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-rw-r--r--Die_Weihnachtsgeschichte/Die_Weihnachtsgeschichte.ly156
-rw-r--r--Die_Weihnachtsgeschichte/stimmen.ly275
-rw-r--r--Die_Weihnachtsgeschichte/texte.ly54
3 files changed, 485 insertions, 0 deletions
diff --git a/Die_Weihnachtsgeschichte/Die_Weihnachtsgeschichte.ly b/Die_Weihnachtsgeschichte/Die_Weihnachtsgeschichte.ly
new file mode 100644
index 0000000..39fbfa0
--- /dev/null
+++ b/Die_Weihnachtsgeschichte/Die_Weihnachtsgeschichte.ly
@@ -0,0 +1,156 @@
+\include "deutsch.ly"
+\include "stimmen.ly"
+\include "texte.ly"
+
+#(set! paper-alist (cons '("kindle" . (cons (* 210 mm) (* 130 mm))) paper-alist))
+#(set-default-paper-size "kindle")
+
+\pointAndClickOff
+
+\header {
+ title = "Die Weihnachtsgeschichte"
+ composer = "Arnold Melchior Brunckhorst (um 1670-1725)"
+ %opus = "<+Werk+>"
+ tagline = ""
+}
+\paper {
+ top-margin = 5
+}
+
+
+\score {
+ \new ChoirStaff <<
+ \set Score.skipBars = ##t
+ \new Staff {
+ <<
+ \new Voice = frauen { \globalIII \pausenFrauenIII }
+ \new Voice = sopran { \globalIII \voiceOne \sopranIII }
+ \new Voice = alt { \globalIII \voiceTwo \altIII }
+ >>
+ }
+ \new Lyrics = textIII
+ \new Staff <<
+ \new Voice = maenner { \globalIII \clef "bass" \pausenMaennerIII }
+ \new Voice = tenor { \globalIII \clef "bass" \voiceOne \tenorIII }
+ \new Voice = bass { \globalIII \clef "bass" \voiceTwo \bassIII }
+ >>
+ \context Lyrics = textIII \lyricsto bass \textIII
+ >>
+ \header {
+ piece = \markup { \bold "3. Chor" }
+ }
+ \layout {
+ indent = #0
+ }
+}
+
+\score {
+ \new ChoirStaff <<
+ \set Score.skipBars = ##t
+ \new Staff {
+ <<
+ \new Voice = frauen { \globalIX \pausenFrauenIX }
+ \new Voice = sopran { \globalIX \voiceOne \sopranIX }
+ \new Voice = alt { \globalIX \voiceTwo \altIX }
+ >>
+ }
+ \new Lyrics = textIX
+ \new Staff <<
+ \new Voice = maenner { \globalIX \clef "bass" \pausenMaennerIX }
+ \new Voice = tenor { \globalIX \clef "bass" \voiceOne \tenorIX }
+ \new Voice = bass { \globalIX \clef "bass" \voiceTwo \bassIX }
+ >>
+ \context Lyrics = textIX \lyricsto bass \textIX
+ >>
+ \header {
+ piece = \markup { \bold "9. Arie (Bass) und Chor" }
+ }
+ \layout {
+ indent = #0
+ }
+}
+
+\score {
+ \new ChoirStaff <<
+ \set Score.skipBars = ##t
+ \new Staff {
+ <<
+ \new Voice = frauen { \globalXI \pausenXI }
+ \new Voice = sopran { \globalXI \voiceOne \sopranXI }
+ \new Voice = alt { \globalXI \voiceTwo \altXI }
+ >>
+ }
+ \new Lyrics = textXI
+ \new Staff <<
+ \new Voice = maenner { \globalXI \clef "bass" \pausenXI }
+ \new Voice = tenor { \globalXI \clef "bass" \voiceOne \tenorXI }
+ \new Voice = bass { \globalXI \clef "bass" \voiceTwo \bassXI }
+ >>
+ \context Lyrics = textXI \lyricsto bass \textXI
+ >>
+ \header {
+ piece = \markup { \bold "11. Chor" }
