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author | Erich Eckner <git@eckner.net> | 2014-09-10 17:47:07 +0200 |
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committer | Erich Eckner <git@eckner.net> | 2014-09-10 17:47:07 +0200 |
commit | 49d14358c33b7d0ba7e7c381f91943617c7723ea (patch) | |
tree | fd55f0d3900d53978587d2228553359f86e69bbe /hr/stch/fertig/alta | |
parent | 646f69a657326ca8dd733dfa579a90f89823d677 (diff) | |
download | Musik-49d14358c33b7d0ba7e7c381f91943617c7723ea.tar.xz |
Hauke eingefügt
Diffstat (limited to 'hr/stch/fertig/alta')
-rw-r--r-- | hr/stch/fertig/alta/a5/alta.ly | 66 | ||||
-rw-r--r-- | hr/stch/fertig/alta/alta.ly | 64 | ||||
-rw-r--r-- | hr/stch/fertig/alta/stimmen.ly | 175 | ||||
-rw-r--r-- | hr/stch/fertig/alta/texte.ly | 31 |
4 files changed, 336 insertions, 0 deletions
diff --git a/hr/stch/fertig/alta/a5/alta.ly b/hr/stch/fertig/alta/a5/alta.ly new file mode 100644 index 0000000..c682ab2 --- /dev/null +++ b/hr/stch/fertig/alta/a5/alta.ly @@ -0,0 +1,66 @@ +%some settings% vim: ai sw=2 lbr nu + +\version "2.18" +\include "../stimmen.ly" +\include "../texte.ly" + +\pointAndClickOff + + \header { + title = "Alta trinita beata" + subtitle = "Trinitanisgesang aus dem 15. Jahrhundert" + opus = "eingerichtet von Günther Ramin" + tagline = "" + } + + \paper { + #(set-paper-size "a5") + line-width = \paper-width - 20\mm + bottom-margin = 10\mm + top-margin = 10\mm + %foot-separation = 0 + %head-separation = 0 + %after-title-space = 10 + %page-top-space = 0 + %between-system-space = 5 + page-count = 1 + system-count = 3 + ragged-last-bottom = #'f + } + + #(set-global-staff-size 13) + + \midi { + %\tempo 4 = <+bpm+> + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + \score { + \new ChoirStaff << + \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + \lyricsto soprane \sopranText + >> + \new Staff = alt << + \new Voice = "alti" { \global \altMelodie } + \lyricsto alti \altText + >> + \new Staff = tenor << + \new Voice = "tenoere" { \global \tenorMelodie } + \lyricsto tenoere \tenorText + >> + \new Staff = bass << + \new Voice = "baesse" { \global \bassMelodie } + \lyricsto baesse \bassText + >> + >> + } + diff --git a/hr/stch/fertig/alta/alta.ly b/hr/stch/fertig/alta/alta.ly new file mode 100644 index 0000000..3178044 --- /dev/null +++ b/hr/stch/fertig/alta/alta.ly @@ -0,0 +1,64 @@ +%some settings% vim: ai sw=2 lbr nu + +\version "2.12.1" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Alta trinita beata" + subtitle = "Trinitanisgesang aus dem 15. Jahrhundert" + opus = "eingerichtet von Günther Ramin" + tagline = "" + } + + \paper { + line-width = \paper-width - 40\mm + bottom-margin = 15\mm + top-margin = 20\mm + foot-separation = 0 + %head-separation = 0 + after-title-space = 10 + %page-top-space = 0 + %between-system-space = 5 + page-count = 1 + system-count = 3 + ragged-last-bottom = #'f + + } + + #(set-global-staff-size 16) + + \midi { + %\tempo 4 = <+bpm+> + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + \score { + \new ChoirStaff << + \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + \lyricsto soprane \sopranText + >> + \new Staff = alt << + \new Voice = "alti" { \global \altMelodie } + \lyricsto alti \altText + >> + \new Staff = tenor << + \new Voice = "tenoere" { \global \tenorMelodie } + \lyricsto tenoere \tenorText + >> + \new Staff = bass << + \new Voice = "baesse" { \global \bassMelodie } + \lyricsto baesse \bassText + >> + >> + } + diff --git a/hr/stch/fertig/alta/stimmen.ly