3 files changed, 549 insertions, 0 deletions
diff --git a/Oeffne_den_Weg/Oeffne_den_Weg.ly b/Oeffne_den_Weg/Oeffne_den_Weg.ly
new file mode 100644
index 0000000..0d4377e
--- /dev/null
+++ b/Oeffne_den_Weg/Oeffne_den_Weg.ly
@@ -0,0 +1,67 @@
+\include "deutsch.ly"
+\include "stimmen.ly"
+\include "texte.ly"
+
+#(set! paper-alist (cons '("kindle" . (cons (* 210 mm) (* 130 mm))) paper-alist))
+#(set-default-paper-size "kindle")
+
+\pointAndClickOff
+
+\header {
+  title = "Macht hoch die Tür"
+  poet = "Text: Georg Weissel (1590-1635), Oberstimme: Matthäus 21,9"
+  composer = "Melodie: Halle 1704"
+  arranger = "Satz: Josef Michel (1928-2002)"
+  tagline = ""
+}
+\paper {
+  top-margin = 5
+}
+
+\score {
+  \new Staff <<
+    \new ChoirStaff <<
+      \set Score.skipBars = ##t
+      \new Staff <<
+        \new Voice = oberstimme { \global \oneVoice \melodieOberstimme }
+      >>
+      \new Lyrics \lyricsto oberstimme { \textOberstimme }
+      \new Lyrics = textSopran { }
+      \new Staff <<
+        \new Voice = frauen     { \global \oneVoice \pausenFrauen }
+        \new Voice = sopran     { \global \voiceOne \melodieSopran }
+        \new Voice = alt        { \global \voiceTwo \melodieAlt }
+      >>
+      \context Lyrics = textSopran \lyricsto sopran { \textSopran }
+      \new Lyrics \lyricsto alt     { \textAlt }
+      \new Lyrics = textTenor  { }
+      \new Staff <<
+        \new Voice = maenner    { \global \clef "bass" \oneVoice \pausenMaenner }
+        \new Voice = tenor      { \global \clef "bass" \voiceOne \melodieTenor }
+        \new Voice = bass       { \global \clef "bass" \voiceTwo \melodieBass }
+      >>
+      \context Lyrics = textTenor \lyricsto tenor  { \textTenor }
+      \new Lyrics \lyricsto bass    { \textBass }
+    >>
+    \new PianoStaff <<
+      \new Staff <<
+        \new Voice              { \global \melodieOrgelRechts }
+      >>
+      \new Staff <<
+        \new Voice              { \global \clef "bass" \melodieOrgelLinks }
+      >>
+      \new Staff <<
+        \new Voice              { \global \clef "bass" \melodiePedal }
+      >>
+    >>
+  >>
+  \layout {
+    indent = #0
+    \context {
+      \Staff
+      \RemoveEmptyStaves
+      \override VerticalAxisGroup #'remove-first = ##t
+    }
+  }
+}
+
diff --git a/Oeffne_den_Weg/stimmen.ly b/Oeffne_den_Weg/stimmen.ly
new file mode 100644
index 0000000..0a4a8af
--- /dev/null
+++ b/Oeffne_den_Weg/stimmen.ly
@@ -0,0 +1,406 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+  \version "2.18"
+
+  globalOrgel = {
+    \key c \major
+    %\override Staff.TimeSignature #'style = #'()
+    \time 4/4
+  }
+
+  global = {
+    \globalOrgel
+    \autoBeamOff
+  }
+
+% Die Stimmen
+
+  pausenFrauen = {
+    R1*14 |
+    s1 |
+    s2.. r8 |
+    s1 |
+    s2.. r8 |
+    s1*4 |
+    s2 s8 r4. |
+    R1 |
+    s1*3 |
+    s2.. r8 |
+    s1*3 |
+    s2.. r8 |
+    R1*4 |
+    s2.. r8 |
+    s2.. r8 |
+    s4 r2. |
+    R1*3 |
+    r2. s4 |
+    s1*6 |
+    r8 s2.. |
+    s1 |
+    s2 r8 s4. |
+    s2 r8 s4. |
+    s2 r8 s4. |
+    s1 | \bar "|."
+  }
+
+  pausenMaenner = {
+    R1*14 |
+    s1 |
+    s2.. r8 |
+    s1*6 |
+    s2 s8 r4. |
+    R1 |
+    s1 |
+    s2.. r8 |
+    s2.. r8 |
+    s2.. r8 |
+    s1*3 |
+    s2.. r8 |
+    R1*4 |
+    s2.. r8 |
+    s2.. r8 |
+    s4 r2. |
+    R1*3 |
+    r2. s4 |
+    s1*6 |
+    r8 s2.. |
+    s1 |
+    s2 r8 s4. |
+    s2 r8 s4. |
+    s2 r8 s4. |
+    s1 | \bar "|."
