9 files changed, 738 insertions, 0 deletions
diff --git a/hr/michi/remember/Do Lord, Remember Me.PDF b/hr/michi/remember/Do Lord, Remember Me.PDF
new file mode 100644
index 0000000..1002206
--- /dev/null
+++ b/hr/michi/remember/Do Lord, Remember Me.PDF
diff --git a/hr/michi/remember/dynArt.ly b/hr/michi/remember/dynArt.ly
new file mode 100644
index 0000000..6a06e28
--- /dev/null
+++ b/hr/michi/remember/dynArt.ly
@@ -0,0 +1,51 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+  meta = {
+    %(dynamic) marks global to all voices
+    %\override Staff.TimeSignature #'style = #'()
+    \dynamicUp
+    \key g \major
+    \time 4/4
+    s1*8 
+    \bar "||"
+    \break
+    s1*8 
+    \bar "||"
+    \pageBreak
+    s1*8
+    \repeat volta 2 {
+      s1*7
+    } \alternative {
+      {
+        s1 
+      }
+      {
+        s1 
+      }
+    }
+    \bar "||"
+    \pageBreak
+    s1*8 
+    \bar "||"
+    \break
+    s1*8 
+    \bar "||"
+    %\break
+    %s1*8 
+    \bar "|."
+  }
+
+% articulation
+
+    sopranArt = {
+    }
+
+    altArt = {
+    }
+
+    tenorArt = {
+    }
+
+    bassArt = {
+    }
+
diff --git a/hr/michi/remember/haukify.log b/hr/michi/remember/haukify.log
new file mode 100644
index 0000000..bed8f2e
--- /dev/null
+++ b/hr/michi/remember/haukify.log
@@ -0,0 +1,28 @@
+	\dos
+        \beulahs
+        \dos
+          \beulahs
+        \dos
+        \beulahs
+        \dos
+	\doa
+        \beulaha
+        \doa
+          \beulaha
+        \doa
+        \beulaha
+        \doa
+	\dot
+        \beulaht
+        \dot
+          \beulaht
+        \dot
+        \beulaht
+        \dot
+        \dob
+        \beulahb
+        \dob
+          \beulahb
+        \dob
+        \beulahb
+        \dob
diff --git a/hr/michi/remember/lily.log b/hr/michi/remember/lily.log
new file mode 100644
index 0000000..ca610c4
--- /dev/null
+++ b/hr/michi/remember/lily.log
@@ -0,0 +1,11 @@
+GNU LilyPond 2.18.0
+»remember.ly« wird verarbeitet
+Analysieren...
+Interpretation der Musik...[8][16][24][32][40][48]
+Vorverarbeitung der grafischen Elemente...
+Ideale Seitenanzahl wird gefunden...
+Musik wird auf 3 oder 4 Seiten angepasst...
+Systeme erstellen...
+Layout nach »remember.ps« ausgeben...
+Konvertierung nach »./remember.pdf«...
+Kompilation erfolgreich beendet
diff --git a/hr/michi/remember/midi.lua b/hr/michi/remember/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/michi/remember/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+  \score {
+    <<
+      \unfoldRepeats
+]]
+
+post=[[
+    >>
+    \midi {
+      \context{
+	%\Score
+	%tempoWholesPerMinute = #(ly:make-moment 100 4)
+      }
+    }
+  }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+  return
+[[
+      \new Staff = ]]..stimme..[[ <<
+        %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+        \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+      >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+  if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/michi/remember/remember.ly b/hr/michi/remember/remember.ly
