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authorErich Eckner <git@eckner.net>2014-09-10 17:47:07 +0200
committerErich Eckner <git@eckner.net>2014-09-10 17:47:07 +0200
commit49d14358c33b7d0ba7e7c381f91943617c7723ea (patch)
treefd55f0d3900d53978587d2228553359f86e69bbe /hr/issi
parent646f69a657326ca8dd733dfa579a90f89823d677 (diff)
downloadMusik-49d14358c33b7d0ba7e7c381f91943617c7723ea.tar.xz
Hauke eingefügt
Diffstat (limited to 'hr/issi')
-rw-r--r--hr/issi/amen/amen.ly86
-rw-r--r--hr/issi/amen/dynArt.ly31
-rw-r--r--hr/issi/amen/midi.lua50
-rw-r--r--hr/issi/amen/stimmen.ly216
-rw-r--r--hr/issi/amen/texte.ly60
-rw-r--r--hr/issi/faithful/dynArt.ly21
-rw-r--r--hr/issi/faithful/faithful.ly68
-rw-r--r--hr/issi/faithful/midi.lua50
-rw-r--r--hr/issi/faithful/stimmen.ly121
-rw-r--r--hr/issi/faithful/texte.ly61
-rw-r--r--hr/issi/fix/dynArt.ly114
-rw-r--r--hr/issi/fix/fix.ly76
-rw-r--r--hr/issi/fix/midi.lua50
-rw-r--r--hr/issi/fix/stimmen.ly313
-rw-r--r--hr/issi/fix/texte.ly111
-rw-r--r--hr/issi/gabriella/dynArt.ly57
-rw-r--r--hr/issi/gabriella/gabriella.ly84
-rw-r--r--hr/issi/gabriella/gabriella.midibin0 -> 9458 bytes
-rw-r--r--hr/issi/gabriella/midi.lua54
-rw-r--r--hr/issi/gabriella/midis/a.midibin0 -> 2775 bytes
-rw-r--r--hr/issi/gabriella/midis/b.midibin0 -> 3297 bytes
-rw-r--r--hr/issi/gabriella/midis/s.midibin0 -> 3157 bytes
-rw-r--r--hr/issi/gabriella/midis/t.midibin0 -> 2938 bytes
-rw-r--r--hr/issi/gabriella/stimmen.ly405
-rw-r--r--hr/issi/gabriella/texte.ly137
-rw-r--r--hr/issi/idj/dynArt.ly21
-rw-r--r--hr/issi/idj/idj.ly54
-rw-r--r--hr/issi/idj/idj.midibin0 -> 2784 bytes
-rw-r--r--hr/issi/idj/idj.psbin0 -> 339372 bytes
-rw-r--r--hr/issi/idj/midi.lua50
-rw-r--r--hr/issi/idj/stimmen.ly127
-rw-r--r--hr/issi/idj/texte.ly30
-rw-r--r--hr/issi/issi_burzel.zipbin0 -> 522782 bytes
-rw-r--r--hr/issi/issi_burzel/ailh/a.midibin0 -> 1525 bytes
-rw-r--r--hr/issi/issi_burzel/ailh/b.midibin0 -> 1594 bytes
-rw-r--r--hr/issi/issi_burzel/ailh/s.midibin0 -> 1524 bytes
-rw-r--r--hr/issi/issi_burzel/ailh/satb.midibin0 -> 9366 bytes
-rw-r--r--hr/issi/issi_burzel/ailh/t.midibin0 -> 1661 bytes
-rw-r--r--hr/issi/issi_burzel/eleanor/a.midibin0 -> 3066 bytes
-rw-r--r--hr/issi/issi_burzel/eleanor/b.midibin0 -> 2057 bytes
-rw-r--r--hr/issi/issi_burzel/eleanor/s.midibin0 -> 2723 bytes
-rw-r--r--hr/issi/issi_burzel/eleanor/satb.midibin0 -> 18360 bytes
-rw-r--r--hr/issi/issi_burzel/eleanor/t.midibin0 -> 2483 bytes
-rw-r--r--hr/issi/issi_burzel/silence/a.midibin0 -> 2286 bytes
-rw-r--r--hr/issi/issi_burzel/silence/b.midibin0 -> 2220 bytes
-rw-r--r--hr/issi/issi_burzel/silence/s.midibin0 -> 2403 bytes
-rw-r--r--hr/issi/issi_burzel/silence/satb.midibin0 -> 11211 bytes
-rw-r--r--hr/issi/issi_burzel/silence/t.midibin0 -> 2007 bytes
-rw-r--r--hr/issi/issi_burzel/things/a.midibin0 -> 2880 bytes
-rw-r--r--hr/issi/issi_burzel/things/b.midibin0 -> 2568 bytes
-rw-r--r--hr/issi/issi_burzel/things/s.midibin0 -> 2667 bytes
-rw-r--r--hr/issi/issi_burzel/things/satb.midibin0 -> 10316 bytes
-rw-r--r--hr/issi/issi_burzel/things/t.midibin0 -> 2516 bytes
-rw-r--r--hr/issi/keeps/dynArt.ly21
-rw-r--r--hr/issi/keeps/keeps.ly53
-rw-r--r--hr/issi/keeps/keeps.midibin0 -> 6397 bytes
-rw-r--r--hr/issi/keeps/keeps.zipbin0 -> 91032 bytes
-rw-r--r--hr/issi/keeps/keeps/a.midibin0 -> 1852 bytes
-rw-r--r--hr/issi/keeps/keeps/b.midibin0 -> 1592 bytes
-rw-r--r--hr/issi/keeps/keeps/s.midibin0 -> 2167 bytes
-rw-r--r--hr/issi/keeps/keeps/satb.midibin0 -> 6397 bytes
-rw-r--r--hr/issi/keeps/keeps/t.midibin0 -> 1699 bytes
-rw-r--r--hr/issi/keeps/midi.lua51
-rw-r--r--hr/issi/keeps/stimmen.ly167
-rw-r--r--hr/issi/keeps/texte.ly53
-rw-r--r--hr/issi/krippen/dynArt.ly24
-rw-r--r--hr/issi/krippen/krippen.ly102
-rw-r--r--hr/issi/krippen/krippen.midibin0 -> 3380 bytes
-rw-r--r--hr/issi/krippen/midi.lua50
-rw-r--r--hr/issi/krippen/stimmen.ly86
-rw-r--r--hr/issi/krippen/texte.ly31
-rw-r--r--hr/issi/lion/dynArt.ly26
-rw-r--r--hr/issi/lion/lion.ly71
-rw-r--r--hr/issi/lion/lion.midibin0 -> 12400 bytes
-rw-r--r--hr/issi/lion/lion_midi.ly71
-rw-r--r--hr/issi/lion/midi.lua50
-rw-r--r--hr/issi/lion/midis/a.midibin0 -> 3121 bytes
-rw-r--r--hr/issi/lion/midis/b.midibin0 -> 2840 bytes
-rw-r--r--hr/issi/lion/midis/s.midibin0 -> 3429 bytes
-rw-r--r--hr/issi/lion/midis/t.midibin0 -> 3325 bytes
-rw-r--r--hr/issi/lion/stimmen.ly402
-rw-r--r--hr/issi/lion/stimmen_midi.ly272
-rw-r--r--hr/issi/lion/texte.ly36
-rw-r--r--hr/issi/merry/dynArt.ly36
-rw-r--r--hr/issi/merry/merry.ly63
-rw-r--r--hr/issi/merry/midi.lua50
-rw-r--r--hr/issi/merry/stimmen.ly91
-rw-r--r--hr/issi/merry/texte.ly51
-rw-r--r--hr/issi/schiff/dynArt.ly51
-rw-r--r--hr/issi/schiff/midi.lua50
-rw-r--r--hr/issi/schiff/schiff.ly65
-rw-r--r--hr/issi/schiff/stimmen.ly307
-rw-r--r--hr/issi/schiff/texte.ly62
-rw-r--r--hr/issi/silence/dynArt.ly191
-rw-r--r--hr/issi/silence/midi.lua50
-rw-r--r--hr/issi/silence/midis/a.midibin0 -> 2286 bytes
-rw-r--r--hr/issi/silence/midis/b.midibin0 -> 2220 bytes
-rw-r--r--hr/issi/silence/midis/s.midibin0 -> 2403 bytes
-rw-r--r--hr/issi/silence/midis/satb.midibin0 -> 11211 bytes
-rw-r--r--hr/issi/silence/midis/t.midibin0 -> 2007 bytes
-rw-r--r--hr/issi/silence/silence.ly67
-rw-r--r--hr/issi/silence/silence.midibin0 -> 11211 bytes
-rw-r--r--hr/issi/silence/silence.zipbin0 -> 5649 bytes
-rw-r--r--hr/issi/silence/stimmen.ly369
-rw-r--r--hr/issi/silence/texte.ly126
-rw-r--r--hr/issi/tears/dynArt.ly28
-rw-r--r--hr/issi/tears/midi.lua50
-rw-r--r--hr/issi/tears/midis/a.midibin0 -> 2091 bytes
-rw-r--r--hr/issi/tears/midis/b.midibin0 -> 2454 bytes
-rw-r--r--hr/issi/tears/midis/s.midibin0 -> 1977 bytes
-rw-r--r--hr/issi/tears/midis/t.midibin0 -> 2347 bytes
-rw-r--r--hr/issi/tears/stimmen.ly267
-rw-r--r--hr/issi/tears/tears.ly74
-rw-r--r--hr/issi/tears/tears.midibin0 -> 11072 bytes
-rw-r--r--hr/issi/tears/texte.ly143
-rw-r--r--hr/issi/tears/texte_.ly175
-rw-r--r--hr/issi/things/dynArt.ly64
-rw-r--r--hr/issi/things/full/dynArt.ly59
-rw-r--r--hr/issi/things/full/stimmen.ly478
-rw-r--r--hr/issi/things/full/stimmen_midi.ly497
-rw-r--r--hr/issi/things/full/texte.ly55
-rw-r--r--hr/issi/things/full/things_midi.midibin0 -> 10316 bytes
-rw-r--r--hr/issi/things/midi.lua50
-rw-r--r--hr/issi/things/midis/a.midibin0 -> 2880 bytes
-rw-r--r--hr/issi/things/midis/b.midibin0 -> 2568 bytes
-rw-r--r--hr/issi/things/midis/s.midibin0 -> 2667 bytes
-rw-r--r--hr/issi/things/midis/satb.midibin0 -> 10316 bytes
-rw-r--r--hr/issi/things/midis/t.midibin0 -> 2516 bytes
-rw-r--r--hr/issi/things/stimmen.ly479
-rw-r--r--hr/issi/things/stimmen_midi.ly497
-rw-r--r--hr/issi/things/texte.ly55
-rw-r--r--hr/issi/things/things.ly70
-rw-r--r--hr/issi/things/things_midi.ly65
-rw-r--r--hr/issi/waldemar/a.midibin0 -> 306 bytes
-rw-r--r--hr/issi/waldemar/b.midibin0 -> 244 bytes
-rw-r--r--hr/issi/waldemar/dynArt.ly21
-rw-r--r--hr/issi/waldemar/midi.lua53
-rw-r--r--hr/issi/waldemar/s.midibin0 -> 504 bytes
-rw-r--r--hr/issi/waldemar/stimmen.ly94
-rw-r--r--hr/issi/waldemar/t.midibin0 -> 389 bytes
-rw-r--r--hr/issi/waldemar/texte.ly38
-rw-r--r--hr/issi/waldemar/waldemar.ly71
-rw-r--r--hr/issi/waldemar/waldemar.midibin0 -> 1999 bytes
143 files changed, 9025 insertions, 0 deletions
diff --git a/hr/issi/amen/amen.ly b/hr/issi/amen/amen.ly
new file mode 100644
index 0000000..0ef1d87
--- /dev/null
+++ b/hr/issi/amen/amen.ly
@@ -0,0 +1,86 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Amen"
+ %composer = "<+Komponist+>"
+ arranger = "Norman"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 16)
+
+ sop = \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \voiceOne \sopranMelodie }
+ %\addlyrics { \sopranText }
+ \new Voice = "alti" { \global \voiceTwo \altMelodie }
+ \frauenPausen
+ %\addlyrics { \altText }
+ >>
+
+ ten = \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ <<
+ \new Staff = "solo" { \new Voice = "sopSolo" {\global \soloMelodie } }
+ \new Lyrics \lyricsto "sopSolo" \soloA
+ \new Lyrics \lyricsto "sopSolo" \soloB
+ \new Lyrics \lyricsto "sopSolo" \soloC
+ \new Lyrics \lyricsto "sopSolo" \soloD
+ \new Lyrics \lyricsto "sopSolo" \soloE
+ \new ChoirStaff \with {} <<
+ \sop
+ \new Lyrics \lyricsto "alti" \sopranText
+ %\alt
+ \ten
+ \bas
+ >>
+ \new DrumStaff \with {
+ \consists Bar_engraver
+ drumStyleTable = #percussion-style
+ \override StaffSymbol #'line-count = #1
+ \remove Time_signature_engraver
+ } {
+ <<
+ \drum
+ >>
+ }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/issi/amen/dynArt.ly b/hr/issi/amen/dynArt.ly
new file mode 100644
index 0000000..5830aa2
--- /dev/null
+++ b/hr/issi/amen/dynArt.ly
@@ -0,0 +1,31 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s1*8
+ \repeat volta 2 {
+ s1*7
+ } \alternative {
+ { s2.\> s8\! s8 }
+ { s1 }
+ }
+ s1\pp
+ s1*3
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/issi/amen/midi.lua b/hr/issi/amen/midi.lua
new file mode 100644
index 0000000..58e69da
--- /dev/null
+++ b/hr/issi/amen/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/issi/amen/stimmen.ly b/hr/issi/amen/stimmen.ly
new file mode 100644
index 0000000..21f0bdd
--- /dev/null
+++ b/hr/issi/amen/stimmen.ly
@@ -0,0 +1,216 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key ees \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ frauenPausen = \relative c' {
+ s1 s2. s8 r8
+ s1 s2. s8 r8
+ s1 s4 r4 s2
+ s4 r4 s2
+ s4 r4 r2
+ s1 s2. s8 r8
+ s1 s2. s8 r8
+ s1 s4 r4 s2
+ s4 r4 s2
+ s2. s8 r8
+ }
+
+ soloMelodie = \relative c' {
+ <<
+ % { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ << r1^\markup{ \bold "Rhythmically" } { s2.\tempo 4=88 s4 } >>
+ %<< r1\tempo 4=88 >>
+ r1
+ R1*5
+ r8 bes8\p bes8. bes16 c4 bes4
+ r1
+ ees8. ees16 ees8. ees16 g4 ees4 ~ ees2. r4
+ g8. g16 g8. g16 bes4 g4
+ r1
+ bes8. bes16 bes8. ees16 c4 ees,4
+ r4 g4->( ~ g8 f4.)
+ ees8. bes16 bes8. bes16 c4 bes4
+ ees8 bes8 bes8 bes8 c4 bes4
+ r1
+ r2 bes'8^\markup{ \italic "freely" } bes8 bes8 ees8
+ c4( ees,4) g4( \appoggiatura {fis8} g4 g2.\fermata) r4
+ }
+ >>
+ }
+
+ sopA = \relative c' {
+ ees2( ~ ees8. c16 bes4) ees2. ~ ees8 s8
+ g2( ~ g8. f16 ees4) g2. ~ g8 s8
+ bes2( ~ bes8. aes16 g4) bes4
+ s4 aes2 g4 s4 g8( f4.)
+ }
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ { s1\p }
+ {
+ \sopA
+ ees4 s4 s2
+ \sopA
+ ees2. ~ ees8 s8
+ ees1 ~ ees8 ees8 ees8 ees8 f4 ees4
+ s1*3
+ }
+ >>
+ }
+
+ altA = \relative c' {
+ ees2( ~ ees8. c16 bes4) ees2. ~ ees8 s8
+ g2( ~ g8. f16 ees4) g2. ~ g8 s8
+ g2( ~ g8. f16 ees4) g4
+ s4 f2 ees4 s4 ees8( d4.)
+ }
+ altB = \relative c' {
+ bes2( ~ bes8. c16 bes4) bes2. ~ bes8 s8
+ ees2( ~ ees8. c16 bes4) ees2. ~ ees8 s8
+ g2( ~ g8. f16 ees4) g4
+ s4 f2 ees4 s4 ees8( d4.)
+ }
+
+ altMelodie = \relative c' {
+ <<
+ % { \meta }
+ %\altArt
+ %the actual tune
+ {
+ \altA
+ bes4 s4 s2
+ \altB
+ bes2. ~ bes8 s8
+ bes1( c8) c8 c8 c8 d4 \set melismaBusyProperties = #'() c4(
+ bes1 ~ bes1 ~ bes2.\fermata) s4
+ }
+ >>
+ }
+
+ tenA = \relative c' {
+ r1
+ r1
+ ees2( ~ ees8. c16 bes4) ees2. ~ ees8 r8
+ ees2( ~ ees8. c16 bes4) ees4
+ r4 c2 bes4 r4 bes8( aes4.)
+ }
+
+ tenB = \relative c' {
+ g2( ~ g8. aes16 g4) g2. ~ g8 r8
+ bes2( ~ bes8. aes16 g4) bes2. ~ bes8 r8
+ ees2( ~ ees8. c16 bes4) ees4
+ r4 c2 bes4 r4 bes8( aes4.)
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ { s1 s1 s1\p }
+ {
+ \tenA
+ g4 r4 r2
+ \tenB
+ g2. ~ g8 r8
+ g1( aes8) aes8 aes8 aes8 bes4 aes4(
+ g1 ~ g1 ~ g2.\fermata) r4
+ }
+ >>
+ }
+
+ basA = \relative c {
+ r1
+ r1
+ r1
+ r1
+ ees1 ees4 r4 aes,2 bes4 r4 bes2 ees4 r4 r2
+ }
+ basB = \relative c {
+ ees1 ees2. ~ ees8 r8
+ ees1 ees2. ~ ees8 r8
+ ees1 ees4 r4
+ <<
+ <<
+ {
+ ees2 bes4 s4 bes2
+ } \\
+ {
+ aes2 bes4 s4 bes2
+ }
+ >>
+ {
+ s2 s4 r4 s2
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ { s1 s1 s1 s1 s1\p }
+ {
+ \basA
+ \basB
+ <<
+ <<
+ {
+ c2. ~ c8 s8
+ c1 ~ c8 c8 c8 c8 d4 c4( g1 ~ g1 ~ g2.\fermata) s4
+ } \\
+ {
+ c2. ~ c8 s8
+ c1( f,8) f8 f8 f8 f4 f4( c1 ~ c1 ~ c2.\fermata) s4
+ }
+ >>
+ {
+ s2. s8 r8
+ s1
+ s1
+ s1
+ s1
+ s2. r4
+ }
+ >>
+ }
+ >>
+ }
+
+ drum = \new DrumVoice \with { } {
+ \drummode {
+ \repeat unfold 8 {
+ bd4 bd8. bd16 bd4 bd8. bd16
+ }
+ \repeat unfold 8 {
+ bd4 bd8. bd16 bd4 bd8. bd16
+ }
+ bd4 r4 r2
+ r1
+ r1
+ r1
+ << { \override Staff.NoteHead #'style = #'harmonic bd2.:32 r4 } { s4.\< s4.\> s4\!} >>
+ \bar "|."
+ }
+ }
+
diff --git a/hr/issi/amen/texte.ly b/hr/issi/amen/texte.ly
new file mode 100644
index 0000000..6fcd204
--- /dev/null
+++ b/hr/issi/amen/texte.ly
@@ -0,0 +1,60 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ soloA = \lyrics {
+ The pret -- ty ba -- by
+ Ma -- ry had a ba -- by.
+ Ma -- ry had a ba -- by.
+ Ma -- ry had a ba -- by.
+ A -- men. The pret -- ty ba -- by.
+ men. The pret -- ty ba -- by.
+ Ma -- ry had a ba -- by.
+ }
+ soloB = \lyrics {
+ _ _ _ _ _
+ _ She named him Je -- sus.
+ _ She named him Je -- sus.
+ _ She named him Je -- sus.
+ }
+ soloC = \lyrics {
+ _ _ _ _ _
+ Wrapped him in _ swad -- dlin’.
+ Wrapped him in _ swad -- dlin’.
+ Wrapped him in _ swad -- dlin’.
+ }
+ soloD = \lyrics {
+ _ _ _ _ _
+ Laid him in a man -- ger.
+ Laid him in a man -- ger.
+ Laid him in a man -- ger.
+ }
+ soloE = \lyrics {
+ _ _ _ _ _
+ An -- gels watch -- in’ o -- ver.
+ An -- gels watch -- in’ o -- ver.
+ An -- gels watch -- in’ o -- ver.
+ }
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ A -- men. A -- men. A -- men. A -- men. A -- men.
+ A -- men. A -- men. A -- men. A -- men. A -- men.
+ men.
+ The pret -- ty ba -- by hum.
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/issi/faithful/dynArt.ly b/hr/issi/faithful/dynArt.ly
new file mode 100644
index 0000000..30423d4
--- /dev/null
+++ b/hr/issi/faithful/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/issi/faithful/faithful.ly b/hr/issi/faithful/faithful.ly
new file mode 100644
index 0000000..dcb25db
--- /dev/null
+++ b/hr/issi/faithful/faithful.ly
@@ -0,0 +1,68 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "O come, all ye faithful"
+ composer = "unknown"
+ arranger = "David Willicocks"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ sop = \new Staff = sopran <<
+ \frauenPausen
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \voiceOne \sopranMelodie }
+ %\addlyrics { \sopranText }
+ \new Voice = "alti" { \global \voiceTwo \altMelodie }
+ \addlyrics { \comeText }
+ \addlyrics { \kommtText }
+ \addlyrics { \adesteText }
+ \addlyrics { \doodapText }
+ >>
+
+ ten = \new Staff = tenor <<
+ \maennerPausen
+ \new Voice = "tenoere" { \global \voiceOne \tenorMelodie }
+ %\addlyrics { \tenorText }
+ \new Voice = "baesse" { \global \voiceTwo \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \sop
+ %\alt
+ \ten
+ %\bas
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/issi/faithful/midi.lua b/hr/issi/faithful/midi.lua
new file mode 100644
index 0000000..58e69da
--- /dev/null
+++ b/hr/issi/faithful/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/issi/faithful/stimmen.ly b/hr/issi/faithful/stimmen.ly
new file mode 100644
index 0000000..11e9c33
--- /dev/null
+++ b/hr/issi/faithful/stimmen.ly
@@ -0,0 +1,121 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key g \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ \partial 4
+ }
+
+% Die Stimmen
+
+ frauenPausen = {
+ s4
+ s1*7
+ s2. r4
+ }
+
+ maennerPausen = {
+ s4
+ s1*7
+ s2. r4
+ s1*3
+ s2. r4
+ r1
+ %r2 r4 s4
+ }
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ g4
+ g2 d4 g4 a2 d,2
+ d'4 d4 d4 e4 d2 d4 b4
+ b4( cis4) d4 a4 a2 d4 d,4
+ a'2( g4.) fis8 fis2. s4
+ d'2 c4 b4 c2 b2
+ d4 d4 e4 e4 a,2 a4 r4
+ r1
+ r2 r4 d4 d1 ~ d2. d8( e8)
+ fis4 e4 d4 c4 c4( b2) g4
+ d'2( c4.) b8 b1
+ \bar "||"
+ }
+ >>
+ }
+
+ altMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ g4
+ g2 d4 g4 a2 d,2
+ b'4 a4 b4 c4 b2 a4 g4
+ g2 fis4 e4 fis4( g4) a4 b4
+ fis2( e4.) d8 d2. s4
+ d'2 c4 b4 c2 b2
+ a4 b4 g4 a4 fis2 d4 g4
+ g4 fis4 g4 a4 g2 d4
+ b'4 b4 a4 b4 c4 b2 a4
+ b4 c4 b4 a4 g4 fis2 g4( c4)
+ b2( a4.) g8 g1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ g4
+ g2 d4 g4 a2 d,2
+ g4 a4 g4 g4 g2 fis4 g4
+ g2 a4 a4 a4( g4) fis4 e4
+ d2( cis4.) d8 d2. s4
+ d'2 c4 b4 c2 b2
+ a4 g4 b4 c4 a2 fis4 s4
+ s1
+ r2 r4 g4
+ g4 fis4 g4 a4 g2 fis4 g4
+ a4 g4 fis4 e4 d4( dis4) e8( fis8 g4)
+ g4( e4 fis4.) g8 g1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c' {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ %\clef bass
+ {
+ g4
+ g2 d4 g4 a2 d,2
+ g4 fis4 g4 c,4 d2 d4 e4
+ e2 d4 cis4 d2 d4 g,4
+ a2 ~ a4. d8 d2. s4
+ d'2 c4 b4 c2 b2
+ fis4 g4 e4 c4 d2 d4 s4
+ s1
+ r1
+ r1
+ r2 r4 g4
+ a4 g4 fis4 e4 d4( dis4) e2
+ d2 ~ d4. g8 g1
+ }
+ >>
+ }
+
diff --git a/hr/issi/faithful/texte.ly b/hr/issi/faithful/texte.ly
new file mode 100644
index 0000000..bae3a2d
--- /dev/null
+++ b/hr/issi/faithful/texte.ly
@@ -0,0 +1,61 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ comeText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ O come, all ye faith -- ful,
+ Joy -- ful and tri -- um -- phant,
+ O come ye, O come ye to Beth -- le -- hem;
+ Come and be -- hold him
+ Born the King of An -- gels;
+ O come, let us a -- dore him,
+ O come, let us a -- dore him,
+ O come, let us a -- dore him,
+ Christ the Lord!
+ }
+
+ kommtText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ Kommt, sin -- get dem Her -- ren,
+ o ihr En -- gels -- chö -- re;
+ froh -- lok -- ket ihr Se -- li -- gen,
+ Eh~re sei Gott.
+ Eh -- re sei Gott im Him -- mel und auf Er -- den.
+ O las -- set uns an -- be -- ten
+ O las -- set uns an -- be -- ten
+ O las -- set uns an -- be -- ten
+ den Kö -- nig, den Herrn.
+ }
+
+ adesteText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ Ad -- es -- te fi -- de -- les
+ lae -- ti tri -- um -- phan -- tes;
+ ve -- ni -- te, ve -- ni -- te in Beth -- le -- hem.
+ Na -- tum vi -- de -- te
+ Re -- gem an -- ge -- lo -- rum.
+ Ve -- ni -- te ad -- o -- re -- mus
+ Ve -- ni -- te ad -- o -- re -- mus
+ Ve -- ni -- te ad -- o -- re -- mus
+ Do -- mi -- num.
+ }
+
+ doodapText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ _
+ Doo -- dap
+ doop doo -- dap
+ doo -- dap doop doop doo -- dap
+ doop doo -- dap doop doo -- dap
+ doop doo -- oo dap;
+ doo -- dap doop doo -- dap
+ doo -- dap doo -- dap doo -- dap.
+ O come let us a -- dore him,
+ O come, let us a -- dore him,
+ O come, let us a -- dore him,
+ Christ the Lord!
+ }
+
diff --git a/hr/issi/fix/dynArt.ly b/hr/issi/fix/dynArt.ly
new file mode 100644
index 0000000..07e4b53
--- /dev/null
+++ b/hr/issi/fix/dynArt.ly
@@ -0,0 +1,114 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s1*8 \break
+ s1*8 \break
+ s1*8 \break
+ s1*8 \break
+ s1*8 \break
+ s1*8 \break
+ s1*8 \break
+ }
+
+% articulation
+
+ choirArt = {
+ s1*2
+ s1
+ s1*3
+ s1*2
+ s1\p
+ s1*7
+ s1\p
+ s1*7
+ s1\mf
+ s1*3
+ s1\p
+ s1
+ s4\< s2 s4\!
+ s4\> s2\! s4
+ s1*16
+ s1\p
+ s1*5
+ s1\pp
+ s4-> s2.
+ }
+
+ sopranArt = << \choirArt {
+ s1*2
+ s1\p
+ s1*3
+ s1*2
+ s1*8
+ s1*8
+ s1*2
+ s2. s4--
+ s1*5
+ s1*16
+ s1*8
+ } >>
+
+ altArt = << \choirArt {
+ s1*2
+ s1\p
+ s1*3
+ s1*2
+ s1*8
+ s1*8
+ s1*2
+ s2. s4--
+ s1*5
+ s1*16
+ s1*8
+ } >>
+
+ tenorArt = << \choirArt {
+ s1*2
+ s1\p
+ s1*3
+ s1*2
+ s1*8
+ s1*8
+ s1*2
+ s2. s4--
+ s1*5
+ s1*2
+ s4\< s2 s4\!
+ s4\> s2\! s4
+ s1*6
+ s2. s4--
+ s1
+ s1\pp
+ s1*3
+ s1*8
+ } >>
+
+ bassArt = << \choirArt {
+ s1
+ s2 s2\p
+ s1*3
+ s2 s2->
+ s1*2
+ s1*5
+ s2 s2->
+ s1*2
+ s1*8
+ s1*5
+ s2 s2->
+ s1*2
+ s1*2
+ s4\< s2 s4\!
+ s4\> s2\! s4
+ s1*6
+ s2. s4--
+ s1
+ s1\pp
+ s2 s2->
+ s1*2
+ s1*5
+ s2 s2->
+ s1*2
+ } >>
+
diff --git a/hr/issi/fix/fix.ly b/hr/issi/fix/fix.ly
new file mode 100644
index 0000000..51d9489
--- /dev/null
+++ b/hr/issi/fix/fix.ly
@@ -0,0 +1,76 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Fix me, Jesus"
+ %composer = "<+Komponist+>"
+ arranger = "Hall Johnson"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 18)
+
+ sop = \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ \addlyrics { \sopranText }
+ >>
+ alt = \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ \addlyrics { \altText }
+ >>
+ ten = \new Staff = tenor \with { printPartCombineTexts = ##f } <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \new Lyrics \lyricsto "tenoere" { \tenorText }
+ >>
+ bas = \new Staff = bass \with { printPartCombineTexts = ##f } <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ \addlyrics { \bassText }
+ >>
+ \score {
+ <<
+ \new Staff = sopranSolo { \global \sopSolo } \addlyrics \sopSoloText
+ \new Staff = baritonSolo { \global \barSolo } \addlyrics \barSoloText
+ \new ChoirStaff \with {} <<
+ \sop
+ \alt
+ \ten
+ \bas
+ >>
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ \context {
+ \Staff \RemoveEmptyStaves
+ }
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'remove-first = ##t
+ }
+ }
+ }
+
diff --git a/hr/issi/fix/midi.lua b/hr/issi/fix/midi.lua
new file mode 100644
index 0000000..58e69da
--- /dev/null
+++ b/hr/issi/fix/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/issi/fix/stimmen.ly b/hr/issi/fix/stimmen.ly
new file mode 100644
index 0000000..32e12a2
--- /dev/null
+++ b/hr/issi/fix/stimmen.ly
@@ -0,0 +1,313 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key f \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 2/2
+ %\autoBeamOff
+ \override BreathingSign #'text = \markup {
+ \musicglyph #"scripts.caesura.curved"
+ }
+ }
+
+% Die Stimmen
+
+ sopSolo = \relative c' {
+ <<
+ { \meta }
+ %\soloArt
+ %the actual tune
+ {
+ f2.(\p^\markup{ \bold "Slow, but strict" } a4) g4 f2 r4
+ c'2.( f4) d4 c2 r4
+ f,2.( a4) g4 f2 r4
+ f4 f4 d4 f4 g4 f2 r4
+ \repeat unfold 8 { r1 }
+ %\repeat unfold 2 {
+ a4\mp a4 a4 f4 a4 a4 f2 ~
+ f1 r1
+ a4 a4 a4 f4 a4 a4 f2 ~
+ f1 r1
+ %}
+ r1
+ r1
+ s1*6
+ %c'2.( f4) d4 c2 r4
+ %f,2.( a4) g4 f2 r4
+ %f4 f4 d4 f4 g4 f2 r4
+ f'2(\p e2 d2 a2)
+ f4\< f4 d4 f4\! g4\> f2\! r4
+ f'2(\p e2 d2 a2)
+ f4 f4 d4 f4 g4 f2 r4
+ \repeat unfold 8 { r1 }
+ f2.(\mp a4) g4 f2 r4
+ c'2.( f4\fermata) d4 c2 r4
+ f,2.( a4) g4 f2 r4
+ f4\pp f4 d4 f4\breathe g4 f2 r4
+ }
+ >>
+ }
+ barSolo = \relative c' {
+ <<
+ { \meta }
+ %\soloArt
+ %the actual tune
+ {
+ \clef "bass"
+ \repeat unfold 32 { r1 }
+ a4\p a4 a4 f4 a4 a4 f2 ~
+ f1 r1
+ a4\p a4 a4 f4 a4 a4 f2 ~
+ f1 r1
+ \repeat unfold 16 { r1 }
+ }
+ >>
+ }
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ \sopranArt
+ %the actual tune
+ {
+ r1
+ r1
+ c2.( f4 d4 c2) r4
+ f,2.( a4 g4 f2) r4
+ f4( f4 d4 f4 g4 f2) r4
+ \repeat unfold 2 {
+ f2.( a4) g4 f2 r4
+ c'2.( f4) d4 c2 r4
+ f,2.( a4) g4 f2 r4
+ f4 f4 d4 f4 g4 f2 r4
+ } \alternative {
+ \repeat unfold 2 {
+ <<
+ {
+ \voiceOne
+ f'2( e2 d2 a2)
+ }
+ \new Voice {
+ \voiceTwo
+ a4( a4 a4 f4 a4 a4 f2)
+ }
+ >>
+ \oneVoice
+ f4 f4 d4 f4 g4 f2 r4
+ }
+ {
+ }
+ }
+ \repeat unfold 4 { r1 }
+ \repeat unfold 12 { r1 }
+ f2.( a4 g4 f2) r4
+ c'2.( f4\fermata d4 c2) r4
+ f,2.( a4 g4 f2) r4
+ f4 f4 d4 f4\breathe g4 f2 r4
+ \bar "|."
