diff options
Diffstat (limited to 'hr/michi/whitacre/both')
| -rw-r--r-- | hr/michi/whitacre/both/both.ly | 72 | ||||
| -rw-r--r-- | hr/michi/whitacre/both/dynArt.ly | 63 | ||||
| -rw-r--r-- | hr/michi/whitacre/both/haukify.log | 169 | ||||
| -rw-r--r-- | hr/michi/whitacre/both/midi.lua | 53 | ||||
| -rw-r--r-- | hr/michi/whitacre/both/stimmen.ly | 243 | ||||
| -rw-r--r-- | hr/michi/whitacre/both/stimmen_.ly | 435 | ||||
| -rw-r--r-- | hr/michi/whitacre/both/texte.ly | 42 |
7 files changed, 1077 insertions, 0 deletions
diff --git a/hr/michi/whitacre/both/both.ly b/hr/michi/whitacre/both/both.ly new file mode 100644 index 0000000..31a704f --- /dev/null +++ b/hr/michi/whitacre/both/both.ly @@ -0,0 +1,72 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "stimmen.ly" +\include "texte.ly" + +\pointAndClickOff + + \header { + title = "A boy and a girl" + composer = "Eric Whitacre" + %opus = "<+Werk+>" + tagline = \markup { + \bold "studentenchor" + } + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 17) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + %\addlyrics { \sopranText } + >> + + alt = << + \new Voice = "alti" { \global \altMelodie } + %\addlyrics { \altText } + >> + + ten = << + \new Voice = "tenoere" { \global \tenorMelodie } + \addlyrics { \tenorText } + >> + + bas = << + \new Voice = "baesse" { \global \bassMelodie } + %\addlyrics { \bassText } + >> + + \score { + \new ChoirStaff \with { printPartCombineTexts = ##f } << + \new Staff = sopran { \sop } + \new Staff = alt { \alt } + \new Staff = tenor { \ten } + \new Staff = bass { \bas } + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/michi/whitacre/both/dynArt.ly b/hr/michi/whitacre/both/dynArt.ly new file mode 100644 index 0000000..6cd40e1 --- /dev/null +++ b/hr/michi/whitacre/both/dynArt.ly @@ -0,0 +1,63 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + %\override Staff.TimeSignature #'style = #'() + \dynamicUp + \key c \major + \time 4/4 + s1*6 + \break + \time 3/4 + s2. + \time 4/4 + s1*4 + \time 2/4 + s2 + \time 4/4 + s1*3 + \time 3/4 + s2. + \time 4/4 + s1*4 + \time 3/4 + s2.*2 + \time 4/4 + s1*3 + \time 2/4 + s2 + \time 4/4 + s1*7 + \time 2/4 + s2 + \time 4/4 + s1*3 + \time 2/4 + s2 + \time 4/4 + s1 + \time 2/4 + s2 + \time 4/4 + s1 + \time 2/4 + s2 + \time 4/4 + s1*10 + \bar "|." + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/michi/whitacre/both/haukify.log b/hr/michi/whitacre/both/haukify.log new file mode 100644 index 0000000..63f928f --- /dev/null +++ b/hr/michi/whitacre/both/haukify.log @@ -0,0 +1,169 @@ +Use of uninitialized value $1 in split at ../haukify line 129, <> line 249. +Use of uninitialized value $2 in split at ../haukify line 130, <> line 249. +Use of uninitialized value $d in numeric ne (!=) at ../haukify line 134, <> line 249. +Use of uninitialized value $c in numeric ne (!