diff options
Diffstat (limited to 'Du_meine_Seele_singe')
| -rw-r--r-- | Du_meine_Seele_singe/Du_meine_Seele_singe.ly | 43 | ||||
| -rw-r--r-- | Du_meine_Seele_singe/stimmen.ly | 147 | ||||
| -rw-r--r-- | Du_meine_Seele_singe/texte.ly | 24 |
3 files changed, 214 insertions, 0 deletions
diff --git a/Du_meine_Seele_singe/Du_meine_Seele_singe.ly b/Du_meine_Seele_singe/Du_meine_Seele_singe.ly new file mode 100644 index 0000000..d775841 --- /dev/null +++ b/Du_meine_Seele_singe/Du_meine_Seele_singe.ly @@ -0,0 +1,43 @@ +\include "deutsch.ly" +\include "stimmen.ly" +\include "texte.ly" + +#(set! paper-alist (cons '("kindle" . (cons (* 210 mm) (* 130 mm))) paper-alist)) +#(set-default-paper-size "kindle") + +\header { + tagline = "" +} +\paper { + top-margin = 5 +} + +\score { + << + \set Score.skipBars = ##t + \new PianoStaff << + \new Voice = links { \global \autoBeamOn \klavierLinksMelodie } + \new Voice = rechts { \clef "bass" \global \autoBeamOn \klavierRechtsMelodie } + >> + \new ChoirStaff << + \new Staff << + \new Voice = frauen { \global \pausen } + \new Voice = sopran { \global \voiceOne \sopranMelodie } + \new Voice = alt { \global \voiceTwo \altMelodie } + >> + \new Lyrics \lyricsto sopran { \textI } + \new Lyrics \lyricsto sopran { \textIa } + \new Lyrics \lyricsto sopran { \textII } + \new Lyrics \lyricsto sopran { \textIIa } + \new Staff << + \new Voice = maenner { \clef "bass" \global \pausen } + \new Voice = tenor { \clef "bass" \global \voiceOne \tenorMelodie } + \new Voice = bass { \clef "bass" \global \voiceTwo \bassMelodie } + >> + >> + >> + \layout { + indent = #0 + \context { \Staff \RemoveEmptyStaves } + } +} diff --git a/Du_meine_Seele_singe/stimmen.ly b/Du_meine_Seele_singe/stimmen.ly new file mode 100644 index 0000000..1e5d864 --- /dev/null +++ b/Du_meine_Seele_singe/stimmen.ly @@ -0,0 +1,147 @@ +%some settings% vim: ai sw=2 lbr nu et + + global = { + \key b \major + %\override Staff.TimeSignature #'style = #'() + \time 3/2 + \partial 2 + \autoBeamOff + } + +% Die Stimmen + + pausen = { + \repeat volta 2 { R2 | R1. | \time 2/2 R1*2 | R2 s | s1 | \time 3/2 s1. | \time 2/2 s1*2 } + R2 | \time 2/2 R1*4 | + r2 s | s1*3 | s2 r | \time 3/2 R1. | + \time 2/2 R1 | r2 s | s1*4 | \bar "|." + } + + + sopranMelodie = \relative b { + \repeat volta 2 { s2 | s1. | \time 2/2 s1*2 | s2 b | d4 f b d | \time 3/2 c2 c\breathe a | \time 2/2 b4 f f4. es8 | d1 | } + } + + altMelodie = \relative g' { + s8*9*7 | \repeat volta 2 { s8*9 | + g2. g4. | a( g) fis | g d2. | d4. d s | s2. s4. | + g2. g4. | g( d) e | e fis4( e8 fis4.) | d2. s4. | + s8*9*6 | g2. g4. | a( g) fis | g d2. | d4. d s | s2. s4. | + g2. g4. | g( d) e | e fis4( e8 fis4.) | d2. s4. | + s8*9*7 | fis2. gis4. | a2. a4. | a2. gis4. | a a s | + s8*9*2 | a2. g4. | g( c) g | + f( a) g | g g s | s8*9*2 | + g2. g4. | g2. g4. | g4( fis8) g2. | fis s4. | s8*9 | + g2. g4. | g( d) e | e fis4( e8 fis4.) | d2.~ d4. | s8*9*9 | + } + \alternative { { + s8*9 | + } { + s8*9*2 | \bar "|." + } } + } + + tenorMelodie = \relative d' { + s8*9*7 | \repeat volta 2 { s8*9 | + d2. e4. | a,2. h4. | h( a) g | fis a s | s2. s4. | + d2. e4. | d( h) h | c4( a8) d4( h8 c4.) | h2. s4. | + s8*9*6 | d2. e4. | a,2. h4. | h( a) g | fis a s | s2. s4. | + d2. e4. | d( h) h | c4( a8) d4( h8 c4.) | h2. s4. | + s8*9*7 | d2. d4. | e2. f4. | f( d) e | c c s | + s8*9*2 | e2. d4. | c2. c4. | + a2. h4. | e e s | s8*9*2 | + d2. e4. | d( h) h | c( d) e | a,2. s4. | s8*9 | + d2. e4. | d( h) h | c4( a8) d4( h8 c4.) | h2.