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authorErich Eckner <git@eckner.net>2016-11-19 15:30:52 +0100
committerErich Eckner <git@eckner.net>2016-11-20 23:13:42 +0100
commit7d063b8ff8ba67c64a46902fe254673b6acf1a8a (patch)
treea3dd544ea98c041dd8faaa514cbb6532a5bd110c /Schoen_ist_die_Erde
parent02c14758339f16a42fa844888d23b8a2827289d2 (diff)
downloadMusik-7d063b8ff8ba67c64a46902fe254673b6acf1a8a.tar.xz
Schoen_ist_die_Erde neu
Diffstat (limited to 'Schoen_ist_die_Erde')
-rw-r--r--Schoen_ist_die_Erde/Schoen_ist_die_Erde.ly28
-rw-r--r--Schoen_ist_die_Erde/stimmen.ly627
-rw-r--r--Schoen_ist_die_Erde/texte.ly41
3 files changed, 674 insertions, 22 deletions
diff --git a/Schoen_ist_die_Erde/Schoen_ist_die_Erde.ly b/Schoen_ist_die_Erde/Schoen_ist_die_Erde.ly
index 2549a34..5ae691e 100644
--- a/Schoen_ist_die_Erde/Schoen_ist_die_Erde.ly
+++ b/Schoen_ist_die_Erde/Schoen_ist_die_Erde.ly
@@ -22,22 +22,38 @@
\new Staff <<
\new ChoirStaff <<
\set Score.skipBars = ##t
- \new Lyrics = textSopran { }
\new Staff <<
\new Voice = frauen { \global \oneVoice \pausenFrauen }
\new Voice = sopran { \global \voiceOne \melodieSopran }
\new Voice = alt { \global \voiceTwo \melodieAlt }
>>
- \context Lyrics = textSopran \lyricsto sopran { \textSopran }
- \new Lyrics \lyricsto alt { \textAlt }
- \new Lyrics = textTenor { }
+ \new Lyrics \lyricsto alt { \textI \textII }
\new Staff <<
\new Voice = maenner { \global \clef "bass" \oneVoice \pausenMaenner }
\new Voice = tenor { \global \clef "bass" \voiceOne \melodieTenor }
\new Voice = bass { \global \clef "bass" \voiceTwo \melodieBass }
>>
- \context Lyrics = textTenor \lyricsto tenor { \textTenor }
- \new Lyrics \lyricsto bass { \textBass }
+ \new Lyrics \lyricsto bass { \textII }
+ >>
+ \new ChoirStaff <<
+ \set Score.skipBars = ##t
+ \new Lyrics = textSopran { }
+ \new Staff <<
+ \new Voice = sopranA { \global \melodieSopranAlleine }
+ >>
+ \new Lyrics \lyricsto sopranA { \textSopranAlleine }
+ \new Staff <<
+ \new Voice = altA { \global \voiceTwo \melodieAltAlleine }
+ >>
+ \new Lyrics \lyricsto altA { \textAltAlleine }
+ \new Staff <<
+ \new Voice = tenorA { \global \clef "G_8" \melodieTenorAlleine }
+ >>
+ \new Lyrics \lyricsto tenorA { \textTenorAlleine }
+ \new Staff <<
+ \new Voice = bassA { \global \clef "bass" \melodieBassAlleine }
+ >>
+ \new Lyrics \lyricsto bassA { \textBassAlleine }
>>
\new PianoStaff <<
\new Staff <<
diff --git a/Schoen_ist_die_Erde/stimmen.ly b/Schoen_ist_die_Erde/stimmen.ly
index 18a5cc8..0140f30 100644
--- a/Schoen_ist_die_Erde/stimmen.ly
+++ b/Schoen_ist_die_Erde/stimmen.ly
@@ -3,7 +3,7 @@
\version "2.18"
globalOrgel = {
- \key c \major
+ \key es \major
%\override Staff.TimeSignature #'style = #'()
\time 4/4
}
@@ -13,28 +13,641 @@
\autoBeamOff
}
+ pB = {
+ \slurDashed
+ \tieDashed
+ \set melismaBusyProperties = #'()
+ }
+
+ sB = {
+ \slurSolid
+ \tieSolid
+ \set melismaBusyProperties = #'(melismaBusy slurMelismaBusy tieMelismaBusy beamMelismaBusy)
+ }
+
+ rit = \markup { \italic "rit." }
+
% Die Stimmen
pausenFrauen = {
+ R1*4 |
+ s1*15 |
+ R1*3 |
+ s1*7 |
+ s2. r4 |
+ s1*6 |
+ s2. r4 |
+ R1*18 | \bar "|."