=) at ../haukify line 134, <> line 249. +Use of uninitialized value $b in numeric lt (<) at ../haukify line 122, <> line 249. +Use of uninitialized value $a in numeric lt (<) at ../haukify line 122, <> line 249. +Use of uninitialized value in addition (+) at ../haukify line 214, <> line 249. +underfull measure at (orig) 130, measure 16 (local 16) g4( f4) << { \voiceOne f8 f8 } { \voiceTwo c8 f8 } >> ? +128 out of 192 +underfull measure at (orig) 131, measure 19 (local 18) r4 e,4 ? +128 out of 256 +error at measure 21 (local 19) in (orig) 135, (result) 30 +320 out of 192 +(occurred after reading r4 e'8 e8 e2. ) +error at measure 25 (local 23) in (orig) 142, (result) 39 +320 out of 256 +(occurred after reading b4( d4) r4 \times 2/3 { f4 f4 g4 } ) +error at measure 29 (local 27) in (orig) 143, (result) 43 +320 out of 256 +(occurred after reading a4 b4 f2. ) +error at measure 32 (local 30) in (orig) 143, (result) 46 +320 out of 256 +(occurred after reading g4 b4 f8 f8 d2 ) +underfull measure at (orig) 144, measure 41 (local 39) r4 e8 e8 ? +128 out of 256 + \tsilence +error at measure 42 (local 1) in (orig) 113, (result) 59 +192 out of 128 +(occurred after reading a4 ) +underfull measure at (orig) 113, measure 43 (local 2) d,4 ? +64 out of 256 +underfull measure at (orig) 117, measure 44 (local 2) g4 d4 ? +192 out of 256 +error at measure 45 (local 2) in (orig) 120, (result) 67 +320 out of 256 +(occurred after reading r2 ) +underfull measure at (orig) 146, measure 46 (local 39) r2 ? +128 out of 256 + \tsilence +underfull measure at (orig) 117, measure 48 (local 2) g4 d4 ? +128 out of 256 +underfull measure at (orig) 148, measure 50 (local 39) r2 ? +128 out of 256 +error at measure 51 (local 39) in (orig) 152, (result) 86 +320 out of 256 +(occurred after reading a2.( ) +underfull measure at (orig) 152, measure 52 (local 40) d,4) ? +64 out of 256 +underfull measure at (orig) 156, measure 54 (local 41) d4) ? +64 out of 256 +error at measure 55 (local 41) in (orig) 159, (result) 95 +320 out of 256 +(occurred after reading r1 ) +underfull measure at (orig) 185, measure 15 (local 15) r2 ? +128 out of 256 +underfull measure at (orig) 189, measure 18 (local 17) g2( f4) ? +192 out of 256 +underfull measure at (orig) 196, measure 23 (local 21) r4 a4 ? +128 out of 256 +error at measure 25 (local 22) in (orig) 200, (result) 147 +320 out of 256 +(occurred after reading r4 g'8 g8 e2. ) +error at measure 28 (local 25) in (orig) 200, (result) 150 +320 out of 256 +(occurred after reading r4 \times 2/3 { a4 a4 b4 } \times 2/3 { g2 d4~ } ) +underfull measure at (orig) 200, measure 30 (local 27) e4( g4) ? +128 out of 256 +error at measure 32 (local 28) in (orig) 204, (result) 157 +320 out of 256 +(occurred after reading r4 c'8 c8 a2. ) +error at measure 35 (local 31) in (orig) 204, (result) 160 +320 out of 256 +(occurred after reading