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authorErich Eckner <erich.eckner.ext@bestsecret.com>2024-07-19 12:22:24 +0200
committerErich Eckner <erich.eckner.ext@bestsecret.com>2024-07-19 12:22:24 +0200
commit8b961c509131c50e56e315fa563bb151a7352dd7 (patch)
tree6bbf20628889ef9701beeb5d67ebcdfad653ff00
parent71d85a6871b6d8b873135e967c7dbd45a9a856a1 (diff)
downloadMusik-8b961c509131c50e56e315fa563bb151a7352dd7.tar.xz
La-Le-Lu neu
-rw-r--r--La-Le-Lu/La-Le-Lu.ly303
-rw-r--r--La-Le-Lu/Makefile36
2 files changed, 339 insertions, 0 deletions
diff --git a/La-Le-Lu/La-Le-Lu.ly b/La-Le-Lu/La-Le-Lu.ly
new file mode 100644
index 0000000..fdb37ad
--- /dev/null
+++ b/La-Le-Lu/La-Le-Lu.ly
@@ -0,0 +1,303 @@
+\version "2.24.3"
+% automatically converted by musicxml2ly from La-Le-Lu.mxl
+\pointAndClickOff
+
+\header {
+ title = "La-Le-Lu"
+ composer = "Heino Gaze"
+ poet = "Heino Gaze"
+ encodingsoftware = "MuseScore 4.1.1"
+ encodingdate = "2023-10-16"
+ }
+
+#(set-global-staff-size 20.0)
+\paper {
+
+ paper-width = 21.0\cm
+ paper-height = 29.7\cm
+ top-margin = 1.5\cm
+ bottom-margin = 1.5\cm
+ left-margin = 1.5\cm
+ right-margin = 1.5\cm
+ indent = 1.6153846153846154\cm
+ short-indent = 0.6461538461538461\cm
+ }
+\layout {
+ \context { \Score
+ autoBeaming = ##f
+ }
+ }
+PartPOneVoiceOne = \relative c' {
+ \clef "treble_8"\time 4/4 \key as \major |
+ c2 c2 |
+ es2 es8. es16 d8. d16 |
+ des2 des2 |
+ f2 es8. des16 des8. h16 |
+ c2 ges'2 \break |
+ f4 f2 f4 |
+ d2 d4 d4 |
+ des1 |
+ c2 c2 |
+ es2 d8. d16 d8. d16 |
+ des2 des2 \pageBreak |
+ f2 es8. des16 des8. h16 |
+ c2 ges'2 |
+ f4 f2. |
+ d2 des4 des4 |
+ c1 \break |
+ as'2 \times 2/3 {
+ g4 g4 g4 }
+ |
+ as2 g2 |
+ f2 \times 2/3 {
+ e4 e4 e4 }
+ |
+ f2 ges2 |
+ f2 \times 2/3 {
+ f4 f4 f4 }
+ \pageBreak |
+ e2 f4 ( es4 ) |
+ d4 d4 d4 d4 |
+ des4 ( f4 e2 ) | \bar "||"
+ \key a \major e2 a4 ( fis4 ) |
+ e2 e8. e16 dis8. dis16 \break |
+ d2 a'2 |
+ gis2 gis8. gis16 fis8. gis16 |
+ gis2 fis2 |
+ fis4 fis2 f4 |
+ e4 ( dis4 ) d4 r4 \pageBreak |
+ r4 fis4 f4 r4 |
+ r4 d4 cis2 | \bar "|."
+ }
+
+PartPOneVoiceOneLyricsTwo = \lyricmode {\set ignoreMelismata = ##t La
+ -- le -- "lu," nur der Mann im Mond schaut "zu," wenn die klei --
+ nen Ba -- bies schla -- "fen," drum schla -- fe auch "du." La -- le
+ -- "lu," vor dem Bett -- chen stehn zwei "Schuh'" und die sind ge --
+ nau so mü -- "de," gehn jetzt zur "Ruh'." Dann kommt auch der Sand
+ -- mann "leis'" tritt er ins "Haus;" und sucht aus sei -- nen Träu
+ -- "men " __\skip1 dir den schön -- sten "aus. " __\skip1 \skip1 La
+ -- le --\skip1 "lu," nur der Mann im Mond schaut "zu," wenn die klei
+ -- nen Ba -- bies schla -- "fen," drum schla --\skip1 fe auch "du,"
+ und "du."
