%some settings% vim: ai sw=2 lbr nu encoding=utf8 global = { \key c \major \time 3/4 } meta = { %(dynamic) marks global to all voices \dynamicUp \repeat unfold 126 { s4*3 \break } } % Die Stimmen %{ sopranMelodie = \relative c' { << { \meta } %articulation etc. \repeat unfold <+number of parts+> { s4*<+number of measures within a part+> } %the actual tune { r1 <++> } >> } altMelodie = \relative c' { << { \meta } %articulation etc. \repeat unfold <+number of parts+> { s4*<+number of measures within a part+> } %the actual tune { r1 <++> } >> } tenorMelodie = \relative c' { << { \meta } %articulation etc. \repeat unfold <+number of parts+> { s4*<+number of measures within a part+> } %the actual tune { r1 <++> } >> } %} first = { r8 c8 c8 c'8 c c b16 a b c d b g f g a b g a g a b c a b a b c d b } bassFirst = { \first c16 b c d e c a8 d d, g g f e16 d e f e f e8 a d, g b g c c b a d d, g r8 r8 r4 g8 d'4 r8 r4 g,8 c4 r8 r4 c,8 g'8 g, g f' f f e16 d e f g e c b c d e c d c d e f d e d e f g e f e f g a f d8 g g c c bes a16 g a bes a bes a8 d g, c e, c f4 r8 r4 r8 } bassSecond = { \first c16 b c d e c a16 gis a b c a fis e fis gis a fis gis fis gis a b gis a gis a b c a f e f g a f d c d e f d e d e f g e f e f g a f d c d e f d g f g a b g e d e f g e a g a b c a f e f g a f b a b c d b g f g a b g c8 c, e g e g c4 r8 r4 c,8 c'4 r8 r4 c,8 c'8 r8 r8 r4 r8 } bassThird = { \relative c { \first } c8 a f e g g, c4 r8 r4 r8 } bassForth = { r4 a8 a' a a a f d a' a a a f d d'16 e d c bes a g f g a bes g c d c bes a g f e f g a f bes c bes a g f e d e f g e a bes a g f e d8 f16(e) f(d) d'8 a f d f16(e) f(d) d'8 bes f d gis16(fis) gis(e) e'8 b g c d16(c) b(a) e'8 e,16 fis gis e a b a g f e d c d e f d g a g f e d c b c d e c f g f e d c b a b c d b e f e d c(b) c8 d e a, a r r4 r8 } bassFifth = { r4 r8 fis'4 fis8 g(b) g fis(d) fis g4 r8 r4 r8 } bassSixth = { r4 r8 gis4 e8 a(c) a e'4 e,8 a4 a,8 a'16 b a g f e d c d e f d g a g f e d c b c d e c f g f e d c b4 b8 e(d) e a, c16(b c a a'8 e) c a8 c16 b c a a'8 f c a8 dis16 cis dis b b'8 fis d g a16 g fis e b'4 b,8 e g e a16 g a b c a d e d c b a g fis g a b a c d c b a g fis e fis g a fis b c b a g fis e d e fis gis e a b a g fis e dis cis dis e fis dis e dis e fis g a b8 a b %takt 82 e,4 r8 r4 r8 } bassSeventh = { r8 c8 c8 c'8 c c %takt 90 b16 a b c d b g f g a b g } bassEighth = { \relative c' c'2 g4 c,2 d4 e(fis) g c, d2 g,2. e'2 g4 c(b) a g(f) g c,2. c'2 g4 c,2 d4 e(fis)g c, d2 g,2. e'2 g4 c(b) a g(f) g c,2. c'2 a4 e2 f4 g(f) g c,2. c4 c'8(bes a g) f2 e4 a8(b c4) c, g'2. c2 e,4 f2 g4 a(b) g c2(c,4) f2. c2 c'4 c(b) c g(a) c, g2. c2. } bassPart = \relative c { \clef bass \bassFirst } bassMelodie = \relative c { << { \meta } %articulation etc. \repeat unfold 126 { s4*3 } %the actual tune \clef bass { \bassFirst \bassSecond r4*3 \bassThird \repeat unfold 3 { r4*3 } %takt 42 r4 r8 r4 r8 r4*3 \bassForth \repeat unfold 3 { r4*3 } %takt 62 \bassFifth r4*3 \bassSixth \repeat unfold 6 { r4*3 } \bassSeventh \repeat unfold 4 { r4*3 } %hier dann das recitativo(baß) %und die aria(sopran), %das recitativo(tenor) %und schließlich die aria(tenor) %mitsamt dem recitativo(sopran) %jetzt gehts doch tatsächlich nochmal weiter %mit dem choral(36 takte) \bassEighth } >> }