+  }
+
+  melodieOberstimme = \relative a' {
+    R1*4 |
+    a4 a8 a fis4. a8 |
+    h4 h~ h4. r8 |
+    a4 a8 a fis4.^\< a8 |
+    c4^\mf c~ c4. r8 |
+    h4 h8^\< h e4.^\f cis8 |
+    a2 d4. fis,8^\mf |
+    g8 g fis fis e4 e8 fis |
+    g g e d a' a a a |
+    a2~^\> a8^\p r4. |
+    R1*8 |
+    r2 r8 d,4(^\f e8~ |
+    e fis4 a8 e h'4 a8) |
+    e8( fis4 a8 e d'4 g,8) |
+    fis2~^\> fis8^\p r4. |
+    R1*7 |
+    r8 a4(^\f h gis8 ais cis~ |
+    cis4 d4.) h8( e h |
+    cis a d a h4.) r8 |
+    r g4( fis8 e4.^\> a8 |
+    fis4)^\p r2. |
+    R1*4 |
+    \tuplet 3/2 { g4^\p g g } fis4 a |
+    \tuplet 3/2 { e4 e e~ } e4. r8 |
+    \tuplet 3/2 { g4 g g } fis4 a^\< |
+    c^\mf c8 c2 r8 |
+    \tuplet 3/2 { h4^\f cis d } e4. c8 |
+    a4 e'8 d2 r8 |
+    R1*8 | \bar "|."
+  }
+
+  melodieSopran = \relative a' {
+    s1*14 |
+    a4 a8 a fis4. a8 |
+    h4 h~ h4. s8 |
+    a4 a8 a fis4. a8 |
+    c4 c~ c4. s8 |
+    h4^\< cis8 cis e4.^\f cis8 |
+    a2 d4. fis,8^\mf |
+    g8 g fis fis e4 e8 fis |
+    g g e d a'\breathe a a a |
+    a2~^\> a8^\p s4. |
+    s1 |
+    fis4^\f fis8 fis fis4 fis |
+    d' d8 h e d c h |
+    h a g fis e[( cis]) dis a' |
+    a g h fis fis4 e8 s |
+    fis4^\mp e4. d8 d e |
+    a2. d,4 |
+    a'2. d,4 |
+    a'2.. s8 |
+    s1*4 |
+    fis4.(^\p a8 e4.) s8 |
+    fis4.( a8 e4.) s8 |
+    fis4^\> s2.^\! |
+    s1*3 |
+    s2. d4(^\p |
+    g2 fis |
+    e^\< d)^\mp |
+    h'(^\mf a~ |
+    a2..) fis8^\mp |
+    g g fis fis e4 e8 fis |
+    g g e d e4 a |
+    s8 a^\f a a b4 b8 b |
+    h h g h cis\breathe d,^\< d d |
+    d'2^\ff s8 d, d d |
+    d'2 s8 d, d d |
+    d'2 s8 d, d d |
+    d'1^\fermata | \bar "|."
+  }
+
+  melodieAlt = \relative fis' {
+    s1*14 |
+    fis4 fis8 fis d4. fis8 |
+    e4 e~ e4. s8 |
+    fis4 fis8 fis d4. fis8 |
+    g4( fis e) fis8 s |
+    g4 fis8 fis e4. e8 |
+    e4( cis) d4. d8 |
+    e8 e d d d4 d8 d |
+    d d d d d d d cis |
+    cis2( c8) s4. |
+    s1 |
+    d4 d8 d e4 e |
+    d2 d4. e8 |
+    e e e fis e[( cis]) dis fis |
+    fis e g d d4 d8 s |
+    d4 d4. d8 d e |
+    e2. d4 |
+    d2. d4 |
+    d2( cis4.) s8 |
+    s1*4 |
+    fis4.( a8 e4.) s8 |
+    fis4.( a8 e4.) s8 |
+    fis4 s2. |
+    s1*3 |
+    s2. d4( |
+    e1 |
+    d) |
+    g4( fis e2~ |
+    e4 cis8 d2) fis8 |
+    e e d d d4 d8 d |
+    d d d d d4 g |
+    s8 a a a b4 b8 b |
+    h h g h cis d, d d |
+    a'2 s8 d,8 d d |
+    a'2 s8 d,8 d d |
+    a'2 s8 d,8 d d |
+    <d fis>1 | \bar "|."
