diff options
Diffstat (limited to 'hr/stch/fertig/brevis_leavitt/sanctus')
-rw-r--r-- | hr/stch/fertig/brevis_leavitt/sanctus/a.midi | bin | 0 -> 2590 bytes | |||
-rw-r--r-- | hr/stch/fertig/brevis_leavitt/sanctus/b.midi | bin | 0 -> 2278 bytes | |||
-rw-r--r-- | hr/stch/fertig/brevis_leavitt/sanctus/dynArt.ly | 21 | ||||
-rw-r--r-- | hr/stch/fertig/brevis_leavitt/sanctus/midi.lua | 51 | ||||
-rw-r--r-- | hr/stch/fertig/brevis_leavitt/sanctus/s.midi | bin | 0 -> 2329 bytes | |||
-rw-r--r-- | hr/stch/fertig/brevis_leavitt/sanctus/sanctus.ly | 80 | ||||
-rw-r--r-- | hr/stch/fertig/brevis_leavitt/sanctus/stimmen.ly | 405 | ||||
-rw-r--r-- | hr/stch/fertig/brevis_leavitt/sanctus/t.midi | bin | 0 -> 2012 bytes | |||
-rw-r--r-- | hr/stch/fertig/brevis_leavitt/sanctus/texte.ly | 54 |
9 files changed, 611 insertions, 0 deletions
diff --git a/hr/stch/fertig/brevis_leavitt/sanctus/a.midi b/hr/stch/fertig/brevis_leavitt/sanctus/a.midi Binary files differnew file mode 100644 index 0000000..980fe48 --- /dev/null +++ b/hr/stch/fertig/brevis_leavitt/sanctus/a.midi diff --git a/hr/stch/fertig/brevis_leavitt/sanctus/b.midi b/hr/stch/fertig/brevis_leavitt/sanctus/b.midi Binary files differnew file mode 100644 index 0000000..a0ab61b --- /dev/null +++ b/hr/stch/fertig/brevis_leavitt/sanctus/b.midi diff --git a/hr/stch/fertig/brevis_leavitt/sanctus/dynArt.ly b/hr/stch/fertig/brevis_leavitt/sanctus/dynArt.ly new file mode 100644 index 0000000..30423d4 --- /dev/null +++ b/hr/stch/fertig/brevis_leavitt/sanctus/dynArt.ly @@ -0,0 +1,21 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/fertig/brevis_leavitt/sanctus/midi.lua b/hr/stch/fertig/brevis_leavitt/sanctus/midi.lua new file mode 100644 index 0000000..e22ba8e --- /dev/null +++ b/hr/stch/fertig/brevis_leavitt/sanctus/midi.lua @@ -0,0 +1,51 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { + \unfoldRepeats +]] + +post=[[ + \midi { + \context{ + \Score + tempoWholesPerMinute = #(ly:make-moment 120 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/fertig/brevis_leavitt/sanctus/s.midi b/hr/stch/fertig/brevis_leavitt/sanctus/s.midi Binary files differnew file mode 100644 index 0000000..4a1955f --- /dev/null +++ b/hr/stch/fertig/brevis_leavitt/sanctus/s.midi diff --git a/hr/stch/fertig/brevis_leavitt/sanctus/sanctus.ly b/hr/stch/fertig/brevis_leavitt/sanctus/sanctus.ly new file mode 100644 index 0000000..0c1a223 --- /dev/null +++ b/hr/stch/fertig/brevis_leavitt/sanctus/sanctus.ly @@ -0,0 +1,80 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Festival sanctus" + composer = "John Leavitt" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \RemoveEmptyStaves + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + \override VerticalAxisGroup #'remove-first = ##t + } + } + + #(set-global-staff-size 16) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \generalPausen + \frauenPausen + \new Voice = "soprane" { \voiceOne \sopranMelodie } + \new Voice = "alti" { \voiceTwo \altMelodie } + %\addlyrics { \sopranText } + >> + + alt = << + \new Voice = "alti" { \altMelodie } + %\addlyrics { \altText } + >> + + ten = << + \new Voice = "tenoere" { \tenorMelodie } + %\addlyrics { \tenorText } + >> + + bas = << + \new Voice = "baesse" { \bassMelodie } + \addlyrics { \bassText } + >> + + \score { + \new ChoirStaff \with {} << + \set Score.skipBars = ##t + \new Staff = sopran \with { + fontSize = #-3 + \override StaffSymbol #'staff-space = #(magstep -3) + }{ \global \sop } + %\new Staff = alt { \global \alt } + \new Staff = tenor \with{ + fontSize = #-3 + \override StaffSymbol #'staff-space = #(magstep -3) + }{ \global \ten } + \new Staff = bass { \global \bas } + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/stch/fertig/brevis_leavitt/sanctus/stimmen.ly b/hr/stch/fertig/brevis_leavitt/sanctus/stimmen.ly new file mode 100644 index 0000000..e1b1b74 --- /dev/null +++ b/hr/stch/fertig/brevis_leavitt/sanctus/stimmen.ly @@ -0,0 +1,405 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key a \major + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + %\autoBeamOff + } + +% Die Stimmen + + generalPausen = { + r1 + s1 + s1*4 + \break + r1 + s1 + s1*4 + r1 + r1 + r1 + \break + s1*8 + \break + % + s1*4 + s2.*2 + s1*4 + \break + s1*3 + s1*3 + s1*10/8*4 + R1*3 + s1*8 + \break + s1*8 + \break + % + s1*4 + s2.*3 + s1 + s1*10/8*4 + %\time 4/4 + s2 r2 + } + frauenPausen = { + s1 + r1 + s1*4 + s1 + r1 + s1*4 + s1 + s1 + s1 + s1*8 + % + s1*4 + s2.*2 + s1*4 + R1*3 + s1*3 + s1*10/8*4 + s1*3 + s1*16 + % + r1 s1 r1 s1 + s2.*3 + s1 + s1*10/8*4 + s1 + } + frauenI = \relative c'' { + a8( b8 cis8) d8 ~ d8 cis4 b8 + d4 cis4 b4 a4 + a8( b8 cis8) d8 ~ d8 d8 cis8 b8 + } + maennerI = \relative c' { + a4. a8 ~ a4 a4 + a4. a8 ~ a4 a4 + a4. a8 ~ a8 a8 a8 a8 + } + frauenII = \relative c' { + fis8( gis8) a8 e8 ~ e8 a4 d8( ~ + d8 cis8) b8 a8 ~ a8 e4. + fis4. e8 ~ e4 cis4 ~ + cis2. a'4 + } + maennerII = \relative c' { + d4 d8 cis8 ~ cis8 cis4 a8 ~ + a4 b8 cis8 ~ cis8 cis4. + d4. b8 ~ b4 a4 ~ + a2. + } + frauenIII = \relative c' { + d8( e8 fis8) g8 ~ g8 fis4 e8 + g4 fis4 e4 d4 + d8( e8 fis8) g8 ~ g8 g8 fis8 e8 + } + maennerIII = \relative c { + fis8( g8 a8) b8 ~ b8 a4 g8 + b4 a4 g4 fis4 + fis8( g8 a8) b8 ~ b8 b8 a8 g8 + } + commonIV = \relative c' { + a8( b8 cis8) d8 ~ d8 cis4 b8 + d4 cis4 b4 a4 + a8( b8 cis8) d8 ~ d8 d8 cis8 b8 + } + oberIV = \relative c' { + b4. b8 ~ b4 b4 + b4. b8 ~ b4 b4 + b4. b8 ~ b8 b8 b8 b8 + b4 b2. + \commonIV + e4 e2. + } + unterIV = \relative c' { + e8( fis8 gis8) a8 ~ a8 gis4 fis8 + a4 gis4 fis4 e4 + e8( fis8 gis8) a8 ~ a8 a8 gis8 fis8 + b4 b2. + \transpose c c' \commonIV + a4 a2. + a4. a8 ~ a4 a4 + a4. a8 ~ a4 a4 + a4. a8 ~ a8 a8 a8 a8 + } + frauenV = \relative c' { + b8 cis8 d8 