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authorErich Eckner <git@eckner.net>2014-09-10 17:47:07 +0200
committerErich Eckner <git@eckner.net>2014-09-10 17:47:07 +0200
commit49d14358c33b7d0ba7e7c381f91943617c7723ea (patch)
treefd55f0d3900d53978587d2228553359f86e69bbe /hr/quartett/mysterium
parent646f69a657326ca8dd733dfa579a90f89823d677 (diff)
downloadMusik-49d14358c33b7d0ba7e7c381f91943617c7723ea.tar.xz
Hauke eingefügt
Diffstat (limited to 'hr/quartett/mysterium')
-rw-r--r--hr/quartett/mysterium/Mysterium_.ly64
-rw-r--r--hr/quartett/mysterium/Mysterium_.psbin0 -> 784252 bytes
-rw-r--r--hr/quartett/mysterium/dynArt.ly51
-rw-r--r--hr/quartett/mysterium/midis/alt.midibin0 -> 2071 bytes
-rw-r--r--hr/quartett/mysterium/midis/bass.midibin0 -> 1517 bytes
-rw-r--r--hr/quartett/mysterium/midis/gesamt.midibin0 -> 7298 bytes
-rw-r--r--hr/quartett/mysterium/midis/sopran.midibin0 -> 2054 bytes
-rw-r--r--hr/quartett/mysterium/midis/tenor.midibin0 -> 2019 bytes
-rw-r--r--hr/quartett/mysterium/mysterium.ly60
-rw-r--r--hr/quartett/mysterium/mysterium.psbin0 -> 796299 bytes
-rw-r--r--hr/quartett/mysterium/stimmen.ly365
-rw-r--r--hr/quartett/mysterium/texte.ly123
12 files changed, 663 insertions, 0 deletions
diff --git a/hr/quartett/mysterium/Mysterium_.ly b/hr/quartett/mysterium/Mysterium_.ly
new file mode 100644
index 0000000..3146513
--- /dev/null
+++ b/hr/quartett/mysterium/Mysterium_.ly
@@ -0,0 +1,64 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+\version "2.12"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "O magnum mysterium"
+ composer = "Tomás Luis da Victoria (1548-1611)"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ #(set-global-staff-size 15)
+ #(set-default-paper-size "a4" 'landscape)
+ %#(ly:set-option 'point-and-click #f)
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 20
+ %after-title-space = 20
+ %page-count = 4
+ ragged-last-bottom = #f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-4 . 4.5)
+ }
+ }
+
+ %#(set-global-staff-size 15)
+
+ \score {
+ \new ChoirStaff <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie \bar "||" }
+ \lyricsto soprane \sopranText
+ >>
+ \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ \lyricsto alti \altText
+ >>
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \lyricsto tenoere \tenorText
+ >>
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ \lyricsto baesse \bassText
+ >>
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ }
+
diff --git a/hr/quartett/mysterium/Mysterium_.ps b/hr/quartett/mysterium/Mysterium_.ps
new file mode 100644
index 0000000..6c62061
--- /dev/null
+++ b/hr/quartett/mysterium/Mysterium_.ps
Binary files differ
diff --git a/hr/quartett/mysterium/dynArt.ly b/hr/quartett/mysterium/dynArt.ly
new file mode 100644
index 0000000..b03db14
--- /dev/null
+++ b/hr/quartett/mysterium/dynArt.ly
@@ -0,0 +1,51 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s1*5
+ s1*4 \break
+ s1*7 %\break
+ s1*4 \break
+ s1*2
+ %s1*6 %\break
+ %
+ s1*8 \break
+ s1*9 \break
+ s1*9 \break
+ %\pageBreak
+ s1*4
+ s2.*5 \break
+ s2.*8 \break
+ s1*8
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+% articulation
+
+ sopranArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+ altArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+ tenorArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+ bassArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
diff --git a/hr/quartett/mysterium/midis/alt.midi b/hr/quartett/mysterium/midis/alt.midi
new file mode 100644
index 0000000..724f3c3
--- /dev/null
+++ b/hr/quartett/mysterium/midis/alt.midi
Binary files differ
diff --git a/hr/quartett/mysterium/midis/bass.midi b/hr/quartett/mysterium/midis/bass.midi
new file mode 100644
index 0000000..fdb0894
--- /dev/null
+++ b/hr/quartett/mysterium/midis/bass.midi
Binary files differ
diff --git a/hr/quartett/mysterium/midis/gesamt.midi b/hr/quartett/mysterium/midis/gesamt.midi
new file mode 100644
index 0000000..1d5c8d5
--- /dev/null
+++ b/hr/quartett/mysterium/midis/gesamt.midi
Binary files differ
diff --git a/hr/quartett/mysterium/midis/sopran.midi b/hr/quartett/mysterium/midis/sopran.midi
new file mode 100644
index 0000000..ace70c8
--- /dev/null
+++ b/hr/quartett/mysterium/midis/sopran.midi
Binary files differ
diff --git a/hr/quartett/mysterium/midis/tenor.midi b/hr/quartett/mysterium/midis/tenor.midi
new file mode 100644
index 0000000..2629774
--- /dev/null
+++ b/hr/quartett/mysterium/midis/tenor.midi
Binary files differ
diff --git a/hr/quartett/mysterium/mysterium.ly b/hr/quartett/mysterium/mysterium.ly
new file mode 100644
index 0000000..bad4e61
--- /dev/null
+++ b/hr/quartett/mysterium/mysterium.ly
@@ -0,0 +1,60 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+\version "2.12"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "O magnum mysterium"
+ composer = "Tomás Luis da Victoria (1548-1611)"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 20
+ bottom-margin = 30
+ after-title-space = 20
+ %page-count = 4
+ ragged-last-bottom = #f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-4 . 4.5)
+ }
+ }
+
+ #(set-global-staff-size 15)
+
+ \score {
+ \new ChoirStaff <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie \bar "||" }
+ \lyricsto soprane \sopranText
+ >>
+ \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ \lyricsto alti \altText
+ >>
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \lyricsto tenoere \tenorText
+ >>
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ \lyricsto baesse \bassText
+ >>
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ }
+
diff --git a/hr/quartett/mysterium/mysterium.ps b/hr/quartett/mysterium/mysterium.ps
new file mode 100644
index 0000000..4a8dcc5
--- /dev/null
+++ b/hr/quartett/mysterium/mysterium.ps
Binary files differ
diff --git a/hr/quartett/mysterium/stimmen.ly b/hr/quartett/mysterium/stimmen.ly
new file mode 100644
index 0000000..535a632
--- /dev/null
+++ b/hr/quartett/mysterium/stimmen.ly
@@ -0,0 +1,365 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key g \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ b'1
+ e,2 b'2 ~
+ b4 b4 c4 c4
+ b2 r4 e4
+ c4 d4 e4. e8
+ e4 b4 c4 b4( ~
+ b8 a8 g8 fis8 g8 a8 b8 g8
+ a8 g8 g8 fis16 e16 fis2 ~
+ fis2) e2
+ gis1
+ a2 gis4.( a8
+ b4) c4.( b8 a4 ~
+ a4 gis4) a4( g8 fis8
+ e4) fis4 g2
+ r4 e'4 c4 d4
+ e4. e8 e4 c4
+ a4 b4 c4. c8
+ c4 b4. a8 a4( ~
+ a4 gis4) a2
+ %ut
+ r1
+ r4 c4 b4. gis8
+ a4 b4 c4 a4
+ c4. c8 c4 c4
+ b2 b2
+ gis4 b4 b4. b8
+ b4 cis4 d2
+ c4.( b16 a16 b2
+ c2) b2
+ r1
+ r4 e,4 a2
+ g4 e4 fis4( gis4)
+ a4.( b8 c4) c4
+ b2 r2
+ r1
+ r4 a4 d2
+ c4 a4 b4( cis4)
+ d4.( c8 b8 a8 a4 ~
+ a4 gis8 fis8 gis4) gis4
+ a2 r2
+ %O beata
+ gis2. gis4
+ gis2 a2
+ gis4.( a8 b4 c4 ~
+ c8 b8 b4. a8 a4)
+ b4 gis2 gis4
+ a4. a8 a2
+ r4 a4.( b8 c8 a8
+ b4) e4 d2
+ c4 e4 d4 b4
+ c4.( b8 a8 g8 g8 fis16 e16
+ fis4) fis4 e4 b'4 ~
+ b4 g2 c4( ~
+ c8 b8 a2 gis4)
+ %Alleluja
+ \time 3/4
+ a2 c4
+ b2 gis4
+ a4. g8( a8 b8)
+ c4 b2
+ a2 a4
+ g2 e4
+ fis4. e8( fis8 g8)
+ a2 gis4
+ a2.
+ r2 d4
+ c4.( b8 c8 a8
+ b4) g8( a8 b8 c8
+ d4) d4 d4
+ c4 e2
+ %ja
+ \time 4/4
+ e1
+ r4 e4 e8( d8 c8 b8
+ a4) d4.( c8 b8 a8
+ gis4 a2 gis4)
+ a1 ~
+ a1 ~
+ a1 ~
+ a1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ r2 e2 ~
+ e2 a,2
+ e'2. e4
+ f4 f4 e2
+ r4 e4 c4 d4
+ e4. e8 e4 b4
+ c4 e2( dis8 cis8
+ dis2) e2
+ e1
+ e2 e4.( fis8
+ g4) g,4 a4.( b8
+ c4) b4 a4 e'4
+ e4 d4 b4. b8
+ b4 c4. b8 a4( ~
+ a4 gis4) a4 a'4
+ e4 g4 g4. g8
+ g2 e4 f4
+ e2 e2 ~
+ %ut
+ e2 r2
+ r4 a4 g4. e8
+ fis4 gis4 a4 e4
+ e4. e8 e4 fis4
+ g2 fis2
+ e4 g4 g4. g8
+ g4 g4 a4 b4( ~
+ b8 a8 ~ a2 gis4)
+ a4 e4 g4.( fis16 g16
+ a4 g8 fis8 e4) b4
+ r2 r4 a4
+ e'2 d4 b4
+ c4( d4) e8( d8 e8 fis8
+ g4. fis16 g16 a4) g8( fis8)
+ e2 r4 b4
+ e2 d4 b4
+ c8( d8 e8 fis8 g2)
+ a4.( g8 f8 e8 f4
+ e2.) e4
+ cis2 r2
+ %O beata
+ e2. e4
+ e2 e2
+ e1 ~
+ e1
+ e2 r4 e4 ~
+ e4 e4 f4. f8
+ e4 a,8( b8 c8 d8 e8 fis8
+ g4) g4 g2
+ e4 e4 fis4 gis4
+ a4.( g8 fis8 e8 e4 ~
+ e4) dis4 e4 g4( ~
+ g8 fis8 e8 d8 e2
+ c4) d4 e2
+ %Alleluja
+ \time 3/4
+ e2 a4
+ g2 e4
+ fis4. e8( fis8 g8)
+ a2 gis4
+ a2 e4
+ e2 b4
+ d2 d4
+ e4 e2
+ e2 c4
+ a2 gis4
+ a2 a'4
+ g2 e4
+ fis4. e8( fis8 g8)
+ a2 gis4
+ %ja
+ \time 3/4
+ a2 r4 e4
+ e8( d8 c8 b8 a4) a'4( ~
+ a8 g8 f8 e8 d4) f4
+ e2 r4 b4
+ c4.( d8 e4) f4( ~
+ f4 e4 d4. e8
+ f2) e2 ~
+ e1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ \repeat unfold 7 {
+ r1
+ }
+ r2 b2 ~
+ b2 e,2
+ b'2. b4
+ c4 c4 b2
+ r4 e4 c4 d4
+ e4. e8 e4 b4
+ c4 b4.( a8 g8 fis8
+ g2 a2
+ b2) c4 e4
+ c4 d4 e4. e8
