Moegen_sich_die_Wege_vor_deinen_Fueszen_ebnen neu

5 files changed, 388 insertions, 0 deletions

diff --git a/Moegen_sich_die_Wege_vor_deinen_Fueszen_ebnen/Makefile b/Moegen_sich_die_Wege_vor_deinen_Fueszen_ebnen/Makefile
new file mode 100644
index 0000000..ef6dedf
--- /dev/null
+++ b/Moegen_sich_die_Wege_vor_deinen_Fueszen_ebnen/Makefile
@@ -0,0 +1,23 @@
+CURDOC=$(shell basename "$(CURDIR)")
+
+ifeq ($(FUER),ewe)
+  SPEZIFISCH=\#(set! paper-alist (cons '(\"kindle\" . (cons (* 210 mm) (* 130 mm))) paper-alist))\n\#(set-default-paper-size \"kindle\")
+else
+  SPEZIFISCH=
+  # \#(set-global-staff-size 14)
+endif
+
+all: $(CURDOC).pdf
+
+clean:
+	rm -f *.pre
+
+Clean: clean
+	rm -f *.pdf *.midi
+
+%.pre: %.ly
+	sed "s@%spezifisch%@$(SPEZIFISCH)@" "$<" > "$@"
+
+%.pdf: %.pre *.ly
+	lilypond $<
+
diff --git a/Moegen_sich_die_Wege_vor_deinen_Fueszen_ebnen/Moegen_sich_die_Wege_vor_deinen_Fueszen_ebnen.ly b/Moegen_sich_die_Wege_vor_deinen_Fueszen_ebnen/Moegen_sich_die_Wege_vor_deinen_Fueszen_ebnen.ly
new file mode 100644
index 0000000..a9df8ef
--- /dev/null
+++ b/Moegen_sich_die_Wege_vor_deinen_Fueszen_ebnen/Moegen_sich_die_Wege_vor_deinen_Fueszen_ebnen.ly
@@ -0,0 +1,56 @@
+\include "deutsch.ly"
+#(ly:set-option 'relative-includes #t)
+\include "artikulation.ly"
+\include "stimmen.ly"
+\include "texte.ly"
+#(ly:set-option 'relative-includes #f)
+
+%spezifisch%
+
+\header {
+  tagline = ""
+}
+\paper {
+  top-margin = 5
+  print-all-headers = ##t
+}
+
+\pointAndClickOff
+
+\score {
+  \header {
+    title = "Mögen sich die Wege vor deinen Füßen ebnen"
+    poet = "Text: Altirischer Segenswunsch"
+    composer = "Musik: Günter Schwarze 1987"
+  }
+  <<
+    \new ChoirStaff <<
+      \set Score.skipBars = ##t
+      \new Staff <<
+        \new Voice = fPausen  { \global \oneVoice \pausen }
+        \new Voice = sopran   { \global \voiceOne << \melodieSopran \artikulation >> }
+        \new Voice = alt      { \global \voiceTwo \melodieAlt }
+      >>
+      \new Lyrics \lyricsto sopran { \textI }
+      \new Lyrics \lyricsto sopran { \textII }
+      \new Staff <<
+        \clef "bass"
+        \new Voice = mPausen { \global \oneVoice \pausen }
+        \new Voice = tenor   { \global \voiceOne << \melodieTenor \artikulation >> }
+        \new Voice = bass    { \global \voiceTwo \melodieBass }
+      >>
+      \new Lyrics \lyricsto bass { \textBass }
+    >>
+    \new PianoStaff <<
+      \new Staff { \global \autoBeamOn << \klavierRechts \artikulation >> }
+      \new Staff { \clef "bass" \global \autoBeamOn \klavierLinks }
+    >>
+  >>
+  \layout {
+%    indent = #0
+    \context {
+      \Staff
+      \RemoveEmptyStaves
+    }
+  }
+}
diff --git a/Moegen_sich_die_Wege_vor_deinen_Fueszen_ebnen/artikulation.ly b/Moegen_sich_die_Wege_vor_deinen_Fueszen_ebnen/artikulation.ly
new file mode 100644
index 0000000..960111b
--- /dev/null
+++ b/Moegen_sich_die_Wege_vor_deinen_Fueszen_ebnen/artikulation.ly
@@ -0,0 +1,26 @@
+
+artikulation = {
+  s1 | \mark \markup { \musicglyph #"scripts.segno" }
+  s1*3 | \bar "||"
+  s1*2\breathe |
+  s1 |
+  s2.\breathe s4 |
+  \repeat volta 3 {
+    s1 |
+    s2.\breathe s4 |
+    s4. s8-> s4. s8-> |
+    s1 |
+  }
+  \alternative {
+    {
+      s2.\breathe s4 |
+    }
+    {
+      s1 | \bar "||"
+    }
+    {
+      s1 |
+    }
+  }
+  s1*3 | \bar "|."
+}
diff --git a/Moegen_sich_die_Wege_vor_deinen_Fueszen_ebnen/stimmen.ly b/Moegen_sich_die_Wege_vor_deinen_Fueszen_ebnen/stimmen.ly
new file mode 100644
index 0000000..8e70ac3
--- /dev/null
+++ b/Moegen_sich_die_Wege_vor_deinen_Fueszen_ebnen/stimmen.ly
@@ -0,0 +1,257 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+  \version "2.18"
+
+  global = {
+    \key d \major
+    %\override Staff.TimeSignature #'style = #'()
+    \time 4/4
+    \autoBeamOff
+  }
+
+  klavierRechtsMotiv = \relative a {
+    r8 <a d fis> <a d fis> <a d fis>
+    <<
+      { \voiceOne
+        fis' e e4 |
+      }
+      \new Voice {
+        \voiceTwo
+        <h d>4 <h d> |
+      }
+    >> | \oneVoice
+  }
+
+% Die Stimmen
+
+  pausen = {
+    R1*4 | \bar "||"
+    s1*4 |
+    \repeat volta 3 {
+      s1*4 |
+    }
+    \alternative {
+      {
+        s1 |
+      }
+      {
+        s1 | \bar "||"
+      }
+      {
+        s1 |
+      }
+    }
+    R1*3 | \bar "|."
+  }
+
+  melodieSopran = \relative fis' {
+    s1*4 | \bar "||"
+    fis8 fis fis fis e4 e8 e |
+    g g g g fis4 fis |
+    fis8 fis fis g a-> d, g fis |
+    e2 fis4 a8 a |
+    \repeat volta 3 {
+      d d d d cis4 cis8 cis |
+      h h a g a4 a8 g |
+      fis e d g4 fis8 e a~ |
+      a2 g8 fis e4 |
+    }
+    \alternative {
+      {
+        d2 d4 a'8 a |
+      }
+      {
+        d,2 d | \bar "||"
+      }
+      {
+        d d |
+      }
+    }
+    s1*3 | \bar "|."
+  }
+
+  melodieAlt = \relative d' {
+    s1*4 | \bar "||"
+    d8 d d d cis4 cis8 cis |
+    e e e e d4 d |
+    d8 d d d d d d d |
+    d4( cis) d e8 e |
+    \repeat volta 3 {
+      d d d d d4 d8 d |
+      d d d d cis4 cis8 cis |
+      d d d d4 d8 d d~ |
+      d2 d8 d cis4 |
+    }
+    \alternative {
+      {
+        a2 a4 e'8 e |
+      }
+      {
+        d2 d | \bar "||"
+      }
+      {
+        d d |
+      }
+    }
+    s1*3 | \bar "|."
+  }
+
+  melodieTenor = \relative a {
+    s1*4 | \bar "||"
+    a8 a a a a4 a8 a |
+    h h h h h4 h |
+    h8 h h h a a h h |
+    e,4( a) a a8 a |
+    \repeat volta 3 {
+      fis fis fis fis a4 a8 a |
+      h h h h a4 a8 a |
+      a a a h4 h8 h a~ |
+      a2 h8 a g4 |
+    }
+    \alternative {
+      {
+        fis2 fis4 a8 a |
+      }
+      {
+        fis2 d | \bar "||"
+      }
+      {
+        fis d |
+      }
+    }
+    s1*3 | \bar "|."
+  }
+
+  melodieBass = \relative d {
+    s1*4 | \bar "||"
+    d8 d d d a4 a8 a |
+    e' e e e h4 h |
+    h8 h a g fis
+    <<
+      {
+        fis e e |
+      }
+      \new CueVoice { \voiceFour \autoBeamOff
+        fis' e e |
+      }
+    >> |
+    a,2 d4 cis8 cis |
+    \repeat volta 3 {
+      h h h h fis'4 fis8 fis |
+      g g g fis e4 a,8 a |
+      d2 e4 e |
+      fis2 e8 e a,4 |
+    }
+    \alternative {
+      {
+        d2 d4 cis8 cis |
+      }
+      {
+        d2 d | \bar "||"
+      }
+      {
+        d d |
+      }
+    }
+    s1*3 | \bar "|."
+  }
+
+  klavierRechts = \relative g' {
+    \klavierRechtsMotiv
+    \klavierRechtsMotiv
+    \klavierRechtsMotiv
+    <<
+      { \voiceOne
+        g8 fis d e~ e2 |
+      }
+      \new Voice { \voiceTwo
+        <h d>4 d8 <a cis>~ <a cis>2 |
+      }
+    >> | \bar "||" \oneVoice
+    <a d fis>8 <a d fis> <a d fis> <a d fis> <a cis e>4 <a cis e>8 <a cis e> |
+    <h e g>8 <h e g> <h e g> <h e g> <h d fis>4 <h d fis> |
+    <h d fis>8 <h d fis> <h d fis> <h d g> <a d a'> <a d> <h d g> <h d fis> |
+    <<
+      { \voiceOne
+        e2 fis4
+      }
+      \new Voice { \voiceTwo
+        d8 cis16 h cis4 d
+      }
+    >> \oneVoice
+    <e a>8 <e a> |
+    \repeat volta 3 {
+      <d fis d'> <d fis d'> <d fis d'> <d fis d'> <d fis a cis>4 <d fis a cis>8 <d fis a cis> |
+      <h d h'>8 <h d h'> <h d a'> <h d g> <a cis a'>4 <a cis a'>8 <a cis g'> |
+      <a d fis> <a d e> <a d> <h d g>4 <h d fis>8 <h d e> <a d a'>~ |
+      <<
+        { \voiceOne
+          <a a'>2
+        }
+        \new Voice { \voiceTwo
+          <a d>4 <a d>
+        }
+      >> \oneVoice
+      <h d g>8 <a fis'> <g cis e>4 |
+    }
+    \alternative {
+      {
+        <a d>2 <a d>4 <e' a>8 <e a> |
+      }
+      {
+        \klavierRechtsMotiv | \bar "||"
+      }
+      {
+        \klavierRechtsMotiv |
+      }
+    }
+    \klavierRechtsMotiv
+    \klavierRechtsMotiv
+    <<
+      { \voiceOne
+        g8 fis
+      }
+      \new Voice { \voiceTwo
+        <h, d>4
+      }
+    >> \oneVoice
+    <g cis e> <fis a d>2 | \bar "|."
+  }
+
+  klavierLinks = \relative d, {
+    d4.. d'16 g,4. g8 |
+    d4.. d'16 g,4. g8 |
+    d4.. d'16 g,4. g8 |
+    e4 e a a | \bar "||"
+    d,4.. d'16 a4. a8 |
+    e4.. e'16 h4. h8 |
+    h4 a8 g fis4 e |
+    <<
+      { \voiceOne
+        e' a a a |
+      }
+      \new Voice { \voiceTwo
+        a,2 d4 e |
+      }
+    >> \oneVoice
+    \repeat volta 3 {
+      <d fis h>4.. d16 <fis, fis'>4 <fis fis'> |
+      <g g'>4. <fis fis'>8 <e e'>4 <a, a'> |
+      <d d'> <d d'> <e e'> <e e'> |
+      <fis fis'>4. <fis fis'>8 <e e'>4 a |
+    }
+    \alternative {
+      {
+        <d fis>2 <d fis>4 <cis a'> |
+      }
+      {
+        d,4.. d'16^\markup { "Dal " \tiny \raise #1 \musicglyph #"scripts.segno" " 2. Strophe" } g,4. g8 | \bar "||"
+      }
+      {
+        d4.. d'16 g,4. g8 |
+      }
+    }
+    d4.. d'16 g,4. g8 |
+    d4.. d'16 g,4. g8 |
+    e4 a d,2 | \bar "|."
+  }
diff --git a/Moegen_sich_die_Wege_vor_deinen_Fueszen_ebnen/texte.ly b/Moegen_sich_die_Wege_vor_deinen_Fueszen_ebnen/texte.ly
new file mode 100644
index 0000000..815a242
--- /dev/null
+++ b/Moegen_sich_die_Wege_vor_deinen_Fueszen_ebnen/texte.ly
@@ -0,0 +1,26 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+  textI = \lyricmode {
+    \set stanza = "1."
+    Mö -- gen sich die We -- ge vor dei -- nen Fü -- ßen eb -- nen,
+    mö -- gest du den Wind im Rü -- cken ha -- ben,
+    und bis wir uns wie -- der sehn, und bis wir uns wie -- der sehn,
+    mö -- ge Gott sei -- ne schüt -- zen -- de Hand ü -- ber dir hal -- ten,
+    und bis
+    hal -- ten.
+    \set stanza = "2."
+    hal -- ten.
+  }
+
+  textII = \lyricmode {
+    \set stanza = "2."
+    Mö -- ge warm die Son -- ne auch dein Ge -- sicht be -- schei -- nen,
+    Re -- gen sanft auf dei -- ne Fel -- der fal -- len,
+  }
+
+  textBass = \lyricmode {
+    \repeat unfold 39 { \skip 1 }
+    Gott sei -- ne Hand
+  }