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author | Erich Eckner <git@eckner.net> | 2016-11-18 13:16:06 +0100 |
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committer | Erich Eckner <git@eckner.net> | 2016-11-20 23:13:40 +0100 |
commit | 77cd79e0b62df2c20a271c32c7e77415e781b46b (patch) | |
tree | 01ac5c845419d2819d462aa783fe7dea21b12a16 | |
parent | 5a1927be6ee2e4076c3a00bd27e68f7e3d35d5ae (diff) | |
download | Musik-77cd79e0b62df2c20a271c32c7e77415e781b46b.tar.xz |
Ich_bin_die_Auferstehung neu
-rw-r--r-- | Ich_bin_die_Auferstehung/Ich_bin_die_Auferstehung.ly | 49 | ||||
-rw-r--r-- | Ich_bin_die_Auferstehung/stimmen.ly | 135 | ||||
-rw-r--r-- | Ich_bin_die_Auferstehung/texte.ly | 103 |
3 files changed, 287 insertions, 0 deletions
diff --git a/Ich_bin_die_Auferstehung/Ich_bin_die_Auferstehung.ly b/Ich_bin_die_Auferstehung/Ich_bin_die_Auferstehung.ly new file mode 100644 index 0000000..549716c --- /dev/null +++ b/Ich_bin_die_Auferstehung/Ich_bin_die_Auferstehung.ly @@ -0,0 +1,49 @@ +\include "deutsch.ly" +\include "stimmen.ly" +\include "texte.ly" + +#(set! paper-alist (cons '("kindle" . (cons (* 210 mm) (* 130 mm))) paper-alist)) +#(set-default-paper-size "kindle") + +\pointAndClickOff + +\header { + title = "Ich bin die Auferstehung und das Leben" + composer = "Gallus Dreßler 1533 - ca. 1590" + tagline = "" +} + +\new StaffGroup = choirStaff << + \new Voice = sopran << \global \sopranMelodie >> + \new Lyrics \lyricsto sopran { \textSopran } + \new Voice = alt << \global \altMelodie >> + \new Lyrics \lyricsto alt { \textAlt } + \new Voice = tenor << \global \clef "G_8" \tenorMelodie >> + \new Lyrics \lyricsto tenor { \textTenor } + \new Voice = bass << \global \clef "bass" \bassMelodie >> + \new Lyrics \lyricsto bass { \textBass } +>> + +\layout { + \context { + \Score + %% no bar lines in staves or lyrics + \hide BarLine + } + %% the next two instructions keep the lyrics between the bar lines + \context { + \Lyrics + \consists "Bar_engraver" + \consists "Separating_line_group_engraver" + } + \context { + \Voice + %% Comment in the below "\remove" command to allow line + %% breaking also at those bar lines where a note overlaps + %% into the next measure. The command is commented out in this + %% short example score, but especially for large scores, you + %% will typically yield better line breaking and thus improve + %% overall spacing if you comment in the following command. + \remove "Forbid_line_break_engraver" + } +} diff --git a/Ich_bin_die_Auferstehung/stimmen.ly b/Ich_bin_die_Auferstehung/stimmen.ly new file mode 100644 index 0000000..b8873ac --- /dev/null +++ b/Ich_bin_die_Auferstehung/stimmen.ly @@ -0,0 +1,135 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.18" + +global = { + \autoBeamOff + \key f \major + \time 4/2 + \set Score.skipBars = ##t + \repeat unfold 12 { \skip 1*2 | } + \override Staff.BarLine.transparent = ##f + \bar "||" + \skip 1*2 | + \revert Staff.BarLine.transparent + \repeat unfold 13 { \skip 1*2 | } + \override Staff.BarLine.transparent = ##f + \bar "|." +} + +% Die Stimmen + +sopranMelodie = \relative c'' { + c2 c4 c d4. c8 b4 a | + b a g2 a f | + g4 a g a b2 a4 f' | + e e f4. e8 d4 c d c2 + h4 c1 c2 | + d4 e f2 e r4 a, | + a b c2 r4 c4.( b8[ a g]) | + a4 f'4.( e8[ d c] d2) c | + r4 a c8 b a a g f g4 g a4. + a8 g4 f2 e2 r4 f2 + e4 d h'2( a8[ g]) a2 | + r4 f'4. f8 e4 d2 c | + r4 c a8 g a b c4 d2 c + h4 c c c8 c c c c4 d2 + c4 f2 e r4 f | + e d4. d8 c4 b2( g) | + a4 f'2 e4 d4. d8 c2 | + d( c) a1 | + r4 c a8 g a b c4 d2 c + h4 c c c8 c c c c4 d2 + c4 f2 e r4 f | + e d4. d8 c4 b2( g) | + a4 f'2 e4 d4. d8 c2 | + d( c) a r4 c2 + d4 d c b2 b | + a\breve | +} + +altMelodie = \relative c' { + c2 f4 f b4. a8 g4 f | + g f2 e4 f2 r | + r4 f d f g2 c,4 c' | + c c a4. a8 b4 c b g | + g2 e r4 g a2. + g4 f4.