new file mode 100644
index 0000000..9bc513a
--- /dev/null
+++ b/hr/michi/remember/remember.ly
@@ -0,0 +1,74 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen_.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+  \header {
+    title = "Do Lord, Remember Me"
+    composer = "traditional"
+    arranger = "Moses Hogan"
+    %opus = "<+Werk+>"
+    tagline = \markup {
+      \bold "studentenchor"
+    }
+  }
+
+  \paper {
+    line-width = \paper-width - 30
+    top-margin = 10
+    bottom-margin = 10
+    ragged-last-bottom = #'f
+    %system-count=14
+  }
+
+  \layout {
+    indent = #0
+    \context {
+      \Staff
+      \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+    }
+  }
+
+  #(set-global-staff-size 17)
+
+  sop = <<
+          %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+          \new Voice = "soprane" { \global \sopranMelodie }
+          %\addlyrics { \sopranText }
+        >>
+
+  alt = <<
+          \new Voice = "alti" { \global \altMelodie }
+          %\addlyrics { \altText }
+        >>
+
+  ten = <<
+          \new Voice = "tenoere" { \global \tenorMelodie }
+          \addlyrics { \tenorText }
+        >>
+
+  bas = <<
+          \new Voice = "baesse" { \global \bassMelodie }
+          %\addlyrics { \bassText }
+        >>
+
+  \score {
+    \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+      \new Staff = sopran { \sop }
+      \new Staff = alt { \alt }
+      \new Staff = tenor { \ten }
+      \new Staff = bass { \bas }
+    >>
+    %\midi {
+      %\context{
+	%\Score
+	%tempoWholesPerMinute = #(ly:make-moment 72 4)
+      %}
+    %}
+    \layout {
+    }
+  }
+
diff --git a/hr/michi/remember/stimmen.ly b/hr/michi/remember/stimmen.ly
new file mode 100644
index 0000000..4636938
--- /dev/null
+++ b/hr/michi/remember/stimmen.ly
@@ -0,0 +1,188 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+  \version "2.12"
+  \include "dynArt.ly"
+
+  global = {
+    %\autoBeamOff
+  }
+
+% Die Stimmen
+
+  dos = \relative c' {
+    d8 d4 e8 g8 g4 r8 b8. b16 b16 a8. g4 bes8( a8) e8 e4 fis8 g8 g4 r8 bes8. a16 g16 e8. d4 r4 d8 d4 e8 g8 g4 r8 
+    <<
+      {
+        \voiceOne
+        e'8 d8 b8 a8 g8 g'4( e8) 
+      } \\
+      {
+        \voiceTwo
+        b8 a8 b8 a8 g4 d'8( c8) 
+      }
+    >>
+    d8( b4) g8 b8( a4) g8 g1 
+  }
+  beulahs = \relative c' {
+        d16 d8 d16 d8 e8 g8 g16 g16 ~ g8 g8 b8 b4 a8 g4 bes16( a16 g8) 
+        e16 e8 e16 e8 fis8 g8 fis16 g16 ~ g8 a8 bes8 a8( g8) e8 d4 r4 
+        d16 d8 d16 d8 e8 g8 g16 g16 ~ g8 g8 b8 b4 a8 << { \voiceOne g8 g'4( e8) } \\ { \voiceTwo g,4 d'8( c8) } >> 
+  }
+  fathers = \relative c' {
+        d16 d8 d16 d16 d16 e8 g8 g16 g16 ~ g8 g8 b8 b4 a8 g4 bes16( a16 g8) 
+        e16 e8 e16 e16 e16 fis8 g8 fis16 g16 ~ g8 a8 bes8 a8( g8) e8 d4 r4 
+        d16 d8 d16 d16 d16 e8 g8 g16 g16 ~ g8 g8 b8 b4 a8 << { \voiceOne g8 g'4( e8) } \\ { \voiceTwo g,4 d'8( c8) } >> 