+ }
+ PartPTwoVoiceOne = \relative es { \clef "treble_8"\time 4/4 \key as \major |
+ es2 as2 |
+ c2 b8. as16 g8. f16 |
+ es2 b'2 |
+ des2 c8. b16 g8. f16 |
+ es2 es'2 \break |
+ es4 des2 des4 |
+ c2 b4 as4 |
+ <es b'>1 |
+ es2 as2 |
+ c2 b8. as16 g8. f16 |
+ es2 b'2 \pageBreak |
+ des2 c8. b16 g8. f16 |
+ es2 es'2 |
+ es4 des2. |
+ c2 es,4 b'4 |
+ as1 \break |
+ f'2 \times 2/3 {
+ b,4 c4 des4 }
+ |
+ es4 es2. |
+ des2 \times 2/3 {
+ g,4 as4 b4 }
+ |
+ c1 |
+ des2 \times 2/3 {
+ g,4 as4 b4 }
+ \pageBreak |
+ c4 c2. |
+ c4 c4 f,4 c'4 |
+ b2. ( d4 ) | \bar "||"
+ \key a \major cis4 ( a4 ) fis4 ( a4 ) |
+ cis2 h8. a16 gis8. fis16 \break |
+ gis4 ( e4 ) h'4 ( cis4 ) |
+ d2 cis8. h16 gis8. fis16 |
+ e2 e'2 |
+ e4 d2 d4 |
+ cis2 fis,4 h4 \pageBreak |
+ a1~ |
+ a1 | \bar "|."
+ }
+
+PartPTwoVoiceOneLyricsTwo = \lyricmode {\set ignoreMelismata = ##t La
+ -- le -- "lu," nur der Mann im Mond schaut "zu," wenn die klei --
+ nen Ba -- bies schla -- "fen," drum schla -- fe auch "du." La -- le
+ -- "lu," vor dem Bett -- chen stehn zwei "Schuh'" und die sind ge --
+ nau so mü -- "de," gehn jetzt zur "Ruh'." Dann kommt auch der Sand
+ -- mann "leis'" tritt er ins "Haus;" sucht aus sei -- nen Träu --
+ "men." dir den schön -- sten "aus. " __\skip1 La --\skip1 le
+ --\skip1 "lu," nur der Mann im "Mond " __\skip1 "schaut " __\skip1
+ "zu," wenn die klei -- nen Ba -- bies schla -- "fen," drum schla --
+ fe auch "du. " __\skip1
+ }
+ PartPThreeVoiceOne = \relative as { \clef "bass"\time 4/4 \key as \major |
+ as2 es2 |
+ as2 g8. f16 f8. as16 |
+ g2 g2 |
+ as2 g8. g16 es8. d16 |
+ as'2 c2 \break |
+ as4 as2 as4 |
+ as2 as4 f4 |
+ <es g>1 |
+ as2 es2 |
+ as2 as8. b16 b8. as16 |
+ g2 g2 \pageBreak |
+ as2 g8. g16 es8. d16 |
+ as'2 b2 |
+ a4 b4 a4 as4 |
+ as2 g4 g4 |
+ es1 \break |
+ des'2 \times 2/3 {
+ des4 es4 b4 }
+ |
+ c2 des2 |
+ b2 \times 2/3 {
+ b4 c4 c4 }
+ |
+ as2 as2 |
+ as2 \times 2/3 {
+ b4 ces4 des4 }
+ \pageBreak |
+ b2 as2 |
+ as4 as4 as4 as4 |
+ g2. ( gis4 ) | \bar "||"
+ \key a \major a4 ( cis4 ) c2 |
+ a2 gis8. fis16 fis8. a16 \break |
+ e4 ( gis4 ) d'4 ( e4 ) |
+ h2 e8. d16 bis8. bis16 |
+ h2 ais2 |
+ ais4 h2 h4 |
+ ais4 ( a4 ) gis4 r4 \pageBreak |
+ r4 c4 h4 r4 |
+ r4 f4 e2 | \bar "|."
