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author | Erich Eckner <erich.eckner.ext@bestsecret.com> | 2024-07-19 12:22:24 +0200 |
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committer | Erich Eckner <erich.eckner.ext@bestsecret.com> | 2024-07-19 12:22:24 +0200 |
commit | 223b27567adba385c28b2d6f035d893e8f245774 (patch) | |
tree | f6550b97825b4bdfa6aa09faa3abc3f7915b2898 | |
parent | e28c6816e0e7949ed457159bf542b0f811dcf64a (diff) | |
download | Musik-223b27567adba385c28b2d6f035d893e8f245774.tar.xz |
20190327_Sonntagsseele neu
-rw-r--r-- | 20190327_Sonntagsseele/20190327 Sonntagsseele.ly | 548 | ||||
-rw-r--r-- | 20190327_Sonntagsseele/Makefile | 36 |
2 files changed, 584 insertions, 0 deletions
diff --git a/20190327_Sonntagsseele/20190327 Sonntagsseele.ly b/20190327_Sonntagsseele/20190327 Sonntagsseele.ly new file mode 100644 index 0000000..adb4ff8 --- /dev/null +++ b/20190327_Sonntagsseele/20190327 Sonntagsseele.ly @@ -0,0 +1,548 @@ +\version "2.24.3" +% automatically converted by musicxml2ly from 20190327 Sonntagsseele.xml +\pointAndClickOff + +\header { + title = Sonntagsseele + composer = "Wilhelm Bein" + poet = "Lulu von Strauß und Torney" + encodingsoftware = "MuseScore 2.1.0" + encodingdate = "2019-06-10" + } + +#(set-global-staff-size 20.158742857142858) +\paper { + + paper-width = 21.01\cm + paper-height = 29.69\cm + top-margin = 1.0\cm + bottom-margin = 2.0\cm + left-margin = 1.0\cm + right-margin = 1.0\cm + indent = 1.6161538461538465\cm + short-indent = 0.4617582417582418\cm + } +\layout { + \context { \Score + skipBars = ##t + autoBeaming = ##f + } + } +PartPOneVoiceOne = \relative g { + \clef "treble_8" \time 3/4 \key es \major \partial 4. \tempo 4=80 g8 _\f g8 g8 | + c4 g8 g8 \once \omit TupletBracket + \times 2/3 { + as8 g8 f8 } + | + as8 g8 r8 g8 g8 g8 \break | + \time 4/4 d'4 d4. f,8 \once \omit + TupletBracket + \times 2/3 { + f8 as8 c8 } + | + f2. f8 f8 \pageBreak | + \time 3/4 \once \omit TupletBracket + \times 2/3 { + f8 es8 d8 } + es8 c8 \times 2/3 { + r8 r8 g8 } + | + \time 4/4 \once \omit TupletBracket + \times 2/3 { + f'8 es8 d8 } + es8 c8 r4 g8 g8 \break | + \time 3/4 c2.~ | + c2 c4 | + c2 c4 | + g4 ^\fermata r2 | \bar "||" + \break \repeat volta 2 { | + \key c \major g'2 e8 d8 | + c4 h4 c4 | + f2 e8 dis8 | + e2. | + a4 g4 fis4 | + g2 c,8 c8 \pageBreak | + d4 d4. e8 } + \alternative { { + | + e2. } + { + | + e2 c4 } } | \bar "||" + \pageBreak | + \key f \major c2 c4 | + c4 c4 c4 | + c4 ( f4 e4 | + d2 ) d8 d8 | + f4 f4 g4 | + a4 f4 r4 | + g2 f4 \break | + f2 ^\fermata r4 | + b,2 a4 | + a2 ^\fermata r4 | \bar "||" + \pageBreak | + \time 9/8 f'8 c4 c4 c8 e8 e8 d8 | + c2. c4. \break | + f8 c4 c4 c8 e4 d8 | + \time 3/4 c2 f,8 f8 | + d'2 d4 \pageBreak | + d4 e4 f4 | + f2 f4 | + f4 e4 f4 | + a2. ( | + a4 g4 ) f4 | + f2. ( \break | + f4 ) d4 e4 | + f2.