+  }
+
+  sopranMelodie = \relative c' {
+    <<
+      { \meta }
+      %\sopranArt
+      %the actual tune
+      {
+	\dos
+        \once \override Score.RehearsalMark #'break-visibility = #end-of-line-visible
+        \once \override Score.RehearsalMark #'self-alignment-X = #RIGHT
+        \mark \markup { \bold "Fine" }
+        \beulahs
+        d'8( b4) g8 b8( a4) g8 g2 r8 b8 b16( a16 g8) 
+        \dos
+        \repeat volta 2 {
+          \beulahs
+          d'8( b4) g8 b8( a4) g8 
+        } \alternative {
+          {
+            g1 
+          }
+          {
+            g2 r8 b8 b16( a16 g8) 
+          }
+        }
+        \dos
+        \fathers
+        d'8( b4) g8 b8( a4) g8 
+        g2 r8 b8 b16( a16 g8) 
+        \once \override Score.RehearsalMark #'break-visibility = #end-of-line-visible
+        \once \override Score.RehearsalMark #'self-alignment-X = #RIGHT
+        \mark \markup { \bold "D. C. al Fine" }
+        %\dos
+      }
+    >>
+  }
+
+  doa = \relative c' {
+    b8 b4 d8 d8 d4 r8 g8. g16 g16 e8. d4 g8( f8) c8 c4 d8 e8 e4 r8 g8. e16 e16 c8. b4 r4 b8 b4 e8 d8 d4 r8 << { \voiceOne b'8 a8 e8 fis8 e4 b'8( c8) } \\ { \voiceTwo dis,8 fis8 e8 fis8 e4 g4 } >> g4. e8 e4. e8 b8( c4 a8 b2) 
+  }
+  beulaha = \relative c' {
+    r1 r1 c16 c8 c16 c8 d8 e8 dis16 e16 ~ e8 e8 g8 e4 c8 b4 r4 b16 b8 b16 b8 d8 d8 d16 d16 ~ d8 e8 dis8 e4 fis8 e4 << { \voiceOne b'8( c8) } \\ { \voiceTwo g4 } >> g4. e8 e4. e8 
+  }
+  fathera = \relative c' {
+    r1 r1 c16 c8 c16 c16 c16 d8 e8 dis16 e16 ~ e8 e8 g8 e4 c8 b4 r4 b16 b8 b16 b16 b16 d8 d8 d16 d16 ~ d8 e8 dis8 e4 fis8 e4 << { \voiceOne b'8( c8) } \\ { \voiceTwo g4 } >> g4. e8 e4. e8 
+  }
+
+  altMelodie = \relative c' {
+    <<
+      { \meta }
+      %\altArt
+      %the actual tune
+      {
+	\doa
+        \beulaha
+        b8( c4 a8 b4) r4 
+        \doa
+        \repeat volta 2 {
+          \beulaha
+        } \alternative {
+          {
+            b8( c4 a8 b2) 
+          }
+          {
+            b8( c4 a8 b4) r4 
+          }
+        }
+        \doa
+        \fathera
+        b8( c4 a8 b4) r4 
+        %\doa
+      }
+    >>
+  }
+
+  dot = \relative c' {
+    g8 g4 bes8 b8 b4 r8 d8. d16 d16 c8. b4 d4 g,8 g4 a8 bes8 bes4 r8 d8. c16 c16 a8. g4 r4 g8 g4 bes8 b8 b4 r8 a8 a8 a8 b8 b4 g8( a8) b8( d4) cis8 c4. c8 d,8( e4 c8 d2) 
+  }
+  beulaht = \relative c' {
+    r1 r1 g16 g8 g16 g8 a8 bes8 a16 bes16 ~ bes8 c8 d8 c4 a8 g4 r4 g16 g8 g16 g8 b8 b8 bes16 b16 ~ b8 a8 a8 a4 b8 b4 g8( a8) b8( d4) cis8 c4. c8 
+  }
+  fathert = \relative c' {
+    r1 r1 g16 g8 g16 g16 g16 a8 bes8 a16 bes16 ~ bes8 c8 d8 c4 a8 g4 r4 g16 g8 g16 g16 g16 bes8 b8 b16 b16 ~ b8 a8 a8 a4 b8 b4 g8( a8) b8( d4) cis8 c4. c8 
+  }
+  
+  tenorMelodie = \relative c' {
+    <<
+      { \meta }
+      %\tenorArt
+      %the actual tune
+      {
+        \clef "treble_8"
+	\dot
+        \beulaht
+        d,8( e4 c8 d4) r4 
+        \dot
+        \repeat volta 2 {
+          \beulaht