r4 \times 2/3 { d4 d4 e4 } \times 2/3 { c2 g4~ } ) +underfull measure at (orig) 204, measure 37 (local 33) e'2 ? +128 out of 256 +error at measure 38 (local 33) in (orig) 207, (result) 165 +192 out of 128 +(occurred after reading r4 ) +error at measure 39 (local 34) in (orig) 207, (result) 166 +384 out of 256 +(occurred after reading a,4 d4 e4 b2. ) +error at measure 41 (local 36) in (orig) 207, (result) 168 +320 out of 256 +(occurred after reading c4 e4( f4) r2 ) +underfull measure at (orig) 207, measure 47 (local 42) c8 c8 r4 r4 ? +192 out of 256 +underfull measure at (orig) 211, measure 49 (local 43) c4 ? +64 out of 256 +underfull measure at (orig) 215, measure 50 (local 43) g8 a8 f4 ? +192 out of 256 +underfull measure at (orig) 218, measure 52 (local 44) g4 a4 ? +128 out of 256 +underfull measure at (orig) 226, measure 54 (local 45) f,4 c'4 ? +128 out of 256 + \bsilence +underfull measure at (orig) 169, measure 57 (local 1) c4 g4 ? +128 out of 256 +underfull measure at (orig) 176, measure 59 (local 2) r2 ? +128 out of 256 + \bsilence +underfull measure at (orig) 169, measure 61 (local 1) c4 g4 ? +128 out of 256 +underfull measure at (orig) 176, measure 63 (local 2) r2 ? +128 out of 256 +error at measure 66 (local 50) in (orig) 241, (result) 233 +320 out of 256 +(occurred after reading f2.( g2) ) +underfull measure at (orig) 54, measure 15 (local 15) r4 g2 ? +192 out of 256 +error at measure 16 (local 15) in (orig) 58, (result) 270 +256 out of 192 +(occurred after reading g4( ) +underfull measure at (orig) 58, measure 17 (local 16) a4 b4) a8 a8 ? +192 out of 256 +underfull measure at (orig) 61, measure 19 (local 17) a2 a8 a8 ? +192 out of 256 +error at measure 20 (local 17) in (orig) 64, (result) 278 +320 out of 256 +(occurred after reading <c g>2( ) +error at measure 21 (local 18) in (orig) 64, (result) 279 +256 out of 192 +(occurred after reading <bes f>4) r4 r2 ) +error at measure 22 (local 19) in (orig) 64, (result) 280 +256 out of 192 +(occurred after reading r4 c,4 <e c>2 ) +error at measure 23 (local 20) in (orig) 64, (result) 281 +320 out of 256 +(occurred after reading r4 g8 g8 <b a>2. ) +error at measure 25 (local 22) in (orig) 64, (result) 283 +320 out of 256 +(occurred after reading d8( e8 f4) a4~ \times 2/3 { a4 a4 b4 } ) +underfull measure at (orig) 68, measure 28 (local 25) b4( c4) ? +128 out of 256 +underfull measure at (orig) 78, measure 44 (local 40) e4 c4 ? +128 out of 256 +underfull measure at (orig) 88, measure 47 (local 42) e4 c4 ? +128 out of 256 +underfull measure at (orig) 19, measure 15 (local 15) r4 ? +64 out of 256 +underfull measure at (orig) 21, measure 18 (local 17) f2( e4) ? +192 out of 256 +underfull measure at (orig) 23, measure 22 (local 20) d4) ? +64 out of 192 +error at measure 25 (local 22) in (orig) 26, (result) 382 +320 out of 256 +(occurred after reading