cis8( d8) e8 + dis8 e8 fis8 eis8( fis8) gis8 + fis8 gis8 a8 gis8( a8) b8 + \time 4/4 + a8. a16 a2 r4 + } + oberVI = \relative c' { + R1*10/8 + d8 cis8 a8 c8 b8 g8 a4 a4 + a4. b4. c2 + d4. e4. + } + unterVI = \relative c' { + a8 gis8 e8 g8 fis8 d8 e4 e4 + d8 cis8 a8 c8 b8 g8 a4 a4 + a'8 gis8 e8 g8( fis8) d8 e4 e4 + d'8 cis8 a8 c8( b8) g8 + } + sopranMelodie = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + s1*2 + d'4 cis2 \times 2/3 { b8 a8 b8 } + d4 cis2 \times 2/3 { b8 a8 b8 } + d4 cis2( d4) + e8. e16 e2. + s1*2 + d4 cis2 \times 2/3 { b8 a8 b8 } + d4 cis2 \times 2/3 { b8 a8 b8 } + d4 cis2( d4) + e8. e16 e2. + s1 + \repeat volta 2 { + s1*2 + } + \frauenI + e4 e2. + \frauenI + e4 e2. + \bar "||" + \mark \markup { \smaller \musicglyph #"scripts.segno" } + \frauenII + \time 6/8 + a,8( gis8) fis8 e4. + d'8( cis8) b8 a4. + \time 4/4 + b4 b2. + b4 b2. + a4 a2. ~ + a1 + \once \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible + \mark \markup { \smaller \musicglyph #"scripts.coda" } + s1*3 + cis4. d8 ~ d4 b4 ~ + b8 cis4. a4. b8 ~ + b4 \times 2/3 { b8 a8 b8 } cis4 cis4 + \time 10/8 + R1*10/8 + d8 cis8 a8 c8 b8 g8 a4 a4 + a4. b4. c2 + d4. e4. f4( g4) + \time 4/4 + s1*3 + \frauenIII + a,4 a2. + \transpose c c' \oberIV + a8( b8 cis8) d8 ~ d8 cis4 b8 + d4 cis4 b4 a4 + a8( b8 cis8) d8 ~ d8 d8 cis8 b8 + e4^\markup { "D.S. al Coda" } e2. + \bar "||" + \mark \markup { \smaller \musicglyph #"scripts.coda" } + s1 + d4 cis2. + s1 + cis4 b2. + \time 6/8 + \frauenV + \time 10/8 + \transpose d d' \oberVI f'4( g4) + a4 a4 s2 + \bar "|." + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + s1*2 + b'4 a2 \times 2/3 { a8 g8 a8 } + b4 a2 \times 2/3 { a8 g8 a8 } + b4 a2( b4) + a8. a16 a2. + s1*2 + b4 a2 \times 2/3 { a8 g8 a8 } + b4 a2 \times 2/3 { a8 g8 a8 } + b4 a2( b4) + g8. g16 g2. + s1 + \repeat volta 2 { + s1*2 + } + \frauenI + a4 a2. + cis,8( d8 e8) fis8 ~ fis8 e4 d8 + fis4 e4 d4 cis4 + cis8( d8 e8) fis8 ~ fis8 fis8 e8 d8 + g4 g2. + \frauenII + a8( gis8) fis8 e4.( + g4.) a8 g8 fis8 + g4 g2. + g4 g2. + a4 a2. ~ + a1 + s1*3 + a4. a8 ~ a4 g4 ~ + g8 a4. f4. g8 ~ + g4 \times 2/3 { g8 f8 g8 } a4 a4 + a8 gis8 e8 g8 fis8 d8 e4 e4 + d8 cis8 a8 c8 b8 g8 a4 a4 + a'8 gis8 e8 g8 fis8 d8 e4 e4 + d'8 cis8 a8 c8 b8 g8 a4( b4) + s1*3 + \frauenIII + d,4 d2. + \unterIV + g4 g2. + s1 + b4 a2. + s1 + a4 g2. + \frauenV + \transpose a a' \unterVI a4( <b d>4) + <a e'>4 q4 s2 + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + R1 + r2 fis4 e4 ~ + e2. \times 2/3 { e8 d8 e8 } + fis4 e2 \times 2/3 { e8 d8 e8 } + fis4 e2( fis4) + cis8. cis16 cis2. + R1 + r2 fis4 e4 ~ + e2. \times 2/3 { e8 d8 e8 } + fis4 e2 \times 2/3 { e8 d8 e8 } + fis4 e2( fis4) + e8. e16 e2. + R1 + \repeat volta 2 { + R1*2 + } + R1*4 + \maennerI + e4 e2. + \maennerII a,4 + fis'8 e8 d8 cis4.