%some settings% vim: ai sw=2 lbr nu et #(define ((compound-time one two num) grob) (grob-interpret-markup grob (markup #:override '(baseline-skip . 0) #:number (#:line ( (#:column (one num)) (#:column (two num))))))) % #:vcenter "+" #(define ((compound-times one two three num) grob) (grob-interpret-markup grob (markup #:override '(baseline-skip . 0) #:number (#:line ( (#:column (one num)) (#:column (two num)) (#:column (three num))))))) meta = { %(dynamic) marks global to all voices \dynamicUp \tempo "Lento; lontano e molto legato" s2 s4 s4\pp s4 s4 s4 s4 \time 2/4 s4 s4 \time 4/4 s2. s4 s4 s4 s4 s4 \time 2/4 s4 s4 \time 4/4 s2. s4 s4 s4 s4 s4 \time 3/4 s4 s2 \override Staff.TimeSignature #'stencil = #(compound-time "2" "4" "4") \time 6/4 %\time 2/4 s4 s4 %\time 4/4 s4 s4 s4 s4 %\time 2/4 s4 s4 %\time 4/4 s1\> %\time 2/4 \break s4\! \tempo "Poco più mosso" s4\mf %\time 4/4 s4 s4 s4 s4 %\time 2/4 s4 s4 %\time 4/4 s1 %\time 2/4 s8 s8 s4\mp %\time 4/4 s4 s4 s4 s4 %\time 2/4 s4 s4 %\time 4/4 s2. \breathe \revert Staff.TimeSignature #'stencil s4\mf \time 4/4 s4 s4 s4 s4 s4 s4 s4 s4 s4\> s4 s4 s4 \time 2/4 s4 s4 \time 4/4 s2\p s2 \break s1 s2^\markup{ \italic "transparente" } s2 \override Staff.TimeSignature #'stencil = #(compound-time "2" "4" "4") \time 6/4 %\time 2/4 s2 %\time 4/4 s2 s2 %\time 2/4 s2 %\time 4/4 s1 %\time 2/4 s2 %\time 4/4 s2 \revert Staff.TimeSignature #'stencil s2 %\break \time 4/4 s2 s4 s4 s4 s4 s4 s4 \override Staff.TimeSignature #'stencil = #(compound-time "2" "4" "4") \time 6/4 %\time 2/4 s4 s4 %\time 4/4 s1 %\time 2/4 s2 %\time 4/4 s4 s4 s2 %\time 2/4 s2 %\time 4/4 s4 s4 \revert Staff.TimeSignature #'stencil s2 \time 4/4 s2\!\fermata \once \override BreathingSign #'text = \markup { \musicglyph #"scripts.caesura.straight" } \breathe % What s4 s4 %\break \override Staff.TimeSignature #'stencil = #(compound-times "4" "2" "4" "4") \time 10/4 s2 s2 %\time 2/4 s2 %\time 4/4 s1 s2\< s2 %\time 2/4 s2 %\time 4/4 \revert Staff.TimeSignature #'stencil s1 \time 2/4 s2 \override Staff.TimeSignature #'stencil = #(compound-times "4" "4" "2" "4") \time 10/4 %\time 4/4 s2 s2 s2 s8 s8 s4 %\time 2/4 s4 s4 %\time 4/4 s2 s2 s2 s8 s8 s4 %\time 2/4 s4 \revert Staff.TimeSignature #'stencil s4 \time 4/4 s2 s2 %\time 4/4 s4 s4 s4 s4 s4\ff s4 s4 s4 s4 s4 s2 s4\> s4 s4 s4 s4 s4 s2 \breathe s2\p\< s4\> s4\! s2\< s4\> s4\! s1\< s1\> s1\mf s1\> s4\p s4 s2 s4^\markup{ \italic "dim. poco a poco" } s4 s2 s4 s4 s2 s4 s4 s2 \repeat volta 2 { s4 s4 s2 s4\ppp s4 s2 } } % articulation oberArt = { s1*2 s2 s1*2 s2 s1*2 s2. s2 s1 s2 s1 s2 s1 s2 s1 s2 s1 s2 s1*4 s2 s1*2 s4\< s8 s8\mp s2\> s2\! s4\< s8 s8\mp s2\> s2\! s4\< s8 s8\mp s2\> s2\! s4\< s8 s8\mp s2\> s4\! s4 s2 % <- then s1 s2 s1 s2 s1 s2 s1 s2 s4 s8\p s8^\markup { \italic "espressivo" } } unterArt = { %(dynamic) marks global to all voices \dynamicUp s2 s4 s4 s4 s4 s4 s4 \time 2/4 s4 s4 \time 4/4 s2. s4 s4 s4 s4 s4 \time 2/4 s4 s4 \time 4/4 s2. s4 s4 s4 s4 s4 \time 3/4 s4 s2 \time 6/4 %\time 2/4 s4 s4 %\time 4/4 s4 s4 s4 s4 %\time 2/4 s4 s4 %\time 4/4 s1 %\time 2/4 s4 s4 %\time 4/4 s4 s4 s4 s4 %\time 2/4 s4 s4 %\time 4/4 s1 %\time 2/4 s8 s8 s4 %\time 4/4 s4 s4 s4 s4 %\time 2/4 s4 s4 %\time 4/4 s2. s4 \time 4/4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 \time 2/4 s4 s4 \time 4/4 s2 s2 % If s2 s4 s4 s2 s2 \time 6/4 %\time 2/4 s2 %\time 4/4 s2 s2 %\time 2/4 s2 %\time 4/4 s1 %\time 2/4 s2 %\time 4/4 s2 s2 %\break % Then \time 4/4 s2 s4 s4 s4 s4 s4 s4 \time 6/4 %\time 2/4 s4 s4 %\time 4/4 s2 s4 s4 %\time 2/4 s2 %\time 4/4 s4 s4 s4 s4 %\time 2/4 s2 %\time 4/4 s4 s4 s2 \time 4/4 s2 s4 s4 %\break \time 10/4 s2 s2 %\time 2/4 s2 %\time 4/4 s1 s2 s2 %\time 2/4 s2 %\time 4/4 s1 \time 2/4 s16 s8. s4 \time 10/4 %\time 4/4 s2 s2 s2 s8 s8 s4 %\time 2/4 s4 s4 %\time 4/4 s2 s2 s2 s8 s8 s4 %\time 2/4 s4 s4 \time 4/4 s2 s2 %\time 4/4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s2 s4 s4 s4 s4 s4 s4 s2 s2 s4 s4 s2 s4 s4 s1 s2. s4 s1 s1 \breathe s8 s4.\> s2\! s4\> s4 s2\! s4\> s4 s2\! s4\> s4 s2\! \repeat volta 2 { s4\> s4 s2\! s8 s4.\> s2\! } } sopranArt = { %(dynamic) marks global to all voices \dynamicUp s2 s4 s4 s4 s4 s4 s4 \time 2/4 s4 s4 \time 4/4 s2. s4 s4 s4 s4 s4 \time 2/4 s4 s4 \time 4/4 s2. s4 s4 s4 s4 s4 \time 3/4 s4 s2 \time 6/4 %\time 2/4 s4 s4 %\time 4/4 s4 s4 s4 s4 %\time 2/4 s4 s4 %\time 4/4 s1 %\time 2/4 s4 s4 %\time 4/4 s4 s4 s4 s4 %\time 2/4 s4 s4 %\time 4/4 s1 %\time 2/4 s8 s8 s4 %\time 4/4 s4 s4 s4 s4 %\time 2/4 s4 s4 %\time 4/4 s2. s4 \time 4/4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 \time 2/4 s4 s4 \time 4/4 s2 s2 % If s2 s4 s4\pp s2 s2 \time 6/4 %\time 2/4 s2 %\time 4/4 s2 s2 %\time 2/4 s2 %\time 4/4 s1 %\time 2/4 s2 %\time 4/4 s2 s2 %\break % Then \time 4/4 s2 s4 s4 s4 s4 s4 s4 \time 6/4 %\time 2/4 s4 s4 %\time 4/4 s2 s4 s4\mp %\time 2/4 s2\< %\time 4/4 s4\> s4 s4 s4\! %\time 2/4 s2\< %\time 4/4 s4\> s4 s2 \time 4/4 s2 s4 s4 %\break \time 10/4 s2 s2 %\time 2/4 s2 %\time 4/4 s1 s2 s2 %\time 2/4 s2 %\time 4/4 s1 \time 2/4 s16 s8.\! s4\f \time 10/4 %\time 4/4 s2 s2 s2 s8 s8 s4 %\time 2/4 s4 s4 %\time 4/4 s2 s2 s2 s8 s8 s4 %\time 2/4 s4 s4 \time 4/4 s2\< s2 %\time 4/4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s2 s4 s4 s4 s4 s4 s4 s2 s2 s4 s4 s2 s4 s4 s1 s2. s4\< s1 s1 s4 s4 s2 s4 s4 s2 s4 s4 s2 s4 s4 s2 \repeat volta 2 { s4^\markup{\italic "repeat and dim. al niente"}^\markup{\italic "gradually reduce dynamic to a whisper;"} s4 s2 s4 s4 s2 } } altArt = { %(dynamic) marks global to all voices \dynamicUp s2 s4 s4 s4 s4 s4 s4 \time 2/4 s4 s4 \time 4/4 s2. s4 s4 s4 s4 s4 \time 2/4 s4 s4 \time 4/4 s2. s4 s4 s4 s4 s4 \time 3/4 s4 s2 \time 6/4 %\time 2/4 s4 s4 %\time 4/4 s4 s4 s4 s4 %\time 2/4 s4 s4 %\time 4/4 s1 %\time 2/4 s4 s4 %\time 4/4 s4 s4 s4 s4 %\time 2/4 s4 s4 %\time 4/4 s1 %\time 2/4 s8 s8 s4 %\time 4/4 s4 s4 s4 s4 %\time 2/4 s4 s4 %\time 4/4 s2. s4 \time 4/4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 \time 2/4 s4 s4 \time 4/4 s2 s2 % If s2 s2\pp s2 s2 \time 6/4 %\time 2/4 s2 %\time 4/4 s2 s2 %\time 2/4 s2 %\time 4/4 s1 %\time 2/4 s2 %\time 4/4 s2 s2 %\break % Then \time 4/4 s4 s4\pp s4 s4 s4 s4 s4 s4 \time 6/4 %\time 2/4 s4 s4 %\time 4/4 s2 s4 s4\mp %\time 2/4 s2\< %\time 4/4 s4\> s2 s4\! %\time 2/4 s2\< %\time 4/4 s4\> s4 s2 \time 4/4 s2 s4 s4 %\break \time 10/4 s2 s2 %\time 2/4 s2 %\time 4/4 s1 s2 s2 %\time 2/4 s2 %\time 4/4 s1 \time 2/4 s16 s8.\! s4\f \time 10/4 %\time 4/4 s2 s2 s2 s8 s8 s4 %\time 2/4 s4 s4 %\time 4/4 s2 s2 s2 s8 s8 s4 %\time 2/4 s4 s4 \time 4/4 s2\< s2 %\time 4/4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s2 s4 s4 s4 s4 s4 s4 s2 s2 s4 s4 s2 s4 s4 s1 s2 s2\< s1 s1 s4 s4 s2 s4 s4 s2 s4 s4 s2 s4 s4 s2 \repeat volta 2 { s4 s4 s2 s4 s4 s2 } } tenorArt = { %(dynamic) marks global to all voices \dynamicUp s2 s4 s4 s4 s4 s4 s4 \time 2/4 s4 s4 \time 4/4 s2. s4 s4 s4 s4 s4 \time 2/4 s4 s4 \time 4/4 s2. s4 s4 s4 s4 s4 \time 3/4 s4 s2 \time 6/4 %\time 2/4 s4 s4 %\time 4/4 s4 s4 s4 s4 %\time 2/4 s4 s4 %\time 4/4 s1 %\time 2/4 s4 s4 %\time 4/4 s4 s4 s4 s4 %\time 2/4 s4 s4 %\time 4/4 s1 %\time 2/4 s8 s8 s4 %\time 4/4 s4 s4 s4 s4 %\time 2/4 s4 s4 %\time 4/4 s2. s4 \time 4/4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 \time 2/4 s4 s4 \time 4/4 s2 s2 % If s4 s2.