~ | + f4 r4 a,8 a8 \pageBreak | + \time 4/4 d4 d4. d8 \once \omit + TupletBracket + \times 2/3 { + a8 a8 a8 } + | + \times 2/3 { + c4 c8 } + c2 a4 | + d4. d8 a4 a8 a8 \break | + c4 c2 b4 ^\fermata \once \omit + TupletBracket + \times 2/3 { + c8 h8 c8 } + | + <f c>4 r4 \once \omit TupletBracket + \times 2/3 { + a,8 g8 f8 } + | + d'2~ \times 2/3 { + d4 g,8 } + \once \omit TupletBracket + \times 2/3 { + g8 fis8 g8 } + \break | + b4 b8 b8 \once \omit + TupletBracket + \times 2/3 { + b8 a8 g8 } + \times 2/3 { + c4 g8 } + | + a4 c4 c4 c4 | + f4 ( e4 ) d4 cis4 \pageBreak | + d4 d4. d8 \once \omit TupletBracket + \times 2/3 { + d8 e8 f8 } + | + f2 d2 | + g2. f4 | + f1~ \break | + f4 r4 r4 r4 | \bar "|." + } + +PartPOneVoiceOneLyricsOne = \lyricmode {\set ignoreMelismata = ##t Laß + ihn da drau -- ßen nur hetz -- en und ha -- sten den grau -- en All + -- tag mit stau -- bi -- gen "Schuh'n" und sich gräm --\skip1 lich + schlep -- pen mit Sor --\skip1 gen la -- sten und den Tag\skip1 mit + Nichts ver -- "tun." Nur laß ihn nicht in die See -- le hin -- + "ein," nur laß ihn nicht in die see -- le hin -- "ein." "ein." Im + tief -- sten Grun -- de der See --\skip1 \skip1 le soll es im -- mer + nur Sonn -- "tag." Sonn -- tag "sein," Sonn -- tag "sein." La -- + chen --\skip1 de Ro -- sen der Freu -- de ran -- ken\skip1 sich dann + ums Tor und die wei -- ßen Li -- lien der Licht -- ge -- dan + --\skip1 ken blüh --\skip1 \skip1 hen blü --\skip1 hen em -- "por." + \skip1 und der Frie -- de steht lä -- chelnd im Son -- nen -- schein + und wehrt mit hei -- li -- gen Hän --\skip1 "den." Geh nur vor -- ü + -- "ber," hier nicht her -- "ein," \skip1 im Grun -- de der See -- + le soll im -- mer nur Sonn -- tag "sein," im tief -- sten Grun + --\skip1 de der See -- le "soll's" im -- mer nur Sonn -- "tag," Sonn + -- tag "sein." \skip1 + } + PartPTwoVoiceOne = \relative g { \clef "treble_8" \time 3/4 \key es \major \partial 4. g8 _\f g8 g8 | + c4 g8 g8 \once \omit TupletBracket + \times 2/3 { + as8 g8 f8 } + | + as8 g8 r8 g8 g8 g8 \break | + \time 4/4 c4 c4. f,8 \once \omit + TupletBracket + \times 2/3 { + f8 as8 c8 } + | + d2. d8 d8 \pageBreak | + \time 3/4 \once \omit TupletBracket + \times 2/3 { + d8 c8 h8 } + c8 c8 \times 2/3 { + r8 r8 g8 } + | + \time 4/4 \once \omit TupletBracket + \times 2/3 { + d'8 c8 h8 } + c8 c8 r4 g8 g8 \break | + \time 3/4 c2 b4 | + as4. as8 g4 | + fis2 fis4 | + g4 ^\fermata r2 | \bar "||" + \break \repeat volta 2 { | + \key c \major e'2 c8 g8 | + g4 g4 g4 | + c4 h4 h4 | + c2. | + f4 e4 es4 | + e2 c8 c8 \pageBreak | + c4 h4. c8 } + \alternative { { + | + c2. } + { + | + c2 b4 } } | \bar "||" + \pageBreak | + \key f \major a2 a4 | + b4 b4 b4 | + c2. ( | + c4 ) b4 b8 b8 | + d4 d4 f4 | + f4 c4 r4 | + e2 c4 \break | + c2 ^\fermata r4 | + f,2 f4 | + f2 ^\fermata r4 | \bar "||" + \pageBreak | + \time 9/8 a8 f4 a4. b8 b8 h8 | + c4. a4. b4. \break | + a8 f4 a4. b4 h8 | + \time 3/4 c2 f,8 f8 | + b2 b4 \pageBreak | + d4 d4 d4 | + c2 c4 | + h2 h4 | + c4 f4 e4 | + d2 d4 | + c4 -. b4 -. a4 -. \break | + b2 b4 | + a2.