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author | Erich Eckner <git@eckner.net> | 2014-09-10 17:47:07 +0200 |
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committer | Erich Eckner <git@eckner.net> | 2014-09-10 17:47:07 +0200 |
commit | 49d14358c33b7d0ba7e7c381f91943617c7723ea (patch) | |
tree | fd55f0d3900d53978587d2228553359f86e69bbe /hr/stch/fertig/adeste | |
parent | 646f69a657326ca8dd733dfa579a90f89823d677 (diff) | |
download | Musik-49d14358c33b7d0ba7e7c381f91943617c7723ea.tar.xz |
Hauke eingefügt
Diffstat (limited to 'hr/stch/fertig/adeste')
-rw-r--r-- | hr/stch/fertig/adeste/Adeste Fideles 1.PNG | bin | 0 -> 474082 bytes | |||
-rw-r--r-- | hr/stch/fertig/adeste/Adeste fideles - 2.JPG | bin | 0 -> 1543725 bytes | |||
-rw-r--r-- | hr/stch/fertig/adeste/adeste.ly | 81 | ||||
-rw-r--r-- | hr/stch/fertig/adeste/dynArt.ly | 75 | ||||
-rw-r--r-- | hr/stch/fertig/adeste/midi.lua | 50 | ||||
-rw-r--r-- | hr/stch/fertig/adeste/stimmen.ly | 256 | ||||
-rw-r--r-- | hr/stch/fertig/adeste/texte.ly | 141 |
7 files changed, 603 insertions, 0 deletions
diff --git a/hr/stch/fertig/adeste/Adeste Fideles 1.PNG b/hr/stch/fertig/adeste/Adeste Fideles 1.PNG Binary files differnew file mode 100644 index 0000000..ab43ded --- /dev/null +++ b/hr/stch/fertig/adeste/Adeste Fideles 1.PNG diff --git a/hr/stch/fertig/adeste/Adeste fideles - 2.JPG b/hr/stch/fertig/adeste/Adeste fideles - 2.JPG Binary files differnew file mode 100644 index 0000000..dac21f6 --- /dev/null +++ b/hr/stch/fertig/adeste/Adeste fideles - 2.JPG diff --git a/hr/stch/fertig/adeste/adeste.ly b/hr/stch/fertig/adeste/adeste.ly new file mode 100644 index 0000000..aaa7f0a --- /dev/null +++ b/hr/stch/fertig/adeste/adeste.ly @@ -0,0 +1,81 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Adeste fideles" + %composer = "<+Komponist+>" + arranger = "Carl Thiel" + text = "Adeste fideles um 1790, Abbé Borderies" + opus = "Opus 7" + tagline = "" + } + + \paper { + print-page-number = ##f + line-width = \paper-width - 30 + top-margin = 15 + bottom-margin = 25 + top-system-spacing #'minimum-distance = 17 + ragged-last-bottom = #'f + system-count = 5 + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + \pointAndClickOff + + #(set-global-staff-size 16) + + sop = \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + \addlyrics { \sopOne } + \addlyrics { \sopThree } + \new Voice { \global \sopTwo } + >> + + alt = \new Staff = alt << + \new Voice = "alti" { \global \altMelodie } + %\addlyrics { \altText } + >> + + ten = \new Staff = tenor << + \new Voice = "tenoere" { \global \tenorMelodie } + \addlyrics { \tenOne } + \addlyrics { \tenThree } + \new Voice { \global \tenorTwo } + %\addlyrics { \tenorText } + >> + + bas = \new Staff = bass << + \new Voice = "baesse" { \global \bassMelodie } + %\addlyrics { \bassText } + >> + + \score { + \new ChoirStaff \with {} << + \sop + \alt + \ten + \bas + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + \texte + diff --git a/hr/stch/fertig/adeste/dynArt.ly b/hr/stch/fertig/adeste/dynArt.ly new file mode 100644 index 0000000..a4158e3 --- /dev/null +++ b/hr/stch/fertig/adeste/dynArt.ly @@ -0,0 +1,75 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + s4 + s1 + s1 + s1 + s2. s4\mf + s1 + s1 + s1 + s1 + s1\f + s1 + s4 s2.\> + s2. s4\p + s1 + s1 + s1 + s2. s4\f + s2 s4^\markup{ \italic "poco" } s4\> + s2\! s4\< s4\! + s1 + s2.