Hauke eingefügt

10 files changed, 893 insertions, 0 deletions

diff --git a/hr/stch/fertig/goodnight/TODO b/hr/stch/fertig/goodnight/TODO
new file mode 100644
index 0000000..6a82c37
--- /dev/null
+++ b/hr/stch/fertig/goodnight/TODO
@@ -0,0 +1 @@
+respice finem
diff --git a/hr/stch/fertig/goodnight/alt/goodnight.ps b/hr/stch/fertig/goodnight/alt/goodnight.ps
new file mode 100644
index 0000000..2b30b7f
--- /dev/null
+++ b/hr/stch/fertig/goodnight/alt/goodnight.ps
diff --git a/hr/stch/fertig/goodnight/alt/stimmen (Kopie).ly b/hr/stch/fertig/goodnight/alt/stimmen (Kopie).ly
new file mode 100644
index 0000000..c4fd57f
--- /dev/null
+++ b/hr/stch/fertig/goodnight/alt/stimmen (Kopie).ly
@@ -0,0 +1,302 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+  global = {
+    \key g \major
+    \time 4/4
+    \partial 4.
+  }
+
+  meta = {
+    %(dynamic) marks global to all voices
+    \dynamicUp
+    s8 s4
+    \repeat volta 2 {
+      s1*7
+    }
+    \alternative {
+      { s1 }
+      { s1 }
+    }
+    %\break
+    s1*4 %\break
+    \repeat unfold 12 {
+      s4*4 %\break
+    }
+      { s1*5 }
+  }
+
+% Die Stimmen
+
+  sopranMelodie = \relative c'' {
+    <<
+      { \meta }
+      %%articulation etc.
+      %%\repeat unfold <+number of parts+> {
+	%%s4*<+number of measures within a part+>
+      %%}
+      %the actual tune
+      {
+	s8 s4 
+	\repeat volta 2 {
+	  s1*4
+	  % hate to leave
+	  r8 b8 ais8 b8 a8 g4 g8
+	  a8 a8 b8 c8 ~ c8 s8 s4
+	  s1
+	}
+	\alternative {
+	  { s1 }
+	  { s1 }
+	}
+	% morning
+	r8 a4 g8 a8 g8 \times 2/3 {a8 g8 a8} 
+	b8 d,8 ~ d2 s4 
+	r8 a'4 g8 b8 d8 ~ \times 2/3 {d8 b8 g8} 
+	a8( g8 ~ g2 ) s4 
+	r8 c,8 a'16 a16 a16 g16 a8 g8 s8 s8 
+	s1*3
+	% parents
+	r8 a4 g8 a8( g8 ) \times 2/3 {a8( g8 ) a8} 
+	b8 d,8 ~ d2 s4 
+	r8 a'8 a8 g8 b8 d8 ~ \times 2/3 {d8 b8 g8} 
+	a8( g8 ~ g2 ) s4 
+	r8 c,8 \times 2/3 {a'8 a8 a8} a8 s8 s8 s8 
+	s1*3
+	  { s1*5 }
+      }
+    >>
+  }
+
+  sopranGemein = \relative c'' {
+    <<
+      { \meta }
+      %%articulation etc.
+      %%\repeat unfold <+number of parts+> {
+	%%s4*<+number of measures within a part+>
+      %%}
+      %the actual tune
+      {
+	s8 s4 
+	\repeat volta 2 {
+	  \repeat unfold 2 {
+	    % Goodnight
+	    s8 b8 b8 a8 g8 b4 b8
+	    a4 b8 b8( a4 ) s4
+	  }
+	  % so goodnight
+	  s1 s2 s8 b4 a8
+	  b4 a8( g8 ) fis4 a8 a8(
+	}
+	\alternative {
+	  { g2 ) s2 }
+	  { g2 s2 }
+	}
+	\repeat unfold 2 {
+	  % maybe/going
+	  s1*4 s2.. g8
+	  b4 b4 b8 e,8 s8 e8
+	  b'4 b4 b8( a8 ) b8 b8( a8 ) s8 s4 s2 
+	}
+	  {
+	    g2 s8 b4 a8
+	    b4 a8( g8 ) fis4 a8 a8(
+	    g2 ) s8 b4 a8
+	    b4 a8( g8 ) fis4 a8 a8(
+	    g2 ) s2
+	  }
+      }
+    >>
+  }
+
+  altMelodie = \relative c'' {
+    <<
+      { \meta }
+      %%articulation etc.
+      %%\repeat unfold <+number of parts+> {
+	%%s4*<+number of measures within a part+>
+      %%}
+      %the actual tune
+      {
+	s8 s4 
+	\repeat volta 2 {
+	  \repeat unfold 2 {
+	    % Goodnight
+	    s8 g8 g8 fis8 e8 g4 g8
+	    e4 g8 g8( fis4 ) s4
+	  }
+	  % Oh & so
+	  d2( ~ d2 g2 ~ g8) g4 g8
+	  g4 g4 d4 fis8 fis8(
+	}
+	\alternative {
+	  { d2 ) s2 }
+	  { d2 s2 }
+	}
+	% Oh
+	e1( d2. ) s4 
+	e1( d2. ) s4 
+	e2. r8 g8 
+	% maybe
+	g4 g4 g8 e8 s8 e8 
+	g4 g4 g4 g8 g8( fis8 ) s8 s4 s2 
+	% Oh
+	e1( d2. ) s4 
+	e1( d2. ) s4 
+	e2 ~ e8 s8 s8 g8 
+	% going
+	g4 g4 g8 e8 s8 e8 
+	g4 g4 g4 g8 g8( fis8 ) s8 s4 s2 
+	  {
+	    d2 s8 g4 g8
+	    g4 g4 d4 fis8 fis8(
+	    d2 ) s8 g4 g8
+	    g4 g4 d4 fis8 fis8(
+	    d2 ) s2
+	  }
+      }
+    >>
+  }
+
+  frauenPausen = {
+    r8 r4 r8 
+    s2.. s2. r4 
+    r8 s2.. s2. r4 
+    s1 s1 s1
+    \mark \markup { \musicglyph #"scripts.coda"\tiny{2} }
+    s2 r2 s2 r2
+    \mark \markup { \musicglyph #"scripts.coda"\tiny{1} }
+    %well
+    s1 s2. r4
+    %\pageBreak
+    s1 s2. r4
+    s1 s2. r8 s8 
+    s1 s8 r8 r4 
+    \override Score.RehearsalMark #'self-alignment-X = #LEFT
+    \mark "Dal Segno al Coda 1"
+    r2
+    \bar "||"
+    \break
+    \mark \markup { \musicglyph #"scripts.coda"\tiny{1} }
+    s1 s2. r4
+    s1 s2. r4
+    s1 s2. r8 s8 
+    s1 s8 r8 r4 
+    \override Score.RehearsalMark #'self-alignment-X = #LEFT
+    \mark "Dal Segno al Coda 2"
+    r2
+    \bar "||"
+    \break
+    \mark \markup { \musicglyph #"scripts.coda"\tiny{2} }
+    s1*4
+    s2 r2
+    \bar "||"
+  }
+  
+  tenorMelodie = \relative c' {
+    <<
+      { \meta }
+      %%articulation etc.
+      %\repeat unfold <+number of parts+> {
+	%s4*<+number of measures within a part+>
+      %}
+      %the actual tune
+      {
+	r8 r4
+	\repeat volta 2 {
+	  \repeat unfold 2 {
+	    % Goodnight
+	    r8 d8 d8 c8 b8 d4 d8
+	    c4 e8 e8( d4 ) r4
+	  }
+	  % Oh & so
+	  b2( ~ b2 c2 ~ c8 ) c4 c8
+	  d4 c8( b8 ) a4 c8 c8(
+	}
+	\alternative {
+	  { b2 ) r2 }
+	  { b2 r2 }
+	}
+	\repeat unfold 2 {
+	  % Oh
+	  g1( b2. ) r4
+	  g1( b2. ) r4
+	  g2. r8 g8
+	  % maybe/going
+	  d'4 d4 e8 b8 r8 e8
+	  d4 d4 d4 d8 d8 ~ d8 s8 s4 r2 
+	}
+	  {
+	    b2 r8 c4 c8
+	    d4 c8( b8 ) a4 c8 c8(
+	    b2 ) r8 c4 c8
+	    d4 c8( b8 ) a4 c8 c8(
+	    b2 ) s2
+	  }
+      }
+    >>
+  }
+
+  auftakt = {
+    \times 2/3 {d8 b8 d8}
+  }
+
+  bassMelodie = \relative c {
+    <<
+      { \meta }
+      %%articulation etc.
+      %%\repeat unfold <+number of parts+> {
+	%%s4*<+number of measures within a part+>
+      %%}
+      %the actual tune
+      \clef bass
+      {
+	d8 \auftakt
+	\repeat volta 2 {
+	  % doodelei
+	  g,2( e'8 ) e4 e8
+	  a,4 a8 a8( d8 ) d8 \auftakt
+	  % well
+	  g,2( e'8 ) e4 e8
+	  a,4 a8 a8( d8 ) d8 e8 fis8
+	  % doo again & so
+	  g2( f2( e2( ees8 ) ) ) ees4 ees8
+	  d4 d4 d4 d8 d8(
+	}
+	\alternative {
+	  {
+	    g,2 ) r8 d'8 \auftakt
+	  }
+	  {
+	    g,2 r8 g8 a8 b8 
+	  }
+	}
+	\repeat unfold 2 {
+	  % doodelei & maybe/going
+	  c1( g4 ) g'4 g8 e8 d8 e8
+	  c1( g4 ) ~ 
+	  \times 2/3 {g8 g'8 g8} f4 \times 2/3 {g,8 a8 b8}
+	  c2. r8 g8 g'4 fis4 e8 e8 r8 e8
+	  g4 g4 g8( e8 ) g8 g8( 
+	  a8 ) s8 s4 r8 d,8 \auftakt
+	}
+	  {
+	    g,2 r8 ees'4 ees8
+	    d4 d4 d4 d8 d8
+	    ( g,2 ) r8 ees'4 ees8
+	    d4 d4 d4 fis8 fis8
+	    ( g2 ) s2
+	  }
+      }
+    >>
+  }
+
+  maennerPausen = {
+    s4.
+    s1*8
+    s1*8
+    s8 r8 r4 s2
+    s1*7
+    s8 r8 r4 s2
+    s1*4
+    s2 r2
+  }
diff --git a/hr/stch/fertig/goodnight/alt/texte (Kopie).ly b/hr/stch/fertig/goodnight/alt/texte (Kopie).ly
new file mode 100644
index 0000000..331ba92
--- /dev/null
+++ b/hr/stch/fertig/goodnight/alt/texte (Kopie).ly
@@ -0,0 +1,102 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+%Rohfassung
+
+  auf = \lyricmode {
+    Doot doo doo doo
+  }
+
+  Doo = \lyricmode {
+    doo,
+    well, it's time to go,
+  }
+
+  takt = \lyricmode {
+    doot doo doo doo
+  }
+
+  doo = \lyricmode {
+    doo doo doo doo
+  }
+
+  good = \lyricmode {
+    so good -- night, sweet -- heart,
+    good -- night.
+  }
+
+  doot = \lyricmode {
+    doot doo doo doo doo doo,
+    doo doo doo
+    doo doo doo doo,
+  }
+
+  maybe = \lyricmode {
+    but don't mean may -- be,
+    You know I love You so.
+  }
+
+  
+  
+  Good = \lyricmode {
+    Good -- night, sweet -- heart,
+    well it's time to go,
+  }
+
+  leave = \lyricmode {
+    I hate to leave you,
+    I real -- ly must say
+  }
+
+  morning = \lyricmode {
+    Well, it's three o' -- clock in the mor -- ning,
+    Babe, I just can't treat you right,
+    I have to leave you, Ba -- by,
+  }
+
+  parents = \lyricmode {
+    Mo -- ther, oh, and your fa -- ther
+    might hear if I stay here too long,
+    a kiss and we'll part
+  }
+
+  going = \lyricmode {
+    and I'll be go -- ing,
+    you know I hate to go.
+  }
+
+  drei = \lyricmode {
+    _ \good \good
+  }
+
+% Die Textaufteilungen
+
+  sopranText = \lyricmode {
+    \leave
+    \morning
+    \parents
+  }
+
+  altText = \lyrics {
+    \Good
+    \Good
+    Oh
+    \good _
+    Oh Oh Oh
+    \maybe
+    Oh Oh Oh
+    \going
+    \drei
+  }
+
+  bassText = \lyrics {
+    \auf \Doo
+    \takt \Doo
+    \doo \good \auf
+    _ Doo doo doo
+    doo \doot
+    \maybe \auf
+    doo \doot
+    \going \auf
+    \drei
+  }
+
diff --git a/hr/stch/fertig/goodnight/goodnight.ly b/hr/stch/fertig/goodnight/goodnight.ly
new file mode 100644
index 0000000..d9696b3
--- /dev/null
+++ b/hr/stch/fertig/goodnight/goodnight.ly
@@ -0,0 +1,65 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+\version "2.12.1"
+\include "stimmen.ly"
+\include "texte.ly"
+
+  \header {
+    title = "Goodnight, well it's time to go"
+    composer = "Calvin Carter, James Hudson"
+    translator = "Arr: Robert Sund"
+    %tagline = ""
+  }
+
+  \paper {
+    line-width = \paper-width - 40
+    after-title-space = 10
+    top-margin = 10
+    bottom-margin = 10
+    foot-separation = 8
+    ragged-last-bottom = ##f
+    page-count = 2
+    system-count = 9
+  }
+
+  \midi {
+    %\tempo 4 = <+bpm+>
+  }
+
+  \layout {
+    indent = #0
+    \context {
+      \Staff
+      \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3)
+    }
+  }
+
+  #(set-global-staff-size 16)
+
+  \score {
+    \new ChoirStaff <<
+	\new Lyrics = "sop" { s4 }
+      \new Staff = "frauen" <<
+	%%\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+	\new Voice = "soprane" { \global \voiceOne \sopranMelodie }
+	\new Voice = "gemein" { \global \voiceThree \sopranGemein }
+	\new Voice = "alti" { \global \voiceTwo \altMelodie }
+	\new Voice = "fR" { \global \frauenPausen }
+      >>
+	\context Lyrics = "sop" \lyricsto "soprane" \sopranText
+	\lyricsto alti \altText
+      \new Staff = "maenner" <<
+	\new Voice = "tenoere" { \global \voiceOne \tenorMelodie }
+	\new Voice = "baesse" { \global \voiceTwo \bassMelodie }
+	\new Voice = "mR" { \global \maennerPausen }
+	\lyricsto baesse \bassText
+      >>
+    >>
+%    \midi{
+%      \context{
+%	\Score
+%	tempoWholesPerMinute = #(ly:make-moment 84 4)
+%      }
+%    }
+  }
+
diff --git a/hr/stch/fertig/goodnight/goodnight.midi b/hr/stch/fertig/goodnight/goodnight.midi
new file mode 100644
index 0000000..ba94b89
--- /dev/null
+++ b/hr/stch/fertig/goodnight/goodnight.midi
diff --git a/hr/stch/fertig/goodnight/goodnight.ps b/hr/stch/fertig/goodnight/goodnight.ps
new file mode 100644
index 0000000..2f8c9a6
--- /dev/null
+++ b/hr/stch/fertig/goodnight/goodnight.ps
diff --git a/hr/stch/fertig/goodnight/mgl/goodnight.ps b/hr/stch/fertig/goodnight/mgl/goodnight.ps
new file mode 100644
index 0000000..7048e18
--- /dev/null
+++ b/hr/stch/fertig/goodnight/mgl/goodnight.ps
diff --git a/hr/stch/fertig/goodnight/stimmen.ly b/hr/stch/fertig/goodnight/stimmen.ly
new file mode 100644
index 0000000..5c09e62
--- /dev/null
+++ b/hr/stch/fertig/goodnight/stimmen.ly
@@ -0,0 +1,320 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+  global = {
+    \key g \major
+    \time 4/4
+    \partial 4.
+  }
+
+  meta = {
+    %(dynamic) marks global to all voices
+    \dynamicUp
+    s8 s4
+    \repeat volta 2 {
+      s1*7
+    }
+    \alternative {
+      { s1 }
+      { s1 }
+    }
+    %\break
+    s1*4 %\break
+    \repeat unfold 12 {
+      s4*4 %\break
+    }
+      { s1*5 }
+  }
+
+% Die Stimmen
+
+  sopranMelodie = \relative c'' {
+    <<
+      { \meta }
+      %%articulation etc.
+      %%\repeat unfold <+number of parts+> {
+	%%s4*<+number of measures within a part+>
+      %%}
+      %the actual tune
+      {
+	s8 s4 
+	\repeat volta 2 {
+	  s1*4
+	  % hate to leave
+	  r8 b8 ais8 b8 a8 g4 g8
+	  a8 a8 b8 c8 ~ c8 s8 s4
+	  s1
+	}
+	\alternative {
+	  { s1 }
+	  { s1 }
+	}
+	% morning
+	r8 a4 g8 a8 g8 \times 2/3 {a8 g8 a8} 
+	b8 d,8 ~ d2 s4 
+	r8 a'4 g8 b8 d8 ~ \times 2/3 {d8 b8 g8} 
+	a8( g8 ~ g2 ) s4 
+	r8 c,8 a'16 a16 a16 g16 a8 g8 s8 s8 
+	s1*3
+	% parents
+	  s1
+	r8 a4 g8 a8( g8 ) \times 2/3 {a8( g8 ) a8} 
+	b8 d,8 ~ d2 s4 
+	r8 a'8 a8 g8 b8 d8 ~ \times 2/3 {d8 b8 g8} 
+	a8( g8 ~ g2 ) s4 
+	r8 c,8 \times 2/3 {a'8 a8 a8} a8 s8 s8 s8 
+	s1*3
+	  { s1*5 }
+      }
+    >>
+  }
+
+  sopranGemein = \relative c'' {
+    <<
+      { \meta }
+      %%articulation etc.
+      %%\repeat unfold <+number of parts+> {
+	%%s4*<+number of measures within a part+>
+      %%}
+      %the actual tune
+      {
+	s8 s4 
+	\repeat volta 2 {
+	  \repeat unfold 2 {
+	    % Goodnight
+	    s8 b8 b8 a8 g8 b4 b8
+	    a4 b8 b8( a4 ) s4
+	  }
+	  % so goodnight
+	  s1 s2 s8 b4 a8
+	  b4 a8( g8 ) fis4 a8 a8(
+	}
+	\alternative {
+	  { g2 ) s2 }
+	  % { g2 s2 }
+	  {}
+	}
+	\repeat unfold 2 {
+	  { g2 s2 }
+	  % maybe/going
+	  s1*4 s2.. g8
+	  b4 b4 b8 e,8 s8 e8
+	  b'4 b4 b8( a8 ) b8 b8( a8 ) s8 s4 s2 
+	}
+	  {
+	    g2 s8 b4 a8
+	    b4 a8( g8 ) fis4 a8 a8(
+	    g2 ) s8 b4 a8
+	    b4 a8( g8 ) fis4 a8 a8(
+	    g2 ) s2
+	  }
+      }
+    >>
+  }
+
+  altMelodie = \relative c'' {
+    <<
+      { \meta }
+      %%articulation etc.
+      %%\repeat unfold <+number of parts+> {
+	%%s4*<+number of measures within a part+>
+      %%}
+      %the actual tune
+      {
+	s8 s4 
+	\repeat volta 2 {
+	  \repeat unfold 2 {
+	    % Goodnight
+	    s8 g8 g8 fis8 e8 g4 g8
+	    e4 g8 g8( fis4 ) s4
+	  }
+	  % Oh & so
+	  d2( ~ d2 g2 ~ g8) g4 g8
+	  g4 g4 d4 fis8 fis8(
+	}
+	\alternative {
+	  { d2 ) s2 }
+	  { d2 s2 }
+	}
+	% Oh
+	e1( d2. ) s4 
+	e1( d2. ) s4 
+	e2. r8 g8 
+	% maybe
+	g4 g4 g8 e8 s8 e8 
+	g4 g4 g4 g8 g8( fis8 ) s8 s4 s2 
+	% Oh
+	  { d2 s2 }
+	e1( d2. ) s4 
+	e1( d2. ) s4 
+	e2 ~ e8 s8 s8 g8 
+	% going
+	g4 g4 g8 e8 s8 e8 
+	g4 g4 g4 g8 g8( fis8 ) s8 s4 s2 
+	  {
+	    d2 s8 g4 g8
+	    g4 g4 d4 fis8 fis8(
+	    d2 ) s8 g4 g8
+	    g4 g4 d4 fis8 fis8(
+	    d2 ) s2
+	  }
+      }
+    >>
+  }
+
+  frauenPausen = {
+    r8 r4 %r8 
+    \mark \markup { \musicglyph #"scripts.segno"}%\tiny{2} }
+           r8
+    s2.. s2. r4 
+    r8 s2.. s2. r4 
+    s1 s1 s1
+    \mark \markup { \musicglyph #"scripts.coda"}%\tiny{2} }
+    s2 r2 s2 r2
+    %\mark \markup { \musicglyph #"scripts.coda"\tiny{1} }
+    %well
+    s1 s2. r4
+    %\pageBreak
+    s1 s2. r4
+    s1 s2. r8 s8 
+    s1 s8 %r8 r4 
+    \override Score.RehearsalMark #'self-alignment-X = #LEFT
+    \mark "Dal Segno al Coda"% 1"
+           r8 r4
+    r2
+    \pageBreak
+    \bar "||"
+    \break
+    \mark \markup { \musicglyph #"scripts.coda"}%\tiny{1} }
+      s2 r2
+    s1 s2. r4
+    s1 s2. r4
+    s2 s8 r4 s8 s2. r8 s8 
+    s1 s8 r8 r4 
+    \override Score.RehearsalMark #'self-alignment-X = #LEFT
+    \mark "Dal Segno al Coda"% 2"
+    r2
+    \bar "||"
+    \break
+    \mark \markup { \musicglyph #"scripts.coda"}%\tiny{2} }
+    s2 r8 s4.
+    s1
+    s2 r8 s4.
+    s1
+    s2 r2
+    \bar "||"
+  }
+  
+  tenorMelodie = \relative c' {
+    <<
+      { \meta }
+      %%articulation etc.
+      %\repeat unfold <+number of parts+> {
+	%s4*<+number of measures within a part+>
+      %}
+      %the actual tune
+      {
+	r8 r4
+	\repeat volta 2 {
+	  \repeat unfold 2 {
+	    % Goodnight
+	    r8 d8 d8 c8 b8 d4 d8
+	    c4 e8 e8( d4 ) r4
+	  }
+	  % Oh & so
+	  b2( ~ b2 c2 ~ c8 ) c4 c8
+	  d4 c8( b8 ) a4 c8 c8(
+	}
+	\alternative {
+	  { b2 ) r2 }
+	  % { b2 r2 }
+	  {}
+	}
+	\repeat unfold 2 {
+	  { b2 r2 }
+	  % Oh
+	  g1( b2. ) r4
+	  g1( b2. ) r4
+	  g2. r8 g8
+	  % maybe/going
+	  d'4 d4 e8 b8 r8 e8
+	  d4 d4 d4 d8 d8 ~ d8 s8 s4 r2 
+	}
+	  {
+	    b2 r8 c4 c8
+	    d4 c8( b8 ) a4 c8 c8(
+	    b2 ) r8 c4 c8
+	    d4 c8( b8 ) a4 c8 c8(
+	    b2 ) s2
+	  }
+      }
+    >>
+  }
+
+  auftakt = {
+    \times 2/3 {d8 b8 d8}
+  }
+
+  bassMelodie = \relative c {
+    <<
+      { \meta }
+      %%articulation etc.
+      %%\repeat unfold <+number of parts+> {
+	%%s4*<+number of measures within a part+>
+      %%}
+      %the actual tune
+      \clef bass
+      {
+	d8 \auftakt
+	\repeat volta 2 {
+	  % doodelei
+	  g,2( e'8 ) e4 e8
+	  a,4 a8 a8( d8 ) d8 \auftakt
+	  % well
+	  g,2( e'8 ) e4 e8
+	  a,4 a8 a8( d8 ) d8 e8 fis8
+	  % doo again & so
+	  g2( f2( e2( ees8 ) ) ) ees4 ees8
+	  d4 d4 d4 d8 d8(
+	}
+	\alternative {
+	  {
+	    g,2 ) r8 d'8 \auftakt
+	  }
+	  %{
+	    g,2 r8 g8 a8 b8 
+	  %}
+	  {}
+	}
+	\repeat unfold 2 {
+	  % doodelei & maybe/going
+	  {
+	    g,2 r8 g8 a8 b8 
+	  }
+	  c1( g4 ) g'4 g8 e8 d8 e8
+	  c1( g4 ) ~ 
+	  \times 2/3 {g8 g'8 g8} f4 \times 2/3 {g,8 a8 b8}
+	  c2. r8 g8 g'4 fis4 e8 e8 r8 e8
+	  g4 g4 g8( e8 ) g8 g8( 
+	  a8 ) s8 s4 r8 d,8 \auftakt
+	}
+	  {
+	    g,2 r8 ees'4 ees8
+	    d4 d4 d4 d8 d8
+	    ( g,2 ) r8 ees'4 ees8
+	    d4 d4 d4 fis8 fis8
+	    ( g2 ) s2
+	  }
+      }
+    >>
+  }
+
+  maennerPausen = {
+    s4.
+    s1*8
+    s1*8
+    s8 r8 r4 s2
+    s1*8
+    s8 r8 r4 s2
+    s1*4
+    s2 r2
+  }
diff --git a/hr/stch/fertig/goodnight/texte.ly b/hr/stch/fertig/goodnight/texte.ly
new file mode 100644
index 0000000..f02b5fd
--- /dev/null
+++ b/hr/stch/fertig/goodnight/texte.ly
@@ -0,0 +1,103 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+%Rohfassung
+
+  auf = \lyricmode {
+    Doot doo doo doo
+  }
+
+  Doo = \lyricmode {
+    doo,
+    well, it's time to go,
+  }
+
+  takt = \lyricmode {
+    doot doo doo doo
+  }
+
+  doo = \lyricmode {
+    doo doo doo doo
+  }
+
+  good = \lyricmode {
+    so good -- night, sweet -- heart,
+    good -- night.
+  }
+
+  doot = \lyricmode {
+    doot doo doo doo doo doo,
+    doo doo doo
+    doo doo doo doo,
+  }
+
+  maybe = \lyricmode {
+    but don't mean may -- be,
+    You know I love You so.
+  }
+
+  
+  
+  Good = \lyricmode {
+    Good -- night, sweet -- heart,
+    well it's time to go,
+  }
+
+  leave = \lyricmode {
+    I hate to leave you,
+    I real -- ly must say
+  }
+
+  morning = \lyricmode {
+    Well, it's three o' -- clock in the mor -- ning,
+    Babe, I just can't treat you right,
+    I have to leave you, Ba -- by,
+  }
+
+  parents = \lyricmode {
+    Mo -- ther, oh, and your fa -- ther
+    might hear if I stay here too long,
+    a kiss and we'll part
+  }
+
+  going = \lyricmode {
+    and I'll be go -- ing,
+    you know I hate to go.
+  }
+
+  drei = \lyricmode {
+    _ \good \good
+  }
+
+% Die Textaufteilungen
+
+  sopranText = \lyricmode {
+    \leave
+    \morning
+    \parents
+  }
+
+  altText = \lyrics {
+    \Good
+    \Good
+    Oh
+    \good _
+    Oh Oh Oh
+    \maybe
+    _ Oh Oh Oh
+    \going
+    \drei
+  }
+
+  bassText = \lyrics {
+    \auf \Doo
+    \takt \Doo
+    \doo \good \auf
+    _ Doo doo doo
+    doo \doot
+    \maybe \auf
+    _ Doo doo doo
+    doo \doot
+    \going \auf
+    \drei
+  }
+