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|
%some settings% vim: ai sw=2 lbr nu et
\version "2.14"
\include "dynArt.ly"
% global defs % {{{
IIIglobalI = {
\key d \major
%\override Staff.TimeSignature #'style = #'()
\time 3/8
\autoBeamOff
\set Score.skipBars = ##t
\set Score.soloText = #""
\set Score.soloIIText = #""
\set Score.aDueText = #""
}
IIIglobalII = {
\key a \major
%\override Staff.TimeSignature #'style = #'()
\time 3/4
\autoBeamOff
\set Score.skipBars = ##t
\set Score.soloText = #""
\set Score.soloIIText = #""
\set Score.aDueText = #""
}
IIIglobalIII = {
\key d \major
%\override Staff.TimeSignature #'style = #'()
\time 4/4
\partial 4
\autoBeamOff
\set Score.skipBars = ##t
\set Score.soloText = #""
\set Score.soloIIText = #""
\set Score.aDueText = #""
}
IIIglobalIV = {
\key g \major
%\override Staff.TimeSignature #'style = #'()
\time 4/4
\autoBeamOff
\set Score.skipBars = ##t
\set Score.soloText = #""
\set Score.soloIIText = #""
\set Score.aDueText = #""
}
IIIglobalV = {
\key a \major
%\override Staff.TimeSignature #'style = #'()
\time 4/4
\partial 4
\autoBeamOff
\set Score.skipBars = ##t
\set Score.soloText = #""
\set Score.soloIIText = #""
\set Score.aDueText = #""
}
% }}}
% Die Stimmen
% Nr. 24 % {{{
frauenPausen = {
\IIIglobalI
R4.*16
R4.*4
s4.*28
R4.*16
R4.*4
s4.*28
}
IIIsopranI = \relative c'' {
\IIIglobalI
<<
{ \meta }
%\sopranArt
%the actual tune
{
s4.*16
s4.
s4.
s4.
s4.
e8 e8 e8
cis8 a16[ b16] cis16[ d16]
e8 cis16[ d16] e16[ fis16]
g8[ a16 g16 fis16 e16]
fis16[ e16 d16 fis16 e16 g16]
fis16[ e16 fis16 g16 e16 fis16]
g8[ d8 g8]
fis16[ e16 d16 cis16 d16 e16]
fis16[ e16 g16 fis16 e16 d16]
% 30
e16[ d16 cis16 b16 cis16 d16]
e16[ d16 fis16 e16 d16 cis16]
d4 cis8
d8 d8 d8
d8 b16[ cis16] d16[ b16]
e16[ dis16] e8 fis8
fis8[ e8] dis8
e8 e8 e8
e8 a,8 d8
cis8 fis16[ e16] d16[ cis16]
d8[ a8] cis8
d8 b8 cis8
d8 b8 cis8
fis8 b,16[ cis16] d8
cis8 r8 r8
r8 r8 a8
a'4. ~
a8 e8 d8
cis4.
% 49
s4.*16
s4.
s4.
s4.
s4.
fis,8 d16[ e16] fis16[ g16]
a8 d8 a8
b16[ a16 b16 cis16 d16 e16]
fis8 g16[ fis16] e16[ d16]
cis16[ b16 a16 cis16 b16 d16]
cis16[ b16 cis16 e16 d16 fis16]
e16[ d16 fis16 e16 d16 cis16]
d8[ cis16 b16 a16 g16]
% 77
fis16[ e16 g16 fis16 e16 d16]
b'16[ a16 gis16 a16 b16 cis16]
d16[ cis16 e16 d16 cis16 b16]
cis16[ b16 a8] b8
cis8 cis8 cis8
cis8 e16[ d16] cis16[ b16]
a8 d8 e8
fis8 e16[ fis16 g8]
fis8 d8 d8
d8 fis8 d8
d8 b8 c8
cis8 c16[ b16 a8]
g8 e'8 b8
cis8 d16[ cis16] d8
d8 e8 cis8
d4 a8
d4. ~
d4. ~
d8 d8 d8
d4.\fermata
}
>>
}
IIIaltI = \relative c'' {
\IIIglobalI
<<
{ \meta }
%\altArt
%the actual tune
{
s4.*16
s4.
s4.
s4.
s4.
