%some settings% vim: ai sw=2 lbr nu encoding=utf8

  global = {
    \key g \major
    \time 4/4
    \partial 4.
  }

  meta = {
    %(dynamic) marks global to all voices
    \dynamicUp
    s8 s4
    \repeat volta 2 {
      s1*7
    }
    \alternative {
      { s1 }
      { s1 }
    }
    %\break
    s1*4 %\break
    \repeat unfold 12 {
      s4*4 %\break
    }
      { s1*5 }
  }

% Die Stimmen

  sopranMelodie = \relative c'' {
    <<
      { \meta }
      %%articulation etc.
      %%\repeat unfold <+number of parts+> {
	%%s4*<+number of measures within a part+>
      %%}
      %the actual tune
      {
	s8 s4 
	\repeat volta 2 {
	  s1*4
	  % hate to leave
	  r8 b8 ais8 b8 a8 g4 g8
	  a8 a8 b8 c8 ~ c8 s8 s4
	  s1
	}
	\alternative {
	  { s1 }
	  { s1 }
	}
	% morning
	r8 a4 g8 a8 g8 \times 2/3 {a8 g8 a8} 
	b8 d,8 ~ d2 s4 
	r8 a'4 g8 b8 d8 ~ \times 2/3 {d8 b8 g8} 
	a8( g8 ~ g2 ) s4 
	r8 c,8 a'16 a16 a16 g16 a8 g8 s8 s8 
	s1*3
	% parents
	r8 a4 g8 a8( g8 ) \times 2/3 {a8( g8 ) a8} 
	b8 d,8 ~ d2 s4 
	r8 a'8 a8 g8 b8 d8 ~ \times 2/3 {d8 b8 g8} 
	a8( g8 ~ g2 ) s4 
	r8 c,8 \times 2/3 {a'8 a8 a8} a8 s8 s8 s8 
	s1*3
	  { s1*5 }
      }
    >>
  }

  sopranGemein = \relative c'' {
    <<
      { \meta }
      %%articulation etc.
      %%\repeat unfold <+number of parts+> {
	%%s4*<+number of measures within a part+>
      %%}
      %the actual tune
      {
	s8 s4 
	\repeat volta 2 {
	  \repeat unfold 2 {
	    % Goodnight
	    s8 b8 b8 a8 g8 b4 b8
	    a4 b8 b8( a4 ) s4
	  }
	  % so goodnight
	  s1 s2 s8 b4 a8
	  b4 a8( g8 ) fis4 a8 a8(
	}
	\alternative {
	  { g2 ) s2 }
	  { g2 s2 }
	}
	\repeat unfold 2 {
	  % maybe/going
	  s1*4 s2.. g8
	  b4 b4 b8 e,8 s8 e8
	  b'4 b4 b8( a8 ) b8 b8( a8 ) s8 s4 s2 
	}
	  {
	    g2 s8 b4 a8
	    b4 a8( g8 ) fis4 a8 a8(
	    g2 ) s8 b4 a8
	    b4 a8( g8 ) fis4 a8 a8(
	    g2 ) s2
	  }
      }
    >>
  }

  altMelodie = \relative c'' {
    <<
      { \meta }
      %%articulation etc.
      %%\repeat unfold <+number of parts+> {
	%%s4*<+number of measures within a part+>
      %%}
      %the actual tune
      {
	s8 s4 
	\repeat volta 2 {
	  \repeat unfold 2 {
	    % Goodnight
	    s8 g8 g8 fis8 e8 g4 g8
	    e4 g8 g8( fis4 ) s4
	  }
	  % Oh & so
	  d2( ~ d2 g2 ~ g8) g4 g8
	  g4 g4 d4 fis8 fis8(
	}
	\alternative {
	  { d2 ) s2 }
	  { d2 s2 }
	}
	% Oh
	e1( d2. ) s4 
	e1( d2. ) s4 
	e2. r8 g8 
	% maybe
	g4 g4 g8 e8 s8 e8 
	g4 g4 g4 g8 g8( fis8 ) s8 s4 s2 
	% Oh
	e1( d2. ) s4 
	e1( d2. ) s4 
	e2 ~ e8 s8 s8 g8 
	% going
	g4 g4 g8 e8 s8 e8 
	g4 g4 g4 g8 g8( fis8 ) s8 s4 s2 
	  {
	    d2 s8 g4 g8
	    g4 g4 d4 fis8 fis8(
	    d2 ) s8 g4 g8
	    g4 g4 d4 fis8 fis8(
	    d2 ) s2
	  }
      }
    >>
  }

  frauenPausen = {
    r8 r4 r8 
    s2.. s2. r4 
    r8 s2.. s2. r4 
    s1 s1 s1
    \mark \markup { \musicglyph #"scripts.coda"\tiny{2} }
    s2 r2 s2 r2
    \mark \markup { \musicglyph #"scripts.coda"\tiny{1} }
    %well
    s1 s2. r4
    %\pageBreak
    s1 s2. r4
    s1 s2. r8 s8 
    s1 s8 r8 r4 
    \override Score.RehearsalMark #'self-alignment-X = #LEFT
    \mark "Dal Segno al Coda 1"
    r2
    \bar "||"
    \break
    \mark \markup { \musicglyph #"scripts.coda"\tiny{1} }
    s1 s2. r4
    s1 s2. r4
    s1 s2. r8 s8 
    s1 s8 r8 r4 
    \override Score.RehearsalMark #'self-alignment-X = #LEFT
    \mark "Dal Segno al Coda 2"
    r2
    \bar "||"
    \break
    \mark \markup { \musicglyph #"scripts.coda"\tiny{2} }
    s1*4
    s2 r2
    \bar "||"
  }
  
  tenorMelodie = \relative c' {
    <<
      { \meta }
      %%articulation etc.
      %\repeat unfold <+number of parts+> {
	%s4*<+number of measures within a part+>
      %}
      %the actual tune
      {
	r8 r4
	\repeat volta 2 {
	  \repeat unfold 2 {
	    % Goodnight
	    r8 d8 d8 c8 b8 d4 d8
	    c4 e8 e8( d4 ) r4
	  }
	  % Oh & so
	  b2( ~ b2 c2 ~ c8 ) c4 c8
	  d4 c8( b8 ) a4 c8 c8(
	}
	\alternative {
	  { b2 ) r2 }
	  { b2 r2 }
	}
	\repeat unfold 2 {
	  % Oh
	  g1( b2. ) r4
	  g1( b2. ) r4
	  g2. r8 g8
	  % maybe/going
	  d'4 d4 e8 b8 r8 e8
	  d4 d4 d4 d8 d8 ~ d8 s8 s4 r2 
	}
	  {
	    b2 r8 c4 c8
	    d4 c8( b8 ) a4 c8 c8(
	    b2 ) r8 c4 c8
	    d4 c8( b8 ) a4 c8 c8(
	    b2 ) s2
	  }
      }
    >>
  }

  auftakt = {
    \times 2/3 {d8 b8 d8}
  }

  bassMelodie = \relative c {
    <<
      { \meta }
      %%articulation etc.
      %%\repeat unfold <+number of parts+> {
	%%s4*<+number of measures within a part+>
      %%}
      %the actual tune
      \clef bass
      {
	d8 \auftakt
	\repeat volta 2 {
	  % doodelei
	  g,2( e'8 ) e4 e8
	  a,4 a8 a8( d8 ) d8 \auftakt
	  % well
	  g,2( e'8 ) e4 e8
	  a,4 a8 a8( d8 ) d8 e8 fis8
	  % doo again & so
	  g2( f2( e2( ees8 ) ) ) ees4 ees8
	  d4 d4 d4 d8 d8(
	}
	\alternative {
	  {
	    g,2 ) r8 d'8 \auftakt
	  }
	  {
	    g,2 r8 g8 a8 b8 
	  }
	}
	\repeat unfold 2 {
	  % doodelei & maybe/going
	  c1( g4 ) g'4 g8 e8 d8 e8
	  c1( g4 ) ~ 
	  \times 2/3 {g8 g'8 g8} f4 \times 2/3 {g,8 a8 b8}
	  c2. r8 g8 g'4 fis4 e8 e8 r8 e8
	  g4 g4 g8( e8 ) g8 g8( 
	  a8 ) s8 s4 r8 d,8 \auftakt
	}
	  {
	    g,2 r8 ees'4 ees8
	    d4 d4 d4 d8 d8
	    ( g,2 ) r8 ees'4 ees8
	    d4 d4 d4 fis8 fis8
	    ( g2 ) s2
	  }
      }
    >>
  }

  maennerPausen = {
    s4.
    s1*8
    s1*8
    s8 r8 r4 s2
    s1*7
    s8 r8 r4 s2
    s1*4
    s2 r2
  }