diff options
-rw-r--r-- | Unser_Vater/Unser_Vater.ly | 54 | ||||
-rw-r--r-- | Unser_Vater/stimmen.ly | 267 | ||||
-rw-r--r-- | Unser_Vater/texte.ly | 59 |
3 files changed, 380 insertions, 0 deletions
diff --git a/Unser_Vater/Unser_Vater.ly b/Unser_Vater/Unser_Vater.ly new file mode 100644 index 0000000..f0b0e05 --- /dev/null +++ b/Unser_Vater/Unser_Vater.ly @@ -0,0 +1,54 @@ +\include "deutsch.ly" +\include "stimmen.ly" +\include "texte.ly" + +#(set! paper-alist (cons '("kindle" . (cons (* 210 mm) (* 130 mm))) paper-alist)) +#(set-default-paper-size "kindle") + +\header { + tagline = "" + title = "Unser Vater" +} +\paper { + top-margin = 5 +} + +\score { + \layout { + indent = #0 + \context { + \Staff + \RemoveEmptyStaves + \override VerticalAxisGroup #'remove-first = ##t + } + } + \new ChoirStaff << + \set Score.skipBars = ##t + \new Staff << + \new Voice \pausen + \new Voice = sopran { \global \voiceOne \sopranMelodie } + \new Voice = alt { \global \voiceTwo \altMelodie } + >> + \new Lyrics \lyricsto sopran { \textI} + \new Lyrics \lyricsto sopran { \textII} + \new Lyrics \lyricsto sopran { \textIII} + \new Lyrics \lyricsto sopran { \textIV} + \new Lyrics \lyricsto sopran { \textV} + \new Lyrics \lyricsto sopran { \textVI} + \new Lyrics \lyricsto sopran { \textRefrain} + \new Staff << + \new Voice \pausen + \new Voice = tenor { \global \clef "bass" \voiceOne \tenorMelodie } + \new Voice = bass { \global \clef "bass" \voiceTwo \bassMelodie } + >> + \new Lyrics \lyricsto bass { \textRefrainMaenner} + \new PianoStaff << + \new Staff << + \new Voice = rechteHand { \global \klavierRechts } + >> + \new Staff << + \new Voice = linkeHand { \global \clef "bass" \klavierLinks } + >> + >> + >> +} diff --git a/Unser_Vater/stimmen.ly b/Unser_Vater/stimmen.ly new file mode 100644 index 0000000..064b87a --- /dev/null +++ b/Unser_Vater/stimmen.ly @@ -0,0 +1,267 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + + global = { + \key e \major + %\override Staff.TimeSignature #'style = #'() + \time 3/4 + \autoBeamOff + \partial 4 + } + +% Die Stimmen + + klavierRechts = \relative fis' { + \tuplet 3/2 { fis8[ h cis] } | + <fis, h dis>4 e' fis | + <e, h' e>2 \tuplet 3/2 { r8 fis[ gis] } | + <c, fis a>4 gis' fis | + <gis, dis' e> cis <a fis'>8[ <h gis>] | + <a cis fis a>4 <h e gis h> <cis e a cis> | + <h e gis h>2 h8[ e] | + <a cis fis>[ e] <a, cis fis>4 <a cis e> | + <gis h e>2 \tuplet 3/2 {r8 gis[ e']} | + <fis, h dis>4 <e a cis> a | + \repeat volta 6 { + <e gis h>2. | + <a cis fis>4 <gis h e> \tuplet 3/2 {r8 e[ h']} | + <e, a cis>2. | + <e gis h>2 <h' e gis>8[ <cis fis a>] | + <h e gis>2. | + <a dis fis>4 <gis cis e>2 | + <a cis e>2 <a cis>4 | + } + \set Score.repeatCommands = #'((volta "2, 4")) + <gis h e> h e8[ fis] | + \set Score.repeatCommands = #'((volta "1, 3, 5, 6") end-repeat) + <gis, h e>4 h e8[ fis] | \bar "||" + \set Score.repeatCommands = #'((volta #f)) + <h, e gis>2. | + <h dis fis>2 <h d e>4 | + <h cis e> a fis | + <gis e'> a <h e>8[ d] | + <a cis e>2 <a cis e>4 | + <h e> a gis | + <gis h e>2 \tuplet 3/2 {r8 h[ e]} | + <fis, h dis>4 <a cis e> <h dis fis> | + <h e gis> h' <h, e gis> | + <h dis fis> h' <h, dis e> | + <h dis e> <a cis> <fis a> | + <h e> a <gis e'>8[ <h d>] | + <fis a cis>2 <a cis e>4 | + <gis h e>2 h4 | + <a cis fis>2 dis4 | + <gis, h e>2. | \bar "||" + <a cis e> | \bar "||" + } + + klavierLinks = \relative a, { + r4 | + a2 \tuplet 3/2 {r8 fis[ g]} | + gis2 e'4 | + gis,2 \tuplet 3/2 {r8 dis[ d]} | + cis2. | + <fis, fis'>4 <gis gis'>8[ e'] <a, a'>4 | + <h h'>2. | + h2 r8 h | + e2 e4 | + e2 r8 h | + \repeat volta 6 { + e2 r8 h | + e2 gis4 | + a2. | + e | + e2 \tuplet 3/2 {e8[ gis h]} | + c4 cis4. cis8 | + a2 h4 | + } + \set Score.repeatCommands = #'((volta "2, 4")) + e,2. | + \set Score.repeatCommands = #'((volta "1, 3, 5, 6") end-repeat) + e2. | \bar "||" + \set Score.repeatCommands = #'((volta #f)) + <e e'>2 e'8[ h] | + e,2 gis4 | + a2~ a8[ d,] | + e4 fis gis8[ e] | + a2~ \tuplet 3/2 {a8[ fis g]} | + gis4 fis e | + h'2 h4 | + h,4. h'8 r h | + e,2~ e8[ h] | + e2 gis4 | + a2~ a8[ fis] | + gis4 fis e | + a2~ a8[ a] | + h2. | + h,2 r8 h | + e2. | \bar "||" + h2. | \bar "||" + } + + pausen = \relative c { + r4 | + R2.*8 | + r2 s4 | + \repeat volta 6 { + s2.*3 | + s4 r s | + s2.*3 | + } + \set Score.repeatCommands = #'((volta "2, 4")) + s2. | + \set Score.repeatCommands = #'((volta "1, 3, 5, 6") end-repeat) + s2. | \bar "||" + \set Score.repeatCommands = #'((volta #f)) + s2.*16 | \bar "||" + r2 s4 | \bar "||" + } + + sopranMelodie = \relative e' { + s4 | + s2.*8 | + s2 e8 fis | + \repeat volta 6 { + gis4 gis gis | + fis e gis8 h | + cis4 cis h | + h s e,8 fis | + gis4 gis gis | + fis e h8 h | + \tieDashed \set melismaBusyProperties = #'() cis8~ cis e4 fis | \tieSolid \set melismaBusyProperties = #'(melismaBusy tieMelismaBusy slurMelismaBusy) + } + \set Score.repeatCommands = #'((volta "2, 4")) + e2\breathe e8 fis | + \set Score.repeatCommands = #'((volta "1, 3, 5, 6") end-repeat) + e2. | \bar "||" + \set Score.repeatCommands = #'((volta #f)) + gis | + fis4 gis h | + e,2. | + e2 fis8 gis | + a2 a4 | + gis4( fis) e | + gis2. | + fis\breathe | + gis | + fis4 gis h | + e,2. | + e2\breathe fis8 gis | + a4 a a | + gis( fis) e | + fis2. | + e | \bar "||" + s2 e8 fis | \bar "||" + } + + altMelodie = \relative h { + s4 | + s2.*8 | + s2 h8 h | + \repeat volta 6 { + e4 e e | + cis h e8 e | + a4 a e8[( fis]) | + gis4 s h,8 h | + e4 e e | + dis cis h8 h | + \tieDashed \set melismaBusyProperties = #'() cis8~ cis cis4 cis8[( h]) | \tieSolid \set melismaBusyProperties = #'(melismaBusy tieMelismaBusy slurMelismaBusy) + } + \set Score.repeatCommands = #'((volta "2, 4")) + h2\breathe h8 h | + \set Score.repeatCommands = #'((volta "1, 3, 5, 6") end-repeat) + h2. | \bar "||" + \set Score.repeatCommands = #'((volta #f)) + e | + dis4 e e | + e2. | + e2 e8 e | + e2 e4 | + e2 h4 | + e2. | + dis\breathe | + e | + fis4 gis fis | + e2. | + e2\breathe e8 e | + e4 e fis | + e2 h4 | + cis2( dis4) | + h2. | \bar "||" + s2 h8 h | \bar "||" + } + + tenorMelodie = \relative gis { + s4 | + s2.