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author | Erich Eckner <git@eckner.net> | 2016-11-19 15:30:52 +0100 |
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committer | Erich Eckner <git@eckner.net> | 2016-11-20 23:13:42 +0100 |
commit | 7d063b8ff8ba67c64a46902fe254673b6acf1a8a (patch) | |
tree | a3dd544ea98c041dd8faaa514cbb6532a5bd110c /Schoen_ist_die_Erde | |
parent | 02c14758339f16a42fa844888d23b8a2827289d2 (diff) | |
download | Musik-7d063b8ff8ba67c64a46902fe254673b6acf1a8a.tar.xz |
Schoen_ist_die_Erde neu
Diffstat (limited to 'Schoen_ist_die_Erde')
-rw-r--r-- | Schoen_ist_die_Erde/Schoen_ist_die_Erde.ly | 28 | ||||
-rw-r--r-- | Schoen_ist_die_Erde/stimmen.ly | 627 | ||||
-rw-r--r-- | Schoen_ist_die_Erde/texte.ly | 41 |
3 files changed, 674 insertions, 22 deletions
diff --git a/Schoen_ist_die_Erde/Schoen_ist_die_Erde.ly b/Schoen_ist_die_Erde/Schoen_ist_die_Erde.ly index 2549a34..5ae691e 100644 --- a/Schoen_ist_die_Erde/Schoen_ist_die_Erde.ly +++ b/Schoen_ist_die_Erde/Schoen_ist_die_Erde.ly @@ -22,22 +22,38 @@ \new Staff << \new ChoirStaff << \set Score.skipBars = ##t - \new Lyrics = textSopran { } \new Staff << \new Voice = frauen { \global \oneVoice \pausenFrauen } \new Voice = sopran { \global \voiceOne \melodieSopran } \new Voice = alt { \global \voiceTwo \melodieAlt } >> - \context Lyrics = textSopran \lyricsto sopran { \textSopran } - \new Lyrics \lyricsto alt { \textAlt } - \new Lyrics = textTenor { } + \new Lyrics \lyricsto alt { \textI \textII } \new Staff << \new Voice = maenner { \global \clef "bass" \oneVoice \pausenMaenner } \new Voice = tenor { \global \clef "bass" \voiceOne \melodieTenor } \new Voice = bass { \global \clef "bass" \voiceTwo \melodieBass } >> - \context Lyrics = textTenor \lyricsto tenor { \textTenor } - \new Lyrics \lyricsto bass { \textBass } + \new Lyrics \lyricsto bass { \textII } + >> + \new ChoirStaff << + \set Score.skipBars = ##t + \new Lyrics = textSopran { } + \new Staff << + \new Voice = sopranA { \global \melodieSopranAlleine } + >> + \new Lyrics \lyricsto sopranA { \textSopranAlleine } + \new Staff << + \new Voice = altA { \global \voiceTwo \melodieAltAlleine } + >> + \new Lyrics \lyricsto altA { \textAltAlleine } + \new Staff << + \new Voice = tenorA { \global \clef "G_8" \melodieTenorAlleine } + >> + \new Lyrics \lyricsto tenorA { \textTenorAlleine } + \new Staff << + \new Voice = bassA { \global \clef "bass" \melodieBassAlleine } + >> + \new Lyrics \lyricsto bassA { \textBassAlleine } >> \new PianoStaff << \new Staff << diff --git a/Schoen_ist_die_Erde/stimmen.ly b/Schoen_ist_die_Erde/stimmen.ly index 18a5cc8..0140f30 100644 --- a/Schoen_ist_die_Erde/stimmen.ly +++ b/Schoen_ist_die_Erde/stimmen.ly @@ -3,7 +3,7 @@ \version "2.18" globalOrgel = { - \key c \major + \key es \major %\override Staff.TimeSignature #'style = #'() \time 4/4 } @@ -13,28 +13,641 @@ \autoBeamOff } + pB = { + \slurDashed + \tieDashed + \set melismaBusyProperties = #'() + } + + sB = { + \slurSolid + \tieSolid + \set melismaBusyProperties = #'(melismaBusy slurMelismaBusy tieMelismaBusy beamMelismaBusy) + } + + rit = \markup { \italic "rit." } + % Die Stimmen pausenFrauen = { + R1*4 | + s1*15 | + R1*3 | + s1*7 | + s2. r4 | + s1*6 | + s2. r4 | + R1*18 | \bar "|." } pausenMaenner = { + R1*22 | + s1*7 | + s2. r4 | + s1*6 | + s2. r4 | + R1*18 | \bar "|." + } + + melodieSopran = \relative es' { + s1*22 | + es2^\mf es4 es | + \pB f4( d) es2 | + g4 g g g | + as( f) g2\breathe | + b es4( c) \sB | + b2^\< as4( g) | + as2^\> g | + f2.