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author | Erich Eckner <erich.eckner.ext@bestsecret.com> | 2024-07-19 12:22:24 +0200 |
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committer | Erich Eckner <erich.eckner.ext@bestsecret.com> | 2024-07-19 12:22:24 +0200 |
commit | 8b961c509131c50e56e315fa563bb151a7352dd7 (patch) | |
tree | 6bbf20628889ef9701beeb5d67ebcdfad653ff00 /La-Le-Lu | |
parent | 71d85a6871b6d8b873135e967c7dbd45a9a856a1 (diff) | |
download | Musik-8b961c509131c50e56e315fa563bb151a7352dd7.tar.xz |
La-Le-Lu neu
Diffstat (limited to 'La-Le-Lu')
-rw-r--r-- | La-Le-Lu/La-Le-Lu.ly | 303 | ||||
-rw-r--r-- | La-Le-Lu/Makefile | 36 |
2 files changed, 339 insertions, 0 deletions
diff --git a/La-Le-Lu/La-Le-Lu.ly b/La-Le-Lu/La-Le-Lu.ly new file mode 100644 index 0000000..fdb37ad --- /dev/null +++ b/La-Le-Lu/La-Le-Lu.ly @@ -0,0 +1,303 @@ +\version "2.24.3" +% automatically converted by musicxml2ly from La-Le-Lu.mxl +\pointAndClickOff + +\header { + title = "La-Le-Lu" + composer = "Heino Gaze" + poet = "Heino Gaze" + encodingsoftware = "MuseScore 4.1.1" + encodingdate = "2023-10-16" + } + +#(set-global-staff-size 20.0) +\paper { + + paper-width = 21.0\cm + paper-height = 29.7\cm + top-margin = 1.5\cm + bottom-margin = 1.5\cm + left-margin = 1.5\cm + right-margin = 1.5\cm + indent = 1.6153846153846154\cm + short-indent = 0.6461538461538461\cm + } +\layout { + \context { \Score + autoBeaming = ##f + } + } +PartPOneVoiceOne = \relative c' { + \clef "treble_8"\time 4/4 \key as \major | + c2 c2 | + es2 es8. es16 d8. d16 | + des2 des2 | + f2 es8. des16 des8. h16 | + c2 ges'2 \break | + f4 f2 f4 | + d2 d4 d4 | + des1 | + c2 c2 | + es2 d8. d16 d8. d16 | + des2 des2 \pageBreak | + f2 es8. des16 des8. h16 | + c2 ges'2 | + f4 f2. | + d2 des4 des4 | + c1 \break | + as'2 \times 2/3 { + g4 g4 g4 } + | + as2 g2 | + f2 \times 2/3 { + e4 e4 e4 } + | + f2 ges2 | + f2 \times 2/3 { + f4 f4 f4 } + \pageBreak | + e2 f4 ( es4 ) | + d4 d4 d4 d4 | + des4 ( f4 e2 ) | \bar "||" + \key a \major e2 a4 ( fis4 ) | + e2 e8. e16 dis8. dis16 \break | + d2 a'2 | + gis2 gis8. gis16 fis8. gis16 | + gis2 fis2 | + fis4 fis2 f4 | + e4 ( dis4 ) d4 r4 \pageBreak | + r4 fis4 f4 r4 | + r4 d4 cis2 | \bar "|." + } + +PartPOneVoiceOneLyricsTwo = \lyricmode {\set ignoreMelismata = ##t La + -- le -- "lu," nur der Mann im Mond schaut "zu," wenn die klei -- + nen Ba -- bies schla -- "fen," drum schla -- fe auch "du." La -- le + -- "lu," vor dem Bett -- chen stehn zwei "Schuh'" und die sind ge -- + nau so mü -- "de," gehn jetzt zur "Ruh'." Dann kommt auch der Sand + -- mann "leis'" tritt er ins "Haus;" und sucht aus sei -- nen Träu + -- "men " __\skip1 dir den schön -- sten "aus. " __\skip1 \skip1 La + -- le --\skip1 "lu," nur der Mann im Mond schaut "zu," wenn die klei + -- nen Ba -- bies schla -- "fen," drum schla --\skip1 fe auch "du," + und "du." + } + PartPTwoVoiceOne = \relative es { \clef "treble_8"\time 4/4 \key as \major | + es2 as2 | + c2 b8. as16 g8. f16 | + es2 b'2 | + des2 c8. b16 g8. f16 | + es2 es'2 \break | + es4 des2 des4 | + c2 b4 as4 | + <es b'>1 | + es2 as2 | + c2 b8. as16 g8. f16 | + es2 b'2 \pageBreak | + des2 c8. b16 g8. f16 | + es2 es'2 | + es4 des2. | + c2 es,4 