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authorErich Eckner <git@eckner.net>2016-11-21 17:11:44 +0100
committerErich Eckner <git@eckner.net>2016-11-21 17:11:44 +0100
commit7042c5f39c502002193c8319bdaba05e744fc43c (patch)
tree210cfe5705538864d36d7f028ad47a1b97a5e961 /Ich_bin_die_Auferstehung
parentbb8251cd16678f71bb64f84238b4752c23be27df (diff)
downloadMusik-7042c5f39c502002193c8319bdaba05e744fc43c.tar.xz
Ich_bin_die_Auferstehung: Header fuer Auffuehrung zurechtgemacht
Diffstat (limited to 'Ich_bin_die_Auferstehung')
-rw-r--r--Ich_bin_die_Auferstehung/Ich_bin_die_Auferstehung.ly77
1 files changed, 44 insertions, 33 deletions
diff --git a/Ich_bin_die_Auferstehung/Ich_bin_die_Auferstehung.ly b/Ich_bin_die_Auferstehung/Ich_bin_die_Auferstehung.ly
index a3c3104..6c4fd5b 100644
--- a/Ich_bin_die_Auferstehung/Ich_bin_die_Auferstehung.ly
+++ b/Ich_bin_die_Auferstehung/Ich_bin_die_Auferstehung.ly
@@ -1,48 +1,59 @@
\include "deutsch.ly"
+#(ly:set-option 'relative-includes #t)
\include "stimmen.ly"
\include "texte.ly"
+#(ly:set-option 'relative-includes #f)
%spezifisch%
\pointAndClickOff
\header {
- title = "Ich bin die Auferstehung und das Leben"
- composer = "Gallus Dreßler 1533 - ca. 1590"
tagline = ""
}
+\paper {
+ top-margin = 5
+ print-all-headers = ##t
+}
-\new StaffGroup = choirStaff <<
- \new Voice = sopran << \global \sopranMelodie >>
- \new Lyrics \lyricsto sopran { \textSopran }
- \new Voice = alt << \global \altMelodie >>
- \new Lyrics \lyricsto alt { \textAlt }
- \new Voice = tenor << \global \clef "G_8" \tenorMelodie >>
- \new Lyrics \lyricsto tenor { \textTenor }
- \new Voice = bass << \global \clef "bass" \bassMelodie >>
- \new Lyrics \lyricsto bass { \textBass }
->>
-
-\layout {
- \context {
- \Score
- %% no bar lines in staves or lyrics
- \hide BarLine
- }
- %% the next two instructions keep the lyrics between the bar lines
- \context {
- \Lyrics
- \consists "Bar_engraver"
- \consists "Separating_line_group_engraver"
+\score {
+ \header {
+ title = "Ich bin die Auferstehung und das Leben"
+ composer = "Gallus Dreßler 1533 - ca. 1590"
}
- \context {
- \Voice
- %% Comment in the below "\remove" command to allow line
- %% breaking also at those bar lines where a note overlaps
- %% into the next measure. The command is commented out in this
- %% short example score, but especially for large scores, you
- %% will typically yield better line breaking and thus improve
- %% overall spacing if you comment in the following command.
- \remove "Forbid_line_break_engraver"
+
+ \new StaffGroup = choirStaff <<
+ \new Voice = sopran << \global \sopranMelodie >>
+ \new Lyrics \lyricsto sopran { \textSopran }
+ \new Voice = alt << \global \altMelodie >>
+ \new Lyrics \lyricsto alt { \textAlt }
+ \new Voice = tenor << \global \clef "G_8" \tenorMelodie >>
+ \new Lyrics \lyricsto tenor { \textTenor }
+ \new Voice = bass << \global \clef "bass" \bassMelodie >>
+ \new Lyrics \lyricsto bass { \textBass }
+ >>
+
+ \layout {
+ \context {
+ \Score
+ %% no bar lines in staves or lyrics
+ \hide BarLine
+ }
+ %% the next two instructions keep the lyrics between the bar lines
+ \context {
+ \Lyrics
+ \consists "Bar_engraver"
+ \consists "Separating_line_group_engraver"
+ }
+ \context {
+ \Voice
+ %% Comment in the below "\remove" command to allow line
+ %% breaking also at those bar lines where a note overlaps
+ %% into the next measure. The command is commented out in this
+ %% short example score, but especially for large scores, you
+ %% will typically yield better line breaking and thus improve
+ %% overall spacing if you comment in the following command.
+ \remove "Forbid_line_break_engraver"
+ }
}
}