R4.
R4.
R4.
R4.
a8 fis8 g8
a8 d8 a8
b8[ c16 b16 a16 g16]
a8 fis16[ e16] fis16[ g16]
a16[ g16 b16 a16 g16 fis16]
% 30
g16[ fis16 e16 d16 e16 fis16]
g16[ fis16 a16 g16 fis16 e16]
fis16[ e16 d16 fis16 e16 g16]
fis8 fis16 fis16 fis8
fis8 d16[ e16] fis16[ g16]
a8 g8 fis8
a8.[ a32 b32] a8
g8 g8 g8
g8 e16[ d16] e16[ fis16]
g16[ fis16] a16[ g16] fis16[ e16]
fis8.[ g32 a32] g8
fis8 gis8 a8
b16[ cis16] d8 cis8
b8 a8 gis8
a4 e8
a4. ~
a8[ e16 d16 e16 fis16]
g8 g8 fis8
e4.
% 49
s4.*16
s4.
s4.
s4.
s4.
R4.
R4.
R4.
R4.
e8 cis8 d8
e8 g8 fis8
g8[ a16 g16 fis16 e16]
fis16[ e16 d16 e16 fis16 g16]
% 77
a16[ g16 b16 a16 g16 fis16]
gis16[ fis16 e16 fis16 gis16 a16]
b16[ a16 cis16 b16 a16 gis16]
a8 e8 gis8
a8 a16 a16 a8
a8 e8 e8
fis8 fis8 g8
a8[ b8] a8
a8 fis8 fis8
fis8 a16[ g16] fis16[ e16]
d8 g8 a8
b8 a16[ b16 c8]
b8 a16[ g16] fis16[ e16]
a8 d,8 g8
fis8 g8 e8
d4 r8
r8 r8 b'8
a8[ c8 b8]
a8 g16[ fis16] g8
a4.\fermata
}
>>
}
IIItenorI = \relative c' {
\IIIglobalI
<<
{ \meta }
%\tenorArt
%the actual tune
\clef "treble_8"
{
R4.*16
d8 d8 d8
d8 fis16[ e16] d16[ cis16]
d8 cis16[ b16] a16[ g16]
fis8 e16[ d16] a'8
a4. ~
a4. ~
a16[ gis16 a16 b16 cis16 d16]
e16[ g16 fis16 e16 d16 cis16]
d4. ~
d4. ~
d4. ~
d4. ~
d4. ~
% 30
d4. ~
d8 d8 d8
d4 a8
a8 a8 a8
d8 fis8 d8
cis8 e8 b8
b8[ e8] fis8
e8 b8 e8
a,8 cis16[ b16] cis16[ d16]
e8 d8 a8
a8[ fis'8] e8
d8 e8 e8
e8 e8 e8
fis8 e8 e8
e4 r8
r8 r8 fis8
cis16[ b16 a16 b16 cis16 d16]
e8 a,8 a8
a4.
% 49
R4.*16
e'8 e8 e8
cis8 d16[ cis16] b16[ a16]
d8 e8 fis8
b,8[ cis16 d16 e16 cis16]
d4. ~
d4. ~
d16[ cis16 d16 e16 fis16 g16]
a8 a,8 gis8
a4. ~
a4. ~
a8 a8 a8
a4. ~
% 77
a4. ~
a8 a8 a8
a4. ~
a16[ gis16 a8] e8
e'8 e8 e8
e8 cis8 cis8
cis8 a8 g8
d'8[ g8] e8
d8 a8 a8
a8 d8 fis8
fis8 d8 d8
d8[ e8] a,8
d8 b8 g'8
e8 a,8 d8
a8 e8 a8
a4 r8
r8 r8 d8
fis8[ a8 g8]
fis8 d16[ cis16] d16[ e16]
fis4.\fermata
}
>>
}
IIIbassI = \relative c' {
\IIIglobalI
<<
{ \meta }
%\bassArt
%the actual tune
\clef bass
{
R4.*16
R4.