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ \altArt
+ %the actual tune
+ {
+ r1
+ r1
+ f2.( a4 gis4 a2) r4
+ d,2.( f4 e4 d2) r4
+ d4( d4 d4 d4 e4 c2) r4
+ \repeat unfold 2 {
+ c2.( e4) d4 c2 r4
+ f2.( a4) gis4 a2 r4
+ d,2.( f4) e4 d2 r4
+ d4 d4 d4 d4 e4 c2 r4
+ } \alternative {
+ \repeat unfold 2 {
+ c2( cis2 d2 ees2)
+ d4 d4 d4 d4 e4 c2 r4
+ }
+ {
+ }
+ }
+ \repeat unfold 4 { r1 }
+ \repeat unfold 12 { r1 }
+ c2.( e4 d4 c2) r4
+ f2.( a4\fermata gis4 a2) r4
+ d,2.( f4 e4 d2) r4
+ d4 d4 d4 d4\breathe e4 c2 r4
+ }
+ >>
+ }
+
+ tenorAMelodie = \relative c' {
+ <<
+ { \meta }
+ \tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ \global
+ r1
+ r1
+ c2.( f4 f4 f2) r4
+ a,2.( c4 bes4 a2) r4
+ bes4( a4 g4 a4 bes4 a2) r4
+ \repeat unfold 2 {
+ a2.( c4) bes4 a2 r4
+ c2.( f4) f4 f2 r4
+ a,2.( c4) bes4 a2 r4
+ bes4 a4 g4 a4 bes4 a2 r4
+ } \alternative {
+ \repeat unfold 2 {
+ a2( bes2 b2 c2)
+ bes4 a4 g4 a4 bes4 a2 r4
+ }
+ {
+ }
+ }
+ c2( cis2 d2 ees2)
+ bes4 a4 g4 a4 bes4 a2 r4
+ c2( cis2 d2 ees2)
+ bes4 a4 g4 a4 bes4 a2 r4
+ a2.( c4) bes4 a2 r4
+ c2.( f4) d4 s2 s4
+ a2.( c4) bes4 a2 r4
+ bes4 a4 g4 a4 bes4 a2 r4
+ a2.( c4 bes4 a2) r4
+ c2.( f4\fermata f4 f2) r4
+ a,2.( c4 bes4 a2) r4
+ bes4 a4 g4 a4\breathe bes4 a2 r4
+ }
+ >>
+ }
+
+ tenorBMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ \global
+ r1
+ r1
+ a2.( c4 b4 c2) r4
+ f,2.( a4 g4 f2) r4
+ f4( f4 d4 f4 g4 f2) r4
+ \repeat unfold 2 {
+ f2.( a4) g4 f2 r4
+ a2.( c4) b4 c2 r4
+ f,2.( a4) g4 f2 r4
+ f4 f4 d4 f4 g4 f2 r4
+ } \alternative {
+ \repeat unfold 2 {
+ a4( a4 a4 f4 a4 a4 f2)
+ f4 f4 d4 f4 g4 f2 r4
+ }
+ {
+ }
+ }
+ a2( bes2 b2 c2)
+ f,4 f4 d4 f4 g4 f2 r4
+ a2( bes2 b2 c2)
+ f,4 f4 d4 f4 g4 f2 r4
+ f2.( a4) g4 f2 r4
+ a2.( c4) b4 c2 r4
+ f,2.( a4) g4 f2 r4
+ f4 f4 d4 f4 g4 f2 r4
+ f2.( a4 g4 f2) r4
+ a2.( c4\fermata b4 c2) r4
+ f,2.( a4 g4 f2) r4
+ f4 f4 d4 f4\breathe g4 f2 r4
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ << {
+ \tenorAMelodie
+ } {
+ \tenorBMelodie
+ } >>
+ }
+
+ bassAMelodie = \relative c {
+ \repeat unfold 2 {
+ a'2.( f4 a2 f2)
+ d4 d4 d4 d4 e4 c2 r4
+ }
+ c2.( e4)
+ d4 c4
+ d4 c4
+ %\voiceOne
+ f2.( a4)
+ gis4 a2 r4
+ d,2.( f4) e4 d2 r4
+ %\oneVoice
+ d4 d4 d4 d4 e4 c2
+ }
+ bassBMelodie = \relative c {
+ \repeat unfold 2 {
+ f1( ~ f2 f,2)
+ bes4 bes4 b4 b4 c4 f,2 r4
+ }
+ f1
+ f4 f4
+ d'4 c4
+ %\voiceTwo
+ f1
+ f4 f4 f4 e4
+ d1
+ cis4 d4 c2
+ %\oneVoice
+ bes4 bes4 b4 b4 c4 f,2
+ }
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ \bassArt
+ %the actual tune
+ {
+ \clef bass
+ r1
+ r2 d4( c4
+ f1 f4 f4 f4 e4)
+ d1( cis4 d4 c2)
+ bes4( bes4 b4 b4 c4 <c f,>2) r4
+ \repeat unfold 2 {
+ f1 f4 f4 d4 c4
+ f1 f4 f4 f4 e4
+ d1 cis4 d4 c2
+ bes4 bes4 b4 b4 c4 <c f,>2 r4
+ } \alternative {
+ \repeat unfold 2 {
+ <<
+ \new Voice { \voiceOne f1 ~ f1 }
+ { \voiceTwo f1( ~ f2 f,2) }
+ >>
+ \oneVoice
+ bes4 bes4 b4 b4 c4 <c f,>2 r4
+ }
+ {
+ }
+ }
+ << \new Voice {
+ \voiceOne \bassAMelodie
+ } {
+ \voiceTwo \bassBMelodie
+ } >>
+ r4
+ f1( f4 f4 d4 c4)
+ f1\fermata( f4 f4 f4 e4)
+ d1( cis4 d4 c2)
+ bes4 bes4 b4 b4\breathe c4 <c f,>2 r4
+ }
+ >>
+ }
+
diff --git a/hr/issi/fix/texte.ly b/hr/issi/fix/texte.ly
new file mode 100644
index 0000000..cc39c43
--- /dev/null
+++ b/hr/issi/fix/texte.ly
@@ -0,0 +1,111 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+ hmmOne = \lyricmode {
+ Hmm
+ Hmm
+ Hmm
+ }
+ hmmTwo = \lyricmode {
+ Hmm
+ Fix me, Je -- sus, fix me.
+ }
+ fixOne = \lyricmode {
+ Oh, fix me,
+ Oh, fix me,
+ Oh, fix me,
+ fix me, Je -- sus, fix me.
+ }
+ fixTwo = \lyricmode {
+ Oh, fix me,
+ Oh, fix me,
+ Oh, fix me.
+ Fix me, Je -- sus, fix me.
+ }
+
+% Die Textaufteilungen
+
+ sopSoloText = \lyrics {
+ \fixOne
+ Fix me for my long, white robe,
+ fix me for my sta -- ry crown.
+ %Oh, fix me,
+ %Oh, fix me.
+ %Fix me, Je -- sus, fix me.
+ \hmmTwo
+ \hmmTwo
+ \fixTwo
+ }
+
+ barSoloText = \lyrics {
+ Fix me for my dy -- in’ bed.
+ Fix me for my dy -- in’ bed.
+ }
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ \hmmOne
+ Oh, fix me,
+ Oh, Fix me,
+ Oh, fix me,
+ fix me, Je -- sus, fix me.
+ \hmmTwo
+ \hmmTwo
+ \fixTwo
+ \hmmOne
+ Fix me, Je -- sus, fix me.
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ \hmmOne
+ \fixOne
+ \hmmTwo
+ \hmmTwo
+ \fixTwo
+ \hmmOne
+ Fix me, Je -- sus, fix me.
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ \hmmOne
+ \fixOne
+ \hmmTwo
+ \hmmTwo
+ \fixTwo
+ \hmmTwo
+ \hmmTwo
+ \fixTwo
+ \hmmOne
+ Fix me, Je -- sus, fix me.
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ Hmm
+ Hmm
+ Hmm
+ Oh, fix me, Je -- sus,
+ Oh, fix me, _ _
+ Oh, fix me, _
+ fix me, Je -- sus, fix me.
+ \hmmTwo
+ \hmmTwo
+ Oh, fix me, Je -- sus,
+ Oh, fix me, Je -- sus,
+ Oh, fix me, Lord.
+ Fix me, Je -- sus, fix me.
+ \hmmTwo
+ \hmmTwo
+ Oh, fix me, Je -- sus,
+ %\set associatedVoice = "snd"
+ Oh, fix me, Je -- sus,
+ Oh, fix me. Lord.
+ %\set associatedVoice = "baesse"
+ Fix me, Je -- sus, fix me.
+ \hmmOne
+ Fix me, Je -- sus, fix me.
+ }
+
diff --git a/hr/issi/gabriella/dynArt.ly b/hr/issi/gabriella/dynArt.ly
new file mode 100644
index 0000000..56780ba
--- /dev/null
+++ b/hr/issi/gabriella/dynArt.ly
@@ -0,0 +1,57 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s1*6
+ \break
+ s1
+ %
+ s1
+ s1*8
+ \break
+ %
+ s1*8
+ \break
+ %
+ s1*6
+ \break
+ s1*5
+ \break
+ %
+ s1*7
+ \break
+ s1
+ %
+ s1*4
+ \break
+ s1*4
+ \break
+ s1*4
+ %
+ s1*4
+ \break
+ s1*4
+ \break
+ s1*4
+ \break
+ %
+ s1*5
+ \break
+ s1*4
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/issi/gabriella/gabriella.ly b/hr/issi/gabriella/gabriella.ly
new file mode 100644
index 0000000..7c5aa35
--- /dev/null
+++ b/hr/issi/gabriella/gabriella.ly
@@ -0,0 +1,84 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Gabriellas Lied"
+ composer = "Stefan Nilsson"
+ translator = "Franz Nono Schreiner"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \RemoveEmptyStaves
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ \override VerticalAxisGroup #'remove-first = ##t
+ }
+ }
+
+ #(set-global-staff-size 17)
+
+ melody = \new Staff = mel <<
+ \new Voice = "solo" { \global \aSolo }
+ \addlyrics { \soloTxt }
+ >>
+ sop = \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \voiceOne \sopranMelodie }
+ %\addlyrics { \sopranText }
+ \new Voice = "alti" { \global \voiceTwo \altMelodie }
+ \addlyrics { \altText }
+ >>
+
+ alt = \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ >>
+
+ bas = \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ \addlyrics { \bassText }
+ >>
+
+ \score {
+ \new GrandStaff \with {} <<
+ \melody
+ \new ChoirStaff \with {} <<
+ \sop
+ %\alt
+ \ten
+ \bas
+ >>
+ >>
+ %{
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ %}
+ % {
+ \layout {
+ }
+ %}
+ }
+
diff --git a/hr/issi/gabriella/gabriella.midi b/hr/issi/gabriella/gabriella.midi
new file mode 100644
index 0000000..cad3720
--- /dev/null
+++ b/hr/issi/gabriella/gabriella.midi
Binary files differ
diff --git a/hr/issi/gabriella/midi.lua b/hr/issi/gabriella/midi.lua
new file mode 100644
index 0000000..f17faba
--- /dev/null
+++ b/hr/issi/gabriella/midi.lua
@@ -0,0 +1,54 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ <<
+ \new Staff {
+ \global \aSolo
+ }
+ \new Staff <<
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/issi/gabriella/midis/a.midi b/hr/issi/gabriella/midis/a.midi
new file mode 100644
index 0000000..079d9ef
--- /dev/null
+++ b/hr/issi/gabriella/midis/a.midi
Binary files differ
diff --git a/hr/issi/gabriella/midis/b.midi b/hr/issi/gabriella/midis/b.midi
new file mode 100644
index 0000000..53ac18b
--- /dev/null
+++ b/hr/issi/gabriella/midis/b.midi
Binary files differ
diff --git a/hr/issi/gabriella/midis/s.midi b/hr/issi/gabriella/midis/s.midi
new file mode 100644
index 0000000..7288639
--- /dev/null
+++ b/hr/issi/gabriella/midis/s.midi
Binary files differ
diff --git a/hr/issi/gabriella/midis/t.midi b/hr/issi/gabriella/midis/t.midi
new file mode 100644
index 0000000..6542b95
--- /dev/null
+++ b/hr/issi/gabriella/midis/t.midi
Binary files differ
diff --git a/hr/issi/gabriella/stimmen.ly b/hr/issi/gabriella/stimmen.ly
new file mode 100644
index 0000000..87f9cbc
--- /dev/null
+++ b/hr/issi/gabriella/stimmen.ly
@@ -0,0 +1,405 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key aes \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 2/2
+ %\autoBeamOff
+ \tempo 4=90
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ s1*7
+ s1*9
+ c2( des2
+ c1)
+ c2( ees2
+ f2 ees2)
+ c1 ~
+ c1
+ c2( bes2
+ \oneVoice
+ aes1)
+ %
+ \voiceOne
+ ees'1
+ aes1 ~
+ aes2 bes2
+ c2. ~ c8 r8
+ des1
+ des4( c4 bes4 aes4)
+ ees1(
+ aes1
+ a2. bes4
+ <aes c>2 bes2
+ aes2.) c8 ees8
+ %
+ f2. ~ f8 ees8
+ c2. aes8 c8
+ ees2. ~ ees8 c8
+ aes2. c8 ees8
+ f2 ~ \times 2/3 { f4 aes4 g4 }
+ ees2 r4 aes,8 c8
+ ees2. ~ ees8 c8
+ aes1
+ %
+ aes1
+ aes1
+ aes1(
+ aes2 g2)
+ ees2( ees4 f4
+ g2 aes4 bes4
+ c2 bes2
+ aes1)
+ aes2 aes2
+ aes4 aes4 aes4 aes4
+ aes4 aes4 bes4 bes4
+ <aes c>2. ~ q8 r8
+ %
+ <aes des>4 q4 q4. q8
+ des4( c4 bes4 aes4)
+ ees4 ees4 <ees aes>4 q4
+ <ees bes'>1
+ aes4( ees4) bes'4( ees,4)
+ c'4( aes4) ees'4 des4
+ f4 ees4 \times 2/3 { ees4( des4) c4 }
+ bes1
+ aes2( g2
+ aes1)
+ aes2. g4
+ aes1
+ %
+ des,1
+ ees1
+ g1
+ aes2. r8 bes8
+ c2( aes4 f4)
+ <ees aes>2 <ees bes'>2--
+ <aes c>4 aes4 <aes ees'>4 <aes des>4
+ <aes c>2 <g bes>2
+ aes1\fermata
+ }
+ >>
+ }
+
+ aSolo = \relative c' {
+ <<
+ { \meta }
+ %the actual tune
+ {
+ s1*6
+ \repeat unfold 2 {
+ r2 r4 r8 aes16 bes16
+ \bar "||"
+ c4 ees4 \times 2/3 { f4 aes4 g4 }
+ ees2. r8 aes,16 bes16
+ c4 f4 \times 2/3 { ees4 c4 aes4 }
+ c4.( bes16 aes16) bes4 r8 aes16 bes16
+ \times 2/3 { c4 aes4 ees4 } f4 ees'4
+ c2. r8 aes16 bes16
+ c4. bes16 aes16 bes4 g4
+ } \alternative {
+ {
+ aes2 r2
+ }
+ {
+ aes1
+ }
+ }
+ \bar "||"
+ aes'4 ees4 bes'4 ees,4
+ c'4 aes4 g4 f4
+ ees4. f8 des4. ees8
+ c2. r8 bes16 c16
+ des4 des4 bes'4 g4
+ ees1
+ aes4 ees4 bes'4 ees,4
+ c'4 aes4 g4 f4
+ ees4 f4 ees4 des4
+ c2 bes2
+ aes1
+ \bar "||"
+ s1*7
+ r2 r4 r8 aes16 bes16
+ \bar "||"
+ c4 ees4 \times 2/3 { f4 aes4 g4 }
+ ees2. r8 aes,16 bes16
+ c4 f4 \times 2/3 { ees4 c4 aes4 }
+ c4.( bes16 aes16) bes4 r8 aes16 bes16
+ \times 2/3 { c4 aes4 ees4 } f4 ees'4
+ c2. r8 aes'16 bes16
+ c4. bes16 aes16 bes4 g4
+ aes1
+ aes2 bes2
+ c4 aes4 g4 f4
+ ees4. f8 des4. ees8
+ c2. r8 bes16 c16
+ \bar "||"
+ des4 des4 bes'4. g8
+ ees2. r8 bes16 c16
+ des4 des4 c'4. aes8
+ bes1
+ aes2 bes2
+ c2 ees4 des4
+ des4 c4 c4. des16( c16)
+ bes2. r8 aes16 bes16
+ c4. bes16 aes16 bes4 g4
+ aes2. r8 aes16 bes16
+ c4. bes16( aes16) bes4 g4
+ aes2 r2
+ \bar "||"
+ s1*5
+ aes2-- bes2--
+ c4-- aes4-- ees'4-- des4--
+ c2-- bes2--
+ aes1\fermata
+ \bar "|."
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ s1*7
+ s1*9
+ aes2( aes2
+ aes1)
+ aes1
+ aes2( g2)
+ aes1 ~
+ aes1
+ aes2( g2
+ aes1)
+ %
+ c2( des2
+ c4 ees4 ees2
+ ees1
+ <ees aes>2. ~ q8) r8
+ q1 ~
+ ees1
+ aes,2( bes2
+ c2) g'4 f4
+ ees2. des4
+ ees1 ~
+ ees1
+ %
+ f1
+ aes1
+ g1
+ f1
+ f1
+ ees1
+ ees1
+ ees1
+ %
+ c2( des2)
+ c2( des2)
+ c1(
+ f2 ees2)
+ c1
+ c1
+ aes'2 f2
+ ees1
+ ees2 ees2
+ ees4 ees4 g4 f4
+ ees4 ees4 ees4 ees4
+ ees2. ~ ees8 r8
+ %
+ ees4 ees4 ees4. ees8
+ ees1
+ des4 des4 des4 des4
+ aes'2( g2)
+ ees2( ees2)
+ aes2 aes4 aes4
+ aes4 aes4 \times 2/3 { aes2 aes4 }
+ f1
+ ees2( e2
+ f1)
+ f2 ees2
+ ees1
+ %
+ s1*5
+ c2 des2
+ ees4 ees4 ees4 f4
+ ees2 ees2
+ ees1\fermata
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r1
+ r1
+ des1
+ ees1
+ g1
+ aes2. r8 bes8
+ c2 aes4 f4
+ %
+ aes2 r2
+ r1
+ r1
+ r1
+ s1*5
+ %
+ ees2( f2
+ ees1)
+ ees1
+ des2( ees2)
+ ees1(
+ f1)
+ ees1 ~
+ ees1
+ %
+ aes2 g2
+ aes2( aes2
+ aes2 aes4 g4
+ ees2. ~ ees8) r8
+ aes2 aes2
+ g4( aes4 des4 c4)
+ ees,2 ees2
+ aes2 aes2
+ f2. f4
+ aes2 des2 ~
+ des2 c2
+ %
+ des1
+ ees1
+ ees1
+ c1
+ des1
+ c1
+ c2.( aes4
+ f2 ees2)
+ %
+ ees2( f2
+ ees1)
+ ees2( f2
+ c'2 bes2)
+ aes2( aes2
+ aes1)
+ ees'2 des2
+ des4.( c8 bes4 des4)
+ c2 des2
+ c4 c4 ees4 des4
+ aes4 aes4 aes4 g4
+ <ees aes>2. ~ q8 r8
+ %
+ f4 f4 f4. g8
+ aes1
+ aes4 aes4 aes4 aes4
+ bes1
+ c2 des2
+ ees2 des4 des4
+ des4 c4 \times 2/3 { c2 c4 }
+ d1
+ c2( des2
+ c1)
+ des1
+ c1
+ %
+ s1*5
+ aes2 g2
+ ges4 ges4 ges4-- aes4--
+ c2 des2
+ c1\fermata
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ \repeat unfold 7 { aes1 }
+ \repeat unfold 9 { aes1 }
+ \repeat unfold 4 { aes1 }
+ aes1 ~
+ aes4. f8-> ~ f2
+ ees1(
+ aes1)
+ %
+ <aes ees'>2 q2
+ q2( des2
+ c2 bes2
+ aes2. ~ aes8) r8
+ <aes ees'>2( q2
+ q1)
+ aes2( aes2
+ aes2 des2
+ c2 bes2
+ ees2 <ees ees,>2
+ <ees aes,>1)
+ %
+ des1
+ aes1
+ c1
+ f,2 f'4 f8 ees8
+ des1
+ c1
+ <des aes'>1(
+ des2 ees2)
+ %
+ aes,1
+ aes1
+ aes1(
+ des2 ees2)
+ aes,2( des2
+ f,1)
+ <ees ees'>2 q2
+ <aes aes'>2 ees'4 ees4
+ %
+ <aes, aes'>2 q2
+ q4 q4 <des aes'>4 q4
+ c4 c4 bes4 bes4
+ aes2. ~ aes8 r8
+ %
+ aes4 aes4 aes4. aes8
+ aes1
+ bes4 bes4 bes4 bes4
+ ees1
+ <aes aes, ~>2 <g aes,>2
+ <ges ges,>2 <f f,>4 q4
+ <eis eis,>4 <ees ees,>4 \times 2/3 { q2 q4 }
+ <d d,>1
+ ees2( e2
+ f1)
+ des2 ees2
+ <aes aes,>1
+ %
+ des,1
+ aes1
+ ees'1
+ f2. ees4
+ des1
+ <ees aes,>2 q2
+ q4 q4 <des aes>4 des4
+ <ees ees,>2 q2
+ <ees aes,>1\fermata
+ }
+ >>
+ }
+
diff --git a/hr/issi/gabriella/texte.ly b/hr/issi/gabriella/texte.ly
new file mode 100644
index 0000000..304069b
--- /dev/null
+++ b/hr/issi/gabriella/texte.ly
@@ -0,0 +1,137 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+ willenI = \lyricmode {
+ Ich will glück -- lich le -- ben,
+ weil ich treu mir bin,
+ }
+ wasEndlich = \lyricmode {
+ wie -- der stark und frei.
+ }
+ wasSehen = \lyricmode {
+ wie aus Nacht wird Tag.
+ }
+ meinSchatz = \lyricmode {
+ all mein Le -- ben ist nur mein.
+ }
+ willenII = \lyricmode {
+ Ich will füh -- len, daß ich stets ge -- lebt.
+ }
+
+ soloTxt = \lyrics {
+ Die -- ser Au -- gen -- blick, er ist mein,
+ ist ein Leuch -- ten mir hier auf Er -- den
+ Mei -- ne Sehn -- sucht führt mich hier ein
+ was ich such -- te und was ich fand.
+ %
+ Den -- noch wähl -- te ich die -- sen Weg,
+ -_mein Ver -- trau -- en weit hin -- ter Wor -- ten_-
+ und er zeig -- te ein klei -- nes Stück
+ von dem Him -- mel, der lang mir fern.
+ %
+ Ich will füh -- len, daß ich le -- be,
+ all die Zeit, die mein,
+ ich will le -- ben wie ich will.
+ Ich will füh -- len, daß ich le -- be,
+ wis -- sen, daß ich wert -- voll bin.
+ %
+ Hab ver -- ges -- sen nie, wer ich war,
+ un -- ter Schlaf war es nur ver -- bor -- gen.
+ Doch ich hat -- te ja kei -- ne Wahl,
+ ü -- ber -- le -- ben mein Wil -- le war!
+ %
+ \willenI
+ end -- lich
+ \wasEndlich
+ Se -- hen,
+ \wasSehen
+ %
+ Ich bin hier,
+ \meinSchatz
+ Auch den Him -- mel, so hell und froh,
+ fin -- de ich dort ir -- gend -- wo.
+ %
+ \willenII
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ Oh _ _ _
+ %
+ _ _ _ _
+ _ _ _ _ _
+ %
+ _ _ _ _ _ _ _ _ _ _
+ _ _ _ _ _ _ _ _ _
+ %
+ _ _ _ _
+ Ich will
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ Oh _ _ _ _
+ %
+ _ _ _ _ _ _ _ _
+ %
+ \repeat unfold 8 { _ }
+ %
+ _ _ _
+ _ _ _ _ _
+ \willenI
+ \wasEndlich
+ \wasSehen
+ A _
+ \meinSchatz
+ _ _ _ _
+ %
+ \willenII
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ Oh _ _ _
+ _ _ _ _
+ %
+ _
+ Oh _ _ _ _
+ %
+ _ _ _
+ _ _ _ _ _ _ _
+ _ _ _ _ _
+ %
+ _ _ _ _ _ _ _
+ %
+ _ _ _ _ _ _
+ \willenI
+ \wasEndlich
+ \wasSehen
+ A _ _
+ \meinSchatz
+ _ _ _
+ %
+ \willenII
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ Oh _ _ _
+ _ _ _
+ %
+ \repeat unfold 9 { _ }
+ _ _ _ _ _ _ _
+ %
+ _ _ _
+ _ _
+ %
+ _ _ _
+ _ _ _ _
+ _ _ _
+ %
+ _ _ _ _ _ _ _ _ _
+ %Ich will
+ }
+
diff --git a/hr/issi/idj/dynArt.ly b/hr/issi/idj/dynArt.ly
new file mode 100644
index 0000000..30423d4
--- /dev/null
+++ b/hr/issi/idj/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/issi/idj/idj.ly b/hr/issi/idj/idj.ly
new file mode 100644
index 0000000..d9a4ba8
--- /dev/null
+++ b/hr/issi/idj/idj.ly
@@ -0,0 +1,54 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "In dulci jubilo"
+ composer = "Jos. Klug"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \new Staff = frauen <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \voiceOne \sopranMelodie }
+ \new Voice = "alti" { \global \voiceTwo \altMelodie }
+ >>
+ \lyricsto "soprane" { \new Lyrics { \sopranText } }
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \voiceOne \tenorMelodie }
+ \new Voice = "baesse" { \global \voiceTwo \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+ >>
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ \layout {
+ }
+ }
+
diff --git a/hr/issi/idj/idj.midi b/hr/issi/idj/idj.midi
new file mode 100644
index 0000000..3f8ba16
--- /dev/null
+++ b/hr/issi/idj/idj.midi
Binary files differ
diff --git a/hr/issi/idj/idj.ps b/hr/issi/idj/idj.ps
new file mode 100644
index 0000000..70253dc
--- /dev/null
+++ b/hr/issi/idj/idj.ps
Binary files differ
diff --git a/hr/issi/idj/midi.lua b/hr/issi/idj/midi.lua
new file mode 100644
index 0000000..58e69da
--- /dev/null
+++ b/hr/issi/idj/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/issi/idj/stimmen.ly b/hr/issi/idj/stimmen.ly
new file mode 100644
index 0000000..5b28667
--- /dev/null
+++ b/hr/issi/idj/stimmen.ly
@@ -0,0 +1,127 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key f \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 3/4
+ %\autoBeamOff
+ \partial 4
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ f4
+ f2 f4
+ a2 bes4
+ c2( d4
+ c2.\fermata)
+ f,2 f4
+ a2 bes4
+ c2( d4
+ c2.\fermata)
+ c2 d4
+ c2 bes4
+ a4.( bes8 a8 g8)
+ f2\fermata f4
+ g2 g4
+ a2 g4
+ f2( g4
+ a2.\fermata)
+ c2 d4
+ c2 bes4
+ a4.( bes8 a8 g8)
+ f2\fermata f4
+ g2 g4
+ a2 g4
+ f2( g4
+ a2.\fermata)
+ d,2 d4
+ e2 e4
+ f8( e8 f8 g8 a8 bes8
+ c2.\fermata)
+ a2 a4
+ g2 g4
+ f2. ~
+ f2.\fermata
+ \bar "|."
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ c4
+ d2 d4 e2 e4
+ f2. ~ f2.
+ f4( e4) d4 c2 d4
+ c4( e4 g4 e2.)
+ f2 f4 e4( f4) g4
+ cis,4( d4 e4) a,2 f'4 ~
+ f4 e8( d8) e4 f2 e4
+ f4.( g8 f8 e8 f2.)
+ f2 f4 g4( f4) g4
+ g4( f4 e4) d2 f4 ~
+ f4 e8( d8) e4 f2( e4 ~
+ e4 a,4) d4 cis2.
+ d2 d4 ~ d4 c8( d8) e4( ~
+ e4 d2) c2.
+ c4( f8 e8) f4 f2 e4
+ f8( ees8 d8 c8 d8 bes8 c2.)
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ a4
+ a2 bes4 c2 bes4 a2( bes4 a2.)
+ a2 bes4 a4( g4) f4 g4( c4 b4 g2.)
+ a2 bes4 c4( d4) e4 a,4( b4 cis4) d2
+ c4 d4( bes4) c4 c2.( ~ c4 a4) c4 c2.
+ a2 bes4 g2 e'4 e4( d4 cis4) a2
+ c4 d4( bes4) c4 c2 c4 a2( bes4 e,2.)
+ r8 f8( g8 a8 bes8 a8 g4) a8( bes8 c8 bes8)
+ a4.( g8) f4 g2.
+ a4( bes4) c4 d4( bes4) c4 c4( bes8 a8 bes8 g8 a2.)
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ f4
+ d4( c4) bes4 a4 bes8( a8 g8 a8) f8( f'8 ees8 d8 c8 bes8 f'2.\fermata)
+ d4( c4) bes4 f'4( e4) d4 e4( c4 g4 c2.\fermata)
+ f2 bes4 bes4( a4) g4 g4( f4 e4) d2\fermata
+ a4 bes4( g4) c4 f,8( g8 a8 bes8 c8 bes8 a4 f4) c4 f2.\fermata
+ f'4( e4) d4 e4( d4) c4 f8( g8 a4 a,4) d2\fermata
+ a4 bes4( g4) c4 f,8( g8 a8 bes8 c8 a8 d4 c4) bes4 a2.\fermata
+ bes4( a4) g4 c4( bes4) a4 d8( c8 d8 e8 f8 d8 e2.\fermata)
+ f,4( g4) a4 bes4( g4) c4 a4( bes2 f2.\fermata)
+ }
+ >>
+ }
+
diff --git a/hr/issi/idj/texte.ly b/hr/issi/idj/texte.ly
new file mode 100644
index 0000000..6177ec0
--- /dev/null
+++ b/hr/issi/idj/texte.ly
@@ -0,0 +1,30 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ In dul -- ci ju -- bi -- lo
+ sin -- get und seid froh,
+ un -- sers Her -- zens Won -- ne
+ liegt in prae -- se -- pi -- o
+ leuch -- tet als die Son -- ne
+ ma -- tris in pre -- mi -- o
+ Al -- pha es et O,
+ Al -- pha es et O.
