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authorErich Eckner <git@eckner.net>2016-11-18 13:16:06 +0100
committerErich Eckner <git@eckner.net>2016-11-20 23:13:40 +0100
commit77cd79e0b62df2c20a271c32c7e77415e781b46b (patch)
tree01ac5c845419d2819d462aa783fe7dea21b12a16 /Ich_bin_die_Auferstehung
parent5a1927be6ee2e4076c3a00bd27e68f7e3d35d5ae (diff)
downloadMusik-77cd79e0b62df2c20a271c32c7e77415e781b46b.tar.xz
Ich_bin_die_Auferstehung neu
Diffstat (limited to 'Ich_bin_die_Auferstehung')
-rw-r--r--Ich_bin_die_Auferstehung/Ich_bin_die_Auferstehung.ly49
-rw-r--r--Ich_bin_die_Auferstehung/stimmen.ly135
-rw-r--r--Ich_bin_die_Auferstehung/texte.ly103
3 files changed, 287 insertions, 0 deletions
diff --git a/Ich_bin_die_Auferstehung/Ich_bin_die_Auferstehung.ly b/Ich_bin_die_Auferstehung/Ich_bin_die_Auferstehung.ly
new file mode 100644
index 0000000..549716c
--- /dev/null
+++ b/Ich_bin_die_Auferstehung/Ich_bin_die_Auferstehung.ly
@@ -0,0 +1,49 @@
+\include "deutsch.ly"
+\include "stimmen.ly"
+\include "texte.ly"
+
+#(set! paper-alist (cons '("kindle" . (cons (* 210 mm) (* 130 mm))) paper-alist))
+#(set-default-paper-size "kindle")
+
+\pointAndClickOff
+
+\header {
+ title = "Ich bin die Auferstehung und das Leben"
+ composer = "Gallus Dreßler 1533 - ca. 1590"
+ tagline = ""
+}
+
+\new StaffGroup = choirStaff <<
+ \new Voice = sopran << \global \sopranMelodie >>
+ \new Lyrics \lyricsto sopran { \textSopran }
+ \new Voice = alt << \global \altMelodie >>
+ \new Lyrics \lyricsto alt { \textAlt }
+ \new Voice = tenor << \global \clef "G_8" \tenorMelodie >>
+ \new Lyrics \lyricsto tenor { \textTenor }
+ \new Voice = bass << \global \clef "bass" \bassMelodie >>
+ \new Lyrics \lyricsto bass { \textBass }
+>>
+
+\layout {
+ \context {
+ \Score
+ %% no bar lines in staves or lyrics
+ \hide BarLine
+ }
+ %% the next two instructions keep the lyrics between the bar lines
+ \context {
+ \Lyrics
+ \consists "Bar_engraver"
+ \consists "Separating_line_group_engraver"
+ }
+ \context {
+ \Voice
+ %% Comment in the below "\remove" command to allow line
+ %% breaking also at those bar lines where a note overlaps
+ %% into the next measure. The command is commented out in this
+ %% short example score, but especially for large scores, you
+ %% will typically yield better line breaking and thus improve
+ %% overall spacing if you comment in the following command.
+ \remove "Forbid_line_break_engraver"
+ }
+}
diff --git a/Ich_bin_die_Auferstehung/stimmen.ly b/Ich_bin_die_Auferstehung/stimmen.ly
new file mode 100644
index 0000000..b8873ac
--- /dev/null
+++ b/Ich_bin_die_Auferstehung/stimmen.ly
@@ -0,0 +1,135 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.18"
+
+global = {
+ \autoBeamOff
+ \key f \major
+ \time 4/2
+ \set Score.skipBars = ##t
+ \repeat unfold 12 { \skip 1*2 | }
+ \override Staff.BarLine.transparent = ##f
+ \bar "||"
+ \skip 1*2 |
+ \revert Staff.BarLine.transparent
+ \repeat unfold 13 { \skip 1*2 | }
+ \override Staff.BarLine.transparent = ##f
+ \bar "|."