+ e4 d4 c4( d4)
+ b2 a4 c4
+ %ut
+ b4. gis8 a4 b4
+ c4 a4 e'4. e8
+ d4 b4 a4 c4
+ c4. c8 c4 c4
+ d4 e2( dis4)
+ e4 e,4 e'4. e8
+ e4 e4 d2
+ f2 e2
+ r4 a,4 e'2
+ d4 b4 cis4( d4)
+ e8( d8 c8 b8 a8 b8 c8 a8
+ b2.) b4
+ a2 r4 a4
+ e'2 d4 b4
+ c4 b4.( a8 g8 fis8
+ g4 a2) gis4
+ a4 c4 d4( e4)
+ f4.( e8 d8 c8 d4
+ c4 b8 a8 b4) b4
+ a2 r2
+ %O beata
+ b2. b4
+ b2 c2
+ b2.( a4
+ b2 c2)
+ b4 b2 b4
+ cis4. cis8 d4 a8( b8
+ c8 d8 e2) c4
+ d4( c2 b4)
+ c4 c4 d4 e4
+ a,2. c4
+ b1
+ g1
+ a2 b2
+ %Alleluja
+ \time 3/4
+ a2 a4
+ e'2 e4
+ d2 d4
+ a4 e'2
+ a,2 c4
+ b2 g4
+ a4. g8( a8 b8)
+ c4 b2
+ a2 e4
+ fis4 d2
+ e2 c'4
+ b2 g4
+ a2 a4
+ a4 b2
+ %ja
+ \time 4/4
+ a4 c4 b8( a8 g8 fis8
+ e4) a8( b8 c8 d8 e8 c8
+ d4. e8 f8 e8 d8 c8
+ b4 a4) b4 e4
+ e8( d8 c8 b8 a4) c4(
+ d4 e4 f4. e8
+ d2. cis8 b8)
+ cis1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ \repeat unfold 9 {
+ r1
+ }
+ e1
+ a,2 e'2 ~
+ e4 e4 f4 f4
+ e2 r4 e4
+ c4 d4 e4. e8
+ e4 c4 f2
+ e2 a,4 a4
+ a'4 g4 c,4. c8
+ c4 g'4 a4( d,4)
+ e2 a,4 a'4
+ %ut
+ g4. e8 fis4 gis4
+ a2 r2
+ r2 r4 a,4
+ a'4. a8 a4 a4
+ g4.( a8) b2
+ e,2 r2
+ r1
+ r2 r4 e4
+ a2 g4 e4
+ fis4( g4) a4( g8 fis8
+ e4. g8 f4) f4
+ e2 r2
+ r4 d4 a'2
+ g4 e4 fis4( g4)
+ a4( g8 fis8 e4. d8
+ c4 b8 a8 b4) b4
+ a4 a'4 g4( e4)
+ d1(
+ e2.) e4
+ a,2 r2
+ %O beata
+ e'2. e4
+ e2 a,2
+ e'4.( fis8 gis4 a4 ~
+ a8 gis8 gis4 a2)
+ e4 e2 e4
+ a4. a8 d,2
+ a'2. a4
+ g4( c,4 g'2)
+ c,2 r2
+ r1
+ r2 e2 ~
+ e2 c2
+ f2( e2)
+ %Alleluja
+ \time 3/4
+ a,2 r4
+ r2.
+ r2.
+ r2.