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/issi/issi_burzel.zip b/hr/issi/issi_burzel.zip
new file mode 100644
index 0000000..f01b2a5
--- /dev/null
+++ b/hr/issi/issi_burzel.zip
Binary files differ
diff --git a/hr/issi/issi_burzel/ailh/a.midi b/hr/issi/issi_burzel/ailh/a.midi
new file mode 100644
index 0000000..3cdb73b
--- /dev/null
+++ b/hr/issi/issi_burzel/ailh/a.midi
Binary files differ
diff --git a/hr/issi/issi_burzel/ailh/b.midi b/hr/issi/issi_burzel/ailh/b.midi
new file mode 100644
index 0000000..3ec768c
--- /dev/null
+++ b/hr/issi/issi_burzel/ailh/b.midi
Binary files differ
diff --git a/hr/issi/issi_burzel/ailh/s.midi b/hr/issi/issi_burzel/ailh/s.midi
new file mode 100644
index 0000000..d7dad4b
--- /dev/null
+++ b/hr/issi/issi_burzel/ailh/s.midi
Binary files differ
diff --git a/hr/issi/issi_burzel/ailh/satb.midi b/hr/issi/issi_burzel/ailh/satb.midi
new file mode 100644
index 0000000..a9c3f6f
--- /dev/null
+++ b/hr/issi/issi_burzel/ailh/satb.midi
Binary files differ
diff --git a/hr/issi/issi_burzel/ailh/t.midi b/hr/issi/issi_burzel/ailh/t.midi
new file mode 100644
index 0000000..d8ab5af
--- /dev/null
+++ b/hr/issi/issi_burzel/ailh/t.midi
Binary files differ
diff --git a/hr/issi/issi_burzel/eleanor/a.midi b/hr/issi/issi_burzel/eleanor/a.midi
new file mode 100644
index 0000000..91c9fd4
--- /dev/null
+++ b/hr/issi/issi_burzel/eleanor/a.midi
Binary files differ
diff --git a/hr/issi/issi_burzel/eleanor/b.midi b/hr/issi/issi_burzel/eleanor/b.midi
new file mode 100644
index 0000000..4971ad1
--- /dev/null
+++ b/hr/issi/issi_burzel/eleanor/b.midi
Binary files differ
diff --git a/hr/issi/issi_burzel/eleanor/s.midi b/hr/issi/issi_burzel/eleanor/s.midi
new file mode 100644
index 0000000..50b1fbd
--- /dev/null
+++ b/hr/issi/issi_burzel/eleanor/s.midi
Binary files differ
diff --git a/hr/issi/issi_burzel/eleanor/satb.midi b/hr/issi/issi_burzel/eleanor/satb.midi
new file mode 100644
index 0000000..9f176a3
--- /dev/null
+++ b/hr/issi/issi_burzel/eleanor/satb.midi
Binary files differ
diff --git a/hr/issi/issi_burzel/eleanor/t.midi b/hr/issi/issi_burzel/eleanor/t.midi
new file mode 100644
index 0000000..2c48fdd
--- /dev/null
+++ b/hr/issi/issi_burzel/eleanor/t.midi
Binary files differ
diff --git a/hr/issi/issi_burzel/silence/a.midi b/hr/issi/issi_burzel/silence/a.midi
new file mode 100644
index 0000000..626958f
--- /dev/null
+++ b/hr/issi/issi_burzel/silence/a.midi
Binary files differ
diff --git a/hr/issi/issi_burzel/silence/b.midi b/hr/issi/issi_burzel/silence/b.midi
new file mode 100644
index 0000000..c070606
--- /dev/null
+++ b/hr/issi/issi_burzel/silence/b.midi
Binary files differ
diff --git a/hr/issi/issi_burzel/silence/s.midi b/hr/issi/issi_burzel/silence/s.midi
new file mode 100644
index 0000000..cc7fb55
--- /dev/null
+++ b/hr/issi/issi_burzel/silence/s.midi
Binary files differ
diff --git a/hr/issi/issi_burzel/silence/satb.midi b/hr/issi/issi_burzel/silence/satb.midi
new file mode 100644
index 0000000..8b048d5
--- /dev/null
+++ b/hr/issi/issi_burzel/silence/satb.midi
Binary files differ
diff --git a/hr/issi/issi_burzel/silence/t.midi b/hr/issi/issi_burzel/silence/t.midi
new file mode 100644
index 0000000..b815bbb
--- /dev/null
+++ b/hr/issi/issi_burzel/silence/t.midi
Binary files differ
diff --git a/hr/issi/issi_burzel/things/a.midi b/hr/issi/issi_burzel/things/a.midi
new file mode 100644
index 0000000..8b6febc
--- /dev/null
+++ b/hr/issi/issi_burzel/things/a.midi
Binary files differ
diff --git a/hr/issi/issi_burzel/things/b.midi b/hr/issi/issi_burzel/things/b.midi
new file mode 100644
index 0000000..b01f8c5
--- /dev/null
+++ b/hr/issi/issi_burzel/things/b.midi
Binary files differ
diff --git a/hr/issi/issi_burzel/things/s.midi b/hr/issi/issi_burzel/things/s.midi
new file mode 100644
index 0000000..8c28a5b
--- /dev/null
+++ b/hr/issi/issi_burzel/things/s.midi
Binary files differ
diff --git a/hr/issi/issi_burzel/things/satb.midi b/hr/issi/issi_burzel/things/satb.midi
new file mode 100644
index 0000000..4b26a4c
--- /dev/null
+++ b/hr/issi/issi_burzel/things/satb.midi
Binary files differ
diff --git a/hr/issi/issi_burzel/things/t.midi b/hr/issi/issi_burzel/things/t.midi
new file mode 100644
index 0000000..92512cb
--- /dev/null
+++ b/hr/issi/issi_burzel/things/t.midi
Binary files differ
diff --git a/hr/issi/keeps/dynArt.ly b/hr/issi/keeps/dynArt.ly
new file mode 100644
index 0000000..30423d4
--- /dev/null
+++ b/hr/issi/keeps/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/issi/keeps/keeps.ly b/hr/issi/keeps/keeps.ly
new file mode 100644
index 0000000..1d6912b
--- /dev/null
+++ b/hr/issi/keeps/keeps.ly
@@ -0,0 +1,53 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "The Lord Just Keeps On Blessing Me"
+ composer = "Lisa Nelson"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = frauen <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global << \sopranMelodie \altMelodie >> }
+ \addlyrics { \sopranText }
+ >>
+
+ \new Staff = maenner \with { printPartCombineTexts = ##f } <<
+ \new Voice = "tenoere" { \global \partcombine \tenorMelodie \bassMelodie }
+ >>
+ >>
+ \midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ }
+ \layout {
+ }
+ }
+
diff --git a/hr/issi/keeps/keeps.midi b/hr/issi/keeps/keeps.midi
new file mode 100644
index 0000000..c7f6611
--- /dev/null
+++ b/hr/issi/keeps/keeps.midi
Binary files differ
diff --git a/hr/issi/keeps/keeps.zip b/hr/issi/keeps/keeps.zip
new file mode 100644
index 0000000..8a05764
--- /dev/null
+++ b/hr/issi/keeps/keeps.zip
Binary files differ
diff --git a/hr/issi/keeps/keeps/a.midi b/hr/issi/keeps/keeps/a.midi
new file mode 100644
index 0000000..4054184
--- /dev/null
+++ b/hr/issi/keeps/keeps/a.midi
Binary files differ
diff --git a/hr/issi/keeps/keeps/b.midi b/hr/issi/keeps/keeps/b.midi
new file mode 100644
index 0000000..93fab43
--- /dev/null
+++ b/hr/issi/keeps/keeps/b.midi
Binary files differ
diff --git a/hr/issi/keeps/keeps/s.midi b/hr/issi/keeps/keeps/s.midi
new file mode 100644
index 0000000..dfee8a6
--- /dev/null
+++ b/hr/issi/keeps/keeps/s.midi
Binary files differ
diff --git a/hr/issi/keeps/keeps/satb.midi b/hr/issi/keeps/keeps/satb.midi
new file mode 100644
index 0000000..c7f6611
--- /dev/null
+++ b/hr/issi/keeps/keeps/satb.midi
Binary files differ
diff --git a/hr/issi/keeps/keeps/t.midi b/hr/issi/keeps/keeps/t.midi
new file mode 100644
index 0000000..5950c0a
--- /dev/null
+++ b/hr/issi/keeps/keeps/t.midi
Binary files differ
diff --git a/hr/issi/keeps/midi.lua b/hr/issi/keeps/midi.lua
new file mode 100644
index 0000000..3cca9a3
--- /dev/null
+++ b/hr/issi/keeps/midi.lua
@@ -0,0 +1,51 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ \unfoldRepeats
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { \global s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/issi/keeps/stimmen.ly b/hr/issi/keeps/stimmen.ly
new file mode 100644
index 0000000..b022b50
--- /dev/null
+++ b/hr/issi/keeps/stimmen.ly
@@ -0,0 +1,167 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key des \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ \partial 4
+ \tempo 4 = 135
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ aes8 aes8
+ \mark \markup { \small \musicglyph #"scripts.segno" }
+ \repeat volta 2 {
+ r2 r4 aes8 aes8
+ r2 r4 aes4
+ aes4 aes8 aes8 ~ aes4. ces8 ~
+ ces4. des8 ~ des4 ces8 bes8
+ r2 r4 bes8 c8
+ r2 r4 c4
+ des4 des8 des8 ~ des2 ~
+ des2. r8 aes8
+ bes4 bes8 bes8 ~ bes8 bes8 bes8 c8 ~
+ c8 c8 ~ c8 c8 r4 r8 des,8
+ f8 f8 f8 f8 ~ f8 f8 f8 aes8
+ r8 f8 r8 ees8( des4) r8 aes'8
+ des4 des4 des4 bes4
+ aes8( ges8) f8 aes8( ges4) f8 f8
+ r1
+ \mark \markup { \small \musicglyph #"scripts.coda" }
+ } \alternative {
+ {
+ r2 r4 aes8 aes8
+ }
+ {
+ \override Voice.NoteHead #'style = #'cross % tremolo /<raute>
+ bes8 bes8 r8 bes8 r8 bes8
+ \revert Voice.NoteHead #'style
+ r8 ges8
+ }
+ }
+ r1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ f8 f8
+ \repeat volta 2 {
+ r2 r4 f8 ees8
+ r2 r4 ees4
+ f4 f8 f8 ~ f4. ges8 ~
+ ges4. aes8 ~ aes4 ges8 ges8
+ r2 r4 ges8 aes8
+ r2 r4 aes4
+ aes4 aes8 aes8 ~ aes2 ~
+ aes2. r8 f8
+ ges4 ges8 ges8 ~ ges8 ges8 ges8 aes8 ~
+ aes8 aes8 ~ aes8 aes8 r4 r8 des,8
+ f8 f8 f8 f8 ~ f8 f8 f8 aes8
+ r8 f8 r8 ees8( des4) r8 f8
+ aes4 aes4 aes4 ges4
+ f8( ees8) des8 f8( ees4) des8 des8
+ r1
+ } \alternative {
+ {
+ r2 r4 f8 f8
+ }
+ {
+ r2 r4 r8 des8
+ }
+ }
+ r1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ %\clef "treble_8"
+ {
+ des8 des8
+ \repeat volta 2 {
+ r2 r4 des8 c8
+ r2 r4 c4
+ des4 des8 des8 ~ des4. ees8 ~
+ ees4. f8 ~ f8 ees8 des8
+ r2 r4 des8 ees8
+ r2 r4 ees4
+ f4 f8 f8 ~ f2 ~
+ f2. r8 des8
+ des4 des8 des8 ~ des8 des8 des8 ees8 ~
+ ees8 ees8 ~ ees8 ees8 r2
+ r1
+ r2 r4 r8 des8
+ f4 f4 f4 ees4
+ des8( bes8) aes8 des8( c4) aes8 aes8
+ r1
+ } \alternative {
+ {
+ r2 r4 des8 des8
+ }
+ {
+ r2 r4 r8 bes8
+ }
+ }
+ r1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ aes8 aes8
+ \repeat volta 2 {
+ r2 r4 aes8 aes8
+ r2 r4 aes4
+ aes4 aes8 aes8 ~ aes4. aes8 ~
+ aes4. aes8 ~ aes4 aes8 ges8
+ r2 r4 ges8 ges8
+ r2 r4 ges4
+ f4 f8 f8 ~ f2 ~
+ f2. r8 des8
+ ges4 ges8 ges8 ~ ges8 ges8 ges8 ges8 ~
+ ges8 ges8 ~ ges8 ges8 r2
+ r1
+ r2 r4 r8 des8
+ f4 f4 f4 ges4
+ aes8 ~ aes8 aes8 aes8 ~ aes4 aes8 des,8
+ r1
+ } \alternative {
+ {
+ r2 r4 aes'8 aes8
+ }
+ {
+ r2 r4 r8 des8
+ }
+ }
+ r1
+ }
+ >>
+ }
+
diff --git a/hr/issi/keeps/texte.ly b/hr/issi/keeps/texte.ly
new file mode 100644
index 0000000..b4af878
--- /dev/null
+++ b/hr/issi/keeps/texte.ly
@@ -0,0 +1,53 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ lkb = \lyricmode {
+ Lord
+ just keeps
+ on bles -- sing
+ }
+ kbmbm = \lyricmode {
+ keeps on bles -- sing me
+ bles -- sing me
+ }
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ The \lkb me _ _
+ the \lkb me.
+ I’m not de -- ser -- ving of all He’s done,
+ but yet all my bles -- sings have just be -- gun.
+ The \lkb me right now.
+ The Lord
+ _ _ _ _
+ The Lord
+ has been migh -- ty good to me.
+ He o -- pened doors that I coul -- dn’t see.
+ He woke me up star -- ted me on my way,
+ en -- ab -- led me to see a -- no -- ther day.
+ I know the Lord will see me through.
+ When I take one step,
+ %He’ll take two.
+ Stand on your feet for what God can do.
+ What He’s done for me He’ll do for you
+ The Lord
+ \kbmbm
+ \kbmbm
+ \kbmbm
+ The \lkb me right now.
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/issi/krippen/dynArt.ly b/hr/issi/krippen/dynArt.ly
new file mode 100644
index 0000000..86a2875
--- /dev/null
+++ b/hr/issi/krippen/dynArt.ly
@@ -0,0 +1,24 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s4
+ s1*3
+ s2.\break
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/issi/krippen/krippen.ly b/hr/issi/krippen/krippen.ly
new file mode 100644
index 0000000..bc0eaf0
--- /dev/null
+++ b/hr/issi/krippen/krippen.ly
@@ -0,0 +1,102 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Ich steh an deiner Krippen hier"
+ composer = "Johann Sebastian Bach"
+ text = "Paul Gerhardt (1607 - 1676)"
+ opus = "Original in B"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 18)
+
+ sop = \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \transpose bes ees' \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = \new Staff = alt <<
+ \new Voice = "alti" { \global \transpose bes ees' \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \transpose bes ees' \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = \new Staff = bass <<
+ \new Voice = "baesse" { \global \transpose bes ees' \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \sop
+ \new Lyrics \lyricsto soprane \sopranText
+ \new Lyrics \lyricsto soprane \sopII
+ \alt
+ \new Lyrics \lyricsto soprane \sopranText
+ \new Lyrics \lyricsto soprane \sopII
+ \ten
+ \new Lyrics \lyricsto soprane \sopranText
+ \new Lyrics \lyricsto soprane \sopII
+ \bas
+ >>
+ \midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ }
+ \layout {
+ }
+ }
+ \markup {
+ \line {
+ \hspace #12
+ \column{ 4. }
+ \column{
+ \line{Ich sehe dich mit Freuden an}
+ \line{und kann mich nicht satt sehen;}
+ \line{und weil ich nun nichts weiter kann,}
+ \line{bleib ich anbetend stehen.}
+ \line{O daß mein Sinn ein Abgrund wär}
+ \line{und meine Seel’ ein tiefes Meer,}
+ \line{daß ich dich möchte fassen!}
+ }
+ \hspace #12
+ \column{ 9. }
+ \column{
+ \line{Eins aber, hoff’ ich, wirst du mir,}
+ \line{mein Heiland, nicht versagen:}
+ \line{daß ich dich möge für und für}
+ \line{in, bei und an mir tragen.}
+ \line{So laß mich doch dein Kripplein sein;}
+ \line{komm, komm und lege bei mir ein}
+ \line{dich und all deine Freuden.}
+ }
+ }
+ }
+
diff --git a/hr/issi/krippen/krippen.midi b/hr/issi/krippen/krippen.midi
new file mode 100644
index 0000000..8515d43
--- /dev/null
+++ b/hr/issi/krippen/krippen.midi
Binary files differ
diff --git a/hr/issi/krippen/midi.lua b/hr/issi/krippen/midi.lua
new file mode 100644
index 0000000..58e69da
--- /dev/null
+++ b/hr/issi/krippen/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/issi/krippen/stimmen.ly b/hr/issi/krippen/stimmen.ly
new file mode 100644
index 0000000..3a41221
--- /dev/null
+++ b/hr/issi/krippen/stimmen.ly
@@ -0,0 +1,86 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key ees \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ \partial 4
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ \repeat volta 2 {
+ g4 c4 d4 ees4 c4 bes4. aes8 g4
+ bes4 ees,4. d8 ees4 f4 g2 g4
+ }
+ bes4 ees4 bes4 c4 bes4 aes4. bes8 g4
+ bes4 ees4 bes4 c4 bes4 aes4. bes8 g4
+ g4 a4 b4 c8[ ees8] d8[ c8] b2 c4
+ \bar "|."
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ \repeat volta 2 {
+ ees4 g4 f4 ees8 f8 g8 ees8 f8 d8 ees8 f8 ees4
+ bes4 c4. d8 c4 c4 d2 d4
+ }
+ ees8 f8 g8 aes8 bes8 g8 aes4 ees4 f4. d8 ees4
+ g8 f8 aes4 g4 aes4 ees4 ees4 d4 ees4
+ ees4 f4 g4 g4 aes4 g2 g4
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ \repeat volta 2 {
+ c4 g4 g4 g4 c4 f,4. bes8 bes4
+ g4 g4 g4 c8 bes8 aes8 c8 c4 b8 a8 b4
+ }
+ bes4 bes4 ees4 ees4. bes8 c4 bes4 bes4
+ ees4 ees4 ees8 f8 ees8 d8 ees8 g,8 c4 bes4 bes4
+ c4 c4 d4 c4 f8 ees8 d4. f8 ees4
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ \repeat volta 2 {
+ c8 d8 ees8 d8 c8 b8 c8 d8 ees8 c8 d8 bes8 c8 d8 ees4
+ ees8 d8 c8 g8 c8 bes8 aes8 g8 aes4 g2 g4
+ }
+ g'8 f8 ees8 f8 g8 ees8 aes4. g8 f8 ees8 d8 bes8 ees4
+ ees8 d8 c8 d8 ees8 d8 ees8 f8 g8 ees8 f4 bes,4 ees4
+ c4 f8 ees8 f8 d8 ees4 f4 g4 g,4 c4
+ }
+ >>
+ }
+
diff --git a/hr/issi/krippen/texte.ly b/hr/issi/krippen/texte.ly
new file mode 100644
index 0000000..7922a0d
--- /dev/null
+++ b/hr/issi/krippen/texte.ly
@@ -0,0 +1,31 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ Ich steh an dei -- ner Krip -- pen hier,
+ o Je -- su -- len, mein Le -- ben,
+ Nimm hin, es ist mein Gest und Sinn,
+ Herz, Seel’ und Muth, nimm al -- les hin,
+ und laß dirs wohl -- _ ge -- _ fal -- len.
+ }
+ sopII = \lyrics {
+ ich ste -- he, bring und schen -- ke dir,
+ was du mir hast ge -- ge -- ben.
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/issi/lion/dynArt.ly b/hr/issi/lion/dynArt.ly
new file mode 100644
index 0000000..eb626a8
--- /dev/null
+++ b/hr/issi/lion/dynArt.ly
@@ -0,0 +1,26 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ \repeat unfold 7 {
+ s1*4
+ \break
+ }
+ s1*5
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/issi/lion/lion.ly b/hr/issi/lion/lion.ly
new file mode 100644
index 0000000..419748c
--- /dev/null
+++ b/hr/issi/lion/lion.ly
@@ -0,0 +1,71 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "The lion sleeps tonight"
+ composer = "Hugo Peretti/Luigi Creatore/George Weiss"
+ arranger = "Carsten Gerlitz"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \RemoveEmptyStaves
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ \override VerticalAxisGroup #'remove-first = ##t
+ }
+ }
+
+ #(set-global-staff-size 18)
+
+ sop = \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ >>
+
+ bas = \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \sop
+ \alt
+ \ten
+ \bas
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/issi/lion/lion.midi b/hr/issi/lion/lion.midi
new file mode 100644
index 0000000..80e3b4b
--- /dev/null
+++ b/hr/issi/lion/lion.midi
Binary files differ
diff --git a/hr/issi/lion/lion_midi.ly b/hr/issi/lion/lion_midi.ly
new file mode 100644
index 0000000..f486e78
--- /dev/null
+++ b/hr/issi/lion/lion_midi.ly
@@ -0,0 +1,71 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen_midi.ly"
+\include "texte.ly"
+
+ \header {
+ title = "The lion sleeps tonight"
+ composer = "Hugo Peretti/Luigi Creatore/George Weiss"
+ arranger = "Carsten Gerlitz"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \RemoveEmptyStaves
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ \override VerticalAxisGroup #'remove-first = ##t
+ }
+ }
+
+ #(set-global-staff-size 18)
+
+ sop = \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \unfoldRepeats \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = \new Staff = alt <<
+ \new Voice = "alti" { \global \unfoldRepeats \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \unfoldRepeats \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = \new Staff = bass <<
+ \new Voice = "baesse" { \global \unfoldRepeats \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \sop
+ \alt
+ \ten
+ \bas
+ >>
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ %\layout {
+ %}
+ }
+
diff --git a/hr/issi/lion/midi.lua b/hr/issi/lion/midi.lua
new file mode 100644
index 0000000..42709d9
--- /dev/null
+++ b/hr/issi/lion/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen_midi.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \unfoldRepeats \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/issi/lion/midis/a.midi b/hr/issi/lion/midis/a.midi
new file mode 100644
index 0000000..1a89605
--- /dev/null
+++ b/hr/issi/lion/midis/a.midi
Binary files differ
diff --git a/hr/issi/lion/midis/b.midi b/hr/issi/lion/midis/b.midi
new file mode 100644
index 0000000..3b73f30
--- /dev/null
+++ b/hr/issi/lion/midis/b.midi
Binary files differ
diff --git a/hr/issi/lion/midis/s.midi b/hr/issi/lion/midis/s.midi
new file mode 100644
index 0000000..acde470
--- /dev/null
+++ b/hr/issi/lion/midis/s.midi
Binary files differ
diff --git a/hr/issi/lion/midis/t.midi b/hr/issi/lion/midis/t.midi
new file mode 100644
index 0000000..c903ee9
--- /dev/null
+++ b/hr/issi/lion/midis/t.midi
Binary files differ
diff --git a/hr/issi/lion/stimmen.ly b/hr/issi/lion/stimmen.ly
new file mode 100644
index 0000000..e3877fa
--- /dev/null
+++ b/hr/issi/lion/stimmen.ly
@@ -0,0 +1,402 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% foreign code %
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% first one
+rhythmMarkStaffReduce = #-3
+rhythmMarkLabelFontSize = #-2
+
+rhythmMark = #(define-music-function (parser location label musicI musicII ) (string? ly:music? ly:music?)
+ #{
+ \mark \markup {
+ \line \vcenter {
+ \combine % 1st column in line
+ \italic \fontsize #rhythmMarkLabelFontSize $label
+ \transparent \italic \fontsize #rhythmMarkLabelFontSize f
+ % This fakes a uniform baseline (ie. create common anchor for vcenter)
+
+ \score { % 2nd column in line
+ \new Staff \with {
+ fontSize = #rhythmMarkStaffReduce
+ \override StaffSymbol #'staff-space = #(magstep rhythmMarkStaffReduce)
+ \override StaffSymbol #'line-count = #0
+ \override VerticalAxisGroup #'Y-extent = #'(0 . 0) % td
+ }
+
+ \relative { \stemUp $musicI }
+
+ \layout {
+ ragged-right= ##t
+ indent = 0
+ \context {
+ \Staff
+ \remove "Clef_engraver"
+ \remove "Time_signature_engraver" }
+ } % layout
+
+ } % 1st Score end
+
+ \hspace #-0.1 % 3rd column in line
+
+ % 4th column in line
+ \italic \fontsize #rhythmMarkStaffReduce "="
+
+ \score { % 5th column in line
+
+ \new Staff \with {
+ fontSize = #rhythmMarkStaffReduce
+ \override StaffSymbol #'staff-space = #(magstep rhythmMarkStaffReduce)
+ \override StaffSymbol #'line-count = #0
+ \override VerticalAxisGroup #'Y-extent = #'(0 . 0) % td
+ }
+
+ \relative { \stemUp $musicII }
+
+ \layout {
+ ragged-right= ##t
+ indent = 0
+ \context {
+ \Staff
+ \remove "Clef_engraver"
+ \remove "Time_signature_engraver" }
+ } % layout end
+
+ } % 2nd Score end
+
+ } % line end
+ } % markup end
+ #})
+ % second one
+rhythmMarkCStaffReduce = #-4
+rhythmMarkCLabelFontSize = #-2
+
+rhythmMarkC = #(define-music-function (parser location label musicI musicII ) (string? ly:music? ly:music?)
+ #{
+ \mark \markup
+ {
+ \combine
+
+ \line {
+ \hspace #0
+ \translate #'(-0.1 . -3.25) \italic \fontsize #rhythmMarkCLabelFontSize $label
+ } % end Line
+
+ \line \vcenter {
+
+ \score { % 1st column in line
+
+ \new Staff \with {
+ fontSize = #rhythmMarkCStaffReduce
+ \override StaffSymbol #'staff-space = #(magstep rhythmMarkCStaffReduce)
+ \override StaffSymbol #'line-count = #0
+ \override VerticalAxisGroup #'Y-extent = #'(0 . 0) % td
+ }
+
+ \relative { \stemUp $musicI }
+
+ \layout {
+ ragged-right= ##t
+ indent = 0
+ \context {
+ \Staff
+ \remove "Clef_engraver"
+ \remove "Time_signature_engraver" }
+ } % layout
+
+ } % 1st score
+
+ \hspace #-0.1 % 2nd column in line
+
+ % 3rd column in line
+ \italic \fontsize #rhythmMarkCStaffReduce "="
+
+ \score { % 4th column in line
+
+ \new Staff \with {
+ fontSize = #rhythmMarkCStaffReduce
+ \override StaffSymbol #'staff-space = #(magstep rhythmMarkCStaffReduce)
+ \override StaffSymbol #'line-count = #0
+ \override VerticalAxisGroup #'Y-extent = #'(0 . 0) % td
+ }
+
+ \relative {
+ \stemUp $musicII
+ }
+
+ \layout {
+ ragged-right= ##t
+ indent = 0
+ \context {
+ \Staff
+ \remove "Clef_engraver"
+ \remove "Time_signature_engraver" }
+ } % layout
+
+ } % 2nd score end
+
+ } % line end
+ % end combine
+ } % markup end
+ #})
+ % some definitions
+rhyMarkI = { b'1 }
+
+rhyMarkII = { b'2 }
+
+rhyMarkIV = { b'4 }
+
+rhyMarkEighth = { b'8 }
+
+rhyMarkIIEighths = {
+ % \override Score.SpacingSpanner #'common-shortest-duration = #(ly:make-moment 1 4) % tight
+ \override Score.SpacingSpanner #'common-shortest-duration = #(ly:make-moment 3 16) % even
+ b'8[ b8]
+}
+rhyMarkTriplets = {
+ % \override Score.SpacingSpanner #'common-shortest-duration = #(ly:make-moment 1 2) % super-tight
+ % \override Score.SpacingSpanner #'common-shortest-duration = #(ly:make-moment 1 4) % tight
+ \override Score.SpacingSpanner #'common-shortest-duration = #(ly:make-moment 3 16) % even
+ \times 2/3 { b'4 b8 }
+}
+rhyMarkSlurredTriplets = {
+ % \override Score.SpacingSpanner #'common-shortest-duration = #(ly:make-moment 1 4) % tight
+ % \override Score.SpacingSpanner #'common-shortest-duration = #(ly:make-moment 5 32) % slighty tighter as even
+ \override Score.SpacingSpanner #'common-shortest-duration = #(ly:make-moment 1 8) % even
+ \times 2/3 { b'8 ~ b8 b8 }
+}
+rhyMarkDottedEighths = {
+ % \override Score.SpacingSpanner #'common-shortest-duration = #(ly:make-moment 1 4) % tight
+ \override Score.SpacingSpanner #'common-shortest-duration = #(ly:make-moment 3 16) % even
+ % \override Score.SpacingSpanner #'common-shortest-duration = #(ly:make-moment 1 8) % loose
+ { b'8. b16 }
+}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% end of foreign code %
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key g \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopSolo = \relative c'' {
+ \rhythmMark #" " \rhyMarkIIEighths \rhyMarkSlurredTriplets
+ \repeat volta 2 {
+ \oneVoice
+ g4( a8 b8 ~ b8 a8) r8 b8(
+ c4 b8 a8 ~ a8 g8) r8 a8(
+ b8) d,8 ~ d8 d8 ~ d8 d8 d4 ~
+ d2. r4
+ }
+ s1*11
+ \voiceOne
+ s2. d4
+ \repeat unfold 2 {
+ d'1( ~
+ d4 c8 d8 ~ d8 c8 ~ c4
+ b8) d,8 ~ d8 d8 ~ d8 d8 d4 ~
+ } \alternative {
+ {
+ d2. d4
+ }
+ {
+ d2. s4
+ }
+ }
+ }
+
+ sopPatI = \relative c' {
+ \repeat unfold 4 { d8 d8 }
+ \repeat unfold 4 { e8 e8 }
+ \repeat unfold 4 { d8 d8 }
+ \repeat unfold 4 { d8 d8 }
+ }
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ { \sopSolo }
+ \\
+ {
+ s1*4
+ \repeat volta 2 {
+ \sopPatI
+ }
+ \repeat volta 2 {
+ g'4 a8 b8 ~ b8 a8 r8 b8
+ c4 b8 a8 ~ a8 g8 r8 a8
+ b8 a8 ~ a8 g8 ~ g4 b8 a8 ~
+ a2. r4
+ d4 b8 a8 ~ a8 b8 r8 d8
+ c4 b8 a8 ~ a8 g8 r8 a8
+ b8 a8 ~ a8 g8 ~ g4 b8 a8 ~
+ a2. s4
+ \voiceTwo
+ \sopPatI
+ r4 b8 a8 g8 fis8 e8 d8
+ c1
+ \repeat unfold 4 { d8 d8 }
+ \repeat unfold 3 { d8 d8 } d4
+ }
+ \oneVoice
+ g8 r8 a8 b8 ~ b8 a8 r8 b8
+ c4 b8 a8 ~ a8 g8 r8 a8
+ b8 a8 ~ a8 g8 ~ g4 b8 a8 ~
+ a2. r4
+ d8 r8 b8 a8 ~ a8 b8 r8 d8
+ c4 b8 a8 ~ a8 g8 r8 a8
+ b8 a8 ~ a8 g8 ~ g4 b8 a8 ~
+ a1
+ \bar "||"
+ % coda
+ r4 g8 g8 g8 r8 r4
+ \bar "|."