b/hr/stch/fertig/alta/stimmen.ly new file mode 100644 index 0000000..85aec46 --- /dev/null +++ b/hr/stch/fertig/alta/stimmen.ly @@ -0,0 +1,175 @@ +%some settings% vim: ai sw=2 lbr nu + + global = { + \key fis \major + \time 4/4 + } + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + % bisher nur leere takte + s1*8 + s1\mf + s1*7 + s1\f + s1*3 + s1\p + s1*3 + } + +% Die Stimmen + + sopranMelodie = \relative c' { + << + { \meta } + %the actual tune + { + \repeat volta 2 { + %die folgenden Zeilen könnte auch lauten: + %fis2 fis4(gis) ais2 gis4(fis) + %b2 ais4(gis) ais2 ais + \tempo "Sehr ruhig" 4 = 76 + fis2^\markup{ piano e legato } fis4( gis4 ) + ais2 gis4( fis4 ) + b2 ais4( gis4 ) + ais2 ais2 + gis2 ais4( b4 ) + ais2 gis4( fis4 ) + gis4( b4 ) ais4( gis4 ) + fis2 fis2 + cis'2 cis4( dis4 ) + b1\( + cis4\)( b4 ) ais4( gis4 ) + ais2 ais2 + gis4( fis4 ) b4( gis4 ) + fis2 b4( ais4 ) + gis4( fis4 ) b4( gis4 ) + fis2 fis2 + } + \repeat volta 2 { + cis'2 cis4( dis4 ) + b2 cis4( dis4 ) + e4( dis4 ) cis4( ais4 ) + b2 gis2 + fis2 gis4( ais4 ) + b2 ais2 + gis4( fis4 ) b4( gis4 ) + fis2 fis2 + } + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %the actual tune + { + \repeat volta 2 { + cis2 cis4( eis4) + fis2 eis4( fis4) + fis2 fis4( eis4) + fis2 fis2 + eis2 fis2 + fis2 eis4( fis4) + eis4( fis4) fis4( eis4) + cis2 cis2 + ais'2 ais2 + gis1\( + gis2\) fis4( eis4) + fis2 fis2 + eis4( dis4) dis4( eis4) + fis2 fis2 + eis4( dis4) dis4( eis4) + cis2 cis2 + } + \repeat volta 2 { + ais'2 ais4( fis4) + gis2 gis4( b4) + cis4( b4) gis4( fis4) + fis2 eis2 + cis2 eis4( fis4) + fis2 fis2 + eis4( dis4) dis4( eis4) + cis2 cis2 + } + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %the actual tune + \clef "treble_8" + { + \repeat volta 2 { + ais2 ais4( cis4) + cis2 cis2 + dis2 cis2 + cis2 cis2 + cis2 cis4( dis4) + cis2 cis4( ais4) + cis4( dis4) cis2 + ais2 ais2 + fis'2 fis2 + dis1\( + eis2\) cis2 + cis2 cis2 + cis4( ais4) b4( cis4) + cis2 dis4( cis4) + cis4( ais4) b4( cis4) + ais2 ais2 + } + \repeat volta 2 { + fis'2 fis2 + dis2 e4( fis4) + gis4( fis4) e4( cis4) + dis2 cis2 + ais2 cis2 + dis2 cis2 + cis4( ais4) b4( cis4) + ais2 ais2 + } + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + %the actual tune + \clef bass + { + \repeat volta 2 { + fis2 fis4( cis4) + fis2 cis4( fis4) + b,2 fis'4( cis4) + fis2 fis2 + cis2 fis4( b,4) + fis'2 cis4( dis4) + cis4( b4) fis'4( cis4) + << { fis,2 fis2 } { fis'2 fis2 } >> + fis2 fis4( dis4) + gis1\( + cis,2\) fis4( cis4) + fis2 fis2 + cis4( dis4) gis,4( cis4) + fis2 b,4( fis'4) + cis4( dis4) gis,4( cis4) + fis2 fis2 + } + \repeat volta 2 { + fis2 fis4( dis4) + gis2 e4( dis4) + cis4( dis4) e4( fis4) + b,2 cis2 + fis2 cis4( fis4) + b,2 fis'2 + cis4( dis4) gis,4( cis4) + << { fis,2 fis2 } { fis'2 fis2 } >> + } + } + >> + } diff --git a/hr/stch/fertig/alta/texte.ly b/hr/stch/fertig/alta/texte.ly new file mode 100644 index 0000000..c40f26a --- /dev/null +++ b/hr/stch/fertig/alta/texte.ly @@ -0,0 +1,31 @@ +%some settings% vim: ai sw=2 lbr nu + +%rohfassung bass + + text = \lyricmode { + Al -- ta tri -- ni -- ta be -- a -- ta, + da no_-_i sem -- pre a -- do -- ra -- ta. + Tri -- ni -- ta glo -- ri -- o -- sa, + u -- ni -- ta ma -- ra -- vi -- glio -- sa. + Tu sei -- ma -- na sa -- po -- ro -- sa, + e tu -- ta de -- si -- de -- ro -- sa. + } + +% Die Textaufteilungen + + sopranText = \lyrics { + \text + } + + altText = \lyrics { + \text + } + + tenorText = \lyrics { + \text + } + + bassText = \lyrics { + \text + } + |