r4 <g' e>8 q8 <g eis>2. ) +underfull measure at (orig) 27, measure 26 (local 23) r4 ? +64 out of 128 +error at measure 28 (local 24) in (orig) 29, (result) 386 +320 out of 256 +(occurred after reading d4( cis4) r4 \times 2/3 { f4 f4 g4 } ) +error at measure 34 (local 30) in (orig) 34, (result) 395 +192 out of 128 +(occurred after reading d2. ) +error at measure 36 (local 32) in (orig) 34, (result) 397 +320 out of 256 +(occurred after reading a4) r2 e2 ) +underfull measure at (orig) 34, measure 49 (local 45) r2 ? +128 out of 256 +error at measure 50 (local 45) in (orig) 37, (result) 413 +320 out of 256 +(occurred after reading g2.( ) +underfull measure at (orig) 37, measure 51 (local 46) d4) ? +64 out of 256 +underfull measure at (orig) 39, measure 53 (local 47) d4) ? +64 out of 256 +error at measure 54 (local 47) in (orig) 42, (result) 420 +320 out of 256 +(occurred after reading r1 ) diff --git a/hr/michi/whitacre/both/midi.lua b/hr/michi/whitacre/both/midi.lua new file mode 100644 index 0000000..8aef7d6 --- /dev/null +++ b/hr/michi/whitacre/both/midi.lua @@ -0,0 +1,53 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { + << + \unfoldRepeats +]] + +post=[[ + >> + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 100 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/michi/whitacre/both/stimmen.ly b/hr/michi/whitacre/both/stimmen.ly new file mode 100644 index 0000000..93ae764 --- /dev/null +++ b/hr/michi/whitacre/both/stimmen.ly @@ -0,0 +1,243 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + %\autoBeamOff + } + +% Die Stimmen + + sopranMelodie = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + e2 g4( a4) r2 g2 g4 a8 a8 bes4( a4) r2 r4 d,4 c2 r4 b'8 b8 a2( f2) ~ f4 e4 d8( g8) f8 f8 e4 r4 c'4( \times 2/3 { b4) b4 c4 } a8( f8) e4 ~ e4 r4 r4 c4 c2 r4 c4 d4 e4 b1 e2 g4( a4) + r4 << + { + g4( c4 g'4) g2 f8 f8 f2( e4) + } \\ { + g,4( c2) c2 c8 f8 e2( d4) + } + >> + r4 r2 r4 e,4 <g f>2 r4 <g' e>8 q8 <g eis>2. + r4 << + { + d4 cis4 b8( e8) d4( cis4) r4 \times 2/3 { f4 f4 g4 } + } \\ { + cis,4 b4 b8( e8) cis4( b4) r4 \times 2/3 { eis4 eis4 f4 } + } + >> + \times 2/3 { eis4( c4) b4 ~ } b2 r4 g4 e2 r4 cis4 fis4 gis4 dis2. ees4 ~ ees2 g4( aes4) r2 ees2 g4 d8 d8 c4( d4) r2 r4 c4 <c b>2 r4 e8 e8 <e d>2 r4 g8 g8 e4 c4 r4 b'8 c8 a8( f8) e8( c8 ~ c4. e8 g8 f4 c8 ~ c4 d4) r2 r4 c8 c8 <g' f>4 <d d>4 r2 r4 b8( c8) <g' f>4 <d d>4 r2 r2 + << + { + g2.( d4) + } \\ { + f2.( d4) + } + >> + r1 e2( g4 a4) r2 g2( ~ g4 a4 bes4 a4) r2 r4 c,4 ~ c1 r4 c4( d4 e4 b1 ~ b1) + \bar "|." + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + d2 f4( g4) r2 r4 d4 e4 g8 g8 a4( g4) r2 r4 c,4 bes2 r4 g'8 a8 g4( c,4 f4 e4) ~ e4 d4 r4 e8 e8 d4 d8( e8 f8 g8 \times 2/3 { a4) a4 b4 } g8( f8) d4 ~ d4 r4 r2 a4( b4) r4 a4 c4 d4 a1 d2 f4( g4) r4 g2 + << + { + \voiceOne + g4( a4 bes4) a8 a8 + } \\ { + \voiceTwo + g4 a2 a8 a8 + } + >> + <c g>2( <bes f>4) r4 r2 r4 c,4 <e c>2 r4 g8 g8 <b a>2. r4 d,8( e8) fis4 r4 d8( e8 fis4) a4 ~ \times 2/3 { a4 a4 b4 } \times 2/3 { d4( c4) a4 ~ } a2 r2 + << + { + \voiceOne + b,4( cis4) + } \\ { + \voiceTwo + b2 + } + >> + r4 b4 e4 fis4 cis2. r4 r4 d4 f4( g4) r2 r4 d4 f4 c8 c8 b4( c4) r2 r4 a4 <a g>2 r4 c8 c8 <c a>2 r4 fis8 fis8 d4 c4 r4 a'8 b8 g8( f8) d8( c8 b4. c8 ~ c8 f8 e8 c8 ~ c8 b8 c4) r2 r4 c8 c8 + << + { + \voiceOne + e4 c4 + } \\ { + \voiceTwo + c4 c4 + } + >> + r2 r4 b8( c8) + << + { + \voiceOne + e4 c4 + } \\ { + \voiceTwo + c4 c4 + } + >> + r2 r2 + << + { + \voiceOne + e2.( c4) + } \\ { + \voiceTwo + c1 + } + >> + r1 d2( f4 g4) r2 r4 d4( e4 g4 a4 g4) r1 a,2( b2) r4 a4( c4 d4 a1 ~ a1) + } + >> + } + + tsilence = \relative c' { + << + { + a4 d,4 + } + { + g4 d4 + } + >> + r2 + } + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + { + \clef "treble_8" + g2 bes4( c4) r2 r4 e,4 g4 bes8 bes8 c4( bes4) r2 r4 f4 ees2 r4 d'8 d8 c2. r4 g4 f4 r4 g8 g8 f4 g4( c4 \times 2/3 { d4) d4 e4 } c4 g4 ~ g4 r4 r2 c,4( d4) r4 c4 f4 g4 d1 g2 bes4( c4) r2 c4( e4) + g4( f4) << { \voiceOne f8 f8 } { \voiceTwo c8 f8 } >> + e2( d4) r4 r2 r4 e,4 + << + { + \voiceOne + g2 r4 e'8 e8 e2. + } + { + \voiceTwo + f,2 r4 c'8 c8 cis2. + } + >> + r4 b4 d4 r4 b4( d4) r4 \times 2/3 { fis4 fis4 g4 } \times 2/3 { e2 b4 ~ } b2 r2 + g4( a4) r4 e4 a4 b4 fis2. r4 r4 g4 bes4( c4) r2 r4 g4 bes4 f8 f8 d2 r2 r4 e4 c2 r4 e8 e8 fis2 r4 b8 b8 g8 g8 r4 b4 ~ b8 c8 a4 g4( d4 e4 a4 g4 d4 g4) r2 + r4 e8 e8 + \tsilence + r2 + \tsilence + r2 + << + { + \voiceOne + a2.( d,4) + } + { + \voiceTwo + g2.( d4) + } + >> + r1 + g2( bes4 c4) r2 r4 e,4( g4 bes4 c4 b4) r1 c,2( d2) r4 c4( f4 g4 d1 ~ d1) + } + >> + } + + bsilence = \relative c { + << + { + c4 g4 + } + { + f4 g4 + } + >> + r2 + } + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + c2 ees4( f4) r2 r4 g,4 c4 ees8 ees8 f4( ees4) r2 r4 bes4 aes2 r4 g'8 g8 f2 r2 c4 bes4 r4 c8 c8 bes4 r2 \times 2/3 { g'4 g4 a4 } f4 c4 ~ c4 r4 r2 f,4( g4) r4 f4 bes4 c4 g1 c2 ees4( f4) r2 + << + { + \voiceOne + e4( g4) bes4( c4) a8 c8 g2( f4) + } + { + \voiceTwo + g,4( c4) ees4( f4) a8 f8 c2( bes4) + } + >> + r4 r2 r4 a4 + << + { + \voiceOne + c2 r4 g'8 g8 e2. r4 d4 fis4 r4 d4( fis4) r4 \times 2/3 { a4 a4 b4 } \times 2/3 { g2 d4 ~ } d2 r2 e4( g4) + } + { + \voiceTwo + f,2 r4 c'8 c8 a2. r4 g4 b4 r4 g4( b4) r4 \times 2/3 { d4 d4 e4 } \times 2/3 { c2 g4 ~ } g2 r2 e'2 + } + >> + r4 a,4 d4 e4 b2. r4 r4 c4 ees4( f4) r2 r4 c4 ees4 bes8 bes8 g2 r2 r4 a4 f2 r4 a8 a8 <d a>2 r4 e8 e8 c8 c8 r4 r4 + << + { + \voiceOne + d8 e8 c4 + } + { + \voiceTwo + g8 a8 f4 + } + >> + c'4( g4 a4 + << + { + c4 c4 + } + { + f,4 c'4 + } + >> + g4) r4 r2 r4 a8 a8 + \bsilence + r2 + \bsilence + r2 + << + { + \voiceOne + c2.( g4) + } + { + \voiceTwo + f2.