diff options
author | Erich Eckner <git@eckner.net> | 2014-09-10 17:47:07 +0200 |
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committer | Erich Eckner <git@eckner.net> | 2014-09-10 17:47:07 +0200 |
commit | 49d14358c33b7d0ba7e7c381f91943617c7723ea (patch) | |
tree | fd55f0d3900d53978587d2228553359f86e69bbe /hr/quartett/mysterium | |
parent | 646f69a657326ca8dd733dfa579a90f89823d677 (diff) | |
download | Musik-49d14358c33b7d0ba7e7c381f91943617c7723ea.tar.xz |
Hauke eingefügt
Diffstat (limited to 'hr/quartett/mysterium')
-rw-r--r-- | hr/quartett/mysterium/Mysterium_.ly | 64 | ||||
-rw-r--r-- | hr/quartett/mysterium/Mysterium_.ps | bin | 0 -> 784252 bytes | |||
-rw-r--r-- | hr/quartett/mysterium/dynArt.ly | 51 | ||||
-rw-r--r-- | hr/quartett/mysterium/midis/alt.midi | bin | 0 -> 2071 bytes | |||
-rw-r--r-- | hr/quartett/mysterium/midis/bass.midi | bin | 0 -> 1517 bytes | |||
-rw-r--r-- | hr/quartett/mysterium/midis/gesamt.midi | bin | 0 -> 7298 bytes | |||
-rw-r--r-- | hr/quartett/mysterium/midis/sopran.midi | bin | 0 -> 2054 bytes | |||
-rw-r--r-- | hr/quartett/mysterium/midis/tenor.midi | bin | 0 -> 2019 bytes | |||
-rw-r--r-- | hr/quartett/mysterium/mysterium.ly | 60 | ||||
-rw-r--r-- | hr/quartett/mysterium/mysterium.ps | bin | 0 -> 796299 bytes | |||
-rw-r--r-- | hr/quartett/mysterium/stimmen.ly | 365 | ||||
-rw-r--r-- | hr/quartett/mysterium/texte.ly | 123 |
12 files changed, 663 insertions, 0 deletions
diff --git a/hr/quartett/mysterium/Mysterium_.ly b/hr/quartett/mysterium/Mysterium_.ly new file mode 100644 index 0000000..3146513 --- /dev/null +++ b/hr/quartett/mysterium/Mysterium_.ly @@ -0,0 +1,64 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + +\version "2.12" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "O magnum mysterium" + composer = "Tomás Luis da Victoria (1548-1611)" + %opus = "<+Werk+>" + tagline = "" + } + + #(set-global-staff-size 15) + #(set-default-paper-size "a4" 'landscape) + %#(ly:set-option 'point-and-click #f) + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 20 + %after-title-space = 20 + %page-count = 4 + ragged-last-bottom = #f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-4 . 4.5) + } + } + + %#(set-global-staff-size 15) + + \score { + \new ChoirStaff << + \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie \bar "||" } + \lyricsto soprane \sopranText + >> + \new Staff = alt << + \new Voice = "alti" { \global \altMelodie } + \lyricsto alti \altText + >> + \new Staff = tenor << + \new Voice = "tenoere" { \global \tenorMelodie } + \lyricsto tenoere \tenorText + >> + \new Staff = bass << + \new Voice = "baesse" { \global \bassMelodie } + \lyricsto baesse \bassText + >> + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + } + diff --git a/hr/quartett/mysterium/Mysterium_.ps b/hr/quartett/mysterium/Mysterium_.ps Binary files differnew file mode 100644 index 0000000..6c62061 --- /dev/null +++ b/hr/quartett/mysterium/Mysterium_.ps diff --git a/hr/quartett/mysterium/dynArt.ly b/hr/quartett/mysterium/dynArt.ly new file mode 100644 index 0000000..b03db14 --- /dev/null +++ b/hr/quartett/mysterium/dynArt.ly @@ -0,0 +1,51 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + s1*5 + s1*4 \break + s1*7 %\break + s1*4 \break + s1*2 + %s1*6 %\break + % + s1*8 \break + s1*9 \break + s1*9 \break + %\pageBreak + s1*4 + s2.*5 \break + s2.*8 \break + s1*8 + %\repeat unfold <+number of parts+> { + %s4*<+number of measures within a part+> + %} + } + +% articulation + + sopranArt = { + %\repeat unfold <+number of parts+> { + %s4*<+number of measures within a part+> + %} + } + + altArt = { + %\repeat unfold <+number of parts+> { + %s4*<+number of measures within a part+> + %} + } + + tenorArt = { + %\repeat unfold <+number of parts+> { + %s4*<+number of measures within a part+> + %} + } + + bassArt = { + %\repeat unfold <+number of parts+> { + %s4*<+number of measures within a part+> + %} + } + diff --git a/hr/quartett/mysterium/midis/alt.midi b/hr/quartett/mysterium/midis/alt.midi Binary files differnew file mode 100644 index 0000000..724f3c3 --- /dev/null +++ b/hr/quartett/mysterium/midis/alt.midi diff --git a/hr/quartett/mysterium/midis/bass.midi b/hr/quartett/mysterium/midis/bass.midi Binary files differnew file mode 100644 index 0000000..fdb0894 --- /dev/null +++ b/hr/quartett/mysterium/midis/bass.midi diff --git a/hr/quartett/mysterium/midis/gesamt.midi b/hr/quartett/mysterium/midis/gesamt.midi Binary files differnew file mode 100644 index 0000000..1d5c8d5 --- /dev/null +++ b/hr/quartett/mysterium/midis/gesamt.midi diff --git a/hr/quartett/mysterium/midis/sopran.midi b/hr/quartett/mysterium/midis/sopran.midi Binary files differnew file mode 100644 index 0000000..ace70c8 --- /dev/null +++ b/hr/quartett/mysterium/midis/sopran.midi diff --git a/hr/quartett/mysterium/midis/tenor.midi b/hr/quartett/mysterium/midis/tenor.midi Binary files differnew file mode 100644 index 0000000..2629774 --- /dev/null +++ b/hr/quartett/mysterium/midis/tenor.midi diff --git a/hr/quartett/mysterium/mysterium.ly b/hr/quartett/mysterium/mysterium.ly new file mode 100644 index 0000000..bad4e61 --- /dev/null +++ b/hr/quartett/mysterium/mysterium.ly @@ -0,0 +1,60 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + +\version "2.12" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "O magnum mysterium" + composer = "Tomás Luis da Victoria (1548-1611)" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 20 + bottom-margin = 30 + after-title-space = 20 + %page-count = 4 + ragged-last-bottom = #f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-4 . 4.5) + } + } + + #(set-global-staff-size 15) + + \score { + \new ChoirStaff << + \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie \bar "||" } + \lyricsto soprane \sopranText + >> + \new Staff = alt << + \new Voice = "alti" { \global \altMelodie } + \lyricsto alti \altText + >> + \new Staff = tenor << + \new Voice = "tenoere" { \global \tenorMelodie } + \lyricsto tenoere \tenorText + >> + \new Staff = bass << + \new Voice = "baesse" { \global \bassMelodie } + \lyricsto baesse \bassText + >> + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + } + diff --git a/hr/quartett/mysterium/mysterium.ps b/hr/quartett/mysterium/mysterium.ps Binary files differnew file mode 100644 index 0000000..4a8dcc5 --- /dev/null +++ b/hr/quartett/mysterium/mysterium.ps diff --git a/hr/quartett/mysterium/stimmen.ly b/hr/quartett/mysterium/stimmen.ly new file mode 100644 index 0000000..535a632 --- /dev/null +++ b/hr/quartett/mysterium/stimmen.ly @@ -0,0 +1,365 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + + \version "2.12" + \include "dynArt.ly" + + global = { + \key g \major + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + } + +% Die Stimmen + + sopranMelodie = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + b'1 + e,2 b'2 ~ + b4 b4 c4 c4 + b2 r4 e4 + c4 d4 e4. e8 + e4 b4 c4 b4( ~ + b8 a8 g8 fis8 g8 a8 b8 g8 + a8 g8 g8 fis16 e16 fis2 ~ + fis2) e2 + gis1 + a2 gis4.