\pp s2 s2 \time 6/4 %\time 2/4 s2 %\time 4/4 s2 s2 %\time 2/4 s2 %\time 4/4 s1 %\time 2/4 s2 %\time 4/4 s2 s2 %\break % Then \time 4/4 s2 s4 s4\mp s4 s4 s4 s4 \time 6/4 %\time 2/4 s4 s4 %\time 4/4 s1 %\time 2/4 s2\< %\time 4/4 s8 s8\! s4 s2\> %\time 2/4 s2\! %\time 4/4 s4\< s16 s8.\! s2\> \time 4/4 s2 s4 s4 %\break \time 10/4 s2 s2 %\time 2/4 s2 %\time 4/4 s1 s2 s2 %\time 2/4 s2 %\time 4/4 s1 \time 2/4 s2 \time 10/4 %\time 4/4 s2\f s2 s2 s8 s8 s4 %\time 2/4 s4 s4 %\time 4/4 s2 s2 s2 s8 s8 s4 %\time 2/4 s4 s4 \time 4/4 s2 s2\< %\time 4/4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s2 s4 s4 s4 s4 s4 s4 s2 s2 s4 s4 s2 s4 s4 s1 s2 s2\< s1 s1 s4 s4 s2 s4 s4 s2 s4 s4 s2 s4 s4 s2 \repeat volta 2 { s4 s4 s2 s4 s4 s2 } } bassArt = { %(dynamic) marks global to all voices \dynamicUp s2 s4 s4 s4 s4 s4 s4 \time 2/4 s4 s4 \time 4/4 s2. s4 s4 s4 s4 s4 \time 2/4 s4 s4 \time 4/4 s2. s4 s4 s4 s4 s4 \time 3/4 s4 s2 \time 6/4 %\time 2/4 s4 s4 %\time 4/4 s4 s4 s4 s4 %\time 2/4 s4 s4 %\time 4/4 s1 %\time 2/4 s4 s4 %\time 4/4 s4 s4 s4 s4 %\time 2/4 s4 s4 %\time 4/4 s1 %\time 2/4 s8 s8 s4 %\time 4/4 s4 s4 s4 s4 %\time 2/4 s4 s4 %\time 4/4 s2. s4 \time 4/4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 \time 2/4 s4 s4 \time 4/4 s2 s2 % If s1\pp s2 s2 \time 6/4 %\time 2/4 s2 %\time 4/4 s2 s2 %\time 2/4 s2 %\time 4/4 s1 %\time 2/4 s2 %\time 4/4 s2 s2 %\break % Then \time 4/4 s2 s4 s4\mp s4 s4 s4 s4 \time 6/4 %\time 2/4 s4 s4 %\time 4/4 s1 %\time 2/4 s2 %\time 4/4 s4\< s16 s8.\! s2\> %\time 2/4 s2\! %\time 4/4 s4\< s16 s8.\! s2\> \time 4/4 s2 s4 s4 %\break \time 10/4 s2\p\< s2 %\time 2/4 s2\mp %\time 4/4 s1\> s2 s2 %\time 2/4 s2 %\time 4/4 s1 \time 2/4 s2 \breathe \time 10/4 %\time 4/4 s2\f s2 s2 s8 s8 s4 %\time 2/4 s4 s4 %\time 4/4 s2 s2 s2 s8 s8 s4 %\time 2/4 s4 s4 \time 4/4 s2 s2\< %\time 4/4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s2 s4 s4 s4 s4 s4 s4 s2 s2 s4 s4 s2 s4 s4 s1 s2 s2\< s1 s1 s4 s4 s2 s4 s4 s2 s4 s4 s2 s4 s4 s2 \repeat volta 2 { s4 s4 s2 s4 s4 s2 } }