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authorErich Eckner <git@eckner.net>2014-09-10 17:47:07 +0200
committerErich Eckner <git@eckner.net>2014-09-10 17:47:07 +0200
commit49d14358c33b7d0ba7e7c381f91943617c7723ea (patch)
treefd55f0d3900d53978587d2228553359f86e69bbe /hr/stch/fertig/alta
parent646f69a657326ca8dd733dfa579a90f89823d677 (diff)
downloadMusik-49d14358c33b7d0ba7e7c381f91943617c7723ea.tar.xz
Hauke eingefügt
Diffstat (limited to 'hr/stch/fertig/alta')
-rw-r--r--hr/stch/fertig/alta/a5/alta.ly66
-rw-r--r--hr/stch/fertig/alta/alta.ly64
-rw-r--r--hr/stch/fertig/alta/stimmen.ly175
-rw-r--r--hr/stch/fertig/alta/texte.ly31
4 files changed, 336 insertions, 0 deletions
diff --git a/hr/stch/fertig/alta/a5/alta.ly b/hr/stch/fertig/alta/a5/alta.ly
new file mode 100644
index 0000000..c682ab2
--- /dev/null
+++ b/hr/stch/fertig/alta/a5/alta.ly
@@ -0,0 +1,66 @@
+%some settings% vim: ai sw=2 lbr nu
+
+\version "2.18"
+\include "../stimmen.ly"
+\include "../texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Alta trinita beata"
+ subtitle = "Trinitanisgesang aus dem 15. Jahrhundert"
+ opus = "eingerichtet von Günther Ramin"
+ tagline = ""
+ }
+
+ \paper {
+ #(set-paper-size "a5")
+ line-width = \paper-width - 20\mm
+ bottom-margin = 10\mm
+ top-margin = 10\mm
+ %foot-separation = 0
+ %head-separation = 0
+ %after-title-space = 10
+ %page-top-space = 0
+ %between-system-space = 5
+ page-count = 1
+ system-count = 3
+ ragged-last-bottom = #'f
+ }
+
+ #(set-global-staff-size 13)
+
+ \midi {
+ %\tempo 4 = <+bpm+>
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ \score {
+ \new ChoirStaff <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ \lyricsto soprane \sopranText
+ >>
+ \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ \lyricsto alti \altText
+ >>
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \lyricsto tenoere \tenorText
+ >>
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ \lyricsto baesse \bassText
+ >>
+ >>
+ }
+
diff --git a/hr/stch/fertig/alta/alta.ly b/hr/stch/fertig/alta/alta.ly
new file mode 100644
index 0000000..3178044
--- /dev/null
+++ b/hr/stch/fertig/alta/alta.ly
@@ -0,0 +1,64 @@
+%some settings% vim: ai sw=2 lbr nu
+
+\version "2.12.1"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Alta trinita beata"
+ subtitle = "Trinitanisgesang aus dem 15. Jahrhundert"
+ opus = "eingerichtet von Günther Ramin"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 40\mm
+ bottom-margin = 15\mm
+ top-margin = 20\mm
+ foot-separation = 0
+ %head-separation = 0
+ after-title-space = 10
+ %page-top-space = 0
+ %between-system-space = 5
+ page-count = 1
+ system-count = 3
+ ragged-last-bottom = #'f
+
+ }
+
+ #(set-global-staff-size 16)
+
+ \midi {
+ %\tempo 4 = <+bpm+>
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ \score {
+ \new ChoirStaff <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ \lyricsto soprane \sopranText
+ >>
+ \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ \lyricsto alti \altText
+ >>
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \lyricsto tenoere \tenorText
+ >>
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ \lyricsto baesse \bassText
+ >>
+ >>
+ }
+
diff --git a/hr/stch/fertig/alta/stimmen.ly b/hr/stch/fertig/alta/stimmen.ly
new file mode 100644
index 0000000..85aec46
--- /dev/null
+++ b/hr/stch/fertig/alta/stimmen.ly