+ r2 a4
+ e'2 e4
+ d2 d4
+ a4 e'2
+ a,2 a4
+ d4 b2
+ a2 a4
+ e'2 e4
+ d2 d4
+ f4 e2
+ %ja
+ \time 4/4
+ a,4 a'4 g8( fis8 e8 d8
+ c8 b8 a8 g8 a2)
+ d1(
+ e1)
+ a,4 a'4 a8( g8 f8 e8
+ d4 cis4) d2 ~
+ d2 a2 ~
+ a1
+ }
+ >>
+ }
+
diff --git a/hr/quartett/mysterium/texte.ly b/hr/quartett/mysterium/texte.ly
new file mode 100644
index 0000000..482d0d7
--- /dev/null
+++ b/hr/quartett/mysterium/texte.ly
@@ -0,0 +1,123 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+% Abkürzungen
+
+ myst = \lyricmode {
+ O mag -- num my -- ste -- ri -- um
+ }
+ magnum = \lyricmode {
+ o mag -- num my -- ste -- ri -- um
+ }
+
+ sacra = \lyricmode {
+ et ad -- mi -- ra -- bi -- le sa -- cra -- men -- tum,
+ }
+
+ admirabile = \lyricmode {
+ et ad -- mi -- ra -- bi -- le,
+ }
+
+ Animalia = \lyricmode {
+ ut a -- ni -- ma -- li -- a
+ }
+
+ viderent = \lyricmode {
+ vi -- de -- rent Do -- mi -- num na -- tum,
+ }
+
+ jacentem = \lyricmode {
+ ja -- cen -- tem in prae -- se -- pi -- o.
+ }
+ Jacentem = \lyricmode {
+ ja -- cen -- tem in prae -- se -- pi -- o,
+ }
+
+ prae = \lyricmode {
+ in prae -- se -- pi -- o.
+ }
+
+ sopA = \lyricmode {
+ \myst \sacra \magnum \admirabile \sacra
+ \Animalia \viderent \viderent
+ \Jacentem \jacentem
+ }
+
+ altA = \lyricmode {
+ \myst \sacra \magnum \sacra \sacra
+ \Animalia \viderent \viderent
+ ja -- cen -- tem,
+ \Jacentem \jacentem
+ }
+
+ tenA = \lyricmode {
+ \myst \sacra \sacra
+ ut a -- ni -- ma -- li -- a,
+ \Animalia \viderent \viderent
+ \Jacentem \Jacentem \prae
+ }
+
+ bassA = \lyricmode {
+ \myst \sacra \sacra
+ \Animalia \viderent
+ \Jacentem \Jacentem \prae
+ }
+
+ virgo = \lyricmode {
+ O be -- a -- ta vir -- go,
+ cu -- jus vis -- ce -- ra me -- ru -- e -- runt
+ }
+
+ portare = \lyricmode {
+ por -- ta -- re Do -- mi -- num
+ }
+
+ chr = \lyricmode {
+ Je -- sum Chri -- stum.
+ }
+
+ alle = \lyricmode {
+ Al -- le -- lu -- ja,
+ Al -- le -- lu -- ja,
+ }
+ alleluja = \lyricmode {
+ Al -- le -- lu -- ja.
+ }
+
+ sopB = \lyricmode {
+ \virgo \portare \chr
+ \alle \alle \alle \alleluja
+ }
+
+ altB = \lyricmode {
+ \virgo \portare \chr
+ \alle \alle \alle \alle \alleluja
+ }
+
+ tenB = \lyricmode {
+ \virgo \portare \chr
+ \alle \alle \alle \alle \alleluja
+ }
+
+ bassB = \lyricmode {
+ \virgo \chr
+ \alle \alle \alle \alleluja
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ \sopA \sopB
+ }
+
+ altText = \lyrics {
+ \altA \altB
+ }
+
+ tenorText = \lyrics {
+ \tenA \tenB
+ }
+
+ bassText = \lyrics {
+ \bassA \bassB
+ }
+