( g4) + } + >> + r1 c2( ees4 f4) r2 r4 g,4( c4 ees4 f4 ees4) + r1 d,2( e2) r4 d4( ges4 a4 e1 ~ e1) + } + >> + } + diff --git a/hr/michi/whitacre/both/stimmen_.ly b/hr/michi/whitacre/both/stimmen_.ly new file mode 100644 index 0000000..4b3c7d7 --- /dev/null +++ b/hr/michi/whitacre/both/stimmen_.ly @@ -0,0 +1,435 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + %\autoBeamOff + } + +% Die Stimmen + + sopranMelodie = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + e2 g4( a4) + r2 g2 + g4 a8 a8 bes4( a4) + r2 r4 d,4 + c2 r4 b'8 b8 + a2( f2) ~ + f4 e4 d8( g8) + f8 f8 e4 r4 c'4( + \times 2/3 { b4) b4 c4 } a8( f8) e4 ~ + e4 r4 r4 c4 + c2 r4 c4 + d4 e4 + b1 + e2 g4( a4) + r4 + { + g4( c4 + g'4) g2 f8 f8 + f2( e4) + } \\ { + g,4( + c2) c2 + c8 f8 e2( + d4) + } + >> + r4 r2 + r4 e,4 <g f>2 + r4 <g' e>8 q8 <g eis>2. + r4 + { + d4 c4 b8( e8) + d4( cis4) r4 \times 2/3 { f4 f4 g4 } + } \\ { + cis,4 b4 b8( e8) cis4( + b4) r4 \times 2/3 { eis4 eis4 f4 } + } + >> + \times 2/3 { e4( c4) b4 ~ } b2 + r4 g4 e2 + r4 c4 f4 g4 + d2. + e4 ~ e2 g4( + a4) r2 e2 + g4 d8 d8 c4( d4) + r2 + r4 c4 <c b>2 + r4 e8 e8 + <e d>2 r4 g8 g8 + e4 c4 + r4 b'8 c8 a8( f8) e8( c8 ~ + c4. e8 g8 f4 c8 ~ + c4 d4) r2 + r4 c8 c8 <g' f>4 <d d>4 + r2 r4 b8( c8) + <g' f>4 <d d>4 r2 + r2 + << + { + g2.( + d4) + } \\ { + f2.( + d4) + } + >> + r1 + e2( g4 a4) + r2 g2( ~ + g4 a4 bes4 a4) + r2 r4 c,4 ~ + c1 + r4 c4( d4 e4 + b1 ~ + b1) + \bar "|." + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + d2 f4( g4) + r2 r4 d4 + e4 g8 g8 a4( g4) + r2 r4 c,4 + b2 r4 g'8 a8 + g4( c,4 f4 e4) ~ + e4 d4 r4 + e8 e8 d4 d8( e8 f8 g8 + \times 2/3 { a4) a4 b4 } g8( f8) d4 ~ + d4 r4 r2 + a4( b4) r4 a4 + c4 d4 + a1 + d2 f4( g4) + r4 g2 + << + { + \voiceOne + g4( + a4 b4) a8 a8 + } \\ { + \voiceTwo + g4 + a2 a8 a8 + } + >> + <c g>2( + <bes f>4) r4 r2 + r4 c,4 <e c>2 + r4 g8 g8 <b a>2. + r4 d,8( e8) f4 r4 + d8( e8 f4) a4 ~ \times 2/3 { a4 a4 b4 } + \times 2/3 { d4( c4) a4 ~ } + a2 r2 + << + { + \voiceOne + b4( c4) + } \\ { + \voiceTwo + b2 + } + >> + r4 b4 e4 f4 + c2. r4 + r4 d4 f4( g4) + r2 r4 d4 + f4 c8 c8 + b4( c4) r2 + r4 a4 <a g>2 + r4 c8 c8 <c a>2 + r4 fis8 fis8 + d4 c4 r4 a'8 b8 + g8( f8) d8( c8 + b4. c8 ~ c8 f8 e8 c8 ~ + c8 b8 c4) + r2 r4 c8 c8 + << + { + \voiceOne + e4 c4 + } \\ { + \voiceTwo + c4 c4 + } + >> + r2 r4 b8( c8) + << + { + \voiceOne + e4 c4 + } \\ { + \voiceTwo + c4 c4 + } + >> + r2 r2 + << + { + \voiceOne + e2.( c4) + } \\ { + \voiceTwo + c1 + } + >> + r1 + d2( f4 g4) + r2 r4 d4( + e4 g4 a4 g4) + r1 + a,2( b2) + r4 a4( c4 d4 + a1 ~ + a1) + } + >> + } + + tsilence = \relative c' { + << + { + \voiceOne + a4 d,4 + } + { + \voiceTwo + g4 d4 + } + >> + r2 + } + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + { + \clef "treble_8" + g2 b4( c4) + r2 r4 e,4 + g4 b8 b8 c4( b4) + r2 r4 f4 + e2 r4 d'8 d8 + c2. r4 + g4 f4 r4 + g8 g8 f4 g4( c4 + \times 2/3 { d4) d4 e4 } c4 g4 ~ + g4 r4 r2 + c,4( d4) r4 c4 + f4 g4 + d1 + g2 