( e16[ d] g4) c c c | + a g e a g a4.( b8[ c b] | + a[ g f e]) f1. | + r4 f4 a8 g e f d c d4 e f4. + f8 e4 d2 cis r4 d4. + d8 e4 f2 f1 | + r4 a4. a8 g4 f2 e | + r4 c c8 c c b a4 d2 e4 | + g2 e4 g a8 g a g a4 b2 + a4 b2 c r4 a | + g f4. f8 e4 g( f4. e16[ d] e4) | + f4 a2 g4 f4. f8 e4 a( | + g f2 e4) f1 | + r4 c c8 c c b a4 d2 e4 | + g2 e4 g a8 g a g a4 b2 + a4 b2 c r4 a | + g f4. f8 e4 g( f4. e16[ d] e4) | + f a2 g4 f4. f8 e4 a( | + g f2 e4) f1~ | + f\breve~ | + f\breve | +} + +tenorMelodie = \relative c' { + R1*2 | + r2 c c4 c d4. c8 | + b4 a b a g2 a4 a' | + g g f d f4. f8 f4 e | + d2 c4 g' g e f( f,8[ g] | + a[ b] c4. b16[ a] b4) c c4. c8 f2( + d4 c8[ b c d] e[ d c b]) c4 c | + c d4.( c8[ b a] b2) a | + r4 c a8 b c a b c b4 c c4. + c8 c4 a2 a2 r4 a4. a8 c4 d2 c1 | + r4 c4. c8 c4 a2 a | + r4 f' f8 g f d c4 f2 e4 | + d2 c4 e f8 g f e f4 f2 + f4 f2 g r4 f | + c d4. d8 a4 b2( c) | + f,4 c'2 c4 a2. c4 | + b4.( a8) g2 f1 | + r4 f'4 f8 g f d c4 f2 e4 | + d2 c4 e f8 g f e f4 f2 + f4 f2 g r4 f | + c d4. d8 a4 b2( c) | + f,4 c'2 c4 a2. c4 | + b4.( a8) g2 f a2. + b4 b a d2 d | + c\breve | +} + +bassMelodie = \relative c { + R1*2 | + r2 c f4 f b4. a8 | + g4 f g f2 e4 f f | + c' c d4. c8 b4 a b c | + g2 c, c' f,2. + e4 d2 c f2. + g4 a8[( g a b] c[ b a g] a[ g f e] | + f[ e d c] b1) f'2 | + r4 f4 f8 g a f g a g4 c, f4. + f8 c4 d2 a r4 d4. + d8 c4 b2 f'1 | + r4 f4. f8 c4 d2 a | + r4 f'4 f8 e f g a4 b2 c4 | + g2 c,4 c f8 e f c f4 b,2 + f'4 d2 c r | + R1*2 | + r4 f2 c4 d4. d8 a2 | + b( c) f1 | + r4 f f8 e f g a4 b2 c4 | + g2 c,4 c f8 e f c f4 b,2 + f'4 d2 c r | + R1*2 | + r4 f2 c4 d4. d8 a2 | + b( c) f2 f2. + b,4 f'4. f8 b,2 b | + f'\breve | +} diff --git a/Ich_bin_die_Auferstehung/texte.ly b/Ich_bin_die_Auferstehung/texte.ly new file mode 100644 index 0000000..f546413 --- /dev/null +++ b/Ich_bin_die_Auferstehung/texte.ly @@ -0,0 +1,103 @@ + +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + +% Die Textaufteilungen + +dA = \lyricmode { + die Auf -- er -- ste -- hung, +} + +ibdA = \lyricmode { + ich bin \dA +} + +ibdAudL = \lyricmode { + ich bin die Auf -- er -- ste -- hung und das Le -- ben. +} + +IbdAudL = \lyricmode { + Ich bin die Auf -- er -- ste -- hung und das Le -- ben, +} + +Wamg = \lyricmode { + Wer an mich glau -- bet, +} + +wamg = \lyricmode { + wer an mich glau -- bet, +} + +dwl = \lyricmode { + der wird le -- ben, +} + +oegs = \lyricmode { + ob er gleich stür -- be, +} + +oegsS = \lyricmode { + ob er gleich stür -- be; +} + +uwdlugam = \lyricmode { + und wer da le -- bet und glau -- bet an mich, +} + +gemeinsamerTextA = \lyricmode { + \wamg \dwl \oegs \oegs \oegsS +} + +gemeinsamerTextB = \lyricmode { + \uwdlugam \uwdlugam +} + +gemeinsamerText = \lyricmode { + \gemeinsamerTextA + \gemeinsamerTextB +} + +dwns = \lyricmode { + der wird nim -- mer -- mehr ster -- ben, +} + +dwnsP = \lyricmode { + der wird nim -- mer -- mehr ster -- ben. +} + +textSopran = \lyricmode { + \IbdAudL \ibdA \ibdAudL + \Wamg \dwl \dwl + \gemeinsamerText + \dwns \dwns + \gemeinsamerTextB + \dwns \dwns \dwnsP +} + +textAlt = \lyricmode { + \IbdAudL \dA \ibdAudL + \Wamg \wamg \dwl + \gemeinsamerText + \dwns \dwns + \gemeinsamerTextB + \dwns der wird nim -- mer -- mehr ster -- ben. __ +} + +textTenor = \lyricmode { + \IbdAudL \ibdAudL + \Wamg \dwl \dwl + \gemeinsamerText + \dwns \dwns + \gemeinsamerTextB + \dwns \dwns \dwnsP +} + +textBass = \lyricmode { + \IbdAudL \ibdAudL + \Wamg \dwl + \gemeinsamerText + \dwns + \gemeinsamerTextB + \dwns \dwnsP +} |