diff options
Diffstat (limited to 'hr/stch/fertig/factus')
-rw-r--r-- | hr/stch/fertig/factus/dynArt.ly | 102 | ||||
-rw-r--r-- | hr/stch/fertig/factus/factus.ly | 72 | ||||
-rw-r--r-- | hr/stch/fertig/factus/factus.ps | bin | 0 -> 428711 bytes | |||
-rw-r--r-- | hr/stch/fertig/factus/stimmen.ly | 260 | ||||
-rw-r--r-- | hr/stch/fertig/factus/texte.ly | 34 |
5 files changed, 468 insertions, 0 deletions
diff --git a/hr/stch/fertig/factus/dynArt.ly b/hr/stch/fertig/factus/dynArt.ly new file mode 100644 index 0000000..36b62e8 --- /dev/null +++ b/hr/stch/fertig/factus/dynArt.ly @@ -0,0 +1,102 @@ +%some settings% vim: ai encoding=utf8 et + + meta = { + %(dynamic) marks global to all voices + } + +% articulation + + ne=\markup{\dynamic mf \italic {nicht eilen} } + + sopranArt = { + \dynamicUp + s2\p s4 s4\> + s1*2 + s2 s2\! + s2\mf s2\> + s1*2 + s2 s2\!\< + s2\! s2\> + s2 s2\! + s1\p + s1\< + s1 + s1 + s2\! s2\< + s1 + s2\!\f s2 + s1 + s1 + s1^\ne + s1 + s4 s2.\> + s1 + s4\! s2.\< + s2 s2\! + s4 s2.\< + s1 + s1\!\f + s1 + s2.\< s4\> + s1 + s2\! s4 s4\mf + s4 s2.\> + s1 + s2... s16\! + } + + altArt = { + \dynamicDown + s1*30 + s1*2 + s4 s4\mf s2 + s1*2 + } + + tenorArt = { + \dynamicUp + s1*30 + s1 + s2 s4 s4\mf + s1*3 + } + + bassArt = { + \dynamicDown + s1 + s1\p\> + s1 + s2 s2\! + s1 + s1\mf\> + s1 + s2 s2\!\< + s2\! s2\> + s2 s2\! + s1\p + s1\< + s1 + s1 + s2\! s2\< + s1 + s1\f + s1 + s1 + s2. s4\mf + s1 + s1\> + s1 + s4\! s2.\< + s1 + s4\! s2.\< + s1 + s1\! + s1 + s2.\f\< s4\> + s1 + s2\! s2 + s4 s4\mf s2\> + s1 + s2 s2\! + } + diff --git a/hr/stch/fertig/factus/factus.ly b/hr/stch/fertig/factus/factus.ly new file mode 100644 index 0000000..1a98baa --- /dev/null +++ b/hr/stch/fertig/factus/factus.ly @@ -0,0 +1,72 @@ +%some settings% vim: ai encoding=utf8 et + +\version "2.12.1" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Graduale: Christus factus est." + composer = "A. Bruckner" + %opus = "<+Werk+>" + %tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + %#(set-global-staff-size 17) + + \score { + \new ChoirStaff << + %\new Lyrics = "sop" { s4 } + \new Staff = "frauen" << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "fPausen" { \global \frauenPausen } + \new Voice = "SopArt" { \global \sopranArt } + \new Voice = "AltArt" { \global \altArt } + \new Voice = "soprane" { \global \voiceOne \sopranMelodie } + \new Voice = "alti" { \global \voiceTwo \altMelodie } + >> + \new Lyrics = "alt" { s4 } + \new Lyrics \with { alignAboveContext = "frauen" } + \lyricsto "sopEnde" \ende + %\context Lyrics = "sop" \lyricsto "sopEnde" \ende + \context Lyrics = "alt" \lyricsto "altEnde" \ende + \lyricsto propterF \propter + \lyricsto soprane \sopranText + %\lyricsto altEnde \ende + \new Lyrics = "t" { s1 } + \new Staff = maenner << + \new Voice = "mPausen" { \global \maennerPausen } + \new Voice = "BassArt" { \global \bassArt } + \new Voice = "TenorArt" { \global \tenorArt } + \new Voice = "tenoere" { \global \voiceOne \tenorMelodie } + \new Voice = "baesse" { \global \voiceTwo \bassMelodie } + >> + \new Lyrics = "b" { s1 } + \context Lyrics = "t" \lyricsto tenEnde \ende + \lyricsto propterM \propter + \context Lyrics = "b" \lyricsto bassEnde \ende + %\lyricsto bassEnde \ende + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + %\layout { + %} + } + diff --git a/hr/stch/fertig/factus/factus.ps b/hr/stch/fertig/factus/factus.ps Binary files differnew file mode 100644 index 0000000..6c488da --- /dev/null +++ b/hr/stch/fertig/factus/factus.ps diff --git a/hr/stch/fertig/factus/stimmen.ly b/hr/stch/fertig/factus/stimmen.ly new file mode 100644 index 0000000..215a23a --- /dev/null +++ b/hr/stch/fertig/factus/stimmen.ly @@ -0,0 +1,260 @@ +%some settings% vim: ai encoding=utf8 et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key f \major + %\override Staff.TimeSignature #'style = #'() + \time 2/2 + } + +% Die Stimmen + + frauenPausen = \relative c'' { + s1*3 + s2 r2 + s1*5 + s2 r2 + s1*8 + s2 r2 + s1*4 + r4 s4*3 s1 + r4 s4*3 s1 + s1*8 \bar "||" + } + + maennerPausen = \relative c { + r1 + s1*2 + s2 r2 + r1 + s1*4 + s2 r2 + s1*8 + s2 r2 + r1 + s1*3 + r4 s2. + s1 + r4 s2. + s1 + r1 + s1*7 + } + + sopranMelodie = \relative c'' { + << + { \meta } + %\sopranArt + %the actual tune + { + c2 bes4( a4) + f2 f2 + f2 e2 + f2 s2 + d'2 c4( bes4) + g2 g2 + g2 fis2 + g2 bes2 + bes2^>( a2) + g2 s2 + %%% -- 11 -- %%% + c1 + g2 g4 g4 + a2 g4 g4 + b2( c2) + b2 b2( + bes2) a2 + f'2 e2 + e4( d4 c4 d4) + e2 s2 + %%% -- 20 -- %%% + \new Voice = "propterF" { + \voiceOne + e4 d4 c4 b4 + a2 b2 + } + c4 c4 b4 b4 + b2 a2 + s4 a4 a4 a4 + bes2 bes2 + s4 c2 c4 + d2 d2 + f2 e4( d4) + c2 bes4( a4) + g4( d'4 c8[ bes8]) a8[( g8]) + f2 e2 + g2^> f2 + \new Voice = "sopEnde" { + \voiceOne + \dynamicUp + bes2 a4( g4) + f2( e2) + f1 + } + } + >> + } + + altMelodie = \relative c'' { + << + { \meta } + %\altArt + %the actual tune + { + a2 g4( f4) + c2 c2 + c2 c2 + c2 s2 + bes'2 a4( g4) + d2 d2 + d2 d2 + d2 g2 + g2( f2) + e2 s2 + %%% -- 11 -- %%% + e1 + e2 e4 e4 + f2 e4 e4 + g1 + g2 gis2( + e2) e2 + a2 a2 + g1 + g2 s2 + %%% -- 20 -- %%% + c4 b4 a4 g4 + fis2 g2 + a4 a4 g4 g4 + g2 fis2 + s4 fis4 fis4 fis4 + g2 g2 + s4 a2 f4 + f2 f2 + d'2 c4( bes4) + a2 g4( f4) + g4( a4 g4) d4 + c2 c2 + c2 c2 + \new Voice = "altEnde" { + \voiceTwo + r2 d4 d4 + c1 + c1 + } + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + s1 + c2 bes4( a4) + g2 g2 + a2 s2 + s1 + d2 c4( bes4) + a2 a2 + bes2 d2 + c1 + c2 s2 + %%% -- Takt 11 -- %%% + c1 + c2 c4 c4 + c2 c4 c4 + d2( e2) + d2 e2( + d2) c2 + d2 c2 + c4( b4 a4 b4) + c2 s2 + %%% -- Takt 20 -- %%% + \autoBeamOff + s1 + d8 d8 d8 d8 d4 d4 + \autoBeamOn + d4 d4 d4 d4 + d2 d2 + s4 d4 d4 d4 + d2 d2 + s4 a2 a4 + bes2 bes2 + s1 + f'2( cis4) d4 + d2. c8( bes8) + a2 g2 + bes2^> a2 + \new Voice = "tenEnde" { + \voiceOne + \dynamicUp + d2 c4( bes4) + a2( g2) + a1 + } + } + >> + } + + bassMelodie = \relative c' { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + s1 + a2 g4( f4) + c2 c2 + f2 s2 + s1 + bes2 a4( g4) + d2 d2 + g2 g2 + e2_>( f2) + c2 s2 + %%% -- 11 -- %%% + c1 + c2 c4 c4 + f2 c4 c4 + g'2( c,2) + g'2 e2( + a2) a2 + f2 fis2 + g1 + c,2 s2 + %%% -- 20 -- %%% + s1 + \new Voice = "propterM" { + \voiceTwo + \autoBeamOff + c'8 c8 c8 c8 b4 b4 + } + fis4 fis4 g4 g4 + d'2 d,2 + s4 d4 d4 d4 + g2 g2 + s4 f2 f4 + bes,2 bes2 + s1 + r1 + bes'4( fis4 g4) bes,4 + c2 c2 + r1 + \new Voice = "bassEnde" { + \voiceTwo + r2 bes4 bes4 + c1 + << + f,1 f'1 + >> + } + } + >> + } + diff --git a/hr/stch/fertig/factus/texte.ly b/hr/stch/fertig/factus/texte.ly new file mode 100644 index 0000000..d4de644 --- /dev/null +++ b/hr/stch/fertig/factus/texte.ly @@ -0,0 +1,34 @@ +%some settings% vim: ai encoding=utf8 et + +% Abkürzungen + +christus = \lyricmode { + Chri -- stus, Chri -- stus fa -- ctus est. + Chri -- stus, Chri -- stus fa -- ctus est pro no -- bis + o -- be -- di -- ens us -- que ad mor -- tem + mor -- tem au -- tem cru -- cis. +} + +propter = \lyrics { + Pro -- pter quod et De -- us +} + +exaltavit = \lyricmode { + ex -- al -- ta -- vit il -- lum, + et de -- dit il -- li, + il -- li no -- men, + quod est su -- per o -- mne no -- men, no -- men, +} + +ende = \lyricmode { + o -- mne no -- men. +} + +% Die Textaufteilungen + + sopranText = \lyrics { + \christus + \exaltavit + no -- men + } + |