+ }
+ \layout {
+ indent = #0
+ }
+}
+
+\score {
+ \new ChoirStaff <<
+ \set Score.skipBars = ##t
+ \new Staff {
+ <<
+ \new Voice = frauen { \globalXIV \pausenFrauenXIV }
+ \new Voice = sopran { \globalXIV \voiceOne \sopranXIV }
+ \new Voice = alt { \globalXIV \voiceTwo \altXIV }
+ >>
+ }
+ \new Lyrics = textXIV
+ \new Staff <<
+ \new Voice = maenner { \globalXIV \clef "bass" \pausenMaennerXIV }
+ \new Voice = tenor { \globalXIV \clef "bass" \voiceOne \tenorXIV }
+ \new Voice = bass { \globalXIV \clef "bass" \voiceTwo \bassXIV }
+ >>
+ \context Lyrics = textXIV \lyricsto bass \textXIV
+ >>
+ \header {
+ piece = \markup { \bold "14. Chor" }
+ }
+ \layout {
+ indent = #0
+ }
+}
+
+\score {
+ \new ChoirStaff <<
+ \set Score.skipBars = ##t
+ \new Lyrics = textXVSopran
+ \new Staff {
+ <<
+ \new Voice = frauen { \globalXV \pausenXV }
+ \new Voice = sopran { \globalXV \voiceOne \sopranXV }
+ \new Voice = alt { \globalXV \voiceTwo \altXV }
+ >>
+ }
+ \new Lyrics = textXV
+ \new Lyrics = textXVTenor
+ \new Staff <<
+ \new Voice = maenner { \globalXV \clef "bass" \pausenXV }
+ \new Voice = tenor { \globalXV \clef "bass" \voiceOne \tenorXV }
+ \new Voice = bass { \globalXV \clef "bass" \voiceTwo \bassXV }
+ >>
+ \new Lyrics = textXVBass
+ \context Lyrics = textXVSopran \lyricsto sopran \textXVSopran
+ \context Lyrics = textXV \lyricsto alt \textXV
+ \context Lyrics = textXVTenor \lyricsto tenor \textXVTenor
+ \context Lyrics = textXVBass \lyricsto bass \textXVBass
+ >>
+ \header {
+ piece = \markup { \bold "15. Choral" }
+ }
+ \layout {
+ indent = #0
+ }
+}
+
diff --git a/Die_Weihnachtsgeschichte/stimmen.ly b/Die_Weihnachtsgeschichte/stimmen.ly
new file mode 100644
index 0000000..30576bc
--- /dev/null
+++ b/Die_Weihnachtsgeschichte/stimmen.ly
@@ -0,0 +1,275 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+
+ globalIII = {
+ \key c \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 3/4
+ \autoBeamOff
+ \partial 4
+ }
+
+ pausenFrauenIII = {
+ s4 | s2.*3 | s2 r4 | R2.*14 |
+ s2.*4 | s2 r4 | R2.*13 |
+ s2.*4 | s2 r4 |
+ R2.*16 | s2.*5 | s4 r2 |
+ R2.*10 | s2.*5 | s4 r2 | R2.*8 | \bar "|."
+ }
+
+ pausenMaennerIII = {
+ s4 | s2.*3 | s2 r4 | R2.*14 |
+ s2.*4 | s2 r4 | R2.*13 |
+ s2.*5 |
+ R2.*17 | r2 s4 | s2.*3 | s4 r s |
+ R2.*10 | s2.*5 | s4 r2 | R2.*8 | \bar "|."
+ }
+
+ sopranIII = \relative g' {
+ g4 | c e d | e e g | e4. e8 d4 | c c s | s2.*14 |
+ \new CueVoice { \voiceOne r2 } d4 | d h d | d h d | e4. e8 fis4 | g g s | s2.*13 |
+ \new CueVoice { \voiceOne e4 c } e | e e d | e e g | e e d | c c s |
+ s2.*16 | \new CueVoice { \voiceOne a8[ h a h c d] | h4 h } h | c c h | c c d | e4. e8 e4 | d s2 |
+ s2.*10 | \new CueVoice { \voiceOne h8[ a h d c d] | h4 h } g | c e d | e4. e8 e4 | d d4. c8 | c4^\fermata s2 | s2.*8 | \bar "|."
