summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--Hear_my_prayer/Hear_my_prayer.ly51
-rw-r--r--Hear_my_prayer/Makefile31
-rw-r--r--Hear_my_prayer/stimmen.ly182
-rw-r--r--Hear_my_prayer/texte.ly35
4 files changed, 299 insertions, 0 deletions
diff --git a/Hear_my_prayer/Hear_my_prayer.ly b/Hear_my_prayer/Hear_my_prayer.ly
new file mode 100644
index 0000000..79bc6e9
--- /dev/null
+++ b/Hear_my_prayer/Hear_my_prayer.ly
@@ -0,0 +1,51 @@
+\include "deutsch.ly"
+#(ly:set-option 'relative-includes #t)
+\include "stimmen.ly"
+\include "texte.ly"
+#(ly:set-option 'relative-includes #f)
+
+%spezifisch%
+
+\version "2.19.80"
+
+\pointAndClickOff
+
+\header {
+ tagline = ""
+}
+\paper {
+ top-margin = 5
+ print-all-headers = ##t
+}
+
+\score {
+ \header {
+ title = "Hear my prayer"
+ composer = "Moses Hogan (1957-2003)"
+ }
+ \new ChoirStaff <<
+ \set Score.skipBars = ##t
+ \new Lyrics = "textSopran" {}
+ \new Staff <<
+ \new Voice = "frauen" { \global \oneVoice \pausenFrauen }
+ \new Voice = "sopran" { \global \voiceOne \sopranMelodie }
+ \new Voice = "alt" { \global \voiceTwo \altMelodie }
+ >>
+ \new Lyrics = "text" {}
+ \new Lyrics = "textA" {}
+ \new Lyrics = "textTenor" {}
+ \new Staff <<
+ \new Voice = "maenner" { \global \oneVoice \pausenMaenner }
+ \new Voice = "tenor" { \global \clef "bass" \voiceOne \tenorMelodie }
+ \new Voice = "bass" { \global \clef "bass" \voiceTwo \bassMelodie }
+ >>
+ \new Lyrics = "textBass" {}
+ \context Lyrics = "text" \lyricsto "sopran" \text
+ \context Lyrics = "textA" \lyricsto "sopran" \textA
+ \context Lyrics = "textTenor" \lyricsto "tenor" \textTenor
+ \context Lyrics = "textBass" \lyricsto "bass" \textBass
+ >>
+ \layout {
+ indent = #0
+ }
+}
diff --git a/Hear_my_prayer/Makefile b/Hear_my_prayer/Makefile
new file mode 100644
index 0000000..5b3af49
--- /dev/null
+++ b/Hear_my_prayer/Makefile
@@ -0,0 +1,31 @@
+CURDOC=$(shell basename "$(CURDIR)")
+
+ifeq ($(FUER),ewe)
+ SPEZIFISCH=\#(set! paper-alist (cons '(\"kindle\" . (cons (* 210 mm) (* 130 mm))) paper-alist))\n\#(set-default-paper-size \"kindle\")
+else
+ SPEZIFISCH=
+ # \#(set-global-staff-size 14)
+endif
+
+ifeq ($(MIDI),1)
+ MIDI_REGEX=
+else
+ MIDI_REGEX=/\\\\midi/{ :a; s/\\\\midi[^{}]*{/\\\\midi/; tb; N; ba; :b; s/{[^{}]*}//; tb; s/\\\\midi[^{}]*}//; t; N; bb; }
+endif
+
+all: $(CURDOC).pdf
+
+clean:
+ rm -f *.pre
+
+Clean: clean
+ rm -f *.pdf *.midi
+
+%.pre: %.ly
+ sed " \
+ s@%spezifisch%@$(SPEZIFISCH)@ ; \
+ $(MIDI_REGEX) \
+ " "$<" > "$@"
+
+%.pdf: %.pre *.ly
+ lilypond $<
diff --git a/Hear_my_prayer/stimmen.ly b/Hear_my_prayer/stimmen.ly
new file mode 100644
index 0000000..f4846d7
--- /dev/null
+++ b/Hear_my_prayer/stimmen.ly
@@ -0,0 +1,182 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+
+ global = {
+ \key es \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ \autoBeamOff
+ \partial 4
+ }
+
+% Die Stimmen
+
+ pausenFrauen = {
+ \repeat volta 2 {
+ s4 |
+ s1*7 |
+ }
+ \alternative {
+ {
+ s1 |
+ }
+ {
+ s1 |
+ }
+ }
+ s1*9 |
+ r8 s4. r2 |
+ s1 |
+ R1*2 | \bar "|."
+ }
+
+ pausenMaenner = {
+ \repeat volta 2 {
+ s4 |
+ s1*7 |
+ }
+ \alternative {
+ {
+ s1 |
+ }
+ {
+ s1 |
+ }
+ }
+ s1*13 | \bar "|."