R4.
R4.
R4.
R4.
R4.
R4.
R4.
R4.
R4.
R4.
R4.
R4.
% 30
R4.
R4.
R4.
d8 d8 cis8
b8 b8 b8
cis8 cis,8 dis8
e8[ g8] b8
e8 e8 d8
cis8 cis8 b8
a8 fis8 a8
d,8[ fis8] a8
d8 d8 cis8
b8 gis8 a8
d,8 e8 e8
a4 r8
r8 r8 d,8
a'8[ cis8 a8]
e8 cis8 d8
a'4.
% 49
R4.*16
R4.
R4.
R4.
R4.
R4.
R4.
R4.
R4.
R4.
R4.
R4.
R4.
% 77
R4.
R4.
R4.
R4.
a8 a8 a8
g8 g8 g8
fis8 fis8 e8
d8[ d'8] cis8
d8 d8 d8
c8 c8 c8
b8 b8 a8
g8 g8[ fis8]
g8 g8 g8
g8 fis8 b8
a8 g8 a8
d,4 r8
r8 r8 g8
d'4. ~
d8 d8 g,8
d4.\fermata
\bar "|."
}
>>
}
% }}}
% Nr. 26 % {{{
fpII = {
\IIIglobalII
R2.
R2.
s2.*25
s4 r4 r2
}
IIIsopranII = \relative c'' {
\IIIglobalII
<<
{ \meta }
%\sopranArt
%the actual tune
{
s2.
s2.
r4 a8 b8 cis8 d8
e4 e4 a,4
fis'2 fis4
e4 r4 gis,8 a8
b8 cis8 d4 d4
r4 a8 b8 cis8 d8
e8[ d8] e4 r4
fis8 e8 d8 cis8 b8[ a8]
gis4 b4 d4 ~
d4 cis8[ b8] a4
r8 gis8 a8([ b8)] cis8([ b8)]
cis8 dis8 e4( d8.) e16
e4 b4 e4 ~
e8 d8 e4. fis8
% 17
d4 d8 cis8 d8 b8
cis4 eis4 gis4 ~
gis8 eis8 fis4 bis,8 cis8
dis4 gis,4 fis'4 ~
fis4 e8 dis8 e8 fis8
dis4. cis8 dis8 e8
cis4 dis8[ e8] fis4 ~
fis8 bis,16([ cis16 dis8)] gis,8 e'4 ~
e4 dis8 cis8 dis8 fis8
bis,4 r8 gis'8 cis,4
fis8 dis8 e4( d4)
cis4 s4 s2
}
>>
}
IIIaltII = \relative c'' {
\IIIglobalII
<<
{ \meta }
%\altArt
%the actual tune
{
s2.
s2.
R2.