+ }
+
+PartPThreeVoiceOneLyricsTwo = \lyricmode {\set ignoreMelismata = ##t La
+ -- le -- "lu," nur der Mann im Mond schaut "zu," wenn die klei --
+ nen Ba -- bies schla -- "fen," drum schla -- fe auch "du." La -- le
+ -- "lu," vor dem Bett -- chen stehn zwei "Schuh'" und die sind ge --
+ nau so auch so mü -- "de," gehn jetzt zur "Ruh'." Dann kommt auch
+ der Sand -- mann "leis'" tritt er ins "Haus;" und sucht aus sei --
+ nen Träu -- men dir den schön -- sten "aus " __\skip1 La --\skip1 le
+ -- "lu," nur der Mann im "Mond " __\skip1 "schau " __\skip1 "zu,"
+ wenn die klei -- nen Ba -- bies schla -- "fen," drum schla --\skip1
+ fe auch "du," und "du."
+ }
+ PartPFourVoiceOne = \relative as, { \clef "bass"\time 4/4 \key as \major |
+ as2 as2 |
+ as2 c8. c16 h8. h16 |
+ b2 es2 |
+ b2 es8. es16 b8. g16 |
+ as2 as2 \break |
+ des4 des2 b4 |
+ f'2 f4 b,4 |
+ r4 des4 c4 b4 |
+ as2 as2 |
+ as2 f'8. f16 b,8. b16 |
+ b2 es2 \pageBreak |
+ b2 es8. es16 b8. g16 |
+ as2 c2 |
+ c4 b2. |
+ f'2 b,4 es4 |
+ as,4. as8 b4 ( c4 ) \break |
+ b2 \times 2/3 {
+ es4 es4 es4 }
+ |
+ as2 b2 |
+ g2 \times 2/3 {
+ c,4 as'4 g4 }
+ |
+ f2 es2 |
+ b2 \times 2/3 {
+ des4 des4 as'4 }
+ \pageBreak |
+ g2 f2 |
+ f4 f4 b,4 f'4 |
+ es4 ( des4 c4 h4 ) | \bar "||"
+ \key a \major a2 d2 |
+ a2 cis8. cis16 c8. c16 \break |
+ h2 fis'2 |
+ e2 e8. e16 dis8. dis16 |
+ cis2 cis2 |
+ cis4 h2 g'4 |
+ fis4 ( h,4 ) h4 r4 \pageBreak |
+ r4 d4 d4 r4 |
+ r4 h4 a2 | \bar "|."
+ }
+
+PartPFourVoiceOneLyricsTwo = \lyricmode {\set ignoreMelismata = ##t La
+ -- le -- "lu," nur der Mann im Mond schaut "zu," wenn die klei --
+ nen Ba -- bies schla -- "fen," drum schla -- fe "auch," auch "du "
+ __\skip1 La -- le -- "lu," vor dem Bett -- chen stehn zwei "Schuh'"
+ und die sind ge -- nau so mü -- "de." gehn jetzt zur "Ruh'," zur
+ "Ruh'. " __\skip1 Dann kommt auch der Sand -- mann "leis'" tritt er
+ ins "Haus;" und sucht aus sei -- nen Träu -- men dir den schön --
+ sten "aus " __\skip1 \skip1 \skip1 La -- le -- "lu," nur der Mann im
+ Mond schaut "zu," wenn die klei -- nen Ba -- bies schla -- "fen,"
+ drum schla --\skip1 fe auch "du," und "du."