b'4 | + as1 \break | + f'2 \times 2/3 { + b,4 c4 des4 } + | + es4 es2. | + des2 \times 2/3 { + g,4 as4 b4 } + | + c1 | + des2 \times 2/3 { + g,4 as4 b4 } + \pageBreak | + c4 c2. | + c4 c4 f,4 c'4 | + b2. ( d4 ) | \bar "||" + \key a \major cis4 ( a4 ) fis4 ( a4 ) | + cis2 h8. a16 gis8. fis16 \break | + gis4 ( e4 ) h'4 ( cis4 ) | + d2 cis8. h16 gis8. fis16 | + e2 e'2 | + e4 d2 d4 | + cis2 fis,4 h4 \pageBreak | + a1~ | + a1 | \bar "|." + } + +PartPTwoVoiceOneLyricsTwo = \lyricmode {\set ignoreMelismata = ##t La + -- le -- "lu," nur der Mann im Mond schaut "zu," wenn die klei -- + nen Ba -- bies schla -- "fen," drum schla -- fe auch "du." La -- le + -- "lu," vor dem Bett -- chen stehn zwei "Schuh'" und die sind ge -- + nau so mü -- "de," gehn jetzt zur "Ruh'." Dann kommt auch der Sand + -- mann "leis'" tritt er ins "Haus;" sucht aus sei -- nen Träu -- + "men." dir den schön -- sten "aus. " __\skip1 La --\skip1 le + --\skip1 "lu," nur der Mann im "Mond " __\skip1 "schaut " __\skip1 + "zu," wenn die klei -- nen Ba -- bies schla -- "fen," drum schla -- + fe auch "du. " __\skip1 + } + PartPThreeVoiceOne = \relative as { \clef "bass"\time 4/4 \key as \major | + as2 es2 | + as2 g8. f16 f8. as16 | + g2 g2 | + as2 g8. g16 es8. d16 | + as'2 c2 \break | + as4 as2 as4 | + as2 as4 f4 | + <es g>1 | + as2 es2 | + as2 as8. b16 b8. as16 | + g2 g2 \pageBreak | + as2 g8. g16 es8. d16 | + as'2 b2 | + a4 b4 a4 as4 | + as2 g4 g4 | + es1 \break | + des'2 \times 2/3 { + des4 es4 b4 } + | + c2 des2 | + b2 \times 2/3 { + b4 c4 c4 } + | + as2 as2 | + as2 \times 2/3 { + b4 ces4 des4 } + \pageBreak | + b2 as2 | + as4 as4 as4 as4 | + g2. ( gis4 ) | \bar "||" + \key a \major a4 ( cis4 ) c2 | + a2 gis8. fis16 fis8. a16 \break | + e4 ( gis4 ) d'4 ( e4 ) | + h2 e8. d16 bis8. bis16 | + h2 ais2 | + ais4 h2 h4 | + ais4 ( a4 ) gis4 r4 \pageBreak | + r4 c4 h4 r4 | + r4 f4 e2 | \bar "|." + } + +PartPThreeVoiceOneLyricsTwo = \lyricmode {\set ignoreMelismata = ##t La + -- le -- "lu," nur der Mann im Mond schaut "zu," wenn die klei -- + nen Ba -- bies schla -- "fen," drum schla -- fe auch "du." La -- le + -- "lu," vor dem Bett -- chen stehn zwei "Schuh'" und die sind ge -- + nau so auch so mü -- "de," gehn jetzt zur "Ruh'." Dann kommt auch + der Sand -- mann "leis'" tritt er ins "Haus;" und sucht aus sei -- + nen Träu -- men dir den schön -- sten "aus " __\skip1 La --\skip1 le + -- "lu," nur der Mann im "Mond " __\skip1 "schau " __\skip1 "zu," + wenn die klei -- nen Ba -- bies schla -- "fen," drum schla --\skip1 + fe auch "du," und "du." + } + PartPFourVoiceOne = \relative as, { \clef "bass"\time 4/4 \key as \major | + as2 as2 | + as2 c8. c16 h8. h16 | + b2 es2 | + b2 es8. es16 b8. g16 | + as2 as2 \break | + des4 des2 b4 | + f'2 f4 b,4 | + r4 des4 c4 b4 | + as2 as2 | + as2 f'8. f16 b,8. b16 | + b2 es2 \pageBreak | + b2 es8. es16 b8. g16 | + as2 c2 | + c4 b2. | + f'2 b,4 es4 | + as,4. as8 b4 ( c4 ) \break | + b2 \times 2/3 { + es4 es4 es4 } + | + as2 b2 | + g2 \times 2/3 { + c,4 as'4 g4 } + | + f2 es2 | + b2 \times 2/3 { + des4 des4 as'4 } + \pageBreak | + g2 f2 | + f4 f4 b,4 f'4 | + es4 ( des4 c4 h4 ) | \bar "||" + \key a \major a2 d2 | + a2 cis8. cis16 c8. c16 \break | + h2 fis'2 | + e2 e8. e16 