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Diffstat (limited to 'hr/stch/fertig/goodnight/stimmen.ly')
| -rw-r--r-- | hr/stch/fertig/goodnight/stimmen.ly | 320 |
1 files changed, 320 insertions, 0 deletions
diff --git a/hr/stch/fertig/goodnight/stimmen.ly b/hr/stch/fertig/goodnight/stimmen.ly new file mode 100644 index 0000000..5c09e62 --- /dev/null +++ b/hr/stch/fertig/goodnight/stimmen.ly @@ -0,0 +1,320 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + + global = { + \key g \major + \time 4/4 + \partial 4. + } + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + s8 s4 + \repeat volta 2 { + s1*7 + } + \alternative { + { s1 } + { s1 } + } + %\break + s1*4 %\break + \repeat unfold 12 { + s4*4 %\break + } + { s1*5 } + } + +% Die Stimmen + + sopranMelodie = \relative c'' { + << + { \meta } + %%articulation etc. + %%\repeat unfold <+number of parts+> { + %%s4*<+number of measures within a part+> + %%} + %the actual tune + { + s8 s4 + \repeat volta 2 { + s1*4 + % hate to leave + r8 b8 ais8 b8 a8 g4 g8 + a8 a8 b8 c8 ~ c8 s8 s4 + s1 + } + \alternative { + { s1 } + { s1 } + } + % morning + r8 a4 g8 a8 g8 \times 2/3 {a8 g8 a8} + b8 d,8 ~ d2 s4 + r8 a'4 g8 b8 d8 ~ \times 2/3 {d8 b8 g8} + a8( g8 ~ g2 ) s4 + r8 c,8 a'16 a16 a16 g16 a8 g8 s8 s8 + s1*3 + % parents + s1 + r8 a4 g8 a8( g8 ) \times 2/3 {a8( g8 ) a8} + b8 d,8 ~ d2 s4 + r8 a'8 a8 g8 b8 d8 ~ \times 2/3 {d8 b8 g8} + a8( g8 ~ g2 ) s4 + r8 c,8 \times 2/3 {a'8 a8 a8} a8 s8 s8 s8 + s1*3 + { s1*5 } + } + >> + } + + sopranGemein = \relative c'' { + << + { \meta } + %%articulation etc. + %%\repeat unfold <+number of parts+> { + %%s4*<+number of measures within a part+> + %%} + %the actual tune + { + s8 s4 + \repeat volta 2 { + \repeat unfold 2 { + % Goodnight + s8 b8 b8 a8 g8 b4 b8 + a4 b8 b8( a4 ) s4 + } + % so goodnight + s1 s2 s8 b4 a8 + b4 a8( g8 ) fis4 a8 a8( + } + \alternative { + { g2 ) s2 } + % { g2 s2 } + {} + } + \repeat unfold 2 { + { g2 s2 } + % maybe/going + s1*4 s2.. g8 + b4 b4 b8 e,8 s8 e8 + b'4 b4 b8( a8 ) b8 b8( a8 ) s8 s4 s2 + } + { + g2 s8 b4 a8 + b4 a8( g8 ) fis4 a8 a8( + g2 ) s8 b4 a8 + b4 a8( g8 ) fis4 a8 a8( + g2 ) s2 + } + } + >> + } + + altMelodie = \relative c'' { + << + { \meta } + %%articulation etc. + %%\repeat unfold <+number of parts+> { + %%s4*<+number of measures within a part+> + %%} + %the actual tune + { + s8 s4 + \repeat volta 2 { + \repeat unfold 2 { + % Goodnight + s8 g8 g8 fis8 e8 g4 g8 + e4 g8 g8( fis4 ) s4 + } + % Oh & so + d2( ~ d2 g2 ~ g8) g4 g8 + g4 g4 d4 fis8 fis8( + } + \alternative { + { d2 ) s2 } + { d2 s2 } + } + % Oh + e1( d2. ) s4 + e1( d2. ) s4 + e2. r8 g8 + % maybe + g4 g4 g8 e8 s8 e8 + g4 g4 g4 g8 g8( fis8 ) s8 s4 s2 + % Oh + { d2 s2 } + e1( d2. ) s4 + e1( d2. ) s4 + e2 ~ e8 s8 s8 g8 + % going + g4 g4 g8 e8 s8 e8 + g4 g4 g4 g8 g8( fis8 ) s8 s4 s2 + { + d2 s8 g4 g8 + g4 g4 d4 fis8 fis8( + d2 ) s8 g4 g8 + g4 g4 d4 fis8 fis8( + d2 ) s2 + } + } + >> + } + + frauenPausen = { + r8 r4 %r8 + \mark \markup { \musicglyph #"scripts.segno"}%\tiny{2} } + r8 + s2.. s2. r4 + r8 s2.. s2. r4 + s1 s1 s1 + \mark \markup { \musicglyph #"scripts.coda"}%\tiny{2} } + s2 r2 s2 r2 + %\mark \markup { \musicglyph #"scripts.coda"\tiny{1} } + %well + s1 s2. r4 + %\pageBreak + s1 s2. r4 + s1 s2. r8 s8 + s1 s8 %r8 r4 + \override Score.RehearsalMark #'self-alignment-X = #LEFT + \mark "Dal Segno al Coda"% 1" + r8 r4 + r2 + \pageBreak + \bar "||" + \break + \mark \markup { \musicglyph #"scripts.coda"}%\tiny{1} } + s2 r2 + s1 s2. r4 + s1 s2. r4 + s2 s8 r4 s8 s2. r8 s8 + s1 s8 r8 r4 + \override Score.RehearsalMark #'self-alignment-X = #LEFT + \mark "Dal Segno al Coda"% 2" + r2 + \bar "||" + \break + \mark \markup { \musicglyph #"scripts.coda"}%\tiny{2} } + s2 r8 s4. + s1 + s2 r8 s4. + s1 + s2 r2 + \bar "||" + } + + tenorMelodie = \relative c' { + << + { \meta } + %%articulation etc. + %\repeat unfold <+number of parts+> { + %s4*<+number of measures within a part+> + %} + %the actual tune + { + r8 r4 + \repeat volta 2 { + \repeat unfold 2 { + % Goodnight + r8 d8 d8 c8 b8 d4 d8 + c4 e8 e8( d4 ) r4 + } + % Oh & so + b2( ~ b2 c2 ~ c8 ) c4 c8 + d4 c8( b8 ) a4 c8 c8( + } + \alternative { + { b2 ) r2 } + % { b2 r2 } + {} + } + \repeat unfold 2 { + { b2 r2 } + % Oh + g1( b2. ) r4 + g1( b2. ) r4 + g2. r8 g8 + % maybe/going + d'4 d4 e8 b8 r8 e8 + d4 d4 d4 d8 d8 ~ d8 s8 s4 r2 + } + { + b2 r8 c4 c8 + d4 c8( b8 ) a4 c8 c8( + b2 ) r8 c4 c8 + d4 c8( b8 ) a4 c8 c8( + b2 ) s2 + } + } + >> + } + + auftakt = { + \times 2/3 {d8 b8 d8} + } + + bassMelodie = \relative c { + << + { \meta } + %%articulation etc. + %%\repeat unfold <+number of parts+> { + %%s4*<+number of measures within a part+> + %%} + %the actual tune + \clef bass + { + d8 \auftakt + \repeat volta 2 { + % doodelei + g,2( e'8 ) e4 e8 + a,4 a8 a8( d8 ) d8 \auftakt + % well + g,2( e'8 ) e4 e8 + a,4 a8 a8( d8 ) d8 e8 fis8 + % doo again & so + g2( f2( e2( ees8 ) ) ) ees4 ees8 + d4 d4 d4 d8 d8( + } + \alternative { + { + g,2 ) r8 d'8 \auftakt + } + %{ + g,2 r8 g8 a8 b8 + %} + {} + } + \repeat unfold 2 { + % doodelei & maybe/going + { + g,2 r8 g8 a8 b8 + } + c1( g4 ) g'4 g8 e8 d8 e8 + c1( g4 ) ~ + \times 2/3 {g8 g'8 g8} f4 \times 2/3 {g,8 a8 b8} + c2. r8 g8 g'4 fis4 e8 e8 r8 e8 + g4 g4 g8( e8 ) g8 g8( + a8 ) s8 s4 r8 d,8 \auftakt + } + { + g,2 r8 ees'4 ees8 + d4 d4 d4 d8 d8 + ( g,2 ) r8 ees'4 ees8 + d4 d4 d4 fis8 fis8 + ( g2 ) s2 + } + } + >> + } + + maennerPausen = { + s4. + s1*8 + s1*8 + s8 r8 r4 s2 + s1*8 + s8 r8 r4 s2 + s1*4 + s2 r2 + } |