+  }
+
+  melodieTenor = \relative d' {
+    s1*14 |
+    d4 d8 d a4. d8 |
+    c4 c~ c4. s8 |
+    e4 d8 d cis4. cis8 |
+    c4 c~ c4. s8 |
+    d4^\< d8 d cis4.^\f cis8 |
+    cis4( a) a4. h8^\mf |
+    h h h h h4 h8 h |
+    b b b b h\breathe h h a |
+    a2(^\> g8)^\p s4. |
+    s1 |
+    a4^\f d8 cis h( gis) ais4 |
+    h a a8[( fis]) gis s |
+    gis a h gis gis4 gis8 s |
+    h h h h h4 h8 s |
+    b4^\mp b4. b8 b b |
+    a2( h4) h |
+    h2. h4 |
+    h2.. s8 |
+    s1*4 |
+    fis4.(^\p a8 e4.) s8 |
+    fis4.( a8 e4.) s8 |
+    fis4^\> s2.^\! |
+    s1*3 |
+    s2. d'4~(^\p |
+    d1 |
+    <<
+      c)
+      { s4^\< s2 s4^\! }
+    >> |
+    d2(^\mf cis~ |
+    cis4 a~ a4.) fis8^\mp |
+    h h h h h4 h8 h |
+    b b b b h4 e |
+    s8 a,^\f a a b4 b8 b |
+    h h g h cis\breathe d^\< d d |
+    e2^\ff s8 d d d |
+    d2 s8 d d d |
+    e2 s8 d d d |
+    d1^\fermata | \bar "|."
+  }
+
+  melodieBass = \relative d {
+    s1*14 |
+    d4 d8 d d4. d8 |
+    d4 d~ d4. s8 |
+    d4 d8 d d4. d8 |
+    a2( d4) d8 s |
+    g4 g8 g g4. g8 |
+    fis2 b,4. fis'8 |
+    e e fis fis g4 g8 g |
+    g g g g g g g g |
+    fis2( e8) s4. |
+    s1 |
+    d4 d8 d cis4 cis |
+    h2 e4. s8 |
+    c8 c c c h4 h8 s |
+    e e e fis g4 g8 s |
+    g4 g4. g8 g g |
+    fis2. a4 |
+    gis2. gis4 |
+    g2.. s8 |
+    s1*4 |
+    fis4.( a8 e4.) s8 |
+    fis4.( a8 e4.) s8 |
+    fis4 s2. |
+    s1*3 |
+    s2. d'4( |
+    b2 a |
+    g fis) |
+    g1( |
+    fis2 h,4.) fis'8 |
+    e e fis fis g4 g8 fis |
+    e e e e g4 h |
+    s8 a a a b4 b8 b |
+    h h g h cis d, d d |
+    c'2 s8 d, d d |
+    g'2 s8 d, d d |
+    b'2 s8 d, d d |
+    <d a'>1 | \bar "|."
+  }
+
+  melodieOrgelRechts = \relative fis' {
+    <<
+      { \voiceOne
+        fis4.( a8 e8 h'4 a8) |
+        fis4.( a8 e d'4 g,8) |
+      }
+      \new Voice { \voiceTwo
+        d2 c |
+        e4 d2. |
+      }
+    >> \oneVoice
+    <d fis>4( <c e>8 <d fis> <c g'>4 <d fis>) |
+    <<
+      { \voiceOne
+        e1 |
+        fis |
+      }
+      \new Voice { \voiceTwo
+        d2.( cis4) |
+        e2( d4 cis) |
+      }
+    >> \oneVoice
+    <c e>( <g c~>) <c e~> <e~ g> |
+    <<
+      \new Voice { \voiceOne
+        s1 |
+        e2.( d4) |
+        <h d g>2 <a~ cis a'~> |
+        <a a'>1 |
+        e'4( fis e2~ |
+        e1~) |
+        e8( fis4 a8 e) h'4( a8) |
+        e( fis4 a8 e) d'4( g,8) |
+      }
+      \new Voice { \voiceThree
+        fis1 |
+        c |
+      }
+      { \voiceTwo
+        e4( d cis h~ |
+        h) a g a |
+        g'( fis) e2 |
+        e4( cis d2) |
+        e4( d2 cis4) |
+        d2.( cis4~ |
+        cis2) c |
+        e4 d~ d2 |
+      }
+    >> \oneVoice
+    fis2~ <d fis> |
+    <c e>4( <g c~>) <c e>8( fis <e g>4) |
+    <<
+      { \voiceOne
+        fis1 |
+        e4( fis g fis) |
+        g( fis) e2~( |
+        e4 cis d4.) \oneVoice r8 | \voiceOne
+        e4( d h2) |
+      }
+      \new Voice { \voiceTwo
+        e4( d cis2) |
+        c1 |
+        <h d>2 <a~ c> |
+        a~ a4. s8 |