+ }
+
+ altIII = \relative e' {
+ e4 | e g g | g g g | g4. g8 g4 | e e s | s2.*14 |
+ \new CueVoice { \voiceTwo h4 h } g'4 | g g g | g g g | g4. g8 a4 | h4 h s | s2.*13 |
+ \new CueVoice { \voiceTwo r2 } g4 | g g g | g g g | g g g | e e s |
+ s2.*16 | \new CueVoice { \voiceTwo d8[ c d f e f] | d4 d } d | e e d | e e g | e4. e8 e4 | e s2 |
+ s2.*10 | \new CueVoice { \voiceTwo f4 f r | r2 } e4 | e g g | g4. g8 g4 | a g4. g8 | e4_\fermata s2 | s2.*8 | \bar "|."
+ }
+
+ tenorIII = \relative c' {
+ c4^\f | c c d | c c d | c4. c8 h4 | c c s | s2.*14 |
+ \new CueVoice { \voiceOne r2 } h4^\f | h d h | h d d | e4. e8 d4 | d d s | s2.*13 |
+ \new CueVoice { \voiceOne r2 } c4^\f | c c h | c c d | c c h | c c \new CueVoice { \voiceOne g' } |
+ s2.*17 | s2 g,4^\f | g g g | g g h | c4. c8 c4 | h4 s \new CueVoice { \voiceOne r } |
+ s2.*10 | \new CueVoice { \voiceOne c8[ d c d e f] | d4 d } c^\f | c c h | c4. c8 c4 | c h h | c^\fermata s2 | s2.*8 | \bar "|."
+ }
+
+ bassIII = \relative c {
+ c4 | c c h | c c h | c4. c8 g'4 | c, c s | s2.*14 |
+ \new CueVoice { \voiceTwo g'4 g } g | g g g | g g h, | c4. c8 d4 | g, g s | s2.*13 |
+ \new CueVoice { \voiceTwo g'8[ f g a] } c,4 | c c g' | c, c h | c e g | c, c \new CueVoice { \voiceTwo r4 } |
+ s2.*17 | s2 g'4 | c, c g' | c, c g' | c,4. c8 c4 | g' s \new CueVoice { \voiceTwo g } |
+ s2.*10 | \new CueVoice { \voiceTwo r2. | r2 } c,4 | c c g' | c4. c8 c4 | f, g4. g8 | c,4_\fermata s2 | s2.*8 | \bar "|."
+ }
+
+ globalIX = {
+ \key c \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ \autoBeamOff
+ }
+
+ pausenFrauenIX = {
+ R1*33 | r2 s |
+ s1*11 | s2 r |
+ R1*5 | \bar "|."
+ }
+
+ pausenMaennerIX = {
+ R1*29 | s2. r4 | r2 s | s4 r2. | s r4 | r2 s |
+ s1*11 | s2 r |
+ s2. r4 | r2 s | s4 r2. | s r4 | R1 | \bar "|."
+ }
+
+ sopranIX = \relative c'' {
+ s1*33 | s2 c4 g |
+ a c f d | e e d d | e d c4. c8 | h2 e4 e |
+ c c f f | d d g g | fis g g4. f8 | g2 e4 e | c c f f |
+ d d e e | e d d4. c8 | c4 c s2 |
+ s1*5 | \bar "|."
+ }
+
+ altIX = \relative e' {
+ s1*33 | s2 e4 e |
+ f g f g | g g g g | g g g fis | g2 g4 g |
+ a a a a | h h g g | a h a4. a8 | g2 g4 g | a a a a |
+ g g g g | a a g4. g8 | e4 e s2 |
+ s1*5 | \bar "|."
+ }
+
+ tenorIX = \relative c' {
+ s1*29 | c4^\f e,8. g16 c4 s | s2 g4 h,8. d16 | g4 s2. | c4 e,8. g16 c4 s | s2 c4^\f c |
+ c c c h | c c d h | c h a a | h2 c4 c |
+ c c d d | d d d h | d d d4. d8 | h2 c4 c | e e d d |
+ h h c c | c c c h | c c s2 |
+ c4 e,8. g16 c4 s | s2 g4 h,8. d16 | g4 s2. | c4 e,8. g16 c4 s | s1 | \bar "|."
