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authorErich Eckner <erich.eckner.ext@bestsecret.com>2024-07-19 12:22:24 +0200
committerErich Eckner <erich.eckner.ext@bestsecret.com>2024-07-19 12:22:24 +0200
commit7ee6537190b75b934ed76936f4938e379df9550d (patch)
treefc9b35c73eb125a66113e12fa3b1541b50811b28
parentf3c703a107ca69d402e10397a0294155f03ba51a (diff)
downloadMusik-7ee6537190b75b934ed76936f4938e379df9550d.tar.xz
Das_Heimattal neu
-rw-r--r--Das_Heimattal/Das Heimattal.ly152
-rw-r--r--Das_Heimattal/Makefile36
2 files changed, 188 insertions, 0 deletions
diff --git a/Das_Heimattal/Das Heimattal.ly b/Das_Heimattal/Das Heimattal.ly
new file mode 100644
index 0000000..b614c1f
--- /dev/null
+++ b/Das_Heimattal/Das Heimattal.ly
@@ -0,0 +1,152 @@
+\version "2.24.3"
+% automatically converted by musicxml2ly from Das Heimattal.musicxml
+\pointAndClickOff
+
+\header {
+ encodingsoftware = "MuseScore 4.3.2"
+ encodingdate = "2024-07-19"
+ title = \markup \column {
+ \line { "body {padding-left:90pt;width: 612pt} p {margin-top:0pt;margin-bottom:0pt}"}
+ \line { ""} }
+
+ }
+
+#(set-global-staff-size 18.28571428571429)
+\paper {
+
+ paper-width = 21.01\cm
+ paper-height = 29.69\cm
+ top-margin = 1.5\cm
+ bottom-margin = 1.5\cm
+ left-margin = 1.5\cm
+ right-margin = 1.5\cm
+ indent = 1.6161538461538463\cm
+ }
+\layout {
+ \context { \Score
+ autoBeaming = ##f
+ }
+ }
+PartPOneVoiceOne = \relative g {
+ \clef "treble_8"\time 4/4 \key g \major |
+ g8 h8 s2. |
+ d4. e8 d4 c4 |
+ h4 a4 g4 d'4 |
+ e4 d4 c4 h4 |
+ a2. g8 h8 ^ "17" \break |
+ d4 d4 d4 g4 |
+ g2 e4 a4 |
+ g2 fis2 |
+ g2 s4 d8. h16 |
+ h8. a16 a2 e'8. c16 \break |
+ c8. h16 h2 g8 h8 |
+ d4 d4 d4 g4 |
+ g2 e4 a4 |
+ g2 fis2 |
+ g2. | \bar "|."
+ }
+
+PartPOneVoiceTwo = \relative g { \clef "treble_8"\time 4/4 \key g \major |
+ g4 s2. |
+ h4. c8 h4 a4 |
+ g4 fis4 g4 h4 |
+ c4 h4 a4 g4 |
+ fis2. g4 \break |
+ h4 a4 g4 h4 |
+ c2 c4 e4 |
+ d2 d2 |
+ d2 s4 h8. g16 |
+ g8. fis16 fis2 c'8. a16 \break |
+ a8. g16 g2 g4 |
+ h4 c4 h4 h4 |
+ c2 c4 e4 |
+ d2 d2 |
+ d2. | \bar "|."
+ }
+
+PartPOneVoiceTwoLyricsOne = \lyricmode {\set ignoreMelismata = ##t Im
+ schön -- sten Wie -- sen -- grun\skip1 de steht mei -- ner Hei --
+ mat "Haus," da zog ich man -- che Stun -- de ins Tal hin -- "aus."
+ Dich mein stil -- les "Tal," grüß ich tau -- send -- "mal," da zog
+ ich man -- che Stun -- de ins Tal hin -- "aus."
+ }
+
+PartPOneVoiceTwoLyricsTwo = \lyricmode {\set ignoreMelismata = ##t Muß
+ aus dem Tal jetzt schei\skip1 "den," wo al -- les Lust und "Klang."
+ Das ist mein herb -- stes Lei -- "den," mein letz -- ter "Gang."
+ Dich mein stil -- les "Tal," grüß ich tau -- send -- "mal." das ist
+ mein herb -- stes Lei -- "den," mein letz -- ter "Gang."
+ }
+
+PartPOneVoiceTwoLyricsThree = \lyricmode {\set ignoreMelismata = ##t
+ Sterb ich in Ta -- les Grun\skip1 de will ich be -- gra -- ben
+ "sein." Singt mir zur letz -- ten Stun -- de beim A -- bend --
+ "schein:" "\" Dir," mein stil -- les "Tal," Gruß zum letz -- ten
+ "Mal!\" " Singt mir zur letz -- ten Stu -- nde beim A -- bend -- "
+ schein!"
+ }
+ PartPOneVoiceFive = \relative g { \clef "bass"\time 4/4 \key g \major |
+ g4 s2. |
+ g4. g8 fis4 fis4 |
+ g4 d4 h4 g'4 |
+ g4 g4 e4 e4 |
+ fis2. g4 \break |
+ g4 fis4 g4 f4 |
+ e2 g4 c4 |
+ h2 a4 c4 |
+ h2 s4 g8. g16 |
+ d8. d16 d2 fis8. d16 \break |
+ g8. d16 d2 g4 |
+ g4 a4 g4 f4 |
+ g2 g4 c4 |
+ h2 a4 c4 |
+ h2. ^\markup{ \bold {.} } | \bar "|."
+ }
+
+PartPOneVoiceSix = \relative g { \clef "bass"\time 4/4 \key g \major |
+ g4 s2. |
+ g4. c,8 d4 d4 |
+ g4 d4 h4 g4 |
+ c4 g4 c4 cis4 |
+ d2. g4 \break |
+ g4 d8 c8 h4 g4 |
+ c2 c4 c4 |
+ d2 d2 |
+ g2 s4 g8. g,16 |
+ d'8. d16 d2 d8. d16 \break |
+ g,8. g16 g2 g'4 |
+ g4 fis4 g4 d4 |
+ e2 c4 c4 |
+ d2 d2 |
+ g2. | \bar "|."
+ }
+
+
+% The score definition
+\score {
+ <<
+
+ \new PianoStaff
+ <<
+ \set PianoStaff.instrumentName = "Bass"
+
+ \context Staff = "1" <<
+ \mergeDifferentlyDottedOn\mergeDifferentlyHeadedOn
+ \context Voice = "PartPOneVoiceOne" { \voiceOne \PartPOneVoiceOne }
+ \context Voice = "PartPOneVoiceTwo" { \voiceTwo \PartPOneVoiceTwo }
+ \new Lyrics \lyricsto "PartPOneVoiceTwo" { \set stanza = "1." \PartPOneVoiceTwoLyricsOne }
+ \new Lyrics \lyricsto "PartPOneVoiceTwo" { \set stanza = "2." \PartPOneVoiceTwoLyricsTwo }
+ \new Lyrics \lyricsto "PartPOneVoiceTwo" { \set stanza = "3." \PartPOneVoiceTwoLyricsThree }
+ >> \context Staff = "2" <<
+ \mergeDifferentlyDottedOn\mergeDifferentlyHeadedOn
+ \context Voice = "PartPOneVoiceFive" { \voiceOne \PartPOneVoiceFive }
+ \context Voice = "PartPOneVoiceSix" { \voiceTwo \PartPOneVoiceSix }
+ >>
+ >>
+
+ >>
+ \layout {}
+ % To create MIDI output, uncomment the following line:
+ % \midi {\tempo 4 = 100 }
+ }
+
diff --git a/Das_Heimattal/Makefile b/Das_Heimattal/Makefile
new file mode 100644
index 0000000..93067fb
--- /dev/null
+++ b/Das_Heimattal/Makefile
@@ -0,0 +1,36 @@
+CURDOC=$(shell basename "$(CURDIR)")
+
+DIRS=../Geh_aus_mein_Herz ../In_dieser_lieben_Sommerzeit
+
+EXTRAS=-mit-Texthinweisen
+
+all: $(CURDOC)$(EXTRAS).pdf
+
+print:
+ @echo $(CURDOC)$(EXTRAS).pdf
+
+clean:
+ rm -f *.pre *.post
+
+Clean: clean
+ rm -f *.pdf *.midi
+
+include ../.meta/*.mk
+
+%.pre: %.ly
+ cat "$<" > "$@"
+
+Geh_aus_mein_Herz_%.pre: ../Geh_aus_mein_Herz/%.ly
+ cat "$<" > "$@"
+
+In_dieser_lieben_Sommerzeit_%.pre: ../In_dieser_lieben_Sommerzeit/%.ly
+ cat "$<" > "$@"
+
+%.post: %.pre $(patsubst %.ly,%.pre,$(shell find $(DIRS) -name '*.ly' | cut -d/ -f2,3 | tr '/' '_')) ../.meta/header.ly
+ cat ../.meta/header.ly "$<" \
+ |m4 \
+ >"$@"
+
+%.pdf: %.post
+ lilypond $<
+ pkill -SIGHUP -xf "mupdf(-x11)? $@" || true