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authorErich Eckner <git@eckner.net>2018-09-16 20:06:03 +0200
committerErich Eckner <git@eckner.net>2018-09-16 20:06:03 +0200
commit564f06d327bd3ed4c8902effc28e9a294cc7fe11 (patch)
tree08922536cfbaef727649cc6664aa3e81c422b289 /Naeher_mein_Gott_zu_dir
parentb76181a5ed81b7b582e367f8315014de770323df (diff)
downloadMusik-564f06d327bd3ed4c8902effc28e9a294cc7fe11.tar.xz
Naeher_mein_Gott_zu_dir neu
Diffstat (limited to 'Naeher_mein_Gott_zu_dir')
-rw-r--r--Naeher_mein_Gott_zu_dir/Makefile23
-rw-r--r--Naeher_mein_Gott_zu_dir/Naeher_mein_Gott_zu_dir.ly47
-rw-r--r--Naeher_mein_Gott_zu_dir/stimmen.ly106
-rw-r--r--Naeher_mein_Gott_zu_dir/texte.ly38
4 files changed, 214 insertions, 0 deletions
diff --git a/Naeher_mein_Gott_zu_dir/Makefile b/Naeher_mein_Gott_zu_dir/Makefile
new file mode 100644
index 0000000..ef6dedf
--- /dev/null
+++ b/Naeher_mein_Gott_zu_dir/Makefile
@@ -0,0 +1,23 @@
+CURDOC=$(shell basename "$(CURDIR)")
+
+ifeq ($(FUER),ewe)
+ SPEZIFISCH=\#(set! paper-alist (cons '(\"kindle\" . (cons (* 210 mm) (* 130 mm))) paper-alist))\n\#(set-default-paper-size \"kindle\")
+else
+ SPEZIFISCH=
+ # \#(set-global-staff-size 14)
+endif
+
+all: $(CURDOC).pdf
+
+clean:
+ rm -f *.pre
+
+Clean: clean
+ rm -f *.pdf *.midi
+
+%.pre: %.ly
+ sed "s@%spezifisch%@$(SPEZIFISCH)@" "$<" > "$@"
+
+%.pdf: %.pre *.ly
+ lilypond $<
+
diff --git a/Naeher_mein_Gott_zu_dir/Naeher_mein_Gott_zu_dir.ly b/Naeher_mein_Gott_zu_dir/Naeher_mein_Gott_zu_dir.ly
new file mode 100644
index 0000000..edbe837
--- /dev/null
+++ b/Naeher_mein_Gott_zu_dir/Naeher_mein_Gott_zu_dir.ly
@@ -0,0 +1,47 @@
+\include "deutsch.ly"
+#(ly:set-option 'relative-includes #t)
+\include "stimmen.ly"
+\include "texte.ly"
+#(ly:set-option 'relative-includes #f)
+
+%spezifisch%
+
+\pointAndClickOff
+\header {
+ tagline = ""
+}
+\paper {
+ top-margin = 5
+ print-all-headers = ##t
+}
+
+\score {
+ \header {
+ title = "Näher, mein Gott, zu dir"
+ poet = "Text: S. F. Adams (1805-1848)"
+ composer = "Melodie: Lowell Mason (1792-1872)"
+ }
+ <<
+ \set Score.skipBars = ##t
+ \new ChordNames \harmonien
+ \new Staff <<
+ \new Voice = frauen { \global \oneVoice \pausen }
+ \new Voice = sopran { \global \voiceOne \melodieSopran }
+ \new Voice = alt { \global \voiceTwo \melodieAlt }
+ >>
+ \new Lyrics \lyricsto sopran { \textIa }
+ \new Lyrics \lyricsto sopran { \textIb }
+ \new Lyrics \lyricsto sopran { \textIIa }
+ \new Lyrics \lyricsto sopran { \textIIb }
+ \new Lyrics \lyricsto sopran { \textIIIa }
+ \new Lyrics \lyricsto sopran { \textIIIb }
+ \new Staff <<
+ \new Voice = maenner { \global \clef "bass" \oneVoice \pausen }
+ \new Voice = tenor { \global \clef "bass" \voiceOne \melodieTenor }
+ \new Voice = bass { \global \clef "bass" \voiceTwo \melodieBass }
+ >>
+ >>
+ \layout {
+ indent = #0
+ }
+}
diff --git a/Naeher_mein_Gott_zu_dir/stimmen.ly b/Naeher_mein_Gott_zu_dir/stimmen.ly
new file mode 100644
index 0000000..87c3f52
--- /dev/null
+++ b/Naeher_mein_Gott_zu_dir/stimmen.ly
@@ -0,0 +1,106 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+
+global = {
+ \key f \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ \autoBeamOff
+}
+
+% Die Stimmen
+
+harmonien = \chordmode {
+ \repeat volta 2 {
+ f2 d4:m c |
+ f1 |
+ g2:m f4 c |
+ f1 |
+ }
+ s2 b4 f |
+ c d g2:m |
+ s c |
+ c4:7 c f2 |
+ b1 |
+ f |
+ d2:m g4:m c |
+ f1 | \bar "|."