+ }
+
+ bassIX = \relative c' {
+ s1*29 | c4 e,8. g16 c,4 s | s2 g'4 h,8. d16 | g,4 s2. | c'4 e,8. g16 c,4 s | s2 c4 c |
+ f e d g | c c h g | c h a4. d,8 | g2 c,4 c |
+ f f d d | g g h g | d' g, d4. d8 | g2 e4 e | a a d, d |
+ g g c, c | f fis g g | c, c s2 |
+ c'4 e,8. g16 c,4 s | s2 g'4 h,8. d16 | g,4 s2. | c'4 e,8. g16 c,4 s | s1 | \bar "|."
+ }
+
+ globalXI = {
+ \key c \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ \autoBeamOff
+ }
+
+ pausenXI = {
+ r4 s2. | s4 r2. | R1 | r4 s2. |
+ s1*2 | s4 r2. | R1 |
+ r4 s2. |s1 | s4 r2. | R1 | \bar "||"
+ \time 3/4
+ r2 s4 | s2.*7 | s2 r4 | R2.*5 | \bar "||"
+ \time 4/4
+ r4 s2. | s1*2 | \bar "||"
+ \time 3/4
+ s2 r4 | R2.*8 | \bar "|."
+ }
+
+ sopranXI = \relative e'' {
+ s4 e8 d e d16[ c] f8 f | f16[ e] e8 s2. | s1 | s4 e8 d e d16[ c] f8 f |
+ f16[ e] e8 d d e d e d16[ c] | d8 d d d c h a8. g16 | g8 g s2. | s1 |
+ s4 e'8 e c c f f | f16[ e] e8 f e d c16[ d] e8 d16[ c] | c8 c s2. | s1 | \bar "||"
+ \time 3/4
+ s2 g4 | c c d | e c e | d8[ c] d[ e] c[ d] | h4 g d' |
+ e e d | e c d | e4. f8 d4 | c c s | s2.*5 | \bar "||"
+ \time 4/4
+ s4 d8 d16[ c] h8 a16[ g] c8 c | c16[ h] h8 g' g16[ f] e8 d16[ c] f8 f |
+ f16[ e] e8 f e d c16[ d] e8 d16[ c] | \bar "||"
+ \time 3/4
+ c4 c s | s2.*8 | \bar "|."
+ }
+
+ altXI = \relative g' {
+ s4 g8 g g g a h | g g s2. | s1 | s4 g8 g g g a h |
+ g g g h g g g g | g g g g fis g g fis | d d s2. | s1 |
+ s4 g8 g g g a g | g g f g16[ a] h8 g g g | e e s2. | s1 | \bar "||"
+ \time 3/4
+ s2 e4 | e e g | g g g | g g fis | g g g |
+ g g g | g g g | g a g | e e s | s2.*5 | \bar "||"
+ \time 4/4
+ s4 d8 d d d e fis | d d g g g g a h |
+ g g f g16[ a] h8 g g g | \bar "||"
+ \time 3/4
+ e4 e s | s2.*8 | \bar "|."
+ }
+
+ tenorXI = \relative e' {
+ s4 e8^\f d c e c d | c c s2. | s1 | s4 e8^\f d c e c d |
+ c c d d c d c c | h h d d d d d8. d16 | h8 h s2. | s1 |
+ s4 c8^\f c e e d d | c c h c f e16[ d] c8 h | c c s2. | s1 | \bar "||"
+ \time 3/4
+ s2 c4^\f | c c h | c e c | d h c | d h h |
+ c c h | c e d | c c h | c c s | s2.*5 | \bar "||"
+ \time 4/4
+ s4 h8^\f a g h g a | g g c d c e c d |
+ c c h c f e16[ d] c8 h | \bar "||"
+ \time 3/4
+ c4 c s | s2.*8 | \bar "|."
+ }
+
+ bassXI = \relative c' {
+ s4 c8 h c c a g | c, c s2. | s1 | s4 c'8 h c c a g |
+ c c h g c h c c | g g h h a g d d | g g s2. | s1 |
+ s4 c8 c a a d, h | c c d e16[ f] g8 c g g | c, c s2. | s1 | \bar "||"
+ \time 3/4
+ s2 c4 | c c g' | c, c c' | h h a | g g g |
+ c, c g' | c, c h | c f g | c, c s | s2.*5 | \bar "||"
+ \time 4/4
+ s4 g'8 fis g g e d | g g c, h c c a g |
+ c c d e16[ f] g8 c g g | \bar "||"
+ \time 3/4
+ c,4 c s | s2.*8 | \bar "|."