+        } \alternative {
+          {
+            d8( e4 c8 d2) 
+          }
+          {
+            d8( e4 c8 d4) r4 
+          }
+        }
+        \dot
+        \fathert
+        d8( e4 c8 d4) r4 
+        %\dot
+      }
+    >>
+  }
+
+  dob = \relative c {
+    g8 g4 g8 g8 g8( b8 d8) g8. g16 g16 g8. g8 g,8 a8 b8 c8 c4 c8 c8 c4 r8 c8. c16 d16 d8. g,8 g8( b8 d8) g,8 g4 g8 g8 g8( a8 bes8) b8 c8 cis8 dis8 e4 b8( c8) d4. d8 d4. d8 g,1 
+  }
+  beulahb = \relative c {
+    r1 r1 c16 c8 c16 c8 c8 c8 c16 c16 ~ c8 c8 c8 c8( d8) d8 g,8 g8 b8 d8 g,16 g8 g16 b16( d16) e8 g8 e16 d16 ~ d8 c8 b8 cis4 dis8 e4 b8( c8) d4. d8 d4. d8 
+  }
+  fatherb = \relative c {
+    r1 r1 c16 c8 c16 c16 c16 c8 c8 c16 c16 ~ c8 c8 c8 c8( d8) d8 g,8 g8 b8 d8 g,16 g8 g16 b16 d16 e8 g8 e16 d16 ~ d8 c8 b8 cis4 dis8 e4 b8( c8) d4. d8 d4. d8 
+  }
+
+  bassMelodie = \relative c {
+    <<
+      { \meta }
+      %\bassArt
+      %the actual tune
+      \clef bass
+      {
+        \dob
+        \beulahb
+        g2. r4 
+        \dob
+        \repeat volta 2 {
+          \beulahb
+        } \alternative {
+          {
+            g1 
+          }
+          {
+            g2. r4 
+          }
+        }
+        \dob
+        \fatherb
+        g2. r4 
+        %\dob
+      }
+    >>
+  }
+
diff --git a/hr/michi/remember/stimmen_.ly b/hr/michi/remember/stimmen_.ly
new file mode 100644
index 0000000..59becd5
--- /dev/null
+++ b/hr/michi/remember/stimmen_.ly
@@ -0,0 +1,257 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+  \version "2.12"
+  \include "dynArt.ly"
+
+  global = {
+    %\autoBeamOff
+  }
+
+% Die Stimmen
+
+  dos = \relative c' {
+    d8 d4 e8 g8 g4 r8 
+    b8. b16 b16 a8. g4 bes8( a8) 
+    e8 e4 fis8 g8 g4 r8 
+    bes8. a16 g16 e8. d4 r4 
+    d8 d4 e8 g8 g4 r8 
+    <<
+      {
+        \voiceOne
+        e'8 d8 b8 a8 g8 g'4( e8) 
+      } \\
+      {
+        \voiceTwo
+        b8 a8 b8 a8 g4 d'8( c8) 
+      }
+    >>
+    d8( b4) g8 b8( a4) g8 
+    g1 
+  }
+  beulahs = \relative c' {
+        d16 d8 d16 d8 e8 g8 g16 g16 ~ g8 g8 
+        b8 b4 a8 g4 bes16( a16 g8) 
+        e16 e8 e16 e8 fis8 g8 fis16 g16 ~ g8 a8 
+        bes8 a8( g8) e8 d4 r4 
+        d16 d8 d16 d8 e8 g8 g16 g16 ~ g8 g8 
+        b8 b4 a8 << { \voiceOne g8 g'4( e8) } \\ { \voiceTwo g,4 d'8( c8) }  >> 
+  }
+  fathers = \relative c' {
+        d16 d8 d16 d16 d16 e8 g8 g16 g16 ~ g8 g8 
+        b8 b4 a8 g4 bes16( a16 g8) 
+        e16 e8 e16 e16 e16 fis8 g8 fis16 g16 ~ g8 a8 
+        bes8 a8( g8) e8 d4 r4 
+        d16 d8 d16 d16 d16 e8 g8 g16 g16 ~ g8 g8 
+        b8 b4 a8 << { \voiceOne g8 g'4( e8) } \\ { \voiceTwo g,4 d'8( c8) }  >> 
+  }
+
+  sopranMelodie = \relative c' {
+    <<
+      { \meta }
+      %\sopranArt
+      %the actual tune
+      {
+	\dos
+        \once \override Score.RehearsalMark #'break-visibility = #end-of-line-visible
+        \once \override Score.RehearsalMark #'self-alignment-X = #RIGHT
+        \mark \markup { \bold "Fine" }
