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author | Erich Eckner <git@eckner.net> | 2014-09-04 10:59:12 +0200 |
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committer | Erich Eckner <git@eckner.net> | 2014-09-04 10:59:12 +0200 |
commit | cd2759024b1ad36d3ac6e15e5a2bbe43d80bcfcd (patch) | |
tree | 25be2d35abeec51d18d0204e199f3bdbf66826b1 /Alta_Trinita | |
download | Musik-cd2759024b1ad36d3ac6e15e5a2bbe43d80bcfcd.tar.xz |
initialer Commit
Diffstat (limited to 'Alta_Trinita')
-rw-r--r-- | Alta_Trinita/Alta_Trinita.ly | 33 | ||||
-rw-r--r-- | Alta_Trinita/stimmen.ly | 88 | ||||
-rw-r--r-- | Alta_Trinita/texte.ly | 11 |
3 files changed, 132 insertions, 0 deletions
diff --git a/Alta_Trinita/Alta_Trinita.ly b/Alta_Trinita/Alta_Trinita.ly new file mode 100644 index 0000000..83a7b36 --- /dev/null +++ b/Alta_Trinita/Alta_Trinita.ly @@ -0,0 +1,33 @@ +\include "deutsch.ly" +\include "stimmen.ly" +\include "texte.ly" + +#(set! paper-alist (cons '("kindle" . (cons (* 210 mm) (* 130 mm))) paper-alist)) +#(set-default-paper-size "kindle") + +\header { + title = "Alta Trinita" + tagline = "" +} +\paper { + top-margin = 5 +} + +\score { + \new ChoirStaff << + \new Staff + << + \set Score.skipBars = ##t + \new Voice = sopran { \global \voiceOne \sopranMelodie } + \new Voice = alt { \global \voiceTwo \altMelodie } + >> + \new Lyrics \lyricsto sopran { \text } + \new Staff << + \new Voice = tenor { \global \clef "bass" \voiceOne \tenorMelodie } + \new Voice = bass { \global \clef "bass" \voiceTwo \bassMelodie } + >> + >> + \layout { + indent = #0 + } +} diff --git a/Alta_Trinita/stimmen.ly b/Alta_Trinita/stimmen.ly new file mode 100644 index 0000000..0ef1c19 --- /dev/null +++ b/Alta_Trinita/stimmen.ly @@ -0,0 +1,88 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.18" + + global = { + \key f \major + %\override Staff.TimeSignature #'style = #'() + \time 4/2 + \autoBeamOff + } + +% Die Stimmen + + sopranMelodie = \relative f' { + \repeat volta 2 { + f2^\p f4( g) a2 g4( f) | + b2 a4( g) a2 a | + g a4( b) a2 g4( f) | + g( b) a( g) f2 f | + c'^\mf c4( d) b1 | + c4( b) a( g) a2 a | + g4(^\p f) b( g) f2 b4( a) | + g( f) b( g) f2 f | + } + \repeat volta 2 { + c'^\f c4( d) b2 c4( d) | + es( d) c( a) b2 g | + f^\mf g4( a) b2 a | + g4( f) b( g) f2 f | + } + } + + altMelodie = \relative c' { + \repeat volta 2 { + c2 c4( e) f2 e4( f) | + f2 f4( e) f2 f | + e f f e4( f) | + e( f) f( e) c2 c | + a' a g1 | + g2 f4( e) f2 f | + e4( d) d( e) f2 f | + e4( d) d( e) c2 c | + } + \repeat volta 2 { + a' a4( f) g2 g4( b) | + c( b) g( f) f2 e | + c e4( f) f2 f | + e4( d) d( e) c2 c | + } + } + + tenorMelodie = \relative a { + \repeat volta 2 { + a2 a4( c) c2 c | + d c c c | + c c4( d) c2 c4( a) | + c( d) c2 a a | + f' f d1 | + e2 c c c | + c4( a) b( c) c2 d4( c) | + c( a) b( c) a2 a | + } + \repeat volta 2 { + f'2 f d es4( f) | + g( f) es( c) d2 c | + a c d c | + c4( a) b( c) a2 a | + } + } + + bassMelodie = \relative f { + \repeat volta 2 { + f2_\p f4( c) f2 c4( f) | + b,2 f'4( c) f2 f | + c f4( b,) f'2 c4( d) | + c( b) f'( c) <f f,>2 <f f,> | + f_\mf f4( d) g1 | + c,2 f4( c) f2 f | + c4(_\p d) g,( c) f2 b,4( f') | + c( d) g,( c) f2 f | + } + \repeat volta 2 { + f2_\f f4( d) g2 es4( d) | + c( d) es( f) b,2 c | + f_\mf c4( f) b,2 f' | + c4( d) g,( c) <f f,>2 <f f,> | + } + } diff --git a/Alta_Trinita/texte.ly b/Alta_Trinita/texte.ly new file mode 100644 index 0000000..53a39d6 --- /dev/null +++ b/Alta_Trinita/texte.ly @@ -0,0 +1,11 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + +% Die Textaufteilungen + + text = \lyrics { + Al -- ta Tri -- ni -- ta be -- a -- ta, da noi sem -- pre a -- do -- ra -- ta. + Tri -- ni -- ta glo -- ri -- o -- sa u -- ni -- ta ma -- ra vi -- glio -- sa. + Tu sei man -- na sa -- po -- ro -- sa e tut -- ta de -- si -- de -- ro -- sa. + } |