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author | Erich Eckner <git@eckner.net> | 2017-01-20 14:00:03 +0100 |
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committer | Erich Eckner <git@eckner.net> | 2017-01-20 14:00:03 +0100 |
commit | c9b5d414ca4803cee1fc8e1c1efa5a92720694e8 (patch) | |
tree | 157a6089a6143868e9aead58ac86f895a9451d4d /Kommt_herzu | |
parent | 38d4e62269d354858e8a924693fd2e21c8041661 (diff) | |
download | Musik-c9b5d414ca4803cee1fc8e1c1efa5a92720694e8.tar.xz |
Kommt_herzu neu, Klavier fehlt bisher noch
Diffstat (limited to 'Kommt_herzu')
-rw-r--r-- | Kommt_herzu/Kommt_herzu.ly | 60 | ||||
-rw-r--r-- | Kommt_herzu/Makefile | 23 | ||||
-rw-r--r-- | Kommt_herzu/artikulation.ly | 33 | ||||
-rw-r--r-- | Kommt_herzu/stimmen.ly | 655 | ||||
-rw-r--r-- | Kommt_herzu/texte.ly | 73 |
5 files changed, 844 insertions, 0 deletions
diff --git a/Kommt_herzu/Kommt_herzu.ly b/Kommt_herzu/Kommt_herzu.ly new file mode 100644 index 0000000..da903e0 --- /dev/null +++ b/Kommt_herzu/Kommt_herzu.ly @@ -0,0 +1,60 @@ +\include "deutsch.ly" +#(ly:set-option 'relative-includes #t) +\include "artikulation.ly" +\include "stimmen.ly" +\include "texte.ly" +#(ly:set-option 'relative-includes #f) + +%spezifisch% + +\header { + tagline = "" +} +\paper { + top-margin = 5 + print-all-headers = ##t +} + +\pointAndClickOff + +\score { + \header { + title = "Kommt herzu" + subtitle = "op. 40, Nr. 8" + composer = "Franciscus Nagler (1873-1957)" + } + << + \new ChoirStaff << + \set Score.skipBars = ##t + \new Staff << + \new Voice = solo { \global \oneVoice \melodieSolo } + >> + \new Lyrics \lyricsto solo { \textSolo } + \new Staff << + \new Voice = fPausen { \global \oneVoice \pausenFrauen } + \new Voice = sopran { \global \voiceOne << \melodieSopran \artikulation >> } + \new Voice = alt { \global \voiceTwo \melodieAlt } + >> + \new Lyrics \lyricsto sopran { \textFrauen } + \new Staff << + \new Voice = tenor { \clef "G_8" \global \oneVoice << \melodieTenor \artikulation >> } + >> + \new Lyrics \lyricsto tenor { \textTenor } + \new Staff << + \new Voice = bass { \clef "bass" \global \oneVoice << \melodieBass \artikulation >> } + >> + \new Lyrics \lyricsto bass { \textBass } + >> + \new PianoStaff << + \new Staff { \global \autoBeamOn \klavierRechts } + \new Staff { \clef "bass" \global \autoBeamOn \klavierLinks } + >> + >> + \layout { +% indent = #0 + \context { + \Staff + \RemoveEmptyStaves + } + } +} diff --git a/Kommt_herzu/Makefile b/Kommt_herzu/Makefile new file mode 100644 index 0000000..ef6dedf --- /dev/null +++ b/Kommt_herzu/Makefile @@ -0,0 +1,23 @@ +CURDOC=$(shell basename "$(CURDIR)") + +ifeq ($(FUER),ewe) + SPEZIFISCH=\#(set! paper-alist (cons '(\"kindle\" . (cons (* 210 mm) (* 130 mm))) paper-alist))\n\#(set-default-paper-size \"kindle\") +else + SPEZIFISCH= + # \#(set-global-staff-size 14) +endif + +all: $(CURDOC).pdf + +clean: + rm -f *.pre + +Clean: clean + rm -f *.pdf *.midi + +%.pre: %.ly + sed "s@%spezifisch%@$(SPEZIFISCH)@" "$<" > "$@" + +%.pdf: %.pre *.ly + lilypond $< + diff --git a/Kommt_herzu/artikulation.ly b/Kommt_herzu/artikulation.ly new file mode 100644 index 0000000..81b09c3 --- /dev/null +++ b/Kommt_herzu/artikulation.ly @@ -0,0 +1,33 @@ + +artikulation = { + s2.*26 | + s4^\f s2 | + s2.*31 | + s2.^\fermata | + s2.*22 | + s4^\> s2 | + s2.*2 | \bar "||" \key c \major + s4 s^\markup{ "ritard." } s | + s2.*2 | + s4 s2^\! | \bar "||" + s2.*16 | + s4^\pp s2 | + s2.*3 | + s4^\< s2 | + s s4^\! | + s2. | + s4^\> s2 | + s2. | + s2 s4^\! | + s2.*3 | + s4^\f s2 | + s2.*6 | + s4^\markup { "ritard." } s2 | + s2.*2 | \bar "||" \key a \major + s4^\markup { "a tempo" } s2 | + s2.*34 | + s2 s4^\markup { "langsamer" } | + s^\ff s2 | + s2.*3 | + s2.^\fermata | \bar "|." +} diff --git a/Kommt_herzu/stimmen.ly b/Kommt_herzu/stimmen.ly new file mode 100644 index 0000000..319ef3a --- /dev/null +++ b/Kommt_herzu/stimmen.ly @@ -0,0 +1,655 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.18" + + global = { + \key a \major + %\override Staff.TimeSignature #'style = #'() + \time 3/4 + \autoBeamOff + } + +% Die Stimmen + + melodieSolo = \relative g' { + R2.*84 | \bar "||" \key c \major + R2.*3 | + r4 g f | \bar "||" + e2 f4 | + g2 c,4 | + r f g | + f4. e8 e4 | + r g g | + g2 e4 | + cis2 e4 | + r a, a' | + g4. f8 f4 | + f( d) a' | + a2( g4 | + f) e d | + f2. | + e | + g | + f | + e | + r4 g f | + e2 f4 | + g2 c,4 | + r f c | + c4. b8 a4 | + r a' g | + c a g | + f2. | + f | + f | + g | + a2 r4 | + R2.*10 | \bar "||" \key a \major + R2.*41 | \bar "|." + } + + pausenFrauen = { + R2.*26 | + s2.*11 | + s2 r4 | + s2.*8 | + R2. | + s2.*12 | + R2.*8 | + r4 s2 | + s2.*12 | + r4 s2 | + s2.*3 | \bar "||" \key c \major + r4 s2 | + s2.*2 | + s2 r4 | \bar "||" + R2.*16 | + s2.*12 | + s2 r4 | + s2.*10 | \bar "||" \key a \major + s2.*11 | + s2 r4 | + s2.*8 | + R2. | + r2 s4 | + s2.*13 | + s2 r4 | + s2.*5 | \bar "|." + } + + melodieSopran = \relative a' { + s2.*26 | + a2 a4 | + a2. | + cis2 cis4 | + cis2. | + cis4 h a | + d2 cis4 | + cis2. | + fis,2 gis4 | + a gis a | + cis h a | + e'2.~ | + e2 s4 | + h2 h4 | + h2. | + h2 h4 | + h2. | + gis4 a h | + d( cis) h | + cis2 e4 | + e2 a,4 | + s2. | + a | + gis | + e2 g4 | + cis a fis | + e a cis | + e2.~ | + e2 ais,4 | + h2. | + gis2 e4 | + cis'2. | + h2 h4 | + h2. | + s2.