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|
%some settings% vim: ai sw=2 lbr nu et
\version "2.12"
\include "dynArt.ly"
global = {
%\autoBeamOff
}
% Die Stimmen
dos = \relative c' {
d8 d4 e8 g8 g4 r8
b8. b16 b16 a8. g4 bes8( a8)
e8 e4 fis8 g8 g4 r8
bes8. a16 g16 e8. d4 r4
d8 d4 e8 g8 g4 r8
<<
{
\voiceOne
e'8 d8 b8 a8 g8 g'4( e8)
} \\
{
\voiceTwo
b8 a8 b8 a8 g4 d'8( c8)
}
>>
d8( b4) g8 b8( a4) g8
g1
}
beulahs = \relative c' {
d16 d8 d16 d8 e8 g8 g16 g16 ~ g8 g8
b8 b4 a8 g4 bes16( a16 g8)
e16 e8 e16 e8 fis8 g8 fis16 g16 ~ g8 a8
bes8 a8( g8) e8 d4 r4
d16 d8 d16 d8 e8 g8 g16 g16 ~ g8 g8
b8 b4 a8 << { \voiceOne g8 g'4( e8) } \\ { \voiceTwo g,4 d'8( c8) } >>
}
fathers = \relative c' {
d16 d8 d16 d16 d16 e8 g8 g16 g16 ~ g8 g8
b8 b4 a8 g4 bes16( a16 g8)
e16 e8 e16 e16 e16 fis8 g8 fis16 g16 ~ g8 a8
bes8 a8( g8) e8 d4 r4
d16 d8 d16 d16 d16 e8 g8 g16 g16 ~ g8 g8
b8 b4 a8 << { \voiceOne g8 g'4( e8) } \\ { \voiceTwo g,4 d'8( c8) } >>
}
sopranMelodie = \relative c' {
<<
{ \meta }
%\sopranArt
%the actual tune
{
\dos
\once \override Score.RehearsalMark #'break-visibility = #end-of-line-visible
\once \override Score.RehearsalMark #'self-alignment-X = #RIGHT
\mark \markup { \bold "Fine" }
\beulahs
d'8( b4) g8 b8( a4) g8
g2 r8 b8 b16( a16 g8)
\dos
\repeat volta 2 {
\beulahs
d'8( b4) g8 b8( a4) g8
} \alternative {
{
g1
}
{
g2 r8 b8 b16( a16 g8)
}
}
\dos
\fathers
d'8( b4) g8 b8( a4) g8
g2 r8 b8 b16( a16 g8)
\once \override Score.RehearsalMark #'break-visibility = #end-of-line-visible
\once \override Score.RehearsalMark #'self-alignment-X = #RIGHT
\mark \markup { \bold "D. C. al Fine" }
%\dos
}
>>
}
doa = \relative c' {
b8 b4 d8 d8 d4 r8
g8. g16 g16 e8. d4 g8( f8)
c8 c4 d8 e8 e4 r8
g8. e16 e16 c8. b4 r4
b8 b4 e8 d8 d4 r8
<< { \voiceOne b'8 a8 e8 fis8 e4 b'8( c8) } \\ { \voiceTwo dis,8 fis8 e8 fis8 e4 g4 } >>
g4. e8 e4. e8
b8( c4 a8 b2)
}
beulaha = \relative c' {
r1
r1
c16 c8 c16 c8 d8 e8 dis16 e16 ~ e8 e8
g8 e4 c8 b4 r4
b16 b8 b16 b8 d8 d8 d16 d16 ~ d8 e8
dis8 e4 fis8 e4 << { \voiceOne b'8( c8) } \\ { \voiceTwo g4 } >>
g4. e8 e4. e8
}
fathera = \relative c' {
r1
r1
c16 c8 c16 c16 c16 d8 e8 dis16 e16 ~ e8 e8
g8 e4 c8 b4 r4
b16 b8 b16 b16 b16 d8 d8 d16 d16 ~ d8 e8
dis8 e4 fis8 e4 << { \voiceOne b'8( c8) } \\ { \voiceTwo g4 } >>
g4. e8 e4. e8
}
altMelodie = \relative c' {
<<
{ \meta }
%\altArt
%the actual tune
{
\doa
\beulaha
b8( c4 a8 b4) r4
\doa
\repeat volta 2 {
\beulaha
} \alternative {
{
b8( c4 a8 b2)
}
{
b8( c4 a8 b4) r4
}
}
\doa
\fathera
b8( c4 a8 b4) r4
%\doa
}
>>
}
dot = \relative c' {
g8 g4 bes8 b8 b4 r8
d8. d16 d16 c8. b4 d4
g,8 g4 a8 bes8 bes4 r8
d8. c16 c16 a8. g4 r4
g8 g4 bes8 b8 b4 r8
a8 a8 a8 b8 b4 g8( a8)
b8( d4) cis8 c4. c8
d,8( e4 c8 d2)
}
beulaht = \relative c' {
r1
r1
g16 g8 g16 g8 a8 bes8 a16 bes16 ~ bes8 c8
d8 c4 a8 g4 r4
g16 g8 g16 g8 b8 b8 bes16 b16 ~ b8 a8
a8 a4 b8 b4 g8( a8)
b8( d4) cis8 c4. c8
}
fathert = \relative c' {
r1
r1
g16 g8 g16 g16 g16 a8 bes8 a16 bes16 ~ bes8 c8
d8 c4 a8 g4 r4
g16 g8 g16 g16 g16 bes8 b8 b16 b16 ~ b8 a8
a8 a4 b8 b4 g8( a8)
b8( d4) cis8 c4. c8
}
tenorMelodie = \relative c' {
<<
{ \meta }
%\tenorArt
%the actual tune
{
\clef "treble_8"
\dot
\beulaht
d,8( e4 c8 d4) r4
\dot
\repeat volta 2 {
\beulaht
} \alternative {
{
d8( e4 c8 d2)
}
{
d8( e4 c8 d4) r4
}
}
\dot
\fathert
d8( e4 c8 d4) r4
%\dot
}
>>
}
dob = \relative c {
g8 g4 g8 g8 g8( b8 d8)
g8. g16 g16 g8. g8 g,8 a8 b8
c8 c4 c8 c8 c4 r8
c8. c16 d16 d8. g,8 g8( b8 d8)
g,8 g4 g8 g8 g8( a8 bes8)
b8 c8 cis8 dis8 e4 b8( c8)
d4. d8 d4. d8
g,1
}
beulahb = \relative c {
r1
r1
c16 c8 c16 c8 c8 c8 c16 c16 ~ c8 c8
c8 c8( d8) d8 g,8 g8 b8 d8
g,16 g8 g16 b16( d16) e8 g8 e16 d16 ~ d8 c8
b8 cis4 dis8 e4 b8( c8)
d4. d8 d4. d8
}
fatherb = \relative c {
r1
r1
c16 c8 c16 c16 c16 c8 c8 c16 c16 ~ c8 c8
c8 c8( d8) d8 g,8 g8 b8 d8
g,16 g8 g16 b16 d16 e8 g8 e16 d16 ~ d8 c8
b8 cis4 dis8 e4 b8( c8)
d4. d8 d4. d8
}
bassMelodie = \relative c {
<<
{ \meta }
%\bassArt
%the actual tune
\clef bass
{
\dob
\beulahb
g2. r4
\dob
\repeat volta 2 {
\beulahb
} \alternative {
{
g1
}
{
g2. r4
}
}
\dob
\fatherb
g2. r4
%\dob
}
>>
}
|