( a8 + b4) c4.( b8 a4 ~ + a4 gis4) a4( g8 fis8 + e4) fis4 g2 + r4 e'4 c4 d4 + e4. e8 e4 c4 + a4 b4 c4. c8 + c4 b4. a8 a4( ~ + a4 gis4) a2 + %ut + r1 + r4 c4 b4. gis8 + a4 b4 c4 a4 + c4. c8 c4 c4 + b2 b2 + gis4 b4 b4. b8 + b4 cis4 d2 + c4.( b16 a16 b2 + c2) b2 + r1 + r4 e,4 a2 + g4 e4 fis4( gis4) + a4.( b8 c4) c4 + b2 r2 + r1 + r4 a4 d2 + c4 a4 b4( cis4) + d4.( c8 b8 a8 a4 ~ + a4 gis8 fis8 gis4) gis4 + a2 r2 + %O beata + gis2. gis4 + gis2 a2 + gis4.( a8 b4 c4 ~ + c8 b8 b4. a8 a4) + b4 gis2 gis4 + a4. a8 a2 + r4 a4.( b8 c8 a8 + b4) e4 d2 + c4 e4 d4 b4 + c4.( b8 a8 g8 g8 fis16 e16 + fis4) fis4 e4 b'4 ~ + b4 g2 c4( ~ + c8 b8 a2 gis4) + %Alleluja + \time 3/4 + a2 c4 + b2 gis4 + a4. g8( a8 b8) + c4 b2 + a2 a4 + g2 e4 + fis4. e8( fis8 g8) + a2 gis4 + a2. + r2 d4 + c4.( b8 c8 a8 + b4) g8( a8 b8 c8 + d4) d4 d4 + c4 e2 + %ja + \time 4/4 + e1 + r4 e4 e8( d8 c8 b8 + a4) d4.( c8 b8 a8 + gis4 a2 gis4) + a1 ~ + a1 ~ + a1 ~ + a1 + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + r1 + r2 e2 ~ + e2 a,2 + e'2. e4 + f4 f4 e2 + r4 e4 c4 d4 + e4. e8 e4 b4 + c4 e2( dis8 cis8 + dis2) e2 + e1 + e2 e4.( fis8 + g4) g,4 a4.( b8 + c4) b4 a4 e'4 + e4 d4 b4. b8 + b4 c4. b8 a4( ~ + a4 gis4) a4 a'4 + e4 g4 g4. g8 + g2 e4 f4 + e2 e2 ~ + %ut + e2 r2 + r4 a4 g4. e8 + fis4 gis4 a4 e4 + e4. e8 e4 fis4 + g2 fis2 + e4 g4 g4. g8 + g4 g4 a4 b4( ~ + b8 a8 ~ a2 gis4) + a4 e4 g4.( fis16 g16 + a4 g8 fis8 e4) b4 + r2 r4 a4 + e'2 d4 b4 + c4( d4) e8( d8 e8 fis8 + g4. fis16 g16 a4) g8( fis8) + e2 r4 b4 + e2 d4 b4 + c8( d8 e8 fis8 g2) + a4.( g8 f8 e8 f4 + e2.) e4 + cis2 r2 + %O beata + e2. e4 + e2 e2 + e1 ~ + e1 + e2 r4 e4 ~ + e4 e4 f4. f8 + e4 a,8( b8 c8 d8 e8 fis8 + g4) g4 g2 + e4 e4 fis4 gis4 + a4.( g8 fis8 e8 e4 ~ + e4) dis4 e4 g4( ~ + g8 fis8 e8 d8 e2 + c4) d4 e2 + %Alleluja + \time 3/4 + e2 a4 + g2 e4 + fis4. e8( fis8 g8) + a2 gis4 + a2 e4 + e2 b4 + d2 d4 + e4 e2 + e2 c4 + a2 gis4 + a2 a'4 + g2 e4 + fis4. e8( fis8 g8) + a2 gis4 + %ja + \time 3/4 + a2 r4 e4 + e8( d8 c8 b8 a4) a'4( ~ + a8 g8 f8 e8 d4) f4 + e2 r4 b4 + c4.( d8 e4) f4( ~ + f4 e4 d4. e8 + f2) e2 ~ + e1 + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + \repeat unfold 7 { + r1 + } + r2 b2 ~ + b2 e,2 + b'2. b4 + c4 c4 b2 + r4 e4 c4 d4 + e4. e8 e4 b4 + c4 b4.( a8 g8 fis8 + g2 a2 + b2) c4 e4 + c4 d4 e4. e8 + e4 d4 c4( d4) + b2 a4 c4 + %ut + b4. gis8 a4 b4 + c4 a4 e'4. e8 + d4 b4 a4 c4 + c4. c8 c4 c4 + d4 e2( dis4) + e4 e,4 e'4. e8 + e4 e4 d2 + f2 e2 + r4 a,4 e'2 + d4 b4 cis4( d4) + e8( d8 c8 b8 a8 b8 c8 a8 + b2.) b4 + a2 r4 a4 + e'2 d4 b4 + c4 b4.( a8 g8 fis8 + g4 a2) gis4 + a4 c4 d4( e4) + f4.( e8 d8 c8 d4 + c4 b8 a8 b4) b4 + a2 r2 + %O beata + b2. b4 + b2 c2 + b2.