%some settings% vim: ai sw=2 lbr nu et

% Abkürzungen

% Die Textaufteilungen

  sopranText = \lyrics {
    %<+hier den Text für den Sopran eintragen+>
  }

  altText = \lyrics {
    %<+hier den Text für den Alt eintragen+>
  }

  tenorText = \lyricmode {
    %<+hier den Text für den Tenor eintragen+>
    Si -- lence, si -- lence, %si -- lence
    sounds,
    si -- lence.
    Doo doo doo,
    doo doo,
    be -- cause a vi -- sion soft -- ly creep -- ing,
    doo doo doo,
    left its seeds while I was sleep -- ing,
    and the vi -- sion,
    the vi -- sion,
    in my brain
    still re -- mains,
    sound.
    Hm ba ba ja da hm,
    ba doo dap,
    ba ba ja da hm
    ba,
    of a street lamp,
    hm ba,
    \set ignoreMelismata = ##t
    to the cold and
    \unset ignoreMelismata
    damp.
    When my
    eyes were stabbed by the flash of a ne -- on light,
    that split the night,
    the night,
    sound.
    „Do not know,
    can -- cer grows.“
    „Hear my words that I might teach you.“
    Doo doo doo,
    „take my arms that I might reach you,
    might reach you.“
    But my words,
    rain -- drops fell,
    like rain -- drops fell,
    echo -- ed,
    wells %of si -- lence.
    Peo -- ple bowed and prayed,
    yes, they bowed and prayed
    to god they made.
    And the sign flashed its warn -- ing,
    in the words it was form -- ing.
    And the sign said:
    „The words of the pro -- phets are writ -- ten on the sub -- way walls,
    sub -- way walls.“
    Sounds,
    si -- lence,
    si -- lence,
    hm.
  }
  tenorTextTwo = \lyricmode {
    %<+hier den Text für den Tenor eintragen+>
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    with -- out spea -- king,
    %\_ _ = ##_
    _ _
    with -- out list’n -- ing.
    %\_ _
    Peo -- ple
    writ -- ing songs, songs that voic -- es _ nev -- er share,
    and no -- one dared,
    one dared
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  }

  bassText = \lyrics {
    %<+hier den Text für den Baß eintragen+>
  }