+ }
+ >>
+ }
+
+ altPatI = \relative c' {
+ \repeat unfold 4 { b8 b8 }
+ d8 d8 d8 d8 c8 c8 c8 c8
+ c8 c8 c8 c8 b8 b8 b8 b8
+ \repeat unfold 4 { a8 a8 }
+ }
+ altPatII = \relative c' {
+ d4 d8 r8 r8 d4 d8
+ e4 e8 r8 r8 e4 fis8
+ g4 d8 r8 r8 d4 e8
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ s1*4
+ \repeat volta 2 \altPatI
+ \repeat volta 2 {
+ \altPatII
+ d4 d8 r8 r8 d4 d8
+ \altPatII
+ d4 d8 r8 r8 d8 d8 d8
+ \altPatI
+ \repeat unfold 4 { d8 d8 }
+ \repeat unfold 4 { e8 e8 }
+ r4 b'8 a8 g8 fis8 e8 ees8
+ d2. r4
+ }
+ d8 r8 f8 f8 ~ f8 f8 r8 f8
+ e4 f8 g8 ~ g8 g8 r8 g8
+ g8 fis8 ~ fis8 d8 ~ d4 e8 e8( ~
+ e2 d4) r4
+ r8 g4 f8 ~ f8 g8 r8 f8
+ e4 g8 g8 ~ g8 g8 r8 g8
+ g8 g8 ~ g8 d8 ~ d4 g8 g8( ~
+ g2 fis2)
+ %coda
+ r4 d8 d8 d8 r8 r4
+ }
+ >>
+ }
+
+ tenorPatI = \relative c' {
+ \repeat unfold 4 { g8 g8 }
+ \repeat unfold 4 { g8 g8 }
+ \repeat unfold 4 { g8 g8 }
+ \repeat unfold 4 { fis8 fis8 }
+ }
+ tenorPatII = \relative c' {
+ b4 b8 r8 r8 b4 b8
+ d4 d8 r8 r8 c4 c8
+ b4 b8 r8 r8 b4 g8
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ s1*4
+ \repeat volta 2 \tenorPatI
+ \repeat volta 2 {
+ \tenorPatII
+ fis,4 fis8 r8 r8 fis4 fis8
+ \tenorPatII
+ fis4 fis8 r8 r8 fis8 fis8 fis8
+ \tenorPatI
+ \repeat unfold 4 { b8 b8 }
+ b8 b8 b8 b8 b8 b8 a8 a8
+ g8 b8 g8 fis8 g8 a8 g8 g8
+ fis8 fis8 fis8 fis8 fis8 fis8 fis4
+ }
+ b8 r8 c8 b8 ~ b8 c8 r8 b8
+ c4 d8 c8 ~ c8 c8 r8 c8
+ d8 c8 ~ c8 b8 ~ b4 g8 g8( ~
+ g2 fis4) r4
+ r8 d'4 d8 ~ d8 d8 r8 b8
+ c4 c8 c8 ~ c8 c8 r8 c8
+ d8 d8 ~ d8 b8 ~ b4 d8 d8 ~
+ d1
+ % coda
+ r4 b8 b8 b8 r8 r4
+ }
+ >>
+ }
+
+ bassPatI = \relative c {
+ \repeat unfold 4 { g8 g8 }
+ \repeat unfold 4 { c8 c8 }
+ \repeat unfold 4 { g8 g8 }
+ \repeat unfold 4 { d'8 d8 }
+ }
+ bassPatII = \relative c {
+ g4. b8 ~ b4 d4
+ c4. c8 ~ c4 d4
+ g4. b8 ~ b4 c4
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ s1*4
+ \repeat volta 2 \bassPatI
+ \repeat volta 2 {
+ \bassPatII
+ d4. a8 ~ a4 d4
+ \bassPatII
+ d4. c8 ~ c4 a4
+ \bassPatI
+ g4. g8 d'8 d8 e8 d8
+ c4. c8 c8 c8 c8 c8
+ d4. d8 ~ d4 d4
+ d4. d8 d8 a8 d4
+ }
+ g8 r8 d8 g,8 ~ g8 d'8 r8 des8
+ c4 d8 e8 ~ e8 ees8 r8 ees8
+ d8 dis8 ~ dis8 e8 ~ e4 cis8 d8 ~
+ d2. r4
+ r8 b'4 c8 ~ c8 b8 r8 g8
+ g4 e8 ees8 ~ ees8 ees8 r8 ees8
+ d8 d8 ~ d8 d8 ~ d4 d8 d8 ~
+ d1
+ % coda
+ r4 g,8 g8 g8 r8 r4
+ }
+ >>
+ }
+
diff --git a/hr/issi/lion/stimmen_midi.ly b/hr/issi/lion/stimmen_midi.ly
new file mode 100644
index 0000000..09e715f
--- /dev/null
+++ b/hr/issi/lion/stimmen_midi.ly
@@ -0,0 +1,272 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key g \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopSolo = \relative c'' {
+ \repeat volta 2 {
+ \oneVoice
+ g4( \times 2/3 { a4 b8 ~ } \times 2/3 { b4 a8) } \times 2/3 { r4 b8( }
+ c4 \times 2/3 { b4 a8 ~ } \times 2/3 { a4 g8) } \times 2/3 { r4 a8( }
+ \times 2/3 { b4) d,8 ~ } \times 2/3 { d4 d8 ~ } \times 2/3 { d4 d8 } d4 ~
+ d2. r4
+ }
+ \repeat volta 2 {
+ s1*4
+ }
+ \repeat volta 2 {
+ s1*7
+ \voiceOne
+ s2. d4
+ \repeat unfold 2 {
+ d'1( ~
+ d4 \times 2/3 { c4 d8 ~ } \times 2/3 { d4 c8 ~ } c4
+ \times 2/3 { b4) d,8 ~ } \times 2/3 { d4 d8 ~ } \times 2/3 { d4 d8 } d4 ~
+ } \alternative {
+ {
+ d2. d4
+ }
+ {
+ d2. s4
+ }
+ }
+ }
+ s1*8
+ \repeat unfold 2 {
+ d'1( ~
+ d4 \times 2/3 { c4 d8 ~ } \times 2/3 { d4 c8 ~ } c4
+ \times 2/3 { b4) d,8 ~ } \times 2/3 { d4 d8 ~ } \times 2/3 { d4 d8 } d4 ~
+ } \alternative {
+ {
+ d2. d4
+ }
+ {
+ d2. s4
+ }
+ }
+ s1
+ }
+
+ sopPatI = \relative c' {
+ \repeat unfold 4 { \times 2/3 { d4 d8 } }
+ \repeat unfold 4 { \times 2/3 { e4 e8 } }
+ \repeat unfold 4 { \times 2/3 { d4 d8 } }
+ \repeat unfold 4 { \times 2/3 { d4 d8 } }
+ }
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ { \sopSolo }
+ %\\
+ {
+ s1*4
+ s1*4
+ \repeat volta 2 {
+ \sopPatI
+ }
+ \repeat volta 2 {
+ g'4 \times 2/3 { a4 b8 ~ } \times 2/3 { b4 a8 } \times 2/3 { r4 b8 }
+ c4 \times 2/3 { b4 a8 ~ } \times 2/3 { a4 g8 } \times 2/3 { r4 a8 }
+ \times 2/3 { b4 a8 ~ } \times 2/3 { a4 g8 ~ } g4 \times 2/3 { b4 a8 ~ }
+ a2. r4
+ d4 \times 2/3 { b4 a8 ~ } \times 2/3 { a4 b8 } \times 2/3 { r4 d8 }
+ c4 \times 2/3 { b4 a8 ~ } \times 2/3 { a4 g8 } \times 2/3 { r4 a8 }
+ \times 2/3 { b4 a8 ~ } \times 2/3 { a4 g8 ~ } g4 \times 2/3 { b4 a8 ~ }
+ a2. s4
+ {
+ \voiceTwo
+ \sopPatI
+ r4 b8 a8 g8 fis8 e8 d8
+ c1
+ \repeat unfold 4 { \times 2/3 { d4 d8 } }
+ \repeat unfold 3 { \times 2/3 { d4 d8 } } d4
+ }
+ }
+ \oneVoice
+ \times 2/3 { g4 r8 } \times 2/3 { a4 b8 ~ } \times 2/3 { b4 a8 } \times 2/3 { r4 b8 }
+ c4 \times 2/3 { b4 a8 ~ } \times 2/3 { a4 g8 } \times 2/3 { r4 a8 }
+ \times 2/3 { b4 a8 ~ } \times 2/3 { a4 g8 ~ } g4 \times 2/3 { b4 a8 ~ }
+ a2. r4
+ \times 2/3 { d4 r8 } \times 2/3 { b4 a8 ~ } \times 2/3 { a4 b8 } \times 2/3 { r4 d8 }
+ c4 \times 2/3 { b4 a8 ~ } \times 2/3 { a4 g8 } \times 2/3 { r4 a8 }
+ \times 2/3 { b4 a8 ~ } \times 2/3 { a4 g8 ~ } g4 \times 2/3 { b4 a8 ~ }
+ a1
+ \bar "||"
+ \sopPatI
+ r4 b8 a8 g8 fis8 e8 d8
+ c1
+ \repeat unfold 4 { \times 2/3 { d4 d8 } }
+ \repeat unfold 3 { \times 2/3 { d4 d8 } } d4
+ % coda
+ r4 \times 2/3 { g4 g8 } \times 2/3 { g4 r8 } r4
+ \bar "|."
+ }
+ >>
+ }
+
+ altPatI = \relative c' {
+ \repeat unfold 4 { \times 2/3 { b4 b8 } }
+ \times 2/3 { d4 d8 } \times 2/3 { d4 d8 } \times 2/3 { c4 c8 } \times 2/3 { c4 c8 }
+ \times 2/3 { c4 c8 } \times 2/3 { c4 c8 } \times 2/3 { b4 b8 } \times 2/3 { b4 b8 }
+ \repeat unfold 4 { \times 2/3 { a4 a8 } }
+ }
+ altPatII = \relative c' {
+ d4 \times 2/3 { d4 r8 } \times 2/3 { r4 d8 ~ } \times 2/3 { d4 d8 }
+ e4 \times 2/3 { e4 r8 } \times 2/3 { r4 e8 ~ } \times 2/3 { e4 fis8 }
+ g4 \times 2/3 { d4 r8 } \times 2/3 { r4 d8 ~ } \times 2/3 { d4 e8 }
+ }
+
+ altMelodie = \relative c' {
+ <<
+ % { \meta }
+ %\altArt
+ %the actual tune
+ {
+ s1*4
+ s1*4
+ \repeat volta 2 \altPatI
+ \repeat volta 2 {
+ \altPatII
+ d4 \times 2/3 { d4 r8 } \times 2/3 { r4 d8 ~ } \times 2/3 { d4 d8 }
+ \altPatII
+ d4 \times 2/3 { d4 r8 } \times 2/3 { r4 d8 } \times 2/3 { d4 d8 }
+ \altPatI
+ \repeat unfold 4 { \times 2/3 { d4 d8 } }
+ \repeat unfold 4 { \times 2/3 { e4 e8 } }
+ r4 b'8 a8 g8 fis8 e8 ees8
+ d2. r4
+ }
+ \times 2/3 { d4 r8 } \times 2/3 { f4 f8 ~ } \times 2/3 { f4 f8 } \times 2/3 { r4 f8 }
+ e4 \times 2/3 { f4 g8 ~ } \times 2/3 { g4 g8 } \times 2/3 { r4 g8 }
+ \times 2/3 { g4 fis8 ~ } \times 2/3 { fis4 d8 ~ } d4 \times 2/3 { e4 e8( ~ }
+ e2 d4) r4
+ \times 2/3 { r4 g8 ~ } \times 2/3 { g4 f8 ~ } \times 2/3 { f4 g8 } \times 2/3 { r4 f8 }
+ e4 \times 2/3 { g4 g8 ~ } \times 2/3 { g4 g8 } \times 2/3 { r4 g8 }
+ \times 2/3 { g4 g8 ~ } \times 2/3 { g4 d8 ~ } d4 \times 2/3 { g4 g8( ~ }
+ g2 fis2)
+ \altPatI
+ \repeat unfold 4 { \times 2/3 { d4 d8 } }
+ \repeat unfold 4 { \times 2/3 { e4 e8 } }
+ r4 b'8 a8 g8 fis8 e8 ees8
+ d2. r4
+ %coda
+ r4 \times 2/3 { d4 d8 } \times 2/3 { d4 r8 } r4
+ }
+ >>
+ }
+
+ tenorPatI = \relative c' {
+ \repeat unfold 4 { \times 2/3 { g4 g8 } }
+ \repeat unfold 4 { \times 2/3 { g4 g8 } }
+ \repeat unfold 4 { \times 2/3 { g4 g8 } }
+ \repeat unfold 4 { \times 2/3 { fis4 fis8 } }
+ }
+ tenorPatII = \relative c' {
+ b4 \times 2/3 { b4 r8 } \times 2/3 { r4 b8 ~ } \times 2/3 { b4 b8 }
+ d4 \times 2/3 { d4 r8 } \times 2/3 { r4 c8 ~ } \times 2/3 { c4 c8 }
+ b4 \times 2/3 { b4 r8 } \times 2/3 { r4 b8 ~ } \times 2/3 { b4 g8 }
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ % { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ s1*4
+ s1*4
+ \repeat volta 2 \tenorPatI
+ \repeat volta 2 {
+ \tenorPatII
+ fis,4 \times 2/3 { fis4 r8 } \times 2/3 { r4 fis8 ~ } \times 2/3 { fis4 fis8 }
+ \tenorPatII
+ fis4 \times 2/3 { fis4 r8 } \times 2/3 { r4 fis8 } \times 2/3 { fis4 fis8 }
+ \tenorPatI
+ \repeat unfold 4 { \times 2/3 { b4 b8 } }
+ \times 2/3 { b4 b8 } \times 2/3 { b4 b8 } \times 2/3 { b4 b8 } \times 2/3 { a4 a8 }
+ \times 2/3 { g4 b8 } \times 2/3 { g4 fis8 } \times 2/3 { g4 a8 } \times 2/3 { g4 g8 }
+ \times 2/3 { fis4 fis8 } \times 2/3 { fis4 fis8 } \times 2/3 { fis4 fis8 } fis4
+ }
+ \times 2/3 { b4 r8 } \times 2/3 { c4 b8 ~ } \times 2/3 { b4 c8 } \times 2/3 { r4 b8 }
+ c4 \times 2/3 { d4 c8 ~ } \times 2/3 { c4 c8 } \times 2/3 { r4 c8 }
+ \times 2/3 { d4 c8 ~ } \times 2/3 { c4 b8 ~ } b4 \times 2/3 { g4 g8( ~ }
+ g2 fis4) r4
+ \times 2/3 { r4 d'8 ~ } \times 2/3 { d4 d8 ~ } \times 2/3 { d4 d8 } \times 2/3 { r4 b8 }
+ c4 \times 2/3 { c4 c8 ~ } \times 2/3 { c4 c8 } \times 2/3 { r4 c8 }
+ \times 2/3 { d4 d8 ~ } \times 2/3 { d4 b8 ~ } b4 \times 2/3 { d4 d8 ~ }
+ d1
+ \tenorPatI
+ \repeat unfold 4 { \times 2/3 { b4 b8 } }
+ \times 2/3 { b4 b8 } \times 2/3 { b4 b8 } \times 2/3 { b4 b8 } \times 2/3 { a4 a8 }
+ \times 2/3 { g4 b8 } \times 2/3 { g4 fis8 } \times 2/3 { g4 a8 } \times 2/3 { g4 g8 }
+ \times 2/3 { fis4 fis8 } \times 2/3 { fis4 fis8 } \times 2/3 { fis4 fis8 } fis4
+ % coda
+ r4 \times 2/3 { b4 b8 } \times 2/3 { b4 r8 } r4
+ }
+ >>
+ }
+
+ bassPatI = \relative c {
+ \repeat unfold 4 { \times 2/3 { g4 g8 } }
+ \repeat unfold 4 { \times 2/3 { c4 c8 } }
+ \repeat unfold 4 { \times 2/3 { g4 g8 } }
+ \repeat unfold 4 { \times 2/3 { d'4 d8 } }
+ }
+ bassPatII = \relative c {
+ \times 2/3 { g4 ~ g8 ~ } \times 2/3 { g4 b8 ~ } b4 d4
+ \times 2/3 { c4 ~ c8 ~ } \times 2/3 { c4 c8 ~ } c4 d4
+ \times 2/3 { g4 ~ g8 ~ } \times 2/3 { g4 b8 ~ } b4 c4
+ }
+
+ bassMelodie = \relative c {
+ <<
+ % { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ s1*4
+ s1*4
+ \repeat volta 2 \bassPatI
+ \repeat volta 2 {
+ \bassPatII
+ \times 2/3 { d4 ~ d8 ~ } \times 2/3 { d4 a8 ~ } a4 d4
+ \bassPatII
+ \times 2/3 { d4 ~ d8 ~ } \times 2/3 { d4 c8 ~ } c4 a4
+ \bassPatI
+ \times 2/3 { g4 ~ g8 ~ } \times 2/3 { g4 g8 } \times 2/3 { d'4 d8 } \times 2/3 { e4 d8 }
+ \times 2/3 { c4 ~ c8 ~ } \times 2/3 { c4 c8 } \times 2/3 { c4 c8 } \times 2/3 { c4 c8 }
+ \times 2/3 { d4 ~ d8 ~ } \times 2/3 { d4 d8 ~ } d4 d4
+ \times 2/3 { d4 ~ d8 ~ } \times 2/3 { d4 d8 } \times 2/3 { d4 a8 } d4
+ }
+ \times 2/3 { g4 r8 } \times 2/3 { d4 g,8 ~ } \times 2/3 { g4 d'8 } \times 2/3 { r4 des8 }
+ c4 \times 2/3 { d4 e8 ~ } \times 2/3 { e4 ees8 } \times 2/3 { r4 ees8 }
+ \times 2/3 { d4 dis8 ~ } \times 2/3 { dis4 e8 ~ } e4 \times 2/3 { cis4 d8 ~ }
+ d2. r4
+ \times 2/3 { r4 b'8 ~ } \times 2/3 { b4 c8 ~ } \times 2/3 { c4 b8 } \times 2/3 { r4 g8 }
+ g4 \times 2/3 { e4 ees8 ~ } \times 2/3 { ees4 ees8 } \times 2/3 { r4 ees8 }
+ \times 2/3 { d4 d8 ~ } \times 2/3 { d4 d8 ~ } d4 \times 2/3 { d4 d8 ~ }
+ d1
+ \bassPatI
+ \times 2/3 { g,4 ~ g8 ~ } \times 2/3 { g4 g8 } \times 2/3 { d'4 d8 } \times 2/3 { e4 d8 }
+ \times 2/3 { c4 ~ c8 ~ } \times 2/3 { c4 c8 } \times 2/3 { c4 c8 } \times 2/3 { c4 c8 }
+ \times 2/3 { d4 ~ d8 ~ } \times 2/3 { d4 d8 ~ } d4 d4
+ \times 2/3 { d4 ~ d8 ~ } \times 2/3 { d4 d8 } \times 2/3 { d4 a8 } d4
+ % coda
+ r4 \times 2/3 { g,4 g8 } \times 2/3 { g4 r8 } r4
+ }
+ >>
+ }
+
diff --git a/hr/issi/lion/texte.ly b/hr/issi/lion/texte.ly
new file mode 100644
index 0000000..e68c488
--- /dev/null
+++ b/hr/issi/lion/texte.ly
@@ -0,0 +1,36 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ Wim -- o -- wee, o -- wim -- o -- wee, …
+ \repeat unfold 6 { _ _ _ _ }
+ mh ba
+ ba da mh …
+ \repeat unfold 6 { _ _ _ _ }
+ ba da da
+ wim … _ _
+ \repeat unfold 14 { _ _ _ _ }
+ wim -- o -- wee.
+ Hush! My dar -- ling, don’t fear, my dar -- ling,
+ the li -- on sleps to -- night.
+ Hush! Dar -- ling, don’t fear my dar -- ling,
+ the li -- on sleps to -- night.
+ Wim -- bo -- wee.
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/issi/merry/dynArt.ly b/hr/issi/merry/dynArt.ly
new file mode 100644
index 0000000..0f4a875
--- /dev/null
+++ b/hr/issi/merry/dynArt.ly
@@ -0,0 +1,36 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s4
+ s1
+ \slurDashed
+ s2
+ \slurSolid
+ s2
+ }
+ all = \new Voice {
+ s4
+ \repeat unfold 2 {
+ s1
+ s1
+ s1
+ s2 r4 s4
+ }
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/issi/merry/merry.ly b/hr/issi/merry/merry.ly
new file mode 100644
index 0000000..1402165
--- /dev/null
+++ b/hr/issi/merry/merry.ly
@@ -0,0 +1,63 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "God rest you merry, Gentlemen"
+ %composer = "<+Komponist+>"
+ composer = "aus England"
+ arranger = "Wolfgang Stockmeier (*1931), 2002"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \all
+ \new Voice = "soprane" { \global \voiceOne \sopranMelodie }
+ %\addlyrics { \sopranText }
+ \new Voice = "alti" { \global \voiceTwo \altMelodie }
+ %\addlyrics { \altText }
+ >>
+ \new Lyrics { \lyricsto soprane \sopranTextI }
+ \new Lyrics { \lyricsto soprane \sopranTextII }
+ \new Lyrics { \lyricsto soprane \sopranTextV }
+ \new Staff = tenor <<
+ \all
+ \new Voice = "tenoere" { \global \voiceOne \tenorMelodie }
+ %\addlyrics { \tenorText }
+ \new Voice = "baesse" { \global \voiceTwo \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/issi/merry/midi.lua b/hr/issi/merry/midi.lua
new file mode 100644
index 0000000..58e69da
--- /dev/null
+++ b/hr/issi/merry/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/issi/merry/stimmen.ly b/hr/issi/merry/stimmen.ly
new file mode 100644
index 0000000..a2b4a47
--- /dev/null
+++ b/hr/issi/merry/stimmen.ly
@@ -0,0 +1,91 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key g \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ \partial 4
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ e4 e4 b'4 b4 a4 \set melismaBusyProperties = #'() g4( fis4) \unset melismaBusyProperties e4 d4
+ e4 fis4 g4 a4 b2 s4
+ e,4 e4 b'4 b4 a4 g4( fis4) e4 d4
+ e4 fis4 g4 a4 b2 s4
+ b4
+ c4 a4 b4 c4 d4 e4 b4 a4 g4 e4 fis4 g4 a2
+ g4( a4) b2 c4 b4 b4( a4) g4 fis4 e2
+ g8 fis8 e4 a2
+ g4( a4) b4( c4) d4 e4 b4( a4) g4 fis4 e2.
+ \bar "|."
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ b4 e4 dis4 e4 fis4 e4( dis4) b4 a4
+ b4 b4 b4 b4 e2 s4
+ b4 e4 dis4 e4 fis4 e4( dis4) b4 a4
+ b4 dis4 e4 fis4 g2 s4
+ g4 e4 fis4 g4 g4 g4 g4 g4 e4 e4 e4 dis4 e4 fis2
+ e4( fis4) g2 g4 fis4 g4( fis4) e4 d4 c2
+ d8 d8 c4 e2
+ e4( fis4) g2 g4 g4 g4( fis4) e4 dis4 b2.
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ g4 b4 a4 b4 c4 b4( a4) g4 a4
+ g4 fis4 e4 fis4 g2 s4
+ g4 b4 a4 b4 c4 b4( a4) g4 a4
+ g4 b4 b4 d4 d2 s4
+ d4 c4 d4 d4 e4 d4 c4 d4 c4 b4 b4 a4 b4 d2
+ b4( d4) d2 e4 d4 d2 b4 b4 g2
+ b8 b8 g4 c2
+ b4( d4) d4( c4) b4 c4 d4( c4) b4 b4 g2.
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ e4 g4 fis4 g4 a4 e4( fis4) g4 fis4
+ e4 dis4 e4 e4 e2 s4
+ e4 g4 fis4 g4 a4 e4( fis4) g4 fis4
+ e4 b4 e4 d4 g2 s4
+ g4 a4 d,4 g4 c,4 b4 c4 g'4 a4 e4 g4 fis4 e4 d2
+ e4( d4) g2 c,4 d4 g4( d4) e4 b4 c2
+ g8 b8 c4 a2
+ e'4( d4) g2 g4 c,4 g'4( a4) b4 b,4 e2.
+ }
+ >>
+ }
+
diff --git a/hr/issi/merry/texte.ly b/hr/issi/merry/texte.ly
new file mode 100644
index 0000000..920ba66
--- /dev/null
+++ b/hr/issi/merry/texte.ly
@@ -0,0 +1,51 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranTextI = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ God rest you mer -- ry, gen -- tle -- men,
+ let no -- thing you dis -- may!
+ Re -- mem -- ber Christ our Sa -- viour
+ was born on Christ -- mas day,
+ to save us all from Sa -- tans pow’r
+ when we were gone a -- stray.
+ }
+
+ sopranTextII = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ From God our heaven -- ly Fa -- _ ther
+ a bles -- sed an -- gel came,
+ and un -- to cer -- tain shep -- herds brought
+ ti -- dings of the same,
+ how that in Beth -- le -- hem was born
+ the son of God by name.
+ O Ti -- dings of com -- fort and joy,
+ com -- fort and joy,
+ o ti -- dings of com -- fort and joy.
+ }
+
+ sopranTextV = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ Now to the Lord sing prai -- _ ses
+ all you with -- in this place,
+ and with true love and bro -- ther -- hood
+ each other now em -- brace;
+ this ho -- ly tide of Christ -- _ mas
+ all oth -- er doth de -- face.
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/issi/schiff/dynArt.ly b/hr/issi/schiff/dynArt.ly
new file mode 100644
index 0000000..5430d21
--- /dev/null
+++ b/hr/issi/schiff/dynArt.ly
@@ -0,0 +1,51 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ \repeat unfold 9 { s1. }
+ \bar "||"
+ \repeat unfold 3 { s1. }
+ \time 4/4
+ \repeat unfold 3 { s1 }
+ \time 6/4
+ \repeat unfold 3 { s1. }
+ \bar "||"
+ \repeat unfold 3 { s1. }
+ \time 4/4
+ \repeat unfold 3 { s1 }
+ \time 6/4
+ \repeat unfold 3 { s1. }
+ \bar "||"
+ \repeat unfold 3 { s1. }
+ \time 4/4
+ \repeat unfold 3 { s1 }
+ \time 3/4
+ \repeat unfold 1 { s2. }
+ \time 6/4
+ \repeat unfold 5 { s1. }
+ \bar "||"
+ \repeat unfold 3 { s1. }
+ \time 4/4
+ \repeat unfold 2 { s1 }
+ \time 3/4
+ \repeat unfold 1 { s2. }
+ \time 6/4
+ \repeat unfold 5 { s1. }
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/issi/schiff/midi.lua b/hr/issi/schiff/midi.lua
new file mode 100644
index 0000000..58e69da
--- /dev/null
+++ b/hr/issi/schiff/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/issi/schiff/schiff.ly b/hr/issi/schiff/schiff.ly
new file mode 100644
index 0000000..4f0698d
--- /dev/null
+++ b/hr/issi/schiff/schiff.ly
@@ -0,0 +1,65 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Es Kommt Ein Schiff Geladen"
+ composer = "Alte Volksweise"
+ arranger = "Katharina Meier"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ \pointAndClickOff
+
+ #(set-global-staff-size 17)
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+ \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+ \new Staff = tenor { \clef "treble_8" <<
+ \new Voice = "tenorA" { \global \voiceOne \tenorAMelodie }
+ %\addlyrics { \tenorText }
+ \new Voice = "tenorB" { \global \voiceTwo \tenorBMelodie }
+ >> }
+ \new Lyrics \lyricsto tenorA \tenorText
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/issi/schiff/stimmen.ly b/hr/issi/schiff/stimmen.ly
new file mode 100644
index 0000000..d6be0db
--- /dev/null
+++ b/hr/issi/schiff/stimmen.ly
@@ -0,0 +1,307 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key bes \major
+ \override Staff.TimeSignature #'style = #'numbered
+ \time 6/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ { \tempo \markup{ \bold "Andante Misterioso" } }
+ {
+ \repeat unfold 8 { r1. }
+ \repeat unfold 4 { r1. }
+ \repeat unfold 3 { r1 }
+ \repeat unfold 1 { r1. }
+ <<
+ {
+ \voiceOne
+ d2\pp\< d4 f4\mp d4 c4
+ bes2\> g4 a2\p
+ g4^\markup{ "S1 Solo" }
+ g2 g4 a2 a4
+ bes4( c4 d4) d2 d4
+ c2 c4 g2 a4
+ bes2 r4
+ bes4^\markup{ "S tutti" }
+ d4 f4 g4 g4
+ f8( ees8 d8 c8) bes4 c4
+ d2 c4 bes2 a4
+ g2
+ }
+ \new Voice {
+ \voiceTwo
+ bes2 bes4 d4 bes4 a4
+ g2 ees4 fis2
+ s4
+ s1.
+ s1.
+ s1.
+ s2.
+ bes4
+ bes4 bes4 ees4 ees4
+ d4 bes4 g4 a4
+ g2 g4 g2 d4
+ d2
+ }
+ >>
+ \oneVoice
+ r1
+ r1.
+ d'4\( c4 bes4 a4 bes4 c4\)
+ bes4 a4 g4 fis4 g4 a4
+ bes4 a4 bes4 c4 f4 ees4 d4 r2 r4
+ r4
+ <<
+ {
+ \voiceOne
+ d4 d4 f4 g4 g4 f8 ees8 d8 c8
+ bes2 c4 d4 ees4 d4 c4 d4 c4 bes2.
+ } \\
+ {
+ \voiceTwo
+ bes4 bes4 bes4 ees4 ees4 d8 c8 bes8 a8 g2
+ a4 bes2. a2. g2.
+ }
+ >>
+ \oneVoice
+ r2.
+ r1.
+ r1.
+ fis2. r2 g4 g2 g4 a2 a4 bes4( c4 d4) d2 d4 c2 c4 g2 a4 bes4
+ <<
+ {
+ \voiceOne
+ bes4 d4 f4 g4 g4 f8 ees8 d8 c8 bes2
+ } \\
+ {
+ \voiceTwo
+ bes4 bes4 bes4 d4 d4 a4 a4 g2
+ }
+ >>
+ \oneVoice
+ c4 d2 c4 bes2 a4 g2 r4 r2.
+ r1.
+ r1.
+ r1.
+ }
+ >>
+ }
+
+ altMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ \repeat unfold 8 { r1. }
+ \repeat unfold 7 { r1. }
+ g2 g4 f2 d4
+ ees2 c4 d2 r4
+ d2 d4 d2 c4
+ bes2 c4 a2 c4
+ c2 c4 ees2 c4
+ bes2 r4 bes4
+ bes4 bes4 bes4 ees4
+ d2 d4 c4
+ bes2 c4 c2 c4
+ bes4 d4 d4 f4 d4 c4
+ bes2. a2 r4
+ d2. d2 c4 bes2 c4 a2 c4
+ bes2. c2 c4 d4
+ d4 bes4 a4 bes4 bes4 bes4 bes4 bes4 bes4 c4 c4 d2 r4
+ r1.
+ d2 d4 e2 e4 f4 e4 c4 d2.
+ d2 d4 e2 e4 <<d2. \\ c2.>>
+ r2
+ <<
+ {
+ \voiceOne
+ g'4 d2 d4 f2 f4 g4 f2 d2
+ f4 ees2 ees4 g2 f4 bes,4
+ } \\
+ {
+ \voiceTwo
+ g'4 d2 d4 c2 a4 bes4 c2 c2
+ d4 c2 c4 d2 c4 bes4
+ }
+ >>
+ \oneVoice
+ bes4 bes4 bes4 bes4 bes4 c2 d2
+ c4 d2 c4 bes2 a4 g2 r4 r2.
+ r1.
+ r1.
+ r1.
+ }
+ >>
+ }
+
+ tenorAMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \repeat volta 2 {
+ d2^\markup{ "2nd " \dynamic "ppp" } d4 c2 c4
+ d2 d4 f2 e4
+ d2 d4 c2 c4
+ d1.
+ d2 d4 c2 c4
+ d2 d4 ees2 ees4
+ d2 d4 d2 d4
+ } \alternative {
+ {
+ d2. r2.
+ }
+ {
+ d2. r2.
+ }
+ }
+ s1.
+ s1.
+ s1.
+ s1
+ s2 g4^\markup{ "T tutti" } g4
+ f8( ees8 d8 c8) bes4 c4
+ d2\> c4 bes2\! a4
+ g2. \oneVoice r2 r4
+ r1.
+ g2 g4 f2 f4
+ ees2 ees4 d2 d4
+ ees2 ees4 ees2 f4
+ bes,4 bes'4 a4 f4
+ d4 bes4 ees4 ees4
+ f4( fis4) g4 fis4
+ g2 ees4 c2 fis4
+ g4 bes4 bes4 d4 bes4 a4
+ g2 g4 d2 r4
+ g2. f2. ees2. d2. ees2. f2. bes,4
+ bes'4 a4 f4 g4 bes4 f4 d4 g8( f8) ees4 f4( fis4) g2 r4
+ r1.
+ bes2 bes4 c2 c4 d4 c4 a4 bes2.
+ a2 bes4 c2 c4 a2.
+ r2 g4 bes2 bes4 a4( g4) f4 ees4( f4 g4) a2
+ << { \voiceOne bes4 } { \voiceTwo g4 } >> g2 a4 bes2 a4 bes4
+ bes4 f4 d4 ees4 ees4 f4( a4) g2
+ c4 d2 c4 bes2 a4
+ <<
+ {
+ \voiceOne
+ d2 d4 c2 c4 d2 d4 f2 e4
+ d2 d4 c2 c4
+ }
+ {
+ \voiceTwo
+ bes2 bes4 a2 a4 bes2 bes4 d2 c4
+ bes2 bes4 a2 a4
+ }
+ >>
+ \oneVoice
+ g1.
+ }
+ >>
+ }
+
+ tenorBMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \repeat volta 2 {
+ bes2 bes4 a2 a4
+ bes2 bes4 d2 c4
+ bes2 bes4 a2 a4
+ g1.
+ bes2 bes4 a2 a4
+ bes2 bes4 c2 c4
+ a2 a4 c2 c4
+ } \alternative {
+ {
+ g2. r2.
+ }
+ {
+ g2. r2 g4\pp^\markup{ "T2: Solo" }
+ }
+ }
+ g2 g4 a2 a4
+ bes4( c4\< d4) d2\mp d4
+ c2 c4 g2\cresc a4
+ bes2\p r4 bes4
+ d4 f4 ees4 bes4
+ a4( f4) g4 a4
+ bes2 g4 g2 fis4
+ g2. s2 s4
+ s1.
+ }
+ >>
+ }
+
+ bassMelodie = \relative c, {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ \repeat volta 2 {
+ f2\ppp g4 f4 d4 f4
+ g2 g4 bes2 a4
+ g2 g4 f4 d4 f4
+ g2 g4 d'2.
+ g,2 g4 f4 d4 f4
+ g2 g4 c4 bes4 c4
+ d2 d4 d,2 fis4
+ } \alternative {
+ {
+ g2. d4 ees4 f4
+ }
+ {
+ g2. d2 r4
+ }
+ }
+ g2 g4 f2 f4
+ ees2( c4) d2 d4
+ ees2 ees4 ees2 f4
+ bes,4 bes'4 a4 f4
+ d4 f4 ees4 ees4
+ f2 ees4 fis4
+ g2 c,4 g'2 d4
+ g2 g4 f2 f4
+ ees2 ees4 d2 r4
+ r1.
+ r1.
+ r1.
+ r1
+ r1
+ r1
+ r1.
+ r1.
+ r1 r4 g4 g2 g4 a2 a4 bes4( c4 d4) d2
+ d4 c2 c4 f,2 a4 bes4 r2 r4 r4
+ bes4 bes,4 d4 ees4 g4 d4 d4 g2
+ fis4 g2 g4 fis2 fis4 g2. r2.
+ r1.
+ r1.
+ d'2.
+ r2 g,4 g2 g4 f2 f4 ees2 ees4 fis2
+ g4 c4( bes4) a4 g2 f4 bes4
+ bes4 bes4 bes4 ees,4 e4 f4 fis4 g2
+ c4 d2 c4 bes2 a4
+ g2 g4 f4 d4 f4 g2 g4 bes2 a4
+ g2 g4 fis2 fis4 g1.
+ }
+ >>
+ }
+
diff --git a/hr/issi/schiff/texte.ly b/hr/issi/schiff/texte.ly
new file mode 100644
index 0000000..54b543b
--- /dev/null
+++ b/hr/issi/schiff/texte.ly
@@ -0,0 +1,62 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ doowah = \lyricmode {
+ doo doo doo doo
+ doo doo doo doo
+ doo doo doo doo
+ wah
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ doo doo doo doo
+ doo doo doo doo
+ doo doo doo doo
+ doo
+ \doowah
+ \set associatedVoice = tenorB
+ doo
+ Es kommt ein Schiff ge -- la -- den,
+ bis an sein höch -- sten Bord
+ trägt Got -- tes Sohn voll Gna -- den,
+ des Va -- ters e -- wig
+ \set associatedVoice = tenorA
+ Wort.