( + d4.) fis8 e8 d8 + d4 d2. + e4 e2. + a,4 a2. ~ + a1 + cis4. d8 ~ d4 b4 ~ + b8 cis4. a4. b8 ~ + b4 \times 2/3 { b8 a8 b8 } cis4 cis4 + e4. fis8 ~ fis4 d4 ~ + d8 e4. c4. d8 ~ + d4 \times 2/3 { d8 cis8 d8 } e4 e4 + R1*10/8 + d8 cis8 a8 c8 b8 g8 a4 a4 + a4. b4. c2 + d4. e4. f4( d4) + R1*3 + \maennerIII + d4 d2. + \oberIV + cis8( d8 e8) fis8 ~ fis8 e4 d8 + fis4 e4 d4 cis4 + cis8( d8 e8) fis8 ~ fis8 fis8 e8 d8 + e4 e2. + r2 fis4 e4 ~ + e1 + r2 e4 d4 ~ + d1 + R1*6/8 + b8 cis8 dis8 cis8( dis8) eis8 + fis4. e4. + e2. r4 + \oberVI f4( d4) + e4 e4 r2 + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + R1 + b'4 a2. ~ + a2. \times 2/3 { a8 a8 a8 } + a4 a2 \times 2/3 { a8 a8 a8 } + a4 a2. + a8. a16 a2. + R1 + b4 a2. ~ + a2. \times 2/3 { a8 a8 a8 } + a4 a2 \times 2/3 { a8 a8 a8 } + a4 a2. + c8. c16 c2. + R1 + \repeat volta 2 { + R1*2 + } + R1*4 + \maennerI + c4 c2. + \maennerII r4 + r4. cis8 b8 a8 + b8 a8 g8 d4. + g4 g2. + e4 e2. + a4 a2. ~ + a1 + a4. fis8 ~ fis4 g4 ~ + g8 e4. f4. d8 ~ + d4 \times 2/3 { g8 f8 g8 } a4 a4 + a4. a8 ~ a4 a4 ~ + a8 a4. a4. a8 ~ + a4 \times 2/3 { a8 a8 a8 } a4 a4 + a8 gis8 e8 g8 fis8 d8 e4 e4 + d8 cis8 a8 c8 b8 g8 a4 a4 + a'8 gis8 e8 g8 fis8 d8 e4 e4 + d'8 cis8 a8 c8 b8 g8 a4( b4) + R1*3 + \maennerIII + d,4 d2. + \transpose c c, \unterIV + c'4 c2. + b4 a2. ~ + a1 + a4 g2. ~ + g1 + R1*6/8*2 + a8 b8 cis8 b8( cis8) d8 + cis8. cis16 cis2 r4 + \unterVI a4( b4) + a4 a4 r2 + } + >> + } + diff --git a/hr/stch/fertig/brevis_leavitt/sanctus/t.midi b/hr/stch/fertig/brevis_leavitt/sanctus/t.midi Binary files differnew file mode 100644 index 0000000..14cc685 --- /dev/null +++ b/hr/stch/fertig/brevis_leavitt/sanctus/t.midi diff --git a/hr/stch/fertig/brevis_leavitt/sanctus/texte.ly b/hr/stch/fertig/brevis_leavitt/sanctus/texte.ly new file mode 100644 index 0000000..720c462 --- /dev/null +++ b/hr/stch/fertig/brevis_leavitt/sanctus/texte.ly @@ -0,0 +1,54 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + } + + pleni = \lyricmode { + Ple -- ni sunt cœ -- li et ter -- ra + Glo -- ri -- a Glo -- ri -- a tu -- a + } + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + \repeat unfold 2 { + Sanc -- tus + Do -- mi -- nus De -- us + Do -- mi -- nus De -- us + Sa -- ba -- oth! + } + Ho -- san -- na Ho -- san -- na Ho -- san -- na in ex -- cel -- sis! + Be -- ne -- dic -- tus Be -- ne -- dic -- tus qui ve -- nit + no -- mi -- ne Do -- _ mi -- ne De -- i De -- i De -- i. + \repeat unfold 2 { + Sanc -- tus Sanc -- tus Sanc -- tus + Do -- mi -- nus De -- us + } + \pleni + Ple -- ni sunt cœ -- li et ter -- ra + Glo -- ri -- a Glo -- ri -- a tu~a! + \repeat unfold 3 { + Ho -- san -- na Ho -- san -- na De -- o + Ho -- san -- na in ex -- cel -- sis! + } + Ho -- san -- na Ho -- san -- na + Ho -- san -- na in ex -- cel -- sis! + Sanc -- tus Sanc -- tus + Do -- mi -- nus De -- us Sa -- ba -- oth! + \pleni + Ho -- san -- na in ex -- cel -- sis + Ho -- san -- na in ex -- cel~sis + De -- o! + } + |