~ h4. | s8*9*9 | + } + \alternative { { + s8*9 | + } { + s8*9*2 | \bar "|." + } } + } + + bassMelodie = \relative g { + s8*9*7 | \repeat volta 2 { s8*9 | + g4.( fis) e | fis( e) d | e( fis) g | d d s | s2. s4. | + g( fis) e | h'( h,) e | c( d) d | g,2. s4. | + s8*9*6 | g'4.( fis) e | fis( e) d | e( fis) g | d d s | s2. s4. | + g( fis) e | h'( h,) e | c( d) d | g,2. s4. | + s8*9*7 | d'4.( c) h | a( a'4 g8) f4( e8) | d4.( h) e | a, a s | + s8*9*2 | a'2. h4. | c( a) e | + f( d) g | c, c s | s8*9*2 | + g'2. e4. | h( e) e | a,( h) c | d2. s4. | s8*9 | + g4.( fis) e | h'( h,) e | c d2. | g,2.~ g4. | s8*9*9 | + } + \alternative { { + s8*9 | + } { + s8*9*2 | \bar "|." + } } + } + + klavierLinksMelodie = \relative g' { + r8 g a << \new Voice { \voiceOne h8( d c) c( e d) | d( g fis) g( d h) g( a h) | c( d e) d( c h) a( h g) | fis( g a) d,( fis a) c( h a) | } + \new Voice { \voiceTwo g4. g | g h4 r8 g4. | e g e | fis d fis | } >> + <g h>8( g a) << \new Voice { \voiceOne h8( d c) c( e d) | d( g fis) g( d h) g( a h) | e,( d' c) h( a g) d( g fis) | } + \new Voice { \voiceTwo g4. e | g h4 r8 g4. | e e d | } >> + \repeat volta 2 { + << \new Voice { \voiceOne g8( h d) g( d h) g( h d) | g4. } \new Voice { \voiceTwo g,4.~ g g~ | g } >> r4. g | + <a d,>2. <fis h>4. | << \new Voice { \voiceOne c'2. h4. } \new Voice { \voiceTwo g4. d2. } >> | + r8 d e << \new Voice { \voiceOne fis( a g) a( c h) | c( a fis) d( fis a) c( h a) | + h( g a) h( d c) c( e d) | d( g fis) g( d h) g( a h) | e,( d' c) h( a g) } + \new Voice { \voiceTwo d4 e8 fis4 g8 | fis4 r8 d4. fis | + g g g | g~ g g | e fis4 g8 } >> + d( g fis) | g( h a) << \new Voice { \voiceOne h( d c) c( e d) | d( g fis) g( d h) g( a h) | c( d e) d( c h) a( h g) | fis( g a) d,( fis a) c( h a) | } + \new Voice { \voiceTwo g4. g | g h4 r8 g4. | e g e | fis d fis } >> | <g h>8( g a) + << \new Voice { \voiceOne h( d c) c( e d) | d( g fis) g( d h) g( a h) | e,( d' c) h( a g) d( g fis) | g4. } + \new Voice { \voiceTwo g4. e | g h4 r8 g4. | e e d4 c8 | h4. } >> r4. g' | <a d,>2. <h fis>4. | << \new Voice { \voiceOne c2. h4. } \new Voice { \voiceTwo g4. d2. } >> | + r8 d8 e << \new Voice { \voiceOne fis8( a g) a( c h) | c( a fis) d( fis a) c( h a) | h( g a) h( d c) c( e d) | d(g fis) g( d h) g( a h) | e,( d' c) h( a g) } + \new Voice { \voiceTwo d4 e8 fis4 g8 | fis4 r8 d4. fis | g g g | g~ g g | e fis4 g8 } >> d8( g fis) | g( h a) + << \new Voice { \voiceOne h( d c) c( e d) | d( g fis) g( d h) g( a h) | c( d e) d( c h) a( h g) | fis( g a) d,( fis a) c( h a) } + \new Voice { \voiceTwo g4. g | g h4 r8 g4. | e g e | fis d fis } >> | + <g h>8( g a) << \new Voice { \voiceOne h( d c) c( e d) | d( g fis) g( d h) g( a h) | e,( d' c) h( a g) d( g fis) } + \new Voice { \voiceTwo g4. e | g h4 r8 g4. | e e d } >> | g8( h d) g( d h) << \new Voice { \voiceOne g( h cis) } \new Voice { \voiceTwo g4. } >> | + d'8( d, e) << \new Voice { \voiceOne fis( a gis) gis( h a) | a( c h) c( a e) } \new Voice { \voiceTwo d4. d | c d4 } >> c8( d e) | + << \new Voice { \voiceOne f8( d' c) d( h gis) e( fis gis) | a( c h) c( e d) d( f e) | e( a gis) a( e c) a( h c) | f( e d) c( h a) } + \new Voice { \voiceTwo f4.~ f e | a a a | a c a | a fis } >> e8( a gis) | << \new Voice { \voiceOne a( c e) a } \new Voice { \voiceTwo a,4.