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author | Erich Eckner <git@eckner.net> | 2018-04-25 13:44:37 +0200 |
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committer | Erich Eckner <git@eckner.net> | 2018-04-25 13:44:37 +0200 |
commit | 9eb4e170f17a6c077c81bcecd38ea07e2e37d508 (patch) | |
tree | 7cb799a9b3c3cb9c2ecae88f8efe4e975319c397 /The_armed_man | |
parent | 602eb387c7bf767ba8dcd1a3afca87a41e7a6014 (diff) | |
download | Musik-9eb4e170f17a6c077c81bcecd38ea07e2e37d508.tar.xz |
The_armed_man: Stichnoten für Der_bewaffnete_Mann fertig
Diffstat (limited to 'The_armed_man')
-rw-r--r-- | The_armed_man/parts/stimmen_Der_bewaffnete_Mann.ly | 64 |
1 files changed, 60 insertions, 4 deletions
diff --git a/The_armed_man/parts/stimmen_Der_bewaffnete_Mann.ly b/The_armed_man/parts/stimmen_Der_bewaffnete_Mann.ly index c4cd899..b5cb433 100644 --- a/The_armed_man/parts/stimmen_Der_bewaffnete_Mann.ly +++ b/The_armed_man/parts/stimmen_Der_bewaffnete_Mann.ly @@ -27,6 +27,21 @@ melodieFloete = \relative g' { s4. | \time 12/8 s1.*4 | \bar "||" s1.*9 | % \bar "||" + \repeat volta 2 { + s1.*3 | + } + s1.*5 | \time 3/8 + s4. | \time 12/8 + s1.*9 | \bar "||" + s1.*5 | \time 3/8 + s4. | \time 12/8 + s1.*3 | % \bar "||" + \repeat volta 2 { + s1.*3 | + } + s1.*5 | \time 6/8 + s2. | \time 12/8 + s1.*4 | \bar "|." } melodieTrommel = \relative g { @@ -49,6 +64,24 @@ melodieTrommel = \relative g { g8. g16 g8 g g16 g g8 g8. g16 g8 g4. | } \bar "||" s1.*9 | % \bar "||" + \repeat volta 2 { + s1.*3 | + } + s1.*5 | \time 3/8 + s4. | \time 12/8 + s1.*9 | \bar "||" + s1.*5 | \time 3/8 + s4. | \time 12/8 + s1. | + g4. g g g | + g4. g g g | + g4. g g g | % \bar "||" + \repeat volta 2 { + s1.*3 | + } + s1.*5 | \time 6/8 + s2. | \time 12/8 + s1.*4 | \bar "|." } melodieTrompete = \relative d'' { @@ -76,6 +109,29 @@ melodieTrompete = \relative d'' { es2.~ es4.~ es4 es16 des | d1.~ | d | % \bar "||" + \repeat volta 2 { + s1.*3 | + } + s1.*5 | \time 3/8 + s4. | \time 12/8 + s1. | + g8 d16 d d d g,8 d'4 f e c | + g'8 d16 d d d g,8 d'4 f8. e16 c8 d4. | + g8 d16 d d d g,8 d'4 f e c | + es2.~ es4.~ es4 es16 es | + d1. | + es2.~ es4.~ es4 es16 des | + d1.~ | + d | \bar "||" + s1.*5 | \time 3/8 + s4. | \time 12/8 + s1.*3 | % \bar "||" + \repeat volta 2 { + s1.*3 | + } + s1.*5 | \time 6/8 + s2. | \time 12/8 + s1.*4 | \bar "|." } frauenPausenDerBewaffneteMann = { @@ -112,7 +168,7 @@ frauenPausenDerBewaffneteMann = { r8 s4 s4. r8 s4 s4. | \time 3/8 s4. | \time 12/8 s2. r | - R1.*8 | \bar "||" + s1.*8 | \bar "||" s1. | r8 s4 s4. r8 s4 s4. | s1.*2 | @@ -175,7 +231,7 @@ maennerPausenDerBewaffneteMann = { r8 s4 s4. r8 s4 s4. | \time 3/8 s4. | \time 12/8 s2. r | - R1.*3 | % \bar "||" + s1.*3 | % \bar "||" \repeat volta 2 { s1. | r8 s4 s4. r8 s4 s4. | @@ -233,7 +289,7 @@ sopranMelodieDerBewaffneteMann = \relative g' { s8 d' d g,4. s8 d' d d c4 | \time 3/8 b8 a4 | \time 12/8 g2. s | - s1.*8 | \bar "||" + \cueDuring trompete #UP { s1.*8 | } \bar "||" g4^\ff g8 c4 c8 b a4 g4. | s8 d' d g,4. s8 d' d d c4 | b8 a4 g4. d'8 d d g,4. | @@ -428,7 +484,7 @@ bassMelodieDerBewaffneteMann = \relative g { s8 d' d g,4. s8 d' d d c4 | \time 3/8 b8 a4 | \time 12/8 g2. s | - s1.*3 | % \bar "||" + \transposedCueDuring trommel #UP c { s1.*3 | } % \bar "||" \repeat volta 2 { g4 g8 c4 c8 b a4 g4. | s8 d' d g,4. s8 d' d d c4 | |