dis8. dis16 | + cis2 cis2 | + cis4 h2 g'4 | + fis4 ( h,4 ) h4 r4 \pageBreak | + r4 d4 d4 r4 | + r4 h4 a2 | \bar "|." + } + +PartPFourVoiceOneLyricsTwo = \lyricmode {\set ignoreMelismata = ##t La + -- le -- "lu," nur der Mann im Mond schaut "zu," wenn die klei -- + nen Ba -- bies schla -- "fen," drum schla -- fe "auch," auch "du " + __\skip1 La -- le -- "lu," vor dem Bett -- chen stehn zwei "Schuh'" + und die sind ge -- nau so mü -- "de." gehn jetzt zur "Ruh'," zur + "Ruh'. " __\skip1 Dann kommt auch der Sand -- mann "leis'" tritt er + ins "Haus;" und sucht aus sei -- nen Träu -- men dir den schön -- + sten "aus " __\skip1 \skip1 \skip1 La -- le -- "lu," nur der Mann im + Mond schaut "zu," wenn die klei -- nen Ba -- bies schla -- "fen," + drum schla --\skip1 fe auch "du," und "du." + } + + +% The score definition +\score { + << + + \new StaffGroup + << + \new Staff + << + \set Staff.instrumentName = "Tenor" + \set Staff.shortInstrumentName = "T." + + \context Staff << + \mergeDifferentlyDottedOn\mergeDifferentlyHeadedOn + \context Voice = "PartPOneVoiceOne" { \PartPOneVoiceOne } + \new Lyrics \lyricsto "PartPOneVoiceOne" { \set stanza = "1." \PartPOneVoiceOneLyricsTwo } + >> + >> + \new Staff + << + \set Staff.instrumentName = "Tenor" + \set Staff.shortInstrumentName = "T." + + \context Staff << + \mergeDifferentlyDottedOn\mergeDifferentlyHeadedOn + \context Voice = "PartPTwoVoiceOne" { \PartPTwoVoiceOne } + \new Lyrics \lyricsto "PartPTwoVoiceOne" { \set stanza = "1." \PartPTwoVoiceOneLyricsTwo } + >> + >> + \new Staff + << + \set Staff.instrumentName = "Bass" + \set Staff.shortInstrumentName = "B." + + \context Staff << + \mergeDifferentlyDottedOn\mergeDifferentlyHeadedOn + \context Voice = "PartPThreeVoiceOne" { \PartPThreeVoiceOne } + \new Lyrics \lyricsto "PartPThreeVoiceOne" { \set stanza = "1." \PartPThreeVoiceOneLyricsTwo } + >> + >> + \new Staff + << + \set Staff.instrumentName = "Bass" + \set Staff.shortInstrumentName = "B." + + \context Staff << + \mergeDifferentlyDottedOn\mergeDifferentlyHeadedOn + \context Voice = "PartPFourVoiceOne" { \PartPFourVoiceOne } + \new Lyrics \lyricsto "PartPFourVoiceOne" { \set stanza = "1." \PartPFourVoiceOneLyricsTwo } + >> + >> + + >> + + >> + \layout {} + % To create MIDI output, uncomment the following line: + % \midi {\tempo 4 = 100 } + } + diff --git a/La-Le-Lu/Makefile b/La-Le-Lu/Makefile new file mode 100644 index 0000000..93067fb --- /dev/null +++ b/La-Le-Lu/Makefile @@ -0,0 +1,36 @@ +CURDOC=$(shell basename "$(CURDIR)") + +DIRS=../Geh_aus_mein_Herz ../In_dieser_lieben_Sommerzeit + +EXTRAS=-mit-Texthinweisen + +all: $(CURDOC)$(EXTRAS).pdf + +print: + @echo $(CURDOC)$(EXTRAS).pdf + +clean: + rm -f *.pre *.post + +Clean: clean + rm -f *.pdf *.midi + +include ../.meta/*.mk + +%.pre: %.ly + cat "$<" > "$@" + +Geh_aus_mein_Herz_%.pre: ../Geh_aus_mein_Herz/%.ly + cat "$<" > "$@" + +In_dieser_lieben_Sommerzeit_%.pre: ../In_dieser_lieben_Sommerzeit/%.ly + cat "$<" > "$@" + +%.post: %.pre $(patsubst %.ly,%.pre,$(shell find $(DIRS) -name '*.ly' | cut -d/ -f2,3 | tr '/' '_')) ../.meta/header.ly + cat ../.meta/header.ly "$<" \ + |m4 \ + >"$@" + +%.pdf: %.post + lilypond $< + pkill -SIGHUP -xf "mupdf(-x11)? $@" || true |