~ a8 } >> r4 r4. | r8 c d + << \new Voice { \voiceOne e8( g f) g( b a) | a( c h) c( a f) d( e f) | e( g f) g( e c) g( a b) | a( c h) c( a f) d( e f) } + \new Voice { \voiceTwo c'4. c | c f d | c c g | f f d } >> | e8( c d) + << \new Voice { \voiceOne e8( g fis) g( h a) | h( g a) h( d c) c( e d) | d( g fis) g( d h) g( a h) | c( d e) d( c h) a( h g) } + \new Voice { \voiceTwo c,4 d8 d4 fis8 | g4. g g | g h g | e g e } >> | <d fis>8( d e) << \new Voice { \voiceOne fis( a g) a( c h) } \new Voice { \voiceTwo d,4 e8 fis4 g8 } >> | + <a c>( a fis) << \new Voice { \voiceOne d( fis a) c( h a) } \new Voice { \voiceTwo d,4. d4 fis8 } >> | + <g h>( g a) << \new Voice { \voiceOne h( d c) c( e d) | d( g fis) g( d h) g( a h) | e,( d' c) h( a g) } + \new Voice { \voiceTwo g4. g | g g g | e fis4 g8 } >> d( g fis) | + << \new Voice { \voiceOne g( h d) g( d h) g( h d) | d( g fis) g( d h) g( a h) | c( d e) d( c h) a( h g) | fis( g a) d,( fis a) c( h a) } + \new Voice { \voiceTwo g4.~ g g~ | g g~ g | fis g e~ | e d fis | g g g | g h g | e g e | d d fis } >> | <g h>8( g a) + << \new Voice { \voiceOne h( d c) c( e d) | d( g fis) g( d h) g( a h) } \new Voice { \voiceTwo g4. e | g h g } >> | } + \alternative { { + << \new Voice { \voiceOne e8( d' c) h( a g) d( g fis) } \new Voice { \voiceTwo e4. e d } >> | + } { + << \new Voice { \voiceOne e8( d' c) h( a g) d( g fis) } \new Voice { \voiceTwo e4. e d4 c8 } >> | <h d g>2.~ <h d g>4.^\fermata | \bar "|." + } } + } + + klavierRechtsMelodie = \relative g, { + g4. g' e | h e e, | a h c | d fis d | + g e c | h e d | c cis d | \repeat volta 2 { g, r4 g'8 d4 h8 | + g4. fis' e | fis e d | e fis g | d r4 d8 d4 d8 | d4. r4 d8 d4 d8 | + g4. fis e | h' h, e | c d d, | g g' e | + h e e, | a h c | d fis d | g e c | + h e d | c cis d | g, fis' e | fis e d | e fis g | d r4 d8 d4 d8 | + d4. r4 d8 d4 d8 | g4. fis e | h' h, e | c d d, | + g g' e | h e e, | a h c | d fis d | + g e c | h e d | c cis d | g, r4 g'8 fis4 e8 | + d4. c h | a a'4 g8 f4 e8 | d4. h e | a, f' d | + c f e | d dis e | a, a' h | c a e | + f d g | c, e c | f d g | c, r4 c8 h4 d8 | + g,4. g' e | h e e, | a h c | d r4 d8 d4 d8 | d,4. r4 d'8 d4 d8 | + g4. fis e | h' h, e | c d d, | g2.~ g4.~ | + g2.~ g4. | g2.~ g4.~ | g2.~ g4.~ | g g' e | + h e e, | a h c | d fis d | g e c | + h e d | } + \alternative { { + c cis d | + } { + c cis d^\markup { \italic rit. } | g,2.~ g4._\fermata | \bar "|." + } } + } diff --git a/Du_meine_Seele_singe/texte.ly b/Du_meine_Seele_singe/texte.ly new file mode 100644 index 0000000..2a19e5f --- /dev/null +++ b/Du_meine_Seele_singe/texte.ly @@ -0,0 +1,24 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + +% Die Textaufteilungen + + textI = \lyricmode { + \set stanza = "1." + Du mei -- ne See -- le sin -- ge, wohl auf und sin -- ge schön + Ich will den Her -- ren dro -- ben prei -- sen auf der Erd; + ich will ihn herz -- lich lo -- ben, so -- lang ich le -- ben werd. + } + textIa = \lyricmode { + dem, wel -- chem al -- le Din -- ge zu Diens und Wil -- len stehn. + } + textII = \lyricmode { + \set stanza = "2." + Wohl dem, der ein -- zig schau -- et nach Ja -- kobs Gott und Heil! + das höchs -- te Gut er -- le -- sen, den schöns -- ten Schatz ge -- liebt; + sein Herz und gan -- zes We -- sen bleibt e -- wig un -- be -- trübt. + } + textIIa = \lyricmode { + Wer dem sich an -- ver -- trau -- et, der hat das bes -- te Teil, + } |