r4 a8 g8 fis8 e8
d4 d4 a'4
cis,2 cis4
d4 d8 e8 fis8 gis8
a4 a4 e4
cis'2 cis4
cis4 fis,4 b4 ~
b8[ a8] gis8[ fis8] e4
r4 r4 e8 fis8
gis8 b8 a8[ gis8] a8[ e8]
a4 a8[ gis8] a4
gis4. fis8 gis8 e8
fis4 fis4 fis4
% 17
fis4 fis4 b4 ~
b8 a8 b4. cis8
a4 a8 gis8 a8 fis8
gis4 bis4 dis4 ~
dis8 bis8 cis4 cis4
fis,8 fis8 b4 r8 gis8
cis4 bis8 cis8 dis4
dis,4 r8 bis'8 cis8 gis8
a4 a8 gis8 a4
gis8 fis8 gis8 e8 e4
a8 a8 gis4.( fis8)
e4 s4 s2
}
>>
}
IIItenorII = \relative c' {
\IIIglobalII
<<
{ \meta }
%\tenorArt
%the actual tune
\clef "treble_8"
{
r4 a8 b8 cis8 d8
e4 e4 a,4
fis'2 fis4
e4 r4 a8 g8
fis8 e8 d4 d4
r4 cis8 d8 e8 fis8
gis4 gis4 r4
a,8 b8 cis8 d8 e4
ais,4. cis8 fis8 e8
d8 cis8 b8([ cis8)] d4
d4 r4 r4
a8 b8 cis8 d8 e8[ d8]
cis8 b8 e2 ~
e8[ dis8 cis8 b8] a4
b4 gis4 cis4 ~
cis8 b8 cis4. cis8
% 17
cis8([ ais8)] b4 eis8 fis8
gis4 cis,4 r4
r4 cis4 fis4 ~
fis8 e8 fis4. gis16[ a16]
gis4 gis,4 r8 fis8
b4 r4 r8 b8
e4 r8 cis8 a'8 cis,8
bis8 dis8 gis,8 gis8 gis'4
fis8 r8 r8 cis8 fis8[ e8]
dis4 r8 gis,8 a8 b8
cis8 cis16([ bis16 cis8)] dis8 b4
cis4 r4 r2
}
>>
}
IIIbassII = \relative c' {
\IIIglobalII
<<
{ \meta }
%\bassArt
%the actual tune
\clef bass
{
R2.
r4 a8 g8 fis8 e8
d4 d4 a'4
cis,2 cis4
d4 d8 e8 fis8 gis8
a4 a4 e4
b'2 b4
a4 cis8 b8 a8 gis8
fis4 fis4 r4
r4 b8 a8 gis8 fis8
e4 e4 r4
r4 a,8 b8 cis8 d8
e4 e4 a,4
fis'2 fis4
e2 cis4
ais'4. cis8 fis,8 ais8
% 17
b8 b,8 b'8 a8 gis8 fis8
eis8[ fis8] gis8 eis8 cis8 eis8
fis4 r4 r4
R2.
r4 e4 a4 ~
a4 dis,4 gis4 ~
gis8 a8 gis8([ fis8)] e8 dis8
gis8 gis8 fis8[ e8] dis8[ cis8]
fis8 cis8 fis8 e8 fis4 ~
fis8 dis8 e8([ cis8)] a'8([ gis8)]
a8([ fis8)] gis2
\bar "||"
\time 4/4
cis,4 r4 r2
}
>>
}
% }}}
% Nr. 28 % {{{
meta = {
s4
s1
s2 s2\fermata
s1
s2 s4\fermata s4
s1
s2 s4\fermata s4
s1
s1
s1
s2.
\bar "|."
}
IIIsopranIII = \relative c'' {
\IIIglobalIII
<<
{ \meta }
%\sopranArt
%the actual tune
{
a4
a4 a4 b4 a4
d4 e4 d2
cis8([ d8)] e4 fis4 e8([ d8)]
cis4 b4 a4 a4
d4 cis8([ d8)] e4 b4
a8([ gis8)] fis4 e4 e4
b'4 b4 b4 cis4
d8([ cis8)] b4 a8([ b8] cis4
b2) a4 a4
a2.\fermata
}
>>
}
IIIaltIII = \relative c' {
\IIIglobalIII
<<
{ \meta }
%\altArt
%the actual tune
{
e4
fis4 fis8([ e8)] d8([ g8)] e8([ cis8)]
a'8([ g16 fis16 g8)] e8 fis2
a4 a4 d8([ cis8)] b4
b8( a4) gis8 e4 fis8([ g8)]
a8( b4) a16([ gis16)] a4 g8([ fis8)]
e4. dis8 b4 cis8([ d8)]
e4 fis4 e4 e8([ g8)]
fis8([ e8)] dis8([ eis8)] fis8([ gis8] a4 ~
a4 g2) fis4 ~
fis4 e8([ d8)] e4\fermata
}
>>
}