^\! s4 | + b2 c4 b | + b( g) as2 | + as b4 as | + as( f) g\breathe g | + g g b as | + g2 f | + es2. s4 | + s1*18 | \bar "|." + } + + melodieAlt = \relative es' { + s1*4 | \oneVoice + es2^\mf es4 es | + f( d) es2 | + g4 g g g | + as( f) g2\breathe | + b \pB es4( c) \sB | + b2 as4 g | + as2 g | + f2. r4 | + b2 c4 b | + b( g) as2 | + as b4 as | + as( f) g\breathe g | + g g b as | + g2 f | + es1 | \voiceTwo + s1*3 | + es2 es4 es | + \pB c( d) es2 | + es4 es es d | + c( d) es2 | + f es4~ es \sB | + es2 e | + f es | + d2. s4 | + es2 g4 g | + g2 f | + c f4 f | + f2 es4 es | + es es es f | + es2 c4( d) | + es2. s4 | + s1*18 | \bar "|." + } + + melodieTenor = \relative g { + s1*22 | + g2^\mf g4 g | + \pB f~ f g2 | + b4 g g g | + es( as) g2\breathe | + f g4( as) \sB | + b2^\< c4( b) | + c2^\> b | + b2.^\! s4 | + b2 g4 c | + c2 c | + f, f4 b | + b2 b4\breathe b | + c c b c | + b( g) as( b) | + g2. s4 | + s1*18 | \bar "|." + } + + melodieBass = \relative es { + s1*22 | + es2 c4 c | + \pB as( b) es2 | + es4 es c b | + as( b) es2 | + d c4~ c \sB | + g2 c | + f g4( as) | + b2. s4 | + g2 e4 e | + f2 f | + f d4 d | + es2 es4 es8[( d]) | + c4 c g as | + b2 b | + es2. s4 | + s1*18 | \bar "|." } - melodieSopran = \relative a' { + melodieSopranAlleine = \relative es'' { + R1*40 | + r2 es2~(^\f | + es4 c) \pB b( as) \sB | + b2 b4 b | + c( b8[ as]) b2\breathe | + r es | + d \pB c4( b) \sB | + as( c) b( g) | + f2. r4 | + es'(^\f d) c b | + c2 c | + c4( f) d c | + b2 b4\breathe b | + c es d^\rit c | + b( g) f2 | + es1^\fermata | \bar "|." } - melodieAlt = \relative fis' { + melodieAltAlleine = \relative es' { + R1*40 | + es2^\f es4 es | + f( d) es2 | + g4 g g g | + as( f) g2\breathe | + b \pB es4( c) \sB | + b2 as4( g) | + as2 g | + f2. r4 | + b2^\f c4 b | + b( g) as2 | + as b4 as | + as( f) g\breathe g | + g g b^\rit as | + g( es) c( d) | + es1^\fermata | \bar "|." } - melodieTenor = \relative d' { + melodieTenorAlleine = \relative es { + R1*40 | + es2^\f es4 es | + f( d) es2 | + g4 g g g | + as( f) g2\breathe | + b \pB es4( c) \sB | + b2 as4( g) | + as2 g | + f2. r4 | + b2^\f c4 b | + b( g) as2 | + as b4 as | + as( f) g\breathe b | + c c d^\rit c | + b( g) as( b) | + g1^\fermata | \bar "|." } - melodieBass = \relative d { + melodieBassAlleine = \relative es { + R1*40 | + es2^\f es4 es | + f( d) es2 | + g4 g g g | + as( f) g2\breathe | + b \pB g4( a) \sB | + b( d,) e( g) | + as2 g | + f2. r4 | + b2^\f c4 b | + b( g) as2 | + as b4 as | + as( f) g\breathe g | + g g b^\rit as | + g2 f | + es1^\fermata | \bar "|." } - melodieOrgelRechts = \relative fis' { + melodieOrgelRechts = \relative d' { + d2 << + { \voiceOne + es~ | \voiceTwo + <es as,> d | + <es b> c | + } + \new Voice { \voiceTwo + c4 b | \voiceOne + f'2 g4 as | + b2 c4 g | + } + >> \oneVoice + <g b> <f as> <c es> <d f> | % Takt 4 + <b g'>2 es | + <c f>4 <b d> << + { \voiceOne + es2 | + } + \new Voice { \voiceTwo + b4 as | + } + >> \oneVoice + <g b g'>2 <es' g> | % Takt 7 + << + { \voiceOne + as4 f + } + \new Voice { \voiceTwo + c2 + } + >> \oneVoice + <es g>\breathe | + <f b> <es c'> | + <es b'> + << + { \voiceOne + as4 g | + <f as>2 + } + \new Voice { \voiceTwo + <c e> | + c4 d + } + >> \oneVoice + <b es g>2 + << + { \voiceOne + f'2. r4 | + } + \new Voice { \voiceTwo + <d b>2 <d b>4 <c as> | + } + >> \oneVoice + <es b'>2 + << + { \voiceOne + c'4 b | + } + \new Voice { \voiceTwo + <c, g'>2 | + } + >> \oneVoice + <g' b> <f as> | % Takt 14 + <c as'> + << + { \voiceOne + b'4 as | + } + \new Voice { \voiceTwo + f2 | + } + >> \oneVoice + <f as> + << + { \voiceOne + g4\breathe g | + } + \new Voice { \voiceTwo + es2 | + } + >> \oneVoice + <c es g> <b es>4 <c f> | % Takt 17 + << + { \voiceOne + g'2 f | + } + \new Voice { \voiceTwo + es~ es4 d | + } + >> \oneVoice + <b es>2\breathe + << + { \voiceOne + es~ | + es4 f g as | + b2 c4 g | + } + \new Voice { \voiceTwo + c, b | + c2 d | + <b es> c | + } + >> \oneVoice + <g' b>4 <f as> <c es> <d f> | % Takt 22 + <es g>2 es | + <c f>4 d es2 | + <es g> + << + { \voiceOne + g | + } + \new Voice { \voiceTwo + es4 d | + } + >> \oneVoice + <c as'> <d f> g2\breathe | % Takt 26 + <b, f' b> + << + { \voiceOne + g'4 as | + b2 <as c,>4 <g b,> | + } + \new Voice { \voiceTwo + <es c'>2 | + es e | + } + >> \oneVoice + <c f as> + << + { \voiceOne + <es g> | + f2. r4 | + b2 c4 b | + b g + } + \new Voice { \voiceTwo + b,2~ | + <b d> d4 c | + es2 <c g'> | + g' + } + >> \oneVoice + <f as> | % Takt 32 + <c f as> + << + { \voiceOne + b'4 as | + } + \new Voice { \voiceTwo + <f b,>2 | + } + >> \oneVoice + <f as>4 f g\breathe <b, g'> | % Takt 34 + <c es g>2 <b es>4 <c f> | + <es g>2 + << + { \voiceOne + f | + } + \new Voice { \voiceTwo + <c as>4 <b d> | + } + >> \oneVoice + es2 + << + { \voiceOne + g4 b | + c es <d g,> <as c> | + b2 <as c>4 <g b> | + <g b> <f as> + } + \new Voice { \voiceTwo + es2 | + <es as> d | + d4 es e2 | + c + } + >> \oneVoice + <c es>4 <d f> | % Takt 40 + <b es g>2 + << + { \voiceOne + g'4 b | + <as c>2 b4 as | + <g b>2 + } + \new Voice { \voiceTwo + es2 | + f4 d es2~ | + es + } + >> \oneVoice + <b es g> | % Takt 43 + <c es as>4 <d f> + << + { \voiceOne + <es g>2\breathe | + <f b> g4 a | + <b d>2 <as c>4 <g b> | + } + \new Voice { \voiceTwo + b,2~ | + b <es es'> | + g4 d e2 | + } + >> \oneVoice + <c f as> + << + { \voiceOne + b'4 g | + f b c d | + es d c b | + <g b> g <f as>2 | + } + \new Voice { \voiceTwo + <b, es>2 | + d <f b> | + <es b'> <c g'> | + c1 | + } + >> \oneVoice + <c f as>2 + << + { \voiceOne + <d b'>4 <c as'> | + } + \new Voice { \voiceTwo + f2 | + } + >> \oneVoice + <f as>4 f <es g>\breathe <g b> | % Takt 52 + <es g c>2 + << + { \voiceOne + <g b d>4^\rit <as c> | + b g f2 | + } + \new Voice { \voiceTwo + es | + <b es> <as c>4 <b d> | + } + >> \oneVoice + es1^\fermata | \bar "|." } - melodieOrgelLinks = \relative a { + melodieOrgelLinks = \relative es { + <es g>2 <c g'> | + <f, c'> + << + { \voiceOne + as'4 f | + } + \new Voice { \voiceTwo + b,2 | + } + >> \oneVoice + <g es'> <c, g' e'> | % Takt 3 + << + { \voiceOne + f' as4 f | + } + \new Voice { \voiceTwo + <f, c>2 b | + } + >> \oneVoice + <es g> <c g'> | + <as f'> + << + { \voiceOne + es' | + } + \new Voice { \voiceTwo + g,4 f | + } + >> \oneVoice + <es b'>2 + << + { \voiceOne + es' | + es4 f g2\breathe | + b2 g4 as | + b2 + } + \new Voice { \voiceTwo + c,4 b | + as2 es' | + d c | + g + } + >> \oneVoice + c | + f, g4 as | + b2. r4 | % Takt 12 + <g' b>2 e | + <f c'>1 | + f2 <d b'> | + << + { \voiceOne + b'1 | + } + \new Voice { \voiceTwo + es,2. es8( d) | + } + >> \oneVoice + c2 g4 as | % Takt 17 + << + { \voiceOne + es' g as2 | + g1 | + a2 as4 f | + } + \new Voice { \voiceTwo + b,1 | + es2 c | + <c f,> b | + } + >> \oneVoice + <g es'> <c, g' e'> | % Takt 21 + <f c' f> + << + { \voiceOne + as'4 f | + } + \new Voice { \voiceTwo + b,2 | + } + >> \oneVoice + <es, b' es'>2 + << + { \voiceOne + g' | + f g | + b4 g g2 | + as g\breathe | + } + \new Voice { \voiceTwo + c, | + as4 b es2 | + es c4 b | + as b es2 | + } + >> \oneVoice + d c | % Takt 27 + g c | + f, g4 as | + b2 b'4 as | + g2 e | + <f c'>1 | + f2 d | + <es b'>2.\breathe es8( d) | + c2 g4 as | % Takt 35 + << + { \voiceOne + b' g s2 | + g2 g | + } + \new Voice { \voiceTwo + b,1 | + es2 c | + } + >> \oneVoice + <f, c'> + << + { \voiceOne + as'4 f | + d es e c | + c f as f | + } + \new Voice { \voiceTwo + b,2 | + g c, | + f b | + } + >> \oneVoice + <es g> + << + { \voiceOne + c'4 b | + es, f g as | + b1 | + as2 + } + \new Voice { \voiceTwo + c,2 | + as g4 f | + es1 | + as4 b + } + >> \oneVoice + es2\breathe | % Takt 44 + d + << + { \voiceOne + g4 a | + g d e g | + f2 es | + f1 | + } + \new Voice { \voiceTwo + c2 | + g c | + f, g4 as | + b2 as | + } + >> \oneVoice + <g es'>2 <c e> | + <f, f'>1 | % Takt 50 + f'2 <b b,> | + << + { \voiceOne + b1 | + } + \new Voice { \voiceTwo + es,2. es8( d) | + } + >> \oneVoice + c2 + << + { \voiceOne + es4 f | + g es f2 | + } + \new Voice { \voiceTwo + g,4 as | + b1 | + } + >> \oneVoice + <es, b' g' b>^\fermata | \bar "|." } diff --git a/Schoen_ist_die_Erde/texte.ly b/Schoen_ist_die_Erde/texte.ly index 2446d6a..df42451 100644 --- a/Schoen_ist_die_Erde/texte.ly +++ b/Schoen_ist_die_Erde/texte.ly @@ -4,6 +4,13 @@ % Die Textaufteilungen + textI = \lyricmode { + \set stanza = "1." + Schön ist die Er -- de, herr -- lich ist der Him -- mel. + Men -- schen, sie wan -- dern den Pil -- gern gleich + ü -- ber die wei -- ten Rei -- che auf Er -- den ins Pa -- ra -- dies so freu -- den -- reich. + } + textII = \lyricmode { \set stanza = "2." Al -- les ver -- än -- dert sich, neu -- e Zei -- ten ziehn her -- auf. @@ -11,19 +18,35 @@ Tö -- ne vom Him -- mel nie -- mals ver -- stum -- men, und was wir glau -- ben wird ge -- schehn. } - textSopran = \lyricmode { + textEnde = \lyricmode { + ihr Ju -- bel -- chor: + Freu -- de den Men -- schen, Christ ist er -- schie -- nen, + und Frie -- de soll auf Er -- den sein. } - textAlt = \lyricmode { - \set stanza = "1." - Schön ist die Er -- de, herr -- lich ist der Him -- mel. - Men -- schen, sie wan -- dern den Pil -- gern gleich - ü -- ber die wei -- ten Rei -- che auf Er -- den ins Pa -- ra -- dies so freu -- den -- reich. - \textII + textUnterstimmen = \lyricmode { + Es wa -- ren En -- gel, die den Hir -- ten san -- gen, + herr -- lich er -- klang + \textEnde + } + + textSopranAlleine = \lyricmode { + \set stanza = "3." + En -- gel __ _ san -- gen den Hir -- ten. + Herr -- lich klang \textEnde + } + + textAltAlleine = \lyricmode { + \set stanza = "3." + \textUnterstimmen } - textTenor = \lyricmode { + textTenorAlleine = \lyricmode { + \set stanza = "3." + \textUnterstimmen } - textBass = \lyricmode { + textBassAlleine = \lyricmode { + \set stanza = "3." + \textUnterstimmen } |