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diff --git a/hr/stch/fertig/goodnight/alt/stimmen (Kopie).ly b/hr/stch/fertig/goodnight/alt/stimmen (Kopie).ly
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+++ b/hr/stch/fertig/goodnight/alt/stimmen (Kopie).ly
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+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+  global = {
+    \key g \major
+    \time 4/4
+    \partial 4.
+  }
+
+  meta = {
+    %(dynamic) marks global to all voices
+    \dynamicUp
+    s8 s4
+    \repeat volta 2 {
+      s1*7
+    }
+    \alternative {
+      { s1 }
+      { s1 }
+    }
+    %\break
+    s1*4 %\break
+    \repeat unfold 12 {
+      s4*4 %\break
+    }
+      { s1*5 }
+  }
+
+% Die Stimmen
+
+  sopranMelodie = \relative c'' {
+    <<
+      { \meta }
+      %%articulation etc.
+      %%\repeat unfold <+number of parts+> {
+	%%s4*<+number of measures within a part+>
+      %%}
+      %the actual tune
+      {
+	s8 s4 
+	\repeat volta 2 {
+	  s1*4
+	  % hate to leave
+	  r8 b8 ais8 b8 a8 g4 g8
+	  a8 a8 b8 c8 ~ c8 s8 s4
+	  s1
+	}
+	\alternative {
+	  { s1 }
+	  { s1 }
+	}
+	% morning
+	r8 a4 g8 a8 g8 \times 2/3 {a8 g8 a8} 
+	b8 d,8 ~ d2 s4 
+	r8 a'4 g8 b8 d8 ~ \times 2/3 {d8 b8 g8} 
+	a8( g8 ~ g2 ) s4 
+	r8 c,8 a'16 a16 a16 g16 a8 g8 s8 s8 
+	s1*3
+	% parents
+	r8 a4 g8 a8( g8 ) \times 2/3 {a8( g8 ) a8} 
+	b8 d,8 ~ d2 s4 
+	r8 a'8 a8 g8 b8 d8 ~ \times 2/3 {d8 b8 g8} 
+	a8( g8 ~ g2 ) s4 
+	r8 c,8 \times 2/3 {a'8 a8 a8} a8 s8 s8 s8 
+	s1*3
+	  { s1*5 }
+      }
+    >>
+  }
+
+  sopranGemein = \relative c'' {
+    <<
+      { \meta }
+      %%articulation etc.
+      %%\repeat unfold <+number of parts+> {
+	%%s4*<+number of measures within a part+>
+      %%}
+      %the actual tune
+      {
+	s8 s4 
+	\repeat volta 2 {
+	  \repeat unfold 2 {
+	    % Goodnight
+	    s8 b8 b8 a8 g8 b4 b8
+	    a4 b8 b8( a4 ) s4
+	  }
+	  % so goodnight
+	  s1 s2 s8 b4 a8
+	  b4 a8( g8 ) fis4 a8 a8(
+	}
+	\alternative {
+	  { g2 ) s2 }
+	  { g2 s2 }
+	}
+	\repeat unfold 2 {
+	  % maybe/going
+	  s1*4 s2.. g8
+	  b4 b4 b8 e,8 s8 e8
+	  b'4 b4 b8( a8 ) b8 b8( a8 ) s8 s4 s2 
+	}
+	  {
+	    g2 s8 b4 a8
+	    b4 a8( g8 ) fis4 a8 a8(
+	    g2 ) s8 b4 a8
+	    b4 a8( g8 ) fis4 a8 a8(
+	    g2 ) s2
+	  }
+      }
+    >>
+  }
+
+  altMelodie = \relative c'' {
+    <<
+      { \meta }
+      %%articulation etc.
+      %%\repeat unfold <+number of parts+> {
+	%%s4*<+number of measures within a part+>
+      %%}
+      %the actual tune
+      {
+	s8 s4 
+	\repeat volta 2 {
+	  \repeat unfold 2 {
+	    % Goodnight
+	    s8 g8 g8 fis8 e8 g4 g8
+	    e4 g8 g8( fis4 ) s4
+	  }
+	  % Oh & so
+	  d2( ~ d2 g2 ~ g8) g4 g8
+	  g4 g4 d4 fis8 fis8(
+	}
+	\alternative {
+	  { d2 ) s2 }
+	  { d2 s2 }
+	}
+	% Oh
+	e1( d2. ) s4 
+	e1( d2. ) s4 
+	e2. r8 g8 
+	% maybe
+	g4 g4 g8 e8 s8 e8 
+	g4 g4 g4 g8 g8( fis8 ) s8 s4 s2 
+	% Oh
+	e1( d2. ) s4 
+	e1( d2. ) s4 
+	e2 ~ e8 s8 s8 g8 
+	% going
+	g4 g4 g8 e8 s8 e8 
+	g4 g4 g4 g8 g8( fis8 ) s8 s4 s2 
+	  {
+	    d2 s8 g4 g8
+	    g4 g4 d4 fis8 fis8(
+	    d2 ) s8 g4 g8
+	    g4 g4 d4 fis8 fis8(
+	    d2 ) s2
+	  }
+      }
+    >>
+  }
+
+  frauenPausen = {
+    r8 r4 r8 
+    s2.. s2. r4 
+    r8 s2.. s2. r4 
+    s1 s1 s1
+    \mark \markup { \musicglyph #"scripts.coda"\tiny{2} }
+    s2 r2 s2 r2
+    \mark \markup { \musicglyph #"scripts.coda"\tiny{1} }
+    %well
+    s1 s2. r4
+    %\pageBreak
+    s1 s2. r4
+    s1 s2. r8 s8 
+    s1 s8 r8 r4 
+    \override Score.RehearsalMark #'self-alignment-X = #LEFT
+    \mark "Dal Segno al Coda 1"
+    r2
+    \bar "||"
+    \break
+    \mark \markup { \musicglyph #"scripts.coda"\tiny{1} }
+    s1 s2. r4
+    s1 s2. r4
+    s1 s2. r8 s8 
+    s1 s8 r8 r4 
+    \override Score.RehearsalMark #'self-alignment-X = #LEFT
+    \mark "Dal Segno al Coda 2"
+    r2
+    \bar "||"
+    \break
+    \mark \markup { \musicglyph #"scripts.coda"\tiny{2} }
+    s1*4
+    s2 r2
+    \bar "||"
+  }
+  
+  tenorMelodie = \relative c' {
+    <<
+      { \meta }
+      %%articulation etc.
+      %\repeat unfold <+number of parts+> {
+	%s4*<+number of measures within a part+>
+      %}
+      %the actual tune
+      {
+	r8 r4
+	\repeat volta 2 {
+	  \repeat unfold 2 {
+	    % Goodnight
+	    r8 d8 d8 c8 b8 d4 d8
+	    c4 e8 e8( d4 ) r4
+	  }
+	  % Oh & so
+	  b2( ~ b2 c2 ~ c8 ) c4 c8
+	  d4 c8( b8 ) a4 c8 c8(
+	}
+	\alternative {
+	  { b2 ) r2 }
+	  { b2 r2 }
+	}
+	\repeat unfold 2 {
+	  % Oh
+	  g1( b2. ) r4
+	  g1( b2. ) r4
+	  g2. r8 g8
+	  % maybe/going
+	  d'4 d4 e8 b8 r8 e8
+	  d4 d4 d4 d8 d8 ~ d8 s8 s4 r2 
+	}
+	  {
+	    b2 r8 c4 c8
+	    d4 c8( b8 ) a4 c8 c8(
+	    b2 ) r8 c4 c8
+	    d4 c8( b8 ) a4 c8 c8(
+	    b2 ) s2
+	  }
+      }
+    >>
+  }
+
+  auftakt = {
+    \times 2/3 {d8 b8 d8}
+  }
+
+  bassMelodie = \relative c {
+    <<
+      { \meta }
+      %%articulation etc.
+      %%\repeat unfold <+number of parts+> {
+	%%s4*<+number of measures within a part+>
+      %%}
+      %the actual tune
+      \clef bass
+      {
+	d8 \auftakt
+	\repeat volta 2 {
+	  % doodelei
+	  g,2( e'8 ) e4 e8
+	  a,4 a8 a8( d8 ) d8 \auftakt
+	  % well
+	  g,2( e'8 ) e4 e8
+	  a,4 a8 a8( d8 ) d8 e8 fis8
+	  % doo again & so
+	  g2( f2( e2( ees8 ) ) ) ees4 ees8
+	  d4 d4 d4 d8 d8(
+	}
+	\alternative {
+	  {
+	    g,2 ) r8 d'8 \auftakt
+	  }
+	  {
+	    g,2 r8 g8 a8 b8 
+	  }
+	}
+	\repeat unfold 2 {
+	  % doodelei & maybe/going
+	  c1( g4 ) g'4 g8 e8 d8 e8
+	  c1( g4 ) ~ 
+	  \times 2/3 {g8 g'8 g8} f4 \times 2/3 {g,8 a8 b8}
+	  c2. r8 g8 g'4 fis4 e8 e8 r8 e8
+	  g4 g4 g8( e8 ) g8 g8( 
+	  a8 ) s8 s4 r8 d,8 \auftakt
+	}
+	  {
+	    g,2 r8 ees'4 ees8
+	    d4 d4 d4 d8 d8
+	    ( g,2 ) r8 ees'4 ees8
+	    d4 d4 d4 fis8 fis8
+	    ( g2 ) s2
+	  }
+      }
+    >>
+  }
+
+  maennerPausen = {
+    s4.
+    s1*8
+    s1*8
+    s8 r8 r4 s2
+    s1*7
+    s8 r8 r4 s2
+    s1*4
+    s2 r2
+  }