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%some settings% vim: ai sw=2 lbr nu et
% Abkürzungen
% Die Textaufteilungen
sopranText = \lyrics {
%<+hier den Text für den Sopran eintragen+>
}
altText = \lyrics {
%<+hier den Text für den Alt eintragen+>
}
tenorText = \lyricmode {
%<+hier den Text für den Tenor eintragen+>
Si -- lence, si -- lence, %si -- lence
sounds,
si -- lence.
Doo doo doo,
doo doo,
be -- cause a vi -- sion soft -- ly creep -- ing,
doo doo doo,
left its seeds while I was sleep -- ing,
and the vi -- sion,
the vi -- sion,
in my brain
still re -- mains,
sound.
Hm ba ba ja da hm,
ba doo dap,
ba ba ja da hm
ba,
of a street lamp,
hm ba,
\set ignoreMelismata = ##t
to the cold and
\unset ignoreMelismata
damp.
When my
eyes were stabbed by the flash of a ne -- on light,
that split the night,
the night,
sound.
„Do not know,
can -- cer grows.“
„Hear my words that I might teach you.“
Doo doo doo,
„take my arms that I might reach you,
might reach you.“
But my words,
rain -- drops fell,
like rain -- drops fell,
echo -- ed,
wells %of si -- lence.
Peo -- ple bowed and prayed,
yes, they bowed and prayed
to god they made.
And the sign flashed its warn -- ing,
in the words it was form -- ing.
And the sign said:
„The words of the pro -- phets are writ -- ten on the sub -- way walls,
sub -- way walls.“
Sounds,
si -- lence,
si -- lence,
hm.
}
tenorTextTwo = \lyricmode {
%<+hier den Text für den Tenor eintragen+>
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with -- out spea -- king,
%\_ _ = ##_
_ _
with -- out list’n -- ing.
%\_ _
Peo -- ple
writ -- ing songs, songs that voic -- es _ nev -- er share,
and no -- one dared,
one dared
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}
bassText = \lyrics {
%<+hier den Text für den Baß eintragen+>
}
|