@@ -0,0 +1,175 @@
+%some settings% vim: ai sw=2 lbr nu
+
+ global = {
+ \key fis \major
+ \time 4/4
+ }
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ % bisher nur leere takte
+ s1*8
+ s1\mf
+ s1*7
+ s1\f
+ s1*3
+ s1\p
+ s1*3
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %the actual tune
+ {
+ \repeat volta 2 {
+ %die folgenden Zeilen könnte auch lauten:
+ %fis2 fis4(gis) ais2 gis4(fis)
+ %b2 ais4(gis) ais2 ais
+ \tempo "Sehr ruhig" 4 = 76
+ fis2^\markup{ piano e legato } fis4( gis4 )
+ ais2 gis4( fis4 )
+ b2 ais4( gis4 )
+ ais2 ais2
+ gis2 ais4( b4 )
+ ais2 gis4( fis4 )
+ gis4( b4 ) ais4( gis4 )
+ fis2 fis2
+ cis'2 cis4( dis4 )
+ b1\(
+ cis4\)( b4 ) ais4( gis4 )
+ ais2 ais2
+ gis4( fis4 ) b4( gis4 )
+ fis2 b4( ais4 )
+ gis4( fis4 ) b4( gis4 )
+ fis2 fis2
+ }
+ \repeat volta 2 {
+ cis'2 cis4( dis4 )
+ b2 cis4( dis4 )
+ e4( dis4 ) cis4( ais4 )
+ b2 gis2
+ fis2 gis4( ais4 )
+ b2 ais2
+ gis4( fis4 ) b4( gis4 )
+ fis2 fis2
+ }
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %the actual tune
+ {
+ \repeat volta 2 {
+ cis2 cis4( eis4)
+ fis2 eis4( fis4)
+ fis2 fis4( eis4)
+ fis2 fis2
+ eis2 fis2
+ fis2 eis4( fis4)
+ eis4( fis4) fis4( eis4)
+ cis2 cis2
+ ais'2 ais2
+ gis1\(
+ gis2\) fis4( eis4)
+ fis2 fis2
+ eis4( dis4) dis4( eis4)
+ fis2 fis2
+ eis4( dis4) dis4( eis4)
+ cis2 cis2
+ }
+ \repeat volta 2 {
+ ais'2 ais4( fis4)
+ gis2 gis4( b4)
+ cis4( b4) gis4( fis4)
+ fis2 eis2
+ cis2 eis4( fis4)
+ fis2 fis2
+ eis4( dis4) dis4( eis4)
+ cis2 cis2
+ }
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %the actual tune
+ \clef "treble_8"
+ {
+ \repeat volta 2 {
+ ais2 ais4( cis4)
+ cis2 cis2
+ dis2 cis2
+ cis2 cis2
+ cis2 cis4( dis4)
+ cis2 cis4( ais4)
+ cis4( dis4) cis2
+ ais2 ais2
+ fis'2 fis2
+ dis1\(
+ eis2\) cis2
+ cis2 cis2
+ cis4( ais4) b4( cis4)
+ cis2 dis4( cis4)
+ cis4( ais4) b4( cis4)
+ ais2 ais2
+ }
+ \repeat volta 2 {
+ fis'2 fis2
+ dis2 e4( fis4)
+ gis4( fis4) e4( cis4)
+ dis2 cis2
+ ais2 cis2
+ dis2 cis2
+ cis4( ais4) b4( cis4)
+ ais2 ais2
+ }
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %the actual tune
+ \clef bass
+ {
+ \repeat volta 2 {
+ fis2 fis4( cis4)
+ fis2 cis4( fis4)
+ b,2 fis'4( cis4)
+ fis2 fis2
+ cis2 fis4( b,4)
+ fis'2 cis4( dis4)
+ cis4( b4) fis'4( cis4)
+ << { fis,2 fis2 } { fis'2 fis2 } >>
+ fis2 fis4( dis4)
+ gis1\(
+ cis,2\) fis4( cis4)
+ fis2 fis2
+ cis4( dis4) gis,4( cis4)
+ fis2 b,4( fis'4)
+ cis4( dis4) gis,4( cis4)
+ fis2 fis2
+ }
+ \repeat volta 2 {
+ fis2 fis4( dis4)
+ gis2 e4( dis4)
+ cis4( dis4) e4( fis4)
+ b,2 cis2
+ fis2 cis4( fis4)
+ b,2 fis'2
+ cis4( dis4) gis,4( cis4)
+ << { fis,2 fis2 } { fis'2 fis2 } >>
+ }
+ }
+ >>
+ }
diff --git a/hr/stch/fertig/alta/texte.ly b/hr/stch/fertig/alta/texte.ly
new file mode 100644
index 0000000..c40f26a
--- /dev/null
+++ b/hr/stch/fertig/alta/texte.ly
@@ -0,0 +1,31 @@
+%some settings% vim: ai sw=2 lbr nu
+
+%rohfassung bass
+
+ text = \lyricmode {
+ Al -- ta tri -- ni -- ta be -- a -- ta,
+ da no_-_i sem -- pre a -- do -- ra -- ta.
+ Tri -- ni -- ta glo -- ri -- o -- sa,
+ u -- ni -- ta ma -- ra -- vi -- glio -- sa.
+ Tu sei -- ma -- na sa -- po -- ro -- sa,
+ e tu -- ta de -- si -- de -- ro -- sa.
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ \text
+ }
+
+ altText = \lyrics {
+ \text
+ }
+
+ tenorText = \lyrics {
+ \text
+ }
+
+ bassText = \lyrics {
+ \text
+ }
+