+ doo doo doo doo
+ doo doo doo doo
+ doo doo doo doo
+ Last, ein’ Last,
+ das Se -- gel ist die Lie -- be,
+ der hei -- lig Gest der Mast.
+ %bah bah
+ doo doo doo doo doo
+ %doo doo doo doo
+ %doo doo doo doo
+ doo doo wah
+ hmm _ hmm _ _ _
+ Land, das Wort, das Wort, das Wort
+ tut Fleisch uns wer -- den
+ \doowah
+ Zu Beth -- le -- hem ge -- bo -- ren
+ ist uns ein Kin -- de -- lein.
+ Gibt sich für uns ver -- lo -- ren,
+ ge -- lo -- bet soll es
+ \doowah
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/issi/silence/dynArt.ly b/hr/issi/silence/dynArt.ly
new file mode 100644
index 0000000..0f55ba0
--- /dev/null
+++ b/hr/issi/silence/dynArt.ly
@@ -0,0 +1,191 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \tempo 4=100
+ \dynamicUp
+ s1*4
+ \time 2/4
+ s2
+ \break
+ \time 4/4
+ s1
+ \bar "||"
+ s1
+ %\break
+ s1*3
+ \break
+ s1*4
+ \time 2/4
+ s2
+ \time 4/4
+ s1
+ %\break
+ s1*3
+ \time 2/4
+ s2
+ \time 4/4
+ s1*2
+ \break
+ \repeat volta 2 {
+ s1*6
+ \slurDashed
+ s1*2
+ \slurSolid
+ \break
+ \time 2/4
+ s2
+ \time 4/4
+ s1*4
+ \time 2/4
+ s2
+ \time 4/4
+ s1*2
+ }
+ \break
+ s1*4
+ \break
+ \time 4/4
+ s1*4
+ \break
+ \time 2/4
+ s2
+ \time 4/4
+ s1*3
+ \break
+ s1*2
+ s1*2
+ \bar "||"
+ \break
+ s1*8
+ \break
+ s1*10
+ \bar "|."
+ }
+
+% articulation
+
+ cross = {
+ \override Voice.NoteHead #'style = #'cross
+ }
+ uncross = {
+ \revert Voice.NoteHead #'style
+ }
+ basspat = {
+ s4 \cross s8 \uncross s8 s4 \cross s8 \uncross s8
+ }
+ whisper = \markup {
+ \dynamic "p" "*)"
+ }
+ sopranArt = {
+ \cross
+ s1^\markup{ "Intro" }
+ s1
+ s2 s8->^\whisper s8 s4
+ s2
+ \uncross
+ s2
+ s2
+ s1
+ s1\mark \markup{ \bold A }
+ s4 s2\p s4
+ s1*6
+ s2
+ s1*4
+ s2
+ s1
+ s1
+ s8\mark \markup{ \bold B } s8\mf^\markup{ \italic "Vers 3: 2. Stimme ad lib." } s2.
+ s1*5
+ s1
+ }
+
+ altArt = {
+ \cross
+ s1
+ s1
+ s8->^\whisper s8 s4 s2
+ s2.
+ \uncross
+ s4
+ s2
+ s1
+ s4 s8\mf s8 s2
+ s1*7
+ s2
+ s1*4
+ s2
+ s1\>
+ s1
+ %B
+ s1\!
+ s4\mf s2.
+ }
+
+ tenorArt = {
+ \cross
+ s8->^\whisper s8 s4 s2
+ s2 s8-> s8 s4
+ s1
+ s2.
+ \uncross
+ s4
+ s2
+ s1*2
+ s4 s2\p s4
+ s1*6
+ s2
+ s1*4
+ s2
+ s4 s8 s8-> s2
+ s1
+ % B
+ s1
+ s4\mf s2.
+ }
+
+ bassArt = {
+ \cross
+ s1
+ s8->^\whisper s8 s4 s2
+ s4 s8\< s8 s2
+ \uncross
+ s2 s2\!
+ s2
+ s8\> s8 s2\! s4
+ s1
+ s1\p
+ s1*6
+ s2
+ s1*4
+ s2
+ s4 s8 s8-> s2
+ s1
+ % B
+ s1
+ <<
+ s4\mf
+ \repeat unfold 2 \basspat
+ \new CueVoice{
+ \voiceTwo
+ s4 s8^\markup{ \italic "Imitieren einer Bassgitarre" } s8 bes4 s4
+ s2 bes4 s4
+ }
+ >>
+ \repeat unfold 5 \basspat
+ s2
+ \repeat unfold 3 \basspat
+ s1
+ s2
+ s1*6
+ s1*4
+ s2
+ s1*5
+ s1*2
+ s1
+ \repeat unfold 7 \basspat
+ s1*9
+ \cross
+ s1^\markup{ \italic "flüsternd singen" }
+ }
+
diff --git a/hr/issi/silence/midi.lua b/hr/issi/silence/midi.lua
new file mode 100644
index 0000000..44004bb
--- /dev/null
+++ b/hr/issi/silence/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/issi/silence/midis/a.midi b/hr/issi/silence/midis/a.midi
new file mode 100644
index 0000000..626958f
--- /dev/null
+++ b/hr/issi/silence/midis/a.midi
Binary files differ
diff --git a/hr/issi/silence/midis/b.midi b/hr/issi/silence/midis/b.midi
new file mode 100644
index 0000000..c202eab
--- /dev/null
+++ b/hr/issi/silence/midis/b.midi
Binary files differ
diff --git a/hr/issi/silence/midis/s.midi b/hr/issi/silence/midis/s.midi
new file mode 100644
index 0000000..cc7fb55
--- /dev/null
+++ b/hr/issi/silence/midis/s.midi
Binary files differ
diff --git a/hr/issi/silence/midis/satb.midi b/hr/issi/silence/midis/satb.midi
new file mode 100644
index 0000000..1d0f098
--- /dev/null
+++ b/hr/issi/silence/midis/satb.midi
Binary files differ
diff --git a/hr/issi/silence/midis/t.midi b/hr/issi/silence/midis/t.midi
new file mode 100644
index 0000000..b815bbb
--- /dev/null
+++ b/hr/issi/silence/midis/t.midi
Binary files differ
diff --git a/hr/issi/silence/silence.ly b/hr/issi/silence/silence.ly
new file mode 100644
index 0000000..3911f6a
--- /dev/null
+++ b/hr/issi/silence/silence.ly
@@ -0,0 +1,67 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "The Sound of Silence"
+ composer = "Paul Simon"
+ arranger = "Markus Detterbeck"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ %system-count = 11
+ page-count = 4
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 15)
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+ \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+ \new Lyrics = "tenors" { s1 }
+ \new Lyrics = "tenorsTwo" { s1 }
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+ \context Lyrics = tenors \lyricsto tenoere \tenorText
+ \context Lyrics = tenorsTwo \lyricsto tenoere \tenorTextTwo
+ >>
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ %\layout {
+ %}
+ }
+
diff --git a/hr/issi/silence/silence.midi b/hr/issi/silence/silence.midi
new file mode 100644
index 0000000..1d0f098
--- /dev/null
+++ b/hr/issi/silence/silence.midi
Binary files differ
diff --git a/hr/issi/silence/silence.zip b/hr/issi/silence/silence.zip
new file mode 100644
index 0000000..411703c
--- /dev/null
+++ b/hr/issi/silence/silence.zip
Binary files differ
diff --git a/hr/issi/silence/stimmen.ly b/hr/issi/silence/stimmen.ly
new file mode 100644
index 0000000..6bb60a8
--- /dev/null
+++ b/hr/issi/silence/stimmen.ly
@@ -0,0 +1,369 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key ees \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ \sopranArt
+ %the actual tune
+ {
+ r1
+ r1
+ r2 g8 g8 r4
+ r8 g4 g8 r4 r8 f8 ~
+ f4 r4
+ r2 r4 ees8 ees8 ~
+ ees4 r4 r2
+ r4 c2 c4
+ d1
+ r4 d2 f4
+ ees2 ~ ees8 ees8 f8 g8 ~
+ g2 g4. f8
+ ees4 ees8 ees8 g8 g8 bes8 bes8(
+ c4) c8 bes8 ~ bes2
+ r4 ees,8 ees8
+ c'8 c8 ~ c2 c8 d8
+ ees8 ees8 ~ ees4 d8 c4 bes8 ~
+ bes2. c8 bes8
+ g2 r2
+ r8 ees8 ees8 ees8
+ bes'2. r4
+ r1
+ % B
+ <<
+ {
+ r8 c,8 c8 c8 ees8 ees8 g8 ees8
+ f2 r2
+ r8 bes,8 bes8 bes8 d8 d8 f8 f8
+ ees2 r2
+ }
+ \new CueVoice {
+ \voiceTwo
+ s8 c8 c8 c8 c8 c8 c8 c8
+ d2 s2
+ s8 bes8 bes8 bes8 bes8 bes8 bes8 bes8
+ c2 s2
+ }
+ >>
+ r4 ees8 ees8 g8 g8 bes8 bes8(
+ c4) c8 bes8 ~ bes2
+ r8 ees,8 ees8 ees8 g8 g8 bes8 bes8(
+ c4) c8 bes8 ~ bes2
+ r4 g8 bes8
+ c8 c4 c8 ~ c4 r4
+ r2 c4 d8 ees8
+ ees4 ees4 d4 ees4
+ ees8 ees8 d8 c8 g2
+ r8 ees8 ees8 ees8
+ bes'2. r4
+ r1
+ r4 c,8 c8 ees8 ees8 g8 ees8
+ f4 c2 c4
+ d4 d8 d8 d8 d8 f8 d8
+ ees4 d2 f4
+ ees2 r8 ees8 f8 g8 ~
+ g2 g4. f8
+ ees4 ees8 ees8 g8 g8 bes8 bes8(
+ c4) c8 bes8 ~ bes4 r4
+ r4 ees,8 ees8
+ c'2. d4
+ ees8 ees8 ~ ees4 d4 c4
+ bes4 r4 r2
+ r2 r4 d,4
+ ees8 ees8 ~ ees2 ees8 ees8
+ bes'2. r4
+ r1
+ <<
+ {
+ r4 c,8 c8 ees8 ees8 g8 g8
+ f2 r2
+ r4 d8 d8 d16 d8. f8 d8
+ ees2 r2
+ }
+ \new CueVoice {
+ \voiceTwo
+ s4 c8 c8 c8 c8 c8 c8
+ d2 s2
+ s4 bes8 bes8 bes16 bes8. bes8 bes8
+ c2 s2
+ }
+ >>
+ r4 ees8 ees8 g8 g8 bes8 bes8(
+ c4) c8 bes8 ~ bes2
+ r4 ees,8 ees8 g8 g8 bes8 bes8(
+ c4) c8 bes8 ~ bes2
+ r4 ees,8 f8 g4 bes8 bes8
+ c4 c8 c8 c8 c8 d4
+ ees8 ees8 ees8 ees8 d8 c4 bes8 ~
+ bes2 r8 bes8 c16 c16 bes8
+ g2 r2
+ r1
+ r4 r8 f8 ~ f2
+ r1
+ c8( g'8 d8 g8 c,8 g'8 d8 g8)
+ g1\fermata
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ \altArt
+ %the actual tune
+ {
+ r1
+ r1
+ d8 d8 r4 r4 d8 d8
+ r2 d8 d8 r8 d8 ~
+ d4 r4
+ r2 d8 d8 ~ d4 ~
+ d4 c8 c8 ees8 ees8 g8 g8
+ f2 r2
+ r8 bes,8 bes8 bes8 d8 d8 f8 f8
+ ees2 r2
+ r8 ees8 ees8 ees8 g8 g8 bes8 bes8(
+ c4) c8 bes8 ~ bes2
+ r2 r8 ees,8 g8 g8(
+ aes4) aes8 g8 ~ g4 g8 f8
+ ees4 ees8 ees8
+ ees8 ees8 ~ ees2 aes8 bes8
+ c8 c8 ~ c4 bes8 aes4 g8 ~
+ g2. r4
+ r4 r8 ees8 ~ ees4 f4
+ g4 ees8 ees8
+ d2. r8 d8
+ ees8 c8 ~ c2.
+ % B
+ r1
+ d4 r8 c8 c8. d16 ~ d8 c8
+ d4 r8 f8 ~ f4 d4
+ ees4 r8 d8 d8. ees16 ~ ees8 d8
+ ees4 r8 ees8 ~ ees4 f8 g8(
+ aes4) aes8 g8 ~ g2
+ ees4 r8 ees8 ~ ees4 f8 g8(
+ aes4) aes8 g8 ~ g2
+ r4 ees8 f8
+ g8 g4 aes8 ~ aes4 r4
+ aes4. aes8 aes4 aes8 aes8
+ g4 r4 r2
+ r4 r8 ees8 ~ ees4 f4
+ g8 ees8 ees8 ees8
+ d2. r4
+ r1
+ r4 c8 c8 c8 c8 c8 c8
+ d2 r2
+ r4 bes8 bes8 bes8 bes8 bes8 bes8
+ c2 r2
+ r4 ees8 ees8 g8 g8 bes8 bes8
+ c4 c8 bes8 ~ bes2
+ r4 ees,8 ees8 ees8 ees8 g8 g8(
+ aes4) aes8 g8 ~ g4 g8 f8
+ ees4 ees8 ees8
+ ees2. bes'4
+ c8 c8 ~ c4 bes4 aes4
+ g4 r4 r4 bes4
+ g8 f4 ees8 ~ ees4 r4
+ r4 d8 d8 ~ d2
+ r4 r8 d8 ~ d4 r4
+ r1
+ r1
+ d4 ees8 d8 ~ d8 ees8 d4
+ d4 d8 f8 ~ f4 d4
+ ees4 f8 ees8 ~ ees8 f8 ees4
+ ees4 ees8 ees8 ~ ees4 f8 g8(
+ aes4) aes8 g8 ~ g2
+ ees4 ees8 ees8 ~ ees4 f8 g8(
+ aes4) aes8 g8 ~ g2
+ r4 c,8 d8 ees4 f8 f8
+ aes4 aes8 aes8 aes8 aes8 bes4
+ c8 c8 c8 c8 bes8 aes4 g8 ~
+ g2 g4 f4
+ ees2 r2
+ r1
+ r4 r8 d8 ~ d2
+ r1
+ c8( g'8 d8 g8 c,8 g'8 d8 g8)
+ d1\fermata
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ \tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ bes8 bes8 r4 r2
+ r2 bes8 bes8 r4
+ r1
+ %r2 bes8 bes8 r8 c8 ~
+ r2 r8 r8 r8 c8 ~
+ c4 r4
+ r4 g8 g8 ~ g2 ~
+ g4 r4 r2
+ r4 aes2 aes4
+ bes1
+ r4 bes2 d4
+ r8 g,8 g8 g8 bes8 bes8 d8 d8(
+ ees4) ees8 ees8 ~ ees4 ees8 d8
+ c4 c8 c8 ees8 ees8 ees8 ees8 ~
+ ees4 ees8 ees8 ~ ees4 ees8 d8
+ c4 bes8 bes8
+ ees8 ees8 ~ ees2 r4
+ ees2 ees2
+ ees2. r4
+ bes4. c8 ~ c2
+ bes4 r4
+ r4 r8 f8 ~ f4 r4
+ r1
+ % B
+ r1
+ f4 r8 f8 f8. f16 ~ f8 f8
+ f4 r8 bes8 ~ bes4 bes4
+ g4 r8 g8 g8. g16 ~ g8 g8
+ g4 r8 c8 ~ c4 d8 ees8(
+ ees4) ees8 ees8 ~ ees2
+ c4 r8 c8 ~ c4 d8 ees8(
+ ees4) ees8 ees8 ~ ees2
+ r4 bes8 d8
+ ees8 ees4 ees8 ~ ees4 c8 d8
+ ees4 ees8 ees8 d8 c4 bes8 ~
+ bes2 r8 bes8 c8 bes8
+ g4 r4 r4 c4
+ bes4 r4
+ r4 r8 f8 ~ f4 r4
+ r1
+ r1
+ r4 aes2 aes4
+ bes1
+ r4 bes2 d4
+ c4 g8 g8 bes8 c8 d8 ees8 ~
+ ees4 ees8 ees8 ~ ees4 ees8 d8
+ c4 g8 g8 bes8 c8 d8 ees8 ~
+ ees4 ees8 ees8 ~ ees4 ees8 d8
+ c4 bes8 bes8
+ ees2. r4
+ ees2 ees2
+ ees4 r4 r4 d4
+ ees8 d4 c8 ~ c4 r4
+ r2 bes8 bes8 ~ bes4
+ r4 r8 f8 ~ f4 r4
+ r1
+ r1
+ f4 g8 f8 ~ f8 g8 f4
+ f4 f8 bes8 ~ bes4 bes4
+ g4 aes8 g8 ~ g8 aes8 g4
+ c4 c8 c8 ~ c4 d8 ees8 ~
+ ees4 ees8 ees8 ~ ees2
+ c4 c8 c8 ~ c4 d8 ees8(
+ ees4) ees8 ees8 ~ ees2
+ r4 bes8 bes8 bes4 d8 d8
+ ees4 ees8 ees8 ees8 ees8 f4
+ g8 g8 g8 g8 f8 ees4 ees8 ~
+ ees2 ees4 d4
+ c2 r2
+ r1
+ r4 r8 c8 ~ c2
+ r4 c,8 c8 r2
+ c4 r8 c8 r2
+ c'1\fermata
+ }
+ >>
+ }
+
+ dm = \relative c {
+ bes4 bes8 f'8 bes4 bes8 f8
+ bes,8 f'8 r8 f8 bes4 bes8 f8
+ c4 c8 g'8 c4 c8 g8
+ c,8 g'8 r8 g8 c4 c8 g8
+ aes4 aes8 ees8 ~ ees4 ees8 d8
+ c4 c8 g'8 c4 c8 g8
+ aes4 aes8 ees8 ~ ees4 ees8 d8
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ \bassArt
+ %the actual tune
+ \clef bass
+ {
+ r1
+ ees8 ees8 r4 r2
+ r4 ees8 ees8 r2
+ ees4 ees4 bes'2
+ r4 d,4
+ ees8 c8 ~ c2. ~
+ c4 r4 r2
+ bes1
+ bes1
+ c1
+ c2. bes4
+ aes2 ees'2
+ c2 c4 bes8 bes8(
+ aes4) aes8 ees'8 ~ ees4 r4
+ r4 g8 g8
+ aes8 aes8 ~ aes2 r4
+ aes8 aes8 ~ aes4 aes4 aes4
+ g8 f4 ees8 ~ ees4 r4
+ ees8 d4 c8 ~ c4 d4
+ ees4 r4
+ r4 r8 bes8 ~ bes4 r4
+ r1
+ % B
+ r1
+ \dm
+ c4 r4
+ aes4 aes8 ees'8 aes4 aes8 ees8
+ aes,8 ees'8 r8 ees8 aes4 aes8 ees8
+ ees4 ees8 ees8 ees4 ees8 ees8
+ ees8 d4 c8 ~ c4 d4
+ ees4 r4
+ r4 r8 bes8 ~ bes4 r8 d8
+ ees8 c8 ~ c2 r4
+ r1
+ bes1
+ bes1
+ c1
+ c2. bes4
+ aes2 ees'4 bes4
+ c2 c4 bes8 bes8(
+ aes4) aes8 ees'8 ~ ees4 r4
+ r4 g8 g8
+ aes2. r4
+ aes4 aes4 aes8 aes8 ~ aes4
+ g8 f4 ees8 ~ ees4 r4
+ r1
+ r1
+ r4 r8 bes8 ~ bes4 r8 d8
+ ees8 c8 ~ c2 r4
+ r1
+ \dm
+ c4 c8 d8 ees4 g8 g8
+ aes4 aes8 aes8 aes8 aes8 bes4
+ c8 c8 c8 c8 bes8 aes4 ees8 ~
+ ees2 r2
+ r2 r4 r8 bes8
+ ees8 ees8 ~ ees2 ees8 ees8
+ bes'2. r8 d,8
+ ees8 c8 r4 c4 c4
+ r1
+ c4 r4 c4 r4
+ }
+ >>
+ }
+
diff --git a/hr/issi/silence/texte.ly b/hr/issi/silence/texte.ly
new file mode 100644
index 0000000..add6a18
--- /dev/null
+++ b/hr/issi/silence/texte.ly
@@ -0,0 +1,126 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyricmode {
+ %<+hier den Text für den Tenor eintragen+>
+ Si -- lence, si -- lence, %si -- lence
+ sounds,
+ si -- lence.
+ Doo doo doo,
+ doo doo,
+ be -- cause a vi -- sion soft -- ly creep -- ing,
+ doo doo doo,
+ left its seeds while I was sleep -- ing,
+ and the vi -- sion,
+ the vi -- sion,
+ in my brain
+ still re -- mains,
+ sound.
+ Hm ba ba ja da hm,
+ ba doo dap,
+ ba ba ja da hm
+ ba,
+ of a street lamp,
+ hm ba,
+ \set ignoreMelismata = ##t
+ to the cold and
+ \unset ignoreMelismata
+ damp.
+ When my
+ eyes were stabbed by the flash of a ne -- on light,
+ that split the night,
+ the night,
+ sound.
+ „Do not know,
+ can -- cer grows.“
+ „Hear my words that I might teach you.“
+ Doo doo doo,
+ „take my arms that I might reach you,
+ might reach you.“
+ But my words,
+ rain -- drops fell,
+ like rain -- drops fell,
+ echo -- ed,
+ wells %of si -- lence.
+ Peo -- ple bowed and prayed,
+ yes, they bowed and prayed
+ to god they made.
+ And the sign flashed its warn -- ing,
+ in the words it was form -- ing.
+ And the sign said:
+ „The words of the pro -- phets are writ -- ten on the sub -- way walls,
+ sub -- way walls.“
+ Sounds,
+ si -- lence,
+ si -- lence,
+ hm.
+ }
+ tenorTextTwo = \lyricmode {
+ %<+hier den Text für den Tenor eintragen+>
+ _ _ _ _ %_ _
+ _
+ _ _
+ _ _ _
+ _ _
+ _ _ _ _ _ _ _ _ _
+ _ _ _
+ _ _ _ _ _ _ _ _
+ _ _ _ _
+ _ _ _
+ _ _ _
+ _ _ _
+ _
+ _ _ _ _ _ _
+ _ _ _
+ _ _ _ _ _
+ _
+ with -- out spea -- king,
+ %\_ _ = ##_
+ _ _
+ with -- out list’n -- ing.
+ %\_ _
+ Peo -- ple
+ writ -- ing songs, songs that voic -- es _ nev -- er share,
+ and no -- one dared,
+ one dared
+ _
+ _ _ _
+ _ _ _
+ _ _ _ _ _ _ _ _
+ _ _ _
+ _ _ _ _ _ _ _ _
+ _ _ _
+ _ _ _
+ _ _ _
+ _ _ _ _
+ _ _
+ _ %_ _ _
+ _ _ _ _ _
+ _ _ _ _ _
+ _ _ _ _
+ _ _ _ _ _ _ _
+ _ _ _ _ _ _ _
+ _ _ _ _
+ _ _ _ _ _ _ _ _ _ _ _ _ _ _
+ _ _ _
+ _
+ _ _
+ _ _
+ _
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/issi/tears/dynArt.ly b/hr/issi/tears/dynArt.ly
new file mode 100644
index 0000000..6856f80
--- /dev/null
+++ b/hr/issi/tears/dynArt.ly
@@ -0,0 +1,28 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s1*4
+ s1*4
+ s1*4
+ s1*4
+ s1*4
+ s1*9\break
+ s1*4
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/issi/tears/midi.lua b/hr/issi/tears/midi.lua
new file mode 100644
index 0000000..b36a177
--- /dev/null
+++ b/hr/issi/tears/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ \unfoldRepeats
+]]
+
+post=[[
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 92 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/issi/tears/midis/a.midi b/hr/issi/tears/midis/a.midi
new file mode 100644
index 0000000..935c0d4
--- /dev/null
+++ b/hr/issi/tears/midis/a.midi
Binary files differ
diff --git a/hr/issi/tears/midis/b.midi b/hr/issi/tears/midis/b.midi
new file mode 100644
index 0000000..e3df9b6
--- /dev/null
+++ b/hr/issi/tears/midis/b.midi
Binary files differ
diff --git a/hr/issi/tears/midis/s.midi b/hr/issi/tears/midis/s.midi
new file mode 100644
index 0000000..3de5906
--- /dev/null
+++ b/hr/issi/tears/midis/s.midi
Binary files differ
diff --git a/hr/issi/tears/midis/t.midi b/hr/issi/tears/midis/t.midi
new file mode 100644
index 0000000..71f1f0b
--- /dev/null
+++ b/hr/issi/tears/midis/t.midi
Binary files differ
diff --git a/hr/issi/tears/stimmen.ly b/hr/issi/tears/stimmen.ly
new file mode 100644
index 0000000..75e3403
--- /dev/null
+++ b/hr/issi/tears/stimmen.ly
@@ -0,0 +1,267 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.14"
+ \include "dynArt.ly"
+
+ global = {
+ \key f \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+ % :'<,'>s/ [a-g]\([ie]s\)\?[,']*\(\d\)/ s\2/g
+ frauenPausen = {
+ {
+ r4\mark\markup{"Iντρο"}s8 \tempo 4=92 s8 s4 s8 s8 ~ s1
+ r4 s8 s8 s8 s8 s8 s8 ~ s8 s8 ~ s2.\mark"A"
+ %\bar "||"
+ \repeat volta 2 {
+ %\repeat unfold 2 {
+ r4\segno s8 s8 s4 s8 s8 ~ s1
+ r4 s8 s8 s8 s8 s8 s8 ~ s8 s8 ~ s2.
+ r4 s8 s8 s4 s8 s8 ~ s1
+ r4 s8 s8 s8 s8 s8 s8 ~ s8 s8 ~ s2.
+ %}
+ r4 r8 s8 s4 s8 s8 ~ s2. s4(
+ s4.) s8 s4 s8 s8 ~ s2 s4 s4
+ s4. s8 s4 s4 s16( s16 s8 ~ s4)
+ r8 s8 s8 s8 ~ s8 s8 ~ s2 s4\coda
+ } \alternative {
+ {
+ s1
+ }
+ {
+ s2 r8 s8 s8 s8\mark"B"
+ }
+ }
+ s4 s8 s8 s4 s8 s8 ~ s4
+ s8 s8 s4 s8 s8 ~ s4. r8 s2 ~
+ s4 s8 s8 s8( s8) s8( s8)
+ s4 s8 s8 s4 s8 s8 ~ s4
+ s8 s8 s4 s8 s8 ~ s2
+ s8 s4 s8 ~ s2 s4 s4^\markup{"D.S."}
+ \bar "||"
+ r2\coda s4 s4 s4. s8 s4 s4 s16( s16 s8 ~ s4)
+ r8 s8 s8 s8 ~ s8 s8 ~ s2.
+ \bar "|."
+ }
+ }
+
+ maennerPausen = {
+ {
+ r1
+ r4 s8 s8 s4 s8 s8 ~ s4
+ s8 s8 s8 s8 s8 s8 ~ s8 s8 ~ s2.
+ \repeat volta 2 {
+ s4. s8 s4 s8 s8 ~ s4
+ s8 s8 s4 s8 s8 ~ s2
+ s2 ~ s4. s8 s4 s4
+ s8 s8 s4 s4 s8 s8 ~ s4
+ s8 s8 s4 s8 s8 ~ s2
+ s4. s8 s4. s8 s4 s4
+ s8( s8) s2 s8 s8 ~ s2
+ s8 s8 s8 s8 s4. s8 s4 s8 s8 ~ s2
+ s8( s8) s4 s4.
+ s8 s4 s4 s16( s16 s8 ~ s4)
+ r8 s8 s8 s8 ~ s8 s8 ~ s2.
+ } \alternative {
+ {
+ r8 s8 s8 s8 s8 s8 s8 s8
+ }
+ {
+ r8 s8 s8 s8 s8 s4 s8
+ }
+ }
+ s4 s8 s8 s4 s8 s8 ~ s4
+ s8 s8 s4 s8 s8 ~ s4.
+ s8 s4 s4 s2.( s4 s4)
+ s8 s8 s4 s8 s8 ~ s4
+ s8 s8 s4 s8 s8 ~ s2
+ s8 s4 s8 ~ s1
+ r2 s8( s8) s4 s4.
+ s8 s4 s4 s16( s16 s8 ~ s4)
+ r8 s8 s8 s8 ~ s8 s8 ~ s2.
+ }
+ }
+
+% Die Stimmen
+
+ soprandsac = \relative c'' {
+ \repeat unfold 2 {
+ s4 a8 f8 c'4 c8 a8 ~ a1
+ s4 bes8 bes8 a8 g8 f8 a8 ~ a8 g8 ~ g2.
+ }
+ s4 s8 f8 f4 g8 e8 ~ e2. e4(
+ ees4.) ees8 ees4 f8 d8 ~ d2 g4 a4
+ bes4. g8 g4 f4 e16( d16 c8 ~ c4)
+ s8 a'8 g8 g8 ~ g8 f8 ~ f2.
+ }
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ s4 a8 f8 c'4 c8 a8 ~ a1
+ s4 bes8 bes8 a8 g8 f8 f8 ~ f8 g8 ~ g2.
+ \repeat volta 2 {
+ \soprandsac
+ } \alternative {
+ {
+ g1
+ }
+ {
+ c2 s8 c,8 f8 g8
+ }
+ }
+ aes4 c8 c8 bes4 ees8 aes,8 ~ aes4
+ aes8 f8 bes4 f8 g8 ~ g4. s8 g2 ~
+ g4 ees8 f8 g8( ees8) f8( g8)
+ aes4 c8 c8 bes4 ees8 aes,8 ~ aes4
+ aes8 f8 bes4 f8 g8 ~ g2
+ g8 bes4 c8 ~ c1
+ %\soprandsac
+ s2 g4 a4 bes4. g8 g4 f4 e16( d16 c8 ~ c4)
+ s8 a'8 g8 g8 ~ g8 f8 ~ f2.\fermata
+ }
+ >>
+ }
+
+ altdsac = \relative c'' {
+ s4 a8 f8 g4 g8 f8 ~ f1
+ s4 d8 d8 f8 e8 d8 f8 ~ f8 e8 ~ e2.
+ s4 a8 f8 g4 g8 f8 ~ f1
+ s4 d8 d8 c8 bes8 a8 c8 ~ c8 e8 ~ e2.
+ s4 s8 d8 d4 d8 cis8( ~ cis8 d8 e2) e4(
+ ees8 c4) c8 c4 c8 a8 ~ a2 bes8( d8) fis4
+ g4. g8 g4 f4 e16( d16 c8 ~ c4)
+ s8 c8 bes8 bes8 ~ bes8 a8 ~ a2.
+ }
+ altMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ s4 a8 f8 g4 g8 f8 ~ f1
+ s4 d8 d8 f8 e8 d8 d8 ~ d8 e8 ~ e2.
+ \repeat volta 2 {
+ \altdsac
+ } \alternative {
+ {
+ e1
+ }
+ {
+ c2 s8 c8 f8 ees8
+ }
+ }
+ c4 ees8 ees8 ees4 g8 f8 ~ f4
+ f8 c8 d4 d8 ees8 ~ ees4. s8 ees2 ~
+ ees4 ees8 d8 g8( ees8) f8( g8) aes4
+ aes8 aes8 g4 g8 f8 ~ f4
+ c8 c8 d4 d8 bes8 ~ bes2
+ g'8 g4 e8 ~ e1
+ %\altdsac
+ s2 bes8( d8) fis4 g4.
+ g8 g4 f4 e16( d16 c8 ~ c4)
+ s8 c8 bes8 bes8 ~ bes8 a8 ~ a2.
+ }
+ >>
+ }
+
+ tenordsac = \relative c {
+ f4. a8 g4 g8 a8 ~ a4
+ a8 a8 a4 a8 bes8 ~ bes2
+ c2 ~ c4. c8 c4 c4
+ a8 c8 a4 g4 c8 d8 ~ d4
+ a8 a8 a4 a8 bes8 ~ bes2
+ c4. c8 c4. c8 c4 c4
+ a8( g8) a2 a8 a8 ~ a2
+ a8 a8 a8 a8 a4. a8 a4 a8 a8 ~ a2
+ g8( bes8) c4 d4.
+ g,8 g4 f4 e16( d16 c8 ~ c4)
+ s8 e'8 d8 d8 ~ d8 c8 ~ c2.
+ }
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ %\clef "treble_8"
+ {
+ s1
+ s4 a8 a8 a4 a8 a8 ~ a4
+ bes8 bes8 a8 g8 f8 f8 ~ f8 g8 ~ g2.
+ \repeat volta 2 {
+ \tenordsac
+ } \alternative {
+ {
+ s8 c8 b8 c8 d8 c8 e8 c8
+ }
+ {
+ s8 c8 c8 c8 c8 c4 g8
+ }
+ }
+ aes4 aes8 aes8 g4 bes8 c8 ~ c4
+ c8 c8 bes4 bes8 bes8 ~ bes4.
+ bes8 bes4 bes4 c2.( d4 c4)
+ ees8 ees8 ees4 ees8 c8 ~ c4
+ c8 c8 bes4 bes8 bes8 ~ bes2
+ g8 g4 g8 ~ g1
+ %\tenordsac
+ s2 g8( bes8) c4 d4.