+}
+
+pausen = {
+ \repeat volta 2 {
+ s1*3 |
+ s2. r4 |
+ }
+ s1*7 |
+ s2. r4 | \bar "|."
+}
+
+melodieSopran = \relative f' {
+ \repeat volta 2 {
+ f2 f4 g |
+ a4. g8 f2\breathe |
+ g f4 e |
+ f2. s4 |
+ }
+ c'2 d4 c |
+ c b8[ a] g2\breathe |
+ b c4 b |
+ b a8[ g] a2\breathe |
+ d b4 d |
+ c4. a8 c2\breathe |
+ f, g4 e |
+ f2. s4 | \bar "|."
+}
+
+melodieAlt = \relative c' {
+ \repeat volta 2 {
+ c2 d4 e |
+ f4. e8 f2 |
+ d c4 c |
+ c2. s4 |
+ }
+ f2 f4 f |
+ g g8[ fis] g2 |
+ g g4 g |
+ g f8[ e] f2 |
+ f f4 f |
+ f4. f8 f2 |
+ f d4 c |
+ c2. s4 | \bar "|."
+}
+
+melodieTenor = \relative a {
+ \repeat volta 2 {
+ a2 a4 c |
+ c4. b8 a2\breathe |
+ b2 a4 g |
+ a2. s4 |
+ }
+ a2 b4 c |
+ d d d2\breathe |
+ d2 c4 c |
+ c c c2\breathe |
+ b2 b4 b |
+ a4. c8 a2\breathe |
+ a b4 g |
+ a2. s4 | \bar "|."
+}
+
+melodieBass = \relative f {
+ \repeat volta 2 {
+ f2 d4 c |
+ f4. f8 f2 |
+ b, c4 c |
+ f2. s4 |
+ }
+ f2 b4 a |
+ g d g2 |
+ g e4 e |
+ f c f2 |
+ b, d4 b |
+ f'4. f8 f2 |
+ d b4 c |
+ f,2. s4 | \bar "|."
+}
diff --git a/Naeher_mein_Gott_zu_dir/texte.ly b/Naeher_mein_Gott_zu_dir/texte.ly
new file mode 100644
index 0000000..45d40f7
--- /dev/null
+++ b/Naeher_mein_Gott_zu_dir/texte.ly
@@ -0,0 +1,38 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+textIa = \lyricmode {
+ \set stanza = "1."
+ Nä -- her, mein Gott, zu dir, nä -- her zu dir!
+}
+
+textIb = \lyricmode {
+ Drückt mich auch Kum -- mer hier, dro -- het man mir,
+ soll doch trotz Kreuz und Pein
+ dies mei -- ne Lo -- sung sein:
+ \set stanza = "1.-3."
+ Nä -- her, mein Gott, zu dir, nä -- her zu dir.
+}
+
+textIIa = \lyricmode {
+ \set stanza = "2."
+ Bricht mir, wie Ja -- kob dort, Nacht auch he -- rein,
+}
+
+textIIb = \lyricmode {
+ find ich zum Ru -- he -- ort nur ei -- nen Stein;
+ ist selbst im Treu -- me hier mein Seh -- nen für und für:
+}
+
+textIIIa = \lyricmode {
+ \set stanza = "3."
+ Geht auch die schma -- le Bahn auf -- wärts gar steil,
+}
+
+textIIIb = \lyricmode {
+ führt sie doch him -- mel -- an zu mei -- nem Heil.
+ En -- gel, so licht und schön, win -- ken aus sel -- gen Höhn:
+}