}
pausenMaenner = {
+ R1*22 |
+ s1*7 |
+ s2. r4 |
+ s1*6 |
+ s2. r4 |
+ R1*18 | \bar "|."
+ }
+
+ melodieSopran = \relative es' {
+ s1*22 |
+ es2^\mf es4 es |
+ \pB f4( d) es2 |
+ g4 g g g |
+ as( f) g2\breathe |
+ b es4( c) \sB |
+ b2^\< as4( g) |
+ as2^\> g |
+ f2.^\! s4 |
+ b2 c4 b |
+ b( g) as2 |
+ as b4 as |
+ as( f) g\breathe g |
+ g g b as |
+ g2 f |
+ es2. s4 |
+ s1*18 | \bar "|."
+ }
+
+ melodieAlt = \relative es' {
+ s1*4 | \oneVoice
+ es2^\mf es4 es |
+ f( d) es2 |
+ g4 g g g |
+ as( f) g2\breathe |
+ b \pB es4( c) \sB |
+ b2 as4 g |
+ as2 g |
+ f2. r4 |
+ b2 c4 b |
+ b( g) as2 |
+ as b4 as |
+ as( f) g\breathe g |
+ g g b as |
+ g2 f |
+ es1 | \voiceTwo
+ s1*3 |
+ es2 es4 es |
+ \pB c( d) es2 |
+ es4 es es d |
+ c( d) es2 |
+ f es4~ es \sB |
+ es2 e |
+ f es |
+ d2. s4 |
+ es2 g4 g |
+ g2 f |
+ c f4 f |
+ f2 es4 es |
+ es es es f |
+ es2 c4( d) |
+ es2. s4 |
+ s1*18 | \bar "|."
+ }
+
+ melodieTenor = \relative g {
+ s1*22 |
+ g2^\mf g4 g |
+ \pB f~ f g2 |
+ b4 g g g |
+ es( as) g2\breathe |
+ f g4( as) \sB |
+ b2^\< c4( b) |
+ c2^\> b |
+ b2.^\! s4 |
+ b2 g4 c |
+ c2 c |
+ f, f4 b |
+ b2 b4\breathe b |
+ c c b c |
+ b( g) as( b) |
+ g2. s4 |
+ s1*18 | \bar "|."
+ }
+
+ melodieBass = \relative es {
+ s1*22 |
+ es2 c4 c |
+ \pB as( b) es2 |
+ es4 es c b |
+ as( b) es2 |
+ d c4~ c \sB |
+ g2 c |
+ f g4( as) |
+ b2. s4 |
+ g2 e4 e |
+ f2 f |
+ f d4 d |
+ es2 es4 es8[( d]) |
+ c4 c g as |
+ b2 b |
+ es2. s4 |
+ s1*18 | \bar "|."
}
- melodieSopran = \relative a' {
+ melodieSopranAlleine = \relative es'' {
+ R1*40 |
+ r2 es2~(^\f |
+ es4 c) \pB b( as) \sB |
+ b2 b4 b |
+ c( b8[ as]) b2\breathe |
+ r es |
+ d \pB c4( b) \sB |
+ as( c) b( g) |
+ f2. r4 |
+ es'(^\f d) c b |
+ c2 c |
+ c4( f) d c |
+ b2 b4\breathe b |
+ c es d^\rit c |
+ b( g) f2 |
+ es1^\fermata | \bar "|."
}
- melodieAlt = \relative fis' {
+ melodieAltAlleine = \relative es' {
+ R1*40 |
+ es2^\f es4 es |
+ f( d) es2 |
+ g4 g g g |
+ as( f) g2\breathe |
+ b \pB es4( c) \sB |
+ b2 as4( g) |
+ as2 g |
+ f2. r4 |
+ b2^\f c4 b |
+ b( g) as2 |
+ as b4 as |
+ as( f) g\breathe g |
+ g g b^\rit as |
+ g( es) c( d) |
+ es1^\fermata | \bar "|."
}
- melodieTenor = \relative d' {
+ melodieTenorAlleine = \relative es {
+ R1*40 |
+ es2^\f es4 es |
+ f( d) es2 |
+ g4 g g g |
+ as( f) g2\breathe |
+ b \pB es4( c) \sB |
+ b2 as4( g) |
+ as2 g |
+ f2. r4 |
+ b2^\f c4 b |
+ b( g) as2 |
+ as b4 as |
+ as( f) g\breathe b |
+ c c d^\rit c |
+ b( g) as( b) |
+ g1^\fermata | \bar "|."