b4( c4) + r2 c4( e4) + g4( f4) << { \voiceOne f8 f8 } { \voiceTwo c8 f8 } >> + e2( + d4) r4 r2 + r4 e,4 + << + { + \voiceOne + g2 + r4 e'8 e8 e2. + } + { + \voiceTwo + f,2 r4 + c'8 c8 c2. + } + >> + r4 b4 d4 r4 + b4( d4) r4 \times 2/3 { f4 f4 g4 } + \times 2/3 { e2 b4 ~ } + b2 r2 + g4( a4) r4 e4 + a4 b4 f2. + r4 r4 g4 b4( + c4) r2 r4 + g4 b4 f8 f8 d2 + r2 r4 e4 + c2 + r4 e8 e8 f2 + r4 b8 b8 g8 g8 r4 + b4 ~ b8 c8 a4 g4( + d4 e4 + a4 g4 d4 g4) + r2 + r4 e8 e8 + \tsilence + r2 + \tsilence + r2 + << + { + \voiceOne + a2.( + d,4) + } + { + \voiceTwo + g2.( + d4) + } + >> + r1 + g2( b4 c4) + r2 r4 e,4( + g4 b4 c4 b4) + r1 + c,2( d2) + r4 c4( f4 g4 + d1 ~ + d1) + } + >> + } + + bsilence = \relative c' { + << + { + \voiceOne + c4 g4 + } + { + \voiceTwo + f4 g4 + } + >> + r2 + } + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + c2 e4( f4) + r2 r4 g,4 + c4 e8 e8 f4( e4) + r2 r4 b4 + a2 r4 g'8 g8 + f2 r2 + c4 b4 r4 + c8 c8 b4 r2 + \times 2/3 { g'4 g4 a4 } f4 c4 ~ + c4 r4 r2 + f,4( g4) r4 f4 + b4 c4 + g1 + c2 e4( f4) + r2 + << + { + \voiceOne + e4( + g4) b4( c4) a8 c8 + g2( f4) + } + { + \voiceTwo + g,4( + c4) e4( f4) a8 f8 + c2( b4) + } + >> + r4 r2 + r4 a4 + << + { + \voiceOne + c2 + r4 g'8 g8 e2. + r4 d4 + f4 r4 d4( f4) + r4 \times 2/3 { a4 a4 b4 } \times 2/3 { g2 d4 ~ } + d2 r2 + e4( g4) + } + { + \voiceTwo + f,2 + r4 c'8 c8 a2. + r4 g4 b4 r4 + g4( b4) + r4 \times 2/3 { d4 d4 e4 } \times 2/3 { c2 g4 ~ } + g2 r2 + e'2 + } + >> + r4 + a,4 d4 e4 b2. + r4 r4 + c4 e4( f4) r2 + r4 c4 + e4 b8 b8 g2 + r2 r4 a4 + f2 r4 a8 a8 + <d a>2 r4 e'8 e8 + c8 c8 r4 r4 + << + { + \voiceOne + d8 e8 + c4 + } + { + \voiceTwo + g8 a8 f4 + } + >> + c'4( + g4 a4 + << + { + \voiceOne + c4 c4 + } + { + \voiceTwo + f,4 c'4 + } + >> + g4) r4 + r2 r4 a8 a8 + \bsilence + r2 + \bsilence + r2 + << + { + \voiceOne + c2.( g4) + } + { + \voiceTwo + f2.( g2) + } + >> + r1 + c2( e4 f4) + r2 r4 g,4( + c4 e4 f4 e4) + r1 + d,2( e2) + r4 d4( g4 a4 + e1 ~ + e1) + } + >> + } + diff --git a/hr/michi/whitacre/both/texte.ly b/hr/michi/whitacre/both/texte.ly new file mode 100644 index 0000000..70c9503 --- /dev/null +++ b/hr/michi/whitacre/both/texte.ly @@ -0,0 +1,42 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + +% Die Textaufteilungen % -- _ + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + Stretched out, + stretched out on the grass + a boy and a girl + sa -- vouring + or -- an -- ges + giv -- ing their kiss -- es + waves ex -- chang -- ing foam. + Stretched out, + stretched out on the beach + a boy and a girl + sa -- vouring limes + giv -- ing their kiss -- es + clouds ex -- chang -- ing foam. + Stretched out, + stretched out un -- der -- ground + a boy and a girl + say -- ing noth -- ing + nev -- er kiss -- ing + giv -- ing si -- lence. si -- lence. + (mm) (mm) (mm) (mm) (mm) + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + } + |