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author | Erich Eckner <git@eckner.net> | 2014-09-10 17:47:07 +0200 |
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committer | Erich Eckner <git@eckner.net> | 2014-09-10 17:47:07 +0200 |
commit | 49d14358c33b7d0ba7e7c381f91943617c7723ea (patch) | |
tree | fd55f0d3900d53978587d2228553359f86e69bbe /hr/stch/fertig/angry | |
parent | 646f69a657326ca8dd733dfa579a90f89823d677 (diff) | |
download | Musik-49d14358c33b7d0ba7e7c381f91943617c7723ea.tar.xz |
Hauke eingefügt
Diffstat (limited to 'hr/stch/fertig/angry')
-rw-r--r-- | hr/stch/fertig/angry/angry.ly | 69 | ||||
-rw-r--r-- | hr/stch/fertig/angry/dynArt.ly | 21 | ||||
-rw-r--r-- | hr/stch/fertig/angry/midi.lua | 51 | ||||
-rw-r--r-- | hr/stch/fertig/angry/stimmen.ly | 132 | ||||
-rw-r--r-- | hr/stch/fertig/angry/texte.ly | 39 |
5 files changed, 312 insertions, 0 deletions
diff --git a/hr/stch/fertig/angry/angry.ly b/hr/stch/fertig/angry/angry.ly new file mode 100644 index 0000000..6dac00c --- /dev/null +++ b/hr/stch/fertig/angry/angry.ly @@ -0,0 +1,69 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Lord, how long wilt thou be angry?" + composer = "Henry Purcell" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + %#(set-global-staff-size 17) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \sopranMelodie } + %\addlyrics { \sopranText } + >> + + alt = << + \new Voice = "alti" { \altMelodie } + %\addlyrics { \altText } + >> + + ten = << + \new Voice = "tenoere" { \tenorMelodie } + %\addlyrics { \tenorText } + >> + + bas = << + \new Voice = "baesse" { \bassMelodie } + \addlyrics { \bassText } + >> + + \score { + \new ChoirStaff \with {} << + \set Score.skipBars = ##t + %\new Staff = sopran { \global \sop } + %\new Staff = alt { \global \alt } + %\new Staff = tenor { \global \ten } + \new Staff = bass { \global \bas } + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/stch/fertig/angry/dynArt.ly b/hr/stch/fertig/angry/dynArt.ly new file mode 100644 index 0000000..30423d4 --- /dev/null +++ b/hr/stch/fertig/angry/dynArt.ly @@ -0,0 +1,21 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/fertig/angry/midi.lua b/hr/stch/fertig/angry/midi.lua new file mode 100644 index 0000000..8d7d5be --- /dev/null +++ b/hr/stch/fertig/angry/midi.lua @@ -0,0 +1,51 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { + \unfoldRepeats +]] + +post=[[ + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/fertig/angry/stimmen.ly b/hr/stch/fertig/angry/stimmen.ly new file mode 100644 index 0000000..b0ff126 --- /dev/null +++ b/hr/stch/fertig/angry/stimmen.ly @@ -0,0 +1,132 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key g \minor + %\override Staff.TimeSignature #'style = #'() + \time 2/2 + %\autoBeamOff + } + +% Die Stimmen + + sopranMelodie = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + r1 + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + r1 + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + r1 + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + R1*9 + d1 ~ + d2 ees2 + b4 b4 b4 b4 + c2. c4 + d2. d4 + ees4 ees4 e2 + f2 fis2 + g2 b,2 + c2 c2 + d1 ~ + d1 + g,1 + R1*23 + g'2 g4 g4 + g2 r2 + c,2 c4 c4 + f2 bes,2 + ees2 ees2 + d4 d4 r2 + a'4 a4 bes2 ~ + bes2 d,2 + f2 f,2 + bes2 r2 + R1*4 + r2 f'4 f4 + fis4 fis4 g2 ~ + g4 f4 ees4 c4 + g2 g2 + c2 a2 + d2 g,4 g'4 + cis,4. cis8 cis4 cis4 + d4. d8 d2 + r1 + r1 + r2 ees4 ees4 + e4 e4 f2 ~ + f4 fis4 g2 ~ + g4 f4 ees4 d4( + c2) c2 + d1 ~ + d1 + g,1 + \time 3/4 + r4 r4 bes'4 + bes4. bes8 bes8 f8 + bes4 bes,4 bes'8. bes16 + a4 g4. f8 + f4 f4 f4 + ees4. d8 c4 + f4 g2 + c,2 r4 + R2.*3 + r4 r4 g8 g'8 + ees4 d4 c4 + g'8 g8 g4 g,4 + a2 r4 + r4 r4 a'8 d,8 + g4 a4 bes4 + a4 a4. g8 + f4( e4) d4 + a'2 a,4 + d2. ~ + d2 e4 + fis4 fis4 fis4 + g4 g4 a4 + bes4 bes,4 c4 + d2. ~ + d2 d4 + d2 c4 + d2. + g,2.\fermata + \bar "|." + } + >> + } + diff --git a/hr/stch/fertig/angry/texte.ly b/hr/stch/fertig/angry/texte.ly new file mode 100644 index 0000000..8b00ebd --- /dev/null +++ b/hr/stch/fertig/angry/texte.ly @@ -0,0 +1,39 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + Lord, how long wilt thou be an -- gry? + Shall thy jea -- lou -- sy burn like fire, + like fire for ev -- er? + % + Help us, O God, help us, O God of our sal -- va -- tion, + for the glo -- ry of thy name; + and be mer -- ci -- ful un to our sins, for thy name’s sake, + O de -- li -- ver us, de -- li -- ver us, + and be mer -- ci -- ful un -- to our sins, + for thy name’s sake. + So we, that are thy peo -- ple and the sheep of thy pas -- ture, + shall give thee thanks for e -- ver: + and will al -- ways be shew -- ing forth thy praise, + and will al -- ways, + will al -- ways be shew -- ing forth thy praise + from one ge -- ne -- ra -- tion, + from one ge -- ne -- ra -- tion to a -- no -- ther. + } + |