diff options
Diffstat (limited to 'hr/quartett/lux')
| -rw-r--r-- | hr/quartett/lux/dynArt.ly | 185 | ||||
| -rw-r--r-- | hr/quartett/lux/lux.ly | 59 | ||||
| -rw-r--r-- | hr/quartett/lux/lux.midi | bin | 0 -> 12687 bytes | |||
| -rw-r--r-- | hr/quartett/lux/lux.ps | bin | 0 -> 880958 bytes | |||
| -rw-r--r-- | hr/quartett/lux/stimmen.ly | 339 | ||||
| -rw-r--r-- | hr/quartett/lux/texte.ly | 133 |
6 files changed, 716 insertions, 0 deletions
diff --git a/hr/quartett/lux/dynArt.ly b/hr/quartett/lux/dynArt.ly new file mode 100644 index 0000000..1f40be6 --- /dev/null +++ b/hr/quartett/lux/dynArt.ly @@ -0,0 +1,185 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + s8 s8\pp s2. + s1 + \time 3/4 + s4\fermata s8 s4.\p + \time 4/4 + s2 s8 s8\mp s4\< + \time 3/4 + s4\mf s2\> + \time 4/4 + s1\p + s1\fermata + s1*3 + \time 3/4 + s4 s2\> + \time 4/4 + s1\p + s8\fermata s8\> s2 s4\! + s1*2 + s1\> + s1\! + s2 s2\< + s1\f + \time 3/4 + s2. + \time 4/4 + s1 + s2 s2\> + \time 3/4 + s8\mf s8\> s2 + s2.\! + \time 4/4 + s1\> + s1\p + s1*2 + s2 s2\< + s2\mf s2\> + s1\mp + \time 3/4 + s2.*2 + \time 2/4 + s2\> + \time 4/4 + s1\p + s1*3 + s1\fermata\> + \bar "||" + } + +% abkuerzungen + + rit=^\markup{rit.} + at=^\markup{a tempo} + mr=^\markup{molto rit.} + memo=^\markup{meno mosso} + lg=^\markup{lunga} + +% articulation + + sopranArt = { + s1 + s2. s4\rit + s4. s4.\at + s1 + s2 s4\rit + s2.\at s4\rit + s1 + s8 s8\p s2. + s1 + s2 s8 s8\mf s4 + s2 s4\rit + s2.\at s4\mf + s8 s8\mp s2. + s1*3 + s2..\at s8\mp + s2 s2\mr + s8 s2..\at + s2. + s1*2 + s2. + s2.\mp + s2. s4\mr + s8 s2\at s8\mp s4 + s1*2 + s8 s8\mp s2. + s2 s2\rit + s2.\at s4\rit + s2. + s2\at s4\rit + s2\mr + s8 s2..\memo + s2 s8 s4.\mr + s1*2 + s1\lg + } + + altArt = { + s1*2 + s2. + s1 + s2. + s1 + s8 s8\p s2. + s1*2 + s2 s8 s8\mf s4 + s2. + s1*2 + s8 s2. s8\mp + s1*2 + s1\p + s1*2 + s2. + s1*2 + s2. + s8\mp s8 s2 + s1 + s8 s8\mp s2. + s1 + s2 s8 s8\mp s4 + s1*3 + s2.*2 + s2 + s1*5 + } + + tenorArt = { + s1*2 + s2. + s1 + s2. + s1*2 + s8 s8\p s2. + s1 + s4 s8 s8\mf s2 + s2. + s1*2 + s1\mp + s1*2 + s1\p + s1*2 + s2. + s1*2 + s2. + s2.\mp + s1*3 + s4. s8\mp s2 + s1*3 + s2.*2 + s2 + s1*5 + } + + bassArt = { + s1*2 + s2. + s1 + s2. + s1 + s2 s8 s8\p s4 + s1*2 + s2 s8 s8\mf s4 + s2. + s1*2 + s8 s8\mp s2. + s1*2 + s8 s8\mp s2. + s1*2 + s2. + s1*2 + s2. + s2.\mp + s1 + s1 + s1 + s2 s8 s8\mp s4 + s1*3 + s2.*2 + s2 + s1*5 + } + diff --git a/hr/quartett/lux/lux.ly b/hr/quartett/lux/lux.ly new file mode 100644 index 0000000..17164c3 --- /dev/null +++ b/hr/quartett/lux/lux.ly @@ -0,0 +1,59 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + +\version "2.12" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "O Nata Lux" + %composer = "<+Komponist+>" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + page-count = 3 + ragged-last-bottom = ##f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 16) + + \score { + \new ChoirStaff << + \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie \bar "||" } + \lyricsto soprane \sopranText + >> + \new Staff = alt << + \new Voice = "alti" { \global \altMelodie } + \lyricsto alti \altText + >> + \new Staff = tenor << + \new Voice = "tenoere" { \global \tenorMelodie } + \lyricsto tenoere \tenorText + >> + \new Staff = bass << + \new Voice = "baesse" { \global \bassMelodie } + \lyricsto baesse \bassText + >> + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 40 4) + %} + %} + } + diff --git a/hr/quartett/lux/lux.midi b/hr/quartett/lux/lux.midi Binary files differnew file mode 100644 index 0000000..5d904ef --- /dev/null +++ b/hr/quartett/lux/lux.midi diff --git a/hr/quartett/lux/lux.ps b/hr/quartett/lux/lux.ps Binary files differnew file mode 100644 index 0000000..c5295dc --- /dev/null +++ b/hr/quartett/lux/lux.ps diff --git a/hr/quartett/lux/stimmen.ly b/hr/quartett/lux/stimmen.ly new file mode 100644 index 0000000..c21df98 --- /dev/null +++ b/hr/quartett/lux/stimmen.ly @@ -0,0 +1,339 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + + \version "2.12" + \include "dynArt.ly" + + global = { + \key d \major + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + } + +% Die Stimmen + + sopranMelodie = \relative c' { + << + { \meta } + \sopranArt + %the actual tune + { + r8 fis8 fis8 fis8 fis8 d8 g8 e8 + e8 e8 e8 fis8 g8 g8 g8 a8 + a4 r8 a8 d8 cis8 + b8 b8 b8 cis8 d8 d8 g8 fis8 + e8 fis8 d8 a8 a4 + d,8 g8 g8 fis8 e8( g8) d8 d8 + d2 ~ d8 r8 r4 + r8 a'8 a4( ~ a8 d,8 g8) e8 + e4 ~ e8 a8 d8 cis8 b8 b8 + b8 cis8 d4 ~ d8 d8 g8 fis8 + e8 fis8 d8 a8 a4 + %laudes + d,8 g8 g8 fis8 e8( g8) d8 d8 + d8 fis8 fis8 fis8 fis8 gis8 b8( gis8 + e4 ~ e8) a8 a4 ~ a8 a8 + a2. ~ a8 a8 + << d,1 e1 >> + r2 r4 r8 b'8 + b8 b8 b8 b8 b8( cis8 d8) e8 + e1 ~ + e8 fis8 d8( cis8) d8 e8 + e1 ~ + e8 fis8 d8( cis8 d8 g,8) e'8 a,8 + fis8 fis8 b8 g8 g8 a8 + %corporis + << { g2 ~ g8 } { a2 ~ a8 } >> d,8 + d8 d8 d8 d8 d8 d8 d8 a'8 + << { e2 ~ e8 } { a2 ~ a8 } >> a8 b8 a8 + a2 ~ a8 b8 cis8( d8 ~ + d8) a8 fis2 r4 + r8 b8 b8 cis8 d4 ~ d8 d8 + g8( fis8 e8 fis8 d8) a8 a4 + %laudes + d,8 g8 g8 fis8 e8( g8) d8 d8 + a'2 ~ a8 r8 + d,8 g8 g8 fis8 e8( g8) + d4. d8 + d8 fis8 fis8 fis8 fis8 d8 g8 e8 + e8 e8 e8 fis8 g8 g8 g8 a8 + << + { + e1 ~ + e1 ~ + e1 + } + { + a1 ~ + a1 ~ + a1 + } + >> + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + \altArt + %the actual tune + { + r8 << { d8 d8 d8 d8 } { e8 e8 e8 e8 } >> d8 d8 d8 + d8 d8 d8 d8 d8 d8 d8 d8 + <<d4 e4>> r8 e8 e8 e8 + a8 a8 a8 a8 + << + { + e8 e8 g8 g8 + a8 a8 a8 + } + { + a8 a8 d8 a8 + d8 cis8 b8 + } + >> g8 e4 + b8 + << { b8 b8 } { d8 d8 } >> + d8 d4 cis8 d8 + d8 fis8 fis8 fis8 fis8 d8 g8 e8 + e8 e8 e8 fis8 g8 g8 g8 a8 + a4 ~ a8 e8 e8 e8 a8 a8 + a8 a8 + << + { + e4 ~ e8 e8 g8 g8 + a8 a8 a8 + } + { + a4 ~ a8 a8 d8 a8 + d8 cis8 b8 + } + >> g8 e4 + %laudes + b8 << { b8 b8 } { d8 d8 } >> d8 d4 cis8 d8 + d2. r4 + r2 r4 r8 b'8 + b8 b8 b8 b8 b8( cis8 d8) a8 + a4 ~ a8 