IIItenorIII = \relative c' {
\IIIglobalIII
<<
{ \meta }
%\tenorArt
%the actual tune
\clef "treble_8"
{
cis4
cis4 d8([ cis8)] b8([ e8)] cis8([ e8)]
a,8( d4) cis8 a2
fis'4 e4 d4 e4
e8( fis4) e16([ d16)] cis4 a4
fis'8([ e8)] e4 e4 e8([ b8)]
cis8([ e8)] b8([ a8)] gis4 a8([ fis8)]
gis4 a4 gis4 a4
a8([ gis8)] fis8[ b8] cis8([ d8] e4
fis4 e2) d4 ~
d4 cis8([ b8)] cis4\fermata
}
>>
}
IIIbassIII = \relative c' {
\IIIglobalIII
<<
{ \meta }
%\bassArt
%the actual tune
\clef bass
{
a8([ g8)]
fis8([ e8)] d4 g4.( fis16[ e16]
fis8) d8 a'8 a,8 d2
fis8([ e8)] d8([ cis8)] b8([ a'8)] gis8([ e8)]
a8([ fis8)] d8([ e8)] a4 d,8([ e8)]
fis8([ gis8)] a8([ b8)] cis8([ d8)] e8([ dis8)]
cis8([ a8)] b4 e,4 a4
gis8([ fis8)] e8([ dis8)] e8([ fis8)] g8([ e8)]
fis8([ gis8 a8 gis8] fis8[ e8)] d8([ cis8)]
dis8([ b8)] e8([ d8)] cis8([ a8)] d4
a2.\fermata
}
>>
}
% }}}
% Nr. 33 % {{{
meta = {
s1
s1
s2\fermata s2
s2\fermata s2
s2\fermata s2
s1
s2\fermata s2
s1
s2 s2\fermata
s2 s2\fermata
s2 s2\fermata
s1
s2 s2\fermata
\bar "|."
}
IIIsopranIV = \relative c'' {
\IIIglobalIV
<<
{ \meta }
%\sopranArt
%the actual tune
{
g4 g4 a4 g4
a8([ b8)] c4 c4( b4)
c2 d4 e4
c2 b8([ c8)] d4
a2 d4 d4
c4 b8([ a8)] a2
g2 g4 g4
a4 g4 a8([ b8)] c4
c4( b4) c2
d4 e4 c2
b8([ c8)] d4 a2
d4 d4 c4 b8([ a8)]
a2 g2
}
>>
}
IIIaltIV = \relative c' {
\IIIglobalIV
<<
{ \meta }
%\altArt
%the actual tune
{
d4 e4 d4 d4
e4 f4 g2
g2 b8([ a8)] b4
a2 g4 g4
fis2 fis4 g4
g4 g4 g4( fis4)
d2 e4 b8([ cis8)]
d8([ c8)] b4 c8([ d8)] c8([ d8)]
e4( d4) c2
fis4 gis4 e2
g4 fis8([ g8)] a2
g4 g8([ fis8)] g8([ a8)] d,8([ e8)]
fis8( g4 fis8) d2
}
>>
}
IIItenorIV = \relative c' {
\IIIglobalIV
<<
{ \meta }
%\tenorArt
%the actual tune
\clef "treble_8"
{
b4 c4 fis,4 g4
c4 c8([ d8)] e4( d4)
e2 g8([ f8)] e4
e2 e4 d4
d2 a4 b4
c4 d4 e4( d8[ c8)]
b2 c4 g4
fis4 g4 g8([ f8)] g8([ a8)]
g4( e'4) e2
d8([ c8)] b4 a2
g8([ a8)] b8([ g8)] d'2
b8([ c8)] d4 e8([ fis8)] g4
d8([ c16 b16] c4) b2
}
>>
}
IIIbassIV = \relative c' {
\IIIglobalIV
<<
{ \meta }
%\bassArt
%the actual tune
\clef bass
{
g4 c,4 c'4 b4
a4 aes4 g2
c,2 g'4 gis4
a2 e4 b8([ c8)]
d2 d4 g8([ fis8)]
e4 d4 c4( d4)
g,2 c8([ d8)] e4
d8([ e8)] f4 e8([ d8)] e8([ fis8)]
g4( gis4) a2
b4 e,4 a2
e4 d8([ e8)] fis2
g8([ a8)] b4 b8([ a8)] b8([ c8)]
d4( d,4) g2
}
>>
}
% }}}
% Nr. 35 % {{{
meta = {
s4
s2 s4\fermata s4
s2 s4\fermata s4
s2 s4\fermata s4
s1
s1
s2 s4\fermata s4
s2 s4\fermata s4
s2 s4\fermata s4
s1
s1
s2 s4\fermata
\bar "|."