*8 | + s4 fis^\f e | + cis'2( a4~ | + a) h d | + cis2. | + a2 a4 | + c2. | + c2 c4 | + c2. | + a | + a2 a4 | + a2. | + a2 a4 | + d2 a4 | + s4 a g | + f e d | + g2 a4 | + h2. | \bar "||" \key c \major + s4 g g | + g2 g4 | + g2. | + g2 s4 | \bar "||" + s2.*16 | + c,2. | + c4 c c | + c2. | + c2 c4 | + c2 f4 | + g2 a4 | + a2. | + f | + es2 es4 | + es2 es4 | + d2. | + des2. | + c2 s4 | + a'2 a4 | + a2. | + a2 a4 a2. | + a4 gis a | + c2 a4 | + e2.~ | + e~ | + e | + e | \bar "||" \key a \major + a2 a4 | + a2. | + cis2 cis4 | + cis2. | + cis4 h a | + d2 cis4 | + cis2. | + fis,2 gis4 | + a gis a | + cis h a | + e'2.~ | + e2 s4 | + h2 h4 | + h2. | + h2 h4 | + h2. | + gis4 a h | + d( cis) h | + cis2 e4 | + e2 a,4 | + s2. | + s2 a4 h2. | + e,2 fis4 | + g fis e | + a h cis | + d2. | + cis | + h | + fis2 fis4 | + a2. | + e2 e4 | + e2. | + e2 e4 | + e2.~ | + e2 s4 | + a2.~ | + a2 a4 | + cis2.~ | + cis~ | + cis | \bar "|." + } + + melodieAlt = \relative cis' { + s2.*26 | + cis2 cis4 | + cis2. | + e2 e4 | + e2. | + e4 e e | + d2 e4 | + fis2. | + fis2 e4 | + e e e | + dis dis dis | + e2.~ | + e2 s4 | + <e gis>2 <e gis>4 | + <e gis>2. | + <e gis>2 <e gis>4 | + <e gis>2. | + e4 fis gis | + h( a) gis | + a2 a4 | + a2 a,4 | + s2. | + a'2. gis | + e2 gis4 | + cis a fis | + e a a | + ais2.~ | + ais2 e4 | + e2. | + e2 e4 | + e2( cis4) | + dis2 dis4 | + e2. | + s2.*8 | + s4 fis e | + e2( cis4~ | + cis) d fis | + e2. | + cis2 a'4 | + a2( f4~ | + f) g b | + a2. | + f | + a2 a4 | + a2. | + a2 a4 | + f2 f4 | + s a g | + f e d | + g2 g4 | + g2. | \bar "||" \key c \major + s4 g g | + g2 g4 | + g2. | + g2 s4 | \bar "||" + s2.*16 | + c,2. | + c4 c c | + c2. | + c2 c4 | + c2 f4 | + g2 a4 | + a2. | + f | + es2 es4 | + es2 es4 | + d2. | + des | + c2 s4 | + a'2 a4 | + a2. | + a2 a4 | + a2. | + a4 gis a | + c2 a4 | + e2.~ | + e~ | + e | + e | \bar "||" \key a \major + cis2 cis4 | + cis2. | + e2 e4 | + e2. | + e4 e e | + d2 e4 | + fis2. | + fis2 e4 | + e e e | + dis dis dis | + e2.~ | + e2 s4 | + <e gis>2 <e gis>4 | + <e gis>2. | + <e gis>2 <e gis>4 | + <e gis>2. | + e4 fis gis | + h( a) gis | + a2 a4 | + a2 a,4 | + s2. | + s2 a'4 | + g2. | + cis,2 d4 | + e d cis | + d g g | + fis2. | + g | + fis | + fis2 fis4 | + e2. | + cis2 cis4 | + d2. | + d2 cis4 | + cis2.~ | + cis2 s4 | + a'2.~ | + a2 a4 | + <a e>2.~ | + <a e>~ | + <a e> | \bar "|." + } + + melodieTenor = \relative e { + R2.*26 | + e2 e4 | + e2. | + a2 a4 | + a2. | + a4 gis a | + a2 a4 | + a2. | + a2 h4 | + a d cis | + a gis fis | + gis2. | + h2 h4 | + h2. | + h2 h4 | + h2. | + gis4 a h | + d( cis) h | + gis( a) d | + cis2 cis4 | + cis2 a4 | + r2. | + a | + gis | + e2 gis4 | + cis a fis | + e a cis | + cis2.