diff options
Diffstat (limited to 'hr/quartett/tantum')
| -rw-r--r-- | hr/quartett/tantum/dynArt.ly | 128 | ||||
| -rw-r--r-- | hr/quartett/tantum/stimmen.ly | 180 | ||||
| -rw-r--r-- | hr/quartett/tantum/tantum.ly | 69 | ||||
| -rw-r--r-- | hr/quartett/tantum/tantum.midi | bin | 0 -> 6214 bytes | |||
| -rw-r--r-- | hr/quartett/tantum/tantum.ps | bin | 0 -> 579488 bytes | |||
| -rw-r--r-- | hr/quartett/tantum/texte.ly | 63 |
6 files changed, 440 insertions, 0 deletions
diff --git a/hr/quartett/tantum/dynArt.ly b/hr/quartett/tantum/dynArt.ly new file mode 100644 index 0000000..26f6a5f --- /dev/null +++ b/hr/quartett/tantum/dynArt.ly @@ -0,0 +1,128 @@ +%some settings% vim: ai encoding=utf8 et + + meta = { + %(dynamic) marks global to all voices + %\dynamicUp + s4 + s1*2 + \time 2/4 + s2 + \time 3/4 + s2. + \time 4/4 + s1 + \time 2/4 + s2 + \time 4/4 + s1*3 + \time 2/4 + s2 + \time 4/4 + s1*4 + \time 3/4 + s2. + \time 4/4 + s1 + \time 3/4 + s2. + \time 4/4 + s4 s2.\> + s1\p + s1\p + s4 s2.\> + s1\pp + \bar "|." + } + +% abkuerzungen + + pc=^\markup{poco cresc.} +% articulation + + sopranArt = { + \dynamicUp + s4\p + s1*2 + s2 + s2. + s1 + s2 + s1*3 + s2 + s1*2 + s4 s2.\pc + s1 + s2. + s1\dim + s2. + s1 + s2. s4\p + s4 s2.\mp + s1^\markup{ \bold{Rall.} } + } + + altArt = { + \dynamicDown + s4 + s4 s2.\p + s1 + s2 + s2. + s1 + s2 + s1*3 + s2 + s1*3 + s1\pc + s2. + s1 + s4\dim s2 + s1 + s1 + s4 s2.\mp + s1 + } + + tenorArt = { + \dynamicUp + s4 + s2 s2\mp + s1 + s2 + s2. + s1 + s2 + s1*3 + s2 + s1*2 + s2. s4\pc + s1 + s2. + s1 + s2\dim s4 + s1 + s1 + s4 s2.\mp + s1 + } + + bassArt = { + \dynamicDown + s4 + s2. s4\p + s1 + s2 + s2. + s1 + s2 + s1*3 + s2 + s1*2 + s2 s2\pc + s1 + s2. + s1 + s2\dim s4 + s1*4 + } + diff --git a/hr/quartett/tantum/stimmen.ly b/hr/quartett/tantum/stimmen.ly new file mode 100644 index 0000000..b06f46c --- /dev/null +++ b/hr/quartett/tantum/stimmen.ly @@ -0,0 +1,180 @@ +%some settings% vim: ai encoding=utf8 et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key ees \major + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + \partial 4 + } + +% Die Stimmen + + sopranMelodie = \relative c'' { + << + { \meta } + \sopranArt + %the actual tune + { + \repeat volta 2 { + g4 + g4 aes4 g4( f4) + bes4 bes4 c4( ees4) + ees2 + ees4( f4) ees4 + ees4 d4 c4 ees4 + d4( c4 + bes2) r4 bes4 + c4 ees4 d4 c4 + bes4 c4 bes2 + c4 d4 + bes4 bes4 g4 c4 + c2( f,2) + r4 g4 bes4 bes4 + g4 bes4 c4 c4 + bes2 c4 + d4 bes4 c4( bes4) + aes4( g4) f4 + g1 ~ + } + \alternative { + { + g2. g4 + } + { + g4\repeatTie c4( ~ c8 bes8 aes8 g8 + f4. d8) g2 ~ + g1 + } + } + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + \altArt + %the actual tune + { + \repeat volta 2 { + r4 + r4 f4( ~ f8 ees8) d8( c8) + d4 f4 ees4 aes4 + aes4 g4 + g4( c4) bes4 + aes4.( bes8) aes4.( g8) + f8( g8 aes4 + g8 f8) ees4 d2 + g4 g4 f4 aes4 + g8( aes8) g8( f8) f8( ees8 d8 ees8) + c4( f4) + g2 f4 ees4( ~ + ees8 d8) ees4( ~ ees8 f8) d8( c8 + bes8 g8) bes8( c8) d8( bes8 ees4) + ees8( f8) ees8( d8) c4 f4 + g8( aes8) g8( f8) ees8( c8) + g'2 g4 g8( c,8) + f4( ees2) + d4( ees4) d4 c4 + } + \alternative { + { + bes2. r4 + } + { + bes4 ees4( d4 f8 ees8 + d4 c4 bes8 g8 c4) + bes1 + } + } + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + \tenorArt + %the actual tune + \clef "treble_8" + { + \repeat volta 2 { + r4 + r2 g4 aes4 + g4 g8( f8) bes4 c8( d8) + ees4 ees4 ~ + ees2 ees4( + f8 g8) f4 ees8( d8) c4 + c4 ees4 + d4.( c8 bes2) ~ + bes8 r8 bes4 c8( d8) ees4 + d4 c4 d8( c8) bes4 + bes4 c4 + d4 bes4 bes4 g4 ~ + g4 c4 c2( + f,2) r4 g8( aes8) + bes4 bes4 g4 aes8( bes8) + c4 c4 bes4 + bes8( c8) d4 bes4 c4( ~ + c4 bes4) aes8( g8 + f8 d8 g4 f8 ees8) d8( c8) + } + \alternative { + { + d2. r4 + } + { + d4 g4( f4 c'4 ~ + c8 bes8 aes8 g8 f4. ees8) + d1 + } + } + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + \bassArt + %the actual tune + \clef bass + { + \repeat volta 2 { + r4 + r2 r4 c4 + f4 d4 g4 f4 + c'4.