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author | Erich Eckner <git@eckner.net> | 2018-09-16 20:06:03 +0200 |
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committer | Erich Eckner <git@eckner.net> | 2018-09-16 20:06:03 +0200 |
commit | 564f06d327bd3ed4c8902effc28e9a294cc7fe11 (patch) | |
tree | 08922536cfbaef727649cc6664aa3e81c422b289 /Naeher_mein_Gott_zu_dir | |
parent | b76181a5ed81b7b582e367f8315014de770323df (diff) | |
download | Musik-564f06d327bd3ed4c8902effc28e9a294cc7fe11.tar.xz |
Naeher_mein_Gott_zu_dir neu
Diffstat (limited to 'Naeher_mein_Gott_zu_dir')
-rw-r--r-- | Naeher_mein_Gott_zu_dir/Makefile | 23 | ||||
-rw-r--r-- | Naeher_mein_Gott_zu_dir/Naeher_mein_Gott_zu_dir.ly | 47 | ||||
-rw-r--r-- | Naeher_mein_Gott_zu_dir/stimmen.ly | 106 | ||||
-rw-r--r-- | Naeher_mein_Gott_zu_dir/texte.ly | 38 |
4 files changed, 214 insertions, 0 deletions
diff --git a/Naeher_mein_Gott_zu_dir/Makefile b/Naeher_mein_Gott_zu_dir/Makefile new file mode 100644 index 0000000..ef6dedf --- /dev/null +++ b/Naeher_mein_Gott_zu_dir/Makefile @@ -0,0 +1,23 @@ +CURDOC=$(shell basename "$(CURDIR)") + +ifeq ($(FUER),ewe) + SPEZIFISCH=\#(set! paper-alist (cons '(\"kindle\" . (cons (* 210 mm) (* 130 mm))) paper-alist))\n\#(set-default-paper-size \"kindle\") +else + SPEZIFISCH= + # \#(set-global-staff-size 14) +endif + +all: $(CURDOC).pdf + +clean: + rm -f *.pre + +Clean: clean + rm -f *.pdf *.midi + +%.pre: %.ly + sed "s@%spezifisch%@$(SPEZIFISCH)@" "$<" > "$@" + +%.pdf: %.pre *.ly + lilypond $< + diff --git a/Naeher_mein_Gott_zu_dir/Naeher_mein_Gott_zu_dir.ly b/Naeher_mein_Gott_zu_dir/Naeher_mein_Gott_zu_dir.ly new file mode 100644 index 0000000..edbe837 --- /dev/null +++ b/Naeher_mein_Gott_zu_dir/Naeher_mein_Gott_zu_dir.ly @@ -0,0 +1,47 @@ +\include "deutsch.ly" +#(ly:set-option 'relative-includes #t) +\include "stimmen.ly" +\include "texte.ly" +#(ly:set-option 'relative-includes #f) + +%spezifisch% + +\pointAndClickOff +\header { + tagline = "" +} +\paper { + top-margin = 5 + print-all-headers = ##t +} + +\score { + \header { + title = "Näher, mein Gott, zu dir" + poet = "Text: S. F. Adams (1805-1848)" + composer = "Melodie: Lowell Mason (1792-1872)" + } + << + \set Score.skipBars = ##t + \new ChordNames \harmonien + \new Staff << + \new Voice = frauen { \global \oneVoice \pausen } + \new Voice = sopran { \global \voiceOne \melodieSopran } + \new Voice = alt { \global \voiceTwo \melodieAlt } + >> + \new Lyrics \lyricsto sopran { \textIa } + \new Lyrics \lyricsto sopran { \textIb } + \new Lyrics \lyricsto sopran { \textIIa } + \new Lyrics \lyricsto sopran { \textIIb } + \new Lyrics \lyricsto sopran { \textIIIa } + \new Lyrics \lyricsto sopran { \textIIIb } + \new Staff << + \new Voice = maenner { \global \clef "bass" \oneVoice \pausen } + \new Voice = tenor { \global \clef "bass" \voiceOne \melodieTenor } + \new Voice = bass { \global \clef "bass" \voiceTwo \melodieBass } + >> + >> + \layout { + indent = #0 + } +} diff --git a/Naeher_mein_Gott_zu_dir/stimmen.ly b/Naeher_mein_Gott_zu_dir/stimmen.ly new file mode 100644 index 0000000..87c3f52 --- /dev/null +++ b/Naeher_mein_Gott_zu_dir/stimmen.ly @@ -0,0 +1,106 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" + +global = { + \key f \major + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + \autoBeamOff +} + +% Die Stimmen + +harmonien = \chordmode { + \repeat volta 2 { + f2 d4:m c | + f1 | + g2:m f4 c | + f1 | + } + s2 b4 f | + c d g2:m | + s c | + c4:7 c f2 | + b1 | + f | + d2:m g4:m c | + f1 | \bar "|." +} + +pausen = { + \repeat volta 2 { + s1*3 | + s2. r4 | + } + s1*7 | + s2. r4 | \bar "|." +} + +melodieSopran = \relative f' { + \repeat volta 2 { + f2 f4 g | + a4. g8 f2\breathe | + g f4 e | + f2. s4 | + } + c'2 d4 c | + c b8[ a] g2\breathe | + b c4 b | + b a8[ g] a2\breathe | + d b4 d | + c4. a8 c2\breathe | + f, g4 e | + f2. s4 | \bar "|." +} + +melodieAlt = \relative c' { + \repeat volta 2 { + c2 d4 e | + f4. e8 f2 | + d c4 c | + c2. s4 | + } + f2 f4 f | + g g8[ fis] g2 | + g g4 g | + g f8[ e] f2 | + f f4 f | + f4. f8 f2 | + f d4 c | + c2. s4 | \bar "|." +} + +melodieTenor = \relative a { + \repeat volta 2 { + a2 a4 c | + c4. b8 a2\breathe | + b2 a4 g | + a2. s4 | + } + a2 b4 c | + d d d2\breathe | + d2 c4 c | + c c c2\breathe | + b2 b4 b | + a4. c8 a2\breathe | + a b4 g | + a2. s4 | \bar "|." +} + +melodieBass = \relative f { + \repeat volta 2 { + f2 d4 c | + f4. f8 f2 | + b, c4 c | + f2. s4 | + } + f2 b4 a | + g d g2 | + g e4 e | + f c f2 | + b, d4 b | + f'4. f8 f2 | + d b4 c | + f,2. s4 | \bar "|." +} diff --git a/Naeher_mein_Gott_zu_dir/texte.ly b/Naeher_mein_Gott_zu_dir/texte.ly new file mode 100644 index 0000000..45d40f7 --- /dev/null +++ b/Naeher_mein_Gott_zu_dir/texte.ly @@ -0,0 +1,38 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + +% Die Textaufteilungen + +textIa = \lyricmode { + \set stanza = "1." + Nä -- her, mein Gott, zu dir, nä -- her zu dir! +} + +textIb = \lyricmode { + Drückt mich auch Kum -- mer hier, dro -- het man mir, + soll doch trotz Kreuz und Pein + dies mei -- ne Lo -- sung sein: + \set stanza = "1.-3." + Nä -- her, mein Gott, zu dir, nä -- her zu dir. +} + +textIIa = \lyricmode { + \set stanza = "2." + Bricht mir, wie Ja -- kob dort, Nacht auch he -- rein, +} + +textIIb = \lyricmode { + find ich zum Ru -- he -- ort nur ei -- nen Stein; + ist selbst im Treu -- me hier mein Seh -- nen für und für: +} + +textIIIa = \lyricmode { + \set stanza = "3." + Geht auch die schma -- le Bahn auf -- wärts gar steil, +} + +textIIIb = \lyricmode { + führt sie doch him -- mel -- an zu mei -- nem Heil. + En -- gel, so licht und schön, win -- ken aus sel -- gen Höhn: +} |