}
IIIsopranV = \relative c' {
\IIIglobalV
<<
{ \meta }
%\sopranArt
%the actual tune
{
fis8[ gis8]
a4 gis4 fis4 fis8[ gis8]
a4 gis4 fis4 cis'4
b4 a4 gis4 gis4
a4 a4 b4 b4
cis4 cis4 b4 a4
gis2 fis4 cis'4
b4 a8[ gis8] gis4 cis4
b4 a4 gis4 gis4
a4 a4 b4 b4
cis4 cis4 b4 a8([ gis8)]
gis2 fis4
}
>>
}
IIIaltV = \relative c' {
\IIIglobalV
<<
{ \meta }
%\altArt
%the actual tune
{
cis4
fis4 eis4 fis4 fis4
fis4 eis4 cis4 fis4
fis8[ eis8] fis4 eis4 eis4
fis4 fis4 fis8([ gis16 a16)] gis4
gis8[ fis8] eis8[ fis8] gis4. fis8
fis4( eis4) cis4 fis4
fis8[ eis8] fis4 e4 fis8[ e8]
dis8([ e8)] fis8([ dis8)] e4 gis8([ eis8)]
fis4 a8([ fis8)] d4 b'8([ gis8)]
a8([ gis8)] fis4 fis8([ eis8)] fis4
fis8([ eis16 dis16] e4) cis4
}
>>
}
IIItenorV = \relative c' {
\IIIglobalV
<<
{ \meta }
%\tenorArt
%the actual tune
\clef "treble_8"
{
a8[ b8]
cis4 cis8[ b8] a4 b4
cis4 cis8[ b8] a4 a4
b4 cis4 cis4 cis4
cis4 d4 d8[ e16 fis16] e8[ d8]
cis4 b8([ a8)] d8([ cis8)] cis8([ d8)]
d8([ b8 gis8 cis8)] a4 a4
b8[ cis8] dis4 cis4 cis4
fis,4 b4 b4 cis4
cis8([ a8)] d4 d8([ b8)] e4
e8[ cis8] fis8[ e8] d8[ cis8] dis4
cis8([ gis8 cis8 b8)] a4
}
>>
}
IIIbassV = \relative c {
\IIIglobalV
<<
{ \meta }
%\bassArt
%the actual tune
\clef bass
{
fis4
fis16([ gis16 a16 b16 cis8)] cis,8 d4 d4
cis8[ b8] cis4 fis,4 fis'4
gis4 a8[ b8] cis4 cis,4
fis8[ e8] d8[ cis8] d8[ b8] e4
a,8([ a'8)] gis8[ fis8] fis8([ eis8)] fis8[ d8]
b8([ gis8] cis4) fis,4 fis'8[ e8]
d8[ cis8] bis4 cis4 a4
b8[ cis8] dis8[ b8] e4 eis8[ cis8]
fis4 fis8([ d8)] g4 gis8[ e8]
a4 ais8[ fis8] b4 bis8([ gis8)]
cis4( cis,4)
fis4
\once \override Score.RehearsalMark #'direction = #DOWN
\mark\markup {
\column {
\line { \small "Chorus I ab initio" }
\line { \small "repetatur et claudatur" }
}
}
}
>>
}
meta = { }
% }}}
\include "parts/IIItexte.ly"
% Chor I % {{{
Isop = \new Staff = sopran \klein <<
%\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
{ << \frauenPausen << \IIIsopranI \\ \IIIaltI >> >> }
% \new Voice = "soprane" { \voiceOne \IsopranI }
% \new Voice = "alti" { \voiceTwo \IaltI }
%\addlyrics { \altText }
>>
Iten = \new Staff = tenor \klein <<
\new Voice = "tenoere" { \IIItenorI }
%\addlyrics { \tenorText }
>>
Ibas = \new Staff = bass <<
\new Voice = "baesse" { \IIIbassI }
%\addlyrics { \bassText }
>>
IIIchorI = \new ChoirStaff \with {} <<
\Isop
%\Ialt
\Iten
\Ibas %
\new Lyrics \lyricsto "baesse" \IIIbassTextI
>>
% }}}
% Chorus II % {{{
Isop = \new Staff = sopran \klein <<
%\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
{ << \fpII << \IIIsopranII \\ \IIIaltII >> >> }
% \new Voice = "soprane" { \voiceOne \IsopranII }
% \new Voice = "alti" { \voiceTwo \IaltII }
%\addlyrics { \altText }
>>
Iten = \new Staff = tenor \klein <<
\new Voice = "tenoere" { \IIItenorII }
%\addlyrics { \tenorText }
>>
Ibas = \new Staff = bass <<
\new Voice = "baesse" { \IIIbassII }
%\addlyrics { \bassText }
>>
IIIchorusII = \new ChoirStaff \with {} <<
\Isop
%\Ialt
\Iten
\Ibas %
\new Lyrics \lyricsto "baesse" \IIIbassTextII
>>
% }}}
% Choral III % {{{
Isop = \new Staff = sopran \klein <<
%\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
{ << \IIIsopranIII \\ \IIIaltIII >> }
% \new Voice = "soprane" { \voiceOne \IsopranI }
% \new Voice = "alti" { \voiceTwo \IaltI }
%\addlyrics { \altText }
>>
Iten = \new Staff = tenor \klein <<
\new Voice = "tenoere" { \IIItenorIII }
%\addlyrics { \tenorText }
>>
Ibas = \new Staff = bass <<
\new Voice = "baesse" { \IIIbassIII }
%\addlyrics { \bassText }
>>
IIIchoralIII = \new ChoirStaff \with {} <<
\Isop
%\Ialt
\Iten
\Ibas %
\new Lyrics \lyricsto "baesse" \IIIbassTextIII
>>
%
% Choral IV
Isop = \new Staff = sopran \klein <<
%\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
{ << \IIIsopranIV \\ \IIIaltIV >> }
% \new Voice = "soprane" { \voiceOne \IsopranI }
% \new Voice = "alti" { \voiceTwo \IaltI }
%\addlyrics { \altText }
>>
Iten = \new Staff = tenor \klein <<
\new Voice = "tenoere" { \IIItenorIV }
%\addlyrics { \tenorText }
>>
Ibas = \new Staff = bass <<
\new Voice = "baesse" { \IIIbassIV }
%\addlyrics { \bassText }
>>
IIIchoralIV = \new ChoirStaff \with {} <<
\Isop
%\Ialt
\Iten
\Ibas %
\new Lyrics \lyricsto "baesse" \IIIbassTextIV
>>
% }}}
% Choral V % {{{
Isop = \new Staff = sopran \klein <<
%\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
{ << \IIIsopranV \\ \IIIaltV >> }
% \new Voice = "soprane" { \voiceOne \IsopranI }
% \new Voice = "alti" { \voiceTwo \IaltI }
%\addlyrics { \altText }
>>
Iten = \new Staff = tenor \klein <<
\new Voice = "tenoere" { \IIItenorV }
%\addlyrics { \tenorText }
>>
Ibas = \new Staff = bass <<
\new Voice = "baesse" { \IIIbassV }
%\addlyrics { \bassText }
>>
IIIchoralV = \new ChoirStaff \with {} <<
\Isop
%\Ialt
\Iten
\Ibas %
\new Lyrics \lyricsto "baesse" \IIIbassTextV
>>
% }}}
|