( d8) + c8( bes8) aes4 aes8( g8 + f4) c'4 c4 bes4 + aes4 g8( f8) + g2 ~ g8 g8( f8 g8 + ees4) d8( c8) aes'4 g8( f8) + bes4 aes4 g4 g4 + aes4 aes8( g8) + f8( g8 f8 ees8) d8( ees8 d8 c8) + bes4( aes8 g8 aes8 f8) bes8( aes8) + g2 g4 c4 + g'4 g8( f8) ees8( d8) ees4 + ees4( aes4) g4 + f4.( g8) ees8( d8) ees4( ~ + ees8 f8) d8( ees8) c4( ~ + c4. bes8 c4) aes4 + } + \alternative { + { + g2. r4 + } + { + g1 + g1 + g1 + } + } + } + >> + } + diff --git a/hr/quartett/tantum/tantum.ly b/hr/quartett/tantum/tantum.ly new file mode 100644 index 0000000..ee72e75 --- /dev/null +++ b/hr/quartett/tantum/tantum.ly @@ -0,0 +1,69 @@ +%some settings% vim: ai encoding=utf8 et + +\version "2.12" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Tantum ergo" + %composer = "<+Komponist+>" + %opus = "<+Werk+>" + %tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + system-count = 4 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-2 . 2) + } + } + + #(set-global-staff-size 12) + + \score { + \new ChoirStaff << + \new Lyrics = "sA" + \new Lyrics = "sB" + \new Staff = frauen << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \voiceOne \sopranMelodie } + \new Voice = "alti" { \global \voiceTwo \altMelodie } + >> + \new Lyrics = "aA" + \new Lyrics = "aB" + \new Lyrics = "tA" + \new Lyrics = "tB" + \new Staff = maenner << + \new Voice = "tenoere" { \global \voiceOne \tenorMelodie } + \new Voice = "baesse" { \global \voiceTwo \bassMelodie } + >> + \new Lyrics = "bA" + \new Lyrics = "bB" + \context Lyrics = "sA" \lyricsto soprane \sopranTextA + \context Lyrics = "sB" \lyricsto soprane \sopranTextB + \context Lyrics = "aA" \lyricsto alti \altTextA + \context Lyrics = "aB" \lyricsto alti \altTextB + \context Lyrics = "tA" \lyricsto tenoere \tenorTextA + \context Lyrics = "tB" \lyricsto tenoere \tenorTextB + \context Lyrics = "bA" \lyricsto baesse \bassTextA + \context Lyrics = "bB" \lyricsto baesse \bassTextB + >> + \midi { + \context{ + \Score + tempoWholesPerMinute = #(ly:make-moment 72 4) + } + } + \layout { + } + } + diff --git a/hr/quartett/tantum/tantum.midi b/hr/quartett/tantum/tantum.midi Binary files differnew file mode 100644 index 0000000..4ca7490 --- /dev/null +++ b/hr/quartett/tantum/tantum.midi diff --git a/hr/quartett/tantum/tantum.ps b/hr/quartett/tantum/tantum.ps Binary files differnew file mode 100644 index 0000000..2a18ec0 --- /dev/null +++ b/hr/quartett/tantum/tantum.ps diff --git a/hr/quartett/tantum/texte.ly b/hr/quartett/tantum/texte.ly new file mode 100644 index 0000000..30302e1 --- /dev/null +++ b/hr/quartett/tantum/texte.ly @@ -0,0 +1,63 @@ +%some settings% vim: ai encoding=utf8 et + +% Abkürzungen + +text = \lyricmode { + Tan -- tum er -- go sa -- cra -- men -- tum + Ve -- ne -- re -- mur cer -- nu -- i, + Et an -- ti -- quum do -- cu -- men -- tum + No -- vo -- ce -- dat ri -- tu -- i, + Prae -- stet fi -- des sup -- ple -- men -- tum + Sen -- su -- um de -- fe -- ctu -- i +} + +Text = \lyricmode { + ni -- to -- ri, ge -- ni -- to -- que + sa__lus et ju -- bi -- la -- ti -- o + Sa -- lus, ho -- nor, vir -- tus quo -- que + sit et be -- ne -- di -- cti -- o, + Pro -- ce -- den -- ti ab u -- tro -- que + Com -- par -- sit lau -- da -- ti -- +} + +ende = \lyricmode { + _ o. A -- men. +} + +% Die Textaufteilungen + + sopranTextA = \lyricmode { + \text + Ge_- + } + + sopranTextB = \lyricmode { + ________- + \Text + o. _ _ A -- men. + } + + altTextA = \lyricmode { + \text + } + + altTextB = \lyricmode { + Ge -- \Text \ende + } + + tenorTextA = \lyricmode { + \text + } + + tenorTextB = \lyricmode { + Ge -- \Text \ende + } + + bassTextA = \lyricmode { + \text + } + + bassTextB = \lyricmode { + Ge -- \Text \ende + } + |