}
- melodieBass = \relative d {
+ melodieBassAlleine = \relative es {
+ R1*40 |
+ es2^\f es4 es |
+ f( d) es2 |
+ g4 g g g |
+ as( f) g2\breathe |
+ b \pB g4( a) \sB |
+ b( d,) e( g) |
+ as2 g |
+ f2. r4 |
+ b2^\f c4 b |
+ b( g) as2 |
+ as b4 as |
+ as( f) g\breathe g |
+ g g b^\rit as |
+ g2 f |
+ es1^\fermata | \bar "|."
}
- melodieOrgelRechts = \relative fis' {
+ melodieOrgelRechts = \relative d' {
+ d2 <<
+ { \voiceOne
+ es~ | \voiceTwo
+ <es as,> d |
+ <es b> c |
+ }
+ \new Voice { \voiceTwo
+ c4 b | \voiceOne
+ f'2 g4 as |
+ b2 c4 g |
+ }
+ >> \oneVoice
+ <g b> <f as> <c es> <d f> | % Takt 4
+ <b g'>2 es |
+ <c f>4 <b d> <<
+ { \voiceOne
+ es2 |
+ }
+ \new Voice { \voiceTwo
+ b4 as |
+ }
+ >> \oneVoice
+ <g b g'>2 <es' g> | % Takt 7
+ <<
+ { \voiceOne
+ as4 f
+ }
+ \new Voice { \voiceTwo
+ c2
+ }
+ >> \oneVoice
+ <es g>\breathe |
+ <f b> <es c'> |
+ <es b'>
+ <<
+ { \voiceOne
+ as4 g |
+ <f as>2
+ }
+ \new Voice { \voiceTwo
+ <c e> |
+ c4 d
+ }
+ >> \oneVoice
+ <b es g>2
+ <<
+ { \voiceOne
+ f'2. r4 |
+ }
+ \new Voice { \voiceTwo
+ <d b>2 <d b>4 <c as> |
+ }
+ >> \oneVoice
+ <es b'>2
+ <<
+ { \voiceOne
+ c'4 b |
+ }
+ \new Voice { \voiceTwo
+ <c, g'>2 |
+ }
+ >> \oneVoice
+ <g' b> <f as> | % Takt 14
+ <c as'>
+ <<
+ { \voiceOne
+ b'4 as |
+ }
+ \new Voice { \voiceTwo
+ f2 |
+ }
+ >> \oneVoice
+ <f as>
+ <<
+ { \voiceOne
+ g4\breathe g |
+ }
+ \new Voice { \voiceTwo
+ es2 |
+ }
+ >> \oneVoice
+ <c es g> <b es>4 <c f> | % Takt 17
+ <<
+ { \voiceOne
+ g'2 f |
+ }
+ \new Voice { \voiceTwo
+ es~ es4 d |
+ }
+ >> \oneVoice
+ <b es>2\breathe
+ <<
+ { \voiceOne
+ es~ |
+ es4 f g as |
+ b2 c4 g |
+ }
+ \new Voice { \voiceTwo
+ c, b |
+ c2 d |
+ <b es> c |
+ }
+ >> \oneVoice
+ <g' b>4 <f as> <c es> <d f> | % Takt 22
+ <es g>2 es |
+ <c f>4 d es2 |
+ <es g>
+ <<
+ { \voiceOne
+ g |
+ }
+ \new Voice { \voiceTwo
+ es4 d |
+ }
+ >> \oneVoice
+ <c as'> <d f> g2\breathe | % Takt 26
+ <b, f' b>
+ <<
+ { \voiceOne
+ g'4 as |
+ b2 <as c,>4 <g b,> |
+ }
+ \new Voice { \voiceTwo
+ <es c'>2 |
+ es e |
+ }
+ >> \oneVoice
+ <c f as>
+ <<
+ { \voiceOne
+ <es g> |
+ f2. r4 |
+ b2 c4 b |
+ b g
+ }
+ \new Voice { \voiceTwo
+ b,2~ |
+ <b d> d4 c |
+ es2 <c g'> |
+ g'
+ }
+ >> \oneVoice
+ <f as> | % Takt 32
+ <c f as>
+ <<
+ { \voiceOne
+ b'4 as |
+ }
+ \new Voice { \voiceTwo
+ <f b,>2 |
+ }
+ >> \oneVoice
+ <f as>4 f g\breathe <b, g'> | % Takt 34
+ <c es g>2 <b es>4 <c f> |
+ <es g>2
+ <<
+ { \voiceOne
+ f |
+ }
+ \new Voice { \voiceTwo
+ <c as>4 <b d> |
+ }
+ >> \oneVoice
+ es2