a8 d8( cis8 b8 a8 + e4 ~ e8 a8) a4 a8 a8 + a2 ~ a4 ~ a8 a8 + << { e4 ~ e8 } { a4 ~ a8 } >> a8 d8( cis8) b8 a8 + a2. ~ + a4 ~ a8 a8 d8( cis8) b8 a8 + a1( + d,2.) + %corporis + r8 d8 g8 fis8 e8 d8 + d2. ~ d8 d8 + d8 fis8 fis8 fis8 fis8 d8 g8 e8 + e8 e8 e8 fis8 g8 g8 g8 <<g8 a8>> + << { e2 ~ e8 } { a2 ~ a8 } >> a8 d8 cis8 + b8 a8 a8 a8 << + { + e4 ~ e8 e8 + g8 g8 a8 a8 a8 + } + { + a4 ~ a8 a8 + d8 a8 d8 cis8 b8 + } + >> g8 e4 + %laudes + b8 << b8 d8 >> << b8 d8 >> d8 d4 cis8 d8 + e2 ~ e8 r8 + b8 << b8 d8 >> << b8 d8 >> d8 d4 + cis4( a8) a8 + d2 ~ d8 d8 d8 << b8 d8 >> + cis2( d8) d8 d8( b8 + << { a1 ~ a2) } { d1 ~ d2) } >> a2 + a1 + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + \tenorArt + %the actual tune + \clef "treble_8" + { + r8 a8 a8 a8 a8 a8 g8 g8 + a8 a8 a8 a8 g8 g8 g8 g8 + fis4 r8 d'8 a8 cis8 + e8 e8 e8 e8 d8 d8 d8 d8 + e8 d8 d8 d8 d4 + a8 a8 a8 g8 a8( d8) d8 a8 + a2 ~ a8 r8 r4 + r8 d8 cis4\(( b4 ~ b8) b8\) + d8 a8 d8 cis8 b8 a8 e'8 e8 + e4( d8) d8 g8 fis8 e8 d8 + e8 d8 d2 + %laudes + a8 a8 a8 g8 a8( d8) d8 a8 + a2. r4 + a4 a8 a8 a8 b8 d8( b8 + e4 ~ e8) e8 e4 e8 e8 + a,8 a8 d2. + a2 a8 b8 d8( b8 + e4 ~ e8) e8 e4 e8 d8 + a8 a8 e'2.( ~ + << + { + d4) d2 + } + { + e4) e2 + } + >> + r8 a,8 e'2.( ~ \( + << { d2.\) } { e2 d4) } >> a8 e'8 + << + { + d8 d8 b8 b8 b8 b8 + %corporis + a2. ~ + a2. ~ a8 a8 + } + { + e'8 e8 d8 d8 d8 d8 + %corporis + d2( ~ d8 cis8 + b2. ~ b8) b8 + } + >> + d2 ~ d8 d8 d8 d8 + e2( d4) d8 d8 + d4 ~ d8 a8 d8 cis8 b8 a8 + e'8 e8 e4( d8) d8 g8 fis8 + e8 d8 e8 d8 d2 + %laudes + a8 a8 a8 g8 a8( d8) d8 a8 + d2 ~ d8 r8 + a8 a8 a8 g8 a8( d8) + d8( a8 ~ a8) g8 + a2 ~ a8 a8 b8 a8 + a2( b8) b8( cis8 d8) + d4 a4 fis2 ~ + fis1 ~ + fis1 + } + %{ + %} + >> + } + + bassMelodie = \relative c { + << + { \meta } + \bassArt + %the actual tune + \clef bass + { + r8 fis8 fis8 fis8 fis8 fis8 b,8 b8 + cis8 cis8 cis8 cis8 b8 b8 b8 b8 + a4 r8 a'8 fis8 a8 + gis8 gis8 gis8 gis8 fis8 fis8 b,8 b8 + cis8 fis8 g8 g8 fis4 + g8 g8 g8 + << + { + b,8 cis8( b8) b8 b8 a2 ~ a8 + } + { + g'8 a8( fis8) g8 g8 fis2 ~ fis8 + } + >> + fis8 fis8 g8 + a4 ~ a8 a8 g4 ~ g8 g8 + fis4 ~ fis8 fis8 fis8 fis8 gis8 gis8 + gis8 gis8 fis4 ~ fis8 fis8 b,8 b8 + cis8 fis8 g8 g8 fis4 + %laudes + g8 g8 g8 + << + { + b,8 cis8( b8) b8 b8 + a2. + } + { + g'8 a8( fis8) g8 g8 + fis2. + } + >> r4 + r8 cis'8 d8 cis8 b8( a8 b8) a8 + gis4 ~ gis8 gis8 gis4 fis8 fis8 + fis1 + r8 cis'8 d8 cis8 b8 a8 b8( a8 + gis4 ~ gis8) gis8 gis4 fis8 fis8 + << + { + cis2. ~ cis8 cis8 + a2 a8 a8 + cis2. ~ cis8 cis8 + a2( b4) cis8 cis8 + d8 d8 d8 d8 d8 d8 + } + { + a'2. ~ a8 a8 + fis2 fis8 fis8 + a2. ~ a8 a8 + fis2( g4) a8 a8 + a8 a8 g8 g8 g8 g8 + } + >> + %corporis + << fis2.( a2.( >> + g2. ~ g8) g8 + << + { + fis2 ~ fis8 fis8 b,8 b8 + c2( b4) b8 b8 + a2 ~ a8 + } + { + a'2 ~ a8 a8 g8 g8 + a2( g4) g8 g8 + fis2 ~ fis8 + } + >> + a8 fis8 fis8 + gis8 gis8 gis8 gis8 fis4 ~ fis8 fis8 + b,8 b8 cis8 fis8 g8 g8 fis4 + %laudes + g8 g8 g8 + << + { + b,8 cis8( b8) b8 b8 + a2 ~ a8 + } + { + g'8 a8( fis8) g8 g8 + fis2 ~ fis8 + } + >> r8 + g8 g8 g8 + << + { + b,8 cis8( b8) + b4. b8 + d2 ~ d8 d8 d8 d8 + d2 ~ d8 d8 d8 d8 + d1 ~ + d1 ~ + d1 + } + { + g8 a8( fis8) + g4. g8 + fis2 ~ fis8 fis8 g8 g8 + a2( g8) g8 g8 g8 + fis1 ~ + fis1 ~ + fis1 + } + >> + } + >> + } + diff --git a/hr/quartett/lux/texte.ly b/hr/quartett/lux/texte.ly new file mode 100644 index 0000000..b15e0a6 --- /dev/null +++ b/hr/quartett/lux/texte.ly @@ -0,0 +1,133 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + +% Abkürzungen + + lux = \lyricmode { + O na -- ta lux de lu -- mi -- ne, + } + lumine = \lyricmode { + O na -- ta lux de lu -- mi -- ne. + } + + jesu = \lyricmode { + Je -- su re -- demp -- tor sae -- cu -- li, + } + saeculi = \lyricmode { + Je -- su re -- demp -- tor sae -- cu -- li. + } + + dig = \lyricmode { + dig -- na -- re cle -- mens sup -- pli -- cum, + } + dignare = \lyricmode { + dig -- na -- re cle -- mens sup -- pli -- cum + } + + laudes = \lyricmode { + lau -- des pre -- ces -- que su -- me -- re. + } + sumere = \lyricmode { + lau -- des pre -- ces -- que su -- me -- re, + } + + alleA = \lyrics { + \lux \jesu \dig \dignare \laudes + } + + sopA = \lyricmode { + O na -- ta lux, + } + + altA = \lyricmode { + \lux \jesu + } + + tenA = \lyricmode { + \sopA + } + + bassA = \lyricmode { + \lux + } + + alleB = \lyricmode { + \dig \dig \laudes + } + + qui = \lyricmode { + Qui car -- ne quon -- dam con -- te -- gi, qui con -- te -- gi + }%sopran + carne = \lyricmode { + Qui car -- ne quon -- dam con -- te -- gi + }%alt + contegi = \lyricmode { + Qui car -- ne quon -- dam con -- te -- gi, con -- te -- gi + } + + dignatus = \lyricmode { + dig -- na -- tus es pro per -- di -- tis. + } + perditis = \lyricmode { + dig -- na -- tus es pro per -- di -- tis, per -- di -- tis. + } + + effici = \lyricmode { + Nos mem -- bra con -- fer ef -- fi -- ci, + }%tenor + confer = \lyricmode { + Nos mem -- bra con -- fer, con -- fer ef -- fi -- ci, + } + + tui = \lyricmode { + tu -- i be -- a -- ti cor -- po -- ris, + }%sopran + corporis = \lyricmode { + tu -- i be -- a -- ti cor -- po -- ris. + } + + de = \lyricmode { + De lu -- mi -- ne, sae -- cu -- li, + } + + sopB = \lyricmode { + \qui \dignatus \confer \tui \corporis + } + + altB = \lyricmode { + \carne \dignatus \confer \corporis \lux \jesu + } + + tenB = \lyricmode { + \contegi \perditis \effici \corporis \de + } + + bassB = \lyricmode { + \contegi \perditis \confer \corporis \de + } + + sopC = \lyricmode { + \lux \lux \sumere \laudes \lux \saeculi + } + + unterC = \lyricmode { + \dig \dig \sumere \laudes \lumine + } + +% Die Textaufteilungen + + sopranText = \lyrics { + \alleA \sopA \alleB \sopB \sopC + } + + altText = \lyrics { + \alleA \altA \alleB \altB \unterC + } + + tenorText = \lyrics { + \alleA \tenA \alleB \tenB \unterC + } + + bassText = \lyrics { + \alleA \bassA \alleB \bassB \unterC + } + |