%\fermata + \bar "|." + } + +% articulation + + mep = \markup{ \italic "meno" \dynamic "p" } + unterArt = { + s4^\markup{ \italic "poco" \dynamic "f" } + s2 s4\< s4\! + s2 s4\> s4\! + s2\! s2\! + s2\> s4\! s4 + } + + sopranArt = { + s4^\markup{ \bold "Mit freudigem Ausdruck" } + \repeat unfold 13 { s1 } + s2. s4^\mep + \repeat unfold 4 { s1 } + s2^\markup{ \italic "poco rit." } + } + + altArt = { + s4 + \repeat unfold 13 { s1 } + s2. s4^\mep + } + + tenorArt = { + << + \unterArt + { + s4 + \repeat unfold 13 { s1 } + s2. s4^\mep + } + >> + } + + bassArt = { + << + \unterArt + { + s4 + \repeat unfold 13 { s1 } + } + >> + } + diff --git a/hr/stch/fertig/adeste/midi.lua b/hr/stch/fertig/adeste/midi.lua new file mode 100644 index 0000000..58e69da --- /dev/null +++ b/hr/stch/fertig/adeste/midi.lua @@ -0,0 +1,50 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + +\version "2.12" +\include "stimmen.ly" + + \score { +]] + +post=[[ + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/fertig/adeste/stimmen.ly b/hr/stch/fertig/adeste/stimmen.ly new file mode 100644 index 0000000..e59b986 --- /dev/null +++ b/hr/stch/fertig/adeste/stimmen.ly @@ -0,0 +1,256 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key b \major + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + %\autoBeamOff + \partial 4 + } + +% Die Stimmen + + sopranMelodie = \relative c'' { + << + { \meta } + \sopranArt + %the actual tune + { + \oneVoice + r4 + r1 + r1 + r1 + r2 r4 b4 + b2 ais4 gis4 + ais4( b4) cis4 dis4 + ais4( b4) gis2 + fis2. r4 + { + \voiceOne + fis'2 e4 dis4 + e2 dis2 + cis4 dis4 b4 cis4 + ais4( gis4) fis4 + } + % Venite + \oneVoice + b4 + b4 ais4 b4 cis4 + b2 fis4 + \voiceOne + dis'4 + dis4 cis4 dis4 e4 + dis2 cis4 fis4 + e4 dis4 cis4 b4 + ais2 b4( e4) + dis2 cis2 + b2.\fermata + } + >> + } + sopTwo = \relative c'' { + << + { + \oneVoice + r4 + r1 + r1 + r1 + r2 r4 b4 + b2 ais4 gis4 + ais4( b4) cis4 dis4 + ais4( b4) gis2 + fis2 s4 r4 + \voiceTwo + % \dynamicOff + dis'2 b4 b4 + b4( ais4) b2 + ais4 ais4 gis4 gis4 + ais4( gis4) fis4 + % Venite + \oneVoice + b4 + b4 ais4 b4 cis4 + b2 fis4 + \voiceTwo + b4 + b4 ais4 b4 gis8 ais8 + b2 ais4 b4 + ais4 b4 cis4 b4 + ais2 b2 + b2. ais4 b2. + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + \bassArt + %the actual tune + { + r4 + r1 + r1 + r1 + r2 r4 fis4 + dis4( eis4) fis4 eis4 + fis2 fis4 fis4 + fis2 fis4( eis4) + fis2. r4 + <fis b>2 fis4 fis4 + fis2 fis2 + fis4 dis4 dis4 gis4 + fis4( eis4) cis4 + % Venite + fis4 + fis4 fis4 fis4 fis4 + fis2 fis4 fis4 + fis4 fis4 fis4 e4 + fis4( gis4) ais4 fis4 + fis4 fis4 gis4 gis4 + gis4( fisis4) gis2 + fis2( eis4) fis4 fis2.\fermata + } + >> + } + + tenorMelodie = \relative c'' { + << + { \meta } + \tenorArt + { + { + \voiceOne + b4 + b2 fis4 b4 + cis2( fis,4) gis8 ais8 + b4( cis4) dis4 e4 + dis2 cis4 + } + \oneVoice + b4 + b2 cis4 cis4 + cis2 cis4 b4 + dis2 cis2 + ais2. r4 + { \voiceOne dis2 cis4 b4 } + \oneVoice + cis2 b2 + cis4 ais4 b4 gis4 + cis4( b4) ais4 + % Venite + b4 + b4 cis4 dis4 cis4 + dis2 dis4 b4 + b4 fis4 b4 cis4 + dis4( e4) fis4 dis4 + e4 fis4 e4 dis4 + dis2 dis4( e4) + b2. cis4 dis2.