+ g,8 g4 f4 e16( d16 c8 ~ c4)
+ s8 e'8 d8 d8 ~ d8 c8 ~ c2.\fermata
+ }
+ >>
+ }
+
+ bassdsac = \relative c {
+ f4. f8 c4 e8 d8 ~ d4
+ d8 f8 c4 d8 bes8 ~ bes2
+ f'2( c4.) d8 e8( d8) c4
+ f8 a8 f4 c4 e8 d8 ~ d4
+ d8 f8 c4 d8 bes8( d2)
+ f4. f8 c4. d8 e8( d8) c4
+ d4 d2 d8 a8 ~ a2
+ a'8 g8 f8 e8 f4.
+ f8 f4 f8 fis8 ~ fis2
+ g4 d4 g,4.
+ g'8 g4 f4 e16( d16 c8 ~ c4)
+ s8 c8 c8 d8 ~ d8 f8 ~ f2.
+ }
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ s1
+ s4 d8 f8 e4 c8 d8 ~ d4
+ bes8 bes8 c8 c8 c8 c8 ~ c8 c4 d8 e4 c4
+ \repeat volta 2 {
+ \bassdsac
+ } \alternative {
+ {
+ s8 c8 b8 c8 d8 c8 e8 c8
+ }
+ {
+ s8 c8 f8 e8 f8 c4 bes8
+ }
+ }
+ aes4 aes'8 aes8 g4 bes8 c8 ~ c4
+ c8 aes8 f4 bes,8 ees8 ~ ees4.
+ f8 g4 ees8( d8) c2.( bes4 aes4)
+ aes8 aes8 ees'4 bes'8 c8 ~ c4
+ f,8 aes8 f4 bes,8 ees8 ~ ees2
+ g8 d4 c8 ~ c4. d8 e4 c4
+ %\bassdsac
+ s2 g'4 d4 g,4.
+ g'8 g4 f4 e16( d16 c8 ~ c4)
+ s8 c8 c8 d8 ~ d8 f8 ~ f2.
+ }
+ >>
+ }
+
diff --git a/hr/issi/tears/tears.ly b/hr/issi/tears/tears.ly
new file mode 100644
index 0000000..c260d2e
--- /dev/null
+++ b/hr/issi/tears/tears.ly
@@ -0,0 +1,74 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Tears in Heaven"
+ composer = "Eric Clapton/Will Jennings"
+ arranger = "Lorenz Maierhofer"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 17)
+
+ sop = \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \voiceOne \sopranMelodie }
+ %\addlyrics { \sopranText }
+ \new Voice = "fP" { \global \frauenPausen }
+ \new Voice = "alti" { \global \voiceTwo \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \voiceOne \tenorMelodie }
+ %\addlyrics { \tenorText }
+ \new Voice = "mP" { \global \maennerPausen }
+ \new Voice = "baesse" { \global \voiceTwo \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ %\unfoldRepeats
+ \new ChoirStaff \with {} <<
+ \sop
+ \new Lyrics \lyricsto soprane \sopranTextA
+ \new Lyrics \lyricsto soprane \sopranTextB
+ \new Lyrics \lyricsto soprane \sopranTextC
+ %\alt
+ \ten
+ \new Lyrics \lyricsto baesse \bassTextA
+ \new Lyrics \lyricsto baesse \bassTextB
+ \new Lyrics \lyricsto baesse \bassTextC
+ %\bas
+ >>
+ %{
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 92 4)
+ }
+ }
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/issi/tears/tears.midi b/hr/issi/tears/tears.midi
new file mode 100644
index 0000000..8e46ef1
--- /dev/null
+++ b/hr/issi/tears/tears.midi
Binary files differ
diff --git a/hr/issi/tears/texte.ly b/hr/issi/tears/texte.ly
new file mode 100644
index 0000000..f69d3b8
--- /dev/null
+++ b/hr/issi/tears/texte.ly
@@ -0,0 +1,143 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ iiifff = \lyricmode {
+ if I saw you in heav -- en?
+ }
+ sopranTextA = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ Doo ba doo ba doo,
+ doo ba doo ba doo doo doo.
+ Would you know my name,
+ \iiifff
+ Would it be the same,
+ \iiifff
+ I must be strong,
+ ooh,
+ and car -- ry on,
+ ’cause I know I don’t be -- long
+ here in heav -- en.
+ Ooh!
+ Ooh.
+ Ba doo ba doo.
+ Time can bring you down,
+ time can bend your knees,
+ ooh,
+ time can bend your knees.
+ Time can break your heart,
+ have you begg -- ing please,
+ begg -- ing please!
+ ’Cause I know I don’t be -- long
+ here in heav -- en.
+ }
+ sopranTextB = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ _ _ _ _ _
+ _ _ _ _ _ _ _
+ Would you hold my hand,
+ \iiifff
+ Would you help me stand,
+ \iiifff
+ I’ll find my way,
+ ooh,
+ through night and day,
+ ’cause I know I just cant stay
+ here in heav -- en.
+ }
+ sopranTextC = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ _ _ _ _ _
+ _ _ _ _ _ _ _
+ Doo ba doo ba doo,
+ doo ba doo ba doo doo -- doo.
+ Doo ba doo ba doo,
+ doo ba doo ba doo doo doo.
+ Be -- yond the door
+ ooh,
+ there’s peace, I’m sure
+ and I know there’ll be no more
+ tears in heav -- en.
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ cause = \lyricmode {
+ _ _ _ _ _ _ _
+ _ _ _ _
+ }
+
+ bassTextA = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ Doo ba doo ba doo,
+ doo ba doo ba doo doo,
+ doo ba doo doo.
+ Doo doo doo ba doo.
+ \set stanza = #"3. "
+ Would you know my name,
+ ooh, oh would you,
+ doo ba doo doo ba doo
+ Would it be the same,
+ doo doo doo, oh would you.
+ \set stanza = #"4. "
+ I must be strong,
+ doo ba doo ba doo,
+ and car -- ry on,
+ \cause
+ Ba doo ba doo ba doo ba.
+ Ba doo ba doo -- ah ba doo.
+ Time can bring you down,
+ time can bend your knees,
+ can bend your knees.
+ Time can break your heart,
+ have you begg -- ing please,
+ begg -- ing please!
+ Ba dm dm.
+ ’Cause I know I don’t be -- long
+ here in heav -- en.
+ }
+ bassTextB = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ _ _ _ _ _
+ _ _ _ _ _ _
+ _ _ _ _
+ _ _ _ _ _
+ \set stanza = #"2. "
+ Would you hold my hand,
+ _ _ _ _
+ _ _ _ _ _ _
+ Would you help me stand,
+ _ _ _ _ _ _
+ \set stanza = #"2. "
+ I’ll find my way,
+ _ _ _ _ _
+ through night and day,
+ \cause
+ }
+ bassTextC = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ _ _ _ _ _
+ _ _ _ _ _ _
+ _ _ _ _
+ _ _ _ _ _
+ \set stanza = #"4. "
+ Doo ba doo ba doo,
+ _ _ _ _
+ _ _ _ _ _ _
+ Doo ba doo ba doo,
+ _ _ _ _ _ _
+ \set stanza = #"3. "
+ Be -- yond the door,
+ _ _ _ _ _
+ there’s peace, I’m sure.
+ \cause
+ }
+
diff --git a/hr/issi/tears/texte_.ly b/hr/issi/tears/texte_.ly
new file mode 100644
index 0000000..cb801da
--- /dev/null
+++ b/hr/issi/tears/texte_.ly
@@ -0,0 +1,175 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ iiifff = \lyricmode {
+ if I saw you in heav -- en?
+ }
+ sopranTextA = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ Doo ba doo ba doo,
+ doo ba doo ba doo doo doo.
+ Would you know my name,
+ \iiifff
+ Would it be the same,
+ \iiifff
+ I must be strong,
+ ooh,
+ and car -- ry on,
+ ’cause I know I don’t be -- long
+ here in heav -- en.
+ Ooh!
+ Ooh.
+ Ba doo ba doo.
+ Time can bring you down,
+ time can bend your knees,
+ ooh,
+ time can bend your knees.
+ Time can break your heart,
+ have you begg -- ing please,
+ begg -- ing please!
+ ’Cause I know I don’t be -- long
+ here in heav -- en.
+ }
+ sopranTextB = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ _ _ _ _ _
+ _ _ _ _ _ _ _
+ Would you hold my hand,
+ \iiifff
+ Would you help me stand,
+ \iiifff
+ I’ll find my way,
+ ooh,
+ through night and day,
+ ’cause I know I just cant stay
+ here in heav -- en.
+ }
+ sopranTextC = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ _ _ _ _ _
+ _ _ _ _ _ _ _
+ Doo ba doo ba doo,
+ doo ba doo ba doo doo -- doo.
+ Doo ba doo ba doo,
+ doo ba doo ba doo doo doo.
+ Be -- yond the door
+ ooh,
+ there’s peace, I’m sure
+ and I know there’ll be no more
+ tears in heav -- en.
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ cause = \lyricmode {
+ _ _ _ _ _ _ _
+ _ _ _ _
+ }
+
+ bassTextA = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ Doo ba doo ba doo,
+ doo ba doo ba doo doo,
+ doo ba doo doo.
+ Doo doo doo ba doo.
+ <<
+ { \set stanza = #" 3. "
+ Would you know my name, }
+ \new Lyrics = "snd" \lyricmode {
+ \set stanza = #"2."
+ Would you hold my hand,
+ }
+ \new Lyrics = "trd" \lyricmode {
+ \set stanza = #"4."
+ Doo ba doo ba doo,
+ }
+ >>
+ ooh, oh would you,
+ doo ba doo doo ba doo
+ <<
+ { Would it be the same, }
+ \context Lyrics = "snd" \lyricmode {
+ Would you help me stand,
+ }
+ \context Lyrics = "trd" \lyricmode {
+ Doo ba doo ba doo,
+ }
+ >>
+ doo doo doo, oh would you.
+ <<
+ { \set stanza = #"4. "
+ I must be strong, }
+ \context Lyrics = "snd" \lyricmode {
+ \set stanza = #"2. "
+ I’ll find my way,
+ }
+ \context Lyrics = "trd" \lyricmode {
+ \set stanza = #"3. "
+ Be -- yond the door,
+ }
+ >>
+ doo ba doo ba doo,
+ <<
+ { and car -- ry on, }
+ \context Lyrics = "snd" \lyricmode {
+ through night and day,
+ }
+ \context Lyrics = "trd" \lyricmode {
+ there’s peace, I’m sure.
+ }
+ >>
+ \cause
+ Ba doo ba doo ba doo ba.
+ Ba doo ba doo -- ah ba doo.
+ Time can bring you down,
+ time can bend your knees,
+ can bend your knees.
+ Time can break your heart,
+ have you begg -- ing please,
+ begg -- ing please!
+ Ba dm dm.
+ ’Cause I know I don’t be -- long
+ here in heav -- en.
+ }
+ bassTextB = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ _ _ _ _ _
+ _ _ _ _ _ _
+ _ _ _ _
+ _ _ _ _ _
+ Would you hold my hand,
+ _ _ _ _
+ _ _ _ _ _ _
+ Would you help me stand,
+ _ _ _ _ _ _
+ I’ll find my way,
+ _ _ _ _ _
+ through night and day,
+ \cause
+ }
+ bassTextC = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ _ _ _ _ _
+ _ _ _ _ _ _
+ _ _ _ _
+ _ _ _ _ _
+ Doo ba doo ba doo,
+ _ _ _ _
+ _ _ _ _ _ _
+ Doo ba doo ba doo,
+ _ _ _ _ _ _
+ Be -- yond the door,
+ _ _ _ _ _
+ there’s peace, I’m sure.
+ \cause
+ }
+
diff --git a/hr/issi/things/dynArt.ly b/hr/issi/things/dynArt.ly
new file mode 100644
index 0000000..dddc01b
--- /dev/null
+++ b/hr/issi/things/dynArt.ly
@@ -0,0 +1,64 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s1*8
+ \bar "||"
+ \break
+ s1*8
+ \bar "||"
+ \break
+ s1*8
+ \bar "||"
+ \pageBreak
+ s1*10
+ \mark \markup { \small \musicglyph #"scripts.coda" }
+ s1*2
+ \bar "||"
+% \set Score.skipBars = ##t
+% s1*16
+% \bar "||"
+% s1*8
+% \break
+% \bar "||"
+% s1*8
+% s1*4
+% \bar "||"
+% \break
+ s1*4
+ %\break
+ s1*4
+ \bar "||"
+ \break
+ s1*8
+ \bar "||"
+ \break
+ s1*8
+ \bar "||"
+ \break
+ s1*6
+ \break
+ s1*5
+ \mark \markup { \small \bold "Da Capo al Coda" }
+ s1
+ \mark \markup { \small \musicglyph #"scripts.coda" }
+ \bar "||"
+ s1*3
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/issi/things/full/dynArt.ly b/hr/issi/things/full/dynArt.ly
new file mode 100644
index 0000000..0ada0d4
--- /dev/null
+++ b/hr/issi/things/full/dynArt.ly
@@ -0,0 +1,59 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s1*8
+ \bar "||"
+ \break
+ s1*8
+ \bar "||"
+ \break
+ s1*8
+ \bar "||"
+ \pageBreak
+ s1*12
+ \bar "||"
+ \set Score.skipBars = ##t
+ s1*16
+ \bar "||"
+ s1*8
+ \break
+ \bar "||"
+ s1*8
+ s1*4
+ \bar "||"
+ \break
+ s1*4
+ %\break
+ s1*4
+ \bar "||"
+ \break
+ s1*8
+ \bar "||"
+ \break
+ s1*8
+ \bar "||"
+ \break
+ s1*6
+ \break
+ s1*6
+ \bar "||"
+ s1*3
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/issi/things/full/stimmen.ly b/hr/issi/things/full/stimmen.ly
new file mode 100644
index 0000000..384cabc
--- /dev/null
+++ b/hr/issi/things/full/stimmen.ly
@@ -0,0 +1,478 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key f \minor
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ %\override Score.SpacingSpanner #'shortest-duration-space = #4.0
+ aes1
+ des2. aes4
+ g4 g4 g4 g4
+ g4 c2 g4
+ f4 f4 f4 f4
+ f4 b2 f4
+ e1 ~
+ e1
+ % A
+ ees1
+ aes1 ~
+ aes1
+ g1 ~
+ g1
+ g2 fis2
+ fis1
+ r8 des4. g4 d'4
+ % B
+ d4.( c8 ~ c2)
+ r8 d,4. ees4 c'8 b8 ~
+ b1
+ r8 d,4. g4 b4
+ e,2( ~ e8 dis8) e8 f8( ~
+ f2 fis2)
+ fis4. e8 ~ e4 ees4 ~
+ ees1
+ % C
+ aes1
+ des2 r8 aes4.
+ g4 g4 g4 g8 g8
+ r4 c2 g4
+ f1
+ ees'2 r8 des4.
+ ees,4 ees4 \times 2/3 { ees4 ees4 ees4 }
+ g2. f4
+ des4 f4 aes4 des4
+ f2 g,2
+ aes1
+ r1
+ % DE
+ R1*16
+ des1(
+ c1
+ b1 ~
+ b1)
+ b1(
+ a1
+ gis1 ~
+ gis1)
+ % F
+ r2 aes4. des8 ~
+ des1
+ r2 g,4. c8 ~
+ c1
+ r2 c2
+ r8 ees8-\bendAfter #-3 r4 r2
+ r4 ees,8 r8 ees8 ees8 r8 g8 ~
+ g2. r8 f8-\bendAfter #-2
+ R1*4
+ % G
+ r8 f8 g8 aes8 ~ aes8 c8 ees8 d8
+ des8 f,8 r4 r4 r8 ees8
+ e8 c'4. b8 g8 ees8 r8
+ bes'8 g8 ees8 g8 ~ g4 fis8 f8
+ r2 f4 f4
+ f4 f4 f8 d8 dis8 e8
+ r1
+ r1
+ % H
+ r2 r8 ees8 g8 aes8 ~
+ aes4 aes8 g8 aes8 bes8 r8 c8
+ r8 c4. ces4. bes8
+ r2 r4 r8 c8 ~
+ c4 g4 f4 r4
+ r4 c'8 b8 c8 d4.
+ b4 c8 d8 r2
+ r2 r8 d8 des8 c8 ~
+ % I
+ c2 e,8 g8 d'8 b8 ~
+ b2 r8 bes4.
+ a2
+ \times 2/3 { b,4 d4 a'4 }
+ fis2. r4
+ r8 fis4. gis4 a4
+ b2 cis4. b8
+ r1
+ r1
+ % K
+ r8 f4. g4 aes4
+ bes4 c8 des8 r8 des8 ees8 f8 ~
+ f2 e4. ees8
+ r2 r8 e,8 f8 aes8 ~
+ aes8 f8 aes8 c8 bes8 aes8 f8 aes8 ~
+ aes8 fes8 aes8 ces8 bes8 aes8 r8 ees'8
+ r8 ees4. d4 d4
+ des4 ees8 c8 ~ c8 e,8 f8 aes8 ~
+ aes4
+ aes8 ces8 bes8 aes8 r8 f'8
+ r8 ces4. aes8 bes8 aes8 aes8
+ r2 c2(
+ bes1)
+ % Coda
+ aes1 ~
+ aes1
+ g1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ ees2( e2)
+ f2. f4
+ f2 fes2
+ ees2. ees4
+ des2 c2
+ c2 b2
+ b2 a2
+ b2 a2
+ % A
+ ees'1
+ aes2. ees4
+ d4 d4 d4 d4
+ d4 g2 d4
+ c4 c4 c4 c4
+ \times 2/3 { c4 d4 ees4 }
+ d4 c4
+ b1
+ r8 des4. g4 d'4
+ % B
+ g,2( ~ g8 fis8) g8 aes8( ~
+ aes2 a4) r4
+ r8 fis4. e4. d8
+ r8 d4. g4 b4
+ b4.( a8 ~ a2)
+ r4 bes,4 b4 a'4
+ gis1 ~
+ gis1
+ % C
+ ees1
+ des2 r8 des4.
+ ees4 ees4 f4 e8 ees8
+ r4 g2 ees4
+ f1
+ aes2 r8 aes4.
+ ees4 ees4 \times 2/3 { ees4 ees4 ees4 }
+ ees2. ees4
+ des4 f4 aes4 aes4
+ aes2 ees2
+ ees1
+ r1
+ % DE
+ R1*16
+ g1(
+ aes2 a2
+ fis1
+ f1)
+ e1(
+ f2 fis2
+ dis1 ~
+ dis1)
+ % F
+ r2 aes'2 ~
+ aes1
+ r2 g2 ~
+ g1
+ r2 f2
+ r8 aes8 -\bendAfter #-3 r4 r2
+ r4 ees8 r8 ees8 ees8 r8 ees8 ~
+ ees2. r8 des8-\bendAfter #-2
+ R1*4
+ % G
+ r8 f8 g8 aes8 ~ aes8 c8 ees8 d8
+ des8 f,8 r4 r4 r8 ees8
+ e8 c'4. b8 g8 ees8 r8
+ bes'8 g8 ees8 g8 ~ g4 fis8 f8
+ r2 f4 f4
+ f4 f4 f8 d8 dis8 e8
+ r1
+ r1
+ % H
+ r2 r8 ees8 g8 aes8 ~
+ aes4 aes8 g8 aes8 bes8 r8 g8
+ r8 g4. ges4. f8
+ r2 r4 r8 g8 ~
+ g4 ees4 ees4 r4
+ r4 g4 ~ g8 fis4.
+ fis4 g8 a8 r2
+ r2 r8 a8 aes8 g8 ~
+ % I
+ g2 e8 g8 d'8 fis,8 ~
+ fis2 r8 fis4.
+ fis2
+ \times 2/3 { b,4 d4 a'4 }
+ d,2. r4
+ r8 e4. e4 fis4
+ gis2 g4. fis8
+ r1
+ r1
+ % K
+ r8 ees4. ees4 f4
+ aes4 aes8 aes8 r8 des8 ees8 c8 ~
+ c2 b4. bes8
+ r2 r8 e,8 f8 aes8 ~
+ aes8 f8 aes8 c8 bes8 aes8 f8 aes8 ~
+ aes8 fes8 aes8 ces8 bes8 aes8 r8 ees'8
+ r8 bes4. a4 a4
+ a4 aes8 g8 ~ g8 e8 f8 f8 ~
+ f4
+ aes8 ces8 bes8 aes8 r8 f'8
+ r8 ces4. aes8 bes8 aes8 aes8
+ r2 g2(
+ f2 e2)
+ % Coda
+ r1
+ e1
+ ees1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ c1
+ aes2. des4
+ des2 des2
+ c2. aes4
+ aes2 aes2
+ aes2 g2
+ g2 f2
+ g2 f2
+ % A
+ r1
+ r1
+ r1
+ bes1
+ ees1 ~
+ ees2 d2
+ d1
+ r8 des,4. g4 d'4
+ % B
+ e2. e8 ees8 ~
+ ees2. r4
+ r8 d4. c4. b8
+ r8 d,4. g4 b4
+ cis2. cis8 c8 ~
+ c1
+ b4. b8 ~ b4 bes4 ~
+ bes1
+ % C
+ c1
+ aes2 r8 des4.
+ bes4 bes4 des4 des8 c8
+ r4 ees2 c4
+ c1
+ e2 r8 e4.
+ ees4 bes4 \times 2/3 { bes4 c4 bes4 }
+ a2. c4
+ des4 f4 f4 f4
+ des2 des2
+ c1
+ r1
+ % DE
+ R1*16
+ e1(
+ ees1
+ d1 ~
+ d1)
+ cis1(
+ c1
+ b1
+ bes1)
+ % F
+ r2 aes4. des8 ~
+ des1
+ r2 g,4. c8 ~
+ c1
+ r2 c2
+ r8 ees8-\bendAfter #-3 r4 r2
+ r4 ees8 r8 bes8 bes8 r8 a8 ~
+ a2. r8 bes8-\bendAfter #-2
+ R1*4
+ % G
+ r8 f8 g8 aes8 ~ aes8 c8 ees8 d8
+ des8 f,8 r4 r4 r8 ees8
+ e8 c'4. b8 g8 ees8 r8
+ bes'8 g8 ees8 g8 ~ g4 c8 c8
+ r2 c4 c4
+ c4 c4 b4. b8
+ r1
+ r1
+ % H
+ r2 r8 ees,8 g8 aes8 ~
+ aes4 aes8 g8 aes8 bes8 r8 d8
+ r8 d4. d4. d8
+ r2 r4 r8 ees8 ~
+ ees4 c4 c4 r4
+ r4 ees4 ~ ees8 ees4.
+ d4 e8 fis8 r2
+ r2 r8 fis8 f8 e8 ~
+ % I
+ e2 e,8 g8 d'8 ees8 ~
+ ees2 r8 ees4.
+ d2
+ \times 2/3 { b,4 d4 a'4 }
+ bes2. r4
+ r8 a4. cis4 d4
+ dis2 dis4. dis8
+ r1
+ r1
+ % K
+ r8 c4. c4 ees4
+ f4 f8 f8 r8 bes,8 c8 des8 ~
+ des2 des4. c8
+ r2 r8 e,8 f8 aes8 ~
+ aes8 f8 aes8 c8 bes8 aes8 f8 aes8 ~
+ aes8 fes8 aes8 ces8 bes8 aes8 r8 ees'8
+ r8 ges4. f4 f4
+ e4 e8 ees8 ~ ees8 e8 f8 des8 ~
+ des4
+ aes8 ces8 bes8 aes8 r8 f'8
+ r8 ces4. aes8 bes8 aes8 aes8
+ r2 ees'2(
+ des1)
+ % Coda
+ r2 ees2 ~
+ ees1
+ c1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ f1
+ bes,2. bes4
+ ees2 ees2
+ aes,2 bes4 c4
+ des2 des2
+ d2 g,2
+ c2 d2
+ e2 d2
+ % A
+ r1
+ r1
+ bes1
+ ees2. bes4
+ aes1
+ a2 d2
+ g,1
+ r8 des'4. g4 d'4
+ % B
+ a2. a8 fis8 ~
+ fis2. r4
+ r8 g4. d4. g,8
+ r8 d'4. g4 b4
+ fis2. fis8 dis8 ~
+ dis1
+ e4. e8 ~ e4 e4 ~
+ e1
+ % C
+ f1
+ bes,2 r8 bes4.
+ ees4 ees4 ees4 ees8 aes,8
+ r4 aes2 aes'4
+ aes1
+ bes2 r8 bes4.
+ bes4 bes4 \times 2/3 { bes4 c4 bes4 }
+ a2. c4
+ des4 des4 c4 bes4
+ ees,2 ees2
+ aes,1
+ r1
+ % DE
+ R1*16
+ a'1(
+ fis1
+ g1 ~
+ g1)
+ fis1(
+ dis1
+ e1 ~
+ e1)
+ % F
+ r2 aes2 ~
+ aes1
+ r2 g2 ~
+ g1
+ r2 aes2
+ r8 bes8 -\bendAfter #-3 r4 r2
+ r4 bes8 r8 bes8 bes8 r8 a8 ~
+ a2. r8 aes8-\bendAfter #-2
+ R1*4
+ % G
+ r8 f8 g8 aes8 ~ aes8 c8 ees8 d8
+ des8 f,8 r4 r4 r8 ees8
+ e8 c'4. b8 g8 ees8 r8
+ bes'8 g8 ees8 g8 ~ g4 a8 aes8
+ r2 aes4 aes4
+ aes4 aes4 aes4. g8
+ r1
+ r1
+ % H
+ r2 r8 ees8 g8 aes8 ~
+ aes4 aes8 g8 aes8 bes8 r8 aes8
+ r8 aes4. aes4. g8
+ r2 r4 r8 aes8 ~
+ aes4 bes4 aes4 r4
+ r4 a4 ~ a8 aes4.
+ g4 a8 b8 r2
+ r2 r8 b8 bes8 a8 ~
+ % I
+ a2 e8 g8 d'8 c8 ~
+ c2 r8 c4.
+ b2
+ \times 2/3 { b,4 d4 a'4 }
+ g2. r4
+ r8 a4. b4 bes4
+ a2 a4. gis8
+ r1
+ r1
+ % K
+ r8 aes4. bes4 c4
+ des4 c8 bes8 r8 bes8 c8 aes8 ~
+ aes2 g4. g8
+ r2 r8 e8 f8 aes8 ~
+ aes8 f8 aes8 c8 bes8 aes8 f8 aes8 ~
+ aes8 fes8 aes8 ces8 bes8 aes8 r8 ees'8
+ r8 c4. b4 b4
+ bes4 bes8 a8 ~ a8 e8 f8 bes8 ~
+ bes4
+ aes8 ces8 bes8 aes8 r8 f'8
+ r8 ces4. aes8 bes8 aes8 aes8
+ r2 aes2(
+ g2 c,2)
+ % Coda
+ r1
+ r2 b'2
+ bes1
+ }
+ >>
+ }
+
diff --git a/hr/issi/things/full/stimmen_midi.ly b/hr/issi/things/full/stimmen_midi.ly
new file mode 100644
index 0000000..e8abc9b
--- /dev/null
+++ b/hr/issi/things/full/stimmen_midi.ly
@@ -0,0 +1,497 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key f \minor
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopPreCoda = \relative c'' {
+ %\override Score.SpacingSpanner #'shortest-duration-space = #4.0
+ aes1
+ des2. aes4
+ g4 g4 g4 g4
+ g4 c2 g4
+ f4 f4 f4 f4
+ f4 b2 f4
+ e1 ~
+ e1
+ % A
+ ees1
+ aes1 ~
+ aes1
+ g1 ~
+ g1
+ g2 fis2
+ fis1
+ \times 2/3 { r8 r8 des8 ~ } des4 g4 d'4
+ % B
+ \times 2/3 { d4 ~ d8 ~ } \times 2/3 { d4( c8 ~ } c2)
+ \times 2/3 { r4 d,8 ~ } \times 2/3 { d4 ~ d8 } ees4 \times 2/3 { c'4 b8 ~ }
+ b1
+ \times 2/3 { r4 d,8 ~ } \times 2/3 { d4 ~ d8 } g4 b4
+ e,2( ~ \times 2/3 { e4 dis8) } \times 2/3 { e4 f8( ~ }
+ f2 fis2)
+ \times 2/3 { fis4 ~ fis8 ~ } \times 2/3 { fis4 e8 ~ } e4 ees4 ~
+ ees1
+ % C
+ aes1
+ des2 \times 2/3 { r4 aes8 ~ } \times 2/3 { aes4 ~ aes8 }
+ g4 g4 g4 \times 2/3 { g4 g8 }
+ r4 c2 g4
+ f1
+ ees'2 \times 2/3 { r4 des8 ~ } \times 2/3 { des4 ~ des8 }
+ ees,4 ees4 \times 2/3 { ees4 ees4 ees4 }
+ g2. f4
+ des4 f4 aes4 des4
+ f2 g,2
+ }
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ \sopPreCoda
+ aes1
+ r1
+ % DE
+ R1*16
+ des1(
+ c1
+ b1 ~
+ b1)
+ b1(
+ a1
+ gis1 ~
+ gis1)
+ % F
+ r2 \times 2/3 { aes4 ~ aes8 ~ } \times 2/3 { aes4 des8 ~ }
+ des1
+ r2 \times 2/3 { g,4 ~ g8 ~ } \times 2/3 { g4 c8 ~ }
+ c1
+ r2 c2
+ \times 2/3 { r4 ees8-\bendAfter #-3 } r4 r2
+ r4 \times 2/3 { ees,4 r8 } \times 2/3 { ees4 ees8 } \times 2/3 { r4 g8 ~ }
+ g2. \times 2/3 { r4 f8-\bendAfter #-2 }
+ R1*4
+ % G
+ \times 2/3 { r4 f8 } \times 2/3 { g4 aes8 ~ } \times 2/3 { aes4 c8 } \times 2/3 { ees4 d8 }
+ \times 2/3 { des4 f,8 } r4 r4 \times 2/3 { r4 ees8 }
+ \times 2/3 { e4 c'8 ~ } \times 2/3 { c4 ~ c8 } \times 2/3 { b4 g8 } \times 2/3 { ees4 r8 }
+ \times 2/3 { bes'4 g8 } \times 2/3 { ees4 g8 ~ } g4 \times 2/3 { fis4 f8 }
+ r2 f4 f4
+ f4 f4 \times 2/3 { f4 d8 } \times 2/3 { dis4 e8 }
+ r1
+ r1
+ % H
+ r2 \times 2/3 { r4 ees8 } \times 2/3 { g4 aes8 ~ }
+ aes4 \times 2/3 { aes4 g8 } \times 2/3 { aes4 bes8 } \times 2/3 { r4 c8 }
+ \times 2/3 { r4 c8 ~ } \times 2/3 { c4 ~ c8 } \times 2/3 { ces4 ~ ces8 ~ } \times 2/3 { ces4 bes8 }
+ r2 r4 \times 2/3 { r4 c8 ~ }
+ c4 g4 f4 r4
+ r4 \times 2/3 { c'4 b8 } \times 2/3 { c4 d8 ~ } \times 2/3 { d4 ~ d8 }
+ b4 \times 2/3 { c4 d8 } r2
+ r2 \times 2/3 { r4 d8 } \times 2/3 { des4 c8 ~ }
+ % I
+ c2 \times 2/3 { e,4 g8 } \times 2/3 { d'4 b8 ~ }
+ b2 \times 2/3 { r4 bes8 ~ } \times 2/3 { bes4 ~ bes8 }
+ a2
+ \times 2/3 { b,4 d4 a'4 }
+ fis2. r4
+ \times 2/3 { r4 fis8 ~ } \times 2/3 { fis4 ~ fis8 } gis4 a4
+ b2 \times 2/3 { cis4 ~ cis8 ~ } \times 2/3 { cis4 b8 }
+ r1
+ r1
+ % K
+ \times 2/3 { r4 f8 ~ } \times 2/3 { f4 ~ f8 } g4 aes4
+ bes4 \times 2/3 { c4 des8 } \times 2/3 { r4 des8 } \times 2/3 { ees4 f8 ~ }
+ f2 \times 2/3 { e4 ~ e8 ~ } \times 2/3 { e4 ees8 }
+ r2 \times 2/3 { r4 e,8 } \times 2/3 { f4 aes8 ~ }
+ \times 2/3 { aes4 f8 } \times 2/3 { aes4 c8 } \times 2/3 { bes4 aes8 } \times 2/3 { f4 aes8 ~ }
+ \times 2/3 { aes4 fes8 } \times 2/3 { aes4 ces8 } \times 2/3 { bes4 aes8 } \times 2/3 { r4 ees'8 }
+ \times 2/3 { r4 ees8 ~ } \times 2/3 { ees4 ~ ees8 } d4 d4
+ des4 \times 2/3 { ees4 c8 ~ } \times 2/3 { c4 e,8 } \times 2/3 { f4 aes8 ~ }
+ aes4
+ \times 2/3 { aes4 ces8 } \times 2/3 { bes4 aes8 } \times 2/3 { r4 f'8 }
+ \times 2/3 { r4 ces8 ~ } \times 2/3 { ces4 ~ ces8 } \times 2/3 { aes4 bes8 } \times 2/3 { aes4 aes8 }
+ r2 c2(
+ bes1)
+ \sopPreCoda
+ % Coda
+ aes1 ~
+ aes1
+ g1
+ }
+ >>
+ }
+
+ altPreCoda = \relative c' {
+ ees2( e2)
+ f2. f4
+ f2 fes2
+ ees2. ees4
+ des2 c2
+ c2 b2
+ b2 a2
+ b2 a2
+ % A
+ ees'1
+ aes2. ees4
+ d4 d4 d4 d4
+ d4 g2 d4
+ c4 c4 c4 c4
+ \times 2/3 { c4 d4 ees4 }
+ d4 c4
+ b1
+ \times 2/3 { r8 r8 des8 ~ } des4 g4 d'4
+ % B
+ g,2( ~ \times 2/3 { g4 fis8) } \times 2/3 { g4 aes8( ~ }
+ aes2 a4) r4
+ \times 2/3 { r4 fis8 ~ } \times 2/3 { fis4 ~ fis8 } \times 2/3 { e4 ~ e8 ~ } \times 2/3 { e4 d8 }
+ \times 2/3 { r4 d8 ~ } \times 2/3 { d4 ~ d8 } g4 b4
+ \times 2/3 { b4 ~ b8 ~ } \times 2/3 { b4( a8 ~ } a2)
+ r4 bes,4 b4 a'4
+ gis1 ~
+ gis1
+ % C
+ ees1
+ des2 \times 2/3 { r4 des8 ~ } \times 2/3 { des4 ~ des8 }
+ ees4 ees4 f4 \times 2/3 { e4 ees8 }
+ r4 g2 ees4
+ f1
+ aes2 \times 2/3 { r4 aes8 ~ } \times 2/3 { aes4 ~ aes8 }
+ ees4 ees4 \times 2/3 { ees4 ees4 ees4 }
+ ees2. ees4
+ des4 f4 aes4 aes4
+ aes2 ees2
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ \altPreCoda
+ ees1
+ r1
+ % DE
+ R1*16
+ g1(
+ aes2 a2
+ fis1
+ f1)
+ e1(
+ f2 fis2
+ dis1 ~
+ dis1)
+ % F
+ r2 aes'2 ~
+ aes1
+ r2 g2 ~
+ g1
+ r2 f2
+ \times 2/3 { r4 aes8 -\bendAfter #-3 } r4 r2
+ r4 \times 2/3 { ees4 r8 } \times 2/3 { ees4 ees8 } \times 2/3 { r4 ees8 ~ }
+ ees2. \times 2/3 { r4 des8-\bendAfter #-2 }
+ R1*4
+ % G
+ \times 2/3 { r4 f8 } \times 2/3 { g4 aes8 ~ } \times 2/3 { aes4 c8 } \times 2/3 { ees4 d8 }
+ \times 2/3 { des4 f,8 } r4 r4 \times 2/3 { r4 ees8 }
+ \times 2/3 { e4 c'8 ~ } \times 2/3 { c4 ~ c8 } \times 2/3 { b4 g8 } \times 2/3 { ees4 r8 }
+ \times 2/3 { bes'4 g8 } \times 2/3 { ees4 g8 ~ } g4 \times 2/3 { fis4 f8 }
+ r2 f4 f4
+ f4 f4 \times 2/3 { f4 d8 } \times 2/3 { dis4 e8 }
+ r1
+ r1
+ % H
+ r2 \times 2/3 { r4 ees8 } \times 2/3 { g4 aes8 ~ }
+ aes4 \times 2/3 { aes4 g8 } \times 2/3 { aes4 bes8 } \times 2/3 { r4 g8 }
+ \times 2/3 { r4 g8 ~ } \times 2/3 { g4 ~ g8 } \times 2/3 { ges4 ~ ges8 ~ } \times 2/3 { ges4 f8 }
+ r2 r4 \times 2/3 { r4 g8 ~ }
+ g4 ees4 ees4 r4
+ r4 g4 ~ \times 2/3 { g4 fis8 ~ } \times 2/3 { fis4 ~ fis8 }
+ fis4 \times 2/3 { g4 a8 } r2
+ r2 \times 2/3 { r4 a8 } \times 2/3 { aes4 g8 ~ }
+ % I
+ g2 \times 2/3 { e4 g8 } \times 2/3 { d'4 fis,8 ~ }
+ fis2 \times 2/3 { r4 fis8 ~ } \times 2/3 { fis4 ~ fis8 }
+ fis2
+ \times 2/3 { b,4 d4 a'4 }
+ d,2. r4
+ \times 2/3 { r4 e8 ~ } \times 2/3 { e4 ~ e8 } e4 fis4
+ gis2 \times 2/3 { g4 ~ g8 ~ } \times 2/3 { g4 fis8 }
+ r1
+ r1
+ % K
+ \times 2/3 { r4 ees8 ~ } \times 2/3 { ees4 ~ ees8 } ees4 f4
+ aes4 \times 2/3 { aes4 aes8 } \times 2/3 { r4 des8 } \times 2/3 { ees4 c8 ~ }
+ c2 \times 2/3 { b4 ~ b8 ~ } \times 2/3 { b4 bes8 }
+ r2 \times 2/3 { r4 e,8 } \times 2/3 { f4 aes8 ~ }
+ \times 2/3 { aes4 f8 } \times 2/3 { aes4 c8 } \times 2/3 { bes4 aes8 } \times 2/3 { f4 aes8 ~ }
+ \times 2/3 { aes4 fes8 } \times 2/3 { aes4 ces8 } \times 2/3 { bes4 aes8 } \times 2/3 { r4 ees'8 }
+ \times 2/3 { r4 bes8 ~ } \times 2/3 { bes4 ~ bes8 } a4 a4
+ a4 \times 2/3 { aes4 g8 ~ } \times 2/3 { g4 e8 } \times 2/3 { f4 f8 ~ }
+ f4
+ \times 2/3 { aes4 ces8 } \times 2/3 { bes4 aes8 } \times 2/3 { r4 f'8 }
+ \times 2/3 { r4 ces8 ~ } \times 2/3 { ces4 ~ ces8 } \times 2/3 { aes4 bes8 } \times 2/3 { aes4 aes8 }
+ r2 g2(
+ f2 e2)
+ \altPreCoda
+ % Coda
+ r1
+ e1
+ ees1
+ }
+ >>
+ }
+
+ tenorPreCoda = \relative c' {
+ c1
+ aes2. des4
+ des2 des2
+ c2. aes4
+ aes2 aes2
+ aes2 g2
+ g2 f2
+ g2 f2
+ % A
+ r1
+ r1
+ r1
+ bes1
+ ees1 ~
+ ees2 d2
+ d1
+ \times 2/3 { r8 r8 des,8 ~ } des4 g4 d'4
+ % B
+ e2. \times 2/3 { e4 ees8 ~ }
+ ees2. r4
+ \times 2/3 { r4 d8 ~ } \times 2/3 { d4 ~ d8 } \times 2/3 { c4 ~ c8 ~ } \times 2/3 { c4 b8 }
+ \times 2/3 { r4 d,8 ~ } \times 2/3 { d4 ~ d8 } g4 b4
+ cis2. \times 2/3 { cis4 c8 ~ }
+ c1
+ \times 2/3 { b4 ~ b8 ~ } \times 2/3 { b4 b8 ~ } b4 bes4 ~
+ bes1
+ % C
+ c1
+ aes2 \times 2/3 { r4 des8 ~ } \times 2/3 { des4 ~ des8 }
+ bes4 bes4 des4 \times 2/3 { des4 c8 }
+ r4 ees2 c4
+ c1
+ e2 \times 2/3 { r4 e8 ~ } \times 2/3 { e4 ~ e8 }
+ ees4 bes4 \times 2/3 { bes4 c4 bes4 }
+ a2. c4
+ des4 f4 f4 f4
+ des2 des2
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ \tenorPreCoda
+ c1
+ r1
+ % DE
+ R1*16
+ e1(
+ ees1
+ d1 ~
+ d1)
+ cis1(
+ c1
+ b1
+ bes1)
+ % F
+ r2 \times 2/3 { aes4 ~ aes8 ~ } \times 2/3 { aes4 des8 ~ }
+ des1
+ r2 \times 2/3 { g,4 ~ g8 ~ } \times 2/3 { g4 c8 ~ }
+ c1
+ r2 c2
+ \times 2/3 { r4 ees8-\bendAfter #-3 } r4 r2
+ r4 \times 2/3 { ees4 r8 } \times 2/3 { bes4 bes8 } \times 2/3 { r4 a8 ~ }
+ a2. \times 2/3 { r4 bes8-\bendAfter #-2 }
+ R1*4
+ % G
+ \times 2/3 { r4 f8 } \times 2/3 { g4 aes8 ~ } \times 2/3 { aes4 c8 } \times 2/3 { ees4 d8 }
+ \times 2/3 { des4 f,8 } r4 r4 \times 2/3 { r4 ees8 }
+ \times 2/3 { e4 c'8 ~ } \times 2/3 { c4 ~ c8 } \times 2/3 { b4 g8 } \times 2/3 { ees4 r8 }
+ \times 2/3 { bes'4 g8 } \times 2/3 { ees4 g8 ~ } g4 \times 2/3 { c4 c8 }
+ r2 c4 c4
+ c4 c4 \times 2/3 { b4 ~ b8 ~ } \times 2/3 { b4 b8 }
+ r1
+ r1
+ % H
+ r2 \times 2/3 { r4 ees,8 } \times 2/3 { g4 aes8 ~ }
+ aes4 \times 2/3 { aes4 g8 } \times 2/3 { aes4 bes8 } \times 2/3 { r4 d8 }
+ \times 2/3 { r4 d8 ~ } \times 2/3 { d4 ~ d8 } \times 2/3 { d4 ~ d8 ~ } \times 2/3 { d4 d8 }
+ r2 r4 \times 2/3 { r4 ees8 ~ }
+ ees4 c4 c4 r4
+ r4 ees4 ~ \times 2/3 { ees4 ees8 ~ } \times 2/3 { ees4 ~ ees8 }
+ d4 \times 2/3 { e4 fis8 } r2
+ r2 \times 2/3 { r4 fis8 } \times 2/3 { f4 e8 ~ }
+ % I
+ e2 \times 2/3 { e,4 g8 } \times 2/3 { d'4 ees8 ~ }
+ ees2 \times 2/3 { r4 ees8 ~ } \times 2/3 { ees4 ~ ees8 }
+ d2
+ \times 2/3 { b,4 d4 a'4 }
+ bes2. r4
+ \times 2/3 { r4 a8 ~ } \times 2/3 { a4 ~ a8 } cis4 d4
+ dis2 \times 2/3 { dis4 ~ dis8 ~ } \times 2/3 { dis4 dis8 }
+ r1
+ r1
+ % K
+ \times 2/3 { r4 c8 ~ } \times 2/3 { c4 ~ c8 } c4 ees4
+ f4 \times 2/3 { f4 f8 } \times 2/3 { r4 bes,8 } \times 2/3 { c4 des8 ~ }
+ des2 \times 2/3 { des4 ~ des8 ~ } \times 2/3 { des4 c8 }
+ r2 \times 2/3 { r4 e,8 } \times 2/3 { f4 aes8 ~ }
+ \times 2/3 { aes4 f8 } \times 2/3 { aes4 c8 } \times 2/3 { bes4 aes8 } \times 2/3 { f4 aes8 ~ }
+ \times 2/3 { aes4 fes8 } \times 2/3 { aes4 ces8 } \times 2/3 { bes4 aes8 } \times 2/3 { r4 ees'8 }
+ \times 2/3 { r4 ges8 ~ } \times 2/3 { ges4 ~ ges8 } f4 f4
+ e4 \times 2/3 { e4 ees8 ~ } \times 2/3 { ees4 e8 } \times 2/3 { f4 des8 ~ }
+ des4
+ \times 2/3 { aes4 ces8 } \times 2/3 { bes4 aes8 } \times 2/3 { r4 f'8 }
+ \times 2/3 { r4 ces8 ~ } \times 2/3 { ces4 ~ ces8 } \times 2/3 { aes4 bes8 } \times 2/3 { aes4 aes8 }
+ r2 ees'2(
+ des1)
+ \tenorPreCoda
+ % Coda
+ r2 ees2 ~
+ ees1
+ c1
+ }
+ >>
+ }
+
+ bassPreCoda = \relative c {
+ f1
+ bes,2. bes4
+ ees2 ees2
+ aes,2 bes4 c4
+ des2 des2
+ d2 g,2
+ c2 d2
+ e2 d2
+ % A
+ r1
+ r1
+ bes1
+ ees2. bes4
+ aes1
+ a2 d2
+ g,1
+ \times 2/3 { r8 r8 des'8 ~ } des4 g4 d'4
+ % B
+ a2. \times 2/3 { a4 fis8 ~ }
+ fis2. r4
+ \times 2/3 { r4 g8 ~ } \times 2/3 { g4 ~ g8 } \times 2/3 { d4 ~ d8 ~ } \times 2/3 { d4 g,8 }
+ \times 2/3 { r4 d'8 ~ } \times 2/3 { d4 ~ d8 } g4 b4
+ fis2. \times 2/3 { fis4 dis8 ~ }
+ dis1
+ \times 2/3 { e4 ~ e8 ~ } \times 2/3 { e4 e8 ~ } e4 e4 ~
+ e1
+ % C
+ f1
+ bes,2 \times 2/3 { r4 bes8 ~ } \times 2/3 { bes4 ~ bes8 }
+ ees4 ees4 ees4 \times 2/3 { ees4 aes,8 }
+ r4 aes2 aes'4
+ aes1
+ bes2 \times 2/3 { r4 bes8 ~ } \times 2/3 { bes4 ~ bes8 }
+ bes4 bes4 \times 2/3 { bes4 c4 bes4 }
+ a2. c4
+ des4 des4 c4 bes4
+ ees,2 ees2
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ \bassPreCoda
+ aes1
+ r1
+ % DE
+ R1*16
+ a'1(
+ fis1
+ g1 ~
+ g1)
+ fis1(
+ dis1
+ e1 ~
+ e1)
+ % F
+ r2 aes2 ~
+ aes1
+ r2 g2 ~
+ g1
+ r2 aes2
+ \times 2/3 { r4 bes8 -\bendAfter #-3 } r4 r2
+ r4 \times 2/3 { bes4 r8 } \times 2/3 { bes4 bes8 } \times 2/3 { r4 a8 ~ }
+ a2. \times 2/3 { r4 aes8-\bendAfter #-2 }
+ R1*4
+ % G
+ \times 2/3 { r4 f8 } \times 2/3 { g4 aes8 ~ } \times 2/3 { aes4 c8 } \times 2/3 { ees4 d8 }
+ \times 2/3 { des4 f,8 } r4 r4 \times 2/3 { r4 ees8 }
+ \times 2/3 { e4 c'8 ~ } \times 2/3 { c4 ~ c8 } \times 2/3 { b4 g8 } \times 2/3 { ees4 r8 }
+ \times 2/3 { bes'4 g8 } \times 2/3 { ees4 g8 ~ } g4 \times 2/3 { a4 aes8 }
+ r2 aes4 aes4
+ aes4 aes4 \times 2/3 { aes4 ~ aes8 ~ } \times 2/3 { aes4 g8 }
+ r1
+ r1
+ % H
+ r2 \times 2/3 { r4 ees8 } \times 2/3 { g4 aes8 ~ }
+ aes4 \times 2/3 { aes4 g8 } \times 2/3 { aes4 bes8 } \times 2/3 { r4 aes8 }
+ \times 2/3 { r4 aes8 ~ } \times 2/3 { aes4 ~ aes8 } \times 2/3 { aes4 ~ aes8 ~ } \times 2/3 { aes4 g8 }
+ r2 r4 \times 2/3 { r4 aes8 ~ }
+ aes4 bes4 aes4 r4
+ r4 a4 ~ \times 2/3 { a4 aes8 ~ } \times 2/3 { aes4 ~ aes8 }
+ g4 \times 2/3 { a4 b8 } r2
+ r2 \times 2/3 { r4 b8 } \times 2/3 { bes4 a8 ~ }
+ % I
+ a2 \times 2/3 { e4 g8 } \times 2/3 { d'4 c8 ~ }
+ c2 \times 2/3 { r4 c8 ~ } \times 2/3 { c4 ~ c8 }
+ b2
+ \times 2/3 { b,4 d4 a'4 }
+ g2. r4
+ \times 2/3 { r4 a8 ~ } \times 2/3 { a4 ~ a8 } b4 bes4
+ a2 \times 2/3 { a4 ~ a8 ~ } \times 2/3 { a4 gis8 }
+ r1
+ r1
+ % K
+ \times 2/3 { r4 aes8 ~ } \times 2/3 { aes4 ~ aes8 } bes4 c4
+ des4 \times 2/3 { c4 bes8 } \times 2/3 { r4 bes8 } \times 2/3 { c4 aes8 ~ }
+ aes2 \times 2/3 { g4 ~ g8 ~ } \times 2/3 { g4 g8 }
+ r2 \times 2/3 { r4 e8 } \times 2/3 { f4 aes8 ~ }
+ \times 2/3 { aes4 f8 } \times 2/3 { aes4 c8 } \times 2/3 { bes4 aes8 } \times 2/3 { f4 aes8 ~ }
+ \times 2/3 { aes4 fes8 } \times 2/3 { aes4 ces8 } \times 2/3 { bes4 aes8 } \times 2/3 { r4 ees'8 }
+ \times 2/3 { r4 c8 ~ } \times 2/3 { c4 ~ c8 } b4 b4
+ bes4 \times 2/3 { bes4 a8 ~ } \times 2/3 { a4 e8 } \times 2/3 { f4 bes8 ~ }
+ bes4
+ \times 2/3 { aes4 ces8 } \times 2/3 { bes4 aes8 } \times 2/3 { r4 f'8 }
+ \times 2/3 { r4 ces8 ~ } \times 2/3 { ces4 ~ ces8 } \times 2/3 { aes4 bes8 } \times 2/3 { aes4 aes8 }
+ r2 aes2(
+ g2 c,2)
+ \bassPreCoda
+ % Coda
+ r1
+ r2 b'2
+ bes1
+ }
+ >>
+ }
+
diff --git a/hr/issi/things/full/texte.ly b/hr/issi/things/full/texte.ly
new file mode 100644
index 0000000..aa31a05
--- /dev/null
+++ b/hr/issi/things/full/texte.ly
@@ -0,0 +1,55 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ You are the pro -- mised spring
+ that makes the win -- ter long,
+ duh duh duh.
+ You are a song.
+ You are the glow that lights,
+ lights a star
+ the dea -- rest things I know
+ what you are.
+ Some day my hap -- py arms will hold you
+ and some day I’ll know that mo -- ment di -- vine
+ when all the things you are are mine.
+ duh, duh.
+ duh -- duh, duh -- duh, duh, bau!
+ dub du -- dat dah dau!
+ ba du gah be di dn di dop
+ ba du wie di dn dop
+ bi dn du gah du dat
+ dab dab dab dab du dap
+ ba du gah da dn du dab bap
+ bah du dap
+ bah du dab
+ bah wie dah du dat
+ ba du gah
+ du dn dui dah
+ bah dah du du wie dah
+ duh dub dab duh bie dap
+ duh dab dab duh bi dap
+ ba da duh duh dap
+ ba da duh dn du bi du dn da duh dn du bi du dat
+ dap dah dab dab dab du dah ba da duh du bi du dab dip
+ duh da dn du dap
+ Uh,
+ mine, mine.
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/issi/things/full/things_midi.midi b/hr/issi/things/full/things_midi.midi
new file mode 100644
index 0000000..4b26a4c
--- /dev/null
+++ b/hr/issi/things/full/things_midi.midi
Binary files differ
diff --git a/hr/issi/things/midi.lua b/hr/issi/things/midi.lua
new file mode 100644
index 0000000..4b24ff8
--- /dev/null
+++ b/hr/issi/things/midi.lua
@@ -0,0 +1,50 @@
+-- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen_midi.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 138 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/issi/things/midis/a.midi b/hr/issi/things/midis/a.midi
new file mode 100644
index 0000000..8b6febc
--- /dev/null
+++ b/hr/issi/things/midis/a.midi
Binary files differ
diff --git a/hr/issi/things/midis/b.midi b/hr/issi/things/midis/b.midi
new file mode 100644
index 0000000..b01f8c5
--- /dev/null
+++ b/hr/issi/things/midis/b.midi
Binary files differ
diff --git a/hr/issi/things/midis/s.midi b/hr/issi/things/midis/s.midi
new file mode 100644
index 0000000..8c28a5b
--- /dev/null
+++ b/hr/issi/things/midis/s.midi
Binary files differ
diff --git a/hr/issi/things/midis/satb.midi b/hr/issi/things/midis/satb.midi
new file mode 100644
index 0000000..4b26a4c
--- /dev/null
+++ b/hr/issi/things/midis/satb.midi
Binary files differ
diff --git a/hr/issi/things/midis/t.midi b/hr/issi/things/midis/t.midi
new file mode 100644
index 0000000..92512cb
--- /dev/null
+++ b/hr/issi/things/midis/t.midi
Binary files differ
diff --git a/hr/issi/things/stimmen.ly b/hr/issi/things/stimmen.ly
new file mode 100644
index 0000000..41d4ee3
--- /dev/null
+++ b/hr/issi/things/stimmen.ly
@@ -0,0 +1,479 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key f \minor
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ %\override Score.SpacingSpanner #'shortest-duration-space = #4.0
+ aes1
+ des2. aes4
+ g4 g4 g4 g4
+ g4 c2 g4
+ f4 f4 f4 f4
+ f4 b2 f4
+ e1 ~
+ e1
+ % A
+ ees1
+ aes1 ~
+ aes1
+ g1 ~
+ g1
+ g2 fis2
+ fis1
+ r8 des4. g4 d'4
+ % B
+ d4.( c8 ~ c2)
+ r8 d,4. ees4 c'8 b8 ~
+ b1
+ r8 d,4. g4 b4
+ e,2( ~ e8 dis8) e8 f8( ~
+ f2 fis2)
+ fis4. e8 ~ e4 ees4 ~
+ ees1
+ % C
+ aes1
+ des2 r8 aes4.
+ g4 g4 g4 g8 g8
+ r4 c2 g4
+ f1
+ ees'2 r8 des4.
+ ees,4 ees4 \times 2/3 { ees4 ees4 ees4 }
+ g2. f4
+ des4 f4 aes4 des4
+ f2 g,2
+ aes1
+ r1
+% % DE
+% R1*16
+% des1(
+% c1
+% b1 ~
+% b1)
+% b1(
+% a1
+% gis1 ~
+% gis1)
+% % F
+% r2 aes4. des8 ~
+% des1
+% r2 g,4. c8 ~
+% c1
+% r2 c2
+% r8 ees8-\bendAfter #-3 r4 r2
+% r4 ees,8 r8 ees8 ees8 r8 g8 ~
+% g2. r8 f8-\bendAfter #-2
+% R1*4
+ % G
+ r8 f8 g8 aes8 ~ aes8 c8 ees8 d8
+ des8 f,8 r4 r4 r8 ees8
+ e8 c'4. b8 g8 ees8 r8
+ bes'8 g8 ees8 g8 ~ g4 fis8 f8
+ r2 f4 f4
+ f4 f4 f8 d8 dis8 e8
+ r1
+ r1
+ % H
+ r2 r8 ees8 g8 aes8 ~
+ aes4 aes8 g8 aes8 bes8 r8 c8
+ r8 c4. ces4. bes8
+ r2 r4 r8 c8 ~
+ c4 g4 f4 r4
+ r4 c'8 b8 c8 d4.
+ b4 c8 d8 r2
+ r2 r8 d8 des8 c8 ~
+ % I
+ c2 e,8 g8 d'8 b8 ~
+ b2 r8 bes4.
+ a2
+ \times 2/3 { b,4 d4 a'4 }
+ fis2. r4
+ r8 fis4. gis4 a4
+ b2 cis4. b8
+ r1
+ r1
+ % K
+ r8 f4. g4 aes4
+ bes4 c8 des8 r8 des8 ees8 f8 ~
+ f2 e4. ees8
+ r2 r8 e,8 f8 aes8 ~
+ aes8 f8 aes8 c8 bes8 aes8 f8 aes8 ~
+ aes8 fes8 aes8 ces8 bes8 aes8 r8 ees'8
+ r8 ees4. d4 d4
+ des4 ees8 c8 ~ c8 e,8 f8 aes8 ~
+ aes4
+ aes8 ces8 bes8 aes8 r8 f'8
+ r8 ces4. aes8 bes8 aes8 aes8
+ r2 c2(
+ bes1)
+ % Coda
+ aes1 ~
+ aes1
+ g1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ ees2( e2)
+ f2. f4
+ f2 fes2
+ ees2. ees4
+ des2 c2
+ c2 b2
+ b2 a2
+ b2 a2
+ % A
+ ees'1
+ aes2. ees4
+ d4 d4 d4 d4
+ d4 g2 d4
+ c4 c4 c4 c4
+ \times 2/3 { c4 d4 ees4 }
+ d4 c4
+ b1
+ r8 des4. g4 d'4
+ % B
+ g,2( ~ g8 fis8) g8 aes8( ~
+ aes2 a4) r4
+ r8 fis4. e4. d8
+ r8 d4. g4 b4
+ b4.( a8 ~ a2)
+ r4 bes,4 b4 a'4
+ gis1 ~
+ gis1
+ % C
+ ees1
+ des2 r8 des4.
+ ees4 ees4 f4 e8 ees8
+ r4 g2 ees4
+ f1
+ aes2 r8 aes4.
+ ees4 ees4 \times 2/3 { ees4 ees4 ees4 }
+ ees2. ees4
+ des4 f4 aes4 aes4
+ aes2 ees2
+ ees1
+ r1
+% % DE
+% R1*16
+% g1(
+% aes2 a2
+% fis1
+% f1)
+% e1(
+% f2 fis2
+% dis1 ~
+% dis1)
+% % F
+% r2 aes'2 ~
+% aes1
+% r2 g2 ~
+% g1
+% r2 f2
+% r8 aes8 -\bendAfter #-3 r4 r2
+% r4 ees8 r8 ees8 ees8 r8 ees8 ~
+% ees2. r8 des8-\bendAfter #-2
+% R1*4
+ % G
+ r8 f8 g8 aes8 ~ aes8 c8 ees8 d8
+ des8 f,8 r4 r4 r8 ees8
+ e8 c'4. b8 g8 ees8 r8
+ bes'8 g8 ees8 g8 ~ g4 fis8 f8
+ r2 f4 f4
+ f4 f4 f8 d8 dis8 e8
+ r1
+ r1
+ % H
+ r2 r8 ees8 g8 aes8 ~
+ aes4 aes8 g8 aes8 bes8 r8 g8
+ r8 g4. ges4. f8
+ r2 r4 r8 g8 ~
+ g4 ees4 ees4 r4
+ r4 g4 ~ g8 fis4.
+ fis4 g8 a8 r2
+ r2 r8 a8 aes8 g8 ~
+ % I
+ g2 e8 g8 d'8 fis,8 ~
+ fis2 r8 fis4.
+ fis2
+ \times 2/3 { b,4 d4 a'4 }
+ d,2. r4
+ r8 e4. e4 fis4
+ gis2 g4. fis8
+ r1
+ r1
+ % K
+ r8 ees4. ees4 f4
+ aes4 aes8 aes8 r8 des8 ees8 c8 ~
+ c2 b4. bes8
+ r2 r8 e,8 f8 aes8 ~
+ aes8 f8 aes8 c8 bes8 aes8 f8 aes8 ~
+ aes8 fes8 aes8 ces8 bes8 aes8 r8 ees'8
+ r8 bes4. a4 a4
+ a4 aes8 g8 ~ g8 e8 f8 f8 ~
+ f4
+ aes8 ces8 bes8 aes8 r8 f'8
+ r8 ces4. aes8 bes8 aes8 aes8
+ r2 g2(
+ f2 e2)
+ % Coda
+ r1
+ e1
+ ees1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ c1
+ aes2. des4
+ des2 des2
+ c2. aes4
+ aes2 aes2
+ aes2 g2
+ g2 f2
+ g2 f2
+ % A
+ r1
+ r1
+ r1
+ bes1
+ ees1 ~
+ ees2 d2
+ d1
+ r8 des,4. g4 d'4
+ % B
+ e2. e8 ees8 ~
+ ees2. r4
+ r8 d4. c4. b8
+ r8 d,4. g4 b4
+ cis2. cis8 c8 ~
+ c1
+ b4. b8 ~ b4 bes4 ~
+ bes1
+ % C
+ c1
+ aes2 r8 des4.
+ bes4 bes4 des4 des8 c8
+ r4 ees2 c4
+ c1
+ e2 r8 e4.
+ ees4 bes4 \times 2/3 { bes4 c4 bes4 }
+ a2. c4
+ des4 f4 f4 f4
+ des2 des2
+ c1
+ r1
+% % DE
+% R1*16
+% e1(
+% ees1
+% d1 ~
+% d1)
+% cis1(
+% c1
+% b1
+% bes1)
+% % F
+% r2 aes4. des8 ~
+% des1
+% r2 g,4. c8 ~
+% c1
+% r2 c2
+% r8 ees8-\bendAfter #-3 r4 r2
+% r4 ees8 r8 bes8 bes8 r8 a8 ~
+% a2. r8 bes8-\bendAfter #-2
+% R1*4
+ % G
+ \octaveCheck c
+ r8 f8 g8 aes8 ~ aes8 c8 ees8 d8
+ des8 f,8 r4 r4 r8 ees8
+ e8 c'4. b8 g8 ees8 r8
+ bes'8 g8 ees8 g8 ~ g4 c8 c8
+ r2 c4 c4
+ c4 c4 b4. b8
+ r1
+ r1
+ % H
+ r2 r8 ees,8 g8 aes8 ~
+ aes4 aes8 g8 aes8 bes8 r8 d8
+ r8 d4. d4. d8
+ r2 r4 r8 ees8 ~
+ ees4 c4 c4 r4
+ r4 ees4 ~ ees8 ees4.
+ d4 e8 fis8 r2
+ r2 r8 fis8 f8 e8 ~
+ % I
+ e2 e,8 g8 d'8 ees8 ~
+ ees2 r8 ees4.
+ d2
+ \times 2/3 { b,4 d4 a'4 }
+ bes2. r4
+ r8 a4. cis4 d4
+ dis2 dis4. dis8
+ r1
+ r1
+ % K
+ r8 c4. c4 ees4
+ f4 f8 f8 r8 bes,8 c8 des8 ~
+ des2 des4. c8
+ r2 r8 e,8 f8 aes8 ~
+ aes8 f8 aes8 c8 bes8 aes8 f8 aes8 ~
+ aes8 fes8 aes8 ces8 bes8 aes8 r8 ees'8
+ r8 ges4. f4 f4
+ e4 e8 ees8 ~ ees8 e8 f8 des8 ~
+ des4
+ aes8 ces8 bes8 aes8 r8 f'8
+ r8 ces4. aes8 bes8 aes8 aes8
+ r2 ees'2(
+ des1)
+ % Coda
+ r2 ees2 ~
+ ees1
+ c1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ f1
+ bes,2. bes4
+ ees2 ees2
+ aes,2 bes4 c4
+ des2 des2
+ d2 g,2
+ c2 d2
+ e2 d2
+ % A
+ r1
+ r1
+ bes1
+ ees2. bes4
+ aes1
+ a2 d2
+ g,1
+ r8 des'4. g4 d'4
+ % B
+ a2. a8 fis8 ~
+ fis2. r4
+ r8 g4. d4. g,8
+ r8 d'4. g4 b4
+ fis2. fis8 dis8 ~
+ dis1
+ e4. e8 ~ e4 e4 ~
+ e1
+ % C
+ f1
+ bes,2 r8 bes4.
+ ees4 ees4 ees4 ees8 aes,8
+ r4 aes2 aes'4
+ aes1
+ bes2 r8 bes4.
+ bes4 bes4 \times 2/3 { bes4 c4 bes4 }
+ a2. c4
+ des4 des4 c4 bes4
+ ees,2 ees2
+ aes,1
+ r1
+% % DE
+% R1*16
+% a'1(
+% fis1
+% g1 ~
+% g1)
+% fis1(
+% dis1
+% e1 ~
+% e1)
+% % F
+% r2 aes2 ~
+% aes1
+% r2 g2 ~
+% g1
+% r2 aes2
+% r8 bes8 -\bendAfter #-3 r4 r2
+% r4 bes8 r8 bes8 bes8 r8 a8 ~
+% a2. r8 aes8-\bendAfter #-2
+% R1*4
+ % G
+ r8 f8 g8 aes8 ~ aes8 c8 ees8 d8
+ des8 f,8 r4 r4 r8 ees8
+ e8 c'4. b8 g8 ees8 r8
+ bes'8 g8 ees8 g8 ~ g4 a8 aes8
+ r2 aes4 aes4
+ aes4 aes4 aes4. g8
+ r1
+ r1
+ % H
+ r2 r8 ees8 g8 aes8 ~
+ aes4 aes8 g8 aes8 bes8 r8 aes8
+ r8 aes4. aes4. g8
+ r2 r4 r8 aes8 ~
+ aes4 bes4 aes4 r4
+ r4 a4 ~ a8 aes4.
+ g4 a8 b8 r2
+ r2 r8 b8 bes8 a8 ~
+ % I
+ a2 e8 g8 d'8 c8 ~
+ c2 r8 c4.
