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-rw-r--r--Du_meine_Seele_singe/Du_meine_Seele_singe.ly43
-rw-r--r--Du_meine_Seele_singe/stimmen.ly147
-rw-r--r--Du_meine_Seele_singe/texte.ly24
3 files changed, 214 insertions, 0 deletions
diff --git a/Du_meine_Seele_singe/Du_meine_Seele_singe.ly b/Du_meine_Seele_singe/Du_meine_Seele_singe.ly
new file mode 100644
index 0000000..d775841
--- /dev/null
+++ b/Du_meine_Seele_singe/Du_meine_Seele_singe.ly
@@ -0,0 +1,43 @@
+\include "deutsch.ly"
+\include "stimmen.ly"
+\include "texte.ly"
+
+#(set! paper-alist (cons '("kindle" . (cons (* 210 mm) (* 130 mm))) paper-alist))
+#(set-default-paper-size "kindle")
+
+\header {
+ tagline = ""
+}
+\paper {
+ top-margin = 5
+}
+
+\score {
+ <<
+ \set Score.skipBars = ##t
+ \new PianoStaff <<
+ \new Voice = links { \global \autoBeamOn \klavierLinksMelodie }
+ \new Voice = rechts { \clef "bass" \global \autoBeamOn \klavierRechtsMelodie }
+ >>
+ \new ChoirStaff <<
+ \new Staff <<
+ \new Voice = frauen { \global \pausen }
+ \new Voice = sopran { \global \voiceOne \sopranMelodie }
+ \new Voice = alt { \global \voiceTwo \altMelodie }
+ >>
+ \new Lyrics \lyricsto sopran { \textI }
+ \new Lyrics \lyricsto sopran { \textIa }
+ \new Lyrics \lyricsto sopran { \textII }
+ \new Lyrics \lyricsto sopran { \textIIa }
+ \new Staff <<
+ \new Voice = maenner { \clef "bass" \global \pausen }
+ \new Voice = tenor { \clef "bass" \global \voiceOne \tenorMelodie }
+ \new Voice = bass { \clef "bass" \global \voiceTwo \bassMelodie }
+ >>
+ >>
+ >>
+ \layout {
+ indent = #0
+ \context { \Staff \RemoveEmptyStaves }
+ }
+}
diff --git a/Du_meine_Seele_singe/stimmen.ly b/Du_meine_Seele_singe/stimmen.ly
new file mode 100644
index 0000000..1e5d864
--- /dev/null
+++ b/Du_meine_Seele_singe/stimmen.ly
@@ -0,0 +1,147 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ global = {
+ \key b \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 3/2
+ \partial 2
+ \autoBeamOff
+ }
+
+% Die Stimmen
+
+ pausen = {
+ \repeat volta 2 { R2 | R1. | \time 2/2 R1*2 | R2 s | s1 | \time 3/2 s1. | \time 2/2 s1*2 }
+ R2 | \time 2/2 R1*4 |
+ r2 s | s1*3 | s2 r | \time 3/2 R1. |
+ \time 2/2 R1 | r2 s | s1*4 | \bar "|."
+ }
+
+
+ sopranMelodie = \relative b {
+ \repeat volta 2 { s2 | s1. | \time 2/2 s1*2 | s2 b | d4 f b d | \time 3/2 c2 c\breathe a | \time 2/2 b4 f f4. es8 | d1 | }
+ }
+
+ altMelodie = \relative g' {
+ s8*9*7 | \repeat volta 2 { s8*9 |
+ g2. g4. | a( g) fis | g d2. | d4. d s | s2. s4. |
+ g2. g4. | g( d) e | e fis4( e8 fis4.) | d2. s4. |
+ s8*9*6 | g2. g4. | a( g) fis | g d2. | d4. d s | s2. s4. |
+ g2. g4. | g( d) e | e fis4( e8 fis4.) | d2. s4. |
+ s8*9*7 | fis2. gis4. | a2. a4. | a2. gis4. | a a s |
+ s8*9*2 | a2. g4. | g( c) g |
+ f( a) g | g g s | s8*9*2 |
+ g2. g4. | g2. g4. | g4( fis8) g2. | fis s4. | s8*9 |
+ g2. g4. | g( d) e | e fis4( e8 fis4.) | d2.~ d4. | s8*9*9 |
+ }
+ \alternative { {
+ s8*9 |
+ } {
+ s8*9*2 | \bar "|."