+ }
+
+ globalXIV = {
+ \key c \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 3/2
+ \autoBeamOff
+ }
+
+ pausenFrauenXIV = {
+ s1. | s2 r s | s1.*24 | \bar "|."
+ }
+
+ pausenMaennerXIV = {
+ s1. | s2 r1 | R1. | s1.*3 |
+ R1.*2 | s1. | s2 r1 | R1. | s1.*15 | \bar "|."
+ }
+
+ sopranXIV = \relative c'' {
+ c2 c h | c s \new CueVoice { \voiceOne f | e4 d e d g2 | } c, c h | c d d | c1 h2 |
+ \new CueVoice { \voiceOne d d e | d g e | } g, g fis | g \new CueVoice { \voiceOne g' e | d d g | } c, c h |
+ c e d | e1 d2 | f f f | f1 e2 | e1 d2 | d2. d4 c2 |
+ c4 c c2.( h4) |c1. | f2 f f | f1 e2 | e1 d2 | d2. d4 c2 | c4 c c2.( h4) | c1.^\fermata | \bar "|."
+ }
+
+ altXIV = \relative g' {
+ g2 g g | g s2 \new CueVoice { \voiceTwo r | R1. | } g2 g g | g g g | g( fis) g |
+ \new CueVoice { \voiceTwo R1.*2 | } d2 d d | d \new CueVoice { \voiceTwo r1 | R1. | } g2 g g |
+ g g g | g1 g2 | f a a | g1 g2 | g1 a2 | g2. g4 g2 |
+ a4 a g1 | g1. | f2 a a | g1 g2 | g1 a2 | g2. g4 g2 | a4 a g1 | g1._\fermata | \bar "|."
+ }
+
+ tenorXIV = \relative e' {
+ e2^\f e d | e s1 | s1. | e2 e d | e d h | c1 d2 |
+ s1.*2 | h2^\ff h a | h s1 | s1. | e2 e d |
+ e c h | c1 h2 | c^\mf c d | h1 c2 | c1 c2 | h2. h4 c2 |
+ f4 e d1 | e1. | c2^\f c d | h1 c2 | c1 c2 |h2. h4 c2 | f4 e d1 | e1.^\fermata | \bar "|."
+ }
+
+ bassXIV = \relative c {
+ c2 e g | c, s1 | s1. | c2 e g | c h h | a1 g2 |
+ s1.*2 | g2 h d | g, s1 | s1. | c,2 e g |
+ c c g | c1 g2 | a a d, | g1 c,2 | e1 f2 | f2. f4 e2 |
+ f4 f g1 | c,1. | a'2 a d, | g1 c,2 | e1 f2 | f2. f4 e2 | f4 f g1 | c,1._\fermata | \bar "|."
+ }
+
+ globalXV = {
+ \key c \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 3/2
+ \autoBeamOff
+ }
+
+ pausenXV = {
+ s1.*16 | \bar "||"
+ \time 4/4 |
+ r4 s2. | s1*4 | \bar "|."
+ }
+
+ sopranXV = \relative c'' {
+ c2 h a | h1 g2 | a1 h2 | c1. | c2 c g | g1 e2 | g1 f2 | e1. |
+ e2 a a | g1 h2 | c( h) a | g1. | c2 h a | g1 g2 |
+ f( e) d | c1. | \bar "||"
+ \time 4/4
+ s4 c' c c | c2 d | h c~ | c h | c1 | \bar "|."
+ }
+
+ altXV = \relative g' {
+ g2 g a | g1 d2 | fis1 g2 | g1. | g2 g e | e1 c2 | d1 d2 | cis1. |
+ cis2 e fis | g1 g2 | g1 fis2 | g1. | a2 g e | d1 e2 |
+ c1 h2 | c1. | \bar "||"
+ \time 4/4
+ s4 g' g g | a2 a | g1 | g | g | \bar "|."