~ | + cis2 fis,4 | + gis2. | + h2 gis4 | + a2. | + a2 a4 | + gis2. | + R2.*4 | + r2 gis4^\f | + h2 fis4 | + r fis e | + h'4. fis8 fis4 | + gis( fis) e | + r2. | + a2 a4 | + a2. | + e2 a4 | + c2( a4~ | + a) b d | + c2. | + c | + a2 a4 | + a2. | + a2 a4 | + a2 a4 | + r a g | + f e d | + h'2 c4 | + d2. | \bar "||" \key c \major + r4 g, g | + g2 g4 | + g2. | + g2 r4 | \bar "||" + R2.*16 | + c,2. | + c4 c c | + c2. | + c2 c4 | + c2 f4 | + g2 a4 | + a2. | + f | + es2 es4 | + es2 es4 | + d2. | + des | + c2 r4 | + a'2 a4 | + a2. | + a2 a4 | + a2. | + a4 gis a | + c2 a4 | + e2.~ | + e~ | + e | + e | \bar "||" \key a \major + e2 e4 | + e2. | + a2 a4 | + a2. | + a4 gis a | + a2 a4 | + a2. | + a2 h4 | + a d cis | + a gis fis | + gis2. | + h2 h4 | + h2. | + h2 h4 h2. | + gis4 a h | + d( cis) h | + gis( a) d | + cis2 cis4 | + cis2 a4 | + r2. | + r2 a4 | + cis2. | + h2 a4 | + g a h | + a a a | + a2. | + ais | + h | + h2 h4 | + cis2. | + a2 a4 | + a2. | + gis2 a4 | + a2.~ | + a2 r4 | + a2.~ | + a2 a4 | + a2.~ | + a~ | + a | \bar "|." + } + + melodieBass = \relative a, { + R2.*26 | + a2 a4 | + a2. | + a'2 a4 | + a2. | + a,4 d cis | + fis2 e4 | + dis2. | + dis2 d4 | + cis h a | + h h h | + e2. | + <e gis>2 <e gis>4 | + <e gis>2. | + <e gis>2 <e gis>4 | + <e gis>2. | + e4 fis gis | + h( a) gis | + e2 e4 | + a2 a4 | + a2 a,4 | + r2. | + a' | + gis | + e2 gis4 | + cis a fis | + e a g | + fis2.~ | + fis2 fis4 | + h,2. | + h2 h4 | + h2. | + h2 h4 | + e2. | + e4^\f e fis | + gis2 dis4 | + r e fis | + gis4. dis8 dis4 | + e fis r | + R2.*5 | + a2^\f a4 | + a2. | + a,2 a4 | + c2. | + d2 e4 | + f2. | + f | + a2 a4 | + a2. | + a2 a4 | + d,2 d4 | + r a' g | + f e d | + g2 g4 | + g2. | \bar "||" \key c \major + r4 g g | + g2 g4 | + g2. | + g2 r4 | \bar "||" + R2.*16 | + c,2. | + c4 c c | + c2. | + c2 c4 | + c2 f4 | + g2 a4 | + a2. | + f | + es2 es4 | + es2 es4 | + d2. | + des | + c2 r4 | + a'2 a4 | + a2. | + a2 a4 | + a2. | + a4 gis a | + c2 a4 | + e2.~ | + e~ | + e | + e | \bar "||" \key a \major + a,2 a4 | + a2. | + a'2 a4 | + a2. | + a,4 d cis | + fis2 e4 | + dis2. | + dis2 d4 | + cis h a | + h h h | + e2. | + <e gis>2 <e gis>4 | + <e gis>2. | + <e gis>2 <e gis>4 | + <e gis>2. | + e4 fis gis | + h( a) e | + e2 e4 | + a2 a4 | + a2 a,4 | + r2. | + r2 a'4 | + a2. | + g2 fis4 | + e fis g | + fis e e | + d2. | + d | + d | + d2 d4 | + e2. | + e2 e4 | + e2. | + e2 e4 | + a,2.~ | + a2 r4 | + a'2.~ | + a2 a4 | + <e a,>2.~ | + <e a,>~ | + <e a,> | \bar "|." + } + + klavierRechts = \relative a' { + <a e cis>2.-> | + <a e cis>-> | + } + + klavierLinks = \relative a { + << + { \voiceOne + <a e>2.->^\f | + <a e>-> | + e2 a4( | + h cis gis) | + <a e>2.