+        \beulahs
+        d'8( b4) g8 b8( a4) g8 
+        g2 r8 b8 b16( a16 g8) 
+        \dos
+        \repeat volta 2 {
+          \beulahs
+          d'8( b4) g8 b8( a4) g8 
+        } \alternative {
+          {
+            g1 
+          }
+          {
+            g2 r8 b8 b16( a16 g8) 
+          }
+        }
+        \dos
+        \fathers
+        d'8( b4) g8 b8( a4) g8 
+        g2 r8 b8 b16( a16 g8) 
+        \once \override Score.RehearsalMark #'break-visibility = #end-of-line-visible
+        \once \override Score.RehearsalMark #'self-alignment-X = #RIGHT
+        \mark \markup { \bold "D. C. al Fine" }
+        %\dos
+      }
+    >>
+  }
+
+  doa = \relative c' {
+    b8 b4 d8 d8 d4 r8 
+    g8. g16 g16 e8. d4 g8( f8) 
+    c8 c4 d8 e8 e4 r8 
+    g8. e16 e16 c8. b4 r4 
+    b8 b4 e8 d8 d4 r8 
+    << { \voiceOne b'8 a8 e8 fis8 e4 b'8( c8) } \\ { \voiceTwo dis,8 fis8 e8 fis8 e4 g4 }  >> 
+    g4. e8 e4. e8 
+    b8( c4 a8 b2) 
+  }
+  beulaha = \relative c' {
+    r1 
+    r1 
+    c16 c8 c16 c8 d8 e8 dis16 e16 ~ e8 e8 
+    g8 e4 c8 b4 r4 
+    b16 b8 b16 b8 d8 d8 d16 d16 ~ d8 e8 
+    dis8 e4 fis8 e4 << { \voiceOne b'8( c8) } \\ { \voiceTwo g4 }  >> 
+    g4. e8 e4. e8 
+  }
+  fathera = \relative c' {
+    r1 
+    r1 
+    c16 c8 c16 c16 c16 d8 e8 dis16 e16 ~ e8 e8 
+    g8 e4 c8 b4 r4 
+    b16 b8 b16 b16 b16 d8 d8 d16 d16 ~ d8 e8 
+    dis8 e4 fis8 e4 << { \voiceOne b'8( c8) } \\ { \voiceTwo g4 }  >> 
+    g4. e8 e4. e8 
+  }
+
+  altMelodie = \relative c' {
+    <<
+      { \meta }
+      %\altArt
+      %the actual tune
+      {
+	\doa
+        \beulaha
+        b8( c4 a8 b4) r4 
+        \doa
+        \repeat volta 2 {
+          \beulaha
+        } \alternative {
+          {
+            b8( c4 a8 b2) 
+          }
+          {
+            b8( c4 a8 b4) r4 
+          }
+        }
+        \doa
+        \fathera
+        b8( c4 a8 b4) r4 
+        %\doa
+      }
+    >>
+  }
+
+  dot = \relative c' {
+    g8 g4 bes8 b8 b4 r8 
+    d8. d16 d16 c8. b4 d4 
+    g,8 g4 a8 bes8 bes4 r8 
+    d8. c16 c16 a8. g4 r4 
+    g8 g4 bes8 b8 b4 r8 
+    a8 a8 a8 b8 b4 g8( a8) 
+    b8( d4) cis8 c4. c8 
+    d,8( e4 c8 d2) 
+  }
+  beulaht = \relative c' {
+    r1 
+    r1 
+    g16 g8 g16 g8 a8 bes8 a16 bes16 ~ bes8 c8 
+    d8 c4 a8 g4 r4 
+    g16 g8 g16 g8 b8 b8 bes16 b16 ~ b8 a8 
+    a8 a4 b8 b4 g8( a8) 
+    b8( d4) cis8 c4. c8 
+  }
+  fathert = \relative c' {
+    r1 
+    r1 
+    g16 g8 g16 g16 g16 a8 bes8 a16 bes16 ~ bes8 c8 
+    d8 c4 a8 g4 r4 
+    g16 g8 g16 g16 g16 bes8 b8 b16 b16 ~ b8 a8 
+    a8 a4 b8 b4 g8( a8) 
+    b8( d4) cis8 c4. c8 
+  }
+  
+  tenorMelodie = \relative c' {
+    <<
+      { \meta }
+      %\tenorArt
+      %the actual tune
+      {
+        \clef "treble_8"
+	\dot
+        \beulaht
+        d,8( e4 c8 d4) r4 
+        \dot
+        \repeat volta 2 {
+          \beulaht
+        } \alternative {
+          {
+            d8( e4 c8 d2) 
+          }
+          {