*8 | + s2 gis8 a | + \repeat volta 6 { + h4 h h | + a gis h8 e | + e4 e cis | + <h e> s gis8 a | + h4 h gis | + a gis gis8 gis | + \tieDashed \set melismaBusyProperties = #'() h8~ h a4 a | \tieSolid \set melismaBusyProperties = #'(melismaBusy tieMelismaBusy slurMelismaBusy) + } + \set Score.repeatCommands = #'((volta "2, 4")) + gis2\breathe gis8 a | + \set Score.repeatCommands = #'((volta "1, 3, 5, 6") end-repeat) + gis2. | \bar "||" + \set Score.repeatCommands = #'((volta #f)) + h | + h4 h d | + cis2. | + h2 h8 h | + cis2 cis4 | + h4( a) gis | + h2. | + h4\breathe cis dis | + e2. | + dis4 e dis | + dis( cis2) | + h\breathe a8 h | + cis4 cis cis | + h( a) gis | + a2. | + gis | \bar "||" + s2 gis8 a | \bar "||" + } + + bassMelodie = \relative gis { + s4 | + s2.*8 | + s2 gis8 a | + \repeat volta 6 { + h4 h h | + a gis h8 gis | + a4 a a | + e s e8 e | + e4 e h | + c cis cis8 cis | + \tieDashed \set melismaBusyProperties = #'() a8~ a a4 a | \tieSolid \set melismaBusyProperties = #'(melismaBusy tieMelismaBusy slurMelismaBusy) + } + \set Score.repeatCommands = #'((volta "2, 4")) + e'2\breathe gis8 a | + \set Score.repeatCommands = #'((volta "1, 3, 5, 6") end-repeat) + e2. | \bar "||" + \set Score.repeatCommands = #'((volta #f)) + e | + e4 e gis | + a2. | + gis2 h8 h | + e,2 e4 | + e2 e4 | + h'2. | + h4\breathe a h | + h2. | + h4 h gis | + h( a fis) | + gis2\breathe a8 h | + cis4 cis cis | + h( a) gis | + a2. | + gis | \bar "||" + s2 gis8 a | \bar "||" + } diff --git a/Unser_Vater/texte.ly b/Unser_Vater/texte.ly new file mode 100644 index 0000000..3b053aa --- /dev/null +++ b/Unser_Vater/texte.ly @@ -0,0 +1,59 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + +% Die Textaufteilungen + + textI = \lyricmode { + \set stanza = "1." + Bist zu uns wie ein Va -- ter, der sein Kind nie ver -- gisst. + Der trotz all sei -- ner Grö -- ße im -- mer an -- _ sprech -- bar \repeat unfold 3 { \skip 1 } ist. + \repeat unfold 29 { \skip 1 } + \set stanza = "2." + Dei -- ne + } + textII = \lyricmode { + \set stanza = "2." + (Dei -- ne) Herr -- schaft soll kom -- men, das, was du willst, ge -- schehn. + Auf der Er -- de, in Him -- mel sol -- len al -- _ le es sehn. + \set stanza = "3." + Gib uns + } + textIII = \lyricmode { + \set stanza = "3." + (Gib uns) das, was wir brau -- chen, gib uns heut un -- ser Brot. + Und ver -- gib uns den Auf -- stand ge -- gen dich und dein Ge- \repeat unfold 3 { \skip 1 } bot. + \repeat unfold 29 { \skip 1 } + \set stanza = "4." + Leh -- re + } + textIV = \lyricmode { + \set stanza = "4." + (Leh -- re) uns zu ver -- ge -- ben, so wie du uns ver -- gibst. + Lass uns treu zu dir ste -- hen, so wie du _ im -- mer liebst. + \set stanza = "5." + Nimm Ge- + } + textV = \lyricmode { + \set stanza = "5." + (Nimm Ge) -- dan -- ken des Zwei -- fels und der An -- fech -- tung fort. + Mach uns frei von dem Bö -- sen, durch dein mäch -- _ ti -- ges \repeat unfold 3 { \skip 1 } Wort. + \repeat unfold 29 { \skip 1 } + \set stanza = "6." + Dei -- ne + } + textVI = \lyricmode { + \set stanza = "6." + (Dei -- ne) Macht hat kein En -- de, wir ver -- trau -- en da -- rauf. + Bist ein herr -- li -- cher Herr -- scher, und dein Reich _ hört nie \repeat unfold 3 { \skip 1 } auf. + } + textRefrain = \lyricmode { + \repeat unfold 30 { \skip 1 } + \set stanza = "Ref." + Va -- ter, un -- ser Va -- ter, al -- le Eh -- re dei -- nem Na -- men! + Va -- ter, un -- ser Va -- ter, bis ans En -- de der Zei -- ten. A -- men! + } + textRefrainMaenner = \lyricmode { + \repeat unfold 44 { \skip 1 } + Un -- ser + } |