-> | + <a e>-> | + } + \new Voice { \voiceTwo + a,2. | + a | + a~ | + a~ | + a~ | + a | + } + >> \oneVoice + a~ | + a | + << + { \voiceOne + fis'4( gis a | + h cis d) | + e,( fis gis | + a h cis) | + d,( e fis | + eis dis) eis | + fis( a gis | + fis) a r | + fis( a gis | + fis) a r | + a( cis h | + a) cis r | + fis,( a e | + fis) a r | + <cis a e>2. | + <a~ e~> | + <a e~> | + <gis e> | + <a~ e~> | + <a e> | + <a~ e~> | + <a e> | + } + \new Voice { \voiceTwo + a,~ | + a | + a | + d | + gis, | + cis | + fis,~ | + fis4 fis e | + dis2.~ | + dis | + e | + e | + <fis h>~ | + <fis h> | + e~ | + e~ | + e~ | + e | + a~ | + a | + a~ | + a | + } + >> \oneVoice + } diff --git a/Kommt_herzu/texte.ly b/Kommt_herzu/texte.ly new file mode 100644 index 0000000..ebd8216 --- /dev/null +++ b/Kommt_herzu/texte.ly @@ -0,0 +1,73 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + + textAlleI = \lyricmode { + Kommt her -- zu, kommt her -- zu, lasst uns dem Herrn froh -- lo -- cken + und jauch -- zen dem Hort uns -- res Heils, + kommt her -- zu, kommt her -- zu, lasst uns dem Herrn, + } + + textAlleII = \lyricmode { + dem Herrn froh -- lo -- cken + und jauch -- zen, und jauch -- zen dem Hort uns -- res Heils, + } + + textAlleIII = \lyricmode { + und jauch -- zen, dem Hort uns -- res Heils. + } + + textAlleIV = \lyricmode { + ihm jauch -- zen, mit Psal -- men ihm jauch -- zen, + kommt her -- zu, lasst uns jauch -- zen, + denn der Herr ist ein gro -- ßer Gott, + und ein gro -- ßer Kö -- nig! + Kommt, lasst uns an -- be -- ten und knie -- en vor dem Herrn, + und nie -- der -- fal -- len vor dem Herrn. + Kommt her -- zu, kommt her -- zu, lasst uns dem Herrn froh -- lo -- cken! + } + + textAlleV = \lyricmode { + und jauch -- zen, und jauch -- zen dem Hort uns -- res Heils! + Kommt! __ her -- zu! __ + } + +% Die Textaufteilungen + + textSolo = \lyricmode { + Denn in sei -- ner Hand ist, was die Er -- de füllt, + denn in sei -- ner Hand ist, was die Er -- de füllt, + und die Hö -- hen der Ber -- ge sind auch sein; + denn in sei -- ner Hand ist, was die Er -- de füllt, + und die Hö -- hen der Ber -- ge sind auch sein. + } + + textFrauen = \lyricmode { + \textAlleI + \textAlleII \textAlleIII + Und mit Psal -- men + \textAlleIV + \textAlleI + \textAlleII + \textAlleV + } + + textTenor = \lyricmode { + \textAlleI dem Herrn, + \textAlleII \textAlleIII + mit Dan -- ken vor sein An -- ge -- sicht kom -- men, und + \textAlleIV + \textAlleI dem Herrn, + \textAlleII + \textAlleV + } + + textBass = \lyricmode { + \textAlleI dem Herrn, + \textAlleII \textAlleIII + Lasst uns mit Dan -- ken vor sein An -- ge -- sicht kom -- men, und + \textAlleIV + \textAlleI dem Herrn, + \textAlleII + \textAlleV + } |