+ b2
+ \times 2/3 { b,4 d4 a'4 }
+ g2. r4
+ r8 a4. b4 bes4
+ a2 a4. gis8
+ r1
+ r1
+ % K
+ r8 aes4. bes4 c4
+ des4 c8 bes8 r8 bes8 c8 aes8 ~
+ aes2 g4. g8
+ r2 r8 e8 f8 aes8 ~
+ aes8 f8 aes8 c8 bes8 aes8 f8 aes8 ~
+ aes8 fes8 aes8 ces8 bes8 aes8 r8 ees'8
+ r8 c4. b4 b4
+ bes4 bes8 a8 ~ a8 e8 f8 bes8 ~
+ bes4
+ aes8 ces8 bes8 aes8 r8 f'8
+ r8 ces4. aes8 bes8 aes8 aes8
+ r2 aes2(
+ g2 c,2)
+ % Coda
+ r1
+ r2 b'2
+ bes1
+ }
+ >>
+ }
+
diff --git a/hr/issi/things/stimmen_midi.ly b/hr/issi/things/stimmen_midi.ly
new file mode 100644
index 0000000..23c459e
--- /dev/null
+++ b/hr/issi/things/stimmen_midi.ly
@@ -0,0 +1,497 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key f \minor
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopPreCoda = \relative c'' {
+ %\override Score.SpacingSpanner #'shortest-duration-space = #4.0
+ aes1
+ des2. aes4
+ g4 g4 g4 g4
+ g4 c2 g4
+ f4 f4 f4 f4
+ f4 b2 f4
+ e1 ~
+ e1
+ % A
+ ees1
+ aes1 ~
+ aes1
+ g1 ~
+ g1
+ g2 fis2
+ fis1
+ \times 2/3 { r8 r8 des8 ~ } des4 g4 d'4
+ % B
+ \times 2/3 { d4 ~ d8 ~ } \times 2/3 { d4( c8 ~ } c2)
+ \times 2/3 { r4 d,8 ~ } \times 2/3 { d4 ~ d8 } ees4 \times 2/3 { c'4 b8 ~ }
+ b1
+ \times 2/3 { r4 d,8 ~ } \times 2/3 { d4 ~ d8 } g4 b4
+ e,2( ~ \times 2/3 { e4 dis8) } \times 2/3 { e4 f8( ~ }
+ f2 fis2)
+ \times 2/3 { fis4 ~ fis8 ~ } \times 2/3 { fis4 e8 ~ } e4 ees4 ~
+ ees1
+ % C
+ aes1
+ des2 \times 2/3 { r4 aes8 ~ } \times 2/3 { aes4 ~ aes8 }
+ g4 g4 g4 \times 2/3 { g4 g8 }
+ r4 c2 g4
+ f1
+ ees'2 \times 2/3 { r4 des8 ~ } \times 2/3 { des4 ~ des8 }
+ ees,4 ees4 \times 2/3 { ees4 ees4 ees4 }
+ g2. f4
+ des4 f4 aes4 des4
+ f2 g,2
+ }
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ \sopPreCoda
+ aes1
+ r1
+% % DE
+% R1*16
+% des1(
+% c1
+% b1 ~
+% b1)
+% b1(
+% a1
+% gis1 ~
+% gis1)
+% % F
+% r2 \times 2/3 { aes4 ~ aes8 ~ } \times 2/3 { aes4 des8 ~ }
+% des1
+% r2 \times 2/3 { g,4 ~ g8 ~ } \times 2/3 { g4 c8 ~ }
+% c1
+% r2 c2
+% \times 2/3 { r4 ees8-\bendAfter #-3 } r4 r2
+% r4 \times 2/3 { ees,4 r8 } \times 2/3 { ees4 ees8 } \times 2/3 { r4 g8 ~ }
+% g2. \times 2/3 { r4 f8-\bendAfter #-2 }
+% R1*4
+ % G
+ \times 2/3 { r4 f8 } \times 2/3 { g4 aes8 ~ } \times 2/3 { aes4 c8 } \times 2/3 { ees4 d8 }
+ \times 2/3 { des4 f,8 } r4 r4 \times 2/3 { r4 ees8 }
+ \times 2/3 { e4 c'8 ~ } \times 2/3 { c4 ~ c8 } \times 2/3 { b4 g8 } \times 2/3 { ees4 r8 }
+ \times 2/3 { bes'4 g8 } \times 2/3 { ees4 g8 ~ } g4 \times 2/3 { fis4 f8 }
+ r2 f4 f4
+ f4 f4 \times 2/3 { f4 d8 } \times 2/3 { dis4 e8 }
+ r1
+ r1
+ % H
+ r2 \times 2/3 { r4 ees8 } \times 2/3 { g4 aes8 ~ }
+ aes4 \times 2/3 { aes4 g8 } \times 2/3 { aes4 bes8 } \times 2/3 { r4 c8 }
+ \times 2/3 { r4 c8 ~ } \times 2/3 { c4 ~ c8 } \times 2/3 { ces4 ~ ces8 ~ } \times 2/3 { ces4 bes8 }
+ r2 r4 \times 2/3 { r4 c8 ~ }
+ c4 g4 f4 r4
+ r4 \times 2/3 { c'4 b8 } \times 2/3 { c4 d8 ~ } \times 2/3 { d4 ~ d8 }
+ b4 \times 2/3 { c4 d8 } r2
+ r2 \times 2/3 { r4 d8 } \times 2/3 { des4 c8 ~ }
+ % I
+ c2 \times 2/3 { e,4 g8 } \times 2/3 { d'4 b8 ~ }
+ b2 \times 2/3 { r4 bes8 ~ } \times 2/3 { bes4 ~ bes8 }
+ a2
+ \times 2/3 { b,4 d4 a'4 }
+ fis2. r4
+ \times 2/3 { r4 fis8 ~ } \times 2/3 { fis4 ~ fis8 } gis4 a4
+ b2 \times 2/3 { cis4 ~ cis8 ~ } \times 2/3 { cis4 b8 }
+ r1
+ r1
+ % K
+ \times 2/3 { r4 f8 ~ } \times 2/3 { f4 ~ f8 } g4 aes4
+ bes4 \times 2/3 { c4 des8 } \times 2/3 { r4 des8 } \times 2/3 { ees4 f8 ~ }
+ f2 \times 2/3 { e4 ~ e8 ~ } \times 2/3 { e4 ees8 }
+ r2 \times 2/3 { r4 e,8 } \times 2/3 { f4 aes8 ~ }
+ \times 2/3 { aes4 f8 } \times 2/3 { aes4 c8 } \times 2/3 { bes4 aes8 } \times 2/3 { f4 aes8 ~ }
+ \times 2/3 { aes4 fes8 } \times 2/3 { aes4 ces8 } \times 2/3 { bes4 aes8 } \times 2/3 { r4 ees'8 }
+ \times 2/3 { r4 ees8 ~ } \times 2/3 { ees4 ~ ees8 } d4 d4
+ des4 \times 2/3 { ees4 c8 ~ } \times 2/3 { c4 e,8 } \times 2/3 { f4 aes8 ~ }
+ aes4
+ \times 2/3 { aes4 ces8 } \times 2/3 { bes4 aes8 } \times 2/3 { r4 f'8 }
+ \times 2/3 { r4 ces8 ~ } \times 2/3 { ces4 ~ ces8 } \times 2/3 { aes4 bes8 } \times 2/3 { aes4 aes8 }
+ r2 c2(
+ bes1)
+ \sopPreCoda
+ % Coda
+ aes1 ~
+ aes1
+ g1
+ }
+ >>
+ }
+
+ altPreCoda = \relative c' {
+ ees2( e2)
+ f2. f4
+ f2 fes2
+ ees2. ees4
+ des2 c2
+ c2 b2
+ b2 a2
+ b2 a2
+ % A
+ ees'1
+ aes2. ees4
+ d4 d4 d4 d4
+ d4 g2 d4
+ c4 c4 c4 c4
+ \times 2/3 { c4 d4 ees4 }
+ d4 c4
+ b1
+ \times 2/3 { r8 r8 des8 ~ } des4 g4 d'4
+ % B
+ g,2( ~ \times 2/3 { g4 fis8) } \times 2/3 { g4 aes8( ~ }
+ aes2 a4) r4
+ \times 2/3 { r4 fis8 ~ } \times 2/3 { fis4 ~ fis8 } \times 2/3 { e4 ~ e8 ~ } \times 2/3 { e4 d8 }
+ \times 2/3 { r4 d8 ~ } \times 2/3 { d4 ~ d8 } g4 b4
+ \times 2/3 { b4 ~ b8 ~ } \times 2/3 { b4( a8 ~ } a2)
+ r4 bes,4 b4 a'4
+ gis1 ~
+ gis1
+ % C
+ ees1
+ des2 \times 2/3 { r4 des8 ~ } \times 2/3 { des4 ~ des8 }
+ ees4 ees4 f4 \times 2/3 { e4 ees8 }
+ r4 g2 ees4
+ f1
+ aes2 \times 2/3 { r4 aes8 ~ } \times 2/3 { aes4 ~ aes8 }
+ ees4 ees4 \times 2/3 { ees4 ees4 ees4 }
+ ees2. ees4
+ des4 f4 aes4 aes4
+ aes2 ees2
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ \altPreCoda
+ ees1
+ r1
+% % DE
+% R1*16
+% g1(
+% aes2 a2
+% fis1
+% f1)
+% e1(
+% f2 fis2
+% dis1 ~
+% dis1)
+% % F
+% r2 aes'2 ~
+% aes1
+% r2 g2 ~
+% g1
+% r2 f2
+% \times 2/3 { r4 aes8 -\bendAfter #-3 } r4 r2
+% r4 \times 2/3 { ees4 r8 } \times 2/3 { ees4 ees8 } \times 2/3 { r4 ees8 ~ }
+% ees2. \times 2/3 { r4 des8-\bendAfter #-2 }
+% R1*4
+ % G
+ \times 2/3 { r4 f8 } \times 2/3 { g4 aes8 ~ } \times 2/3 { aes4 c8 } \times 2/3 { ees4 d8 }
+ \times 2/3 { des4 f,8 } r4 r4 \times 2/3 { r4 ees8 }
+ \times 2/3 { e4 c'8 ~ } \times 2/3 { c4 ~ c8 } \times 2/3 { b4 g8 } \times 2/3 { ees4 r8 }
+ \times 2/3 { bes'4 g8 } \times 2/3 { ees4 g8 ~ } g4 \times 2/3 { fis4 f8 }
+ r2 f4 f4
+ f4 f4 \times 2/3 { f4 d8 } \times 2/3 { dis4 e8 }
+ r1
+ r1
+ % H
+ r2 \times 2/3 { r4 ees8 } \times 2/3 { g4 aes8 ~ }
+ aes4 \times 2/3 { aes4 g8 } \times 2/3 { aes4 bes8 } \times 2/3 { r4 g8 }
+ \times 2/3 { r4 g8 ~ } \times 2/3 { g4 ~ g8 } \times 2/3 { ges4 ~ ges8 ~ } \times 2/3 { ges4 f8 }
+ r2 r4 \times 2/3 { r4 g8 ~ }
+ g4 ees4 ees4 r4
+ r4 g4 ~ \times 2/3 { g4 fis8 ~ } \times 2/3 { fis4 ~ fis8 }
+ fis4 \times 2/3 { g4 a8 } r2
+ r2 \times 2/3 { r4 a8 } \times 2/3 { aes4 g8 ~ }
+ % I
+ g2 \times 2/3 { e4 g8 } \times 2/3 { d'4 fis,8 ~ }
+ fis2 \times 2/3 { r4 fis8 ~ } \times 2/3 { fis4 ~ fis8 }
+ fis2
+ \times 2/3 { b,4 d4 a'4 }
+ d,2. r4
+ \times 2/3 { r4 e8 ~ } \times 2/3 { e4 ~ e8 } e4 fis4
+ gis2 \times 2/3 { g4 ~ g8 ~ } \times 2/3 { g4 fis8 }
+ r1
+ r1
+ % K
+ \times 2/3 { r4 ees8 ~ } \times 2/3 { ees4 ~ ees8 } ees4 f4
+ aes4 \times 2/3 { aes4 aes8 } \times 2/3 { r4 des8 } \times 2/3 { ees4 c8 ~ }
+ c2 \times 2/3 { b4 ~ b8 ~ } \times 2/3 { b4 bes8 }
+ r2 \times 2/3 { r4 e,8 } \times 2/3 { f4 aes8 ~ }
+ \times 2/3 { aes4 f8 } \times 2/3 { aes4 c8 } \times 2/3 { bes4 aes8 } \times 2/3 { f4 aes8 ~ }
+ \times 2/3 { aes4 fes8 } \times 2/3 { aes4 ces8 } \times 2/3 { bes4 aes8 } \times 2/3 { r4 ees'8 }
+ \times 2/3 { r4 bes8 ~ } \times 2/3 { bes4 ~ bes8 } a4 a4
+ a4 \times 2/3 { aes4 g8 ~ } \times 2/3 { g4 e8 } \times 2/3 { f4 f8 ~ }
+ f4
+ \times 2/3 { aes4 ces8 } \times 2/3 { bes4 aes8 } \times 2/3 { r4 f'8 }
+ \times 2/3 { r4 ces8 ~ } \times 2/3 { ces4 ~ ces8 } \times 2/3 { aes4 bes8 } \times 2/3 { aes4 aes8 }
+ r2 g2(
+ f2 e2)
+ \altPreCoda
+ % Coda
+ r1
+ e1
+ ees1
+ }
+ >>
+ }
+
+ tenorPreCoda = \relative c' {
+ c1
+ aes2. des4
+ des2 des2
+ c2. aes4
+ aes2 aes2
+ aes2 g2
+ g2 f2
+ g2 f2
+ % A
+ r1
+ r1
+ r1
+ bes1
+ ees1 ~
+ ees2 d2
+ d1
+ \times 2/3 { r8 r8 des,8 ~ } des4 g4 d'4
+ % B
+ e2. \times 2/3 { e4 ees8 ~ }
+ ees2. r4
+ \times 2/3 { r4 d8 ~ } \times 2/3 { d4 ~ d8 } \times 2/3 { c4 ~ c8 ~ } \times 2/3 { c4 b8 }
+ \times 2/3 { r4 d,8 ~ } \times 2/3 { d4 ~ d8 } g4 b4
+ cis2. \times 2/3 { cis4 c8 ~ }
+ c1
+ \times 2/3 { b4 ~ b8 ~ } \times 2/3 { b4 b8 ~ } b4 bes4 ~
+ bes1
+ % C
+ c1
+ aes2 \times 2/3 { r4 des8 ~ } \times 2/3 { des4 ~ des8 }
+ bes4 bes4 des4 \times 2/3 { des4 c8 }
+ r4 ees2 c4
+ c1
+ e2 \times 2/3 { r4 e8 ~ } \times 2/3 { e4 ~ e8 }
+ ees4 bes4 \times 2/3 { bes4 c4 bes4 }
+ a2. c4
+ des4 f4 f4 f4
+ des2 des2
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ \tenorPreCoda
+ c1
+ r1
+% % DE
+% R1*16
+% e1(
+% ees1
+% d1 ~
+% d1)
+% cis1(
+% c1
+% b1
+% bes1)
+% % F
+% r2 \times 2/3 { aes4 ~ aes8 ~ } \times 2/3 { aes4 des8 ~ }
+% des1
+% r2 \times 2/3 { g,4 ~ g8 ~ } \times 2/3 { g4 c8 ~ }
+% c1
+% r2 c2
+% \times 2/3 { r4 ees8-\bendAfter #-3 } r4 r2
+% r4 \times 2/3 { ees4 r8 } \times 2/3 { bes4 bes8 } \times 2/3 { r4 a8 ~ }
+% a2. \times 2/3 { r4 bes8-\bendAfter #-2 }
+% R1*4
+ % G
+ \times 2/3 { r4 f8 } \times 2/3 { g4 aes8 ~ } \times 2/3 { aes4 c8 } \times 2/3 { ees4 d8 }
+ \times 2/3 { des4 f,8 } r4 r4 \times 2/3 { r4 ees8 }
+ \times 2/3 { e4 c'8 ~ } \times 2/3 { c4 ~ c8 } \times 2/3 { b4 g8 } \times 2/3 { ees4 r8 }
+ \times 2/3 { bes'4 g8 } \times 2/3 { ees4 g8 ~ } g4 \times 2/3 { c4 c8 }
+ r2 c4 c4
+ c4 c4 \times 2/3 { b4 ~ b8 ~ } \times 2/3 { b4 b8 }
+ r1
+ r1
+ % H
+ r2 \times 2/3 { r4 ees,8 } \times 2/3 { g4 aes8 ~ }
+ aes4 \times 2/3 { aes4 g8 } \times 2/3 { aes4 bes8 } \times 2/3 { r4 d8 }
+ \times 2/3 { r4 d8 ~ } \times 2/3 { d4 ~ d8 } \times 2/3 { d4 ~ d8 ~ } \times 2/3 { d4 d8 }
+ r2 r4 \times 2/3 { r4 ees8 ~ }
+ ees4 c4 c4 r4
+ r4 ees4 ~ \times 2/3 { ees4 ees8 ~ } \times 2/3 { ees4 ~ ees8 }
+ d4 \times 2/3 { e4 fis8 } r2
+ r2 \times 2/3 { r4 fis8 } \times 2/3 { f4 e8 ~ }
+ % I
+ e2 \times 2/3 { e,4 g8 } \times 2/3 { d'4 ees8 ~ }
+ ees2 \times 2/3 { r4 ees8 ~ } \times 2/3 { ees4 ~ ees8 }
+ d2
+ \times 2/3 { b,4 d4 a'4 }
+ bes2. r4
+ \times 2/3 { r4 a8 ~ } \times 2/3 { a4 ~ a8 } cis4 d4
+ dis2 \times 2/3 { dis4 ~ dis8 ~ } \times 2/3 { dis4 dis8 }
+ r1
+ r1
+ % K
+ \times 2/3 { r4 c8 ~ } \times 2/3 { c4 ~ c8 } c4 ees4
+ f4 \times 2/3 { f4 f8 } \times 2/3 { r4 bes,8 } \times 2/3 { c4 des8 ~ }
+ des2 \times 2/3 { des4 ~ des8 ~ } \times 2/3 { des4 c8 }
+ r2 \times 2/3 { r4 e,8 } \times 2/3 { f4 aes8 ~ }
+ \times 2/3 { aes4 f8 } \times 2/3 { aes4 c8 } \times 2/3 { bes4 aes8 } \times 2/3 { f4 aes8 ~ }
+ \times 2/3 { aes4 fes8 } \times 2/3 { aes4 ces8 } \times 2/3 { bes4 aes8 } \times 2/3 { r4 ees'8 }
+ \times 2/3 { r4 ges8 ~ } \times 2/3 { ges4 ~ ges8 } f4 f4
+ e4 \times 2/3 { e4 ees8 ~ } \times 2/3 { ees4 e8 } \times 2/3 { f4 des8 ~ }
+ des4
+ \times 2/3 { aes4 ces8 } \times 2/3 { bes4 aes8 } \times 2/3 { r4 f'8 }
+ \times 2/3 { r4 ces8 ~ } \times 2/3 { ces4 ~ ces8 } \times 2/3 { aes4 bes8 } \times 2/3 { aes4 aes8 }
+ r2 ees'2(
+ des1)
+ \tenorPreCoda
+ % Coda
+ r2 ees2 ~
+ ees1
+ c1
+ }
+ >>
+ }
+
+ bassPreCoda = \relative c {
+ f1
+ bes,2. bes4
+ ees2 ees2
+ aes,2 bes4 c4
+ des2 des2
+ d2 g,2
+ c2 d2
+ e2 d2
+ % A
+ r1
+ r1
+ bes1
+ ees2. bes4
+ aes1
+ a2 d2
+ g,1
+ \times 2/3 { r8 r8 des'8 ~ } des4 g4 d'4
+ % B
+ a2. \times 2/3 { a4 fis8 ~ }
+ fis2. r4
+ \times 2/3 { r4 g8 ~ } \times 2/3 { g4 ~ g8 } \times 2/3 { d4 ~ d8 ~ } \times 2/3 { d4 g,8 }
+ \times 2/3 { r4 d'8 ~ } \times 2/3 { d4 ~ d8 } g4 b4
+ fis2. \times 2/3 { fis4 dis8 ~ }
+ dis1
+ \times 2/3 { e4 ~ e8 ~ } \times 2/3 { e4 e8 ~ } e4 e4 ~
+ e1
+ % C
+ f1
+ bes,2 \times 2/3 { r4 bes8 ~ } \times 2/3 { bes4 ~ bes8 }
+ ees4 ees4 ees4 \times 2/3 { ees4 aes,8 }
+ r4 aes2 aes'4
+ aes1
+ bes2 \times 2/3 { r4 bes8 ~ } \times 2/3 { bes4 ~ bes8 }
+ bes4 bes4 \times 2/3 { bes4 c4 bes4 }
+ a2. c4
+ des4 des4 c4 bes4
+ ees,2 ees2
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ \bassPreCoda
+ aes1
+ r1
+% % DE
+% R1*16
+% a'1(
+% fis1
+% g1 ~
+% g1)
+% fis1(
+% dis1
+% e1 ~
+% e1)
+% % F
+% r2 aes2 ~
+% aes1
+% r2 g2 ~
+% g1
+% r2 aes2
+% \times 2/3 { r4 bes8 -\bendAfter #-3 } r4 r2
+% r4 \times 2/3 { bes4 r8 } \times 2/3 { bes4 bes8 } \times 2/3 { r4 a8 ~ }
+% a2. \times 2/3 { r4 aes8-\bendAfter #-2 }
+% R1*4
+ % G
+ \times 2/3 { r4 f8 } \times 2/3 { g4 aes8 ~ } \times 2/3 { aes4 c8 } \times 2/3 { ees4 d8 }
+ \times 2/3 { des4 f,8 } r4 r4 \times 2/3 { r4 ees8 }
+ \times 2/3 { e4 c'8 ~ } \times 2/3 { c4 ~ c8 } \times 2/3 { b4 g8 } \times 2/3 { ees4 r8 }
+ \times 2/3 { bes'4 g8 } \times 2/3 { ees4 g8 ~ } g4 \times 2/3 { a4 aes8 }
+ r2 aes4 aes4
+ aes4 aes4 \times 2/3 { aes4 ~ aes8 ~ } \times 2/3 { aes4 g8 }
+ r1
+ r1
+ % H
+ r2 \times 2/3 { r4 ees8 } \times 2/3 { g4 aes8 ~ }
+ aes4 \times 2/3 { aes4 g8 } \times 2/3 { aes4 bes8 } \times 2/3 { r4 aes8 }
+ \times 2/3 { r4 aes8 ~ } \times 2/3 { aes4 ~ aes8 } \times 2/3 { aes4 ~ aes8 ~ } \times 2/3 { aes4 g8 }
+ r2 r4 \times 2/3 { r4 aes8 ~ }
+ aes4 bes4 aes4 r4
+ r4 a4 ~ \times 2/3 { a4 aes8 ~ } \times 2/3 { aes4 ~ aes8 }
+ g4 \times 2/3 { a4 b8 } r2
+ r2 \times 2/3 { r4 b8 } \times 2/3 { bes4 a8 ~ }
+ % I
+ a2 \times 2/3 { e4 g8 } \times 2/3 { d'4 c8 ~ }
+ c2 \times 2/3 { r4 c8 ~ } \times 2/3 { c4 ~ c8 }
+ b2
+ \times 2/3 { b,4 d4 a'4 }
+ g2. r4
+ \times 2/3 { r4 a8 ~ } \times 2/3 { a4 ~ a8 } b4 bes4
+ a2 \times 2/3 { a4 ~ a8 ~ } \times 2/3 { a4 gis8 }
+ r1
+ r1
+ % K
+ \times 2/3 { r4 aes8 ~ } \times 2/3 { aes4 ~ aes8 } bes4 c4
+ des4 \times 2/3 { c4 bes8 } \times 2/3 { r4 bes8 } \times 2/3 { c4 aes8 ~ }
+ aes2 \times 2/3 { g4 ~ g8 ~ } \times 2/3 { g4 g8 }
+ r2 \times 2/3 { r4 e8 } \times 2/3 { f4 aes8 ~ }
+ \times 2/3 { aes4 f8 } \times 2/3 { aes4 c8 } \times 2/3 { bes4 aes8 } \times 2/3 { f4 aes8 ~ }
+ \times 2/3 { aes4 fes8 } \times 2/3 { aes4 ces8 } \times 2/3 { bes4 aes8 } \times 2/3 { r4 ees'8 }
+ \times 2/3 { r4 c8 ~ } \times 2/3 { c4 ~ c8 } b4 b4
+ bes4 \times 2/3 { bes4 a8 ~ } \times 2/3 { a4 e8 } \times 2/3 { f4 bes8 ~ }
+ bes4
+ \times 2/3 { aes4 ces8 } \times 2/3 { bes4 aes8 } \times 2/3 { r4 f'8 }
+ \times 2/3 { r4 ces8 ~ } \times 2/3 { ces4 ~ ces8 } \times 2/3 { aes4 bes8 } \times 2/3 { aes4 aes8 }
+ r2 aes2(
+ g2 c,2)
+ \bassPreCoda
+ % Coda
+ r1
+ r2 b'2
+ bes1
+ }
+ >>
+ }
+
diff --git a/hr/issi/things/texte.ly b/hr/issi/things/texte.ly
new file mode 100644
index 0000000..377b19b
--- /dev/null
+++ b/hr/issi/things/texte.ly
@@ -0,0 +1,55 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ You are the pro -- mised spring
+ that makes the win -- ter long,
+ duh duh duh.
+ You are a song.
+ You are the glow that lights,
+ lights a star
+ the dea -- rest things I know
+ what you are.
+ Some day my hap -- py arms will hold you
+ and some day I’ll know that mo -- ment di -- vine
+ when all the things you are are mine.
+% duh, duh.
+% duh -- duh, duh -- duh, duh, bau!
+% dub du -- dat dah dau!
+ ba du gah be di dn di dop
+ ba du wie di dn dop
+ bi dn du gah du dat
+ dab dab dab dab du dap
+ ba du gah da dn du dab bap
+ bah du dap
+ bah du dab
+ bah wie dah du dat
+ ba du gah
+ du dn dui dah
+ bah dah du du wie dah
+ duh dub dab duh bie dap
+ duh dab dab duh bi dap
+ ba da duh duh dap
+ ba da duh dn du bi du dn da duh dn du bi du dat
+ dap dah dab dab dab du dah ba da duh du bi du dab dip
+ duh da dn du dap
+ Uh,
+ mine, mine.
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/issi/things/things.ly b/hr/issi/things/things.ly
new file mode 100644
index 0000000..867534e
--- /dev/null
+++ b/hr/issi/things/things.ly
@@ -0,0 +1,70 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+ \header {
+ title = "All The Things You Are"
+ composer = "Jerome Kern/Oscar Hammerstein"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 22
+ bottom-margin = 16
+ ragged-last-bottom = #'f
+ markup-system-spacing #'basic-distance = #17
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 15.5)
+
+ sop = \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ >>
+
+ bas = \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \sop
+ \alt
+ \ten
+ \bas
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/issi/things/things_midi.ly b/hr/issi/things/things_midi.ly
new file mode 100644
index 0000000..4b6d8e6
--- /dev/null
+++ b/hr/issi/things/things_midi.ly
@@ -0,0 +1,65 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen_midi.ly"
+
+\pointAndClickOff
+ \header {
+ title = "All The Things You Are"
+ composer = "Jerome Kern/Oscar Hammerstein"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 22
+ bottom-margin = 16
+ ragged-last-bottom = #'f
+ markup-system-spacing #'basic-distance = #17
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 15.5)
+
+ sop = \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ >>
+
+ alt = \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ >>
+
+ ten = \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ >>
+
+ bas = \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ >>
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \sop
+ \alt
+ \ten
+ \bas
+ >>
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 138 4)
+ }
+ }
+ \layout {
+ }
+ }
+
diff --git a/hr/issi/waldemar/a.midi b/hr/issi/waldemar/a.midi
new file mode 100644
index 0000000..72b8f69
--- /dev/null
+++ b/hr/issi/waldemar/a.midi
Binary files differ
diff --git a/hr/issi/waldemar/b.midi b/hr/issi/waldemar/b.midi
new file mode 100644
index 0000000..e71846f
--- /dev/null
+++ b/hr/issi/waldemar/b.midi
Binary files differ
diff --git a/hr/issi/waldemar/dynArt.ly b/hr/issi/waldemar/dynArt.ly
new file mode 100644
index 0000000..30423d4
--- /dev/null
+++ b/hr/issi/waldemar/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/issi/waldemar/midi.lua b/hr/issi/waldemar/midi.lua
new file mode 100644
index 0000000..e3e95f2
--- /dev/null
+++ b/hr/issi/waldemar/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 140 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/issi/waldemar/s.midi b/hr/issi/waldemar/s.midi
new file mode 100644
index 0000000..49e3f1c
--- /dev/null
+++ b/hr/issi/waldemar/s.midi
Binary files differ
diff --git a/hr/issi/waldemar/stimmen.ly b/hr/issi/waldemar/stimmen.ly
new file mode 100644
index 0000000..4700c70
--- /dev/null
+++ b/hr/issi/waldemar/stimmen.ly
@@ -0,0 +1,94 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key f \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ \partial 2.
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \transpose c f \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ g4 a4 b4
+ c8 c8 c8 c8 c8 c4 c8 ~
+ c8 r8 g4 a4 b4
+ c8 c8 c8 c8 c8 c4 c8 ~
+ c8 r8 c4 d4 e4
+ f8 f8 f8 f8 f8 f4 f8 ~
+ f8 r8 g,4 a4 b4
+ c8 c8 c8 c8 c8 c4 c8 ~
+ c8 r8
+ \bar "|."
+ }
+ >>
+ }
+
+ altMelodie = \transpose c f \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r4 r4 r4
+ r4 f4 e4 d4
+ c2 r2
+ r4 f4 e4 d4
+ c2 r2
+ r4 g'4 f4 e4
+ d2 r2
+ c8 b8 c8 b8 c8 b4 c8 ~
+ c8 r8
+ }
+ >>
+ }
+
+ tenorMelodie = \transpose c f, \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r4 r4 r4
+ c8 f8 e8 d8 c8 b8 c4
+ R1
+ e8 e8 f8 f8 g8 g8 e4
+ R1
+ a8 b8 c8 b8 a8 g8 a4
+ R1
+ c8 b8 a8 g8 f8 a8 g4
+ r4
+ }
+ >>
+ }
+
+ bassMelodie = \transpose c f \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r4 r4 r4
+ r4 c4. c4.
+ c8 r8 r4 r4 r4
+ r4 c4. c4.
+ c8 r8 r4 r4 r4
+ r4 f4. f4.
+ f8 r8 r4 r4 r4
+ r4 c4. c4.
+ c4
+ }
+ >>
+ }
+
diff --git a/hr/issi/waldemar/t.midi b/hr/issi/waldemar/t.midi
new file mode 100644
index 0000000..a6fdded
--- /dev/null
+++ b/hr/issi/waldemar/t.midi
Binary files differ
diff --git a/hr/issi/waldemar/texte.ly b/hr/issi/waldemar/texte.ly
new file mode 100644
index 0000000..3b96b42
--- /dev/null
+++ b/hr/issi/waldemar/texte.ly
@@ -0,0 +1,38 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ Mein Dak -- kel Wal -- de -- mar und ich, wir zwei,
+ wir woh -- nen Re -- gen -- bo -- gen -- stra -- ße drei
+ und wenn wir a -- bends un -- sere Run -- de drehn,
+ dann kann man Dak -- kel -- bei -- ne wak -- keln sehn.
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ wir zwei, wir zwei,
+ in Num -- mer drei
+ ’ne Run -- de drehn
+ Wak -- kel -- dak -- kel wak -- keln schön.
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ klei -- ner Dak -- kel Wal -- de -- mar
+ Re -- gen -- bo -- gen -- stra -- ße drei
+ a -- bends un -- sere Run -- de drehn
+ Wak -- kel -- dak -- kel wak -- keln schön.
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ Wal -- de -- mar
+ Stra -- ße drei
+ Run -- de drehn
+ wak -- keln sehn
+ }
+
diff --git a/hr/issi/waldemar/waldemar.ly b/hr/issi/waldemar/waldemar.ly
new file mode 100644
index 0000000..bc44189
--- /dev/null
+++ b/hr/issi/waldemar/waldemar.ly
@@ -0,0 +1,71 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+%point-and-click-off
+
+ \header {
+ title = "Waldemar"
+ composer = "traditional"
+ arranger = "Hauke T. Rehr"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \sopranMelodie }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \altMelodie }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \tenorMelodie }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \bassMelodie }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = sopran { \global \sop }
+ \new Lyrics \lyricsto "soprane" \sopranText
+ \new Staff = alt { \global \alt }
+ \new Lyrics \lyricsto "alti" \altText
+ \new Staff = tenor { \global \ten }
+ \new Lyrics \lyricsto "tenoere" \tenorText
+ \new Staff = bass { \global \bas }
+ \new Lyrics \lyricsto "baesse" \bassText
+ >>
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 140 4)
+ }
+ }
+ \layout {
+ }
+ }
+
diff --git a/hr/issi/waldemar/waldemar.midi b/hr/issi/waldemar/waldemar.midi
new file mode 100644
index 0000000..dfa334d
--- /dev/null
+++ b/hr/issi/waldemar/waldemar.midi
Binary files differ