8 f8 | + f4 e4 s8 g4 f8 | + f8 e4 d8 d4 ^ "coda" c8 g'8 \pageBreak | + f4 s1 f8 f8 f4 f8 f8 | + f4 s4 c2 s4 c8 d8 c4 c8 d8 \break | + c4 s4 c2 s4 f8 g8 f4 f8 g8 | + f4 s4 f2 \break s4 f8 g8 f4 f8 g8 | + f4 s4 g2 s4 f8 f8 f4 f8 f8 | + f4 s4 c2 \break s4 c8 d8 c4 c8 d8 | + c4 s4 c2 s4 f8 f8 f4 f8 d8 \break | + c4 e8 e8 e4 e8 g8 | + f4 c8 d8 c4 c8 d8 ^ "44" \break | + c8 d8 c4 s8 c8 c8 c8 | + f4 s2 c4 | + c4 s2 c4 | + c4 s2 c4 \pageBreak | + c4 s2 c4 | + c4 s2 c4 | + c4 s2 c4 \break | + c4 s2 c4 | + c1~ | + c8 ( s8 e4 es2 ) | \bar "|." + } + +PartPOneVoiceOneLyricsOne = \lyricmode {\set ignoreMelismata = ##t + "Si!" Se -- "nor!" "Si," "si!" Se -- "nor!" "Si," "si!" "Si," "si!" + Se -- "nor!" \skip1 Das ist der Zau -- ber der spa -- ni -- schen Nä + -- "chte." Je -- der mö -- chte so gern ein To -- re -- ro "sein." + Denn ein To -- re -- ro hat Glück bei den Frau -- "en." Al -- le + schau -- en auf ihn ganz al -- "lein." "\" Si," "si," Se -- "nor!\" + " ver -- nimmt sein Ohr " \"To" -- re -- a -- "dor," Ihr seid der re + -- "chte!\" + " Das ist der Zau -- ber der spa -- ni -- schen Näch -- " te." Je -- + der Mann fühlt sich dann Ma -- ta -- "dor." "Bäng," "bäng," "bäng," + "bäng," "bäng," bäng "Hm!" "bäng," ".." \skip1 \skip1 \skip1 \skip1 + "Hm!" "Bäng," "..." \skip1 \skip1 \skip1 \skip1 "Hm!" "bäng," "..." + \skip1 \skip1 \skip1 \skip1 "Hm!" "bäng," "..." \skip1 \skip1 \skip1 + \skip1 "Hm!" "bäng," "..." \skip1 \skip1 \skip1 \skip1 "Hm!" "bäng," + "..." \skip1 \skip1 \skip1 "bäng!" "Bäng," "bäng," "bäng!" "Bäng," + "bäng," "bäng!" "Bäng," "bang," "bäng!" "Bäng," "bäng," "bäng," + "bäng," "bäng!" Das ist der "dor!" "Si," "si!" Se -- "nor!" "Si," + "si!" Se -- "nor!" "Si," "si!" "Si," "si!" Se -- "nor!" \skip1 "Hm!" + \skip1 + } + PartPOneVoiceTwo = \relative a { \clef "treble_8"\time 4/4 \key f \major | + a4 s2 a4 | + b4 s2 b4 | + a4 s2 a4 | + b4 s2 b4 \break | + a4 s2 a4 | + a4 s2 a4 | + a1~ | + a2 s8 c8 c8 c8 \break | + c4 c8 c8 h4 h8 h8 | + b4 b4 s8 d4 c8 | + c8 b4 b8 b4 a8 g8 | + f8 g8 a4 s8 c8 c8 c8 \break | + c4 c8 c8 h8 s8 h8 h8 | + b4 b4 s8 d4 c8 | + c8 b4 b8 b4 b8 b8 | + a4 s4. es'8 es8 es8 \break | + d4 s4. cis8 cis8 cis8 | + c4 s4. c8 c8 c8 | + h4 s4. h8 h8 h8 \break | + c4 c4 s8 c8 c8 c8 | + c4 c8 c8 h4 h8 h8 | + b4 b4 s8 d4 c8 | + c8 b4 b8 b4 b8 c8 \pageBreak | + a4 s1 c8 d8 c4 c8 d8 | + c4 s4 b2 s4 a8 b8 a4 a8 b8 \break | + a4 s4 a2 s4 d8 d8 d4 d8 d8 | + d4 s4 d2 \break s4 a8 b8 a4 a8 b8 | + a4 s4 b2 s4 c8 d8 c4 c8 d8 | + c4 s4 b2 \break s4 a8 b8 a4 a8 b8 | + a4 s4 a2 s4 d8 d8 d4 d8 b8 \break | + b4 b8 b8 b4 b8 b8 | + a4 a8 b8 a4 a8 b8 \break | + a8 b8 a4 s8 c8 c8 c8 | + a4 s2 a4 | + a4 s2 a4 | + b4 s2 b4 \pageBreak | + a4 s2 a4 | + b4 s2 b4 | + a4 s2 a4 \break | + a4 s2 a4 | + a1~ | + a8 s8 c4 c2 | \bar "|." + } + +PartPOneVoiceThree = \relative as { \clef "treble_8"\time 4/4 \key f \major s1*4 \break s1*4 \break s1*4 \break s1*4 \break s1*3 \break s1*4 \pageBreak s1*4 \break s1*3 \break s1*4 \break s1*3 \break s1*2 \break s1*4 \pageBreak s1*3 \break s4*9 as4 ( a2 ) | \bar "|." + } + +PartPTwoVoiceOne = \relative f { \clef "bass"\time 4/4 \key f \major | + r8 f8 c8 d8 f2 | + r8 e8 c8 d8 e2 | + r8 f8 c8 d8 f2 | + r8 e8 c8 d8 e2 \break | + r8 f8 c8 d8 f2 | + r8 f8 c8 d8 f2 | + r8 f8 c8 d8 f8 f8 c8 d8 | + f2 s8 a8 a8 a8 \break | + a4 a8 a8 as4 as8 as8 | + g4 g4 s8 b4 a8 | + a8 g4 f8 f4 e8 e8 | + c8 c8 f4 s8 a8 a8 a8 \break | + a4 a8 a8 as8 s8 as8 as8 | + g4 g4 s8 b4 a8 | + a8 g4 f8 f4 e8 e8 | + f4 s4. a8 a8 a8 \break | + b4 s4. b8 b8 b8 | + a4 s4. a8 a8 a8 | + g4 s4. g8 g8 g8 \break | + g4 e4 s8 c'8 c8 c8 | + a4 a8 a8 as4 as8 as8 | + g4 g4 s8 b4 a8 | + a8 g4 f8 f4 e8 e8 \pageBreak | + f4 s2 c4 | + a'1~ | + a4 g8 f8 g4 f8 e8 | + f1~ \break | + f4 f8 g8 f4 e8 es8 | + d4. f8 b2~ | + b4 b8 a8 c8 b8 f8 d8 \break | + c1~ | + c4 c8 d8 e4 f8 g8 | + a1~ | + a4 g8 f8 g4 f8 e8 \break | + f1~ | + f4 f8 g8 f4 e8 es8 | + d4. f8 b4. f8 \break | + e4. f8 c'4. e,8 | + f1~ \break | + f2 s8 c'8 c8 c8 | + f,4 s4 r2 | + r8 f8 c8 d8 f2 | + r8 e8 c8 d8 e2 \pageBreak | + r8 f8 c8 d8 f2 | + r8 e8 c8 d8 e2 | + r8 f8 c8 d8 f2 \break | + r8 f8 c8 d8 f2 | + r8 f8 c8 d8 f8 f8 c8 d8 | + f8 s8 c4~ c2 | \bar "|." + } + +PartPTwoVoiceOneLyricsOne = \lyricmode {\set ignoreMelismata = ##t + "Si," "si," Se -- "nor!" "Si," "si," Se -- "nor!" "Si," "si," Se -- + "nor!" "Si," "si," Se -- "nor!" "Si," "si," Se -- "nor!" "Si," "si," + Se -- "nor!" "Si," "si," Se -- "nor!" "Si," "si," Se -- nor\skip1 + \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 + \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 + \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 + \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 + \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 + \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 + \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 + \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 + \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 Wie schön\skip1 sind die + Fraun an -- zu -- sehn\skip1 Und es tönt wie ver -- lieb -- ter + Sang\skip1 der Gi -- tar -- ren lei -- ser "Klang." \skip1 Und der + Wein schmeckt so "gut," \skip1 geht wie Feu -- er ins "Blut." \skip1 + Doch das kommt nur in Spa -- nien "vor." "Si," "si!" "Si," "si!" Se + -- "nor!" \skip1 \skip1 \skip1 \skip1 \skip1 "Si," "si," Se -- + "nor!" "Si," "si," Se -- "nor!" "Si," "si," Se -- "nor!" "Si," "si," + Se -- "nor!" "Si," "si," Se -- "nor!" "Si," "si," Se -- "nor!" "Si," + "si," Se -- "nor!" "Si," "si," Se -- "nor!" \skip1 \skip1 + } + PartPTwoVoiceTwo = \relative f, { \clef "bass"\time 4/4 \key f \major | + f4 s2 c'4 | + g4 s2 c4 | + f,4 s2 c'4 | + g4 s2 c4 \break | + f,4 s2 c'4 | + f,4 s2 c'4 | + f,1~ | + f2 s8 f'8 f8 f8 \break | + f4 f8 f8 d4 d8 d8 | + c4 c4 s8 c4 c8 | + c8 c4 c8 c4 c8 c8 | + f,8 f8 f4 s8 f'8 f8 f8 \break | + f4 f8 f8 d8 s8 d8 d8 | + c4 c4 s8 c4 c8 | + c8 c4 c8 c4 c8 c8 | + f,4 c'8 a8 f4 r4 \break | + r8 b8 f8 g8 b4 s4. f'8 c8 d8 f4 s4. d8 g,8 h8 d8 f8 e8 d8 \break | + c4 c4 s8 c'8 c8 c8 | + f,4 f8 f8 d4 d8 d8 | + c4 c4 s8 c4 c8 | + c8 c4 c8 c4 c8 c8 \pageBreak | + f,4 c'8 a8 f4 s2 f8 f8 f4 f8 f8 | + f4 s4 c'2 s4 f,8 f8 f4 f8 f8 \break | + f4 s4 f2 s4 b8 b8 b4 b8 b8 | + b4 s4 b2 \break s4 f8 f8 f4 f8 f8 | + f4 s4 c'2 s4 f,8 f8 f4 f8 f8 | + f4 s4 c'2 \break s4 f,8 f8 f4 f8 f8 | + f4 s4 c'2 s4 b8 b8 g4 g8 g8 \break | + c4 c8 c8 c4 c8 c8 | + f,4 r8 b8 f4 r8 b8 \break | + f4 s4. c''8 c8 c8 | + f,,4 c'8 a8 f4 r4 | + f4 s2 c'4 | + g4 s2 c4 \pageBreak | + f,4 s2 c'4 | + g4 s2 c4 | + f,4 s2 c'4 \break | + f,4 s2 c'4 | + f,1~ | + f8 s8 c'4 f,2 | \bar "|." + } + +PartPTwoVoiceTwoLyricsOne = \lyricmode {\set ignoreMelismata = ##t + "Si!" Se -- "nor!" "Si," "si!" Se -- nor "Si," "si!" "Si," "si!" Se + -- "nor!" \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 + \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 + \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 + \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 + \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 + \skip1 \skip1 "\" Si," "si," Se -- "nor!\" " ver -- nimmt sein Ohr " + \"To" -- re -- a -- "dor," Ihr seid der re -- chte\skip1 \skip1 + \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 + \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 Ma -- + ta -- "dor." \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 + \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 + \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 + \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 + \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 + \skip1 \skip1 \skip1 "bäng!" "Bäng," "bäng," "bäng!" "Bäng," "bäng," + "bäng!" "Si," "si," Se -- nor\skip1 \skip1 \skip1 "dor," Ma -- ta -- + "tor." "Si!" Se -- "nor!" "Si," "si!" Se -- "nor!" "Si," "si!" "Si," + "si!" Se -- "nor!" \skip1 "Hm!" \skip1 + } + + +% The score definition +\score { + << + + \new StaffGroup + << + \new Staff + << + \set Staff.instrumentName = "Tenor" + + \context Staff << + \mergeDifferentlyDottedOn\mergeDifferentlyHeadedOn + \context Voice = "PartPOneVoiceOne" { \voiceOne \PartPOneVoiceOne } + \new Lyrics \lyricsto "PartPOneVoiceOne" { \set stanza = "1." \PartPOneVoiceOneLyricsOne } + \context Voice = "PartPOneVoiceTwo" { \voiceTwo \PartPOneVoiceTwo } + \context Voice = "PartPOneVoiceThree" { \voiceThree \PartPOneVoiceThree } + >> + >> + \new Staff + << + \set Staff.instrumentName = "Bass" + + \context Staff << + \mergeDifferentlyDottedOn\mergeDifferentlyHeadedOn + \context Voice = "PartPTwoVoiceOne" { \voiceOne \PartPTwoVoiceOne } + \new Lyrics \lyricsto "PartPTwoVoiceOne" { \set stanza = "1." \PartPTwoVoiceOneLyricsOne } + \context Voice = "PartPTwoVoiceTwo" { \voiceTwo \PartPTwoVoiceTwo } + \new Lyrics \lyricsto "PartPTwoVoiceTwo" { \set stanza = "1." \PartPTwoVoiceTwoLyricsOne } + >> + >> + + >> + + >> + \layout {} + % To create MIDI output, uncomment the following line: + % \midi {\tempo 4 = 100 } + } + |