+ } }
+ }
+
+ tenorMelodie = \relative d' {
+ s8*9*7 | \repeat volta 2 { s8*9 |
+ d2. e4. | a,2. h4. | h( a) g | fis a s | s2. s4. |
+ d2. e4. | d( h) h | c4( a8) d4( h8 c4.) | h2. s4. |
+ s8*9*6 | d2. e4. | a,2. h4. | h( a) g | fis a s | s2. s4. |
+ d2. e4. | d( h) h | c4( a8) d4( h8 c4.) | h2. s4. |
+ s8*9*7 | d2. d4. | e2. f4. | f( d) e | c c s |
+ s8*9*2 | e2. d4. | c2. c4. |
+ a2. h4. | e e s | s8*9*2 |
+ d2. e4. | d( h) h | c( d) e | a,2. s4. | s8*9 |
+ d2. e4. | d( h) h | c4( a8) d4( h8 c4.) | h2.~ h4. | s8*9*9 |
+ }
+ \alternative { {
+ s8*9 |
+ } {
+ s8*9*2 | \bar "|."
+ } }
+ }
+
+ bassMelodie = \relative g {
+ s8*9*7 | \repeat volta 2 { s8*9 |
+ g4.( fis) e | fis( e) d | e( fis) g | d d s | s2. s4. |
+ g( fis) e | h'( h,) e | c( d) d | g,2. s4. |
+ s8*9*6 | g'4.( fis) e | fis( e) d | e( fis) g | d d s | s2. s4. |
+ g( fis) e | h'( h,) e | c( d) d | g,2. s4. |
+ s8*9*7 | d'4.( c) h | a( a'4 g8) f4( e8) | d4.( h) e | a, a s |
+ s8*9*2 | a'2. h4. | c( a) e |
+ f( d) g | c, c s | s8*9*2 |
+ g'2. e4. | h( e) e | a,( h) c | d2. s4. | s8*9 |
+ g4.( fis) e | h'( h,) e | c d2. | g,2.~ g4. | s8*9*9 |
+ }
+ \alternative { {
+ s8*9 |
+ } {
+ s8*9*2 | \bar "|."
+ } }
+ }
+
+ klavierLinksMelodie = \relative g' {
+ r8 g a << \new Voice { \voiceOne h8( d c) c( e d) | d( g fis) g( d h) g( a h) | c( d e) d( c h) a( h g) | fis( g a) d,( fis a) c( h a) | }
+ \new Voice { \voiceTwo g4. g | g h4 r8 g4. | e g e | fis d fis | } >>
+ <g h>8( g a) << \new Voice { \voiceOne h8( d c) c( e d) | d( g fis) g( d h) g( a h) | e,( d' c) h( a g) d( g fis) | }
+ \new Voice { \voiceTwo g4. e | g h4 r8 g4. | e e d | } >>
+ \repeat volta 2 {
+ << \new Voice { \voiceOne g8( h d) g( d h) g( h d) | g4. } \new Voice { \voiceTwo g,4.~ g g~ | g } >> r4. g |
+ <a d,>2. <fis h>4. | << \new Voice { \voiceOne c'2. h4. } \new Voice { \voiceTwo g4. d2. } >> |
+ r8 d e << \new Voice { \voiceOne fis( a g) a( c h) | c( a fis) d( fis a) c( h a) |
+ h( g a) h( d c) c( e d) | d( g fis) g( d h) g( a h) | e,( d' c) h( a g) }
+ \new Voice { \voiceTwo d4 e8 fis4 g8 | fis4 r8 d4. fis |
+ g g g | g~ g g | e fis4 g8 } >>
+ d( g fis) | g( h a) << \new Voice { \voiceOne h( d c) c( e d) | d( g fis) g( d h) g( a h) | c( d e) d( c h) a( h g) | fis( g a) d,( fis a) c( h a) | }
+ \new Voice { \voiceTwo g4. g | g h4 r8 g4. | e g e | fis d fis } >> | <g h>8( g a)
+ << \new Voice { \voiceOne h( d c) c( e d) | d( g fis) g( d h) g( a h) | e,( d' c) h( a g) d( g fis) | g4. }
+ \new Voice { \voiceTwo g4. e | g h4 r8 g4. | e e d4 c8 | h4. } >> r4. g' | <a d,>2. <h fis>4. | << \new Voice { \voiceOne c2. h4. } \new Voice { \voiceTwo g4. d2. } >> |
