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-rw-r--r--hr/stch/fertig/factus/dynArt.ly102
-rw-r--r--hr/stch/fertig/factus/factus.ly72
-rw-r--r--hr/stch/fertig/factus/factus.psbin0 -> 428711 bytes
-rw-r--r--hr/stch/fertig/factus/stimmen.ly260
-rw-r--r--hr/stch/fertig/factus/texte.ly34
5 files changed, 468 insertions, 0 deletions
diff --git a/hr/stch/fertig/factus/dynArt.ly b/hr/stch/fertig/factus/dynArt.ly
new file mode 100644
index 0000000..36b62e8
--- /dev/null
+++ b/hr/stch/fertig/factus/dynArt.ly
@@ -0,0 +1,102 @@
+%some settings% vim: ai encoding=utf8 et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ }
+
+% articulation
+
+ ne=\markup{\dynamic mf \italic {nicht eilen} }
+
+ sopranArt = {
+ \dynamicUp
+ s2\p s4 s4\>
+ s1*2
+ s2 s2\!
+ s2\mf s2\>
+ s1*2
+ s2 s2\!\<
+ s2\! s2\>
+ s2 s2\!
+ s1\p
+ s1\<
+ s1
+ s1
+ s2\! s2\<
+ s1
+ s2\!\f s2
+ s1
+ s1
+ s1^\ne
+ s1
+ s4 s2.\>
+ s1
+ s4\! s2.\<
+ s2 s2\!
+ s4 s2.\<
+ s1
+ s1\!\f
+ s1
+ s2.\< s4\>
+ s1
+ s2\! s4 s4\mf
+ s4 s2.\>
+ s1
+ s2... s16\!
+ }
+
+ altArt = {
+ \dynamicDown
+ s1*30
+ s1*2
+ s4 s4\mf s2
+ s1*2
+ }
+
+ tenorArt = {
+ \dynamicUp
+ s1*30
+ s1
+ s2 s4 s4\mf
+ s1*3
+ }
+
+ bassArt = {
+ \dynamicDown
+ s1
+ s1\p\>
+ s1
+ s2 s2\!
+ s1
+ s1\mf\>
+ s1
+ s2 s2\!\<
+ s2\! s2\>
+ s2 s2\!
+ s1\p
+ s1\<
+ s1
+ s1
+ s2\! s2\<
+ s1
+ s1\f
+ s1
+ s1
+ s2. s4\mf
+ s1
+ s1\>
+ s1
+ s4\! s2.\<
+ s1
+ s4\! s2.\<
+ s1
+ s1\!
+ s1
+ s2.\f\< s4\>
+ s1
+ s2\! s2
+ s4 s4\mf s2\>
+ s1
+ s2 s2\!
+ }
+
diff --git a/hr/stch/fertig/factus/factus.ly b/hr/stch/fertig/factus/factus.ly
new file mode 100644
index 0000000..1a98baa
--- /dev/null
+++ b/hr/stch/fertig/factus/factus.ly
@@ -0,0 +1,72 @@
+%some settings% vim: ai encoding=utf8 et
+
+\version "2.12.1"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Graduale: Christus factus est."
+ composer = "A. Bruckner"
+ %opus = "<+Werk+>"
+ %tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ \score {
+ \new ChoirStaff <<
+ %\new Lyrics = "sop" { s4 }
+ \new Staff = "frauen" <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "fPausen" { \global \frauenPausen }
+ \new Voice = "SopArt" { \global \sopranArt }
+ \new Voice = "AltArt" { \global \altArt }
+ \new Voice = "soprane" { \global \voiceOne \sopranMelodie }
+ \new Voice = "alti" { \global \voiceTwo \altMelodie }
+ >>
+ \new Lyrics = "alt" { s4 }
+ \new Lyrics \with { alignAboveContext = "frauen" }
+ \lyricsto "sopEnde" \ende
+ %\context Lyrics = "sop" \lyricsto "sopEnde" \ende
+ \context Lyrics = "alt" \lyricsto "altEnde" \ende
+ \lyricsto propterF \propter
+ \lyricsto soprane \sopranText
+ %\lyricsto altEnde \ende
+ \new Lyrics = "t" { s1 }
+ \new Staff = maenner <<
+ \new Voice = "mPausen" { \global \maennerPausen }
+ \new Voice = "BassArt" { \global \bassArt }
+ \new Voice = "TenorArt" { \global \tenorArt }
+ \new Voice = "tenoere" { \global \voiceOne \tenorMelodie }
+ \new Voice = "baesse" { \global \voiceTwo \bassMelodie }
+ >>
+ \new Lyrics = "b" { s1 }
+ \context Lyrics = "t" \lyricsto tenEnde \ende
+ \lyricsto propterM \propter
+ \context Lyrics = "b" \lyricsto bassEnde \ende
+ %\lyricsto bassEnde \ende
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ %\layout {
+ %}
+ }
+
diff --git a/hr/stch/fertig/factus/factus.ps b/hr/stch/fertig/factus/factus.ps
new file mode 100644
index 0000000..6c488da
--- /dev/null
+++ b/hr/stch/fertig/factus/factus.ps
Binary files differ
diff --git a/hr/stch/fertig/factus/stimmen.ly b/hr/stch/fertig/factus/stimmen.ly
new file mode 100644
index 0000000..215a23a
--- /dev/null
+++ b/hr/stch/fertig/factus/stimmen.ly
@@ -0,0 +1,260 @@
+%some settings% vim: ai encoding=utf8 et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key f \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 2/2
+ }
+
+% Die Stimmen
+
+ frauenPausen = \relative c'' {
+ s1*3
+ s2 r2
+ s1*5
+ s2 r2
+ s1*8
+ s2 r2
+ s1*4
+ r4 s4*3 s1
+ r4 s4*3 s1
+ s1*8 \bar "||"
+ }
+
+ maennerPausen = \relative c {
+ r1
+ s1*2
+ s2 r2
+ r1
+ s1*4
+ s2 r2
+ s1*8
+ s2 r2
+ r1
+ s1*3
+ r4 s2.
+ s1
+ r4 s2.
+ s1
+ r1
+ s1*7
+ }
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ c2 bes4( a4)
+ f2 f2
+ f2 e2
+ f2 s2
+ d'2 c4( bes4)
+ g2 g2
+ g2 fis2
+ g2 bes2
+ bes2^>( a2)
+ g2 s2
+ %%% -- 11 -- %%%
+ c1
+ g2 g4 g4
+ a2 g4 g4
+ b2( c2)
+ b2 b2(
+ bes2) a2
+ f'2 e2
+ e4( d4 c4 d4)
+ e2 s2
+ %%% -- 20 -- %%%
+ \new Voice = "propterF" {
+ \voiceOne
+ e4 d4 c4 b4
+ a2 b2
+ }
+ c4 c4 b4 b4
+ b2 a2
+ s4 a4 a4 a4
+ bes2 bes2
+ s4 c2 c4