+ <<
+ { \voiceOne
+ g4 b |
+ c es <d g,> <as c> |
+ b2 <as c>4 <g b> |
+ <g b> <f as>
+ }
+ \new Voice { \voiceTwo
+ es2 |
+ <es as> d |
+ d4 es e2 |
+ c
+ }
+ >> \oneVoice
+ <c es>4 <d f> | % Takt 40
+ <b es g>2
+ <<
+ { \voiceOne
+ g'4 b |
+ <as c>2 b4 as |
+ <g b>2
+ }
+ \new Voice { \voiceTwo
+ es2 |
+ f4 d es2~ |
+ es
+ }
+ >> \oneVoice
+ <b es g> | % Takt 43
+ <c es as>4 <d f>
+ <<
+ { \voiceOne
+ <es g>2\breathe |
+ <f b> g4 a |
+ <b d>2 <as c>4 <g b> |
+ }
+ \new Voice { \voiceTwo
+ b,2~ |
+ b <es es'> |
+ g4 d e2 |
+ }
+ >> \oneVoice
+ <c f as>
+ <<
+ { \voiceOne
+ b'4 g |
+ f b c d |
+ es d c b |
+ <g b> g <f as>2 |
+ }
+ \new Voice { \voiceTwo
+ <b, es>2 |
+ d <f b> |
+ <es b'> <c g'> |
+ c1 |
+ }
+ >> \oneVoice
+ <c f as>2
+ <<
+ { \voiceOne
+ <d b'>4 <c as'> |
+ }
+ \new Voice { \voiceTwo
+ f2 |
+ }
+ >> \oneVoice
+ <f as>4 f <es g>\breathe <g b> | % Takt 52
+ <es g c>2
+ <<
+ { \voiceOne
+ <g b d>4^\rit <as c> |
+ b g f2 |
+ }
+ \new Voice { \voiceTwo
+ es |
+ <b es> <as c>4 <b d> |
+ }
+ >> \oneVoice
+ es1^\fermata | \bar "|."
}
- melodieOrgelLinks = \relative a {
+ melodieOrgelLinks = \relative es {
+ <es g>2 <c g'> |
+ <f, c'>
+ <<
+ { \voiceOne
+ as'4 f |
+ }
+ \new Voice { \voiceTwo
+ b,2 |
+ }
+ >> \oneVoice
+ <g es'> <c, g' e'> | % Takt 3
+ <<
+ { \voiceOne
+ f' as4 f |
+ }
+ \new Voice { \voiceTwo
+ <f, c>2 b |
+ }
+ >> \oneVoice
+ <es g> <c g'> |
+ <as f'>
+ <<
+ { \voiceOne
+ es' |
+ }
+ \new Voice { \voiceTwo
+ g,4 f |
+ }
+ >> \oneVoice
+ <es b'>2
+ <<
+ { \voiceOne
+ es' |
+ es4 f g2\breathe |
+ b2 g4 as |
+ b2
+ }
+ \new Voice { \voiceTwo
+ c,4 b |
+ as2 es' |
+ d c |
+ g
+ }
+ >> \oneVoice
+ c |
+ f, g4 as |
+ b2. r4 | % Takt 12
+ <g' b>2 e |
+ <f c'>1 |
+ f2 <d b'> |
+ <<
+ { \voiceOne
+ b'1 |
+ }
+ \new Voice { \voiceTwo
+ es,2. es8( d) |
+ }
+ >> \oneVoice
+ c2 g4 as | % Takt 17
+ <<
+ { \voiceOne
+ es' g as2 |
+ g1 |
+ a2 as4 f |
+ }
+ \new Voice { \voiceTwo
+ b,1 |
+ es2 c |
+ <c f,> b |
+ }
+ >> \oneVoice
+ <g es'> <c, g' e'> | % Takt 21
+ <f c' f>
+ <<
+ { \voiceOne
+ as'4 f |
+ }
+ \new Voice { \voiceTwo
+ b,2 |
+ }
+ >> \oneVoice
+ <es, b' es'>2
+ <<
+ { \voiceOne
+ g' |
+ f g |
+ b4 g g2 |
+ as g\breathe |
+ }
+ \new Voice { \voiceTwo
+ c, |
+ as4 b es2 |
+ es c4 b |
+ as b es2 |
+ }
+ >> \oneVoice
+ d c | % Takt 27
+ g c |
+ f, g4 as |
+ b2 b'4 as |
+ g2 e |
+ <f c'>1 |
+ f2 d |
+ <es b'>2.\breathe es8( d) |
+ c2 g4 as | % Takt 35
+ <<
+ { \voiceOne
+ b' g s2 |
+ g2 g |
+ }
+ \new Voice { \voiceTwo
+ b,1 |
+ es2 c |