~ | + a4 r4 a8 a8 \pageBreak | + \time 4/4 a4 a4. a8 \once \omit + TupletBracket + \times 2/3 { + a8 a8 a8 } + | + \times 2/3 { + a4 a8 } + a2 a4 | + a4. a8 a4 a8 a8 \break | + a2 b2. ^\fermata | + a2 <a a>4 | + g2 g4 ( d'4 ) \break | + c2 c4 c4 | + a2 r8 c8 h8 b8 | + a2 a4 a4 \pageBreak | + b4 b4. d8 \once \omit + TupletBracket + \times 2/3 { + d8 d8 d8 } + | + c2 c2 | + <c e>2. c4 | + c1~ \break | + c4 r4 r2 | \bar "|." + } + +PartPTwoVoiceOneLyricsOne = \lyricmode {\set ignoreMelismata = + ##t\skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 + \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 + \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 + \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 und den Tag mit al + -- ler -- lei Nichts ver -- "tun." \skip1 \skip1 \skip1 \skip1 + \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 + \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 Im tief -- + sten Grun -- de der See --\skip1 le soll es im -- mer nur Sonn -- + tag Sonn -- tag "sein," Sonn -- tag "sein." La -- chen -- de Ro -- + sen der Freu --\skip1 de ran -- ken sich dann ums Tor und die wei -- + ßen Li -- lien der Licht -- ge -- dan -- ken blühn\skip1 \skip1 + \skip1 aus schwei -- gen -- dem Grund em -- "por." \skip1 \skip1 + \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 + \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 + \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 + \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 + \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 + \skip1 + } + PartPThreeVoiceOne = \relative g { \clef "bass" \time 3/4 \key es \major \partial 4. g8 _\f g8 g8 | + c4 g8 g8 \once \omit TupletBracket + \times 2/3 { + as8 g8 f8 } + | + as8 g8 r8 g8 g8 g8 \break | + \time 4/4 as4 as4. f8 \once \omit + TupletBracket + \times 2/3 { + f8 f8 as8 } + | + c2. c8 c8 \pageBreak | + \time 3/4 \times 2/3 { + h4 g8 } + g8 es8 \times 2/3 { + r4 g8 } + | + \time 4/4 \times 2/3 { + h4 g8 } + c8 c8 r4 g8 g8 \break | + \time 3/4 c,2.~ | + c2 c4 | + c2 c4 | + g4 ^\fermata r2 | \bar "||" + \break \repeat volta 2 { | + \key c \major c'2 g8 g8 | + e4 d4 e4 | + a4 g4 g4 | + g2. | + c4 c4 c4 | + c2 e,8 e8 \pageBreak | + a4 g4 g4 } + \alternative { { + | + g2. } + { + | + g2 e4 } } | \bar "||" + \pageBreak | + \key f \major c2 c4 | + e4 e4 e4 | + f2. | + f2 f8 f8 | + b4 b4 d4 | + c4 a4 r4 | + b2 a4 \break | + a2 ^\fermata r4 | + d,2 c4 | + c2 ^\fermata r4 | \bar "||" + \pageBreak | + \time 9/8 c8 a'8 g8 f8 e8 d8 c8 g'8 gis8 | + a2. g4. \break | + c,8 a'8 g8 f8 e8 d8 c8 g'8 gis8 | + \time 3/4 a2 f8 f8 | + f4 e4 f4 \pageBreak | + g4 g4 gis4 | + a2 a4 | + g2 g4 | + f4 a4 c4~ | + c4 b4 g4 | + a4 -. g4 -. f4 -. \break | + g2 g4 | + f2.~ | + f4 r4 a8 a8 \pageBreak | + \time 4/4 f4 f4. f8 \once \omit + TupletBracket + \times 2/3 { + a8 g8 f8 } + | + \times 2/3 { + e4 e8 } + e2 a4 | + f4. f8 a4 g8 f8 \break | + e2 e2. ^\fermata | + c2 <c f>4 | + f2 f2 \break | + e2 e4 e4 | + f2 r8 c8 d8 e8 | + f2 f4 f4 \pageBreak | + f4 f4 g4 \once \omit TupletBracket + \times 2/3 { + gis8 gis8 gis8 } + | + a2 a2 | + b2. a4 | + a1~ \break | + a4 r4 r2 | \bar "|." + } + +PartPThreeVoiceOneLyricsOne = \lyricmode {\set ignoreMelismata = ##t + Laß ihn da drau -- ßen nur hetz en und ha -- sten den grau en All -- + tag mit stau -- bi -- gen "Schuh'n" und sich gräm -- lich schlep -- + pen mit Sor -- gen -- la -- sten und den Tag\skip1 mit Nichts ver -- + "tun." Nur laß ihn nicht in die See -- le hin -- "ein," nur laß ihn + nicht in die See -- le hin -- "ein." "ein." Im tief -- sten Grun -- + de der See -- le soll es im -- mer nur Sonn -- "tag," Sonn -- tag + "sein," Sonn -- tag "sein." La -- chen -- de Ro --\skip1 "sen," Ro + -- sen der Freu -- de ran -- ken mit ro --\skip1 ten Blü -- ten ums + "Tor," und die wei --\skip1 ßen Li -- lien der Licht -- ge -- dan -- + ken blü --\skip1 \skip1 \skip1 "hen," aus schwei -- gen -- dem Grund + em -- por\skip1 und der Frie de steht lä -- chelnd im Son -- nen -- + schein und wehrt mit hei -- li -- gen Hän -- "den." Geh nur vor -- ü + -- ber hier nicht her -- "ein," im tief -- sten Grun -- de der See + -- le solls im -- mer nur Sonn -- "tag," Sonn -- tag "sein." \skip1 + } + PartPFourVoiceOne = \relative g { \clef "bass" \time 3/4 \key es \major \partial 4. g8 _\f g8 g8 | + c4 g8 g8 \once \omit TupletBracket + \times 2/3 { + as8 g8 f8 } + | + as8 g8 r8 g8 g8 g8 \break | + \time 4/4 f4 f4. f8 \once \omit + TupletBracket + \times 2/3 { + f8 f8 f8 } + | + as2. as8 as8 \pageBreak | + \time 3/4 \times 2/3 { + g4 g8 } + \once \omit TupletBracket + \times 2/3 { + g,8 c8 es8 } + \once \omit TupletBracket + \times 2/3 { + as8 g8 g8 } + | + \time 4/4 \times 2/3 { + g4 g8 } + \once \omit TupletBracket + \times 2/3 { + g,8 c8 es8 } + as8 g8 g8 g8 \break | + \time 3/4 c,2 b4 | + as4. as8 g4 | + fis2 fis4 | + g4 ^\fermata r2 | \bar "||" + \break \repeat volta 2 { | + \key c \major R2.*3 | + c4 ( h4 ) a8 g8 | + <f c'>4 <g c>4 <as c>4 | + <g c>2 a8 a8 \pageBreak | + f4 g4. c8 } + \alternative { { + | + c2. } + { + | + c2 c4 } } | \bar "||" + \pageBreak | + \key f \major f,2 f4 | + g4 g4 g4 | + a2. | + b2 b8 b8 | + b'4 b4 h4 | + c4 c4 r4 | + c,2 <f, c'>4 \break | + <f c'>2 ^\fermata f4~ | + f2 f4 | + f2 ^\fermata r4 | \bar "||" + \pageBreak | + \time 9/8 f2. f4. | + f8 a8 c8 a'8 g8 f8 e8 d8 c8 \break | + <f, c'>2.~~ <f c'>4. | + \time 3/4 f'2 f4 | + b,2 b4 \pageBreak | + b4 b4 h4 | + c2 c4 | + d2 des4 | + c2 a4 | + b2 h4 | + c2.~ \break | + c2 c4 | + <f, c'>2.~~ | + <f c'>4 r4 a'8 a8 \pageBreak | + \time 4/4 d,4 d4. d8 \once \omit + TupletBracket + \times 2/3 { + f8 e8 d8 } + | + \times 2/3 { + a4 a8 } + a2 a'4 | + d,4. d8 f4 e8 d8 \break | + a2 a2. ^\fermata | + f2 <f f>4 | + b2 b2 \break | + c2 c4 c4 | + <f, c'>2 r8 c'8 c8 c8 | + <f, c'>2 <f c'>4 f'4 \pageBreak | + b,4 b4. b8 \once \omit TupletBracket + \times 2/3 { + h8 h8 h8 } + | + c2 f2 | + c2. <f, c'>4 | + <f c'>1~~ \break | + <f c'>4 r4 r2 | \bar "|." + } + +PartPFourVoiceOneLyricsOne = \lyricmode {\set ignoreMelismata = + ##t\skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 + \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 + \skip1 \skip1 \skip1 \skip1 \skip1 gräm -- "lich," gräm --\skip1 + lich schlep -- pen mit Sorg -- "gen," Sor --\skip1 gen -- la -- sten + und den Tag mit al -- ler -- lei Nichts ver -- "tun." Nur\skip1 laß + ihn nur laß ihn nicht in die See -- le hin -- "ein." "ein." Im tief + -- sten Grun -- de der See -- le soll es im -- mer nur Sonn -- tag + Sonn -- tag "sein," Sonn --\skip1 tag "sein." Ro -- sen ran ken mit + ro --\skip1 ten Blü -- ten ums "Tor." \skip1 und die wei -- ßen Li + -- lien der Licht -- ge -- dan -- ken blü --\skip1 \skip1 "hen," + blühn\skip1 em -- "por." \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 + \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 + \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 + \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 + \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 \skip1 + \skip1 \skip1 \skip1 \skip1 \skip1 + } + + +% The score definition +\score { + << + + \new StaffGroup + << + \new Staff + << + \set Staff.instrumentName = "Soprano" + \set Staff.shortInstrumentName = "S." + + \context Staff << + \mergeDifferentlyDottedOn\mergeDifferentlyHeadedOn + \context Voice = "PartPOneVoiceOne" { \PartPOneVoiceOne } + \new Lyrics \lyricsto "PartPOneVoiceOne" { \set stanza = "1." \PartPOneVoiceOneLyricsOne } + >> + >> + \new Staff + << + \set Staff.instrumentName = "Alto" + \set Staff.shortInstrumentName = "A." + + \context Staff << + \mergeDifferentlyDottedOn\mergeDifferentlyHeadedOn + \context Voice = "PartPTwoVoiceOne" { \PartPTwoVoiceOne } + \new Lyrics \lyricsto "PartPTwoVoiceOne" { \set stanza = "1." \PartPTwoVoiceOneLyricsOne } + >> + >> + \new Staff + << + \set Staff.instrumentName = "Tenor" + \set Staff.shortInstrumentName = "T." + + \context Staff << + \mergeDifferentlyDottedOn\mergeDifferentlyHeadedOn + \context Voice = "PartPThreeVoiceOne" { \PartPThreeVoiceOne } + \new Lyrics \lyricsto "PartPThreeVoiceOne" { \set stanza = "1." \PartPThreeVoiceOneLyricsOne } + >> + >> + \new Staff + << + \set Staff.instrumentName = "Bass" + \set Staff.shortInstrumentName = "B." + + \context Staff << + \mergeDifferentlyDottedOn\mergeDifferentlyHeadedOn + \context Voice = "PartPFourVoiceOne" { \PartPFourVoiceOne } + \new Lyrics \lyricsto "PartPFourVoiceOne" { \set stanza = "1." \PartPFourVoiceOneLyricsOne } + >> + >> + + >> + + >> + \layout {} + % To create MIDI output, uncomment the following line: + % \midi {\tempo 4 = 79.9998 } + } + diff --git a/20190327_Sonntagsseele/Makefile b/20190327_Sonntagsseele/Makefile new file mode 100644 index 0000000..93067fb --- /dev/null +++ b/20190327_Sonntagsseele/Makefile @@ -0,0 +1,36 @@ +CURDOC=$(shell basename "$(CURDIR)") + +DIRS=../Geh_aus_mein_Herz ../In_dieser_lieben_Sommerzeit + +EXTRAS=-mit-Texthinweisen + +all: $(CURDOC)$(EXTRAS).pdf + +print: + @echo $(CURDOC)$(EXTRAS).pdf + +clean: + rm -f *.pre *.post + +Clean: clean + rm -f *.pdf *.midi + +include ../.meta/*.mk + +%.pre: %.ly + cat "$<" > "$@" + +Geh_aus_mein_Herz_%.pre: ../Geh_aus_mein_Herz/%.ly + cat "$<" > "$@" + +In_dieser_lieben_Sommerzeit_%.pre: ../In_dieser_lieben_Sommerzeit/%.ly + cat "$<" > "$@" + +%.post: %.pre $(patsubst %.ly,%.pre,$(shell find $(DIRS) -name '*.ly' | cut -d/ -f2,3 | tr '/' '_')) ../.meta/header.ly + cat ../.meta/header.ly "$<" \ + |m4 \ + >"$@" + +%.pdf: %.post + lilypond $< + pkill -SIGHUP -xf "mupdf(-x11)? $@" || true |