+ r8 d8 e << \new Voice { \voiceOne fis8( a g) a( c h) | c( a fis) d( fis a) c( h a) | h( g a) h( d c) c( e d) | d(g fis) g( d h) g( a h) | e,( d' c) h( a g) }
+ \new Voice { \voiceTwo d4 e8 fis4 g8 | fis4 r8 d4. fis | g g g | g~ g g | e fis4 g8 } >> d8( g fis) | g( h a)
+ << \new Voice { \voiceOne h( d c) c( e d) | d( g fis) g( d h) g( a h) | c( d e) d( c h) a( h g) | fis( g a) d,( fis a) c( h a) }
+ \new Voice { \voiceTwo g4. g | g h4 r8 g4. | e g e | fis d fis } >> |
+ <g h>8( g a) << \new Voice { \voiceOne h( d c) c( e d) | d( g fis) g( d h) g( a h) | e,( d' c) h( a g) d( g fis) }
+ \new Voice { \voiceTwo g4. e | g h4 r8 g4. | e e d } >> | g8( h d) g( d h) << \new Voice { \voiceOne g( h cis) } \new Voice { \voiceTwo g4. } >> |
+ d'8( d, e) << \new Voice { \voiceOne fis( a gis) gis( h a) | a( c h) c( a e) } \new Voice { \voiceTwo d4. d | c d4 } >> c8( d e) |
+ << \new Voice { \voiceOne f8( d' c) d( h gis) e( fis gis) | a( c h) c( e d) d( f e) | e( a gis) a( e c) a( h c) | f( e d) c( h a) }
+ \new Voice { \voiceTwo f4.~ f e | a a a | a c a | a fis } >> e8( a gis) | << \new Voice { \voiceOne a( c e) a } \new Voice { \voiceTwo a,4.~ a8 } >> r4 r4. | r8 c d
+ << \new Voice { \voiceOne e8( g f) g( b a) | a( c h) c( a f) d( e f) | e( g f) g( e c) g( a b) | a( c h) c( a f) d( e f) }
+ \new Voice { \voiceTwo c'4. c | c f d | c c g | f f d } >> | e8( c d)
+ << \new Voice { \voiceOne e8( g fis) g( h a) | h( g a) h( d c) c( e d) | d( g fis) g( d h) g( a h) | c( d e) d( c h) a( h g) }
+ \new Voice { \voiceTwo c,4 d8 d4 fis8 | g4. g g | g h g | e g e } >> | <d fis>8( d e) << \new Voice { \voiceOne fis( a g) a( c h) } \new Voice { \voiceTwo d,4 e8 fis4 g8 } >> |
+ <a c>( a fis) << \new Voice { \voiceOne d( fis a) c( h a) } \new Voice { \voiceTwo d,4. d4 fis8 } >> |
+ <g h>( g a) << \new Voice { \voiceOne h( d c) c( e d) | d( g fis) g( d h) g( a h) | e,( d' c) h( a g) }
+ \new Voice { \voiceTwo g4. g | g g g | e fis4 g8 } >> d( g fis) |
+ << \new Voice { \voiceOne g( h d) g( d h) g( h d) | d( g fis) g( d h) g( a h) | c( d e) d( c h) a( h g) | fis( g a) d,( fis a) c( h a) }
+ \new Voice { \voiceTwo g4.~ g g~ | g g~ g | fis g e~ | e d fis | g g g | g h g | e g e | d d fis } >> | <g h>8( g a)
+ << \new Voice { \voiceOne h( d c) c( e d) | d( g fis) g( d h) g( a h) } \new Voice { \voiceTwo g4. e | g h g } >> | }
+ \alternative { {
+ << \new Voice { \voiceOne e8( d' c) h( a g) d( g fis) } \new Voice { \voiceTwo e4. e d } >> |
+ } {
+ << \new Voice { \voiceOne e8( d' c) h( a g) d( g fis) } \new Voice { \voiceTwo e4. e d4 c8 } >> | <h d g>2.~ <h d g>4.^\fermata | \bar "|."