+ d2 d2
+ f2 e4( d4)
+ c2 bes4( a4)
+ g4( d'4 c8[ bes8]) a8[( g8])
+ f2 e2
+ g2^> f2
+ \new Voice = "sopEnde" {
+ \voiceOne
+ \dynamicUp
+ bes2 a4( g4)
+ f2( e2)
+ f1
+ }
+ }
+ >>
+ }
+
+ altMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ a2 g4( f4)
+ c2 c2
+ c2 c2
+ c2 s2
+ bes'2 a4( g4)
+ d2 d2
+ d2 d2
+ d2 g2
+ g2( f2)
+ e2 s2
+ %%% -- 11 -- %%%
+ e1
+ e2 e4 e4
+ f2 e4 e4
+ g1
+ g2 gis2(
+ e2) e2
+ a2 a2
+ g1
+ g2 s2
+ %%% -- 20 -- %%%
+ c4 b4 a4 g4
+ fis2 g2
+ a4 a4 g4 g4
+ g2 fis2
+ s4 fis4 fis4 fis4
+ g2 g2
+ s4 a2 f4
+ f2 f2
+ d'2 c4( bes4)
+ a2 g4( f4)
+ g4( a4 g4) d4
+ c2 c2
+ c2 c2
+ \new Voice = "altEnde" {
+ \voiceTwo
+ r2 d4 d4
+ c1
+ c1
+ }
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ s1
+ c2 bes4( a4)
+ g2 g2
+ a2 s2
+ s1
+ d2 c4( bes4)
+ a2 a2
+ bes2 d2
+ c1
+ c2 s2
+ %%% -- Takt 11 -- %%%
+ c1
+ c2 c4 c4
+ c2 c4 c4
+ d2( e2)
+ d2 e2(
+ d2) c2
+ d2 c2
+ c4( b4 a4 b4)
+ c2 s2
+ %%% -- Takt 20 -- %%%
+ \autoBeamOff
+ s1
+ d8 d8 d8 d8 d4 d4
+ \autoBeamOn
+ d4 d4 d4 d4
+ d2 d2
+ s4 d4 d4 d4
+ d2 d2
+ s4 a2 a4
+ bes2 bes2
+ s1
+ f'2( cis4) d4
+ d2. c8( bes8)
+ a2 g2
+ bes2^> a2
+ \new Voice = "tenEnde" {
+ \voiceOne
+ \dynamicUp
+ d2 c4( bes4)
+ a2( g2)
+ a1
+ }
+ }
+ >>
+ }
+
+ bassMelodie = \relative c' {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ s1
+ a2 g4( f4)
+ c2 c2
+ f2 s2
+ s1
+ bes2 a4( g4)
+ d2 d2
+ g2 g2
+ e2_>( f2)
+ c2 s2
+ %%% -- 11 -- %%%
+ c1
+ c2 c4 c4
+ f2 c4 c4
+ g'2( c,2)
+ g'2 e2(
+ a2) a2
+ f2 fis2
+ g1
+ c,2 s2
+ %%% -- 20 -- %%%
+ s1
+ \new Voice = "propterM" {
+ \voiceTwo
+ \autoBeamOff
+ c'8 c8 c8 c8 b4 b4
+ }
+ fis4 fis4 g4 g4
+ d'2 d,2
+ s4 d4 d4 d4
+ g2 g2
+ s4 f2 f4
+ bes,2 bes2
+ s1
+ r1
+ bes'4( fis4 g4) bes,4
+ c2 c2
+ r1
+ \new Voice = "bassEnde" {
+ \voiceTwo
+ r2 bes4 bes4
+ c1
+ <<
+ f,1 f'1
+ >>
+ }
+ }
+ >>
+ }
+
diff --git a/hr/stch/fertig/factus/texte.ly b/hr/stch/fertig/factus/texte.ly
new file mode 100644
index 0000000..d4de644
--- /dev/null
+++ b/hr/stch/fertig/factus/texte.ly
@@ -0,0 +1,34 @@
+%some settings% vim: ai encoding=utf8 et
+
+% Abkürzungen
+
+christus = \lyricmode {
+ Chri -- stus, Chri -- stus fa -- ctus est.
+ Chri -- stus, Chri -- stus fa -- ctus est pro no -- bis
+ o -- be -- di -- ens us -- que ad mor -- tem
+ mor -- tem au -- tem cru -- cis.
+}
+
+propter = \lyrics {
+ Pro -- pter quod et De -- us
+}
+
+exaltavit = \lyricmode {
+ ex -- al -- ta -- vit il -- lum,
+ et de -- dit il -- li,
+ il -- li no -- men,
+ quod est su -- per o -- mne no -- men, no -- men,
+}
+
+ende = \lyricmode {
+ o -- mne no -- men.
+}
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ \christus
+ \exaltavit
+ no -- men
+ }
+