+ }
+ >> \oneVoice
+ <f, c'>
+ <<
+ { \voiceOne
+ as'4 f |
+ d es e c |
+ c f as f |
+ }
+ \new Voice { \voiceTwo
+ b,2 |
+ g c, |
+ f b |
+ }
+ >> \oneVoice
+ <es g>
+ <<
+ { \voiceOne
+ c'4 b |
+ es, f g as |
+ b1 |
+ as2
+ }
+ \new Voice { \voiceTwo
+ c,2 |
+ as g4 f |
+ es1 |
+ as4 b
+ }
+ >> \oneVoice
+ es2\breathe | % Takt 44
+ d
+ <<
+ { \voiceOne
+ g4 a |
+ g d e g |
+ f2 es |
+ f1 |
+ }
+ \new Voice { \voiceTwo
+ c2 |
+ g c |
+ f, g4 as |
+ b2 as |
+ }
+ >> \oneVoice
+ <g es'>2 <c e> |
+ <f, f'>1 | % Takt 50
+ f'2 <b b,> |
+ <<
+ { \voiceOne
+ b1 |
+ }
+ \new Voice { \voiceTwo
+ es,2. es8( d) |
+ }
+ >> \oneVoice
+ c2
+ <<
+ { \voiceOne
+ es4 f |
+ g es f2 |
+ }
+ \new Voice { \voiceTwo
+ g,4 as |
+ b1 |
+ }
+ >> \oneVoice
+ <es, b' g' b>^\fermata | \bar "|."
}
diff --git a/Schoen_ist_die_Erde/texte.ly b/Schoen_ist_die_Erde/texte.ly
index 2446d6a..df42451 100644
--- a/Schoen_ist_die_Erde/texte.ly
+++ b/Schoen_ist_die_Erde/texte.ly
@@ -4,6 +4,13 @@
% Die Textaufteilungen
+ textI = \lyricmode {
+ \set stanza = "1."
+ Schön ist die Er -- de, herr -- lich ist der Him -- mel.
+ Men -- schen, sie wan -- dern den Pil -- gern gleich
+ ü -- ber die wei -- ten Rei -- che auf Er -- den ins Pa -- ra -- dies so freu -- den -- reich.
+ }
+
textII = \lyricmode {
\set stanza = "2."
Al -- les ver -- än -- dert sich, neu -- e Zei -- ten ziehn her -- auf.
@@ -11,19 +18,35 @@
Tö -- ne vom Him -- mel nie -- mals ver -- stum -- men, und was wir glau -- ben wird ge -- schehn.
}
- textSopran = \lyricmode {
+ textEnde = \lyricmode {
+ ihr Ju -- bel -- chor:
+ Freu -- de den Men -- schen, Christ ist er -- schie -- nen,
+ und Frie -- de soll auf Er -- den sein.
}
- textAlt = \lyricmode {
- \set stanza = "1."
- Schön ist die Er -- de, herr -- lich ist der Him -- mel.
- Men -- schen, sie wan -- dern den Pil -- gern gleich
- ü -- ber die wei -- ten Rei -- che auf Er -- den ins Pa -- ra -- dies so freu -- den -- reich.
- \textII
+ textUnterstimmen = \lyricmode {
+ Es wa -- ren En -- gel, die den Hir -- ten san -- gen,
+ herr -- lich er -- klang
+ \textEnde
+ }
+
+ textSopranAlleine = \lyricmode {
+ \set stanza = "3."
+ En -- gel __ _ san -- gen den Hir -- ten.
+ Herr -- lich klang \textEnde
+ }
+
+ textAltAlleine = \lyricmode {
+ \set stanza = "3."
+ \textUnterstimmen
}
- textTenor = \lyricmode {
+ textTenorAlleine = \lyricmode {
+ \set stanza = "3."
+ \textUnterstimmen
}
- textBass = \lyricmode {
+ textBassAlleine = \lyricmode {
+ \set stanza = "3."
+ \textUnterstimmen
}