+            d8( e4 c8 d4) r4 
+          }
+        }
+        \dot
+        \fathert
+        d8( e4 c8 d4) r4 
+        %\dot
+      }
+    >>
+  }
+
+  dob = \relative c {
+    g8 g4 g8 g8 g8( b8 d8) 
+    g8. g16 g16 g8. g8 g,8 a8 b8 
+    c8 c4 c8 c8 c4 r8 
+    c8. c16 d16 d8. g,8 g8( b8 d8) 
+    g,8 g4 g8 g8 g8( a8 bes8) 
+    b8 c8 cis8 dis8 e4 b8( c8) 
+    d4. d8 d4. d8 
+    g,1 
+  }
+  beulahb = \relative c {
+    r1 
+    r1 
+    c16 c8 c16 c8 c8 c8 c16 c16 ~ c8 c8 
+    c8 c8( d8) d8 g,8 g8 b8 d8 
+    g,16 g8 g16 b16( d16) e8 g8 e16 d16 ~ d8 c8 
+    b8 cis4 dis8 e4 b8( c8) 
+    d4. d8 d4. d8 
+  }
+  fatherb = \relative c {
+    r1 
+    r1 
+    c16 c8 c16 c16 c16 c8 c8 c16 c16 ~ c8 c8 
+    c8 c8( d8) d8 g,8 g8 b8 d8 
+    g,16 g8 g16 b16 d16 e8 g8 e16 d16 ~ d8 c8 
+    b8 cis4 dis8 e4 b8( c8) 
+    d4. d8 d4. d8 
+  }
+
+  bassMelodie = \relative c {
+    <<
+      { \meta }
+      %\bassArt
+      %the actual tune
+      \clef bass
+      {
+        \dob
+        \beulahb
+        g2. r4 
+        \dob
+        \repeat volta 2 {
+          \beulahb
+        } \alternative {
+          {
+            g1 
+          }
+          {
+            g2. r4 
+          }
+        }
+        \dob
+        \fatherb
+        g2. r4 
+        %\dob
+      }
+    >>
+  }
+
diff --git a/hr/michi/remember/texte.ly b/hr/michi/remember/texte.ly
new file mode 100644
index 0000000..79ebbcf
--- /dev/null
+++ b/hr/michi/remember/texte.ly
@@ -0,0 +1,76 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+  oberI = \lyricmode {
+    Do Lord, oh do Lord,
+    Lord, re -- mem -- ber me. Oh,
+    do Lord, oh do Lord,
+    Lord, re -- mem -- ber me.
+    Do Lord, oh do Lord,
+    Lord, re -- mem -- ber me,
+  }
+  there = \lyricmode {
+    oh way be -- yond the sun.
+  }
+  oberII = \lyricmode {
+    I got a home in Beu -- lah lan’
+    that out -- shines the
+  }
+  oberIII = \lyricmode {
+    I got a robe in Beu -- lah lan’
+    that out -- shines the
+  }
+  oberIV = \lyricmode {
+    I got a crown in Beu -- lah lan’
+    that out -- shines the
+  }
+  oberV = \lyricmode {
+    I got a fa -- ther in Beu -- lah lan’
+    that out -- shines the
+  }
+  oberVI = \lyricmode {
+    I got a Sav -- ior in Beu -- lah lan’
+    that out -- shines the
+  }
+
+% Die Textaufteilungen %  -- _
+
+  sopranText = \lyrics {
+    %<+hier den Text für den Sopran eintragen+>
+  }
+
+  altText = \lyrics {
+    %<+hier den Text für den Alt eintragen+>
+  }
+
+  tenorText = \lyrics {
+    %<+hier den Text für den Tenor eintragen+>
+    \oberI
+    \there
+    \set stanza = "1."
+    \oberII sun.
+    \oberII sun,
+    \there
+    \oberI
+    \there
+    \set stanza = "2."
+    \oberIII sun.
+    \oberIII sun,
+    \there
+    sun.
+    \oberI
+    \there
+    \set stanza = "4."
+    \oberV sun.
+    \set stanza = "5."
+    \oberVI sun,
+    \there
+    %\oberI
+    %\there
+  }
+
+  bassText = \lyrics {
+    %<+hier den Text für den Baß eintragen+>
+  }
+