+}
+
+% Die Stimmen
+
+sopranMelodie = \relative c'' {
+ c2 c4 c d4. c8 b4 a |
+ b a g2 a f |
+ g4 a g a b2 a4 f' |
+ e e f4. e8 d4 c d c2
+ h4 c1 c2 |
+ d4 e f2 e r4 a, |
+ a b c2 r4 c4.( b8[ a g]) |
+ a4 f'4.( e8[ d c] d2) c |
+ r4 a c8 b a a g f g4 g a4.
+ a8 g4 f2 e2 r4 f2
+ e4 d h'2( a8[ g]) a2 |
+ r4 f'4. f8 e4 d2 c |
+ r4 c a8 g a b c4 d2 c
+ h4 c c c8 c c c c4 d2
+ c4 f2 e r4 f |
+ e d4. d8 c4 b2( g) |
+ a4 f'2 e4 d4. d8 c2 |
+ d( c) a1 |
+ r4 c a8 g a b c4 d2 c
+ h4 c c c8 c c c c4 d2
+ c4 f2 e r4 f |
+ e d4. d8 c4 b2( g) |
+ a4 f'2 e4 d4. d8 c2 |
+ d( c) a r4 c2
+ d4 d c b2 b |
+ a\breve |
+}
+
+altMelodie = \relative c' {
+ c2 f4 f b4. a8 g4 f |
+ g f2 e4 f2 r |
+ r4 f d f g2 c,4 c' |
+ c c a4. a8 b4 c b g |
+ g2 e r4 g a2.
+ g4 f4.( e16[ d] g4) c c c |
+ a g e a g a4.( b8[ c b] |
+ a[ g f e]) f1. |
+ r4 f4 a8 g e f d c d4 e f4.
+ f8 e4 d2 cis r4 d4.
+ d8 e4 f2 f1 |
+ r4 a4. a8 g4 f2 e |
+ r4 c c8 c c b a4 d2 e4 |
+ g2 e4 g a8 g a g a4 b2
+ a4 b2 c r4 a |
+ g f4. f8 e4 g( f4. e16[ d] e4) |
+ f4 a2 g4 f4. f8 e4 a( |
+ g f2 e4) f1 |
+ r4 c c8 c c b a4 d2 e4 |
+ g2 e4 g a8 g a g a4 b2
+ a4 b2 c r4 a |
+ g f4. f8 e4 g( f4. e16[ d] e4) |
+ f a2 g4 f4. f8 e4 a( |
+ g f2 e4) f1~ |
+ f\breve~ |
+ f\breve |
+}
+
+tenorMelodie = \relative c' {
+ R1*2 |
+ r2 c c4 c d4. c8 |
+ b4 a b a g2 a4 a' |
+ g g f d f4. f8 f4 e |
+ d2 c4 g' g e f( f,8[ g] |
+ a[ b] c4. b16[ a] b4) c c4. c8 f2(
+ d4 c8[ b c d] e[ d c b]) c4 c |
+ c d4.( c8[ b a] b2) a |
+ r4 c a8 b c a b c b4 c c4.
+ c8 c4 a2 a2 r4 a4. a8 c4 d2 c1 |
+ r4 c4. c8 c4 a2 a |
+ r4 f' f8 g f d c4 f2 e4 |
+ d2 c4 e f8 g f e f4 f2
+ f4 f2 g r4 f |
+ c d4. d8 a4 b2( c) |
+ f,4 c'2 c4 a2. c4 |
+ b4.( a8) g2 f1 |
+ r4 f'4 f8 g f d c4 f2 e4 |
+ d2 c4 e f8 g f e f4 f2
+ f4 f2 g r4 f |
+ c d4. d8 a4 b2( c) |
+ f,4 c'2 c4 a2. c4 |
+ b4.( a8) g2 f a2.
+ b4 b a d2 d |
+ c\breve |
+}
+
+bassMelodie = \relative c {
+ R1*2 |
+ r2 c f4 f b4. a8 |
+ g4 f g f2 e4 f f |
+ c' c d4. c8 b4 a b c |
+ g2 c, c' f,2.
+ e4 d2 c f2.
+ g4 a8[( g a b] c[ b a g] a[ g f e] |
+ f[ e d c] b1) f'2 |
+ r4 f4 f8 g a f g a g4 c, f4.
+ f8 c4 d2 a r4 d4.
+ d8 c4 b2 f'1 |
+ r4 f4. f8 c4 d2 a |
+ r4 f'4 f8 e f g a4 b2 c4 |
+ g2 c,4 c f8 e f c f4 b,2
+ f'4 d2 c r |
+ R1*2 |
+ r4 f2 c4 d4. d8 a2 |
+ b( c) f1 |
+ r4 f f8 e f g a4 b2 c4 |
+ g2 c,4 c f8 e f c f4 b,2
+ f'4 d2 c r |
+ R1*2 |
+ r4 f2 c4 d4. d8 a2 |
+ b( c) f2 f2.
+ b,4 f'4. f8 b,2 b |
+ f'\breve |
+}
diff --git a/Ich_bin_die_Auferstehung/texte.ly b/Ich_bin_die_Auferstehung/texte.ly
new file mode 100644
index 0000000..f546413
--- /dev/null
+++ b/Ich_bin_die_Auferstehung/texte.ly
@@ -0,0 +1,103 @@
+
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+dA = \lyricmode {
+ die Auf -- er -- ste -- hung,
+}
+
+ibdA = \lyricmode {
+ ich bin \dA
+}
+
+ibdAudL = \lyricmode {
+ ich bin die Auf -- er -- ste -- hung und das Le -- ben.
+}
+
+IbdAudL = \lyricmode {
+ Ich bin die Auf -- er -- ste -- hung und das Le -- ben,
+}
+
+Wamg = \lyricmode {
+ Wer an mich glau -- bet,
+}
+
+wamg = \lyricmode {
+ wer an mich glau -- bet,
+}
+
+dwl = \lyricmode {
+ der wird le -- ben,
+}
+
+oegs = \lyricmode {
+ ob er gleich stür -- be,
+}
+
+oegsS = \lyricmode {
+ ob er gleich stür -- be;
+}
+
+uwdlugam = \lyricmode {
+ und wer da le -- bet und glau -- bet an mich,
+}
+
+gemeinsamerTextA = \lyricmode {
+ \wamg \dwl \oegs \oegs \oegsS
+}
+
+gemeinsamerTextB = \lyricmode {
+ \uwdlugam \uwdlugam
+}
+
+gemeinsamerText = \lyricmode {
+ \gemeinsamerTextA
+ \gemeinsamerTextB
+}
+
+dwns = \lyricmode {
+ der wird nim -- mer -- mehr ster -- ben,
+}
+
+dwnsP = \lyricmode {
+ der wird nim -- mer -- mehr ster -- ben.
+}
+
+textSopran = \lyricmode {
+ \IbdAudL \ibdA \ibdAudL
+ \Wamg \dwl \dwl
+ \gemeinsamerText
+ \dwns \dwns
+ \gemeinsamerTextB
+ \dwns \dwns \dwnsP
+}
+
+textAlt = \lyricmode {
+ \IbdAudL \dA \ibdAudL
+ \Wamg \wamg \dwl
+ \gemeinsamerText
+ \dwns \dwns
+ \gemeinsamerTextB
+ \dwns der wird nim -- mer -- mehr ster -- ben. __
+}
+
+textTenor = \lyricmode {
+ \IbdAudL \ibdAudL
+ \Wamg \dwl \dwl
+ \gemeinsamerText
+ \dwns \dwns
+ \gemeinsamerTextB
+ \dwns \dwns \dwnsP
+}
+
+textBass = \lyricmode {
+ \IbdAudL \ibdAudL
+ \Wamg \dwl
+ \gemeinsamerText
+ \dwns
+ \gemeinsamerTextB
+ \dwns \dwnsP
+}