+ }
+
+
+% The score definition
+\score {
+ <<
+
+ \new StaffGroup
+ <<
+ \new Staff
+ <<
+ \set Staff.instrumentName = "Tenor"
+ \set Staff.shortInstrumentName = "T."
+
+ \context Staff <<
+ \mergeDifferentlyDottedOn\mergeDifferentlyHeadedOn
+ \context Voice = "PartPOneVoiceOne" { \PartPOneVoiceOne }
+ \new Lyrics \lyricsto "PartPOneVoiceOne" { \set stanza = "1." \PartPOneVoiceOneLyricsTwo }
+ >>
+ >>
+ \new Staff
+ <<
+ \set Staff.instrumentName = "Tenor"
+ \set Staff.shortInstrumentName = "T."
+
+ \context Staff <<
+ \mergeDifferentlyDottedOn\mergeDifferentlyHeadedOn
+ \context Voice = "PartPTwoVoiceOne" { \PartPTwoVoiceOne }
+ \new Lyrics \lyricsto "PartPTwoVoiceOne" { \set stanza = "1." \PartPTwoVoiceOneLyricsTwo }
+ >>
+ >>
+ \new Staff
+ <<
+ \set Staff.instrumentName = "Bass"
+ \set Staff.shortInstrumentName = "B."
+
+ \context Staff <<
+ \mergeDifferentlyDottedOn\mergeDifferentlyHeadedOn
+ \context Voice = "PartPThreeVoiceOne" { \PartPThreeVoiceOne }
+ \new Lyrics \lyricsto "PartPThreeVoiceOne" { \set stanza = "1." \PartPThreeVoiceOneLyricsTwo }
+ >>
+ >>
+ \new Staff
+ <<
+ \set Staff.instrumentName = "Bass"
+ \set Staff.shortInstrumentName = "B."
+
+ \context Staff <<
+ \mergeDifferentlyDottedOn\mergeDifferentlyHeadedOn
+ \context Voice = "PartPFourVoiceOne" { \PartPFourVoiceOne }
+ \new Lyrics \lyricsto "PartPFourVoiceOne" { \set stanza = "1." \PartPFourVoiceOneLyricsTwo }
+ >>
+ >>
+
+ >>
+
+ >>
+ \layout {}
+ % To create MIDI output, uncomment the following line:
+ % \midi {\tempo 4 = 100 }
+ }
+
diff --git a/La-Le-Lu/Makefile b/La-Le-Lu/Makefile
new file mode 100644
index 0000000..93067fb
--- /dev/null
+++ b/La-Le-Lu/Makefile
@@ -0,0 +1,36 @@
+CURDOC=$(shell basename "$(CURDIR)")
+
+DIRS=../Geh_aus_mein_Herz ../In_dieser_lieben_Sommerzeit
+
+EXTRAS=-mit-Texthinweisen
+
+all: $(CURDOC)$(EXTRAS).pdf
+
+print:
+ @echo $(CURDOC)$(EXTRAS).pdf
+
+clean:
+ rm -f *.pre *.post
+
+Clean: clean
+ rm -f *.pdf *.midi
+
+include ../.meta/*.mk
+
+%.pre: %.ly
+ cat "$<" > "$@"
+
+Geh_aus_mein_Herz_%.pre: ../Geh_aus_mein_Herz/%.ly
+ cat "$<" > "$@"
+
+In_dieser_lieben_Sommerzeit_%.pre: ../In_dieser_lieben_Sommerzeit/%.ly
+ cat "$<" > "$@"
+
+%.post: %.pre $(patsubst %.ly,%.pre,$(shell find $(DIRS) -name '*.ly' | cut -d/ -f2,3 | tr '/' '_')) ../.meta/header.ly
+ cat ../.meta/header.ly "$<" \
+ |m4 \
+ >"$@"
+
+%.pdf: %.post
+ lilypond $<
+ pkill -SIGHUP -xf "mupdf(-x11)? $@" || true