+ } }
+ }
+
+ klavierRechtsMelodie = \relative g, {
+ g4. g' e | h e e, | a h c | d fis d |
+ g e c | h e d | c cis d | \repeat volta 2 { g, r4 g'8 d4 h8 |
+ g4. fis' e | fis e d | e fis g | d r4 d8 d4 d8 | d4. r4 d8 d4 d8 |
+ g4. fis e | h' h, e | c d d, | g g' e |
+ h e e, | a h c | d fis d | g e c |
+ h e d | c cis d | g, fis' e | fis e d | e fis g | d r4 d8 d4 d8 |
+ d4. r4 d8 d4 d8 | g4. fis e | h' h, e | c d d, |
+ g g' e | h e e, | a h c | d fis d |
+ g e c | h e d | c cis d | g, r4 g'8 fis4 e8 |
+ d4. c h | a a'4 g8 f4 e8 | d4. h e | a, f' d |
+ c f e | d dis e | a, a' h | c a e |
+ f d g | c, e c | f d g | c, r4 c8 h4 d8 |
+ g,4. g' e | h e e, | a h c | d r4 d8 d4 d8 | d,4. r4 d'8 d4 d8 |
+ g4. fis e | h' h, e | c d d, | g2.~ g4.~ |
+ g2.~ g4. | g2.~ g4.~ | g2.~ g4.~ | g g' e |
+ h e e, | a h c | d fis d | g e c |
+ h e d | }
+ \alternative { {
+ c cis d |
+ } {
+ c cis d^\markup { \italic rit. } | g,2.~ g4._\fermata | \bar "|."
+ } }
+ }
diff --git a/Du_meine_Seele_singe/texte.ly b/Du_meine_Seele_singe/texte.ly
new file mode 100644
index 0000000..2a19e5f
--- /dev/null
+++ b/Du_meine_Seele_singe/texte.ly
@@ -0,0 +1,24 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ textI = \lyricmode {
+ \set stanza = "1."
+ Du mei -- ne See -- le sin -- ge, wohl auf und sin -- ge schön
+ Ich will den Her -- ren dro -- ben prei -- sen auf der Erd;
+ ich will ihn herz -- lich lo -- ben, so -- lang ich le -- ben werd.
+ }
+ textIa = \lyricmode {
+ dem, wel -- chem al -- le Din -- ge zu Diens und Wil -- len stehn.
+ }
+ textII = \lyricmode {
+ \set stanza = "2."
+ Wohl dem, der ein -- zig schau -- et nach Ja -- kobs Gott und Heil!
+ das höchs -- te Gut er -- le -- sen, den schöns -- ten Schatz ge -- liebt;
+ sein Herz und gan -- zes We -- sen bleibt e -- wig un -- be -- trübt.
+ }
+ textIIa = \lyricmode {
+ Wer dem sich an -- ver -- trau -- et, der hat das bes -- te Teil,
+ }