+ }
+
+ tenorXV = \relative e' {
+ e2^\mf d c | h1 h2 | d1 d2 | e1. | e2 e c | c1 g2 | g1 a2 | a1. |
+ a2 a a | h1 d2 | e( d) d | h1. | c2 h c | h1 g2 |
+ a g1 | g1. | \bar "||"
+ \time 4/4
+ s4 e'^\ff e e | f2 f | d e4 e | d2. d4 | e1 | \bar "|."
+ }
+
+ bassXV = \relative c {
+ c2 g a | e'1 g2 | d1 g2 | c,1. | c2 c e | c1 c2 | h1 d2 | a1. |
+ a2 cis d | g,1 g2 | c( g) d' | g1. | f2 g a | h( h,) c |
+ f( c) g' | c,1. | \bar "||"
+ \time 4/4
+ s4 c c c f2 d | g1 | g | c, | \bar "|."
+ }
+
diff --git a/Die_Weihnachtsgeschichte/texte.ly b/Die_Weihnachtsgeschichte/texte.ly
new file mode 100644
index 0000000..5d28435
--- /dev/null
+++ b/Die_Weihnachtsgeschichte/texte.ly
@@ -0,0 +1,54 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ textIII = \lyricmode {
+ %<+hier den Text für den Alt eintragen+>
+ Nun zei -- get der Him -- mel die schöns -- ten Ge -- bär -- den,
+ drum re -- get, be -- we -- get sich al -- les auf Er -- den,
+ drum re -- get, be -- we -- get sich al -- les auf Er -- den,
+ es ge -- het die Son -- ne zu Mit -- ter -- nacht auf,
+ drum rich -- tet nach Ka -- na -- an al -- les den Lauf.
+ }
+
+ textIX = \lyricmode {
+ Fürch -- tet euch nicht, fürch -- tet euch nicht, fürch -- tet euch nicht!
+ Frie -- de, Freud in ho -- hen Hö -- hen! Frie -- de, Freud in tie -- fem Tal!
+ Freud und Won -- ne, wo wir ge -- hen, ja man hö -- ret ü -- ber -- all nichts als Fried und Freu -- den klin -- gen und die En -- gel Got -- tes sin -- gen:
+ Fürch -- tet euch nicht, fürch -- tet euch nicht, fürch -- tet euch nicht!
+ }
+
+ textXI = \lyricmode {
+ Soll -- ten wir uns heut nicht freu -- en,
+ soll -- ten wir uns heut nicht freu -- en, da die En -- gel Pal -- men streu -- en, da die En -- gel Pal -- men streu -- en?
+ Soll -- ten wir uns heut nicht freu -- en, da die En -- gel Pal -- men streu -- en?
+ Ja, Freu -- de die Fül -- le und lieb -- li -- ches We -- sen bringt Je -- sus, das Kind -- lein wo -- durch wir ge -- ne -- sen.
+ Ach, wer woll -- te sich denn scheu -- en, soll -- ten wir uns heut nicht freu -- en, da die En -- gel Pal -- men streu -- en?
+ }
+
+ textXIV = \lyricmode {
+ Eh -- re sei Gott, Eh -- re sei Gott in der Hö -- he!
+ Eh -- re sei Gott, Eh -- re sei Gott in der Hö -- he,
+ Frie -- de auf Er -- den und den Men -- schen ein Wohl -- ge -- fal -- len;
+ Frie -- de auf Er -- den und den Men -- schen ein Wohl -- ge -- fal -- len!
+ }
+
+ textXV = \lyricmode {
+ Lob, Ehr sei Gott im höchs -- ten Thron, der uns schenkt sei -- nen eig -- nen Sohn!
+ Des freu -- en sich der En -- gel Schar und sin -- gen uns solch neu -- es Jahr,
+ und sin -- gen uns solch neu -- es Jahr.
+ }
+ textXVSopran = \lyricmode {
+ \repeat unfold 37 { \skip 1 }
+ neu -- _ es Jahr.
+ }
+ textXVTenor = \lyricmode {
+ \repeat unfold 37 { \skip 1 }
+ neu -- es, solch neu -- es Jahr.
+ }
+ textXVBass = \lyricmode {
+ \repeat unfold 37 { \skip 1 }
+ neu -- es Jahr.
+ }
generated by cgit v1.2.3-70-g09d2 (git 2.47.0) at 2024-11-05 02:09:31 +0000