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Diffstat (limited to 'Schuetz_Singet_dem_Herrn_CIS/Schütz Singet dem Herrn CIS.ly')
| -rw-r--r-- | Schuetz_Singet_dem_Herrn_CIS/Schütz Singet dem Herrn CIS.ly | 257 |
1 files changed, 257 insertions, 0 deletions
diff --git a/Schuetz_Singet_dem_Herrn_CIS/Schütz Singet dem Herrn CIS.ly b/Schuetz_Singet_dem_Herrn_CIS/Schütz Singet dem Herrn CIS.ly new file mode 100644 index 0000000..872cbba --- /dev/null +++ b/Schuetz_Singet_dem_Herrn_CIS/Schütz Singet dem Herrn CIS.ly @@ -0,0 +1,257 @@ +\version "2.24.3" +% automatically converted by musicxml2ly from Schütz Singet dem Herrn CIS.musicxml +\pointAndClickOff + +\header { + encodingsoftware = "MuseScore 4.3.2" + encodingdate = "2024-07-19" + title = "Singet dem Herrn ein neues Lied" + composer = "#" + } + +#(set-global-staff-size 18.28571428571429) +\paper { + + paper-width = 21.01\cm + paper-height = 29.69\cm + top-margin = 1.5\cm + bottom-margin = 1.5\cm + left-margin = 1.5\cm + right-margin = 1.5\cm + indent = 1.6161538461538463\cm + } +\layout { + \context { \Score + skipBars = ##t + autoBeaming = ##f + } + } +PartPOneVoiceOne = \relative f' { + \repeat volta 2 { \repeat volta 2 { \clef "treble_8" \time 3/4 \key f \major | + f4 f4 f4 | + e2 e4 | + d2 ^ "Psalm 96" e8 d8 | + cis2. | + d4 f4 g4 | + a2 ^\markup{ \teeny {Heinrich Schütz (1585-1672), + SWV 194/198} } ^ "Bearb.: J. A. Sensenbrinck 04/24" + f4 \break | + f4 e2 | + f2. | + c4 c4 c4 | + g'2 g4 | + f2 g8 f8 | + e2. | + d4 f4 g4 \break | + a2 d,4 | + g4 e2 | + d2. | + R2. } + \alternative { { + | + f4 es4 c4 | + d2. | + b4 c4 b4 } } \break | + a2. | + a4 b4 c4 | + d4. ( e8 ) f4 | + g4 ( f8 e8 ) d4 | + c2. | + e4 e4 e4 | + e2. | + f4 e4 e4 \pageBreak | + d2. | + b4 b4 c4 | + d4. ( c8 ) b4 | + a4 ( b4 ) g4 | + f2. } + \alternative { { + | + d'2. } + } } + +PartPOneVoiceOneLyricsOne = \lyricmode {\set ignoreMelismata = ##t + "1.Sin" -- get dem Herrn ein neu -- es\skip1 "Lied," all Welt soll + fröh -- lich sin -- gen mit zu "Ehr'n" dem Her -- "ren," un -- + serm\skip1 "Gott," lobt sei -- nen Na -- men früh und "spat." "2.Ü" + -- ber all Göt -- ter ist der "Herr," mäch -- tig groß und\skip1 zu + lo\skip1 \skip1 ben "sehr," wund -- der -- bar ist die Herr -- + schaft sein ü -- ber die Völ\skip1 ker ins\skip1 ge -- "mein." + \skip1 + } + +PartPOneVoiceOneLyricsTwo = \lyricmode {\set ignoreMelismata = ##t + "3.Des" freu -- e sich des Him -- mels\skip1 "Thron," die Er -- de + sei fröh -- lich da -- "von." Das Meer soll auch mit brau -- + sen\skip1 drein und was drin "ist," soll fröh -- lich "sein." + "4.Sein" "Reich," das er ihm zu -- be -- "reit," ist so groß + als\skip1 die Welt\skip1 \skip1 ist "weit." Es soll be -- ste -- hen + e -- wig -- lich weil er selbst recht\skip1 die Völ\skip1 ker + "richt'." "sei!" + } + +PartPOneVoiceOneLyricsThree = \lyricmode {\set ignoreMelismata = ##t + "5.Es" fürcht den Her -- ren al -- le\skip1 Welt zu sei -- nem + Dienst und Lob be -- "stellt." Un -- ter den Hei -- den sag + man\skip1 "frei," dass Gott "ein's" Rei -- ches Kö -- nig\skip1 + \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 + \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 + \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 + \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 + \skip1 \skip1 + } + PartPOneVoiceTwo = \relative a { \repeat volta 2 { \repeat volta 2 { \clef "treble_8" \time 3/4 \key f \major | + a4 a4 h4 | + c2 a4 | + a2 g4 | + a2. | + f4 b4 g4 | + c2 c4 \break | + b2 b4 | + a2. | + a4 a4 a4 | + c2 c4 | + c2 h4 | + c2. | + f,4 b4 g4 \break | + c2 b4 | + b4 a2 | + a2. | + R2. } + \alternative { { + | + a4 b4 c4 | + f,4. ( g8 a4 ) | + + g4 g4 g4 } + } \break | + fis2. | + fis4 g4 a4 | + b2 a4 | + c2 h4 | + c2. | + cis4 cis4 cis4 | + cis4. ( d8 e4 ) | + d4 d4 cis4 \pageBreak | + d2. | + g,4 g4 a4 | + b4. ( a16 g16 ) f4 | + f4 ( f4 ) e4 | + f2. } + \alternative { { + | + fis2. } + } } + PartPTwoVoiceOne = \relative f { \repeat volta 2 { \clef "bass" \time 3/4 \key f \major | + f4 f4 f4 | + g2 e4 | + f2 d4 | + e2. | + d4 d4 d4 | + e2 f4 \break | + g4 g2 | + c,2. | + f4 f4 f4 | + g2 e4 | + f2 d4 | + g2. | + d4 d4 d4 \break | + e4 f4 g4 | + d2 cis4 | + d2. | + R2. | + c4 g'4 f4 | + d2. | + d4 es4 d4 \break | + d2. | + d4 d4 f4 | + f2. | + e4 ( c4 ) g'4 | + e2. | + a4 a4 a4 | + a2. | + a4 b4 a4 \pageBreak | + a2. | + g4 g4 es4 | + d2. | + c4 ( d4 ) c4 | + c2. } | + d2. | \bar "|." + } + +PartPTwoVoiceTwo = \relative d { \repeat volta 2 { \clef "bass" \time 3/4 \key f \major | + d4 d4 d4 | + c2 c4 | + b2 b4 | + a2. | + b4 b4 b4 | + a2 a4 \break | + g2 g4 | + f2. | + f'4 f4 f4 | + e2 e4 | + d2 d4 | + c2. | + b4 b4 b4 \break | + a2 g8 a8 | + b8 g8 a2 | + d2. | + R2. | + f,4 g4 a4 | + b4. ( a16 g16 fis4 ) | + g4 c4 g4 \break | + d'2. | + d4 g,4 f4 | + b4. ( c8 d4 ) | + c4 ( f,4 ) g4 | + c2. | + a4 a4 a4 | + a4. ( h8 cis4 ) | + f4 g4 a4 \pageBreak | + d,2. | + es4 es4 c4 | + g4. ( a8 ) b4 | + f4 ( b4 ) c4 | + f,2. } | + d'2. | \bar "|." + } + + +% The score definition +\score { + << + + \new StaffGroup + << + \new Staff + << + \set Staff.instrumentName = "Tenor/Bass (0,1)" + + \context Staff << + \mergeDifferentlyDottedOn\mergeDifferentlyHeadedOn + \context Voice = "PartPOneVoiceOne" { \voiceOne \PartPOneVoiceOne } + \new Lyrics \lyricsto "PartPOneVoiceOne" { \set stanza = "1." \PartPOneVoiceOneLyricsOne } + \new Lyrics \lyricsto "PartPOneVoiceOne" { \set stanza = "2." \PartPOneVoiceOneLyricsTwo } + \new Lyrics \lyricsto "PartPOneVoiceOne" { \set stanza = "3." \PartPOneVoiceOneLyricsThree } + \context Voice = "PartPOneVoiceTwo" { \voiceTwo \PartPOneVoiceTwo } + >> + >> + \new Staff + << + \set Staff.instrumentName = "_2" + + \context Staff << + \mergeDifferentlyDottedOn\mergeDifferentlyHeadedOn + \context Voice = "PartPTwoVoiceOne" { \voiceOne \PartPTwoVoiceOne } + \context Voice = "PartPTwoVoiceTwo" { \voiceTwo \PartPTwoVoiceTwo } + >> + >> + + >> + + >> + \layout {} + % To create MIDI output, uncomment the following line: + % \midi {\tempo 4 = 100 } + } + |