+        h2 h |
+      }
+    >> \oneVoice
+    <b d~>2 <h d>4. <a c>8~ |
+    <a c e> <h d>4( <a cis>8 <g c>2 |
+    <a cis>4) <h d> <c e>2 |
+  }
+
+  melodieOrgelLinks = \relative a {
+    a2( g) |
+  }
+
+  melodiePedal = \relative d, {
+    d1~ |
+    d |
+    d~ |
+    d4 g( a2) |
+    d4 r2. |
+    r4 d2 d,4~ |
+    d r2. |
+    r2 d |
+    R1 |
+    r2. h'4 |
+    e, r8 fis g4 a |
+    <g a,> c8( b) a2 |
+    r d, |
+    R1*4 |
+    r2. d'4 |
+    g,1 |
+    fis2 h4 d |
+    e( fis) g2~ |
+    <<
+      {
+        \voiceOne
+        g a |
+      }
+      \new Voice {
+        \voiceTwo
+        g4 c, a2 |
+      }
+    >> \oneVoice
+    d,1~ |
+    d |
+    d4 d' cis r |
+    r h e,2 |
+    r4 c' h2 |
+    e,4. fis8 g2 |
+    g c4. b'8 |
+    a1 |
+    a,~ |
+    a2.. r8 |
+    R1 |
+    r8 h4 a8 gis2 |
+    a8( g) fis4 g2~ |
+    g a4 a'~ |
+    a a,2 a'4~ |
+    a a,2 a'4 |
+    d, r2. |
+    r2 a |
+    R1*2 |
+    r2. d'4~_\p |
+    d1~ |
+    d2 d4 d, |
+    g,1 |
+    fis2 h |
+    e,4 fis g d' |
+    c4. b8 a2~ |
+    a4 a'2 a,4~ |
+    a a'4. r |
+    <a d,>2 r |
+    g r |
+    <g g,> r |
+    <a d,,>1^\fermata | \bar "|."
+  }
diff --git a/Oeffne_den_Weg/texte.ly b/Oeffne_den_Weg/texte.ly
new file mode 100644
index 0000000..a9dd728
--- /dev/null
+++ b/Oeffne_den_Weg/texte.ly
@@ -0,0 +1,76 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+  OdwzLh = \lyricmode {
+    Öff -- ne den Weg zum Licht hin,
+  }
+
+  odwzLh = \lyricmode {
+    öff -- ne den Weg zum Licht hin,
+  }
+
+  odwzLH = \lyricmode {
+    öff -- ne den Weg zum Licht hin.
+  }
+
+  EfumLvdD = \lyricmode {
+    Es fül -- let uns mit Le -- ben, ver -- treibt die Dun -- kel -- heit.
+  }
+
+  EiA = \lyricmode {
+    Es ist Ad -- vent.
+  }
+
+  EiAAA = \lyricmode {
+    Es ist Ad -- vent, Ad -- vent, Ad -- vent.
+    O __ O __ O O __ O __
+    Sie wie -- der -- steht dem Hass und zeigt uns den Weg des Lich -- tes,
+    den Weg des Le -- bens, sie fül -- let un -- ser Herz.
+    Es ist Ad -- vent, es ist Ad -- vent.
+    Es ist Ad -- vent, es ist Ad -- vent.
+  }
+
+  OdWzLbsd = \lyricmode {
+    Öff -- ne den Weg zum Le -- ben,
+  }
+
+  eumL = \lyricmode {
+    er -- fül -- let uns mit Lie -- be, Lie -- be.
+  }
+
+  textOberstimme = \lyricmode {
+    \OdwzLh \odwzLh \odwzLH
+    \EfumLvdD \EiA
+    O __ O __ O __
+    O __ O __ O __
+    Öff -- ne den Weg zur Lie -- be hin, Öff -- ne den Weg zur Lie -- be hin, Öff -- ne den Weg zur Lie -- be hin.
+  }
+
+  textSopran = \lyricmode {
+    \repeat unfold 12 { \skip 1 }
+    Licht hin,
+    \repeat unfold 29 { \skip 1 }
+    Le -- ben, zum Le -- ben, es
+  }
+
+  textAlt = \lyricmode {
+    \OdwzLh \odwzLh \odwzLH
+    \EfumLvdD \EiA
+    \OdWzLbsd be -- sie -- get selbst den Tod und \eumL \EiAAA
+  }
+
+  textTenor = \lyricmode {
+    \repeat unfold 12 { \skip 1 }
+    Licht hin,
+    \repeat unfold 29 { \skip 1 }
+    Le -- ben, Le -- ben,
+  }
+
+  textBass = \lyricmode {
+    \OdwzLh \odwzLh \odwzLH
+    \EfumLvdD \EiA
+    \OdWzLbsd siegt ü -- ber den Tod, \eumL \EiAAA
+  }