( a4 + b2 c2) + b4 b2 b4 + cis4. cis8 d4 a8( b8 + c8 d8 e2) c4 + d4( c2 b4) + c4 c4 d4 e4 + a,2. c4 + b1 + g1 + a2 b2 + %Alleluja + \time 3/4 + a2 a4 + e'2 e4 + d2 d4 + a4 e'2 + a,2 c4 + b2 g4 + a4. g8( a8 b8) + c4 b2 + a2 e4 + fis4 d2 + e2 c'4 + b2 g4 + a2 a4 + a4 b2 + %ja + \time 4/4 + a4 c4 b8( a8 g8 fis8 + e4) a8( b8 c8 d8 e8 c8 + d4. e8 f8 e8 d8 c8 + b4 a4) b4 e4 + e8( d8 c8 b8 a4) c4( + d4 e4 f4. e8 + d2. cis8 b8) + cis1 + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + \repeat unfold 9 { + r1 + } + e1 + a,2 e'2 ~ + e4 e4 f4 f4 + e2 r4 e4 + c4 d4 e4. e8 + e4 c4 f2 + e2 a,4 a4 + a'4 g4 c,4. c8 + c4 g'4 a4( d,4) + e2 a,4 a'4 + %ut + g4. e8 fis4 gis4 + a2 r2 + r2 r4 a,4 + a'4. a8 a4 a4 + g4.( a8) b2 + e,2 r2 + r1 + r2 r4 e4 + a2 g4 e4 + fis4( g4) a4( g8 fis8 + e4. g8 f4) f4 + e2 r2 + r4 d4 a'2 + g4 e4 fis4( g4) + a4( g8 fis8 e4. d8 + c4 b8 a8 b4) b4 + a4 a'4 g4( e4) + d1( + e2.) e4 + a,2 r2 + %O beata + e'2. e4 + e2 a,2 + e'4.( fis8 gis4 a4 ~ + a8 gis8 gis4 a2) + e4 e2 e4 + a4. a8 d,2 + a'2. a4 + g4( c,4 g'2) + c,2 r2 + r1 + r2 e2 ~ + e2 c2 + f2( e2) + %Alleluja + \time 3/4 + a,2 r4 + r2. + r2. + r2. + r2 a4 + e'2 e4 + d2 d4 + a4 e'2 + a,2 a4 + d4 b2 + a2 a4 + e'2 e4 + d2 d4 + f4 e2 + %ja + \time 4/4 + a,4 a'4 g8( fis8 e8 d8 + c8 b8 a8 g8 a2) + d1( + e1) + a,4 a'4 a8( g8 f8 e8 + d4 cis4) d2 ~ + d2 a2 ~ + a1 + } + >> + } + diff --git a/hr/quartett/mysterium/texte.ly b/hr/quartett/mysterium/texte.ly new file mode 100644 index 0000000..482d0d7 --- /dev/null +++ b/hr/quartett/mysterium/texte.ly @@ -0,0 +1,123 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + +% Abkürzungen + + myst = \lyricmode { + O mag -- num my -- ste -- ri -- um + } + magnum = \lyricmode { + o mag -- num my -- ste -- ri -- um + } + + sacra = \lyricmode { + et ad -- mi -- ra -- bi -- le sa -- cra -- men -- tum, + } + + admirabile = \lyricmode { + et ad -- mi -- ra -- bi -- le, + } + + Animalia = \lyricmode { + ut a -- ni -- ma -- li -- a + } + + viderent = \lyricmode { + vi -- de -- rent Do -- mi -- num na -- tum, + } + + jacentem = \lyricmode { + ja -- cen -- tem in prae -- se -- pi -- o. + } + Jacentem = \lyricmode { + ja -- cen -- tem in prae -- se -- pi -- o, + } + + prae = \lyricmode { + in prae -- se -- pi -- o. + } + + sopA = \lyricmode { + \myst \sacra \magnum \admirabile \sacra + \Animalia \viderent \viderent + \Jacentem \jacentem + } + + altA = \lyricmode { + \myst \sacra \magnum \sacra \sacra + \Animalia \viderent \viderent + ja -- cen -- tem, + \Jacentem \jacentem + } + + tenA = \lyricmode { + \myst \sacra \sacra + ut a -- ni -- ma -- li -- a, + \Animalia \viderent \viderent + \Jacentem \Jacentem \prae + } + + bassA = \lyricmode { + \myst \sacra \sacra + \Animalia \viderent + \Jacentem \Jacentem \prae + } + + virgo = \lyricmode { + O be -- a -- ta vir -- go, + cu -- jus vis -- ce -- ra me -- ru -- e -- runt + } + + portare = \lyricmode { + por -- ta -- re Do -- mi -- num + } + + chr = \lyricmode { + Je -- sum Chri -- stum. + } + + alle = \lyricmode { + Al -- le -- lu -- ja, + Al -- le -- lu -- ja, + } + alleluja = \lyricmode { + Al -- le -- lu -- ja. + } + + sopB = \lyricmode { + \virgo \portare \chr + \alle \alle \alle \alleluja + } + + altB = \lyricmode { + \virgo \portare \chr + \alle \alle \alle \alle \alleluja + } + + tenB = \lyricmode { + \virgo \portare \chr + \alle \alle \alle \alle \alleluja + } + + bassB = \lyricmode { + \virgo \chr + \alle \alle \alle \alleluja + } + +% Die Textaufteilungen + + sopranText = \lyrics { + \sopA \sopB + } + + altText = \lyrics { + \altA \altB + } + + tenorText = \lyrics { + \tenA \tenB + } + + bassText = \lyrics { + \bassA \bassB + } + |