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author | Erich Eckner <erich.eckner.ext@bestsecret.com> | 2024-07-19 12:22:24 +0200 |
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committer | Erich Eckner <erich.eckner.ext@bestsecret.com> | 2024-07-19 12:22:24 +0200 |
commit | 7ee6537190b75b934ed76936f4938e379df9550d (patch) | |
tree | fc9b35c73eb125a66113e12fa3b1541b50811b28 | |
parent | f3c703a107ca69d402e10397a0294155f03ba51a (diff) | |
download | Musik-7ee6537190b75b934ed76936f4938e379df9550d.tar.xz |
Das_Heimattal neu
-rw-r--r-- | Das_Heimattal/Das Heimattal.ly | 152 | ||||
-rw-r--r-- | Das_Heimattal/Makefile | 36 |
2 files changed, 188 insertions, 0 deletions
diff --git a/Das_Heimattal/Das Heimattal.ly b/Das_Heimattal/Das Heimattal.ly new file mode 100644 index 0000000..b614c1f --- /dev/null +++ b/Das_Heimattal/Das Heimattal.ly @@ -0,0 +1,152 @@ +\version "2.24.3" +% automatically converted by musicxml2ly from Das Heimattal.musicxml +\pointAndClickOff + +\header { + encodingsoftware = "MuseScore 4.3.2" + encodingdate = "2024-07-19" + title = \markup \column { + \line { "body {padding-left:90pt;width: 612pt} p {margin-top:0pt;margin-bottom:0pt}"} + \line { ""} } + + } + +#(set-global-staff-size 18.28571428571429) +\paper { + + paper-width = 21.01\cm + paper-height = 29.69\cm + top-margin = 1.5\cm + bottom-margin = 1.5\cm + left-margin = 1.5\cm + right-margin = 1.5\cm + indent = 1.6161538461538463\cm + } +\layout { + \context { \Score + autoBeaming = ##f + } + } +PartPOneVoiceOne = \relative g { + \clef "treble_8"\time 4/4 \key g \major | + g8 h8 s2. | + d4. e8 d4 c4 | + h4 a4 g4 d'4 | + e4 d4 c4 h4 | + a2. g8 h8 ^ "17" \break | + d4 d4 d4 g4 | + g2 e4 a4 | + g2 fis2 | + g2 s4 d8. h16 | + h8. a16 a2 e'8. c16 \break | + c8. h16 h2 g8 h8 | + d4 d4 d4 g4 | + g2 e4 a4 | + g2 fis2 | + g2. | \bar "|." + } + +PartPOneVoiceTwo = \relative g { \clef "treble_8"\time 4/4 \key g \major | + g4 s2. | + h4. c8 h4 a4 | + g4 fis4 g4 h4 | + c4 h4 a4 g4 | + fis2. g4 \break | + h4 a4 g4 h4 | + c2 c4 e4 | + d2 d2 | + d2 s4 h8. g16 | + g8. fis16 fis2 c'8. a16 \break | + a8. g16 g2 g4 | + h4 c4 h4 h4 | + c2 c4 e4 | + d2 d2 | + d2. | \bar "|." + } + +PartPOneVoiceTwoLyricsOne = \lyricmode {\set ignoreMelismata = ##t Im + schön -- sten Wie -- sen -- grun\skip1 de steht mei -- ner Hei -- + mat "Haus," da zog ich man -- che Stun -- de ins Tal hin -- "aus." + Dich mein stil -- les "Tal," grüß ich tau -- send -- "mal," da zog + ich man -- che Stun -- de ins Tal hin -- "aus." + } + +PartPOneVoiceTwoLyricsTwo = \lyricmode {\set ignoreMelismata = ##t Muß + aus dem Tal jetzt schei\skip1 "den," wo al -- les Lust und "Klang." + Das ist mein herb -- stes Lei -- "den," mein letz -- ter "Gang." + Dich mein stil -- les "Tal," grüß ich tau -- send -- "mal." das ist + mein herb -- stes Lei -- "den," mein letz -- ter "Gang." + } + +PartPOneVoiceTwoLyricsThree = \lyricmode {\set ignoreMelismata = ##t + Sterb ich in Ta -- les Grun\skip1 de will ich be -- gra -- ben + "sein." Singt mir zur letz -- ten Stun -- de beim A -- bend -- + "schein:" "\" Dir," mein stil -- les "Tal," Gruß zum letz -- ten + "Mal!\" " Singt mir zur letz -- ten Stu -- nde beim A -- bend -- " + schein!" + } + PartPOneVoiceFive = \relative g { \clef "bass"\time 4/4 \key g \major | + g4 s2. | + g4. g8 fis4 fis4 | + g4 d4 h4 g'4 | + g4 g4 e4 e4 | + fis2. g4 \break | + g4 fis4 g4 f4 | + e2 g4 c4 | + h2 a4 c4 | + h2 s4 g8. g16 | + d8. d16 d2 fis8. d16 \break | + g8. d16 d2 g4 | + g4 a4 g4 f4 | + g2 g4 c4 | + h2 a4 c4 | + h2. ^\markup{ \bold {.} } | \bar "|." + } + +PartPOneVoiceSix = \relative g { \clef "bass"\time 4/4 \key g \major | + g4 s2. | + g4. c,8 d4 d4 | + g4 d4 h4 g4 | + c4 g4 c4 cis4 | + d2. g4 \break | + g4 d8 c8 h4 g4 | + c2 c4 c4 | + d2 d2 | + g2 s4 g8. g,16 | + d'8. d16 d2 d8. d16 \break | + g,8. g16 g2 g'4 | + g4 fis4 g4 d4 | + e2 c4 c4 | + d2 d2 | + g2. | \bar "|." + } + + +% The score definition +\score { + << + + \new PianoStaff + << + \set PianoStaff.instrumentName = "Bass" + + \context Staff = "1" << + \mergeDifferentlyDottedOn\mergeDifferentlyHeadedOn + \context Voice = "PartPOneVoiceOne" { \voiceOne \PartPOneVoiceOne } + \context Voice = "PartPOneVoiceTwo" { \voiceTwo \PartPOneVoiceTwo } + \new Lyrics \lyricsto "PartPOneVoiceTwo" { \set stanza = "1." \PartPOneVoiceTwoLyricsOne } + \new Lyrics \lyricsto "PartPOneVoiceTwo" { \set stanza = "2." \PartPOneVoiceTwoLyricsTwo } + \new Lyrics \lyricsto "PartPOneVoiceTwo" { \set stanza = "3." \PartPOneVoiceTwoLyricsThree } + >> \context Staff = "2" << + \mergeDifferentlyDottedOn\mergeDifferentlyHeadedOn + \context Voice = "PartPOneVoiceFive" { \voiceOne \PartPOneVoiceFive } + \context Voice = "PartPOneVoiceSix" { \voiceTwo \PartPOneVoiceSix } + >> + >> + + >> + \layout {} + % To create MIDI output, uncomment the following line: + % \midi {\tempo 4 = 100 } + } + diff --git a/Das_Heimattal/Makefile b/Das_Heimattal/Makefile new file mode 100644 index 0000000..93067fb --- /dev/null +++ b/Das_Heimattal/Makefile @@ -0,0 +1,36 @@ +CURDOC=$(shell basename "$(CURDIR)") + +DIRS=../Geh_aus_mein_Herz ../In_dieser_lieben_Sommerzeit + +EXTRAS=-mit-Texthinweisen + +all: $(CURDOC)$(EXTRAS).pdf + +print: + @echo $(CURDOC)$(EXTRAS).pdf + +clean: + rm -f *.pre *.post + +Clean: clean + rm -f *.pdf *.midi + +include ../.meta/*.mk + +%.pre: %.ly + cat "$<" > "$@" + +Geh_aus_mein_Herz_%.pre: ../Geh_aus_mein_Herz/%.ly + cat "$<" > "$@" + +In_dieser_lieben_Sommerzeit_%.pre: ../In_dieser_lieben_Sommerzeit/%.ly + cat "$<" > "$@" + +%.post: %.pre $(patsubst %.ly,%.pre,$(shell find $(DIRS) -name '*.ly' | cut -d/ -f2,3 | tr '/' '_')) ../.meta/header.ly + cat ../.meta/header.ly "$<" \ + |m4 \ + >"$@" + +%.pdf: %.post + lilypond $< + pkill -SIGHUP -xf "mupdf(-x11)? $@" || true |