+ }
+
+ sopranMelodie = \relative es' {
+ \repeat volta 2 {
+ es4 |
+ g g as f |
+ es2 c'4. c8 |
+ b4 g as b |
+ b2 b4.-> c8 |
+ es4-> es-> es4.-- c8 |
+ b4( g8[ f]) es4 c8 es |
+ b'4 as g8[( es]) f4 |
+ }
+ \alternative {
+ {
+ es2. es4 |
+ }
+ {
+ es2 es4.-> f8 |
+ }
+ }
+ g4 g as f |
+ es2 c'4. c8 |
+ b4 g as b |
+ b2 b4.-> c8 |
+ es4-> es-> g16[( f] es4) c8 |
+ b4( g8[ f]) es4 c8 es |
+ b'4 as g16[ f es8] f16[ es c es] |
+ es2. as8 g |
+ b4. b8 as4 g |
+ s8 g as g s2 |
+ es-> es-> |
+ s1*2 | \bar "|."
+ }
+
+ altMelodie = \relative es' {
+ \repeat volta 2 {
+ es4 |
+ es es es c8[( d]) |
+ b2 as'4. f8 |
+ f4 es es <es f> |
+ f2 b,4.-> as'8 |
+ g4-> as-> g8( as4) <f as>8 |
+ g4( d) c c8 c |
+ es4 es c d |
+ }
+ \alternative {
+ {
+ b2. es4 |
+ }
+ {
+ b2 b4.-> es8 |
+ }
+ }
+ es4 es es c8[( d]) |
+ b2 as'4. f8 |
+ f4 es es <es f> |
+ f2 b,4.-> as'8 |
+ g4-> as-> <g es'>8( as4) <f as>8 |
+ g4( d) c c8 c |
+ es4 es c c |
+ b2. es8 es |
+ g4. g8 es4 es |
+ s8 es es es s2 |
+ ces2-> b-> |
+ s1*2 | \bar "|."
+ }
+
+ tenorMelodie = \relative es {
+ \repeat volta 2 {
+ es4 |
+ b' b c as8[( b]) |
+ g2 es'4. d8 |
+ es4 b c <c as> |
+ d2 b4.-> es8 |
+ b4-> c-> b8( c4) <b d>8 |
+ <b es>4( as) g c8 c |
+ c4 ces as as |
+ }
+ \alternative {
+ {
+ g2. es4 |
+ }
+ {
+ g2 g4.-> as8 |
+ }
+ }
+ b4 b c as8[( b]) |
+ g2 es'4. d8 |
+ es4 b c <c as> |
+ d2 b4.-> es8 |
+ b4-> c-> b8( c4)^\< <b d>8^\! |
+ <b es>4( as) g c8 c |
+ c4 ces as as |
+ <es g>2. ces'8 b |
+ es4. es8 ces4 b |
+ r8 b ces b r2 |
+ as2-> g->^\< |
+ <es g>1->^\! |
+ <es g> | \bar "|."
+ }
+
+ bassMelodie = \relative es {
+ \repeat volta 2 {
+ es4 |
+ es es es es |
+ es2 as4. as8 |
+ g4 g f f |
+ b2 b,4.-> b'8 |
+ es,4-> es-> es4.-- es8 |
+ es4( h) c c'8 b |
+ as[( g]) f4 b, b |
+ }
+ \alternative {
+ {
+ es2. es4 |
+ }
+ {
+ es2 es4.-> es8 |
+ }
+ }
+ es4 es es es |
+ es2 as4. as8 |
+ g4 g f f |
+ b2 b,4.-> b'8 |
+ es,4-> es-> es4. es8 |
+ es4( h) c c'8 b |
+ as[( g]) f4 b, b |
+ es,1~ |
+ es~ |
+ es~ |
+ es_\< |
+ <es b'>_\! |
+ <es b'> | \bar "|."
+ }
diff --git a/Hear_my_prayer/texte.ly b/Hear_my_prayer/texte.ly
new file mode 100644
index 0000000..e4f4271
--- /dev/null
+++ b/Hear_my_prayer/texte.ly
@@ -0,0 +1,35 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ text = \lyricmode {
+ O Lord, please hear my prayer,
+ in the morn -- in' when I rise.
+ It's your ser -- vant bound for glo -- ry.
+ O dear Lord, please head my prayer.
+ O
+ prayer.
+ When my work on earth is done,
+ and you come to take me home.
+ Just to know I'm bound for glo -- ry.
+ And to hear you say well done.
+ Done with sin and sor -- row,
+ have mer -- cy, mer -- cy.
+ }
+
+ textA = \lyricmode {
+ \repeat unfold 6 { \skip 1 }
+ keep me safe with -- in your arms.
+ }
+
+ textTenor = \lyricmode {
+ \repeat unfold 70 { \skip 1 }
+ A -- men.
+ }
+
+ textBass = \lyricmode {
+ \repeat unfold 58 { \skip 1 }
+ done. __
+ }