\fermata + } + >> + } + tenorTwo = \relative c'' { + << + { + { + \voiceTwo + b4 + b2 fis4 b4 + cis2( fis,4) gis8 ais8 + b4( ais4) b4 b4 + b2 ais4 + } + \oneVoice + b4 + b2 cis4 cis4 + cis2 cis4 b4 + dis2 cis2 + ais2 s4 r4 + { \voiceTwo b2 fis4 b4 } + } + >> + } + + bassMelodie = \relative c { + \clef bass + << + { \meta } + \altArt + { + << + { + \voiceOne + b'4 + b2 fis4 b4 + cis2 fis,4 ~ fis4 + fis4 ~ fis4 fis4 gis4 + fis2 fis4 + } + \\ + \new Voice \with {\remove Dynamic_engraver } + { + \voiceTwo + b4 + b2 fis4 b4 + cis2 fis,4( e4) + dis4( fis4) b,4 e4 + b4( dis4) fis4 + } + >> + dis4 + gis2 fis4 cis4 + fis4( gis4) ais4 b4 + dis,4( gis4) cis2 + fis,2. r4 + << + { + \voiceOne + fis2 fis4 fis4 + fis2 fis2 + } + \\ + \new Voice \with {\remove Dynamic_engraver } + { + \voiceTwo + b,2 cis4 dis4 + cis4( fis4) b,2 + } + >> + fis'4 fisis4 gis4 eis4 + fis4( cis4) fis4 + % Venite + dis4 + dis4 fis4 b4 ais4 + b2 b4 r4 + r1 + r2 r4 + << + { + \voiceOne + fis4 + fis4 b4 e,4 gis4 + ais2 gis2 + b4( fis4 gis4) fis4 + fis2.\fermata + } + \\ + \new Voice \with {\remove Dynamic_engraver } + { + \voiceTwo + b,4 + cis4 dis4 e4 gis4 + dis2 gis4( cis,4) + dis2( gis4) fis4 + b,2. + } + >> + } + >> + } + diff --git a/hr/stch/fertig/adeste/texte.ly b/hr/stch/fertig/adeste/texte.ly new file mode 100644 index 0000000..754a3e2 --- /dev/null +++ b/hr/stch/fertig/adeste/texte.ly @@ -0,0 +1,141 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + +% Die Textaufteilungen + + sopVerseOne = \lyricmode { + \set stanza = "1." + Ve -- ni -- te + } + tenVerseOne = \lyricmode { + \set stanza = "1." + Ad -- es -- te fi -- de -- les + læ -- ti tri -- um -- phan -- tes; + ve -- ni -- te + } + sopVerseThree = \lyricmode { + \set stanza = "3." + ve -- la -- tum + } + tenVerseThree = \lyricmode { + \set stanza = "3." + Æ -- ter -- ni pa -- ren -- tis + splen -- do -- rem æ -- ter -- num + ve -- la -- tum + } + verseOne = \lyricmode { + ve -- ni -- te in Beth -- le -- hem. + Na -- tum vi -- de -- te + re -- gem An -- ge -- lo -- rum. + } + verseThree = \lyricmode { + sub car -- ne vi -- de -- bi -- mus; + De -- um in -- fan -- tem + pa -- nis in -- vo -- lu -- tum. + } + refr = \lyricmode { + Ve -- ni -- te ad -- o -- re -- mus. + Ve -- ni -- te ad -- o -- re -- mus. + Ve -- ni -- te ad -- o -- re -- mus Do -- mi -- num. + } + sopOne = \lyrics { + \sopVerseOne + \verseOne + \refr + } + sopThree = \lyrics { + \sopVerseThree + \verseThree + %\refr + } + tenOne = \lyrics { + \tenVerseOne + \verseOne + \refr + } + tenThree = \lyrics { + \tenVerseThree + \verseThree + %\refr + } + texte = \markup { + \fill-line { + " " + \column { + \line { + \bold " "%1." + \column { + " "%Herbei o ihr Gläubigen, fröhlich triumphierend" + " "%o kommet, o kommet nach Bethlehem" + " "%sehet das Kindlein uns zum Heil geboren!" + " "%O lasset uns anbeten, o lasset uns anbeten," + " "%o lasset uns anbeten den König, den Herrn." + " " + " " + " " + } + } + \line { + \bold "2." + \column { + "Engrege relicto humiles ad cunas" + "vocati pastores ad properant;" + "nosque ovanti gradu festinemus:" + } + } + } + " " + \column { + \line { + \bold "1." + \column { + "Herbei o ihr Gläubigen, fröhlich triumphierend" + "o kommet, o kommet nach Bethlehem" + "sehet das Kindlein uns zum Heil geboren!" + "O lasset uns anbeten, o lasset uns anbeten," + "o lasset uns anbeten den König, den Herrn." + " " + " " + " " + } + } + \line { + \bold "2." + \column { + "Der König der Ehren, Herrscher der Heerscharen" + "er ruht in der Krippe gering und arm:" + "Er, unser Gott, von Ewigkeit geboren." + " " + " " + " " + } + } + \line { + \bold "3." + \column { + "Kommt, singet dem Herren, o ihr Engelschöre," + "frohlocket, frohlocket ihr Seligen:" + "Ehre sei Gott im Himmel und auf Erden." + } + } + } + " " + } + } + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + } + |