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authorErich Eckner <git@eckner.net>2014-09-10 17:47:07 +0200
committerErich Eckner <git@eckner.net>2014-09-10 17:47:07 +0200
commit49d14358c33b7d0ba7e7c381f91943617c7723ea (patch)
treefd55f0d3900d53978587d2228553359f86e69bbe /hr
parent646f69a657326ca8dd733dfa579a90f89823d677 (diff)
downloadMusik-49d14358c33b7d0ba7e7c381f91943617c7723ea.tar.xz
Hauke eingefügt
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-rw-r--r--hr/stch/tenor/jungfrun/jungfrun_.midibin0 -> 732 bytes
-rw-r--r--hr/stch/tenor/jungfrun/midi.lua53
-rw-r--r--hr/stch/tenor/jungfrun/stimmen.ly142
-rw-r--r--hr/stch/tenor/jungfrun/texte.ly52
-rw-r--r--hr/stch/tenor/motett/dynArt.ly21
-rw-r--r--hr/stch/tenor/motett/midi.lua53
-rw-r--r--hr/stch/tenor/motett/motett.ly72
-rw-r--r--hr/stch/tenor/motett/motett.midibin0 -> 1475 bytes
-rw-r--r--hr/stch/tenor/motett/stimmen.ly130
-rw-r--r--hr/stch/tenor/motett/texte.ly22
-rw-r--r--hr/stch/tenor/nox/dynArt.ly21
-rw-r--r--hr/stch/tenor/nox/midi.lua53
-rw-r--r--hr/stch/tenor/nox/nox.ly74
-rw-r--r--hr/stch/tenor/nox/nox.midibin0 -> 2892 bytes
-rw-r--r--hr/stch/tenor/nox/stimmen.ly332
-rw-r--r--hr/stch/tenor/nox/texte.ly57
-rw-r--r--hr/stch/tenor/wetter/I/I.ly72
-rw-r--r--hr/stch/tenor/wetter/I/I.midibin0 -> 1693 bytes
-rw-r--r--hr/stch/tenor/wetter/I/dynArt.ly21
-rw-r--r--hr/stch/tenor/wetter/I/midi.lua53
-rw-r--r--hr/stch/tenor/wetter/I/stimmen.ly102
-rw-r--r--hr/stch/tenor/wetter/I/texte.ly22
-rw-r--r--hr/stch/tenor/wetter/II/II.ly72
-rw-r--r--hr/stch/tenor/wetter/II/II.midibin0 -> 575 bytes
-rw-r--r--hr/stch/tenor/wetter/II/dynArt.ly21
-rw-r--r--hr/stch/tenor/wetter/II/midi.lua53
-rw-r--r--hr/stch/tenor/wetter/II/stimmen.ly92
-rw-r--r--hr/stch/tenor/wetter/II/texte.ly22
-rw-r--r--hr/stch/tenor/wetter/III/III.ly72
-rw-r--r--hr/stch/tenor/wetter/III/III.midibin0 -> 1651 bytes
-rw-r--r--hr/stch/tenor/wetter/III/dynArt.ly21
-rw-r--r--hr/stch/tenor/wetter/III/midi.lua53
-rw-r--r--hr/stch/tenor/wetter/III/stimmen.ly101
-rw-r--r--hr/stch/tenor/wetter/III/texte.ly22
-rw-r--r--hr/stch/tenor/wetter/dynArt.ly21
-rw-r--r--hr/stch/tenor/wetter/midi.lua53
-rw-r--r--hr/stch/tenor/wetter/stimmen.ly60
-rw-r--r--hr/stch/tenor/wetter/texte.ly22
-rw-r--r--hr/stch/tenor/wetter/wetter.ly72
-rw-r--r--hr/stch/willkommen/stimmen.ly109
-rw-r--r--hr/stch/willkommen/willkommen.ly51
-rw-r--r--hr/stch/willkommen/willkommen.psbin0 -> 239372 bytes
-rw-r--r--hr/three/lilydocs/dornwald/dornwald.ly59
-rw-r--r--hr/three/lilydocs/dornwald/dynArt.ly37
-rw-r--r--hr/three/lilydocs/dornwald/midi.lua50
-rw-r--r--hr/three/lilydocs/dornwald/stimmen.ly109
-rw-r--r--hr/three/lilydocs/dornwald/texte.ly46
-rw-r--r--hr/three/lilydocs/ewigkeit/e.ly68
-rw-r--r--hr/three/lilydocs/ewigkeit/e.midibin0 -> 979 bytes
-rw-r--r--hr/three/lilydocs/ewigkeit/stimmen.ly74
-rw-r--r--hr/three/lilydocs/himmelslieder/dynArt.ly21
-rw-r--r--hr/three/lilydocs/himmelslieder/himmelslieder.ly90
-rw-r--r--hr/three/lilydocs/himmelslieder/midi.lua50
-rw-r--r--hr/three/lilydocs/himmelslieder/stimmen.ly70
-rw-r--r--hr/three/lilydocs/himmelslieder/texte.ly72
-rw-r--r--hr/three/lilydocs/may/dynArt.ly57
-rw-r--r--hr/three/lilydocs/may/may.ly67
-rw-r--r--hr/three/lilydocs/may/may.psbin0 -> 682132 bytes
-rw-r--r--hr/three/lilydocs/may/midi.lua50
-rw-r--r--hr/three/lilydocs/may/stimmen.ly165
-rw-r--r--hr/three/lilydocs/may/texte.ly74
-rw-r--r--hr/three/lilydocs/odot12
-rw-r--r--hr/three/lilydocs/swing9
-rw-r--r--hr/three/lilydocs/tell/dynArt.ly21
-rw-r--r--hr/three/lilydocs/tell/midi.lua50
-rw-r--r--hr/three/lilydocs/tell/stimmen.ly267
-rw-r--r--hr/three/lilydocs/tell/tell.ly69
-rw-r--r--hr/three/lilydocs/tell/texte.ly64
1258 files changed, 101590 insertions, 0 deletions
diff --git a/hr/Hanna/Advent, Advent/advent.ly b/hr/Hanna/Advent, Advent/advent.ly
new file mode 100644
index 0000000..b64ec1f
--- /dev/null
+++ b/hr/Hanna/Advent, Advent/advent.ly
@@ -0,0 +1,48 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+\version "2.10.10"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Advent, Advent"
+ %composer = "Advent, Advent"
+ %opus = "<+Werk+>"
+ %tagline = ""
+ }
+
+ \paper {
+ %<+weitere Einstellungen+>
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ \score {
+ \new Staff {
+ \new Voice {
+ \global
+ \repeat volta 2 {
+ \intro
+ }
+ \kehrvers
+ \global
+ \viri
+ \E
+ }
+ }
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-mment 72 4)
+ %}
+ %}
+ }
+
diff --git a/hr/Hanna/Advent, Advent/advent.ps b/hr/Hanna/Advent, Advent/advent.ps
new file mode 100644
index 0000000..6032cc0
--- /dev/null
+++ b/hr/Hanna/Advent, Advent/advent.ps
Binary files differ
diff --git a/hr/Hanna/Advent, Advent/stimmen.ly b/hr/Hanna/Advent, Advent/stimmen.ly
new file mode 100644
index 0000000..4ebd58a
--- /dev/null
+++ b/hr/Hanna/Advent, Advent/stimmen.ly
@@ -0,0 +1,115 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+ global = {
+ \key g \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ }
+
+% Die Stimmen
+
+ intro = \relative c'' {
+ <<
+ {
+ g8 a8 b16 a16 g8
+ fis8 a8 fis16( e16( d8 ) )
+ e8 g8 a8 b8
+ ~ b8 c8 b16( a16( g8 ) )
+ f8 a8 f8 c16 e16
+ ~ e8 g8 e16( d16( c8 ) )
+ d8 f8 bes8 fis4
+ a8 << { a16 g16 fis8 } { fis16 e16 d8 } >>
+ }
+ >>
+ }
+
+ kehrvers = \relative c' {
+ <<
+ \repeat volta 2
+ {
+ \repeat volta 2 {
+ d4 g4 fis4 g8 a8
+ g2. r8 d8
+ f4 f4 e4. e8
+ }
+ \alternative {
+ {
+ d2. r4
+ }
+ {
+ d2 r4 d4
+ }
+ }
+ \bar "||"
+ {
+ \key g \minor
+ g2 g4 g4
+ f2 f4 f4
+ d2 d4 d4
+ ees1
+ ees2 ees2
+ f2 f4 f4
+ d1
+ ~ d2 r2
+ }
+ }
+ >>
+ }
+
+ viri = \relative c' {
+ {
+ d4 d8 e8 d4. d8
+ e8 fis8 g8 b8 ~ b2
+ b4 b4 a4. a8
+ g8 g8 fis8 g8 a4 g8 a8
+ b2 b4 a4
+ g2 r4 g8 g8
+ a2 a8 ( g4 ) fis8
+ g2
+ }
+ << fis4 a d >>
+ << fis,4 a d >>
+ << { g,1 ~ fis4 } { b1 ~ b4 } { d1 ~ d4 } >>
+ r4
+ << fis,4 b d >>
+ << fis,4 a c >>
+ << g1 g b >>
+ \bar "||"
+ }
+
+ E = \relative c {
+ <<
+ {
+ \voiceOne
+ r2. d'8 g8
+ b4 b8 b8 b8 b4 b8
+ d2 r4 b8 a8
+ g4. g8 a8 g4 e8
+ a2 r8 d,8 d8 g8
+ b4 b8 b8 b8 b4 b8
+ d2 r4 b8 a8
+ g4. g8 a8 g4 e8
+ a2 r2
+ \repeat volta 2 {
+ r4
+ }
+ }
+ \\
+ {
+ \voiceTwo
+ s2. d,8 e8
+ d4 d8 d8 d8 e4 fis8
+ g2 s4 g8 g8
+ e4. e8 e8 d4 e8
+ fis2 s8 d8 d8 e8
+ d4 d8 d8 d8 e4 fis8
+ g2 s4 g8 fis8
+ e4. e8 e8 d4 e8
+ fis2 s2
+ \repeat volta 2 {
+ r4
+ }
+ }
+ >>
+ }
+
diff --git a/hr/Hanna/Advent, Advent/texte.ly b/hr/Hanna/Advent, Advent/texte.ly
new file mode 100644
index 0000000..b121004
--- /dev/null
+++ b/hr/Hanna/Advent, Advent/texte.ly
@@ -0,0 +1,18 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ }
+
+ altText = \lyrics {
+ }
+
+ tenorText = \lyrics {
+ }
+
+ bassText = \lyrics {
+ }
+
diff --git a/hr/Hanna/einfach/bassAlt.midi b/hr/Hanna/einfach/bassAlt.midi
new file mode 100644
index 0000000..083b86e
--- /dev/null
+++ b/hr/Hanna/einfach/bassAlt.midi
Binary files differ
diff --git a/hr/Hanna/einfach/dynArt.ly b/hr/Hanna/einfach/dynArt.ly
new file mode 100644
index 0000000..bd2d482
--- /dev/null
+++ b/hr/Hanna/einfach/dynArt.ly
@@ -0,0 +1,36 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+% articulation
+
+ sopranArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+ altArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+ tenorArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+ bassArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
diff --git a/hr/Hanna/einfach/einfach.ly b/hr/Hanna/einfach/einfach.ly
new file mode 100644
index 0000000..0ff5e0b
--- /dev/null
+++ b/hr/Hanna/einfach/einfach.ly
@@ -0,0 +1,61 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+\version "2.12"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Ganz einfach"
+ composer = "<+Komponist+>"
+ %opus = "<+Werk+>"
+ %tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 17)
+
+ \score {
+ \new ChoirStaff <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\lyricsto soprane \sopranText
+ >>
+ \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\lyricsto alti \altText
+ >>
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ %\lyricsto tenoere \tenorText
+ >>
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\lyricsto baesse \bassText
+ >>
+ >>
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 80 4)
+ }
+ }
+ \layout {
+ }
+ %{
+ %}
+ }
+
diff --git a/hr/Hanna/einfach/einfach.ps b/hr/Hanna/einfach/einfach.ps
new file mode 100644
index 0000000..886c192
--- /dev/null
+++ b/hr/Hanna/einfach/einfach.ps
Binary files differ
diff --git a/hr/Hanna/einfach/gesamt.midi b/hr/Hanna/einfach/gesamt.midi
new file mode 100644
index 0000000..62bfd73
--- /dev/null
+++ b/hr/Hanna/einfach/gesamt.midi
Binary files differ
diff --git a/hr/Hanna/einfach/sopAlt.midi b/hr/Hanna/einfach/sopAlt.midi
new file mode 100644
index 0000000..00560ea
--- /dev/null
+++ b/hr/Hanna/einfach/sopAlt.midi
Binary files differ
diff --git a/hr/Hanna/einfach/stimmen.ly b/hr/Hanna/einfach/stimmen.ly
new file mode 100644
index 0000000..436cefd
--- /dev/null
+++ b/hr/Hanna/einfach/stimmen.ly
@@ -0,0 +1,131 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key c \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ {
+ \repeat unfold 2 {
+ c4. c8 e4 g,4
+ c4. e8 g,4 a4
+ g'2 c,4 e4
+ }
+ \alternative {
+ {
+ d4 g8 r16 f16( g8) f16( g8) f16( g16) r16
+ }
+ { d4 g8 r8 r2 }
+ }
+ {
+ \repeat unfold 1 {
+ \time 3/2
+ r1 cis,8. cis16 d4
+ r1 cis8. cis16 d4
+ r1 cis8. cis16 d4
+ r2 r4 b8 r8 a8 r8 r4
+ }
+ }
+ }
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ {
+ \repeat unfold 2 {
+ r8 e8 e8 e8 g8 g8 e8 e16 c16 ~
+ c8 c8 c8 c8 e8 e8 c8 c16 a16 ~
+ a8 e'8 e8 e8 e8 d8 d8 c16 c16 ~
+ c8 b4. r2
+ }
+ }
+ {
+ \repeat unfold 1 {
+ \time 3/2
+ e8. e16 c4 g4 a8. a16 g4 r4
+ d'8. d16 d4 b4 a8. a16 g4 r4
+ e'8. e16 c4 g4 a8. a16 g4 r4
+ e'8 e8 e8 c8 r4 b8 r8 a8 r8 r4
+ }
+ }
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ {
+ \repeat unfold 2 {
+ r8 c8 c8 c8 c8 c8 e8 e16 d16 ~
+ d16 r16 e8 e8 c8 c8 c8 e8 f16 e16 ~
+ e16 r16 c8 g'8 g8 g8 g8 g4
+ f8 f4 e4. r4
+ }
+ }
+ {
+ \repeat unfold 1 {
+ \time 3/2
+ r1 e8. e16 g4
+ r1 e8. e16 g4
+ r1 e8. e16 g4
+ r2 r4 b8 r8 a8 r8 r4
+ }
+ }
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ {
+ \repeat unfold 2 {
+ g4. a8 c4 g4
+ c4. c8 g4 a4
+ %e4. g8 f4 d4
+ c8 d8 e8 f8 g4 c,4
+ d1
+ %e8 fis8 gis8 a8 b4 d,4
+ %e1
+ }
+ }
+ {
+ \repeat unfold 1 {
+ \time 3/2
+ r1 a8. a16 g4
+ r1 a8. a16 g4
+ r1 a8. a16 g4
+ r2 r4 b8 r8 a8 r8 r4
+ }
+ }
+ }
+ >>
+ }
+
diff --git a/hr/Hanna/einfach/tenAlt.midi b/hr/Hanna/einfach/tenAlt.midi
new file mode 100644
index 0000000..50b1e04
--- /dev/null
+++ b/hr/Hanna/einfach/tenAlt.midi
Binary files differ
diff --git a/hr/Hanna/einfach/texte.ly b/hr/Hanna/einfach/texte.ly
new file mode 100644
index 0000000..b121004
--- /dev/null
+++ b/hr/Hanna/einfach/texte.ly
@@ -0,0 +1,18 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ }
+
+ altText = \lyrics {
+ }
+
+ tenorText = \lyrics {
+ }
+
+ bassText = \lyrics {
+ }
+
diff --git a/hr/Hanna/missa brevis/dynArt.ly b/hr/Hanna/missa brevis/dynArt.ly
new file mode 100644
index 0000000..9dba3df
--- /dev/null
+++ b/hr/Hanna/missa brevis/dynArt.ly
@@ -0,0 +1,43 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ \repeat unfold 5 {
+ s1
+ }
+ \repeat unfold 17 {
+ s1 s1
+ }
+ \bar "|"
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+% articulation
+
+ sopranArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+ altArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+ tenorArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+ bassArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
diff --git a/hr/Hanna/missa brevis/missa.ly b/hr/Hanna/missa brevis/missa.ly
new file mode 100644
index 0000000..5014d18
--- /dev/null
+++ b/hr/Hanna/missa brevis/missa.ly
@@ -0,0 +1,55 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+\version "2.10.10"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Missa brevis in C"
+ composer = "Leopold Mozart"
+ %opus = "<+Werk+>"
+ %tagline = ""
+ }
+
+ \paper {
+ %<+weitere Einstellungen+>
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ \score {
+ \new ChoirStaff <<
+ %\new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ %\new Voice = "soprane" { \global \sopranMelodie }
+ %\lyricsto soprane \sopranText
+ %>>
+ %\new Staff = alt <<
+ %\new Voice = "alti" { \global \altMelodie }
+ %\lyricsto alti \altText
+ %>>
+ %\new Staff = tenor <<
+ %\new Voice = "tenoere" { \global \tenorMelodie }
+ %\lyricsto tenoere \tenorText
+ %>>
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ \lyricsto baesse \bassText
+ >>
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-mment 72 4)
+ %}
+ %}
+ }
+
diff --git a/hr/Hanna/missa brevis/missa.ps b/hr/Hanna/missa brevis/missa.ps
new file mode 100644
index 0000000..c8b0924
--- /dev/null
+++ b/hr/Hanna/missa brevis/missa.ps
Binary files differ
diff --git a/hr/Hanna/missa brevis/stimmen.ly b/hr/Hanna/missa brevis/stimmen.ly
new file mode 100644
index 0000000..b10e9d8
--- /dev/null
+++ b/hr/Hanna/missa brevis/stimmen.ly
@@ -0,0 +1,80 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+ \include "dynArt.ly"
+
+ global = {
+ \key c \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+% r1 <++>
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+% r1 <++>
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+% r1 <++>
+ }
+ >>
+ }
+
+ bassMelodie = \relative c' {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ %Kyrie
+ c4. c8 a4 e4
+ f2 c4 c4 ~ c4
+ b4 c4 r8 c'8
+ fis,2 f4 e4
+ d2 c2
+ %Allegro, Alla breve
+ \time 4/2
+ r1 r1 r1
+ g'2. f4
+ e4( d4 ) c2 f2.( e8 f8
+ g2. f4 e4 d4 c4 d8 e8
+ f2) c'4 c,4 d2( g2 )
+ c,4 e4 d4 g4 c,1
+ b4 b'4 a4 d4 c2.( bes4
+ a4 g4 f4 g8 a8 bes2. a8 g8
+ a2. g8 f8 g1)
+ f4 a4 g4 c4 f,1
+ e4 c'2 b4 a4 g4 fis2
+ g4 fis4 g2 c,1
+ r1 d'2. c4
+ b4 a4 g4( f4 ) e4( d4 ) c2
+ g'1 ~ g1 ~ g1 ~ g1 ~ g1 r1
+ c,1
+ }
+ >>
+ }
+
diff --git a/hr/Hanna/missa brevis/texte.ly b/hr/Hanna/missa brevis/texte.ly
new file mode 100644
index 0000000..7e8b852
--- /dev/null
+++ b/hr/Hanna/missa brevis/texte.ly
@@ -0,0 +1,27 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+% Abkürzungen
+
+ adagio = \lyricmode {
+ Ky -- ri -- e e -- lei -- son,
+ Ky -- ri -- e e -- lei -- son, e -- lei -- son.
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ \adagio
+ }
+
diff --git a/hr/Hanna/tritonus/dynArt.ly b/hr/Hanna/tritonus/dynArt.ly
new file mode 100644
index 0000000..bd2d482
--- /dev/null
+++ b/hr/Hanna/tritonus/dynArt.ly
@@ -0,0 +1,36 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+% articulation
+
+ sopranArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+ altArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+ tenorArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+ bassArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
diff --git a/hr/Hanna/tritonus/stimmen.ly b/hr/Hanna/tritonus/stimmen.ly
new file mode 100644
index 0000000..a44ca87
--- /dev/null
+++ b/hr/Hanna/tritonus/stimmen.ly
@@ -0,0 +1,59 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key c \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ a4 dis4 a4
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r1
+ }
+ >>
+ }
+
diff --git a/hr/Hanna/tritonus/texte.ly b/hr/Hanna/tritonus/texte.ly
new file mode 100644
index 0000000..d073090
--- /dev/null
+++ b/hr/Hanna/tritonus/texte.ly
@@ -0,0 +1,22 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ <+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ <+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ <+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ <+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/Hanna/tritonus/tritonus.ly b/hr/Hanna/tritonus/tritonus.ly
new file mode 100644
index 0000000..0da6a55
--- /dev/null
+++ b/hr/Hanna/tritonus/tritonus.ly
@@ -0,0 +1,64 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+\version "2.12"
+\include "stimmen.ly"
+%\include "texte.ly"
+
+ \header {
+ title = "<+Titel+>"
+ composer = "<+Komponist+>"
+ %opus = "<+Werk+>"
+ %tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ \score {
+ \new Voice { \sopranMelodie }
+ \midi {
+ }
+ %{
+ \new ChoirStaff <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\lyricsto soprane \sopranText
+ >>
+ \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\lyricsto alti \altText
+ >>
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ %\lyricsto tenoere \tenorText
+ >>
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\lyricsto baesse \bassText
+ >>
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/Hanna/tritonus/tritonus.midi b/hr/Hanna/tritonus/tritonus.midi
new file mode 100644
index 0000000..99e7600
--- /dev/null
+++ b/hr/Hanna/tritonus/tritonus.midi
Binary files differ
diff --git a/hr/Hanna/tritonus/tritonus.ps b/hr/Hanna/tritonus/tritonus.ps
new file mode 100644
index 0000000..9bff371
--- /dev/null
+++ b/hr/Hanna/tritonus/tritonus.ps
Binary files differ
diff --git a/hr/issi/amen/amen.ly b/hr/issi/amen/amen.ly
new file mode 100644
index 0000000..0ef1d87
--- /dev/null
+++ b/hr/issi/amen/amen.ly
@@ -0,0 +1,86 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Amen"
+ %composer = "<+Komponist+>"
+ arranger = "Norman"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 16)
+
+ sop = \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \voiceOne \sopranMelodie }
+ %\addlyrics { \sopranText }
+ \new Voice = "alti" { \global \voiceTwo \altMelodie }
+ \frauenPausen
+ %\addlyrics { \altText }
+ >>
+
+ ten = \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ <<
+ \new Staff = "solo" { \new Voice = "sopSolo" {\global \soloMelodie } }
+ \new Lyrics \lyricsto "sopSolo" \soloA
+ \new Lyrics \lyricsto "sopSolo" \soloB
+ \new Lyrics \lyricsto "sopSolo" \soloC
+ \new Lyrics \lyricsto "sopSolo" \soloD
+ \new Lyrics \lyricsto "sopSolo" \soloE
+ \new ChoirStaff \with {} <<
+ \sop
+ \new Lyrics \lyricsto "alti" \sopranText
+ %\alt
+ \ten
+ \bas
+ >>
+ \new DrumStaff \with {
+ \consists Bar_engraver
+ drumStyleTable = #percussion-style
+ \override StaffSymbol #'line-count = #1
+ \remove Time_signature_engraver
+ } {
+ <<
+ \drum
+ >>
+ }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/issi/amen/dynArt.ly b/hr/issi/amen/dynArt.ly
new file mode 100644
index 0000000..5830aa2
--- /dev/null
+++ b/hr/issi/amen/dynArt.ly
@@ -0,0 +1,31 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s1*8
+ \repeat volta 2 {
+ s1*7
+ } \alternative {
+ { s2.\> s8\! s8 }
+ { s1 }
+ }
+ s1\pp
+ s1*3
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/issi/amen/midi.lua b/hr/issi/amen/midi.lua
new file mode 100644
index 0000000..58e69da
--- /dev/null
+++ b/hr/issi/amen/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/issi/amen/stimmen.ly b/hr/issi/amen/stimmen.ly
new file mode 100644
index 0000000..21f0bdd
--- /dev/null
+++ b/hr/issi/amen/stimmen.ly
@@ -0,0 +1,216 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key ees \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ frauenPausen = \relative c' {
+ s1 s2. s8 r8
+ s1 s2. s8 r8
+ s1 s4 r4 s2
+ s4 r4 s2
+ s4 r4 r2
+ s1 s2. s8 r8
+ s1 s2. s8 r8
+ s1 s4 r4 s2
+ s4 r4 s2
+ s2. s8 r8
+ }
+
+ soloMelodie = \relative c' {
+ <<
+ % { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ << r1^\markup{ \bold "Rhythmically" } { s2.\tempo 4=88 s4 } >>
+ %<< r1\tempo 4=88 >>
+ r1
+ R1*5
+ r8 bes8\p bes8. bes16 c4 bes4
+ r1
+ ees8. ees16 ees8. ees16 g4 ees4 ~ ees2. r4
+ g8. g16 g8. g16 bes4 g4
+ r1
+ bes8. bes16 bes8. ees16 c4 ees,4
+ r4 g4->( ~ g8 f4.)
+ ees8. bes16 bes8. bes16 c4 bes4
+ ees8 bes8 bes8 bes8 c4 bes4
+ r1
+ r2 bes'8^\markup{ \italic "freely" } bes8 bes8 ees8
+ c4( ees,4) g4( \appoggiatura {fis8} g4 g2.\fermata) r4
+ }
+ >>
+ }
+
+ sopA = \relative c' {
+ ees2( ~ ees8. c16 bes4) ees2. ~ ees8 s8
+ g2( ~ g8. f16 ees4) g2. ~ g8 s8
+ bes2( ~ bes8. aes16 g4) bes4
+ s4 aes2 g4 s4 g8( f4.)
+ }
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ { s1\p }
+ {
+ \sopA
+ ees4 s4 s2
+ \sopA
+ ees2. ~ ees8 s8
+ ees1 ~ ees8 ees8 ees8 ees8 f4 ees4
+ s1*3
+ }
+ >>
+ }
+
+ altA = \relative c' {
+ ees2( ~ ees8. c16 bes4) ees2. ~ ees8 s8
+ g2( ~ g8. f16 ees4) g2. ~ g8 s8
+ g2( ~ g8. f16 ees4) g4
+ s4 f2 ees4 s4 ees8( d4.)
+ }
+ altB = \relative c' {
+ bes2( ~ bes8. c16 bes4) bes2. ~ bes8 s8
+ ees2( ~ ees8. c16 bes4) ees2. ~ ees8 s8
+ g2( ~ g8. f16 ees4) g4
+ s4 f2 ees4 s4 ees8( d4.)
+ }
+
+ altMelodie = \relative c' {
+ <<
+ % { \meta }
+ %\altArt
+ %the actual tune
+ {
+ \altA
+ bes4 s4 s2
+ \altB
+ bes2. ~ bes8 s8
+ bes1( c8) c8 c8 c8 d4 \set melismaBusyProperties = #'() c4(
+ bes1 ~ bes1 ~ bes2.\fermata) s4
+ }
+ >>
+ }
+
+ tenA = \relative c' {
+ r1
+ r1
+ ees2( ~ ees8. c16 bes4) ees2. ~ ees8 r8
+ ees2( ~ ees8. c16 bes4) ees4
+ r4 c2 bes4 r4 bes8( aes4.)
+ }
+
+ tenB = \relative c' {
+ g2( ~ g8. aes16 g4) g2. ~ g8 r8
+ bes2( ~ bes8. aes16 g4) bes2. ~ bes8 r8
+ ees2( ~ ees8. c16 bes4) ees4
+ r4 c2 bes4 r4 bes8( aes4.)
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ { s1 s1 s1\p }
+ {
+ \tenA
+ g4 r4 r2
+ \tenB
+ g2. ~ g8 r8
+ g1( aes8) aes8 aes8 aes8 bes4 aes4(
+ g1 ~ g1 ~ g2.\fermata) r4
+ }
+ >>
+ }
+
+ basA = \relative c {
+ r1
+ r1
+ r1
+ r1
+ ees1 ees4 r4 aes,2 bes4 r4 bes2 ees4 r4 r2
+ }
+ basB = \relative c {
+ ees1 ees2. ~ ees8 r8
+ ees1 ees2. ~ ees8 r8
+ ees1 ees4 r4
+ <<
+ <<
+ {
+ ees2 bes4 s4 bes2
+ } \\
+ {
+ aes2 bes4 s4 bes2
+ }
+ >>
+ {
+ s2 s4 r4 s2
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ { s1 s1 s1 s1 s1\p }
+ {
+ \basA
+ \basB
+ <<
+ <<
+ {
+ c2. ~ c8 s8
+ c1 ~ c8 c8 c8 c8 d4 c4( g1 ~ g1 ~ g2.\fermata) s4
+ } \\
+ {
+ c2. ~ c8 s8
+ c1( f,8) f8 f8 f8 f4 f4( c1 ~ c1 ~ c2.\fermata) s4
+ }
+ >>
+ {
+ s2. s8 r8
+ s1
+ s1
+ s1
+ s1
+ s2. r4
+ }
+ >>
+ }
+ >>
+ }
+
+ drum = \new DrumVoice \with { } {
+ \drummode {
+ \repeat unfold 8 {
+ bd4 bd8. bd16 bd4 bd8. bd16
+ }
+ \repeat unfold 8 {
+ bd4 bd8. bd16 bd4 bd8. bd16
+ }
+ bd4 r4 r2
+ r1
+ r1
+ r1
+ << { \override Staff.NoteHead #'style = #'harmonic bd2.:32 r4 } { s4.\< s4.\> s4\!} >>
+ \bar "|."
+ }
+ }
+
diff --git a/hr/issi/amen/texte.ly b/hr/issi/amen/texte.ly
new file mode 100644
index 0000000..6fcd204
--- /dev/null
+++ b/hr/issi/amen/texte.ly
@@ -0,0 +1,60 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ soloA = \lyrics {
+ The pret -- ty ba -- by
+ Ma -- ry had a ba -- by.
+ Ma -- ry had a ba -- by.
+ Ma -- ry had a ba -- by.
+ A -- men. The pret -- ty ba -- by.
+ men. The pret -- ty ba -- by.
+ Ma -- ry had a ba -- by.
+ }
+ soloB = \lyrics {
+ _ _ _ _ _
+ _ She named him Je -- sus.
+ _ She named him Je -- sus.
+ _ She named him Je -- sus.
+ }
+ soloC = \lyrics {
+ _ _ _ _ _
+ Wrapped him in _ swad -- dlin’.
+ Wrapped him in _ swad -- dlin’.
+ Wrapped him in _ swad -- dlin’.
+ }
+ soloD = \lyrics {
+ _ _ _ _ _
+ Laid him in a man -- ger.
+ Laid him in a man -- ger.
+ Laid him in a man -- ger.
+ }
+ soloE = \lyrics {
+ _ _ _ _ _
+ An -- gels watch -- in’ o -- ver.
+ An -- gels watch -- in’ o -- ver.
+ An -- gels watch -- in’ o -- ver.
+ }
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ A -- men. A -- men. A -- men. A -- men. A -- men.
+ A -- men. A -- men. A -- men. A -- men. A -- men.
+ men.
+ The pret -- ty ba -- by hum.
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/issi/faithful/dynArt.ly b/hr/issi/faithful/dynArt.ly
new file mode 100644
index 0000000..30423d4
--- /dev/null
+++ b/hr/issi/faithful/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/issi/faithful/faithful.ly b/hr/issi/faithful/faithful.ly
new file mode 100644
index 0000000..dcb25db
--- /dev/null
+++ b/hr/issi/faithful/faithful.ly
@@ -0,0 +1,68 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "O come, all ye faithful"
+ composer = "unknown"
+ arranger = "David Willicocks"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ sop = \new Staff = sopran <<
+ \frauenPausen
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \voiceOne \sopranMelodie }
+ %\addlyrics { \sopranText }
+ \new Voice = "alti" { \global \voiceTwo \altMelodie }
+ \addlyrics { \comeText }
+ \addlyrics { \kommtText }
+ \addlyrics { \adesteText }
+ \addlyrics { \doodapText }
+ >>
+
+ ten = \new Staff = tenor <<
+ \maennerPausen
+ \new Voice = "tenoere" { \global \voiceOne \tenorMelodie }
+ %\addlyrics { \tenorText }
+ \new Voice = "baesse" { \global \voiceTwo \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \sop
+ %\alt
+ \ten
+ %\bas
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/issi/faithful/midi.lua b/hr/issi/faithful/midi.lua
new file mode 100644
index 0000000..58e69da
--- /dev/null
+++ b/hr/issi/faithful/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/issi/faithful/stimmen.ly b/hr/issi/faithful/stimmen.ly
new file mode 100644
index 0000000..11e9c33
--- /dev/null
+++ b/hr/issi/faithful/stimmen.ly
@@ -0,0 +1,121 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key g \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ \partial 4
+ }
+
+% Die Stimmen
+
+ frauenPausen = {
+ s4
+ s1*7
+ s2. r4
+ }
+
+ maennerPausen = {
+ s4
+ s1*7
+ s2. r4
+ s1*3
+ s2. r4
+ r1
+ %r2 r4 s4
+ }
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ g4
+ g2 d4 g4 a2 d,2
+ d'4 d4 d4 e4 d2 d4 b4
+ b4( cis4) d4 a4 a2 d4 d,4
+ a'2( g4.) fis8 fis2. s4
+ d'2 c4 b4 c2 b2
+ d4 d4 e4 e4 a,2 a4 r4
+ r1
+ r2 r4 d4 d1 ~ d2. d8( e8)
+ fis4 e4 d4 c4 c4( b2) g4
+ d'2( c4.) b8 b1
+ \bar "||"
+ }
+ >>
+ }
+
+ altMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ g4
+ g2 d4 g4 a2 d,2
+ b'4 a4 b4 c4 b2 a4 g4
+ g2 fis4 e4 fis4( g4) a4 b4
+ fis2( e4.) d8 d2. s4
+ d'2 c4 b4 c2 b2
+ a4 b4 g4 a4 fis2 d4 g4
+ g4 fis4 g4 a4 g2 d4
+ b'4 b4 a4 b4 c4 b2 a4
+ b4 c4 b4 a4 g4 fis2 g4( c4)
+ b2( a4.) g8 g1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ g4
+ g2 d4 g4 a2 d,2
+ g4 a4 g4 g4 g2 fis4 g4
+ g2 a4 a4 a4( g4) fis4 e4
+ d2( cis4.) d8 d2. s4
+ d'2 c4 b4 c2 b2
+ a4 g4 b4 c4 a2 fis4 s4
+ s1
+ r2 r4 g4
+ g4 fis4 g4 a4 g2 fis4 g4
+ a4 g4 fis4 e4 d4( dis4) e8( fis8 g4)
+ g4( e4 fis4.) g8 g1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c' {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ %\clef bass
+ {
+ g4
+ g2 d4 g4 a2 d,2
+ g4 fis4 g4 c,4 d2 d4 e4
+ e2 d4 cis4 d2 d4 g,4
+ a2 ~ a4. d8 d2. s4
+ d'2 c4 b4 c2 b2
+ fis4 g4 e4 c4 d2 d4 s4
+ s1
+ r1
+ r1
+ r2 r4 g4
+ a4 g4 fis4 e4 d4( dis4) e2
+ d2 ~ d4. g8 g1
+ }
+ >>
+ }
+
diff --git a/hr/issi/faithful/texte.ly b/hr/issi/faithful/texte.ly
new file mode 100644
index 0000000..bae3a2d
--- /dev/null
+++ b/hr/issi/faithful/texte.ly
@@ -0,0 +1,61 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ comeText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ O come, all ye faith -- ful,
+ Joy -- ful and tri -- um -- phant,
+ O come ye, O come ye to Beth -- le -- hem;
+ Come and be -- hold him
+ Born the King of An -- gels;
+ O come, let us a -- dore him,
+ O come, let us a -- dore him,
+ O come, let us a -- dore him,
+ Christ the Lord!
+ }
+
+ kommtText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ Kommt, sin -- get dem Her -- ren,
+ o ihr En -- gels -- chö -- re;
+ froh -- lok -- ket ihr Se -- li -- gen,
+ Eh~re sei Gott.
+ Eh -- re sei Gott im Him -- mel und auf Er -- den.
+ O las -- set uns an -- be -- ten
+ O las -- set uns an -- be -- ten
+ O las -- set uns an -- be -- ten
+ den Kö -- nig, den Herrn.
+ }
+
+ adesteText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ Ad -- es -- te fi -- de -- les
+ lae -- ti tri -- um -- phan -- tes;
+ ve -- ni -- te, ve -- ni -- te in Beth -- le -- hem.
+ Na -- tum vi -- de -- te
+ Re -- gem an -- ge -- lo -- rum.
+ Ve -- ni -- te ad -- o -- re -- mus
+ Ve -- ni -- te ad -- o -- re -- mus
+ Ve -- ni -- te ad -- o -- re -- mus
+ Do -- mi -- num.
+ }
+
+ doodapText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ _
+ Doo -- dap
+ doop doo -- dap
+ doo -- dap doop doop doo -- dap
+ doop doo -- dap doop doo -- dap
+ doop doo -- oo dap;
+ doo -- dap doop doo -- dap
+ doo -- dap doo -- dap doo -- dap.
+ O come let us a -- dore him,
+ O come, let us a -- dore him,
+ O come, let us a -- dore him,
+ Christ the Lord!
+ }
+
diff --git a/hr/issi/fix/dynArt.ly b/hr/issi/fix/dynArt.ly
new file mode 100644
index 0000000..07e4b53
--- /dev/null
+++ b/hr/issi/fix/dynArt.ly
@@ -0,0 +1,114 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s1*8 \break
+ s1*8 \break
+ s1*8 \break
+ s1*8 \break
+ s1*8 \break
+ s1*8 \break
+ s1*8 \break
+ }
+
+% articulation
+
+ choirArt = {
+ s1*2
+ s1
+ s1*3
+ s1*2
+ s1\p
+ s1*7
+ s1\p
+ s1*7
+ s1\mf
+ s1*3
+ s1\p
+ s1
+ s4\< s2 s4\!
+ s4\> s2\! s4
+ s1*16
+ s1\p
+ s1*5
+ s1\pp
+ s4-> s2.
+ }
+
+ sopranArt = << \choirArt {
+ s1*2
+ s1\p
+ s1*3
+ s1*2
+ s1*8
+ s1*8
+ s1*2
+ s2. s4--
+ s1*5
+ s1*16
+ s1*8
+ } >>
+
+ altArt = << \choirArt {
+ s1*2
+ s1\p
+ s1*3
+ s1*2
+ s1*8
+ s1*8
+ s1*2
+ s2. s4--
+ s1*5
+ s1*16
+ s1*8
+ } >>
+
+ tenorArt = << \choirArt {
+ s1*2
+ s1\p
+ s1*3
+ s1*2
+ s1*8
+ s1*8
+ s1*2
+ s2. s4--
+ s1*5
+ s1*2
+ s4\< s2 s4\!
+ s4\> s2\! s4
+ s1*6
+ s2. s4--
+ s1
+ s1\pp
+ s1*3
+ s1*8
+ } >>
+
+ bassArt = << \choirArt {
+ s1
+ s2 s2\p
+ s1*3
+ s2 s2->
+ s1*2
+ s1*5
+ s2 s2->
+ s1*2
+ s1*8
+ s1*5
+ s2 s2->
+ s1*2
+ s1*2
+ s4\< s2 s4\!
+ s4\> s2\! s4
+ s1*6
+ s2. s4--
+ s1
+ s1\pp
+ s2 s2->
+ s1*2
+ s1*5
+ s2 s2->
+ s1*2
+ } >>
+
diff --git a/hr/issi/fix/fix.ly b/hr/issi/fix/fix.ly
new file mode 100644
index 0000000..51d9489
--- /dev/null
+++ b/hr/issi/fix/fix.ly
@@ -0,0 +1,76 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Fix me, Jesus"
+ %composer = "<+Komponist+>"
+ arranger = "Hall Johnson"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 18)
+
+ sop = \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ \addlyrics { \sopranText }
+ >>
+ alt = \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ \addlyrics { \altText }
+ >>
+ ten = \new Staff = tenor \with { printPartCombineTexts = ##f } <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \new Lyrics \lyricsto "tenoere" { \tenorText }
+ >>
+ bas = \new Staff = bass \with { printPartCombineTexts = ##f } <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ \addlyrics { \bassText }
+ >>
+ \score {
+ <<
+ \new Staff = sopranSolo { \global \sopSolo } \addlyrics \sopSoloText
+ \new Staff = baritonSolo { \global \barSolo } \addlyrics \barSoloText
+ \new ChoirStaff \with {} <<
+ \sop
+ \alt
+ \ten
+ \bas
+ >>
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ \context {
+ \Staff \RemoveEmptyStaves
+ }
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'remove-first = ##t
+ }
+ }
+ }
+
diff --git a/hr/issi/fix/midi.lua b/hr/issi/fix/midi.lua
new file mode 100644
index 0000000..58e69da
--- /dev/null
+++ b/hr/issi/fix/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/issi/fix/stimmen.ly b/hr/issi/fix/stimmen.ly
new file mode 100644
index 0000000..32e12a2
--- /dev/null
+++ b/hr/issi/fix/stimmen.ly
@@ -0,0 +1,313 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key f \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 2/2
+ %\autoBeamOff
+ \override BreathingSign #'text = \markup {
+ \musicglyph #"scripts.caesura.curved"
+ }
+ }
+
+% Die Stimmen
+
+ sopSolo = \relative c' {
+ <<
+ { \meta }
+ %\soloArt
+ %the actual tune
+ {
+ f2.(\p^\markup{ \bold "Slow, but strict" } a4) g4 f2 r4
+ c'2.( f4) d4 c2 r4
+ f,2.( a4) g4 f2 r4
+ f4 f4 d4 f4 g4 f2 r4
+ \repeat unfold 8 { r1 }
+ %\repeat unfold 2 {
+ a4\mp a4 a4 f4 a4 a4 f2 ~
+ f1 r1
+ a4 a4 a4 f4 a4 a4 f2 ~
+ f1 r1
+ %}
+ r1
+ r1
+ s1*6
+ %c'2.( f4) d4 c2 r4
+ %f,2.( a4) g4 f2 r4
+ %f4 f4 d4 f4 g4 f2 r4
+ f'2(\p e2 d2 a2)
+ f4\< f4 d4 f4\! g4\> f2\! r4
+ f'2(\p e2 d2 a2)
+ f4 f4 d4 f4 g4 f2 r4
+ \repeat unfold 8 { r1 }
+ f2.(\mp a4) g4 f2 r4
+ c'2.( f4\fermata) d4 c2 r4
+ f,2.( a4) g4 f2 r4
+ f4\pp f4 d4 f4\breathe g4 f2 r4
+ }
+ >>
+ }
+ barSolo = \relative c' {
+ <<
+ { \meta }
+ %\soloArt
+ %the actual tune
+ {
+ \clef "bass"
+ \repeat unfold 32 { r1 }
+ a4\p a4 a4 f4 a4 a4 f2 ~
+ f1 r1
+ a4\p a4 a4 f4 a4 a4 f2 ~
+ f1 r1
+ \repeat unfold 16 { r1 }
+ }
+ >>
+ }
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ \sopranArt
+ %the actual tune
+ {
+ r1
+ r1
+ c2.( f4 d4 c2) r4
+ f,2.( a4 g4 f2) r4
+ f4( f4 d4 f4 g4 f2) r4
+ \repeat unfold 2 {
+ f2.( a4) g4 f2 r4
+ c'2.( f4) d4 c2 r4
+ f,2.( a4) g4 f2 r4
+ f4 f4 d4 f4 g4 f2 r4
+ } \alternative {
+ \repeat unfold 2 {
+ <<
+ {
+ \voiceOne
+ f'2( e2 d2 a2)
+ }
+ \new Voice {
+ \voiceTwo
+ a4( a4 a4 f4 a4 a4 f2)
+ }
+ >>
+ \oneVoice
+ f4 f4 d4 f4 g4 f2 r4
+ }
+ {
+ }
+ }
+ \repeat unfold 4 { r1 }
+ \repeat unfold 12 { r1 }
+ f2.( a4 g4 f2) r4
+ c'2.( f4\fermata d4 c2) r4
+ f,2.( a4 g4 f2) r4
+ f4 f4 d4 f4\breathe g4 f2 r4
+ \bar "|."
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ \altArt
+ %the actual tune
+ {
+ r1
+ r1
+ f2.( a4 gis4 a2) r4
+ d,2.( f4 e4 d2) r4
+ d4( d4 d4 d4 e4 c2) r4
+ \repeat unfold 2 {
+ c2.( e4) d4 c2 r4
+ f2.( a4) gis4 a2 r4
+ d,2.( f4) e4 d2 r4
+ d4 d4 d4 d4 e4 c2 r4
+ } \alternative {
+ \repeat unfold 2 {
+ c2( cis2 d2 ees2)
+ d4 d4 d4 d4 e4 c2 r4
+ }
+ {
+ }
+ }
+ \repeat unfold 4 { r1 }
+ \repeat unfold 12 { r1 }
+ c2.( e4 d4 c2) r4
+ f2.( a4\fermata gis4 a2) r4
+ d,2.( f4 e4 d2) r4
+ d4 d4 d4 d4\breathe e4 c2 r4
+ }
+ >>
+ }
+
+ tenorAMelodie = \relative c' {
+ <<
+ { \meta }
+ \tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ \global
+ r1
+ r1
+ c2.( f4 f4 f2) r4
+ a,2.( c4 bes4 a2) r4
+ bes4( a4 g4 a4 bes4 a2) r4
+ \repeat unfold 2 {
+ a2.( c4) bes4 a2 r4
+ c2.( f4) f4 f2 r4
+ a,2.( c4) bes4 a2 r4
+ bes4 a4 g4 a4 bes4 a2 r4
+ } \alternative {
+ \repeat unfold 2 {
+ a2( bes2 b2 c2)
+ bes4 a4 g4 a4 bes4 a2 r4
+ }
+ {
+ }
+ }
+ c2( cis2 d2 ees2)
+ bes4 a4 g4 a4 bes4 a2 r4
+ c2( cis2 d2 ees2)
+ bes4 a4 g4 a4 bes4 a2 r4
+ a2.( c4) bes4 a2 r4
+ c2.( f4) d4 s2 s4
+ a2.( c4) bes4 a2 r4
+ bes4 a4 g4 a4 bes4 a2 r4
+ a2.( c4 bes4 a2) r4
+ c2.( f4\fermata f4 f2) r4
+ a,2.( c4 bes4 a2) r4
+ bes4 a4 g4 a4\breathe bes4 a2 r4
+ }
+ >>
+ }
+
+ tenorBMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ \global
+ r1
+ r1
+ a2.( c4 b4 c2) r4
+ f,2.( a4 g4 f2) r4
+ f4( f4 d4 f4 g4 f2) r4
+ \repeat unfold 2 {
+ f2.( a4) g4 f2 r4
+ a2.( c4) b4 c2 r4
+ f,2.( a4) g4 f2 r4
+ f4 f4 d4 f4 g4 f2 r4
+ } \alternative {
+ \repeat unfold 2 {
+ a4( a4 a4 f4 a4 a4 f2)
+ f4 f4 d4 f4 g4 f2 r4
+ }
+ {
+ }
+ }
+ a2( bes2 b2 c2)
+ f,4 f4 d4 f4 g4 f2 r4
+ a2( bes2 b2 c2)
+ f,4 f4 d4 f4 g4 f2 r4
+ f2.( a4) g4 f2 r4
+ a2.( c4) b4 c2 r4
+ f,2.( a4) g4 f2 r4
+ f4 f4 d4 f4 g4 f2 r4
+ f2.( a4 g4 f2) r4
+ a2.( c4\fermata b4 c2) r4
+ f,2.( a4 g4 f2) r4
+ f4 f4 d4 f4\breathe g4 f2 r4
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ << {
+ \tenorAMelodie
+ } {
+ \tenorBMelodie
+ } >>
+ }
+
+ bassAMelodie = \relative c {
+ \repeat unfold 2 {
+ a'2.( f4 a2 f2)
+ d4 d4 d4 d4 e4 c2 r4
+ }
+ c2.( e4)
+ d4 c4
+ d4 c4
+ %\voiceOne
+ f2.( a4)
+ gis4 a2 r4
+ d,2.( f4) e4 d2 r4
+ %\oneVoice
+ d4 d4 d4 d4 e4 c2
+ }
+ bassBMelodie = \relative c {
+ \repeat unfold 2 {
+ f1( ~ f2 f,2)
+ bes4 bes4 b4 b4 c4 f,2 r4
+ }
+ f1
+ f4 f4
+ d'4 c4
+ %\voiceTwo
+ f1
+ f4 f4 f4 e4
+ d1
+ cis4 d4 c2
+ %\oneVoice
+ bes4 bes4 b4 b4 c4 f,2
+ }
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ \bassArt
+ %the actual tune
+ {
+ \clef bass
+ r1
+ r2 d4( c4
+ f1 f4 f4 f4 e4)
+ d1( cis4 d4 c2)
+ bes4( bes4 b4 b4 c4 <c f,>2) r4
+ \repeat unfold 2 {
+ f1 f4 f4 d4 c4
+ f1 f4 f4 f4 e4
+ d1 cis4 d4 c2
+ bes4 bes4 b4 b4 c4 <c f,>2 r4
+ } \alternative {
+ \repeat unfold 2 {
+ <<
+ \new Voice { \voiceOne f1 ~ f1 }
+ { \voiceTwo f1( ~ f2 f,2) }
+ >>
+ \oneVoice
+ bes4 bes4 b4 b4 c4 <c f,>2 r4
+ }
+ {
+ }
+ }
+ << \new Voice {
+ \voiceOne \bassAMelodie
+ } {
+ \voiceTwo \bassBMelodie
+ } >>
+ r4
+ f1( f4 f4 d4 c4)
+ f1\fermata( f4 f4 f4 e4)
+ d1( cis4 d4 c2)
+ bes4 bes4 b4 b4\breathe c4 <c f,>2 r4
+ }
+ >>
+ }
+
diff --git a/hr/issi/fix/texte.ly b/hr/issi/fix/texte.ly
new file mode 100644
index 0000000..cc39c43
--- /dev/null
+++ b/hr/issi/fix/texte.ly
@@ -0,0 +1,111 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+ hmmOne = \lyricmode {
+ Hmm
+ Hmm
+ Hmm
+ }
+ hmmTwo = \lyricmode {
+ Hmm
+ Fix me, Je -- sus, fix me.
+ }
+ fixOne = \lyricmode {
+ Oh, fix me,
+ Oh, fix me,
+ Oh, fix me,
+ fix me, Je -- sus, fix me.
+ }
+ fixTwo = \lyricmode {
+ Oh, fix me,
+ Oh, fix me,
+ Oh, fix me.
+ Fix me, Je -- sus, fix me.
+ }
+
+% Die Textaufteilungen
+
+ sopSoloText = \lyrics {
+ \fixOne
+ Fix me for my long, white robe,
+ fix me for my sta -- ry crown.
+ %Oh, fix me,
+ %Oh, fix me.
+ %Fix me, Je -- sus, fix me.
+ \hmmTwo
+ \hmmTwo
+ \fixTwo
+ }
+
+ barSoloText = \lyrics {
+ Fix me for my dy -- in’ bed.
+ Fix me for my dy -- in’ bed.
+ }
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ \hmmOne
+ Oh, fix me,
+ Oh, Fix me,
+ Oh, fix me,
+ fix me, Je -- sus, fix me.
+ \hmmTwo
+ \hmmTwo
+ \fixTwo
+ \hmmOne
+ Fix me, Je -- sus, fix me.
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ \hmmOne
+ \fixOne
+ \hmmTwo
+ \hmmTwo
+ \fixTwo
+ \hmmOne
+ Fix me, Je -- sus, fix me.
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ \hmmOne
+ \fixOne
+ \hmmTwo
+ \hmmTwo
+ \fixTwo
+ \hmmTwo
+ \hmmTwo
+ \fixTwo
+ \hmmOne
+ Fix me, Je -- sus, fix me.
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ Hmm
+ Hmm
+ Hmm
+ Oh, fix me, Je -- sus,
+ Oh, fix me, _ _
+ Oh, fix me, _
+ fix me, Je -- sus, fix me.
+ \hmmTwo
+ \hmmTwo
+ Oh, fix me, Je -- sus,
+ Oh, fix me, Je -- sus,
+ Oh, fix me, Lord.
+ Fix me, Je -- sus, fix me.
+ \hmmTwo
+ \hmmTwo
+ Oh, fix me, Je -- sus,
+ %\set associatedVoice = "snd"
+ Oh, fix me, Je -- sus,
+ Oh, fix me. Lord.
+ %\set associatedVoice = "baesse"
+ Fix me, Je -- sus, fix me.
+ \hmmOne
+ Fix me, Je -- sus, fix me.
+ }
+
diff --git a/hr/issi/gabriella/dynArt.ly b/hr/issi/gabriella/dynArt.ly
new file mode 100644
index 0000000..56780ba
--- /dev/null
+++ b/hr/issi/gabriella/dynArt.ly
@@ -0,0 +1,57 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s1*6
+ \break
+ s1
+ %
+ s1
+ s1*8
+ \break
+ %
+ s1*8
+ \break
+ %
+ s1*6
+ \break
+ s1*5
+ \break
+ %
+ s1*7
+ \break
+ s1
+ %
+ s1*4
+ \break
+ s1*4
+ \break
+ s1*4
+ %
+ s1*4
+ \break
+ s1*4
+ \break
+ s1*4
+ \break
+ %
+ s1*5
+ \break
+ s1*4
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/issi/gabriella/gabriella.ly b/hr/issi/gabriella/gabriella.ly
new file mode 100644
index 0000000..7c5aa35
--- /dev/null
+++ b/hr/issi/gabriella/gabriella.ly
@@ -0,0 +1,84 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Gabriellas Lied"
+ composer = "Stefan Nilsson"
+ translator = "Franz Nono Schreiner"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \RemoveEmptyStaves
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ \override VerticalAxisGroup #'remove-first = ##t
+ }
+ }
+
+ #(set-global-staff-size 17)
+
+ melody = \new Staff = mel <<
+ \new Voice = "solo" { \global \aSolo }
+ \addlyrics { \soloTxt }
+ >>
+ sop = \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \voiceOne \sopranMelodie }
+ %\addlyrics { \sopranText }
+ \new Voice = "alti" { \global \voiceTwo \altMelodie }
+ \addlyrics { \altText }
+ >>
+
+ alt = \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ >>
+
+ bas = \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ \addlyrics { \bassText }
+ >>
+
+ \score {
+ \new GrandStaff \with {} <<
+ \melody
+ \new ChoirStaff \with {} <<
+ \sop
+ %\alt
+ \ten
+ \bas
+ >>
+ >>
+ %{
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ %}
+ % {
+ \layout {
+ }
+ %}
+ }
+
diff --git a/hr/issi/gabriella/gabriella.midi b/hr/issi/gabriella/gabriella.midi
new file mode 100644
index 0000000..cad3720
--- /dev/null
+++ b/hr/issi/gabriella/gabriella.midi
Binary files differ
diff --git a/hr/issi/gabriella/midi.lua b/hr/issi/gabriella/midi.lua
new file mode 100644
index 0000000..f17faba
--- /dev/null
+++ b/hr/issi/gabriella/midi.lua
@@ -0,0 +1,54 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ <<
+ \new Staff {
+ \global \aSolo
+ }
+ \new Staff <<
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/issi/gabriella/midis/a.midi b/hr/issi/gabriella/midis/a.midi
new file mode 100644
index 0000000..079d9ef
--- /dev/null
+++ b/hr/issi/gabriella/midis/a.midi
Binary files differ
diff --git a/hr/issi/gabriella/midis/b.midi b/hr/issi/gabriella/midis/b.midi
new file mode 100644
index 0000000..53ac18b
--- /dev/null
+++ b/hr/issi/gabriella/midis/b.midi
Binary files differ
diff --git a/hr/issi/gabriella/midis/s.midi b/hr/issi/gabriella/midis/s.midi
new file mode 100644
index 0000000..7288639
--- /dev/null
+++ b/hr/issi/gabriella/midis/s.midi
Binary files differ
diff --git a/hr/issi/gabriella/midis/t.midi b/hr/issi/gabriella/midis/t.midi
new file mode 100644
index 0000000..6542b95
--- /dev/null
+++ b/hr/issi/gabriella/midis/t.midi
Binary files differ
diff --git a/hr/issi/gabriella/stimmen.ly b/hr/issi/gabriella/stimmen.ly
new file mode 100644
index 0000000..87f9cbc
--- /dev/null
+++ b/hr/issi/gabriella/stimmen.ly
@@ -0,0 +1,405 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key aes \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 2/2
+ %\autoBeamOff
+ \tempo 4=90
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ s1*7
+ s1*9
+ c2( des2
+ c1)
+ c2( ees2
+ f2 ees2)
+ c1 ~
+ c1
+ c2( bes2
+ \oneVoice
+ aes1)
+ %
+ \voiceOne
+ ees'1
+ aes1 ~
+ aes2 bes2
+ c2. ~ c8 r8
+ des1
+ des4( c4 bes4 aes4)
+ ees1(
+ aes1
+ a2. bes4
+ <aes c>2 bes2
+ aes2.) c8 ees8
+ %
+ f2. ~ f8 ees8
+ c2. aes8 c8
+ ees2. ~ ees8 c8
+ aes2. c8 ees8
+ f2 ~ \times 2/3 { f4 aes4 g4 }
+ ees2 r4 aes,8 c8
+ ees2. ~ ees8 c8
+ aes1
+ %
+ aes1
+ aes1
+ aes1(
+ aes2 g2)
+ ees2( ees4 f4
+ g2 aes4 bes4
+ c2 bes2
+ aes1)
+ aes2 aes2
+ aes4 aes4 aes4 aes4
+ aes4 aes4 bes4 bes4
+ <aes c>2. ~ q8 r8
+ %
+ <aes des>4 q4 q4. q8
+ des4( c4 bes4 aes4)
+ ees4 ees4 <ees aes>4 q4
+ <ees bes'>1
+ aes4( ees4) bes'4( ees,4)
+ c'4( aes4) ees'4 des4
+ f4 ees4 \times 2/3 { ees4( des4) c4 }
+ bes1
+ aes2( g2
+ aes1)
+ aes2. g4
+ aes1
+ %
+ des,1
+ ees1
+ g1
+ aes2. r8 bes8
+ c2( aes4 f4)
+ <ees aes>2 <ees bes'>2--
+ <aes c>4 aes4 <aes ees'>4 <aes des>4
+ <aes c>2 <g bes>2
+ aes1\fermata
+ }
+ >>
+ }
+
+ aSolo = \relative c' {
+ <<
+ { \meta }
+ %the actual tune
+ {
+ s1*6
+ \repeat unfold 2 {
+ r2 r4 r8 aes16 bes16
+ \bar "||"
+ c4 ees4 \times 2/3 { f4 aes4 g4 }
+ ees2. r8 aes,16 bes16
+ c4 f4 \times 2/3 { ees4 c4 aes4 }
+ c4.( bes16 aes16) bes4 r8 aes16 bes16
+ \times 2/3 { c4 aes4 ees4 } f4 ees'4
+ c2. r8 aes16 bes16
+ c4. bes16 aes16 bes4 g4
+ } \alternative {
+ {
+ aes2 r2
+ }
+ {
+ aes1
+ }
+ }
+ \bar "||"
+ aes'4 ees4 bes'4 ees,4
+ c'4 aes4 g4 f4
+ ees4. f8 des4. ees8
+ c2. r8 bes16 c16
+ des4 des4 bes'4 g4
+ ees1
+ aes4 ees4 bes'4 ees,4
+ c'4 aes4 g4 f4
+ ees4 f4 ees4 des4
+ c2 bes2
+ aes1
+ \bar "||"
+ s1*7
+ r2 r4 r8 aes16 bes16
+ \bar "||"
+ c4 ees4 \times 2/3 { f4 aes4 g4 }
+ ees2. r8 aes,16 bes16
+ c4 f4 \times 2/3 { ees4 c4 aes4 }
+ c4.( bes16 aes16) bes4 r8 aes16 bes16
+ \times 2/3 { c4 aes4 ees4 } f4 ees'4
+ c2. r8 aes'16 bes16
+ c4. bes16 aes16 bes4 g4
+ aes1
+ aes2 bes2
+ c4 aes4 g4 f4
+ ees4. f8 des4. ees8
+ c2. r8 bes16 c16
+ \bar "||"
+ des4 des4 bes'4. g8
+ ees2. r8 bes16 c16
+ des4 des4 c'4. aes8
+ bes1
+ aes2 bes2
+ c2 ees4 des4
+ des4 c4 c4. des16( c16)
+ bes2. r8 aes16 bes16
+ c4. bes16 aes16 bes4 g4
+ aes2. r8 aes16 bes16
+ c4. bes16( aes16) bes4 g4
+ aes2 r2
+ \bar "||"
+ s1*5
+ aes2-- bes2--
+ c4-- aes4-- ees'4-- des4--
+ c2-- bes2--
+ aes1\fermata
+ \bar "|."
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ s1*7
+ s1*9
+ aes2( aes2
+ aes1)
+ aes1
+ aes2( g2)
+ aes1 ~
+ aes1
+ aes2( g2
+ aes1)
+ %
+ c2( des2
+ c4 ees4 ees2
+ ees1
+ <ees aes>2. ~ q8) r8
+ q1 ~
+ ees1
+ aes,2( bes2
+ c2) g'4 f4
+ ees2. des4
+ ees1 ~
+ ees1
+ %
+ f1
+ aes1
+ g1
+ f1
+ f1
+ ees1
+ ees1
+ ees1
+ %
+ c2( des2)
+ c2( des2)
+ c1(
+ f2 ees2)
+ c1
+ c1
+ aes'2 f2
+ ees1
+ ees2 ees2
+ ees4 ees4 g4 f4
+ ees4 ees4 ees4 ees4
+ ees2. ~ ees8 r8
+ %
+ ees4 ees4 ees4. ees8
+ ees1
+ des4 des4 des4 des4
+ aes'2( g2)
+ ees2( ees2)
+ aes2 aes4 aes4
+ aes4 aes4 \times 2/3 { aes2 aes4 }
+ f1
+ ees2( e2
+ f1)
+ f2 ees2
+ ees1
+ %
+ s1*5
+ c2 des2
+ ees4 ees4 ees4 f4
+ ees2 ees2
+ ees1\fermata
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r1
+ r1
+ des1
+ ees1
+ g1
+ aes2. r8 bes8
+ c2 aes4 f4
+ %
+ aes2 r2
+ r1
+ r1
+ r1
+ s1*5
+ %
+ ees2( f2
+ ees1)
+ ees1
+ des2( ees2)
+ ees1(
+ f1)
+ ees1 ~
+ ees1
+ %
+ aes2 g2
+ aes2( aes2
+ aes2 aes4 g4
+ ees2. ~ ees8) r8
+ aes2 aes2
+ g4( aes4 des4 c4)
+ ees,2 ees2
+ aes2 aes2
+ f2. f4
+ aes2 des2 ~
+ des2 c2
+ %
+ des1
+ ees1
+ ees1
+ c1
+ des1
+ c1
+ c2.( aes4
+ f2 ees2)
+ %
+ ees2( f2
+ ees1)
+ ees2( f2
+ c'2 bes2)
+ aes2( aes2
+ aes1)
+ ees'2 des2
+ des4.( c8 bes4 des4)
+ c2 des2
+ c4 c4 ees4 des4
+ aes4 aes4 aes4 g4
+ <ees aes>2. ~ q8 r8
+ %
+ f4 f4 f4. g8
+ aes1
+ aes4 aes4 aes4 aes4
+ bes1
+ c2 des2
+ ees2 des4 des4
+ des4 c4 \times 2/3 { c2 c4 }
+ d1
+ c2( des2
+ c1)
+ des1
+ c1
+ %
+ s1*5
+ aes2 g2
+ ges4 ges4 ges4-- aes4--
+ c2 des2
+ c1\fermata
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ \repeat unfold 7 { aes1 }
+ \repeat unfold 9 { aes1 }
+ \repeat unfold 4 { aes1 }
+ aes1 ~
+ aes4. f8-> ~ f2
+ ees1(
+ aes1)
+ %
+ <aes ees'>2 q2
+ q2( des2
+ c2 bes2
+ aes2. ~ aes8) r8
+ <aes ees'>2( q2
+ q1)
+ aes2( aes2
+ aes2 des2
+ c2 bes2
+ ees2 <ees ees,>2
+ <ees aes,>1)
+ %
+ des1
+ aes1
+ c1
+ f,2 f'4 f8 ees8
+ des1
+ c1
+ <des aes'>1(
+ des2 ees2)
+ %
+ aes,1
+ aes1
+ aes1(
+ des2 ees2)
+ aes,2( des2
+ f,1)
+ <ees ees'>2 q2
+ <aes aes'>2 ees'4 ees4
+ %
+ <aes, aes'>2 q2
+ q4 q4 <des aes'>4 q4
+ c4 c4 bes4 bes4
+ aes2. ~ aes8 r8
+ %
+ aes4 aes4 aes4. aes8
+ aes1
+ bes4 bes4 bes4 bes4
+ ees1
+ <aes aes, ~>2 <g aes,>2
+ <ges ges,>2 <f f,>4 q4
+ <eis eis,>4 <ees ees,>4 \times 2/3 { q2 q4 }
+ <d d,>1
+ ees2( e2
+ f1)
+ des2 ees2
+ <aes aes,>1
+ %
+ des,1
+ aes1
+ ees'1
+ f2. ees4
+ des1
+ <ees aes,>2 q2
+ q4 q4 <des aes>4 des4
+ <ees ees,>2 q2
+ <ees aes,>1\fermata
+ }
+ >>
+ }
+
diff --git a/hr/issi/gabriella/texte.ly b/hr/issi/gabriella/texte.ly
new file mode 100644
index 0000000..304069b
--- /dev/null
+++ b/hr/issi/gabriella/texte.ly
@@ -0,0 +1,137 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+ willenI = \lyricmode {
+ Ich will glück -- lich le -- ben,
+ weil ich treu mir bin,
+ }
+ wasEndlich = \lyricmode {
+ wie -- der stark und frei.
+ }
+ wasSehen = \lyricmode {
+ wie aus Nacht wird Tag.
+ }
+ meinSchatz = \lyricmode {
+ all mein Le -- ben ist nur mein.
+ }
+ willenII = \lyricmode {
+ Ich will füh -- len, daß ich stets ge -- lebt.
+ }
+
+ soloTxt = \lyrics {
+ Die -- ser Au -- gen -- blick, er ist mein,
+ ist ein Leuch -- ten mir hier auf Er -- den
+ Mei -- ne Sehn -- sucht führt mich hier ein
+ was ich such -- te und was ich fand.
+ %
+ Den -- noch wähl -- te ich die -- sen Weg,
+ -_mein Ver -- trau -- en weit hin -- ter Wor -- ten_-
+ und er zeig -- te ein klei -- nes Stück
+ von dem Him -- mel, der lang mir fern.
+ %
+ Ich will füh -- len, daß ich le -- be,
+ all die Zeit, die mein,
+ ich will le -- ben wie ich will.
+ Ich will füh -- len, daß ich le -- be,
+ wis -- sen, daß ich wert -- voll bin.
+ %
+ Hab ver -- ges -- sen nie, wer ich war,
+ un -- ter Schlaf war es nur ver -- bor -- gen.
+ Doch ich hat -- te ja kei -- ne Wahl,
+ ü -- ber -- le -- ben mein Wil -- le war!
+ %
+ \willenI
+ end -- lich
+ \wasEndlich
+ Se -- hen,
+ \wasSehen
+ %
+ Ich bin hier,
+ \meinSchatz
+ Auch den Him -- mel, so hell und froh,
+ fin -- de ich dort ir -- gend -- wo.
+ %
+ \willenII
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ Oh _ _ _
+ %
+ _ _ _ _
+ _ _ _ _ _
+ %
+ _ _ _ _ _ _ _ _ _ _
+ _ _ _ _ _ _ _ _ _
+ %
+ _ _ _ _
+ Ich will
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ Oh _ _ _ _
+ %
+ _ _ _ _ _ _ _ _
+ %
+ \repeat unfold 8 { _ }
+ %
+ _ _ _
+ _ _ _ _ _
+ \willenI
+ \wasEndlich
+ \wasSehen
+ A _
+ \meinSchatz
+ _ _ _ _
+ %
+ \willenII
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ Oh _ _ _
+ _ _ _ _
+ %
+ _
+ Oh _ _ _ _
+ %
+ _ _ _
+ _ _ _ _ _ _ _
+ _ _ _ _ _
+ %
+ _ _ _ _ _ _ _
+ %
+ _ _ _ _ _ _
+ \willenI
+ \wasEndlich
+ \wasSehen
+ A _ _
+ \meinSchatz
+ _ _ _
+ %
+ \willenII
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ Oh _ _ _
+ _ _ _
+ %
+ \repeat unfold 9 { _ }
+ _ _ _ _ _ _ _
+ %
+ _ _ _
+ _ _
+ %
+ _ _ _
+ _ _ _ _
+ _ _ _
+ %
+ _ _ _ _ _ _ _ _ _
+ %Ich will
+ }
+
diff --git a/hr/issi/idj/dynArt.ly b/hr/issi/idj/dynArt.ly
new file mode 100644
index 0000000..30423d4
--- /dev/null
+++ b/hr/issi/idj/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/issi/idj/idj.ly b/hr/issi/idj/idj.ly
new file mode 100644
index 0000000..d9a4ba8
--- /dev/null
+++ b/hr/issi/idj/idj.ly
@@ -0,0 +1,54 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "In dulci jubilo"
+ composer = "Jos. Klug"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \new Staff = frauen <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \voiceOne \sopranMelodie }
+ \new Voice = "alti" { \global \voiceTwo \altMelodie }
+ >>
+ \lyricsto "soprane" { \new Lyrics { \sopranText } }
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \voiceOne \tenorMelodie }
+ \new Voice = "baesse" { \global \voiceTwo \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+ >>
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ \layout {
+ }
+ }
+
diff --git a/hr/issi/idj/idj.midi b/hr/issi/idj/idj.midi
new file mode 100644
index 0000000..3f8ba16
--- /dev/null
+++ b/hr/issi/idj/idj.midi
Binary files differ
diff --git a/hr/issi/idj/idj.ps b/hr/issi/idj/idj.ps
new file mode 100644
index 0000000..70253dc
--- /dev/null
+++ b/hr/issi/idj/idj.ps
Binary files differ
diff --git a/hr/issi/idj/midi.lua b/hr/issi/idj/midi.lua
new file mode 100644
index 0000000..58e69da
--- /dev/null
+++ b/hr/issi/idj/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/issi/idj/stimmen.ly b/hr/issi/idj/stimmen.ly
new file mode 100644
index 0000000..5b28667
--- /dev/null
+++ b/hr/issi/idj/stimmen.ly
@@ -0,0 +1,127 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key f \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 3/4
+ %\autoBeamOff
+ \partial 4
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ f4
+ f2 f4
+ a2 bes4
+ c2( d4
+ c2.\fermata)
+ f,2 f4
+ a2 bes4
+ c2( d4
+ c2.\fermata)
+ c2 d4
+ c2 bes4
+ a4.( bes8 a8 g8)
+ f2\fermata f4
+ g2 g4
+ a2 g4
+ f2( g4
+ a2.\fermata)
+ c2 d4
+ c2 bes4
+ a4.( bes8 a8 g8)
+ f2\fermata f4
+ g2 g4
+ a2 g4
+ f2( g4
+ a2.\fermata)
+ d,2 d4
+ e2 e4
+ f8( e8 f8 g8 a8 bes8
+ c2.\fermata)
+ a2 a4
+ g2 g4
+ f2. ~
+ f2.\fermata
+ \bar "|."
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ c4
+ d2 d4 e2 e4
+ f2. ~ f2.
+ f4( e4) d4 c2 d4
+ c4( e4 g4 e2.)
+ f2 f4 e4( f4) g4
+ cis,4( d4 e4) a,2 f'4 ~
+ f4 e8( d8) e4 f2 e4
+ f4.( g8 f8 e8 f2.)
+ f2 f4 g4( f4) g4
+ g4( f4 e4) d2 f4 ~
+ f4 e8( d8) e4 f2( e4 ~
+ e4 a,4) d4 cis2.
+ d2 d4 ~ d4 c8( d8) e4( ~
+ e4 d2) c2.
+ c4( f8 e8) f4 f2 e4
+ f8( ees8 d8 c8 d8 bes8 c2.)
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ a4
+ a2 bes4 c2 bes4 a2( bes4 a2.)
+ a2 bes4 a4( g4) f4 g4( c4 b4 g2.)
+ a2 bes4 c4( d4) e4 a,4( b4 cis4) d2
+ c4 d4( bes4) c4 c2.( ~ c4 a4) c4 c2.
+ a2 bes4 g2 e'4 e4( d4 cis4) a2
+ c4 d4( bes4) c4 c2 c4 a2( bes4 e,2.)
+ r8 f8( g8 a8 bes8 a8 g4) a8( bes8 c8 bes8)
+ a4.( g8) f4 g2.
+ a4( bes4) c4 d4( bes4) c4 c4( bes8 a8 bes8 g8 a2.)
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ f4
+ d4( c4) bes4 a4 bes8( a8 g8 a8) f8( f'8 ees8 d8 c8 bes8 f'2.\fermata)
+ d4( c4) bes4 f'4( e4) d4 e4( c4 g4 c2.\fermata)
+ f2 bes4 bes4( a4) g4 g4( f4 e4) d2\fermata
+ a4 bes4( g4) c4 f,8( g8 a8 bes8 c8 bes8 a4 f4) c4 f2.\fermata
+ f'4( e4) d4 e4( d4) c4 f8( g8 a4 a,4) d2\fermata
+ a4 bes4( g4) c4 f,8( g8 a8 bes8 c8 a8 d4 c4) bes4 a2.\fermata
+ bes4( a4) g4 c4( bes4) a4 d8( c8 d8 e8 f8 d8 e2.\fermata)
+ f,4( g4) a4 bes4( g4) c4 a4( bes2 f2.\fermata)
+ }
+ >>
+ }
+
diff --git a/hr/issi/idj/texte.ly b/hr/issi/idj/texte.ly
new file mode 100644
index 0000000..6177ec0
--- /dev/null
+++ b/hr/issi/idj/texte.ly
@@ -0,0 +1,30 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ In dul -- ci ju -- bi -- lo
+ sin -- get und seid froh,
+ un -- sers Her -- zens Won -- ne
+ liegt in prae -- se -- pi -- o
+ leuch -- tet als die Son -- ne
+ ma -- tris in pre -- mi -- o
+ Al -- pha es et O,
+ Al -- pha es et O.
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/issi/issi_burzel.zip b/hr/issi/issi_burzel.zip
new file mode 100644
index 0000000..f01b2a5
--- /dev/null
+++ b/hr/issi/issi_burzel.zip
Binary files differ
diff --git a/hr/issi/issi_burzel/ailh/a.midi b/hr/issi/issi_burzel/ailh/a.midi
new file mode 100644
index 0000000..3cdb73b
--- /dev/null
+++ b/hr/issi/issi_burzel/ailh/a.midi
Binary files differ
diff --git a/hr/issi/issi_burzel/ailh/b.midi b/hr/issi/issi_burzel/ailh/b.midi
new file mode 100644
index 0000000..3ec768c
--- /dev/null
+++ b/hr/issi/issi_burzel/ailh/b.midi
Binary files differ
diff --git a/hr/issi/issi_burzel/ailh/s.midi b/hr/issi/issi_burzel/ailh/s.midi
new file mode 100644
index 0000000..d7dad4b
--- /dev/null
+++ b/hr/issi/issi_burzel/ailh/s.midi
Binary files differ
diff --git a/hr/issi/issi_burzel/ailh/satb.midi b/hr/issi/issi_burzel/ailh/satb.midi
new file mode 100644
index 0000000..a9c3f6f
--- /dev/null
+++ b/hr/issi/issi_burzel/ailh/satb.midi
Binary files differ
diff --git a/hr/issi/issi_burzel/ailh/t.midi b/hr/issi/issi_burzel/ailh/t.midi
new file mode 100644
index 0000000..d8ab5af
--- /dev/null
+++ b/hr/issi/issi_burzel/ailh/t.midi
Binary files differ
diff --git a/hr/issi/issi_burzel/eleanor/a.midi b/hr/issi/issi_burzel/eleanor/a.midi
new file mode 100644
index 0000000..91c9fd4
--- /dev/null
+++ b/hr/issi/issi_burzel/eleanor/a.midi
Binary files differ
diff --git a/hr/issi/issi_burzel/eleanor/b.midi b/hr/issi/issi_burzel/eleanor/b.midi
new file mode 100644
index 0000000..4971ad1
--- /dev/null
+++ b/hr/issi/issi_burzel/eleanor/b.midi
Binary files differ
diff --git a/hr/issi/issi_burzel/eleanor/s.midi b/hr/issi/issi_burzel/eleanor/s.midi
new file mode 100644
index 0000000..50b1fbd
--- /dev/null
+++ b/hr/issi/issi_burzel/eleanor/s.midi
Binary files differ
diff --git a/hr/issi/issi_burzel/eleanor/satb.midi b/hr/issi/issi_burzel/eleanor/satb.midi
new file mode 100644
index 0000000..9f176a3
--- /dev/null
+++ b/hr/issi/issi_burzel/eleanor/satb.midi
Binary files differ
diff --git a/hr/issi/issi_burzel/eleanor/t.midi b/hr/issi/issi_burzel/eleanor/t.midi
new file mode 100644
index 0000000..2c48fdd
--- /dev/null
+++ b/hr/issi/issi_burzel/eleanor/t.midi
Binary files differ
diff --git a/hr/issi/issi_burzel/silence/a.midi b/hr/issi/issi_burzel/silence/a.midi
new file mode 100644
index 0000000..626958f
--- /dev/null
+++ b/hr/issi/issi_burzel/silence/a.midi
Binary files differ
diff --git a/hr/issi/issi_burzel/silence/b.midi b/hr/issi/issi_burzel/silence/b.midi
new file mode 100644
index 0000000..c070606
--- /dev/null
+++ b/hr/issi/issi_burzel/silence/b.midi
Binary files differ
diff --git a/hr/issi/issi_burzel/silence/s.midi b/hr/issi/issi_burzel/silence/s.midi
new file mode 100644
index 0000000..cc7fb55
--- /dev/null
+++ b/hr/issi/issi_burzel/silence/s.midi
Binary files differ
diff --git a/hr/issi/issi_burzel/silence/satb.midi b/hr/issi/issi_burzel/silence/satb.midi
new file mode 100644
index 0000000..8b048d5
--- /dev/null
+++ b/hr/issi/issi_burzel/silence/satb.midi
Binary files differ
diff --git a/hr/issi/issi_burzel/silence/t.midi b/hr/issi/issi_burzel/silence/t.midi
new file mode 100644
index 0000000..b815bbb
--- /dev/null
+++ b/hr/issi/issi_burzel/silence/t.midi
Binary files differ
diff --git a/hr/issi/issi_burzel/things/a.midi b/hr/issi/issi_burzel/things/a.midi
new file mode 100644
index 0000000..8b6febc
--- /dev/null
+++ b/hr/issi/issi_burzel/things/a.midi
Binary files differ
diff --git a/hr/issi/issi_burzel/things/b.midi b/hr/issi/issi_burzel/things/b.midi
new file mode 100644
index 0000000..b01f8c5
--- /dev/null
+++ b/hr/issi/issi_burzel/things/b.midi
Binary files differ
diff --git a/hr/issi/issi_burzel/things/s.midi b/hr/issi/issi_burzel/things/s.midi
new file mode 100644
index 0000000..8c28a5b
--- /dev/null
+++ b/hr/issi/issi_burzel/things/s.midi
Binary files differ
diff --git a/hr/issi/issi_burzel/things/satb.midi b/hr/issi/issi_burzel/things/satb.midi
new file mode 100644
index 0000000..4b26a4c
--- /dev/null
+++ b/hr/issi/issi_burzel/things/satb.midi
Binary files differ
diff --git a/hr/issi/issi_burzel/things/t.midi b/hr/issi/issi_burzel/things/t.midi
new file mode 100644
index 0000000..92512cb
--- /dev/null
+++ b/hr/issi/issi_burzel/things/t.midi
Binary files differ
diff --git a/hr/issi/keeps/dynArt.ly b/hr/issi/keeps/dynArt.ly
new file mode 100644
index 0000000..30423d4
--- /dev/null
+++ b/hr/issi/keeps/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/issi/keeps/keeps.ly b/hr/issi/keeps/keeps.ly
new file mode 100644
index 0000000..1d6912b
--- /dev/null
+++ b/hr/issi/keeps/keeps.ly
@@ -0,0 +1,53 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "The Lord Just Keeps On Blessing Me"
+ composer = "Lisa Nelson"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = frauen <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global << \sopranMelodie \altMelodie >> }
+ \addlyrics { \sopranText }
+ >>
+
+ \new Staff = maenner \with { printPartCombineTexts = ##f } <<
+ \new Voice = "tenoere" { \global \partcombine \tenorMelodie \bassMelodie }
+ >>
+ >>
+ \midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ }
+ \layout {
+ }
+ }
+
diff --git a/hr/issi/keeps/keeps.midi b/hr/issi/keeps/keeps.midi
new file mode 100644
index 0000000..c7f6611
--- /dev/null
+++ b/hr/issi/keeps/keeps.midi
Binary files differ
diff --git a/hr/issi/keeps/keeps.zip b/hr/issi/keeps/keeps.zip
new file mode 100644
index 0000000..8a05764
--- /dev/null
+++ b/hr/issi/keeps/keeps.zip
Binary files differ
diff --git a/hr/issi/keeps/keeps/a.midi b/hr/issi/keeps/keeps/a.midi
new file mode 100644
index 0000000..4054184
--- /dev/null
+++ b/hr/issi/keeps/keeps/a.midi
Binary files differ
diff --git a/hr/issi/keeps/keeps/b.midi b/hr/issi/keeps/keeps/b.midi
new file mode 100644
index 0000000..93fab43
--- /dev/null
+++ b/hr/issi/keeps/keeps/b.midi
Binary files differ
diff --git a/hr/issi/keeps/keeps/s.midi b/hr/issi/keeps/keeps/s.midi
new file mode 100644
index 0000000..dfee8a6
--- /dev/null
+++ b/hr/issi/keeps/keeps/s.midi
Binary files differ
diff --git a/hr/issi/keeps/keeps/satb.midi b/hr/issi/keeps/keeps/satb.midi
new file mode 100644
index 0000000..c7f6611
--- /dev/null
+++ b/hr/issi/keeps/keeps/satb.midi
Binary files differ
diff --git a/hr/issi/keeps/keeps/t.midi b/hr/issi/keeps/keeps/t.midi
new file mode 100644
index 0000000..5950c0a
--- /dev/null
+++ b/hr/issi/keeps/keeps/t.midi
Binary files differ
diff --git a/hr/issi/keeps/midi.lua b/hr/issi/keeps/midi.lua
new file mode 100644
index 0000000..3cca9a3
--- /dev/null
+++ b/hr/issi/keeps/midi.lua
@@ -0,0 +1,51 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ \unfoldRepeats
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { \global s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/issi/keeps/stimmen.ly b/hr/issi/keeps/stimmen.ly
new file mode 100644
index 0000000..b022b50
--- /dev/null
+++ b/hr/issi/keeps/stimmen.ly
@@ -0,0 +1,167 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key des \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ \partial 4
+ \tempo 4 = 135
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ aes8 aes8
+ \mark \markup { \small \musicglyph #"scripts.segno" }
+ \repeat volta 2 {
+ r2 r4 aes8 aes8
+ r2 r4 aes4
+ aes4 aes8 aes8 ~ aes4. ces8 ~
+ ces4. des8 ~ des4 ces8 bes8
+ r2 r4 bes8 c8
+ r2 r4 c4
+ des4 des8 des8 ~ des2 ~
+ des2. r8 aes8
+ bes4 bes8 bes8 ~ bes8 bes8 bes8 c8 ~
+ c8 c8 ~ c8 c8 r4 r8 des,8
+ f8 f8 f8 f8 ~ f8 f8 f8 aes8
+ r8 f8 r8 ees8( des4) r8 aes'8
+ des4 des4 des4 bes4
+ aes8( ges8) f8 aes8( ges4) f8 f8
+ r1
+ \mark \markup { \small \musicglyph #"scripts.coda" }
+ } \alternative {
+ {
+ r2 r4 aes8 aes8
+ }
+ {
+ \override Voice.NoteHead #'style = #'cross % tremolo /<raute>
+ bes8 bes8 r8 bes8 r8 bes8
+ \revert Voice.NoteHead #'style
+ r8 ges8
+ }
+ }
+ r1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ f8 f8
+ \repeat volta 2 {
+ r2 r4 f8 ees8
+ r2 r4 ees4
+ f4 f8 f8 ~ f4. ges8 ~
+ ges4. aes8 ~ aes4 ges8 ges8
+ r2 r4 ges8 aes8
+ r2 r4 aes4
+ aes4 aes8 aes8 ~ aes2 ~
+ aes2. r8 f8
+ ges4 ges8 ges8 ~ ges8 ges8 ges8 aes8 ~
+ aes8 aes8 ~ aes8 aes8 r4 r8 des,8
+ f8 f8 f8 f8 ~ f8 f8 f8 aes8
+ r8 f8 r8 ees8( des4) r8 f8
+ aes4 aes4 aes4 ges4
+ f8( ees8) des8 f8( ees4) des8 des8
+ r1
+ } \alternative {
+ {
+ r2 r4 f8 f8
+ }
+ {
+ r2 r4 r8 des8
+ }
+ }
+ r1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ %\clef "treble_8"
+ {
+ des8 des8
+ \repeat volta 2 {
+ r2 r4 des8 c8
+ r2 r4 c4
+ des4 des8 des8 ~ des4. ees8 ~
+ ees4. f8 ~ f8 ees8 des8
+ r2 r4 des8 ees8
+ r2 r4 ees4
+ f4 f8 f8 ~ f2 ~
+ f2. r8 des8
+ des4 des8 des8 ~ des8 des8 des8 ees8 ~
+ ees8 ees8 ~ ees8 ees8 r2
+ r1
+ r2 r4 r8 des8
+ f4 f4 f4 ees4
+ des8( bes8) aes8 des8( c4) aes8 aes8
+ r1
+ } \alternative {
+ {
+ r2 r4 des8 des8
+ }
+ {
+ r2 r4 r8 bes8
+ }
+ }
+ r1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ aes8 aes8
+ \repeat volta 2 {
+ r2 r4 aes8 aes8
+ r2 r4 aes4
+ aes4 aes8 aes8 ~ aes4. aes8 ~
+ aes4. aes8 ~ aes4 aes8 ges8
+ r2 r4 ges8 ges8
+ r2 r4 ges4
+ f4 f8 f8 ~ f2 ~
+ f2. r8 des8
+ ges4 ges8 ges8 ~ ges8 ges8 ges8 ges8 ~
+ ges8 ges8 ~ ges8 ges8 r2
+ r1
+ r2 r4 r8 des8
+ f4 f4 f4 ges4
+ aes8 ~ aes8 aes8 aes8 ~ aes4 aes8 des,8
+ r1
+ } \alternative {
+ {
+ r2 r4 aes'8 aes8
+ }
+ {
+ r2 r4 r8 des8
+ }
+ }
+ r1
+ }
+ >>
+ }
+
diff --git a/hr/issi/keeps/texte.ly b/hr/issi/keeps/texte.ly
new file mode 100644
index 0000000..b4af878
--- /dev/null
+++ b/hr/issi/keeps/texte.ly
@@ -0,0 +1,53 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ lkb = \lyricmode {
+ Lord
+ just keeps
+ on bles -- sing
+ }
+ kbmbm = \lyricmode {
+ keeps on bles -- sing me
+ bles -- sing me
+ }
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ The \lkb me _ _
+ the \lkb me.
+ I’m not de -- ser -- ving of all He’s done,
+ but yet all my bles -- sings have just be -- gun.
+ The \lkb me right now.
+ The Lord
+ _ _ _ _
+ The Lord
+ has been migh -- ty good to me.
+ He o -- pened doors that I coul -- dn’t see.
+ He woke me up star -- ted me on my way,
+ en -- ab -- led me to see a -- no -- ther day.
+ I know the Lord will see me through.
+ When I take one step,
+ %He’ll take two.
+ Stand on your feet for what God can do.
+ What He’s done for me He’ll do for you
+ The Lord
+ \kbmbm
+ \kbmbm
+ \kbmbm
+ The \lkb me right now.
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/issi/krippen/dynArt.ly b/hr/issi/krippen/dynArt.ly
new file mode 100644
index 0000000..86a2875
--- /dev/null
+++ b/hr/issi/krippen/dynArt.ly
@@ -0,0 +1,24 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s4
+ s1*3
+ s2.\break
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/issi/krippen/krippen.ly b/hr/issi/krippen/krippen.ly
new file mode 100644
index 0000000..bc0eaf0
--- /dev/null
+++ b/hr/issi/krippen/krippen.ly
@@ -0,0 +1,102 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Ich steh an deiner Krippen hier"
+ composer = "Johann Sebastian Bach"
+ text = "Paul Gerhardt (1607 - 1676)"
+ opus = "Original in B"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 18)
+
+ sop = \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \transpose bes ees' \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = \new Staff = alt <<
+ \new Voice = "alti" { \global \transpose bes ees' \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \transpose bes ees' \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = \new Staff = bass <<
+ \new Voice = "baesse" { \global \transpose bes ees' \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \sop
+ \new Lyrics \lyricsto soprane \sopranText
+ \new Lyrics \lyricsto soprane \sopII
+ \alt
+ \new Lyrics \lyricsto soprane \sopranText
+ \new Lyrics \lyricsto soprane \sopII
+ \ten
+ \new Lyrics \lyricsto soprane \sopranText
+ \new Lyrics \lyricsto soprane \sopII
+ \bas
+ >>
+ \midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ }
+ \layout {
+ }
+ }
+ \markup {
+ \line {
+ \hspace #12
+ \column{ 4. }
+ \column{
+ \line{Ich sehe dich mit Freuden an}
+ \line{und kann mich nicht satt sehen;}
+ \line{und weil ich nun nichts weiter kann,}
+ \line{bleib ich anbetend stehen.}
+ \line{O daß mein Sinn ein Abgrund wär}
+ \line{und meine Seel’ ein tiefes Meer,}
+ \line{daß ich dich möchte fassen!}
+ }
+ \hspace #12
+ \column{ 9. }
+ \column{
+ \line{Eins aber, hoff’ ich, wirst du mir,}
+ \line{mein Heiland, nicht versagen:}
+ \line{daß ich dich möge für und für}
+ \line{in, bei und an mir tragen.}
+ \line{So laß mich doch dein Kripplein sein;}
+ \line{komm, komm und lege bei mir ein}
+ \line{dich und all deine Freuden.}
+ }
+ }
+ }
+
diff --git a/hr/issi/krippen/krippen.midi b/hr/issi/krippen/krippen.midi
new file mode 100644
index 0000000..8515d43
--- /dev/null
+++ b/hr/issi/krippen/krippen.midi
Binary files differ
diff --git a/hr/issi/krippen/midi.lua b/hr/issi/krippen/midi.lua
new file mode 100644
index 0000000..58e69da
--- /dev/null
+++ b/hr/issi/krippen/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/issi/krippen/stimmen.ly b/hr/issi/krippen/stimmen.ly
new file mode 100644
index 0000000..3a41221
--- /dev/null
+++ b/hr/issi/krippen/stimmen.ly
@@ -0,0 +1,86 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key ees \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ \partial 4
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ \repeat volta 2 {
+ g4 c4 d4 ees4 c4 bes4. aes8 g4
+ bes4 ees,4. d8 ees4 f4 g2 g4
+ }
+ bes4 ees4 bes4 c4 bes4 aes4. bes8 g4
+ bes4 ees4 bes4 c4 bes4 aes4. bes8 g4
+ g4 a4 b4 c8[ ees8] d8[ c8] b2 c4
+ \bar "|."
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ \repeat volta 2 {
+ ees4 g4 f4 ees8 f8 g8 ees8 f8 d8 ees8 f8 ees4
+ bes4 c4. d8 c4 c4 d2 d4
+ }
+ ees8 f8 g8 aes8 bes8 g8 aes4 ees4 f4. d8 ees4
+ g8 f8 aes4 g4 aes4 ees4 ees4 d4 ees4
+ ees4 f4 g4 g4 aes4 g2 g4
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ \repeat volta 2 {
+ c4 g4 g4 g4 c4 f,4. bes8 bes4
+ g4 g4 g4 c8 bes8 aes8 c8 c4 b8 a8 b4
+ }
+ bes4 bes4 ees4 ees4. bes8 c4 bes4 bes4
+ ees4 ees4 ees8 f8 ees8 d8 ees8 g,8 c4 bes4 bes4
+ c4 c4 d4 c4 f8 ees8 d4. f8 ees4
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ \repeat volta 2 {
+ c8 d8 ees8 d8 c8 b8 c8 d8 ees8 c8 d8 bes8 c8 d8 ees4
+ ees8 d8 c8 g8 c8 bes8 aes8 g8 aes4 g2 g4
+ }
+ g'8 f8 ees8 f8 g8 ees8 aes4. g8 f8 ees8 d8 bes8 ees4
+ ees8 d8 c8 d8 ees8 d8 ees8 f8 g8 ees8 f4 bes,4 ees4
+ c4 f8 ees8 f8 d8 ees4 f4 g4 g,4 c4
+ }
+ >>
+ }
+
diff --git a/hr/issi/krippen/texte.ly b/hr/issi/krippen/texte.ly
new file mode 100644
index 0000000..7922a0d
--- /dev/null
+++ b/hr/issi/krippen/texte.ly
@@ -0,0 +1,31 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ Ich steh an dei -- ner Krip -- pen hier,
+ o Je -- su -- len, mein Le -- ben,
+ Nimm hin, es ist mein Gest und Sinn,
+ Herz, Seel’ und Muth, nimm al -- les hin,
+ und laß dirs wohl -- _ ge -- _ fal -- len.
+ }
+ sopII = \lyrics {
+ ich ste -- he, bring und schen -- ke dir,
+ was du mir hast ge -- ge -- ben.
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/issi/lion/dynArt.ly b/hr/issi/lion/dynArt.ly
new file mode 100644
index 0000000..eb626a8
--- /dev/null
+++ b/hr/issi/lion/dynArt.ly
@@ -0,0 +1,26 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ \repeat unfold 7 {
+ s1*4
+ \break
+ }
+ s1*5
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/issi/lion/lion.ly b/hr/issi/lion/lion.ly
new file mode 100644
index 0000000..419748c
--- /dev/null
+++ b/hr/issi/lion/lion.ly
@@ -0,0 +1,71 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "The lion sleeps tonight"
+ composer = "Hugo Peretti/Luigi Creatore/George Weiss"
+ arranger = "Carsten Gerlitz"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \RemoveEmptyStaves
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ \override VerticalAxisGroup #'remove-first = ##t
+ }
+ }
+
+ #(set-global-staff-size 18)
+
+ sop = \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ >>
+
+ bas = \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \sop
+ \alt
+ \ten
+ \bas
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/issi/lion/lion.midi b/hr/issi/lion/lion.midi
new file mode 100644
index 0000000..80e3b4b
--- /dev/null
+++ b/hr/issi/lion/lion.midi
Binary files differ
diff --git a/hr/issi/lion/lion_midi.ly b/hr/issi/lion/lion_midi.ly
new file mode 100644
index 0000000..f486e78
--- /dev/null
+++ b/hr/issi/lion/lion_midi.ly
@@ -0,0 +1,71 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen_midi.ly"
+\include "texte.ly"
+
+ \header {
+ title = "The lion sleeps tonight"
+ composer = "Hugo Peretti/Luigi Creatore/George Weiss"
+ arranger = "Carsten Gerlitz"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \RemoveEmptyStaves
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ \override VerticalAxisGroup #'remove-first = ##t
+ }
+ }
+
+ #(set-global-staff-size 18)
+
+ sop = \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \unfoldRepeats \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = \new Staff = alt <<
+ \new Voice = "alti" { \global \unfoldRepeats \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \unfoldRepeats \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = \new Staff = bass <<
+ \new Voice = "baesse" { \global \unfoldRepeats \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \sop
+ \alt
+ \ten
+ \bas
+ >>
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ %\layout {
+ %}
+ }
+
diff --git a/hr/issi/lion/midi.lua b/hr/issi/lion/midi.lua
new file mode 100644
index 0000000..42709d9
--- /dev/null
+++ b/hr/issi/lion/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen_midi.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \unfoldRepeats \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/issi/lion/midis/a.midi b/hr/issi/lion/midis/a.midi
new file mode 100644
index 0000000..1a89605
--- /dev/null
+++ b/hr/issi/lion/midis/a.midi
Binary files differ
diff --git a/hr/issi/lion/midis/b.midi b/hr/issi/lion/midis/b.midi
new file mode 100644
index 0000000..3b73f30
--- /dev/null
+++ b/hr/issi/lion/midis/b.midi
Binary files differ
diff --git a/hr/issi/lion/midis/s.midi b/hr/issi/lion/midis/s.midi
new file mode 100644
index 0000000..acde470
--- /dev/null
+++ b/hr/issi/lion/midis/s.midi
Binary files differ
diff --git a/hr/issi/lion/midis/t.midi b/hr/issi/lion/midis/t.midi
new file mode 100644
index 0000000..c903ee9
--- /dev/null
+++ b/hr/issi/lion/midis/t.midi
Binary files differ
diff --git a/hr/issi/lion/stimmen.ly b/hr/issi/lion/stimmen.ly
new file mode 100644
index 0000000..e3877fa
--- /dev/null
+++ b/hr/issi/lion/stimmen.ly
@@ -0,0 +1,402 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% foreign code %
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% first one
+rhythmMarkStaffReduce = #-3
+rhythmMarkLabelFontSize = #-2
+
+rhythmMark = #(define-music-function (parser location label musicI musicII ) (string? ly:music? ly:music?)
+ #{
+ \mark \markup {
+ \line \vcenter {
+ \combine % 1st column in line
+ \italic \fontsize #rhythmMarkLabelFontSize $label
+ \transparent \italic \fontsize #rhythmMarkLabelFontSize f
+ % This fakes a uniform baseline (ie. create common anchor for vcenter)
+
+ \score { % 2nd column in line
+ \new Staff \with {
+ fontSize = #rhythmMarkStaffReduce
+ \override StaffSymbol #'staff-space = #(magstep rhythmMarkStaffReduce)
+ \override StaffSymbol #'line-count = #0
+ \override VerticalAxisGroup #'Y-extent = #'(0 . 0) % td
+ }
+
+ \relative { \stemUp $musicI }
+
+ \layout {
+ ragged-right= ##t
+ indent = 0
+ \context {
+ \Staff
+ \remove "Clef_engraver"
+ \remove "Time_signature_engraver" }
+ } % layout
+
+ } % 1st Score end
+
+ \hspace #-0.1 % 3rd column in line
+
+ % 4th column in line
+ \italic \fontsize #rhythmMarkStaffReduce "="
+
+ \score { % 5th column in line
+
+ \new Staff \with {
+ fontSize = #rhythmMarkStaffReduce
+ \override StaffSymbol #'staff-space = #(magstep rhythmMarkStaffReduce)
+ \override StaffSymbol #'line-count = #0
+ \override VerticalAxisGroup #'Y-extent = #'(0 . 0) % td
+ }
+
+ \relative { \stemUp $musicII }
+
+ \layout {
+ ragged-right= ##t
+ indent = 0
+ \context {
+ \Staff
+ \remove "Clef_engraver"
+ \remove "Time_signature_engraver" }
+ } % layout end
+
+ } % 2nd Score end
+
+ } % line end
+ } % markup end
+ #})
+ % second one
+rhythmMarkCStaffReduce = #-4
+rhythmMarkCLabelFontSize = #-2
+
+rhythmMarkC = #(define-music-function (parser location label musicI musicII ) (string? ly:music? ly:music?)
+ #{
+ \mark \markup
+ {
+ \combine
+
+ \line {
+ \hspace #0
+ \translate #'(-0.1 . -3.25) \italic \fontsize #rhythmMarkCLabelFontSize $label
+ } % end Line
+
+ \line \vcenter {
+
+ \score { % 1st column in line
+
+ \new Staff \with {
+ fontSize = #rhythmMarkCStaffReduce
+ \override StaffSymbol #'staff-space = #(magstep rhythmMarkCStaffReduce)
+ \override StaffSymbol #'line-count = #0
+ \override VerticalAxisGroup #'Y-extent = #'(0 . 0) % td
+ }
+
+ \relative { \stemUp $musicI }
+
+ \layout {
+ ragged-right= ##t
+ indent = 0
+ \context {
+ \Staff
+ \remove "Clef_engraver"
+ \remove "Time_signature_engraver" }
+ } % layout
+
+ } % 1st score
+
+ \hspace #-0.1 % 2nd column in line
+
+ % 3rd column in line
+ \italic \fontsize #rhythmMarkCStaffReduce "="
+
+ \score { % 4th column in line
+
+ \new Staff \with {
+ fontSize = #rhythmMarkCStaffReduce
+ \override StaffSymbol #'staff-space = #(magstep rhythmMarkCStaffReduce)
+ \override StaffSymbol #'line-count = #0
+ \override VerticalAxisGroup #'Y-extent = #'(0 . 0) % td
+ }
+
+ \relative {
+ \stemUp $musicII
+ }
+
+ \layout {
+ ragged-right= ##t
+ indent = 0
+ \context {
+ \Staff
+ \remove "Clef_engraver"
+ \remove "Time_signature_engraver" }
+ } % layout
+
+ } % 2nd score end
+
+ } % line end
+ % end combine
+ } % markup end
+ #})
+ % some definitions
+rhyMarkI = { b'1 }
+
+rhyMarkII = { b'2 }
+
+rhyMarkIV = { b'4 }
+
+rhyMarkEighth = { b'8 }
+
+rhyMarkIIEighths = {
+ % \override Score.SpacingSpanner #'common-shortest-duration = #(ly:make-moment 1 4) % tight
+ \override Score.SpacingSpanner #'common-shortest-duration = #(ly:make-moment 3 16) % even
+ b'8[ b8]
+}
+rhyMarkTriplets = {
+ % \override Score.SpacingSpanner #'common-shortest-duration = #(ly:make-moment 1 2) % super-tight
+ % \override Score.SpacingSpanner #'common-shortest-duration = #(ly:make-moment 1 4) % tight
+ \override Score.SpacingSpanner #'common-shortest-duration = #(ly:make-moment 3 16) % even
+ \times 2/3 { b'4 b8 }
+}
+rhyMarkSlurredTriplets = {
+ % \override Score.SpacingSpanner #'common-shortest-duration = #(ly:make-moment 1 4) % tight
+ % \override Score.SpacingSpanner #'common-shortest-duration = #(ly:make-moment 5 32) % slighty tighter as even
+ \override Score.SpacingSpanner #'common-shortest-duration = #(ly:make-moment 1 8) % even
+ \times 2/3 { b'8 ~ b8 b8 }
+}
+rhyMarkDottedEighths = {
+ % \override Score.SpacingSpanner #'common-shortest-duration = #(ly:make-moment 1 4) % tight
+ \override Score.SpacingSpanner #'common-shortest-duration = #(ly:make-moment 3 16) % even
+ % \override Score.SpacingSpanner #'common-shortest-duration = #(ly:make-moment 1 8) % loose
+ { b'8. b16 }
+}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% end of foreign code %
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key g \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopSolo = \relative c'' {
+ \rhythmMark #" " \rhyMarkIIEighths \rhyMarkSlurredTriplets
+ \repeat volta 2 {
+ \oneVoice
+ g4( a8 b8 ~ b8 a8) r8 b8(
+ c4 b8 a8 ~ a8 g8) r8 a8(
+ b8) d,8 ~ d8 d8 ~ d8 d8 d4 ~
+ d2. r4
+ }
+ s1*11
+ \voiceOne
+ s2. d4
+ \repeat unfold 2 {
+ d'1( ~
+ d4 c8 d8 ~ d8 c8 ~ c4
+ b8) d,8 ~ d8 d8 ~ d8 d8 d4 ~
+ } \alternative {
+ {
+ d2. d4
+ }
+ {
+ d2. s4
+ }
+ }
+ }
+
+ sopPatI = \relative c' {
+ \repeat unfold 4 { d8 d8 }
+ \repeat unfold 4 { e8 e8 }
+ \repeat unfold 4 { d8 d8 }
+ \repeat unfold 4 { d8 d8 }
+ }
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ { \sopSolo }
+ \\
+ {
+ s1*4
+ \repeat volta 2 {
+ \sopPatI
+ }
+ \repeat volta 2 {
+ g'4 a8 b8 ~ b8 a8 r8 b8
+ c4 b8 a8 ~ a8 g8 r8 a8
+ b8 a8 ~ a8 g8 ~ g4 b8 a8 ~
+ a2. r4
+ d4 b8 a8 ~ a8 b8 r8 d8
+ c4 b8 a8 ~ a8 g8 r8 a8
+ b8 a8 ~ a8 g8 ~ g4 b8 a8 ~
+ a2. s4
+ \voiceTwo
+ \sopPatI
+ r4 b8 a8 g8 fis8 e8 d8
+ c1
+ \repeat unfold 4 { d8 d8 }
+ \repeat unfold 3 { d8 d8 } d4
+ }
+ \oneVoice
+ g8 r8 a8 b8 ~ b8 a8 r8 b8
+ c4 b8 a8 ~ a8 g8 r8 a8
+ b8 a8 ~ a8 g8 ~ g4 b8 a8 ~
+ a2. r4
+ d8 r8 b8 a8 ~ a8 b8 r8 d8
+ c4 b8 a8 ~ a8 g8 r8 a8
+ b8 a8 ~ a8 g8 ~ g4 b8 a8 ~
+ a1
+ \bar "||"
+ % coda
+ r4 g8 g8 g8 r8 r4
+ \bar "|."
+ }
+ >>
+ }
+
+ altPatI = \relative c' {
+ \repeat unfold 4 { b8 b8 }
+ d8 d8 d8 d8 c8 c8 c8 c8
+ c8 c8 c8 c8 b8 b8 b8 b8
+ \repeat unfold 4 { a8 a8 }
+ }
+ altPatII = \relative c' {
+ d4 d8 r8 r8 d4 d8
+ e4 e8 r8 r8 e4 fis8
+ g4 d8 r8 r8 d4 e8
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ s1*4
+ \repeat volta 2 \altPatI
+ \repeat volta 2 {
+ \altPatII
+ d4 d8 r8 r8 d4 d8
+ \altPatII
+ d4 d8 r8 r8 d8 d8 d8
+ \altPatI
+ \repeat unfold 4 { d8 d8 }
+ \repeat unfold 4 { e8 e8 }
+ r4 b'8 a8 g8 fis8 e8 ees8
+ d2. r4
+ }
+ d8 r8 f8 f8 ~ f8 f8 r8 f8
+ e4 f8 g8 ~ g8 g8 r8 g8
+ g8 fis8 ~ fis8 d8 ~ d4 e8 e8( ~
+ e2 d4) r4
+ r8 g4 f8 ~ f8 g8 r8 f8
+ e4 g8 g8 ~ g8 g8 r8 g8
+ g8 g8 ~ g8 d8 ~ d4 g8 g8( ~
+ g2 fis2)
+ %coda
+ r4 d8 d8 d8 r8 r4
+ }
+ >>
+ }
+
+ tenorPatI = \relative c' {
+ \repeat unfold 4 { g8 g8 }
+ \repeat unfold 4 { g8 g8 }
+ \repeat unfold 4 { g8 g8 }
+ \repeat unfold 4 { fis8 fis8 }
+ }
+ tenorPatII = \relative c' {
+ b4 b8 r8 r8 b4 b8
+ d4 d8 r8 r8 c4 c8
+ b4 b8 r8 r8 b4 g8
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ s1*4
+ \repeat volta 2 \tenorPatI
+ \repeat volta 2 {
+ \tenorPatII
+ fis,4 fis8 r8 r8 fis4 fis8
+ \tenorPatII
+ fis4 fis8 r8 r8 fis8 fis8 fis8
+ \tenorPatI
+ \repeat unfold 4 { b8 b8 }
+ b8 b8 b8 b8 b8 b8 a8 a8
+ g8 b8 g8 fis8 g8 a8 g8 g8
+ fis8 fis8 fis8 fis8 fis8 fis8 fis4
+ }
+ b8 r8 c8 b8 ~ b8 c8 r8 b8
+ c4 d8 c8 ~ c8 c8 r8 c8
+ d8 c8 ~ c8 b8 ~ b4 g8 g8( ~
+ g2 fis4) r4
+ r8 d'4 d8 ~ d8 d8 r8 b8
+ c4 c8 c8 ~ c8 c8 r8 c8
+ d8 d8 ~ d8 b8 ~ b4 d8 d8 ~
+ d1
+ % coda
+ r4 b8 b8 b8 r8 r4
+ }
+ >>
+ }
+
+ bassPatI = \relative c {
+ \repeat unfold 4 { g8 g8 }
+ \repeat unfold 4 { c8 c8 }
+ \repeat unfold 4 { g8 g8 }
+ \repeat unfold 4 { d'8 d8 }
+ }
+ bassPatII = \relative c {
+ g4. b8 ~ b4 d4
+ c4. c8 ~ c4 d4
+ g4. b8 ~ b4 c4
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ s1*4
+ \repeat volta 2 \bassPatI
+ \repeat volta 2 {
+ \bassPatII
+ d4. a8 ~ a4 d4
+ \bassPatII
+ d4. c8 ~ c4 a4
+ \bassPatI
+ g4. g8 d'8 d8 e8 d8
+ c4. c8 c8 c8 c8 c8
+ d4. d8 ~ d4 d4
+ d4. d8 d8 a8 d4
+ }
+ g8 r8 d8 g,8 ~ g8 d'8 r8 des8
+ c4 d8 e8 ~ e8 ees8 r8 ees8
+ d8 dis8 ~ dis8 e8 ~ e4 cis8 d8 ~
+ d2. r4
+ r8 b'4 c8 ~ c8 b8 r8 g8
+ g4 e8 ees8 ~ ees8 ees8 r8 ees8
+ d8 d8 ~ d8 d8 ~ d4 d8 d8 ~
+ d1
+ % coda
+ r4 g,8 g8 g8 r8 r4
+ }
+ >>
+ }
+
diff --git a/hr/issi/lion/stimmen_midi.ly b/hr/issi/lion/stimmen_midi.ly
new file mode 100644
index 0000000..09e715f
--- /dev/null
+++ b/hr/issi/lion/stimmen_midi.ly
@@ -0,0 +1,272 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key g \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopSolo = \relative c'' {
+ \repeat volta 2 {
+ \oneVoice
+ g4( \times 2/3 { a4 b8 ~ } \times 2/3 { b4 a8) } \times 2/3 { r4 b8( }
+ c4 \times 2/3 { b4 a8 ~ } \times 2/3 { a4 g8) } \times 2/3 { r4 a8( }
+ \times 2/3 { b4) d,8 ~ } \times 2/3 { d4 d8 ~ } \times 2/3 { d4 d8 } d4 ~
+ d2. r4
+ }
+ \repeat volta 2 {
+ s1*4
+ }
+ \repeat volta 2 {
+ s1*7
+ \voiceOne
+ s2. d4
+ \repeat unfold 2 {
+ d'1( ~
+ d4 \times 2/3 { c4 d8 ~ } \times 2/3 { d4 c8 ~ } c4
+ \times 2/3 { b4) d,8 ~ } \times 2/3 { d4 d8 ~ } \times 2/3 { d4 d8 } d4 ~
+ } \alternative {
+ {
+ d2. d4
+ }
+ {
+ d2. s4
+ }
+ }
+ }
+ s1*8
+ \repeat unfold 2 {
+ d'1( ~
+ d4 \times 2/3 { c4 d8 ~ } \times 2/3 { d4 c8 ~ } c4
+ \times 2/3 { b4) d,8 ~ } \times 2/3 { d4 d8 ~ } \times 2/3 { d4 d8 } d4 ~
+ } \alternative {
+ {
+ d2. d4
+ }
+ {
+ d2. s4
+ }
+ }
+ s1
+ }
+
+ sopPatI = \relative c' {
+ \repeat unfold 4 { \times 2/3 { d4 d8 } }
+ \repeat unfold 4 { \times 2/3 { e4 e8 } }
+ \repeat unfold 4 { \times 2/3 { d4 d8 } }
+ \repeat unfold 4 { \times 2/3 { d4 d8 } }
+ }
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ { \sopSolo }
+ %\\
+ {
+ s1*4
+ s1*4
+ \repeat volta 2 {
+ \sopPatI
+ }
+ \repeat volta 2 {
+ g'4 \times 2/3 { a4 b8 ~ } \times 2/3 { b4 a8 } \times 2/3 { r4 b8 }
+ c4 \times 2/3 { b4 a8 ~ } \times 2/3 { a4 g8 } \times 2/3 { r4 a8 }
+ \times 2/3 { b4 a8 ~ } \times 2/3 { a4 g8 ~ } g4 \times 2/3 { b4 a8 ~ }
+ a2. r4
+ d4 \times 2/3 { b4 a8 ~ } \times 2/3 { a4 b8 } \times 2/3 { r4 d8 }
+ c4 \times 2/3 { b4 a8 ~ } \times 2/3 { a4 g8 } \times 2/3 { r4 a8 }
+ \times 2/3 { b4 a8 ~ } \times 2/3 { a4 g8 ~ } g4 \times 2/3 { b4 a8 ~ }
+ a2. s4
+ {
+ \voiceTwo
+ \sopPatI
+ r4 b8 a8 g8 fis8 e8 d8
+ c1
+ \repeat unfold 4 { \times 2/3 { d4 d8 } }
+ \repeat unfold 3 { \times 2/3 { d4 d8 } } d4
+ }
+ }
+ \oneVoice
+ \times 2/3 { g4 r8 } \times 2/3 { a4 b8 ~ } \times 2/3 { b4 a8 } \times 2/3 { r4 b8 }
+ c4 \times 2/3 { b4 a8 ~ } \times 2/3 { a4 g8 } \times 2/3 { r4 a8 }
+ \times 2/3 { b4 a8 ~ } \times 2/3 { a4 g8 ~ } g4 \times 2/3 { b4 a8 ~ }
+ a2. r4
+ \times 2/3 { d4 r8 } \times 2/3 { b4 a8 ~ } \times 2/3 { a4 b8 } \times 2/3 { r4 d8 }
+ c4 \times 2/3 { b4 a8 ~ } \times 2/3 { a4 g8 } \times 2/3 { r4 a8 }
+ \times 2/3 { b4 a8 ~ } \times 2/3 { a4 g8 ~ } g4 \times 2/3 { b4 a8 ~ }
+ a1
+ \bar "||"
+ \sopPatI
+ r4 b8 a8 g8 fis8 e8 d8
+ c1
+ \repeat unfold 4 { \times 2/3 { d4 d8 } }
+ \repeat unfold 3 { \times 2/3 { d4 d8 } } d4
+ % coda
+ r4 \times 2/3 { g4 g8 } \times 2/3 { g4 r8 } r4
+ \bar "|."
+ }
+ >>
+ }
+
+ altPatI = \relative c' {
+ \repeat unfold 4 { \times 2/3 { b4 b8 } }
+ \times 2/3 { d4 d8 } \times 2/3 { d4 d8 } \times 2/3 { c4 c8 } \times 2/3 { c4 c8 }
+ \times 2/3 { c4 c8 } \times 2/3 { c4 c8 } \times 2/3 { b4 b8 } \times 2/3 { b4 b8 }
+ \repeat unfold 4 { \times 2/3 { a4 a8 } }
+ }
+ altPatII = \relative c' {
+ d4 \times 2/3 { d4 r8 } \times 2/3 { r4 d8 ~ } \times 2/3 { d4 d8 }
+ e4 \times 2/3 { e4 r8 } \times 2/3 { r4 e8 ~ } \times 2/3 { e4 fis8 }
+ g4 \times 2/3 { d4 r8 } \times 2/3 { r4 d8 ~ } \times 2/3 { d4 e8 }
+ }
+
+ altMelodie = \relative c' {
+ <<
+ % { \meta }
+ %\altArt
+ %the actual tune
+ {
+ s1*4
+ s1*4
+ \repeat volta 2 \altPatI
+ \repeat volta 2 {
+ \altPatII
+ d4 \times 2/3 { d4 r8 } \times 2/3 { r4 d8 ~ } \times 2/3 { d4 d8 }
+ \altPatII
+ d4 \times 2/3 { d4 r8 } \times 2/3 { r4 d8 } \times 2/3 { d4 d8 }
+ \altPatI
+ \repeat unfold 4 { \times 2/3 { d4 d8 } }
+ \repeat unfold 4 { \times 2/3 { e4 e8 } }
+ r4 b'8 a8 g8 fis8 e8 ees8
+ d2. r4
+ }
+ \times 2/3 { d4 r8 } \times 2/3 { f4 f8 ~ } \times 2/3 { f4 f8 } \times 2/3 { r4 f8 }
+ e4 \times 2/3 { f4 g8 ~ } \times 2/3 { g4 g8 } \times 2/3 { r4 g8 }
+ \times 2/3 { g4 fis8 ~ } \times 2/3 { fis4 d8 ~ } d4 \times 2/3 { e4 e8( ~ }
+ e2 d4) r4
+ \times 2/3 { r4 g8 ~ } \times 2/3 { g4 f8 ~ } \times 2/3 { f4 g8 } \times 2/3 { r4 f8 }
+ e4 \times 2/3 { g4 g8 ~ } \times 2/3 { g4 g8 } \times 2/3 { r4 g8 }
+ \times 2/3 { g4 g8 ~ } \times 2/3 { g4 d8 ~ } d4 \times 2/3 { g4 g8( ~ }
+ g2 fis2)
+ \altPatI
+ \repeat unfold 4 { \times 2/3 { d4 d8 } }
+ \repeat unfold 4 { \times 2/3 { e4 e8 } }
+ r4 b'8 a8 g8 fis8 e8 ees8
+ d2. r4
+ %coda
+ r4 \times 2/3 { d4 d8 } \times 2/3 { d4 r8 } r4
+ }
+ >>
+ }
+
+ tenorPatI = \relative c' {
+ \repeat unfold 4 { \times 2/3 { g4 g8 } }
+ \repeat unfold 4 { \times 2/3 { g4 g8 } }
+ \repeat unfold 4 { \times 2/3 { g4 g8 } }
+ \repeat unfold 4 { \times 2/3 { fis4 fis8 } }
+ }
+ tenorPatII = \relative c' {
+ b4 \times 2/3 { b4 r8 } \times 2/3 { r4 b8 ~ } \times 2/3 { b4 b8 }
+ d4 \times 2/3 { d4 r8 } \times 2/3 { r4 c8 ~ } \times 2/3 { c4 c8 }
+ b4 \times 2/3 { b4 r8 } \times 2/3 { r4 b8 ~ } \times 2/3 { b4 g8 }
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ % { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ s1*4
+ s1*4
+ \repeat volta 2 \tenorPatI
+ \repeat volta 2 {
+ \tenorPatII
+ fis,4 \times 2/3 { fis4 r8 } \times 2/3 { r4 fis8 ~ } \times 2/3 { fis4 fis8 }
+ \tenorPatII
+ fis4 \times 2/3 { fis4 r8 } \times 2/3 { r4 fis8 } \times 2/3 { fis4 fis8 }
+ \tenorPatI
+ \repeat unfold 4 { \times 2/3 { b4 b8 } }
+ \times 2/3 { b4 b8 } \times 2/3 { b4 b8 } \times 2/3 { b4 b8 } \times 2/3 { a4 a8 }
+ \times 2/3 { g4 b8 } \times 2/3 { g4 fis8 } \times 2/3 { g4 a8 } \times 2/3 { g4 g8 }
+ \times 2/3 { fis4 fis8 } \times 2/3 { fis4 fis8 } \times 2/3 { fis4 fis8 } fis4
+ }
+ \times 2/3 { b4 r8 } \times 2/3 { c4 b8 ~ } \times 2/3 { b4 c8 } \times 2/3 { r4 b8 }
+ c4 \times 2/3 { d4 c8 ~ } \times 2/3 { c4 c8 } \times 2/3 { r4 c8 }
+ \times 2/3 { d4 c8 ~ } \times 2/3 { c4 b8 ~ } b4 \times 2/3 { g4 g8( ~ }
+ g2 fis4) r4
+ \times 2/3 { r4 d'8 ~ } \times 2/3 { d4 d8 ~ } \times 2/3 { d4 d8 } \times 2/3 { r4 b8 }
+ c4 \times 2/3 { c4 c8 ~ } \times 2/3 { c4 c8 } \times 2/3 { r4 c8 }
+ \times 2/3 { d4 d8 ~ } \times 2/3 { d4 b8 ~ } b4 \times 2/3 { d4 d8 ~ }
+ d1
+ \tenorPatI
+ \repeat unfold 4 { \times 2/3 { b4 b8 } }
+ \times 2/3 { b4 b8 } \times 2/3 { b4 b8 } \times 2/3 { b4 b8 } \times 2/3 { a4 a8 }
+ \times 2/3 { g4 b8 } \times 2/3 { g4 fis8 } \times 2/3 { g4 a8 } \times 2/3 { g4 g8 }
+ \times 2/3 { fis4 fis8 } \times 2/3 { fis4 fis8 } \times 2/3 { fis4 fis8 } fis4
+ % coda
+ r4 \times 2/3 { b4 b8 } \times 2/3 { b4 r8 } r4
+ }
+ >>
+ }
+
+ bassPatI = \relative c {
+ \repeat unfold 4 { \times 2/3 { g4 g8 } }
+ \repeat unfold 4 { \times 2/3 { c4 c8 } }
+ \repeat unfold 4 { \times 2/3 { g4 g8 } }
+ \repeat unfold 4 { \times 2/3 { d'4 d8 } }
+ }
+ bassPatII = \relative c {
+ \times 2/3 { g4 ~ g8 ~ } \times 2/3 { g4 b8 ~ } b4 d4
+ \times 2/3 { c4 ~ c8 ~ } \times 2/3 { c4 c8 ~ } c4 d4
+ \times 2/3 { g4 ~ g8 ~ } \times 2/3 { g4 b8 ~ } b4 c4
+ }
+
+ bassMelodie = \relative c {
+ <<
+ % { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ s1*4
+ s1*4
+ \repeat volta 2 \bassPatI
+ \repeat volta 2 {
+ \bassPatII
+ \times 2/3 { d4 ~ d8 ~ } \times 2/3 { d4 a8 ~ } a4 d4
+ \bassPatII
+ \times 2/3 { d4 ~ d8 ~ } \times 2/3 { d4 c8 ~ } c4 a4
+ \bassPatI
+ \times 2/3 { g4 ~ g8 ~ } \times 2/3 { g4 g8 } \times 2/3 { d'4 d8 } \times 2/3 { e4 d8 }
+ \times 2/3 { c4 ~ c8 ~ } \times 2/3 { c4 c8 } \times 2/3 { c4 c8 } \times 2/3 { c4 c8 }
+ \times 2/3 { d4 ~ d8 ~ } \times 2/3 { d4 d8 ~ } d4 d4
+ \times 2/3 { d4 ~ d8 ~ } \times 2/3 { d4 d8 } \times 2/3 { d4 a8 } d4
+ }
+ \times 2/3 { g4 r8 } \times 2/3 { d4 g,8 ~ } \times 2/3 { g4 d'8 } \times 2/3 { r4 des8 }
+ c4 \times 2/3 { d4 e8 ~ } \times 2/3 { e4 ees8 } \times 2/3 { r4 ees8 }
+ \times 2/3 { d4 dis8 ~ } \times 2/3 { dis4 e8 ~ } e4 \times 2/3 { cis4 d8 ~ }
+ d2. r4
+ \times 2/3 { r4 b'8 ~ } \times 2/3 { b4 c8 ~ } \times 2/3 { c4 b8 } \times 2/3 { r4 g8 }
+ g4 \times 2/3 { e4 ees8 ~ } \times 2/3 { ees4 ees8 } \times 2/3 { r4 ees8 }
+ \times 2/3 { d4 d8 ~ } \times 2/3 { d4 d8 ~ } d4 \times 2/3 { d4 d8 ~ }
+ d1
+ \bassPatI
+ \times 2/3 { g,4 ~ g8 ~ } \times 2/3 { g4 g8 } \times 2/3 { d'4 d8 } \times 2/3 { e4 d8 }
+ \times 2/3 { c4 ~ c8 ~ } \times 2/3 { c4 c8 } \times 2/3 { c4 c8 } \times 2/3 { c4 c8 }
+ \times 2/3 { d4 ~ d8 ~ } \times 2/3 { d4 d8 ~ } d4 d4
+ \times 2/3 { d4 ~ d8 ~ } \times 2/3 { d4 d8 } \times 2/3 { d4 a8 } d4
+ % coda
+ r4 \times 2/3 { g,4 g8 } \times 2/3 { g4 r8 } r4
+ }
+ >>
+ }
+
diff --git a/hr/issi/lion/texte.ly b/hr/issi/lion/texte.ly
new file mode 100644
index 0000000..e68c488
--- /dev/null
+++ b/hr/issi/lion/texte.ly
@@ -0,0 +1,36 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ Wim -- o -- wee, o -- wim -- o -- wee, …
+ \repeat unfold 6 { _ _ _ _ }
+ mh ba
+ ba da mh …
+ \repeat unfold 6 { _ _ _ _ }
+ ba da da
+ wim … _ _
+ \repeat unfold 14 { _ _ _ _ }
+ wim -- o -- wee.
+ Hush! My dar -- ling, don’t fear, my dar -- ling,
+ the li -- on sleps to -- night.
+ Hush! Dar -- ling, don’t fear my dar -- ling,
+ the li -- on sleps to -- night.
+ Wim -- bo -- wee.
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/issi/merry/dynArt.ly b/hr/issi/merry/dynArt.ly
new file mode 100644
index 0000000..0f4a875
--- /dev/null
+++ b/hr/issi/merry/dynArt.ly
@@ -0,0 +1,36 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s4
+ s1
+ \slurDashed
+ s2
+ \slurSolid
+ s2
+ }
+ all = \new Voice {
+ s4
+ \repeat unfold 2 {
+ s1
+ s1
+ s1
+ s2 r4 s4
+ }
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/issi/merry/merry.ly b/hr/issi/merry/merry.ly
new file mode 100644
index 0000000..1402165
--- /dev/null
+++ b/hr/issi/merry/merry.ly
@@ -0,0 +1,63 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "God rest you merry, Gentlemen"
+ %composer = "<+Komponist+>"
+ composer = "aus England"
+ arranger = "Wolfgang Stockmeier (*1931), 2002"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \all
+ \new Voice = "soprane" { \global \voiceOne \sopranMelodie }
+ %\addlyrics { \sopranText }
+ \new Voice = "alti" { \global \voiceTwo \altMelodie }
+ %\addlyrics { \altText }
+ >>
+ \new Lyrics { \lyricsto soprane \sopranTextI }
+ \new Lyrics { \lyricsto soprane \sopranTextII }
+ \new Lyrics { \lyricsto soprane \sopranTextV }
+ \new Staff = tenor <<
+ \all
+ \new Voice = "tenoere" { \global \voiceOne \tenorMelodie }
+ %\addlyrics { \tenorText }
+ \new Voice = "baesse" { \global \voiceTwo \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/issi/merry/midi.lua b/hr/issi/merry/midi.lua
new file mode 100644
index 0000000..58e69da
--- /dev/null
+++ b/hr/issi/merry/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/issi/merry/stimmen.ly b/hr/issi/merry/stimmen.ly
new file mode 100644
index 0000000..a2b4a47
--- /dev/null
+++ b/hr/issi/merry/stimmen.ly
@@ -0,0 +1,91 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key g \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ \partial 4
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ e4 e4 b'4 b4 a4 \set melismaBusyProperties = #'() g4( fis4) \unset melismaBusyProperties e4 d4
+ e4 fis4 g4 a4 b2 s4
+ e,4 e4 b'4 b4 a4 g4( fis4) e4 d4
+ e4 fis4 g4 a4 b2 s4
+ b4
+ c4 a4 b4 c4 d4 e4 b4 a4 g4 e4 fis4 g4 a2
+ g4( a4) b2 c4 b4 b4( a4) g4 fis4 e2
+ g8 fis8 e4 a2
+ g4( a4) b4( c4) d4 e4 b4( a4) g4 fis4 e2.
+ \bar "|."
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ b4 e4 dis4 e4 fis4 e4( dis4) b4 a4
+ b4 b4 b4 b4 e2 s4
+ b4 e4 dis4 e4 fis4 e4( dis4) b4 a4
+ b4 dis4 e4 fis4 g2 s4
+ g4 e4 fis4 g4 g4 g4 g4 g4 e4 e4 e4 dis4 e4 fis2
+ e4( fis4) g2 g4 fis4 g4( fis4) e4 d4 c2
+ d8 d8 c4 e2
+ e4( fis4) g2 g4 g4 g4( fis4) e4 dis4 b2.
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ g4 b4 a4 b4 c4 b4( a4) g4 a4
+ g4 fis4 e4 fis4 g2 s4
+ g4 b4 a4 b4 c4 b4( a4) g4 a4
+ g4 b4 b4 d4 d2 s4
+ d4 c4 d4 d4 e4 d4 c4 d4 c4 b4 b4 a4 b4 d2
+ b4( d4) d2 e4 d4 d2 b4 b4 g2
+ b8 b8 g4 c2
+ b4( d4) d4( c4) b4 c4 d4( c4) b4 b4 g2.
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ e4 g4 fis4 g4 a4 e4( fis4) g4 fis4
+ e4 dis4 e4 e4 e2 s4
+ e4 g4 fis4 g4 a4 e4( fis4) g4 fis4
+ e4 b4 e4 d4 g2 s4
+ g4 a4 d,4 g4 c,4 b4 c4 g'4 a4 e4 g4 fis4 e4 d2
+ e4( d4) g2 c,4 d4 g4( d4) e4 b4 c2
+ g8 b8 c4 a2
+ e'4( d4) g2 g4 c,4 g'4( a4) b4 b,4 e2.
+ }
+ >>
+ }
+
diff --git a/hr/issi/merry/texte.ly b/hr/issi/merry/texte.ly
new file mode 100644
index 0000000..920ba66
--- /dev/null
+++ b/hr/issi/merry/texte.ly
@@ -0,0 +1,51 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranTextI = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ God rest you mer -- ry, gen -- tle -- men,
+ let no -- thing you dis -- may!
+ Re -- mem -- ber Christ our Sa -- viour
+ was born on Christ -- mas day,
+ to save us all from Sa -- tans pow’r
+ when we were gone a -- stray.
+ }
+
+ sopranTextII = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ From God our heaven -- ly Fa -- _ ther
+ a bles -- sed an -- gel came,
+ and un -- to cer -- tain shep -- herds brought
+ ti -- dings of the same,
+ how that in Beth -- le -- hem was born
+ the son of God by name.
+ O Ti -- dings of com -- fort and joy,
+ com -- fort and joy,
+ o ti -- dings of com -- fort and joy.
+ }
+
+ sopranTextV = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ Now to the Lord sing prai -- _ ses
+ all you with -- in this place,
+ and with true love and bro -- ther -- hood
+ each other now em -- brace;
+ this ho -- ly tide of Christ -- _ mas
+ all oth -- er doth de -- face.
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/issi/schiff/dynArt.ly b/hr/issi/schiff/dynArt.ly
new file mode 100644
index 0000000..5430d21
--- /dev/null
+++ b/hr/issi/schiff/dynArt.ly
@@ -0,0 +1,51 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ \repeat unfold 9 { s1. }
+ \bar "||"
+ \repeat unfold 3 { s1. }
+ \time 4/4
+ \repeat unfold 3 { s1 }
+ \time 6/4
+ \repeat unfold 3 { s1. }
+ \bar "||"
+ \repeat unfold 3 { s1. }
+ \time 4/4
+ \repeat unfold 3 { s1 }
+ \time 6/4
+ \repeat unfold 3 { s1. }
+ \bar "||"
+ \repeat unfold 3 { s1. }
+ \time 4/4
+ \repeat unfold 3 { s1 }
+ \time 3/4
+ \repeat unfold 1 { s2. }
+ \time 6/4
+ \repeat unfold 5 { s1. }
+ \bar "||"
+ \repeat unfold 3 { s1. }
+ \time 4/4
+ \repeat unfold 2 { s1 }
+ \time 3/4
+ \repeat unfold 1 { s2. }
+ \time 6/4
+ \repeat unfold 5 { s1. }
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/issi/schiff/midi.lua b/hr/issi/schiff/midi.lua
new file mode 100644
index 0000000..58e69da
--- /dev/null
+++ b/hr/issi/schiff/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/issi/schiff/schiff.ly b/hr/issi/schiff/schiff.ly
new file mode 100644
index 0000000..4f0698d
--- /dev/null
+++ b/hr/issi/schiff/schiff.ly
@@ -0,0 +1,65 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Es Kommt Ein Schiff Geladen"
+ composer = "Alte Volksweise"
+ arranger = "Katharina Meier"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ \pointAndClickOff
+
+ #(set-global-staff-size 17)
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+ \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+ \new Staff = tenor { \clef "treble_8" <<
+ \new Voice = "tenorA" { \global \voiceOne \tenorAMelodie }
+ %\addlyrics { \tenorText }
+ \new Voice = "tenorB" { \global \voiceTwo \tenorBMelodie }
+ >> }
+ \new Lyrics \lyricsto tenorA \tenorText
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/issi/schiff/stimmen.ly b/hr/issi/schiff/stimmen.ly
new file mode 100644
index 0000000..d6be0db
--- /dev/null
+++ b/hr/issi/schiff/stimmen.ly
@@ -0,0 +1,307 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key bes \major
+ \override Staff.TimeSignature #'style = #'numbered
+ \time 6/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ { \tempo \markup{ \bold "Andante Misterioso" } }
+ {
+ \repeat unfold 8 { r1. }
+ \repeat unfold 4 { r1. }
+ \repeat unfold 3 { r1 }
+ \repeat unfold 1 { r1. }
+ <<
+ {
+ \voiceOne
+ d2\pp\< d4 f4\mp d4 c4
+ bes2\> g4 a2\p
+ g4^\markup{ "S1 Solo" }
+ g2 g4 a2 a4
+ bes4( c4 d4) d2 d4
+ c2 c4 g2 a4
+ bes2 r4
+ bes4^\markup{ "S tutti" }
+ d4 f4 g4 g4
+ f8( ees8 d8 c8) bes4 c4
+ d2 c4 bes2 a4
+ g2
+ }
+ \new Voice {
+ \voiceTwo
+ bes2 bes4 d4 bes4 a4
+ g2 ees4 fis2
+ s4
+ s1.
+ s1.
+ s1.
+ s2.
+ bes4
+ bes4 bes4 ees4 ees4
+ d4 bes4 g4 a4
+ g2 g4 g2 d4
+ d2
+ }
+ >>
+ \oneVoice
+ r1
+ r1.
+ d'4\( c4 bes4 a4 bes4 c4\)
+ bes4 a4 g4 fis4 g4 a4
+ bes4 a4 bes4 c4 f4 ees4 d4 r2 r4
+ r4
+ <<
+ {
+ \voiceOne
+ d4 d4 f4 g4 g4 f8 ees8 d8 c8
+ bes2 c4 d4 ees4 d4 c4 d4 c4 bes2.
+ } \\
+ {
+ \voiceTwo
+ bes4 bes4 bes4 ees4 ees4 d8 c8 bes8 a8 g2
+ a4 bes2. a2. g2.
+ }
+ >>
+ \oneVoice
+ r2.
+ r1.
+ r1.
+ fis2. r2 g4 g2 g4 a2 a4 bes4( c4 d4) d2 d4 c2 c4 g2 a4 bes4
+ <<
+ {
+ \voiceOne
+ bes4 d4 f4 g4 g4 f8 ees8 d8 c8 bes2
+ } \\
+ {
+ \voiceTwo
+ bes4 bes4 bes4 d4 d4 a4 a4 g2
+ }
+ >>
+ \oneVoice
+ c4 d2 c4 bes2 a4 g2 r4 r2.
+ r1.
+ r1.
+ r1.
+ }
+ >>
+ }
+
+ altMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ \repeat unfold 8 { r1. }
+ \repeat unfold 7 { r1. }
+ g2 g4 f2 d4
+ ees2 c4 d2 r4
+ d2 d4 d2 c4
+ bes2 c4 a2 c4
+ c2 c4 ees2 c4
+ bes2 r4 bes4
+ bes4 bes4 bes4 ees4
+ d2 d4 c4
+ bes2 c4 c2 c4
+ bes4 d4 d4 f4 d4 c4
+ bes2. a2 r4
+ d2. d2 c4 bes2 c4 a2 c4
+ bes2. c2 c4 d4
+ d4 bes4 a4 bes4 bes4 bes4 bes4 bes4 bes4 c4 c4 d2 r4
+ r1.
+ d2 d4 e2 e4 f4 e4 c4 d2.
+ d2 d4 e2 e4 <<d2. \\ c2.>>
+ r2
+ <<
+ {
+ \voiceOne
+ g'4 d2 d4 f2 f4 g4 f2 d2
+ f4 ees2 ees4 g2 f4 bes,4
+ } \\
+ {
+ \voiceTwo
+ g'4 d2 d4 c2 a4 bes4 c2 c2
+ d4 c2 c4 d2 c4 bes4
+ }
+ >>
+ \oneVoice
+ bes4 bes4 bes4 bes4 bes4 c2 d2
+ c4 d2 c4 bes2 a4 g2 r4 r2.
+ r1.
+ r1.
+ r1.
+ }
+ >>
+ }
+
+ tenorAMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \repeat volta 2 {
+ d2^\markup{ "2nd " \dynamic "ppp" } d4 c2 c4
+ d2 d4 f2 e4
+ d2 d4 c2 c4
+ d1.
+ d2 d4 c2 c4
+ d2 d4 ees2 ees4
+ d2 d4 d2 d4
+ } \alternative {
+ {
+ d2. r2.
+ }
+ {
+ d2. r2.
+ }
+ }
+ s1.
+ s1.
+ s1.
+ s1
+ s2 g4^\markup{ "T tutti" } g4
+ f8( ees8 d8 c8) bes4 c4
+ d2\> c4 bes2\! a4
+ g2. \oneVoice r2 r4
+ r1.
+ g2 g4 f2 f4
+ ees2 ees4 d2 d4
+ ees2 ees4 ees2 f4
+ bes,4 bes'4 a4 f4
+ d4 bes4 ees4 ees4
+ f4( fis4) g4 fis4
+ g2 ees4 c2 fis4
+ g4 bes4 bes4 d4 bes4 a4
+ g2 g4 d2 r4
+ g2. f2. ees2. d2. ees2. f2. bes,4
+ bes'4 a4 f4 g4 bes4 f4 d4 g8( f8) ees4 f4( fis4) g2 r4
+ r1.
+ bes2 bes4 c2 c4 d4 c4 a4 bes2.
+ a2 bes4 c2 c4 a2.
+ r2 g4 bes2 bes4 a4( g4) f4 ees4( f4 g4) a2
+ << { \voiceOne bes4 } { \voiceTwo g4 } >> g2 a4 bes2 a4 bes4
+ bes4 f4 d4 ees4 ees4 f4( a4) g2
+ c4 d2 c4 bes2 a4
+ <<
+ {
+ \voiceOne
+ d2 d4 c2 c4 d2 d4 f2 e4
+ d2 d4 c2 c4
+ }
+ {
+ \voiceTwo
+ bes2 bes4 a2 a4 bes2 bes4 d2 c4
+ bes2 bes4 a2 a4
+ }
+ >>
+ \oneVoice
+ g1.
+ }
+ >>
+ }
+
+ tenorBMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \repeat volta 2 {
+ bes2 bes4 a2 a4
+ bes2 bes4 d2 c4
+ bes2 bes4 a2 a4
+ g1.
+ bes2 bes4 a2 a4
+ bes2 bes4 c2 c4
+ a2 a4 c2 c4
+ } \alternative {
+ {
+ g2. r2.
+ }
+ {
+ g2. r2 g4\pp^\markup{ "T2: Solo" }
+ }
+ }
+ g2 g4 a2 a4
+ bes4( c4\< d4) d2\mp d4
+ c2 c4 g2\cresc a4
+ bes2\p r4 bes4
+ d4 f4 ees4 bes4
+ a4( f4) g4 a4
+ bes2 g4 g2 fis4
+ g2. s2 s4
+ s1.
+ }
+ >>
+ }
+
+ bassMelodie = \relative c, {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ \repeat volta 2 {
+ f2\ppp g4 f4 d4 f4
+ g2 g4 bes2 a4
+ g2 g4 f4 d4 f4
+ g2 g4 d'2.
+ g,2 g4 f4 d4 f4
+ g2 g4 c4 bes4 c4
+ d2 d4 d,2 fis4
+ } \alternative {
+ {
+ g2. d4 ees4 f4
+ }
+ {
+ g2. d2 r4
+ }
+ }
+ g2 g4 f2 f4
+ ees2( c4) d2 d4
+ ees2 ees4 ees2 f4
+ bes,4 bes'4 a4 f4
+ d4 f4 ees4 ees4
+ f2 ees4 fis4
+ g2 c,4 g'2 d4
+ g2 g4 f2 f4
+ ees2 ees4 d2 r4
+ r1.
+ r1.
+ r1.
+ r1
+ r1
+ r1
+ r1.
+ r1.
+ r1 r4 g4 g2 g4 a2 a4 bes4( c4 d4) d2
+ d4 c2 c4 f,2 a4 bes4 r2 r4 r4
+ bes4 bes,4 d4 ees4 g4 d4 d4 g2
+ fis4 g2 g4 fis2 fis4 g2. r2.
+ r1.
+ r1.
+ d'2.
+ r2 g,4 g2 g4 f2 f4 ees2 ees4 fis2
+ g4 c4( bes4) a4 g2 f4 bes4
+ bes4 bes4 bes4 ees,4 e4 f4 fis4 g2
+ c4 d2 c4 bes2 a4
+ g2 g4 f4 d4 f4 g2 g4 bes2 a4
+ g2 g4 fis2 fis4 g1.
+ }
+ >>
+ }
+
diff --git a/hr/issi/schiff/texte.ly b/hr/issi/schiff/texte.ly
new file mode 100644
index 0000000..54b543b
--- /dev/null
+++ b/hr/issi/schiff/texte.ly
@@ -0,0 +1,62 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ doowah = \lyricmode {
+ doo doo doo doo
+ doo doo doo doo
+ doo doo doo doo
+ wah
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ doo doo doo doo
+ doo doo doo doo
+ doo doo doo doo
+ doo
+ \doowah
+ \set associatedVoice = tenorB
+ doo
+ Es kommt ein Schiff ge -- la -- den,
+ bis an sein höch -- sten Bord
+ trägt Got -- tes Sohn voll Gna -- den,
+ des Va -- ters e -- wig
+ \set associatedVoice = tenorA
+ Wort.
+ doo doo doo doo
+ doo doo doo doo
+ doo doo doo doo
+ Last, ein’ Last,
+ das Se -- gel ist die Lie -- be,
+ der hei -- lig Gest der Mast.
+ %bah bah
+ doo doo doo doo doo
+ %doo doo doo doo
+ %doo doo doo doo
+ doo doo wah
+ hmm _ hmm _ _ _
+ Land, das Wort, das Wort, das Wort
+ tut Fleisch uns wer -- den
+ \doowah
+ Zu Beth -- le -- hem ge -- bo -- ren
+ ist uns ein Kin -- de -- lein.
+ Gibt sich für uns ver -- lo -- ren,
+ ge -- lo -- bet soll es
+ \doowah
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/issi/silence/dynArt.ly b/hr/issi/silence/dynArt.ly
new file mode 100644
index 0000000..0f55ba0
--- /dev/null
+++ b/hr/issi/silence/dynArt.ly
@@ -0,0 +1,191 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \tempo 4=100
+ \dynamicUp
+ s1*4
+ \time 2/4
+ s2
+ \break
+ \time 4/4
+ s1
+ \bar "||"
+ s1
+ %\break
+ s1*3
+ \break
+ s1*4
+ \time 2/4
+ s2
+ \time 4/4
+ s1
+ %\break
+ s1*3
+ \time 2/4
+ s2
+ \time 4/4
+ s1*2
+ \break
+ \repeat volta 2 {
+ s1*6
+ \slurDashed
+ s1*2
+ \slurSolid
+ \break
+ \time 2/4
+ s2
+ \time 4/4
+ s1*4
+ \time 2/4
+ s2
+ \time 4/4
+ s1*2
+ }
+ \break
+ s1*4
+ \break
+ \time 4/4
+ s1*4
+ \break
+ \time 2/4
+ s2
+ \time 4/4
+ s1*3
+ \break
+ s1*2
+ s1*2
+ \bar "||"
+ \break
+ s1*8
+ \break
+ s1*10
+ \bar "|."
+ }
+
+% articulation
+
+ cross = {
+ \override Voice.NoteHead #'style = #'cross
+ }
+ uncross = {
+ \revert Voice.NoteHead #'style
+ }
+ basspat = {
+ s4 \cross s8 \uncross s8 s4 \cross s8 \uncross s8
+ }
+ whisper = \markup {
+ \dynamic "p" "*)"
+ }
+ sopranArt = {
+ \cross
+ s1^\markup{ "Intro" }
+ s1
+ s2 s8->^\whisper s8 s4
+ s2
+ \uncross
+ s2
+ s2
+ s1
+ s1\mark \markup{ \bold A }
+ s4 s2\p s4
+ s1*6
+ s2
+ s1*4
+ s2
+ s1
+ s1
+ s8\mark \markup{ \bold B } s8\mf^\markup{ \italic "Vers 3: 2. Stimme ad lib." } s2.
+ s1*5
+ s1
+ }
+
+ altArt = {
+ \cross
+ s1
+ s1
+ s8->^\whisper s8 s4 s2
+ s2.
+ \uncross
+ s4
+ s2
+ s1
+ s4 s8\mf s8 s2
+ s1*7
+ s2
+ s1*4
+ s2
+ s1\>
+ s1
+ %B
+ s1\!
+ s4\mf s2.
+ }
+
+ tenorArt = {
+ \cross
+ s8->^\whisper s8 s4 s2
+ s2 s8-> s8 s4
+ s1
+ s2.
+ \uncross
+ s4
+ s2
+ s1*2
+ s4 s2\p s4
+ s1*6
+ s2
+ s1*4
+ s2
+ s4 s8 s8-> s2
+ s1
+ % B
+ s1
+ s4\mf s2.
+ }
+
+ bassArt = {
+ \cross
+ s1
+ s8->^\whisper s8 s4 s2
+ s4 s8\< s8 s2
+ \uncross
+ s2 s2\!
+ s2
+ s8\> s8 s2\! s4
+ s1
+ s1\p
+ s1*6
+ s2
+ s1*4
+ s2
+ s4 s8 s8-> s2
+ s1
+ % B
+ s1
+ <<
+ s4\mf
+ \repeat unfold 2 \basspat
+ \new CueVoice{
+ \voiceTwo
+ s4 s8^\markup{ \italic "Imitieren einer Bassgitarre" } s8 bes4 s4
+ s2 bes4 s4
+ }
+ >>
+ \repeat unfold 5 \basspat
+ s2
+ \repeat unfold 3 \basspat
+ s1
+ s2
+ s1*6
+ s1*4
+ s2
+ s1*5
+ s1*2
+ s1
+ \repeat unfold 7 \basspat
+ s1*9
+ \cross
+ s1^\markup{ \italic "flüsternd singen" }
+ }
+
diff --git a/hr/issi/silence/midi.lua b/hr/issi/silence/midi.lua
new file mode 100644
index 0000000..44004bb
--- /dev/null
+++ b/hr/issi/silence/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/issi/silence/midis/a.midi b/hr/issi/silence/midis/a.midi
new file mode 100644
index 0000000..626958f
--- /dev/null
+++ b/hr/issi/silence/midis/a.midi
Binary files differ
diff --git a/hr/issi/silence/midis/b.midi b/hr/issi/silence/midis/b.midi
new file mode 100644
index 0000000..c202eab
--- /dev/null
+++ b/hr/issi/silence/midis/b.midi
Binary files differ
diff --git a/hr/issi/silence/midis/s.midi b/hr/issi/silence/midis/s.midi
new file mode 100644
index 0000000..cc7fb55
--- /dev/null
+++ b/hr/issi/silence/midis/s.midi
Binary files differ
diff --git a/hr/issi/silence/midis/satb.midi b/hr/issi/silence/midis/satb.midi
new file mode 100644
index 0000000..1d0f098
--- /dev/null
+++ b/hr/issi/silence/midis/satb.midi
Binary files differ
diff --git a/hr/issi/silence/midis/t.midi b/hr/issi/silence/midis/t.midi
new file mode 100644
index 0000000..b815bbb
--- /dev/null
+++ b/hr/issi/silence/midis/t.midi
Binary files differ
diff --git a/hr/issi/silence/silence.ly b/hr/issi/silence/silence.ly
new file mode 100644
index 0000000..3911f6a
--- /dev/null
+++ b/hr/issi/silence/silence.ly
@@ -0,0 +1,67 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "The Sound of Silence"
+ composer = "Paul Simon"
+ arranger = "Markus Detterbeck"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ %system-count = 11
+ page-count = 4
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 15)
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+ \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+ \new Lyrics = "tenors" { s1 }
+ \new Lyrics = "tenorsTwo" { s1 }
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+ \context Lyrics = tenors \lyricsto tenoere \tenorText
+ \context Lyrics = tenorsTwo \lyricsto tenoere \tenorTextTwo
+ >>
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ %\layout {
+ %}
+ }
+
diff --git a/hr/issi/silence/silence.midi b/hr/issi/silence/silence.midi
new file mode 100644
index 0000000..1d0f098
--- /dev/null
+++ b/hr/issi/silence/silence.midi
Binary files differ
diff --git a/hr/issi/silence/silence.zip b/hr/issi/silence/silence.zip
new file mode 100644
index 0000000..411703c
--- /dev/null
+++ b/hr/issi/silence/silence.zip
Binary files differ
diff --git a/hr/issi/silence/stimmen.ly b/hr/issi/silence/stimmen.ly
new file mode 100644
index 0000000..6bb60a8
--- /dev/null
+++ b/hr/issi/silence/stimmen.ly
@@ -0,0 +1,369 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key ees \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ \sopranArt
+ %the actual tune
+ {
+ r1
+ r1
+ r2 g8 g8 r4
+ r8 g4 g8 r4 r8 f8 ~
+ f4 r4
+ r2 r4 ees8 ees8 ~
+ ees4 r4 r2
+ r4 c2 c4
+ d1
+ r4 d2 f4
+ ees2 ~ ees8 ees8 f8 g8 ~
+ g2 g4. f8
+ ees4 ees8 ees8 g8 g8 bes8 bes8(
+ c4) c8 bes8 ~ bes2
+ r4 ees,8 ees8
+ c'8 c8 ~ c2 c8 d8
+ ees8 ees8 ~ ees4 d8 c4 bes8 ~
+ bes2. c8 bes8
+ g2 r2
+ r8 ees8 ees8 ees8
+ bes'2. r4
+ r1
+ % B
+ <<
+ {
+ r8 c,8 c8 c8 ees8 ees8 g8 ees8
+ f2 r2
+ r8 bes,8 bes8 bes8 d8 d8 f8 f8
+ ees2 r2
+ }
+ \new CueVoice {
+ \voiceTwo
+ s8 c8 c8 c8 c8 c8 c8 c8
+ d2 s2
+ s8 bes8 bes8 bes8 bes8 bes8 bes8 bes8
+ c2 s2
+ }
+ >>
+ r4 ees8 ees8 g8 g8 bes8 bes8(
+ c4) c8 bes8 ~ bes2
+ r8 ees,8 ees8 ees8 g8 g8 bes8 bes8(
+ c4) c8 bes8 ~ bes2
+ r4 g8 bes8
+ c8 c4 c8 ~ c4 r4
+ r2 c4 d8 ees8
+ ees4 ees4 d4 ees4
+ ees8 ees8 d8 c8 g2
+ r8 ees8 ees8 ees8
+ bes'2. r4
+ r1
+ r4 c,8 c8 ees8 ees8 g8 ees8
+ f4 c2 c4
+ d4 d8 d8 d8 d8 f8 d8
+ ees4 d2 f4
+ ees2 r8 ees8 f8 g8 ~
+ g2 g4. f8
+ ees4 ees8 ees8 g8 g8 bes8 bes8(
+ c4) c8 bes8 ~ bes4 r4
+ r4 ees,8 ees8
+ c'2. d4
+ ees8 ees8 ~ ees4 d4 c4
+ bes4 r4 r2
+ r2 r4 d,4
+ ees8 ees8 ~ ees2 ees8 ees8
+ bes'2. r4
+ r1
+ <<
+ {
+ r4 c,8 c8 ees8 ees8 g8 g8
+ f2 r2
+ r4 d8 d8 d16 d8. f8 d8
+ ees2 r2
+ }
+ \new CueVoice {
+ \voiceTwo
+ s4 c8 c8 c8 c8 c8 c8
+ d2 s2
+ s4 bes8 bes8 bes16 bes8. bes8 bes8
+ c2 s2
+ }
+ >>
+ r4 ees8 ees8 g8 g8 bes8 bes8(
+ c4) c8 bes8 ~ bes2
+ r4 ees,8 ees8 g8 g8 bes8 bes8(
+ c4) c8 bes8 ~ bes2
+ r4 ees,8 f8 g4 bes8 bes8
+ c4 c8 c8 c8 c8 d4
+ ees8 ees8 ees8 ees8 d8 c4 bes8 ~
+ bes2 r8 bes8 c16 c16 bes8
+ g2 r2
+ r1
+ r4 r8 f8 ~ f2
+ r1
+ c8( g'8 d8 g8 c,8 g'8 d8 g8)
+ g1\fermata
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ \altArt
+ %the actual tune
+ {
+ r1
+ r1
+ d8 d8 r4 r4 d8 d8
+ r2 d8 d8 r8 d8 ~
+ d4 r4
+ r2 d8 d8 ~ d4 ~
+ d4 c8 c8 ees8 ees8 g8 g8
+ f2 r2
+ r8 bes,8 bes8 bes8 d8 d8 f8 f8
+ ees2 r2
+ r8 ees8 ees8 ees8 g8 g8 bes8 bes8(
+ c4) c8 bes8 ~ bes2
+ r2 r8 ees,8 g8 g8(
+ aes4) aes8 g8 ~ g4 g8 f8
+ ees4 ees8 ees8
+ ees8 ees8 ~ ees2 aes8 bes8
+ c8 c8 ~ c4 bes8 aes4 g8 ~
+ g2. r4
+ r4 r8 ees8 ~ ees4 f4
+ g4 ees8 ees8
+ d2. r8 d8
+ ees8 c8 ~ c2.
+ % B
+ r1
+ d4 r8 c8 c8. d16 ~ d8 c8
+ d4 r8 f8 ~ f4 d4
+ ees4 r8 d8 d8. ees16 ~ ees8 d8
+ ees4 r8 ees8 ~ ees4 f8 g8(
+ aes4) aes8 g8 ~ g2
+ ees4 r8 ees8 ~ ees4 f8 g8(
+ aes4) aes8 g8 ~ g2
+ r4 ees8 f8
+ g8 g4 aes8 ~ aes4 r4
+ aes4. aes8 aes4 aes8 aes8
+ g4 r4 r2
+ r4 r8 ees8 ~ ees4 f4
+ g8 ees8 ees8 ees8
+ d2. r4
+ r1
+ r4 c8 c8 c8 c8 c8 c8
+ d2 r2
+ r4 bes8 bes8 bes8 bes8 bes8 bes8
+ c2 r2
+ r4 ees8 ees8 g8 g8 bes8 bes8
+ c4 c8 bes8 ~ bes2
+ r4 ees,8 ees8 ees8 ees8 g8 g8(
+ aes4) aes8 g8 ~ g4 g8 f8
+ ees4 ees8 ees8
+ ees2. bes'4
+ c8 c8 ~ c4 bes4 aes4
+ g4 r4 r4 bes4
+ g8 f4 ees8 ~ ees4 r4
+ r4 d8 d8 ~ d2
+ r4 r8 d8 ~ d4 r4
+ r1
+ r1
+ d4 ees8 d8 ~ d8 ees8 d4
+ d4 d8 f8 ~ f4 d4
+ ees4 f8 ees8 ~ ees8 f8 ees4
+ ees4 ees8 ees8 ~ ees4 f8 g8(
+ aes4) aes8 g8 ~ g2
+ ees4 ees8 ees8 ~ ees4 f8 g8(
+ aes4) aes8 g8 ~ g2
+ r4 c,8 d8 ees4 f8 f8
+ aes4 aes8 aes8 aes8 aes8 bes4
+ c8 c8 c8 c8 bes8 aes4 g8 ~
+ g2 g4 f4
+ ees2 r2
+ r1
+ r4 r8 d8 ~ d2
+ r1
+ c8( g'8 d8 g8 c,8 g'8 d8 g8)
+ d1\fermata
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ \tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ bes8 bes8 r4 r2
+ r2 bes8 bes8 r4
+ r1
+ %r2 bes8 bes8 r8 c8 ~
+ r2 r8 r8 r8 c8 ~
+ c4 r4
+ r4 g8 g8 ~ g2 ~
+ g4 r4 r2
+ r4 aes2 aes4
+ bes1
+ r4 bes2 d4
+ r8 g,8 g8 g8 bes8 bes8 d8 d8(
+ ees4) ees8 ees8 ~ ees4 ees8 d8
+ c4 c8 c8 ees8 ees8 ees8 ees8 ~
+ ees4 ees8 ees8 ~ ees4 ees8 d8
+ c4 bes8 bes8
+ ees8 ees8 ~ ees2 r4
+ ees2 ees2
+ ees2. r4
+ bes4. c8 ~ c2
+ bes4 r4
+ r4 r8 f8 ~ f4 r4
+ r1
+ % B
+ r1
+ f4 r8 f8 f8. f16 ~ f8 f8
+ f4 r8 bes8 ~ bes4 bes4
+ g4 r8 g8 g8. g16 ~ g8 g8
+ g4 r8 c8 ~ c4 d8 ees8(
+ ees4) ees8 ees8 ~ ees2
+ c4 r8 c8 ~ c4 d8 ees8(
+ ees4) ees8 ees8 ~ ees2
+ r4 bes8 d8
+ ees8 ees4 ees8 ~ ees4 c8 d8
+ ees4 ees8 ees8 d8 c4 bes8 ~
+ bes2 r8 bes8 c8 bes8
+ g4 r4 r4 c4
+ bes4 r4
+ r4 r8 f8 ~ f4 r4
+ r1
+ r1
+ r4 aes2 aes4
+ bes1
+ r4 bes2 d4
+ c4 g8 g8 bes8 c8 d8 ees8 ~
+ ees4 ees8 ees8 ~ ees4 ees8 d8
+ c4 g8 g8 bes8 c8 d8 ees8 ~
+ ees4 ees8 ees8 ~ ees4 ees8 d8
+ c4 bes8 bes8
+ ees2. r4
+ ees2 ees2
+ ees4 r4 r4 d4
+ ees8 d4 c8 ~ c4 r4
+ r2 bes8 bes8 ~ bes4
+ r4 r8 f8 ~ f4 r4
+ r1
+ r1
+ f4 g8 f8 ~ f8 g8 f4
+ f4 f8 bes8 ~ bes4 bes4
+ g4 aes8 g8 ~ g8 aes8 g4
+ c4 c8 c8 ~ c4 d8 ees8 ~
+ ees4 ees8 ees8 ~ ees2
+ c4 c8 c8 ~ c4 d8 ees8(
+ ees4) ees8 ees8 ~ ees2
+ r4 bes8 bes8 bes4 d8 d8
+ ees4 ees8 ees8 ees8 ees8 f4
+ g8 g8 g8 g8 f8 ees4 ees8 ~
+ ees2 ees4 d4
+ c2 r2
+ r1
+ r4 r8 c8 ~ c2
+ r4 c,8 c8 r2
+ c4 r8 c8 r2
+ c'1\fermata
+ }
+ >>
+ }
+
+ dm = \relative c {
+ bes4 bes8 f'8 bes4 bes8 f8
+ bes,8 f'8 r8 f8 bes4 bes8 f8
+ c4 c8 g'8 c4 c8 g8
+ c,8 g'8 r8 g8 c4 c8 g8
+ aes4 aes8 ees8 ~ ees4 ees8 d8
+ c4 c8 g'8 c4 c8 g8
+ aes4 aes8 ees8 ~ ees4 ees8 d8
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ \bassArt
+ %the actual tune
+ \clef bass
+ {
+ r1
+ ees8 ees8 r4 r2
+ r4 ees8 ees8 r2
+ ees4 ees4 bes'2
+ r4 d,4
+ ees8 c8 ~ c2. ~
+ c4 r4 r2
+ bes1
+ bes1
+ c1
+ c2. bes4
+ aes2 ees'2
+ c2 c4 bes8 bes8(
+ aes4) aes8 ees'8 ~ ees4 r4
+ r4 g8 g8
+ aes8 aes8 ~ aes2 r4
+ aes8 aes8 ~ aes4 aes4 aes4
+ g8 f4 ees8 ~ ees4 r4
+ ees8 d4 c8 ~ c4 d4
+ ees4 r4
+ r4 r8 bes8 ~ bes4 r4
+ r1
+ % B
+ r1
+ \dm
+ c4 r4
+ aes4 aes8 ees'8 aes4 aes8 ees8
+ aes,8 ees'8 r8 ees8 aes4 aes8 ees8
+ ees4 ees8 ees8 ees4 ees8 ees8
+ ees8 d4 c8 ~ c4 d4
+ ees4 r4
+ r4 r8 bes8 ~ bes4 r8 d8
+ ees8 c8 ~ c2 r4
+ r1
+ bes1
+ bes1
+ c1
+ c2. bes4
+ aes2 ees'4 bes4
+ c2 c4 bes8 bes8(
+ aes4) aes8 ees'8 ~ ees4 r4
+ r4 g8 g8
+ aes2. r4
+ aes4 aes4 aes8 aes8 ~ aes4
+ g8 f4 ees8 ~ ees4 r4
+ r1
+ r1
+ r4 r8 bes8 ~ bes4 r8 d8
+ ees8 c8 ~ c2 r4
+ r1
+ \dm
+ c4 c8 d8 ees4 g8 g8
+ aes4 aes8 aes8 aes8 aes8 bes4
+ c8 c8 c8 c8 bes8 aes4 ees8 ~
+ ees2 r2
+ r2 r4 r8 bes8
+ ees8 ees8 ~ ees2 ees8 ees8
+ bes'2. r8 d,8
+ ees8 c8 r4 c4 c4
+ r1
+ c4 r4 c4 r4
+ }
+ >>
+ }
+
diff --git a/hr/issi/silence/texte.ly b/hr/issi/silence/texte.ly
new file mode 100644
index 0000000..add6a18
--- /dev/null
+++ b/hr/issi/silence/texte.ly
@@ -0,0 +1,126 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyricmode {
+ %<+hier den Text für den Tenor eintragen+>
+ Si -- lence, si -- lence, %si -- lence
+ sounds,
+ si -- lence.
+ Doo doo doo,
+ doo doo,
+ be -- cause a vi -- sion soft -- ly creep -- ing,
+ doo doo doo,
+ left its seeds while I was sleep -- ing,
+ and the vi -- sion,
+ the vi -- sion,
+ in my brain
+ still re -- mains,
+ sound.
+ Hm ba ba ja da hm,
+ ba doo dap,
+ ba ba ja da hm
+ ba,
+ of a street lamp,
+ hm ba,
+ \set ignoreMelismata = ##t
+ to the cold and
+ \unset ignoreMelismata
+ damp.
+ When my
+ eyes were stabbed by the flash of a ne -- on light,
+ that split the night,
+ the night,
+ sound.
+ „Do not know,
+ can -- cer grows.“
+ „Hear my words that I might teach you.“
+ Doo doo doo,
+ „take my arms that I might reach you,
+ might reach you.“
+ But my words,
+ rain -- drops fell,
+ like rain -- drops fell,
+ echo -- ed,
+ wells %of si -- lence.
+ Peo -- ple bowed and prayed,
+ yes, they bowed and prayed
+ to god they made.
+ And the sign flashed its warn -- ing,
+ in the words it was form -- ing.
+ And the sign said:
+ „The words of the pro -- phets are writ -- ten on the sub -- way walls,
+ sub -- way walls.“
+ Sounds,
+ si -- lence,
+ si -- lence,
+ hm.
+ }
+ tenorTextTwo = \lyricmode {
+ %<+hier den Text für den Tenor eintragen+>
+ _ _ _ _ %_ _
+ _
+ _ _
+ _ _ _
+ _ _
+ _ _ _ _ _ _ _ _ _
+ _ _ _
+ _ _ _ _ _ _ _ _
+ _ _ _ _
+ _ _ _
+ _ _ _
+ _ _ _
+ _
+ _ _ _ _ _ _
+ _ _ _
+ _ _ _ _ _
+ _
+ with -- out spea -- king,
+ %\_ _ = ##_
+ _ _
+ with -- out list’n -- ing.
+ %\_ _
+ Peo -- ple
+ writ -- ing songs, songs that voic -- es _ nev -- er share,
+ and no -- one dared,
+ one dared
+ _
+ _ _ _
+ _ _ _
+ _ _ _ _ _ _ _ _
+ _ _ _
+ _ _ _ _ _ _ _ _
+ _ _ _
+ _ _ _
+ _ _ _
+ _ _ _ _
+ _ _
+ _ %_ _ _
+ _ _ _ _ _
+ _ _ _ _ _
+ _ _ _ _
+ _ _ _ _ _ _ _
+ _ _ _ _ _ _ _
+ _ _ _ _
+ _ _ _ _ _ _ _ _ _ _ _ _ _ _
+ _ _ _
+ _
+ _ _
+ _ _
+ _
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/issi/tears/dynArt.ly b/hr/issi/tears/dynArt.ly
new file mode 100644
index 0000000..6856f80
--- /dev/null
+++ b/hr/issi/tears/dynArt.ly
@@ -0,0 +1,28 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s1*4
+ s1*4
+ s1*4
+ s1*4
+ s1*4
+ s1*9\break
+ s1*4
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/issi/tears/midi.lua b/hr/issi/tears/midi.lua
new file mode 100644
index 0000000..b36a177
--- /dev/null
+++ b/hr/issi/tears/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ \unfoldRepeats
+]]
+
+post=[[
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 92 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/issi/tears/midis/a.midi b/hr/issi/tears/midis/a.midi
new file mode 100644
index 0000000..935c0d4
--- /dev/null
+++ b/hr/issi/tears/midis/a.midi
Binary files differ
diff --git a/hr/issi/tears/midis/b.midi b/hr/issi/tears/midis/b.midi
new file mode 100644
index 0000000..e3df9b6
--- /dev/null
+++ b/hr/issi/tears/midis/b.midi
Binary files differ
diff --git a/hr/issi/tears/midis/s.midi b/hr/issi/tears/midis/s.midi
new file mode 100644
index 0000000..3de5906
--- /dev/null
+++ b/hr/issi/tears/midis/s.midi
Binary files differ
diff --git a/hr/issi/tears/midis/t.midi b/hr/issi/tears/midis/t.midi
new file mode 100644
index 0000000..71f1f0b
--- /dev/null
+++ b/hr/issi/tears/midis/t.midi
Binary files differ
diff --git a/hr/issi/tears/stimmen.ly b/hr/issi/tears/stimmen.ly
new file mode 100644
index 0000000..75e3403
--- /dev/null
+++ b/hr/issi/tears/stimmen.ly
@@ -0,0 +1,267 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.14"
+ \include "dynArt.ly"
+
+ global = {
+ \key f \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+ % :'<,'>s/ [a-g]\([ie]s\)\?[,']*\(\d\)/ s\2/g
+ frauenPausen = {
+ {
+ r4\mark\markup{"Iντρο"}s8 \tempo 4=92 s8 s4 s8 s8 ~ s1
+ r4 s8 s8 s8 s8 s8 s8 ~ s8 s8 ~ s2.\mark"A"
+ %\bar "||"
+ \repeat volta 2 {
+ %\repeat unfold 2 {
+ r4\segno s8 s8 s4 s8 s8 ~ s1
+ r4 s8 s8 s8 s8 s8 s8 ~ s8 s8 ~ s2.
+ r4 s8 s8 s4 s8 s8 ~ s1
+ r4 s8 s8 s8 s8 s8 s8 ~ s8 s8 ~ s2.
+ %}
+ r4 r8 s8 s4 s8 s8 ~ s2. s4(
+ s4.) s8 s4 s8 s8 ~ s2 s4 s4
+ s4. s8 s4 s4 s16( s16 s8 ~ s4)
+ r8 s8 s8 s8 ~ s8 s8 ~ s2 s4\coda
+ } \alternative {
+ {
+ s1
+ }
+ {
+ s2 r8 s8 s8 s8\mark"B"
+ }
+ }
+ s4 s8 s8 s4 s8 s8 ~ s4
+ s8 s8 s4 s8 s8 ~ s4. r8 s2 ~
+ s4 s8 s8 s8( s8) s8( s8)
+ s4 s8 s8 s4 s8 s8 ~ s4
+ s8 s8 s4 s8 s8 ~ s2
+ s8 s4 s8 ~ s2 s4 s4^\markup{"D.S."}
+ \bar "||"
+ r2\coda s4 s4 s4. s8 s4 s4 s16( s16 s8 ~ s4)
+ r8 s8 s8 s8 ~ s8 s8 ~ s2.
+ \bar "|."
+ }
+ }
+
+ maennerPausen = {
+ {
+ r1
+ r4 s8 s8 s4 s8 s8 ~ s4
+ s8 s8 s8 s8 s8 s8 ~ s8 s8 ~ s2.
+ \repeat volta 2 {
+ s4. s8 s4 s8 s8 ~ s4
+ s8 s8 s4 s8 s8 ~ s2
+ s2 ~ s4. s8 s4 s4
+ s8 s8 s4 s4 s8 s8 ~ s4
+ s8 s8 s4 s8 s8 ~ s2
+ s4. s8 s4. s8 s4 s4
+ s8( s8) s2 s8 s8 ~ s2
+ s8 s8 s8 s8 s4. s8 s4 s8 s8 ~ s2
+ s8( s8) s4 s4.
+ s8 s4 s4 s16( s16 s8 ~ s4)
+ r8 s8 s8 s8 ~ s8 s8 ~ s2.
+ } \alternative {
+ {
+ r8 s8 s8 s8 s8 s8 s8 s8
+ }
+ {
+ r8 s8 s8 s8 s8 s4 s8
+ }
+ }
+ s4 s8 s8 s4 s8 s8 ~ s4
+ s8 s8 s4 s8 s8 ~ s4.
+ s8 s4 s4 s2.( s4 s4)
+ s8 s8 s4 s8 s8 ~ s4
+ s8 s8 s4 s8 s8 ~ s2
+ s8 s4 s8 ~ s1
+ r2 s8( s8) s4 s4.
+ s8 s4 s4 s16( s16 s8 ~ s4)
+ r8 s8 s8 s8 ~ s8 s8 ~ s2.
+ }
+ }
+
+% Die Stimmen
+
+ soprandsac = \relative c'' {
+ \repeat unfold 2 {
+ s4 a8 f8 c'4 c8 a8 ~ a1
+ s4 bes8 bes8 a8 g8 f8 a8 ~ a8 g8 ~ g2.
+ }
+ s4 s8 f8 f4 g8 e8 ~ e2. e4(
+ ees4.) ees8 ees4 f8 d8 ~ d2 g4 a4
+ bes4. g8 g4 f4 e16( d16 c8 ~ c4)
+ s8 a'8 g8 g8 ~ g8 f8 ~ f2.
+ }
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ s4 a8 f8 c'4 c8 a8 ~ a1
+ s4 bes8 bes8 a8 g8 f8 f8 ~ f8 g8 ~ g2.
+ \repeat volta 2 {
+ \soprandsac
+ } \alternative {
+ {
+ g1
+ }
+ {
+ c2 s8 c,8 f8 g8
+ }
+ }
+ aes4 c8 c8 bes4 ees8 aes,8 ~ aes4
+ aes8 f8 bes4 f8 g8 ~ g4. s8 g2 ~
+ g4 ees8 f8 g8( ees8) f8( g8)
+ aes4 c8 c8 bes4 ees8 aes,8 ~ aes4
+ aes8 f8 bes4 f8 g8 ~ g2
+ g8 bes4 c8 ~ c1
+ %\soprandsac
+ s2 g4 a4 bes4. g8 g4 f4 e16( d16 c8 ~ c4)
+ s8 a'8 g8 g8 ~ g8 f8 ~ f2.\fermata
+ }
+ >>
+ }
+
+ altdsac = \relative c'' {
+ s4 a8 f8 g4 g8 f8 ~ f1
+ s4 d8 d8 f8 e8 d8 f8 ~ f8 e8 ~ e2.
+ s4 a8 f8 g4 g8 f8 ~ f1
+ s4 d8 d8 c8 bes8 a8 c8 ~ c8 e8 ~ e2.
+ s4 s8 d8 d4 d8 cis8( ~ cis8 d8 e2) e4(
+ ees8 c4) c8 c4 c8 a8 ~ a2 bes8( d8) fis4
+ g4. g8 g4 f4 e16( d16 c8 ~ c4)
+ s8 c8 bes8 bes8 ~ bes8 a8 ~ a2.
+ }
+ altMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ s4 a8 f8 g4 g8 f8 ~ f1
+ s4 d8 d8 f8 e8 d8 d8 ~ d8 e8 ~ e2.
+ \repeat volta 2 {
+ \altdsac
+ } \alternative {
+ {
+ e1
+ }
+ {
+ c2 s8 c8 f8 ees8
+ }
+ }
+ c4 ees8 ees8 ees4 g8 f8 ~ f4
+ f8 c8 d4 d8 ees8 ~ ees4. s8 ees2 ~
+ ees4 ees8 d8 g8( ees8) f8( g8) aes4
+ aes8 aes8 g4 g8 f8 ~ f4
+ c8 c8 d4 d8 bes8 ~ bes2
+ g'8 g4 e8 ~ e1
+ %\altdsac
+ s2 bes8( d8) fis4 g4.
+ g8 g4 f4 e16( d16 c8 ~ c4)
+ s8 c8 bes8 bes8 ~ bes8 a8 ~ a2.
+ }
+ >>
+ }
+
+ tenordsac = \relative c {
+ f4. a8 g4 g8 a8 ~ a4
+ a8 a8 a4 a8 bes8 ~ bes2
+ c2 ~ c4. c8 c4 c4
+ a8 c8 a4 g4 c8 d8 ~ d4
+ a8 a8 a4 a8 bes8 ~ bes2
+ c4. c8 c4. c8 c4 c4
+ a8( g8) a2 a8 a8 ~ a2
+ a8 a8 a8 a8 a4. a8 a4 a8 a8 ~ a2
+ g8( bes8) c4 d4.
+ g,8 g4 f4 e16( d16 c8 ~ c4)
+ s8 e'8 d8 d8 ~ d8 c8 ~ c2.
+ }
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ %\clef "treble_8"
+ {
+ s1
+ s4 a8 a8 a4 a8 a8 ~ a4
+ bes8 bes8 a8 g8 f8 f8 ~ f8 g8 ~ g2.
+ \repeat volta 2 {
+ \tenordsac
+ } \alternative {
+ {
+ s8 c8 b8 c8 d8 c8 e8 c8
+ }
+ {
+ s8 c8 c8 c8 c8 c4 g8
+ }
+ }
+ aes4 aes8 aes8 g4 bes8 c8 ~ c4
+ c8 c8 bes4 bes8 bes8 ~ bes4.
+ bes8 bes4 bes4 c2.( d4 c4)
+ ees8 ees8 ees4 ees8 c8 ~ c4
+ c8 c8 bes4 bes8 bes8 ~ bes2
+ g8 g4 g8 ~ g1
+ %\tenordsac
+ s2 g8( bes8) c4 d4.
+ g,8 g4 f4 e16( d16 c8 ~ c4)
+ s8 e'8 d8 d8 ~ d8 c8 ~ c2.\fermata
+ }
+ >>
+ }
+
+ bassdsac = \relative c {
+ f4. f8 c4 e8 d8 ~ d4
+ d8 f8 c4 d8 bes8 ~ bes2
+ f'2( c4.) d8 e8( d8) c4
+ f8 a8 f4 c4 e8 d8 ~ d4
+ d8 f8 c4 d8 bes8( d2)
+ f4. f8 c4. d8 e8( d8) c4
+ d4 d2 d8 a8 ~ a2
+ a'8 g8 f8 e8 f4.
+ f8 f4 f8 fis8 ~ fis2
+ g4 d4 g,4.
+ g'8 g4 f4 e16( d16 c8 ~ c4)
+ s8 c8 c8 d8 ~ d8 f8 ~ f2.
+ }
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ s1
+ s4 d8 f8 e4 c8 d8 ~ d4
+ bes8 bes8 c8 c8 c8 c8 ~ c8 c4 d8 e4 c4
+ \repeat volta 2 {
+ \bassdsac
+ } \alternative {
+ {
+ s8 c8 b8 c8 d8 c8 e8 c8
+ }
+ {
+ s8 c8 f8 e8 f8 c4 bes8
+ }
+ }
+ aes4 aes'8 aes8 g4 bes8 c8 ~ c4
+ c8 aes8 f4 bes,8 ees8 ~ ees4.
+ f8 g4 ees8( d8) c2.( bes4 aes4)
+ aes8 aes8 ees'4 bes'8 c8 ~ c4
+ f,8 aes8 f4 bes,8 ees8 ~ ees2
+ g8 d4 c8 ~ c4. d8 e4 c4
+ %\bassdsac
+ s2 g'4 d4 g,4.
+ g'8 g4 f4 e16( d16 c8 ~ c4)
+ s8 c8 c8 d8 ~ d8 f8 ~ f2.
+ }
+ >>
+ }
+
diff --git a/hr/issi/tears/tears.ly b/hr/issi/tears/tears.ly
new file mode 100644
index 0000000..c260d2e
--- /dev/null
+++ b/hr/issi/tears/tears.ly
@@ -0,0 +1,74 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Tears in Heaven"
+ composer = "Eric Clapton/Will Jennings"
+ arranger = "Lorenz Maierhofer"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 17)
+
+ sop = \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \voiceOne \sopranMelodie }
+ %\addlyrics { \sopranText }
+ \new Voice = "fP" { \global \frauenPausen }
+ \new Voice = "alti" { \global \voiceTwo \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \voiceOne \tenorMelodie }
+ %\addlyrics { \tenorText }
+ \new Voice = "mP" { \global \maennerPausen }
+ \new Voice = "baesse" { \global \voiceTwo \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ %\unfoldRepeats
+ \new ChoirStaff \with {} <<
+ \sop
+ \new Lyrics \lyricsto soprane \sopranTextA
+ \new Lyrics \lyricsto soprane \sopranTextB
+ \new Lyrics \lyricsto soprane \sopranTextC
+ %\alt
+ \ten
+ \new Lyrics \lyricsto baesse \bassTextA
+ \new Lyrics \lyricsto baesse \bassTextB
+ \new Lyrics \lyricsto baesse \bassTextC
+ %\bas
+ >>
+ %{
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 92 4)
+ }
+ }
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/issi/tears/tears.midi b/hr/issi/tears/tears.midi
new file mode 100644
index 0000000..8e46ef1
--- /dev/null
+++ b/hr/issi/tears/tears.midi
Binary files differ
diff --git a/hr/issi/tears/texte.ly b/hr/issi/tears/texte.ly
new file mode 100644
index 0000000..f69d3b8
--- /dev/null
+++ b/hr/issi/tears/texte.ly
@@ -0,0 +1,143 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ iiifff = \lyricmode {
+ if I saw you in heav -- en?
+ }
+ sopranTextA = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ Doo ba doo ba doo,
+ doo ba doo ba doo doo doo.
+ Would you know my name,
+ \iiifff
+ Would it be the same,
+ \iiifff
+ I must be strong,
+ ooh,
+ and car -- ry on,
+ ’cause I know I don’t be -- long
+ here in heav -- en.
+ Ooh!
+ Ooh.
+ Ba doo ba doo.
+ Time can bring you down,
+ time can bend your knees,
+ ooh,
+ time can bend your knees.
+ Time can break your heart,
+ have you begg -- ing please,
+ begg -- ing please!
+ ’Cause I know I don’t be -- long
+ here in heav -- en.
+ }
+ sopranTextB = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ _ _ _ _ _
+ _ _ _ _ _ _ _
+ Would you hold my hand,
+ \iiifff
+ Would you help me stand,
+ \iiifff
+ I’ll find my way,
+ ooh,
+ through night and day,
+ ’cause I know I just cant stay
+ here in heav -- en.
+ }
+ sopranTextC = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ _ _ _ _ _
+ _ _ _ _ _ _ _
+ Doo ba doo ba doo,
+ doo ba doo ba doo doo -- doo.
+ Doo ba doo ba doo,
+ doo ba doo ba doo doo doo.
+ Be -- yond the door
+ ooh,
+ there’s peace, I’m sure
+ and I know there’ll be no more
+ tears in heav -- en.
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ cause = \lyricmode {
+ _ _ _ _ _ _ _
+ _ _ _ _
+ }
+
+ bassTextA = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ Doo ba doo ba doo,
+ doo ba doo ba doo doo,
+ doo ba doo doo.
+ Doo doo doo ba doo.
+ \set stanza = #"3. "
+ Would you know my name,
+ ooh, oh would you,
+ doo ba doo doo ba doo
+ Would it be the same,
+ doo doo doo, oh would you.
+ \set stanza = #"4. "
+ I must be strong,
+ doo ba doo ba doo,
+ and car -- ry on,
+ \cause
+ Ba doo ba doo ba doo ba.
+ Ba doo ba doo -- ah ba doo.
+ Time can bring you down,
+ time can bend your knees,
+ can bend your knees.
+ Time can break your heart,
+ have you begg -- ing please,
+ begg -- ing please!
+ Ba dm dm.
+ ’Cause I know I don’t be -- long
+ here in heav -- en.
+ }
+ bassTextB = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ _ _ _ _ _
+ _ _ _ _ _ _
+ _ _ _ _
+ _ _ _ _ _
+ \set stanza = #"2. "
+ Would you hold my hand,
+ _ _ _ _
+ _ _ _ _ _ _
+ Would you help me stand,
+ _ _ _ _ _ _
+ \set stanza = #"2. "
+ I’ll find my way,
+ _ _ _ _ _
+ through night and day,
+ \cause
+ }
+ bassTextC = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ _ _ _ _ _
+ _ _ _ _ _ _
+ _ _ _ _
+ _ _ _ _ _
+ \set stanza = #"4. "
+ Doo ba doo ba doo,
+ _ _ _ _
+ _ _ _ _ _ _
+ Doo ba doo ba doo,
+ _ _ _ _ _ _
+ \set stanza = #"3. "
+ Be -- yond the door,
+ _ _ _ _ _
+ there’s peace, I’m sure.
+ \cause
+ }
+
diff --git a/hr/issi/tears/texte_.ly b/hr/issi/tears/texte_.ly
new file mode 100644
index 0000000..cb801da
--- /dev/null
+++ b/hr/issi/tears/texte_.ly
@@ -0,0 +1,175 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ iiifff = \lyricmode {
+ if I saw you in heav -- en?
+ }
+ sopranTextA = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ Doo ba doo ba doo,
+ doo ba doo ba doo doo doo.
+ Would you know my name,
+ \iiifff
+ Would it be the same,
+ \iiifff
+ I must be strong,
+ ooh,
+ and car -- ry on,
+ ’cause I know I don’t be -- long
+ here in heav -- en.
+ Ooh!
+ Ooh.
+ Ba doo ba doo.
+ Time can bring you down,
+ time can bend your knees,
+ ooh,
+ time can bend your knees.
+ Time can break your heart,
+ have you begg -- ing please,
+ begg -- ing please!
+ ’Cause I know I don’t be -- long
+ here in heav -- en.
+ }
+ sopranTextB = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ _ _ _ _ _
+ _ _ _ _ _ _ _
+ Would you hold my hand,
+ \iiifff
+ Would you help me stand,
+ \iiifff
+ I’ll find my way,
+ ooh,
+ through night and day,
+ ’cause I know I just cant stay
+ here in heav -- en.
+ }
+ sopranTextC = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ _ _ _ _ _
+ _ _ _ _ _ _ _
+ Doo ba doo ba doo,
+ doo ba doo ba doo doo -- doo.
+ Doo ba doo ba doo,
+ doo ba doo ba doo doo doo.
+ Be -- yond the door
+ ooh,
+ there’s peace, I’m sure
+ and I know there’ll be no more
+ tears in heav -- en.
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ cause = \lyricmode {
+ _ _ _ _ _ _ _
+ _ _ _ _
+ }
+
+ bassTextA = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ Doo ba doo ba doo,
+ doo ba doo ba doo doo,
+ doo ba doo doo.
+ Doo doo doo ba doo.
+ <<
+ { \set stanza = #" 3. "
+ Would you know my name, }
+ \new Lyrics = "snd" \lyricmode {
+ \set stanza = #"2."
+ Would you hold my hand,
+ }
+ \new Lyrics = "trd" \lyricmode {
+ \set stanza = #"4."
+ Doo ba doo ba doo,
+ }
+ >>
+ ooh, oh would you,
+ doo ba doo doo ba doo
+ <<
+ { Would it be the same, }
+ \context Lyrics = "snd" \lyricmode {
+ Would you help me stand,
+ }
+ \context Lyrics = "trd" \lyricmode {
+ Doo ba doo ba doo,
+ }
+ >>
+ doo doo doo, oh would you.
+ <<
+ { \set stanza = #"4. "
+ I must be strong, }
+ \context Lyrics = "snd" \lyricmode {
+ \set stanza = #"2. "
+ I’ll find my way,
+ }
+ \context Lyrics = "trd" \lyricmode {
+ \set stanza = #"3. "
+ Be -- yond the door,
+ }
+ >>
+ doo ba doo ba doo,
+ <<
+ { and car -- ry on, }
+ \context Lyrics = "snd" \lyricmode {
+ through night and day,
+ }
+ \context Lyrics = "trd" \lyricmode {
+ there’s peace, I’m sure.
+ }
+ >>
+ \cause
+ Ba doo ba doo ba doo ba.
+ Ba doo ba doo -- ah ba doo.
+ Time can bring you down,
+ time can bend your knees,
+ can bend your knees.
+ Time can break your heart,
+ have you begg -- ing please,
+ begg -- ing please!
+ Ba dm dm.
+ ’Cause I know I don’t be -- long
+ here in heav -- en.
+ }
+ bassTextB = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ _ _ _ _ _
+ _ _ _ _ _ _
+ _ _ _ _
+ _ _ _ _ _
+ Would you hold my hand,
+ _ _ _ _
+ _ _ _ _ _ _
+ Would you help me stand,
+ _ _ _ _ _ _
+ I’ll find my way,
+ _ _ _ _ _
+ through night and day,
+ \cause
+ }
+ bassTextC = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ _ _ _ _ _
+ _ _ _ _ _ _
+ _ _ _ _
+ _ _ _ _ _
+ Doo ba doo ba doo,
+ _ _ _ _
+ _ _ _ _ _ _
+ Doo ba doo ba doo,
+ _ _ _ _ _ _
+ Be -- yond the door,
+ _ _ _ _ _
+ there’s peace, I’m sure.
+ \cause
+ }
+
diff --git a/hr/issi/things/dynArt.ly b/hr/issi/things/dynArt.ly
new file mode 100644
index 0000000..dddc01b
--- /dev/null
+++ b/hr/issi/things/dynArt.ly
@@ -0,0 +1,64 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s1*8
+ \bar "||"
+ \break
+ s1*8
+ \bar "||"
+ \break
+ s1*8
+ \bar "||"
+ \pageBreak
+ s1*10
+ \mark \markup { \small \musicglyph #"scripts.coda" }
+ s1*2
+ \bar "||"
+% \set Score.skipBars = ##t
+% s1*16
+% \bar "||"
+% s1*8
+% \break
+% \bar "||"
+% s1*8
+% s1*4
+% \bar "||"
+% \break
+ s1*4
+ %\break
+ s1*4
+ \bar "||"
+ \break
+ s1*8
+ \bar "||"
+ \break
+ s1*8
+ \bar "||"
+ \break
+ s1*6
+ \break
+ s1*5
+ \mark \markup { \small \bold "Da Capo al Coda" }
+ s1
+ \mark \markup { \small \musicglyph #"scripts.coda" }
+ \bar "||"
+ s1*3
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/issi/things/full/dynArt.ly b/hr/issi/things/full/dynArt.ly
new file mode 100644
index 0000000..0ada0d4
--- /dev/null
+++ b/hr/issi/things/full/dynArt.ly
@@ -0,0 +1,59 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s1*8
+ \bar "||"
+ \break
+ s1*8
+ \bar "||"
+ \break
+ s1*8
+ \bar "||"
+ \pageBreak
+ s1*12
+ \bar "||"
+ \set Score.skipBars = ##t
+ s1*16
+ \bar "||"
+ s1*8
+ \break
+ \bar "||"
+ s1*8
+ s1*4
+ \bar "||"
+ \break
+ s1*4
+ %\break
+ s1*4
+ \bar "||"
+ \break
+ s1*8
+ \bar "||"
+ \break
+ s1*8
+ \bar "||"
+ \break
+ s1*6
+ \break
+ s1*6
+ \bar "||"
+ s1*3
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/issi/things/full/stimmen.ly b/hr/issi/things/full/stimmen.ly
new file mode 100644
index 0000000..384cabc
--- /dev/null
+++ b/hr/issi/things/full/stimmen.ly
@@ -0,0 +1,478 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key f \minor
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ %\override Score.SpacingSpanner #'shortest-duration-space = #4.0
+ aes1
+ des2. aes4
+ g4 g4 g4 g4
+ g4 c2 g4
+ f4 f4 f4 f4
+ f4 b2 f4
+ e1 ~
+ e1
+ % A
+ ees1
+ aes1 ~
+ aes1
+ g1 ~
+ g1
+ g2 fis2
+ fis1
+ r8 des4. g4 d'4
+ % B
+ d4.( c8 ~ c2)
+ r8 d,4. ees4 c'8 b8 ~
+ b1
+ r8 d,4. g4 b4
+ e,2( ~ e8 dis8) e8 f8( ~
+ f2 fis2)
+ fis4. e8 ~ e4 ees4 ~
+ ees1
+ % C
+ aes1
+ des2 r8 aes4.
+ g4 g4 g4 g8 g8
+ r4 c2 g4
+ f1
+ ees'2 r8 des4.
+ ees,4 ees4 \times 2/3 { ees4 ees4 ees4 }
+ g2. f4
+ des4 f4 aes4 des4
+ f2 g,2
+ aes1
+ r1
+ % DE
+ R1*16
+ des1(
+ c1
+ b1 ~
+ b1)
+ b1(
+ a1
+ gis1 ~
+ gis1)
+ % F
+ r2 aes4. des8 ~
+ des1
+ r2 g,4. c8 ~
+ c1
+ r2 c2
+ r8 ees8-\bendAfter #-3 r4 r2
+ r4 ees,8 r8 ees8 ees8 r8 g8 ~
+ g2. r8 f8-\bendAfter #-2
+ R1*4
+ % G
+ r8 f8 g8 aes8 ~ aes8 c8 ees8 d8
+ des8 f,8 r4 r4 r8 ees8
+ e8 c'4. b8 g8 ees8 r8
+ bes'8 g8 ees8 g8 ~ g4 fis8 f8
+ r2 f4 f4
+ f4 f4 f8 d8 dis8 e8
+ r1
+ r1
+ % H
+ r2 r8 ees8 g8 aes8 ~
+ aes4 aes8 g8 aes8 bes8 r8 c8
+ r8 c4. ces4. bes8
+ r2 r4 r8 c8 ~
+ c4 g4 f4 r4
+ r4 c'8 b8 c8 d4.
+ b4 c8 d8 r2
+ r2 r8 d8 des8 c8 ~
+ % I
+ c2 e,8 g8 d'8 b8 ~
+ b2 r8 bes4.
+ a2
+ \times 2/3 { b,4 d4 a'4 }
+ fis2. r4
+ r8 fis4. gis4 a4
+ b2 cis4. b8
+ r1
+ r1
+ % K
+ r8 f4. g4 aes4
+ bes4 c8 des8 r8 des8 ees8 f8 ~
+ f2 e4. ees8
+ r2 r8 e,8 f8 aes8 ~
+ aes8 f8 aes8 c8 bes8 aes8 f8 aes8 ~
+ aes8 fes8 aes8 ces8 bes8 aes8 r8 ees'8
+ r8 ees4. d4 d4
+ des4 ees8 c8 ~ c8 e,8 f8 aes8 ~
+ aes4
+ aes8 ces8 bes8 aes8 r8 f'8
+ r8 ces4. aes8 bes8 aes8 aes8
+ r2 c2(
+ bes1)
+ % Coda
+ aes1 ~
+ aes1
+ g1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ ees2( e2)
+ f2. f4
+ f2 fes2
+ ees2. ees4
+ des2 c2
+ c2 b2
+ b2 a2
+ b2 a2
+ % A
+ ees'1
+ aes2. ees4
+ d4 d4 d4 d4
+ d4 g2 d4
+ c4 c4 c4 c4
+ \times 2/3 { c4 d4 ees4 }
+ d4 c4
+ b1
+ r8 des4. g4 d'4
+ % B
+ g,2( ~ g8 fis8) g8 aes8( ~
+ aes2 a4) r4
+ r8 fis4. e4. d8
+ r8 d4. g4 b4
+ b4.( a8 ~ a2)
+ r4 bes,4 b4 a'4
+ gis1 ~
+ gis1
+ % C
+ ees1
+ des2 r8 des4.
+ ees4 ees4 f4 e8 ees8
+ r4 g2 ees4
+ f1
+ aes2 r8 aes4.
+ ees4 ees4 \times 2/3 { ees4 ees4 ees4 }
+ ees2. ees4
+ des4 f4 aes4 aes4
+ aes2 ees2
+ ees1
+ r1
+ % DE
+ R1*16
+ g1(
+ aes2 a2
+ fis1
+ f1)
+ e1(
+ f2 fis2
+ dis1 ~
+ dis1)
+ % F
+ r2 aes'2 ~
+ aes1
+ r2 g2 ~
+ g1
+ r2 f2
+ r8 aes8 -\bendAfter #-3 r4 r2
+ r4 ees8 r8 ees8 ees8 r8 ees8 ~
+ ees2. r8 des8-\bendAfter #-2
+ R1*4
+ % G
+ r8 f8 g8 aes8 ~ aes8 c8 ees8 d8
+ des8 f,8 r4 r4 r8 ees8
+ e8 c'4. b8 g8 ees8 r8
+ bes'8 g8 ees8 g8 ~ g4 fis8 f8
+ r2 f4 f4
+ f4 f4 f8 d8 dis8 e8
+ r1
+ r1
+ % H
+ r2 r8 ees8 g8 aes8 ~
+ aes4 aes8 g8 aes8 bes8 r8 g8
+ r8 g4. ges4. f8
+ r2 r4 r8 g8 ~
+ g4 ees4 ees4 r4
+ r4 g4 ~ g8 fis4.
+ fis4 g8 a8 r2
+ r2 r8 a8 aes8 g8 ~
+ % I
+ g2 e8 g8 d'8 fis,8 ~
+ fis2 r8 fis4.
+ fis2
+ \times 2/3 { b,4 d4 a'4 }
+ d,2. r4
+ r8 e4. e4 fis4
+ gis2 g4. fis8
+ r1
+ r1
+ % K
+ r8 ees4. ees4 f4
+ aes4 aes8 aes8 r8 des8 ees8 c8 ~
+ c2 b4. bes8
+ r2 r8 e,8 f8 aes8 ~
+ aes8 f8 aes8 c8 bes8 aes8 f8 aes8 ~
+ aes8 fes8 aes8 ces8 bes8 aes8 r8 ees'8
+ r8 bes4. a4 a4
+ a4 aes8 g8 ~ g8 e8 f8 f8 ~
+ f4
+ aes8 ces8 bes8 aes8 r8 f'8
+ r8 ces4. aes8 bes8 aes8 aes8
+ r2 g2(
+ f2 e2)
+ % Coda
+ r1
+ e1
+ ees1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ c1
+ aes2. des4
+ des2 des2
+ c2. aes4
+ aes2 aes2
+ aes2 g2
+ g2 f2
+ g2 f2
+ % A
+ r1
+ r1
+ r1
+ bes1
+ ees1 ~
+ ees2 d2
+ d1
+ r8 des,4. g4 d'4
+ % B
+ e2. e8 ees8 ~
+ ees2. r4
+ r8 d4. c4. b8
+ r8 d,4. g4 b4
+ cis2. cis8 c8 ~
+ c1
+ b4. b8 ~ b4 bes4 ~
+ bes1
+ % C
+ c1
+ aes2 r8 des4.
+ bes4 bes4 des4 des8 c8
+ r4 ees2 c4
+ c1
+ e2 r8 e4.
+ ees4 bes4 \times 2/3 { bes4 c4 bes4 }
+ a2. c4
+ des4 f4 f4 f4
+ des2 des2
+ c1
+ r1
+ % DE
+ R1*16
+ e1(
+ ees1
+ d1 ~
+ d1)
+ cis1(
+ c1
+ b1
+ bes1)
+ % F
+ r2 aes4. des8 ~
+ des1
+ r2 g,4. c8 ~
+ c1
+ r2 c2
+ r8 ees8-\bendAfter #-3 r4 r2
+ r4 ees8 r8 bes8 bes8 r8 a8 ~
+ a2. r8 bes8-\bendAfter #-2
+ R1*4
+ % G
+ r8 f8 g8 aes8 ~ aes8 c8 ees8 d8
+ des8 f,8 r4 r4 r8 ees8
+ e8 c'4. b8 g8 ees8 r8
+ bes'8 g8 ees8 g8 ~ g4 c8 c8
+ r2 c4 c4
+ c4 c4 b4. b8
+ r1
+ r1
+ % H
+ r2 r8 ees,8 g8 aes8 ~
+ aes4 aes8 g8 aes8 bes8 r8 d8
+ r8 d4. d4. d8
+ r2 r4 r8 ees8 ~
+ ees4 c4 c4 r4
+ r4 ees4 ~ ees8 ees4.
+ d4 e8 fis8 r2
+ r2 r8 fis8 f8 e8 ~
+ % I
+ e2 e,8 g8 d'8 ees8 ~
+ ees2 r8 ees4.
+ d2
+ \times 2/3 { b,4 d4 a'4 }
+ bes2. r4
+ r8 a4. cis4 d4
+ dis2 dis4. dis8
+ r1
+ r1
+ % K
+ r8 c4. c4 ees4
+ f4 f8 f8 r8 bes,8 c8 des8 ~
+ des2 des4. c8
+ r2 r8 e,8 f8 aes8 ~
+ aes8 f8 aes8 c8 bes8 aes8 f8 aes8 ~
+ aes8 fes8 aes8 ces8 bes8 aes8 r8 ees'8
+ r8 ges4. f4 f4
+ e4 e8 ees8 ~ ees8 e8 f8 des8 ~
+ des4
+ aes8 ces8 bes8 aes8 r8 f'8
+ r8 ces4. aes8 bes8 aes8 aes8
+ r2 ees'2(
+ des1)
+ % Coda
+ r2 ees2 ~
+ ees1
+ c1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ f1
+ bes,2. bes4
+ ees2 ees2
+ aes,2 bes4 c4
+ des2 des2
+ d2 g,2
+ c2 d2
+ e2 d2
+ % A
+ r1
+ r1
+ bes1
+ ees2. bes4
+ aes1
+ a2 d2
+ g,1
+ r8 des'4. g4 d'4
+ % B
+ a2. a8 fis8 ~
+ fis2. r4
+ r8 g4. d4. g,8
+ r8 d'4. g4 b4
+ fis2. fis8 dis8 ~
+ dis1
+ e4. e8 ~ e4 e4 ~
+ e1
+ % C
+ f1
+ bes,2 r8 bes4.
+ ees4 ees4 ees4 ees8 aes,8
+ r4 aes2 aes'4
+ aes1
+ bes2 r8 bes4.
+ bes4 bes4 \times 2/3 { bes4 c4 bes4 }
+ a2. c4
+ des4 des4 c4 bes4
+ ees,2 ees2
+ aes,1
+ r1
+ % DE
+ R1*16
+ a'1(
+ fis1
+ g1 ~
+ g1)
+ fis1(
+ dis1
+ e1 ~
+ e1)
+ % F
+ r2 aes2 ~
+ aes1
+ r2 g2 ~
+ g1
+ r2 aes2
+ r8 bes8 -\bendAfter #-3 r4 r2
+ r4 bes8 r8 bes8 bes8 r8 a8 ~
+ a2. r8 aes8-\bendAfter #-2
+ R1*4
+ % G
+ r8 f8 g8 aes8 ~ aes8 c8 ees8 d8
+ des8 f,8 r4 r4 r8 ees8
+ e8 c'4. b8 g8 ees8 r8
+ bes'8 g8 ees8 g8 ~ g4 a8 aes8
+ r2 aes4 aes4
+ aes4 aes4 aes4. g8
+ r1
+ r1
+ % H
+ r2 r8 ees8 g8 aes8 ~
+ aes4 aes8 g8 aes8 bes8 r8 aes8
+ r8 aes4. aes4. g8
+ r2 r4 r8 aes8 ~
+ aes4 bes4 aes4 r4
+ r4 a4 ~ a8 aes4.
+ g4 a8 b8 r2
+ r2 r8 b8 bes8 a8 ~
+ % I
+ a2 e8 g8 d'8 c8 ~
+ c2 r8 c4.
+ b2
+ \times 2/3 { b,4 d4 a'4 }
+ g2. r4
+ r8 a4. b4 bes4
+ a2 a4. gis8
+ r1
+ r1
+ % K
+ r8 aes4. bes4 c4
+ des4 c8 bes8 r8 bes8 c8 aes8 ~
+ aes2 g4. g8
+ r2 r8 e8 f8 aes8 ~
+ aes8 f8 aes8 c8 bes8 aes8 f8 aes8 ~
+ aes8 fes8 aes8 ces8 bes8 aes8 r8 ees'8
+ r8 c4. b4 b4
+ bes4 bes8 a8 ~ a8 e8 f8 bes8 ~
+ bes4
+ aes8 ces8 bes8 aes8 r8 f'8
+ r8 ces4. aes8 bes8 aes8 aes8
+ r2 aes2(
+ g2 c,2)
+ % Coda
+ r1
+ r2 b'2
+ bes1
+ }
+ >>
+ }
+
diff --git a/hr/issi/things/full/stimmen_midi.ly b/hr/issi/things/full/stimmen_midi.ly
new file mode 100644
index 0000000..e8abc9b
--- /dev/null
+++ b/hr/issi/things/full/stimmen_midi.ly
@@ -0,0 +1,497 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key f \minor
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopPreCoda = \relative c'' {
+ %\override Score.SpacingSpanner #'shortest-duration-space = #4.0
+ aes1
+ des2. aes4
+ g4 g4 g4 g4
+ g4 c2 g4
+ f4 f4 f4 f4
+ f4 b2 f4
+ e1 ~
+ e1
+ % A
+ ees1
+ aes1 ~
+ aes1
+ g1 ~
+ g1
+ g2 fis2
+ fis1
+ \times 2/3 { r8 r8 des8 ~ } des4 g4 d'4
+ % B
+ \times 2/3 { d4 ~ d8 ~ } \times 2/3 { d4( c8 ~ } c2)
+ \times 2/3 { r4 d,8 ~ } \times 2/3 { d4 ~ d8 } ees4 \times 2/3 { c'4 b8 ~ }
+ b1
+ \times 2/3 { r4 d,8 ~ } \times 2/3 { d4 ~ d8 } g4 b4
+ e,2( ~ \times 2/3 { e4 dis8) } \times 2/3 { e4 f8( ~ }
+ f2 fis2)
+ \times 2/3 { fis4 ~ fis8 ~ } \times 2/3 { fis4 e8 ~ } e4 ees4 ~
+ ees1
+ % C
+ aes1
+ des2 \times 2/3 { r4 aes8 ~ } \times 2/3 { aes4 ~ aes8 }
+ g4 g4 g4 \times 2/3 { g4 g8 }
+ r4 c2 g4
+ f1
+ ees'2 \times 2/3 { r4 des8 ~ } \times 2/3 { des4 ~ des8 }
+ ees,4 ees4 \times 2/3 { ees4 ees4 ees4 }
+ g2. f4
+ des4 f4 aes4 des4
+ f2 g,2
+ }
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ \sopPreCoda
+ aes1
+ r1
+ % DE
+ R1*16
+ des1(
+ c1
+ b1 ~
+ b1)
+ b1(
+ a1
+ gis1 ~
+ gis1)
+ % F
+ r2 \times 2/3 { aes4 ~ aes8 ~ } \times 2/3 { aes4 des8 ~ }
+ des1
+ r2 \times 2/3 { g,4 ~ g8 ~ } \times 2/3 { g4 c8 ~ }
+ c1
+ r2 c2
+ \times 2/3 { r4 ees8-\bendAfter #-3 } r4 r2
+ r4 \times 2/3 { ees,4 r8 } \times 2/3 { ees4 ees8 } \times 2/3 { r4 g8 ~ }
+ g2. \times 2/3 { r4 f8-\bendAfter #-2 }
+ R1*4
+ % G
+ \times 2/3 { r4 f8 } \times 2/3 { g4 aes8 ~ } \times 2/3 { aes4 c8 } \times 2/3 { ees4 d8 }
+ \times 2/3 { des4 f,8 } r4 r4 \times 2/3 { r4 ees8 }
+ \times 2/3 { e4 c'8 ~ } \times 2/3 { c4 ~ c8 } \times 2/3 { b4 g8 } \times 2/3 { ees4 r8 }
+ \times 2/3 { bes'4 g8 } \times 2/3 { ees4 g8 ~ } g4 \times 2/3 { fis4 f8 }
+ r2 f4 f4
+ f4 f4 \times 2/3 { f4 d8 } \times 2/3 { dis4 e8 }
+ r1
+ r1
+ % H
+ r2 \times 2/3 { r4 ees8 } \times 2/3 { g4 aes8 ~ }
+ aes4 \times 2/3 { aes4 g8 } \times 2/3 { aes4 bes8 } \times 2/3 { r4 c8 }
+ \times 2/3 { r4 c8 ~ } \times 2/3 { c4 ~ c8 } \times 2/3 { ces4 ~ ces8 ~ } \times 2/3 { ces4 bes8 }
+ r2 r4 \times 2/3 { r4 c8 ~ }
+ c4 g4 f4 r4
+ r4 \times 2/3 { c'4 b8 } \times 2/3 { c4 d8 ~ } \times 2/3 { d4 ~ d8 }
+ b4 \times 2/3 { c4 d8 } r2
+ r2 \times 2/3 { r4 d8 } \times 2/3 { des4 c8 ~ }
+ % I
+ c2 \times 2/3 { e,4 g8 } \times 2/3 { d'4 b8 ~ }
+ b2 \times 2/3 { r4 bes8 ~ } \times 2/3 { bes4 ~ bes8 }
+ a2
+ \times 2/3 { b,4 d4 a'4 }
+ fis2. r4
+ \times 2/3 { r4 fis8 ~ } \times 2/3 { fis4 ~ fis8 } gis4 a4
+ b2 \times 2/3 { cis4 ~ cis8 ~ } \times 2/3 { cis4 b8 }
+ r1
+ r1
+ % K
+ \times 2/3 { r4 f8 ~ } \times 2/3 { f4 ~ f8 } g4 aes4
+ bes4 \times 2/3 { c4 des8 } \times 2/3 { r4 des8 } \times 2/3 { ees4 f8 ~ }
+ f2 \times 2/3 { e4 ~ e8 ~ } \times 2/3 { e4 ees8 }
+ r2 \times 2/3 { r4 e,8 } \times 2/3 { f4 aes8 ~ }
+ \times 2/3 { aes4 f8 } \times 2/3 { aes4 c8 } \times 2/3 { bes4 aes8 } \times 2/3 { f4 aes8 ~ }
+ \times 2/3 { aes4 fes8 } \times 2/3 { aes4 ces8 } \times 2/3 { bes4 aes8 } \times 2/3 { r4 ees'8 }
+ \times 2/3 { r4 ees8 ~ } \times 2/3 { ees4 ~ ees8 } d4 d4
+ des4 \times 2/3 { ees4 c8 ~ } \times 2/3 { c4 e,8 } \times 2/3 { f4 aes8 ~ }
+ aes4
+ \times 2/3 { aes4 ces8 } \times 2/3 { bes4 aes8 } \times 2/3 { r4 f'8 }
+ \times 2/3 { r4 ces8 ~ } \times 2/3 { ces4 ~ ces8 } \times 2/3 { aes4 bes8 } \times 2/3 { aes4 aes8 }
+ r2 c2(
+ bes1)
+ \sopPreCoda
+ % Coda
+ aes1 ~
+ aes1
+ g1
+ }
+ >>
+ }
+
+ altPreCoda = \relative c' {
+ ees2( e2)
+ f2. f4
+ f2 fes2
+ ees2. ees4
+ des2 c2
+ c2 b2
+ b2 a2
+ b2 a2
+ % A
+ ees'1
+ aes2. ees4
+ d4 d4 d4 d4
+ d4 g2 d4
+ c4 c4 c4 c4
+ \times 2/3 { c4 d4 ees4 }
+ d4 c4
+ b1
+ \times 2/3 { r8 r8 des8 ~ } des4 g4 d'4
+ % B
+ g,2( ~ \times 2/3 { g4 fis8) } \times 2/3 { g4 aes8( ~ }
+ aes2 a4) r4
+ \times 2/3 { r4 fis8 ~ } \times 2/3 { fis4 ~ fis8 } \times 2/3 { e4 ~ e8 ~ } \times 2/3 { e4 d8 }
+ \times 2/3 { r4 d8 ~ } \times 2/3 { d4 ~ d8 } g4 b4
+ \times 2/3 { b4 ~ b8 ~ } \times 2/3 { b4( a8 ~ } a2)
+ r4 bes,4 b4 a'4
+ gis1 ~
+ gis1
+ % C
+ ees1
+ des2 \times 2/3 { r4 des8 ~ } \times 2/3 { des4 ~ des8 }
+ ees4 ees4 f4 \times 2/3 { e4 ees8 }
+ r4 g2 ees4
+ f1
+ aes2 \times 2/3 { r4 aes8 ~ } \times 2/3 { aes4 ~ aes8 }
+ ees4 ees4 \times 2/3 { ees4 ees4 ees4 }
+ ees2. ees4
+ des4 f4 aes4 aes4
+ aes2 ees2
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ \altPreCoda
+ ees1
+ r1
+ % DE
+ R1*16
+ g1(
+ aes2 a2
+ fis1
+ f1)
+ e1(
+ f2 fis2
+ dis1 ~
+ dis1)
+ % F
+ r2 aes'2 ~
+ aes1
+ r2 g2 ~
+ g1
+ r2 f2
+ \times 2/3 { r4 aes8 -\bendAfter #-3 } r4 r2
+ r4 \times 2/3 { ees4 r8 } \times 2/3 { ees4 ees8 } \times 2/3 { r4 ees8 ~ }
+ ees2. \times 2/3 { r4 des8-\bendAfter #-2 }
+ R1*4
+ % G
+ \times 2/3 { r4 f8 } \times 2/3 { g4 aes8 ~ } \times 2/3 { aes4 c8 } \times 2/3 { ees4 d8 }
+ \times 2/3 { des4 f,8 } r4 r4 \times 2/3 { r4 ees8 }
+ \times 2/3 { e4 c'8 ~ } \times 2/3 { c4 ~ c8 } \times 2/3 { b4 g8 } \times 2/3 { ees4 r8 }
+ \times 2/3 { bes'4 g8 } \times 2/3 { ees4 g8 ~ } g4 \times 2/3 { fis4 f8 }
+ r2 f4 f4
+ f4 f4 \times 2/3 { f4 d8 } \times 2/3 { dis4 e8 }
+ r1
+ r1
+ % H
+ r2 \times 2/3 { r4 ees8 } \times 2/3 { g4 aes8 ~ }
+ aes4 \times 2/3 { aes4 g8 } \times 2/3 { aes4 bes8 } \times 2/3 { r4 g8 }
+ \times 2/3 { r4 g8 ~ } \times 2/3 { g4 ~ g8 } \times 2/3 { ges4 ~ ges8 ~ } \times 2/3 { ges4 f8 }
+ r2 r4 \times 2/3 { r4 g8 ~ }
+ g4 ees4 ees4 r4
+ r4 g4 ~ \times 2/3 { g4 fis8 ~ } \times 2/3 { fis4 ~ fis8 }
+ fis4 \times 2/3 { g4 a8 } r2
+ r2 \times 2/3 { r4 a8 } \times 2/3 { aes4 g8 ~ }
+ % I
+ g2 \times 2/3 { e4 g8 } \times 2/3 { d'4 fis,8 ~ }
+ fis2 \times 2/3 { r4 fis8 ~ } \times 2/3 { fis4 ~ fis8 }
+ fis2
+ \times 2/3 { b,4 d4 a'4 }
+ d,2. r4
+ \times 2/3 { r4 e8 ~ } \times 2/3 { e4 ~ e8 } e4 fis4
+ gis2 \times 2/3 { g4 ~ g8 ~ } \times 2/3 { g4 fis8 }
+ r1
+ r1
+ % K
+ \times 2/3 { r4 ees8 ~ } \times 2/3 { ees4 ~ ees8 } ees4 f4
+ aes4 \times 2/3 { aes4 aes8 } \times 2/3 { r4 des8 } \times 2/3 { ees4 c8 ~ }
+ c2 \times 2/3 { b4 ~ b8 ~ } \times 2/3 { b4 bes8 }
+ r2 \times 2/3 { r4 e,8 } \times 2/3 { f4 aes8 ~ }
+ \times 2/3 { aes4 f8 } \times 2/3 { aes4 c8 } \times 2/3 { bes4 aes8 } \times 2/3 { f4 aes8 ~ }
+ \times 2/3 { aes4 fes8 } \times 2/3 { aes4 ces8 } \times 2/3 { bes4 aes8 } \times 2/3 { r4 ees'8 }
+ \times 2/3 { r4 bes8 ~ } \times 2/3 { bes4 ~ bes8 } a4 a4
+ a4 \times 2/3 { aes4 g8 ~ } \times 2/3 { g4 e8 } \times 2/3 { f4 f8 ~ }
+ f4
+ \times 2/3 { aes4 ces8 } \times 2/3 { bes4 aes8 } \times 2/3 { r4 f'8 }
+ \times 2/3 { r4 ces8 ~ } \times 2/3 { ces4 ~ ces8 } \times 2/3 { aes4 bes8 } \times 2/3 { aes4 aes8 }
+ r2 g2(
+ f2 e2)
+ \altPreCoda
+ % Coda
+ r1
+ e1
+ ees1
+ }
+ >>
+ }
+
+ tenorPreCoda = \relative c' {
+ c1
+ aes2. des4
+ des2 des2
+ c2. aes4
+ aes2 aes2
+ aes2 g2
+ g2 f2
+ g2 f2
+ % A
+ r1
+ r1
+ r1
+ bes1
+ ees1 ~
+ ees2 d2
+ d1
+ \times 2/3 { r8 r8 des,8 ~ } des4 g4 d'4
+ % B
+ e2. \times 2/3 { e4 ees8 ~ }
+ ees2. r4
+ \times 2/3 { r4 d8 ~ } \times 2/3 { d4 ~ d8 } \times 2/3 { c4 ~ c8 ~ } \times 2/3 { c4 b8 }
+ \times 2/3 { r4 d,8 ~ } \times 2/3 { d4 ~ d8 } g4 b4
+ cis2. \times 2/3 { cis4 c8 ~ }
+ c1
+ \times 2/3 { b4 ~ b8 ~ } \times 2/3 { b4 b8 ~ } b4 bes4 ~
+ bes1
+ % C
+ c1
+ aes2 \times 2/3 { r4 des8 ~ } \times 2/3 { des4 ~ des8 }
+ bes4 bes4 des4 \times 2/3 { des4 c8 }
+ r4 ees2 c4
+ c1
+ e2 \times 2/3 { r4 e8 ~ } \times 2/3 { e4 ~ e8 }
+ ees4 bes4 \times 2/3 { bes4 c4 bes4 }
+ a2. c4
+ des4 f4 f4 f4
+ des2 des2
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ \tenorPreCoda
+ c1
+ r1
+ % DE
+ R1*16
+ e1(
+ ees1
+ d1 ~
+ d1)
+ cis1(
+ c1
+ b1
+ bes1)
+ % F
+ r2 \times 2/3 { aes4 ~ aes8 ~ } \times 2/3 { aes4 des8 ~ }
+ des1
+ r2 \times 2/3 { g,4 ~ g8 ~ } \times 2/3 { g4 c8 ~ }
+ c1
+ r2 c2
+ \times 2/3 { r4 ees8-\bendAfter #-3 } r4 r2
+ r4 \times 2/3 { ees4 r8 } \times 2/3 { bes4 bes8 } \times 2/3 { r4 a8 ~ }
+ a2. \times 2/3 { r4 bes8-\bendAfter #-2 }
+ R1*4
+ % G
+ \times 2/3 { r4 f8 } \times 2/3 { g4 aes8 ~ } \times 2/3 { aes4 c8 } \times 2/3 { ees4 d8 }
+ \times 2/3 { des4 f,8 } r4 r4 \times 2/3 { r4 ees8 }
+ \times 2/3 { e4 c'8 ~ } \times 2/3 { c4 ~ c8 } \times 2/3 { b4 g8 } \times 2/3 { ees4 r8 }
+ \times 2/3 { bes'4 g8 } \times 2/3 { ees4 g8 ~ } g4 \times 2/3 { c4 c8 }
+ r2 c4 c4
+ c4 c4 \times 2/3 { b4 ~ b8 ~ } \times 2/3 { b4 b8 }
+ r1
+ r1
+ % H
+ r2 \times 2/3 { r4 ees,8 } \times 2/3 { g4 aes8 ~ }
+ aes4 \times 2/3 { aes4 g8 } \times 2/3 { aes4 bes8 } \times 2/3 { r4 d8 }
+ \times 2/3 { r4 d8 ~ } \times 2/3 { d4 ~ d8 } \times 2/3 { d4 ~ d8 ~ } \times 2/3 { d4 d8 }
+ r2 r4 \times 2/3 { r4 ees8 ~ }
+ ees4 c4 c4 r4
+ r4 ees4 ~ \times 2/3 { ees4 ees8 ~ } \times 2/3 { ees4 ~ ees8 }
+ d4 \times 2/3 { e4 fis8 } r2
+ r2 \times 2/3 { r4 fis8 } \times 2/3 { f4 e8 ~ }
+ % I
+ e2 \times 2/3 { e,4 g8 } \times 2/3 { d'4 ees8 ~ }
+ ees2 \times 2/3 { r4 ees8 ~ } \times 2/3 { ees4 ~ ees8 }
+ d2
+ \times 2/3 { b,4 d4 a'4 }
+ bes2. r4
+ \times 2/3 { r4 a8 ~ } \times 2/3 { a4 ~ a8 } cis4 d4
+ dis2 \times 2/3 { dis4 ~ dis8 ~ } \times 2/3 { dis4 dis8 }
+ r1
+ r1
+ % K
+ \times 2/3 { r4 c8 ~ } \times 2/3 { c4 ~ c8 } c4 ees4
+ f4 \times 2/3 { f4 f8 } \times 2/3 { r4 bes,8 } \times 2/3 { c4 des8 ~ }
+ des2 \times 2/3 { des4 ~ des8 ~ } \times 2/3 { des4 c8 }
+ r2 \times 2/3 { r4 e,8 } \times 2/3 { f4 aes8 ~ }
+ \times 2/3 { aes4 f8 } \times 2/3 { aes4 c8 } \times 2/3 { bes4 aes8 } \times 2/3 { f4 aes8 ~ }
+ \times 2/3 { aes4 fes8 } \times 2/3 { aes4 ces8 } \times 2/3 { bes4 aes8 } \times 2/3 { r4 ees'8 }
+ \times 2/3 { r4 ges8 ~ } \times 2/3 { ges4 ~ ges8 } f4 f4
+ e4 \times 2/3 { e4 ees8 ~ } \times 2/3 { ees4 e8 } \times 2/3 { f4 des8 ~ }
+ des4
+ \times 2/3 { aes4 ces8 } \times 2/3 { bes4 aes8 } \times 2/3 { r4 f'8 }
+ \times 2/3 { r4 ces8 ~ } \times 2/3 { ces4 ~ ces8 } \times 2/3 { aes4 bes8 } \times 2/3 { aes4 aes8 }
+ r2 ees'2(
+ des1)
+ \tenorPreCoda
+ % Coda
+ r2 ees2 ~
+ ees1
+ c1
+ }
+ >>
+ }
+
+ bassPreCoda = \relative c {
+ f1
+ bes,2. bes4
+ ees2 ees2
+ aes,2 bes4 c4
+ des2 des2
+ d2 g,2
+ c2 d2
+ e2 d2
+ % A
+ r1
+ r1
+ bes1
+ ees2. bes4
+ aes1
+ a2 d2
+ g,1
+ \times 2/3 { r8 r8 des'8 ~ } des4 g4 d'4
+ % B
+ a2. \times 2/3 { a4 fis8 ~ }
+ fis2. r4
+ \times 2/3 { r4 g8 ~ } \times 2/3 { g4 ~ g8 } \times 2/3 { d4 ~ d8 ~ } \times 2/3 { d4 g,8 }
+ \times 2/3 { r4 d'8 ~ } \times 2/3 { d4 ~ d8 } g4 b4
+ fis2. \times 2/3 { fis4 dis8 ~ }
+ dis1
+ \times 2/3 { e4 ~ e8 ~ } \times 2/3 { e4 e8 ~ } e4 e4 ~
+ e1
+ % C
+ f1
+ bes,2 \times 2/3 { r4 bes8 ~ } \times 2/3 { bes4 ~ bes8 }
+ ees4 ees4 ees4 \times 2/3 { ees4 aes,8 }
+ r4 aes2 aes'4
+ aes1
+ bes2 \times 2/3 { r4 bes8 ~ } \times 2/3 { bes4 ~ bes8 }
+ bes4 bes4 \times 2/3 { bes4 c4 bes4 }
+ a2. c4
+ des4 des4 c4 bes4
+ ees,2 ees2
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ \bassPreCoda
+ aes1
+ r1
+ % DE
+ R1*16
+ a'1(
+ fis1
+ g1 ~
+ g1)
+ fis1(
+ dis1
+ e1 ~
+ e1)
+ % F
+ r2 aes2 ~
+ aes1
+ r2 g2 ~
+ g1
+ r2 aes2
+ \times 2/3 { r4 bes8 -\bendAfter #-3 } r4 r2
+ r4 \times 2/3 { bes4 r8 } \times 2/3 { bes4 bes8 } \times 2/3 { r4 a8 ~ }
+ a2. \times 2/3 { r4 aes8-\bendAfter #-2 }
+ R1*4
+ % G
+ \times 2/3 { r4 f8 } \times 2/3 { g4 aes8 ~ } \times 2/3 { aes4 c8 } \times 2/3 { ees4 d8 }
+ \times 2/3 { des4 f,8 } r4 r4 \times 2/3 { r4 ees8 }
+ \times 2/3 { e4 c'8 ~ } \times 2/3 { c4 ~ c8 } \times 2/3 { b4 g8 } \times 2/3 { ees4 r8 }
+ \times 2/3 { bes'4 g8 } \times 2/3 { ees4 g8 ~ } g4 \times 2/3 { a4 aes8 }
+ r2 aes4 aes4
+ aes4 aes4 \times 2/3 { aes4 ~ aes8 ~ } \times 2/3 { aes4 g8 }
+ r1
+ r1
+ % H
+ r2 \times 2/3 { r4 ees8 } \times 2/3 { g4 aes8 ~ }
+ aes4 \times 2/3 { aes4 g8 } \times 2/3 { aes4 bes8 } \times 2/3 { r4 aes8 }
+ \times 2/3 { r4 aes8 ~ } \times 2/3 { aes4 ~ aes8 } \times 2/3 { aes4 ~ aes8 ~ } \times 2/3 { aes4 g8 }
+ r2 r4 \times 2/3 { r4 aes8 ~ }
+ aes4 bes4 aes4 r4
+ r4 a4 ~ \times 2/3 { a4 aes8 ~ } \times 2/3 { aes4 ~ aes8 }
+ g4 \times 2/3 { a4 b8 } r2
+ r2 \times 2/3 { r4 b8 } \times 2/3 { bes4 a8 ~ }
+ % I
+ a2 \times 2/3 { e4 g8 } \times 2/3 { d'4 c8 ~ }
+ c2 \times 2/3 { r4 c8 ~ } \times 2/3 { c4 ~ c8 }
+ b2
+ \times 2/3 { b,4 d4 a'4 }
+ g2. r4
+ \times 2/3 { r4 a8 ~ } \times 2/3 { a4 ~ a8 } b4 bes4
+ a2 \times 2/3 { a4 ~ a8 ~ } \times 2/3 { a4 gis8 }
+ r1
+ r1
+ % K
+ \times 2/3 { r4 aes8 ~ } \times 2/3 { aes4 ~ aes8 } bes4 c4
+ des4 \times 2/3 { c4 bes8 } \times 2/3 { r4 bes8 } \times 2/3 { c4 aes8 ~ }
+ aes2 \times 2/3 { g4 ~ g8 ~ } \times 2/3 { g4 g8 }
+ r2 \times 2/3 { r4 e8 } \times 2/3 { f4 aes8 ~ }
+ \times 2/3 { aes4 f8 } \times 2/3 { aes4 c8 } \times 2/3 { bes4 aes8 } \times 2/3 { f4 aes8 ~ }
+ \times 2/3 { aes4 fes8 } \times 2/3 { aes4 ces8 } \times 2/3 { bes4 aes8 } \times 2/3 { r4 ees'8 }
+ \times 2/3 { r4 c8 ~ } \times 2/3 { c4 ~ c8 } b4 b4
+ bes4 \times 2/3 { bes4 a8 ~ } \times 2/3 { a4 e8 } \times 2/3 { f4 bes8 ~ }
+ bes4
+ \times 2/3 { aes4 ces8 } \times 2/3 { bes4 aes8 } \times 2/3 { r4 f'8 }
+ \times 2/3 { r4 ces8 ~ } \times 2/3 { ces4 ~ ces8 } \times 2/3 { aes4 bes8 } \times 2/3 { aes4 aes8 }
+ r2 aes2(
+ g2 c,2)
+ \bassPreCoda
+ % Coda
+ r1
+ r2 b'2
+ bes1
+ }
+ >>
+ }
+
diff --git a/hr/issi/things/full/texte.ly b/hr/issi/things/full/texte.ly
new file mode 100644
index 0000000..aa31a05
--- /dev/null
+++ b/hr/issi/things/full/texte.ly
@@ -0,0 +1,55 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ You are the pro -- mised spring
+ that makes the win -- ter long,
+ duh duh duh.
+ You are a song.
+ You are the glow that lights,
+ lights a star
+ the dea -- rest things I know
+ what you are.
+ Some day my hap -- py arms will hold you
+ and some day I’ll know that mo -- ment di -- vine
+ when all the things you are are mine.
+ duh, duh.
+ duh -- duh, duh -- duh, duh, bau!
+ dub du -- dat dah dau!
+ ba du gah be di dn di dop
+ ba du wie di dn dop
+ bi dn du gah du dat
+ dab dab dab dab du dap
+ ba du gah da dn du dab bap
+ bah du dap
+ bah du dab
+ bah wie dah du dat
+ ba du gah
+ du dn dui dah
+ bah dah du du wie dah
+ duh dub dab duh bie dap
+ duh dab dab duh bi dap
+ ba da duh duh dap
+ ba da duh dn du bi du dn da duh dn du bi du dat
+ dap dah dab dab dab du dah ba da duh du bi du dab dip
+ duh da dn du dap
+ Uh,
+ mine, mine.
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/issi/things/full/things_midi.midi b/hr/issi/things/full/things_midi.midi
new file mode 100644
index 0000000..4b26a4c
--- /dev/null
+++ b/hr/issi/things/full/things_midi.midi
Binary files differ
diff --git a/hr/issi/things/midi.lua b/hr/issi/things/midi.lua
new file mode 100644
index 0000000..4b24ff8
--- /dev/null
+++ b/hr/issi/things/midi.lua
@@ -0,0 +1,50 @@
+-- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen_midi.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 138 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/issi/things/midis/a.midi b/hr/issi/things/midis/a.midi
new file mode 100644
index 0000000..8b6febc
--- /dev/null
+++ b/hr/issi/things/midis/a.midi
Binary files differ
diff --git a/hr/issi/things/midis/b.midi b/hr/issi/things/midis/b.midi
new file mode 100644
index 0000000..b01f8c5
--- /dev/null
+++ b/hr/issi/things/midis/b.midi
Binary files differ
diff --git a/hr/issi/things/midis/s.midi b/hr/issi/things/midis/s.midi
new file mode 100644
index 0000000..8c28a5b
--- /dev/null
+++ b/hr/issi/things/midis/s.midi
Binary files differ
diff --git a/hr/issi/things/midis/satb.midi b/hr/issi/things/midis/satb.midi
new file mode 100644
index 0000000..4b26a4c
--- /dev/null
+++ b/hr/issi/things/midis/satb.midi
Binary files differ
diff --git a/hr/issi/things/midis/t.midi b/hr/issi/things/midis/t.midi
new file mode 100644
index 0000000..92512cb
--- /dev/null
+++ b/hr/issi/things/midis/t.midi
Binary files differ
diff --git a/hr/issi/things/stimmen.ly b/hr/issi/things/stimmen.ly
new file mode 100644
index 0000000..41d4ee3
--- /dev/null
+++ b/hr/issi/things/stimmen.ly
@@ -0,0 +1,479 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key f \minor
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ %\override Score.SpacingSpanner #'shortest-duration-space = #4.0
+ aes1
+ des2. aes4
+ g4 g4 g4 g4
+ g4 c2 g4
+ f4 f4 f4 f4
+ f4 b2 f4
+ e1 ~
+ e1
+ % A
+ ees1
+ aes1 ~
+ aes1
+ g1 ~
+ g1
+ g2 fis2
+ fis1
+ r8 des4. g4 d'4
+ % B
+ d4.( c8 ~ c2)
+ r8 d,4. ees4 c'8 b8 ~
+ b1
+ r8 d,4. g4 b4
+ e,2( ~ e8 dis8) e8 f8( ~
+ f2 fis2)
+ fis4. e8 ~ e4 ees4 ~
+ ees1
+ % C
+ aes1
+ des2 r8 aes4.
+ g4 g4 g4 g8 g8
+ r4 c2 g4
+ f1
+ ees'2 r8 des4.
+ ees,4 ees4 \times 2/3 { ees4 ees4 ees4 }
+ g2. f4
+ des4 f4 aes4 des4
+ f2 g,2
+ aes1
+ r1
+% % DE
+% R1*16
+% des1(
+% c1
+% b1 ~
+% b1)
+% b1(
+% a1
+% gis1 ~
+% gis1)
+% % F
+% r2 aes4. des8 ~
+% des1
+% r2 g,4. c8 ~
+% c1
+% r2 c2
+% r8 ees8-\bendAfter #-3 r4 r2
+% r4 ees,8 r8 ees8 ees8 r8 g8 ~
+% g2. r8 f8-\bendAfter #-2
+% R1*4
+ % G
+ r8 f8 g8 aes8 ~ aes8 c8 ees8 d8
+ des8 f,8 r4 r4 r8 ees8
+ e8 c'4. b8 g8 ees8 r8
+ bes'8 g8 ees8 g8 ~ g4 fis8 f8
+ r2 f4 f4
+ f4 f4 f8 d8 dis8 e8
+ r1
+ r1
+ % H
+ r2 r8 ees8 g8 aes8 ~
+ aes4 aes8 g8 aes8 bes8 r8 c8
+ r8 c4. ces4. bes8
+ r2 r4 r8 c8 ~
+ c4 g4 f4 r4
+ r4 c'8 b8 c8 d4.
+ b4 c8 d8 r2
+ r2 r8 d8 des8 c8 ~
+ % I
+ c2 e,8 g8 d'8 b8 ~
+ b2 r8 bes4.
+ a2
+ \times 2/3 { b,4 d4 a'4 }
+ fis2. r4
+ r8 fis4. gis4 a4
+ b2 cis4. b8
+ r1
+ r1
+ % K
+ r8 f4. g4 aes4
+ bes4 c8 des8 r8 des8 ees8 f8 ~
+ f2 e4. ees8
+ r2 r8 e,8 f8 aes8 ~
+ aes8 f8 aes8 c8 bes8 aes8 f8 aes8 ~
+ aes8 fes8 aes8 ces8 bes8 aes8 r8 ees'8
+ r8 ees4. d4 d4
+ des4 ees8 c8 ~ c8 e,8 f8 aes8 ~
+ aes4
+ aes8 ces8 bes8 aes8 r8 f'8
+ r8 ces4. aes8 bes8 aes8 aes8
+ r2 c2(
+ bes1)
+ % Coda
+ aes1 ~
+ aes1
+ g1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ ees2( e2)
+ f2. f4
+ f2 fes2
+ ees2. ees4
+ des2 c2
+ c2 b2
+ b2 a2
+ b2 a2
+ % A
+ ees'1
+ aes2. ees4
+ d4 d4 d4 d4
+ d4 g2 d4
+ c4 c4 c4 c4
+ \times 2/3 { c4 d4 ees4 }
+ d4 c4
+ b1
+ r8 des4. g4 d'4
+ % B
+ g,2( ~ g8 fis8) g8 aes8( ~
+ aes2 a4) r4
+ r8 fis4. e4. d8
+ r8 d4. g4 b4
+ b4.( a8 ~ a2)
+ r4 bes,4 b4 a'4
+ gis1 ~
+ gis1
+ % C
+ ees1
+ des2 r8 des4.
+ ees4 ees4 f4 e8 ees8
+ r4 g2 ees4
+ f1
+ aes2 r8 aes4.
+ ees4 ees4 \times 2/3 { ees4 ees4 ees4 }
+ ees2. ees4
+ des4 f4 aes4 aes4
+ aes2 ees2
+ ees1
+ r1
+% % DE
+% R1*16
+% g1(
+% aes2 a2
+% fis1
+% f1)
+% e1(
+% f2 fis2
+% dis1 ~
+% dis1)
+% % F
+% r2 aes'2 ~
+% aes1
+% r2 g2 ~
+% g1
+% r2 f2
+% r8 aes8 -\bendAfter #-3 r4 r2
+% r4 ees8 r8 ees8 ees8 r8 ees8 ~
+% ees2. r8 des8-\bendAfter #-2
+% R1*4
+ % G
+ r8 f8 g8 aes8 ~ aes8 c8 ees8 d8
+ des8 f,8 r4 r4 r8 ees8
+ e8 c'4. b8 g8 ees8 r8
+ bes'8 g8 ees8 g8 ~ g4 fis8 f8
+ r2 f4 f4
+ f4 f4 f8 d8 dis8 e8
+ r1
+ r1
+ % H
+ r2 r8 ees8 g8 aes8 ~
+ aes4 aes8 g8 aes8 bes8 r8 g8
+ r8 g4. ges4. f8
+ r2 r4 r8 g8 ~
+ g4 ees4 ees4 r4
+ r4 g4 ~ g8 fis4.
+ fis4 g8 a8 r2
+ r2 r8 a8 aes8 g8 ~
+ % I
+ g2 e8 g8 d'8 fis,8 ~
+ fis2 r8 fis4.
+ fis2
+ \times 2/3 { b,4 d4 a'4 }
+ d,2. r4
+ r8 e4. e4 fis4
+ gis2 g4. fis8
+ r1
+ r1
+ % K
+ r8 ees4. ees4 f4
+ aes4 aes8 aes8 r8 des8 ees8 c8 ~
+ c2 b4. bes8
+ r2 r8 e,8 f8 aes8 ~
+ aes8 f8 aes8 c8 bes8 aes8 f8 aes8 ~
+ aes8 fes8 aes8 ces8 bes8 aes8 r8 ees'8
+ r8 bes4. a4 a4
+ a4 aes8 g8 ~ g8 e8 f8 f8 ~
+ f4
+ aes8 ces8 bes8 aes8 r8 f'8
+ r8 ces4. aes8 bes8 aes8 aes8
+ r2 g2(
+ f2 e2)
+ % Coda
+ r1
+ e1
+ ees1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ c1
+ aes2. des4
+ des2 des2
+ c2. aes4
+ aes2 aes2
+ aes2 g2
+ g2 f2
+ g2 f2
+ % A
+ r1
+ r1
+ r1
+ bes1
+ ees1 ~
+ ees2 d2
+ d1
+ r8 des,4. g4 d'4
+ % B
+ e2. e8 ees8 ~
+ ees2. r4
+ r8 d4. c4. b8
+ r8 d,4. g4 b4
+ cis2. cis8 c8 ~
+ c1
+ b4. b8 ~ b4 bes4 ~
+ bes1
+ % C
+ c1
+ aes2 r8 des4.
+ bes4 bes4 des4 des8 c8
+ r4 ees2 c4
+ c1
+ e2 r8 e4.
+ ees4 bes4 \times 2/3 { bes4 c4 bes4 }
+ a2. c4
+ des4 f4 f4 f4
+ des2 des2
+ c1
+ r1
+% % DE
+% R1*16
+% e1(
+% ees1
+% d1 ~
+% d1)
+% cis1(
+% c1
+% b1
+% bes1)
+% % F
+% r2 aes4. des8 ~
+% des1
+% r2 g,4. c8 ~
+% c1
+% r2 c2
+% r8 ees8-\bendAfter #-3 r4 r2
+% r4 ees8 r8 bes8 bes8 r8 a8 ~
+% a2. r8 bes8-\bendAfter #-2
+% R1*4
+ % G
+ \octaveCheck c
+ r8 f8 g8 aes8 ~ aes8 c8 ees8 d8
+ des8 f,8 r4 r4 r8 ees8
+ e8 c'4. b8 g8 ees8 r8
+ bes'8 g8 ees8 g8 ~ g4 c8 c8
+ r2 c4 c4
+ c4 c4 b4. b8
+ r1
+ r1
+ % H
+ r2 r8 ees,8 g8 aes8 ~
+ aes4 aes8 g8 aes8 bes8 r8 d8
+ r8 d4. d4. d8
+ r2 r4 r8 ees8 ~
+ ees4 c4 c4 r4
+ r4 ees4 ~ ees8 ees4.
+ d4 e8 fis8 r2
+ r2 r8 fis8 f8 e8 ~
+ % I
+ e2 e,8 g8 d'8 ees8 ~
+ ees2 r8 ees4.
+ d2
+ \times 2/3 { b,4 d4 a'4 }
+ bes2. r4
+ r8 a4. cis4 d4
+ dis2 dis4. dis8
+ r1
+ r1
+ % K
+ r8 c4. c4 ees4
+ f4 f8 f8 r8 bes,8 c8 des8 ~
+ des2 des4. c8
+ r2 r8 e,8 f8 aes8 ~
+ aes8 f8 aes8 c8 bes8 aes8 f8 aes8 ~
+ aes8 fes8 aes8 ces8 bes8 aes8 r8 ees'8
+ r8 ges4. f4 f4
+ e4 e8 ees8 ~ ees8 e8 f8 des8 ~
+ des4
+ aes8 ces8 bes8 aes8 r8 f'8
+ r8 ces4. aes8 bes8 aes8 aes8
+ r2 ees'2(
+ des1)
+ % Coda
+ r2 ees2 ~
+ ees1
+ c1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ f1
+ bes,2. bes4
+ ees2 ees2
+ aes,2 bes4 c4
+ des2 des2
+ d2 g,2
+ c2 d2
+ e2 d2
+ % A
+ r1
+ r1
+ bes1
+ ees2. bes4
+ aes1
+ a2 d2
+ g,1
+ r8 des'4. g4 d'4
+ % B
+ a2. a8 fis8 ~
+ fis2. r4
+ r8 g4. d4. g,8
+ r8 d'4. g4 b4
+ fis2. fis8 dis8 ~
+ dis1
+ e4. e8 ~ e4 e4 ~
+ e1
+ % C
+ f1
+ bes,2 r8 bes4.
+ ees4 ees4 ees4 ees8 aes,8
+ r4 aes2 aes'4
+ aes1
+ bes2 r8 bes4.
+ bes4 bes4 \times 2/3 { bes4 c4 bes4 }
+ a2. c4
+ des4 des4 c4 bes4
+ ees,2 ees2
+ aes,1
+ r1
+% % DE
+% R1*16
+% a'1(
+% fis1
+% g1 ~
+% g1)
+% fis1(
+% dis1
+% e1 ~
+% e1)
+% % F
+% r2 aes2 ~
+% aes1
+% r2 g2 ~
+% g1
+% r2 aes2
+% r8 bes8 -\bendAfter #-3 r4 r2
+% r4 bes8 r8 bes8 bes8 r8 a8 ~
+% a2. r8 aes8-\bendAfter #-2
+% R1*4
+ % G
+ r8 f8 g8 aes8 ~ aes8 c8 ees8 d8
+ des8 f,8 r4 r4 r8 ees8
+ e8 c'4. b8 g8 ees8 r8
+ bes'8 g8 ees8 g8 ~ g4 a8 aes8
+ r2 aes4 aes4
+ aes4 aes4 aes4. g8
+ r1
+ r1
+ % H
+ r2 r8 ees8 g8 aes8 ~
+ aes4 aes8 g8 aes8 bes8 r8 aes8
+ r8 aes4. aes4. g8
+ r2 r4 r8 aes8 ~
+ aes4 bes4 aes4 r4
+ r4 a4 ~ a8 aes4.
+ g4 a8 b8 r2
+ r2 r8 b8 bes8 a8 ~
+ % I
+ a2 e8 g8 d'8 c8 ~
+ c2 r8 c4.
+ b2
+ \times 2/3 { b,4 d4 a'4 }
+ g2. r4
+ r8 a4. b4 bes4
+ a2 a4. gis8
+ r1
+ r1
+ % K
+ r8 aes4. bes4 c4
+ des4 c8 bes8 r8 bes8 c8 aes8 ~
+ aes2 g4. g8
+ r2 r8 e8 f8 aes8 ~
+ aes8 f8 aes8 c8 bes8 aes8 f8 aes8 ~
+ aes8 fes8 aes8 ces8 bes8 aes8 r8 ees'8
+ r8 c4. b4 b4
+ bes4 bes8 a8 ~ a8 e8 f8 bes8 ~
+ bes4
+ aes8 ces8 bes8 aes8 r8 f'8
+ r8 ces4. aes8 bes8 aes8 aes8
+ r2 aes2(
+ g2 c,2)
+ % Coda
+ r1
+ r2 b'2
+ bes1
+ }
+ >>
+ }
+
diff --git a/hr/issi/things/stimmen_midi.ly b/hr/issi/things/stimmen_midi.ly
new file mode 100644
index 0000000..23c459e
--- /dev/null
+++ b/hr/issi/things/stimmen_midi.ly
@@ -0,0 +1,497 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key f \minor
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopPreCoda = \relative c'' {
+ %\override Score.SpacingSpanner #'shortest-duration-space = #4.0
+ aes1
+ des2. aes4
+ g4 g4 g4 g4
+ g4 c2 g4
+ f4 f4 f4 f4
+ f4 b2 f4
+ e1 ~
+ e1
+ % A
+ ees1
+ aes1 ~
+ aes1
+ g1 ~
+ g1
+ g2 fis2
+ fis1
+ \times 2/3 { r8 r8 des8 ~ } des4 g4 d'4
+ % B
+ \times 2/3 { d4 ~ d8 ~ } \times 2/3 { d4( c8 ~ } c2)
+ \times 2/3 { r4 d,8 ~ } \times 2/3 { d4 ~ d8 } ees4 \times 2/3 { c'4 b8 ~ }
+ b1
+ \times 2/3 { r4 d,8 ~ } \times 2/3 { d4 ~ d8 } g4 b4
+ e,2( ~ \times 2/3 { e4 dis8) } \times 2/3 { e4 f8( ~ }
+ f2 fis2)
+ \times 2/3 { fis4 ~ fis8 ~ } \times 2/3 { fis4 e8 ~ } e4 ees4 ~
+ ees1
+ % C
+ aes1
+ des2 \times 2/3 { r4 aes8 ~ } \times 2/3 { aes4 ~ aes8 }
+ g4 g4 g4 \times 2/3 { g4 g8 }
+ r4 c2 g4
+ f1
+ ees'2 \times 2/3 { r4 des8 ~ } \times 2/3 { des4 ~ des8 }
+ ees,4 ees4 \times 2/3 { ees4 ees4 ees4 }
+ g2. f4
+ des4 f4 aes4 des4
+ f2 g,2
+ }
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ \sopPreCoda
+ aes1
+ r1
+% % DE
+% R1*16
+% des1(
+% c1
+% b1 ~
+% b1)
+% b1(
+% a1
+% gis1 ~
+% gis1)
+% % F
+% r2 \times 2/3 { aes4 ~ aes8 ~ } \times 2/3 { aes4 des8 ~ }
+% des1
+% r2 \times 2/3 { g,4 ~ g8 ~ } \times 2/3 { g4 c8 ~ }
+% c1
+% r2 c2
+% \times 2/3 { r4 ees8-\bendAfter #-3 } r4 r2
+% r4 \times 2/3 { ees,4 r8 } \times 2/3 { ees4 ees8 } \times 2/3 { r4 g8 ~ }
+% g2. \times 2/3 { r4 f8-\bendAfter #-2 }
+% R1*4
+ % G
+ \times 2/3 { r4 f8 } \times 2/3 { g4 aes8 ~ } \times 2/3 { aes4 c8 } \times 2/3 { ees4 d8 }
+ \times 2/3 { des4 f,8 } r4 r4 \times 2/3 { r4 ees8 }
+ \times 2/3 { e4 c'8 ~ } \times 2/3 { c4 ~ c8 } \times 2/3 { b4 g8 } \times 2/3 { ees4 r8 }
+ \times 2/3 { bes'4 g8 } \times 2/3 { ees4 g8 ~ } g4 \times 2/3 { fis4 f8 }
+ r2 f4 f4
+ f4 f4 \times 2/3 { f4 d8 } \times 2/3 { dis4 e8 }
+ r1
+ r1
+ % H
+ r2 \times 2/3 { r4 ees8 } \times 2/3 { g4 aes8 ~ }
+ aes4 \times 2/3 { aes4 g8 } \times 2/3 { aes4 bes8 } \times 2/3 { r4 c8 }
+ \times 2/3 { r4 c8 ~ } \times 2/3 { c4 ~ c8 } \times 2/3 { ces4 ~ ces8 ~ } \times 2/3 { ces4 bes8 }
+ r2 r4 \times 2/3 { r4 c8 ~ }
+ c4 g4 f4 r4
+ r4 \times 2/3 { c'4 b8 } \times 2/3 { c4 d8 ~ } \times 2/3 { d4 ~ d8 }
+ b4 \times 2/3 { c4 d8 } r2
+ r2 \times 2/3 { r4 d8 } \times 2/3 { des4 c8 ~ }
+ % I
+ c2 \times 2/3 { e,4 g8 } \times 2/3 { d'4 b8 ~ }
+ b2 \times 2/3 { r4 bes8 ~ } \times 2/3 { bes4 ~ bes8 }
+ a2
+ \times 2/3 { b,4 d4 a'4 }
+ fis2. r4
+ \times 2/3 { r4 fis8 ~ } \times 2/3 { fis4 ~ fis8 } gis4 a4
+ b2 \times 2/3 { cis4 ~ cis8 ~ } \times 2/3 { cis4 b8 }
+ r1
+ r1
+ % K
+ \times 2/3 { r4 f8 ~ } \times 2/3 { f4 ~ f8 } g4 aes4
+ bes4 \times 2/3 { c4 des8 } \times 2/3 { r4 des8 } \times 2/3 { ees4 f8 ~ }
+ f2 \times 2/3 { e4 ~ e8 ~ } \times 2/3 { e4 ees8 }
+ r2 \times 2/3 { r4 e,8 } \times 2/3 { f4 aes8 ~ }
+ \times 2/3 { aes4 f8 } \times 2/3 { aes4 c8 } \times 2/3 { bes4 aes8 } \times 2/3 { f4 aes8 ~ }
+ \times 2/3 { aes4 fes8 } \times 2/3 { aes4 ces8 } \times 2/3 { bes4 aes8 } \times 2/3 { r4 ees'8 }
+ \times 2/3 { r4 ees8 ~ } \times 2/3 { ees4 ~ ees8 } d4 d4
+ des4 \times 2/3 { ees4 c8 ~ } \times 2/3 { c4 e,8 } \times 2/3 { f4 aes8 ~ }
+ aes4
+ \times 2/3 { aes4 ces8 } \times 2/3 { bes4 aes8 } \times 2/3 { r4 f'8 }
+ \times 2/3 { r4 ces8 ~ } \times 2/3 { ces4 ~ ces8 } \times 2/3 { aes4 bes8 } \times 2/3 { aes4 aes8 }
+ r2 c2(
+ bes1)
+ \sopPreCoda
+ % Coda
+ aes1 ~
+ aes1
+ g1
+ }
+ >>
+ }
+
+ altPreCoda = \relative c' {
+ ees2( e2)
+ f2. f4
+ f2 fes2
+ ees2. ees4
+ des2 c2
+ c2 b2
+ b2 a2
+ b2 a2
+ % A
+ ees'1
+ aes2. ees4
+ d4 d4 d4 d4
+ d4 g2 d4
+ c4 c4 c4 c4
+ \times 2/3 { c4 d4 ees4 }
+ d4 c4
+ b1
+ \times 2/3 { r8 r8 des8 ~ } des4 g4 d'4
+ % B
+ g,2( ~ \times 2/3 { g4 fis8) } \times 2/3 { g4 aes8( ~ }
+ aes2 a4) r4
+ \times 2/3 { r4 fis8 ~ } \times 2/3 { fis4 ~ fis8 } \times 2/3 { e4 ~ e8 ~ } \times 2/3 { e4 d8 }
+ \times 2/3 { r4 d8 ~ } \times 2/3 { d4 ~ d8 } g4 b4
+ \times 2/3 { b4 ~ b8 ~ } \times 2/3 { b4( a8 ~ } a2)
+ r4 bes,4 b4 a'4
+ gis1 ~
+ gis1
+ % C
+ ees1
+ des2 \times 2/3 { r4 des8 ~ } \times 2/3 { des4 ~ des8 }
+ ees4 ees4 f4 \times 2/3 { e4 ees8 }
+ r4 g2 ees4
+ f1
+ aes2 \times 2/3 { r4 aes8 ~ } \times 2/3 { aes4 ~ aes8 }
+ ees4 ees4 \times 2/3 { ees4 ees4 ees4 }
+ ees2. ees4
+ des4 f4 aes4 aes4
+ aes2 ees2
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ \altPreCoda
+ ees1
+ r1
+% % DE
+% R1*16
+% g1(
+% aes2 a2
+% fis1
+% f1)
+% e1(
+% f2 fis2
+% dis1 ~
+% dis1)
+% % F
+% r2 aes'2 ~
+% aes1
+% r2 g2 ~
+% g1
+% r2 f2
+% \times 2/3 { r4 aes8 -\bendAfter #-3 } r4 r2
+% r4 \times 2/3 { ees4 r8 } \times 2/3 { ees4 ees8 } \times 2/3 { r4 ees8 ~ }
+% ees2. \times 2/3 { r4 des8-\bendAfter #-2 }
+% R1*4
+ % G
+ \times 2/3 { r4 f8 } \times 2/3 { g4 aes8 ~ } \times 2/3 { aes4 c8 } \times 2/3 { ees4 d8 }
+ \times 2/3 { des4 f,8 } r4 r4 \times 2/3 { r4 ees8 }
+ \times 2/3 { e4 c'8 ~ } \times 2/3 { c4 ~ c8 } \times 2/3 { b4 g8 } \times 2/3 { ees4 r8 }
+ \times 2/3 { bes'4 g8 } \times 2/3 { ees4 g8 ~ } g4 \times 2/3 { fis4 f8 }
+ r2 f4 f4
+ f4 f4 \times 2/3 { f4 d8 } \times 2/3 { dis4 e8 }
+ r1
+ r1
+ % H
+ r2 \times 2/3 { r4 ees8 } \times 2/3 { g4 aes8 ~ }
+ aes4 \times 2/3 { aes4 g8 } \times 2/3 { aes4 bes8 } \times 2/3 { r4 g8 }
+ \times 2/3 { r4 g8 ~ } \times 2/3 { g4 ~ g8 } \times 2/3 { ges4 ~ ges8 ~ } \times 2/3 { ges4 f8 }
+ r2 r4 \times 2/3 { r4 g8 ~ }
+ g4 ees4 ees4 r4
+ r4 g4 ~ \times 2/3 { g4 fis8 ~ } \times 2/3 { fis4 ~ fis8 }
+ fis4 \times 2/3 { g4 a8 } r2
+ r2 \times 2/3 { r4 a8 } \times 2/3 { aes4 g8 ~ }
+ % I
+ g2 \times 2/3 { e4 g8 } \times 2/3 { d'4 fis,8 ~ }
+ fis2 \times 2/3 { r4 fis8 ~ } \times 2/3 { fis4 ~ fis8 }
+ fis2
+ \times 2/3 { b,4 d4 a'4 }
+ d,2. r4
+ \times 2/3 { r4 e8 ~ } \times 2/3 { e4 ~ e8 } e4 fis4
+ gis2 \times 2/3 { g4 ~ g8 ~ } \times 2/3 { g4 fis8 }
+ r1
+ r1
+ % K
+ \times 2/3 { r4 ees8 ~ } \times 2/3 { ees4 ~ ees8 } ees4 f4
+ aes4 \times 2/3 { aes4 aes8 } \times 2/3 { r4 des8 } \times 2/3 { ees4 c8 ~ }
+ c2 \times 2/3 { b4 ~ b8 ~ } \times 2/3 { b4 bes8 }
+ r2 \times 2/3 { r4 e,8 } \times 2/3 { f4 aes8 ~ }
+ \times 2/3 { aes4 f8 } \times 2/3 { aes4 c8 } \times 2/3 { bes4 aes8 } \times 2/3 { f4 aes8 ~ }
+ \times 2/3 { aes4 fes8 } \times 2/3 { aes4 ces8 } \times 2/3 { bes4 aes8 } \times 2/3 { r4 ees'8 }
+ \times 2/3 { r4 bes8 ~ } \times 2/3 { bes4 ~ bes8 } a4 a4
+ a4 \times 2/3 { aes4 g8 ~ } \times 2/3 { g4 e8 } \times 2/3 { f4 f8 ~ }
+ f4
+ \times 2/3 { aes4 ces8 } \times 2/3 { bes4 aes8 } \times 2/3 { r4 f'8 }
+ \times 2/3 { r4 ces8 ~ } \times 2/3 { ces4 ~ ces8 } \times 2/3 { aes4 bes8 } \times 2/3 { aes4 aes8 }
+ r2 g2(
+ f2 e2)
+ \altPreCoda
+ % Coda
+ r1
+ e1
+ ees1
+ }
+ >>
+ }
+
+ tenorPreCoda = \relative c' {
+ c1
+ aes2. des4
+ des2 des2
+ c2. aes4
+ aes2 aes2
+ aes2 g2
+ g2 f2
+ g2 f2
+ % A
+ r1
+ r1
+ r1
+ bes1
+ ees1 ~
+ ees2 d2
+ d1
+ \times 2/3 { r8 r8 des,8 ~ } des4 g4 d'4
+ % B
+ e2. \times 2/3 { e4 ees8 ~ }
+ ees2. r4
+ \times 2/3 { r4 d8 ~ } \times 2/3 { d4 ~ d8 } \times 2/3 { c4 ~ c8 ~ } \times 2/3 { c4 b8 }
+ \times 2/3 { r4 d,8 ~ } \times 2/3 { d4 ~ d8 } g4 b4
+ cis2. \times 2/3 { cis4 c8 ~ }
+ c1
+ \times 2/3 { b4 ~ b8 ~ } \times 2/3 { b4 b8 ~ } b4 bes4 ~
+ bes1
+ % C
+ c1
+ aes2 \times 2/3 { r4 des8 ~ } \times 2/3 { des4 ~ des8 }
+ bes4 bes4 des4 \times 2/3 { des4 c8 }
+ r4 ees2 c4
+ c1
+ e2 \times 2/3 { r4 e8 ~ } \times 2/3 { e4 ~ e8 }
+ ees4 bes4 \times 2/3 { bes4 c4 bes4 }
+ a2. c4
+ des4 f4 f4 f4
+ des2 des2
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ \tenorPreCoda
+ c1
+ r1
+% % DE
+% R1*16
+% e1(
+% ees1
+% d1 ~
+% d1)
+% cis1(
+% c1
+% b1
+% bes1)
+% % F
+% r2 \times 2/3 { aes4 ~ aes8 ~ } \times 2/3 { aes4 des8 ~ }
+% des1
+% r2 \times 2/3 { g,4 ~ g8 ~ } \times 2/3 { g4 c8 ~ }
+% c1
+% r2 c2
+% \times 2/3 { r4 ees8-\bendAfter #-3 } r4 r2
+% r4 \times 2/3 { ees4 r8 } \times 2/3 { bes4 bes8 } \times 2/3 { r4 a8 ~ }
+% a2. \times 2/3 { r4 bes8-\bendAfter #-2 }
+% R1*4
+ % G
+ \times 2/3 { r4 f8 } \times 2/3 { g4 aes8 ~ } \times 2/3 { aes4 c8 } \times 2/3 { ees4 d8 }
+ \times 2/3 { des4 f,8 } r4 r4 \times 2/3 { r4 ees8 }
+ \times 2/3 { e4 c'8 ~ } \times 2/3 { c4 ~ c8 } \times 2/3 { b4 g8 } \times 2/3 { ees4 r8 }
+ \times 2/3 { bes'4 g8 } \times 2/3 { ees4 g8 ~ } g4 \times 2/3 { c4 c8 }
+ r2 c4 c4
+ c4 c4 \times 2/3 { b4 ~ b8 ~ } \times 2/3 { b4 b8 }
+ r1
+ r1
+ % H
+ r2 \times 2/3 { r4 ees,8 } \times 2/3 { g4 aes8 ~ }
+ aes4 \times 2/3 { aes4 g8 } \times 2/3 { aes4 bes8 } \times 2/3 { r4 d8 }
+ \times 2/3 { r4 d8 ~ } \times 2/3 { d4 ~ d8 } \times 2/3 { d4 ~ d8 ~ } \times 2/3 { d4 d8 }
+ r2 r4 \times 2/3 { r4 ees8 ~ }
+ ees4 c4 c4 r4
+ r4 ees4 ~ \times 2/3 { ees4 ees8 ~ } \times 2/3 { ees4 ~ ees8 }
+ d4 \times 2/3 { e4 fis8 } r2
+ r2 \times 2/3 { r4 fis8 } \times 2/3 { f4 e8 ~ }
+ % I
+ e2 \times 2/3 { e,4 g8 } \times 2/3 { d'4 ees8 ~ }
+ ees2 \times 2/3 { r4 ees8 ~ } \times 2/3 { ees4 ~ ees8 }
+ d2
+ \times 2/3 { b,4 d4 a'4 }
+ bes2. r4
+ \times 2/3 { r4 a8 ~ } \times 2/3 { a4 ~ a8 } cis4 d4
+ dis2 \times 2/3 { dis4 ~ dis8 ~ } \times 2/3 { dis4 dis8 }
+ r1
+ r1
+ % K
+ \times 2/3 { r4 c8 ~ } \times 2/3 { c4 ~ c8 } c4 ees4
+ f4 \times 2/3 { f4 f8 } \times 2/3 { r4 bes,8 } \times 2/3 { c4 des8 ~ }
+ des2 \times 2/3 { des4 ~ des8 ~ } \times 2/3 { des4 c8 }
+ r2 \times 2/3 { r4 e,8 } \times 2/3 { f4 aes8 ~ }
+ \times 2/3 { aes4 f8 } \times 2/3 { aes4 c8 } \times 2/3 { bes4 aes8 } \times 2/3 { f4 aes8 ~ }
+ \times 2/3 { aes4 fes8 } \times 2/3 { aes4 ces8 } \times 2/3 { bes4 aes8 } \times 2/3 { r4 ees'8 }
+ \times 2/3 { r4 ges8 ~ } \times 2/3 { ges4 ~ ges8 } f4 f4
+ e4 \times 2/3 { e4 ees8 ~ } \times 2/3 { ees4 e8 } \times 2/3 { f4 des8 ~ }
+ des4
+ \times 2/3 { aes4 ces8 } \times 2/3 { bes4 aes8 } \times 2/3 { r4 f'8 }
+ \times 2/3 { r4 ces8 ~ } \times 2/3 { ces4 ~ ces8 } \times 2/3 { aes4 bes8 } \times 2/3 { aes4 aes8 }
+ r2 ees'2(
+ des1)
+ \tenorPreCoda
+ % Coda
+ r2 ees2 ~
+ ees1
+ c1
+ }
+ >>
+ }
+
+ bassPreCoda = \relative c {
+ f1
+ bes,2. bes4
+ ees2 ees2
+ aes,2 bes4 c4
+ des2 des2
+ d2 g,2
+ c2 d2
+ e2 d2
+ % A
+ r1
+ r1
+ bes1
+ ees2. bes4
+ aes1
+ a2 d2
+ g,1
+ \times 2/3 { r8 r8 des'8 ~ } des4 g4 d'4
+ % B
+ a2. \times 2/3 { a4 fis8 ~ }
+ fis2. r4
+ \times 2/3 { r4 g8 ~ } \times 2/3 { g4 ~ g8 } \times 2/3 { d4 ~ d8 ~ } \times 2/3 { d4 g,8 }
+ \times 2/3 { r4 d'8 ~ } \times 2/3 { d4 ~ d8 } g4 b4
+ fis2. \times 2/3 { fis4 dis8 ~ }
+ dis1
+ \times 2/3 { e4 ~ e8 ~ } \times 2/3 { e4 e8 ~ } e4 e4 ~
+ e1
+ % C
+ f1
+ bes,2 \times 2/3 { r4 bes8 ~ } \times 2/3 { bes4 ~ bes8 }
+ ees4 ees4 ees4 \times 2/3 { ees4 aes,8 }
+ r4 aes2 aes'4
+ aes1
+ bes2 \times 2/3 { r4 bes8 ~ } \times 2/3 { bes4 ~ bes8 }
+ bes4 bes4 \times 2/3 { bes4 c4 bes4 }
+ a2. c4
+ des4 des4 c4 bes4
+ ees,2 ees2
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ \bassPreCoda
+ aes1
+ r1
+% % DE
+% R1*16
+% a'1(
+% fis1
+% g1 ~
+% g1)
+% fis1(
+% dis1
+% e1 ~
+% e1)
+% % F
+% r2 aes2 ~
+% aes1
+% r2 g2 ~
+% g1
+% r2 aes2
+% \times 2/3 { r4 bes8 -\bendAfter #-3 } r4 r2
+% r4 \times 2/3 { bes4 r8 } \times 2/3 { bes4 bes8 } \times 2/3 { r4 a8 ~ }
+% a2. \times 2/3 { r4 aes8-\bendAfter #-2 }
+% R1*4
+ % G
+ \times 2/3 { r4 f8 } \times 2/3 { g4 aes8 ~ } \times 2/3 { aes4 c8 } \times 2/3 { ees4 d8 }
+ \times 2/3 { des4 f,8 } r4 r4 \times 2/3 { r4 ees8 }
+ \times 2/3 { e4 c'8 ~ } \times 2/3 { c4 ~ c8 } \times 2/3 { b4 g8 } \times 2/3 { ees4 r8 }
+ \times 2/3 { bes'4 g8 } \times 2/3 { ees4 g8 ~ } g4 \times 2/3 { a4 aes8 }
+ r2 aes4 aes4
+ aes4 aes4 \times 2/3 { aes4 ~ aes8 ~ } \times 2/3 { aes4 g8 }
+ r1
+ r1
+ % H
+ r2 \times 2/3 { r4 ees8 } \times 2/3 { g4 aes8 ~ }
+ aes4 \times 2/3 { aes4 g8 } \times 2/3 { aes4 bes8 } \times 2/3 { r4 aes8 }
+ \times 2/3 { r4 aes8 ~ } \times 2/3 { aes4 ~ aes8 } \times 2/3 { aes4 ~ aes8 ~ } \times 2/3 { aes4 g8 }
+ r2 r4 \times 2/3 { r4 aes8 ~ }
+ aes4 bes4 aes4 r4
+ r4 a4 ~ \times 2/3 { a4 aes8 ~ } \times 2/3 { aes4 ~ aes8 }
+ g4 \times 2/3 { a4 b8 } r2
+ r2 \times 2/3 { r4 b8 } \times 2/3 { bes4 a8 ~ }
+ % I
+ a2 \times 2/3 { e4 g8 } \times 2/3 { d'4 c8 ~ }
+ c2 \times 2/3 { r4 c8 ~ } \times 2/3 { c4 ~ c8 }
+ b2
+ \times 2/3 { b,4 d4 a'4 }
+ g2. r4
+ \times 2/3 { r4 a8 ~ } \times 2/3 { a4 ~ a8 } b4 bes4
+ a2 \times 2/3 { a4 ~ a8 ~ } \times 2/3 { a4 gis8 }
+ r1
+ r1
+ % K
+ \times 2/3 { r4 aes8 ~ } \times 2/3 { aes4 ~ aes8 } bes4 c4
+ des4 \times 2/3 { c4 bes8 } \times 2/3 { r4 bes8 } \times 2/3 { c4 aes8 ~ }
+ aes2 \times 2/3 { g4 ~ g8 ~ } \times 2/3 { g4 g8 }
+ r2 \times 2/3 { r4 e8 } \times 2/3 { f4 aes8 ~ }
+ \times 2/3 { aes4 f8 } \times 2/3 { aes4 c8 } \times 2/3 { bes4 aes8 } \times 2/3 { f4 aes8 ~ }
+ \times 2/3 { aes4 fes8 } \times 2/3 { aes4 ces8 } \times 2/3 { bes4 aes8 } \times 2/3 { r4 ees'8 }
+ \times 2/3 { r4 c8 ~ } \times 2/3 { c4 ~ c8 } b4 b4
+ bes4 \times 2/3 { bes4 a8 ~ } \times 2/3 { a4 e8 } \times 2/3 { f4 bes8 ~ }
+ bes4
+ \times 2/3 { aes4 ces8 } \times 2/3 { bes4 aes8 } \times 2/3 { r4 f'8 }
+ \times 2/3 { r4 ces8 ~ } \times 2/3 { ces4 ~ ces8 } \times 2/3 { aes4 bes8 } \times 2/3 { aes4 aes8 }
+ r2 aes2(
+ g2 c,2)
+ \bassPreCoda
+ % Coda
+ r1
+ r2 b'2
+ bes1
+ }
+ >>
+ }
+
diff --git a/hr/issi/things/texte.ly b/hr/issi/things/texte.ly
new file mode 100644
index 0000000..377b19b
--- /dev/null
+++ b/hr/issi/things/texte.ly
@@ -0,0 +1,55 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ You are the pro -- mised spring
+ that makes the win -- ter long,
+ duh duh duh.
+ You are a song.
+ You are the glow that lights,
+ lights a star
+ the dea -- rest things I know
+ what you are.
+ Some day my hap -- py arms will hold you
+ and some day I’ll know that mo -- ment di -- vine
+ when all the things you are are mine.
+% duh, duh.
+% duh -- duh, duh -- duh, duh, bau!
+% dub du -- dat dah dau!
+ ba du gah be di dn di dop
+ ba du wie di dn dop
+ bi dn du gah du dat
+ dab dab dab dab du dap
+ ba du gah da dn du dab bap
+ bah du dap
+ bah du dab
+ bah wie dah du dat
+ ba du gah
+ du dn dui dah
+ bah dah du du wie dah
+ duh dub dab duh bie dap
+ duh dab dab duh bi dap
+ ba da duh duh dap
+ ba da duh dn du bi du dn da duh dn du bi du dat
+ dap dah dab dab dab du dah ba da duh du bi du dab dip
+ duh da dn du dap
+ Uh,
+ mine, mine.
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/issi/things/things.ly b/hr/issi/things/things.ly
new file mode 100644
index 0000000..867534e
--- /dev/null
+++ b/hr/issi/things/things.ly
@@ -0,0 +1,70 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+ \header {
+ title = "All The Things You Are"
+ composer = "Jerome Kern/Oscar Hammerstein"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 22
+ bottom-margin = 16
+ ragged-last-bottom = #'f
+ markup-system-spacing #'basic-distance = #17
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 15.5)
+
+ sop = \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ >>
+
+ bas = \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \sop
+ \alt
+ \ten
+ \bas
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/issi/things/things_midi.ly b/hr/issi/things/things_midi.ly
new file mode 100644
index 0000000..4b6d8e6
--- /dev/null
+++ b/hr/issi/things/things_midi.ly
@@ -0,0 +1,65 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen_midi.ly"
+
+\pointAndClickOff
+ \header {
+ title = "All The Things You Are"
+ composer = "Jerome Kern/Oscar Hammerstein"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 22
+ bottom-margin = 16
+ ragged-last-bottom = #'f
+ markup-system-spacing #'basic-distance = #17
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 15.5)
+
+ sop = \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ >>
+
+ alt = \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ >>
+
+ ten = \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ >>
+
+ bas = \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ >>
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \sop
+ \alt
+ \ten
+ \bas
+ >>
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 138 4)
+ }
+ }
+ \layout {
+ }
+ }
+
diff --git a/hr/issi/waldemar/a.midi b/hr/issi/waldemar/a.midi
new file mode 100644
index 0000000..72b8f69
--- /dev/null
+++ b/hr/issi/waldemar/a.midi
Binary files differ
diff --git a/hr/issi/waldemar/b.midi b/hr/issi/waldemar/b.midi
new file mode 100644
index 0000000..e71846f
--- /dev/null
+++ b/hr/issi/waldemar/b.midi
Binary files differ
diff --git a/hr/issi/waldemar/dynArt.ly b/hr/issi/waldemar/dynArt.ly
new file mode 100644
index 0000000..30423d4
--- /dev/null
+++ b/hr/issi/waldemar/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/issi/waldemar/midi.lua b/hr/issi/waldemar/midi.lua
new file mode 100644
index 0000000..e3e95f2
--- /dev/null
+++ b/hr/issi/waldemar/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 140 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/issi/waldemar/s.midi b/hr/issi/waldemar/s.midi
new file mode 100644
index 0000000..49e3f1c
--- /dev/null
+++ b/hr/issi/waldemar/s.midi
Binary files differ
diff --git a/hr/issi/waldemar/stimmen.ly b/hr/issi/waldemar/stimmen.ly
new file mode 100644
index 0000000..4700c70
--- /dev/null
+++ b/hr/issi/waldemar/stimmen.ly
@@ -0,0 +1,94 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key f \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ \partial 2.
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \transpose c f \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ g4 a4 b4
+ c8 c8 c8 c8 c8 c4 c8 ~
+ c8 r8 g4 a4 b4
+ c8 c8 c8 c8 c8 c4 c8 ~
+ c8 r8 c4 d4 e4
+ f8 f8 f8 f8 f8 f4 f8 ~
+ f8 r8 g,4 a4 b4
+ c8 c8 c8 c8 c8 c4 c8 ~
+ c8 r8
+ \bar "|."
+ }
+ >>
+ }
+
+ altMelodie = \transpose c f \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r4 r4 r4
+ r4 f4 e4 d4
+ c2 r2
+ r4 f4 e4 d4
+ c2 r2
+ r4 g'4 f4 e4
+ d2 r2
+ c8 b8 c8 b8 c8 b4 c8 ~
+ c8 r8
+ }
+ >>
+ }
+
+ tenorMelodie = \transpose c f, \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r4 r4 r4
+ c8 f8 e8 d8 c8 b8 c4
+ R1
+ e8 e8 f8 f8 g8 g8 e4
+ R1
+ a8 b8 c8 b8 a8 g8 a4
+ R1
+ c8 b8 a8 g8 f8 a8 g4
+ r4
+ }
+ >>
+ }
+
+ bassMelodie = \transpose c f \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r4 r4 r4
+ r4 c4. c4.
+ c8 r8 r4 r4 r4
+ r4 c4. c4.
+ c8 r8 r4 r4 r4
+ r4 f4. f4.
+ f8 r8 r4 r4 r4
+ r4 c4. c4.
+ c4
+ }
+ >>
+ }
+
diff --git a/hr/issi/waldemar/t.midi b/hr/issi/waldemar/t.midi
new file mode 100644
index 0000000..a6fdded
--- /dev/null
+++ b/hr/issi/waldemar/t.midi
Binary files differ
diff --git a/hr/issi/waldemar/texte.ly b/hr/issi/waldemar/texte.ly
new file mode 100644
index 0000000..3b96b42
--- /dev/null
+++ b/hr/issi/waldemar/texte.ly
@@ -0,0 +1,38 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ Mein Dak -- kel Wal -- de -- mar und ich, wir zwei,
+ wir woh -- nen Re -- gen -- bo -- gen -- stra -- ße drei
+ und wenn wir a -- bends un -- sere Run -- de drehn,
+ dann kann man Dak -- kel -- bei -- ne wak -- keln sehn.
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ wir zwei, wir zwei,
+ in Num -- mer drei
+ ’ne Run -- de drehn
+ Wak -- kel -- dak -- kel wak -- keln schön.
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ klei -- ner Dak -- kel Wal -- de -- mar
+ Re -- gen -- bo -- gen -- stra -- ße drei
+ a -- bends un -- sere Run -- de drehn
+ Wak -- kel -- dak -- kel wak -- keln schön.
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ Wal -- de -- mar
+ Stra -- ße drei
+ Run -- de drehn
+ wak -- keln sehn
+ }
+
diff --git a/hr/issi/waldemar/waldemar.ly b/hr/issi/waldemar/waldemar.ly
new file mode 100644
index 0000000..bc44189
--- /dev/null
+++ b/hr/issi/waldemar/waldemar.ly
@@ -0,0 +1,71 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+%point-and-click-off
+
+ \header {
+ title = "Waldemar"
+ composer = "traditional"
+ arranger = "Hauke T. Rehr"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \sopranMelodie }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \altMelodie }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \tenorMelodie }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \bassMelodie }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = sopran { \global \sop }
+ \new Lyrics \lyricsto "soprane" \sopranText
+ \new Staff = alt { \global \alt }
+ \new Lyrics \lyricsto "alti" \altText
+ \new Staff = tenor { \global \ten }
+ \new Lyrics \lyricsto "tenoere" \tenorText
+ \new Staff = bass { \global \bas }
+ \new Lyrics \lyricsto "baesse" \bassText
+ >>
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 140 4)
+ }
+ }
+ \layout {
+ }
+ }
+
diff --git a/hr/issi/waldemar/waldemar.midi b/hr/issi/waldemar/waldemar.midi
new file mode 100644
index 0000000..dfa334d
--- /dev/null
+++ b/hr/issi/waldemar/waldemar.midi
Binary files differ
diff --git a/hr/kammer/bach/lobet/dynArt.ly b/hr/kammer/bach/lobet/dynArt.ly
new file mode 100644
index 0000000..756726f
--- /dev/null
+++ b/hr/kammer/bach/lobet/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/kammer/bach/lobet/lobet.ly b/hr/kammer/bach/lobet/lobet.ly
new file mode 100644
index 0000000..f50852e
--- /dev/null
+++ b/hr/kammer/bach/lobet/lobet.ly
@@ -0,0 +1,59 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "<+Titel+>"
+ composer = "<+Komponist+>"
+ %opus = "<+Werk+>"
+ %tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+ \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+ >>
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 150 4)
+ }
+ }
+ %\layout {
+ %}
+ }
+
diff --git a/hr/kammer/bach/lobet/lobet.midi b/hr/kammer/bach/lobet/lobet.midi
new file mode 100644
index 0000000..cb19db9
--- /dev/null
+++ b/hr/kammer/bach/lobet/lobet.midi
Binary files differ
diff --git a/hr/kammer/bach/lobet/lobet.ps b/hr/kammer/bach/lobet/lobet.ps
new file mode 100644
index 0000000..2421581
--- /dev/null
+++ b/hr/kammer/bach/lobet/lobet.ps
Binary files differ
diff --git a/hr/kammer/bach/lobet/lobet_116.midi b/hr/kammer/bach/lobet/lobet_116.midi
new file mode 100644
index 0000000..aaaf043
--- /dev/null
+++ b/hr/kammer/bach/lobet/lobet_116.midi
Binary files differ
diff --git a/hr/kammer/bach/lobet/lobet_46.midi b/hr/kammer/bach/lobet/lobet_46.midi
new file mode 100644
index 0000000..cc3f6c3
--- /dev/null
+++ b/hr/kammer/bach/lobet/lobet_46.midi
Binary files differ
diff --git a/hr/kammer/bach/lobet/midi.lua b/hr/kammer/bach/lobet/midi.lua
new file mode 100644
index 0000000..f8b2520
--- /dev/null
+++ b/hr/kammer/bach/lobet/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu encoding=utf8 et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/kammer/bach/lobet/stimmen.ly b/hr/kammer/bach/lobet/stimmen.ly
new file mode 100644
index 0000000..96f9560
--- /dev/null
+++ b/hr/kammer/bach/lobet/stimmen.ly
@@ -0,0 +1,225 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key c \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/2
+ \autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ R\breve
+ R\breve
+ R\breve
+ R\breve
+ R\breve
+ r4 g4 b4 d4 g4 b,4 c4 g'4
+ a4 bes8 a8 g8 f8 e8 d8 e4 c'8 b8 a8 g8 f8 e8
+ f4 f4 g4 g4 c,4 d8 e8 f2 ~
+ f4 e8 d8 e4 a4 f4 d4 g8 a8 g8 f8
+ e4 c4 e4 g4 c4 d8 c8 b4 a4
+ g4 r4 r2 r1
+ r4 d4 f4 a4 d4 e8 d8 c4 b4
+ a\breve ~
+ a4 b8 c8 b4 a4 gis4 e4 fis4 gis4
+ a4 a4 r2 r4 c8 b8 a4 g4
+ fis4 a8 g8 fis4 e4 dis4 b4 cis4 dis4
+ e4 e4 r8 e8 d8 c8 b4 g4 r8 c8 d8 e8
+ f4 d4 g4 g,4 c4 c4 r2
+ r4 c'4 b4 a4 g4 g,4 b4 d4
+ g4 b,4 c4 g'4 a4 bes8 a8 g8 f8 e8 d8
+ e4 c'8 b8 a8 g8 f8 e8 f4 f4 g4 g4
+ c,4 d8 e8 f2 ~ f4 e8 d8 e4 a4
+ fis4 d4 e4 fis4 g4 g,4 r2
+ R\breve
+ R\breve
+ R\breve
+ R\breve
+ R\breve
+ r1 r2 r4 g'4
+ a8 bes8 a8 g8 f8 g8 f8 e8 d4 c8 d8 e4 d8 e8
+ f4 g8 a8 bes2 ~ bes4 c8 bes8 a8 g8 f8 e8
+ f4 d4 g4 f4 e4 c4 r4 c4
+ f8 g8 f8 e8 d4 e8 f8 g8 a8 g8 f8 e4 e4
+ a8 bes8 a8 g8 f4 g8 a8 bes8 c8 bes8 a8 g4 g4 ~
+ g4 f4 e4 a4 f4 d4 r2
+ r4 g4 g8 a8 g8 f8 e8 f8 e8 d8 c4 d8 e8
+ f4 f4 f8 g8 f8 e8 d8 e8 d8 c8 b4 c8 d8
+ e4 e4 r4 e4 a8 c8 b8 a8 g8 a8 g8 f8
+ e4 d8 e8 fis4 e8 fis8 g4 a8 b8 c2 ~
+ c4 d8 c8 b8 a8 gis8 fis8 gis4 e4 r4 e4
+ f4 d4 g4 f8 e8 a4 b8 c8 d8 c8 b8 a8
+ b4 g4 c4 c,4 g'4 g,4 b4 g4
+ c4 c4 r4 e4 f4 g8 f8 e8 d8 c8 b8
+ a4 b8 c8 d8 e8 d8 c8 b4 g4 c8 d8 e4 ~
+ e4 d8 c8 d2 c4 c8 d8 e4 c4
+ f4 f4 r2 r4 d8 e8 fis4 d4
+ g4 g,4 b4 d4 g4 b,4 d4 g4
+ b4 c8 b8 a8 g8 fis8 e8 fis4 b8 c8 d4 d4
+ d4 e8 d8 c8 b8 a8 gis8 a4 a,4 r4 a'4
+ a8 b8 a8 g8 fis8 g8 fis8 e8 d4 e8 fis8 g4 g4
+ g8 a8 g8 fis8 e8 fis8 e8 dis8 e4 fis8 g8 a2 ~
+ a4 g4 fis4 b4 e,8 dis8 e8 fis8 g2 ~
+ g4 f4 e4 a4 f4 d4 r8 d8 e8 f8
+ g4 a8 g8 f4 g8 f8 e8 f8 e8 d8 c8 d8 c8 b8
+ a4 g8 a8 b4 a8 b8 c4 d8 e8 f2 ~
+ f4 e8 d8 e4 f8 g8 a8 b8 c8 a8 d8 c8 b8 a8
+ b4 g4 r4 a8 g8 f4 d4 g2
+ c,2 r4 c'4 a2 d,2
+ g1 g2 e2
+ cis1 d2 r2
+ %%% Takt 61 %%%
+ r2 d'4 c4 b4 g4 c4 b4
+ a4 gis8 a8 b4 a4 gis4 e4 a4( g4)
+ f4( e4) f2 e2 r4 e4
+ a2 a,2 d1
+ c1 c2 a2
+ fis1 g2 r2
+ r2 g'4 f4 e4 c4 f4 e4
+ d4 cis8 d8 e4 d4 cis4 a4 d4 c4
+ bes4 a4 bes2 a2 r4 a'4
+ f4 e4 d4 e4 a,1
+ a2 a'2 a1
+ a,2 a'2 ~ a4 b8 cis8 d4 c4
+ bes1. a2 ~
+ a2 g1 f2 ~
+ f2 e2 f2 e2
+ d4( c4) d4( g,4) c4( d4) e4( c4)
+ g'4. g,8 g2 r1
+ R\breve
+ R\breve
+ R\breve
+ r2 c4 d4 e4 c4 c'4 bes8 c8
+ a4 g4 a4 f4 e4 f8 g8 a8 g8 f8 e8
+ d4 c4 d4 e4 f4 c4 f2 ~
+ f2 e2 f2 r4 f4
+ f4. f,8 f2 r1
+ r4 bes4 bes'4 bes4 bes4 a8 g8 a4 f4
+ f4 e8 d8 e4 c'2 bes8 a8 bes4 g4 ~
+ g4 f8 e8 f4 d4 a'4. a,8 a4 a'4
+ a\breve ~
+ a\breve ~
+ a2 g2 g2 r4 f4
+ e4 a4 ~ a4 g4 f8 e8 d4 d'4 c4
+ b4 a8 g8 fis4 e8 fis8 g2 r4 g,4
+ d'2 g4 b,4 c2 r4 d4
+ g,4 g'8 fis8 g4 g4 a4 g4 a4 b4
+ c4 g4 c4 c,4 d4 c4 d4 e4
+ f4 c4 f2 ~ f4 e8 d8 e4 c4
+ g'2 g,2 c2 r2
+ \time 3/4
+ R2.
+ R2.
+ R2.
+ R2.
+ g'8 a8 b8 a8 g8 b8
+ a4 d,4 d'4 ~
+ d4 c8 b8 c8 a8
+ b8( c8 d4) r4
+ c,8 d8 e8 d8 c8 e8
+ d4 g,4 g'4 ~
+ g4 fis8 e8 fis4
+ g8 a8 b8 a8 g8 b8
+ a4 d,4 r4
+ r4 a'4 fis4
+ dis4 e4 r4
+ R2.
+ R2.
+ r4 d4 g4 ~
+ g4 f8 e8 d8 f8
+ e4 a,4 a'4 ~
+ a4 g8 fis8 e8 g8
+ fis8( g8 a8 g8 fis8 a8
+ b8 c8 d8 c8 b8 d8
+ e,8 fis8 g8 fis8 e8 g8
+ a8 b8 c8 b8 a8 c8
+ dis,4) b4 e4 ~
+ e4 dis8 cis8 dis4
+ e4 r4 r4
+ R2.
+ R2.
+ R2.
+ d8 e8 fis8 e8 d8 fis8
+ e4 a,4 a'4 ~
+ a4 g8 f8 g8 e8
+ f8 e8 d8 e8 f8 d8
+ a'4 a,8 b8 c8 a8
+ e'8 f8 g8 f8 e8 g8
+ f8 g8 f8 e8 d8 f8
+ e4 c4 f4
+ d4 b4 e4
+ a,4 a'8 gis8 a4 ~
+ a4 gis2
+ a4 r4 r4
+ R2.
+ a8 b8 c8 b8 a8 c8
+ b4 e,4 e'4 ~
+ e4 d8 c8 d8 b8
+ c4 c,4 c'4 ~
+ c4 b8 a8 b8 g8
+ a4 a,4 a'4 ~
+ a4 g8 f8 g8 e8
+ f4 f,4 f'4 ~
+ f4 e8 d8 e8 c8
+ d8 e8 f8 e8 d8 f8
+ b,4 g4 c4
+ f4 g4 g,4
+ c4 r4 r4
+ r4 c'4 c,4
+ g'4 g4 r4
+ r4 a4 a,4
+ e'4 e4 r4
+ r4 f4 f,4 c'4 c4 r4
+ r4 d4 a4
+ b4( g4) c4
+ f4 g4 g,4
+ c2.
+ }
+ >>
+ }
+
diff --git a/hr/kammer/bach/lobet/texte.ly b/hr/kammer/bach/lobet/texte.ly
new file mode 100644
index 0000000..51d4b6a
--- /dev/null
+++ b/hr/kammer/bach/lobet/texte.ly
@@ -0,0 +1,22 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/kammer/debussy/dieu/dieu.ly b/hr/kammer/debussy/dieu/dieu.ly
new file mode 100644
index 0000000..7b40c8b
--- /dev/null
+++ b/hr/kammer/debussy/dieu/dieu.ly
@@ -0,0 +1,59 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "<+Titel+>"
+ composer = "<+Komponist+>"
+ %opus = "<+Werk+>"
+ %tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+ \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+ >>
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ %\layout {
+ %}
+ }
+
diff --git a/hr/kammer/debussy/dieu/dieu.ps b/hr/kammer/debussy/dieu/dieu.ps
new file mode 100644
index 0000000..d4024ac
--- /dev/null
+++ b/hr/kammer/debussy/dieu/dieu.ps
Binary files differ
diff --git a/hr/kammer/debussy/dieu/dieu_6.midi b/hr/kammer/debussy/dieu/dieu_6.midi
new file mode 100644
index 0000000..29c7ec7
--- /dev/null
+++ b/hr/kammer/debussy/dieu/dieu_6.midi
Binary files differ
diff --git a/hr/kammer/debussy/dieu/dynArt.ly b/hr/kammer/debussy/dieu/dynArt.ly
new file mode 100644
index 0000000..756726f
--- /dev/null
+++ b/hr/kammer/debussy/dieu/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/kammer/debussy/dieu/midi.lua b/hr/kammer/debussy/dieu/midi.lua
new file mode 100644
index 0000000..f8b2520
--- /dev/null
+++ b/hr/kammer/debussy/dieu/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu encoding=utf8 et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/kammer/debussy/dieu/stimmen.ly b/hr/kammer/debussy/dieu/stimmen.ly
new file mode 100644
index 0000000..3fbbb43
--- /dev/null
+++ b/hr/kammer/debussy/dieu/stimmen.ly
@@ -0,0 +1,88 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key b \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 3/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r4 fis2\(
+ cis8 cis8 fis8 fis8 cis8 dis16 e16
+ fis2\) fis4\(
+ e8 dis8 cis4 ~ cis16 cis16 dis16 e16
+ fis4 ~ fis8 e16 dis16 cis8 fis8\)
+ r4 fis4\( a8 fis8
+ fis8. b16 cis8. b16 a8 cis8
+ a4\) r8 fis8\( a8 fis8
+ fis8. a16 b8. a16 fis8\) fis8\(
+ gis8 fis8 e8 cis8 fis8 dis8
+ gis2\) r8 gis8\(
+ cis,8 gis'8 cis8 gis8 cis,8 gis'8
+ cis4 cis8\) r8 r4
+ R2.
+ r4 cis8\( ais8 gis8 fis8
+ f8 e8 dis4 fis8 \times2/3{fis16 a16 fis16}
+ fis4 dis2\)
+ dis8. gis,16( dis'8) gis,16 gis16( dis'8.) dis16(
+ fis2) fis4\(
+ gis4 ais8 gis8 \times2/3{fis8 ais8 fis8}
+ dis4( dis8)\) a'16\( gis16 fis16 gis16 a16 b16
+ cis16 b16 a16 gis16 fis16 gis16 a16 b16 cis16 b16 a16 gis16
+ fis4 fis4\) b,8\( cis8
+ e4 dis8 e8 gis8 fis8
+ e4( dis4)\) fis4\(
+ cis8 cis8 fis8 fis8 cis8 dis16 e16
+ fis4\) r4 r4
+ r4 r8 dis8\( e8 cis8
+ fis,2.\)
+ }
+ >>
+ }
+
diff --git a/hr/kammer/debussy/dieu/texte.ly b/hr/kammer/debussy/dieu/texte.ly
new file mode 100644
index 0000000..51d4b6a
--- /dev/null
+++ b/hr/kammer/debussy/dieu/texte.ly
@@ -0,0 +1,22 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/kammer/debussy/tabourin/dynArt.ly b/hr/kammer/debussy/tabourin/dynArt.ly
new file mode 100644
index 0000000..756726f
--- /dev/null
+++ b/hr/kammer/debussy/tabourin/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/kammer/debussy/tabourin/midi.lua b/hr/kammer/debussy/tabourin/midi.lua
new file mode 100644
index 0000000..f8b2520
--- /dev/null
+++ b/hr/kammer/debussy/tabourin/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu encoding=utf8 et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/kammer/debussy/tabourin/stimmen.ly b/hr/kammer/debussy/tabourin/stimmen.ly
new file mode 100644
index 0000000..b469561
--- /dev/null
+++ b/hr/kammer/debussy/tabourin/stimmen.ly
@@ -0,0 +1,143 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key a \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 3/4
+ \autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ fis8. fis16 e8 d8 cis16( b16) a16 gis16
+ fis4 r8 fis8( b4)
+ fis'8. fis16 e8 d8 cis16( b16) a16 gis16
+ fis4 r8 fis8 b8 b8
+ r4 r8 fis8 b8 b8
+ r4 r8 fis8 b8 b8
+ R2.
+ r4 r8 b16( fis16) b8 b16 b16
+ r4 r8 b16( fis16) b8 b16 b16
+ r4 r8 b16( fis16) b8 b16 b16
+ r4 r8 b16( fis16) b8 b16 b16
+ R2.
+ a4( e'4 fis4
+ gis4 cis,4 e4)
+ a,4( e'4 fis4
+ gis4 cis,4 e4)
+ a,4( b4 cis4
+ e4 fis2) ~
+ fis8. fis16 eis8 dis8 cis16( b16) ais16 gis16
+ fis4 r8 fis8( b4)
+ fis'8. fis16 e8 d8 cis16( b16) a16 gis16
+ fis4 r4 r4
+ R2.
+ R2.
+ r4 r4 e'8 e16 e16
+ a,4 r4 r4
+ r4 r4 e'8 e16 e16
+ a,4 r4 r4
+ r8 d16 d16 g,8 d'8 cis4
+ r8 d16 d16 g,8 d'8 ~ d4 ~
+ d4 r4 r4
+ \bar "||"
+ \key c \major
+ <<
+ {
+ c4 ~ c8 c16 c16 g8 g8
+ c4 ~ c8 c16 c16 g8 g8
+ d'4 ~ d8 d16 d16 b8 b16 b16
+ a8 a16 a16 d8 d16 d16 e8 e16 e16
+ c4 ~ c8 c16 c16 g8 g8
+ c4 ~ c8 c16 c16 g8 g8
+ d'4 ~ d8 d16 d16 b8 b16 b16
+ a8 a16 a16 d8 d16 d16 f8 f16 f16
+ }
+ \\
+ {
+ c2 g4
+ c2 g4
+ d'2 b4
+ a4 d4 e4
+ c2 g4
+ c2 g4
+ d'2 b4
+ a4 d4 f4
+ }
+ >>
+ \bar "||"
+ \key a \major
+ fis8. fis16 e8 d8 cis16( b16) a16 gis16
+ fis4 ~ fis8 r8 r4
+ fis8 fis16 fis16 ~ fis2
+ r4 d'8 d16 d16 a4
+ r4 a8 a16 a16 d4
+ r4 d8 d16 d16 a4
+ r4 a8 a16 a16 d4 ~
+ d8 d16 d16 d8 d16 d16
+ <<
+ {
+ c4 ~
+ c8 c16 c16 d4 c8 c16 c16
+ d4 c8 c16 c16 d4
+ fis8 cis16 cis16 cis2 ~
+ cis4
+ }
+ \\
+ {
+ c16( b16) a16 gis16
+ fis2. ~
+ fis2.
+ fis2. ~
+ fis4
+ }
+ >>
+ r4 r4
+ }
+ >>
+ }
+
diff --git a/hr/kammer/debussy/tabourin/tabourin.ly b/hr/kammer/debussy/tabourin/tabourin.ly
new file mode 100644
index 0000000..7b40c8b
--- /dev/null
+++ b/hr/kammer/debussy/tabourin/tabourin.ly
@@ -0,0 +1,59 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "<+Titel+>"
+ composer = "<+Komponist+>"
+ %opus = "<+Werk+>"
+ %tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+ \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+ >>
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ %\layout {
+ %}
+ }
+
diff --git a/hr/kammer/debussy/tabourin/tabourin.ps b/hr/kammer/debussy/tabourin/tabourin.ps
new file mode 100644
index 0000000..60c8c52
--- /dev/null
+++ b/hr/kammer/debussy/tabourin/tabourin.ps
Binary files differ
diff --git a/hr/kammer/debussy/tabourin/tabourin_C.midi b/hr/kammer/debussy/tabourin/tabourin_C.midi
new file mode 100644
index 0000000..397871b
--- /dev/null
+++ b/hr/kammer/debussy/tabourin/tabourin_C.midi
Binary files differ
diff --git a/hr/kammer/debussy/tabourin/texte.ly b/hr/kammer/debussy/tabourin/texte.ly
new file mode 100644
index 0000000..51d4b6a
--- /dev/null
+++ b/hr/kammer/debussy/tabourin/texte.ly
@@ -0,0 +1,22 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/kammer/debussy/yver/dynArt.ly b/hr/kammer/debussy/yver/dynArt.ly
new file mode 100644
index 0000000..756726f
--- /dev/null
+++ b/hr/kammer/debussy/yver/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/kammer/debussy/yver/midi.lua b/hr/kammer/debussy/yver/midi.lua
new file mode 100644
index 0000000..f8b2520
--- /dev/null
+++ b/hr/kammer/debussy/yver/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu encoding=utf8 et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/kammer/debussy/yver/stimmen.ly b/hr/kammer/debussy/yver/stimmen.ly
new file mode 100644
index 0000000..9b59520
--- /dev/null
+++ b/hr/kammer/debussy/yver/stimmen.ly
@@ -0,0 +1,149 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key g \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 2/2
+ \autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r1
+ r1
+ r4 b'4( a4) \grace d8 c4(
+ a4) r4 r2
+ r1
+ a4 b8 g8 a8 fis8 g8 b8
+ ais4 r8 b8 ais4 r8 b8
+ ais8 b8 ais8 b8 ais8 r8 r4
+ r1
+ r1
+ \key e \major
+ r1
+ r1
+ r1
+ r1
+ cis4 dis8( cis8) b4 cis8( b8)
+ a4 b8( a8) gis8( a8) b8( dis8)
+ cis4 b8( cis8) dis8( cis8) b8( cis8)
+ a4 gis8 a8 b8 a8 gis8 a8
+ \times 2/3 {
+ fis4 gis4 fis4 e4 fis4 gis4
+ }
+ a8 b8 b8 a8 a8 gis8 fis8 a8
+ b1 ~
+ b2 b2
+ gis2 fis2
+ gis4 b4 ~ \times2/3{ b4 gis4 dis4}
+ gis4 gis4 fis4 gis4
+ \times2/3{ fis4 gis4 fis4} fis4( gis4) ~
+ gis4 gis4 \times2/3{ fis4 gis4 fis4
+ e4 fis4 e4 dis4 e4 dis4}
+ cis2 cis4 dis4
+ e8 fis8 gis8 ais8 b4 dis4
+ dis,1 ~
+ dis2 gis2
+ gis1 ~
+ gis2 r4 gis4
+ b1 ~
+ b4 g4( gis4) gis4
+ b1 ~
+ b4 g4( gis4) a4(
+ ais4) g4 gis4 a4
+ ais4 b4 c8 c8 r4
+ ais4 b4 c8 c8 r4
+ b4( c4) b4 c8 c8
+ cis4 r4 fis,4 fis4
+ fis4 fis4 fis2 ~
+ fis2 fis4 fis4
+ fis1 ~
+ fis4 r4 fis2
+ \bar "||"
+ \key g \major
+ e4. g8 fis8 d8 e8 cis8
+ b2. b4
+ c4 d4 e4( fis4)
+ g4 a4 b4 c4
+ d4 g,4 a4 b4
+ c2 r4 e4
+ b2 c4( g4)
+ d4 r4 f2
+ c2. d4
+ <<
+ {
+ g4 fis4 e4 d4
+ c4 d4 e4 fis4
+ g4 fis4 e4 d4
+ c4 d4 e4 fis4
+ g4 a4 b4 c4
+ a4 b4 c4 d4
+ b4 c4
+ }
+ \\
+ {
+ e,4 d4 c4 g4
+ a4 b4 c4 d4
+ e4 d4 c4 g4
+ a4 b4 c4 d4
+ e4 fis4 g4 a4
+ fis4 g4 a4 b4
+ g4 a4
+ }
+ >>
+ b4 c4 ~
+ c4 a4 c4 d4
+ c4 a4 c4 d4
+ c4 d4 c4 d4
+ c4 d4 c4 d4
+ r1
+ r2 g,8 c8 b8 a8
+ e1
+ }
+ >>
+ }
+
diff --git a/hr/kammer/debussy/yver/texte.ly b/hr/kammer/debussy/yver/texte.ly
new file mode 100644
index 0000000..51d4b6a
--- /dev/null
+++ b/hr/kammer/debussy/yver/texte.ly
@@ -0,0 +1,22 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/kammer/debussy/yver/yver.ly b/hr/kammer/debussy/yver/yver.ly
new file mode 100644
index 0000000..86305a9
--- /dev/null
+++ b/hr/kammer/debussy/yver/yver.ly
@@ -0,0 +1,59 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "<+Titel+>"
+ composer = "<+Komponist+>"
+ %opus = "<+Werk+>"
+ %tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+ \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+ >>
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 110 4)
+ }
+ }
+ %\layout {
+ %}
+ }
+
diff --git a/hr/kammer/debussy/yver/yver.ps b/hr/kammer/debussy/yver/yver.ps
new file mode 100644
index 0000000..58b0143
--- /dev/null
+++ b/hr/kammer/debussy/yver/yver.ps
Binary files differ
diff --git a/hr/kammer/debussy/yver/yver_29.midi b/hr/kammer/debussy/yver/yver_29.midi
new file mode 100644
index 0000000..dacc673
--- /dev/null
+++ b/hr/kammer/debussy/yver/yver_29.midi
Binary files differ
diff --git a/hr/kammer/ravel/nicolette/dynArt.ly b/hr/kammer/ravel/nicolette/dynArt.ly
new file mode 100644
index 0000000..756726f
--- /dev/null
+++ b/hr/kammer/ravel/nicolette/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/kammer/ravel/nicolette/midi.lua b/hr/kammer/ravel/nicolette/midi.lua
new file mode 100644
index 0000000..f8b2520
--- /dev/null
+++ b/hr/kammer/ravel/nicolette/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu encoding=utf8 et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/kammer/ravel/nicolette/nicolette.ly b/hr/kammer/ravel/nicolette/nicolette.ly
new file mode 100644
index 0000000..7b40c8b
--- /dev/null
+++ b/hr/kammer/ravel/nicolette/nicolette.ly
@@ -0,0 +1,59 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "<+Titel+>"
+ composer = "<+Komponist+>"
+ %opus = "<+Werk+>"
+ %tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+ \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+ >>
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ %\layout {
+ %}
+ }
+
diff --git a/hr/kammer/ravel/nicolette/nicolette.ps b/hr/kammer/ravel/nicolette/nicolette.ps
new file mode 100644
index 0000000..7201715
--- /dev/null
+++ b/hr/kammer/ravel/nicolette/nicolette.ps
Binary files differ
diff --git a/hr/kammer/ravel/nicolette/nicolette_II.midi b/hr/kammer/ravel/nicolette/nicolette_II.midi
new file mode 100644
index 0000000..9484aa6
--- /dev/null
+++ b/hr/kammer/ravel/nicolette/nicolette_II.midi
Binary files differ
diff --git a/hr/kammer/ravel/nicolette/stimmen.ly b/hr/kammer/ravel/nicolette/stimmen.ly
new file mode 100644
index 0000000..50a3a79
--- /dev/null
+++ b/hr/kammer/ravel/nicolette/stimmen.ly
@@ -0,0 +1,117 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key c \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 2/4
+ \autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c' {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ %\repeat unfold 2 {
+ % a8\( a8 d,8 d8
+ % b'8 b8 e,4\)
+ % a8\( a8 d,8 d8
+ % b'8 b8 e,4\)
+ % c'4\( b4
+ % g8( b16) b16 b8 b8\)
+ % \time 3/4
+ % a8.\( b16 a8 g8 e8 d8
+ % e2.\)
+ % e'8\( e8 d8 e8 c8 bes8
+ % a8 a8 g8 a8 f8\) e8 ~
+ % e2. ~
+ % \time 2/4
+ % e2(
+ %}
+ %\alternative {
+ % {
+ % a4) r4
+ % \bar "||"
+ % }
+ % {
+ % a8) r8 r4
+ % \bar "||"
+ % }
+ %}
+ r2
+ g,4\(\glissando g'8\) r8
+ r2
+ g,4\(\glissando g'8\) r8
+ c4( g4)
+ cis4( g4)
+ \time 3/4
+ d'8\( dis8 e8 c8 a4
+ e2.\)
+ c2( f4)
+ bes2.
+ g2. ~
+ \time 2/4
+ g2(
+ a4) r4
+ \bar "||"
+ gis16( g32) r32 gis16( g32) r32 fis8( f16) r16
+ dis16( e32) r32 dis16( e32) r32 e,8 r8
+ gis'16( g32) r32 gis16( g32) r32 fis8( f16) r16
+ dis16( e32) r32 dis16( e32) r32 e,8 r8
+ c''8\( r8 b8 r8
+ g8( b16) b16 b8 b8\)
+ \time 3/4
+ a8.\(( b16) a8 g8 e8 d8
+ e2.\)
+ e'8\( e8 d8 e8 c8 bes8\)
+ a8\( a8 g8 a8 f8 e8\)
+ d8\( e8 a,4 c4
+ \time 2/4
+ d8 e8 c8 b8
+ a4\) r4
+ \bar "||"
+ }
+ >>
+ }
+
diff --git a/hr/kammer/ravel/nicolette/texte.ly b/hr/kammer/ravel/nicolette/texte.ly
new file mode 100644
index 0000000..51d4b6a
--- /dev/null
+++ b/hr/kammer/ravel/nicolette/texte.ly
@@ -0,0 +1,22 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/kammer/ravel/oiseaux/dynArt.ly b/hr/kammer/ravel/oiseaux/dynArt.ly
new file mode 100644
index 0000000..afb445f
--- /dev/null
+++ b/hr/kammer/ravel/oiseaux/dynArt.ly
@@ -0,0 +1,62 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s2.
+ \time 4/4
+ s1
+ \time 3/4
+ s2.*3
+ \time 4/4
+ s1
+ \time 3/4
+ s2.*8
+ \time 4/4
+ s1
+ \time 3/4
+ s2.*2
+ \time 4/4
+ s1
+ \time 3/4
+ s2.*3
+ \time 4/4
+ s1
+ \time 3/4
+ s2.*8
+ \time 4/4
+ s1
+ \time 3/4
+ s2.*2
+ \time 4/4
+ s1
+ \time 3/4
+ s2.*3
+ \time 4/4
+ s1
+ \time 3/4
+ s2.*3
+ \time 4/4
+ s1
+ \time 3/4
+ s2.*3
+ \time 4/4
+ s1
+ \time 3/4
+ s2.*2
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/kammer/ravel/oiseaux/midi.lua b/hr/kammer/ravel/oiseaux/midi.lua
new file mode 100644
index 0000000..f8b2520
--- /dev/null
+++ b/hr/kammer/ravel/oiseaux/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu encoding=utf8 et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/kammer/ravel/oiseaux/oiseaux.ly b/hr/kammer/ravel/oiseaux/oiseaux.ly
new file mode 100644
index 0000000..bd5797f
--- /dev/null
+++ b/hr/kammer/ravel/oiseaux/oiseaux.ly
@@ -0,0 +1,62 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "<+Titel+>"
+ composer = "<+Komponist+>"
+ %opus = "<+Werk+>"
+ %tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \new Staff = sopSolo <<
+ \new Voice = "sSolo" { \global \sopranSolo }
+ >>
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+ \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+ >>
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+% \layout {
+% }
+ }
+
diff --git a/hr/kammer/ravel/oiseaux/oiseaux.midi b/hr/kammer/ravel/oiseaux/oiseaux.midi
new file mode 100644
index 0000000..e3d6afb
--- /dev/null
+++ b/hr/kammer/ravel/oiseaux/oiseaux.midi
Binary files differ
diff --git a/hr/kammer/ravel/oiseaux/oiseaux.ps b/hr/kammer/ravel/oiseaux/oiseaux.ps
new file mode 100644
index 0000000..8f5fe6b
--- /dev/null
+++ b/hr/kammer/ravel/oiseaux/oiseaux.ps
Binary files differ
diff --git a/hr/kammer/ravel/oiseaux/stimmen.ly b/hr/kammer/ravel/oiseaux/stimmen.ly
new file mode 100644
index 0000000..0399a2e
--- /dev/null
+++ b/hr/kammer/ravel/oiseaux/stimmen.ly
@@ -0,0 +1,168 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key aes \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 3/4
+ \autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranSolo = \relative c' {
+ c'4 bes4. ees8
+ des8 c8 bes8 aes8 c4 f,8 aes8
+ bes4 c4. g8
+ aes8 g8 ees4 c4
+ c'4 bes4. ees8
+ des8 c8 bes8 aes8 c4 f,8 aes8
+ bes4 c4 g4
+ f4 ~ f8 r8 aes8 bes8
+ c4 ees8 f8 ees8 bes8
+ f'8 c8 c4 ees8 c8
+ g4 f8 g8 ees'8 c8
+ g4 f4 ees8 f8
+ g4 bes8 c8 bes8 f8
+ c'8 g8 g8 ~ g8 bes8 f8
+ d8 f8 g8 bes8 d4 bes8 d8
+ c2 r4
+ c4 bes4. ees8
+ des8 c8 bes8 aes8 c4 f,8 aes8
+ bes4 c4. g8
+ aes8 g8 ees4 c4
+ c'4 bes4. ees8
+ des8 c8 bes8 aes8 c4 f,8 aes8
+ bes4 c4 g4
+ f4 ~ f8 r8 r4
+ %%% -- C -- %%%
+ R2.*3
+ r4 r4 ees8 f8
+ g4 bes8 c8 bes8 f8
+ c'8 g8 ees'8 ~ ees8 bes8 c8
+ d8 bes8 f8 d8 d4 bes8 d8
+ c4 ~ c8 r8 r4
+ %%% -- S -- %%%
+ c'4 bes4. ees8
+ des8 c8 bes8 aes8 c4 f,8 aes8
+ bes4 c4. g8
+ aes8 g8 ees4 c4
+ c'4 bes4. ees8
+ des8 c8 bes8 aes8 c4 f,8 aes8
+ bes4 c4 g4
+ f2 ~ f8 r8
+ s2.
+ s1
+ s2.*2
+ r8 c'4 bes4 ees8
+ des8 c8 bes8 aes8 c4 f,8 aes8
+ bes4 c4. g8
+ f4 r4 r4
+ }
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ R2.
+ r1
+ R2.
+ r4 r4 c8 ees8
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ R2.
+ r1
+ R2.*3
+ r1
+ R2.*8
+ r1
+ R2.*2
+ r1
+ R2.
+ r4 r4 c8 ees8
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ R2.
+ r1
+ R2.
+ R2.
+ f,2. ~
+ f1 ~
+ f2. ~
+ f2 ~ f8 r8
+ R2.
+ R2.
+ R2.
+ r4 r4 aes4(
+ ees2.
+ aes2) aes4(
+ g2 g'2
+ c2. ~
+ c8) r8 r4 r4
+ r1
+ R2.
+ R2.
+ f,,2. ~
+ f1 ~
+ f2. ~
+ f4 ~ f8 r8 r4
+ R2.
+ R2.
+ R2.
+ R2.
+ R2.
+ aes2 aes4(
+ g1
+ c4 c'8) r8 r4
+ R2.
+ r1
+ R2.
+ R2.
+ R2.
+ r1
+ R2.
+ R2.
+ f,,2. ~
+ f1 ~
+ f2. ~
+ f2. ~
+ f8 r8 r4 r4
+ r1
+ R2.
+ R2.
+ }
+ >>
+ }
+
diff --git a/hr/kammer/ravel/oiseaux/texte.ly b/hr/kammer/ravel/oiseaux/texte.ly
new file mode 100644
index 0000000..51d4b6a
--- /dev/null
+++ b/hr/kammer/ravel/oiseaux/texte.ly
@@ -0,0 +1,22 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/kammer/ravel/ronde/dynArt.ly b/hr/kammer/ravel/ronde/dynArt.ly
new file mode 100644
index 0000000..756726f
--- /dev/null
+++ b/hr/kammer/ravel/ronde/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/kammer/ravel/ronde/midi.lua b/hr/kammer/ravel/ronde/midi.lua
new file mode 100644
index 0000000..f8b2520
--- /dev/null
+++ b/hr/kammer/ravel/ronde/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu encoding=utf8 et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/kammer/ravel/ronde/ronde.ly b/hr/kammer/ravel/ronde/ronde.ly
new file mode 100644
index 0000000..68a1002
--- /dev/null
+++ b/hr/kammer/ravel/ronde/ronde.ly
@@ -0,0 +1,59 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "<+Titel+>"
+ composer = "<+Komponist+>"
+ %opus = "<+Werk+>"
+ %tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+ \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+ >>
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 132 4)
+ }
+ }
+ %\layout {
+ %}
+ }
+
diff --git a/hr/kammer/ravel/ronde/ronde.ps b/hr/kammer/ravel/ronde/ronde.ps
new file mode 100644
index 0000000..e01588c
--- /dev/null
+++ b/hr/kammer/ravel/ronde/ronde.ps
Binary files differ
diff --git a/hr/kammer/ravel/ronde/ronde_4III.midi b/hr/kammer/ravel/ronde/ronde_4III.midi
new file mode 100644
index 0000000..715dc86
--- /dev/null
+++ b/hr/kammer/ravel/ronde/ronde_4III.midi
Binary files differ
diff --git a/hr/kammer/ravel/ronde/stimmen.ly b/hr/kammer/ravel/ronde/stimmen.ly
new file mode 100644
index 0000000..c9afb7d
--- /dev/null
+++ b/hr/kammer/ravel/ronde/stimmen.ly
@@ -0,0 +1,184 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key a \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 2/4
+ \autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c' {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+% a8 r8 r4
+% r4 a8 e8
+% a8 r8 r4
+% \time3/4
+% r4 a8 e8 a8 r8
+% \time2/4
+% fis8 r8 r4
+% r4 fis8 gis8
+% fis8 r8 r4
+% \time3/4
+% r4 fis8 gis8 cis,8 r8
+% \time2/4
+% b8 r8 r4
+% r4 r8 fis'8
+% \time3/4
+% b,8 r8 r8 fis'8 fis4
+% \time2/4
+% b,8 r8 r4
+% r4 r8 fis'8
+% \time3/4
+% b,8 r8 r4 fis'4
+% \time2/4
+% e8 r8 r4
+% d'8 b8 a8 fis8
+% e8 r8 r4
+% d'8 b8 a8 fis8
+% e8 r8 d'8 b8
+% e,8 r8 d'8 b8
+% e,8 r8\times2/3{ d'8 d8 b8}
+% e,8 r8\times2/3{ d'8 d8 b8}
+% e,8 r8 r4
+% \times2/3{b'8\( d8 b8 d8 b8 d8\)}
+% e8\( e8 e8 e8
+% e8 e8 e8( d8)\)
+% c8\( c8 c8 c8
+% c8 c8 c8( bes8)\)
+% \bar "||"
+% a8 r8 r4
+% r4 a16 a16 e16 e16
+% a,8 r8 r4
+% \time3/4
+% r4 a'16 a16 e16 e16 a,8 r8
+% \time2/4
+% fis'8 r8 r4
+% r4 fis16 fis16 cis16 cis16
+% a8 r8 r4
+% \time3/4
+% r4 fis'16 fis16 cis16 cis16 gis8 r8
+% \time2/4
+% \times2/3{dis'8\( dis8 cis8} dis8 eis8
+% fis8( eis8) dis8 cis8\)
+% \time3/4
+% \times2/3{dis8\( dis8 cis8} dis8 gis8 dis4\)
+% \time2/4
+% \times2/3{dis8\( dis8 cis8 dis8 dis8 eis8}
+% fis8( eis8) dis8 cis8\)
+% \time3/4
+% \times2/3{dis8\( dis8 cis8} \times2/3{dis8 dis8 gis8} dis4\)
+% \time2/4
+% \times2/3{fis8\( fis8 e8} fis8 gis8
+% a8 gis8 \times2/3{fis8 fis8 e8\)}
+% \times2/3{fis8\( fis8 e8 fis8 fis8 gis8}
+% \times2/3{a8 a8 gis8} fis8 e8\)
+% \times2/3{
+% b'8\( cis8 b8 a8 b8 cis8
+% b8 cis8 b8 a8 b8 cis8
+% b8 cis8 b8 a8 b8 cis8
+% b8 cis8 b8 a8 b8 cis8
+% b8 cis8 b8 cis8 b8 cis8
+% b8 cis8 b8 cis8 b8 cis8\)
+% }
+ d8\( d8 d8 d8
+ d8 d8 d8( c8)\)
+ b8\) cis8 dis8 e8
+ cis8 dis8 b8( e,8)\)
+ \bar "||"
+ a,8 r8 r4
+ r4 a'8 e8
+ a8\( b8 cis8 dis8
+ \time3/4
+ b8 cis8 a8 e8 a,4\)
+ \time2/4
+ fis'8 r8 r4
+ r4 fis8 gis8
+ fis8\( b8 cis8 dis8
+ \time3/4
+ b8 cis8 fis,8 fis8 b,4\)
+ \time2/4
+ b8 r8 r4
+ r4 r8 fis'8
+ \time3/4
+ b,8 r8 r4 fis'4
+ \time2/4
+ b,8 r8 r4
+ r4 r8 fis'8
+ \time3/4
+ b,8 r8 r4 fis'4
+ \time2/4
+ b,8 r8 r4
+ r4 \times2/3{b'8 b8 cis8}
+ b8 r8 b,8 r8
+ r4 \times2/3{b'8 b8 cis8}
+ b8 r8 b8 cis8
+ b8 r8 b8 cis8
+ b8 r8 \times2/3{b8 b8 cis8}
+ b8 r8 \times2/3{b8\( b8 cis8}
+ \times2/3{
+ b8 d8 b8 d8 b8 d8
+ b8 d8 b8 d8 b8 d8
+ bes8 c8 bes8 c8 bes8 c8
+ bes8 c8 bes8 c8 bes8 c8\)
+ }
+ f8\( f8 f8 f8
+ f8 f8 f8( ees8)\)
+ d8\( d8 d8 d8
+ d8 d8 d8( c8)\)
+ b8\( cis8 dis8 e8
+ cis8 dis8 b8( a8)\)
+ e8 r8 r4
+ r4 a8 a8
+ e8 r8 r4
+ r4 a8 a8
+ e8 e8 e8 e8
+ a4(\glissando e'8) r8
+ \bar "||"
+ }
+ >>
+ }
+
diff --git a/hr/kammer/ravel/ronde/texte.ly b/hr/kammer/ravel/ronde/texte.ly
new file mode 100644
index 0000000..51d4b6a
--- /dev/null
+++ b/hr/kammer/ravel/ronde/texte.ly
@@ -0,0 +1,22 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/lily_copy/lilydocs/evd/Est Via.bmp b/hr/lily_copy/lilydocs/evd/Est Via.bmp
new file mode 100644
index 0000000..84d3cf2
--- /dev/null
+++ b/hr/lily_copy/lilydocs/evd/Est Via.bmp
Binary files differ
diff --git a/hr/lily_copy/lilydocs/evd/dynArt.ly b/hr/lily_copy/lilydocs/evd/dynArt.ly
new file mode 100644
index 0000000..30423d4
--- /dev/null
+++ b/hr/lily_copy/lilydocs/evd/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/lily_copy/lilydocs/evd/evd.ly b/hr/lily_copy/lilydocs/evd/evd.ly
new file mode 100644
index 0000000..816a39a
--- /dev/null
+++ b/hr/lily_copy/lilydocs/evd/evd.ly
@@ -0,0 +1,62 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Est Via Declivis"
+ composer = "Hauke Tobias Rehr"
+ %opus = "<+Werk+>"
+ tagline = "© Hauke Rehr"
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ last-bottom-spacing #'basic-distance = 10
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 16)
+
+ sop = \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ ten = \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+ bas = \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ \addlyrics { \bassText }
+ %\addlyrics { \dtText }
+ >>
+ \score {
+ \new ChoirStaff \with {} <<
+ \sop
+ \ten
+ \bas
+ >>
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 200 4)
+ }
+ }
+ \layout {
+ }
+ }
+
diff --git a/hr/lily_copy/lilydocs/evd/evd.midi b/hr/lily_copy/lilydocs/evd/evd.midi
new file mode 100644
index 0000000..5dad753
--- /dev/null
+++ b/hr/lily_copy/lilydocs/evd/evd.midi
Binary files differ
diff --git a/hr/lily_copy/lilydocs/evd/evd_180.midi b/hr/lily_copy/lilydocs/evd/evd_180.midi
new file mode 100644
index 0000000..d470d80
--- /dev/null
+++ b/hr/lily_copy/lilydocs/evd/evd_180.midi
Binary files differ
diff --git a/hr/lily_copy/lilydocs/evd/evd_210.midi b/hr/lily_copy/lilydocs/evd/evd_210.midi
new file mode 100644
index 0000000..5949c40
--- /dev/null
+++ b/hr/lily_copy/lilydocs/evd/evd_210.midi
Binary files differ
diff --git a/hr/lily_copy/lilydocs/evd/evd_empty.ly b/hr/lily_copy/lilydocs/evd/evd_empty.ly
new file mode 100644
index 0000000..adfcebf
--- /dev/null
+++ b/hr/lily_copy/lilydocs/evd/evd_empty.ly
@@ -0,0 +1,70 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Est Via Declivis"
+ composer = "Hauke Tobias Rehr"
+ %opus = "<+Werk+>"
+ tagline = "© Hauke Rehr"
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ last-bottom-spacing #'basic-distance = 10
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 16)
+
+ sop = \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+ alt = \new Staff = alt <<
+ \new Voice = "alti" { \global \repeat unfold 39 s2. s2 \repeat unfold 31 s2. }
+ >>
+
+ ten = \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+ barit = \new Staff = baritone <<
+ \new Voice = "baritones" { \global \clef "treble_8" \repeat unfold 39 s2. s2 \repeat unfold 31 s2. }
+ >>
+
+ bas = \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ \addlyrics { \bassText }
+ >>
+ \score {
+ \new ChoirStaff \with {} <<
+ \sop
+ \alt
+ \ten
+ %\barit
+ \bas
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 200 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/lily_copy/lilydocs/evd/evd_entirely_empty.ly b/hr/lily_copy/lilydocs/evd/evd_entirely_empty.ly
new file mode 100644
index 0000000..8b967e9
--- /dev/null
+++ b/hr/lily_copy/lilydocs/evd/evd_entirely_empty.ly
@@ -0,0 +1,79 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Est Via Declivis"
+ composer = "Hauke Tobias Rehr"
+ %opus = "<+Werk+>"
+ tagline = "© Hauke Rehr"
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ last-bottom-spacing #'basic-distance = 10
+ system-count = 10
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 16)
+
+ sop = \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ %\new Voice = "soprane" { \global \sopranMelodie }
+ \new Voice = "soprane" { \global \repeat unfold 39 s2. s2 \repeat unfold 31 s2. }
+ %\addlyrics { \sopranText }
+ >>
+ alt = \new Staff = alt <<
+ \new Voice = "alti" { \global \repeat unfold 39 s2. s2 \repeat unfold 31 s2. }
+ >>
+
+ ten = \new Staff = tenor <<
+ %\new Voice = "tenoere" { \global \tenorMelodie }
+ \new Voice = "tenoere" { \global \repeat unfold 39 s2. s2 \repeat unfold 31 s2. }
+ %\addlyrics { \tenorText }
+ >>
+ barit = \new Staff = baritone <<
+ \new Voice = "baritones" { \global \clef "treble_8" \repeat unfold 39 s2. s2 \repeat unfold 31 s2. }
+ >>
+
+ bas = \new Staff = bass <<
+ \new Voice = "baesse" \with {
+ \remove Note_heads_engraver
+ \remove Stem_engraver
+ \remove Rest_engraver
+ \remove Multi_measure_rest_engraver
+ } { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+ \score {
+ \new ChoirStaff \with {
+ } <<
+ \sop
+ \alt
+ \ten
+ %\barit
+ \bas
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 200 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/lily_copy/lilydocs/evd/evd_orig.midi b/hr/lily_copy/lilydocs/evd/evd_orig.midi
new file mode 100644
index 0000000..06dc155
--- /dev/null
+++ b/hr/lily_copy/lilydocs/evd/evd_orig.midi
Binary files differ
diff --git a/hr/lily_copy/lilydocs/evd/midi.lua b/hr/lily_copy/lilydocs/evd/midi.lua
new file mode 100644
index 0000000..58e69da
--- /dev/null
+++ b/hr/lily_copy/lilydocs/evd/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/lily_copy/lilydocs/evd/stimmen.ly b/hr/lily_copy/lilydocs/evd/stimmen.ly
new file mode 100644
index 0000000..d42dbff
--- /dev/null
+++ b/hr/lily_copy/lilydocs/evd/stimmen.ly
@@ -0,0 +1,166 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+ global = {
+ \set Staff.keySignature = #`((2 . ,FLAT)
+ (6 . ,FLAT)
+ (3 . ,SHARP))
+ %\key g \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 3/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ % {
+ \tempo 4=120
+ bes2 d4 c2 c4 d2. ~ d2.
+ g,2 bes4 c2 bes4 a2. R2.
+ bes2 d4 c2 c4 d2. %~ d2.
+ g,2 bes4 c2 bes4 a2. R2.
+ %}
+ \break
+ % styx
+ bes2 d4 c2 c4 d2. ~ d2.
+ g,2 bes4 c2 bes4 a2. %R2.
+ bes2 d4 c2 c4 d2. ~ d2.
+ g,2 bes4 c2 bes4 a2. R2.
+ %
+ \break
+ bes2 d4 c2 c4 d2. %~ d2.
+ g,2 bes4 c2 bes4 a2. R2.
+ bes2 d4 c2 c4 d2 %~ d2.
+ g,2 bes4 c2 bes4 a2. R2.
+ \break
+ % { pars
+ bes2 d4 c2 c4 d2. %~ d2.
+ d4 c4 g8 a8 bes4. a8 g4 g4 a2 %R2.
+ \break
+ bes2 d4 c2 c4 d2. ~ d2.
+ %g,2 bes4 c2 bes4 a2. %R2.
+ c2 bes4 a2. R2.
+ \break
+ % {
+ bes2 d4 c2 c4 d2. ~ d2.
+ g,2 bes4 c2 bes4 a2. R2.\tempo 4=80
+ %bes2^\markup{ "halbes Tempo" } d4 c2 c4 d2. %~ d2.
+ bes2 d4 c2 c4 d2. %~ d2.
+ c4 bes2 r8 a8 ~ a2 ~ a2 r4
+ %}
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ % { est
+ r4 d4 r4 r4 c8 c8 r4 r4 bes4 r4 r4 bes8 bes8 r4
+ % funesta
+ r4 bes4 r4 r4 a8 a8 r4 r4 d4 r4 r4 d8 d8 r4
+ % ducit
+ r4 d4 r4 r4 c8 c8 r4 %r4 bes4 r4
+ r4 bes8 bes8 r4
+ % silentia
+ r4 bes4 r4 r4 a8 a8 r4 r4 d4 r4 r4 d8 d8 r4
+ % Styx
+ %}
+ r4 d4 r4 r4 ees8 ees8 r4 r4 d4 r4 r4 d8 d8 r4
+ % umbraeque
+ r4 fis4 r4 r4 c8 c8 r4 r4 d4 r4 %r4 c8 c8 r4
+ % descendunt
+ r4 d4 r4 r4 ees8 ees8 r4 r4 d4 r4 r4 d8 d8 r4
+ % functa
+ r4 fis4 r4 r4 c8 c8 r4 r4 d4 r4 r4 d8 d8 r4
+ % Errant
+ r4 d4 r4 r4 c8 c8 r4 r4 bes4 r4 %r4 bes8 bes8 r4
+ % corpore
+ r4 bes4 r4 r4 a8 a8 r4 r4 d4 r4 r4 d8 d8 r4
+ % parsque
+ r4 d4 r4 r4 c8 c8 r4 r4 bes4 bes2 r4 %bes8 bes8 r4
+ % tecta
+ r4 bes4 r4 r4 a4 r4 r4 d8 d8 r4 %r4 d8 d8 r4
+ % { pars
+ r4 d4 r4 r4 ees8 ees8 r4 r4 d4 r4 %r4 d8 d8 r4
+ % (vor) imitamina
+ r4 d8 d8 r4 r4 fis4 d4 r4 c4 c4 %r4
+ %r4 fis4 r4 r4 c8 c8 r4 r4 d4 r4 %r4 c8 c8 r4
+ % exercent
+ r4 d4 r4 r4 ees8 ees8 r4 r4 d4 r4 r4 d8 d8 r4 %r4 fis4 r4
+ % poena
+ %r4 d4 r4 r4 c8 c8 r4 r4 bes4 r4 %r4 bes8 bes8 r4
+ %r4 fis4 r4
+ r4 c8 c8 r4 r4 d4 r4 r4 d8 d8 r4
+ % { Quo
+ r4 d4 r4 r4 c8 c8 r4 r4 bes4 r4 r4 bes8 bes8 r4
+ % Cerberus
+ r4 bes4 r4 r4 a8 a8 r4 r4 d4 r4 r4 d8 d8 r4
+ % et
+ r4 d4 r4 r4 c8 c8 r4 r4 bes4 r4 r4 bes8 bes8 r4
+ r4 bes2 %r4 r4 a8 a8 r4 r4 d4 r4 %r4 d8 d8 r4
+ ~ bes2 r4
+ %}
+ %}
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ % { I
+ g2 g8 g8 fis2 fis4 g2. r2
+ fis4 g2 bes4 bes4. a8 g4 g4 fis2
+ R2.
+ g2 g8 g8 fis4( d4) fis4 g2
+ fis4 g4. a8 bes4 bes4. a8 g4 g4 fis2
+ R2.
+ %}
+ \octaveCheck c,
+ d'4. c8 bes4 c2 a4 bes4 c4 bes4 a2 r4
+ a2. d4. c8 bes4 c4 a2
+ d2 bes4 c2 a4 bes4. c8 bes4 a4. a8 a4
+ r4 d2 c2 bes4 c4 a2
+ R2.
+ % II
+ g2 g4 fis2 fis4 g2
+ fis8 fis8 g4. a8 bes4 bes4. a8 g4 g4 fis2
+ R2.
+ g2 g4 fis4 d4 fis4 \time 2/4 g4 g4
+ \time 3/4 g4. a8 bes4 bes4. a8 g4 g4 fis2
+ R2.
+ % {
+ d'4. c8 bes4 c2 a4 bes4. c8 bes4 a2 a8 a8
+ d4. c8 bes4 c4 a2
+ d2 bes4 c2 a8 a8 bes4 c4( bes4) a4. a8 a4
+ d4. c8 bes4 c4 a2
+ R2.
+ % III
+ % {
+ g2 g8 g8 fis2 fis4 g2. r2
+ fis8 fis8 g4. a8 bes4 bes4. a8 g4 g4 fis2
+ R2.
+ g2 g4 fis4( d4) fis4 g4. a8 bes4 a4( bes4.) a8 g2. ~ g2 r4
+ %R2.
+ \bar "|."
+ %}
+ }
+ >>
+ }
+
diff --git a/hr/lily_copy/lilydocs/evd/texte.ly b/hr/lily_copy/lilydocs/evd/texte.ly
new file mode 100644
index 0000000..aa5bf9f
--- /dev/null
+++ b/hr/lily_copy/lilydocs/evd/texte.ly
@@ -0,0 +1,66 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ Est vi -- a de -- cli -- vis
+ fu -- ne -- sta nu -- bi -- la ta -- xo;
+ du -- cit ad in -- fer -- nas
+ per mu -- ta si -- len -- ti -- a se -- des.
+ Styx ne -- bu -- las ex -- ha -- lat in -- ers
+ um -- brae -- que re -- cen -- tes
+ de -- scen -- dunt il -- lac si -- mu -- la -- cra -- que
+ fun -- cta se -- pul -- cris.
+
+ Er -- rant ex -- san -- gues
+ si -- ne cor -- por -- e~et os -- si -- bus um -- brae
+ pars -- que fo -- rum ce -- le -- brant
+ pars i -- mi te -- cta ty -- ran -- ni
+ pars a -- li -- quas ar -- tes an -- ti -- quae
+ i -- mi -- ta -- mi -- na vi -- tae
+ ex -- er -- cent,
+ a -- li -- am par -- tem su -- a poe -- na co -- er -- cet.
+
+ Quo si -- mul in -- tra -- vit
+ tri -- a Cer -- be -- rus ex -- tu -- lit o -- ra
+ et tres la -- tra -- tus si -- mul e -- di -- dit.
+ }
+ dtText = \lyrics {
+ Steil geht _ nie_der ein Pfad,
+ um -- dü_stert von gif -- ti -- gen Ei -- ben,
+ Der in das un_te -- re Reich
+ durch schwei -- gen -- de Stil -- le hi -- nab -- führt.
+ Ne -- bel ver -- haucht un -- rüh -- rig die Styx.
+ Neu -- kom -- men -- de Schat -- ten
+ Stei_gen hi -- nab all -- dort und Ge -- bil -- de
+ be -- stat -- te -- ter To -- ten.
+
+ Oh_ne Ge -- bein und Leib
+ gehn _ blut -- _ los ir -- ren -- de Schat -- ten.
+ Man -- che_be -- su -- chen den Markt
+ und man -- che das Haus des Be -- herr -- schers;
+ An -- de -- re trei -- ben_Ge -- wer -- be als Ab -- bild _
+ frü -- he -- ren Le -- bens.
+ Wie_der ein an -- de -- rer Teil ist_im Dul -- den der Stra -- fe be -- fan -- gen.
+
+ Wie sie hi -- nein nun trat %, und gedrückt von dem heiligen Leibe
+ % Seufzend die Schwelle sich bog,
+ hob _ Ker -- be -- ros dräu -- end der Häup -- ter
+ Drei _ und er -- hob _ drei -- fa_ches Ge -- bell.
+ }
+
diff --git a/hr/lily_copy/lilydocs/ewigkeit/e.ly b/hr/lily_copy/lilydocs/ewigkeit/e.ly
new file mode 100644
index 0000000..0ad37fa
--- /dev/null
+++ b/hr/lily_copy/lilydocs/ewigkeit/e.ly
@@ -0,0 +1,68 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+%\include "texte.ly"
+
+ \header {
+ title = "<+Titel+>"
+ composer = "<+Komponist+>"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ sop = \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with {} <<
+ %\sop
+ %\alt
+ %\ten
+ \bas
+ >>
+ \midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ }
+ %\layout {
+ %}
+ }
+
diff --git a/hr/lily_copy/lilydocs/ewigkeit/e.midi b/hr/lily_copy/lilydocs/ewigkeit/e.midi
new file mode 100644
index 0000000..f0b4c47
--- /dev/null
+++ b/hr/lily_copy/lilydocs/ewigkeit/e.midi
Binary files differ
diff --git a/hr/lily_copy/lilydocs/ewigkeit/stimmen.ly b/hr/lily_copy/lilydocs/ewigkeit/stimmen.ly
new file mode 100644
index 0000000..1178078
--- /dev/null
+++ b/hr/lily_copy/lilydocs/ewigkeit/stimmen.ly
@@ -0,0 +1,74 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ %\include "dynArt.ly"
+
+ global = {
+ \key c \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ % { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ % { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ % { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ % { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ \key f \major
+ f4 bes,4 c4 f4 d4 c4 c'4 a4 f4 bes,4 c4 d4 e4 f4 c4 e4( c4) a'4( f4) r2
+ r1
+ r2. a4
+ d,4 e4 a4 f4 c4 b4 cis4 a4 d4 e4 f4 d4
+ a4( e4) gis4( e4) c'4( a4) r2
+ r1
+ r2. d4 g,4 a4 d,4 bes'4
+ f4 e4 fis4 d4 g4 a4 bes4 g4 d4 a4 cis4( a4) f'4( d4) r2
+ r1
+ r4 c4 c4 d4 ees4 f4 g4 a4 bes1 ~ bes1 a4 f4 f4
+ g4 a4 g4 a4 b4 c2 r2
+ r1
+ r2. c4 f,4 g4 c,4 a4
+ g4 g'4 e4 c4 f4 g4 a4 b4 c4 g4 b4( g4) e4( c4) r2
+ }
+ >>
+ }
+
diff --git a/hr/lily_copy/lilydocs/machaut/dynArt.ly b/hr/lily_copy/lilydocs/machaut/dynArt.ly
new file mode 100644
index 0000000..30423d4
--- /dev/null
+++ b/hr/lily_copy/lilydocs/machaut/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/lily_copy/lilydocs/machaut/machaut-1.midi b/hr/lily_copy/lilydocs/machaut/machaut-1.midi
new file mode 100644
index 0000000..510bb76
--- /dev/null
+++ b/hr/lily_copy/lilydocs/machaut/machaut-1.midi
Binary files differ
diff --git a/hr/lily_copy/lilydocs/machaut/machaut-2.midi b/hr/lily_copy/lilydocs/machaut/machaut-2.midi
new file mode 100644
index 0000000..521ad2c
--- /dev/null
+++ b/hr/lily_copy/lilydocs/machaut/machaut-2.midi
Binary files differ
diff --git a/hr/lily_copy/lilydocs/machaut/machaut-3.midi b/hr/lily_copy/lilydocs/machaut/machaut-3.midi
new file mode 100644
index 0000000..e273e6e
--- /dev/null
+++ b/hr/lily_copy/lilydocs/machaut/machaut-3.midi
Binary files differ
diff --git a/hr/lily_copy/lilydocs/machaut/machaut.ly b/hr/lily_copy/lilydocs/machaut/machaut.ly
new file mode 100644
index 0000000..b274350
--- /dev/null
+++ b/hr/lily_copy/lilydocs/machaut/machaut.ly
@@ -0,0 +1,109 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "parts/kyrie.ly"
+\include "parts/gloria.ly"
+\include "parts/credo.ly"
+\include "parts/sanctus.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Messe de nostre dame"
+ composer = "Guillaume de Machaut"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 15)
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+%{
+ \score {
+ \kyrie
+ \header {
+ piece = \markup { \bold "Kyrie" }
+ }
+ \layout { }
+ %{
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 200 4)
+ }
+ }
+ % }
+ }
+%}
+
+%{
+ \score {
+ \gloria
+ \header {
+ piece = \markup { \bold "Gloria" }
+ }
+ \layout { }
+ %{
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 200 4)
+ }
+ }
+ % }
+ }
+%}
+
+%\bookpart {
+ \score {
+ \credo
+ \header {
+ piece = \markup { \bold "Credo" }
+ }
+ \layout { }
+ %{
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 200 4)
+ }
+ }
+ %}
+ }
+%}
+
+%{
+ \score {
+ \sanctus
+ \header {
+ piece = \markup { \bold "Sanctus" }
+ }
+ \layout { }
+ %{
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 200 4)
+ }
+ }
+ % }
+ }
+%}
diff --git a/hr/lily_copy/lilydocs/machaut/machaut.midi b/hr/lily_copy/lilydocs/machaut/machaut.midi
new file mode 100644
index 0000000..06008b3
--- /dev/null
+++ b/hr/lily_copy/lilydocs/machaut/machaut.midi
Binary files differ
diff --git a/hr/lily_copy/lilydocs/machaut/midi.lua b/hr/lily_copy/lilydocs/machaut/midi.lua
new file mode 100644
index 0000000..58e69da
--- /dev/null
+++ b/hr/lily_copy/lilydocs/machaut/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/lily_copy/lilydocs/machaut/midi/machaut-1.midi b/hr/lily_copy/lilydocs/machaut/midi/machaut-1.midi
new file mode 100644
index 0000000..5eb5ae5
--- /dev/null
+++ b/hr/lily_copy/lilydocs/machaut/midi/machaut-1.midi
Binary files differ
diff --git a/hr/lily_copy/lilydocs/machaut/midi/machaut-2.midi b/hr/lily_copy/lilydocs/machaut/midi/machaut-2.midi
new file mode 100644
index 0000000..8d29bdf
--- /dev/null
+++ b/hr/lily_copy/lilydocs/machaut/midi/machaut-2.midi
Binary files differ
diff --git a/hr/lily_copy/lilydocs/machaut/midi/machaut-3.midi b/hr/lily_copy/lilydocs/machaut/midi/machaut-3.midi
new file mode 100644
index 0000000..ba1f748
--- /dev/null
+++ b/hr/lily_copy/lilydocs/machaut/midi/machaut-3.midi
Binary files differ
diff --git a/hr/lily_copy/lilydocs/machaut/midi/machaut.midi b/hr/lily_copy/lilydocs/machaut/midi/machaut.midi
new file mode 100644
index 0000000..f40a02b
--- /dev/null
+++ b/hr/lily_copy/lilydocs/machaut/midi/machaut.midi
Binary files differ
diff --git a/hr/lily_copy/lilydocs/machaut/parts/credo.ly b/hr/lily_copy/lilydocs/machaut/parts/credo.ly
new file mode 100644
index 0000000..b247dfa
--- /dev/null
+++ b/hr/lily_copy/lilydocs/machaut/parts/credo.ly
@@ -0,0 +1,304 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.14"
+ \include "dynArt.ly"
+
+ globalCredo = {
+ \key c \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 2/2
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranCredo = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ e2 f2 e1 d8 c4 b8 a2 b2 d8 cis4 b8 d1
+ a'8 g4 f8 f8 e4 d8 cis1 d4 f4 e4 e4 a,1
+ a'4 a4 g4 f4 e4 d4 e8 d8 cis8 d8 e1
+ fis2 a8 g8 f8 e8 d4 e4 d4 cis4 d1
+ r1 a'1 gis2 b8 a8 g8 f8 e1 f8 e8 e8 d8 e4 f4 g4 f4 e2
+ b1 d8 c8 b8 c8 a4 d4 c2 f4 e4 d2 g8 f8 e8 d8 c4 d4 e1
+ a2 f2 f8 g8 a8 g8 a4 gis4 a1
+ c4 c4 b4 a4 gis1 a2 f8 e8 f8 d8 e1
+ r1 cis2 d2 cis4 d8 e8 f4 e4 d4 a'4 a8 g8 g8 f8 e1
+ gis2 a2 b8 a4 gis8 a2 d,4 f4 e4 d4 cis1
+ d8 cis8 b8 cis8 d2 c4 d8 e8 f2
+ c'4 c4 b4 a4 g2 f2 f8 g8 a8 g8 f8 e8 f8 d8 e1
+ cis1 d2 f4 gis4 a2 b8 a8 g8 f8 e4 d8 e8 d2 cis1 d1
+ %
+ e1 d2 cis2 d2 g4 a4 f1 c'4 c4 b4 a4 g4 f4 f8 gis8 a8 gis8 a1
+ d,1 a'8 g8 g8 f8 e4 d4 cis1 d2 e4 e4 d4 e4 f4 a4 gis4 a4 f2 gis1 a1
+ %
+ b\breve c\breve a\breve g\breve f\breve gis\breve
+ a2 b8 a8 g8 f8 e4 d8 e8 d4 cis4 d1
+ r1 cis1 d2 e2 d2 e8 f8 g8 d8 e4 cis4 d8 cis8 b8 cis8 d1
+ e4 g4 f8 e8 f8 d8 c4 d4 e1
+ f4 gis4 a4 a4 b8 a8 a8 gis8 a1
+ c4 c4 b2 a2 gis1. a4 a4 g2 f2 e1.
+ f4 g4 a4 d,4 g8 f8 e8 d8 cis1.
+ d2 e2 a,4 d4 c4 d4 e1
+ f2 e2 d4 a'4 g4 a4 f2 f8 gis8 a8 gis8 a1
+ r1 c2 c8 c8 b8 a8 g4 a4 f4 a8 g8 f8 e8 f8 d8 e1
+ f2 e2 d2 c4 c4 d4 e4 f4 g4 f1
+ c'4 b8 a8 g2 f2 b8 a8 g8 f8 e4 d8 e8 d2 cis1 d1
+ %
+ a'1 d,2 f8 e8 f8 gis8 a4 f4 g4 e4 f4 d4 e1
+ f4 d4 e4 cis4 d8 cis8 b8 cis8 d1
+ e2 d2 cis2 d2 f4 gis4 a4 e4 f4 e8 d8 e1
+ g8 f8 e8 f8 e4 d4 c4 e4 b4 cis4 d1
+ c'8 c8 b8 a8 g4 f4 f8 a8 g8 f8 e4 d4 e1
+ d8 e8 f8 gis8 a2 b8 a8 g8 f8 e4 d8 e8 d4 cis4 d1
+ r1 a'1 b8 a8 g8 f8 e4 g4 d4 e4 b4 cis4 d1
+ e2 d2 f8 e8 f8 g8 a4 d,4 g4 e4 f4 d4 e1
+ a,2 cis4 cis4 d1 f4 g4 a2 b8 a4 gis8 a1
+ c4 b8 a8 g4 f4 b8 a8 g8 f8 e4 a4 e4 f4 e1
+ r1 g1 f2 e2 d4 e4 f4 d4 e4 cis4 d1
+ a'2. g4 f2 f8 g8 a8 gis8 a1
+ c2 b4 c4 b4 a4 gis1. a2 g2 f8 e8 f8 d8 e1.
+ %
+ a1. g4 a4 b1 c4 a2 f2 a4 g1. f2 e2 c2 d4 f2 e2 g4 a1.
+ g2 r2 e2 a4 d,2 f2 a4 g1. g8 a4 b8 c4 r8 a8 a8 g4 f8
+ e2 fis1 g1. fis2 r2 a2 g4 d2 e2 f4 g1.
+ a2 e2 g2 e4 g2 d2 g4 f1.
+ a2 r2 fis2 g4 d2 e2 gis4 a1.
+ e8 c4 e8 g4 r8 g8 f8 e4 d8 g2 a1 e1.
+ d2 r2 fis2 g4 e2 c2 e4 g1.
+ a2 d,2 f2 c4 e2 a2 fis4 g1.
+ a2 r2 fis2 g4 c,2 e2 gis4 a1.
+ b8 a4 d,8 e4 r8 c8 a'8 g4 fis8 g2 gis1 a1.
+ }
+ >>
+ }
+
+ altCredo = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ e2 d2 cis1 a'4 g4 f8 e8 f8 d8 e4 f4 gis4 fis8 gis8 a1
+ d,8 cis8 d8 b8 cis4 d4 e1
+ f4 d4 gis4 gis4 a1
+ d,4 d4 b4 a4 g'8 f8 e8 d8 d4 cis8 b8 cis1
+ d2 e8 d8 e8 f8 g4 g4 f4 gis4 a1
+ r1 d,2 f2 e2 d8 c8 b8 a8 b1
+ c4 c4 b4 d4 a4 d4 e2
+ a8 gis8 a8 fis8 gis4 fis8 gis8 a2 e4 f4 e2 f4 g4 a2 d,2 g8 f8 e8 d8 cis1
+ d2 a2 d8 cis8 d8 b8 cis4 cis4 d1
+ g4 a4 g4 d4 e1 a,2 d8 cis8 d8 b8 cis1
+ r1 a'2 b8 a8 g8 f8 e4 g4 a4 g4 a4 d,4 e4 d4 cis1
+ cis4 d8 e8 f2 e2 d2 g4 a4 e4 f4 gis1
+ fis8 gis8 a8 gis8 a2 g4 g4 a4 f4 g4 f8 e8 d4 c4 b8 c8 d8 e8 c2 e4 a,4 c8 b8 c8 a8 cis1
+ gis'1 a2 d,8 cis8 b8 cis8 d1 g4 f8 e8 f2 gis1 a1
+ %
+ g1 f2 a8 gis8 fis8 gis8 a4 g8 a8 b4 a8 b8 c2 a2
+ f8 e8 d8 c8 b4 c4 d4 d4 e8 d4 cis8 d1
+ b'1 a4 a4 a8 g8 a8 f8 gis1
+ a8 g4 f8 g4 g4 f4 gis4 a4 a4 e4 d4 c8 b8 c8 a8 cis1 d1
+ %
+ e\breve f\breve c\breve b\breve d\breve cis\breve
+ d2 d2 c4 d8 e8 f4 gis4 a1
+ r1 gis1 a2 c8 b8 a8 g8 a2 a4 c4 g4 a4 gis4 fis8 gis8 a1
+ g8 f8 e8 f8 d4 f4 e4 d4 cis1
+ d4 e8 d8 c8 b8 a8 b8 cis4 cis4 d1
+ g4 a4 d,2 f4 e8 d8 cis1.
+ d4 f4 e2 f8 g8 a8 f8 g1.
+ a4 b4 a4 g4 a8 g4 f8 gis1.
+ a2 c8 b8 a8 g8 a4 d,4 e4 d4 cis1
+ a'8 g8 a8 f8 g4 f8 g8 a4 d,4 c4 f8 e8 d8 c8 d8 b8 cis2 d1
+ r1 f2 a8 a8 a8 a8 d,4 f8 e8 d4 d4 a'4 a4 b1
+ a4 g8 f8 g8 f8 e8 d8 a'4 g4 f4 e4 f4 g4 a4 g4 a2 c4 b8 a8 g4 f4 e4 d4 c4 b8 c8 d4 c4 c4 d8 e8 f2 gis1 a1
+ %
+ d,2 f8 g8 a8 f8 g4 d4 d4 cis4 d4 d4 b4 b4 d4 d4 cis1
+ a'4 a4 g4 f4 a8 gis4 fis8 a1
+ c8 b8 a8 g8 f2 gis2 a2 d,4 e4 d4 c4 a'4 d,4 cis1
+ e4 c4 g'4 g4 e4 e4 a4 fis8 gis8 a1
+ g8 a8 g8 a8 d,4 f4 d8 d8 d8 d8 b4 d4 cis1
+ d8 e8 d8 cis8 f2 f2 e4 f8 g8 a4 gis4 a1
+ r1 d,1 c2 d4 e4 f4 g4 a4 gis4 a1
+ c4 b8 a8 g2 a4 d,8 e8 f4 a4 d,4 d4 c'4 b8 a8 b1
+ a2 e4 e4 a2 g2 f4 d4 e4 d4 cis2 d1
+ g4 d4 e4 a,4 a2 a'4 a4 g8 f8 g8 e8 gis1
+ r1 e1 d2 e8 d4 c8 g'4 g4 a4 g8 f8 e4 gis4 a1
+ f1 d2 e2 d2 a2 e'2 d4 a'4 d,4 f4 e1. f2 e2 a4 g8 f8 gis1.
+ %
+ d1. e2 d1 f2 r2 d2 e1.
+ d4 a2 c2 a4 b2 c2 e2 d2 f1
+ e2 c1 f8 c4 d8 f4 r8 f8 a8 d,4 c8 e1.
+ d4 e2 c2 d4 c2 b2 d2 c2 e1
+ d2 cis1 d2 r2 c2 e1.
+ f4 d2 e2 d4 c2 d2 e2 f2 a1
+ e2 cis1 d8 e4 a8 g4 r8 g8 e8 d4 cis8 d1.
+ g4 e2 c2 d4 e2 d2 f2 e2 cis1
+ f2 d1 e2 r2 g2 e1.
+ f4 a2 g2 d4 c2 d2 cis2 d2 e1 d2 a1
+ c8 e4 c8 e4 r8 e8 e8 d4 cis8 d1. b4 c2 e2 d4 e2 cis1 d1.
+ }
+ >>
+ }
+
+ tenorCredo = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r1 r1 d2 d2 b4 a4 gis2 a1
+ a4 g8 f8 e4 f4 gis1
+ a4 a4 e'4 cis4 d1 d4 f4 e4 d8 c8 b4 a4 b4 a4 gis1
+ b2 c2 b4 a4 a4 gis4 a1
+ d4 c8 b8 a4 cis4 d2 c2 b2 a2 g1
+ c4 d4 e4 a,4 e'4 d8 c8 b2
+ e1 f2 e4 d4 e2 a,8 b8 c8 b8 a2 g4 f4 e4 f4 gis1
+ d'2 c2 a2 a4 gis4 a1
+ e'4 a,4 d4 a4 cis1 d2 a2 gis1
+ b4 a8 b8 cis4 d4 e2 f2 e4 e4 d4 cis4 d4 a4 g4 f4 gis1
+ gis2 a4 b4 cis2 d2 b4 b4 c4 d4 e1
+ c8 b8 a8 gis8 a2 e'4 d4 c2 e4 c4 f4 e4 d8 c8 b8 a8 c2 b4 d4 c4 b8 a8 gis1
+ e'1 a,2 gis4 gis4 a1 e2 a2 gis1 a1
+ %
+ g1 d2 gis2 a2 b4 d4 c1
+ c4 f4 e4 e4 d4 a4 gis4 fis8 gis8 a1
+ b1 d4 a4 b4 a4 gis1
+ a2 c4 c4 a4 cis4 d4 d4 c4 b4 a4 g8 f8 gis1 a1
+ %
+ b\breve c\breve f,1 d1 e\breve f1 a1 gis\breve
+ a2 f4 e8 d8 e4 e4 a4 gis4 a1
+ d,4 f4 e4 f4 gis2 a2 b2 c2 a2 d,4 c4 e4 f4 gis2 a1
+ c4 c4 b4 a4 g4 f4 gis1
+ f4 gis4 a4 d,4 f4 gis4 a1
+ c4 c4 d4 b4 d8 c8 b8 a8 gis1.
+ d'4 d4 a4 g4 f4 e8 f8 g1.
+ c4 c4 d4 d4 c4 d4 e1.
+ a,8 g8 a8 b8 c2 c4 c4 a4 a4 gis1
+ a2 c2 a4 a4 c4 d4 c4 b8 a8 gis2 a1
+ f4 g4 a4 b4 c2 a8 g8 a8 f8 g4 d4 a'4 a4 f4 f4 e1
+ a2 c2 a2 f4 a4 c4 g4 a4 g4 c2 a2
+ g4 a4 g2 f2 a2 e2 f2 gis1 a1
+ %
+ a1 b2 c2 a4 a4 g4 g4 d4 d4 e1
+ a4 d,4 e4 f4 gis4 fis8 gis8 a1
+ c2 a2 gis2 a2 a4 gis4 a4 a4 c4 b8 a8 gis1
+ c2 b4 b4 a4 g4 f4 gis4 a1
+ c8 c8 a8 a8 d4 c4 a8 a8 a8 a8 g4 f4 e1
+ d'8 cis8 b8 cis8 d2 c2 b2 a4 gis4 a1
+ a4 f8 g8 a4 gis4 a1 a2 b4 b4 a4 c4 a4 gis4 a1
+ c2 b2 c2 d4 d4 b4 b4 a4 a4 b1
+ a4 g8 f8 e4 gis4 a2 b2 d4 d4 a2 gis2 a1
+ e'4 f4 d4 c4 d2 c4 d4 e4 d4 cis1
+ d4 a8 b8 c4 b4 c1 b2 c8 b4 a8 b4 c4 d4 d4 a4 gis4 a1
+ d1 b2 cis2 d1
+ c2 e8 f8 e8 d8 c8 b8 c8 a8 cis1.
+ d4 c4 b2 a2 gis1.
+ a1. r2 b1 r2 c2 a2 g1. f2 g1 f2 e1 a1.
+ g1. f1. g2 c,1 b'2 c2 a2 g2 fis1 g1.
+ r2 fis1 r2 g2 c,2 g'1.
+ a2 g1 a2 b1 c1. a1.
+ g1. a2 f1 c'2 b2 a2 g2 d1 e1.
+ d1. c1. g'2 c,1 f2 g2 d2 e2 fis1 g1.
+ r2 fis1 r2 g2 e2 d1.
+ g2 a2 b2 c2 gis1 a1.
+ }
+ >>
+ }
+
+ bassCredo = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r1 r1 d2 f2 g4 f4 e2 d1
+ d4 e8 f8 g4 f4 e1 d4 d4 e4 e4 d1
+ d4 d4 e4 f4 g4 a4 g4 f4 e1
+ d2 c2 g'4 e4 f4 e4 d1
+ a'4 d,8 e8 f4 e4 d1 e2 f2 g1
+ f4 a4 e4 d4 c4 d4 e2
+ g4 f4 e2 a2 g4 f4 e2 d4 c4 \time 3/2 d2 d4 e8 f8 g4 f4 \time 2/2 e1
+ d2 f2 a4 d,4 f4 e4 d1
+ c4 f4 g4 f4 e1 d2 f2 e1
+ g8 f8 e8 f8 e4 d4 a'2 d,2
+ a'4 g4 f4 g4 d4 d4 c4 d4 e1
+ e2 d2 a'2 d,2 g4 d4 g4 f4 e1
+ a4 a4 d,2 g4 g4 f2
+ c4 f4 g4 a4 d,4 e4 f2 e4 d4 f8 a8 g8 f8 e1
+ e1 d2 f4 e4 d2 f2 g2 d2 e1 d1 \bar "||"
+ c1 f2 e2 d2 e4 e4 f1 f4 f4 g4 a4 g4 a4 e2 d1
+ g1 d4 f4 g4 d4 e1
+ d2 c4 c4 f4 e4 d4 d4 e4 d4 f2 e1 d1 \bar "||"
+ \time 4/2
+ g\breve f\breve f\breve g\breve d\breve e\breve
+ \time 2/2
+ d2 d2 g4 g4 f4 e4 d1
+ a'4 g8 a8 g4 f4 e1 d2 c2 d2 a'4 a4 g4 f4 e2 d1
+ \time 3/2
+ c4 c4 d4 d4 e4 f4 \time 2/2 e1
+ \time 3/2
+ f4 e4 d4 a'8 g8 f4 e4 \time 2/2 d1
+ \time 3/2
+ c4 f4 g2 d2 e1. d4 d4 e2 f4 e8 d8 c1.
+ f4 e4 d4 g4 f2 e1.
+ \time 2/2
+ d2 c2 f4 g4 a4 g8 f8 e1
+ d2 c2 d4 d4 e4 d4 f2 e2 d1
+ d'8 c8 b8 c8 a4 g4 f2 f8 f8 g8 a8 \time 3/2 bes4 a4 d,4 d4 f4 a4 \time 2/2 g1
+ d2 c2 d2 a'4 a4 f4 e4 d4 e4 f1
+ c4 d4 e2 f2 d2 g2 d2 e1 d1 \bar "||"
+ \time 3/2
+ d1 g2 \time 2/2 f4 e4 d4 d4 e4 g4 f4 a4 gis1
+ \time 3/2
+ f4 a4 g4 f4 e2 \time 2/2 d1
+ c2 f2 e2 d2 \time 3/2 f4 e4 d4 a'4 f4 g4 \time 2/2 e1
+ c2 e4 g4 a4 e4 f4 e4 d1
+ c8 c8 d8 d8 e4 f4 d8 d8 e8 f8 g4 a4 gis1
+ a8 g8 f8 e8 d2 \time 3/2 f2 g2 f4 e4 \time 2/2 d1
+ d4 a'8 g8 f4 e4 d1 f2 g4 e4 d4 c4 f4 e4 d1
+ c2 g'2 f2 d4 d4 e4 e4 f4 a4 g1
+ d2 e4 e4 d2 g2 \time 3/2 a4 b4 a4 g8 f8 e2 \time 2/2 d1
+ c4 d4 e4 f4 \time 3/2 d2 a'4 d,4 c4 d4 \time 2/2 e1
+ g8 f8 e8 f8 e4 d4 c1 d2 e2 \time 3/2 g4 g4 d4 g8 f8 e4 e4 \time 2/2 d1
+ d1 f2 e2 d1
+ \time 3/2
+ c2 g'4 f4 g4 d4 e1. d2 e2 f2 e1. \bar "||"
+ d1. g1. f1. g2 e1 d2 c2 e2 d2 c1 d1.
+ r2 e1 r2 c'2 a2 g1. g2 f1 e2 d1 c1.
+ a'1. g1. e2 c1 d2 e2 c2 e2 g1 f1.
+ r2 fis1 r2 g2 e2 d1. c2 e1 g2 a1 gis1.
+ r2 b1 r2 c2 a2 g1. c2 b1 a2 a1 g1.
+ d1. c1. d2 a'1 f2 e2 d2 c2 e1 d1. \bar "|."
+ }
+ >>
+ }
+
+ sop = \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \globalCredo \sopranCredo }
+ %\addlyrics { \sopranText }
+ >>
+ alt = \new Staff = alt <<
+ \new Voice = "alti" { \globalCredo \altCredo }
+ %\addlyrics { \altText }
+ >>
+ ten = \new Staff = tenor <<
+ \new Voice = "tenoere" { \globalCredo \tenorCredo }
+ %\addlyrics { \tenorText }
+ >>
+ bas = \new Staff = bass <<
+ \new Voice = "baesse" { \globalCredo \bassCredo }
+ %\addlyrics { \bassText }
+ >>
+
+ credo = \new ChoirStaff \with {} <<
+ \sop
+ \alt
+ \ten
+ \bas %
+ >>
diff --git a/hr/lily_copy/lilydocs/machaut/parts/gloria.ly b/hr/lily_copy/lilydocs/machaut/parts/gloria.ly
new file mode 100644
index 0000000..c149a5a
--- /dev/null
+++ b/hr/lily_copy/lilydocs/machaut/parts/gloria.ly
@@ -0,0 +1,229 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.14"
+ \include "dynArt.ly"
+
+ globalGloria = {
+ \key c \major
+ \override Staff.TimeSignature #'style = #'()
+ \time 4/2
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranGloria = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ a\breve a\breve g1. e2 f2 gis2 a\breve
+ a1 f2 f8 gis8 a8 gis8 a2 b8 a8 g8 f8 e1
+ a2 b8 a8 g8 f8 e4 d4 e4 f4 e2 d8 cis8 d8 b8 cis1.
+ d2 e4 d4 c4 d4 e1. f4 gis4 a2 b8 a4 gis8 a1.
+ b8 a8 g8 f8 e4 d8 e8 d4 cis4 d1
+ r1 e1 cis2 d2 c4 d4 e2 g8 f8 e8 f8 e4 d4 cis1
+ e2 d2 f4 gis4 a2 b8 a8 g8 f8 e4 d8 e8 d8 cis8 d8 b8 cis2 d1
+ %
+ a'1 a2 g2 f2 e4 d4 e2 g8 f8 e8 d8 cis1
+ d2 e2 f8 e4 d8 f4 gis4 a2 a8 g4 f8 gis1.
+ a4 a4 g4 f4 e4 d4 c2 c8 d8 c8 d8 e2 b'8 a8 g8 f8 e4 d4
+ cis\breve d\breve e\breve d\breve
+ r1 e1 f2 e4 d4 c4 d4 e4 f4 e1
+ a2 b8 a8 g8 f8 e4 d4 c4 d4 e1 d2 cis2 d1
+ %
+ a'1 b2 a4 g8 f8 e4 d4 c2 e1 d1
+ f4 gis4 a2 g2 f8 e4 d8 e1
+ r1 e1 f2 e2 d4 f4 e4 d4 cis1
+ d8 cis8 d8 b8 cis4 b8 cis8 d1
+ d4 e4 f4 gis4 a2 f2 gis1 a1
+ b8 a8 g8 f8 e4 d4 e1
+ f2 g4 d4 e8 f8 g8 f8 e4 d4 c1
+ c4 d4 e2 d2 cis2 d1
+ %
+ g2 g2 f2 a4 g8 f8 e4 d4 e2 f1.
+ a2 g4 f4 e4 d4 e1. g2 f2 a4 g8 f8 e4 d4 cis1.
+ e\breve d\breve e\breve cis\breve d\breve
+ r1 e2 f2 e2 d2 f4 g4 a4 a4 a8 g8 a8 f8 gis1.
+ a4 g8 f8 e2 d2 cis2 d1
+ %
+ a'1. f1. e2 d1 e2 gis1 a1. d,2 r2 e2 r2 a,2 b2 c2 r2 g'2
+ r2 d2 f2 e2 r2 c2 d2 cis1 d1. d2 g2 b8 a8 g8 f8 e1.
+ a2 r4 g4 f2 r4 e4 g2 r4 e4 d2 a2 r2 d2 a2 r2 e'4 d4 r2 c4 d4 e1.
+ r4 g4 r4 d4 r4 e4 f8 e4 d4 f4 a4 g4 f8 gis1.
+ a8 d,4 f4 g4 f4 e4 d8 cis1. d1.
+ }
+ >>
+ }
+
+ altGloria = \relative c'' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ d\breve f\breve e\breve a,2 cis2 d\breve
+ d1 a4 b4 cis2 d1
+ cis1 d2 a2 b4 a4 b4 c4 b2 a2 gis1.
+ a2 c4 b4 a4 g8 a8 b1.
+ a4 b8 cis8 d2 cis2 d1.
+ d2 c4 b4 a4 gis4 a1
+ r1 c1 e2 a,2 a4 g8 a8 b2 c2 a2 gis1
+ c2 a2 cis2 d2 c2 c4 b4 a2 gis2 a1
+ %
+ d1 c2 e2 d2 b4 a4 b2 d4 c8 d8 e1
+ a,2 b2 b2 d4 cis4 d2 c8 b8 c8 a8 cis1.
+ e4 f4 e4 d4 c4 d4 e2 e8 f8 e8 d8 c2 d2 cis4 d4
+ e\breve a,\breve gis\breve a\breve
+ r1
+ b1 a2 c4 a4 a4 b4 c4 b4 c1
+ d2 d4 c4 b2 a2 b1 a2 gis2 a1
+ %
+ f'1 e2 d2 e4 f4 e4 d8 c8 b1 a1
+ cis4 cis4 d2 d2 c8 b8 c8 a8 b1
+ r1 c1 a2 g2 g4 a8 b8 c4 d4 e1
+ a,2 gis2 a1 b4 b4 cis4 cis4 d2 a2 cis1 d1
+ d2 c2 b1 c8 b8 c8 a8 b4 b4 a4 b4 c4 d4 e1
+ e4 a,4 b2 a2 gis2 a1
+ %
+ c2 c4 b8 a8 c2 d2 e4 d8 c8 b2 c1.
+ d2 b4 a4 b4 c4 b1.
+ e2 c2 d4 d4 c4 d4 e1.
+ c\breve a\breve b\breve gis\breve a\breve
+ r1
+ c2 a2 g2 g'8 f8 e8 f8 d4 c4 d4 d4 d4 cis8 b8 cis1.
+ d4 c4 b2 a2 gis2 a1
+ %
+ d1. d2 a1 b2 a1 cis1. d2 a1
+ r2 d2 b2 c2 d1 r2 e2 c2 b2 a1 r2 g2 a2 f2 gis1 a1.
+ d4 c4 b2 a2 b1.
+ r4 d4 a2 r4 b4 c2 r4 e4 c2 r2 d2 a2 r2 d2 a2 r2 e'4 d4 r2 cis1.
+ e4 r4 d4 r4 b4 r4 c4 a2 d2 a4 cis1.
+ d4 a2 b2 a4 gis1. a1.
+ }
+ >>
+ }
+
+ tenorGloria = \relative c {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ d\breve \bar "||" d\breve \time 6/2 e\breve d2 cis2 \time 4/2 d\breve
+ \bar "||"
+ \time 2/2
+ a'1 d,2 a'8 g4 f8 a1 e1 f2 d2 c4 d4 c4 d4 e2 f4 e8 d8 \time 3/2 cis1.
+ f2 g4 g4 d4 d4 e2 g1
+ f4 g4 a4 g8 f8 e2 a1.
+ g4 e4 c4 e4 d4 c4 \time 2/2 d1
+ d4 e8 f8 g4 a4 g1 g2 a2 f4 a4 g2 e2 d2 cis1
+ g'2 f2 g2 a2 f2 e2 f4 e8 d8 cis2 d1 \bar "||"
+ a'1 a2 g2 a4 g8 a8 g4 f4 e2 d2 cis1
+ f2 e2 d2 f4 g4 a2 f4 e8 d8 \time 3/2 cis1.
+ \time 2/2
+ a'4 f4 g4 d4 c4 d4 cis2 cis8 cis8 f8 f8 g2 d2 cis4 d4
+ \time 4/2
+ e\breve d\breve c\breve d\breve
+ \time 2/2
+ a'4 g8 f8 e4 d4 e1 g2 g4 f8 e8 d4 d4 c4 d4 e1
+ a1 g2 f4 e8 d8 c1 d2 c2 d1 \bar "||"
+ d1 e2 f2 c4 d4 cis4 d4 e1 a2 f2
+ a4 g4 a2 g4 f8 e8 d4 f4 e2 g2
+ d4 e8 f8 g4 a4 g1 f2 e2 c4 d4 c4 d4 cis1
+ d2 cis2 d2 f2 e4 e4 a4 g4 a2 d,2 cis1 d1
+ a'2 g4 f4 e1 d2 c4 d4 f4 e4 c4 d4 cis1
+ f4 f4 c2 f2 c2 d1 \bar "||"
+ g2 g2 a2 a2 c,4 d4 e2 \time 3/2 f1.
+ a2 e4 d4 c4 d4 e1.
+ \time 2/2
+ g2 f2 a4 d,4 e4 d4 \time 3/2 cis1.
+ \time 4/2
+ g'\breve d\breve g\breve cis,\breve d\breve
+ \time 2/2
+ d4 e8 f8 g4 a4 g2 f2 e2 c2 \time 3/2 d4 g4 d4 d4 f4 d4 cis1.
+ \time 4/2
+ a'2 e2 d2 cis2 \time 2/2 d1 \bar "||"
+ \time 3/2
+ a'1. r2 f2 d2 e2 d1 cis1.
+ a'1. e4 c2 d2 e4 g2 fis1
+ g4 a2 g2 f4 e2 f1
+ e4 c2 c2 e4 d2 cis1
+ d2 f1 g1 f2 e1.
+ a8 a8 r8 f8 a4 r8 d,8 a'8 g8 r8 f8 g4 r8 g8 c8 b8 r8 a8 g4 r8 g8
+ a4 f2 a2 d2 a2 d2 c4 r8 b4 d4 b4 c4 a4 a8 gis1.
+ a8 e4 g4 c,4 d4 e4 f8 g2 a1 gis1.
+ a2 e2 d2 cis1. d1. \bar "|."
+ }
+ >>
+ }
+
+ bassGloria = \relative c' {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ a\breve f\breve g\breve f2 e2 d\breve
+ d1 f2 e2 d1 a'1 d,2 f2 g4 a4 g4 f4 g2 d2 e1.
+ d2 c4 g'4 f4 f4 e1. f4 e4 d2 a'2 d,1.
+ d4 g4 a4 e4 f4 e4 d1
+ a'4 g8 f8 e4 d4 c1 e2 d2 f4 f4 e2 c2 g'4 f4 e1
+ c2 f2 e2 d2 f4 g4 a2 d,2 e2 d1
+ %
+ d1 f2 e2 f2 g4 a4 g2 f2 e1
+ d2 g2 f2 f4 e4 d2 f2 e1.
+ d4 d4 e4 f4 g4 f4 e2 a8 g8 a8 f8 e2 f2 g4 d4
+ cis\breve f\breve e\breve d\breve
+ d4 e8 f8 g4 a4 g1 d2 c4 d4 a'4 g8 f8 e4 d4 c1
+ d2 d4 f4 e4 g4 a4 g8 f8 g1 f2 e2 d1
+ %
+ f1 g2 d2 g4 f4 a2 g1 d1
+ f4 e4 d2 g2 a4 g8 f8 e1
+ a4 g8 f8 e4 d4 c1 d2 e2 g4 f4 a4 g8 f8 e1
+ f2 e2 d1 g4 g4 f4 e4 d2 f2 e1 d1
+ d4 e8 f8 g4 a4 g1 f2 e4 g4 a4 g4 g4 f4 e1
+ a4 a4 g2 d2 e2 d1
+ %
+ c2 e2 f2 d2 g4 a4 g2 f1.
+ d2 g4 a4 g4 f4 e1.
+ e2 f2 d4 f4 g4 f4 e1.
+ c\breve f\breve e\breve e\breve d\breve
+ a'4 g8 f8 e4 d4 c2 d2 e2 g2 f4 e4 d4 g4 d4 f4 e1.
+ d2 g2 f2 e2 d1
+ %
+ d1. ~ d1. g2 f1 e1. d2 f1
+ g1. e2 d1 c1. g'2 d1 e1. f2 e1 d1.
+ r1. g1. d1. c1. d1. ~ d1. g1 f2 e1.
+ c2 g'1 c,2 d2 f2 e1. d2 g2 f2 e1. d1.
+ }
+ >>
+ }
+
+ sop = \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \globalGloria \sopranGloria }
+ %\addlyrics { \sopranText }
+ >>
+ alt = \new Staff = alt <<
+ \new Voice = "alti" { \globalGloria \altGloria }
+ %\addlyrics { \altText }
+ >>
+ ten = \new Staff = tenor <<
+ \new Voice = "tenoere" { \globalGloria \tenorGloria }
+ %\addlyrics { \tenorText }
+ >>
+ bas = \new Staff = bass <<
+ \new Voice = "baesse" { \globalGloria \bassGloria }
+ %\addlyrics { \bassText }
+ >>
+
+ gloria = \new ChoirStaff \with {} <<
+ \sop
+ \alt
+ \ten %
+ \bas
+ >>
diff --git a/hr/lily_copy/lilydocs/machaut/parts/kyrie.ly b/hr/lily_copy/lilydocs/machaut/parts/kyrie.ly
new file mode 100644
index 0000000..a5b8188
--- /dev/null
+++ b/hr/lily_copy/lilydocs/machaut/parts/kyrie.ly
@@ -0,0 +1,180 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.14"
+ \include "dynArt.ly"
+
+ globalKyrie = {
+ \key c \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 3/2
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranKyrie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ a1. a2 b2 gis2 a1 f4 e4 d2 e2 fis2
+ g1 f2 e2 a1 g1. e4 d2 f2 gis4
+ a1 d,2 r4 a'4 r4 b4 r4 b4 c4 a2 g2 f4 g2 a1
+ d,1. r1. g1. a4 b4 a2 gis2
+ a1. f2 e1 g4 a4 b1 a4 d,2 e2 f4 e1 g2
+ r4 c,4 r4 e4 r4 gis4 a4 f2 a2 d,4 e2 f1
+ g4 f4 e4 d4 e2 f4 g4 a2 gis2 a1.
+ %
+ a1. b8 a8 g8 f8 e2 g2 r8 e4 c8 e4. g8 d8 f8 e8 d8
+ r8 cis4 d8 e4. d8 e8 fis8 g8 fis8 g1.
+ g4 f8 g8 a2 b8 a8 g8 f8 e4 r4 g8 d4 e4 d8 e8 f8 g1.
+ a2 a4 g8 a8 f2 r8 g4 a8 g4. g8 d8 e8 f8 g8
+ r8 a4 g8 a4. d,8 d8 e8 f8 g8 a1.
+ e2 a2 b8 a8 g8 f8 e4 r4 g8 d4 e4 d8 e8 d8 c1.
+ g'2 a2 d,4 c8 d8 r8 e4 c8 g'4. a8 d,8 f8 e8 g8
+ r8 a4 d,8 a'4. e8 d8 e8 f8 g8 a1.
+ e4 d8 e8 f2 c'8 b8 c8 a8 b4 r4 g8 d4 e4 gis8 fis8 gis8 a1.
+ %
+ a1. d,4 e4 f2 a8 gis4 fis8 a1. b1.
+ a2 d,2 e8 d8 c8 d8 e4 r4 r8 d4 f8 e4 r4
+ r8 d4 g8 d4 r4 r8 g4 f8 a2 r2 r2 g1.
+ f8 e4 d8 e2 a8 g4 fis8 g2 a2 f2 f8 e8 d8 e8 c2 a'8 g4 f8 g1.
+ a4 r4 r8 e4 g8 c,4 r4 r8 d4 c8 e4 r4 r8 d8 e8 fis8 gis1. a1.
+ %
+ a1. d,4 e4 f2 a8 gis4 fis8 a1. b1.
+ a4 r4 r8 e4 g8 e4 r4 r8 g4 a8 d,4 r4 r8 g4 f8 a2 r2 r2 g1.
+ f8 e4 d8 e2 a8 g4 fis8 g4 f8 g8 a1 a4 g4 f4 e4 d4 e4
+ fis4 r4 r8 g4 e8 d2 c4 r4 e8 g4 a4 d,4 fis8 g4 a4 b1
+ a2 a4 g8 f8 f8 e8 d8 e8 f4 a4 gis2 a4 d,4 g2 a8 g8 f8 e8 d4 f4 e1.
+ a4 r4 r8 f4 c8 f4 r4 r8 d4 g8 a4 r4 r8 e4 g8 a2 r2 r2 b1.
+ g4 f8 e8 f4 a4 gis8 a8 b8 gis8 a2 b1 c2 c8 b8 c8 a8 a8 g8 a8 f8
+ e4 r4 r8 g4 b8 a2 d,4 r4 e8 d4 e4 gis4 a8 e2 gis1 a1.
+ }
+ >>
+ }
+
+ altKyrie = \relative c'' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ d1. e2 b2 cis2 d1. c2 b1 c2 g2 a2 e'4 d4 cis1 d2 e1
+ a,2 cis1 d2 f1 e2 r2 e2 f2 r2 a2 d,4 e4 f2 e2 d2 f1
+ e1. d2 e1 d2 a2 cis2 d2 f2 e2 d2 cis1 d2 e1 a,2 b2 c2 b1.
+ a2 r2 e'2 d2 r2 d2 b2 d4 c4 b4 a4 e'2 cis1 d2 cis1 d1.
+ %
+ d1. c2 b1 a4 e'2 d4 b'8 a8 g8 f8 e4 b2 d4 c8 b4 a8 e'1.
+ d2 f2 e2 r4 d2 b2 a4 c2 e1
+ d2 c1 d4 e2 d4 b'8 a8 g8 f8 e4 d2 a'4 b8 a8 g8 f8 e1.
+ g2 f2 a4 d,4 r4 e2 d2 b4 c2 e1
+ d2 f2 g8 f8 e8 d8 c4 e2 d4 e8 d8 c8 b8 a4 d2 e4 d4 c8 b8 a1.
+ e'2 a,2 c4 d4 r4 e2 d2 cis4 d1.
+ %
+ d1. b2 c8 b4 a8 cis2 d2 e2 fis2 g1. a2 fis1
+ r4 g4 f4 d4 r4 e4 d4 c4 r4 b4 d4 e4 d2 e2 f8 e4 d8 e1.
+ a,4 d4 cis2 d2 e2 d1 c2 f8 g8 a8 g8 f4 e4 d1.
+ r4 a'4 g4 e4 r4 g4 d4 f4 r4 e4 d4 b4 cis1. d1.
+ %
+ d1. b2 c8 b4 a8 cis2 d2 e2 fis2 g1.
+ r4 fis4 g4 e4 r4 e4 d4 c4 r4 b4 d4 e4 d2 e2 f8 e4 d8 e1.
+ a,4 d4 cis2 d4 c8 d8 e1. d2 a'2 f4 e4 r4 d2 e4 f4 e8 d8 r4 e2 d2 cis4 d1 b8 cis8 d8 cis8 d1.
+ d2 e2 f4 e8 d8 e2 d2 g8 f8 e8 d8 cis1.
+ r4 d4 c4 f4 r4 c4 a'4 g4 r4 e4 d4 c4 d2 e2 f8 e4 d8 e1.
+ d4 e4 d8 cis8 d8 b8 cis4 b8 cis8 d1.
+ f2 a4 g4 f4 e4 r4 d2 e4 f8 e8 d8 c8 r4 d2 b2 a4 cis1. d1.
+ }
+ >>
+ }
+
+ tenorKyrie = \relative c {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ d1. r2 e1 d2 f1 g4 f4 e2 d2 c1 f2 e2 fis1 g1.
+ a4 g4 f2 e2 d1. r2 b'1 r2 c2 a2 g2 f1 a1.
+ r2 b1 g2 c,1 a'4 g4 f2 e2 d1 cis'2 d4 c4 b2 a2 g1.
+ a2 g2 f2 e1. r2 cis'1 r2 d2 a2 g2 d1 cis1 r2 r2 gis'1 a1.
+ %
+ d,1. f2 g2 e2 r2 d1 r2 e1 c1. b'2 c2 a2 r2 g1 c,1.
+ d2 f2 a2 r2 g1 r2 d1 cis'1.
+ cis2 d2 a2 r2 g1 c,1.
+ b'2 c2 a2 r2 g1 r2 a1 f1. g2 c2 a2 r2 gis1 a1.
+ %
+ a1. g2 f2 e2 d2 cis'1 d1.
+ d,1. c2 d2 e2 r2 g1 d1. c1.
+ f2 e2 d2 c2 d1 f1. g1.
+ d2 e2 c2 r2 g'1 e1. d1.
+ %
+ a'1. g2 f2 e2 d2 cis'1 d1.
+ d,2 c2 e2 r2 g1 d1. c1.
+ f2 e2 d2 c2 cis'1
+ d1. d,2 c2 d2 e2 fis1 g1. d1.
+ f2 e2 d2 c2 d1 e1.
+ d2 f2 f2 g2 a1 d,1. g1.
+ g2 f2 e2 d2 b'1 c1. a2 g2 f2 g2 e1 ~ e1. d1.
+ }
+ >>
+ }
+
+ bassKyrie = \relative c' {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ a1. a2 gis1 a1. r1.
+ c1. b2 a1 g1. r1.
+ a1. a2 g1 f1. r1.
+ d1. e2 e1 g1. r1.
+ a1. d,2 e1 g1. r1.
+ g1. f2 e1 d1. r1.
+ e1. f2 e1 d1. \bar "||"
+ a'1. a2 g1 a2 r2 r2 g1. ~ g1.
+ g2 f1 g2 r2 r2 g1.
+ a2 f1 g2 r2 r2 a1. ~ a1.
+ e2 d1 e2 r2 r2 g1.
+ g2 f1 e2 r2 r2 d1. ~ d1.
+ e2 f1 e2 r2 r2 d1. \bar "||"
+ d1. r1. a'2 a1 g1.
+ a1. c2 b1 g2 b1 a1. c1.
+ r1. c2 a1 a1. b1.
+ a2 g1 f2 e1 gis1. a1. \bar "||"
+ d,1. r1. a'2 a1 g1.
+ a2 c2 b2 g2 b1 a1. c1.
+ r1. c2 a1 d,1. r1. a'2 a1 g1. a1. r1. c2 b1 gis1.
+ b2 a2 c2 c2 a1 a1. b1.
+ r1. a2 g1 f1. r1. e2 gis1 ~ gis1. a1. \bar "|."
+ }
+ >>
+ }
+
+ sop = \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \globalKyrie \sopranKyrie }
+ %\addlyrics { \sopranText }
+ >>
+ alt = \new Staff = alt <<
+ \new Voice = "alti" { \globalKyrie \altKyrie }
+ %\addlyrics { \altText }
+ >>
+ ten = \new Staff = tenor <<
+ \new Voice = "tenoere" { \globalKyrie \tenorKyrie }
+ %\addlyrics { \tenorText }
+ >>
+ bas = \new Staff = bass <<
+ \new Voice = "baesse" { \globalKyrie \bassKyrie }
+ %\addlyrics { \bassText }
+ >>
+
+ kyrie = \new ChoirStaff \with {} <<
+ \sop
+ \alt
+ \ten
+ \bas %
+ >>
diff --git a/hr/lily_copy/lilydocs/machaut/parts/sanctus.ly b/hr/lily_copy/lilydocs/machaut/parts/sanctus.ly
new file mode 100644
index 0000000..54f3396
--- /dev/null
+++ b/hr/lily_copy/lilydocs/machaut/parts/sanctus.ly
@@ -0,0 +1,128 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.14"
+ \include "dynArt.ly"
+
+ globalSanctus = {
+ \key c \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 3/2
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranSanctus = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ c1. f,1 e4 d4 a'2 b2 c8 b4 a8 g2 a2 b2 c1.
+ %
+ c1. c4 a2 f4 r8 e4 d8 a'2 d,4 r4 a'8 b8 c8 b8 c1. b1.
+ c1. f,1 e4 d4 a'2 b2 c8 b4 a8 g2 a2 b2 c1.
+ %
+ a1 f4 g4 a2 bes1 a1 c8 b4 a8
+ c1. r8 a8 r8 a8 fis4 r8 g8 c4 a4
+ r8 g8 r8 f8 a4 r8 e8 a4 c4 b1.
+ a2 b1 c2 r2 r2 a4 g4 fis1 g2 c2 a4 g8 a8 b1.
+ r8 a8 r8 b8 c4 r8 g8 a4 e4 r8 f8 r8 f8 d4 r8 e8 f4 g4 a1.
+ g2 fis1 g2 r2 r2 b8 a8 g8 f8 e1 d4 e4 g2 g4 f8 g8 a1.
+ r8 g8 r8 b8 a4 r8 a8 e4 cis4 r8 d8 r8 d8 a'4 r8 a8 d,4 c4 e1.
+ c'4 b4 a1 f2 r2 r2
+ a1. b8 a4 g8 a1 e1.
+ r8 e8 r8 g8 a4 r8 f8 e4 c4 r8 d8 r8 a'8 f4 r8 f8 c'4 a4 b1.
+ a2 b1 c1. c8 bes8 a8 g8 fis2 a2 g8 f8 g8 a8 b1 c1.
+ r8 a8 r8 a8 fis4 r8 g8 a4 b4 r8 c8 r8 c8 f,4 r8 f8 g4 a4 b1.
+ gis2 a1 c2 r2 r2 a4 fis8 g8 a2 a8 g4 fis8 g1 e8 d4 c8 d1.
+ r8 d8 r8 g8 a4 r8 a8 c4 a4 r8 g8 r8 g8 a4 r8 a8 f4 d4 e1. f1.
+ %
+ c'1. c8 b8 c8 a8 b2 g4 a4 b1. c1.
+ r8 a8 r8 a8 e4 r8 e8 a4 e4 r8 a8 r8 a8 d,4 r8 a'8 b4 a4 c1.
+ a4 c4 b4 a4 g8 a8 g8 a8 f2 r2 r2
+ e2 g4 a4 b2 g2 g8 f8 e8 f8 e4 d4 a'1.
+ r8 c8 r8 c8 a4 r8 e8 d4 f4 r8 e8 r8 c8 d4 r8 d8 a'4 b4 c1.
+ b4 a4 g2 a8 b8 c8 b8 c2 r2 r2 fis,4 g8 a8 g1 c1 c8 b8 c8 a8 b1.
+ r8 a8 r8 a8 f4 r8 a8 e4 d4 r8 a'8 r8 a8 g4 r8 g8 a4 b4 c1.
+ f,8 e8 f8 d8 fis2 fis4 e8 fis8 g2 r2 r2
+ e1. a4 fis8 g8 a4 fis4 g4 a4 b1.
+ r8 c8 r8 a8 g4 r8 f8 bes4 g4 r8 a8 r8 f8 g4 r8 g8 f4 e4 f1.
+ }
+ >>
+ }
+
+ altSanctus = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ tenorSanctus = \relative c {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ f1. f1 g2 a2 e2 f2 g2 d2 b'2 c1. \bar "||"
+ c1. a2 f2 g2 a2 g2 b2 c1. g1.
+ f1. f1 g2 a2 e2 f2 g2 d2 b'2 c1. \bar "||"
+ a1. c2 bes1 r2 a1 f1. a2 b2 c2 bes2 a1 g1.
+ a2 g1 f1. a2 b1 r2 c1 d1. b2 c2 a2 f2 g1 d1.
+ bes'2 a1 g1. f2 a1 r2 g1 d1. g2 f2 e2 d2 f1 e1. f2 a1 c1.
+ a2 f1 r2 d1 e1. g2 f2 e2 d2 f1 g1. a2 g1 f1.
+ bes2 a1 r2 g1 f1. a2 b2 c2 f,2 f1 e1. e2 d1 c1.
+ fis2 fis1 r2 g1 d1. bes'2 a2 c2 bes2 a1 g1. f1. \bar "||"
+ c'1. a2 b1 r2 g1 c,1. f2 a2 d,2 a'2 g1 f1. a2 b1 c1.
+ c2 d1 r2 bes1 a1. f2 e2 d2 e2 d1 c1. e2 g1 f1.
+ a2 g1 r2 f1 g1. d2 f2 g2 a2 g1 f1. bes2 a1 g1.
+ d2 e1 r2 d1 g1. c2 c2 bes2 a2 g1 f1. \bar "|."
+ }
+ >>
+ }
+
+ bassSanctus = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ c1. c1. a1. bes2 a2 g2 f1. \bar "||"
+ f,1. a2 c1 c2 d1 c1. r1.
+ c1. c1. a1. bes2 a2 g2 f1. \bar "||"
+ r1
+ }
+ >>
+ }
+
+ sop = \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \globalSanctus \sopranSanctus }
+ %\addlyrics { \sopranText }
+ >>
+ alt = \new Staff = alt <<
+ \new Voice = "alti" { \globalSanctus \altSanctus }
+ %\addlyrics { \altText }
+ >>
+ ten = \new Staff = tenor <<
+ \new Voice = "tenoere" { \globalSanctus \tenorSanctus }
+ %\addlyrics { \tenorText }
+ >>
+ bas = \new Staff = bass <<
+ \new Voice = "baesse" { \globalSanctus \bassSanctus }
+ %\addlyrics { \bassText }
+ >>
+
+ sanctus = \new ChoirStaff \with {} <<
+ \sop
+
+ \ten
+ %\bas
+ >>
diff --git a/hr/lily_copy/lilydocs/machaut/stimmen.ly b/hr/lily_copy/lilydocs/machaut/stimmen.ly
new file mode 100644
index 0000000..ae98bc7
--- /dev/null
+++ b/hr/lily_copy/lilydocs/machaut/stimmen.ly
@@ -0,0 +1,60 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.14"
+ \include "dynArt.ly"
+
+ global = {
+ \key c \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r1
+ }
+ >>
+ }
+
diff --git a/hr/lily_copy/lilydocs/machaut/texte.ly b/hr/lily_copy/lilydocs/machaut/texte.ly
new file mode 100644
index 0000000..3653454
--- /dev/null
+++ b/hr/lily_copy/lilydocs/machaut/texte.ly
@@ -0,0 +1,22 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/lily_copy/lilydocs/odot b/hr/lily_copy/lilydocs/odot
new file mode 100644
index 0000000..9839854
--- /dev/null
+++ b/hr/lily_copy/lilydocs/odot
@@ -0,0 +1,12 @@
+//some settings// vim: et
+
+igd?
+ανδρα;
+μηνiν;
+
+avc?
+τεκνον
+ω ποπε
+
+Atala !
+frau justitia in verlegenheit -> in taberna quando sumus
diff --git a/hr/lily_copy/lilydocs/sacrum/convivium/christof/dynArt.ly b/hr/lily_copy/lilydocs/sacrum/convivium/christof/dynArt.ly
new file mode 100644
index 0000000..bd2d482
--- /dev/null
+++ b/hr/lily_copy/lilydocs/sacrum/convivium/christof/dynArt.ly
@@ -0,0 +1,36 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+% articulation
+
+ sopranArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+ altArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+ tenorArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+ bassArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
diff --git a/hr/lily_copy/lilydocs/sacrum/convivium/christof/midi.lua b/hr/lily_copy/lilydocs/sacrum/convivium/christof/midi.lua
new file mode 100644
index 0000000..df15bf4
--- /dev/null
+++ b/hr/lily_copy/lilydocs/sacrum/convivium/christof/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu encoding=utf8 et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen_.ly"
+
+ \score {
+ %\new ChoirStaff <<
+ <<
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ %\new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ %>>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/lily_copy/lilydocs/sacrum/convivium/christof/midi_alt.lua b/hr/lily_copy/lilydocs/sacrum/convivium/christof/midi_alt.lua
new file mode 100644
index 0000000..f8b2520
--- /dev/null
+++ b/hr/lily_copy/lilydocs/sacrum/convivium/christof/midi_alt.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu encoding=utf8 et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis.zip b/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis.zip
new file mode 100644
index 0000000..3d0daea
--- /dev/null
+++ b/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis.zip
Binary files differ
diff --git a/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis/at.midi b/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis/at.midi
new file mode 100644
index 0000000..41a554c
--- /dev/null
+++ b/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis/at.midi
Binary files differ
diff --git a/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis/atb.midi b/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis/atb.midi
new file mode 100644
index 0000000..31eba38
--- /dev/null
+++ b/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis/atb.midi
Binary files differ
diff --git a/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis/bt.midi b/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis/bt.midi
new file mode 100644
index 0000000..e78c550
--- /dev/null
+++ b/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis/bt.midi
Binary files differ
diff --git a/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis/sab.midi b/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis/sab.midi
new file mode 100644
index 0000000..49704b0
--- /dev/null
+++ b/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis/sab.midi
Binary files differ
diff --git a/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis/sat.midi b/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis/sat.midi
new file mode 100644
index 0000000..47f3e4f
--- /dev/null
+++ b/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis/sat.midi
Binary files differ
diff --git a/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis/st.midi b/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis/st.midi
new file mode 100644
index 0000000..9c82939
--- /dev/null
+++ b/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis/st.midi
Binary files differ
diff --git a/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis/stb.midi b/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis/stb.midi
new file mode 100644
index 0000000..40bd059
--- /dev/null
+++ b/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis/stb.midi
Binary files differ
diff --git a/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis_.zip b/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis_.zip
new file mode 100644
index 0000000..3048843
--- /dev/null
+++ b/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis_.zip
Binary files differ
diff --git a/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis_/at.midi b/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis_/at.midi
new file mode 100644
index 0000000..0198994
--- /dev/null
+++ b/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis_/at.midi
Binary files differ
diff --git a/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis_/atb.midi b/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis_/atb.midi
new file mode 100644
index 0000000..af09a90
--- /dev/null
+++ b/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis_/atb.midi
Binary files differ
diff --git a/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis_/sab.midi b/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis_/sab.midi
new file mode 100644
index 0000000..d2b3143
--- /dev/null
+++ b/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis_/sab.midi
Binary files differ
diff --git a/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis_/sat.midi b/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis_/sat.midi
new file mode 100644
index 0000000..a974dc4
--- /dev/null
+++ b/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis_/sat.midi
Binary files differ
diff --git a/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis_/st.midi b/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis_/st.midi
new file mode 100644
index 0000000..0482b9f
--- /dev/null
+++ b/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis_/st.midi
Binary files differ
diff --git a/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis_/stb.midi b/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis_/stb.midi
new file mode 100644
index 0000000..30f02ce
--- /dev/null
+++ b/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis_/stb.midi
Binary files differ
diff --git a/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis_/tb.midi b/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis_/tb.midi
new file mode 100644
index 0000000..160759b
--- /dev/null
+++ b/hr/lily_copy/lilydocs/sacrum/convivium/christof/midis_/tb.midi
Binary files differ
diff --git a/hr/lily_copy/lilydocs/sacrum/convivium/christof/stimmen.ly b/hr/lily_copy/lilydocs/sacrum/convivium/christof/stimmen.ly
new file mode 100644
index 0000000..44791d5
--- /dev/null
+++ b/hr/lily_copy/lilydocs/sacrum/convivium/christof/stimmen.ly
@@ -0,0 +1,176 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key fis \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/2
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ %\set Staff.midiInstrument = "dulcimer"
+ {
+ eis4.\( cisis4 dis4 gis4 eis4 cisis8 dis2\)
+ eis4.\( cisis4 dis4 gis4 cis4 ais8 gis2\)
+ ais4.\( dis4 cis4 gis4 cis8 dis8 cis8 gis2\)
+ ais4.\( dis4 cis4 gis4 cis4( ais8) gis2\)
+ bis4.\( fis'4 dis4 a4 bis8( dis8) bis8 fis2\)
+ a4.\( ees'4 c4 fis,4 a8( c8) a8 fis2\)
+ fis4\( f8( gis8 f8) d2\)
+ s8
+ f4.\( d4\) f8 ~
+ f4\( d4\) f2.\( d2.\)
+ %O sacrum convivium
+ eis4.\( cisis4 dis4 gis4 eis4 cisis8 dis2\)
+ eis4.\( cisis4 dis4 gis4 cis4 ais8 gis2\)
+ \time 5/2
+ ais4.\( dis4 cis4 gis4 cis4.( fis4) dis4 ais4\)
+ s4
+ \time 4/2
+ dis4.\( ais'4 eis4 d4 eis8( gis8) eis8 d2\)
+ bis4.\( fis'4 dis4 gis,4 ais8( cis8 ais8) gis2\)
+ \time 3/2
+ gis'4.\(( dis4 eis4 dis8 gis,4 ais4
+ cis4 ais8 dis,4 fis4
+ s8
+ ais4) fis8
+ s8
+ cis4( dis4 ~ dis4) cis4( dis4 ~ dis4)\)
+ \time 4/2
+ cis4\(( dis4) gis4. dis4\) gis4.\( dis4 dis4
+ gis2. dis4 dis1\)
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ %\set Staff.midiInstrument = "acoustic grand"
+ {
+ ais4.\( ais4 b4 b4 ais4 ais8 b2\)
+ ais4.\( ais4 b4 b4 d4 d8 dis2\)
+ eis4.\( eis4 fis4 fis4 g8 g8 g8 fis2\)
+ eis4.\( eis4 fis4 fis4 g4. fis2\)
+ fis4.\( fis4 fis4 e4 fis4 fis8 fis2\)
+ ees4.\( ees4 ees4 des4 ees4 ees8 des2\)
+ des4\( c4. b2\)
+ s8
+ b4.\( bes4\) b8 ~
+ b4\( bes4\) a2.\( a2.\)
+ %O sacrum convivium
+ ais4.\( ais4 b4 b4 ais4 ais8 b2\)
+ ais4.\( ais4 b4 b4 d4 d8 dis2\)
+ \time 5/2
+ eis4.\( eis4 fis4 fis4 g4. ~ g4 gis4 gis4\)
+ s4
+ \time 4/2
+ ais4.\( b4 gis4 fis4 a4 a8 a2\)
+ fis4.\( ais4 fis4 dis4 fis4. fis2\)
+ \time 3/2
+ fis1\(( ~ fis2
+ dis4. ~ cis2
+ s8
+ b4) b8
+ s8
+ b2. b2.\)
+ \time 4/2
+ gis4\(( b4) ais4. ais4\) ais4.\( ais4 ais4
+ ais2. ais4 ais1\)
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ %\set Staff.midiInstrument = "celesta"
+ {
+ cis4.\( cis4 cis4 cis4 cis4 cis8 cis2\)
+ cis4.\( cis4 cis4 cis4 eis4 eis8 fis2\)
+ b4.\( b4 b4 b4 b8 b8 b8 b2\)
+ b4.\( b4 b4 b4 b4. b2\)
+ ais4.\( ais4 ais4 bis4 ais4 ais8 ais2\)
+ g4.\( g4 g4 a4 g4 g8 g2\)
+ g4\( fis4. fis2\)
+ s8
+ d4.\( d4\) d8 ~
+ d4\( d4\) d2.\( d2.\)
+ %O sacrum convivium
+ cis4.\( cis4 cis4 cis4 cis4 cis8 cis2\)
+ cis4.\( cis4 cis4 cis4 eis4 eis8 fis2\)
+ \time 5/2
+ b4.\( b4 b4 b4 b4. ~ b4 b4 b4\)
+ s4
+ \time 4/2
+ b4.\( eis4 dis4 cis4 bis4 bis8 bis2\)
+ ais4.\( dis4 cis4 ais4 b4. b2\)
+ \time 3/2
+ ais1\(( ~ ais2
+ fis4. ~ fis2
+ s8
+ fis4) fis8
+ s8
+ fis2. fis2.\)
+ \time 4/2
+ dis4\(( fis4) cis4. cis4\) cis4.\( cis4 cis4
+ cis2. cis4 cis1\)
+ }
+ >>
+ }
+
+ bassMelodie = \relative c, {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ %\set Staff.midiInstrument = "harpsichord"
+ {
+ fis4.\( fis4 fis4 fis4 fis4 fis8 fis2\)
+ fis4.\( fis4 fis4 fis4 b4 b8 b2\)
+ cis4.\( cis4 d4 d4 dis8 dis8 dis8 d2\)
+ cis4.\( cis4 d4 d4 dis4. d2\)
+ cis4.\( cis4 cis4 cis4 cis4 cis8 cis2\)
+ bes4.\( bes4 bes4 bes4 bes4 bes8 a2\)
+ a4\( a4. gis2\)
+ s8
+ g4.\( g4\) g8 ~
+ g4\( g4\) fis2.\( fis2.\)
+ %O sacrum convivium
+ fis4.\( fis4 fis4 fis4 fis4 fis8 fis2\)
+ fis4.\( fis4 fis4 fis4 b4 b8 b2\)
+ \time 5/2
+ cis4.\( cis4 d4 d4 dis4. ~ dis4 e4 e4\)
+ s4
+ \time 4/2
+ eis4.\( cis'4 b4 ais4 fis4 fis8 fis2\)
+ dis4.\( bis'4 ais4 fis4 d4. d2\)
+ %\break
+ \time 3/2
+ cis1\(( ~ cis2
+ ais4. ~ ais2
+ s8
+ gis4) gis8
+ s8
+ gis2. gis2.\)
+ \time 4/2
+ b4\(( gis4) fis4. fis4\) fis4.\( fis4 fis4
+ fis2. fis4 fis1\)
+ }
+ >>
+ }
+
diff --git a/hr/lily_copy/lilydocs/sacrum/convivium/christof/stimmen_.ly b/hr/lily_copy/lilydocs/sacrum/convivium/christof/stimmen_.ly
new file mode 100644
index 0000000..912c53e
--- /dev/null
+++ b/hr/lily_copy/lilydocs/sacrum/convivium/christof/stimmen_.ly
@@ -0,0 +1,176 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key fis \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/2
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ %\set Staff.midiInstrument = "dulcimer"
+ {
+ eis4.\( cisis4 dis4 gis4 eis4 cisis8 dis2\)
+ eis4.\( cisis4 dis4 gis4 cis4 ais8 gis2\)
+ ais4.\( dis4 cis4 gis4 cis8 dis8 cis8 gis2\)
+ ais4.\( dis4 cis4 gis4 cis4( ais8) gis2\)
+ bis4.\( fis'4 dis4 a4 bis8( dis8) bis8 fis2\)
+ a4.\( ees'4 c4 fis,4 a8( c8) a8 fis2\)
+ fis4\( f8( gis8 f8) d2\)
+
+ f4.\( d4\) f8 ~
+ f4\( d4\) f2.\( d2.\)
+ %O sacrum convivium
+ eis4.\( cisis4 dis4 gis4 eis4 cisis8 dis2\)
+ eis4.\( cisis4 dis4 gis4 cis4 ais8 gis2\)
+ \time 5/2
+ ais4.\( dis4 cis4 gis4 cis4.( fis4) dis4 ais4\)
+
+ \time 4/2
+ dis4.\( ais'4 eis4 d4 eis8( gis8) eis8 d2\)
+ bis4.\( fis'4 dis4 gis,4 ais8( cis8 ais8) gis2\)
+ \time 3/2
+ gis'4.\(( dis4 eis4 dis8 gis,4 ais4
+ cis4 ais8 dis,4 fis4
+
+ ais4) fis8
+
+ cis4( dis4 ~ dis4) cis4( dis4 ~ dis4)\)
+ \time 4/2
+ cis4\(( dis4) gis4. dis4\) gis4.\( dis4 dis4
+ gis2. dis4 dis1\)
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ %\set Staff.midiInstrument = "acoustic grand"
+ {
+ ais4.\( ais4 b4 b4 ais4 ais8 b2\)
+ ais4.\( ais4 b4 b4 d4 d8 dis2\)
+ eis4.\( eis4 fis4 fis4 g8 g8 g8 fis2\)
+ eis4.\( eis4 fis4 fis4 g4. fis2\)
+ fis4.\( fis4 fis4 e4 fis4 fis8 fis2\)
+ ees4.\( ees4 ees4 des4 ees4 ees8 des2\)
+ des4\( c4. b2\)
+
+ b4.\( bes4\) b8 ~
+ b4\( bes4\) a2.\( a2.\)
+ %O sacrum convivium
+ ais4.\( ais4 b4 b4 ais4 ais8 b2\)
+ ais4.\( ais4 b4 b4 d4 d8 dis2\)
+ \time 5/2
+ eis4.\( eis4 fis4 fis4 g4. ~ g4 gis4 gis4\)
+
+ \time 4/2
+ ais4.\( b4 gis4 fis4 a4 a8 a2\)
+ fis4.\( ais4 fis4 dis4 fis4. fis2\)
+ \time 3/2
+ fis1\(( ~ fis2
+ dis4. ~ cis2
+
+ b4) b8
+
+ b2. b2.\)
+ \time 4/2
+ gis4\(( b4) ais4. ais4\) ais4.\( ais4 ais4
+ ais2. ais4 ais1\)
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ %\set Staff.midiInstrument = "celesta"
+ {
+ cis4.\( cis4 cis4 cis4 cis4 cis8 cis2\)
+ cis4.\( cis4 cis4 cis4 eis4 eis8 fis2\)
+ b4.\( b4 b4 b4 b8 b8 b8 b2\)
+ b4.\( b4 b4 b4 b4. b2\)
+ ais4.\( ais4 ais4 bis4 ais4 ais8 ais2\)
+ g4.\( g4 g4 a4 g4 g8 g2\)
+ g4\( fis4. fis2\)
+
+ d4.\( d4\) d8 ~
+ d4\( d4\) d2.\( d2.\)
+ %O sacrum convivium
+ cis4.\( cis4 cis4 cis4 cis4 cis8 cis2\)
+ cis4.\( cis4 cis4 cis4 eis4 eis8 fis2\)
+ \time 5/2
+ b4.\( b4 b4 b4 b4. ~ b4 b4 b4\)
+
+ \time 4/2
+ b4.\( eis4 dis4 cis4 bis4 bis8 bis2\)
+ ais4.\( dis4 cis4 ais4 b4. b2\)
+ \time 3/2
+ ais1\(( ~ ais2
+ fis4. ~ fis2
+
+ fis4) fis8
+
+ fis2. fis2.\)
+ \time 4/2
+ dis4\(( fis4) cis4. cis4\) cis4.\( cis4 cis4
+ cis2. cis4 cis1\)
+ }
+ >>
+ }
+
+ bassMelodie = \relative c, {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ %\set Staff.midiInstrument = "harpsichord"
+ {
+ fis4.\( fis4 fis4 fis4 fis4 fis8 fis2\)
+ fis4.\( fis4 fis4 fis4 b4 b8 b2\)
+ cis4.\( cis4 d4 d4 dis8 dis8 dis8 d2\)
+ cis4.\( cis4 d4 d4 dis4. d2\)
+ cis4.\( cis4 cis4 cis4 cis4 cis8 cis2\)
+ bes4.\( bes4 bes4 bes4 bes4 bes8 a2\)
+ a4\( a4. gis2\)
+
+ g4.\( g4\) g8 ~
+ g4\( g4\) fis2.\( fis2.\)
+ %O sacrum convivium
+ fis4.\( fis4 fis4 fis4 fis4 fis8 fis2\)
+ fis4.\( fis4 fis4 fis4 b4 b8 b2\)
+ \time 5/2
+ cis4.\( cis4 d4 d4 dis4. ~ dis4 e4 e4\)
+
+ \time 4/2
+ eis4.\( cis'4 b4 ais4 fis4 fis8 fis2\)
+ dis4.\( bis'4 ais4 fis4 d4. d2\)
+ %\break
+ \time 3/2
+ cis1\(( ~ cis2
+ ais4. ~ ais2
+
+ gis4) gis8
+
+ gis2. gis2.\)
+ \time 4/2
+ b4\(( gis4) fis4. fis4\) fis4.\( fis4 fis4
+ fis2. fis4 fis1\)
+ }
+ >>
+ }
+
diff --git a/hr/lily_copy/lilydocs/sacrum/convivium/convivium.ly b/hr/lily_copy/lilydocs/sacrum/convivium/convivium.ly
new file mode 100644
index 0000000..4728847
--- /dev/null
+++ b/hr/lily_copy/lilydocs/sacrum/convivium/convivium.ly
@@ -0,0 +1,61 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+\version "2.12"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "O sacrum convivium!"
+ composer = "Olivier MESSIAEN"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 17)
+
+ \score {
+ \new ChoirStaff <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie \bar "||" }
+ \lyricsto soprane \sopranText
+ >>
+ %{
+ %}
+ \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ \lyricsto alti \altText
+ >>
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \lyricsto tenoere \tenorText
+ >>
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ \lyricsto baesse \bassText
+ >>
+ %{
+ %}
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-mment 72 4)
+ %}
+ %}
+ }
+
diff --git a/hr/lily_copy/lilydocs/sacrum/convivium/convivium.midi b/hr/lily_copy/lilydocs/sacrum/convivium/convivium.midi
new file mode 100644
index 0000000..f9de8d4
--- /dev/null
+++ b/hr/lily_copy/lilydocs/sacrum/convivium/convivium.midi
Binary files differ
diff --git a/hr/lily_copy/lilydocs/sacrum/convivium/convivium1.midi b/hr/lily_copy/lilydocs/sacrum/convivium/convivium1.midi
new file mode 100644
index 0000000..a29bd0f
--- /dev/null
+++ b/hr/lily_copy/lilydocs/sacrum/convivium/convivium1.midi
Binary files differ
diff --git a/hr/lily_copy/lilydocs/sacrum/convivium/convivium_.midi b/hr/lily_copy/lilydocs/sacrum/convivium/convivium_.midi
new file mode 100644
index 0000000..a29bd0f
--- /dev/null
+++ b/hr/lily_copy/lilydocs/sacrum/convivium/convivium_.midi
Binary files differ
diff --git a/hr/lily_copy/lilydocs/sacrum/convivium/dynArt.ly b/hr/lily_copy/lilydocs/sacrum/convivium/dynArt.ly
new file mode 100644
index 0000000..bd2d482
--- /dev/null
+++ b/hr/lily_copy/lilydocs/sacrum/convivium/dynArt.ly
@@ -0,0 +1,36 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+% articulation
+
+ sopranArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+ altArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+ tenorArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+ bassArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
diff --git a/hr/lily_copy/lilydocs/sacrum/convivium/mid/alt.midi b/hr/lily_copy/lilydocs/sacrum/convivium/mid/alt.midi
new file mode 100644
index 0000000..8c66e6e
--- /dev/null
+++ b/hr/lily_copy/lilydocs/sacrum/convivium/mid/alt.midi
Binary files differ
diff --git a/hr/lily_copy/lilydocs/sacrum/convivium/mid/bass.midi b/hr/lily_copy/lilydocs/sacrum/convivium/mid/bass.midi
new file mode 100644
index 0000000..eb83c92
--- /dev/null
+++ b/hr/lily_copy/lilydocs/sacrum/convivium/mid/bass.midi
Binary files differ
diff --git a/hr/lily_copy/lilydocs/sacrum/convivium/mid/gesamt.midi b/hr/lily_copy/lilydocs/sacrum/convivium/mid/gesamt.midi
new file mode 100644
index 0000000..a29bd0f
--- /dev/null
+++ b/hr/lily_copy/lilydocs/sacrum/convivium/mid/gesamt.midi
Binary files differ
diff --git a/hr/lily_copy/lilydocs/sacrum/convivium/mid/sopran.midi b/hr/lily_copy/lilydocs/sacrum/convivium/mid/sopran.midi
new file mode 100644
index 0000000..edcccfe
--- /dev/null
+++ b/hr/lily_copy/lilydocs/sacrum/convivium/mid/sopran.midi
Binary files differ
diff --git a/hr/lily_copy/lilydocs/sacrum/convivium/mid/tenor.midi b/hr/lily_copy/lilydocs/sacrum/convivium/mid/tenor.midi
new file mode 100644
index 0000000..7e1a443
--- /dev/null
+++ b/hr/lily_copy/lilydocs/sacrum/convivium/mid/tenor.midi
Binary files differ
diff --git a/hr/lily_copy/lilydocs/sacrum/convivium/midi.lua b/hr/lily_copy/lilydocs/sacrum/convivium/midi.lua
new file mode 100644
index 0000000..f8b2520
--- /dev/null
+++ b/hr/lily_copy/lilydocs/sacrum/convivium/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu encoding=utf8 et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/lily_copy/lilydocs/sacrum/convivium/midis/alt_.midi b/hr/lily_copy/lilydocs/sacrum/convivium/midis/alt_.midi
new file mode 100644
index 0000000..73be7f7
--- /dev/null
+++ b/hr/lily_copy/lilydocs/sacrum/convivium/midis/alt_.midi
Binary files differ
diff --git a/hr/lily_copy/lilydocs/sacrum/convivium/midis/bass_.midi b/hr/lily_copy/lilydocs/sacrum/convivium/midis/bass_.midi
new file mode 100644
index 0000000..d84282f
--- /dev/null
+++ b/hr/lily_copy/lilydocs/sacrum/convivium/midis/bass_.midi
Binary files differ
diff --git a/hr/lily_copy/lilydocs/sacrum/convivium/midis/gesamt.midi b/hr/lily_copy/lilydocs/sacrum/convivium/midis/gesamt.midi
new file mode 100644
index 0000000..a29bd0f
--- /dev/null
+++ b/hr/lily_copy/lilydocs/sacrum/convivium/midis/gesamt.midi
Binary files differ
diff --git a/hr/lily_copy/lilydocs/sacrum/convivium/midis/sopran_.midi b/hr/lily_copy/lilydocs/sacrum/convivium/midis/sopran_.midi
new file mode 100644
index 0000000..3d8cfab
--- /dev/null
+++ b/hr/lily_copy/lilydocs/sacrum/convivium/midis/sopran_.midi
Binary files differ
diff --git a/hr/lily_copy/lilydocs/sacrum/convivium/midis/tenor_.midi b/hr/lily_copy/lilydocs/sacrum/convivium/midis/tenor_.midi
new file mode 100644
index 0000000..2d9cb1c
--- /dev/null
+++ b/hr/lily_copy/lilydocs/sacrum/convivium/midis/tenor_.midi
Binary files differ
diff --git a/hr/lily_copy/lilydocs/sacrum/convivium/midis/unterstimmen.midi b/hr/lily_copy/lilydocs/sacrum/convivium/midis/unterstimmen.midi
new file mode 100644
index 0000000..eda66cf
--- /dev/null
+++ b/hr/lily_copy/lilydocs/sacrum/convivium/midis/unterstimmen.midi
Binary files differ
diff --git a/hr/lily_copy/lilydocs/sacrum/convivium/ohneAlt.midi b/hr/lily_copy/lilydocs/sacrum/convivium/ohneAlt.midi
new file mode 100644
index 0000000..e6df95d
--- /dev/null
+++ b/hr/lily_copy/lilydocs/sacrum/convivium/ohneAlt.midi
Binary files differ
diff --git a/hr/lily_copy/lilydocs/sacrum/convivium/ohneTenor.midi b/hr/lily_copy/lilydocs/sacrum/convivium/ohneTenor.midi
new file mode 100644
index 0000000..f9de8d4
--- /dev/null
+++ b/hr/lily_copy/lilydocs/sacrum/convivium/ohneTenor.midi
Binary files differ
diff --git a/hr/lily_copy/lilydocs/sacrum/convivium/stimmen.ly b/hr/lily_copy/lilydocs/sacrum/convivium/stimmen.ly
new file mode 100644
index 0000000..44791d5
--- /dev/null
+++ b/hr/lily_copy/lilydocs/sacrum/convivium/stimmen.ly
@@ -0,0 +1,176 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key fis \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/2
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ %\set Staff.midiInstrument = "dulcimer"
+ {
+ eis4.\( cisis4 dis4 gis4 eis4 cisis8 dis2\)
+ eis4.\( cisis4 dis4 gis4 cis4 ais8 gis2\)
+ ais4.\( dis4 cis4 gis4 cis8 dis8 cis8 gis2\)
+ ais4.\( dis4 cis4 gis4 cis4( ais8) gis2\)
+ bis4.\( fis'4 dis4 a4 bis8( dis8) bis8 fis2\)
+ a4.\( ees'4 c4 fis,4 a8( c8) a8 fis2\)
+ fis4\( f8( gis8 f8) d2\)
+ s8
+ f4.\( d4\) f8 ~
+ f4\( d4\) f2.\( d2.\)
+ %O sacrum convivium
+ eis4.\( cisis4 dis4 gis4 eis4 cisis8 dis2\)
+ eis4.\( cisis4 dis4 gis4 cis4 ais8 gis2\)
+ \time 5/2
+ ais4.\( dis4 cis4 gis4 cis4.( fis4) dis4 ais4\)
+ s4
+ \time 4/2
+ dis4.\( ais'4 eis4 d4 eis8( gis8) eis8 d2\)
+ bis4.\( fis'4 dis4 gis,4 ais8( cis8 ais8) gis2\)
+ \time 3/2
+ gis'4.\(( dis4 eis4 dis8 gis,4 ais4
+ cis4 ais8 dis,4 fis4
+ s8
+ ais4) fis8
+ s8
+ cis4( dis4 ~ dis4) cis4( dis4 ~ dis4)\)
+ \time 4/2
+ cis4\(( dis4) gis4. dis4\) gis4.\( dis4 dis4
+ gis2. dis4 dis1\)
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ %\set Staff.midiInstrument = "acoustic grand"
+ {
+ ais4.\( ais4 b4 b4 ais4 ais8 b2\)
+ ais4.\( ais4 b4 b4 d4 d8 dis2\)
+ eis4.\( eis4 fis4 fis4 g8 g8 g8 fis2\)
+ eis4.\( eis4 fis4 fis4 g4. fis2\)
+ fis4.\( fis4 fis4 e4 fis4 fis8 fis2\)
+ ees4.\( ees4 ees4 des4 ees4 ees8 des2\)
+ des4\( c4. b2\)
+ s8
+ b4.\( bes4\) b8 ~
+ b4\( bes4\) a2.\( a2.\)
+ %O sacrum convivium
+ ais4.\( ais4 b4 b4 ais4 ais8 b2\)
+ ais4.\( ais4 b4 b4 d4 d8 dis2\)
+ \time 5/2
+ eis4.\( eis4 fis4 fis4 g4. ~ g4 gis4 gis4\)
+ s4
+ \time 4/2
+ ais4.\( b4 gis4 fis4 a4 a8 a2\)
+ fis4.\( ais4 fis4 dis4 fis4. fis2\)
+ \time 3/2
+ fis1\(( ~ fis2
+ dis4. ~ cis2
+ s8
+ b4) b8
+ s8
+ b2. b2.\)
+ \time 4/2
+ gis4\(( b4) ais4. ais4\) ais4.\( ais4 ais4
+ ais2. ais4 ais1\)
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ %\set Staff.midiInstrument = "celesta"
+ {
+ cis4.\( cis4 cis4 cis4 cis4 cis8 cis2\)
+ cis4.\( cis4 cis4 cis4 eis4 eis8 fis2\)
+ b4.\( b4 b4 b4 b8 b8 b8 b2\)
+ b4.\( b4 b4 b4 b4. b2\)
+ ais4.\( ais4 ais4 bis4 ais4 ais8 ais2\)
+ g4.\( g4 g4 a4 g4 g8 g2\)
+ g4\( fis4. fis2\)
+ s8
+ d4.\( d4\) d8 ~
+ d4\( d4\) d2.\( d2.\)
+ %O sacrum convivium
+ cis4.\( cis4 cis4 cis4 cis4 cis8 cis2\)
+ cis4.\( cis4 cis4 cis4 eis4 eis8 fis2\)
+ \time 5/2
+ b4.\( b4 b4 b4 b4. ~ b4 b4 b4\)
+ s4
+ \time 4/2
+ b4.\( eis4 dis4 cis4 bis4 bis8 bis2\)
+ ais4.\( dis4 cis4 ais4 b4. b2\)
+ \time 3/2
+ ais1\(( ~ ais2
+ fis4. ~ fis2
+ s8
+ fis4) fis8
+ s8
+ fis2. fis2.\)
+ \time 4/2
+ dis4\(( fis4) cis4. cis4\) cis4.\( cis4 cis4
+ cis2. cis4 cis1\)
+ }
+ >>
+ }
+
+ bassMelodie = \relative c, {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ %\set Staff.midiInstrument = "harpsichord"
+ {
+ fis4.\( fis4 fis4 fis4 fis4 fis8 fis2\)
+ fis4.\( fis4 fis4 fis4 b4 b8 b2\)
+ cis4.\( cis4 d4 d4 dis8 dis8 dis8 d2\)
+ cis4.\( cis4 d4 d4 dis4. d2\)
+ cis4.\( cis4 cis4 cis4 cis4 cis8 cis2\)
+ bes4.\( bes4 bes4 bes4 bes4 bes8 a2\)
+ a4\( a4. gis2\)
+ s8
+ g4.\( g4\) g8 ~
+ g4\( g4\) fis2.\( fis2.\)
+ %O sacrum convivium
+ fis4.\( fis4 fis4 fis4 fis4 fis8 fis2\)
+ fis4.\( fis4 fis4 fis4 b4 b8 b2\)
+ \time 5/2
+ cis4.\( cis4 d4 d4 dis4. ~ dis4 e4 e4\)
+ s4
+ \time 4/2
+ eis4.\( cis'4 b4 ais4 fis4 fis8 fis2\)
+ dis4.\( bis'4 ais4 fis4 d4. d2\)
+ %\break
+ \time 3/2
+ cis1\(( ~ cis2
+ ais4. ~ ais2
+ s8
+ gis4) gis8
+ s8
+ gis2. gis2.\)
+ \time 4/2
+ b4\(( gis4) fis4. fis4\) fis4.\( fis4 fis4
+ fis2. fis4 fis1\)
+ }
+ >>
+ }
+
diff --git a/hr/lily_copy/lilydocs/sacrum/convivium/texte.ly b/hr/lily_copy/lilydocs/sacrum/convivium/texte.ly
new file mode 100644
index 0000000..88c2200
--- /dev/null
+++ b/hr/lily_copy/lilydocs/sacrum/convivium/texte.ly
@@ -0,0 +1,51 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+% Abkürzungen
+
+ o = \lyricmode {
+ O sá -- crum con -- ví -- vi -- um!
+ }
+ in = \lyricmode {
+ in quo Chrí -- stus sú -- mi -- tur:
+ }
+ rec = \lyricmode {
+ re -- có -- li -- tur me -- mó -- ri -- a
+ pas -- si -- ó -- nis é -- jus:
+ }
+ mens = \lyricmode {
+ mens im -- plé -- tur grá -- ti --
+ }
+ sacrum = \lyricmode {
+ O sá -- crum, sá -- crum, sá -- crum, sá -- crum,
+ }
+ et = \lyricmode {
+ et fu -- tú -- ræ gló -- ri -- æ
+ nó -- bis pí -- gnus dá -- tur,
+ al -- le -- lú -- ia.
+ }
+ ende = \lyricmode {
+ O sá -- crum, sá -- crum con -- ví -- vi -- um!
+ }
+ gesamt = \lyricmode {
+ \o \in \rec \mens a, \mens a. \sacrum
+ \o \in \mens a: \et \ende
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ \gesamt
+ }
+
+ altText = \lyrics {
+ \gesamt
+ }
+
+ tenorText = \lyrics {
+ \gesamt
+ }
+
+ bassText = \lyrics {
+ \gesamt
+ }
+
diff --git a/hr/lily_copy/lilydocs/sacrum/convivium/unterstimmen.midi b/hr/lily_copy/lilydocs/sacrum/convivium/unterstimmen.midi
new file mode 100644
index 0000000..58b0ea5
--- /dev/null
+++ b/hr/lily_copy/lilydocs/sacrum/convivium/unterstimmen.midi
Binary files differ
diff --git a/hr/lily_copy/lilydocs/silence/dynArt.ly b/hr/lily_copy/lilydocs/silence/dynArt.ly
new file mode 100644
index 0000000..c6592a3
--- /dev/null
+++ b/hr/lily_copy/lilydocs/silence/dynArt.ly
@@ -0,0 +1,146 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \tempo 4=100
+ \dynamicUp
+ s1*4
+ \time 2/4
+ s2
+ \time 4/4
+ s1
+ \bar "||"
+ s1*8
+ \time 2/4
+ s2
+ \time 4/4
+ s1*4
+ \time 2/4
+ s2
+ \time 4/4
+ s1*2
+ \repeat volta 2 {
+ s1*6
+ \slurDashed
+ s1*2
+ \slurSolid
+ \time 2/4
+ s2
+ \time 4/4
+ s1
+ }
+ }
+
+% articulation
+
+ cross = {
+ \override Voice.NoteHead #'style = #'cross
+ }
+ uncross = {
+ \revert Voice.NoteHead #'style
+ }
+ basspat = {
+ s4 \cross s8 \uncross s8 s4 \cross s8 \uncross s8
+ }
+ whisper = \markup {
+ \dynamic "p" "*)"
+ }
+ sopranArt = {
+ \cross
+ s1^\markup{ "Intro" }
+ s1
+ s2 s8->^\whisper s8 s4
+ s2
+ \uncross
+ s2
+ s2
+ s1
+ s1\mark \markup{ \bold A }
+ s4 s2\p s4
+ s1*6
+ s2
+ s1*4
+ s2
+ s1
+ s1
+ s8\mark \markup{ \bold B } s8\mf^\markup{ \italic "Vers 3: 2. Stimme ad lib." } s2.
+ s1*5
+ s1
+ }
+
+ altArt = {
+ \cross
+ s1
+ s1
+ s8->^\whisper s8 s4 s2
+ s2.
+ \uncross
+ s4
+ s2
+ s1
+ s4 s8\mf s8 s2
+ s1*7
+ s2
+ s1*4
+ s2
+ s1\>
+ s1
+ %B
+ s1\!
+ s4\mf s2.
+ }
+
+ tenorArt = {
+ \cross
+ s8->^\whisper s8 s4 s2
+ s2 s8-> s8 s4
+ s1
+ s2.
+ \uncross
+ s4
+ s2
+ s1*2
+ s4 s2\p s4
+ s1*6
+ s2
+ s1*4
+ s2
+ s4 s8 s8-> s2
+ s1
+ % B
+ s1
+ s4\mf s2.
+ }
+
+ bassArt = {
+ \cross
+ s1
+ s8->^\whisper s8 s4 s2
+ s4 s8\< s8 s2
+ \uncross
+ s2 s2\!
+ s2
+ s8\> s8 s2\! s4
+ s1
+ s1\p
+ s1*6
+ s2
+ s1*4
+ s2
+ s4 s8 s8-> s2
+ s1
+ % B
+ s1
+ <<
+ s4\mf
+ \repeat unfold 2 \basspat
+ \new CueVoice{
+ \voiceTwo
+ s4 s8^\markup{ \italic "Imitieren einer Bassgitarre" } s8 bes4 s4
+ s2 bes4 s4
+ }
+ >>
+ \repeat unfold 5 \basspat
+ s2
+ }
+
diff --git a/hr/lily_copy/lilydocs/silence/midi.lua b/hr/lily_copy/lilydocs/silence/midi.lua
new file mode 100644
index 0000000..58e69da
--- /dev/null
+++ b/hr/lily_copy/lilydocs/silence/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/lily_copy/lilydocs/silence/silence.ly b/hr/lily_copy/lilydocs/silence/silence.ly
new file mode 100644
index 0000000..2f0de80
--- /dev/null
+++ b/hr/lily_copy/lilydocs/silence/silence.ly
@@ -0,0 +1,61 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "The Sound of Silence"
+ composer = "Paul Simon"
+ arranger = "Markus Detterbeck"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+ \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ >>
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/lily_copy/lilydocs/silence/silence.ps b/hr/lily_copy/lilydocs/silence/silence.ps
new file mode 100644
index 0000000..3061448
--- /dev/null
+++ b/hr/lily_copy/lilydocs/silence/silence.ps
Binary files differ
diff --git a/hr/lily_copy/lilydocs/silence/stimmen.ly b/hr/lily_copy/lilydocs/silence/stimmen.ly
new file mode 100644
index 0000000..517b581
--- /dev/null
+++ b/hr/lily_copy/lilydocs/silence/stimmen.ly
@@ -0,0 +1,199 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key ees \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ \sopranArt
+ %the actual tune
+ {
+ r1
+ r1
+ r2 g8 g8 r4
+ r8 g4 g8 r4 r8 f8 ~
+ f4 r4
+ r2 r4 ees8 ees8 ~
+ ees4 r4 r2
+ r4 c2 c4
+ d1
+ r4 d2 f4
+ ees2 ~ ees8 ees8 f8 g8 ~
+ g2 g4. f8
+ ees4 ees8 ees8 g8 g8 bes8 bes8(
+ c4) c8 bes8 ~ bes2
+ r4 ees,8 ees8
+ c'8 c8 ~ c2 c8 d8
+ ees8 ees8 ~ ees4 d8 c4 bes8 ~
+ bes2. c8 bes8
+ g2 r2
+ r8 ees8 ees8 ees8
+ bes'2. r4
+ r1
+ % B
+ <<
+ {
+ r8 c,8 c8 c8 ees8 ees8 g8 ees8
+ f2 r2
+ r8 bes,8 bes8 bes8 d8 d8 f8 f8
+ ees2 r2
+ }
+ \new CueVoice {
+ \voiceTwo
+ s8 c8 c8 c8 c8 c8 c8 c8
+ d2 s2
+ s8 bes8 bes8 bes8 bes8 bes8 bes8 bes8
+ c2 s2
+ }
+ >>
+ r4 ees8 ees8 g8 g8 bes8 bes8(
+ c4) c8 bes8 ~ bes2
+ r8 ees,8 ees8 ees8 g8 g8 bes8 bes8(
+ c4) c8 bes8 ~ bes2
+ r4 g8 bes8
+ r1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ \altArt
+ %the actual tune
+ {
+ r1
+ r1
+ d8 d8 r4 r4 d8 d8
+ r2 d8 d8 r8 d8 ~
+ d4 r4
+ r2 d8 d8 ~ d4 ~
+ d4 c8 c8 ees8 ees8 g8 g8
+ f2 r2
+ r8 bes,8 bes8 bes8 d8 d8 f8 f8
+ ees2 r2
+ r8 ees8 ees8 ees8 g8 g8 bes8 bes8(
+ c4) c8 bes8 ~ bes2
+ r2 r8 ees,8 g8 g8(
+ aes4) aes8 g8 ~ g4 g8 f8
+ ees4 ees8 ees8
+ ees8 ees8 ~ ees2 aes8 bes8
+ c8 c8 ~ c4 bes8 aes4 g8 ~
+ g2. r4
+ r4 r8 ees8 ~ ees4 f4
+ g4 ees8 ees8
+ d2. r8 d8
+ ees8 c8 ~ c2.
+ % B
+ r1
+ d4 r8 c8 c8. d16 ~ d8 c8
+ d4 r8 f8 ~ f4 d4
+ ees4 r8 d8 d8. ees16 ~ ees8 d8
+ ees4 r8 ees8 ~ ees4 f8 g8(
+ aes4) aes8 g8 ~ g2
+ ees4 r8 ees8 ~ ees4 f8 g8(
+ aes4) aes8 g8 ~ g2
+ r4 ees8 f8
+ r1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ \tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ bes8 bes8 r4 r2
+ r2 bes8 bes8 r4
+ r1
+ r2 bes8 bes8 r8 c8 ~
+ c4 r4
+ r4 g8 g8 ~ g2 ~
+ g4 r4 r2
+ r4 aes2 aes4
+ bes1
+ r4 bes2 d4
+ r8 g,8 g8 g8 bes8 bes8 d8 d8(
+ ees4) ees8 ees8 ~ ees4 ees8 d8
+ c4 c8 c8 ees8 ees8 ees8 ees8 ~
+ ees4 ees8 ees8 ~ ees4 ees8 d8
+ c4 bes8 bes8
+ ees8 ees8 ~ ees2 r4
+ ees2 ees2
+ ees2. r4
+ bes4. c8 ~ c2
+ bes4 r4
+ r4 r8 f8 ~ f4 r4
+ r1
+ % B
+ r1
+ f4 r8 f8 f8. f16 ~ f8 f8
+ f4 r8 bes8 ~ bes4 bes4
+ g4 r8 g8 g8. g16 ~ g8 g8
+ g4 r8 c8 ~ c4 d8 ees8(
+ ees4) ees8 ees8 ~ ees2
+ c4 r8 c8 ~ c4 d8 ees8(
+ ees4) ees8 ees8 ~ ees2
+ r4 bes8 d8
+ r1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ \bassArt
+ %the actual tune
+ \clef bass
+ {
+ r1
+ ees8 ees8 r4 r2
+ r4 ees8 ees8 r2
+ ees4 ees4 bes'2
+ r4 d,4
+ ees8 c8 ~ c2. ~
+ c4 r4 r2
+ bes1
+ bes1
+ c1
+ c2. bes4
+ aes2 ees'2
+ c2 c4 bes8 bes8(
+ aes4) aes8 ees'8 ~ ees4 r4
+ r4 g8 g8
+ aes8 aes8 ~ aes2 r4
+ aes8 aes8 ~ aes4 aes4 aes4
+ g8 f4 ees8 ~ ees4 r4
+ ees8 d4 c8 ~ c4 d4
+ ees4 r4
+ r4 r8 bes8 ~ bes4 r4
+ r1
+ % B
+ r1
+ bes4 bes8 f'8 bes4 bes8 f8
+ bes,8 f'8 r8 f8 bes4 bes8 f8
+ c4 c8 g'8 c4 c8 g8
+ c,8 g'8 r8 g8 c4 c8 g8
+ aes4 aes8 ees8 ~ ees4 ees8 d8
+ c4 c8 g'8 c4 c8 g8
+ aes4 aes8 ees8 ~ ees4 ees8 d8
+ c4 r4
+ r1
+ }
+ >>
+ }
+
diff --git a/hr/lily_copy/lilydocs/silence/texte.ly b/hr/lily_copy/lilydocs/silence/texte.ly
new file mode 100644
index 0000000..4f75324
--- /dev/null
+++ b/hr/lily_copy/lilydocs/silence/texte.ly
@@ -0,0 +1,45 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ Si -- lence, si -- lence, si -- lence
+ sounds,
+ si -- lence.
+ Doo doo doo,
+ doo doo,
+ be -- cause a vi -- sion soft -- ly creep -- ing,
+ doo doo doo,
+ left its seeds while I was sleep -- ing,
+ and the vi -- sion,
+ the vi -- sion,
+ in my brain
+ still re -- mains,
+ sound.
+ Hm ba ba ja da hm,
+ ba doo dap,
+ ba ba ja da hm
+ ba,
+ of a street lamp,
+ \set ignoreMelismata = ##t
+ hm ba,
+ to the_cold and damp.
+ \unset ignoreMelismata
+ When my
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/lily_copy/lilydocs/tears/dynArt.ly b/hr/lily_copy/lilydocs/tears/dynArt.ly
new file mode 100644
index 0000000..6856f80
--- /dev/null
+++ b/hr/lily_copy/lilydocs/tears/dynArt.ly
@@ -0,0 +1,28 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s1*4
+ s1*4
+ s1*4
+ s1*4
+ s1*4
+ s1*9\break
+ s1*4
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/lily_copy/lilydocs/tears/midi.lua b/hr/lily_copy/lilydocs/tears/midi.lua
new file mode 100644
index 0000000..58e69da
--- /dev/null
+++ b/hr/lily_copy/lilydocs/tears/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/lily_copy/lilydocs/tears/stimmen.ly b/hr/lily_copy/lilydocs/tears/stimmen.ly
new file mode 100644
index 0000000..042b4ed
--- /dev/null
+++ b/hr/lily_copy/lilydocs/tears/stimmen.ly
@@ -0,0 +1,251 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.14"
+ \include "dynArt.ly"
+
+ global = {
+ \key f \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+ % :'<,'>s/ [a-g]\([ie]s\)\?[,']*\(\d\)/ s\2/g
+ frauenPausen = {
+ {
+ r4\mark\markup{"Iντρο"}s8 \tempo 4=92 s8 s4 s8 s8 ~ s1
+ r4 s8 s8 s8 s8 s8 s8 ~ s8 s8 ~ s2.\mark"A"
+ %\bar "||"
+ \repeat volta 2 {
+ %\repeat unfold 2 {
+ r4\segno s8 s8 s4 s8 s8 ~ s1
+ r4 s8 s8 s8 s8 s8 s8 ~ s8 s8 ~ s2.
+ r4 s8 s8 s4 s8 s8 ~ s1
+ r4 s8 s8 s8 s8 s8 s8 ~ s8 s8 ~ s2.
+ %}
+ r4 r8 s8 s4 s8 s8 ~ s2. s4(
+ s4.) s8 s4 s8 s8 ~ s2 s4 s4
+ s4. s8 s4 s4 s16( s16 s8 ~ s4)
+ r8 s8 s8 s8 ~ s8 s8 ~ s2 s4\coda
+ } \alternative {
+ {
+ s1
+ }
+ {
+ s2 r8 s8 s8 s8\mark"B"
+ }
+ }
+ s4 s8 s8 s4 s8 s8 ~ s4
+ s8 s8 s4 s8 s8 ~ s4. r8 s2 ~
+ s4 s8 s8 s8( s8) s8( s8)
+ s4 s8 s8 s4 s8 s8 ~ s4
+ s8 s8 s4 s8 s8 ~ s2
+ s8 s4 s8 ~ s2 s4 s4^\markup{"D.S."}
+ \bar "||"
+ r2\coda s4 s4 s4. s8 s4 s4 s16( s16 s8 ~ s4)
+ r8 s8 s8 s8 ~ s8 s8 ~ s2.
+ \bar "|."
+ }
+ }
+
+ maennerPausen = {
+ {
+ r1
+ r4 s8 s8 s4 s8 s8 ~ s4
+ s8 s8 s8 s8 s8 s8 ~ s8 s8 ~ s2.
+ \repeat volta 2 {
+ s4. s8 s4 s8 s8 ~ s4
+ s8 s8 s4 s8 s8 ~ s2
+ s2 ~ s4. s8 s4 s4
+ s8 s8 s4 s4 s8 s8 ~ s4
+ s8 s8 s4 s8 s8 ~ s2
+ s4. s8 s4. s8 s4 s4
+ s8( s8) s2 s8 s8 ~ s2
+ s8 s8 s8 s8 s4. s8 s4 s8 s8 ~ s2
+ s8( s8) s4 s4.
+ s8 s4 s4 s16( s16 s8 ~ s4)
+ s8 s8 s8 s8 ~ s8 s8 ~ s2.
+ } \alternative {
+ {
+ r8 s8 s8 s8 s8 s8 s8 s8
+ }
+ {
+ r8 s8 s8 s8 s8 s4 s8
+ }
+ }
+ s4 s8 s8 s4 s8 s8 ~ s4
+ s8 s8 s4 s8 s8 ~ s4.
+ s8 s4 s4 s2.( s4 s4)
+ s8 s8 s4 s8 s8 ~ s4
+ s8 s8 s4 s8 s8 ~ s2
+ s8 s4 s8 ~ s1
+ r2 s8( s8) s4 s4.
+ s8 s4 s4 s16( s16 s8 ~ s4)
+ r8 s8 s8 s8 ~ s8 s8 ~ s2.
+ }
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ s4 a8 f8 c'4 c8 a8 ~ a1
+ s4 bes8 bes8 a8 g8 f8 f8 ~ f8 g8 ~ g2.
+ \repeat volta 2 {
+ \repeat unfold 2 {
+ s4 a8 f8 c'4 c8 a8 ~ a1
+ s4 bes8 bes8 a8 g8 f8 a8 ~ a8 g8 ~ g2.
+ }
+ s4 s8 f8 f4 g8 e8 ~ e2. e4(
+ ees4.) ees8 ees4 f8 d8 ~ d2 g4 a4
+ bes4. g8 g4 f4 e16( d16 c8 ~ c4)
+ s8 a'8 g8 g8 ~ g8 f8 ~ f2.
+ } \alternative {
+ {
+ g1
+ }
+ {
+ c2 s8 c,8 f8 g8
+ }
+ }
+ aes4 c8 c8 bes4 ees8 aes,8 ~ aes4
+ aes8 f8 bes4 f8 g8 ~ g4. s8 g2 ~
+ g4 ees8 f8 g8( ees8) f8( g8)
+ aes4 c8 c8 bes4 ees8 aes,8 ~ aes4
+ aes8 f8 bes4 f8 g8 ~ g2
+ g8 bes4 c8 ~ c1
+ s2 g4 a4 bes4. g8 g4 f4 e16( d16 c8 ~ c4)
+ s8 a'8 g8 g8 ~ g8 f8 ~ f2.\fermata
+ }
+ >>
+ }
+
+ altMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ s4 a8 f8 g4 g8 f8 ~ f1
+ s4 d8 d8 f8 e8 d8 d8 ~ d8 e8 ~ e2.
+ \repeat volta 2 {
+ s4 a8 f8 g4 g8 f8 ~ f1
+ s4 d8 d8 f8 e8 d8 f8 ~ f8 e8 ~ e2.
+ s4 a8 f8 g4 g8 f8 ~ f1
+ s4 d8 d8 c8 bes8 a8 c8 ~ c8 e8 ~ e2.
+ s4 s8 d8 d4 d8 cis8( ~ cis8 d8 e2) e4(
+ ees8 c4) c8 c4 c8 a8 ~ a2 bes8( d8) fis4
+ g4. g8 g4 f4 e16( d16 c8 ~ c4)
+ s8 c8 bes8 bes8 ~ bes8 a8 ~ a2.
+ } \alternative {
+ {
+ e'1
+ }
+ {
+ c2 s8 c8 f8 ees8
+ }
+ }
+ c4 ees8 ees8 ees4 g8 f8 ~ f4
+ f8 c8 d4 d8 ees8 ~ ees4. s8 ees2 ~
+ ees4 ees8 d8 g8( ees8) f8( g8) aes4
+ aes8 aes8 g4 g8 f8 ~ f4
+ c8 c8 d4 d8 bes8 ~ bes2
+ g'8 g4 e8 ~ e1
+ s2 bes8( d8) fis4 g4.
+ g8 g4 f4 e16( d16 c8 ~ c4)
+ s8 c8 bes8 bes8 ~ bes8 a8 ~ a2.
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ %\clef "treble_8"
+ {
+ s1
+ s4 a8 a8 a4 a8 a8 ~ a4
+ bes8 bes8 a8 g8 f8 f8 ~ f8 g8 ~ g2.
+ \repeat volta 2 {
+ f4. a8 g4 g8 a8 ~ a4
+ a8 a8 a4 a8 bes8 ~ bes2
+ c2 ~ c4. c8 c4 c4
+ a8 c8 a4 g4 c8 d8 ~ d4
+ a8 a8 a4 a8 bes8 ~ bes2
+ c4. c8 c4. c8 c4 c4
+ a8( g8) a2 a8 a8 ~ a2
+ a8 a8 a8 a8 a4. a8 a4 a8 a8 ~ a2
+ g8( bes8) c4 d4.
+ g,8 g4 f4 e16( d16 c8 ~ c4)
+ s8 e'8 d8 d8 ~ d8 c8 ~ c2.
+ } \alternative {
+ {
+ s8 c8 b8 c8 d8 c8 e8 c8
+ }
+ {
+ s8 c8 c8 c8 c8 c4 g8
+ }
+ }
+ aes4 aes8 aes8 g4 bes8 c8 ~ c4
+ c8 c8 bes4 bes8 bes8 ~ bes4.
+ bes8 bes4 bes4 c2.( d4 c4)
+ ees8 ees8 ees4 ees8 c8 ~ c4
+ c8 c8 bes4 bes8 bes8 ~ bes2
+ g8 g4 g8 ~ g1
+ s2 g8( bes8) c4 d4.
+ g,8 g4 f4 e16( d16 c8 ~ c4)
+ s8 e'8 d8 d8 ~ d8 c8 ~ c2.\fermata
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ s1
+ s4 d8 f8 e4 c8 d8 ~ d4
+ bes8 bes8 c8 c8 c8 c8 ~ c8 c4 d8 e4 c4
+ \repeat volta 2 {
+ f4. f8 c4 e8 d8 ~ d4
+ d8 f8 c4 d8 bes8 ~ bes2
+ f'2( c4.) d8 e8( d8) c4
+ f8 a8 f4 c4 e8 d8 ~ d4
+ d8 f8 c4 d8 bes8( d2)
+ f4. f8 c4. d8 e8( d8) c4
+ d4 d2 d8 a8 ~ a2
+ a'8 g8 f8 e8 f4.
+ f8 f4 f8 fis8 ~ fis2
+ g4 d4 g,4.
+ g'8 g4 f4 e16( d16 c8 ~ c4)
+ s8 c8 c8 d8 ~ d8 f8 ~ f2.
+ } \alternative {
+ {
+ s8 c8 b8 c8 d8 c8 e8 c8
+ }
+ {
+ s8 c8 f8 e8 f8 c4 bes8
+ }
+ }
+ aes4 aes'8 aes8 g4 bes8 c8 ~ c4
+ c8 aes8 f4 bes,8 ees8 ~ ees4.
+ f8 g4 ees8( d8) c2.( bes4 aes4)
+ aes8 aes8 ees'4 bes'8 c8 ~ c4
+ f,8 aes8 f4 bes,8 ees8 ~ ees2
+ g8 d4 c8 ~ c4. d8 e4 c4
+ s2 g'4 d4 g,4.
+ g'8 g4 f4 e16( d16 c8 ~ c4)
+ s8 c8 c8 d8 ~ d8 f8 ~ f2.
+ }
+ >>
+ }
+
diff --git a/hr/lily_copy/lilydocs/tears/tears.ly b/hr/lily_copy/lilydocs/tears/tears.ly
new file mode 100644
index 0000000..7bd4baa
--- /dev/null
+++ b/hr/lily_copy/lilydocs/tears/tears.ly
@@ -0,0 +1,71 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Tears in Heaven"
+ composer = "Eric Clapton/Will Jennings"
+ arranger = "Lorenz Maierhofer"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 17)
+
+ sop = \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \voiceOne \sopranMelodie }
+ %\addlyrics { \sopranText }
+ \new Voice = "fP" { \global \frauenPausen }
+ \new Voice = "alti" { \global \voiceTwo \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \voiceOne \tenorMelodie }
+ %\addlyrics { \tenorText }
+ \new Voice = "mP" { \global \maennerPausen }
+ \new Voice = "baesse" { \global \voiceTwo \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \sop
+ \new Lyrics \lyricsto soprane \sopranTextA
+ \new Lyrics \lyricsto soprane \sopranTextB
+ \new Lyrics \lyricsto soprane \sopranTextC
+ %\alt
+ \ten
+ \new Lyrics \lyricsto baesse \bassTextA
+ \new Lyrics \lyricsto baesse \bassTextB
+ \new Lyrics \lyricsto baesse \bassTextC
+ %\bas
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/lily_copy/lilydocs/tears/texte.ly b/hr/lily_copy/lilydocs/tears/texte.ly
new file mode 100644
index 0000000..f69d3b8
--- /dev/null
+++ b/hr/lily_copy/lilydocs/tears/texte.ly
@@ -0,0 +1,143 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ iiifff = \lyricmode {
+ if I saw you in heav -- en?
+ }
+ sopranTextA = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ Doo ba doo ba doo,
+ doo ba doo ba doo doo doo.
+ Would you know my name,
+ \iiifff
+ Would it be the same,
+ \iiifff
+ I must be strong,
+ ooh,
+ and car -- ry on,
+ ’cause I know I don’t be -- long
+ here in heav -- en.
+ Ooh!
+ Ooh.
+ Ba doo ba doo.
+ Time can bring you down,
+ time can bend your knees,
+ ooh,
+ time can bend your knees.
+ Time can break your heart,
+ have you begg -- ing please,
+ begg -- ing please!
+ ’Cause I know I don’t be -- long
+ here in heav -- en.
+ }
+ sopranTextB = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ _ _ _ _ _
+ _ _ _ _ _ _ _
+ Would you hold my hand,
+ \iiifff
+ Would you help me stand,
+ \iiifff
+ I’ll find my way,
+ ooh,
+ through night and day,
+ ’cause I know I just cant stay
+ here in heav -- en.
+ }
+ sopranTextC = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ _ _ _ _ _
+ _ _ _ _ _ _ _
+ Doo ba doo ba doo,
+ doo ba doo ba doo doo -- doo.
+ Doo ba doo ba doo,
+ doo ba doo ba doo doo doo.
+ Be -- yond the door
+ ooh,
+ there’s peace, I’m sure
+ and I know there’ll be no more
+ tears in heav -- en.
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ cause = \lyricmode {
+ _ _ _ _ _ _ _
+ _ _ _ _
+ }
+
+ bassTextA = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ Doo ba doo ba doo,
+ doo ba doo ba doo doo,
+ doo ba doo doo.
+ Doo doo doo ba doo.
+ \set stanza = #"3. "
+ Would you know my name,
+ ooh, oh would you,
+ doo ba doo doo ba doo
+ Would it be the same,
+ doo doo doo, oh would you.
+ \set stanza = #"4. "
+ I must be strong,
+ doo ba doo ba doo,
+ and car -- ry on,
+ \cause
+ Ba doo ba doo ba doo ba.
+ Ba doo ba doo -- ah ba doo.
+ Time can bring you down,
+ time can bend your knees,
+ can bend your knees.
+ Time can break your heart,
+ have you begg -- ing please,
+ begg -- ing please!
+ Ba dm dm.
+ ’Cause I know I don’t be -- long
+ here in heav -- en.
+ }
+ bassTextB = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ _ _ _ _ _
+ _ _ _ _ _ _
+ _ _ _ _
+ _ _ _ _ _
+ \set stanza = #"2. "
+ Would you hold my hand,
+ _ _ _ _
+ _ _ _ _ _ _
+ Would you help me stand,
+ _ _ _ _ _ _
+ \set stanza = #"2. "
+ I’ll find my way,
+ _ _ _ _ _
+ through night and day,
+ \cause
+ }
+ bassTextC = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ _ _ _ _ _
+ _ _ _ _ _ _
+ _ _ _ _
+ _ _ _ _ _
+ \set stanza = #"4. "
+ Doo ba doo ba doo,
+ _ _ _ _
+ _ _ _ _ _ _
+ Doo ba doo ba doo,
+ _ _ _ _ _ _
+ \set stanza = #"3. "
+ Be -- yond the door,
+ _ _ _ _ _
+ there’s peace, I’m sure.
+ \cause
+ }
+
diff --git a/hr/lily_copy/lilydocs/tears/texte_.ly b/hr/lily_copy/lilydocs/tears/texte_.ly
new file mode 100644
index 0000000..cb801da
--- /dev/null
+++ b/hr/lily_copy/lilydocs/tears/texte_.ly
@@ -0,0 +1,175 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ iiifff = \lyricmode {
+ if I saw you in heav -- en?
+ }
+ sopranTextA = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ Doo ba doo ba doo,
+ doo ba doo ba doo doo doo.
+ Would you know my name,
+ \iiifff
+ Would it be the same,
+ \iiifff
+ I must be strong,
+ ooh,
+ and car -- ry on,
+ ’cause I know I don’t be -- long
+ here in heav -- en.
+ Ooh!
+ Ooh.
+ Ba doo ba doo.
+ Time can bring you down,
+ time can bend your knees,
+ ooh,
+ time can bend your knees.
+ Time can break your heart,
+ have you begg -- ing please,
+ begg -- ing please!
+ ’Cause I know I don’t be -- long
+ here in heav -- en.
+ }
+ sopranTextB = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ _ _ _ _ _
+ _ _ _ _ _ _ _
+ Would you hold my hand,
+ \iiifff
+ Would you help me stand,
+ \iiifff
+ I’ll find my way,
+ ooh,
+ through night and day,
+ ’cause I know I just cant stay
+ here in heav -- en.
+ }
+ sopranTextC = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ _ _ _ _ _
+ _ _ _ _ _ _ _
+ Doo ba doo ba doo,
+ doo ba doo ba doo doo -- doo.
+ Doo ba doo ba doo,
+ doo ba doo ba doo doo doo.
+ Be -- yond the door
+ ooh,
+ there’s peace, I’m sure
+ and I know there’ll be no more
+ tears in heav -- en.
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ cause = \lyricmode {
+ _ _ _ _ _ _ _
+ _ _ _ _
+ }
+
+ bassTextA = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ Doo ba doo ba doo,
+ doo ba doo ba doo doo,
+ doo ba doo doo.
+ Doo doo doo ba doo.
+ <<
+ { \set stanza = #" 3. "
+ Would you know my name, }
+ \new Lyrics = "snd" \lyricmode {
+ \set stanza = #"2."
+ Would you hold my hand,
+ }
+ \new Lyrics = "trd" \lyricmode {
+ \set stanza = #"4."
+ Doo ba doo ba doo,
+ }
+ >>
+ ooh, oh would you,
+ doo ba doo doo ba doo
+ <<
+ { Would it be the same, }
+ \context Lyrics = "snd" \lyricmode {
+ Would you help me stand,
+ }
+ \context Lyrics = "trd" \lyricmode {
+ Doo ba doo ba doo,
+ }
+ >>
+ doo doo doo, oh would you.
+ <<
+ { \set stanza = #"4. "
+ I must be strong, }
+ \context Lyrics = "snd" \lyricmode {
+ \set stanza = #"2. "
+ I’ll find my way,
+ }
+ \context Lyrics = "trd" \lyricmode {
+ \set stanza = #"3. "
+ Be -- yond the door,
+ }
+ >>
+ doo ba doo ba doo,
+ <<
+ { and car -- ry on, }
+ \context Lyrics = "snd" \lyricmode {
+ through night and day,
+ }
+ \context Lyrics = "trd" \lyricmode {
+ there’s peace, I’m sure.
+ }
+ >>
+ \cause
+ Ba doo ba doo ba doo ba.
+ Ba doo ba doo -- ah ba doo.
+ Time can bring you down,
+ time can bend your knees,
+ can bend your knees.
+ Time can break your heart,
+ have you begg -- ing please,
+ begg -- ing please!
+ Ba dm dm.
+ ’Cause I know I don’t be -- long
+ here in heav -- en.
+ }
+ bassTextB = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ _ _ _ _ _
+ _ _ _ _ _ _
+ _ _ _ _
+ _ _ _ _ _
+ Would you hold my hand,
+ _ _ _ _
+ _ _ _ _ _ _
+ Would you help me stand,
+ _ _ _ _ _ _
+ I’ll find my way,
+ _ _ _ _ _
+ through night and day,
+ \cause
+ }
+ bassTextC = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ _ _ _ _ _
+ _ _ _ _ _ _
+ _ _ _ _
+ _ _ _ _ _
+ Doo ba doo ba doo,
+ _ _ _ _
+ _ _ _ _ _ _
+ Doo ba doo ba doo,
+ _ _ _ _ _ _
+ Be -- yond the door,
+ _ _ _ _ _
+ there’s peace, I’m sure.
+ \cause
+ }
+
diff --git a/hr/michi/adam/adam.ly b/hr/michi/adam/adam.ly
new file mode 100644
index 0000000..1a8e121
--- /dev/null
+++ b/hr/michi/adam/adam.ly
@@ -0,0 +1,75 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen_.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Adam lay ybounden"
+ composer = "Boris Ord"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ system-count = 9
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 17)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \voiceOne \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \voiceTwo \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \voiceOne \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \voiceTwo \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = frauen << \sop \alt >>
+ \new Lyrics = "tenors" \with {
+ \override VerticalAxisGroup #'staff-affinity = #DOWN
+ }
+ \new Staff = maenner << \ten \bas >>
+ \context Lyrics = "tenors" \lyricsto "tenoere" \tenorText
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/michi/adam/dynArt.ly b/hr/michi/adam/dynArt.ly
new file mode 100644
index 0000000..e5650fb
--- /dev/null
+++ b/hr/michi/adam/dynArt.ly
@@ -0,0 +1,34 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ %\override Staff.TimeSignature #'style = #'()
+ \dynamicUp
+ \key b \minor
+ \time 3/4
+ s2.*8
+ \break
+ s2.*8
+ \break
+ s2.*8
+ \break
+ s2.*4
+ \break
+ s2.*8
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/michi/adam/midi.lua b/hr/michi/adam/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/michi/adam/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/michi/adam/stimmen.ly b/hr/michi/adam/stimmen.ly
new file mode 100644
index 0000000..d7130b4
--- /dev/null
+++ b/hr/michi/adam/stimmen.ly
@@ -0,0 +1,57 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ b4. b8 a8[ b8] fis4 fis2 b4. d8 cis8[ b8] fis2. d'4 cis4 d4 b4 b2 a8[ a8] b4 gis4 fis2. fis2 fis8[ b8] a4 a4. a8 d4. d8 a8[ b8] a2 r4 a4 a4 b4 a8([ g8)] g2 fis8[ fis8] g4 b4 fis2. d'4 d8[ d8] cis8[ d8] a8[ a8] a4. a8 d4. fis8 e8[ d8] b2. e8[ e8] d8[ d8] e4 a,4 a4. b8 cis4 d8[ e8] fis4 e2. d4 d4 cis8[ b8] a2 a4 fis'4. fis8 e8[ d8] e2. e4. e8 fis8[ d8] e4 e4 e8[ fis8] g4.( fis8 d8[ e8] fis4. e8 cis8)[ d8] e4 fis4 d4 b4.( a8 b8[ d8] cis4.) b8( a4) b2.
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ fis4 fis4 e8[ d8] cis4 cis2 d4 fis4 e8[ d8] d4( cis2) fis4 fis8([ e8)] a4 a2 g4 fis8[ fis8] fis4 e8([ d8)] cis2. d2 cis8[ b8] cis4 cis4. fis8 g4. fis8 e8[ d8] cis2 r4 fis4 fis8([ e8)] fis4 e4 d2 d8[ d8] d4 e4 cis2. fis4 fis8[ g8] a8[ fis8] e8[ e8] e4 fis4 fis4 fis4 g8[ a8] a4( g2) g8[ g8] fis8[ fis8] e4 d4 fis4 fis4 a4 a8[ a8] fis4 a2. d4 d4 cis8[ b8] a2 a4 a4 a4 a8[ gis8] a2. gis4 a4 a8[ fis8] a4 a4 g8[ a8] b4.( a8 fis8)[ g8] a2 a8[ fis8] b4( a4) a4 a4 g4. g8 g2 fis4 dis2.
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ d4 d4 cis8[ b8] b4 ais2 b4 fis4 g8[ g8] b4( ais2) a4 a4 d4 d2 e4 cis8[ cis8] d4 b4 b4( ais4.) fis8 b4. b8 a8[ b8] fis4 fis4. fis8 b4. d8 cis8[ b8] fis2 r4 d'4 cis4 d4 b4 b2 a8[ a8] b4 g4 fis2. a4 d8[ d8] a8[ a8] d8[ d8] cis4 cis4 b4 b4 b8[ a8] d2. b8[ b8] d8[ cis8] b8([ cis8)] d4 cis4 d4 e4 d8[ d8] a8([ b8)] cis2. d4 d4 cis8[ b8] a2 e'4 d4 d4 e8[ e8] cis2. b4 cis4 d8[ d8] d4 cis4 c8[ c8] d2 b4 d4. cis8( a8)[ b8] b8([ cis8] d4.) a8 b8([ cis8)] d4. b8 e4( d4) cis4 b2.
+ }
+ >>
+ }
+
+ bassMelodie = \relative c' {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ b4 d,4 e8[ e8] fis4 fis2 b4 d,4 e8[ e8] fis2. d4 a'4 fis4 g2 e4 fis8[ fis8] d4 e4 fis2. R2. R2. R2. R2. d4 a'4 d,4 e4 g2 d8[ d8] b4 e4 fis2. d4 d8[ e8] fis8[ fis8] a8[ a8] a4 fis4 b4 d,4 e8[ fis8] g2. e8[ e8] b'8[ a8] g4 fis4 fis4 d4 a'4 fis8[ fis8] d4 a'2. d4 d4 cis8[ b8] a2 cis4 d4 d4 cis8[ b8] a2. e4 a4 d,8[ b'8] a4 a4 c8[ c8] g8([ a8] b4. g8 d8[ e8] fis4.) b8 g4 d8([ e8)] fis4 g2( fis4 e2) fis4 <fis b,>2.
+ }
+ >>
+ }
+
diff --git a/hr/michi/adam/stimmen_.ly b/hr/michi/adam/stimmen_.ly
new file mode 100644
index 0000000..def71e9
--- /dev/null
+++ b/hr/michi/adam/stimmen_.ly
@@ -0,0 +1,197 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ b4. b8 a8[ b8]
+ fis4 fis2
+ b4. d8 cis8[ b8]
+ fis2.
+ d'4 cis4 d4
+ b4 b2
+ a8[ a8] b4 gis4
+ fis2.
+ fis2 fis8[ b8]
+ a4 a4. a8
+ d4. d8 a8[ b8]
+ a2 r4
+ a4 a4 b4
+ a8([ g8)] g2
+ fis8[ fis8] g4 b4
+ fis2.
+ d'4 d8[ d8] cis8[ d8]
+ a8[ a8] a4. a8
+ d4. fis8 e8[ d8]
+ b2.
+ e8[ e8] d8[ d8] e4
+ a,4 a4. b8
+ cis4 d8[ e8] fis4
+ e2.
+ d4 d4 cis8[ b8]
+ a2 a4
+ fis'4. fis8 e8[ d8]
+ e2.
+ e4. e8 fis8[ d8]
+ e4 e4 e8[ fis8]
+ g4.( fis8 d8[ e8]
+ fis4. e8 cis8)[ d8]
+ e4 fis4 d4
+ b4.( a8 b8[ d8]
+ cis4.) b8( a4)
+ b2.
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ fis4 fis4 e8[ d8]
+ cis4 cis2
+ d4 fis4 e8[ d8]
+ d4( cis2)
+ fis4 fis8([ e8)] a4
+ a2 g4
+ fis8[ fis8] fis4 e8([ d8)]
+ cis2.
+ d2 cis8[ b8]
+ cis4 cis4. fis8
+ g4. fis8 e8[ d8]
+ cis2 r4
+ fis4 fis8([ e8)] fis4
+ e4 d2
+ d8[ d8] d4 e4
+ cis2.
+ fis4 fis8[ g8] a8[ fis8]
+ e8[ e8] e4 fis4
+ fis4 fis4 g8[ a8]
+ a4( g2)
+ g8[ g8] fis8[ fis8] e4
+ d4 fis4 fis4
+ a4 a8[ a8] fis4
+ a2.
+ d4 d4 cis8[ b8]
+ a2 a4
+ a4 a4 a8[ gis8]
+ a2.
+ gis4 a4 a8[ fis8]
+ a4 a4 g8[ a8]
+ b4.( a8 fis8)[ g8]
+ a2 a8[ fis8]
+ b4( a4) a4
+ a4 g4. g8
+ g2 fis4
+ dis2.
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ d4 d4 cis8[ b8]
+ b4 ais2
+ b4 fis4 g8[ g8]
+ b4( ais2)
+ a4 a4 d4
+ d2 e4
+ cis8[ cis8] d4 b4
+ b4( ais4.) fis8
+ b4. b8 a8[ b8]
+ fis4 fis4. fis8
+ b4. d8 cis8[ b8]
+ fis2 r4
+ d'4 cis4 d4
+ b4 b2
+ a8[ a8] b4 g4
+ fis2.
+ a4 d8[ d8] a8[ a8]
+ d8[ d8] cis4 cis4
+ b4 b4 b8[ a8]
+ d2.
+ b8[ b8] d8[ cis8] b8([ cis8)]
+ d4 cis4 d4
+ e4 d8[ d8] a8([ b8)]
+ cis2.
+ d4 d4 cis8[ b8]
+ a2 e'4
+ d4 d4 e8[ e8]
+ cis2.
+ b4 cis4 d8[ d8]
+ d4 cis4 c8[ c8]
+ d2 b4
+ d4. cis8( a8)[ b8]
+ b8([ cis8] d4.) a8
+ b8([ cis8)] d4. b8
+ e4( d4) cis4
+ b2.
+ }
+ >>
+ }
+
+ bassMelodie = \relative c' {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ b4 d,4 e8[ e8]
+ fis4 fis2
+ b4 d,4 e8[ e8]
+ fis2.
+ d4 a'4 fis4
+ g2 e4
+ fis8[ fis8] d4 e4
+ fis2.
+ R2.
+ R2.
+ R2.
+ R2.
+ d4 a'4 d,4
+ e4 g2
+ d8[ d8] b4 e4
+ fis2.
+ d4 d8[ e8] fis8[ fis8]
+ a8[ a8] a4 fis4
+ b4 d,4 e8[ fis8]
+ g2.
+ e8[ e8] b'8[ a8] g4
+ fis4 fis4 d4
+ a'4 fis8[ fis8] d4
+ a'2.
+ d4 d4 cis8[ b8]
+ a2 cis4
+ d4 d4 cis8[ b8]
+ a2.
+ e4 a4 d,8[ b'8]
+ a4 a4 c8[ c8]
+ g8([ a8] b4. g8
+ d8[ e8] fis4.) b8
+ g4 d8([ e8)] fis4
+ g2( fis4
+ e2) fis4
+ <fis b,>2.
+ }
+ >>
+ }
+
diff --git a/hr/michi/adam/texte.ly b/hr/michi/adam/texte.ly
new file mode 100644
index 0000000..4e811af
--- /dev/null
+++ b/hr/michi/adam/texte.ly
@@ -0,0 +1,40 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen % -- _
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyricmode {
+ %<+hier den Text für den Tenor eintragen+>
+ Ad -- am lay y -- bound -- en,
+ Bound -- en in a bond;
+ Four thou -- sand win -- ter
+ Thought he not too long.
+ And all was for an ap -- ple,
+ An ap -- ple that he took,
+ As clerk -- ès find -- en writ -- ten
+ In their book.
+ Ne had the ap -- ple tak -- en been,
+ The ap -- ple tak -- en been,
+ Ne had ne -- ver our man -- kind so keen
+ Free -- dom a -- seen.
+ Bless -- ed be the time
+ That free -- dom tak -- en was,
+ There -- fore we moun sing -- en,
+ De -- o gra -- ci -- as,
+ De -- o gra -- ci -- as,
+ De -- o gra -- ci -- as!
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/michi/bluebird/bluebird.ly b/hr/michi/bluebird/bluebird.ly
new file mode 100644
index 0000000..e869376
--- /dev/null
+++ b/hr/michi/bluebird/bluebird.ly
@@ -0,0 +1,73 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen_.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "The Blue Bird"
+ composer = "Charles Villiers Stanford"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 17)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "altiI" { \global \voiceOne \altIMelodie }
+ \new Voice = "altiII" { \global \voiceTwo \altIIMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = sopran { \sop }
+ \new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ \new Staff = bass { \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/michi/bluebird/dynArt.ly b/hr/michi/bluebird/dynArt.ly
new file mode 100644
index 0000000..38b59bf
--- /dev/null
+++ b/hr/michi/bluebird/dynArt.ly
@@ -0,0 +1,27 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ %\override Staff.TimeSignature #'style = #'()
+ \dynamicUp
+ \key ges \major
+ \time 4/4
+ s4
+ s1*44
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/michi/bluebird/midi.lua b/hr/michi/bluebird/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/michi/bluebird/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/michi/bluebird/stimmen.ly b/hr/michi/bluebird/stimmen.ly
new file mode 100644
index 0000000..1bfb873
--- /dev/null
+++ b/hr/michi/bluebird/stimmen.ly
@@ -0,0 +1,85 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ %\autoBeamOff
+ \partial 4
+ }
+
+% Die Stimmen
+
+ four = \relative c'' {
+ r1
+ r1
+ r1
+ ees1
+ }
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r4
+ \four \four
+ r1
+ aes4 aes4 r4 aes8 bes8 ces2 r8 bes8 aes8 bes8 aes8 f8 des8 f8 aes4 des4 des2. r4 r4 r8 des8 ges2 ~ ges2 ces,2 ces4( bes4 ees4 des4 aes'4 ges2) aes,4 ees'2. des4 des1 ~ des4 r4 r2
+ \four \four
+ r1
+ r4 r8 aes8 ces8 ces8 r4 des,4. f8 aes4 des4 des2. r4 r4 r8 des8 ges2 ~ ges2 ces,2 ces4 bes4 ees4 des4 aes'4 ges2 aes,4 ees'4 des2. ees2. aes,4 des1 ~ des1
+ \four
+ }
+ >>
+ }
+
+ altIMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ bes4
+ aes2. bes4 aes2 ~ aes4. bes8( aes8 bes8) ces2. ~ ces2. ges4 f2. ges4 f2 ~ f4. ges8( f8 ges8) aes2. ~ aes2 r4 r8 ees8( d8 ees8) f2. ~ f2 ees2 des1 ~ des1 des2. des4 ges2. ges4 ges2. aes4 aes4( bes2) aes4 aes4( ges4) ges2 ges2 f2 ges1 ~ ges4 r4 r4 bes4 aes2. bes4 aes2 ~ aes4. bes8 aes8 bes8 ces2. ~ ces2. ges4 f2. ges4 f2. ges4 f8 ges8 aes2. ~ aes2 r4 ees4 d2. ees4 ees2 des2 ~ des1 des2. des4 ges2. ges4 ges2. aes4 aes4( bes2) aes4 aes4( ges4) ges2 ~ ges4 aes4 ces4 bes4 ges2 f2 ges1 r2 r4 bes4 aes2. bes4 aes2 ~ aes4 r8 bes8( aes8 bes8) ces2. ~ ces2. r4
+ }
+ >>
+ }
+ altIIMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ ges4
+ ges2. ges4 ges2 ~ ges4. ges8 ges8 ges8 ges2. ~ ges2. ees4 ees2. ees4 ees2 ~ ees4. ees8 ees8 ees8 ees2. ~ ees2 r4 r8 ces8 ces8 ces8 ces2. ~ ces2 ces2 ces1 ~ ces1 ces4( bes2) bes4 des2. des4 des4( ees2) ges4 ges2. f4 f4( ges4) ges2 f4( ees4) f2 des1 ~ des4 r4 r4 ges4 ges2. ges4 ges2 ~ ges4. ges8 ges8 ges8 ges2. ~ ges2. ees4 ees2. ees4 ees2. ees4 ees8 ees8 ees2. ~ ees2 r4 ces4 ces2. ces4 ces1 ~ ces1 ces4( bes2) bes4 des2. des4 des4( ees2) ges4 ges2. f4 f4( ges4) ges2 ~ ges4 ges4 ges4 ges4 f4( ees4) ees4( des4) des1 r2 r4 ges4 ges2. ges4 ges2 ~ ges4 r8 ges8 ges8 ges8 ges2. ~ ges2. r4
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ des4
+ ces2. des4 ees2 ~ ees4. ees8( ees8 des8) ces2. ~ ces2. bes4 aes2. bes4 aes2 ~ aes4. bes8( ces8 bes8) aes2. ~ aes2 r4 r8 ges8( f8 ees8) d2. ~ d2 aes'2 aes1 ~ aes1 ges2. ges4 bes2. bes4 bes4( ces2) ces4 ces4( des4 ees4) aes,4 des2 ees2 ces2 ces2 bes1 ~ bes4 r4 r4 des4 ces2. des4 ees2 ~ ees4. ees8 ees8 des8 ces2. ~ ces2. bes4 ces2. bes4 aes2. bes4 ces8 bes8 aes2. ~ aes2 r4 ges4 f2. ges4 aes1 ~ aes1 ges2. ges4 bes2. bes4 bes4( ces2) ces4 ces4( des4 ees4) aes,4 des2 ces2 ~ ces4 ces4 ees4 des4 ces2 ces2 ces2( bes2) r2 r4 ces4 ces2. des4 ees2 ~ ees4 r8 ees8( ees8 des8) ces2. ~ ces2. r4
+ }
+ >>
+ }
+
+ bassMelodie = \relative c' {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ ges4
+ ees2. des4 ces2 ~ ces4. bes8( ces8 bes8) aes2. ~ aes2. bes4 ces2. des4 ces2 ~ ces4. bes8( aes8 ges8) f2. ~ f2 r4 r8 ges8( aes8 aes8) aes2. ~ aes2 ges2 f1 ~ f1 fes2. fes'4 ees2. ees4 aes,2. ees'4 des2 ces2 bes2 ces2 aes2 des2 ges,1 ~ ges4 r4 r4 ges'4 ees2. ges4 ces2 ~ ces4. bes8 ces8 bes8 aes2. ~ aes2. bes4 aes2. des,4 ces2. bes4 aes8 ges8 f2. ~ f2 r4 ges4 aes2. ges4 f1 ~ f1 fes2. fes4 fes'2. fes4 ees2 aes,2 des2 ces2 bes2 ees2 des1 ~ des2 des2 fes1 r2 r4 fes4 ees2. des4 ces2 ~ ces4 r8 bes8( ces8 bes8) aes2. ~ aes2. r4
+ }
+ >>
+ }
+
diff --git a/hr/michi/bluebird/stimmen_.ly b/hr/michi/bluebird/stimmen_.ly
new file mode 100644
index 0000000..6ae56af
--- /dev/null
+++ b/hr/michi/bluebird/stimmen_.ly
@@ -0,0 +1,277 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ %\autoBeamOff
+ \partial 4
+ }
+
+% Die Stimmen
+
+ four = \relative c'' {
+ r1
+ r1
+ r1
+ ees1
+ }
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r4
+ \four \four
+ r1
+ aes4 aes4 r4 aes8 bes8
+ ces2 r8 bes8 aes8 bes8
+ aes8 f8 des8 f8 aes4 des4
+ des2. r4
+ r4 r8 des8 ges2 ~
+ ges2 ces,2
+ ces4( bes4 ees4 des4
+ aes'4 ges2) aes,4
+ ees'2. des4
+ des1 ~
+ des4 r4 r2
+ \four \four
+ r1
+ r4 r8 aes8 ces8 ces8 r4
+ des,4. f8 aes4 des4
+ des2. r4
+ r4 r8 des8 ges2 ~
+ ges2 ces,2
+ ces4 bes4 ees4 des4
+ aes'4 ges2 aes,4
+ ees'4 des2.
+ ees2. aes,4
+ des1 ~
+ des1
+ \four
+ }
+ >>
+ }
+
+ altIMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ bes4
+ aes2. bes4
+ aes2 ~ aes4. bes8(
+ aes8 bes8) ces2. ~
+ ces2. ges4
+ f2. ges4
+ f2 ~ f4. ges8(
+ f8 ges8) aes2. ~
+ aes2 r4 r8 ees8(
+ d8 ees8) f2. ~
+ f2 ees2
+ des1 ~
+ des1
+ des2. des4
+ ges2. ges4
+ ges2. aes4
+ aes4( bes2) aes4
+ aes4( ges4) ges2
+ ges2 f2
+ ges1 ~
+ ges4 r4 r4 bes4
+ aes2. bes4
+ aes2 ~ aes4. bes8
+ aes8 bes8 ces2. ~
+ ces2. ges4
+ f2. ges4
+ f2. ges4
+ f8 ges8 aes2. ~
+ aes2 r4 ees4
+ d2. ees4
+ ees2 des2 ~
+ des1
+ des2. des4
+ ges2. ges4
+ ges2. aes4
+ aes4( bes2) aes4
+ aes4( ges4) ges2 ~
+ ges4 aes4 ces4 bes4
+ ges2 f2
+ ges1
+ r2 r4 bes4
+ aes2. bes4
+ aes2 ~ aes4 r8 bes8(
+ aes8 bes8) ces2. ~
+ ces2. r4
+ }
+ >>
+ }
+ altIIMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ ges4
+ ges2. ges4
+ ges2 ~ ges4. ges8
+ ges8 ges8 ges2. ~
+ ges2. ees4
+ ees2. ees4
+ ees2 ~ ees4. ees8
+ ees8 ees8 ees2. ~
+ ees2 r4 r8 ces8
+ ces8 ces8 ces2. ~
+ ces2 ces2
+ ces1 ~
+ ces1
+ ces4( bes2) bes4
+ des2. des4
+ des4( ees2) ges4
+ ges2. f4
+ f4( ges4) ges2
+ f4( ees4) f2
+ des1 ~
+ des4 r4 r4 ges4
+ ges2. ges4
+ ges2 ~ ges4. ges8
+ ges8 ges8 ges2. ~
+ ges2. ees4
+ ees2. ees4
+ ees2. ees4
+ ees8 ees8 ees2. ~
+ ees2 r4 ces4
+ ces2. ces4
+ ces1 ~
+ ces1
+ ces4( bes2) bes4
+ des2. des4
+ des4( ees2) ges4
+ ges2. f4
+ f4( ges4) ges2 ~
+ ges4 ges4 ges4 ges4
+ f4( ees4) ees4( des4)
+ des1
+ r2 r4 ges4
+ ges2. ges4
+ ges2 ~ ges4 r8 ges8
+ ges8 ges8 ges2. ~
+ ges2. r4
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ des4
+ ces2. des4
+ ees2 ~ ees4. ees8(
+ ees8 des8) ces2. ~
+ ces2. bes4
+ aes2. bes4
+ aes2 ~ aes4. bes8(
+ ces8 bes8) aes2. ~
+ aes2 r4 r8 ges8(
+ f8 ees8) d2. ~
+ d2 aes'2
+ aes1 ~
+ aes1
+ ges2. ges4
+ bes2. bes4
+ bes4( ces2) ces4
+ ces4( des4 ees4) aes,4
+ des2 ees2
+ ces2 ces2
+ bes1 ~
+ bes4 r4 r4 des4
+ ces2. des4
+ ees2 ~ ees4. ees8
+ ees8 des8 ces2. ~
+ ces2. bes4
+ ces2. bes4
+ aes2. bes4
+ ces8 bes8 aes2. ~
+ aes2 r4 ges4
+ f2. ges4
+ aes1 ~
+ aes1
+ ges2. ges4
+ bes2. bes4
+ bes4( ces2) ces4
+ ces4( des4 ees4) aes,4
+ des2 ces2 ~
+ ces4 ces4 ees4 des4
+ ces2 ces2
+ ces2( bes2)
+ r2 r4 ces4
+ ces2. des4
+ ees2 ~ ees4 r8 ees8(
+ ees8 des8) ces2. ~
+ ces2. r4
+ }
+ >>
+ }
+
+ bassMelodie = \relative c' {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ ges4
+ ees2. des4
+ ces2 ~ ces4. bes8(
+ ces8 bes8) aes2. ~
+ aes2. bes4
+ ces2. des4
+ ces2 ~ ces4. bes8(
+ aes8 ges8) f2. ~
+ f2 r4 r8 ges8(
+ aes8 aes8) aes2. ~
+ aes2 ges2
+ f1 ~
+ f1
+ fes2. fes'4
+ ees2. ees4
+ aes,2. ees'4
+ des2 ces2
+ bes2 ces2
+ aes2 des2
+ ges,1 ~
+ ges4 r4 r4 ges'4
+ ees2. ges4
+ ces2 ~ ces4. bes8
+ ces8 bes8 aes2. ~
+ aes2. bes4
+ aes2. des,4
+ ces2. bes4
+ aes8 ges8 f2. ~
+ f2 r4 ges4
+ aes2. ges4
+ f1 ~
+ f1
+ fes2. fes4
+ fes'2. fes4
+ ees2 aes,2
+ des2 ces2
+ bes2 ees2
+ des1 ~
+ des2 des2
+ fes1
+ r2 r4 fes4
+ ees2. des4
+ ces2 ~ ces4 r8 bes8(
+ ces8 bes8) aes2. ~
+ aes2. r4
+ }
+ >>
+ }
+
diff --git a/hr/michi/bluebird/texte.ly b/hr/michi/bluebird/texte.ly
new file mode 100644
index 0000000..28b95d8
--- /dev/null
+++ b/hr/michi/bluebird/texte.ly
@@ -0,0 +1,43 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen % -- _
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ below = \lyricmode {
+ The lake lay
+ \set ignoreMelismata = ##t
+ blue
+ be_-_low_the
+ \unset ignoreMelismata
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ \below hill,
+ \below hill,
+ be_-_low_the hill,
+ lay blue,
+ Cold and still,
+ there flew a bird whose wings were pa -- lest blue.
+ The sky a -- bove was blue at last,
+ The sky be -- neath me blue in blue,
+ was blue in blue,
+ blue in blue,
+ It caught, it caught his im -- age,
+ his im -- age as he flew.
+ \below hill.
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/michi/bogoroditse/bogoroditse.ly b/hr/michi/bogoroditse/bogoroditse.ly
new file mode 100644
index 0000000..80faeae
--- /dev/null
+++ b/hr/michi/bogoroditse/bogoroditse.ly
@@ -0,0 +1,72 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Bogoroditse Devo"
+ composer = "Sergei Rachmaninov"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 15)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = sopran { \sop }
+ \new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ \new Staff = bass { \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/michi/bogoroditse/dynArt.ly b/hr/michi/bogoroditse/dynArt.ly
new file mode 100644
index 0000000..855181e
--- /dev/null
+++ b/hr/michi/bogoroditse/dynArt.ly
@@ -0,0 +1,36 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ %\override Staff.TimeSignature #'style = #'()
+ \dynamicUp
+ \key f \major
+ \time 4/4
+ \partial 2
+ s2
+ s1*8
+ \break
+ s1*9
+ \break
+ s1*1
+ \time 6/4
+ s1.*6
+ \time 4/4
+ s1*3
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/michi/bogoroditse/midi.lua b/hr/michi/bogoroditse/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/michi/bogoroditse/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/michi/bogoroditse/stimmen.ly b/hr/michi/bogoroditse/stimmen.ly
new file mode 100644
index 0000000..116b8f5
--- /dev/null
+++ b/hr/michi/bogoroditse/stimmen.ly
@@ -0,0 +1,137 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ oben = \relative c'' {
+ c4 a4( c2 e4 d1) d2 d4( c8 bes8) c4( d2) c4 d8( e8 <f d>4)
+ <<
+ {
+ \voiceOne
+ g1 f4( e4) f4( e4) d8( f8 e2) d4
+ }
+ \new Voice {
+ \voiceTwo
+ e1 d4 c4 d4 c4 d4 c2 bes4
+ }
+ >>
+ }
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ a4 a4 a4.( g8) f4 a4 g4.( f8) g2 a8( g8 f8 a8 g8 f8) g4 a2
+ a4 g8( a8) bes4( a4 g4) f8( a8) g2( ~ g8 e8) f8( g8) a8( g8 f8 a8 g8 f8 g4) a2
+ a2 a2. g4 a1( ~ a2. g4 a8 g8 f8 a8 g8 f8 g4 a1)
+ c2. a8( bes8) c4( d2)
+ \oben
+ c1 c2 c1 c2 c4. r8
+ a4( g4) f4( a4) g2( f2) g1 f1
+ }
+ >>
+ }
+
+ unten = \relative c'' {
+ a8( bes8 c4.) c8 c8( bes8 a8 c8 bes8 a8) bes4 ~ bes4 bes8 bes8 bes8( a8 g8 bes8 a8 f8
+ }
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ f4 f4 f4.( e8) d4 f4 e4.( d8) e2
+ f8( e8 d8 f8 ~ f8 d8) e4 f2
+ f4 f4 f2. d8( e8) f4( e4 d8 c8) d8( e8) f8( e8 d8 f8 ~ f8 d8 e4) f2
+ f2 e4.( f8 e4) d4 c4.( d8 c4 bes4 c4 d2 e4 f8 e8 d8 f8 ~ f8 d8 e4) f4
+ <<
+ {
+ a4 a4 a4 a8( g8 f8 a8 g8 f8 g4) a2 a8( g8 f8 a8) g8( f8 g4) a2 ~ a4 g8( a8) bes4 bes8 bes8 bes8( a8 g8 bes8) a8( g8) a4 a4 g8( a8) bes8( a8) g8( bes8) a8( g8)
+ }
+ {
+ f4 f4 f4 f8( e8 d8 f8 e8 d8 e4) f2 f8( e8 d8 f8) e8( d8 e4) f2 ~ f4 e8( f8) g4 g8 g8 g8( f8 e8 g8) f8( e8) f4 f4 e8( f8) g8( f8) e8( g8) f8
+ }
+ >>
+ \unten
+ g4 a4) a8 a8 a8( g8) f8( a8) g8( f8) g4 a2( ~ a8 g8 f8 a8 g8 f8 g4 a4.) r8
+ f4( e4) d4( e4) d2( c2) bes1 a1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ c4 c4 c2 a4 c4 c4.( a8) c2 c4( a8 c8 d8 a8) c4 c2
+ c4 c4 d4( c4 bes4) a4 bes4( a4 g8 a8) bes4 a4.( c8 d8 a8 c4) c2
+ c2 a2. g4 e4.( f8 e4 d4 e4. f8 g8 a8 bes4 c4 a8 c8 d8 a8 c4) c1
+ c2. a8 bes8( c4 d2)
+ \transpose g g, \oben
+ <<
+ {
+ \voiceOne
+ f4( e4) d4( c4)
+ }
+ \new Voice {
+ \voiceTwo
+ c2 c8( bes8 a4)
+ }
+ >>
+ \oneVoice
+ bes8( a8) bes4 c4 c8 c8 c8( bes8) a8( c8) bes8( a8) bes4 c4. r8
+ <<
+ {
+ \voiceOne
+ c2 a2
+ }
+ \new Voice {
+ \voiceTwo
+ a4( g4) a2
+ }
+ >>
+ \oneVoice
+ g2( f4 e4) d2. c4 f1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ f4 f4 f4.( c8) d4 a4 c4.( d8) c2 f8( c8 d8 a8 bes8 d8) c4 f2
+ f4 e4 d2. c4 d4( c4 bes8 a8) g4 d'4.( a8 bes8 d8 c4) f2
+ f4( d4) c4.( d8 c4) bes4 a2.( g4 a4 bes2 c4 f8 c8 d8 a8 bes8 d8 c4) f1
+ r1 r1 r1 r1 r1 r1 r4
+ \transpose a a, \unten
+ %a8( bes8 c4.) c8 c8( bes8 a8 c8 bes8 a8) bes4 ~ bes4 bes8 bes8 bes8( a8 g8 bes8 a8 f8
+ g4) a4( g4) f4( e4) d4 c4
+ <<
+ {
+ f4( e4 d4 e4) d4( c4)
+ } \\
+ {
+ f,1 f2
+ }
+ >>
+ f'4. r8
+ f4( e4) d4( c4) bes2( a2) g2. c4 <c f,>1
+ }
+ >>
+ }
+
diff --git a/hr/michi/bogoroditse/texte.ly b/hr/michi/bogoroditse/texte.ly
new file mode 100644
index 0000000..a46aa97
--- /dev/null
+++ b/hr/michi/bogoroditse/texte.ly
@@ -0,0 +1,31 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen % -- _
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ Bo -- go -- ro -- di -- tse De -- vo,
+ ra -- dui -- sya,
+ Bla -- go -- dat -- na -- ya Ma -- ri -- e,
+ Go -- spod sTo -- bo -- yu,
+ Bo -- go -- ro -- di -- tse De -- vo,
+ ra -- dui -- sya,
+ ra -- dui -- sia, ya -- ko Spa -- sa ro -- di -- la,
+ ya -- ko Spa -- sa ro -- di -- la
+ e -- si dush na -- _ shikh.
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/michi/cantate/Cantate Domino in D.PDF b/hr/michi/cantate/Cantate Domino in D.PDF
new file mode 100644
index 0000000..210810e
--- /dev/null
+++ b/hr/michi/cantate/Cantate Domino in D.PDF
Binary files differ
diff --git a/hr/michi/cantate/cantate.ly b/hr/michi/cantate/cantate.ly
new file mode 100644
index 0000000..150a96b
--- /dev/null
+++ b/hr/michi/cantate/cantate.ly
@@ -0,0 +1,88 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Cantate Domino"
+ composer = "Jan Pieterszoon Sweelinck"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 17)
+
+ sopI = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "sopraneI" \with {
+ \remove Forbid_line_break_engraver
+ } { \global \sopranIMelodie }
+ >>
+ sopII = <<
+ \new Voice = "sopraneII" \with {
+ \remove Forbid_line_break_engraver
+ } { \global \sopranIIMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" \with {
+ \remove Forbid_line_break_engraver
+ } { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" \with {
+ \remove Forbid_line_break_engraver
+ } { \global \autoBeamOff \tenorMelodie }
+ \addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" \with {
+ \remove Forbid_line_break_engraver
+ } { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with {
+ \remove Bar_engraver
+ printPartCombineTexts = ##f } <<
+ \new Staff = sopranA { \sopI }
+ \new Staff = sopranB { \sopII }
+ \new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ \new Staff = bass { \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/michi/cantate/dynArt.ly b/hr/michi/cantate/dynArt.ly
new file mode 100644
index 0000000..4873e92
--- /dev/null
+++ b/hr/michi/cantate/dynArt.ly
@@ -0,0 +1,22 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ %\autoBeamOff
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/michi/cantate/midi.lua b/hr/michi/cantate/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/michi/cantate/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/michi/cantate/stimmen.ly b/hr/michi/cantate/stimmen.ly
new file mode 100644
index 0000000..c965f4f
--- /dev/null
+++ b/hr/michi/cantate/stimmen.ly
@@ -0,0 +1,362 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key c \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/2
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranIMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r4 g4 g8 a8 b8 c8 b8 c8 d8 e8 d4. c8
+ b2 g2 r4 b2 d4
+ a2 a8 a8 a4 b4 b4 e8 d8 e4
+ d4 b4 c8 b8 c4 b4 g4 d'8 c8 d4
+ b4 g4 r4 d'4. c8 d4 b2
+ g2 r4 g4 d'2 d2
+ e2. d4 d1
+ r1 b8 a8 b4 g4 g4
+ b8 a8 b4 g4 g4 b8 a8 b4 a4 a4
+ d,4 d8 d8 a'2 fis1
+ r4 d4 d'4. c16 b16 a4 g4 fis4 g4
+ a4 a4 b4. a16 g16 a4 c4 d4 e4
+ d2 c1 c2
+ b1. b2
+ a2. c4 a4 b8 c8 d2
+ b1 r1
+ r4 g4 g2 g1
+ r2 d'2 c8 d8 e8 d8 c4 b8 a8
+ b4 d4 d4 cis4 d2 r2
+ r2 e2 d8 e8 f8 e8 c4 cis8 b8
+ cis4 d4 d4 cis4 d2 r4 d4
+ d2 d4 d2 c4 b4 b4.
+ b8 c4 d2 e4 e4. e8 d4
+ d2 cis4 cis4 d2 e4 d2
+ cis4 d2 r1
+ b4. b8 c2 d2 e2
+ r1 c2 c4 c4
+ a2 g2 r1
+ r2 r4 c4 c2 c4 b4
+ b2 a2 r4 c2 c4
+ b4 e4 a,2 b4 d2 cis4
+ cis4 d4 b2 c4 g4 g4 g4
+ f2 e4 c'4 c4 c4 b2
+ a4 a4 a4 a4 f2 e4 e'2
+ d4 e2 d2 r4 d2
+ d4 d2 c2. b8 a8
+ b2 r4 c2 c4 c2
+ a4 a8 g8 a2 b4 c4 d4 c4
+ b4 a4 g4 f4 e4 d4 c4 d4
+ e2 a4 b4 c4 a4 d2.
+ cis8 b8 cis2 d2 r4 d4
+ e4. d8 c4 b2 a4 a2
+ R1*2
+ r4 b4 c4 a4. g8 fis4 g2
+ e4 e'2 f4 d4. c8 b4 c4.
+ d8 c4 a4 d2 b4 g4. f8
+ e4 e4 fis4 d'4 b4 c4. d8 e4
+ d1 b2 r4 b4
+ c4. c8 c4 c2 b4 b2
+ r4 b4 c4. d8 e4 d2 d4
+ d2 d2 e4 c4. b8 a4
+ d2 g,2 r1
+ r4 d'4 e4 c4. b8 a4 r4 fis4
+ g4 e4. d8 e4 fis2 g2
+ r4 b4 c4 a4. g8 fis4 g4. a16 b16
+ c4. b8 a4 g2 fis8 e8 fis2
+ g2 r4 d'4 e4 c4. d8 e4
+ d2 b4 b4 c4 e4. d8 c4
+ b8 a8 b8 c8 d2 b1
+ \bar "|."
+ }
+ >>
+ }
+
+ sopranIIMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r2 r4 g4 g8 a8 b8 c8 b8 c8 d8 e8
+ d4. c8 b2 g4 g2 g4
+ fis2 fis8 e8 fis4 g4 g4 c8 b8 c4
+ b4 g4 e'8 d8 e4 d4 b4 r2
+ g8 fis8 g4 fis2 g4. f16 e16 d2
+ r4 g4 g1 g2
+ g2. b4 a1
+ b8 a8 b4 a4 a4 d8 d8 d4 e4 e4
+ r1 d8 d8 d4 f4 f4
+ d4 d8 d8 cis2 d2 r4 a4
+ d4. c16 b16 a4 g4 fis4 g4 a4 b8 c8
+ d1 r1
+ r2 e1 e2
+ e1 d1
+ d2. e4 d1
+ d2 g,2 g2 g2
+ r2 r4 d4 e8 d8 c8 d8 e8 f8 g2
+ e4 d4 g4 g1
+ r2 a2 f8 e8 d8 e8 f8 g8 a2
+ f4 e4 a4 a2 r4 a4
+ a4 g4 a4 a4 fis2 r4 fis4
+ g2 a4 g2 e4 g2
+ r1 g4. g8 a4 a2
+ gis4 a4 e4 f2 e4 fis2
+ g4 a4 b4. b8 c4 d2
+ e4 e4. e8 a,4 b2 c4 c4
+ c4 c4 a2 g4 g4 g4 g4
+ f2 e4 e'4 e2 e4 d4
+ d2 c2 r1
+ r1 a2. g4
+ g4 a4 fis2 g4 b2 a4
+ a4 d,4 d'2 g,4 c4 c4 c4
+ a2 g2 r4 g4 g4 g4
+ f2 e2 r2 a2
+ fis4 a4. e8 g4 g1
+ r2 r4 a2 a4 a2
+ g1 r4 g2 g4
+ g4 fis8 e8 fis2 g1
+ r1 a4 b4 c4 b4
+ a4 g4 f4 e4 a2 g4 f4
+ e4 fis8 g8 a2 fis2 r4 a4
+ c4. d8 e4 d2 d4 d2
+ d2 e4 c4. b8 a4 d2
+ b2 r2 r2 r4 d4
+ e4 c4. b8 a4 r4 fis4 g4 e4.
+ d8 e4 fis2 g2 r4 b4
+ c4 a4. g8 fis4 g4. a16 b16 c4. b8
+ a4 g2 fis4 g2 r4 d4
+ f4. g8 a4 g2 g4 g2
+ r4 d'4 e4. d8 c4 b2 a4
+ a2 r2 r1
+ r2 r4 b4 c4 a4. g8 fis4
+ g2 e4 e'2 f4 d4. c8
+ b4 c4. d8 c4 a4 d2 b4
+ g4. f8 e4 e4 fis4 d'4 b4 c4.
+ d8 e4 d2. a4 d2
+ b2 r4 b4 c4 e4. d8 c4
+ b2 g2 g1
+ s1*2
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ g1 g'1
+ g1 e2. b4
+ d2 d8 cis8 d4 b4 g4 r2
+ g'8 fis8 g4 e4 c4 g'8 fis8 g4 f4 d4
+ e8 d8 e4 d2 b2 r4 g4
+ g8 a8 b8 c8 b8 c8 d8 e8 d4. c8 b2
+ g2 g'4 g4 fis1
+ g8 fis8 g4 fis4 fis4 r1
+ d8 d8 d4 e4 e4 r4 d4. e8 f4
+ g8 fis8 g4 e2 d2 r2
+ r2 r4 d4 d4. c16 b16 a4 g4
+ g4 fis4 g4 g'4 fis4 g4 g4 g4
+ fis2 a1 g2
+ g1 g1
+ fis2. g4 fis4 g2 fis4
+ g2 r4 d4 e8 d8 c8 d8 e8 f8 g2
+ e4 d4 g,4 g2 g2
+ g2 g4 d'4 e8 f8 g8 f8 e4 d8 c8
+ d4 d4 e4 a,4 a2 a2
+ a2 a4 e'4 f8 g8 a8 g8 f4 e8 d8
+ e4 d4 e4 e4 a1
+ r1 r2 r4 g4.
+ g8 a4 f2 e4 e4. e8 f4
+ d2 e4 a4 a2 a4 a2
+ g4 fis4 g4. g8 e4 a2
+ gis2 r2 r2 g2
+ g4 g4 f2 e4 e4 e4 e4
+ c2 c8 d8 e8 f8 g4 g4 g2
+ g4 f4 f2 e2 r2
+ r1 r2 a,4 e'4
+ e4 e4 d2 d2 g4 e4
+ e4 a4 g2 e2 e2 e2 e2
+ c2 c4 e4 e4 e4 d2
+ d4 d2 cis4 d2 a2
+ r4 d2 cis4 d2 d4 f2
+ f4 f2 e1
+ r4 e2 e4 e2
+ d2 d4 d4 d1.
+ g,2 r2
+ a4 b4 c4 b4 a2. a4
+ a2 a2 a2 r4 fis'4
+ g4. g8 g4 g2 fis4 fis2
+ r4 g2 a4 e4. e8 d4 fis4
+ g4 g4 e4 f4. g8 a4 d,2
+ g4 g4 a4 f4. e8 d4 g2
+ c,2 r2 d2 e2
+ c4. b8 a4 a'4 g4 e4. d8 c4
+ f8 e8 d8 c8 d2 d2 r4 g4
+ a4. g8 f4 e2 d4 d2
+ r4 g4 g4. g8 g4 g2 fis4
+ fis2 r4 g2 a4 f4. e8
+ d4 fis4 g4 g4 e4 f4. g8 a4
+ d,2 g4 g4 a4 f4. e8 d4
+ g2 c,2 r2 d2
+ e2 c4. b8 a4 a'4 g4 e4.
+ d8 c4 f8 e8 d8 c8 d1
+ d2 r4 d4 g4 g4. g8 g4
+ g2 d4 d4 e4 c4. d8 e4
+ d4. c8 b2 d1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ R1*2
+ R1*2
+ R1*2
+ R1*2
+ r1 r4 g4 g8[ a8 b8 c8]
+ b8[ c8 d8 e8] d4. c8 b2 g2
+ b2. d4 d1
+ r2 d8 c8 d4 b4 g4 c8 b8 c4
+ b4 g4 c8 b8 c4 b4 g4 d'8 c8 d4
+ b4 g4 r2 r4 a4 d4. c16[ b16]
+ a4 g4 fis4 g4 a4 b4 d2
+ d2 r4 d4 d4 e4 d4 c4
+ a2 a4 b4 c4 d4 e2.
+ d8[ c8] b2. c4 d2.
+ c8[ b8] a2. g4 a2
+ g2 r4 g4 c8[ d8 e8 d8] c4 b8[ a8]
+ b4 c4 c4 b4 c2 c4 d2
+ g,4 r4 g4 e8[ d8 c8 d8] e8[ f8] g2
+ f4 e4 e4 d2 d'4 e2
+ a,4 r4 a4 f8[ e8 d8 e8] f8[ g8] a2
+ bes4 a4 a4 d,2 r4 a'4
+ b2 a4 b2 c4 d2
+ R1*2
+ r2 r4 a4 d2 cis4 d2
+ e4 d4 d4. d8 c4 a2
+ b4 e4. e8 f4 d2 c4 e4
+ e4 e4 c2 c4 c,4 c4 e4
+ f8[ g8 a8 b8] c2 c,2 r2
+ r1 r4 e'4 e2
+ e4 d4 d2 c2 r2
+ r1 r4 g2 a4
+ a4 fis4 g2 c1
+ r2 r4 c,4 c4 e4 g8[ a8 b8 c8]
+ d2 a2 r2 r4 a2
+ fis4 a2 d,2 f4. g8
+ a4 d,4 f4. g8 a2 e2
+ r2 e4. f8 g4 c,4 e4. f8
+ g2 d2 r2 g2.
+ a4 b2 c4 d4 e4 d4
+ c4 b4 a4 g4 f2 e4 d4
+ e1 d2 r4 d'4
+ g,4. g8 g4 g2 a4 a2
+ r1 r2 r4 d2
+ e4 c4. b8 a2 b2
+ c4 c4 a4 d4. c8 b4 g2
+ a2 r4 a4 b4 g4. f8 e4
+ a2 d,2 r4 e4 a4 a4.
+ a8 bes4 a2 g2 r4 g4
+ f4. e8 f4 c2 g'4 g2
+ r4 g4 g4. g8 g4 g2 a4
+ a2 r2 r1
+ r4 d2 e4 c4. b8 a2
+ b2 c4 c4 a4 d4. c8 b4
+ g2 a2 r4 a4 b4 g4.
+ f8 e4 a2 d,2 r4 e4
+ a4 a4. a8 bes4 a1
+ g1 r2 r4 c4
+ d4 b4. c8 d4 c2 g2
+ g1*2
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ R1*2
+ R1*2
+ R1*2
+ R1*2
+ r1 g1
+ g'1 g1
+ e2. b4 d2 d8 c8 d4
+ b4 g4 r2 g'8 fis8 g4 e4 c4
+ g'8 fis8 g4 e4 c4 g'8 fis8 g4 f4 d4
+ g8 a8 bes4 a2 d,\breve.
+ %
+ d2 g4. f16 e16 d4 c4 b4 c4
+ d2 a2. b4 c4 d4
+ e2. d8 c8 b2. c4
+ d2. c4 d1
+ g,1 r1
+ r2 g2 c8 d8 e8 d8 c4 b8 a8
+ b4 c4 c4 b4 c2 r2
+ r2 a2 d8 e8 f8 e8 d4 cis8 b8
+ cis4 d4 d4 cis4 d2 r2
+ r1 r2 d2
+ g2 fis4 g2 a4 g2
+ r1 r4 c,4. c8 d4
+ b2 a2 r1
+ r2 r4 g'4. g8 a4 f2
+ e2 r2 r2 r4 c4
+ c4 e4 f8 g8 a8 b8 c2 g2
+ r2 r4 c4 c2 c4 b4
+ bes2 a4 a4 a2 a4 g4
+ g2 f2 f2. e4
+ e4 cis4 d2 g,2 r2
+ r1 r4 c4 c4 e4
+ f8 g8 a8 b8 c2 g2 r2
+ r1 r4 d2 cis4
+ d2 a2 f'4. g8 a4 d,4
+ f4. g8 a2 a,1
+ e'4. f8 g4 c,4 e4. f8 g2
+ g,2 r2 g'4 a4 b4 a4
+ g4 f4 e4 d4 c4 b4 a1
+ a2 a1
+ a1 d2 r4 d4
+ c4. b8 c4 g2 d'4 d2
+ R1*2
+ g2 a4 f4. e8 d4 g2
+ c,2 r2 d2 e4 c4.
+ b8 a4 d2 g,2 r2
+ r2 r4 d'4 e4 c4. b8 a4
+ d1 g,1
+ R1*2
+ g'2 c,4. b8 c4 g2 d'4
+ d2 r2 r1
+ r2 g2 a4 f4. e8 d4
+ g2 c,2 r2 d2
+ e4 c4. b8 a4 d2 g,2
+ r1 r4 d'4 e4 c4.
+ b8 a4 d1.
+ g,2 r4 g'4 c,4 c4. b8 c4
+ g1 c1
+ g1*2
+ }
+ >>
+ }
+
diff --git a/hr/michi/cantate/texte.ly b/hr/michi/cantate/texte.ly
new file mode 100644
index 0000000..302ba60
--- /dev/null
+++ b/hr/michi/cantate/texte.ly
@@ -0,0 +1,62 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ dom = \lyricmode { Do -- mi -- no, }
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ Can -- ta -- _ _ _ _ te \dom
+ can -- ti -- cum no -- vum,
+ can -- ti -- cum no -- vum,
+ can -- ti -- cum no -- vum,
+ can -- ti -- cum no -- vum,
+ Can -- ta -- _ _ te \dom
+ Can -- ta -- te,
+ Can -- ta -- te \dom
+ o -- _ _ _ _ _ _ _ _ _ _ mnis ter -- ra,
+ Can -- ta -- _ _ _ te \dom
+ Can -- ta -- te,
+ Can -- ta -- _ _ te \dom
+ Can -- ta -- te,
+ Can -- ta -- _ _ te \dom
+ et be -- ne -- di -- ci -- te
+ et be -- ne -- di -- ci -- te
+ no -- mi -- ni e -- jus,
+ no -- mi -- ni e -- jus,
+ An -- nun -- ti -- a -- te,
+ an -- nun -- ti -- a -- _ te,
+ de di -- e in di -- em,
+ sa -- lu -- ta -- re e -- jus,
+ An -- nun -- ti -- a -- _ te,
+ in -- ter gen -- tes,
+ in -- _ _ ter gen -- _ _ tes,
+ in -- _ _ ter gen -- _ _ tes,
+ Glo -- _ _ _ _ _ _ _ _ _ _ _ ri -- am e -- jus,
+ in om -- ni -- bus po -- pu -- lis,
+ mi -- ra -- bi -- li -- a e -- jus,
+ mi -- ra -- bi -- li -- a e -- jus,
+ mi -- ra -- bi -- li -- a, e -- jus,
+ mi -- ra -- bi -- li -- a e -- jus,
+ in om -- ni -- bus po -- pu -- lis,
+ in om -- ni -- bus po -- pu -- lis,
+ mi -- ra -- bi -- li -- a e -- jus,
+ mi -- ra -- bi -- li -- a e -- jus,
+ mi -- ra -- bi -- li -- a e -- jus,
+ mi -- ra -- bi -- li -- a e -- jus,
+ mi -- ra -- bi -- li -- a e -- _ jus.
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/michi/come/Come in and stay a while (sw) 01.tif b/hr/michi/come/Come in and stay a while (sw) 01.tif
new file mode 100644
index 0000000..abfbd12
--- /dev/null
+++ b/hr/michi/come/Come in and stay a while (sw) 01.tif
Binary files differ
diff --git a/hr/michi/come/Come in and stay a while (sw) 02.tif b/hr/michi/come/Come in and stay a while (sw) 02.tif
new file mode 100644
index 0000000..e0c84b6
--- /dev/null
+++ b/hr/michi/come/Come in and stay a while (sw) 02.tif
Binary files differ
diff --git a/hr/michi/come/come.ly b/hr/michi/come/come.ly
new file mode 100644
index 0000000..f0a891c
--- /dev/null
+++ b/hr/michi/come/come.ly
@@ -0,0 +1,72 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen_.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Come in and stay a while"
+ composer = "Rhonda Polay"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 17)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \voiceOne \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \voiceTwo \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \voiceOne \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \voiceTwo \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = frauen << \sop \alt >>
+ \new Lyrics = "tenors" \with { alignAboveContext = #DOWN }
+ \new Staff = maenner << \ten \bas >>
+ \context Lyrics = "tenors" \lyricsto "tenoere" \tenorText
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/michi/come/dynArt.ly b/hr/michi/come/dynArt.ly
new file mode 100644
index 0000000..586259c
--- /dev/null
+++ b/hr/michi/come/dynArt.ly
@@ -0,0 +1,35 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ %\override Staff.TimeSignature #'style = #'()
+ \dynamicUp
+ \key c \major
+ \time 4/4
+ s1*5
+ s1*4
+ \break
+ s1*4
+ s1*4
+ \break
+ s1*5
+ \break
+ s1*2
+ s1*3
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/michi/come/midi.lua b/hr/michi/come/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/michi/come/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/michi/come/stimmen.ly b/hr/michi/come/stimmen.ly
new file mode 100644
index 0000000..07fb843
--- /dev/null
+++ b/hr/michi/come/stimmen.ly
@@ -0,0 +1,77 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r2 g2 e2 r8 f8 g8[ e8] b'2. c8[ b8] a8[ b8] g2 f4 e1 e4. f8 g8[ c,8] e8[ g8] d'2 e4( d4) d8[ g,8] g2 e4 d1 g4 <bes g>2 ees,4
+ <c' g>4 <bes g>8[ <c g>8] \times 2/3 { d4 e4 d4 }
+ bes4. g8 f4 ees4 f1 f8[ g8] a2 f4 g4 c4 c4 a8[ c8] e4. <c a>8 a4 e4 d1
+ r4 c4 d4 e4 g2 ~ g8[ f8] g8[ e8] b'2. c8([ b8)] a8[ b8] g2 f4 <g e>2 r4 c4
+ e8[ d8] c4 \times 2/3 { a4 c4 e4 }
+ <a e>1 r4 r8 c,8 a4 e4 d2 f2 d'1
+ }
+ >>
+ }
+
+ altMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r2 g2 <d b>2 r8 f8 g8[ e8] <e b>2. c'8[ b8] e,4 d4 d4 c4 b1 d4. d8 d8[ c8] e8[ g8] <a e>2 <a f>2 <g d>8[ d8] d2 e4 <c a>2( b2) d4 d2 ees4
+ ees4 ees8[ ees8] \times 2/3 { <aes f>4 q4 q4 }
+ <f d>4. g8 f4 ees4 <ees ces>1 d8[ d8] d2 d4 e4 <g e>4 q4 a8[ c8] <c f,>4. e,8 <e c>4 c4 c1
+ r4 c4 d4 e4 <e d>2 ~ q8[ f8] g8[ e8] <e c>2. c'8([ b8)] e,4 d4 d4 c4 b2 r4 <g' e>4
+ <a e>8 q8 q4 \times 2/3 { a4 c4 e4 }
+ <c fis,>1 r4 r8 c8 a4 e4 <c a>2 c2 <g' e>1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ r2 g2 g2 r8 f8 g8[ e8] g2. c8[ b8] c4 b4 bes4 aes4 g1 bes4. bes8 bes8[ c,8] e8[ g8] c2 c2 b8[ b8] b2 e,4 f1 bes4 bes2 ees,4
+ c'4 c8[ c8] \times 2/3 { ces4 ces4 ces4 }
+ bes4. g8 f4 ees4 aes1 bes8[ bes8] bes2 bes4 a4 a4 a4 a8[ c8] c4. c8 a4 <a f>4 q1
+ r4 c,4 d4 e4 g2 ~ g8[ f8] g8[ e8] g2. c8([ b8)] c4 b4 bes4 aes4 g2 r4 bes4
+ c8[ c8] a4 \times 2/3 { a4 c4 e4 }
+ <fis c>1 r4 r8 c8 a4 e4 f2 aes2 b1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c' {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r2 g2 c,2 r8 f8 g8[ e8] a,2. c'8[ b8] f4 e4 ees4 des4 c1 c4. c8 c8[ c8] e8[ g8] f2 d2 e8[ e8] e2 e4 g,1 ees'4 ees2 ees4
+ aes4 aes8[ aes8] \times 2/3 { aes4 aes4 aes4 }
+ g4. g8 f4 ees4 des1 c8[ c8] c2 c4 c4 c4 c4 a'8[ c8] d,4. d8 d4 d4 g,1
+ r4 c4 d4 e4 c2 ~ c8[ f8] g8[ e8] a,2. c'8[ b8] f4 e4 ees4 des4 c2 r4 c4
+ f8[ f8] f4 \times 2/3 { a4 c4 e4 }
+ d,1 r4 r8 c'8 a4 e4 g,2 des'2 c1
+ }
+ >>
+ }
+
diff --git a/hr/michi/come/stimmen_.ly b/hr/michi/come/stimmen_.ly
new file mode 100644
index 0000000..dae097c
--- /dev/null
+++ b/hr/michi/come/stimmen_.ly
@@ -0,0 +1,161 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r2 g2
+ e2 r8 f8 g8[ e8]
+ b'2. c8[ b8]
+ a8[ b8] g2 f4
+ e1
+ e4. f8 g8[ c,8] e8[ g8]
+ d'2 e4( d4)
+ d8[ g,8] g2 e4
+ d1
+ g4 <bes g>2 ees,4
+ <c' g>4 <bes g>8[ <c g>8] \times 2/3 { d4 e4 d4 }
+ bes4. g8 f4 ees4
+ f1
+ f8[ g8] a2 f4
+ g4 c4 c4 a8[ c8]
+ e4. <c a>8 a4 e4
+ d1
+ r4 c4 d4 e4
+ g2 ~ g8[ f8] g8[ e8]
+ b'2. c8([ b8)]
+ a8[ b8] g2 f4
+ <g e>2 r4 c4
+ e8[ d8] c4 \times 2/3 { a4 c4 e4 }
+ <a e>1
+ r4 r8 c,8 a4 e4
+ d2 f2
+ d'1
+ }
+ >>
+ }
+
+ altMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r2 g2
+ <d b>2 r8 f8 g8[ e8]
+ <e b>2. c'8[ b8]
+ e,4 d4 d4 c4
+ b1
+ d4. d8 d8[ c8] e8[ g8]
+ <a e>2 <a f>2
+ <g d>8[ d8] d2 e4
+ <c a>2( b2)
+ d4 d2 ees4
+ ees4 ees8[ ees8] \times 2/3 { <aes f>4 q4 q4 }
+ <f d>4. g8 f4 ees4
+ <ees ces>1
+ d8[ d8] d2 d4
+ e4 <g e>4 q4 a8[ c8]
+ <c f,>4. e,8 <e c>4 c4
+ c1
+ r4 c4 d4 e4
+ <e d>2 ~ q8[ f8] g8[ e8]
+ <e c>2. c'8([ b8)]
+ e,4 d4 d4 c4
+ b2 r4 <g' e>4
+ <a e>8 q8 q4 \times 2/3 { a4 c4 e4 }
+ <c fis,>1
+ r4 r8 c8 a4 e4
+ <c a>2 c2
+ <g' e>1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ r2 g2
+ g2 r8 f8 g8[ e8]
+ g2. c8[ b8]
+ c4 b4 bes4 aes4
+ g1
+ bes4. bes8 bes8[ c,8] e8[ g8]
+ c2 c2
+ b8[ b8] b2 e,4
+ f1
+ bes4 bes2 ees,4
+ c'4 c8[ c8] \times 2/3 { ces4 ces4 ces4 }
+ bes4. g8 f4 ees4
+ aes1
+ bes8[ bes8] bes2 bes4
+ a4 a4 a4 a8[ c8]
+ c4. c8 a4 <a f>4
+ q1
+ r4 c,4 d4 e4
+ g2 ~ g8[ f8] g8[ e8]
+ g2. c8([ b8)]
+ c4 b4 bes4 aes4
+ g2 r4 bes4
+ c8[ c8] a4 \times 2/3 { a4 c4 e4 }
+ <fis c>1
+ r4 r8 c8 a4 e4
+ f2 aes2
+ b1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c' {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r2 g2
+ c,2 r8 f8 g8[ e8]
+ a,2. c'8[ b8]
+ f4 e4 ees4 des4
+ c1
+ c4. c8 c8[ c8] e8[ g8]
+ f2 d2
+ e8[ e8] e2 e4
+ g,1
+ ees'4 ees2 ees4
+ aes4 aes8[ aes8] \times 2/3 { aes4 aes4 aes4 }
+ g4. g8 f4 ees4
+ des1
+ c8[ c8] c2 c4
+ c4 c4 c4 a'8[ c8]
+ d,4. d8 d4 d4
+ g,1
+ r4 c4 d4 e4
+ c2 ~ c8[ f8] g8[ e8]
+ a,2. c'8[ b8]
+ f4 e4 ees4 des4
+ c2 r4 c4
+ f8[ f8] f4 \times 2/3 { a4 c4 e4 }
+ d,1
+ r4 r8 c'8 a4 e4
+ g,2 des'2
+ c1
+ }
+ >>
+ }
+
diff --git a/hr/michi/come/texte.ly b/hr/michi/come/texte.ly
new file mode 100644
index 0000000..46e1398
--- /dev/null
+++ b/hr/michi/come/texte.ly
@@ -0,0 +1,36 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen % -- _
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyricmode {
+ %<+hier den Text für den Tenor eintragen+>
+ Come in
+ and stay a while.
+ Cast the world a -- side for now.
+ Give your -- self a chance to breathe.
+ And try your best to smile.
+ Some -- times it’s hard to re -- lax,
+ but you need to take the time.
+ Pleas -- ant -- ries can be some help,
+ if you search un -- til you find.
+ The one who
+ takes your fond -- est dream.
+ And turns it in -- to now.
+ So let this place be your life -- style.
+ Come in and stay a while.
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/michi/corpus/corpus.ly b/hr/michi/corpus/corpus.ly
new file mode 100644
index 0000000..2f8f4d4
--- /dev/null
+++ b/hr/michi/corpus/corpus.ly
@@ -0,0 +1,73 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Ave verum"
+ composer = "Camille Saint-Saëns"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 14)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ \addlyrics { \stzII }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = sopran { \sop }
+ \new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ \new Staff = bass { \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/michi/corpus/dynArt.ly b/hr/michi/corpus/dynArt.ly
new file mode 100644
index 0000000..0140f44
--- /dev/null
+++ b/hr/michi/corpus/dynArt.ly
@@ -0,0 +1,37 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ %\override Staff.TimeSignature #'style = #'()
+ \dynamicUp
+ \key ees \major
+ \time 2/2
+ \repeat volta 2 {
+ s1*8
+ }
+ \break
+ \repeat volta 2 {
+ s1*8
+ \break
+ s1*8
+ \break
+ s1*12
+ }
+ s1*4
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/michi/corpus/midi.lua b/hr/michi/corpus/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/michi/corpus/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/michi/corpus/stimmen.ly b/hr/michi/corpus/stimmen.ly
new file mode 100644
index 0000000..bae07bd
--- /dev/null
+++ b/hr/michi/corpus/stimmen.ly
@@ -0,0 +1,66 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ ees2 f4( g4) aes2 g2 g2( f4) ees4 f2 ees2 g2\( aes4( bes4)\) c2 bes2 bes2( aes4) g4 g2( f2)
+ bes2 ces4( bes4) bes2 aes2 aes2. bes4 ces2 des2 ees2. ees4 d2 des2 ces4 bes2 a4 bes1 ees,2 f4( g4) f2 ees2 ees2 f4( g4) f2 ees2 ees2 c'2( ~ c4 bes4) g4 ees4 f2. f4 bes1 bes2 c4( d4) c2 bes2 bes2 c4( d4) c2 bes2 ees2( g2 ~ g4 ees4 d4 c4) bes2 bes2( ~ bes4 b4 c4 aes4) g4( bes4) d4( ees4) aes,2( g4) f4 f1( ees2) r2
+ ees2( f4 g4 aes2 g2 f1) g1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ bes2 d4( ees4) c4( d4) ees2 ees2( d4) c4 d2 bes2 ees2.( ees4) ees4( aes4) g2 ees2( f4) ees4 ees2( d2)
+ f2 aes4( ges4) ges2 f2 f2. g4 aes2 bes2 bes2 a2 bes2 bes2 ges4 g2 f4 f2 bes,2 ~ bes2. bes4 bes2. bes4 c2. c4 des2. des4 c2 d2 ees2 ees2 ees2( d4) d4 ees1 ees2. ees4 e2. e4 f2. f4 fis2 g2 g2 g2 ~ g2.( aes4 bes2 a4 aes4 g4 f4) ees2 ~ ees2 ees2 ~ ees4 c2 d4 d1( ees2) r2
+ r2 bes2( c4 d4 ees2) ~ ees2( d2) ees1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ g2 bes2 aes2 bes2 bes2. g4 bes2 g2 bes2.( bes4) aes4( c4) ees2 bes2 ~ bes4 bes4 bes1
+ d2 ees4( des4) des4( ees4) f2 f2( ees4) des4 ees2 ges2 ges2 f2 f2 bes,2 ees4 des2 c4 bes1 g2. g4 g2. g4 g2. g4 g2. g4 aes2 f2 g2 ees2 bes'2. bes4 bes1 bes2. bes4 bes2. bes4 bes2. bes4 ees2 ees2 ees2( d2 ~ d4 c4 d4 ees4) ees4( bes2) bes4( ~ bes4 des4 c4 ces4) bes2 g2 f2( aes4) aes4 aes1( g2) r2
+ r1
+ f2( g4 aes4 bes1) <bes g>1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ ees2 bes4( ees4) f2 ees2 ees2( bes4) c4 bes2 ees2 ees2\(( f4) g4\) aes2( ees2) g2( d4) ees4 bes'2( bes,2)
+ bes'2 aes4( bes4) bes4( ces4) des2 des2( ces4) bes4 aes2 ges2 ces2. ces4 bes2 ges2 ees4 e2 f4 bes,1 ees2. ees4 d2. d4 c2. c4 bes2. bes4 aes1 g2 c4 c4 bes2. bes4 <g g'>1 g'2. g4 g2. g4 aes2. aes4 a2 bes2 c2( b2 ~ b4 c4 bes4 aes4 g4 ges4 f4 fes4) ees2 aes,2 bes1 ~ bes2 bes2 bes1( ees2) r2
+ r1 r1 bes1 <ees ees,>1
+ }
+ >>
+ }
+
diff --git a/hr/michi/corpus/stimmen_.ly b/hr/michi/corpus/stimmen_.ly
new file mode 100644
index 0000000..ea4099f
--- /dev/null
+++ b/hr/michi/corpus/stimmen_.ly
@@ -0,0 +1,213 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ ees2 f4( g4)
+ aes2 g2
+ g2( f4) ees4
+ f2 ees2
+ g2\( aes4( bes4)\)
+ c2 bes2
+ bes2( aes4) g4
+ g2( f2)
+ bes2 ces4( bes4)
+ bes2 aes2
+ aes2. bes4
+ ces2 des2
+ ees2. ees4
+ d2 des2
+ ces4 bes2 a4
+ bes1
+ ees,2 f4( g4)
+ f2 ees2
+ ees2 f4( g4)
+ f2 ees2
+ ees2 c'2( ~
+ c4 bes4) g4 ees4
+ f2. f4
+ bes1
+ bes2 c4( d4)
+ c2 bes2
+ bes2 c4( d4)
+ c2 bes2
+ ees2( g2 ~
+ g4 ees4 d4 c4)
+ bes2 bes2( ~
+ bes4 b4 c4 aes4)
+ g4( bes4) d4( ees4)
+ aes,2( g4) f4
+ f1(
+ ees2) r2
+ ees2( f4 g4
+ aes2 g2
+ f1)
+ g1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ bes2 d4( ees4)
+ c4( d4) ees2
+ ees2( d4) c4
+ d2 bes2
+ ees2.( ees4)
+ ees4( aes4) g2
+ ees2( f4) ees4
+ ees2( d2)
+ f2 aes4( ges4)
+ ges2 f2
+ f2. g4
+ aes2 bes2
+ bes2 a2
+ bes2 bes2
+ ges4 g2 f4
+ f2 bes,2 ~
+ bes2. bes4
+ bes2. bes4
+ c2. c4
+ des2. des4
+ c2 d2
+ ees2 ees2
+ ees2( d4) d4
+ ees1
+ ees2. ees4
+ e2. e4
+ f2. f4
+ fis2 g2
+ g2 g2 ~
+ g2.( aes4
+ bes2 a4 aes4
+ g4 f4) ees2 ~
+ ees2 ees2 ~
+ ees4 c2 d4
+ d1(
+ ees2) r2
+ r2 bes2(
+ c4 d4 ees2) ~
+ ees2( d2)
+ ees1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ g2 bes2
+ aes2 bes2
+ bes2. g4
+ bes2 g2
+ bes2.( bes4)
+ aes4( c4) ees2
+ bes2 ~ bes4 bes4
+ bes1
+ d2 ees4( des4)
+ des4( ees4) f2
+ f2( ees4) des4
+ ees2 ges2
+ ges2 f2
+ f2 bes,2
+ ees4 des2 c4
+ bes1
+ g2. g4
+ g2. g4
+ g2. g4
+ g2. g4
+ aes2 f2
+ g2 ees2
+ bes'2. bes4
+ bes1
+ bes2. bes4
+ bes2. bes4
+ bes2. bes4
+ ees2 ees2
+ ees2( d2 ~
+ d4 c4 d4 ees4)
+ ees4( bes2) bes4( ~
+ bes4 des4 c4 ces4)
+ bes2 g2
+ f2( aes4) aes4
+ aes1(
+ g2) r2
+ r1
+ f2( g4 aes4
+ bes1)
+ <bes g>1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ ees2 bes4( ees4)
+ f2 ees2
+ ees2( bes4) c4
+ bes2 ees2
+ ees2\(( f4) g4\)
+ aes2( ees2)
+ g2( d4) ees4
+ bes'2( bes,2)
+ bes'2 aes4( bes4)
+ bes4( ces4) des2
+ des2( ces4) bes4
+ aes2 ges2
+ ces2. ces4
+ bes2 ges2
+ ees4 e2 f4
+ bes,1
+ ees2. ees4
+ d2. d4
+ c2. c4
+ bes2. bes4
+ aes1
+ g2 c4 c4
+ bes2. bes4
+ <g g'>1
+ g'2. g4
+ g2. g4
+ aes2. aes4
+ a2 bes2
+ c2( b2 ~
+ b4 c4 bes4 aes4
+ g4 ges4 f4 fes4)
+ ees2 aes,2
+ bes1 ~
+ bes2 bes2
+ bes1(
+ ees2) r2
+ r1
+ r1
+ bes1
+ <ees ees,>1
+ }
+ >>
+ }
+
diff --git a/hr/michi/corpus/texte.ly b/hr/michi/corpus/texte.ly
new file mode 100644
index 0000000..8bff82c
--- /dev/null
+++ b/hr/michi/corpus/texte.ly
@@ -0,0 +1,54 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+ stzI = \lyricmode {
+ \set stanza = "1."
+ A -- ve, ve -- rum cor -- pus,
+ na --
+ \set ignoreMelismata = ##t
+ tum de Ma -- _
+ \unset ignoreMelismata
+ ri -- a vir -- gi -- ne:
+ }
+ stzII = \lyricmode {
+ \set stanza = "2."
+ Ve -- re pas -- sum im -- mo -- la -- tum in cru -- ce pro ho -- mi -- ne:
+ }
+ cujus = \lyricmode {
+ Cu -- jus la -- tus per -- fo -- ra -- tum
+ un -- da flu -- xit Cum san -- gui -- ne.
+ Es -- to no -- bis præ -- gus -- ta -- tum
+ in mor -- tis ex -- a -- mi -- ne,
+ Es -- to no -- bis præ -- gus -- ta -- tum
+ }
+
+% Die Textaufteilungen % -- _
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyricmode {
+ %<+hier den Text für den Tenor eintragen+>
+ %<<
+ \stzI
+ %\stzII
+ %>>
+ \cujus
+ \set ignoreMelismata = ##t
+ in mor -- _ _ _ _
+ \unset ignoreMelismata
+ tis,
+ mor -- tis ex -- a -- mi -- ne.
+ A -- men.
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/michi/cover/cover.ly b/hr/michi/cover/cover.ly
new file mode 100644
index 0000000..2ee0454
--- /dev/null
+++ b/hr/michi/cover/cover.ly
@@ -0,0 +1,73 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Cover me with the Night"
+ composer = "Peter Klatzow"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 18)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global s4 \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global s4 \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global s4\ff \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global s4 \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = sopran { \sop }
+ \new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ \new Lyrics \lyricsto "tenoere" { \global \tenorText }
+ \new Staff = bass { \bas }
+ >>
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ %\layout {
+ %}
+ }
+
diff --git a/hr/michi/cover/cover.midi b/hr/michi/cover/cover.midi
new file mode 100644
index 0000000..74e986c
--- /dev/null
+++ b/hr/michi/cover/cover.midi
Binary files differ
diff --git a/hr/michi/cover/dynArt.ly b/hr/michi/cover/dynArt.ly
new file mode 100644
index 0000000..919e162
--- /dev/null
+++ b/hr/michi/cover/dynArt.ly
@@ -0,0 +1,52 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ %\override Staff.TimeSignature #'style = #'()
+ \dynamicUp
+ \key d \major
+ \time 2/2
+ s1*3
+ \time 3/2
+ s1.
+ \time 2/2
+ s1*8
+ \time 3/2
+ s1.*3
+ \bar "||"
+ \break
+ \time 2/2
+ s1*4
+ \time 3/2
+ s1.
+ \time 2/2
+ s1*2
+ \break
+ \time 3/2
+ s1.*3
+ \time 2/2
+ s1*2
+ \time 3/2
+ s1.*3
+ \bar "||"
+ \time 2/2
+ s1*4
+ \break
+ s1*7
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/michi/cover/haukify.log b/hr/michi/cover/haukify.log
new file mode 100644
index 0000000..e69de29
--- /dev/null
+++ b/hr/michi/cover/haukify.log
diff --git a/hr/michi/cover/midi.lua b/hr/michi/cover/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/michi/cover/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/michi/cover/midis/MIDI b/hr/michi/cover/midis/MIDI
new file mode 100644
index 0000000..9d34739
--- /dev/null
+++ b/hr/michi/cover/midis/MIDI
Binary files differ
diff --git a/hr/michi/cover/stimmen.ly b/hr/michi/cover/stimmen.ly
new file mode 100644
index 0000000..c5c31d6
--- /dev/null
+++ b/hr/michi/cover/stimmen.ly
@@ -0,0 +1,58 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1 r1 r4 a2 a4 ~ a4 a4 d8 cis8 b4 a4 g4 fis8( g8 a2.) r1 r4 f2 a4 c2 b4 a8( g8) a1 r1 r4 a4 a4 d4 c4 b4 a4 g4 a2 r4 d4( ~ d4 c8 b8) a1 r4 d4 ~ d4 c8 b8 a1 r1 r1 r1 r2 r4 e'4 e2 a,2. << { b4 cis4. b8 cis4 d4 b1 r2 b2. b4 b4 g4 b2 r4 b4 cis2 g2 g4 a4 b2. g4 cis1 cis2 a2. cis4 cis2 a1 d2 } \\ { a4 a4. a8 a4 a4 g1 r2 g2. g4 g4 g4 g2 r4 g4 g2 g2 g4 g4 g2. g4 g1 a2 a2. a4 a2 a1 a2 } >> a1 a2. a4 cis4 a4 a2 ~ a4 e2 d4 a'1 r4 a2 a4 e'4 a,4 a2 r4 g2 fis4 a1 r2 e'2 ~ e2 a,2 a1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ << { d2( e2) d2( e2) d2( e2) d2( e2 d2) d2( e2) d2( e2) e1 e1 e2( fis2) e2( fis2) e1 e1 e2( fis2 e2) e2( fis2 e2) fis2 } \\ { d1 d1 d1 d1 c2 d1 d1 e2( d2) e2( d2) e1 e1 e2( d2) e2( d2) e1. e2( fis2 e2) fis2 } >> e1 r1 r1 r1 r2 r4 a4 << { a2 } \\ { fis2 } >> fis2. fis4 f4. f8 f4 f4 dis1 r2 dis2. dis4 d4 d4 dis2 r4 dis4 eis2 eis2 eis4 eis4 e2. e4 e1 e2 e2. e4 e2 e1 fis2 fis1 << { e2( fis2) e1 cis1 fis2( e2) e2( fis2) fis2( e2) } \\ { e1 e2( d2) cis1 d1 e1 fis2( e2) } >> e2( d2) e2( fis2) gis1( ~ gis2 fis2) e1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ \oneVoice
+ << { \voiceOne a2( b2) a2( b2) a2( b2) a2( b2 g2) a2( b2) a2( b2) a1 a1 a2( b2) a2( b2) c2( a2) c1 a2( b2 a2) c2( d2 c2) d2 e1 } \new Voice { \voiceTwo a,1 a1 a1 a1 g2 a1 a1 a2( g2) a2( g2) a1 a1 g2( a2) g2( a2) a1. c2( d2 c2) d2 a1 } >> \oneVoice r1 r1 r1 r2 r4 << { \voiceOne e'4 d2 d2. d4 e4. e8 e4 d4 dis1 } { \voiceTwo a4 a2 a2. a4 a4. a8 a4 a4 gis1 } >> \oneVoice r2 b2. b4 b4 b4 b2 r4 b4 cis2 cis2 cis4 cis4 b2. b4 c1 cis2 cis2. cis4 cis2 cis1 d2 d1 << { \voiceOne b2( cis2) b1 b1 b2( a2) b2( cis2) d2 cis2 c2( d2) b2( cis2) e1( ~ e2 d2) cis1 } \new Voice { \voiceTwo a1 b2( a2) a1 b2( a2) a1 b2 a2 a1 a1 b1 ~ b1 b1 } >>
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r1 r1 r1 R1. r2 r4 a4 ~ a4 d4 ~ d2 r1 r1 r4 e2 a4 g2 fis4 e8( d8) << { e2( fis2) e2( fis2) a1. } \\ { e1 e1 a1. } >> g1. g2 a1 r4 a4 a8 b8 c4 ~ c4 b4 d4 c4 b4 a4 g4 fis8 e8 a2. r4 R1. r1 r1 r2 << { dis,2. dis4 d4 d4 d2 r4 d4 eis2 eis2 eis4 cis4 e2. e4 e1 e2 e2. e4 eis2 eis1 fis2 fis1 e1 d1 e1 fis1 e1 d1 c1 e1 fis1 ~ fis1 e1 } \\ { gis,2. gis4 g4 g4 gis2 r4 gis4 gis2 gis2 gis4 gis4 g2. g4 g1 a2 a2. a4 ais2 ais1 a2 a1 a1 g1 a1 a1 a1 g1 f1 a1 a1 ~ a1 a1 } >>
+ }
+ >>
+ }
+
diff --git a/hr/michi/cover/stimmen_.ly b/hr/michi/cover/stimmen_.ly
new file mode 100644
index 0000000..4a3cc20
--- /dev/null
+++ b/hr/michi/cover/stimmen_.ly
@@ -0,0 +1,141 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1
+ r1
+ r4 a2 a4 ~
+ a4 a4 d8 cis8 b4 a4 g4
+ fis8( g8 a2.)
+ r1
+ r4 f2 a4
+ c2 b4 a8( g8)
+ a1
+ r1
+ r4 a4 a4 d4
+ c4 b4 a4 g4
+ a2 r4 d4( ~ d4 c8 b8)
+ a1 r4 d4 ~
+ d4 c8 b8 a1
+ r1
+ r1
+ r1
+ r2 r4 e'4
+ e2 a,2. << { b4 cis4. b8 cis4 d4 b1 r2 b2. b4 b4 g4 b2 r4 b4 cis2 g2 g4 a4 b2. g4 cis1 cis2 a2. cis4 cis2 a1 d2 } \\ { a4 a4. a8 a4 a4 g1 r2 g2. g4 g4 g4 g2 r4 g4 g2 g2 g4 g4 g2. g4 g1 a2 a2. a4 a2 a1 a2 } >> a1
+ a2. a4
+ cis4 a4 a2 ~
+ a4 e2 d4
+ a'1
+ r4 a2 a4
+ e'4 a,4 a2
+ r4 g2 fis4
+ a1
+ r2 e'2 ~
+ e2 a,2
+ a1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ << { d2( e2) d2( e2) d2( e2) d2( e2 d2) d2( e2) d2( e2) e1 e1 e2( fis2) e2( fis2) e1 e1 e2( fis2 e2) e2( fis2 e2) fis2 } \\ { d1 d1 d1 d1 c2 d1 d1 e2( d2) e2( d2) e1 e1 e2( d2) e2( d2) e1. e2( fis2 e2) fis2 } >> e1
+ r1
+ r1
+ r1
+ r2 r4 a4
+ << { a2 } \\ { fis2 } >> fis2. fis4
+ f4. f8 f4 f4
+ dis1
+ r2 dis2. dis4
+ d4 d4 dis2 r4 dis4
+ eis2 eis2 eis4 eis4
+ e2. e4
+ e1
+ e2 e2. e4
+ e2 e1
+ fis2 fis1
+ << { e2( fis2) e1 cis1 fis2( e2) e2( fis2) fis2( e2) } \\ { e1 e2( d2) cis1 d1 e1 fis2( e2) } >>
+ e2( d2)
+ e2( fis2)
+ gis1( ~
+ gis2 fis2)
+ e1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ << { a2( b2) a2( b2) a2( b2) a2( b2 g2) a2( b2) a2( b2) a1 a1 a2( b2) a2( b2) c2( a2) c1 a2( b2 a2) c2( d2 c2) d2 e1 } \\ { a1 a1 a1 a1 g2 a1 a1 a2( g2) a2( g2) a1 a1 g2( a2) g2( a2) a1. c2( d2 c2) d2 a1 } >>
+ r1
+ r1
+ r1
+ r2 r4 << { e4 d2 d2. d4 e4. e8 e4 d4 dis1 } \\ { a4 a2 a2. a4 a4. a8 a4 a4 gis1 } >>
+ r2 b2. b4
+ b4 b4 b2 r4 b4
+ cis2 cis2 cis4 cis4
+ b2. b4
+ c1
+ cis2 cis2. cis4
+ cis2 cis1
+ d2 d1
+ << { b2( cis2) b1 b1 b2( a2) b2( cis2) d2 cis2 c2( d2) b2( cis2) e1( ~ e2 d2) cis1 } \\ { a1 b2( a2) a1 b2( a2) a1 b2 a2 a1 a1 b1 ~ b1 b1 } >>
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r1
+ r1
+ r1
+ R1.
+ r2 r4 a4 ~
+ a4 d4 ~ d2
+ r1
+ r1
+ r4 e2 a4
+ g2 fis4 e8( d8)
+ << { e2( fis2) e2( fis2) a1. } \\ { e1 e1 a1. } >>
+ g1.
+ g2 a1
+ r4 a4 a8 b8 c4 ~
+ c4 b4 d4 c4
+ b4 a4 g4 fis8 e8
+ a2. r4
+ R1.
+ r1
+ r1
+ r2 << { dis2. dis4 d4 d4 d2 r4 d4 eis2 eis2 eis4 cis4 e2. e4 e1 e2 e2. e4 eis2 eis1 fis2 fis1 e1 d1 e1 fis1 e1 d1 c1 e1 fis1 ~ fis1 e1 } \\ { gis,2. gis4 g4 g4 gis2 r4 gis4 gis2 gis2 gis4 gis4 g2. g4 g1 a2 a2. a4 ais2 ais1 a2 a1 a1 g1 a1 a1 a1 g1 f1 a1 a1 ~ a1 a1 } >>
+ }
+ >>
+ }
+
diff --git a/hr/michi/cover/texte.ly b/hr/michi/cover/texte.ly
new file mode 100644
index 0000000..364f9f9
--- /dev/null
+++ b/hr/michi/cover/texte.ly
@@ -0,0 +1,36 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen % -- _
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyricmode {
+ %<+hier den Text für den Tenor eintragen+>
+ Come Lord Come Lord
+ Come Lord Come Lord
+ Come Lord Come Lord
+ Come Lord Come Lord
+ %
+ Your mer -- cy is dee -- per than the night
+ Lord it will be cold
+ the night comes with its breath of death
+ Night comes,
+ the end comes
+ you come
+ Come Lord Come Lord
+ Come Lord _ Come Lord
+ Come Lord
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/michi/darthula/darthula.ly b/hr/michi/darthula/darthula.ly
new file mode 100644
index 0000000..02439c2
--- /dev/null
+++ b/hr/michi/darthula/darthula.ly
@@ -0,0 +1,82 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen_.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Darthulas Grabgesang"
+ composer = "Brahms"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 17)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ altI = <<
+ \new Voice = "alti" { \global s4 \altMelodieI }
+ %\addlyrics { \altText }
+ >>
+ altII = <<
+ \new Voice = "alti" { \global s4 \altMelodieII }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global s4\ff \tenorMelodie }
+ \addlyrics { \tenorText }
+ >>
+
+ basI = <<
+ \new Voice = "baesse" { \global s4 \bassMelodieI }
+ %\addlyrics { \bassText }
+ >>
+ basII = <<
+ \new Voice = "baesse" { \global s4 \bassMelodieII }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ %\new Staff = sopran { \sop }
+ %\new Staff = altI { \altI }
+ %\new Staff = altII { \altII }
+ \new Staff = tenor { \ten }
+ %\new Staff = bassI { \basI }
+ %\new Staff = bassII { \basII }
+ >>
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ %\layout {
+ %}
+ }
+
diff --git a/hr/michi/darthula/darthula.midi b/hr/michi/darthula/darthula.midi
new file mode 100644
index 0000000..3c2389e
--- /dev/null
+++ b/hr/michi/darthula/darthula.midi
Binary files differ
diff --git a/hr/michi/darthula/dynArt.ly b/hr/michi/darthula/dynArt.ly
new file mode 100644
index 0000000..e7137c4
--- /dev/null
+++ b/hr/michi/darthula/dynArt.ly
@@ -0,0 +1,62 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ %\override Staff.TimeSignature #'style = #'()
+ \dynamicUp
+ \key g \minor
+ \time 2/2
+ s1*5
+ \bar "||"
+ \time 3/2
+ s1.*2
+ \bar "||"
+ \time 2/2
+ s1*6
+ \bar "||"
+ \time 3/2
+ s1.
+ \bar "||"
+ \time 2/2
+ s1*10
+ \bar "||"
+ \time 3/2
+ s1.*2
+ \bar "||"
+ \time 2/2
+ s1*6
+ \bar "||"
+ \time 3/2
+ s1.
+ \bar "||"
+ \time 2/2
+ s1*14
+ \bar "||"
+ \key g \major
+ s1*32
+ \bar "||"
+ \key g \minor
+ s1*18
+ \bar "||"
+ \time 3/2
+ s1.
+ \bar "||"
+ \time 2/2
+ s1*9
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/michi/darthula/midi.lua b/hr/michi/darthula/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/michi/darthula/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/michi/darthula/stimmen.ly b/hr/michi/darthula/stimmen.ly
new file mode 100644
index 0000000..528490d
--- /dev/null
+++ b/hr/michi/darthula/stimmen.ly
@@ -0,0 +1,116 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1 r1 r1 r1 r1
+ R1. R1.
+ r1 r1 r1 r1 r1 r1
+ R1.
+ r1 r1 r1 r1 r1 r1 r1 r1
+ d2 c2 a4.( bes8) a2
+ d4( g4) f4 d4 bes4 ees4 d2 bes2 r2 r1 r1 r2 r4 d4 d2. d4 d4 f4 e4 d4 c2 d2 d4( ees4 f4) g4 c,4 d4 bes4( c4 a2) g2 r2 r1 r2 r4 a4 bes2 bes4 r4 r4 bes4 bes4 bes4 e2 d4 r4 r4 d4 d4 d4 g2 fis4 r4 ees2 d4 c4 bes2 a2 c2 a2 g1 fis2 r2
+ r4 g4 a4 g4 b2 d4 e4 g2 \times 2/3 { e4( d4 e4) } d2 b4 r4 r4 d4 \times 2/3 { e4( d4) e4 } d2 b4 r4 d2 e4 b4 d4( c4) b4 a4 bes2 a4 g4 bes4( g'4) fis4 e4 cis2 d4 r4 b2 d4 e4 g2 b,4 r4 r4 e4 a,2 r4 b4 d4 b4 \times 2/3 { b4( ais4 b4) } \times 2/3 { c4( b4 c4) } b2( d4) r4 r1 r1 r1 r1 r1 r2 r4 g,4 b2 d4 e4 g2 r4 g,4 b2 d4 e4 g2 r4 g,4 b2 c4 d4 f1 ~ f4 r4 r2 r1 r1
+ r1 r1 r1 r1 d2 c2 a4.( bes8) a4 a4 d4( g4) f4 d4 bes4 ees4 d2( bes2) r2 r1 r1 r1 r1 r1 r2 r4 d4 d2 d4 d4 d4( f4) e4( d4) c4 c4 d2 d4( ees4) f4 g4 c,4 d4 bes4( c4) a2 g4 r4 r2 r2 r4 d'4 ees2( d4) r4 r1 r1 r1 r1 d,1
+ }
+ >>
+ }
+
+ altMelodieI = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ d2 f4 g4 ees2 d4 a'4 bes2( a4) r4 r1 r1
+ R1.
+ r2 r2 r4 d,4 d2 f4 g4 ees2( d4) a'4 bes2( a4) r4 r1 r1 r1
+ R1.
+ r1 r1 d,4. d8 f4 g4 ees2 d4 ees4 f2( c4) bes4 c2 d4 r4 r1 r1 bes'2 g2 fis4.( g8) fis2 g4( d'4) d4 f,4 g4 c4 a2 g2 r2 r1 r1 r2 r4 a4 bes2( a4) g4 a4 d4 c4 bes4 a2 a2 bes2( d4) bes4 a4 a4 g2. fis4 g2 r2 r1 r2 r4 a4 g2 g4 r4 r4 g4 f4 f4 bes2 fis4 r4 r4 b4 b4 b4 c2 c4 r4 c2 d4 a4 bes4( g4) g2 g2 g2 g1 d2 r2
+ r4 g4 g4 g4 g2 b4 b4 b2 \times 2/3 { a4( b4 a4) } b2 g4 r4 r4 b4 \times 2/3 { a4( b4) a4 } b2 g4 r4 a2 b4 b4 a2 gis4 a4 g2 fis4 e4 g2 fis4 e4 bes'2 a4 r4 b2 b4 b4 b2 b4 r4 r4 b4 a2 r4 b4 b4 b4 \times 2/3 { d,4( cis4 d4) } \times 2/3 { a'4( b4 a4) } b2 r2 r1 r1 r1 r1 r1 r2 r4 g4 g2 b4 b4 b2 r4 g4 g2 b4 b4 b2 r4 g4 g2 a4 b4 g4 b4 d2 ~ d2. d,4 f2 ees2 d4 r4 r2
+ r1 r1 r1 r1 bes'2 g2 fis4.( g8) f4 f4 g4( d'4) d4 f,4 g4 c4 a2( g2) r2 d4. d8 f4 g4 ees2 d4 ees4 f2( c4) bes4 c2 d4 r4 r1 r2 r4 a'4 bes2 a4 g4 a4( d4) c4( bes4) a4 a4 a2 bes2 d4 bes4 a4 a4 g2. fis4 g4 r4 r2 r2 r4 g4 c2( g4) r4 r4 a4 bes2( aes4) r4 r2 g1( fis4) r4 r2 g1
+ }
+ >>
+ }
+ altMelodieII = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ d2 f4 g4 ees2 d4 d4 g2( d4) r4 r1 r1
+ R1.
+ r2 r2 r4 d4 d2 f4 g4 ees2( d4) d4 g2( d4) r4 r1 r1 r1
+ R1.
+ r1 r1 d4. d8 f4 g4 ees2 d4 ees4 f2( c4) bes4 c2 d4 r4 r1 r1 g2 ees2 d2. d4 bes'2 bes4 a4 g4 g4 fis2 g2 r2 r1 r1 r2 r4 d4 g2( f4) e4 f4 a4 a4 f4 f2 f2 g2( bes4) g4 f4 f4 d4( ees4 d2) d2 r2 r1 r2 r4 d4 g2 g4 r4 r4 ais4 ais4 ais4 fis4( cis'4) b4 r4 r4 b4 g4 g4 g2 c4 r4 fis,2 a4 d,4 d2 ees2 ees2 ees2 d1 d2 r2
+ r4 g4 g4 g4 g2 g4 g4 g2 \times 2/3 { fis4( fis4 fis4) } fis2 g4 r4 r4 g4( fis4 fis4) fis2 g4 r4 a2 gis4 gis4 e2 e4 e4 e2 fis4 g4 e2 fis4 g4 e2 fis4 r4 g2 g4 g4 g2 g4 r4 r4 g4 fis2 r4 fis4 g4 fis4 fis2 fis4 fis4 fis2( g4) r4 r1 r1 r1 r1 r1 r2 r4 g4 g2 g4 g4 g2 r4 g4 g2 g4 g4 g2 r4 g4 g2 g4 g4 g4 r4 r2 r4 f4 b2 r2 c,2 d2 bes2
+ a4 r4 r2 r1 r1 r1 g'2 ees2 d2 d4 a'4 bes2 bes4 a4 g4 g4 fis2( d2) r2 d4. d8 f4 g4 ees2 d4 ees4 f2( c4) bes4 c2 d4 r4 r1 r2 r4 d4 g2 f4 e4 f4( a4) a4( f4) f4 f4 f2 g2 bes4 g4 f4 f4 d4 ees4 d2 d2 f4 g4 ees2 d4 r4 r1 r4 d4 g2( d4) r4 r2 g,1( a4) r4 r2 <b g>1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ r1 r1 r1 d2 c2 a4.( bes8) a4 a4 d4( g4 f4) d4 bes4 ees4 d2 bes2 r2 r1 r1 r2 r4 d4 d2 d4 d4 d4 f4 e4 d4 c2 d2 d4( ees4 f4) g4 c,4 d4 bes4( c4) a2 g2 r2 r1 g4. g8 bes4 c4 a2 a4 g4 g2( a4) a4 bes2 a4 r4 r1 r4 g4( ees'4) c4 d4.( g,8) d'4 r4 r4 g,4 bes4 d4 ees4 c4 d2 g,2 r2 r1 r1 r1 r4 g4 d'4 g,4 d'4 d,4 a'4 bes4 f2 r4 d4 g4( ees4 bes'4) ees,4 f4 d4 g4( c,4 d2) g2 r2 r1 r1 r2 r4 bes4 cis2 cis4 r4 r4 cis4 d4 d4 g2 f4 r4 r4 ees4 ees4 ees4 a2 d,2 d2 c4 c4 ees2 c2 a1 a2 r2
+ r4 b4 c4 b4 d2 g4 e4 d2 \times 2/3 { c4( b4 c4) } b2 d4 r4 r4 b4 \times 2/3 { c4( b4) c4 } b2 d4 r4 d2 b4 e4 e2 d4 c4 g2 a4 bes4 g2 a4 bes4 e2 d4 r4 r2 r4 g,4 b2 d4 e4 g2 \times 2/3 { e4( d4 e4) } d2 b4 d4 \times 2/3 { fis4( e4) d4 } \times 2/3 { e4( d4) e4 } d2 b4 r4 d2 e4 b4 d4( c4) b4 a4 b2 a4 g4 bes4( g'4) fis4 e4 cis2 d4 r4 b2 d4 e4 g2 b,4 g4 b2 d4 e4 g2 r4 g,4 b2 c4 d4 f2 r4 d4 g2. d4 g1 r2 g,2 bes2 g2
+ a4 r4 r2 r1 r1 r1 r4 g4( ees'4) c4 d4.( g,8) d'4 r4 r4 g,4 bes4( d4 ees4) c4 d2( g,2) r2 r1 g4. g8 bes4 c4 a2 a4 g4 g2( a4) a4 bes2 a4 r4 r1 r4 g4 d'4 g,4 d'4( d,4) a'4 bes4 f4 f4 r4 d4 g4( ees4) bes'4 ees,4 f4 d4 g4( c,4) d2 g4 r4 r2 r1 g2 bes4 c4 a2 g4 r4 r2 b2 c1 ~ c1( b2) r2
+ }
+ >>
+ }
+
+ bassMelodieI = \relative c' {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r1 r1 r1 bes2 g2 fis4.( g8) f4 f4 g4( bes4 d4) f,4 g4 g4 f2 g2 r2 r1 r1 r2 r4 a4 bes2 a4 g4 a4 a4 c4 bes4 a2 a2 bes4 g4 bes2 a2 g2. fis4 g2 r2 r1 r1 d4. d8 f4 g4 ees2 d4 a'4 g2( a4) a4 bes2 a4 r4 r1 r1
+ R1. R1.
+ d,2 f4 g4 ees2 d4 a'4 bes2 a4 r4 r1 r1 r1
+ R1.
+ r1 r1 d,2 f4 g4 ees2 d4 r4 r2 r4 g4 bes2 bes4 r4 r4 ais4 b4 b4 b2 d4 r4 r4 c4 c4 c4 c2 a2 g2 g4 g4 g2 a2 d,1 d2 r2
+ r4 g4 g4 g4 g2 g4 g4 g2 \times 2/3 { d4( d4 d4) } d2 d4 r4 r4 g4( d4 d4) d2 g4 r4 fis2 gis4 e4 e1 e4 r4 c4( e4) e4( bes'4) a4 g4 g2 d4 r4 r2 r4 g4 g2 b4 b4 b2 \times 2/3 { c4( b4 c4) } b2 g4 b4 fis2 d2 b'2 g4 r4 a2 gis4 gis4 e2 gis4 a4 g2 fis4 e4 g4( bes4) a4 g4 e2 fis4 r4 g2 b4 b4 b2 g4 g4 g2 b4 b4 b2 r4 g4 g2 a4 b4 d2 r4 g,4 b1 ~ b2( g2) r2 r4 c,4 g'2 g2
+ d2 f4 g4 ees2 d4 a'4 bes2 a4 a4 bes2 a4 r4 r1 r1 r1 r1 r1 r1 r1 d,4. d8 f4 g4 ees2 d4 a'4 g2( a4) a4 bes2 a4 r4 r1 r1 r1
+ R1.
+ r1 b2 b4 b4 c2 b4 r4 r1 r2 d,2 f2 g2 ees1 ~ ees1 d2 r2
+ }
+ >>
+ }
+ bassMelodieII = \relative c' {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r1 r1 r1 g2 ees2 d4.( g,8) d'4 d4 bes4( g4 bes4) d4 ees4 c4 d2 g,2 r2 r1 r1 r2 r4 d'4 g2 f4 e4 f4 d4 a'4 bes4 f2 d2 g4( ees4 d4) ees4 f4 d4 g4( c,4) d2 g,2 r2 r1 r1 d'4. d8 f4 g4 ees2 d4 d4 g2( d4) d4 g2 d4 r4 r1 r1
+ R1. R1.
+ d2 f4 g4 ees2 d4 d4 g2 d4 r4 r1 r1 r1
+ R1.
+ r1 r1 d2 f4 g4 ees2 d4 r4 cis2 d4 d4 e2 f2 fis2 fis2 g2 g4 g4 g2 aes2 a2 fis4 fis4 g2 c,2 a2 c2 d1 d2 r2
+ r4 g4 g4 g4 g2 g4 g4 g2 \times 2/3 { d4( d4 d4) } d2 d4 r4 r4 g4( d4 d4) d2 g4 r4 fis2 e4 e4 a,2 b4 c4 c1 cis2 cis2 d2 d4 r4 r2 r4 g4 g2 g4 g4 g2 \times 2/3 { d4( d4 d4) } d2 d4 d4 d2 d2 d2 g4 r4 fis2 e4 e4 a,2 b4 c4 c1 cis2 cis2 d2 d4 r4 g2 g4 g4 g2 g4 g4 g2 g4 g4 g2 r4 g4 g2 g4 g4 g2 r4 g4 g1 ~ g1 r1 r2 r4 g,4
+ d'2 f4 g4 ees2 d4 d4 g2 d4 d4 g2 d4 r4 r1 r1 r1 r1 r1 r1 r1 d4. d8 f4 g4 ees2 d4 d4 g2( d4) d4 g2 d4 r4 r1 r1 r1
+ R1.
+ r1 g2 g4 g4 g2 g2 g,2 g4 g4 g1 g2 g2 g1 ~ g1 ~ g2 r2
+ }
+ >>
+ }
+
diff --git a/hr/michi/darthula/stimmen_.ly b/hr/michi/darthula/stimmen_.ly
new file mode 100644
index 0000000..ee2a2f8
--- /dev/null
+++ b/hr/michi/darthula/stimmen_.ly
@@ -0,0 +1,714 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1
+ r1
+ r1
+ r1
+ r1
+ R1.
+ R1.
+ r1
+ r1
+ r1
+ r1
+ r1
+ r1
+ R1.
+ r1
+ r1
+ r1
+ r1
+ r1
+ r1
+ r1
+ r1
+ d2 c2
+ a4.( bes8) a2
+ d4( g4) f4 d4 bes4 ees4
+ d2 bes2 r2
+ r1
+ r1
+ r2 r4 d4
+ d2. d4
+ d4 f4 e4 d4
+ c2 d2
+ d4( ees4 f4) g4 c,4 d4
+ bes4( c4 a2)
+ g2 r2
+ r1
+ r2 r4 a4
+ bes2 bes4 r4
+ r4 bes4 bes4 bes4
+ e2 d4 r4
+ r4 d4 d4 d4
+ g2 fis4 r4
+ ees2 d4 c4
+ bes2 a2
+ c2 a2
+ g1
+ fis2 r2
+ r4 g4 a4 g4
+ b2 d4 e4
+ g2 \times 2/3 { e4( d4 e4) }
+ d2 b4 r4
+ r4 d4 \times 2/3 { e4( d4) e4 }
+ d2 b4 r4
+ d2 e4 b4
+ d4( c4) b4 a4
+ bes2 a4 g4
+ bes4( g'4) fis4 e4
+ cis2 d4 r4
+ b2 d4 e4
+ g2 b,4 r4
+ r4 e4 a,2
+ r4 b4 d4 b4
+ \times 2/3 { b4( ais4 b4) } \times 2/3 { c4( b4 c4) }
+ b2( d4) r4
+ r1
+ r1
+ r1
+ r1
+ r1
+ r2 r4 g,4
+ b2 d4 e4
+ g2 r4 g,4
+ b2 d4 e4
+ g2 r4 g,4
+ b2 c4 d4
+ f1 ~
+ f4 r4 r2
+ r1
+ r1
+ r1
+ r1
+ r1
+ r1
+ d2 c2
+ a4.( bes8) a4 a4
+ d4( g4) f4 d4
+ bes4 ees4 d2(
+ bes2) r2
+ r1
+ r1
+ r1
+ r1
+ r1
+ r2 r4 d4
+ d2 d4 d4
+ d4( f4) e4( d4)
+ c4 c4 d2
+ d4( ees4) f4 g4 c,4 d4
+ bes4( c4) a2
+ g4 r4 r2
+ r2 r4 d'4
+ ees2( d4) r4
+ r1
+ r1
+ r1
+ r1
+ d,1
+ }
+ >>
+ }
+
+ altMelodieI = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ d2 f4 g4
+ ees2 d4 a'4
+ bes2( a4) r4
+ r1
+ r1
+ R1.
+ r2 r2 r4 d,4
+ d2 f4 g4
+ ees2( d4) a'4
+ bes2( a4) r4
+ r1
+ r1
+ r1
+ R1.
+ r1
+ r1
+ d,4. d8 f4 g4
+ ees2 d4 ees4
+ f2( c4) bes4
+ c2 d4 r4
+ r1
+ r1
+ bes'2 g2
+ fis4.( g8) fis2
+ g4( d'4) d4 f,4 g4 c4
+ a2 g2 r2
+ r1
+ r1
+ r2 r4 a4
+ bes2( a4) g4
+ a4 d4 c4 bes4
+ a2 a2
+ bes2( d4) bes4 a4 a4
+ g2. fis4
+ g2 r2
+ r1
+ r2 r4 a4
+ g2 g4 r4
+ r4 g4 f4 f4
+ bes2 fis4 r4
+ r4 b4 b4 b4
+ c2 c4 r4
+ c2 d4 a4
+ bes4( g4) g2
+ g2 g2
+ g1
+ d2 r2
+ r4 g4 g4 g4
+ g2 b4 b4
+ b2 \times 2/3 { a4( b4 a4) }
+ b2 g4 r4
+ r4 b4 \times 2/3 { a4( b4) a4 }
+ b2 g4 r4
+ a2 b4 b4
+ a2 gis4 a4
+ g2 fis4 e4
+ g2 fis4 e4
+ bes'2 a4 r4
+ b2 b4 b4
+ b2 b4 r4
+ r4 b4 a2
+ r4 b4 b4 b4
+ \times 2/3 { d,4( cis4 d4) } \times 2/3 { a'4( b4 a4) }
+ b2 r2
+ r1
+ r1
+ r1
+ r1
+ r1
+ r2 r4 g4
+ g2 b4 b4
+ b2 r4 g4
+ g2 b4 b4
+ b2 r4 g4
+ g2 a4 b4
+ g4 b4 d2 ~
+ d2. d,4
+ f2 ees2
+ d4 r4 r2
+ r1
+ r1
+ r1
+ r1
+ bes'2 g2
+ fis4.( g8) f4 f4
+ g4( d'4) d4 f,4
+ g4 c4 a2(
+ g2) r2
+ d4. d8 f4 g4
+ ees2 d4 ees4
+ f2( c4) bes4
+ c2 d4 r4
+ r1
+ r2 r4 a'4
+ bes2 a4 g4
+ a4( d4) c4( bes4)
+ a4 a4 a2
+ bes2 d4 bes4 a4 a4
+ g2. fis4
+ g4 r4 r2
+ r2 r4 g4
+ c2( g4) r4
+ r4 a4 bes2(
+ aes4) r4 r2
+ g1(
+ fis4) r4 r2
+ g1
+ }
+ >>
+ }
+ altMelodieII = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ d2 f4 g4
+ ees2 d4 d4
+ g2( d4) r4
+ r1
+ r1
+ R1.
+ r2 r2 r4 d4
+ d2 f4 g4
+ ees2( d4) d4
+ g2( d4) r4
+ r1
+ r1
+ r1
+ R1.
+ r1
+ r1
+ d4. d8 f4 g4
+ ees2 d4 ees4
+ f2( c4) bes4
+ c2 d4 r4
+ r1
+ r1
+ g2 ees2
+ d2. d4
+ bes'2 bes4 a4 g4 g4
+ fis2 g2 r2
+ r1
+ r1
+ r2 r4 d4
+ g2( f4) e4
+ f4 a4 a4 f4
+ f2 f2
+ g2( bes4) g4 f4 f4
+ d4( ees4 d2)
+ d2 r2
+ r1
+ r2 r4 d4
+ g2 g4 r4
+ r4 ais4 ais4 ais4
+ fis4( cis'4) b4 r4
+ r4 b4 g4 g4
+ g2 c4 r4
+ fis,2 a4 d,4
+ d2 ees2
+ ees2 ees2
+ d1
+ d2 r2
+ r4 g4 g4 g4
+ g2 g4 g4
+ g2 \times 2/3 { fis4( fis4 fis4) }
+ fis2 g4 r4
+ r4 g4( fis4 fis4)
+ fis2 g4 r4
+ a2 gis4 gis4
+ e2 e4 e4
+ e2 fis4 g4
+ e2 fis4 g4
+ e2 fis4 r4
+ g2 g4 g4
+ g2 g4 r4
+ r4 g4 fis2
+ r4 fis4 g4 fis4
+ fis2 fis4 fis4
+ fis2( g4) r4
+ r1
+ r1
+ r1
+ r1
+ r1
+ r2 r4 g4
+ g2 g4 g4
+ g2 r4 g4
+ g2 g4 g4
+ g2 r4 g4
+ g2 g4 g4
+ g4 r4 r2
+ r4 f4 b2
+ r2 c,2
+ d2 bes2
+ a4 r4 r2
+ r1
+ r1
+ r1
+ g'2 ees2
+ d2 d4 a'4
+ bes2 bes4 a4
+ g4 g4 fis2(
+ d2) r2
+ d4. d8 f4 g4
+ ees2 d4 ees4
+ f2( c4) bes4
+ c2 d4 r4
+ r1
+ r2 r4 d4
+ g2 f4 e4
+ f4( a4) a4( f4)
+ f4 f4 f2
+ g2 bes4 g4 f4 f4
+ d4 ees4 d2
+ d2 f4 g4
+ ees2 d4 r4
+ r1
+ r4 d4 g2(
+ d4) r4 r2
+ g,1(
+ a4) r4 r2
+ <b g>1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ r1
+ r1
+ r1
+ d2 c2
+ a4.( bes8) a4 a4
+ d4( g4 f4) d4 bes4 ees4
+ d2 bes2 r2
+ r1
+ r1
+ r2 r4 d4
+ d2 d4 d4
+ d4 f4 e4 d4
+ c2 d2
+ d4( ees4 f4) g4 c,4 d4
+ bes4( c4) a2
+ g2 r2
+ r1
+ g4. g8 bes4 c4
+ a2 a4 g4
+ g2( a4) a4
+ bes2 a4 r4
+ r1
+ r4 g4( ees'4) c4
+ d4.( g,8) d'4 r4
+ r4 g,4 bes4 d4 ees4 c4
+ d2 g,2 r2
+ r1
+ r1
+ r1
+ r4 g4 d'4 g,4
+ d'4 d,4 a'4 bes4
+ f2 r4 d4
+ g4( ees4 bes'4) ees,4 f4 d4
+ g4( c,4 d2)
+ g2 r2
+ r1
+ r1
+ r2 r4 bes4
+ cis2 cis4 r4
+ r4 cis4 d4 d4
+ g2 f4 r4
+ r4 ees4 ees4 ees4
+ a2 d,2
+ d2 c4 c4
+ ees2 c2
+ a1
+ a2 r2
+ r4 b4 c4 b4
+ d2 g4 e4
+ d2 \times 2/3 { c4( b4 c4) }
+ b2 d4 r4
+ r4 b4 \times 2/3 { c4( b4) c4 }
+ b2 d4 r4
+ d2 b4 e4
+ e2 d4 c4
+ g2 a4 bes4
+ g2 a4 bes4
+ e2 d4 r4
+ r2 r4 g,4
+ b2 d4 e4
+ g2 \times 2/3 { e4( d4 e4) }
+ d2 b4 d4
+ \times 2/3 { fis4( e4) d4 } \times 2/3 { e4( d4) e4 }
+ d2 b4 r4
+ d2 e4 b4
+ d4( c4) b4 a4
+ b2 a4 g4
+ bes4( g'4) fis4 e4
+ cis2 d4 r4
+ b2 d4 e4
+ g2 b,4 g4
+ b2 d4 e4
+ g2 r4 g,4
+ b2 c4 d4
+ f2 r4 d4
+ g2. d4
+ g1
+ r2 g,2
+ bes2 g2
+ a4 r4 r2
+ r1
+ r1
+ r1
+ r4 g4( ees'4) c4
+ d4.( g,8) d'4 r4
+ r4 g,4 bes4( d4
+ ees4) c4 d2(
+ g,2) r2
+ r1
+ g4. g8 bes4 c4
+ a2 a4 g4
+ g2( a4) a4
+ bes2 a4 r4
+ r1
+ r4 g4 d'4 g,4
+ d'4( d,4) a'4 bes4
+ f4 f4 r4 d4
+ g4( ees4) bes'4 ees,4 f4 d4
+ g4( c,4) d2
+ g4 r4 r2
+ r1
+ g2 bes4 c4
+ a2 g4 r4
+ r2 b2
+ c1 ~
+ c1(
+ b2) r2
+ }
+ >>
+ }
+
+ bassMelodieI = \relative c' {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r1
+ r1
+ r1
+ bes2 g2
+ fis4.( g8) f4 f4
+ g4( bes4 d4) f,4 g4 g4
+ f2 g2 r2
+ r1
+ r1
+ r2 r4 a4
+ bes2 a4 g4
+ a4 a4 c4 bes4
+ a2 a2
+ bes4 g4 bes2 a2
+ g2. fis4
+ g2 r2
+ r1
+ r1
+ d4. d8 f4 g4
+ ees2 d4 a'4
+ g2( a4) a4
+ bes2 a4 r4
+ r1
+ r1
+ R1.
+ R1.
+ d,2 f4 g4
+ ees2 d4 a'4
+ bes2 a4 r4
+ r1
+ r1
+ r1
+ R1.
+ r1
+ r1
+ d,2 f4 g4
+ ees2 d4 r4
+ r2 r4 g4
+ bes2 bes4 r4
+ r4 ais4 b4 b4
+ b2 d4 r4
+ r4 c4 c4 c4
+ c2 a2
+ g2 g4 g4
+ g2 a2
+ d,1
+ d2 r2
+ r4 g4 g4 g4
+ g2 g4 g4
+ g2 \times 2/3 { d4( d4 d4) }
+ d2 d4 r4
+ r4 g4( d4 d4)
+ d2 g4 r4
+ fis2 gis4 e4
+ e1
+ e4 r4 c4( e4)
+ e4( bes'4) a4 g4
+ g2 d4 r4
+ r2 r4 g4
+ g2 b4 b4
+ b2 \times 2/3 { c4( b4 c4) }
+ b2 g4 b4
+ fis2 d2
+ b'2 g4 r4
+ a2 gis4 gis4
+ e2 gis4 a4
+ g2 fis4 e4
+ g4( bes4) a4 g4
+ e2 fis4 r4
+ g2 b4 b4
+ b2 g4 g4
+ g2 b4 b4
+ b2 r4 g4
+ g2 a4 b4
+ d2 r4 g,4
+ b1 ~
+ b2( g2)
+ r2 r4 c,4
+ g'2 g2
+ d2 f4 g4
+ ees2 d4 a'4
+ bes2 a4 a4
+ bes2 a4 r4
+ r1
+ r1
+ r1
+ r1
+ r1
+ r1
+ r1
+ d,4. d8 f4 g4
+ ees2 d4 a'4
+ g2( a4) a4
+ bes2 a4 r4
+ r1
+ r1
+ r1
+ R1.
+ r1
+ b2 b4 b4
+ c2 b4 r4
+ r1
+ r2 d,2
+ f2 g2
+ ees1 ~
+ ees1
+ d2 r2
+ }
+ >>
+ }
+ bassMelodieII = \relative c' {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r1
+ r1
+ r1
+ g2 ees2
+ d4.( g,8) d'4 d4
+ bes4( g4 bes4) d4 ees4 c4
+ d2 g,2 r2
+ r1
+ r1
+ r2 r4 d'4
+ g2 f4 e4
+ f4 d4 a'4 bes4
+ f2 d2
+ g4( ees4 d4) ees4 f4 d4
+ g4( c,4) d2
+ g,2 r2
+ r1
+ r1
+ d'4. d8 f4 g4
+ ees2 d4 d4
+ g2( d4) d4
+ g2 d4 r4
+ r1
+ r1
+ R1.
+ R1.
+ d2 f4 g4
+ ees2 d4 d4
+ g2 d4 r4
+ r1
+ r1
+ r1
+ R1.
+ r1
+ r1
+ d2 f4 g4
+ ees2 d4 r4
+ cis2 d4 d4
+ e2 f2
+ fis2 fis2
+ g2 g4 g4
+ g2 aes2
+ a2 fis4 fis4
+ g2 c,2
+ a2 c2
+ d1
+ d2 r2
+ r4 g4 g4 g4
+ g2 g4 g4
+ g2 \times 2/3 { d4( d4 d4) }
+ d2 d4 r4
+ r4 g4( d4 d4)
+ d2 g4 r4
+ fis2 e4 e4
+ a,2 b4 c4
+ c1
+ cis2 cis2
+ d2 d4 r4
+ r2 r4 g4
+ g2 g4 g4
+ g2 \times 2/3 { d4( d4 d4) }
+ d2 d4 d4
+ d2 d2
+ d2 g4 r4
+ fis2 e4 e4
+ a,2 b4 c4
+ c1
+ cis2 cis2
+ d2 d4 r4
+ g2 g4 g4
+ g2 g4 g4
+ g2 g4 g4
+ g2 r4 g4
+ g2 g4 g4
+ g2 r4 g4
+ g1 ~
+ g1
+ r1
+ r2 r4 g,4
+ d'2 f4 g4
+ ees2 d4 d4
+ g2 d4 d4
+ g2 d4 r4
+ r1
+ r1
+ r1
+ r1
+ r1
+ r1
+ r1
+ d4. d8 f4 g4
+ ees2 d4 d4
+ g2( d4) d4
+ g2 d4 r4
+ r1
+ r1
+ r1
+ R1.
+ r1
+ g2 g4 g4
+ g2 g2
+ g,2 g4 g4
+ g1
+ g2 g2
+ g1 ~
+ g1 ~
+ g2 r2
+ }
+ >>
+ }
+
diff --git a/hr/michi/darthula/texte.ly b/hr/michi/darthula/texte.ly
new file mode 100644
index 0000000..283e1c8
--- /dev/null
+++ b/hr/michi/darthula/texte.ly
@@ -0,0 +1,62 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen % -- _
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyricmode {
+ %<+hier den Text für den Tenor eintragen+>
+ Um dich schwei -- gen die blau -- en Strö -- me Sel -- mas!
+ Sie trau -- ren um dich, den letz -- ten Zweig,
+ den letz -- ten Zweig von Thru -- thils Stamm.
+ Wann er -- stehst du wie -- der in dei -- ner Schö -- ne?
+ Wann er -- stehst du wie -- der in dei -- ner Schö -- ne?
+ Du schläfst im Gra -- be lan -- gen Schlaf,
+ dein Mor -- gen -- rot ist fer -- ne!
+ O nim -- mer, kommt dir die Son -- ne,
+ die Son -- ne we -- ckend
+ an dei -- ne Ru -- he -- stät -- te:
+ Wach auf, wach auf, Dar -- thu --
+ \set ignoreMelismata = ##t
+ la!
+ Früh -- ling ist drau -- ßen!
+ \unset ignoreMelismata
+ die Lüf -- te säu -- seln,
+ auf grü -- nen Hü -- geln,
+ hold -- se -- lig, hold -- se -- li -- ges Mäd -- chen!
+ Wach auf, Dar -- thu --
+ \set ignoreMelismata = ##t
+ la!
+ Früh -- ling ist drau -- ßen!
+ \unset ignoreMelismata
+ die lau -- en Lüf -- te säu -- seln,
+ auf grü -- nen Hü -- geln,
+ hold -- se -- lig, hold -- se -- li -- ges Mäd -- chen,
+ we -- ben die Blu -- men,
+ wach auf, Dar -- thu -- la,
+ wach auf, Dar -- thu -- la,
+ wach auf, wach auf, wach auf, wach auf!
+ Wei -- che, Son -- ne,
+ dem Mäd --
+ \set ignoreMelismata = ##t
+ chen, sie schläft!
+ \unset ignoreMelismata
+ Nie er -- steht sie wie -- der
+ in ih -- rer Schö -- ne!
+ Nie wie -- der in ih -- rer Schö -- ne,
+ nie siehst du sie lieb -- lich wan -- deln mehr,
+ Mäd -- chen von Ko -- la, sie schläft!
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/michi/ebb/dynArt.ly b/hr/michi/ebb/dynArt.ly
new file mode 100644
index 0000000..dadde38
--- /dev/null
+++ b/hr/michi/ebb/dynArt.ly
@@ -0,0 +1,44 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ %\override Staff.TimeSignature #'style = #'()
+ \dynamicUp
+ \key cis \major
+ \time 4/4
+ s1
+ \time 6/8 %9 Takte
+ s8*54
+ \break
+ \time 4/4
+ s1
+ \time 6/8 %29 Takte
+ s8*54
+ \break
+ s8*42
+ \break
+ s8*36
+ \break
+ s8*42
+ \break
+ \time 4/4
+ s1
+ \time 6/8 %7 Takte
+ s8*42
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/michi/ebb/ebb.ly b/hr/michi/ebb/ebb.ly
new file mode 100644
index 0000000..3f4a5f5
--- /dev/null
+++ b/hr/michi/ebb/ebb.ly
@@ -0,0 +1,73 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Ebb Tide"
+ %composer = "<+Komponist+>"
+ arranger = "Fred King"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 15)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \voiceOne \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \voiceTwo \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \voiceOne \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \voiceTwo \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = frauen << \sop \\ \alt >>
+ \new Lyrics = bla \with { alignAboveContext = "maenner" }
+ \new Staff = maenner << \ten \\ \bas >>
+ \context Lyrics = bla \lyricsto alti \tenorText
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/michi/ebb/midi.lua b/hr/michi/ebb/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/michi/ebb/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/michi/ebb/stimmen.ly b/hr/michi/ebb/stimmen.ly
new file mode 100644
index 0000000..316ed15
--- /dev/null
+++ b/hr/michi/ebb/stimmen.ly
@@ -0,0 +1,62 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c''' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ gis2 eis2 bis2 cis8 dis8 bis2 cis8 dis8 eis2 fis8 gis8 eis2 ~ eis8 dis8 gis2 gis8 fis8 gis2 ais8 b8 gis2 fis8 eis8 gis8 fis4 eis4. dis2. %cis2 cis8 cis8 dis2 dis8 dis8 cis2 dis8 eis8 cis8 fis4 fis4. fis2.
+ gis2 eis2 bis2 cis8 dis8 bis2 cis8 dis8 eis2 fis8 gis8 eis2 ~ eis8 dis8 %eis2 dis2 cis2 cis8 cis8 cis2 cis8 cis8 ais2 bis8 cis8 dis2 ~ dis8 dis8
+ gis2 gis8 fis8 gis2 ais8 b8 gis2 fis8 eis8 ais2. ~ ais2. fis2. ~ fis4. fis8 fis8 fis8 a2. eis8 eis8 eis8 eis4. eis4 eis4 eis4 %ais2. ~ ais4. ais8 bis8 ais8 bis2. fis8 fis8 fis8 fis4. fis4 gis4 fis4
+ a2. ~ a2. gis2. ~ gis4 a2 ~ a2 ais4 ~ %ais2. ~ ais2. ais2. ~ ais4 ais2 ~ ais2 ais4 ~
+ ais2. ~ ais4 gis2 ~ gis4 r4 gis8 gis8 gis2. ~ gis4 eis2 ~ eis2 dis4 ~ dis2. b2. a2. gis2. gis'2 eis2 bis2 cis8 dis8 bis2 cis8 dis8 eis2 fis8 gis8 eis2 eis8 dis8 gis2. ~ gis2. ~ gis2.
+ }
+ >>
+ }
+
+ altMelodie = \relative c''' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ gis2 eis2 gis,2 gis8 gis8 ais2 ais8 ais8 ais2 ais8 ais8 bis2 ~ bis8 bis8 cis2 cis8 cis8 dis2 dis8 dis8 d2 d8 d8 d8 cis4 cis4. cis2. gis2 bis2 gis2 gis8 gis8 ais2 ais8 ais8 ais2 ais8 ais8 bis2 ~ bis8 bis8 cis2 cis8 cis8 dis2 dis8 dis8 d2 d8 d8 gis,2. ~ gis2 ais4 ais2. ~ ais4. ais8 bis8 ais8 bis2. dis8 cis8 bis8 cis4. cis4 dis4 cis4 dis2. ~ dis2 cis8 dis8 eis2. dis8 cis8 eis2 ~ eis4 dis8 cis8 eis4 ~ eis2 dis4 cis4 eis2 ~ eis4 r4 eis8 eis8 cis2. bis8 ais8 cis2 ~ cis4 bis8 ais8 cis4 ~ cis2. b2. a2. gis2. gis2 bis2 gis2 gis8 gis8 ais2 ais8 ais8 cis2 cis8 cis8 c2 c8 cis8 cis4 dis4 d4 cis4 bis2 ~ bis2.
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ gis2 eis2 eis2 eis8 eis8 eis2 eis8 eis8 cis2 dis8 eis8 fis2 ~ fis8 fis8 eis2 eis8 eis8 fis2 fis8 fis8 eis2 fis8 gis8 eis8 a4 a4. a2. gis2 fis2 eis2 eis8 eis8 eis2 eis8 eis8 cis2 dis8 eis8 fis2 ~ fis8 fis8 eis2 eis8 eis8 fis2 fis8 fis8 eis2 fis8 gis8 d'2. ~ d2. cis2. ~ cis4. cis8 dis8 cis8 dis2. a8 a8 a8 ais4. ais4 bis4 ais4
+ cis2. ~ cis2. bis2. ~ bis4 cis2 ~ cis2 cis4 ~ cis2. ~ cis4 bis2 ~ bis4 r4 bis8 bis8 gis2. ~ gis4 ais2 ~ ais2 a4 ~ a2. b2. a2. gis2. gis2 fis2 eis2 eis8 eis8 eis2 eis8 eis8 ais2 ais8 ais8 a2 a8 a8 gis4 fis4 eis4 e4 dis2 ~ dis2.
+ }
+ >>
+ }
+
+ bassMelodie = \relative c' {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ gis2 eis2 cis2 cis8 cis8 ais2 ais8 ais8 fis2 fis8 fis8 gis2 ~ gis8 gis8 cis2 cis8 cis8 b2 b8 b8 ais2 ais8 ais8 ais8 dis4 eis4. fis2. gis2 gis,2 cis2 cis8 cis8 ais2 ais8 ais8 fis2 fis8 fis8 gis2 ~ gis8 gis8 cis2 cis8 cis8 b2 b8 b8 ais2 ais8 ais8 eis'2. ~ eis2. fis2. ~ fis4. fis8 fis8 fis8 eis2. bis8 cis8 dis8 ais4. ais4 a4 ais4 fis'2. ~ fis2. cis2. ~ cis4 cis2 ~ cis2 fis4 ~ fis2. ~ fis4 fis2 ~ fis4 r4 fis8 fis8 eis2. ~ eis4 ais,2 ~ ais2 fis4 ~ fis2. b'2. a2. gis2. gis2 gis,2 cis2 cis8 cis8 ais2 ais8 ais8 fis'2 fis8 fis8 fis2 fis8 fis8 eis4 b4 ais4 a4 gis2 ~ gis2.
+ }
+ >>
+ }
+
diff --git a/hr/michi/ebb/texte.ly b/hr/michi/ebb/texte.ly
new file mode 100644
index 0000000..1abdd64
--- /dev/null
+++ b/hr/michi/ebb/texte.ly
@@ -0,0 +1,43 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen % -- _
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyricmode {
+ %<+hier den Text für den Tenor eintragen+>
+ First the tide ru -- shes in,
+ plants a kiss on the shore.
+ Then rolls out to sea,
+ and the sea is ve -- ry still once more.
+ So I rush to your side,
+ like the on -- com -- ing tide.
+ With one bur -- ning thought,
+ “wil your arms op -- en wide?”
+ At last we’re face to face
+ and as we kissed through an em -- brace,
+ I can tell
+ I can feel
+ you are love
+ you are real,
+ Rea -- lly mine,
+ in the wind
+ in the rain,
+ in the sun.
+ Like the tide at it’s ebb,
+ I’m at peace in the web
+ of your love.
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/michi/exsultate/dynArt.ly b/hr/michi/exsultate/dynArt.ly
new file mode 100644
index 0000000..218fff6
--- /dev/null
+++ b/hr/michi/exsultate/dynArt.ly
@@ -0,0 +1,33 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ %\override Staff.TimeSignature #'style = #'()
+ \dynamicUp
+ \key aes \major
+ \time 3/4
+ s2.*8
+ \time 2/2
+ s1*55
+ \bar "||"
+ \time 3/4
+ s2.*8
+ \time 4/4
+ s1*5
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/michi/exsultate/exsultate.ly b/hr/michi/exsultate/exsultate.ly
new file mode 100644
index 0000000..bf744b9
--- /dev/null
+++ b/hr/michi/exsultate/exsultate.ly
@@ -0,0 +1,72 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen_.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Exsultate Justi"
+ composer = "Ludovico da Viadana"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 15)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = sopran { \sop }
+ \new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ \new Staff = bass { \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/michi/exsultate/midi.lua b/hr/michi/exsultate/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/michi/exsultate/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/michi/exsultate/stimmen.ly b/hr/michi/exsultate/stimmen.ly
new file mode 100644
index 0000000..55762e3
--- /dev/null
+++ b/hr/michi/exsultate/stimmen.ly
@@ -0,0 +1,61 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ aes2 aes4 aes2 bes4 c4 c4 ees4 des2 des4 c4 ees4 des4 c2 aes4 bes2 c4 bes2 bes4 c2 c4 c4 des4 des8 des8 c4 des4 ees2 ees4 ees4 f4 f8 f8 ees4 bes4 bes2 c2 des8[ c8 des8 ees8] f8[ ees8 des8 c8] bes4 c4 bes4. bes8 c2 ees4 ees4 f4 f8 f8 ees4 d4 ees1 r4 f4 f8[ ees8 des8 c8] bes4 aes2 g4 aes4 ees'2 ees4 des4 des8 des8 c4 c8 c8 bes4 bes4 ees4 ees4 des4 des8 des8 c4 c8 c8 bes2 aes2 r2 c2 ~ c4 bes8 aes8 bes4 ees,4 r1 ees'1 ~ ees2 des4 c4 bes2 ees,2 r4 ees'4 ees4 ees4 des2 c2 r2 r4 ees4 ees4 ees4 des2 c2 r2 r2 r4 bes4 ~ bes8 bes8 bes4 c8[ des8 ees8 c8] des8[ ees8 f8 bes,8] c8[ des8 ees8 c8] d4 ees2 d4 ees1 r2 ees4 ees4 des4 des8 des8 c2 bes4 bes4 aes4 aes4 g4 c2 aes4 g2 f2 g2 r2 r1 r2 ees'4 ees4 des4 des8 des8 c2 bes2 r2 c2. c4 bes4 bes8 bes8 aes2 g2 r4 ees'4 c4 c8 c8 c4 bes4 aes2 aes4 ees'4 c4 c8 c8 c4 bes4 aes8[ bes8 c8 des8] ees2 ees4 ees4 ees4 ees8 des8 c2 bes2 ~ bes4 aes4 aes2 ~ aes4 g8[ f8] g2 aes1
+ aes2 aes4 aes2 bes4 c4 c4 ees4 des2 des4 c4 ees4 des4 c2 aes4 bes2 c4 bes2 bes4 c1 des1 c1 aes2. aes4 aes1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ ees2 ees4 f2 g4 aes4 aes4 g4 bes2 f4 aes4 aes4 f4 aes4 g4 f4 f2 aes4 g2 g4 aes2 aes4 aes4 aes4 aes8 aes8 aes4 aes4 g2 aes4 aes4 aes4 aes8 aes8 aes4 f4 g2 aes2 f8[ ees8 f8 g8] aes4 f4 g4 aes2 g4 aes2 aes4 aes4 aes4 aes8 aes8 aes4 aes4 g2 aes2 f8[ ees8 f8 g8] aes4 f4 g4 ees2 ~ ees8[ ees8] ees2 r2 r2 ees4 aes4 f4 f8 f8 ees4 aes8 aes8 f4 f4 ees4 aes4 f4 f8 f8 ees4 ees8 ees8 f2 aes2 r2 r4 aes4 ~ aes4 g8 f8 ees2 ees2 r4 aes4 ~ aes4 g8 f8 g4 aes4 ~ aes4 g8[ f8] g2 aes1 r4 aes4 aes4 aes4 f2 ees2 r2 r4 aes4 aes4 aes4 aes2 aes2 g2 ~ g2 aes2 f2 aes2 ~ aes4 g4 f2 g2 g4 g4 aes4 aes8 f8 g4 ees4 r2 aes4 aes4 g4 g8 g8 f4 f4 ees4 ees8 ees8 ees4 f4 ~ f8 ees8 ees2 d4 ees2 g4 g4 aes4 aes8 f8 g4 aes4 bes2 r2 r2 aes4 aes4 g4 g8 g8 f2 ees4 aes2 aes4 g4 g8 g8 f2 ees2 r2 ees1 ees2 ees4 g4 ees2 ees2 ees2 ees2 r4 c4 c4 c8 bes8 aes4 aes'4 f2 ees4 ees4 ees4 ees8 ees8 ees4 ees4 ees2 ees1
+ ees2 ees4 f2 g4 aes4 aes4 g4 bes2 f4 aes4 aes4 f4 aes4 g4 f4 f2 aes4 g2 g4 aes1 aes1 aes2 g2 f2. f4 ees1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ c2 c4 c2 ees4 ees4 ees4 ees4 f2 des4 ees4 c4 des4 ees2 f4 des2 ees4 ees2 ees4 ees2 ees4 ees4 f4 f8 f8 ees4 des4 bes2 c4 c4 des4 des8 des8 c4 des4 ees2 aes,2 des1 ees1 aes,2 c4 c4 des4 des8 des8 c4 aes4 bes2 c2 des8[ c8 des8 ees8] f4 aes,4 ees'4 c4 bes4. bes8 aes2 r2 r2 aes4 aes4 bes4 bes8 bes8 c4 c8 c8 des4 des4 aes4 aes4 bes4 bes8 bes8 c4 c8 c8 des2 ees2 ees2. des8 c8 bes4 bes4 c2 ~ c2 bes4 aes4 bes4 c4 bes4 ees4 ~ ees4 bes8 c8 bes2 c1 r4 f4 ees4 ees4 des2 c2 r2 r4 des4 ees4 ees4 f2 ees2 ees2 ~ ees4 ees4 ees2 r1 r2 bes2 bes2 ees4 ees4 des4 des8 des8 c2 bes4 bes4 aes8[ bes8 c8 des8] ees4 ees,4 f8[ g8 aes8 bes8] c2 aes4 f4 g4. aes8 bes2 ees,1 r2 ees'4 ees4 des4 des8 des8 c2 bes2 r2 r1 r4 ees2 ees4 ees4 ees8 ees8 c2 ~ c2 bes2 r2 r4 ees,4 aes4 aes8 aes8 aes4 bes4 c2 aes4 ees4 aes4 aes8 aes8 aes4 bes4 c4. des8 ees2 ees2 des2 c2 c4 c4 bes4 c4 bes2 aes1
+ c2 c4 c2 ees4 ees4 ees4 ees4 f2 des4 ees4 c4 des4 ees2 f4 des2 ees4 ees2 ees4 ees1 f1 ~ f2 ees2 des2. des4 c1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c' {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ aes2 aes4 f2 ees4 aes4 aes4 c4 bes2 bes4 aes4 aes4 bes4 c2 des4 bes2 aes4 ees2 ees4 aes,2 aes'4 aes4 des,4 des8 des8 aes'4 f4 ees2 aes4 aes4 des,4 des8 des8 aes'4 bes4 ees,2 r2 r1 r1 r2 aes4 aes4 des,4 des8 des8 aes'4 f4 ees2 aes,2 des1 ees1 aes,2 aes'4 aes4 bes4 bes8 bes8 c4 c8 c8 des4 des4 aes4 aes4 bes4 bes8 bes8 c4 c8 c8 des2 aes2 r2 aes2 ~ aes4 g8 f8 ees2 ees2 aes2 ~ aes2 g4 f4 ees1 ~ ees1 aes,1 r4 des4 aes'4 aes4 des,2 aes'2 r2 r4 des,4 aes'4 aes4 des2 aes2 ees2 ~ ees2 aes2 bes2 aes2 bes1 ees,1 r1 r1 r1 r1 r1 r2 ees'4 ees4 des4 des8 des8 c2 bes2 r2 r2 aes4 aes4 ees'4 ees8 ees8 des2 aes2 aes4 aes4 ees4 ees8 ees8 f2 c2 ees2 aes4 aes8 aes8 aes4 bes4 c2 aes4 ees4 aes4 aes8 aes8 aes4 bes4 c2 aes4 ees4 c4 c8 bes8 aes2 ~ aes2 bes2 c2. des4 ees1 aes,1
+ aes'2 aes4 f2 ees4 aes4 aes4 c4 bes2 bes4 aes4 aes4 bes4 c2 des4 bes2 aes4 ees2 ees4 aes,1 des2. ees4 f2 c2 des2. des4 aes1
+ }
+ >>
+ }
+
diff --git a/hr/michi/exsultate/stimmen_.ly b/hr/michi/exsultate/stimmen_.ly
new file mode 100644
index 0000000..14e2706
--- /dev/null
+++ b/hr/michi/exsultate/stimmen_.ly
@@ -0,0 +1,357 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ aes2 aes4
+ aes2 bes4
+ c4 c4 ees4
+ des2 des4
+ c4 ees4 des4
+ c2 aes4
+ bes2 c4
+ bes2 bes4
+ c2 c4 c4
+ des4 des8 des8 c4 des4
+ ees2 ees4 ees4
+ f4 f8 f8 ees4 bes4
+ bes2 c2
+ des8[ c8 des8 ees8] f8[ ees8 des8 c8]
+ bes4 c4 bes4. bes8
+ c2 ees4 ees4
+ f4 f8 f8 ees4 d4
+ ees1
+ r4 f4 f8[ ees8 des8 c8]
+ bes4 aes2 g4
+ aes4 ees'2 ees4
+ des4 des8 des8 c4 c8 c8
+ bes4 bes4 ees4 ees4
+ des4 des8 des8 c4 c8 c8
+ bes2 aes2
+ r2 c2 ~
+ c4 bes8 aes8 bes4 ees,4
+ r1
+ ees'1 ~
+ ees2 des4 c4
+ bes2 ees,2
+ r4 ees'4 ees4 ees4
+ des2 c2
+ r2 r4 ees4
+ ees4 ees4 des2
+ c2 r2
+ r2 r4 bes4 ~
+ bes8 bes8 bes4 c8[ des8 ees8 c8]
+ des8[ ees8 f8 bes,8] c8[ des8 ees8 c8]
+ d4 ees2 d4
+ ees1
+ r2 ees4 ees4
+ des4 des8 des8 c2
+ bes4 bes4 aes4 aes4
+ g4 c2 aes4
+ g2 f2
+ g2 r2
+ r1
+ r2 ees'4 ees4
+ des4 des8 des8 c2
+ bes2 r2
+ c2. c4
+ bes4 bes8 bes8 aes2
+ g2 r4 ees'4
+ c4 c8 c8 c4 bes4
+ aes2 aes4 ees'4
+ c4 c8 c8 c4 bes4
+ aes8[ bes8 c8 des8] ees2
+ ees4 ees4 ees4 ees8 des8
+ c2 bes2 ~
+ bes4 aes4 aes2 ~
+ aes4 g8[ f8] g2
+ aes1
+ aes2 aes4
+ aes2 bes4
+ c4 c4 ees4
+ des2 des4
+ c4 ees4 des4
+ c2 aes4
+ bes2 c4
+ bes2 bes4
+ c1
+ des1
+ c1
+ aes2. aes4
+ aes1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ ees2 ees4
+ f2 g4
+ aes4 aes4 g4
+ bes2 f4
+ aes4 aes4 f4
+ aes4 g4 f4
+ f2 aes4
+ g2 g4
+ aes2 aes4 aes4
+ aes4 aes8 aes8 aes4 aes4
+ g2 aes4 aes4
+ aes4 aes8 aes8 aes4 f4
+ g2 aes2
+ f8[ ees8 f8 g8] aes4 f4
+ g4 aes2 g4
+ aes2 aes4 aes4
+ aes4 aes8 aes8 aes4 aes4
+ g2 aes2
+ f8[ ees8 f8 g8] aes4 f4
+ g4 ees2 ~ ees8[ ees8]
+ ees2 r2
+ r2 ees4 aes4
+ f4 f8 f8 ees4 aes8 aes8
+ f4 f4 ees4 aes4
+ f4 f8 f8 ees4 ees8 ees8
+ f2 aes2
+ r2 r4 aes4 ~
+ aes4 g8 f8 ees2
+ ees2 r4 aes4 ~
+ aes4 g8 f8 g4 aes4 ~
+ aes4 g8[ f8] g2
+ aes1
+ r4 aes4 aes4 aes4
+ f2 ees2
+ r2 r4 aes4
+ aes4 aes4 aes2
+ aes2 g2 ~
+ g2 aes2
+ f2 aes2 ~
+ aes4 g4 f2
+ g2 g4 g4
+ aes4 aes8 f8 g4 ees4
+ r2 aes4 aes4
+ g4 g8 g8 f4 f4
+ ees4 ees8 ees8 ees4 f4 ~
+ f8 ees8 ees2 d4
+ ees2 g4 g4
+ aes4 aes8 f8 g4 aes4
+ bes2 r2
+ r2 aes4 aes4
+ g4 g8 g8 f2
+ ees4 aes2 aes4
+ g4 g8 g8 f2
+ ees2 r2
+ ees1
+ ees2 ees4 g4
+ ees2 ees2
+ ees2 ees2
+ r4 c4 c4 c8 bes8
+ aes4 aes'4 f2
+ ees4 ees4 ees4 ees8 ees8
+ ees4 ees4 ees2
+ ees1
+ ees2 ees4
+ f2 g4
+ aes4 aes4 g4
+ bes2 f4
+ aes4 aes4 f4
+ aes4 g4 f4
+ f2 aes4
+ g2 g4
+ aes1
+ aes1
+ aes2 g2
+ f2. f4
+ ees1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ c2 c4
+ c2 ees4
+ ees4 ees4 ees4
+ f2 des4
+ ees4 c4 des4
+ ees2 f4
+ des2 ees4
+ ees2 ees4
+ ees2 ees4 ees4
+ f4 f8 f8 ees4 des4
+ bes2 c4 c4
+ des4 des8 des8 c4 des4
+ ees2 aes,2
+ des1
+ ees1
+ aes,2 c4 c4
+ des4 des8 des8 c4 aes4
+ bes2 c2
+ des8[ c8 des8 ees8] f4 aes,4
+ ees'4 c4 bes4. bes8
+ aes2 r2
+ r2 aes4 aes4
+ bes4 bes8 bes8 c4 c8 c8
+ des4 des4 aes4 aes4
+ bes4 bes8 bes8 c4 c8 c8
+ des2 ees2
+ ees2. des8 c8
+ bes4 bes4 c2 ~
+ c2 bes4 aes4
+ bes4 c4 bes4 ees4 ~
+ ees4 bes8 c8 bes2
+ c1
+ r4 f4 ees4 ees4
+ des2 c2
+ r2 r4 des4
+ ees4 ees4 f2
+ ees2 ees2 ~
+ ees4 ees4 ees2
+ r1
+ r2 bes2
+ bes2 ees4 ees4
+ des4 des8 des8 c2
+ bes4 bes4 aes8[ bes8 c8 des8]
+ ees4 ees,4 f8[ g8 aes8 bes8]
+ c2 aes4 f4
+ g4. aes8 bes2
+ ees,1
+ r2 ees'4 ees4
+ des4 des8 des8 c2
+ bes2 r2
+ r1
+ r4 ees2 ees4
+ ees4 ees8 ees8 c2 ~
+ c2 bes2
+ r2 r4 ees,4
+ aes4 aes8 aes8 aes4 bes4
+ c2 aes4 ees4
+ aes4 aes8 aes8 aes4 bes4
+ c4. des8 ees2
+ ees2 des2
+ c2 c4 c4
+ bes4 c4 bes2
+ aes1
+ c2 c4
+ c2 ees4
+ ees4 ees4 ees4
+ f2 des4
+ ees4 c4 des4
+ ees2 f4
+ des2 ees4
+ ees2 ees4
+ ees1
+ f1 ~
+ f2 ees2
+ des2. des4
+ c1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c' {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ aes2 aes4
+ f2 ees4
+ aes4 aes4 c4
+ bes2 bes4
+ aes4 aes4 bes4
+ c2 des4
+ bes2 aes4
+ ees2 ees4
+ aes,2 aes'4 aes4
+ des,4 des8 des8 aes'4 f4
+ ees2 aes4 aes4
+ des,4 des8 des8 aes'4 bes4
+ ees,2 r2
+ r1
+ r1
+ r2 aes4 aes4
+ des,4 des8 des8 aes'4 f4
+ ees2 aes,2
+ des1
+ ees1
+ aes,2 aes'4 aes4
+ bes4 bes8 bes8 c4 c8 c8
+ des4 des4 aes4 aes4
+ bes4 bes8 bes8 c4 c8 c8
+ des2 aes2
+ r2 aes2 ~
+ aes4 g8 f8 ees2
+ ees2 aes2 ~
+ aes2 g4 f4
+ ees1 ~
+ ees1
+ aes,1
+ r4 des4 aes'4 aes4
+ des,2 aes'2
+ r2 r4 des,4
+ aes'4 aes4 des2
+ aes2 ees2 ~
+ ees2 aes2
+ bes2 aes2
+ bes1
+ ees,1
+ r1
+ r1
+ r1
+ r1
+ r1
+ r2 ees'4 ees4
+ des4 des8 des8 c2
+ bes2 r2
+ r2 aes4 aes4
+ ees'4 ees8 ees8 des2
+ aes2 aes4 aes4
+ ees4 ees8 ees8 f2
+ c2 ees2
+ aes4 aes8 aes8 aes4 bes4
+ c2 aes4 ees4
+ aes4 aes8 aes8 aes4 bes4
+ c2 aes4 ees4
+ c4 c8 bes8 aes2 ~
+ aes2 bes2
+ c2. des4
+ ees1
+ aes,1
+ aes'2 aes4
+ f2 ees4
+ aes4 aes4 c4
+ bes2 bes4
+ aes4 aes4 bes4
+ c2 des4
+ bes2 aes4
+ ees2 ees4
+ aes,1
+ des2. ees4
+ f2 c2
+ des2. des4
+ aes1
+ }
+ >>
+ }
+
diff --git a/hr/michi/exsultate/texte.ly b/hr/michi/exsultate/texte.ly
new file mode 100644
index 0000000..b55de5a
--- /dev/null
+++ b/hr/michi/exsultate/texte.ly
@@ -0,0 +1,46 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen % -- _
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ Ex -- sul -- ta -- te ju -- sti in Do -- mi -- no rec -- tos de -- cet col -- lau -- da -- ti -- o.
+ Con -- fi -- te -- mi -- ni Do -- mi -- no,
+ con -- fi -- te -- mi -- ni Do -- mi -- no
+ in ci -- tha -- ra,
+ con -- fi -- te -- mi -- ni Do -- mi -- no
+ in ci -- _ _ _ _ _ tha -- ra,
+ in psal -- te -- ri -- o de -- cem chor -- da -- rum
+ in psal -- te -- ri -- o de -- cem chor -- da -- rum
+ psal -- li -- te il -- li,
+ psal -- li -- te il -- _ li
+ psal -- li -- te il -- li
+ Can -- ta -- te e -- i,
+ Can -- ta -- te e -- i,
+ can -- ti -- cum no -- vum
+ be -- ne psal -- li -- te e -- i
+ in vo -- _ ci -- fe -- _ ra -- ti -- o -- _ _ ne
+ be -- ne psal -- li -- te e -- i
+ be -- ne psal -- li -- te e -- i
+ in vo -- ci -- fe -- ra -- ti -- o -- ne,
+ in vo -- ci -- fe -- ra -- ti -- o -- _ _ ne
+ in vo -- ci -- fe -- ra -- ti -- o -- ne
+ Ex -- sul -- ta -- te ju -- sti in Do -- mi -- no,
+ rec -- tos de -- cet col -- lua -- da -- ti -- o,
+ col -- lau -- da -- ti -- o
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/michi/failed/dynArt.ly b/hr/michi/failed/dynArt.ly
new file mode 100644
index 0000000..210643f
--- /dev/null
+++ b/hr/michi/failed/dynArt.ly
@@ -0,0 +1,54 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ %\override Staff.TimeSignature #'style = #'()
+ \dynamicUp
+ \inStaffSegno
+ \key bes \major
+ \time 4/4
+ s1*4
+ \repeat volta 2 {
+ s1*10
+ s1*2
+ s1*3
+ } \alternative {
+ {
+ s1
+ }
+ {
+ s1
+ }
+ }
+ \break
+ s1*12
+ \break
+ s1*4
+ \bar "||"
+ \break
+ s1*6
+ \break
+ s1*4
+ s1*2
+ s1*4
+ \repeat volta 2 {
+ s1*2
+ }
+ s1*4
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/michi/failed/failed.ly b/hr/michi/failed/failed.ly
new file mode 100644
index 0000000..f1a911f
--- /dev/null
+++ b/hr/michi/failed/failed.ly
@@ -0,0 +1,76 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen_.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "He Never Failed Me Yet"
+ composer = "Robert Ray"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 15)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = sopran { \sop }
+ \new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ \new Staff = bass { \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ \context {
+ \Staff
+ \RemoveEmptyStaves
+ }
+ }
+ }
+
diff --git a/hr/michi/failed/midi.lua b/hr/michi/failed/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/michi/failed/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/michi/failed/stimmen.ly b/hr/michi/failed/stimmen.ly
new file mode 100644
index 0000000..f1e5b3b
--- /dev/null
+++ b/hr/michi/failed/stimmen.ly
@@ -0,0 +1,136 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1 r1 r1
+ r2 r4 \times 2/3 { f8( g8) bes8 }
+ \mark \markup { \musicglyph #"scripts.segno" }
+ \repeat volta 2 {
+ bes2. ~ \times 2/3 { bes8 bes8 bes8 } c4 bes2 \times 2/3 { f8 g8 bes8 } bes4 \times 2/3 { f8 g8 bes8 } bes4 \times 2/3 { bes8 g8 f8 } g2. \times 2/3 { a4 a8 } bes2. ~ \times 2/3 { bes8 bes8 bes8 } \times 2/3 { c4 bes8 } bes2 \times 2/3 { r4 bes8 } \times 2/3 { a4 a8 } \times 2/3 { a4 a8 } \times 2/3 { g4 g8 } \times 2/3 { g4 g8 } \times 2/3 { f4 f8 } \times 2/3 { g4 g8 } a4 \times 2/3 { f8 g8 bes8 } bes2. ~ \times 2/3 { bes8 bes8 bes8 } c4 bes2. r4 d4 ~ \times 2/3 { d4 c4 bes4 } r8 d4 bes8 bes8( g8 ~ g4) f4 f4 \times 2/3 { f4 g8 } bes4 \times 2/3 { g8 g8 g8 } \times 2/3 { g4 g8 } \times 2/3 { g4 bes8 } c4 d4 ~ \times 2/3 { d8 c8 d8 } c4 ~ \times 2/3 { c4 bes8 }
+ } \alternative {
+ {
+ bes2. \times 2/3 { f8( g8) bes8 }
+ }
+ {
+ bes1
+ }
+ }
+ r8 bes4 bes8 ~ bes8 g4 f8 d8 bes8 ~ bes2. r4 bes8 bes8 \times 2/3 { d8 f8 g8 } \times 2/3 { g4 f8 ~ } f4 f2 r4 r8 bes4 bes8 ~ bes4 ~ \times 2/3 { bes8 g8 f8 } g8 bes8 ~ bes2 r4 r4 c4 ~ \times 2/3 { c4 a4 c4 } a8 f8 f2. \times 2/3 { r4 g4 g4 } \times 2/3 { g4 fis4 g8 g8 } \times 2/3 { a4 a4 a4 } a2 r8 d8 ~ \times 2/3 { d8 c8 bes8 } bes4. g8 \times 2/3 { bes8 c8 d8 ~ } d8 bes8 bes8( g8 ~ g4) f4 f4 \times 2/3 { f4 g8 } bes4 \times 2/3 { g8 g8 g8 } \times 2/3 { g4 g8 } \times 2/3 { g4 bes8 } c4 d4 ~ \times 2/3 { d8 c8 d8 } c4 ~ \times 2/3 { c4 bes8 } bes2. \times 2/3 { f8( g8) bes8 } bes2. ~ \times 2/3 { bes8 bes8 bes8 } c4 bes2 \times 2/3 { f8 g8 bes8 } bes4 \times 2/3 { f8 g8 bes8 } bes4 \times 2/3 { bes8 g8 f8 } g2. \times 2/3 { a4 a8 } bes2. ~ \times 2/3 { bes8 bes8 bes8 } \times 2/3 { c4 bes8 } bes2 \times 2/3 { r4 bes8 } \times 2/3 { a4 a8 } \times 2/3 { a4 a8 } \times 2/3 { g4 g8 } \times 2/3 { g4 g8 } \times 2/3 { f4 f8 } \times 2/3 { g4 g8 } a4 \times 2/3 { f8 g8 bes8 } bes2. ~ \times 2/3 { bes8 bes8 bes8 } c4 bes2. r4 d4 ~ \times 2/3 { d4 c4 bes4 } r8 d4 bes8 bes8( g8 ~ g4) f4 f4 \times 2/3 { f4 g8 } bes4 \times 2/3 { g8 g8 g8 } \times 2/3 { g4 g8 } \times 2/3 { g4 bes8 } c4 d4 ~ \times 2/3 { d8 c8 d8 } c4 ~ \times 2/3 { c4 bes8 } bes4 r4 r2
+ \repeat volta 2 {
+ \times 2/3 { r4 des8 } \times 2/3 { des4 des8 } \times 2/3 { bes4 bes8 } \times 2/3 { r4 bes8 } \times 2/3 { des4 des8 } \times 2/3 { ees4 des8 } \times 2/3 { r4 bes8 } r4
+ }
+ f4 f4 \times 2/3 { f4 g8 } bes4 \times 2/3 { g8 g8 g8 } \times 2/3 { g4 g8 } \times 2/3 { g4 bes8 } c4 d4 ~ \times 2/3 { d8 c8 d8 } c4 ~ \times 2/3 { c4 bes8 } bes1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1 r1 r1
+ r2 r4 \times 2/3 { d8( ees8) f8 }
+ \repeat volta 2 {
+ f2. ~ \times 2/3 { f8 f8 f8 } g4 f2 \times 2/3 { d8 ees8 f8 } f4 \times 2/3 { d8 ees8 f8 } f4 \times 2/3 { f8 ees8 d8 } ees2. \times 2/3 { f4 f8 } g2. ~ \times 2/3 { g8 g8 g8 } \times 2/3 { a4 g8 } g2 \times 2/3 { r4 g8 } \times 2/3 { f4 f8 } \times 2/3 { f4 f8 } \times 2/3 { e4 e8 } \times 2/3 { e4 e8 } \times 2/3 { c4 c8 } \times 2/3 { d4 d8 } f4 \times 2/3 { d8 ees8 f8 } f2. ~ \times 2/3 { f8 f8 f8 } g4 f2.
+ r1
+ r1
+ d4 d4 \times 2/3 { d4 ees8 } f4 \times 2/3 { ees8 ees8 ees8 } \times 2/3 { ees4 ees8 } \times 2/3 { ees4 f8 } g4 bes4 ~ \times 2/3 { bes8 a8 bes8 } a4 ~ \times 2/3 { a4 g8 }
+ } \alternative {
+ {
+ f2. \times 2/3 { d8( ees8) f8 }
+ }
+ {
+ f1
+ }
+ }
+ r8 bes8 bes8 bes8 ~ bes8 g4 f8 d8 bes8 ~ bes2. r4 d8 d8 r8 f4 g8 ~ g8 f4 f8 ~ f2 r8 bes8 \times 2/3 { bes8 bes8 bes8 } bes4. bes8 bes4 bes8 bes8 ~ bes8 bes4. r8 c8 c8 c8 r4 c8 c8 r8 c16 c16 a16 f16 f8 ~ f2 \times 2/3 { r4 g4 g4 } \times 2/3 { g4 fis4 g4 } \times 2/3 { a4 a4 a4 } a2 \times 2/3 { d4 bes8 } \times 2/3 { bes8 bes8 bes8 ~ } bes8 bes4 c8 \times 2/3 { d8 r8 bes8 } \times 2/3 { bes4 c8 } \times 2/3 { d8 bes8 bes8 ~ } bes4 d,4 d4 \times 2/3 { d4 ees8 } f4 \times 2/3 { ees8 ees8 ees8 } \times 2/3 { ees4 ees8 } \times 2/3 { ees4 f8 } g4 bes4 ~ \times 2/3 { bes8 a8 bes8 } a4 ~ \times 2/3 { a4 g8 } f2. \times 2/3 { d8( ees8) f8 } f2. ~ \times 2/3 { f8 f8 f8 } g4 f2 \times 2/3 { d8 ees8 f8 } f4 \times 2/3 { d8 ees8 f8 } f4 \times 2/3 { f8 ees8 d8 } ees2. \times 2/3 { f4 f8 } g2. ~ \times 2/3 { g8 g8 g8 } \times 2/3 { a4 g8 } g2 \times 2/3 { r4 g8 } \times 2/3 { f4 f8 } \times 2/3 { f4 f8 } \times 2/3 { e4 e8 } \times 2/3 { e4 e8 } \times 2/3 { c4 c8 } \times 2/3 { d4 d8 } f4 \times 2/3 { d8 ees8 f8 } f2. ~ \times 2/3 { f8 f8 f8 } g4 f2. r1 r1 d4 d4 \times 2/3 { d4 ees8 } f4 \times 2/3 { ees8 ees8 ees8 } \times 2/3 { ees4 ees8 } \times 2/3 { ees4 f8 } g4 bes4 ~ \times 2/3 { bes8 a8 bes8 } a4 ~ \times 2/3 { a4 g8 } f4 r4 r2
+ \repeat volta 2 {
+ \times 2/3 { r4 bes8 } \times 2/3 { bes4 bes8 } \times 2/3 { g4 g8 } \times 2/3 { r4 g8 } \times 2/3 { bes4 bes8 } \times 2/3 { c4 bes8 } \times 2/3 { r4 g8 } r4
+ }
+ d4 d4 \times 2/3 { d4 ees8 } f4 \times 2/3 { ees8 ees8 ees8 } \times 2/3 { ees4 ees8 } \times 2/3 { ees4 f8 } g4 bes4 ~ \times 2/3 { bes8 a8 bes8 } a4 ~ \times 2/3 { a4 g8 } f1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ r1 r1 r1
+ r2 r4 \times 2/3 { bes8( c8) d8 }
+ \repeat volta 2 {
+ d2. ~ \times 2/3 { d8 d8 d8 } ees4 d2 \times 2/3 { bes8 c8 d8 } d4 \times 2/3 { bes8 c8 d8 } d4 \times 2/3 { d8 c8 bes8 } c2. \times 2/3 { c4 c8 } d2. ~ \times 2/3 { d8 d8 d8 } \times 2/3 { ees4 d8 } d2 \times 2/3 { r4 d8 } \times 2/3 { c4 c8 } \times 2/3 { c4 c8 } \times 2/3 { bes4 bes8 } \times 2/3 { bes4 bes8 } \times 2/3 { a4 a8 } \times 2/3 { bes4 bes8 } c4 \times 2/3 { bes8 c8 d8 } d2. ~ \times 2/3 { d8 d8 d8 } ees4 d2.
+ r1
+ r1
+ bes4 bes4 \times 2/3 { bes4 c8 } d4 \times 2/3 { c8 c8 c8 } \times 2/3 { c4 c8 } \times 2/3 { c4 d8 } ees4 f4 ~ \times 2/3 { f8 ees8 f8 } ees4 ~ \times 2/3 { ees4 ees8 }
+ } \alternative {
+ {
+ d2. \times 2/3 { bes8( c8) d8 }
+ }
+ {
+ d1
+ }
+ }
+ r1 r1 r1 r1 r1 r1 r1 r1 r1 r1 r1 r1
+ bes4 bes4 \times 2/3 { bes4 c8 } d4 \times 2/3 { c8 c8 c8 } \times 2/3 { c4 c8 } \times 2/3 { c4 d8 } ees4 f4 ~ \times 2/3 { f8 ees8 f8 } ees4 ~ \times 2/3 { ees4 ees8 } d2. \times 2/3 { bes8( c8) d8 } d2. ~ \times 2/3 { d8 d8 d8 } ees4 d2 \times 2/3 { bes8 c8 d8 } d4 \times 2/3 { bes8 c8 d8 } d4 \times 2/3 { d8 c8 bes8 } c2. \times 2/3 { c4 c8 } d2. ~ \times 2/3 { d8 d8 d8 } \times 2/3 { ees4 d8 } d2 \times 2/3 { r4 d8 } \times 2/3 { c4 c8 } \times 2/3 { c4 c8 } \times 2/3 { bes4 bes8 } \times 2/3 { bes4 bes8 } \times 2/3 { a4 a8 } \times 2/3 { bes4 bes8 } c4 \times 2/3 { bes8 c8 d8 } d2. ~ \times 2/3 { d8 d8 d8 } ees4 d2.
+ r1 r1
+ bes4 bes4 \times 2/3 { bes4 c8 } d4 \times 2/3 { c8 c8 c8 } \times 2/3 { c4 c8 } \times 2/3 { c4 d8 } ees4 f4 ~ \times 2/3 { f8 ees8 f8 } ees4 ~ \times 2/3 { ees4 ees8 } d4 r4 r2
+ \repeat volta 2 {
+ \times 2/3 { r4 f8 } \times 2/3 { f4 f8 } \times 2/3 { ees4 ees8 } \times 2/3 { r4 ees8 } \times 2/3 { f4 f8 } \times 2/3 { g4 f8 } \times 2/3 { r4 ees8 } r4
+ }
+ bes4 bes4 \times 2/3 { bes4 c8 } d4 \times 2/3 { c8 c8 c8 } \times 2/3 { c4 c8 } \times 2/3 { c4 d8 } ees4 f4 ~ \times 2/3 { f8 ees8 f8 } ees4 ~ \times 2/3 { ees4 ees8 } d1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r1 r1 r1
+ r2 r4 \times 2/3 { f8( g8) bes8 }
+ \repeat volta 2 {
+ bes2. ~ \times 2/3 { bes8 bes8 bes8 } bes4 bes2 \times 2/3 { f8 g8 bes8 } bes4 \times 2/3 { f8 g8 bes8 } bes4 \times 2/3 { bes8 bes8 bes,8 } ees2. \times 2/3 { d4 d8 } g2. ~ \times 2/3 { g8 g8 g8 } \times 2/3 { g4 g8 } g2 \times 2/3 { r4 g8 } \times 2/3 { c,4 c8 } \times 2/3 { c4 c8 } \times 2/3 { c4 c8 } \times 2/3 { c4 c8 } \times 2/3 { f4 f8 } \times 2/3 { f4 f8 } f4 \times 2/3 { f8 g8 bes8 } bes2. ~ \times 2/3 { bes8 bes8 bes8 } bes4 bes2.
+ r1 r1
+ f4 f4 \times 2/3 { f4 f8 } f4 \times 2/3 { ees8 ees8 ees8 } \times 2/3 { ees4 ees8 } \times 2/3 { ees4 d8 } c4 f4 ~ \times 2/3 { f8 f8 f8 } f4 ~ \times 2/3 { f4 f8 }
+ } \alternative {
+ {
+ bes2. \times 2/3 { f8( g8) bes8 }
+ }
+ {
+ bes1
+ }
+ }
+ r1 r1 r1 r1 r1 r1 r1 r1 r1 r1 r1 r1
+ f4 f4 \times 2/3 { f4 f8 } f4 \times 2/3 { ees8 ees8 ees8 } \times 2/3 { ees4 ees8 } \times 2/3 { ees4 d8 } c4 f4 ~ \times 2/3 { f8 f8 f8 } f4 ~ \times 2/3 { f4 f8 } bes2. \times 2/3 { f8( g8) bes8 } bes2. ~ \times 2/3 { bes8 bes8 bes8 } bes4 bes2 \times 2/3 { f8 g8 bes8 } bes4 \times 2/3 { f8 g8 bes8 } bes4 \times 2/3 { bes8 bes8 bes,8 } ees2. \times 2/3 { d4 d8 } g2. ~ \times 2/3 { g8 g8 g8 } \times 2/3 { g4 g8 } g2 \times 2/3 { r4 g8 } \times 2/3 { c,4 c8 } \times 2/3 { c4 c8 } \times 2/3 { c4 c8 } \times 2/3 { c4 c8 } \times 2/3 { f4 f8 } \times 2/3 { f4 f8 } f4 \times 2/3 { f8 g8 bes8 } bes2. ~ \times 2/3 { bes8 bes8 bes8 } bes4 bes2.
+ r1 r1
+ f4 f4 \times 2/3 { f4 f8 } f4 \times 2/3 { ees8 ees8 ees8 } \times 2/3 { ees4 ees8 } \times 2/3 { ees4 d8 } c4 f4 ~ \times 2/3 { f8 f8 f8 } f4 ~ \times 2/3 { f4 f8 } bes4 r4 r2
+ \repeat volta 2 {
+ \times 2/3 { r4 bes8 } \times 2/3 { bes4 bes8 } \times 2/3 { ees,4 ees8 } \times 2/3 { r4 ees8 } \times 2/3 { bes'4 bes8 } \times 2/3 { bes4 bes8 } \times 2/3 { r4 ees,8 } r4
+ }
+ f4 f4 \times 2/3 { f4 f8 } f4 \times 2/3 { ees8 ees8 ees8 } \times 2/3 { ees4 ees8 } \times 2/3 { ees4 d8 } c4 f4 ~ \times 2/3 { f8 f8 f8 } f4 ~ \times 2/3 { f4 f8 } bes1
+ }
+ >>
+ }
+
diff --git a/hr/michi/failed/stimmen_.ly b/hr/michi/failed/stimmen_.ly
new file mode 100644
index 0000000..eee057d
--- /dev/null
+++ b/hr/michi/failed/stimmen_.ly
@@ -0,0 +1,326 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1
+ r1
+ r1
+ r2 r4 \times 2/3 { f8( g8) bes8 }
+ \mark \markup { \musicglyph #"scripts.segno" }
+ \repeat volta 2 {
+ bes2. ~ \times 2/3 { bes8 bes8 bes8 }
+ c4 bes2 \times 2/3 { f8 g8 bes8 }
+ bes4 \times 2/3 { f8 g8 bes8 } bes4 \times 2/3 { bes8 g8 f8 }
+ g2. \times 2/3 { a4 a8 }
+ bes2. ~ \times 2/3 { bes8 bes8 bes8 }
+ \times 2/3 { c4 bes8 } bes2 \times 2/3 { r4 bes8 }
+ \times 2/3 { a4 a8 } \times 2/3 { a4 a8 } \times 2/3 { g4 g8 } \times 2/3 { g4 g8 }
+ \times 2/3 { f4 f8 } \times 2/3 { g4 g8 } a4 \times 2/3 { f8 g8 bes8 }
+ bes2. ~ \times 2/3 { bes8 bes8 bes8 }
+ c4 bes2.
+ r4 d4 ~ \times 2/3 { d4 c4 bes4 }
+ r8 d4 bes8 bes8( g8 ~ g4)
+ f4 f4 \times 2/3 { f4 g8 } bes4
+ \times 2/3 { g8 g8 g8 } \times 2/3 { g4 g8 } \times 2/3 { g4 bes8 } c4
+ d4 ~ \times 2/3 { d8 c8 d8 } c4 ~ \times 2/3 { c4 bes8 }
+ } \alternative {
+ {
+ bes2. \times 2/3 { f8( g8) bes8 }
+ }
+ {
+ bes1
+ }
+ }
+ r8 bes4 bes8 ~ bes8 g4 f8
+ d8 bes8 ~ bes2.
+ r4 bes8 bes8 \times 2/3 { d8 f8 g8 } \times 2/3 { g4 f8 ~ }
+ f4 f2 r4
+ r8 bes4 bes8 ~ bes4 ~ \times 2/3 { bes8 g8 f8 }
+ g8 bes8 ~ bes2 r4
+ r4 c4 ~ \times 2/3 { c4 a4 c4 }
+ a8 f8 f2.
+ \times 2/3 { r4 g4 g4 } \times 2/3 { g4 fis4 g8 g8 }
+ \times 2/3 { a4 a4 a4 } a2
+ r8 d8 ~ \times 2/3 { d8 c8 bes8 } bes4. g8
+ \times 2/3 { bes8 c8 d8 ~ } d8 bes8 bes8( g8 ~ g4)
+ f4 f4 \times 2/3 { f4 g8 } bes4
+ \times 2/3 { g8 g8 g8 } \times 2/3 { g4 g8 } \times 2/3 { g4 bes8 } c4
+ d4 ~ \times 2/3 { d8 c8 d8 } c4 ~ \times 2/3 { c4 bes8 }
+ bes2. \times 2/3 { f8( g8) bes8 }
+ bes2. ~ \times 2/3 { bes8 bes8 bes8 }
+ c4 bes2 \times 2/3 { f8 g8 bes8 }
+ bes4 \times 2/3 { f8 g8 bes8 } bes4 \times 2/3 { bes8 g8 f8 }
+ g2. \times 2/3 { a4 a8 }
+ bes2. ~ \times 2/3 { bes8 bes8 bes8 }
+ \times 2/3 { c4 bes8 } bes2 \times 2/3 { r4 bes8 }
+ \times 2/3 { a4 a8 } \times 2/3 { a4 a8 } \times 2/3 { g4 g8 } \times 2/3 { g4 g8 }
+ \times 2/3 { f4 f8 } \times 2/3 { g4 g8 } a4 \times 2/3 { f8 g8 bes8 }
+ bes2. ~ \times 2/3 { bes8 bes8 bes8 }
+ c4 bes2.
+ r4 d4 ~ \times 2/3 { d4 c4 bes4 }
+ r8 d4 bes8 bes8( g8 ~ g4)
+ f4 f4 \times 2/3 { f4 g8 } bes4
+ \times 2/3 { g8 g8 g8 } \times 2/3 { g4 g8 } \times 2/3 { g4 bes8 } c4
+ d4 ~ \times 2/3 { d8 c8 d8 } c4 ~ \times 2/3 { c4 bes8 }
+ bes4 r4 r2
+ \repeat volta 2 {
+ \times 2/3 { r4 des8 } \times 2/3 { des4 des8 } \times 2/3 { bes4 bes8 } \times 2/3 { r4 bes8 }
+ \times 2/3 { des4 des8 } \times 2/3 { ees4 des8 } \times 2/3 { r4 bes8 } r4
+ }
+ f4 f4 \times 2/3 { f4 g8 } bes4
+ \times 2/3 { g8 g8 g8 } \times 2/3 { g4 g8 } \times 2/3 { g4 bes8 } c4
+ d4 ~ \times 2/3 { d8 c8 d8 } c4 ~ \times 2/3 { c4 bes8 }
+ bes1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ r1
+ r1
+ r2 r4 \times 2/3 { d8( ees8) f8 }
+ \repeat volta 2 {
+ f2. ~ \times 2/3 { f8 f8 f8 }
+ g4 f2 \times 2/3 { d8 ees8 f8 }
+ f4 \times 2/3 { d8 ees8 f8 } f4 \times 2/3 { f8 ees8 d8 }
+ ees2. \times 2/3 { f4 f8 }
+ g2. ~ \times 2/3 { g8 g8 g8 }
+ \times 2/3 { a4 g8 } g2 \times 2/3 { r4 g8 }
+ \times 2/3 { f4 f8 } \times 2/3 { f4 f8 } \times 2/3 { e4 e8 } \times 2/3 { e4 e8 }
+ \times 2/3 { c4 c8 } \times 2/3 { d4 d8 } f4 \times 2/3 { d8 ees8 f8 }
+ f2. ~ \times 2/3 { f8 f8 f8 }
+ g4 f2.
+ r1
+ r1
+ d4 d4 \times 2/3 { d4 ees8 } f4
+ \times 2/3 { ees8 ees8 ees8 } \times 2/3 { ees4 ees8 } \times 2/3 { ees4 f8 } g4
+ bes4 ~ \times 2/3 { bes8 a8 bes8 } a4 ~ \times 2/3 { a4 g8 }
+ } \alternative {
+ {
+ f2. \times 2/3 { d8( ees8) f8 }
+ }
+ {
+ f1
+ }
+ }
+ r8 bes8 bes8 bes8 ~ bes8 g4 f8
+ d8 bes8 ~ bes2.
+ r4 d8 d8 r8 f4 g8 ~
+ g8 f4 f8 ~ f2
+ r8 bes8 \times 2/3 { bes8 bes8 bes8 } bes4. bes8
+ bes4 bes8 bes8 ~ bes8 bes4.
+ r8 c8 c8 c8 r4 c8 c8
+ r8 c16 c16 a16 f16 f8 ~ f2
+ \times 2/3 { r4 g4 g4 } \times 2/3 { g4 fis4 g4 }
+ \times 2/3 { a4 a4 a4 } a2
+ \times 2/3 { d4 bes8 } \times 2/3 { bes8 bes8 bes8 ~ } bes8 bes4 c8
+ \times 2/3 { d8 r8 bes8 } \times 2/3 { bes4 c8 } \times 2/3 { d8 bes8 bes8 ~ } bes4
+ d,4 d4 \times 2/3 { d4 ees8 } f4
+ \times 2/3 { ees8 ees8 ees8 } \times 2/3 { ees4 ees8 } \times 2/3 { ees4 f8 } g4
+ bes4 ~ \times 2/3 { bes8 a8 bes8 } a4 ~ \times 2/3 { a4 g8 }
+ f2. \times 2/3 { d8( ees8) f8 }
+ f2. ~ \times 2/3 { f8 f8 f8 }
+ g4 f2 \times 2/3 { d8 ees8 f8 }
+ f4 \times 2/3 { d8 ees8 f8 } f4 \times 2/3 { f8 ees8 d8 }
+ ees2. \times 2/3 { f4 f8 }
+ g2. ~ \times 2/3 { g8 g8 g8 }
+ \times 2/3 { a4 g8 } g2 \times 2/3 { r4 g8 }
+ \times 2/3 { f4 f8 } \times 2/3 { f4 f8 } \times 2/3 { e4 e8 } \times 2/3 { e4 e8 }
+ \times 2/3 { c4 c8 } \times 2/3 { d4 d8 } f4 \times 2/3 { d8 ees8 f8 }
+ f2. ~ \times 2/3 { f8 f8 f8 }
+ g4 f2.
+ r1
+ r1
+ d4 d4 \times 2/3 { d4 ees8 } f4
+ \times 2/3 { ees8 ees8 ees8 } \times 2/3 { ees4 ees8 } \times 2/3 { ees4 f8 } g4
+ bes4 ~ \times 2/3 { bes8 a8 bes8 } a4 ~ \times 2/3 { a4 g8 }
+ f4 r4 r2
+ \repeat volta 2 {
+ \times 2/3 { r4 bes8 } \times 2/3 { bes4 bes8 } \times 2/3 { g4 g8 } \times 2/3 { r4 g8 }
+ \times 2/3 { bes4 bes8 } \times 2/3 { c4 bes8 } \times 2/3 { r4 g8 } r4
+ }
+ d4 d4 \times 2/3 { d4 ees8 } f4
+ \times 2/3 { ees8 ees8 ees8 } \times 2/3 { ees4 ees8 } \times 2/3 { ees4 f8 } g4
+ bes4 ~ \times 2/3 { bes8 a8 bes8 } a4 ~ \times 2/3 { a4 g8 }
+ f1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ r1
+ r1
+ r1
+ r2 r4 \times 2/3 { bes8( c8) d8 }
+ \repeat volta 2 {
+ d2. ~ \times 2/3 { d8 d8 d8 }
+ ees4 d2 \times 2/3 { bes8 c8 d8 }
+ d4 \times 2/3 { bes8 c8 d8 } d4 \times 2/3 { d8 c8 bes8 }
+ c2. \times 2/3 { c4 c8 }
+ d2. ~ \times 2/3 { d8 d8 d8 }
+ \times 2/3 { ees4 d8 } d2 \times 2/3 { r4 d8 }
+ \times 2/3 { c4 c8 } \times 2/3 { c4 c8 } \times 2/3 { bes4 bes8 } \times 2/3 { bes4 bes8 }
+ \times 2/3 { a4 a8 } \times 2/3 { bes4 bes8 } c4 \times 2/3 { bes8 c8 d8 }
+ d2. ~ \times 2/3 { d8 d8 d8 }
+ ees4 d2.
+ r1
+ r1
+ bes4 bes4 \times 2/3 { bes4 c8 } d4
+ \times 2/3 { c8 c8 c8 } \times 2/3 { c4 c8 } \times 2/3 { c4 d8 } ees4
+ f4 ~ \times 2/3 { f8 ees8 f8 } ees4 ~ \times 2/3 { ees4 ees8 }
+ } \alternative {
+ {
+ d2. \times 2/3 { bes8( c8) d8 }
+ }
+ {
+ d1
+ }
+ }
+ r1
+ r1
+ r1
+ r1
+ r1
+ r1
+ r1
+ r1
+ r1
+ r1
+ r1
+ r1
+ bes4 bes4 \times 2/3 { bes4 c8 } d4
+ \times 2/3 { c8 c8 c8 } \times 2/3 { c4 c8 } \times 2/3 { c4 d8 } ees4
+ f4 ~ \times 2/3 { f8 ees8 f8 } ees4 ~ \times 2/3 { ees4 ees8 }
+ d2. \times 2/3 { bes8( c8) d8 }
+ d2. ~ \times 2/3 { d8 d8 d8 }
+ ees4 d2 \times 2/3 { bes8 c8 d8 }
+ d4 \times 2/3 { bes8 c8 d8 } d4 \times 2/3 { d8 c8 bes8 }
+ c2. \times 2/3 { c4 c8 }
+ d2. ~ \times 2/3 { d8 d8 d8 }
+ \times 2/3 { ees4 d8 } d2 \times 2/3 { r4 d8 }
+ \times 2/3 { c4 c8 } \times 2/3 { c4 c8 } \times 2/3 { bes4 bes8 } \times 2/3 { bes4 bes8 }
+ \times 2/3 { a4 a8 } \times 2/3 { bes4 bes8 } c4 \times 2/3 { bes8 c8 d8 }
+ d2. ~ \times 2/3 { d8 d8 d8 }
+ ees4 d2.
+ r1
+ r1
+ bes4 bes4 \times 2/3 { bes4 c8 } d4
+ \times 2/3 { c8 c8 c8 } \times 2/3 { c4 c8 } \times 2/3 { c4 d8 } ees4
+ f4 ~ \times 2/3 { f8 ees8 f8 } ees4 ~ \times 2/3 { ees4 ees8 }
+ d4 r4 r2
+ \repeat volta 2 {
+ \times 2/3 { r4 f8 } \times 2/3 { f4 f8 } \times 2/3 { ees4 ees8 } \times 2/3 { r4 ees8 }
+ \times 2/3 { f4 f8 } \times 2/3 { g4 f8 } \times 2/3 { r4 ees8 } r4
+ }
+ bes4 bes4 \times 2/3 { bes4 c8 } d4
+ \times 2/3 { c8 c8 c8 } \times 2/3 { c4 c8 } \times 2/3 { c4 d8 } ees4
+ f4 ~ \times 2/3 { f8 ees8 f8 } ees4 ~ \times 2/3 { ees4 ees8 }
+ d1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r1
+ r1
+ r1
+ r2 r4 \times 2/3 { f8( g8) bes8 }
+ \repeat volta 2 {
+ bes2. ~ \times 2/3 { bes8 bes8 bes8 }
+ bes4 bes2 \times 2/3 { f8 g8 bes8 }
+ bes4 \times 2/3 { f8 g8 bes8 } bes4 \times 2/3 { bes8 bes8 bes,8 }
+ ees2. \times 2/3 { d4 d8 }
+ g2. ~ \times 2/3 { g8 g8 g8 }
+ \times 2/3 { g4 g8 } g2 \times 2/3 { r4 g8 }
+ \times 2/3 { c,4 c8 } \times 2/3 { c4 c8 } \times 2/3 { c4 c8 } \times 2/3 { c4 c8 }
+ \times 2/3 { f4 f8 } \times 2/3 { f4 f8 } f4 \times 2/3 { f8 g8 bes8 }
+ bes2. ~ \times 2/3 { bes8 bes8 bes8 }
+ bes4 bes2.
+ r1
+ r1
+ f4 f4 \times 2/3 { f4 f8 } f4
+ \times 2/3 { ees8 ees8 ees8 } \times 2/3 { ees4 ees8 } \times 2/3 { ees4 d8 } c4
+ f4 ~ \times 2/3 { f8 f8 f8 } f4 ~ \times 2/3 { f4 f8 }
+ } \alternative {
+ {
+ bes2. \times 2/3 { f8( g8) bes8 }
+ }
+ {
+ bes1
+ }
+ }
+ r1
+ r1
+ r1
+ r1
+ r1
+ r1
+ r1
+ r1
+ r1
+ r1
+ r1
+ r1
+ f4 f4 \times 2/3 { f4 f8 } f4
+ \times 2/3 { ees8 ees8 ees8 } \times 2/3 { ees4 ees8 } \times 2/3 { ees4 d8 } c4
+ f4 ~ \times 2/3 { f8 f8 f8 } f4 ~ \times 2/3 { f4 f8 }
+ bes2. \times 2/3 { f8( g8) bes8 }
+ bes2. ~ \times 2/3 { bes8 bes8 bes8 }
+ bes4 bes2 \times 2/3 { f8 g8 bes8 }
+ bes4 \times 2/3 { f8 g8 bes8 } bes4 \times 2/3 { bes8 bes8 bes,8 }
+ ees2. \times 2/3 { d4 d8 }
+ g2. ~ \times 2/3 { g8 g8 g8 }
+ \times 2/3 { g4 g8 } g2 \times 2/3 { r4 g8 }
+ \times 2/3 { c,4 c8 } \times 2/3 { c4 c8 } \times 2/3 { c4 c8 } \times 2/3 { c4 c8 }
+ \times 2/3 { f4 f8 } \times 2/3 { f4 f8 } f4 \times 2/3 { f8 g8 bes8 }
+ bes2. ~ \times 2/3 { bes8 bes8 bes8 }
+ bes4 bes2.
+ r1
+ r1
+ f4 f4 \times 2/3 { f4 f8 } f4
+ \times 2/3 { ees8 ees8 ees8 } \times 2/3 { ees4 ees8 } \times 2/3 { ees4 d8 } c4
+ f4 ~ \times 2/3 { f8 f8 f8 } f4 ~ \times 2/3 { f4 f8 }
+ bes4 r4 r2
+ \repeat volta 2 {
+ \times 2/3 { r4 bes8 } \times 2/3 { bes4 bes8 } \times 2/3 { ees,4 ees8 } \times 2/3 { r4 ees8 }
+ \times 2/3 { bes'4 bes8 } \times 2/3 { bes4 bes8 } \times 2/3 { r4 ees,8 } r4
+ }
+ f4 f4 \times 2/3 { f4 f8 } f4
+ \times 2/3 { ees8 ees8 ees8 } \times 2/3 { ees4 ees8 } \times 2/3 { ees4 d8 } c4
+ f4 ~ \times 2/3 { f8 f8 f8 } f4 ~ \times 2/3 { f4 f8 }
+ bes1
+ }
+ >>
+ }
+
diff --git a/hr/michi/failed/stimmen_old.ly b/hr/michi/failed/stimmen_old.ly
new file mode 100644
index 0000000..eee057d
--- /dev/null
+++ b/hr/michi/failed/stimmen_old.ly
@@ -0,0 +1,326 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1
+ r1
+ r1
+ r2 r4 \times 2/3 { f8( g8) bes8 }
+ \mark \markup { \musicglyph #"scripts.segno" }
+ \repeat volta 2 {
+ bes2. ~ \times 2/3 { bes8 bes8 bes8 }
+ c4 bes2 \times 2/3 { f8 g8 bes8 }
+ bes4 \times 2/3 { f8 g8 bes8 } bes4 \times 2/3 { bes8 g8 f8 }
+ g2. \times 2/3 { a4 a8 }
+ bes2. ~ \times 2/3 { bes8 bes8 bes8 }
+ \times 2/3 { c4 bes8 } bes2 \times 2/3 { r4 bes8 }
+ \times 2/3 { a4 a8 } \times 2/3 { a4 a8 } \times 2/3 { g4 g8 } \times 2/3 { g4 g8 }
+ \times 2/3 { f4 f8 } \times 2/3 { g4 g8 } a4 \times 2/3 { f8 g8 bes8 }
+ bes2. ~ \times 2/3 { bes8 bes8 bes8 }
+ c4 bes2.
+ r4 d4 ~ \times 2/3 { d4 c4 bes4 }
+ r8 d4 bes8 bes8( g8 ~ g4)
+ f4 f4 \times 2/3 { f4 g8 } bes4
+ \times 2/3 { g8 g8 g8 } \times 2/3 { g4 g8 } \times 2/3 { g4 bes8 } c4
+ d4 ~ \times 2/3 { d8 c8 d8 } c4 ~ \times 2/3 { c4 bes8 }
+ } \alternative {
+ {
+ bes2. \times 2/3 { f8( g8) bes8 }
+ }
+ {
+ bes1
+ }
+ }
+ r8 bes4 bes8 ~ bes8 g4 f8
+ d8 bes8 ~ bes2.
+ r4 bes8 bes8 \times 2/3 { d8 f8 g8 } \times 2/3 { g4 f8 ~ }
+ f4 f2 r4
+ r8 bes4 bes8 ~ bes4 ~ \times 2/3 { bes8 g8 f8 }
+ g8 bes8 ~ bes2 r4
+ r4 c4 ~ \times 2/3 { c4 a4 c4 }
+ a8 f8 f2.
+ \times 2/3 { r4 g4 g4 } \times 2/3 { g4 fis4 g8 g8 }
+ \times 2/3 { a4 a4 a4 } a2
+ r8 d8 ~ \times 2/3 { d8 c8 bes8 } bes4. g8
+ \times 2/3 { bes8 c8 d8 ~ } d8 bes8 bes8( g8 ~ g4)
+ f4 f4 \times 2/3 { f4 g8 } bes4
+ \times 2/3 { g8 g8 g8 } \times 2/3 { g4 g8 } \times 2/3 { g4 bes8 } c4
+ d4 ~ \times 2/3 { d8 c8 d8 } c4 ~ \times 2/3 { c4 bes8 }
+ bes2. \times 2/3 { f8( g8) bes8 }
+ bes2. ~ \times 2/3 { bes8 bes8 bes8 }
+ c4 bes2 \times 2/3 { f8 g8 bes8 }
+ bes4 \times 2/3 { f8 g8 bes8 } bes4 \times 2/3 { bes8 g8 f8 }
+ g2. \times 2/3 { a4 a8 }
+ bes2. ~ \times 2/3 { bes8 bes8 bes8 }
+ \times 2/3 { c4 bes8 } bes2 \times 2/3 { r4 bes8 }
+ \times 2/3 { a4 a8 } \times 2/3 { a4 a8 } \times 2/3 { g4 g8 } \times 2/3 { g4 g8 }
+ \times 2/3 { f4 f8 } \times 2/3 { g4 g8 } a4 \times 2/3 { f8 g8 bes8 }
+ bes2. ~ \times 2/3 { bes8 bes8 bes8 }
+ c4 bes2.
+ r4 d4 ~ \times 2/3 { d4 c4 bes4 }
+ r8 d4 bes8 bes8( g8 ~ g4)
+ f4 f4 \times 2/3 { f4 g8 } bes4
+ \times 2/3 { g8 g8 g8 } \times 2/3 { g4 g8 } \times 2/3 { g4 bes8 } c4
+ d4 ~ \times 2/3 { d8 c8 d8 } c4 ~ \times 2/3 { c4 bes8 }
+ bes4 r4 r2
+ \repeat volta 2 {
+ \times 2/3 { r4 des8 } \times 2/3 { des4 des8 } \times 2/3 { bes4 bes8 } \times 2/3 { r4 bes8 }
+ \times 2/3 { des4 des8 } \times 2/3 { ees4 des8 } \times 2/3 { r4 bes8 } r4
+ }
+ f4 f4 \times 2/3 { f4 g8 } bes4
+ \times 2/3 { g8 g8 g8 } \times 2/3 { g4 g8 } \times 2/3 { g4 bes8 } c4
+ d4 ~ \times 2/3 { d8 c8 d8 } c4 ~ \times 2/3 { c4 bes8 }
+ bes1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ r1
+ r1
+ r2 r4 \times 2/3 { d8( ees8) f8 }
+ \repeat volta 2 {
+ f2. ~ \times 2/3 { f8 f8 f8 }
+ g4 f2 \times 2/3 { d8 ees8 f8 }
+ f4 \times 2/3 { d8 ees8 f8 } f4 \times 2/3 { f8 ees8 d8 }
+ ees2. \times 2/3 { f4 f8 }
+ g2. ~ \times 2/3 { g8 g8 g8 }
+ \times 2/3 { a4 g8 } g2 \times 2/3 { r4 g8 }
+ \times 2/3 { f4 f8 } \times 2/3 { f4 f8 } \times 2/3 { e4 e8 } \times 2/3 { e4 e8 }
+ \times 2/3 { c4 c8 } \times 2/3 { d4 d8 } f4 \times 2/3 { d8 ees8 f8 }
+ f2. ~ \times 2/3 { f8 f8 f8 }
+ g4 f2.
+ r1
+ r1
+ d4 d4 \times 2/3 { d4 ees8 } f4
+ \times 2/3 { ees8 ees8 ees8 } \times 2/3 { ees4 ees8 } \times 2/3 { ees4 f8 } g4
+ bes4 ~ \times 2/3 { bes8 a8 bes8 } a4 ~ \times 2/3 { a4 g8 }
+ } \alternative {
+ {
+ f2. \times 2/3 { d8( ees8) f8 }
+ }
+ {
+ f1
+ }
+ }
+ r8 bes8 bes8 bes8 ~ bes8 g4 f8
+ d8 bes8 ~ bes2.
+ r4 d8 d8 r8 f4 g8 ~
+ g8 f4 f8 ~ f2
+ r8 bes8 \times 2/3 { bes8 bes8 bes8 } bes4. bes8
+ bes4 bes8 bes8 ~ bes8 bes4.
+ r8 c8 c8 c8 r4 c8 c8
+ r8 c16 c16 a16 f16 f8 ~ f2
+ \times 2/3 { r4 g4 g4 } \times 2/3 { g4 fis4 g4 }
+ \times 2/3 { a4 a4 a4 } a2
+ \times 2/3 { d4 bes8 } \times 2/3 { bes8 bes8 bes8 ~ } bes8 bes4 c8
+ \times 2/3 { d8 r8 bes8 } \times 2/3 { bes4 c8 } \times 2/3 { d8 bes8 bes8 ~ } bes4
+ d,4 d4 \times 2/3 { d4 ees8 } f4
+ \times 2/3 { ees8 ees8 ees8 } \times 2/3 { ees4 ees8 } \times 2/3 { ees4 f8 } g4
+ bes4 ~ \times 2/3 { bes8 a8 bes8 } a4 ~ \times 2/3 { a4 g8 }
+ f2. \times 2/3 { d8( ees8) f8 }
+ f2. ~ \times 2/3 { f8 f8 f8 }
+ g4 f2 \times 2/3 { d8 ees8 f8 }
+ f4 \times 2/3 { d8 ees8 f8 } f4 \times 2/3 { f8 ees8 d8 }
+ ees2. \times 2/3 { f4 f8 }
+ g2. ~ \times 2/3 { g8 g8 g8 }
+ \times 2/3 { a4 g8 } g2 \times 2/3 { r4 g8 }
+ \times 2/3 { f4 f8 } \times 2/3 { f4 f8 } \times 2/3 { e4 e8 } \times 2/3 { e4 e8 }
+ \times 2/3 { c4 c8 } \times 2/3 { d4 d8 } f4 \times 2/3 { d8 ees8 f8 }
+ f2. ~ \times 2/3 { f8 f8 f8 }
+ g4 f2.
+ r1
+ r1
+ d4 d4 \times 2/3 { d4 ees8 } f4
+ \times 2/3 { ees8 ees8 ees8 } \times 2/3 { ees4 ees8 } \times 2/3 { ees4 f8 } g4
+ bes4 ~ \times 2/3 { bes8 a8 bes8 } a4 ~ \times 2/3 { a4 g8 }
+ f4 r4 r2
+ \repeat volta 2 {
+ \times 2/3 { r4 bes8 } \times 2/3 { bes4 bes8 } \times 2/3 { g4 g8 } \times 2/3 { r4 g8 }
+ \times 2/3 { bes4 bes8 } \times 2/3 { c4 bes8 } \times 2/3 { r4 g8 } r4
+ }
+ d4 d4 \times 2/3 { d4 ees8 } f4
+ \times 2/3 { ees8 ees8 ees8 } \times 2/3 { ees4 ees8 } \times 2/3 { ees4 f8 } g4
+ bes4 ~ \times 2/3 { bes8 a8 bes8 } a4 ~ \times 2/3 { a4 g8 }
+ f1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ r1
+ r1
+ r1
+ r2 r4 \times 2/3 { bes8( c8) d8 }
+ \repeat volta 2 {
+ d2. ~ \times 2/3 { d8 d8 d8 }
+ ees4 d2 \times 2/3 { bes8 c8 d8 }
+ d4 \times 2/3 { bes8 c8 d8 } d4 \times 2/3 { d8 c8 bes8 }
+ c2. \times 2/3 { c4 c8 }
+ d2. ~ \times 2/3 { d8 d8 d8 }
+ \times 2/3 { ees4 d8 } d2 \times 2/3 { r4 d8 }
+ \times 2/3 { c4 c8 } \times 2/3 { c4 c8 } \times 2/3 { bes4 bes8 } \times 2/3 { bes4 bes8 }
+ \times 2/3 { a4 a8 } \times 2/3 { bes4 bes8 } c4 \times 2/3 { bes8 c8 d8 }
+ d2. ~ \times 2/3 { d8 d8 d8 }
+ ees4 d2.
+ r1
+ r1
+ bes4 bes4 \times 2/3 { bes4 c8 } d4
+ \times 2/3 { c8 c8 c8 } \times 2/3 { c4 c8 } \times 2/3 { c4 d8 } ees4
+ f4 ~ \times 2/3 { f8 ees8 f8 } ees4 ~ \times 2/3 { ees4 ees8 }
+ } \alternative {
+ {
+ d2. \times 2/3 { bes8( c8) d8 }
+ }
+ {
+ d1
+ }
+ }
+ r1
+ r1
+ r1
+ r1
+ r1
+ r1
+ r1
+ r1
+ r1
+ r1
+ r1
+ r1
+ bes4 bes4 \times 2/3 { bes4 c8 } d4
+ \times 2/3 { c8 c8 c8 } \times 2/3 { c4 c8 } \times 2/3 { c4 d8 } ees4
+ f4 ~ \times 2/3 { f8 ees8 f8 } ees4 ~ \times 2/3 { ees4 ees8 }
+ d2. \times 2/3 { bes8( c8) d8 }
+ d2. ~ \times 2/3 { d8 d8 d8 }
+ ees4 d2 \times 2/3 { bes8 c8 d8 }
+ d4 \times 2/3 { bes8 c8 d8 } d4 \times 2/3 { d8 c8 bes8 }
+ c2. \times 2/3 { c4 c8 }
+ d2. ~ \times 2/3 { d8 d8 d8 }
+ \times 2/3 { ees4 d8 } d2 \times 2/3 { r4 d8 }
+ \times 2/3 { c4 c8 } \times 2/3 { c4 c8 } \times 2/3 { bes4 bes8 } \times 2/3 { bes4 bes8 }
+ \times 2/3 { a4 a8 } \times 2/3 { bes4 bes8 } c4 \times 2/3 { bes8 c8 d8 }
+ d2. ~ \times 2/3 { d8 d8 d8 }
+ ees4 d2.
+ r1
+ r1
+ bes4 bes4 \times 2/3 { bes4 c8 } d4
+ \times 2/3 { c8 c8 c8 } \times 2/3 { c4 c8 } \times 2/3 { c4 d8 } ees4
+ f4 ~ \times 2/3 { f8 ees8 f8 } ees4 ~ \times 2/3 { ees4 ees8 }
+ d4 r4 r2
+ \repeat volta 2 {
+ \times 2/3 { r4 f8 } \times 2/3 { f4 f8 } \times 2/3 { ees4 ees8 } \times 2/3 { r4 ees8 }
+ \times 2/3 { f4 f8 } \times 2/3 { g4 f8 } \times 2/3 { r4 ees8 } r4
+ }
+ bes4 bes4 \times 2/3 { bes4 c8 } d4
+ \times 2/3 { c8 c8 c8 } \times 2/3 { c4 c8 } \times 2/3 { c4 d8 } ees4
+ f4 ~ \times 2/3 { f8 ees8 f8 } ees4 ~ \times 2/3 { ees4 ees8 }
+ d1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r1
+ r1
+ r1
+ r2 r4 \times 2/3 { f8( g8) bes8 }
+ \repeat volta 2 {
+ bes2. ~ \times 2/3 { bes8 bes8 bes8 }
+ bes4 bes2 \times 2/3 { f8 g8 bes8 }
+ bes4 \times 2/3 { f8 g8 bes8 } bes4 \times 2/3 { bes8 bes8 bes,8 }
+ ees2. \times 2/3 { d4 d8 }
+ g2. ~ \times 2/3 { g8 g8 g8 }
+ \times 2/3 { g4 g8 } g2 \times 2/3 { r4 g8 }
+ \times 2/3 { c,4 c8 } \times 2/3 { c4 c8 } \times 2/3 { c4 c8 } \times 2/3 { c4 c8 }
+ \times 2/3 { f4 f8 } \times 2/3 { f4 f8 } f4 \times 2/3 { f8 g8 bes8 }
+ bes2. ~ \times 2/3 { bes8 bes8 bes8 }
+ bes4 bes2.
+ r1
+ r1
+ f4 f4 \times 2/3 { f4 f8 } f4
+ \times 2/3 { ees8 ees8 ees8 } \times 2/3 { ees4 ees8 } \times 2/3 { ees4 d8 } c4
+ f4 ~ \times 2/3 { f8 f8 f8 } f4 ~ \times 2/3 { f4 f8 }
+ } \alternative {
+ {
+ bes2. \times 2/3 { f8( g8) bes8 }
+ }
+ {
+ bes1
+ }
+ }
+ r1
+ r1
+ r1
+ r1
+ r1
+ r1
+ r1
+ r1
+ r1
+ r1
+ r1
+ r1
+ f4 f4 \times 2/3 { f4 f8 } f4
+ \times 2/3 { ees8 ees8 ees8 } \times 2/3 { ees4 ees8 } \times 2/3 { ees4 d8 } c4
+ f4 ~ \times 2/3 { f8 f8 f8 } f4 ~ \times 2/3 { f4 f8 }
+ bes2. \times 2/3 { f8( g8) bes8 }
+ bes2. ~ \times 2/3 { bes8 bes8 bes8 }
+ bes4 bes2 \times 2/3 { f8 g8 bes8 }
+ bes4 \times 2/3 { f8 g8 bes8 } bes4 \times 2/3 { bes8 bes8 bes,8 }
+ ees2. \times 2/3 { d4 d8 }
+ g2. ~ \times 2/3 { g8 g8 g8 }
+ \times 2/3 { g4 g8 } g2 \times 2/3 { r4 g8 }
+ \times 2/3 { c,4 c8 } \times 2/3 { c4 c8 } \times 2/3 { c4 c8 } \times 2/3 { c4 c8 }
+ \times 2/3 { f4 f8 } \times 2/3 { f4 f8 } f4 \times 2/3 { f8 g8 bes8 }
+ bes2. ~ \times 2/3 { bes8 bes8 bes8 }
+ bes4 bes2.
+ r1
+ r1
+ f4 f4 \times 2/3 { f4 f8 } f4
+ \times 2/3 { ees8 ees8 ees8 } \times 2/3 { ees4 ees8 } \times 2/3 { ees4 d8 } c4
+ f4 ~ \times 2/3 { f8 f8 f8 } f4 ~ \times 2/3 { f4 f8 }
+ bes4 r4 r2
+ \repeat volta 2 {
+ \times 2/3 { r4 bes8 } \times 2/3 { bes4 bes8 } \times 2/3 { ees,4 ees8 } \times 2/3 { r4 ees8 }
+ \times 2/3 { bes'4 bes8 } \times 2/3 { bes4 bes8 } \times 2/3 { r4 ees,8 } r4
+ }
+ f4 f4 \times 2/3 { f4 f8 } f4
+ \times 2/3 { ees8 ees8 ees8 } \times 2/3 { ees4 ees8 } \times 2/3 { ees4 d8 } c4
+ f4 ~ \times 2/3 { f8 f8 f8 } f4 ~ \times 2/3 { f4 f8 }
+ bes1
+ }
+ >>
+ }
+
diff --git a/hr/michi/failed/texte.ly b/hr/michi/failed/texte.ly
new file mode 100644
index 0000000..ab8412f
--- /dev/null
+++ b/hr/michi/failed/texte.ly
@@ -0,0 +1,53 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+ commonI = \lyricmode {
+ I will sing of God’s mer -- cy,
+ ev -- er -- y day,
+ ev -- er -- y hour,
+ He gives me power.
+ I will sing and give thanks to Thee
+ for all the dan -- gers, toils and snares
+ that He has brought me out.
+ He is my God and I’ll serve
+ }
+ commonII = \lyricmode {
+ Trust and nev -- er doubt,
+ Je -- sus will sure -- ly bring you out,
+ He nev -- er failed me yet.
+ }
+ commonIII = \lyricmode {
+ He nev -- er failed me,
+ He nev -- er failed me yet!
+ }
+
+% Die Textaufteilungen % -- _
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ \commonI Him.
+ \commonII
+ I will
+ yet.
+ \commonII
+ %I will
+ %yet.
+ \commonI Him.
+ \commonII
+ \commonIII
+ \commonII
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/michi/frisch/dynArt.ly b/hr/michi/frisch/dynArt.ly
new file mode 100644
index 0000000..c34e7b9
--- /dev/null
+++ b/hr/michi/frisch/dynArt.ly
@@ -0,0 +1,42 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ %\override Staff.TimeSignature #'style = #'()
+ \dynamicUp
+ \key c \major
+ \time 4/4
+ \partial 4
+ \repeat volta 2 {
+ s4
+ s1*4
+ s1*4
+ s1*4
+ s1*3
+ s2.
+ }
+ \pageBreak
+ \repeat volta 2 {
+ s4
+ s1*4
+ s1*4
+ s1*4
+ s1*3
+ s2.
+ }
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/michi/frisch/frisch.ly b/hr/michi/frisch/frisch.ly
new file mode 100644
index 0000000..4da250b
--- /dev/null
+++ b/hr/michi/frisch/frisch.ly
@@ -0,0 +1,70 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Frisch gesungen"
+ composer = "Friedrich Silcher"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ tenI = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "tenoereI" { \global \voiceOne \tenorMelodieI }
+ >>
+
+ tenII = <<
+ \new Voice = "tenoereII" { \global \voiceTwo \tenorMelodieII }
+ >>
+
+ basI = <<
+ \new Voice = "baesseI" { \global \voiceOne \bassMelodieI }
+ >>
+
+ basII = <<
+ \new Voice = "baesseII" { \global \voiceTwo \bassMelodieII }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = tenoere { << \tenI \\ \tenII >> }
+ \new Lyrics = tuttiA \with { alignAboveContext = "baesse" }
+ \new Lyrics = tuttiB \with { alignAboveContext = "baesse" }
+ \new Staff = baesse { << \basI \\ \basII >> }
+ \context Lyrics = tuttiA \lyricsto tenoereII \textA
+ \context Lyrics = tuttiB \lyricsto tenoereII \textB
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/michi/frisch/midi.lua b/hr/michi/frisch/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/michi/frisch/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/michi/frisch/stimmen.ly b/hr/michi/frisch/stimmen.ly
new file mode 100644
index 0000000..7b31aaa
--- /dev/null
+++ b/hr/michi/frisch/stimmen.ly
@@ -0,0 +1,57 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \autoBeamOff
+ }
+
+% Die Stimmen
+
+ tenorMelodieI = \relative c' {
+ <<
+ { \meta }
+ %the actual tune
+ {
+ \clef "treble_8"
+ g4 e'4 e4 f4 e8 e8 d4.( e8) d4 e8[ d8] c4 c8 c8 d8[ c8] b8 c8 d2 r4 d4 d4 d4 e4 e8 e8 g2 f4 e8[ d8] c4 c8 c8 b8[ c8] d8[ e8] c2 r4 c4 c4 c4 f4 e8 e8 d4.( e8) d4 e4 f4 f8 e8 d4 d8.[ e16] d2 r4 d4 g2 fis4 r4 f2 e4 r8 e8 g8[ f8] e8 d8 c4 b4 c2 r4
+ g4 e'4 e4 f4 e8 e8 d4.( e8) d4 e8[ d8] c4 c8 c8 d8[ c8] b8[ c8] d2 r4 d4 d4 d4 e4 e8 e8 g2 f4 e8[ d8] c4 c8 c8 b8[ c8] d8[ e8] c2 r4 c4 c4 c4 f4 e8 e8 d4.( e8) d4 e4 f4 f8 e8 d4 d8.[ e16] d2 r4 d4 g2 fis4 r4 f2 e4 r8 e8 g8[ f8] e8 d8 c4 b4 c2 r4
+ }
+ >>
+ }
+
+ tenorMelodieII = \relative c' {
+ <<
+ { \meta }
+ %the actual tune
+ {
+ g4 c4 c4 c4 c8 c8 b2 b4 b4 a4 a8 a8 a4 a8 a8 b2 r4 b4 b4 b4 cis4 cis8 cis8 e2 d4 a4 g4 g8 g8 g4 g4 g2 r4 c4 c4 c4 c4 c8 c8 c2 c4 c4 c4 c8 c8 c4 c4 b2 r4 b4 c2 c4 r4 b2 bes4 r8 b8 a4 a8 a8 g4 g4 g2 r4
+ g4 c4 c4 c4 c8 c8 b2 b4 b4 a4 a8 a8 a4 a4 b2 r4 b4 b4 b4 cis4 cis8 cis8 e2 d4 a4 g4 g8 g8 g4 g4 g2 r4 c4 c4 c4 c4 c8 c8 c2 c4 c4 c4 c8 c8 c4 c4 b2 r4 b4 c2 c4 r4 b2 bes4 r8 b8 a4 a8 a8 g4 g4 g2 r4
+ }
+ >>
+ }
+
+ bassMelodieI = \relative c' {
+ <<
+ { \meta }
+ %the actual tune
+ \clef bass
+ {
+ g4 g4 g4 a4 g8 g8 f4.( g8) f4 f4 e4 e8 e8 fis4 fis8 fis8 g2 r4 g4 g4 g4 g4 a8 a8 a2 a4 f4 e4 e8 e8 d8[ e8] f8[ g8] e2 r4 c'4 c4 c4 c4 c8 c8 a2 a4 c4 c4 c8 c8 a4 fis4 g2 r4 g4 g2 a4 r4 g2 g4 r8 g8 f4 f8 f8 e4 d8[ f8] e2 r4
+ g4 g4 g4 a4 g8 g8 f4.( g8) f4 f4 e4 e8 e8 fis4 fis4 g2 r4 g4 g4 g4 g4 a8 a8 a2 a4 f4 e4 e8 e8 d8[ e8] f8[ g8] e2 r4 c'4 c4 c4 c4 c8 c8 a2 a4 c4 c4 c8 c8 a4 fis4 g2 r4 g4 g2 a4 r4 g2 g4 r8 g8 f4 f8 f8 e4 d8[ f8] e2 r4
+ }
+ >>
+ }
+
+ bassMelodieII = \relative c' {
+ <<
+ { \meta }
+ %the actual tune
+ {
+ g4 c,4 c4 c4 c8 c8 g2 g4 g4 a4 a8 a8 d4 d8 d8 g,2 r4 g'4 f4 f4 e4 e8 e8 d2 d4 f,4 g4 g8 g8 g4 g4 c2 r4 c'4 c4 c4 a4 g8 g8 fis2 fis4 g4 a4 a8 g8 fis4 d4 g2 r4 f4 e2 d4 r4 d2 cis4 r8 cis8 d4 f8 f8 g4 g,4 c2 r4
+ g'4 c,4 c4 c4 c8 c8 g2 g4 g4 a4 a8 a8 d4 d4 g,2 r4 g'4 f4 f4 e4 e8 e8 d2 d4 f,4 g4 g8 g8 g4 g4 c2 r4 c'4 c4 c4 a4 g8 g8 fis2 fis4 g4 a4 a8 g8 fis4 d4 g2 r4 f4 e2 d4 r4 d2 cis4 r8 cis8 d4 f8 f8 g4 g,4 c2 r4
+ }
+ >>
+ }
+
diff --git a/hr/michi/frisch/texte.ly b/hr/michi/frisch/texte.ly
new file mode 100644
index 0000000..78f3157
--- /dev/null
+++ b/hr/michi/frisch/texte.ly
@@ -0,0 +1,78 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+ stzI = \lyricmode {
+ \set stanza = "1."
+ Hab oft im Krei -- se der Lie -- ben
+ in duf -- ti -- gem Gra -- se ge -- ruht
+ und mir ein Lied -- lein ge -- sun -- gen,
+ und al -- les war hübsch und gut,
+ und mir ein Lied -- lein ge -- sun -- gen,
+ und al -- les war hübsch und gut,
+ und al -- les, al -- les,
+ und al -- les war hübsch und gut.
+ }
+
+ stzIII = \lyricmode {
+ \set stanza = "3."
+ Und man -- ches, was ich er -- fah -- ren,
+ ver -- kocht ich in stil -- ler Wut,
+ und kam ich wie -- der zu sin -- gen,
+ war al -- les auch wie -- der gut,
+ und kam ich wie -- der zu sin -- gen,
+ war al -- les auch wie -- der gut,
+ war al -- les, al -- les,
+ war al -- les auch wie -- der gut.
+ }
+
+ stzII = \lyricmode {
+ \set stanza = "2."
+ Hab ein -- sam auch mich ge -- här -- met
+ in ban -- gem, _ dü -- ste -- rem Mut
+ und ha -- be wie -- der ge -- sun -- gen,
+ und al -- les war wie -- der gut,
+ und ha -- be wie -- der ge -- sun -- gen,
+ und al -- les war wie -- der gut,
+ und al -- les, al -- les,
+ und al -- les war wie -- der gut.
+ }
+
+ stzIV = \lyricmode {
+ \set stanza = "4."
+ Sollst uns nicht lan -- ge _ kla -- gen,
+ was al -- les dir we -- he tut.
+ Nur frisch, nur frisch ge -- _ sun -- gen,
+ und al -- les wird wie -- der gut,
+ nur frisch, nur frisch ge -- _ sun -- gen,
+ und al -- les wird wie -- der gut,
+ und al -- les, al -- les,
+ und al -- les wird wie -- der gut.
+ }
+
+% Die Textaufteilungen % -- _
+
+ textA = \lyricmode {
+ \stzI \stzIII
+ }
+
+ textB = \lyricmode {
+ \stzII \stzIV
+ }
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/michi/gardens/dynArt.ly b/hr/michi/gardens/dynArt.ly
new file mode 100644
index 0000000..3cd5b3a
--- /dev/null
+++ b/hr/michi/gardens/dynArt.ly
@@ -0,0 +1,32 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ %\override Staff.TimeSignature #'style = #'()
+ \dynamicUp
+ \key ees \major
+ \time 4/4
+ \partial 4
+ s4
+ s1*4
+ s1*4
+ s1*4
+ s1*3
+ s2.
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/michi/gardens/gardens.ly b/hr/michi/gardens/gardens.ly
new file mode 100644
index 0000000..f141a17
--- /dev/null
+++ b/hr/michi/gardens/gardens.ly
@@ -0,0 +1,71 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen_.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Down by the Salley gardens"
+ composer = "traditional"
+ arranger = "Uli Führe"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \voiceOne \sopranMelodie }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \voiceTwo \altMelodie }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \voiceOne \tenorMelodie }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \voiceTwo \bassMelodie }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = frauen << \sop \alt >>
+ \new Lyrics = "tenorsI" \with { alignAboveContext = #DOWN }
+ \new Lyrics = "tenorsII" \with { alignAboveContext = #DOWN }
+ \new Staff = maenner << \ten \bas >>
+ \context Lyrics = "tenorsI" \lyricsto "tenoere" \stzI
+ \context Lyrics = "tenorsII" \lyricsto "tenoere" \stzII
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/michi/gardens/midi.lua b/hr/michi/gardens/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/michi/gardens/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/michi/gardens/stimmen.ly b/hr/michi/gardens/stimmen.ly
new file mode 100644
index 0000000..ed33ec4
--- /dev/null
+++ b/hr/michi/gardens/stimmen.ly
@@ -0,0 +1,61 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ ees8 f8
+ g4 f8( ees8) f4 g8( bes8) c2 bes4 ees8( bes8) c4 bes8( g8) f4. ees8 ees2. ees8( f8) g4 f8( ees8) f4 g8( bes8) c2 bes4 ees8( bes8) c4 bes8( g8) f4. ees8 ees2. bes'4 ees4 d8( bes8) c4 ees4 d2 bes4 g8 bes8 c4 bes8( g8) bes8( c8) ees8( f8) ees2. ees,8( f8) g4 f8( ees8) f4 g8( bes8) c2 bes4 ees8( bes8) c4 bes8( g8) f4. ees8 ees2.
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ ees8 ees8
+ ees4 d8( c8) bes4 c8( d8) ees4. f8 bes,4 ees4 aes4 ees4 d4. ees8 ees2. ees4 ees4 d8( c8) bes4 c4 ees4.( f8) bes,4 ees4 aes4 ees4 d4. ees8 ees4.( f16 ees16) d4 g4 g4 ees8( g8) aes4 c4 bes2 g4 ees8 ees8 aes4 ees4 f4 g4 g4( aes4 f4) ees8( f8) ees4 d8( c8) bes4 c8( d8) ees4.( f8) bes,4 ees4 aes4 ees4 ees4 d8( ees8) ees2.
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ bes8 bes8
+ bes4 bes4 bes4 bes8 bes8 aes2 g4 bes4 c4 ees4 bes4. bes8 g2. bes4 bes4 bes4 bes4 bes4 aes2 g4 bes4 c4 ees4 bes4. bes8 g2( bes4) bes4 c4 g4 g4 aes4 bes2 bes4 ees8 ees8 ees4 ees4 d4 c8( bes8) c4.( d16 c16 bes4) bes4 bes4 bes4 bes4 bes4 aes2 g4 bes4 c4 ees4 bes4. bes8 g2.
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ ees8 ees8
+ ees4 ees4 d4 d8 d8 c4( d4) ees4 g4 aes4 g4 bes4 bes,4 ees2. ees4 ees4 ees4 d4 d4 c4 d4 ees4 g4 aes4 g4 bes4 bes,4 ees2( d4) bes4 c4 c4 aes4 aes4 bes4( d4) ees4 g8 g8 aes4 g4 f4 ees8( d8) c2( d4) bes4 ees4 ees4 d4 d4 c4( d4) ees4 g4 aes4 g8( aes8) bes4 bes,4 ees2.
+ }
+ >>
+ }
+
diff --git a/hr/michi/gardens/stimmen_.ly b/hr/michi/gardens/stimmen_.ly
new file mode 100644
index 0000000..6677ec6
--- /dev/null
+++ b/hr/michi/gardens/stimmen_.ly
@@ -0,0 +1,121 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ ees8 f8
+ g4 f8( ees8) f4 g8( bes8)
+ c2 bes4 ees8( bes8)
+ c4 bes8( g8) f4. ees8
+ ees2. ees8( f8)
+ g4 f8( ees8) f4 g8( bes8)
+ c2 bes4 ees8( bes8)
+ c4 bes8( g8) f4. ees8
+ ees2. bes'4
+ ees4 d8( bes8) c4 ees4
+ d2 bes4 g8 bes8
+ c4 bes8( g8) bes8( c8) ees8( f8)
+ ees2. ees,8( f8)
+ g4 f8( ees8) f4 g8( bes8)
+ c2 bes4 ees8( bes8)
+ c4 bes8( g8) f4. ees8
+ ees2.
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ ees8 ees8
+ ees4 d8( c8) bes4 c8( d8)
+ ees4. f8 bes,4 ees4
+ aes4 ees4 d4. ees8
+ ees2. ees4
+ ees4 d8( c8) bes4 c4
+ ees4.( f8) bes,4 ees4
+ aes4 ees4 d4. ees8
+ ees4.( f16 ees16) d4 g4
+ g4 ees8( g8) aes4 c4
+ bes2 g4 ees8 ees8
+ aes4 ees4 f4 g4
+ g4( aes4 f4) ees8( f8)
+ ees4 d8( c8) bes4 c8( d8)
+ ees4.( f8) bes,4 ees4
+ aes4 ees4 ees4 d8( ees8)
+ ees2.
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ bes8 bes8
+ bes4 bes4 bes4 bes8 bes8
+ aes2 g4 bes4
+ c4 ees4 bes4. bes8
+ g2. bes4
+ bes4 bes4 bes4 bes4
+ aes2 g4 bes4
+ c4 ees4 bes4. bes8
+ g2( bes4) bes4
+ c4 g4 g4 aes4
+ bes2 bes4 ees8 ees8
+ ees4 ees4 d4 c8( bes8)
+ c4.( d16 c16 bes4) bes4
+ bes4 bes4 bes4 bes4
+ aes2 g4 bes4
+ c4 ees4 bes4. bes8
+ g2.
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ ees8 ees8
+ ees4 ees4 d4 d8 d8
+ c4( d4) ees4 g4
+ aes4 g4 bes4 bes,4
+ ees2. ees4
+ ees4 ees4 d4 d4
+ c4 d4 ees4 g4
+ aes4 g4 bes4 bes,4
+ ees2( d4) bes4
+ c4 c4 aes4 aes4
+ bes4( d4) ees4 g8 g8
+ aes4 g4 f4 ees8( d8)
+ c2( d4) bes4
+ ees4 ees4 d4 d4
+ c4( d4) ees4 g4
+ aes4 g8( aes8) bes4 bes,4
+ ees2.
+ }
+ >>
+ }
+
diff --git a/hr/michi/gardens/texte.ly b/hr/michi/gardens/texte.ly
new file mode 100644
index 0000000..8ad7161
--- /dev/null
+++ b/hr/michi/gardens/texte.ly
@@ -0,0 +1,45 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+ stzI = \lyricmode {
+ \set stanza = "1."
+ Down _ by the Sal -- ley _ Gar -- dens
+ my love and I did meet.
+ She passed the Sal -- ley Gar -- dens
+ with litt -- le snow -- white feet.
+ She bid me take love ea -- sy,
+ as the leaves grow on the tree.
+ But I was not as foo -- lish,
+ with her did not a -- gree.
+ }
+ stzII = \lyricmode {
+ \set stanza = "2."
+ In a field _ _ by the ri -- ver
+ my love and I did stand.
+ And on my lea -- ning shoul -- der
+ she laid her snow -- white hand.
+ She bid me take life ea -- sy,
+ as the grass grows on the weirs.
+ But I am not as foo -- lish
+ and now am full of tears.
+ }
+
+% Die Textaufteilungen % -- _
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/michi/gaudeamus/dynArt.ly b/hr/michi/gaudeamus/dynArt.ly
new file mode 100644
index 0000000..47be107
--- /dev/null
+++ b/hr/michi/gaudeamus/dynArt.ly
@@ -0,0 +1,57 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ %\override Staff.TimeSignature #'style = #'()
+ \dynamicUp
+ \key c \major
+ \time 3/4
+ \set Timing.beamExceptions = #'(
+ (end .
+ (
+ ((1 . 8) . (2 2 2))
+ ((1 . 16) . (4 4 4))
+ )
+ )
+ )
+ %\set Timing.baseMoment = #(ly:make-moment 1/4)
+ \set Staff.beatStructure = #'(1 1 1)
+ s2.*13
+ \time 2/4
+ \set Timing.beamExceptions = #'(
+ (end .
+ (
+ ((1 . 8) . (2 2))
+ ((1 . 16) . (4 4))
+ )
+ )
+ )
+ \set Staff.beatStructure = #'(1 1)
+ s2*2
+ \time 3/4
+ \set Timing.beamExceptions = #'(
+ (end .
+ (
+ ((1 . 8) . (2 2 2))
+ ((1 . 16) . (4 4 4))
+ )
+ )
+ )
+ \set Staff.beatStructure = #'(1 1 1)
+ s2.*3
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/michi/gaudeamus/gaudeamus.ly b/hr/michi/gaudeamus/gaudeamus.ly
new file mode 100644
index 0000000..20e76be
--- /dev/null
+++ b/hr/michi/gaudeamus/gaudeamus.ly
@@ -0,0 +1,84 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Gaudeamus igitur"
+ %composer = "<+Komponist+>"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 17)
+
+ \score {
+ \new Staff <<
+ \new Voice = "solo" {
+ \keepWithTag #'slur { \sopranMelodie \bar "||" }
+ }
+ \addlyrics { \soloText }
+ >>
+ }
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \keepWithTag #'tutti \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = sopran { \sop \bar "|." }
+ \new Lyrics \lyricsto soprane \keepWithTag #'oben \textA
+ \new Lyrics \lyricsto soprane \keepWithTag #'oben \textB
+ \new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ \new Lyrics \lyricsto tenoere \keepWithTag #'unten \textA
+ \new Lyrics \lyricsto tenoere \keepWithTag #'unten \textB
+ \new Staff = bass { \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/michi/gaudeamus/midi.lua b/hr/michi/gaudeamus/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/michi/gaudeamus/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/michi/gaudeamus/stimmen.ly b/hr/michi/gaudeamus/stimmen.ly
new file mode 100644
index 0000000..0265c20
--- /dev/null
+++ b/hr/michi/gaudeamus/stimmen.ly
@@ -0,0 +1,87 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ c8. g16 g4 c4 a8. a16 a2 b8 c8 d4 b4
+ \tag #'slur { c8( e8) c2 }
+ \tag #'tutti { c8 e8 c2 }
+ c8. g16 g4 c4 a8. a16 a2 b8 c8 d4 b4
+ \tag #'slur { c8( e8) c2 }
+ \tag #'tutti { c8 e8 c2 }
+ b8 c8 d4 d4 e8. c16
+ \tag #'slur { d4 d4 }
+ \tag #'tutti { d2 }
+ b8. c16 d4 d4 e8. c16
+ \tag #'slur { d4 d4 }
+ \tag #'tutti { d2 }
+ c8 b8 a8( f'8) e8( d8) e4( d4) c2
+ c8. b16 a8( f'8) e8( d8) g2( b,4) c2.
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ \repeat unfold 2 {
+ e8. e16 f4 g4 g8. g16 f4( e4)
+ } \alternative {
+ {
+ d8 c8 b4 g'4 g4 g4( f4)
+ }
+ {
+ d8 e8 f4 g4 g4 g2
+ }
+ }
+ g8 g8 g4 g4 g8. a16 b4( g4) g8. g16 g4 g4 a8. a16 a4( gis4) e8 e8 e8( a8) a4 g8( a8 f8 g8) e2 g8. g16 g8( a8) a8( d8) c8( b8 a8 g8 f4) e2.
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ c8. c16 c4 c4 e8. e16 d4( c4) b8 a8 g4 d'4 c4 c2
+ c8. c16 c4 c4 e8. e16 d4( c4) g'8 g8 a8( g8) f4 e4 e2
+ d8 e8 f4 f4 c8. e16 d4( b4) d8. c16 b4 b4 c8. c16 b2 c8 c8 c4 c4 c4( ~ c8 b8) b4( a4)
+ e'8. d16 c8( a8) f'4 e8( g8 f8 e8 d4) c2.
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ c8. c16 d4 e4 f8. f16 f2 f8 f8 f4 f4 e4 e4( d4) c8. c16 d4 e4 f8. f16 f2 f8 e8 d4 g4 c,4 c2
+ g'8 g8 g4 g4 g8. g16 g2
+ f8. f16 f4 f4 f8. f16 f4( e4)
+ a8 g8 f8( d8) e8( f8) e8( f8 g4) a2
+ e8. e16 f4 f4 g2 g,4 c2.
+ }
+ >>
+ }
+
diff --git a/hr/michi/gaudeamus/texte.ly b/hr/michi/gaudeamus/texte.ly
new file mode 100644
index 0000000..b7af06f
--- /dev/null
+++ b/hr/michi/gaudeamus/texte.ly
@@ -0,0 +1,59 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+ soloText = \lyrics {
+ Gau -- de -- a -- mus i -- gi -- tur
+ iu -- ve -- nes dum su -- mus
+ Gau -- de -- a -- mus i -- gi -- tur
+ iu -- ve -- nes dum su -- mus
+ Post iu -- cun -- dam iu -- ven -- tu -- tem
+ Post mo -- le -- stam se -- nec -- tu -- tem
+ Nos ha -- be -- bit hu -- mus
+ nos ha -- be -- bit hu -- mus
+ }
+
+ textA = \lyrics {
+ Vi -- ta no -- stra bre -- vis est
+ \tag #'oben { bre -- vi fi -- ni -- e -- _ tur! }
+ \tag #'unten { bre -- vi fi -- ni -- e -- tur! }
+ Vi -- ta no -- stra bre -- vis est
+ \tag #'oben { bre -- vi fi -- ni -- e -- _ tur! }
+ \tag #'unten { bre -- vi fi -- ni -- e -- tur! }
+ Ve -- nit mors ve -- lo -- ci -- ter
+ ra -- pit nos a -- tro -- ci -- ter
+ ne -- mi -- ni par -- ce -- tur,
+ ne -- mi -- ni par -- ce -- tur.
+ }
+
+ textB = \lyrics {
+ Vi -- vat a -- ca -- de -- mi -- a
+ \tag #'oben { Vi -- vant pro -- fes -- so -- _ res! }
+ \tag #'unten { Vi -- vant pro -- fes -- so -- res! }
+ Vi -- vat a -- ca -- de -- mi -- a
+ \tag #'oben { Vi -- vant pro -- fes -- so -- _ res! }
+ \tag #'unten { Vi -- vant pro -- fes -- so -- res! }
+ Vi -- vat mem -- brum quod -- li -- bet
+ Vi -- vent mem -- bra quæ -- li -- bet
+ sem -- per sint in flo -- re,
+ sem -- per sint in flo -- re.
+ }
+
+% Die Textaufteilungen % -- _
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/michi/gebet/dynArt.ly b/hr/michi/gebet/dynArt.ly
new file mode 100644
index 0000000..c5f38a1
--- /dev/null
+++ b/hr/michi/gebet/dynArt.ly
@@ -0,0 +1,36 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ %\override Staff.TimeSignature #'style = #'()
+ \dynamicUp
+ \key g \major
+ \time 2/4
+ s2*8
+ \break
+ s2*10
+ \bar "||"
+ \break
+ s2*14
+ \bar "||"
+ \break
+ s2*8
+ \break
+ s2*10
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/michi/gebet/gebet.ly b/hr/michi/gebet/gebet.ly
new file mode 100644
index 0000000..6077d9f
--- /dev/null
+++ b/hr/michi/gebet/gebet.ly
@@ -0,0 +1,65 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen_.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Gebet"
+ composer = "Max Bruch"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 16)
+
+ sop = \new Voice = "soprane" { \global \voiceOne \sopranMelodie }
+ %\addlyrics { \sopranText }
+
+ alt = \new Voice = "alti" { \global \voiceTwo \altMelodie }
+ %\addlyrics { \altText }
+
+ ten = \new Voice = "tenoere" { \global \voiceOne \tenorMelodie }
+ %\addlyrics { \tenorText }
+
+ bas = \new Voice = "baesse" { \global \voiceTwo \bassMelodie }
+ %\addlyrics { \bassText }
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = frauen << \sop \alt >>
+ \new Lyrics = "tenors" \with {
+ \override VerticalAxisGroup #'staff-affinity = #DOWN
+ }
+ \new Staff = maenner << \ten \bas >>
+ \context Lyrics = "tenors" \lyricsto "tenoere" \tenorText
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/michi/gebet/midi.lua b/hr/michi/gebet/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/michi/gebet/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/michi/gebet/stimmen.ly b/hr/michi/gebet/stimmen.ly
new file mode 100644
index 0000000..3f4f6e4
--- /dev/null
+++ b/hr/michi/gebet/stimmen.ly
@@ -0,0 +1,65 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ g4. r8 b2 b8. a16 a8 g8 fis4. fis8 fis4 fis4 b4 b4 c2 b4. r8 gis4 a8 b8 cis4 cis4 e2 cis8 r8 cis4 b4. a8 a8( gis4) fis8 e4. e8 a4 gis8 cis8 b4. b8 b2
+ b4 b8 b8 b4 fis8 b8 d4 d8 d8 d4 a8 d8 fis4 fis8 fis8 fis2 fis,4. r8 dis'4 dis8. dis16 dis4 cis8 cis8 cis4 cis8 cis8 cis4 b8 r8 gis4 b8 b8 b4( ais4) b2
+ b4. r8 e2 e8. dis16 dis8 e8 fis4. b,8 g'4. e8 d8( c4) b8 a2 b4. r8 b4 a8 b8 c4 a4 d2 d4 b4 a4. g8 g4 a4 b4. b8 c4 b8 g8 b4. b8 b2
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ e4. r8 g4.( fis8) e8. e16 dis8 e8 e4. e8 e8( dis4) fis8 fis8[ e8] e8[ b'8] b4( a8[ g8]) fis4. r8 e4 e8 e8 e4 a4 b2 a8 r8 e4 dis4 e4 e4 dis4 e4. e8 e4. e8 e8[ cis8] dis4 e2
+ gis4 g8 g8 fis4 fis8 fis8 b4 b8 bes8 a4 a8 a8 a4 ais8 b8 cis4.( b8) ais4. r8 b4 b8. b16 b4 b8 b8 b8[ gis8] ais8 ais8 ais4 b8 r8 e,4 gis8 g8 fis2 fis2
+ g4. r8 c2 a8. a16 a8 a8 a4. a8 g4. g8 a4 g4 g4( fis8[ e8]) dis4. r8 gis4 fis8 gis8 a4 a8[ g8] g8[( e8] fis4) g4 d8[ dis8] e4. e8 b8[ g'8] fis8[ e8] d4. g8 fis8[ e8] dis8[ e8] e4 dis4 e2
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ b4. r8 e4.( d8) c8. c16 c8 b8 c4. c8 b4 b4 b4 e4 e8[ g8 fis8 e8] dis4. r8 e4 dis8 d8 cis4 e4 b4.( e8) e8 r8 a,8[ gis8] fis4 e4 e8[ gis8 b8] a8 gis4. gis8 e8[ fis8] gis8[ a8] fis4 b8[ a8] gis2
+ e'4 e8 e8 e8[ d8] d8 d8 b8[ d8] g8 g8 g8[ fis8] fis8 fis8 fis4 e8 d8 e4( d4) cis4. r8 dis4 fis8. fis16 e4 e8 e8 e4 fis8 e8 e4 dis8 r8 e4 e8 e8 cis2 dis2
+ e4. r8 g2 c,8. c16 c8 c8 c4 b4 b4 c4 a8.[ d16] d4 e4( fis4) fis4. r8 d4 e8 d8 c8[ e8] e4 a,4( d4) d4 g4 c,4. c8 b4 d8[ c8] b4. b8 a8[ g8] fis8[ e8] fis4 a4 gis2
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r4 e4 ~ e8 r8 e4 ~ e8. e16 fis8 g8 a4. a8 b4 b8[ a8] g4 g4 a2 b4. r8 e,4 fis8 gis8 a4 a4 gis2 a8 r8 a,4 b4 cis4 b4 b4 cis4. cis8 cis4 b8[ a8] b4 b4 e2
+ e4 e8 g8 b4 b8 b8 g4 g8 bes8 d4 d,8 d'8 d4 cis8 b8 ais4( b4) fis4. r8 b,4 dis8. dis16 gis4 gis8 gis8 fis4 fis8 fis8 fisis4 gis8 r8 r4 r8 cis,8 fis2 b,2
+ r4 e4 ~ e8 r8 e4 fis8. fis16 fis8 e8 dis4. b'8 e,4. e8 fis4 g4 c2 b4. r8 e,4 e8 e8 a4 c,4 d4.( c8) b4 g4 c4. c8 e4 d4 g4. g,8 a4 b8[ c8] b4 b4 <e e,>2
+ }
+ >>
+ }
+
diff --git a/hr/michi/gebet/stimmen_.ly b/hr/michi/gebet/stimmen_.ly
new file mode 100644
index 0000000..e02a2b1
--- /dev/null
+++ b/hr/michi/gebet/stimmen_.ly
@@ -0,0 +1,253 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ g4. r8
+ b2
+ b8. a16 a8 g8
+ fis4. fis8
+ fis4 fis4
+ b4 b4
+ c2
+ b4. r8
+ gis4 a8 b8
+ cis4 cis4
+ e2
+ cis8 r8 cis4
+ b4. a8
+ a8( gis4) fis8
+ e4. e8
+ a4 gis8 cis8
+ b4. b8
+ b2
+ b4 b8 b8
+ b4 fis8 b8
+ d4 d8 d8
+ d4 a8 d8
+ fis4 fis8 fis8
+ fis2
+ fis,4. r8
+ dis'4 dis8. dis16
+ dis4 cis8 cis8
+ cis4 cis8 cis8
+ cis4 b8 r8
+ gis4 b8 b8
+ b4( ais4)
+ b2
+ b4. r8
+ e2
+ e8. dis16 dis8 e8
+ fis4. b,8
+ g'4. e8
+ d8( c4) b8
+ a2
+ b4. r8
+ b4 a8 b8
+ c4 a4
+ d2
+ d4 b4
+ a4. g8
+ g4 a4
+ b4. b8
+ c4 b8 g8
+ b4. b8
+ b2
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ e4. r8
+ g4.( fis8)
+ e8. e16 dis8 e8
+ e4. e8
+ e8( dis4) fis8
+ fis8[ e8] e8[ b'8]
+ b4( a8[ g8])
+ fis4. r8
+ e4 e8 e8
+ e4 a4
+ b2
+ a8 r8 e4
+ dis4 e4
+ e4 dis4
+ e4. e8
+ e4. e8
+ e8[ cis8] dis4
+ e2
+ gis4 g8 g8
+ fis4 fis8 fis8
+ b4 b8 bes8
+ a4 a8 a8
+ a4 ais8 b8
+ cis4.( b8)
+ ais4. r8
+ b4 b8. b16
+ b4 b8 b8
+ b8[ gis8] ais8 ais8
+ ais4 b8 r8
+ e,4 gis8 g8
+ fis2
+ fis2
+ g4. r8
+ c2
+ a8. a16 a8 a8
+ a4. a8
+ g4. g8
+ a4 g4
+ g4( fis8[ e8])
+ dis4. r8
+ gis4 fis8 gis8
+ a4 a8[ g8]
+ g8[( e8] fis4)
+ g4 d8[ dis8]
+ e4. e8
+ b8[ g'8] fis8[ e8]
+ d4. g8
+ fis8[ e8] dis8[ e8]
+ e4 dis4
+ e2
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ b4. r8
+ e4.( d8)
+ c8. c16 c8 b8
+ c4. c8
+ b4 b4
+ b4 e4
+ e8[ g8 fis8 e8]
+ dis4. r8
+ e4 dis8 d8
+ cis4 e4
+ b4.( e8)
+ e8 r8 a,8[ gis8]
+ fis4 e4
+ e8[ gis8 b8] a8
+ gis4. gis8
+ e8[ fis8] gis8[ a8]
+ fis4 b8[ a8]
+ gis2
+ e'4 e8 e8
+ e8[ d8] d8 d8
+ b8[ d8] g8 g8
+ g8[ fis8] fis8 fis8
+ fis4 e8 d8
+ e4( d4)
+ cis4. r8
+ dis4 fis8. fis16
+ e4 e8 e8
+ e4 fis8 e8
+ e4 dis8 r8
+ e4 e8 e8
+ cis2
+ dis2
+ e4. r8
+ g2
+ c,8. c16 c8 c8
+ c4 b4
+ b4 c4
+ a8.[ d16] d4
+ e4( fis4)
+ fis4. r8
+ d4 e8 d8
+ c8[ e8] e4
+ a,4( d4)
+ d4 g4
+ c,4. c8
+ b4 d8[ c8]
+ b4. b8
+ a8[ g8] fis8[ e8]
+ fis4 a4
+ gis2
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r4 e4 ~
+ e8 r8 e4 ~
+ e8. e16 fis8 g8
+ a4. a8
+ b4 b8[ a8]
+ g4 g4
+ a2
+ b4. r8
+ e,4 fis8 gis8
+ a4 a4
+ gis2
+ a8 r8 a,4
+ b4 cis4
+ b4 b4
+ cis4. cis8
+ cis4 b8[ a8]
+ b4 b4
+ e2
+ e4 e8 g8
+ b4 b8 b8
+ g4 g8 bes8
+ d4 d,8 d'8
+ d4 cis8 b8
+ ais4( b4)
+ fis4. r8
+ b,4 dis8. dis16
+ gis4 gis8 gis8
+ fis4 fis8 fis8
+ fisis4 gis8 r8
+ r4 r8 cis,8
+ fis2
+ b,2
+ r4 e4 ~
+ e8 r8 e4
+ fis8. fis16 fis8 e8
+ dis4. b'8
+ e,4. e8
+ fis4 g4
+ c2
+ b4. r8
+ e,4 e8 e8
+ a4 c,4
+ d4.( c8)
+ b4 g4
+ c4. c8
+ e4 d4
+ g4. g,8
+ a4 b8[ c8]
+ b4 b4
+ <e e,>2
+ }
+ >>
+ }
+
diff --git a/hr/michi/gebet/texte.ly b/hr/michi/gebet/texte.ly
new file mode 100644
index 0000000..e8ffb22
--- /dev/null
+++ b/hr/michi/gebet/texte.ly
@@ -0,0 +1,43 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+ whatever = \lyricmode {
+ Herr, schi -- cke, was Du willt,
+ ein Lie -- bes o -- der Lei -- des;
+ ich bin ver -- gnügt, daß bei -- des
+ aus Dei -- nen Hän -- den quillt,
+ aus Dei -- nen Hän -- den quillt.
+ }
+ holden = \lyricmode {
+ Wol -- lest mit Freu -- den
+ und wol -- lest mit Lei -- den
+ mich nicht ü -- ber -- schüt -- ten!
+ Doch in der Mit -- ten
+ liegt hol -- des Be -- schei -- den,
+ hol -- des Be -- schei -- den.
+ }
+
+% Die Textaufteilungen % -- _
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyricmode {
+ %<+hier den Text für den Tenor eintragen+>
+ Herr,
+ \whatever
+ \holden
+ Herr,
+ \whatever
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/michi/haukify b/hr/michi/haukify
new file mode 100644
index 0000000..83cb531
--- /dev/null
+++ b/hr/michi/haukify
@@ -0,0 +1,390 @@
+#!/usr/bin/perl
+
+# preamble
+use strict;
+use warnings;
+# elbmaerp
+#
+# program logic goes here
+
+ my %lines = ();
+ my %defs = ();
+ my %feds = ();
+ my @skeleton = ();
+ my @rhf = ();
+ my @current;
+sub { # sub def scope
+ my $DEN = 256; # shortest duration glyph
+ my $measure = 0;
+ #my @voices = map { $_ . "Melodie" } ("sopran", "alt", "tenor", "bass");
+ my $n = 0;
+ my $orig = 0;
+ my @chunks;
+ my @measures;
+ { # scope for reading in <dynArt.ly>
+ my $lrd = 0;
+ my $inside = 0; # are we inside a definition?
+ my $num; # numerator
+ my $den; # denominator
+ open(FH, "<dynArt.ly");
+ while (<FH>) {
+ next if (/^\s*%/ or /override/ or /partial/ or /alternative/);
+ /{/; #vim bug
+ s/{[^}]*}//g;
+ if (/{/) {
+ $lrd += 1;
+ if ($lrd == 1) {
+ @measures = ();
+ $inside = 1 - $inside;
+ }
+ next;
+ }
+ next unless $inside;
+ if (/}/) {
+ $lrd -= 1;
+ if ($lrd == 0) {
+ if ($#measures == -1) {
+ } else {
+ my @bla = map $_, @measures;
+ push @chunks, \@bla;
+ }
+ $inside = 1 - $inside;
+ }
+ }
+ if (/time (\d+)\/(\d+)/) { # time signature change
+ $num = $1;
+ $den = $2;
+ while ($den < $DEN) {
+ $num *= 2; $den *= 2;
+ }
+ }
+ if (/^\s*s/) {
+ if (/s(\d+\.*)\*(\d+)\s*$/) { # multiple measures
+ #TODO: support s8*7*18 etc.
+ my $times = ($2 and ($2 ne "")) ? $2 : 1;
+ my $dur = &duration($1);
+ push @measures, $dur for (1 .. $times);
+ } else { # analogous to a melody
+ my @code = split /\s+/;
+ my $num = 0;
+ for (@code) {
+ $num += &duration($_);
+ }
+ push @measures, $num;
+ }
+ }
+ }
+ }
+ my @fm = @{$chunks[0]}; # first @measures
+
+ my $idx = 0;
+ my $intimes = 0;
+ my $conc = 0;
+
+ { # scope for &conc (concurrent music)
+ my $cdur; # duration
+ my $crud; # same for second part
+ my $clev; # manage sequential construct level (nesting curlies)
+ sub conc() {
+ return $_ if (/%/); # ignore comments
+ if (/^\s*{\s*$/) {
+ $clev += 1;
+ return $_;
+ }
+ if (/^\s*}\s*$/) {
+ $clev -= 1;
+ if ($cdur and $crud) {
+ $cdur = 0; $crud = 0;
+ }
+ return $_;
+ }
+ if ($clev == 1) { # ought to never be anything but 0 or 1
+ # -> TODO: don’t rely on that
+ my @code = split /\s*/;
+ my @tms = map { &duration($_) } @code;
+ if ($cdur) {
+ $crud += $_ for @code;
+ } else {
+ $cdur += $_ for @code;
+ }
+ if ($crud and $crud != $cdur) {
+ print STDERR "parallel parts don’t match: $.; $n\n";
+ }
+ print STDERR "parallel parts don’t match dynArt: $.; $n\n"
+ if $cdur % $measures[$idx];
+ # TODO: don’t rely on the measure not to change inside conc music!
+ return $_;
+ # recursive call of haukified w/ local counter and state vars!
+ }
+ }
+ }
+ sub min() {
+ my $a = shift;
+ my $b = shift;
+ return $a < $b ? $a : $b;
+ }
+ my $par = ""; # parallel text inside &par
+ sub par() { # single line parallel music
+ /{{/; # vim bug
+ $par =~ /{([^}]*)}\s*\\\\\s*{([^}]*)}/;
+ my (@c, @d);
+ @c = split(/\s+/, $1);
+ @d = split(/\s+/, $2);
+ my ($c, $d);
+ $c += &duration($_) for @c;
+ $d += &duration($_) for @d;
+ print STDERR "parallel mismatch in\n>>>$par\n"
+ . ($c/$DEN) . " " . ($d/$DEN) . "\n" if ($c != $d);
+ return &min($c, $d);
+ }
+ { # scope for &times (old-style tuple declaration)
+ my $tnum; # numerator
+ my $tden; # denominator
+ my $tstr; # resulting string
+ my $tdur = 0; # aggregate sum of nominal duration
+ sub times() { # simulating a FSM w/ outside states
+ # (basically a dispatcher w/ local memory)
+ my $task = shift;
+ if ($task eq "start") {
+ $tnum = shift;
+ $tden = shift;
+ $tdur = 0;
+ $tstr = "\\times $tnum\/$tden ";
+ $intimes = 1 - $intimes;
+ }
+ if ($task eq "cont") {
+ my $code = shift;
+ $tstr .= $code . " ";
+ $tdur += &duration($code);
+ }
+ if ($task eq "stop") {
+ $intimes = 1 - $intimes;
+ return ($tstr, $tdur*$tnum/$tden);
+ #return ($tstr . "} ", $tdur*$tnum/$tden);
+ }
+ }
+ }
+ sub duration() { # find a single note’s/a chord’s duration
+ return 0 unless(/\D*(\d+)(\.*).*/); # ignore anything w/o duration
+ my ($den, $dots, $num) = ($1, $2, 1);
+ $num = 0 if (/</); # chord -> TODO: just ignore
+ while ($dots) {
+ $num *= 2;
+ $den *= 2;
+ $num += 1;
+ chop($dots);
+ }
+ while ($den < $DEN) {
+ $num *= 2; $den *= 2;
+ }
+ print STDERR "bad duration: $1\n" unless ($den == $DEN);
+ return $num;
+ }
+ my $NUM = 0; # where am I in this measure?
+ # one func to rule them all
+ sub haukified() { # line-wise pretty-print definitions into arrays
+ if (/^\s*<<\s*$/) { # multi-line concurrent start
+ $conc += 1;
+ return $_;
+ }
+ if (/^\s*>>\s*$/) { # multi-line concurrent stop
+ $conc -= 1;
+ return $_;
+ }
+ return &conc($_) if ($conc > 1);
+ #local $, = "|";
+ return $_ if (/%/ or /repeat/ or /time / or /clef/ or /partial/ or /version/); # pipe single-line instructions that don’t need to be matched
+ #if (/times/) {
+ # $idx += 1 unless ($#measures<2);
+ # return $_;
+ #}
+ # time key -> dynArt
+ chomp $_;
+ #times, repeat & bla = { … }; partial!
+ # -> tokenstream vorbereiten (trb -> hooks)
+ # -> repeat ought to occur in dynArt as well
+ s/times\s*/times/g; # this glues the numerator to 'times'
+ s/ ~/~/g; # this glues a tie to its left anchor, will be untied again
+ /^(\s*)(.*)/;
+ my $indent = $1;
+ my @code = split(/\s+/, $2);
+ my @parts; # prettified measures
+ my $part = ""; # current measure’s text
+ my $inpar = 0; # inside parallel section?
+ for (@code) {
+ if ($inpar) {
+ if (/>>/) { # parallel stop
+ $part .= "<< $par ";
+ $NUM += &par($par);
+ while ($NUM > $measures[$idx]) {
+ $NUM -= $measures[$idx];
+ $idx += 1 if($measures[$idx + 1]);
+ #$measures[$idx] //= $measures[$idx-1];
+ }
+ $par = "";
+ $inpar = 0;
+ } else {
+ $par .= "$_ ";
+ next;
+ }
+ }
+ if (/<</) { # parallel start
+ $inpar = 1;
+ next;
+ }
+ if ($intimes) {
+ /{/; #vim bug
+ if (/}/) { # tuplet stop
+ # -> TODO: maybe support curlies inside tuplets
+ my ($text, $dur) = &times("stop");
+ $part .= $text;
+ $NUM += $dur;
+ } else {
+ &times("cont", $_);
+ next;
+ }
+ }
+ if (/times(\d+)\/(\d+)/) { # tuplet start
+ &times("start", $1, $2);
+ next;
+ }
+ $part .= "$_ ";
+ if (/^\\(\S+)$/) { # definition start
+ &align($defs{$1}, $1);
+ next;
+ }
+ /{/; #vim bug
+ $NUM += &duration($_) unless /}/;
+ if ($NUM > $measures[$idx]) { # overfull measure
+ print STDERR "error at measure " . ($idx+1) . " (local $measure) in (orig) $orig, (result) $n\n";
+ print STDERR "$NUM out of $measures[$idx]\n";
+ print STDERR "(occurred after reading $part)\n";
+ }
+ unless ($NUM < $measures[$idx]) {
+ push @parts, $part;
+ $n += 1;
+ $idx += 1;
+ $measure += 1;
+ $measures[$idx] //= $measures[$idx-1]; # for most simplistic dynArt
+ # as well as for errors
+ $NUM = 0;
+ $part = $indent;
+ }
+ }
+ if ($part =~ /\S/) { # still sth read left?
+ push @parts, $part;
+ print STDERR "underfull measure at (orig) $orig, measure " . ($idx+1) . " (local $measure) ";
+ print STDERR "$part?\n";
+ print STDERR "$NUM out of $measures[$idx]\n";
+ $idx += 1 unless ($#measures < 1);
+ $measures[$idx] //= $measures[$idx-1];
+ } else {
+ $n -= 1;
+ #$idx -= 1 unless ($#measures<2);
+ }
+ my $res = $indent;
+ for (@parts) {
+ s/~/ ~/g; # undoing the gluing ;-)
+ $res .= $_ . "\n";
+ }
+ return $res;
+ #return $indent . join("\n", map s/~/ ~/g, @parts);
+ }
+ my %aligned = ();
+ sub align { # match a def against the dynArt definition’s measures
+ my $bla = shift;
+ my @out = ();
+ my $name = shift;
+ my $oldm = $measure;
+ $measure = 1; # measure inside this def
+ my $oldorig = $orig;
+ $orig = $lines{$name}; # actual input file position
+ for (@$bla) {
+ if (/^\s*\\(\S+)\s*$/) { # call to another def
+ # -> TODO: beware of recursive calls
+ # well, we assume a sane user anyway …
+ unless (/voice/) {
+ print STDERR "$_"; # tell the caller we’re handling this
+ &align($defs{$1}, $1);
+ }
+ }
+ $n += 1;
+ $orig += 1;
+ push @out, $_ unless (/\d/); # pipe non-duration lines
+ #print &haukified($_), "\n" if /\d/;
+ push @out, &haukified($_) if /\d/;
+ }
+ $measure = $oldm; # restoring values …
+ $orig = $oldorig;
+ if ($aligned{$name}) { # already aligned this def
+ my $match = 1;
+ for (0 .. &min(@out, @{$feds{$name}})) {
+ $match = 0 if $feds{$name}->[$_] != $out[$_];
+ }
+ print STDERR "inconsistent use of $name …" unless $match;
+ } else {
+ @{$feds{$name}} = map $_, @out;
+ }
+ }
+ my $i = 0; # index into @skeleton
+ sub align_voice() { # match a voice using &align
+ #print STDERR "dynart exhausted before stimmen done!\n" unless ($#chunks > -1);
+ @measures = ($#chunks == -1) ? @fm : @{pop @chunks};
+ $idx = 0;
+ $NUM = 0;
+ &align(@_);
+ $i += 1;
+ }
+ sub check() { # overall handling of everything read from <stimmen.ly>
+ $orig += @{$skeleton[$i]};
+ for (keys %defs) {
+ &align_voice($defs{$_}, $_) if /Melodie/;
+ }
+ for (keys %defs) {
+ $feds{$_} //= $defs{$_};
+ }
+ }
+ sub flush() {
+ for (0 .. $#rhf) {
+ print for @{$skeleton[$_]};
+ print for @{$feds{$rhf[$_]}};
+ }
+ print for @{$skeleton[$#rhf+1]};
+ }
+} ();
+
+my $inddef = "";
+my $def = 0;
+while (<>) {
+ if ($def) {
+ /{/; #vim bug
+ if (/^$inddef}\s*$/) { # def stop
+ $def = 0;
+ my @bla = map $_, @current;
+ $defs{$rhf[$#rhf]} = \@bla;
+ @current = ();
+ }
+ }
+ if (/^(\s*)(\S*) = \\relative/) { # def start
+ push @current, $_;
+ my @bla = map $_, @current;
+ push @skeleton, \@bla;
+ @current = ();
+ $inddef = $1;
+ push @rhf, $2;
+ $lines{$2} = $.;
+ $def = 1; #TODO: def zoix -> %def, später einbinden
+ # ds chunk -> begin orig, begin hauked
+ next;
+ }
+ push @current, $_;
+}
+
+{ # using the defs
+ my @bla = map $_, @current;
+ push @skeleton, \@bla;
+ &check();
+ &flush();
+}
+
+# some settings # vim: et
diff --git a/hr/michi/kenya/dynArt.ly b/hr/michi/kenya/dynArt.ly
new file mode 100644
index 0000000..1f4ab7c
--- /dev/null
+++ b/hr/michi/kenya/dynArt.ly
@@ -0,0 +1,34 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s1*27
+ \bar "||"
+ s1*2
+ \bar "||"
+ s1*8
+ \bar "||"
+ \key g \major
+ s1*18
+ \bar "||"
+ \pageBreak
+ \key e \major
+ s1*22
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/michi/kenya/kenya.ly b/hr/michi/kenya/kenya.ly
new file mode 100644
index 0000000..b4c567e
--- /dev/null
+++ b/hr/michi/kenya/kenya.ly
@@ -0,0 +1,77 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Gloria"
+ composer = "Paul Basler"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 15)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ <<
+ \new Staff {
+ \new Voice = "solo" { \global \soloMelodie }
+ }
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = sopran { \sop }
+ \new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ \new Staff = bass { \bas }
+ >>
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/michi/kenya/midi.lua b/hr/michi/kenya/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/michi/kenya/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/michi/kenya/stimmen.ly b/hr/michi/kenya/stimmen.ly
new file mode 100644
index 0000000..d225b9a
--- /dev/null
+++ b/hr/michi/kenya/stimmen.ly
@@ -0,0 +1,465 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key e \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ rex = \relative c'' {
+ gis8 gis8 gis8 a8 ~ a8 a4 b8 ~
+ b8 b4( a8) b8( cis8) cis4
+ }
+ agnus = \relative c'' {
+ gis8 gis8 gis8 a8 ~ a8 a4 b8 ~
+ b8 b4( a8) b8( cis8) cis4
+ }
+
+ soloMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ e8 e8 e8 e8 ~ e8 b4 cis8 ~
+ cis8 cis8( ~ cis8 b8) cis8( dis8) b4 ~
+ b8 r8 r4 r2
+ r1
+ r1
+ r4 e,4 gis4. a8 ~
+ a4 b2.
+ r2 r4 e8 e8
+ cis4. a8 ~ a4 b4
+ r1
+ b8 b8 b8 cis8 ~ cis8 cis4 b8 ~
+ b4 r4 r2
+ b4 b8 cis8 ~ cis8 cis4 b8 ~
+ b4 r4 r2
+ e8 e8 e8 e8 ~ e8 b4 cis8 ~
+ cis8 cis8( ~ cis8 b8) cis8( dis8) b4 ~
+ b8 r8 r4 r2
+ r1
+ r1
+ gis8 b8 b8 cis8 ~ cis8 b8 ~ b4 ~
+ b8 r8 r4 r2
+ e8 b8 b8 a8 ~ a8 b8 ~ b4 ~
+ b8 r8 r4 r2
+ \transpose c c, \rex
+ r1
+ r1
+ r1
+ r1
+ gis8 b8 b8 cis8 ~ cis8 b8 ~ b4 ~
+ b8 r8 r4 r2
+ e8 b8 b8 a8 ~ a8 b8 ~ b4 ~
+ b8 r8 r4 r2
+ \transpose c c, \agnus
+ r1
+ \repeat unfold 2 {
+ r2 r4 b4
+ b4( d8) d8 ~ d4 b4
+ a8( b8) c8 b8 ~ b8 g8 ~ g4 ~
+ g8 r8 r4 r2
+ }
+ r2 r4 d'4
+ d4. d8 ~ d4 d4
+ \times 2/3 { f4( e4) c4 } d4. d8 ~
+ d4. d8 ~ d2 ~
+ d4 r4 r4 d4
+ d4. d8 ~ d4 d4
+ \times 2/3 { e4( d4) e4 } d2 ~
+ d4 r4 r4 e4( ~
+ \times 2/3 { e2 d2 e2 ~ }
+ e2) d2 ~
+ d4 r4 r2
+ e8 e8 e8 e8 ~ e8 b4 cis8 ~
+ cis8 cis4 b8 cis8 dis8 b4 ~
+ b8 r8 r4 r2
+ r1
+ r1
+ gis8 gis8 gis8 gis8 a4 a8 fis8 ~
+ fis8 fis8 fis8 e8 fis8( gis8) gis4 ~
+ gis8 r8 r4 r2
+ r2 r4 gis8 b8
+ b1 ~
+ b4 r4 r8 e4 cis8
+ b1 ~
+ b4 r4 r8 cis4 cis8 ~
+ cis4 b2. ~
+ b4 r4 r2
+ b4( e8) a,8 ~ a2
+ gis8( a8 b8) fis8 ~ fis2
+ r2 r8 e'4( cis8)
+ b2 r8 dis8 ~ dis4
+ e1 ~
+ e1 ~
+ e8 r8 r4 r2
+ }
+ >>
+ }
+
+ omni = \relative c'' {
+ b4 e8 a,8 ~ a8 gis4 a8
+ b8 a8 gis2.
+ }
+ xp = \relative c'' {
+ r4 \times 2/3 { b8 b8 b8 } b16 b16 b16 b16 \times2/3 { b8 b8 b8 }
+ b8 b8 cis8( a8) b2
+ }
+ sohn = \relative c'' {
+ b4 e8 a,8 ~ a8 gis4( fis8)
+ e2. r4
+ }
+ miserere = \relative c'' {
+ b4 b8 c8 ~ c8 c4 a8 ~
+ a8 a8 a8 g8 a8( b8) b4
+ }
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1
+ r1
+ gis4 gis8 a8 ~ a8 a4 fis8 ~
+ fis8 fis4( e8) fis8 gis8 e4
+ b'8 b8 b8 b8 gis4( fis8) e8 ~
+ e4 r4 r2
+ r2 r4 b'8 b8
+ cis4 b8 a8 ~ a4 b4
+ r1
+ gis8 gis8 gis8 fis8 ~ fis8 fis8 e4 ~
+ e8 r8 r4 r2
+ r8 gis4 gis8 a8( b8) b4 ~
+ b8 r8 r4 r2
+ r8 gis8 gis8 gis8 a8( b8) b4 ~
+ b8 r8 r4 r2
+ r1
+ gis4 gis8 a8 ~ a8 a4 fis8 ~
+ fis8 fis4( e8) fis8 gis8 e4
+ b'8 b8 b8 b8 gis4( fis8) e8 ~
+ e4 r4 r4 r8 gis8 ~
+ gis8 fis8 gis8 b8 ~ b8 gis8 ~ gis4 ~
+ gis8 r8 r4 r4 r8 e8 ~
+ e8 e8 e8 fis8 ~ fis8 gis8 ~ gis4
+ \rex
+ \omni
+ \xp
+ r2 r4 r8 gis8 ~
+ gis8 fis8 gis8 b8 ~ b8 gis8 ~ gis4 ~
+ gis8 r8 r4 r4 r8 e8 ~
+ e8 e8 e8 fis8 ~ fis8 gis8 ~ gis4
+ \agnus
+ \sohn
+ r1
+ r1
+ \miserere
+ r1
+ r1
+ b8 b8 b8 c8 ~ c8 c4 a8 ~
+ a8 a8 a8 g8 a8( b8) b4
+ r1
+ r1
+ \miserere
+ \miserere
+ b4 d8 c8 ~ c8 c4 a8 ~
+ a8 a8 a8 g8 a8( b8) b4
+ b8( g8) d'8 c8 ~ c8 c4 a8 ~
+ a8 a8 a8 g8 a8( b8) b4
+ r1
+ r1
+ gis4 gis8 a8 ~ a8 a4 fis8 ~
+ fis8 fis4 e8 fis8 gis8 e4
+ b'8 b8 b8 b8 gis4 fis8 e8 ~
+ e4 r4 r2
+ r2 r4 e4
+ gis8 gis8 gis8 gis8 a4 a8 fis8 ~
+ fis8 fis8 fis8 e8 fis8( gis8) gis4
+ gis8 b8 b8 gis8 a4 a8 fis8 ~
+ fis8 fis8 fis8 e8 fis8( gis8) gis4
+ gis8 b8 b8 gis8 a4 a8 fis8 ~
+ fis8 fis8 fis8 e8 fis8( gis8) gis4
+ gis8 gis8 gis8 a8 ~ a8 a4 b8 ~
+ b8 b8 b8 a8 b8( cis8) cis4
+ r1
+ r1
+ b4( e8) a,8 ~ a2
+ gis8( a8 b8) fis8 ~ fis2
+ r4 e'2( cis4)
+ e1 ~
+ e8 r8 r4 r2
+ }
+ >>
+ }
+
+ miserere = \relative c'' {
+ g4 g8 g8 ~ g8 g4 fis8 ~
+ fis8 fis8 fis8 e8 fis8( g8) g4
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ r1
+ e4 e8 e8 ~ e8 e4 dis8 ~
+ dis8 dis4( cis8) dis8 e8 b4
+ b8 b8 b8 b8 e4( dis8) e8 ~
+ e4 r4 r2
+ r2 r4 b'8 b8
+ a4 gis8 fis8 ~ fis4 gis4
+ r1
+ e8 e8 e8 dis8 ~ dis8 dis8 b4 ~
+ b8 r8 r4 r2
+ r8 gis'4 gis8 a8( b8) b4 ~
+ b8 r8 r4 r2
+ r8 gis8 gis8 gis8 a8( b8) b4 ~
+ b8 r8 r4 r2
+ r1
+ e,4 e8 e8 ~ e8 e4 dis8 ~
+ dis8 dis4( cis8) dis8 e8 b4
+ b8 b8 b8 b8 e4( dis8) e8 ~
+ e4 r4 r4 r8 gis8 ~
+ gis8 fis8 gis8 b8 ~ b8 gis8 ~ gis4 ~
+ gis8 r8 r4 r4 r8 e8 ~
+ e8 e8 e8 fis8 ~ fis8 gis8 ~ gis4
+ e8 e8 e8 fis8 ~ fis8 fis4 gis8 ~
+ gis8 gis4( fis8) gis8( a8) a4
+ \omni
+ \xp
+ r2 r4 r8 gis8 ~
+ gis8 fis8 gis8 b8 ~ b8 gis8 ~ gis4 ~
+ gis8 r8 r4 r4 r8 e8 ~
+ e8 e8 e8 fis8 ~ fis8 gis8 ~ gis4
+ e8 e8 e8 fis8 ~ fis8 fis4 gis8 ~
+ gis8 gis4( fis8) gis8( a8) a4
+ \sohn
+ r1
+ r1
+ \miserere
+ r1
+ r1
+ g8 g8 g8 g8 ~ g8 g4 fis8 ~
+ fis8 fis8 fis8 e8 fis8( g8) g4
+ r1
+ r1
+ \miserere
+ \miserere
+ \miserere
+ \miserere
+ r1
+ r1
+ e4 e8 e8 ~ e8 e4 dis8 ~
+ dis8 dis4 cis8 dis8 e8 b4
+ b8 b8 b8 b8 e4 dis8 e8 ~
+ e4 r4 r2
+ r2 r4 e4
+ e8 e8 e8 e8 e4 e8 dis8 ~
+ dis8 dis8 dis8 cis8 dis8( e8) e4
+ e8 e8 gis8 e8 e4 e8 dis8 ~
+ dis8 dis8 dis8 cis8 dis8( e8) e4
+ e8 e8 gis8 gis8 e4 e8 dis8 ~
+ dis8 dis8 dis8 cis8 dis8( e8) e4
+ e8 e8 e8 fis8 ~ fis8 fis4 gis8 ~
+ gis8 gis8 gis8 fis8 gis8( a8) a4
+ r1
+ r1
+ gis4( e8) e8 ~ e2
+ e4. dis8 ~ dis2
+ r4 a'2.
+ fis4.( gis8 ~ gis2 ~
+ gis8) r8 r4 r2
+ }
+ >>
+ }
+
+ miserere = \relative c' {
+ d4 d8 e8 ~ e8 e4 d8 ~
+ d8 d8 d8 d8 d4 d4
+ }
+ misererere = \relative c' {
+ d4 d8 e8 ~ e8 e4 d8 ~
+ d8 d8 d8 c8 d4 d4
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ r1
+ r1
+ b4 b8 cis8 ~ cis8 cis4 b8 ~
+ b8 b4( a8) b8 b8 gis4
+ b8 b8 b8 b8 a4( b8) e,8 ~
+ e4 r4 r2
+ r2 r4 b'8 b8
+ cis4 b8 a8 ~ a4 b4
+ r1
+ b8 b8 b8 b8 ~ b8 b8 b4 ~
+ b8 r8 r4 r2
+ r8 gis4 gis8 a8( b8) b4 ~
+ b8 r8 r4 r2
+ r8 gis8 gis8 gis8 a8( b8) b4 ~
+ b8 r8 r4 r2
+ r1
+ b4 b8 cis8 ~ cis8 cis4 b8 ~
+ b8 b4( a8) b8 b8 gis4
+ b8 b8 b8 b8 a4( b8) e,8 ~
+ e4 r4 r4 r8 cis'8 ~
+ cis8 b8 cis8 e8 ~ e8 cis8 ~ cis4 ~
+ cis8 r8 r4 r4 r8 cis8 ~
+ cis8 cis8 cis8 dis8 ~ dis8 e8 ~ e4
+ b8 b8 b8 cis8 ~ cis8 cis4 dis8 ~
+ dis8 dis4( cis8) dis8( e8) e4
+ \transpose c' c \omni
+ \transpose c' c \xp
+ r2 r4 r8 cis8 ~
+ cis8 b8 cis8 e8 ~ e8 cis8 ~ cis4 ~
+ cis8 r8 r4 r4 r8 cis8 ~
+ cis8 cis8 cis8 dis8 ~ dis8 e8 ~ e4
+ b8 b8 b8 cis8 ~ cis8 cis4 dis8 ~
+ dis8 dis4( cis8) dis8( e8) e4
+ \transpose c' c \sohn
+ r1
+ r1
+ \miserere
+ r1
+ r1
+ d8 d8 d8 e8 ~ e8 e4 d8 ~
+ d8 d8 d8 d8 d4 d4
+ r1
+ r1
+ \miserere
+ \miserere
+ \misererere
+ \misererere
+ r1
+ r1
+ b4 b8 cis8 ~ cis8 cis4 b8 ~
+ b8 b4 a8 b8 b8 gis4
+ b8 b8 b8 b8 a4 b8 e,8 ~
+ e4 r4 r2
+ r2 r4 e4
+ b'8 b8 b8 b8 cis4 cis8 b8 ~
+ b8 b8 b8 a8 b4 b4
+ b8 b8 b8 b8 cis4 cis8 b8 ~
+ b8 b8 b8 a8 b4 b4
+ b8 b8 e8 b8 cis4 cis8 b8 ~
+ b8 b8 b8 a8 b4 b4
+ b8 b8 b8 cis8 ~ cis8 cis4 dis8 ~
+ dis8 dis8 dis8 cis8 dis8( e8) e4
+ r1
+ r1
+ e4( b8) cis8 ~ cis2
+ b8( cis8 b8) b8 ~ b2
+ r4 cis2( e4)
+ cis8( b8 ~ b2. ~
+ b8) r8 r4 r2
+ }
+ >>
+ }
+
+ miserere = \relative c' {
+ g4 g8 g8 ~ g8 g4 d8 ~
+ d8 d8 d8 d8 d8( g8) g4
+ }
+ misererere = \relative c' {
+ g8( e8) g8 g8 ~ g8 g4 d8 ~
+ d8 d8 d8 d8 d8( g8) g4
+ }
+
+ bassMelodie = \relative c' {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r1
+ r1
+ b4 b8 cis8 ~ cis8 cis4 b8 ~
+ b8 b4( a8) b8 b8 gis4
+ b8 b8 b8 b8 a4( b8) e,8 ~
+ e4 r4 r2
+ r2 r4 b'8 b8
+ a4 gis8 fis8 ~ fis4 gis4
+ r1
+ e8 e8 e8 a8 ~ a8 a8 gis4 ~
+ gis8 r8 r4 r2
+ r8 gis4 gis8 a8( b8) b4 ~
+ b8 r8 r4 r2
+ r8 gis8 gis8 gis8 a8( b8) b4 ~
+ b8 r8 r4 r2
+ r1
+ b4 b8 cis8 ~ cis8 cis4 b8 ~
+ b8 b4( a8) b8 b8 gis4
+ b8 b8 b8 b8 a4( b8) e,8 ~
+ e4 r4 r4 r8 e8 ~
+ e8 dis8 e8 gis8 ~ gis8 e8 ~ e4 ~
+ e8 r8 r4 r4 r8 a8 ~
+ a8 a8 a8 b8 ~ b8 cis8 ~ cis4
+ e,8 e8 e8 fis8 ~ fis8 fis4 gis8 ~
+ gis8 gis4( fis8) gis8( a8) a4
+ \transpose c' c \omni
+ \transpose c' c, \xp
+ r2 r4 r8 e8 ~
+ e8 dis8 e8 gis8 ~ gis8 e8 ~ e4 ~
+ e8 r8 r4 r4 r8 a8 ~
+ a8 a8 a8 b8 ~ b8 cis8 ~ cis4
+ e,8 e8 e8 fis8 ~ fis8 fis4 gis8 ~
+ gis8 gis4( fis8) gis8( a8) a4
+ \transpose c' c \sohn
+ r1
+ r1
+ \miserere
+ r1
+ r1
+ g8 g8 g8 g8 ~ g8 g4 d8 ~
+ d8 d8 d8 d8 d8( g8) g4
+ r1
+ r1
+ \miserere
+ \miserere
+ \misererere
+ \misererere
+ r1
+ r1
+ b4 b8 cis8 ~ cis8 cis4 b8 ~
+ b8 b4 a8 b8 b8 gis4
+ b8 b8 b8 b8 a4 b8 e,8 ~
+ e4 r4 r2
+ r2 r4 e4
+ b'8 b8 b8 b8 cis4 cis8 b8 ~
+ b8 b8 b8 a8 b4 b4
+ b8 b8 b8 b8 cis4 cis8 b8 ~
+ b8 b8 b8 a8 b4 b4
+ b8 b8 b8 b8 cis4 cis8 b8 ~
+ b8 b8 b8 a8 b4 b4
+ e,8 e8 e8 fis8 ~ fis8 fis4 gis8 ~
+ gis8 gis8 gis8 fis8 gis8( a8) a4
+ r1
+ r1
+ b4( gis8) a8 ~ a2
+ b8( a8 gis8) b8 ~ b2
+ r4 a2.
+ e1 ~
+ e8 r8 r4 r2
+ }
+ >>
+ }
+
diff --git a/hr/michi/kenya/stimmen_.ly b/hr/michi/kenya/stimmen_.ly
new file mode 100644
index 0000000..d225b9a
--- /dev/null
+++ b/hr/michi/kenya/stimmen_.ly
@@ -0,0 +1,465 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key e \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ rex = \relative c'' {
+ gis8 gis8 gis8 a8 ~ a8 a4 b8 ~
+ b8 b4( a8) b8( cis8) cis4
+ }
+ agnus = \relative c'' {
+ gis8 gis8 gis8 a8 ~ a8 a4 b8 ~
+ b8 b4( a8) b8( cis8) cis4
+ }
+
+ soloMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ e8 e8 e8 e8 ~ e8 b4 cis8 ~
+ cis8 cis8( ~ cis8 b8) cis8( dis8) b4 ~
+ b8 r8 r4 r2
+ r1
+ r1
+ r4 e,4 gis4. a8 ~
+ a4 b2.
+ r2 r4 e8 e8
+ cis4. a8 ~ a4 b4
+ r1
+ b8 b8 b8 cis8 ~ cis8 cis4 b8 ~
+ b4 r4 r2
+ b4 b8 cis8 ~ cis8 cis4 b8 ~
+ b4 r4 r2
+ e8 e8 e8 e8 ~ e8 b4 cis8 ~
+ cis8 cis8( ~ cis8 b8) cis8( dis8) b4 ~
+ b8 r8 r4 r2
+ r1
+ r1
+ gis8 b8 b8 cis8 ~ cis8 b8 ~ b4 ~
+ b8 r8 r4 r2
+ e8 b8 b8 a8 ~ a8 b8 ~ b4 ~
+ b8 r8 r4 r2
+ \transpose c c, \rex
+ r1
+ r1
+ r1
+ r1
+ gis8 b8 b8 cis8 ~ cis8 b8 ~ b4 ~
+ b8 r8 r4 r2
+ e8 b8 b8 a8 ~ a8 b8 ~ b4 ~
+ b8 r8 r4 r2
+ \transpose c c, \agnus
+ r1
+ \repeat unfold 2 {
+ r2 r4 b4
+ b4( d8) d8 ~ d4 b4
+ a8( b8) c8 b8 ~ b8 g8 ~ g4 ~
+ g8 r8 r4 r2
+ }
+ r2 r4 d'4
+ d4. d8 ~ d4 d4
+ \times 2/3 { f4( e4) c4 } d4. d8 ~
+ d4. d8 ~ d2 ~
+ d4 r4 r4 d4
+ d4. d8 ~ d4 d4
+ \times 2/3 { e4( d4) e4 } d2 ~
+ d4 r4 r4 e4( ~
+ \times 2/3 { e2 d2 e2 ~ }
+ e2) d2 ~
+ d4 r4 r2
+ e8 e8 e8 e8 ~ e8 b4 cis8 ~
+ cis8 cis4 b8 cis8 dis8 b4 ~
+ b8 r8 r4 r2
+ r1
+ r1
+ gis8 gis8 gis8 gis8 a4 a8 fis8 ~
+ fis8 fis8 fis8 e8 fis8( gis8) gis4 ~
+ gis8 r8 r4 r2
+ r2 r4 gis8 b8
+ b1 ~
+ b4 r4 r8 e4 cis8
+ b1 ~
+ b4 r4 r8 cis4 cis8 ~
+ cis4 b2. ~
+ b4 r4 r2
+ b4( e8) a,8 ~ a2
+ gis8( a8 b8) fis8 ~ fis2
+ r2 r8 e'4( cis8)
+ b2 r8 dis8 ~ dis4
+ e1 ~
+ e1 ~
+ e8 r8 r4 r2
+ }
+ >>
+ }
+
+ omni = \relative c'' {
+ b4 e8 a,8 ~ a8 gis4 a8
+ b8 a8 gis2.
+ }
+ xp = \relative c'' {
+ r4 \times 2/3 { b8 b8 b8 } b16 b16 b16 b16 \times2/3 { b8 b8 b8 }
+ b8 b8 cis8( a8) b2
+ }
+ sohn = \relative c'' {
+ b4 e8 a,8 ~ a8 gis4( fis8)
+ e2. r4
+ }
+ miserere = \relative c'' {
+ b4 b8 c8 ~ c8 c4 a8 ~
+ a8 a8 a8 g8 a8( b8) b4
+ }
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1
+ r1
+ gis4 gis8 a8 ~ a8 a4 fis8 ~
+ fis8 fis4( e8) fis8 gis8 e4
+ b'8 b8 b8 b8 gis4( fis8) e8 ~
+ e4 r4 r2
+ r2 r4 b'8 b8
+ cis4 b8 a8 ~ a4 b4
+ r1
+ gis8 gis8 gis8 fis8 ~ fis8 fis8 e4 ~
+ e8 r8 r4 r2
+ r8 gis4 gis8 a8( b8) b4 ~
+ b8 r8 r4 r2
+ r8 gis8 gis8 gis8 a8( b8) b4 ~
+ b8 r8 r4 r2
+ r1
+ gis4 gis8 a8 ~ a8 a4 fis8 ~
+ fis8 fis4( e8) fis8 gis8 e4
+ b'8 b8 b8 b8 gis4( fis8) e8 ~
+ e4 r4 r4 r8 gis8 ~
+ gis8 fis8 gis8 b8 ~ b8 gis8 ~ gis4 ~
+ gis8 r8 r4 r4 r8 e8 ~
+ e8 e8 e8 fis8 ~ fis8 gis8 ~ gis4
+ \rex
+ \omni
+ \xp
+ r2 r4 r8 gis8 ~
+ gis8 fis8 gis8 b8 ~ b8 gis8 ~ gis4 ~
+ gis8 r8 r4 r4 r8 e8 ~
+ e8 e8 e8 fis8 ~ fis8 gis8 ~ gis4
+ \agnus
+ \sohn
+ r1
+ r1
+ \miserere
+ r1
+ r1
+ b8 b8 b8 c8 ~ c8 c4 a8 ~
+ a8 a8 a8 g8 a8( b8) b4
+ r1
+ r1
+ \miserere
+ \miserere
+ b4 d8 c8 ~ c8 c4 a8 ~
+ a8 a8 a8 g8 a8( b8) b4
+ b8( g8) d'8 c8 ~ c8 c4 a8 ~
+ a8 a8 a8 g8 a8( b8) b4
+ r1
+ r1
+ gis4 gis8 a8 ~ a8 a4 fis8 ~
+ fis8 fis4 e8 fis8 gis8 e4
+ b'8 b8 b8 b8 gis4 fis8 e8 ~
+ e4 r4 r2
+ r2 r4 e4
+ gis8 gis8 gis8 gis8 a4 a8 fis8 ~
+ fis8 fis8 fis8 e8 fis8( gis8) gis4
+ gis8 b8 b8 gis8 a4 a8 fis8 ~
+ fis8 fis8 fis8 e8 fis8( gis8) gis4
+ gis8 b8 b8 gis8 a4 a8 fis8 ~
+ fis8 fis8 fis8 e8 fis8( gis8) gis4
+ gis8 gis8 gis8 a8 ~ a8 a4 b8 ~
+ b8 b8 b8 a8 b8( cis8) cis4
+ r1
+ r1
+ b4( e8) a,8 ~ a2
+ gis8( a8 b8) fis8 ~ fis2
+ r4 e'2( cis4)
+ e1 ~
+ e8 r8 r4 r2
+ }
+ >>
+ }
+
+ miserere = \relative c'' {
+ g4 g8 g8 ~ g8 g4 fis8 ~
+ fis8 fis8 fis8 e8 fis8( g8) g4
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ r1
+ e4 e8 e8 ~ e8 e4 dis8 ~
+ dis8 dis4( cis8) dis8 e8 b4
+ b8 b8 b8 b8 e4( dis8) e8 ~
+ e4 r4 r2
+ r2 r4 b'8 b8
+ a4 gis8 fis8 ~ fis4 gis4
+ r1
+ e8 e8 e8 dis8 ~ dis8 dis8 b4 ~
+ b8 r8 r4 r2
+ r8 gis'4 gis8 a8( b8) b4 ~
+ b8 r8 r4 r2
+ r8 gis8 gis8 gis8 a8( b8) b4 ~
+ b8 r8 r4 r2
+ r1
+ e,4 e8 e8 ~ e8 e4 dis8 ~
+ dis8 dis4( cis8) dis8 e8 b4
+ b8 b8 b8 b8 e4( dis8) e8 ~
+ e4 r4 r4 r8 gis8 ~
+ gis8 fis8 gis8 b8 ~ b8 gis8 ~ gis4 ~
+ gis8 r8 r4 r4 r8 e8 ~
+ e8 e8 e8 fis8 ~ fis8 gis8 ~ gis4
+ e8 e8 e8 fis8 ~ fis8 fis4 gis8 ~
+ gis8 gis4( fis8) gis8( a8) a4
+ \omni
+ \xp
+ r2 r4 r8 gis8 ~
+ gis8 fis8 gis8 b8 ~ b8 gis8 ~ gis4 ~
+ gis8 r8 r4 r4 r8 e8 ~
+ e8 e8 e8 fis8 ~ fis8 gis8 ~ gis4
+ e8 e8 e8 fis8 ~ fis8 fis4 gis8 ~
+ gis8 gis4( fis8) gis8( a8) a4
+ \sohn
+ r1
+ r1
+ \miserere
+ r1
+ r1
+ g8 g8 g8 g8 ~ g8 g4 fis8 ~
+ fis8 fis8 fis8 e8 fis8( g8) g4
+ r1
+ r1
+ \miserere
+ \miserere
+ \miserere
+ \miserere
+ r1
+ r1
+ e4 e8 e8 ~ e8 e4 dis8 ~
+ dis8 dis4 cis8 dis8 e8 b4
+ b8 b8 b8 b8 e4 dis8 e8 ~
+ e4 r4 r2
+ r2 r4 e4
+ e8 e8 e8 e8 e4 e8 dis8 ~
+ dis8 dis8 dis8 cis8 dis8( e8) e4
+ e8 e8 gis8 e8 e4 e8 dis8 ~
+ dis8 dis8 dis8 cis8 dis8( e8) e4
+ e8 e8 gis8 gis8 e4 e8 dis8 ~
+ dis8 dis8 dis8 cis8 dis8( e8) e4
+ e8 e8 e8 fis8 ~ fis8 fis4 gis8 ~
+ gis8 gis8 gis8 fis8 gis8( a8) a4
+ r1
+ r1
+ gis4( e8) e8 ~ e2
+ e4. dis8 ~ dis2
+ r4 a'2.
+ fis4.( gis8 ~ gis2 ~
+ gis8) r8 r4 r2
+ }
+ >>
+ }
+
+ miserere = \relative c' {
+ d4 d8 e8 ~ e8 e4 d8 ~
+ d8 d8 d8 d8 d4 d4
+ }
+ misererere = \relative c' {
+ d4 d8 e8 ~ e8 e4 d8 ~
+ d8 d8 d8 c8 d4 d4
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ r1
+ r1
+ b4 b8 cis8 ~ cis8 cis4 b8 ~
+ b8 b4( a8) b8 b8 gis4
+ b8 b8 b8 b8 a4( b8) e,8 ~
+ e4 r4 r2
+ r2 r4 b'8 b8
+ cis4 b8 a8 ~ a4 b4
+ r1
+ b8 b8 b8 b8 ~ b8 b8 b4 ~
+ b8 r8 r4 r2
+ r8 gis4 gis8 a8( b8) b4 ~
+ b8 r8 r4 r2
+ r8 gis8 gis8 gis8 a8( b8) b4 ~
+ b8 r8 r4 r2
+ r1
+ b4 b8 cis8 ~ cis8 cis4 b8 ~
+ b8 b4( a8) b8 b8 gis4
+ b8 b8 b8 b8 a4( b8) e,8 ~
+ e4 r4 r4 r8 cis'8 ~
+ cis8 b8 cis8 e8 ~ e8 cis8 ~ cis4 ~
+ cis8 r8 r4 r4 r8 cis8 ~
+ cis8 cis8 cis8 dis8 ~ dis8 e8 ~ e4
+ b8 b8 b8 cis8 ~ cis8 cis4 dis8 ~
+ dis8 dis4( cis8) dis8( e8) e4
+ \transpose c' c \omni
+ \transpose c' c \xp
+ r2 r4 r8 cis8 ~
+ cis8 b8 cis8 e8 ~ e8 cis8 ~ cis4 ~
+ cis8 r8 r4 r4 r8 cis8 ~
+ cis8 cis8 cis8 dis8 ~ dis8 e8 ~ e4
+ b8 b8 b8 cis8 ~ cis8 cis4 dis8 ~
+ dis8 dis4( cis8) dis8( e8) e4
+ \transpose c' c \sohn
+ r1
+ r1
+ \miserere
+ r1
+ r1
+ d8 d8 d8 e8 ~ e8 e4 d8 ~
+ d8 d8 d8 d8 d4 d4
+ r1
+ r1
+ \miserere
+ \miserere
+ \misererere
+ \misererere
+ r1
+ r1
+ b4 b8 cis8 ~ cis8 cis4 b8 ~
+ b8 b4 a8 b8 b8 gis4
+ b8 b8 b8 b8 a4 b8 e,8 ~
+ e4 r4 r2
+ r2 r4 e4
+ b'8 b8 b8 b8 cis4 cis8 b8 ~
+ b8 b8 b8 a8 b4 b4
+ b8 b8 b8 b8 cis4 cis8 b8 ~
+ b8 b8 b8 a8 b4 b4
+ b8 b8 e8 b8 cis4 cis8 b8 ~
+ b8 b8 b8 a8 b4 b4
+ b8 b8 b8 cis8 ~ cis8 cis4 dis8 ~
+ dis8 dis8 dis8 cis8 dis8( e8) e4
+ r1
+ r1
+ e4( b8) cis8 ~ cis2
+ b8( cis8 b8) b8 ~ b2
+ r4 cis2( e4)
+ cis8( b8 ~ b2. ~
+ b8) r8 r4 r2
+ }
+ >>
+ }
+
+ miserere = \relative c' {
+ g4 g8 g8 ~ g8 g4 d8 ~
+ d8 d8 d8 d8 d8( g8) g4
+ }
+ misererere = \relative c' {
+ g8( e8) g8 g8 ~ g8 g4 d8 ~
+ d8 d8 d8 d8 d8( g8) g4
+ }
+
+ bassMelodie = \relative c' {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r1
+ r1
+ b4 b8 cis8 ~ cis8 cis4 b8 ~
+ b8 b4( a8) b8 b8 gis4
+ b8 b8 b8 b8 a4( b8) e,8 ~
+ e4 r4 r2
+ r2 r4 b'8 b8
+ a4 gis8 fis8 ~ fis4 gis4
+ r1
+ e8 e8 e8 a8 ~ a8 a8 gis4 ~
+ gis8 r8 r4 r2
+ r8 gis4 gis8 a8( b8) b4 ~
+ b8 r8 r4 r2
+ r8 gis8 gis8 gis8 a8( b8) b4 ~
+ b8 r8 r4 r2
+ r1
+ b4 b8 cis8 ~ cis8 cis4 b8 ~
+ b8 b4( a8) b8 b8 gis4
+ b8 b8 b8 b8 a4( b8) e,8 ~
+ e4 r4 r4 r8 e8 ~
+ e8 dis8 e8 gis8 ~ gis8 e8 ~ e4 ~
+ e8 r8 r4 r4 r8 a8 ~
+ a8 a8 a8 b8 ~ b8 cis8 ~ cis4
+ e,8 e8 e8 fis8 ~ fis8 fis4 gis8 ~
+ gis8 gis4( fis8) gis8( a8) a4
+ \transpose c' c \omni
+ \transpose c' c, \xp
+ r2 r4 r8 e8 ~
+ e8 dis8 e8 gis8 ~ gis8 e8 ~ e4 ~
+ e8 r8 r4 r4 r8 a8 ~
+ a8 a8 a8 b8 ~ b8 cis8 ~ cis4
+ e,8 e8 e8 fis8 ~ fis8 fis4 gis8 ~
+ gis8 gis4( fis8) gis8( a8) a4
+ \transpose c' c \sohn
+ r1
+ r1
+ \miserere
+ r1
+ r1
+ g8 g8 g8 g8 ~ g8 g4 d8 ~
+ d8 d8 d8 d8 d8( g8) g4
+ r1
+ r1
+ \miserere
+ \miserere
+ \misererere
+ \misererere
+ r1
+ r1
+ b4 b8 cis8 ~ cis8 cis4 b8 ~
+ b8 b4 a8 b8 b8 gis4
+ b8 b8 b8 b8 a4 b8 e,8 ~
+ e4 r4 r2
+ r2 r4 e4
+ b'8 b8 b8 b8 cis4 cis8 b8 ~
+ b8 b8 b8 a8 b4 b4
+ b8 b8 b8 b8 cis4 cis8 b8 ~
+ b8 b8 b8 a8 b4 b4
+ b8 b8 b8 b8 cis4 cis8 b8 ~
+ b8 b8 b8 a8 b4 b4
+ e,8 e8 e8 fis8 ~ fis8 fis4 gis8 ~
+ gis8 gis8 gis8 fis8 gis8( a8) a4
+ r1
+ r1
+ b4( gis8) a8 ~ a2
+ b8( a8 gis8) b8 ~ b2
+ r4 a2.
+ e1 ~
+ e8 r8 r4 r2
+ }
+ >>
+ }
+
diff --git a/hr/michi/kenya/texte.ly b/hr/michi/kenya/texte.ly
new file mode 100644
index 0000000..42cd997
--- /dev/null
+++ b/hr/michi/kenya/texte.ly
@@ -0,0 +1,87 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+ pax = \lyricmode {
+ et in ter -- ra pax ho -- mi -- ni -- bus
+ bo -- næ vo -- lun -- ta -- tis.
+ }
+ bene = \lyricmode {
+ be -- ne -- di -- ci -- mus te,
+ glo -- ri -- fi -- ca -- mus te,
+ ti -- bi pro -- pter
+ glo -- ri -- am tu -- am.
+ }
+ dd = \lyricmode {
+ Do -- mi -- ne De -- us,
+ }
+ rex = \lyricmode {
+ rex cœ -- le -- stis,
+ De -- us pa -- ter om -- ni -- po -- tens.
+ }
+ jesu = \lyricmode {
+ Do -- mi -- ne Fi -- li u -- ni -- gen -- i -- te
+ Je -- su Chri -- ste,
+ }
+ agnus = \lyricmode {
+ a -- gnus De -- i,
+ Fi -- li -- us Pa -- tris.
+ }
+ cygnus = \lyricmode {
+ mi -- se -- re -- re mi -- se -- re -- re no -- bis.
+ }
+ soter = \lyricmode {
+ sus -- ci -- pe de -- pre -- ca -- ti -- o -- nem no -- stram.
+ }
+ super = \lyricmode {
+ Do -- mi -- nus, tu sol -- us al -- tis -- si -- mus
+ Je -- su Cri -- ste Do -- mi -- nus.
+ }
+ spirit = \lyricmode {
+ sanc -- to spi -- ri -- tu in glo -- ria De -- i Pa -- tris,
+ }
+ sprite = \lyricmode {
+ sanc -- to spi -- ri_tu in glo -- ria De -- i Pa -- tris,
+ }
+ amen = \lyricmode {
+ A -- men
+ A -- men
+ A -- men
+ }
+
+ chor = \lyricmode {
+ \pax
+ \bene
+ \pax
+ \dd \dd \dd
+ \rex
+ \jesu
+ \dd \dd \dd
+ \agnus
+ \cygnus
+ \soter
+ \cygnus \cygnus \cygnus \cygnus
+ \super
+ Cum \spirit \spirit \spirit \sprite
+ \amen
+ }
+
+% Die Textaufteilungen % -- _
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ \chor
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/michi/lullabye/dynArt.ly b/hr/michi/lullabye/dynArt.ly
new file mode 100644
index 0000000..9f36aed
--- /dev/null
+++ b/hr/michi/lullabye/dynArt.ly
@@ -0,0 +1,30 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s1*4
+ s1*17
+ \bar "||"
+ \key g \minor
+ s1*8
+ \bar "||"
+ \key g \major
+ s1*19
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/michi/lullabye/lullabye.ly b/hr/michi/lullabye/lullabye.ly
new file mode 100644
index 0000000..ea804fb
--- /dev/null
+++ b/hr/michi/lullabye/lullabye.ly
@@ -0,0 +1,74 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Lullabye"
+ composer = "Billy Joel"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 17)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \voiceOne \tenorMelodieI }
+ \new Voice = "tenoere" { \global \voiceTwo \tenorMelodieII }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \voiceOne \bassMelodieI }
+ \new Voice = "baesse" { \global \voiceTwo \bassMelodieII }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = sopran { \sop }
+ \new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ \new Staff = bass { \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/michi/lullabye/midi.lua b/hr/michi/lullabye/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/michi/lullabye/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/michi/lullabye/stimmen.ly b/hr/michi/lullabye/stimmen.ly
new file mode 100644
index 0000000..96fde3b
--- /dev/null
+++ b/hr/michi/lullabye/stimmen.ly
@@ -0,0 +1,416 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key g \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1
+ r1
+ r8 b8 b8 a8 a8 b8 b8 g8
+ g1
+ \repeat volta 2 {
+ r8 b8 b8 a8 a8 b8 b8 c8
+ c4. b8 b2
+ r8 a8 a8 a8 a8 g8 g8 fis8
+ fis4. e16( d16) e2
+ r8 b'8 b8 a8 a8 b8 b8 c8
+ c4. b8 b2
+ r8 a8 a8 a8 a8 g8 g8 fis8
+ fis4. e8 e2
+ r8 c'8 c8 b8 b8 a8 a8 b8
+ b4.( a8) a2
+ r8 b8 b8 b8 b8 d4 g,8 ~
+ g1
+ r8 b8 b8 b8 b8 d4 g,8 ~
+ g8 g8 g8 g8 g4 b8 e,8 ~
+ e8 e8 e8 d8 e4 g4
+ } \alternative {
+ {
+ e4. d8 d2
+ }
+ {
+ e4. d8 d2
+ }
+ }
+ r8 bes'8 bes8 a8 a8 bes8 bes8 a8
+ a8 g8 g8 g8 g8 fis8 fis4
+ r8 bes8 bes8 a8 a8 bes8 bes8 a8
+ a8 g8 g8 g8 g8 fis8 fis4
+ r8 f8 f8 g8 aes4. g8
+ f2 ees2
+ r8 g8 g8 a8 bes4 a4
+ g2 fis2
+ %
+ r8 b8 b8 a8 a8 b8 b8 c8
+ c4. b8 b2
+ r8 a8 a8 a8 a8 g8 g8 fis8
+ fis4. e16( d16) e2
+ r8 b'8 b8 a8 a8 b8 b8 d8
+ d8 c8 c8 b8 b8 a8 a4
+ r8 a8 b8 c8 d4 b16( a16) g8
+ g8 g8 a16 b16 a8 ~ a4. g8
+ g1
+ r1
+ r8 b8 b8 a8 a8 b8 b8 g8
+ g1
+ r8 b8 b8 a8 a8 b8 b8 d8
+ d16 c16 c4 b8 b8 a8 a4
+ r8 a8 b8 c8 d4 b8 g8
+ g4. a16( b16) a4. g8
+ g1
+ g1 ~
+ g1
+ }
+ >>
+ }
+
+ altMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ r1
+ r8 g8 g8 g8 g8 g8 g8 d8
+ e1
+ \repeat volta 2 {
+ r8 g8 g8 g8 g8 g8 g8 g8
+ g4. g8 g2
+ r8 fis8 fis8 fis8 fis8 e8 e8 d8
+ d4. e16( d16) e2
+ r8 g8 g8 g8 g8 g8 g8 g8
+ g4. g8 g2
+ r8 fis8 fis8 fis8 fis8 e8 e8 d8
+ d4. cis8 cis2
+ r8 a'8 a8 g8 g8 e8 e8 g8
+ g2 g4( fis4)
+ r8 g8 g8 g8 g8 g4 g8 ~
+ g1
+ r8 g8 g8 g8 f8 f4 f8 ~
+ f8 e8 d8 c8 d4 d8 d8 ~
+ d8 d8 d8 d8 cis4 cis4
+ } \alternative {
+ {
+ e4. d8 d2
+ }
+ {
+ e4. d8 d2
+ }
+ }
+ r8 g8 g8 f8 f8 f8 f8 f8
+ f8 d8 d8 ees8 ees8 d8 d4
+ r8 g8 g8 f8 f8 f8 f8 ees8
+ ees8 d8 d8 ees8 ees8 d8 d4
+ r8 d8 ~ d2.
+ d2 d4 c4
+ r8 e8 ~ e2.
+ e1
+ %
+ r8 d4( c8 ~ c8 d4 g8 ~
+ g1)
+ r8 fis4.( ~ fis8 e4 d8
+ d4. c8 ~ c2)
+ r8 g'8( ~ g2.
+ g4. f8 f8 e8 e4)
+ r8 fis4.( g2
+ e2 g4 fis4)
+ r1
+ r1
+ r8 g8 g8 g8 g8 g8 g8 d8
+ e1
+ r8 g8 g8 g8 g8 g8 g8 g8
+ g16 g16 g4 f8 f8 e8 e4
+ r8 fis8 fis8 fis8 g4 g8 d8
+ e4. e8 g4 fis4
+ g1
+ g4. f8 f8 ees8 ees8 d8
+ d1
+ }
+ >>
+ }
+
+ tenorMelodieI = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ r8 b8 b8 a8 a8 b8 b8 g8
+ g1
+ r8 d'8 d8 c8 c8 d8 d8 b8
+ d2( c2)
+ \repeat volta 2 {
+ r8 d8 d8 ees8 ees8 d8 d8 c8
+ c4. d8 d2
+ r8 c8 c8 c8 c8 b8 b8 a8
+ c4. c8 c2
+ r8 d8 d8 ees8 ees8 d8 d8 c8
+ c4. d8 d2
+ r8 c8 c8 c8 c8 b8 b8 a8
+ b4. cis8 cis2
+ r8 e8 e8 d8 d8 c8 c8 d8
+ d2 c2
+ r8 d8 d8 d8 b8 b4 d8( ~
+ d2 c2)
+ r8 d8 d8 d8 d8 d4 d8 ~
+ d8 c8 b8 a8 b4 b8 b8 ~
+ b8 b8 b8 b8 a4 a4
+ } \alternative {
+ {
+ c4. c8 b4( c4)
+ }
+ {
+ c4. c8 c2
+ }
+ }
+ %
+ r8 d8 d8 c8 c8 d8 d8 c8
+ c8 bes8 bes8 c8 c8 a8 a4
+ r8 d8 d8 c8 c8 d8 d8 c8
+ c8 bes8 bes8 c8 c8 a8 a4
+ r8 b8 ~ b2.
+ g1
+ r8 cis8 ~ cis2.
+ c1
+ %
+ r8 g4.( ~ g4. c8 ~
+ c4. d8 ~ d2)
+ r8 c4.( ~ c8 b4 a8
+ c1)
+ r8 d4( c8 c8 d8 d8 d8
+ d8 c8 c8 b8 b8 a8 a4)
+ r8 c4.( d2
+ cis2 c2)
+ r8 b8 b8 a8 a8 b8 b8 g8
+ g1
+ r8 d'8 d8 c8 c8 d8 d8 b8
+ d2( c2)
+ r8 d8 d8 ees8 ees8 d8 d8 d8
+ d16 c16 c4 b8 b8 a8 a4
+ r8 c8 c8 c8 d4 d8 d8
+ cis4. cis8 e4 d4
+ r8 b8 b8 a8 a8 b8 b8 d8
+ d8 c8 ~ c2.
+ b1
+ }
+ >>
+ }
+ tenorMelodieII = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ r4 r8 a8 a8 g8 g8 d8
+ e1
+ r8 b'8 b8 a8 a8 b8 b8 g8
+ g1
+ \repeat volta 2 {
+ r8 d'8 d8 c8 c8 d8 d8 g,8
+ g4. b8 b2
+ r8 c8 c8 c8 c8 b8 b8 a8
+ a4. g8 g2
+ r8 d8 d8 c8 c8 d8 d8 g8
+ g4. b8 b2
+ r8 c8 c8 c8 c8 b8 b8 a8
+ a4. a8 a2
+ r8 c8 c8 b8 b8 a8 a8 b8
+ b4.( a8) a2
+ r8 b8 b8 b8 b8 d4 g,8 ~
+ g1
+ r8 b8 b8 b8 b8 d4 g,8 ~
+ g8 g8 g8 g8 g4 b8 g8 ~
+ g8 g8 g8 g8 a4 a4
+ } \alternative {
+ {
+ g4. g8 b4( a4)
+ }
+ {
+ g4. g8 fis2
+ }
+ }
+ %
+ r8 d'8 d8 c8 c8 d8 d8 c8
+ c8 bes8 bes8 g8 g8 a8 a4
+ r8 d8 d8 c8 c8 d8 d8 c8
+ c8 bes8 bes8 g8 g8 a8 a4
+ r8 g8 ~ g2.
+ g1
+ r8 a8 ~ a2.
+ a1
+ %
+ r8 g4.( ~ g4. c8 ~
+ c4. b8 ~ b2)
+ r8 c4.( ~ c8 b4 a8
+ a4. g8 ~ g2)
+ r8 b4( a8 a8 b8 b8 d8
+ g,1)
+ r8 a4.( g2
+ g2 a2)
+ r4 r8 a8 a8 g8 g8 d8
+ e1
+ r8 b'8 b8 a8 a8 b8 b8 g8
+ g1
+ r8 d'8 d8 c8 c8 d8 d8 d8
+ d16 c16 c4 b8 b8 a8 a4
+ r8 a8 a8 a8 g4 g8 g8
+ g4. g8 c4 c4
+ b4. a8 a8 g8 g4 ~
+ g4. c8 ~ c4 a4
+ g1
+ }
+ >>
+ }
+
+ bassMelodieI = \relative c' {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r2 r8 g8 g8 b,8
+ d2( c2)
+ r8 d8 d8 ees8 ees8 d8 d4
+ e1
+ \repeat volta 2 {
+ r8 g8 g8 g8 g8 g8 g8 ees8
+ ees4. g8 g2
+ r8 d8 d8 d8 e8 e8 e8 fis8
+ fis4. g8 g2
+ r8 g8 g8 g8 g8 g8 g8 ees8
+ ees4. g8 g2
+ r8 d8 d8 d8 e8 e8 e8 fis8
+ a4. e8 e2
+ r8 e8 e8 g8 g8 a8 a8 g8
+ g2 d2
+ r8 f8 f8 f8 f8 f4 e8 ~
+ e1
+ r8 g8 g8 g8 g8 g4 c,8 ~
+ c8 c8 c8 c8 e4 e8 e8 ~
+ e2 e4 e4
+ } \alternative {
+ {
+ g4. g8 fis4( e4)
+ }
+ {
+ g4. g8 fis2
+ }
+ }
+ %
+ r8 g8 g8 f8 f8 bes,8 bes8 f'8
+ f8 g8 g8 ees8 ees8 d8 d4
+ r8 g8 g8 f8 f8 bes,8 bes8 c8
+ c8 d8 d8 ees8 ees8 d8 d4
+ r8 d8 d8 ees8 f4. ees8
+ d2 c2
+ r8 e8 e8 f8 g4 fis4
+ e2 d2
+ %
+ r8 d4( ees8 ~ ees8 d4 g8 ~
+ g1)
+ d2( e4. fis8
+ fis4. g8 ~ g2)
+ r8 d4( ees8 ees8 d8 d8 f8
+ f8 e8 e8 d8 d8 cis8 cis4)
+ r8 fis4.( g2
+ e2 d2)
+ r2 r8 g8 g8 b,8
+ d2( c2)
+ r8 d8 d8 ees8 ees8 d8 d4
+ e1
+ r8 g8 g8 g8 g8 g8 g8 f8
+ f16 e16 e4 d8 d8 cis8 cis4
+ r8 fis8 fis8 fis8 g4 g8 g8
+ e4. e8 d4 d4
+ g2. g8 f8
+ f8 ees8 ees8 aes8 aes8 a8 a4
+ d,1
+ }
+ >>
+ }
+ bassMelodieII = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r1
+ r1
+ r8 g8 ~ g2.
+ c1
+ \repeat volta 2 {
+ r8 g'8 g8 g8 g8 g8 g8 ees8
+ ees4. d8 d2
+ r8 d8 d8 d8 e8 e8 e8 fis8
+ a,4. c8 c2
+ r8 g'8 g8 g8 g8 g8 g8 ees8
+ ees4. d8 d2
+ r8 d8 d8 d8 e8 e8 e8 fis8
+ a,4. a8 a2
+ r8 a8 a8 b8 b8 c8 c8 d8
+ d2 d2
+ r8 f8 f8 f8 f8 f4 e8 ~
+ e1
+ r8 d8 d8 d8 d8 d4 c8 ~
+ c8 c8 c8 c8 b4 b4
+ a2 a4 a4
+ } \alternative {
+ {
+ d4. d8 d2
+ }
+ {
+ d4. d8 d2
+ }
+ }
+ %
+ r8 g8 g8 f8 f8 bes,8 bes8 f'8
+ f8 g8 g8 ees8 ees8 d8 d4
+ r8 g8 g8 f8 f8 bes,8 bes8 c8
+ c8 d8 d8 ees8 ees8 d8 d4
+ r8 g,8 ~ g2.
+ b2 c2
+ r8 a8 ~ a2.
+ d1
+ %
+ g,2.( ~ g8 ees'8 ~
+ ees4. d8 ~ d2)
+ d2( e4. fis8
+ a,4. c8 ~ c2)
+ g1( ~
+ g4. d'8 d8 cis8 cis4)
+ r8 c4.( b2
+ a2 d2)
+ r1
+ r1
+ r8 g,8 ~ g2.
+ c1
+ r8 g'8 g8 g8 g8 g8 g8 f8
+ f16 e16 e4 d8 d8 cis8 cis4
+ r8 c8 b8 a8 b4 b8 b8
+ a4. a8 d4 d4
+ g,2 g2 ~
+ g1 ~
+ g1
+ }
+ >>
+ }
+
diff --git a/hr/michi/lullabye/texte.ly b/hr/michi/lullabye/texte.ly
new file mode 100644
index 0000000..02ed3b0
--- /dev/null
+++ b/hr/michi/lullabye/texte.ly
@@ -0,0 +1,22 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen % -- _
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/michi/mass/dynArt.ly b/hr/michi/mass/dynArt.ly
new file mode 100644
index 0000000..b3027b7
--- /dev/null
+++ b/hr/michi/mass/dynArt.ly
@@ -0,0 +1,81 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s2.
+ \time 7/8
+ s1*7/8*9
+ \bar "||"
+ \time 3/4
+ s2.*2
+ \time 5/4
+ s4*5
+ \break
+ \time 3/4
+ s2.*2
+ \time 5/4
+ s4*5
+ \time 3/4
+ s2.*2
+ \time 5/4
+ s4*5
+ \bar "||"
+ \time 3/4
+ s2.*8
+ \time 4/4
+ s1
+ \time 3/4
+ s2.*2
+ \time 4/4
+ s1
+ \time 7/8
+ s1*7/8*9
+ \bar "||"
+ s1*7/8*4
+ \time 3/4
+ s2.*4
+ \time 7/8
+ s1*7/8*3
+ \time 2/4
+ s2
+ \time 3/4
+ s2.*8
+ \time 4/4
+ s1
+ \time 3/4
+ s2.*2
+ \time 4/4
+ s1
+ \bar "||"
+ \time 3/4
+ s2.*2
+ \time 5/4
+ s4*5
+ \time 3/4
+ s2.*2
+ \time 5/4
+ s4*5
+ \time 3/4
+ s2.*2
+ \time 5/4
+ s4*5
+ \time 3/4
+ s2.*4
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/michi/mass/mass.ly b/hr/michi/mass/mass.ly
new file mode 100644
index 0000000..2279ed2
--- /dev/null
+++ b/hr/michi/mass/mass.ly
@@ -0,0 +1,72 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Kyrie"
+ %composer = "<+Komponist+>"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 15)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = sopran { \sop }
+ \new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ \new Staff = bass { \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/michi/mass/midi.lua b/hr/michi/mass/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/michi/mass/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/michi/mass/stimmen.ly b/hr/michi/mass/stimmen.ly
new file mode 100644
index 0000000..1923097
--- /dev/null
+++ b/hr/michi/mass/stimmen.ly
@@ -0,0 +1,345 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key bes \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 3/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ pause = {
+ \repeat volta 4 {
+ R2.
+ }
+ }
+ unterPause = {
+ R1*7/8*7
+ }
+ generalA = {
+ R2.*2
+ R4*5
+ }
+
+ sopA = \relative c'' {
+ \repeat volta 4 {
+ R1*7/8
+ }
+ r4. r16 des16 c16 bes16 aes16 ges16 f16 ees16
+ des8. bes16 r8 r16 bes'16 aes16 ges16 f16 ees16 des16 c16
+ des8. bes16 r8 r16 des'16 c16 bes16 aes16 ges16 f16 ees16
+ des8. bes16 r8 r16 bes'16 aes16 ges16 f16 ees16 des16 c16
+ \repeat percent 2 {
+ des8. bes16 r8 r16 <des' bes>16 <c aes>16 <bes ges>16 <aes f>16 <ges ees>16 <f des>16 <ees c>16
+ }
+ des8. bes16 r8 r16 <des' bes>16 <c aes>16 <bes ges>16 <aes f>16 <ges ees>16 <f des>8
+ <c' a>16 q16 q8 q16 <d bes>16 q16 <ees c>16 q16 <d bes>16 q8 <c a>8
+ }
+ sopB = \relative c' {
+ r8 f16 ges16 f8 a8
+ \times 2/3 { c8( des8) bes8 ~ } bes4 ~ bes16 aes16 f16 ees16 ~
+ ees16 f16 r8 r8 f16 ges16 f8 a8
+ \times 2/3 { c8( des8) bes8 ~ } bes4 ~ bes16 aes16 f16 ees16 ~
+ ees16 f16 r8 r8 f16 ges16 f8 a8
+ \times 2/3 { c8( des8) bes8 ~ } bes2 ~
+ bes2. ~
+ bes2. ~
+ bes4 r16 bes16 c16 des16( ~ des16 c16) bes16 c16 ~ c8 bes8 ~
+ bes2. ~
+ bes2. ~
+ bes2 r2
+ }
+ patAs = \relative c'' {
+ c16 f,16 f8 c'8 c16 des16 des16( c16) f,8
+ }
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ \pause
+ \sopA
+ \generalA
+ \repeat volta 2 {
+ R2.
+ f,8. bes,16 bes2 ~
+ bes4. r8 bes'8 c16 des16 c8.( f,16) f4 ~
+ f2 r4
+ f8. bes16 bes2
+ bes8. bes,16 bes4 bes'8 c16 des16 c8.( f,16) f4 ~
+ f4
+ \sopB
+ }
+ \sopA
+ R1*7/8*4
+ \patAs
+ \transpose c cis \patAs
+ \transpose c d \patAs
+ \transpose c ees \relative c'' { c16 f,16 f8 c'8 c16 }
+ e'16 e16( c16) e8
+ \repeat percent 2 {
+ f16 f16 f8 f16 f16 f16 f16 f16 f16 f8 f8
+ }
+ f16 f16 f8 f16 f16 f16 f16 f16 f16 f8 f8
+ r2
+ r4
+ \sopB
+ f8. bes,16 bes2 ~
+ bes2.
+ f8. bes,16 bes4 bes'8 c16 des16 c8.( f,16) f4 ~
+ f2 r4
+ f8. bes16 bes2
+ bes8. bes,16 bes4 bes'8 c16 des16 c8.( f,16) f4 ~
+ f2.
+ f8. bes16 bes2 ~
+ bes4. r8 bes8 c16 des16 ees8.( f16) f4 ~
+ f2. ~
+ f2. ~
+ f2.
+ R2.
+ }
+ >>
+ }
+
+ altB = \relative c' {
+ r8 f16 ges16 f8 f8
+ \times 2/3 { f4 f8 ~ } f4 ~ f16 ees16 f16 ees16 ~
+ ees16 f16 r8 r8 f16 ges16 f8 f8
+ \times 2/3 { f4 f8 ~ } f4 ~ f16 ees16 f16 ees16 ~
+ ees16 f16 r8 r8 f16 ges16 f8 f8
+ \times 2/3 { f4 f8 ~ } f2 ~
+ f2. ~
+ f2. ~
+ f4 r16 bes16 c16 des16( ~ des16 c16) bes16 c16 ~ c8 bes8 ~
+ bes2 ~ bes8 f16 g16
+ f4 ~ f16 c16 d8 c16 bes16 g16 f16 ~
+ f2 r2
+ }
+ patAa = \relative c'' {
+ c16 f,16 f8 f8 f16 f16 f8 f8
+ }
+ patBa = \relative c'' {
+ a16 g16 g8 g8 g16 g16 g8 g8
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ \pause
+ \repeat volta 4 {
+ f16 f16 f8 f16 f16 f16 ges16 f16 ees16 f8 bes,8
+ }
+ \unterPause
+ f'16 f16 f8 f16 f16 f16 f16 f16 f16 f8 f8
+ \generalA
+ \repeat volta 2 {
+ f8. bes,16 bes2 ~
+ bes2 r4
+ f'8. bes,16 bes4 f'8 f16 f16 f4 f4
+ f8. bes,16 bes2 ~
+ bes2 r4
+ f'8. bes,16 bes4 f'8 f16 f16 f4 f4 ~
+ f4
+ \altB
+ }
+ \repeat percent 8 {
+ f'16 f16 f8 f16 f16 f16 ges16 f16 ees16 f8 bes,8
+ }
+ f'16 f16 f8 f16 f16 f16 f16 f16 f16 f8 f8
+ R1*7/8*4
+ \patAa
+ \transpose c cis \patAa
+ \patBa
+ \transpose a bes \patBa
+ \repeat percent 2 {
+ f,16 f16 f8 f16 f16 f16 f16 f16 f16 f8 f8
+ }
+ a16 a16 a8 a16 bes16 bes16 c16 c16 bes16 bes8 a8
+ r2
+ r4
+ \altB
+ f8. bes,16 bes2
+ f'8. bes,16 bes2
+ f'8. bes,16 bes4 f'8 f16 f16 f4 f4
+ f8. bes,16 bes2 ~
+ bes2.
+ f'8. bes,16 bes4 f'8 f16 f16 f4 f4
+ f8. bes,16 bes2
+ r16 bes16 c16 des16( ~ des16 c16) bes16 c16 ~ c8 bes8 ~
+ bes4. r8 f'8 f16 f16 f4 f4 ~
+ f2. ~
+ f2. ~
+ f2.
+ R2.
+ }
+ >>
+ }
+
+ tenA = \relative c' {
+ \repeat volta 4 {
+ R1*7/8
+ }
+ \unterPause
+ R1*7/8
+ }
+ tenB = \relative c {
+ r8 f16 ges16 f8 a8
+ \times 2/3 { c8( des8) bes8 ~ } bes2 ~
+ bes16 c16 r8 r8 f,16 ges16 f8 a8
+ \times 2/3 { c8( des8) bes8 ~ } bes2 ~
+ bes16 c16 r8 r8 f,16 ges16 f8 a8
+ \times 2/3 { c8( des8) bes8 ~ } bes4( des4
+ d2.) ~
+ d2.(
+ ees4) r16 bes16 c16 des16( ~ des16 c16) bes16 c16 ~ c8 bes8 ~
+ bes2. ~
+ bes2. ~
+ bes2 r2
+ }
+ patAt = \relative c' {
+ c16 c16 c8 c16 c16 c8 des8 des8
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ \pause
+ \tenA
+ \generalA
+ \repeat volta 2 {
+ f8. bes,16 bes2 ~
+ bes2 r4
+ f'8. bes,16 bes4 bes8 c16 des16 c8.( f16) f4
+ f8. bes,16 bes2 ~
+ bes2 r4
+ f'8. bes,16 bes4 bes8 c16 des16 c8.( f,16) f4 ~
+ f4
+ \tenB
+ }
+ \tenA
+ f16 f16 f8 f16 f16 f16 ges16 ges16 f16 f8 aes8
+ f16 f16 f8 f16 f16 f16 ges16 ges16 f16 f8 a8
+ f16 f16 f8 f16 f16 f16 ges16 ges16 f16 f8 bes8
+ f16 f16 f8 f16 f16 f16 ges16 ges16 f16 f8 b8
+ \patAt
+ \transpose c cis \patAt
+ \transpose c d \patAt
+ %\transpose c ees \patAt
+ \transpose c ees \relative c' { c16 c16 c8 c16 c16 c8 }
+ e8 e8 %transponieren erzeugt fes
+ \repeat percent 2 {
+ f16 f16 f8 f16 f16 f16 f16 f16 f16 f8 f8
+ }
+ f16 f16 f8 f16 f16 f16 f16 f16 f16 f8 f8
+ r2
+ r4
+ \tenB
+ f8. bes,16 bes2
+ f'8. bes,16 bes2
+ f'8. bes,16 bes4 bes8 c16 des16 c8.( f,16) f4 ~
+ f2 r4
+ f'8. bes,16 bes2
+ f'8. bes,16 bes4 bes8 c16 des16 c8.( f,16) f4
+ f'8. bes,16 bes2
+ r16 bes16 c16 des16( ~ des16 c16) bes16 c16 ~ c8 bes8 ~
+ bes4. r8 bes8 c16 des16 ees8.( f16) f4 ~
+ f2. ~
+ f2. ~
+ f2.
+ R2.
+ }
+ >>
+ }
+
+ bassA = \relative c {
+ \repeat volta 4 {
+ R1*7/8
+ }
+ \unterPause
+ R1*7/8
+ }
+ bassB = \relative c {
+ r8 f16 ges16 f8 f8
+ \times 2/3 { f4 f8 ~ } f2 ~
+ f8 r8 r8 f16 ges16 f8 f8
+ \times 2/3 { f4 f8 ~ } f2 ~
+ f8 r8 r8 f16 ges16 f8 f8
+ \times 2/3 { f4 bes8 ~ } bes2 ~
+ bes2. ~
+ bes2. ~
+ bes4 r16 bes16 c16 des16( ~ des16 c16) bes16 c16 ~ c8 bes8 ~
+ bes2 ~ bes8 f16 g16
+ f4 ~ f16 c'16 d8 c16 bes16 g16 f16 ~
+ f2 r2
+ }
+ patAb = \relative c {
+ e16 f16 f8 f16 f16 f8 f8 f8
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ \pause
+ \bassA
+ \generalA
+ \repeat volta 2 {
+ R2.
+ f8. bes16 bes2 ~
+ bes4. r8 bes8 c16 des16 c8.( f,16) f4 ~
+ f2 r4
+ f8. bes16 bes2 ~
+ bes2 bes8 c16 des16 c8.( f,16) f4 ~
+ f4
+ \bassB
+ }
+ \bassA
+ f16 f16 f8 f16 f16 f16 ges16 ges16 f16 f8 aes8
+ f16 f16 f8 f16 f16 f16 ges16 ges16 f16 f8 a8
+ f16 f16 f8 f16 f16 f16 ges16 ges16 f16 f8 bes8
+ f16 f16 f8 f16 f16 f16 ges16 ges16 f16 f8 f8
+ \patAb
+ \transpose e f \patAb
+ \transpose e fis \patAb
+ \transpose e g \relative c { e16 f16 f8 f16 f16 f8 }
+ g8 g8
+ \repeat percent 2 {
+ f16 f16 f8 f16 f16 f16 f16 f16 f16 f8 f8
+ }
+ c'16 c16 c8 c16 d16 d16 ees16 ees16 d16 d8 c8
+ r2
+ r4
+ \bassB
+ f,8. bes16 bes2 ~
+ bes2.
+ bes8. bes16 bes4 bes8 aes16 ges16 f4 f4
+ f8. bes,16 bes2
+ f'8. bes16 bes2 ~
+ bes2 bes8 aes16 ges16 f4 f4
+ f8. bes,16 bes2
+ f'8. bes16 bes2 ~
+ bes4. r8 bes8 aes16 ges16 f4 f4 ~
+ f2. ~
+ f2. ~
+ f2.
+ R2.
+ }
+ >>
+ }
+
diff --git a/hr/michi/mass/texte.ly b/hr/michi/mass/texte.ly
new file mode 100644
index 0000000..1471f58
--- /dev/null
+++ b/hr/michi/mass/texte.ly
@@ -0,0 +1,53 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen % -- _
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ Ky -- ri -- e
+ Ky -- ri -- e Chris -- te E -- lei -- son
+ Ky -- ri -- e
+ Ky -- ri -- e Chris -- te E -- lei -- son
+ Ky -- ri -- e E -- lei -- son _
+ Ky -- ri -- e E -- lei -- son _
+ Ky -- ri -- e E -- lei -- son
+ Ky -- ri -- e E -- lei -- son
+ Ky -- ri -- e Ky -- ri -- e Chris -- te E -- lei -- son
+ Ky -- ri -- e Ky -- ri -- e Chris -- te E -- lei -- son
+ Ky -- ri -- e Ky -- ri -- e Chris -- te E -- lei -- son
+ Ky -- ri -- e Ky -- ri -- e Chris -- te E -- lei -- son
+ Ky -- ri -- e Ky -- ri -- e Chris -- te
+ Ky -- ri -- e Ky -- ri -- e Chris -- te
+ Ky -- ri -- e Ky -- ri -- e Chris -- te
+ Ky -- ri -- e Ky -- ri -- e Chris -- te
+ Ky -- ri -- e Ky -- ri -- e Chris -- te E -- lei -- son
+ %
+ Ky -- ri -- e Ky -- ri -- e Chris -- te E -- lei -- son
+ Ky -- ri -- e E -- lei -- son _
+ Ky -- ri -- e E -- lei -- son _
+ Ky -- ri -- e E -- lei -- son
+ Ky -- ri -- e E -- lei -- son
+ %
+ Ky -- ri -- e Ky -- ri -- e
+ Ky -- ri -- e Chris -- te E -- lei -- son
+ Ky -- ri -- e
+ Ky -- ri -- e Chris -- te E -- lei -- son
+ Ky -- ri -- e
+ Ky -- ri -- e E -- lei -- son
+ Chris -- te E -- lei -- son
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/michi/mornin/dynArt.ly b/hr/michi/mornin/dynArt.ly
new file mode 100644
index 0000000..d192169
--- /dev/null
+++ b/hr/michi/mornin/dynArt.ly
@@ -0,0 +1,23 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s1*42
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/michi/mornin/midi.lua b/hr/michi/mornin/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/michi/mornin/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/michi/mornin/mornin.ly b/hr/michi/mornin/mornin.ly
new file mode 100644
index 0000000..34675a3
--- /dev/null
+++ b/hr/michi/mornin/mornin.ly
@@ -0,0 +1,78 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen_.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "My Lord, what a mornin’"
+ composer = "Spiritual"
+ arranger = "H. T. Burleigh"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 17)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \meta
+ \new Voice = "tenoereI" { \global \voiceOne \tenorIMelodie }
+ \new Voice = "tenoereII" { \global \voiceTwo \tenorIIMelodie }
+ \addlyrics { \tenorText }
+ %\new Voice = "tenoere" { \global << \tenorIMelodie \\ \tenorIIMelodie >> }
+ % \new Voice = "tenoereII" { \global \tenorIMelodie }
+ % \addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = sopran { \sop }
+ \new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ \new Staff = bass { \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/michi/mornin/stimmen.ly b/hr/michi/mornin/stimmen.ly
new file mode 100644
index 0000000..a1142a2
--- /dev/null
+++ b/hr/michi/mornin/stimmen.ly
@@ -0,0 +1,194 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key ees \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ \repeat unfold 10 {
+ r1
+ }
+ g4 g2 f8 g8
+ ees4( f4) g4( aes4)
+ bes4 bes2 g8 aes8
+ f4 f2 bes4
+ g4 g2 aes8 f8
+ ees4 ees2 aes8 aes8
+ g4. ees8 f4 f4
+ ees2. aes4\(
+ g2. ees4 f1 ees1 ~ ees2.\) r4
+ ees'2 d2 c4 c4 d8 d8 d4 ees2 d2
+ c4 c4 b8 b8 b8( d8)
+ ees4 ees4 ees4 ees8( f8) g4 aes4 g4( g,4)
+ g4 g4 c8 g8 fis4
+ g2 aes2 g4 g4( ~ g8 ees8) f8 g8
+ ees4 ees2. bes'4 bes4( ~ bes8 g8) g8 aes8 f8( g8 aes8 bes8) c8( d8) ees8( f8)
+ g2 g4 aes8 f8 ees4 ees2 c8 c8 c8( bes4) g8 bes8( aes8) aes4 aes2( g4) f8 f8 f4( ees2) ees4 g2 f2 ees1 ~ ees1
+ }
+ >>
+ }
+
+ altMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ g4 g2 f8 g8 ees4 ees2. bes'4 bes2 g8 aes8 f4 f2 bes4 g4 g2 aes8 f8 ees4 ees2 aes8 aes8 g4. ees8 f4 f4 bes2. aes8 aes8 g4. ees8 f4 f4 ees2. r4
+ ees4 ees2 c8 d8 bes4 c8( d8) ees2 d4 g2 g8 ees8 d4( c4) bes4 d4 ees4 ees2 ees8 ees8 c4 c2 ees8 ees8 ees4. bes8 c4 d4 bes4( c4 bes4) d4\( ees2. bes4 ees2 d2 bes1 ~ bes2.\) r4
+ g'2 f2 ees4 ees4 f8 f8 f4 g2 g2 ees4 f4 g8 g8 g4 g4 g4 c4 c4 c4 ~ c8 bes8 g4( f4) ees4 ees4 ees8 ees8 ees4 ees4( d4) d2 g4 g4( ~ g8 ees8) d8 d8 ees4 ees2. bes'4 bes4( ~ bes8 g8) g8 ees8 c8( d8 ees8 f16 g16) aes8( bes8)
+ <<
+ {
+ bes4
+ bes4( b4) c8( bes8) aes8 aes8
+ }
+ \\
+ {
+ bes8( aes8)
+ g2 g4 f8 f8
+ }
+ >>
+ g4 g2 ges8 ges8
+ f4 e4 ees4 ees8( d8) des2. c8 ces8 bes2. bes4
+ <<
+ {
+ ees2 d2
+ }
+ \\
+ {
+ c2 d2
+ }
+ >>
+ bes1 ~ bes1
+ }
+ >>
+ }
+
+ tenorIstart = \relative c' {
+ ees4 ees2 d8 d8 ees4 ees2. d4 d2 ees8 ees8 d4 d2 d4 des4 des2 c8 c8 bes4( ees4) ees4 ees8 ees8 ees4 ees4 d4 f4 f4( ees4 d4) d8 d8 ees4. ees8 ees4 d4 ees2.
+ }
+ tenorIIstart = \relative c' {
+ bes4 bes2 bes8 bes8 bes4 bes2. bes4 bes2 c8 c8 bes4 bes2 bes4 bes4 bes2 aes8 aes8 bes4 ~ bes4 ces4 c8 c8 bes4 bes4 bes4 d4 bes2( c4) bes8 bes8 bes4. bes8 bes4 bes4 bes2.
+ }
+ tenorImitte = \relative c' {
+ bes4 bes2 ces8 ces8 bes4 bes4 ces4( bes4) d4 d2
+ }
+ tenorIImitte = \relative c' {
+ g4 g2 aes8 aes8 g4 g4 ges4( g4) bes4 bes2
+ }
+ tenorCommonI = \relative c' {
+ r4
+ bes4 bes2 aes8 bes8 g4( aes4) bes2 bes4 d2 ees8 c8 bes4( aes4) g4 f8( bes8) b4 bes2 c8 c8 g4 g2 c8 c8 bes4. g8 aes4 aes4 g4( aes4 g4) f8\(( bes8) bes2. g4 a2 aes2 g1 ~ g2.\) r4
+ c4 c4 d4 d4 ees4( ~ ees16 c16) ees16( c16) d2 c4 c4 bes8 bes8 bes4 g2. r4 c4 c4( ees4) ees16( c16 ees16 c16) ees4 d4 c4( b4) c4 c4 c8 c8 ees8( c8) b2 c4( bes4)
+ }
+ tenorCommonII = \relative c' {
+ c8 c8
+ aes8( bes8 c8 d8) ees8( f8) ees8( d8) ees4( f4) e4 f8 f8 ees4 ees2 ees8 ees8 d4 des4 c4 ces4 bes2. aes8 aes8 g2. g4 aes2 aes2 g1 ~ g1
+ }
+ tenorIMelodie = \relative c' {
+ \clef "treble_8"
+ %{
+ <<
+ \\
+ \tenorIIstart
+ >>
+ %}
+ \tenorIstart
+ \tenorCommonI
+ \tenorImitte
+ \tenorCommonII
+ }
+ tenorIIMelodie = \relative c' {
+ \clef "treble_8"
+ %{
+ <<
+ \tenorIstart
+ \\
+ >>
+ %}
+ \tenorIIstart
+ \tenorCommonI
+ \tenorIImitte
+ \tenorCommonII
+ }
+ %{
+ tenorMelodie = {
+ \clef "treble_8"
+ <<
+ {
+ \voiceOne \tenorIstart
+ }
+ \\
+ {
+ \voiceTwo \tenorIIstart
+ }
+ >>
+ \tenorRest
+ }
+ %}
+
+ bassIstart = \relative c' {
+ g4 g2 aes8 aes8 g4 g2. bes4 bes2 aes8 aes8 aes4( g4) f4 fis4 g4 g2 ees8 ees8 ees4( g4) a4 aes8 aes8 g4 g4 f4 bes4 bes2( aes4) aes8 aes8 g4. g8 aes4 aes4 g2.
+ }
+ bassIIstart = \relative c {
+ ees4 ees2 ees8 ees8 ees4 ees2. g4 g2 f8 f8 bes,4 bes2 bes4 ees4 ees2 aes,8 aes8 g2 ges4 f8 f8 bes4 bes4 aes4 aes4 g2( f4) bes8 bes8 ees4 g,4 bes4 bes4 ees2.
+ }
+ bassI = \relative c'' {
+ }
+ bassII = \relative c'' {
+ }
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ <<
+ {
+ \bassIstart
+ }
+ \\
+ {
+ \bassIIstart
+ }
+ >>
+ r4
+ c4 c2 c8 c8 c2 c4( d4) ees4 ees2 aes,8 d8 g,4 g2 f4 g4 g2 f8 aes8 c4 c2 aes8 aes8 bes4. bes8 bes4 bes4 ees2. bes4\( ees2 des2 c2 bes2 <bes ees,>1 ~ q2.\) r4
+ <<
+ {
+ g'2 g2 g4 g4 g8 g8 g4 g2 g2 c4 d4 d8 d8 d4
+ }
+ \\
+ {
+ c,2 c2 c4 c4 c8 c8 c4 c2 c2 c4 c4 g'8 g8 g8( b8)
+ }
+ >>
+ c4 bes4 aes4 aes4 g4 f4 ees4( d4) c4 bes4 a8 a8 aes4 g2 f4( bes4)
+ <<
+ {
+ bes4 bes2 ees8 ees8 bes4 ees4 ees4 ~ ees4 g4 g2 ees8 ees8 bes4( bes'4) aes4 g8( bes8) bes4( g4) g8( c8) c8 c8
+ }
+ \\
+ {
+ ees,,4 ees2 ees8 ees8 ees4 ees'4 ces4( ees4) g,4 g2 aes8 aes8 bes4( bes'4) aes4 g8( f8) ees4( d4) c4 f8 aes8
+ }
+ >>
+ c4 c2 a8 a8 aes4 g4 f4 f4 e2( ees4) <ees aes,>8 q8 bes2. bes4 <c f,>2 bes2 <bes ees,>1 ~ q1
+ }
+ >>
+ }
+
diff --git a/hr/michi/mornin/stimmen_.ly b/hr/michi/mornin/stimmen_.ly
new file mode 100644
index 0000000..e95005b
--- /dev/null
+++ b/hr/michi/mornin/stimmen_.ly
@@ -0,0 +1,344 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key ees \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ \repeat unfold 10 {
+ r1
+ }
+ g4 g2 f8 g8
+ ees4( f4) g4( aes4)
+ bes4 bes2 g8 aes8
+ f4 f2 bes4
+ g4 g2 aes8 f8
+ ees4 ees2 aes8 aes8
+ g4. ees8 f4 f4
+ ees2. aes4\(
+ g2. ees4
+ f1
+ ees1 ~
+ ees2.\) r4
+ ees'2 d2
+ c4 c4 d8 d8 d4
+ ees2 d2
+ c4 c4 b8 b8 b8( d8)
+ ees4 ees4 ees4 ees8( f8)
+ g4 aes4 g4( g,4)
+ g4 g4 c8 g8 fis4
+ g2 aes2
+ g4 g4( ~ g8 ees8) f8 g8
+ ees4 ees2.
+ bes'4 bes4( ~ bes8 g8) g8 aes8
+ f8( g8 aes8 bes8) c8( d8) ees8( f8)
+ g2 g4 aes8 f8
+ ees4 ees2 c8 c8
+ c8( bes4) g8 bes8( aes8) aes4
+ aes2( g4) f8 f8
+ f4( ees2) ees4
+ g2 f2
+ ees1 ~
+ ees1
+ }
+ >>
+ }
+
+ altMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ g4 g2 f8 g8
+ ees4 ees2.
+ bes'4 bes2 g8 aes8
+ f4 f2 bes4
+ g4 g2 aes8 f8
+ ees4 ees2 aes8 aes8
+ g4. ees8 f4 f4
+ bes2. aes8 aes8
+ g4. ees8 f4 f4
+ ees2. r4
+ ees4 ees2 c8 d8
+ bes4 c8( d8) ees2
+ d4 g2 g8 ees8
+ d4( c4) bes4 d4
+ ees4 ees2 ees8 ees8
+ c4 c2 ees8 ees8
+ ees4. bes8 c4 d4
+ bes4( c4 bes4) d4\(
+ ees2. bes4
+ ees2 d2
+ bes1 ~
+ bes2.\) r4
+ g'2 f2
+ ees4 ees4 f8 f8 f4
+ g2 g2
+ ees4 f4 g8 g8 g4
+ g4 g4 c4 c4
+ c4 ~ c8 bes8 g4( f4)
+ ees4 ees4 ees8 ees8 ees4
+ ees4( d4) d2
+ g4 g4( ~ g8 ees8) d8 d8
+ ees4 ees2.
+ bes'4 bes4( ~ bes8 g8) g8 ees8
+ c8( d8 ees8 f16 g16) aes8( bes8)
+ <<
+ {
+ bes4
+ bes4( b4) c8( bes8) aes8 aes8
+ }
+ \\
+ {
+ bes8( aes8)
+ g2 g4 f8 f8
+ }
+ >>
+ g4 g2 ges8 ges8
+ f4 e4 ees4 ees8( d8)
+ des2. c8 ces8
+ bes2. bes4
+ <<
+ {
+ ees2 d2
+ }
+ \\
+ {
+ c2 d2
+ }
+ >>
+ bes1 ~
+ bes1
+ }
+ >>
+ }
+
+ tenorIstart = \relative c' {
+ ees4 ees2 d8 d8
+ ees4 ees2.
+ d4 d2 ees8 ees8
+ d4 d2 d4
+ des4 des2 c8 c8
+ bes4( ees4) ees4 ees8 ees8
+ ees4 ees4 d4 f4
+ f4( ees4 d4) d8 d8
+ ees4. ees8 ees4 d4
+ ees2.
+ }
+ tenorIIstart = \relative c' {
+ bes4 bes2 bes8 bes8
+ bes4 bes2.
+ bes4 bes2 c8 c8
+ bes4 bes2 bes4
+ bes4 bes2 aes8 aes8
+ bes4 ~ bes4 ces4 c8 c8
+ bes4 bes4 bes4 d4
+ bes2( c4) bes8 bes8
+ bes4. bes8 bes4 bes4
+ bes2.
+ }
+ tenorImitte = \relative c' {
+ bes4 bes2 ces8 ces8
+ bes4 bes4 ces4( bes4)
+ d4 d2
+ }
+ tenorIImitte = \relative c' {
+ g4 g2 aes8 aes8
+ g4 g4 ges4( g4)
+ bes4 bes2
+ }
+ tenorCommonI = \relative c' {
+ r4
+ bes4 bes2 aes8 bes8
+ g4( aes4) bes2
+ bes4 d2 ees8 c8
+ bes4( aes4) g4 f8( bes8)
+ b4 bes2 c8 c8
+ g4 g2 c8 c8
+ bes4. g8 aes4 aes4
+ g4( aes4 g4) f8\(( bes8)
+ bes2. g4
+ a2 aes2
+ g1 ~
+ g2.\) r4
+ c4 c4 d4 d4
+ ees4( ~ ees16 c16) ees16( c16) d2
+ c4 c4 bes8 bes8 bes4
+ g2. r4
+ c4 c4( \grace d8 ees4) ees16( c16 ees16 c16)
+ ees4 d4 c4( b4)
+ c4 c4 c8 c8 ees8( c8)
+ b2 c4( bes4)
+ }
+ tenorCommonII = \relative c' {
+ c8 c8
+ aes8( bes8 c8 d8) ees8( f8) ees8( d8)
+ ees4( f4) e4 f8 f8
+ ees4 ees2 ees8 ees8
+ d4 des4 c4 ces4
+ bes2. aes8 aes8
+ g2. g4
+ aes2 aes2
+ g1 ~
+ g1
+ }
+ tenorIMelodie = \relative c' {
+ \clef "treble_8"
+ %{
+ <<
+ \\
+ \tenorIIstart
+ >>
+ %}
+ \tenorIstart
+ \tenorCommonI
+ \tenorImitte
+ \tenorCommonII
+ }
+ tenorIIMelodie = \relative c' {
+ \clef "treble_8"
+ %{
+ <<
+ \tenorIstart
+ \\
+ >>
+ %}
+ \tenorIIstart
+ \tenorCommonI
+ \tenorIImitte
+ \tenorCommonII
+ }
+ %{
+ tenorMelodie = {
+ \clef "treble_8"
+ <<
+ {
+ \voiceOne \tenorIstart
+ }
+ \\
+ {
+ \voiceTwo \tenorIIstart
+ }
+ >>
+ \tenorRest
+ }
+ %}
+
+ bassIstart = \relative c' {
+ g4 g2 aes8 aes8
+ g4 g2.
+ bes4 bes2 aes8 aes8
+ aes4( g4) f4 fis4
+ g4 g2 ees8 ees8
+ ees4( g4) a4 aes8 aes8
+ g4 g4 f4 bes4
+ bes2( aes4) aes8 aes8
+ g4. g8 aes4 aes4
+ g2.
+ }
+ bassIIstart = \relative c {
+ ees4 ees2 ees8 ees8
+ ees4 ees2.
+ g4 g2 f8 f8
+ bes,4 bes2 bes4
+ ees4 ees2 aes,8 aes8
+ g2 ges4 f8 f8
+ bes4 bes4 aes4 aes4
+ g2( f4) bes8 bes8
+ ees4 g,4 bes4 bes4
+ ees2.
+ }
+ bassI = \relative c'' {
+ }
+ bassII = \relative c'' {
+ }
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ <<
+ {
+ \bassIstart
+ }
+ \\
+ {
+ \bassIIstart
+ }
+ >>
+ r4
+ c4 c2 c8 c8
+ c2 c4( d4)
+ ees4 ees2 aes,8 d8
+ g,4 g2 f4
+ g4 g2 f8 aes8
+ c4 c2 aes8 aes8
+ bes4. bes8 bes4 bes4
+ ees2. bes4\(
+ ees2 des2
+ c2 bes2
+ <bes ees,>1 ~
+ q2.\) r4
+ <<
+ {
+ g'2 g2
+ g4 g4 g8 g8 g4
+ g2 g2
+ c4 d4 d8 d8 d4
+ }
+ \\
+ {
+ c,2 c2
+ c4 c4 c8 c8 c4
+ c2 c2
+ c4 c4 g'8 g8 g8( b8)
+ }
+ >>
+ c4 bes4 aes4 aes4
+ g4 f4 ees4( d4)
+ c4 bes4 a8 a8 aes4
+ g2 f4( bes4)
+ <<
+ {
+ bes4 bes2 ees8 ees8
+ bes4 ees4 ees4 ~ ees4
+ g4 g2 ees8 ees8
+ bes4( bes'4) aes4 g8( bes8)
+ bes4( g4) g8( c8) c8 c8
+ }
+ \\
+ {
+ ees,,4 ees2 ees8 ees8
+ ees4 ees'4 ces4( ees4)
+ g,4 g2 aes8 aes8
+ bes4( bes'4) aes4 g8( f8)
+ ees4( d4) c4 f8 aes8
+ }
+ >>
+ c4 c2 a8 a8
+ aes4 g4 f4 f4
+ e2( ees4) <ees aes,>8 q8
+ bes2. bes4
+ <c f,>2 bes2
+ <bes ees,>1 ~
+ q1
+ }
+ >>
+ }
+
diff --git a/hr/michi/mornin/texte.ly b/hr/michi/mornin/texte.ly
new file mode 100644
index 0000000..4db899f
--- /dev/null
+++ b/hr/michi/mornin/texte.ly
@@ -0,0 +1,47 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+ morn = \lyricmode {
+ My Lord what a morn -- in’,
+ My Lord what a morn -- in’,
+ Oh,
+ my Lord what a morn -- in’,
+ }
+
+% Die Textaufteilungen % -- _
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ \morn
+ When de stars be -- gin to fall,
+ When de stars be -- gin to fall.
+ \morn
+ When de stars be -- gin to fall
+ Hum _ _ _ _ _
+ Done quit all my worl’ -- ly ways
+ Jine dat heb -- ben -- ly ban’,
+ Done quit_all my worl’ -- ly ways
+ Jine dat heb -- ben -- ly ban’
+ Oh!
+ My Lord what a morn -- in’
+ Oh
+ My Lord what a morn -- in’
+ Oh
+ my Lord what a morn -- in’,
+ When de stars be -- gin to fall,
+ When de stars be -- gin to fall.
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/michi/nachtlied/dynArt.ly b/hr/michi/nachtlied/dynArt.ly
new file mode 100644
index 0000000..0499c62
--- /dev/null
+++ b/hr/michi/nachtlied/dynArt.ly
@@ -0,0 +1,31 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ %\override Staff.TimeSignature #'style = #'()
+ \dynamicUp
+ \key b \minor
+ \time 4/4
+ s2
+ s1*33
+ \time 3/2
+ s1.
+ \time 4/4
+ s1*4
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/michi/nachtlied/midi.lua b/hr/michi/nachtlied/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/michi/nachtlied/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/michi/nachtlied/nachtlied.ly b/hr/michi/nachtlied/nachtlied.ly
new file mode 100644
index 0000000..de706a3
--- /dev/null
+++ b/hr/michi/nachtlied/nachtlied.ly
@@ -0,0 +1,73 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen_.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Nachtlied"
+ composer = "Max Reger"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 17)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesseI" { \global \voiceOne \bassIMelodie }
+ \new Voice = "baesseII" { \global \voiceTwo \bassIIMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = sopran { \sop }
+ \new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ \new Staff = bass { \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/michi/nachtlied/stimmen.ly b/hr/michi/nachtlied/stimmen.ly
new file mode 100644
index 0000000..690dc74
--- /dev/null
+++ b/hr/michi/nachtlied/stimmen.ly
@@ -0,0 +1,74 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \autoBeamOff
+ \partial 2
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ fis2
+ e2. fis4 b2 a4 r4 cis4 fis,4 b4 a4 gis2 fis4 r4 d'2 e4( b4) g2 a4 b4 c4 c4 b4 cis4 d4 b4 a8[( b8] gis4) a2 r4 fis4 g4 b4 a4 g4 fis4 fis4 b8[ cis8] d4 g,2 fis4 b4 a4 g4 fis4.( e8) d2 b'2 cis2 b4 e4 cis4 d4 b4 cis8 ais8 fis4 g4 gis4 a4 d4 d4 cis2 e4 e4 fis4 fis4 e2 b2 cis2 gis2 a4 gis4 e2 fis4 fis4 eis4 a4 b4( cis4) fis,4 fis4 g4 b4 cis2 cis4 r4 b2 fis4 a4 g2 fis4 b4 cis4 cis8 cis8 e2 dis4 r4 e2 e4 d4 d2 cis4 r4 a4 a4 b4 b4 cis4 cis4 d4 e8 e8 fis4 b,4 cis4 d4 b4 b4 a2 fis4 b4 a2 g2 fis2.( e4) d1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ d2
+ cis2. d4 d4( e4) fis4 r4 fis4 fis4 eis4 fis4 fis4( eis4) fis4 r4 g2 g4( fis4) g4( fis4) e4 e4 e4 a4 a4 g4 a4 f4 fis4( e4) e2 r4 dis4 e4 e4 e4 d4 e4 d4 d8[ e8] fis4 g4( e4) b4 d8[ e8] fis4 d4 d4( cis4) d2 fis2 fis2 b4 a4 a4 a4 a4 g8 fis8 fis4 d4 gis4 fis4 fis4 b4 fis2 e4 b'4 fis4 gis4 gis4( a8[ gis8]) fis2 gis2 dis2 cis4 dis4 cis2 fis4 fis4 cis4 fis4 fis4( eis4) fis4 e4 d4 fis4 fis4 eis4 fis4 r4 fis2 fis4 fis4 g4( e4) dis4 b'4 b4 a8 a8 a4( g4) fis4 r4 c'2 c4 b4 b2 a4 r4 fis4 fis4 fis4 g4 fis4 e4 a4 b8 g8 fis4 fis4 e4 a4 a4 g4 fis4( e4) dis4 d4 e4( d2) cis4 d2( cis2) d1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ b2
+ b2. b4 b4( cis4) d4 r4 cis4 d4 d4 cis4 d4( cis4) cis4 r4 b2 e4( d4) b2 a4 d4 c4 c4 f4 e4 d4 d4 c4( cis8[ d8]) cis2 r4 b4 b4 b4 e4 b4 cis4 b4 d4 d4 d4( cis4) dis4 b4 cis4 b4 b4( a4) a2 fis'2 fis2 fis4 e4 e4 d4 d4 e8 cis8 cis4 d4 d4 cis4 d4 gis4 cis,2 b8[ cis8] d4 e4 dis4 e2 dis2 cis2 b2 a4 b4 gis2 fis4 b4 cis4 cis4 d4( cis4) cis4 cis4 b4 fis4 cis'2 cis4 r4 d2 cis4 d4 d4( cis4) b4 d4 g4 fis8 fis8 b,2 b4 r4 g'2 g4 fis4 fis4( e4) e4 r4 d4 e4 d4 d4 cis4 e4 d4 g8 d8 cis4 d4 e4 d4 d4 d4 cis2 b4 b4 cis2 b2 d4( b4 a2) a1
+ }
+ >>
+ }
+
+ bassIMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ fis2
+ g2. fis4 g2 a4 r4 fis4 b4 b4 fis4 gis4.( b8) a4 r4 g2 g8[( a8] b4) e,2 a4 gis4 a4 a4 d4 a4 a4 b4 c4( e,4) e2 r4 b'8[ a8] g4 g4 a4 b4 fis4 b4 b4 a4 b4( cis4) fis,4 g4 fis4 g8 b8 b4( fis8[ g8]) fis2 d'2 d2 d4 cis4 a4 b4 b4 ais8 ais8 ais4 b4 b4 a8[ cis8] cis4 b4 ais2 b4 b4 cis4 dis4 cis2 b2 gis2 gis2 cis4 gis4 cis2 a4 gis4 gis4 fis4 b2 a4 fis4 b4 b4 gis2 ais4 r4 b2 a4 d8[ cis8] b4( ais4) b4 b4 e4 a,8 a8 b2 b4 r4 e2 e4 b4 b2 cis4 r4 a4 a4 a4 g4 a4 b4 a4 d8 b8 cis4 b4 b4 a4 b4 g4 a4( fis4) fis4 g4 a2( b4) g4 a4( b4 e,8[ fis8] g4) fis1
+ }
+ >>
+ }
+ bassIIMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ b2
+ e2. b4 g2 d'4 r4 a4 b4 gis4 a4 b4( cis4) fis,4 r4 g'2 c,4( d4) e4( d4) c4 b4 a4 f'8[ e8] d4 e4 f4 d4 dis4( e4) a,2 r4 b4 e4 d4 cis4 b4 ais4 b4 g'4 fis4 e4( ais,4) b4 g4 a4 b4 gis4( a4) d2 b'2 a2 g4 g4 fis4 f4 e4 e8 e8 d4 b4 eis4 fis4 b,4 eis4 fis2 g4 gis4 ais4 bis4 cis4( a4) b2 e,2 gis2 fis4 b,4 cis2 d4 d4 cis4 a4 gis2 a4 ais4 b4 d4 cis2 fis4 r4 b,2 fis'4 d4 e2 b4 g'4 e4 fis8 fis8 e2 b4 r4 c'2 a4 b4 g2 a4 r4 d,4 cis4 b4 e4 a4 g4 fis4 b8 b8 a4 g4 g4 fis4 e4 e4 a,2 b4 g'4 g4( fis2) e4 fis,4( gis4 a2) d1
+ }
+ >>
+ }
+
diff --git a/hr/michi/nachtlied/stimmen_.ly b/hr/michi/nachtlied/stimmen_.ly
new file mode 100644
index 0000000..71c18ab
--- /dev/null
+++ b/hr/michi/nachtlied/stimmen_.ly
@@ -0,0 +1,259 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \autoBeamOff
+ \partial 2
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ fis2
+ e2. fis4
+ b2 a4 r4
+ cis4 fis,4 b4 a4
+ gis2 fis4 r4
+ d'2 e4( b4)
+ g2 a4 b4
+ c4 c4 b4 cis4
+ d4 b4 a8[( b8] gis4)
+ a2 r4 fis4
+ g4 b4 a4 g4
+ fis4 fis4 b8[ cis8] d4
+ g,2 fis4 b4
+ a4 g4 fis4.( e8)
+ d2 b'2
+ cis2 b4 e4
+ cis4 d4 b4 cis8 ais8
+ fis4 g4 gis4 a4
+ d4 d4 cis2
+ e4 e4 fis4 fis4
+ e2 b2
+ cis2 gis2
+ a4 gis4 e2
+ fis4 fis4 eis4 a4
+ b4( cis4) fis,4 fis4
+ g4 b4 cis2
+ cis4 r4 b2
+ fis4 a4 g2
+ fis4 b4 cis4 cis8 cis8
+ e2 dis4 r4
+ e2 e4 d4
+ d2 cis4 r4
+ a4 a4 b4 b4
+ cis4 cis4 d4 e8 e8
+ fis4 b,4 cis4 d4
+ b4 b4 a2 fis4 b4
+ a2 g2
+ fis2.( e4)
+ d1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ d2
+ cis2. d4
+ d4( e4) fis4 r4
+ fis4 fis4 eis4 fis4
+ fis4( eis4) fis4 r4
+ g2 g4( fis4)
+ g4( fis4) e4 e4
+ e4 a4 a4 g4
+ a4 f4 fis4( e4)
+ e2 r4 dis4
+ e4 e4 e4 d4
+ e4 d4 d8[ e8] fis4
+ g4( e4) b4 d8[ e8]
+ fis4 d4 d4( cis4)
+ d2 fis2
+ fis2 b4 a4
+ a4 a4 a4 g8 fis8
+ fis4 d4 gis4 fis4
+ fis4 b4 fis2
+ e4 b'4 fis4 gis4
+ gis4( a8[ gis8]) fis2
+ gis2 dis2
+ cis4 dis4 cis2
+ fis4 fis4 cis4 fis4
+ fis4( eis4) fis4 e4
+ d4 fis4 fis4 eis4
+ fis4 r4 fis2
+ fis4 fis4 g4( e4)
+ dis4 b'4 b4 a8 a8
+ a4( g4) fis4 r4
+ c'2 c4 b4
+ b2 a4 r4
+ fis4 fis4 fis4 g4
+ fis4 e4 a4 b8 g8
+ fis4 fis4 e4 a4
+ a4 g4 fis4( e4) dis4 d4
+ e4( d2) cis4
+ d2( cis2)
+ d1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ b2
+ b2. b4
+ b4( cis4) d4 r4
+ cis4 d4 d4 cis4
+ d4( cis4) cis4 r4
+ b2 e4( d4)
+ b2 a4 d4
+ c4 c4 f4 e4
+ d4 d4 c4( cis8[ d8])
+ cis2 r4 b4
+ b4 b4 e4 b4
+ cis4 b4 d4 d4
+ d4( cis4) dis4 b4
+ cis4 b4 b4( a4)
+ a2 fis'2
+ fis2 fis4 e4
+ e4 d4 d4 e8 cis8
+ cis4 d4 d4 cis4
+ d4 gis4 cis,2
+ b8[ cis8] d4 e4 dis4
+ e2 dis2
+ cis2 b2
+ a4 b4 gis2
+ fis4 b4 cis4 cis4
+ d4( cis4) cis4 cis4
+ b4 fis4 cis'2
+ cis4 r4 d2
+ cis4 d4 d4( cis4)
+ b4 d4 g4 fis8 fis8
+ b,2 b4 r4
+ g'2 g4 fis4
+ fis4( e4) e4 r4
+ d4 e4 d4 d4
+ cis4 e4 d4 g8 d8
+ cis4 d4 e4 d4
+ d4 d4 cis2 b4 b4
+ cis2 b2
+ d4( b4 a2)
+ a1
+ }
+ >>
+ }
+
+ bassIMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ fis2
+ g2. fis4
+ g2 a4 r4
+ fis4 b4 b4 fis4
+ gis4.( b8) a4 r4
+ g2 g8[( a8] b4)
+ e,2 a4 gis4
+ a4 a4 d4 a4
+ a4 b4 c4( e,4)
+ e2 r4 b'8[ a8]
+ g4 g4 a4 b4
+ fis4 b4 b4 a4
+ b4( cis4) fis,4 g4
+ fis4 g8 b8 b4( fis8[ g8])
+ fis2 d'2
+ d2 d4 cis4
+ a4 b4 b4 ais8 ais8
+ ais4 b4 b4 a8[ cis8]
+ cis4 b4 ais2
+ b4 b4 cis4 dis4
+ cis2 b2
+ gis2 gis2
+ cis4 gis4 cis2
+ a4 gis4 gis4 fis4
+ b2 a4 fis4
+ b4 b4 gis2
+ ais4 r4 b2
+ a4 d8[ cis8] b4( ais4)
+ b4 b4 e4 a,8 a8
+ b2 b4 r4
+ e2 e4 b4
+ b2 cis4 r4
+ a4 a4 a4 g4
+ a4 b4 a4 d8 b8
+ cis4 b4 b4 a4
+ b4 g4 a4( fis4) fis4 g4
+ a2( b4) g4
+ a4( b4 e,8[ fis8] g4)
+ fis1
+ }
+ >>
+ }
+ bassIIMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ b2
+ e2. b4
+ g2 d'4 r4
+ a4 b4 gis4 a4
+ b4( cis4) fis,4 r4
+ g'2 c,4( d4)
+ e4( d4) c4 b4
+ a4 f'8[ e8] d4 e4
+ f4 d4 dis4( e4)
+ a,2 r4 b4
+ e4 d4 cis4 b4
+ ais4 b4 g'4 fis4
+ e4( ais,4) b4 g4
+ a4 b4 gis4( a4)
+ d2 b'2
+ a2 g4 g4
+ fis4 f4 e4 e8 e8
+ d4 b4 eis4 fis4
+ b,4 eis4 fis2
+ g4 gis4 ais4 bis4
+ cis4( a4) b2
+ e,2 gis2
+ fis4 b,4 cis2
+ d4 d4 cis4 a4
+ gis2 a4 ais4
+ b4 d4 cis2
+ fis4 r4 b,2
+ fis'4 d4 e2
+ b4 g'4 e4 fis8 fis8
+ e2 b4 r4
+ c'2 a4 b4
+ g2 a4 r4
+ d,4 cis4 b4 e4
+ a4 g4 fis4 b8 b8
+ a4 g4 g4 fis4
+ e4 e4 a,2 b4 g'4
+ g4( fis2) e4
+ fis,4( gis4 a2)
+ d1
+ }
+ >>
+ }
+
diff --git a/hr/michi/nachtlied/texte.ly b/hr/michi/nachtlied/texte.ly
new file mode 100644
index 0000000..442486f
--- /dev/null
+++ b/hr/michi/nachtlied/texte.ly
@@ -0,0 +1,47 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen % -- _
+
+ anyText = \lyricmode {
+ Die Nacht ist kom -- men,
+ drin wir ru -- hen sol -- len;
+ Gott walts, Gott walts zu From -- men
+ nach seim Wohl -- ge -- fal -- len,
+ daß wir uns le -- gen
+ in seim Gleit und Se -- gen,
+ der Ruh zu pfle -- gen.
+ Treib, Herr, von uns fern
+ die un -- rei -- nen Gei -- ster,
+ halt die Nacht -- wach gern,
+ sei selbst un -- ser Schütz -- herr!
+ Schirm beid, Leib und Seel,
+ un -- ter dei -- ne Flü -- gel,
+ send uns dein En -- gel.
+ Laß uns ein -- schla -- fen
+ mit gu -- ten Ge -- dan -- ken
+ fröh -- lich auf -- wa -- chen
+ und von dir nicht wan -- ken,
+ laß uns mit Züch -- ten
+ un -- ser Tun und Dich -- ten
+ zu deim Preis rich -- ten.
+ }
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ \anyText
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/michi/petrus/dynArt.ly b/hr/michi/petrus/dynArt.ly
new file mode 100644
index 0000000..bfb0513
--- /dev/null
+++ b/hr/michi/petrus/dynArt.ly
@@ -0,0 +1,26 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ %\override Staff.TimeSignature #'style = #'()
+ \dynamicUp
+ \key f \major
+ \time 2/2
+ s1*84
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/michi/petrus/dynArt_.ly b/hr/michi/petrus/dynArt_.ly
new file mode 100644
index 0000000..b74c954
--- /dev/null
+++ b/hr/michi/petrus/dynArt_.ly
@@ -0,0 +1,26 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ %\override Staff.TimeSignature #'style = #'()
+ \dynamicUp
+ \key bes \major
+ \time 2/2
+ s1*84
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/michi/petrus/midi.lua b/hr/michi/petrus/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/michi/petrus/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/michi/petrus/petrus.ly b/hr/michi/petrus/petrus.ly
new file mode 100644
index 0000000..d417714
--- /dev/null
+++ b/hr/michi/petrus/petrus.ly
@@ -0,0 +1,83 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen_.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Tu es Petrus"
+ composer = "Giovanni Pierluigi da Palestrina"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 17)
+
+ sopI = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodieI }
+ %\addlyrics { \sopranText }
+ >>
+ sopII = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodieII }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ >>
+
+ basI = <<
+ \new Voice = "baesse" { \global \bassMelodieI }
+ %\addlyrics { \bassText }
+ >>
+ basII = <<
+ \new Voice = "baesse" { \global \bassMelodieII }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = sopranI { \sopI }
+ \new Staff = sopranII { \sopII }
+ \new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ \new Staff = bassI { \basI }
+ \new Staff = bassII { \basII }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/michi/petrus/petrus_.ly b/hr/michi/petrus/petrus_.ly
new file mode 100644
index 0000000..01f6978
--- /dev/null
+++ b/hr/michi/petrus/petrus_.ly
@@ -0,0 +1,83 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Tu es Petrus"
+ composer = "Giovanni Pierluigi da Palestrina"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 17)
+
+ sopI = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodieI }
+ %\addlyrics { \sopranText }
+ >>
+ sopII = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodieII }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ >>
+
+ basI = <<
+ \new Voice = "baesse" { \global \bassMelodieI }
+ %\addlyrics { \bassText }
+ >>
+ basII = <<
+ \new Voice = "baesse" { \global \bassMelodieII }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = sopranI { \sopI }
+ \new Staff = sopranII { \sopII }
+ \new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ \new Staff = bassI { \basI }
+ \new Staff = bassII { \basII }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/michi/petrus/stimmen.ly b/hr/michi/petrus/stimmen.ly
new file mode 100644
index 0000000..6cd470c
--- /dev/null
+++ b/hr/michi/petrus/stimmen.ly
@@ -0,0 +1,80 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt_.ly"
+
+ global = {
+ \autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodieI = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ a2. g8[ f8] g4 a4 bes2 a2. g4 a4 bes4 c2 bes4. a8 g4 f4 ~ f4 e4 f2 r1 r1 r1 r1 r1 r2 r4 c'4 c4 d4 ees2 d4. c8 bes4 a4 g2 a4 a4 bes4 c4 bes2 a4 a4 bes8[ c8 d8 ees8] f4 f4 bes,2 ~ bes2 c2 f,2 r2 r1 r1 r1 r2 r4 bes4 bes4 bes4 bes2 bes2 r4 f4 ~ f4 f'4. ees8 d4 c2 bes2 r4 g4 bes4. c8 d4 f8[ ees8] d8[ c8] bes4 ~ bes4 a8[ g8] a2 bes2 r4 f4 g4 a4 bes4 bes4 a8[ bes8 c8 a8] bes4. a8 g4 f2 e4 f2 r4 f4 g4 a4 bes4 bes4 a4 bes4 bes4 ees,8[ f8] g8[ a8] bes4 c4 c4 f,2 r2 r2 r4 d'4 c4 d4 ees2 d2 r2 r1 r1 r1 r4 d4 c4 d4 ees2 d4 bes4 c4 d4 e8[ d8 c8 bes8] a4 bes2 a4 bes1 r1 r2 r4 f4 a2. a4 bes2 a4 c4 ~ c4 c4 d2 c4 a4 bes8[ a8 bes8 c8] d8[ ees8] f4. e16[ d16] e4 f1 r1 r1 r2 r4 f,4 c'2 a4. bes8 c4 d2 c8[ bes8] a2 r4 g4 c4 c4 a4 bes4 c1 r1 r4 c4 d2 ~ d4 d4 ees2 d4 bes2 bes4 bes2 bes2 r1 r2 r4 d4 ~ d4 d4 ees2 c4 d4 ees4 d4 ~ d8[ c8 a8 bes8] c2 r4 a2 a4 bes2 a4 f4 g8[ a8 bes8 c8] d8[ ees8 f8 d8] e4 f2 e4 f2 r4 a,4 f'8[ ees8 d8 c8] d2 c1
+ }
+ >>
+ }
+ sopranMelodieII = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ c1 c2 d2 c2 c2 c4 d4 ees2 d4. c8 bes4 a4 g2 a2 r1 r1 r1 r1 r1 r2 r4 a4 a4 a4 bes2 bes4. c8 d2 c2 c2 r1 r1 r1 r1 r4 d4 d4 c4 d2 c4 c4 d4. c8 bes4 c4 d2 ees2 ~ ees2 d2 r1 r4 d4 d4 c4 d2 bes2 r4 c4 d4 d4 ees4 ees,8[ f8] g8[ a8] bes4 ~ bes8[ c8 d8 ees8] f2 ~ f1 d1 r1 r2 r4 f,4 g4 a4 bes4 bes4 a8[ bes8 c8 a8] bes4. a8 g4 f2 e4 f2 r4 bes4 c4 d4 ees4 ees4 d4 d4 c4 d4 ees2 d2 r1 r4 d4 c4 d4 ees2 d4 bes4 c4 d4 ees8[ d8 c8 bes8] a4 bes2 a4 bes2 r2 r1 r1 r1 r4 bes4 d2 ~ d4 d4 ees2 d1 r1 r2 r4 a4 ~ a4 a4 bes2 a4 f4 g8[ f8 g8 a8] bes8[ a8] a8 g16[ f16] g2 f1 ~ f1 r1 r1 r4 f4 c'2 a2 bes2 c1 r1 r4 g4 a2 ~ a4 a4 bes2 a2 r4 f4 bes4 bes4 g4 a4 bes4 d2 d4 ees2 d2 c4 bes4. c8[ d8 ees8] f2 d4 bes4 ~ bes4 bes4 bes2 a4 f4 g8[ a8 bes8 c8] d8[ ees8] f2 e4 f4 c2 c4 d2 c4 d4 ees2 d2 c1 r4 f,4 f'4. ees8 d8[ c8 bes8 a8] bes2 a1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1 r1 r1 r1 r1 r1 c1 c2 d2 c2 c2 c4 d4 ees2 d4. c8 bes4 a4 g2 a2 r1 r1 r2 r4 f'4 f4 f4 f2 f4 f4 f4. ees8 d4 c4 g'2 ~ g4 f4 ees2 d2 r4 f4 ~ f4 bes2 a4 bes2 f4 f4 bes4. a8 g4 f4 ees4 c4 f4 d4 ees4 f4 g2 f1 ~ f1 r2 r4 g4 bes4. a8 g2 f1 ~ f1 f1 r1 r4 c4 d2 ~ d4 c4 d4 bes4 c2 r2 r1 r4 f4 g2 ~ g4 f4 ees4 c4 d4 f4 f4 f4 g2 f2 r1 r4 f4 f4 f4 g2 f4 g4 a4 a4 bes8[ a8] f4 f4 ees4 f2 d4 f4 f4 d4 bes'2 bes4 f4 a4 a4 bes8[ a8] g4 f4 ees4 f2 d2 r4 f4 bes4 bes4 g4 a4 bes4 a8[ g8] f2 r4 f4 f4 f4 d4 ees4 f2 f2 bes,2 f'4 f4 ees4. d16[ c16] bes8[ c8] d4 c2 f2 r2 r4 bes,4 c4 d4 ees2 d4 bes4 c2 a2 r4 c2 f4 ~ f4 f4 g2 f4 f4 g2 ~ g4 ees4 f2 g2 r4 c,4 f4 f4 d4( e4) f2 r2 r1 r4 f2 f4 g2 f4 d4 g2. f4 ~ f8[ ees8] c4 d4 f4 ~ f4 f4 g2 f4 a4 bes4. a8 g4 f4 g2 f4 f2 f4 f2 f2 r4 g4 bes4. a8 g4 f4 g2 f1 ~ f1 ~ f1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ f2. e8[ d8] e4 f4 bes,2 f'2. e4 f4 d4 c8[ d8 ees8 f8] g4 d4 ees4 f4 c2 f,2 r1 r1 r1 r1 r1 r2 r4 f'4 f4 f4 g2 f4. ees8 d8[ bes8] f'4 ~ f8[ e16 d16] e4 f4 c4 d4 c4 d2 c4 c4 d8[ c8 bes8 c8] d8[ ees8] f4 ees4 d4 g,8[ a8] bes4. a16[ g16] a4 bes4 f'4 f4 f4 d2 f4 f4 f4. ees8 d4 c4 bes4 g4. a8 bes4 ~ bes4 a4 bes4 f'4 g4 f4 ees2 d2 r4 c4 bes8[ c8 d8 ees8] f4 bes,4 c2 r4 g4 ~ g4 ees'2 ees4 d1 c1 bes2 r4 d4 bes4 c4 d4 e4 f1 r1 r4 c4 d2 ~ d4 c4 d4 bes4 c4 d4 bes8[ a8 g8 f8] ees4 f4 g4 a4 bes2 r2 r2 r4 f'4 f4 f4 g2 f2 r2 r2 r4 d4 f4 f4 g8[ f8 ees8 d8] c4 bes4 c2 bes4 bes4 f4 f'4 g2 f4 d4 f4 f4 g8[ f8 ees8 d8] c4 bes4 c2 bes2 r4 d4 f4 g4 ees2 f2 d2 c4. bes8 g4 f4 bes4 g4 a2 r1 r1 r1 r4 c2 c4 d2 c4 a4 bes8[ a8 bes8 c8] d8[ ees8] f4 ~ f4 e4 f2 ~ f2 r2 r1 r4 c4 ees4 c8[ d8] ees8[ f8] g2 f4 ~ f4 e4 f2 r1 r4 f4 f2 ~ f4 g4 ees2 f4 d2 d4 bes2 d4 f4 ees2. d4 c2 bes2 r1 r1 r1 r4 c2 f,4 ~ f4 bes4 c4 a4 bes1 ~ bes4 a4 g4 c4 ~ c8[ a8] d4 c2 d2 bes2 c1
+ }
+ >>
+ }
+
+ bassMelodieI = \relative c' {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r1 r1 r1 r1 r1 r1
+ a2. g8[ f8] g4 a4 bes2 a2. g4 a4 bes4 c2 bes4. a8 g4 f4 ~ f4 e4 f4 f4 f4 f4 ees8[ f8 g8 a8] bes1 c2 f,2 r1 r1 r1 r1 r4 f4 bes4 a4 bes2 f4 f4 bes2. a4 g4. f8 ees4 d4 c2 bes2 r1 r4 f'4 bes4 a4 bes1 f4 f4 bes4. a8 g2 ees8[ f8 g8 a8] bes2 f2 ~ f2 r2 r4 f4 bes2 ~ bes4 a4 g4 g4 f2 r2 r1 r4 f4 bes2 ~ bes4 a4 g4 g4 f2 r2 r1 r4 bes4 a4 bes4 ees,2 bes'2 r1 r4 bes4 a4 bes4 ees,2 bes'4 g4 f2 ees2 f4 g4 f2 bes,2 r2 r1 r1 r1 r4 f'4 bes2 ~ bes4 bes4 c2 bes1 r4 a4 c4 c4 bes2 c8[ bes8 a8 g8] f2 r2 r1 r1 r4 a2 a4 bes2 a4 f4 g8[ f8 g8 a8] bes8[ a8 g8 f8] g2 f2 r2 r2 r1 r4 f4 c'2 ~ c4 c4 d2 c2 r4 a4 c4 d4 bes2 c4 f,4 bes2 ~ bes4 bes4 c2 bes4 bes2 bes4 g2 bes4 bes4 ees,8[ f8 g8 a8] bes2 f2 r4 bes4 ~ bes4 bes4 ees,2 f4 f4 ees8[ f8 g8 a8] bes8[ c8] d4 c2 f,4 a2 c4 bes4 f2 a4 g2 f2 r4 c'4. bes8 g4 a4 bes2 a4 bes2 f2 ~ f1
+ }
+ >>
+ }
+ bassMelodieII = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r1 r1 r1 r1 r1 r1
+ f2. e8[ d8] e4 f4 bes,2 f'2. e4 f4 d4 c8[ d8 ees8 f8] g4 d4 ees4 f4 c2 f2 r1 r1 r2 r4 f4 bes4 a4 bes2 f4 f4 bes2 ~ bes4 a4 g4. f8 ees4 d4 c2 bes2 r2 r1 r1 r1 r2 r4 bes4 ees4 d4 ees2 bes2 r2 r4 bes2 bes'4 ~ bes4 a4 g4. f8 ees1 bes4. c8 d4 ees4 f1 bes,1 r1 r4 f'4 bes2 ~ bes4 a4 g4 g4 f2 r2 r1 r4 bes,4 ees2 ~ ees4 d4 c4 c4 bes2 r2 r2 r4 bes'4 a4 bes4 ees,2 bes2 r2 r1 r1 r1 r4 bes'4 a4 bes4 ees,2 bes4 bes4 f'4 f4 ees2 f4 g4 f2 bes,1 r1 r2 bes2 f'2. f4 g2 f2 r1 r1 r1 r4 f2 f4 bes,2 f'4 f4 ees4. d16[ c16] bes8[ c8] d4 c2 f2 ~ f2 r2 r1 r1 r1 r4 c4 f2 ~ f4 f4 g2 f2 r2 r1 r4 bes,2 bes4 ees2 bes4 bes4 c8[ d8 ees8 f8] g8[ a8] bes4 ~ bes4 a4 bes2 r1 r1 r1 r4 f2 f4 bes,2 f'4 f4 ees2 bes2 c1 f1 bes,1 f'1
+ }
+ >>
+ }
+
diff --git a/hr/michi/petrus/stimmen_.ly b/hr/michi/petrus/stimmen_.ly
new file mode 100644
index 0000000..bf8d445
--- /dev/null
+++ b/hr/michi/petrus/stimmen_.ly
@@ -0,0 +1,576 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodieI = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ a2. g8[ f8]
+ g4 a4 bes2
+ a2. g4
+ a4 bes4 c2
+ bes4. a8 g4 f4 ~
+ f4 e4 f2
+ r1
+ r1
+ r1
+ r1
+ r1
+ r2 r4 c'4
+ c4 d4 ees2
+ d4. c8 bes4 a4
+ g2 a4 a4
+ bes4 c4 bes2
+ a4 a4 bes8[ c8 d8 ees8]
+ f4 f4 bes,2 ~
+ bes2 c2
+ f,2 r2
+ r1
+ r1
+ r1
+ r2 r4 bes4
+ bes4 bes4 bes2
+ bes2 r4 f4 ~
+ f4 f'4. ees8 d4
+ c2 bes2
+ r4 g4 bes4. c8
+ d4 f8[ ees8] d8[ c8] bes4 ~
+ bes4 a8[ g8] a2
+ bes2 r4 f4
+ g4 a4 bes4 bes4
+ a8[ bes8 c8 a8] bes4. a8
+ g4 f2 e4
+ f2 r4 f4
+ g4 a4 bes4 bes4
+ a4 bes4 bes4 ees,8[ f8]
+ g8[ a8] bes4 c4 c4
+ f,2 r2
+ r2 r4 d'4
+ c4 d4 ees2
+ d2 r2
+ r1
+ r1
+ r1
+ r4 d4 c4 d4
+ ees2 d4 bes4
+ c4 d4 e8[ d8 c8 bes8]
+ a4 bes2 a4
+ bes1
+ r1
+ r2 r4 f4
+ a2. a4
+ bes2 a4 c4 ~
+ c4 c4 d2
+ c4 a4 bes8[ a8 bes8 c8]
+ d8[ ees8] f4. e16[ d16] e4
+ f1
+ r1
+ r1
+ r2 r4 f,4
+ c'2 a4. bes8
+ c4 d2 c8[ bes8]
+ a2 r4 g4
+ c4 c4 a4 bes4
+ c1
+ r1
+ r4 c4 d2 ~
+ d4 d4 ees2
+ d4 bes2 bes4
+ bes2 bes2
+ r1
+ r2 r4 d4 ~
+ d4 d4 ees2
+ c4 d4 ees4 d4 ~
+ d8[ c8 a8 bes8] c2
+ r4 a2 a4
+ bes2 a4 f4
+ g8[ a8 bes8 c8] d8[ ees8 f8 d8]
+ e4 f2 e4
+ f2 r4 a,4
+ f'8[ ees8 d8 c8] d2
+ c1
+ }
+ >>
+ }
+ sopranMelodieII = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ c1
+ c2 d2
+ c2 c2
+ c4 d4 ees2
+ d4. c8 bes4 a4
+ g2 a2
+ r1
+ r1
+ r1
+ r1
+ r1
+ r2 r4 a4
+ a4 a4 bes2
+ bes4. c8 d2
+ c2 c2
+ r1
+ r1
+ r1
+ r1
+ r4 d4 d4 c4
+ d2 c4 c4
+ d4. c8 bes4 c4
+ d2 ees2 ~
+ ees2 d2
+ r1
+ r4 d4 d4 c4
+ d2 bes2
+ r4 c4 d4 d4
+ ees4 ees,8[ f8] g8[ a8] bes4 ~
+ bes8[ c8 d8 ees8] f2 ~
+ f1
+ d1
+ r1
+ r2 r4 f,4
+ g4 a4 bes4 bes4
+ a8[ bes8 c8 a8] bes4. a8
+ g4 f2 e4
+ f2 r4 bes4
+ c4 d4 ees4 ees4
+ d4 d4 c4 d4
+ ees2 d2
+ r1
+ r4 d4 c4 d4
+ ees2 d4 bes4
+ c4 d4 ees8[ d8 c8 bes8]
+ a4 bes2 a4
+ bes2 r2
+ r1
+ r1
+ r1
+ r4 bes4 d2 ~
+ d4 d4 ees2
+ d1
+ r1
+ r2 r4 a4 ~
+ a4 a4 bes2
+ a4 f4 g8[ f8 g8 a8]
+ bes8[ a8] a8 g16[ f16] g2
+ f1 ~
+ f1
+ r1
+ r1
+ r4 f4 c'2
+ a2 bes2
+ c1
+ r1
+ r4 g4 a2 ~
+ a4 a4 bes2
+ a2 r4 f4
+ bes4 bes4 g4 a4
+ bes4 d2 d4
+ ees2 d2
+ c4 bes4. c8[ d8 ees8]
+ f2 d4 bes4 ~
+ bes4 bes4 bes2
+ a4 f4 g8[ a8 bes8 c8]
+ d8[ ees8] f2 e4
+ f4 c2 c4
+ d2 c4 d4
+ ees2 d2
+ c1
+ r4 f,4 f'4. ees8
+ d8[ c8 bes8 a8] bes2
+ a1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ r1
+ r1
+ r1
+ r1
+ r1
+ c1
+ c2 d2
+ c2 c2
+ c4 d4 ees2
+ d4. c8 bes4 a4
+ g2 a2
+ r1
+ r1
+ r2 r4 f'4
+ f4 f4 f2
+ f4 f4 f4. ees8
+ d4 c4 g'2 ~
+ g4 f4 ees2
+ d2 r4 f4 ~
+ f4 bes2 a4
+ bes2 f4 f4
+ bes4. a8 g4 f4
+ ees4 c4 f4 d4
+ ees4 f4 g2
+ f1 ~
+ f1
+ r2 r4 g4
+ bes4. a8 g2
+ f1 ~
+ f1
+ f1
+ r1
+ r4 c4 d2 ~
+ d4 c4 d4 bes4
+ c2 r2
+ r1
+ r4 f4 g2 ~
+ g4 f4 ees4 c4
+ d4 f4 f4 f4
+ g2 f2
+ r1
+ r4 f4 f4 f4
+ g2 f4 g4
+ a4 a4 bes8[ a8] f4
+ f4 ees4 f2
+ d4 f4 f4 d4
+ bes'2 bes4 f4
+ a4 a4 bes8[ a8] g4
+ f4 ees4 f2
+ d2 r4 f4
+ bes4 bes4 g4 a4
+ bes4 a8[ g8] f2
+ r4 f4 f4 f4
+ d4 ees4 f2
+ f2 bes,2
+ f'4 f4 ees4. d16[ c16]
+ bes8[ c8] d4 c2
+ f2 r2
+ r4 bes,4 c4 d4
+ ees2 d4 bes4
+ c2 a2
+ r4 c2 f4 ~
+ f4 f4 g2
+ f4 f4 g2 ~
+ g4 ees4 f2
+ g2 r4 c,4
+ f4 f4 d4( e4)
+ f2 r2
+ r1
+ r4 f2 f4
+ g2 f4 d4
+ g2. f4 ~
+ f8[ ees8] c4 d4 f4 ~
+ f4 f4 g2
+ f4 a4 bes4. a8
+ g4 f4 g2
+ f4 f2 f4
+ f2 f2
+ r4 g4 bes4. a8
+ g4 f4 g2
+ f1 ~
+ f1 ~
+ f1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ f2. e8[ d8]
+ e4 f4 bes,2
+ f'2. e4
+ f4 d4 c8[ d8 ees8 f8]
+ g4 d4 ees4 f4
+ c2 f,2
+ r1
+ r1
+ r1
+ r1
+ r1
+ r2 r4 f'4
+ f4 f4 g2
+ f4. ees8 d8[ bes8] f'4 ~
+ f8[ e16 d16] e4 f4 c4
+ d4 c4 d2
+ c4 c4 d8[ c8 bes8 c8]
+ d8[ ees8] f4 ees4 d4
+ g,8[ a8] bes4. a16[ g16] a4
+ bes4 f'4 f4 f4
+ d2 f4 f4
+ f4. ees8 d4 c4
+ bes4 g4. a8 bes4 ~
+ bes4 a4 bes4 f'4
+ g4 f4 ees2
+ d2 r4 c4
+ bes8[ c8 d8 ees8] f4 bes,4
+ c2 r4 g4 ~
+ g4 ees'2 ees4
+ d1
+ c1
+ bes2 r4 d4
+ bes4 c4 d4 e4
+ f1
+ r1
+ r4 c4 d2 ~
+ d4 c4 d4 bes4
+ c4 d4 bes8[ a8 g8 f8]
+ ees4 f4 g4 a4
+ bes2 r2
+ r2 r4 f'4
+ f4 f4 g2
+ f2 r2
+ r2 r4 d4
+ f4 f4 g8[ f8 ees8 d8]
+ c4 bes4 c2
+ bes4 bes4 f4 f'4
+ g2 f4 d4
+ f4 f4 g8[ f8 ees8 d8]
+ c4 bes4 c2
+ bes2 r4 d4
+ f4 g4 ees2
+ f2 d2
+ c4. bes8 g4 f4
+ bes4 g4 a2
+ r1
+ r1
+ r1
+ r4 c2 c4
+ d2 c4 a4
+ bes8[ a8 bes8 c8] d8[ ees8] f4 ~
+ f4 e4 f2 ~
+ f2 r2
+ r1
+ r4 c4 ees4 c8[ d8]
+ ees8[ f8] g2 f4 ~
+ f4 e4 f2
+ r1
+ r4 f4 f2 ~
+ f4 g4 ees2
+ f4 d2 d4
+ bes2 d4 f4
+ ees2. d4
+ c2 bes2
+ r1
+ r1
+ r1
+ r4 c2 f,4 ~
+ f4 bes4 c4 a4
+ bes1 ~
+ bes4 a4 g4 c4 ~
+ c8[ a8] d4 c2
+ d2 bes2
+ c1
+ }
+ >>
+ }
+
+ bassMelodieI = \relative c' {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r1
+ r1
+ r1
+ r1
+ r1
+ r1
+ a2. g8[ f8]
+ g4 a4 bes2
+ a2. g4
+ a4 bes4 c2
+ bes4. a8 g4 f4 ~
+ f4 e4 f4 f4
+ f4 f4 ees8[ f8 g8 a8]
+ bes1
+ c2 f,2
+ r1
+ r1
+ r1
+ r1
+ r4 f4 bes4 a4
+ bes2 f4 f4
+ bes2. a4
+ g4. f8 ees4 d4
+ c2 bes2
+ r1
+ r4 f'4 bes4 a4
+ bes1
+ f4 f4 bes4. a8
+ g2 ees8[ f8 g8 a8]
+ bes2 f2 ~
+ f2 r2
+ r4 f4 bes2 ~
+ bes4 a4 g4 g4
+ f2 r2
+ r1
+ r4 f4 bes2 ~
+ bes4 a4 g4 g4
+ f2 r2
+ r1
+ r4 bes4 a4 bes4
+ ees,2 bes'2
+ r1
+ r4 bes4 a4 bes4
+ ees,2 bes'4 g4
+ f2 ees2
+ f4 g4 f2
+ bes,2 r2
+ r1
+ r1
+ r1
+ r4 f'4 bes2 ~
+ bes4 bes4 c2
+ bes1
+ r4 a4 c4 c4
+ bes2 c8[ bes8 a8 g8]
+ f2 r2
+ r1
+ r1
+ r4 a2 a4
+ bes2 a4 f4
+ g8[ f8 g8 a8] bes8[ a8 g8 f8]
+ g2 f2
+ r2 r2
+ r1
+ r4 f4 c'2 ~
+ c4 c4 d2
+ c2 r4 a4
+ c4 d4 bes2
+ c4 f,4 bes2 ~
+ bes4 bes4 c2
+ bes4 bes2 bes4
+ g2 bes4 bes4
+ ees,8[ f8 g8 a8] bes2
+ f2 r4 bes4 ~
+ bes4 bes4 ees,2
+ f4 f4 ees8[ f8 g8 a8]
+ bes8[ c8] d4 c2
+ f,4 a2 c4
+ bes4 f2 a4
+ g2 f2
+ r4 c'4. bes8 g4
+ a4 bes2 a4
+ bes2 f2 ~
+ f1
+ }
+ >>
+ }
+ bassMelodieII = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r1
+ r1
+ r1
+ r1
+ r1
+ r1
+ f2. e8[ d8]
+ e4 f4 bes,2
+ f'2. e4
+ f4 d4 c8[ d8 ees8 f8]
+ g4 d4 ees4 f4
+ c2 f2
+ r1
+ r1
+ r2 r4 f4
+ bes4 a4 bes2
+ f4 f4 bes2 ~
+ bes4 a4 g4. f8
+ ees4 d4 c2
+ bes2 r2
+ r1
+ r1
+ r1
+ r2 r4 bes4
+ ees4 d4 ees2
+ bes2 r2
+ r4 bes2 bes'4 ~
+ bes4 a4 g4. f8
+ ees1
+ bes4. c8 d4 ees4
+ f1
+ bes,1
+ r1
+ r4 f'4 bes2 ~
+ bes4 a4 g4 g4
+ f2 r2
+ r1
+ r4 bes,4 ees2 ~
+ ees4 d4 c4 c4
+ bes2 r2
+ r2 r4 bes'4
+ a4 bes4 ees,2
+ bes2 r2
+ r1
+ r1
+ r1
+ r4 bes'4 a4 bes4
+ ees,2 bes4 bes4
+ f'4 f4 ees2
+ f4 g4 f2
+ bes,1
+ r1
+ r2 bes2
+ f'2. f4
+ g2 f2
+ r1
+ r1
+ r1
+ r4 f2 f4
+ bes,2 f'4 f4
+ ees4. d16[ c16] bes8[ c8] d4
+ c2 f2 ~
+ f2 r2
+ r1
+ r1
+ r1
+ r4 c4 f2 ~
+ f4 f4 g2
+ f2 r2
+ r1
+ r4 bes,2 bes4
+ ees2 bes4 bes4
+ c8[ d8 ees8 f8] g8[ a8] bes4 ~
+ bes4 a4 bes2
+ r1
+ r1
+ r1
+ r4 f2 f4
+ bes,2 f'4 f4
+ ees2 bes2
+ c1
+ f1
+ bes,1
+ f'1
+ }
+ >>
+ }
+
diff --git a/hr/michi/petrus/texte.ly b/hr/michi/petrus/texte.ly
new file mode 100644
index 0000000..1287920
--- /dev/null
+++ b/hr/michi/petrus/texte.ly
@@ -0,0 +1,41 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen % -- _
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ Tu _ _ es Pe -- trus, et su -- per hanc _ _ _ _ pe -- tram.
+ et su -- per hanc pe -- _ _ _ _ tram,
+ æ -- di -- fi -- ca -- bo ec -- cle -- _ _ si -- am me -- _ _ _ am,
+ æ -- di -- fi -- ca -- bo ec -- cle -- _ _ si -- am me -- _ _ _ am,
+ æ -- di -- fi -- ca -- bo ec -- cle -- _ si -- am,
+ ec -- cle -- si -- am me -- am,
+ et por -- tæ in -- fe -- ri,
+ et por -- tæ in -- fe -- ri,
+ et por -- _ tæ in -- fe -- ri,
+ non præ -- va -- le -- bunt,
+ ad -- ver -- sus e -- _ _ _ am,
+ non præ -- va -- le -- bunt
+ ad -- ver -- sus e -- _ _ _ am,
+ et ti -- bi da -- bo,
+ et ti -- _ _ bi da -- _ bo,
+ cla -- ves re -- gni cæ -- lo -- _ _ _ rum,
+ et ti -- bi _ _ da -- _ bo,
+ et ti -- bi da -- bo cla -- ves re -- gni cæ -- lo -- _ _ rum,
+ cla -- ves re -- gni cæ -- lo -- _ rum, cæ -- _ _ lo -- _ rum.
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/michi/prayer/dynArt.ly b/hr/michi/prayer/dynArt.ly
new file mode 100644
index 0000000..843fa23
--- /dev/null
+++ b/hr/michi/prayer/dynArt.ly
@@ -0,0 +1,40 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ %\override Staff.TimeSignature #'style = #'()
+ \dynamicUp
+ \key ees \major
+ \time 4/4
+ \partial 4
+ \repeat volta 2 {
+ s4
+ s1*7
+ } \alternative {
+ {
+ s1
+ }
+ {
+ s1
+ }
+ }
+ s1*4
+ %\break
+ s1*9
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/michi/prayer/midi.lua b/hr/michi/prayer/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/michi/prayer/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/michi/prayer/prayer.ly b/hr/michi/prayer/prayer.ly
new file mode 100644
index 0000000..de8364b
--- /dev/null
+++ b/hr/michi/prayer/prayer.ly
@@ -0,0 +1,74 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Hear my prayer"
+ composer = "Moses Hogan"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \voiceOne \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \voiceTwo \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \voiceOne \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \voiceTwo \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = frauen { << \sop \\ \alt >> }
+ \new Lyrics = first \lyricsto alti \textA
+ \new Lyrics = second \lyricsto alti \textB
+ %\new Staff = alt { \alt }
+ %\new Staff = tenor { \ten }
+ \new Staff = bass { << \ten \\ \bas >> }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/michi/prayer/stimmen.ly b/hr/michi/prayer/stimmen.ly
new file mode 100644
index 0000000..bc5fd62
--- /dev/null
+++ b/hr/michi/prayer/stimmen.ly
@@ -0,0 +1,61 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ ees4 g4 g4 aes4 f4 ees2 c'4. c8 bes4 g4 aes4 bes4 bes2 bes4. c8 ees4 ees4 ees4. <c aes>8 bes4( g8 f8) ees4 c8 ees8 bes'4 aes4 g8( ees8) f4 ees2. ees4
+ ees2 ees4. f8 g4 g4 aes4 f4 ees2 c'4. c8 bes4 g4 aes4 bes4 bes2 bes4. c8 ees4 ees4 g16( f16 ees4) <c aes>8 bes4( g8 f8) ees4 c8 ees8 bes'4 aes4 g16( f16 ees8) f16( ees16 c16 ees16) ees2. aes8 g8 bes4. bes8 aes4 g4 r8 g8 aes8 g8 r2 ees2 ees2 r1 r1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ ees4 ees4 ees4 ees4 c8( d8) bes2 aes'4. f8 f4 ees4 ees4 <f ees>4 f2 bes,4. aes'8 g4 aes4 g8( aes4) f8 g4( d4) c4 c8 c8 ees4 ees4 c4 d4 bes2. ees4
+ bes2 bes4. ees8 ees4 ees4 ees4 c8( d8) bes2 aes'4. f8 f4 ees4 ees4 <f ees>4 f2 bes,4. aes'8 g4 aes4 g8( aes4) f8 g4( d4) c4 c8 c8 ees4 ees4 c4 c4 bes2. ees8 ees8 g4. g8 ees4 ees4 r8 ees8 ees8 ees8 r2 ces2 bes2 r1 r1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ ees4 bes'4 bes4 c4 aes8( bes8) g2 ees'4. d8 ees4 bes4 c4 <c aes>4 d2 bes4. ees8 bes4 c4 bes8( c4) <d bes>8 <ees bes>4( aes,4) g4 c8 c8 c4 ces4 aes4 aes4 g2. ees4
+ g2 g4. aes8 bes4 bes4 c4 aes8( bes8) g2 ees'4. d8 ees4 bes4 c4 <c ees>4 d2 bes4. ees8 bes4 c4 bes8( c4) d8 <ees bes>4( aes,4) g4 c8 c8 c4 ces4 aes4 aes4 <g ees>2. ces8 bes8 ees4. ees8 ces4 bes4 r8 bes8 ces8 bes8 r2 aes2 g2 <g ees>1 q1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ ees4 ees4 ees4 ees4 ees4 ees2 aes4. aes8 g4 g4 f4 f4 bes2 bes,4. bes'8 ees,4 ees4 ees4. ees8 ees4( b4) c4 c'8 bes8 aes8( g8) f4 bes,4 bes4 ees2. ees4
+ ees2 ees4. ees8 ees4 ees4 ees4 ees4 ees2 aes4. aes8 g4 g4 f4 f4 bes2 bes,4. bes'8 ees,4 ees4 ees4. ees8 ees4( b4) c4 c'8 bes8 aes8( g8) f4 bes,4 bes4 ees,1 ~ ees1 ~ ees1 ~ ees1 <bes' ees,>1 q1
+ }
+ >>
+ }
+
diff --git a/hr/michi/prayer/texte.ly b/hr/michi/prayer/texte.ly
new file mode 100644
index 0000000..f53abe3
--- /dev/null
+++ b/hr/michi/prayer/texte.ly
@@ -0,0 +1,42 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+ textA = \lyricmode {
+ O Lord, please hear my prayer,
+ in the morn -- in’ when I rise.
+ It’s Your ser -- vant
+ bound for glo -- ry.
+ O dear Lord, please hear my prayer.
+ O prayer.
+ When my work on earth is done,
+ and You come to take me home.
+ Just to know I’m bound for glo -- ry.
+ And to hear You say well done.
+ Done with sin and sor -- row,
+ have mer -- cy, mer -- cy.
+ A -- men.
+ }
+ textB = \lyricmode {
+ _ _ _ _ _ _
+ keep me safe with -- in Your arms.
+ }
+
+% Die Textaufteilungen % -- _
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/michi/psallite/dynArt.ly b/hr/michi/psallite/dynArt.ly
new file mode 100644
index 0000000..5db310e
--- /dev/null
+++ b/hr/michi/psallite/dynArt.ly
@@ -0,0 +1,39 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ %\override Staff.TimeSignature #'style = #'()
+ \dynamicUp
+ \key d \major
+ \time 2/2
+ s1*4
+ s1*4
+ \break
+ s1*4
+ s1*8
+ \break
+ s1*8
+ \break
+ s1*9
+ s1*2
+ \break
+ s1*6
+ \break
+ s1*8
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/michi/psallite/midi.lua b/hr/michi/psallite/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/michi/psallite/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/michi/psallite/psallite.ly b/hr/michi/psallite/psallite.ly
new file mode 100644
index 0000000..e92169f
--- /dev/null
+++ b/hr/michi/psallite/psallite.ly
@@ -0,0 +1,84 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Psallite Deo nostro"
+ composer = "Johann Sebastian Bach"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 15)
+
+ sopA = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "sopraneI" { \global \sopranMelodieI }
+ %\addlyrics { \sopranText }
+ >>
+
+ sopB = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "sopraneII" { \global \sopranMelodieII }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = sopraneI { \sopA }
+ \new Staff = sopraneII { \sopB }
+ \new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ \new Staff = bass { \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ \context {
+ \Staff
+ \RemoveEmptyStaves
+ \override VerticalAxisGroup #'remove-first = ##t
+ }
+ }
+ }
+
diff --git a/hr/michi/psallite/stimmen.ly b/hr/michi/psallite/stimmen.ly
new file mode 100644
index 0000000..b57c817
--- /dev/null
+++ b/hr/michi/psallite/stimmen.ly
@@ -0,0 +1,131 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodieI = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ s1*20
+ a2 a4 a4 b8([ a8 g8 a8] b8[ cis8)] d4 d4 a4 d4 fis,4 e2 cis'2 d2 cis4. cis8 d4 d,4 d'4 cis8 b8 cis8[ b8 a8 b8] cis8[ d8] e4 d4( cis4) b2 a4 a4 d4 c4 b4. a8 g2
+ r2 fis2 g2 a2 d,2 r2 r4 a'4 d4 d4 cis4. b8 a4 cis4 fis2 e2 e2
+ cis4. cis8 d4 d,4 d'4 cis8 b8 cis4 a4 dis4. dis8 e4 e,4 e'4 d8 cis8 d4 cis8 b8 g'2( ~ g2 fis2 ~ fis2 e2 ~ e2 d2 ~ d2 c2 ~ c2) b2 a2 a2 b2 a2 a2 d4. c8 b4 b4 e4 fis8 g8 cis,2 d4 d4 d2 cis2 d1
+ }
+ >>
+ }
+
+ sopranMelodieII = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ s1*12
+ a2 a4 a4 b8([ a8 g8 a8] b8[ cis8)] d4 d4 a4 d4 fis,4 e2 cis'2 d2 cis4. cis8 d4 d,4 d'4 cis8 b8 cis8[ b8 a8 b8] cis8[ d8] e4 d4( cis4) b2 a2
+ fis4. fis8 g4 d4 g4 fis8 e8 fis8[ e8 d8 e8] fis8[ g8] a4 g4( fis4) e2 d4 fis4 g4 g4 a8([ g8 fis8 g8] a8[ b8 cis8 d8)] e2 r4 a,8 a8 fis'4( e4) d2 cis2
+ d2 d2 e2 a,4 fis4 b4 d,4 e4( fis4) g2 fis2 r4 e4 a4 a4 fis4. e8 e4 cis'4 fis4 a,4 b4( cis4) d2 cis2
+ a4. a8 a4 a4 b4. b8 a4 e4 b'4 b8 b8 b4 g4 fis4. fis8 b4 fis4 d'4 cis8 b8 cis4 a8 b8 c4( b8[ a8] b2. a8[ g8] a2.) g8[ fis8] e2 a2 d,1( ~ d1 ~ d4 e8[ fis8] g4) g4 fis2
+ a4. a8 a4 g8[ fis8] g4 a8 b8 e,2 a4 a4 a2 a2 a1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ s1*8
+ d2 e4 e4 fis8([ e8 d8 e8] fis8[ g8)] a4 a4 e4 a4 cis,4 b2 gis'2 a2 fis4. fis8 g4 g,4 g'4 fis8 e8 fis8[ e8 d8 e8] fis8[ g8] a4 g4( fis4) e2 d2 e2 fis2 gis2 a4 a,4 a'2 ~ a2 gis2 a2 r2
+ r1 r1 r1
+ d,2 e4 e4 fis8([ e8 d8 e8] fis8[ g8)] a4 a4 e4 a4 cis,4 b2 gis'2 a2 fis4. fis8 g4 g,4 g'4 fis8 e8 fis8[ e8 d8 e8] fis8[ g8] a4 g4( fis4) e2 d4 d4 g4 g4 fis4. e8 d2
+ r2 cis2 d2 e2 a,2 e'4. e8 fis4 fis4 e4. e8 e4 e4 fis4 fis8 fis8 e4 e4 fis4. fis8 fis4 fis4 g4 a8 b8 a2 a4 a4 a2( g2 ~ g2 fis4) e8[ d8] a'2
+ fis4. fis8 g4 g,4 g'4 fis8 e8 fis8[ e8 d8 e8] fis8[ g8] a4 g4( fis4) e2 d2
+ d4. d8 d4 d4 b4 b8 b8 a2 a4 fis'4 fis4( e8[ d8 e8 fis8)] g4 fis1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ s1*4
+ a2 a4 a4 b8([ a8 g8 a8] b8[ cis8)] d4 d4 a4 d4 fis,4 e2 cis'2 d2 cis4. cis8 d4 d,4 d'4 cis8 b8 cis8[ b8 a8 b8] cis8[ d8] e4 d4( cis4) b2 a4 a4 d4 c4 b4. a8 g2
+ r2 fis2 g2 a2 d,2 r4 a'4 d4 cis4 b4. b8 a4 cis4 fis4 a,4 b4( cis4) d2 cis4 a4 d4 c4 b4. a8 g2 r2 fis2 g2 a2 d,2 r2
+ r1 r1 r1
+ a'2 a4 a4 b8([ a8 g8 a8] b8[ cis8)] d4 d4 a4 d4 fis,4 e2 cis'2 d2
+ cis4. cis8 d4 d,4 d'4 cis8 b8 cis8[ b8 a8 b8] cis8[ d8] e4 d4( cis4) b2 a2 a4. a8 d4 d4 b4. b8 e4 cis4 b4 b8 b8 b4 b4 cis4. cis8 fis4 d4 d4 e8 fis8 e2 a,4 a4 d2( e2 a,8[ g8 fis8 g8] a4) b4 e,2 r2
+ r2 d2 a'8([ g8 fis8 g8] a8[ d8 cis8 d8] b2) cis2 a2 a4. a8 b4 b4 g4 fis8 e8 e'2 d4 d4 a2 a2 a1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ d2 e4 e4 fis8([ e8 d8 e8] fis8[ g8)] a4 a4 e4 a4 cis,4 b2 gis'2 a2 fis4. fis8 g4 g,4 g'4 fis8 e8 fis8[ e8 d8 e8] fis8[ g8] a4 g4( fis4) e2
+ << {
+ d4 d4 a'4 g4 fis4. e8 d2 r2 cis2
+ } \new CueVoice \relative c {
+ \stemUp
+ d2 a2 d2 b2 \stemDown fis4 cis'4 fis4 cis4
+ } >>
+ d2 e2 a,2 r4 d4 g4 fis4
+ << {
+ e4. d8 d4 fis4 b4 d,4 e4( fis4) g2 fis4
+ } \new CueVoice \relative c {
+ \stemUp
+ e2 s4 cis4 b4 fis4 g2 a2 d,4
+ } >>
+ d4 a'4 g4
+ << {
+ fis4. e8 d2 r2 cis2
+ } \new CueVoice \relative c {
+ \stemUp
+ fis4 gis8[ a8] b4 e,4 a4 gis4 fis4 cis4
+ } >>
+ d2 e2 a,2
+ << {
+ r2 r1 r1 r1 r1 r1 r1 r1 r1 r1 r1 r1
+ } \new CueVoice \relative c {
+ \stemDown
+ r4 d4 g4 fis4 e2 d4 fis4 b4 fis4 g2 a2 d,2 r2 s1
+ r2 cis2 d2 e2 a,4 cis4 fis2 ~ fis2 e2 d2 d2 ~ d2 cis2
+ } >>
+ d2 e4 e4 fis8([ e8 d8 e8] fis8[ gis8)] a4 a4 e4 a4 cis,4 b2 gis'2 a2 g4. g8 fis4 fis4 gis4. gis8 a4 a,4 a'4 g8 fis8 g4 e4 ais4. ais8 b4 b,4 b'4 a8 g8 a4 a,4 a'4 g8 fis8 g4 g,4 g'4 fis8 e8 fis4 d8 e8 fis4 g4 a4
+ a,4 a4 a4 b8([ a8 g8 a8] b8[ cis8)] d4 d4
+ << {
+ a'4 d4 fis,4 e2 a2
+ } \new CueVoice \relative c {
+ \stemUp
+ a4 d4 fis,4 e2 cis'2
+ } >>
+ d,2 fis4. fis8 g4 g,4 g'2 ~ g4 fis8 e8 fis8[ e8 d8 e8] fis8[ g8] a4
+ << {
+ a,4. a8 d1
+ } \new CueVoice \relative c {
+ \stemUp
+ a2 d,1
+ } >>
+ }
+ >>
+ }
+
diff --git a/hr/michi/psallite/texte.ly b/hr/michi/psallite/texte.ly
new file mode 100644
index 0000000..61175c3
--- /dev/null
+++ b/hr/michi/psallite/texte.ly
@@ -0,0 +1,39 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen % -- _
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ Psal -- li -- te De -- o no -- stro in læ -- ti -- ti -- a,
+ ex -- sul -- ta -- te no -- mi -- ni e -- ius in sæ -- cu -- la,
+ can -- ta -- te Do -- mi -- no,
+ Al -- le -- lu -- ia,
+ can -- ta -- te Do -- mi -- no,
+ can -- ta -- te Do -- mi -- no,
+ can -- ta -- te Do -- mi -- no,
+ Al -- le -- lu -- ia.
+ Psal -- li -- te De -- o no -- stro in læ -- ti -- ti -- a,
+ ex -- sul -- ta -- te no -- mi -- ni e -- ius in sæ -- cu -- la.
+ Ex -- sul -- ta -- te,
+ ex -- sul -- ta -- te no -- mi -- ni e -- ius,
+ ex -- sul -- ta -- te no -- mi -- ni e -- ius
+ in sæ -- cu -- la,
+ in sæ -- cu -- la,
+ ex -- sul -- ta -- te no -- mi -- ni e -- ius
+ in sæ -- cu -- la!
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/michi/remember/Do Lord, Remember Me.PDF b/hr/michi/remember/Do Lord, Remember Me.PDF
new file mode 100644
index 0000000..1002206
--- /dev/null
+++ b/hr/michi/remember/Do Lord, Remember Me.PDF
Binary files differ
diff --git a/hr/michi/remember/dynArt.ly b/hr/michi/remember/dynArt.ly
new file mode 100644
index 0000000..6a06e28
--- /dev/null
+++ b/hr/michi/remember/dynArt.ly
@@ -0,0 +1,51 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ %\override Staff.TimeSignature #'style = #'()
+ \dynamicUp
+ \key g \major
+ \time 4/4
+ s1*8
+ \bar "||"
+ \break
+ s1*8
+ \bar "||"
+ \pageBreak
+ s1*8
+ \repeat volta 2 {
+ s1*7
+ } \alternative {
+ {
+ s1
+ }
+ {
+ s1
+ }
+ }
+ \bar "||"
+ \pageBreak
+ s1*8
+ \bar "||"
+ \break
+ s1*8
+ \bar "||"
+ %\break
+ %s1*8
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/michi/remember/haukify.log b/hr/michi/remember/haukify.log
new file mode 100644
index 0000000..bed8f2e
--- /dev/null
+++ b/hr/michi/remember/haukify.log
@@ -0,0 +1,28 @@
+ \dos
+ \beulahs
+ \dos
+ \beulahs
+ \dos
+ \beulahs
+ \dos
+ \doa
+ \beulaha
+ \doa
+ \beulaha
+ \doa
+ \beulaha
+ \doa
+ \dot
+ \beulaht
+ \dot
+ \beulaht
+ \dot
+ \beulaht
+ \dot
+ \dob
+ \beulahb
+ \dob
+ \beulahb
+ \dob
+ \beulahb
+ \dob
diff --git a/hr/michi/remember/lily.log b/hr/michi/remember/lily.log
new file mode 100644
index 0000000..ca610c4
--- /dev/null
+++ b/hr/michi/remember/lily.log
@@ -0,0 +1,11 @@
+GNU LilyPond 2.18.0
+»remember.ly« wird verarbeitet
+Analysieren...
+Interpretation der Musik...[8][16][24][32][40][48]
+Vorverarbeitung der grafischen Elemente...
+Ideale Seitenanzahl wird gefunden...
+Musik wird auf 3 oder 4 Seiten angepasst...
+Systeme erstellen...
+Layout nach »remember.ps« ausgeben...
+Konvertierung nach »./remember.pdf«...
+Kompilation erfolgreich beendet
diff --git a/hr/michi/remember/midi.lua b/hr/michi/remember/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/michi/remember/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/michi/remember/remember.ly b/hr/michi/remember/remember.ly
new file mode 100644
index 0000000..9bc513a
--- /dev/null
+++ b/hr/michi/remember/remember.ly
@@ -0,0 +1,74 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen_.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Do Lord, Remember Me"
+ composer = "traditional"
+ arranger = "Moses Hogan"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ %system-count=14
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 17)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = sopran { \sop }
+ \new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ \new Staff = bass { \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/michi/remember/stimmen.ly b/hr/michi/remember/stimmen.ly
new file mode 100644
index 0000000..4636938
--- /dev/null
+++ b/hr/michi/remember/stimmen.ly
@@ -0,0 +1,188 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ dos = \relative c' {
+ d8 d4 e8 g8 g4 r8 b8. b16 b16 a8. g4 bes8( a8) e8 e4 fis8 g8 g4 r8 bes8. a16 g16 e8. d4 r4 d8 d4 e8 g8 g4 r8
+ <<
+ {
+ \voiceOne
+ e'8 d8 b8 a8 g8 g'4( e8)
+ } \\
+ {
+ \voiceTwo
+ b8 a8 b8 a8 g4 d'8( c8)
+ }
+ >>
+ d8( b4) g8 b8( a4) g8 g1
+ }
+ beulahs = \relative c' {
+ d16 d8 d16 d8 e8 g8 g16 g16 ~ g8 g8 b8 b4 a8 g4 bes16( a16 g8)
+ e16 e8 e16 e8 fis8 g8 fis16 g16 ~ g8 a8 bes8 a8( g8) e8 d4 r4
+ d16 d8 d16 d8 e8 g8 g16 g16 ~ g8 g8 b8 b4 a8 << { \voiceOne g8 g'4( e8) } \\ { \voiceTwo g,4 d'8( c8) } >>
+ }
+ fathers = \relative c' {
+ d16 d8 d16 d16 d16 e8 g8 g16 g16 ~ g8 g8 b8 b4 a8 g4 bes16( a16 g8)
+ e16 e8 e16 e16 e16 fis8 g8 fis16 g16 ~ g8 a8 bes8 a8( g8) e8 d4 r4
+ d16 d8 d16 d16 d16 e8 g8 g16 g16 ~ g8 g8 b8 b4 a8 << { \voiceOne g8 g'4( e8) } \\ { \voiceTwo g,4 d'8( c8) } >>
+ }
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ \dos
+ \once \override Score.RehearsalMark #'break-visibility = #end-of-line-visible
+ \once \override Score.RehearsalMark #'self-alignment-X = #RIGHT
+ \mark \markup { \bold "Fine" }
+ \beulahs
+ d'8( b4) g8 b8( a4) g8 g2 r8 b8 b16( a16 g8)
+ \dos
+ \repeat volta 2 {
+ \beulahs
+ d'8( b4) g8 b8( a4) g8
+ } \alternative {
+ {
+ g1
+ }
+ {
+ g2 r8 b8 b16( a16 g8)
+ }
+ }
+ \dos
+ \fathers
+ d'8( b4) g8 b8( a4) g8
+ g2 r8 b8 b16( a16 g8)
+ \once \override Score.RehearsalMark #'break-visibility = #end-of-line-visible
+ \once \override Score.RehearsalMark #'self-alignment-X = #RIGHT
+ \mark \markup { \bold "D. C. al Fine" }
+ %\dos
+ }
+ >>
+ }
+
+ doa = \relative c' {
+ b8 b4 d8 d8 d4 r8 g8. g16 g16 e8. d4 g8( f8) c8 c4 d8 e8 e4 r8 g8. e16 e16 c8. b4 r4 b8 b4 e8 d8 d4 r8 << { \voiceOne b'8 a8 e8 fis8 e4 b'8( c8) } \\ { \voiceTwo dis,8 fis8 e8 fis8 e4 g4 } >> g4. e8 e4. e8 b8( c4 a8 b2)
+ }
+ beulaha = \relative c' {
+ r1 r1 c16 c8 c16 c8 d8 e8 dis16 e16 ~ e8 e8 g8 e4 c8 b4 r4 b16 b8 b16 b8 d8 d8 d16 d16 ~ d8 e8 dis8 e4 fis8 e4 << { \voiceOne b'8( c8) } \\ { \voiceTwo g4 } >> g4. e8 e4. e8
+ }
+ fathera = \relative c' {
+ r1 r1 c16 c8 c16 c16 c16 d8 e8 dis16 e16 ~ e8 e8 g8 e4 c8 b4 r4 b16 b8 b16 b16 b16 d8 d8 d16 d16 ~ d8 e8 dis8 e4 fis8 e4 << { \voiceOne b'8( c8) } \\ { \voiceTwo g4 } >> g4. e8 e4. e8
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ \doa
+ \beulaha
+ b8( c4 a8 b4) r4
+ \doa
+ \repeat volta 2 {
+ \beulaha
+ } \alternative {
+ {
+ b8( c4 a8 b2)
+ }
+ {
+ b8( c4 a8 b4) r4
+ }
+ }
+ \doa
+ \fathera
+ b8( c4 a8 b4) r4
+ %\doa
+ }
+ >>
+ }
+
+ dot = \relative c' {
+ g8 g4 bes8 b8 b4 r8 d8. d16 d16 c8. b4 d4 g,8 g4 a8 bes8 bes4 r8 d8. c16 c16 a8. g4 r4 g8 g4 bes8 b8 b4 r8 a8 a8 a8 b8 b4 g8( a8) b8( d4) cis8 c4. c8 d,8( e4 c8 d2)
+ }
+ beulaht = \relative c' {
+ r1 r1 g16 g8 g16 g8 a8 bes8 a16 bes16 ~ bes8 c8 d8 c4 a8 g4 r4 g16 g8 g16 g8 b8 b8 bes16 b16 ~ b8 a8 a8 a4 b8 b4 g8( a8) b8( d4) cis8 c4. c8
+ }
+ fathert = \relative c' {
+ r1 r1 g16 g8 g16 g16 g16 a8 bes8 a16 bes16 ~ bes8 c8 d8 c4 a8 g4 r4 g16 g8 g16 g16 g16 bes8 b8 b16 b16 ~ b8 a8 a8 a4 b8 b4 g8( a8) b8( d4) cis8 c4. c8
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ \dot
+ \beulaht
+ d,8( e4 c8 d4) r4
+ \dot
+ \repeat volta 2 {
+ \beulaht
+ } \alternative {
+ {
+ d8( e4 c8 d2)
+ }
+ {
+ d8( e4 c8 d4) r4
+ }
+ }
+ \dot
+ \fathert
+ d8( e4 c8 d4) r4
+ %\dot
+ }
+ >>
+ }
+
+ dob = \relative c {
+ g8 g4 g8 g8 g8( b8 d8) g8. g16 g16 g8. g8 g,8 a8 b8 c8 c4 c8 c8 c4 r8 c8. c16 d16 d8. g,8 g8( b8 d8) g,8 g4 g8 g8 g8( a8 bes8) b8 c8 cis8 dis8 e4 b8( c8) d4. d8 d4. d8 g,1
+ }
+ beulahb = \relative c {
+ r1 r1 c16 c8 c16 c8 c8 c8 c16 c16 ~ c8 c8 c8 c8( d8) d8 g,8 g8 b8 d8 g,16 g8 g16 b16( d16) e8 g8 e16 d16 ~ d8 c8 b8 cis4 dis8 e4 b8( c8) d4. d8 d4. d8
+ }
+ fatherb = \relative c {
+ r1 r1 c16 c8 c16 c16 c16 c8 c8 c16 c16 ~ c8 c8 c8 c8( d8) d8 g,8 g8 b8 d8 g,16 g8 g16 b16 d16 e8 g8 e16 d16 ~ d8 c8 b8 cis4 dis8 e4 b8( c8) d4. d8 d4. d8
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ \dob
+ \beulahb
+ g2. r4
+ \dob
+ \repeat volta 2 {
+ \beulahb
+ } \alternative {
+ {
+ g1
+ }
+ {
+ g2. r4
+ }
+ }
+ \dob
+ \fatherb
+ g2. r4
+ %\dob
+ }
+ >>
+ }
+
diff --git a/hr/michi/remember/stimmen_.ly b/hr/michi/remember/stimmen_.ly
new file mode 100644
index 0000000..59becd5
--- /dev/null
+++ b/hr/michi/remember/stimmen_.ly
@@ -0,0 +1,257 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ dos = \relative c' {
+ d8 d4 e8 g8 g4 r8
+ b8. b16 b16 a8. g4 bes8( a8)
+ e8 e4 fis8 g8 g4 r8
+ bes8. a16 g16 e8. d4 r4
+ d8 d4 e8 g8 g4 r8
+ <<
+ {
+ \voiceOne
+ e'8 d8 b8 a8 g8 g'4( e8)
+ } \\
+ {
+ \voiceTwo
+ b8 a8 b8 a8 g4 d'8( c8)
+ }
+ >>
+ d8( b4) g8 b8( a4) g8
+ g1
+ }
+ beulahs = \relative c' {
+ d16 d8 d16 d8 e8 g8 g16 g16 ~ g8 g8
+ b8 b4 a8 g4 bes16( a16 g8)
+ e16 e8 e16 e8 fis8 g8 fis16 g16 ~ g8 a8
+ bes8 a8( g8) e8 d4 r4
+ d16 d8 d16 d8 e8 g8 g16 g16 ~ g8 g8
+ b8 b4 a8 << { \voiceOne g8 g'4( e8) } \\ { \voiceTwo g,4 d'8( c8) } >>
+ }
+ fathers = \relative c' {
+ d16 d8 d16 d16 d16 e8 g8 g16 g16 ~ g8 g8
+ b8 b4 a8 g4 bes16( a16 g8)
+ e16 e8 e16 e16 e16 fis8 g8 fis16 g16 ~ g8 a8
+ bes8 a8( g8) e8 d4 r4
+ d16 d8 d16 d16 d16 e8 g8 g16 g16 ~ g8 g8
+ b8 b4 a8 << { \voiceOne g8 g'4( e8) } \\ { \voiceTwo g,4 d'8( c8) } >>
+ }
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ \dos
+ \once \override Score.RehearsalMark #'break-visibility = #end-of-line-visible
+ \once \override Score.RehearsalMark #'self-alignment-X = #RIGHT
+ \mark \markup { \bold "Fine" }
+ \beulahs
+ d'8( b4) g8 b8( a4) g8
+ g2 r8 b8 b16( a16 g8)
+ \dos
+ \repeat volta 2 {
+ \beulahs
+ d'8( b4) g8 b8( a4) g8
+ } \alternative {
+ {
+ g1
+ }
+ {
+ g2 r8 b8 b16( a16 g8)
+ }
+ }
+ \dos
+ \fathers
+ d'8( b4) g8 b8( a4) g8
+ g2 r8 b8 b16( a16 g8)
+ \once \override Score.RehearsalMark #'break-visibility = #end-of-line-visible
+ \once \override Score.RehearsalMark #'self-alignment-X = #RIGHT
+ \mark \markup { \bold "D. C. al Fine" }
+ %\dos
+ }
+ >>
+ }
+
+ doa = \relative c' {
+ b8 b4 d8 d8 d4 r8
+ g8. g16 g16 e8. d4 g8( f8)
+ c8 c4 d8 e8 e4 r8
+ g8. e16 e16 c8. b4 r4
+ b8 b4 e8 d8 d4 r8
+ << { \voiceOne b'8 a8 e8 fis8 e4 b'8( c8) } \\ { \voiceTwo dis,8 fis8 e8 fis8 e4 g4 } >>
+ g4. e8 e4. e8
+ b8( c4 a8 b2)
+ }
+ beulaha = \relative c' {
+ r1
+ r1
+ c16 c8 c16 c8 d8 e8 dis16 e16 ~ e8 e8
+ g8 e4 c8 b4 r4
+ b16 b8 b16 b8 d8 d8 d16 d16 ~ d8 e8
+ dis8 e4 fis8 e4 << { \voiceOne b'8( c8) } \\ { \voiceTwo g4 } >>
+ g4. e8 e4. e8
+ }
+ fathera = \relative c' {
+ r1
+ r1
+ c16 c8 c16 c16 c16 d8 e8 dis16 e16 ~ e8 e8
+ g8 e4 c8 b4 r4
+ b16 b8 b16 b16 b16 d8 d8 d16 d16 ~ d8 e8
+ dis8 e4 fis8 e4 << { \voiceOne b'8( c8) } \\ { \voiceTwo g4 } >>
+ g4. e8 e4. e8
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ \doa
+ \beulaha
+ b8( c4 a8 b4) r4
+ \doa
+ \repeat volta 2 {
+ \beulaha
+ } \alternative {
+ {
+ b8( c4 a8 b2)
+ }
+ {
+ b8( c4 a8 b4) r4
+ }
+ }
+ \doa
+ \fathera
+ b8( c4 a8 b4) r4
+ %\doa
+ }
+ >>
+ }
+
+ dot = \relative c' {
+ g8 g4 bes8 b8 b4 r8
+ d8. d16 d16 c8. b4 d4
+ g,8 g4 a8 bes8 bes4 r8
+ d8. c16 c16 a8. g4 r4
+ g8 g4 bes8 b8 b4 r8
+ a8 a8 a8 b8 b4 g8( a8)
+ b8( d4) cis8 c4. c8
+ d,8( e4 c8 d2)
+ }
+ beulaht = \relative c' {
+ r1
+ r1
+ g16 g8 g16 g8 a8 bes8 a16 bes16 ~ bes8 c8
+ d8 c4 a8 g4 r4
+ g16 g8 g16 g8 b8 b8 bes16 b16 ~ b8 a8
+ a8 a4 b8 b4 g8( a8)
+ b8( d4) cis8 c4. c8
+ }
+ fathert = \relative c' {
+ r1
+ r1
+ g16 g8 g16 g16 g16 a8 bes8 a16 bes16 ~ bes8 c8
+ d8 c4 a8 g4 r4
+ g16 g8 g16 g16 g16 bes8 b8 b16 b16 ~ b8 a8
+ a8 a4 b8 b4 g8( a8)
+ b8( d4) cis8 c4. c8
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ \dot
+ \beulaht
+ d,8( e4 c8 d4) r4
+ \dot
+ \repeat volta 2 {
+ \beulaht
+ } \alternative {
+ {
+ d8( e4 c8 d2)
+ }
+ {
+ d8( e4 c8 d4) r4
+ }
+ }
+ \dot
+ \fathert
+ d8( e4 c8 d4) r4
+ %\dot
+ }
+ >>
+ }
+
+ dob = \relative c {
+ g8 g4 g8 g8 g8( b8 d8)
+ g8. g16 g16 g8. g8 g,8 a8 b8
+ c8 c4 c8 c8 c4 r8
+ c8. c16 d16 d8. g,8 g8( b8 d8)
+ g,8 g4 g8 g8 g8( a8 bes8)
+ b8 c8 cis8 dis8 e4 b8( c8)
+ d4. d8 d4. d8
+ g,1
+ }
+ beulahb = \relative c {
+ r1
+ r1
+ c16 c8 c16 c8 c8 c8 c16 c16 ~ c8 c8
+ c8 c8( d8) d8 g,8 g8 b8 d8
+ g,16 g8 g16 b16( d16) e8 g8 e16 d16 ~ d8 c8
+ b8 cis4 dis8 e4 b8( c8)
+ d4. d8 d4. d8
+ }
+ fatherb = \relative c {
+ r1
+ r1
+ c16 c8 c16 c16 c16 c8 c8 c16 c16 ~ c8 c8
+ c8 c8( d8) d8 g,8 g8 b8 d8
+ g,16 g8 g16 b16 d16 e8 g8 e16 d16 ~ d8 c8
+ b8 cis4 dis8 e4 b8( c8)
+ d4. d8 d4. d8
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ \dob
+ \beulahb
+ g2. r4
+ \dob
+ \repeat volta 2 {
+ \beulahb
+ } \alternative {
+ {
+ g1
+ }
+ {
+ g2. r4
+ }
+ }
+ \dob
+ \fatherb
+ g2. r4
+ %\dob
+ }
+ >>
+ }
+
diff --git a/hr/michi/remember/texte.ly b/hr/michi/remember/texte.ly
new file mode 100644
index 0000000..79ebbcf
--- /dev/null
+++ b/hr/michi/remember/texte.ly
@@ -0,0 +1,76 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+ oberI = \lyricmode {
+ Do Lord, oh do Lord,
+ Lord, re -- mem -- ber me. Oh,
+ do Lord, oh do Lord,
+ Lord, re -- mem -- ber me.
+ Do Lord, oh do Lord,
+ Lord, re -- mem -- ber me,
+ }
+ there = \lyricmode {
+ oh way be -- yond the sun.
+ }
+ oberII = \lyricmode {
+ I got a home in Beu -- lah lan’
+ that out -- shines the
+ }
+ oberIII = \lyricmode {
+ I got a robe in Beu -- lah lan’
+ that out -- shines the
+ }
+ oberIV = \lyricmode {
+ I got a crown in Beu -- lah lan’
+ that out -- shines the
+ }
+ oberV = \lyricmode {
+ I got a fa -- ther in Beu -- lah lan’
+ that out -- shines the
+ }
+ oberVI = \lyricmode {
+ I got a Sav -- ior in Beu -- lah lan’
+ that out -- shines the
+ }
+
+% Die Textaufteilungen % -- _
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ \oberI
+ \there
+ \set stanza = "1."
+ \oberII sun.
+ \oberII sun,
+ \there
+ \oberI
+ \there
+ \set stanza = "2."
+ \oberIII sun.
+ \oberIII sun,
+ \there
+ sun.
+ \oberI
+ \there
+ \set stanza = "4."
+ \oberV sun.
+ \set stanza = "5."
+ \oberVI sun,
+ \there
+ %\oberI
+ %\there
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/michi/road/dynArt.ly b/hr/michi/road/dynArt.ly
new file mode 100644
index 0000000..1c04264
--- /dev/null
+++ b/hr/michi/road/dynArt.ly
@@ -0,0 +1,46 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ %\override Staff.TimeSignature #'style = #'()
+ \dynamicUp
+ \key f \major
+ \time 3/4
+ \repeat volta 2 {
+ \partial 4
+ s4
+ s2.
+ \time 4/4
+ s1
+ \time 3/4
+ s2.*17
+ s2
+ }
+ \break
+ s4
+ s2.
+ \time 4/4
+ s1
+ \time 3/4
+ s2.*19
+ \time 4/4
+ s1
+ \time 3/4
+ s2.*2
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/michi/road/midi.lua b/hr/michi/road/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/michi/road/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/michi/road/road.ly b/hr/michi/road/road.ly
new file mode 100644
index 0000000..780602c
--- /dev/null
+++ b/hr/michi/road/road.ly
@@ -0,0 +1,81 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "The Road Home"
+ %composer = "<+Komponist+>"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 17)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorTextI }
+ \addlyrics { \tenorTextII }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ <<
+ \new Staff = sopSolo { \new Voice = "solo" { \global \sopSolo } }
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = sopran { \sop }
+ \new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ \new Staff = bass { \bas }
+ >>
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ \context {
+ \Staff
+ \RemoveEmptyStaves
+ \override VerticalAxisGroup #'remove-first = ##t
+ }
+ }
+ }
+
diff --git a/hr/michi/road/stimmen.ly b/hr/michi/road/stimmen.ly
new file mode 100644
index 0000000..3e674df
--- /dev/null
+++ b/hr/michi/road/stimmen.ly
@@ -0,0 +1,81 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopSolo = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ s4
+ s2.
+ s1
+ s2.*17
+ s2
+ r4
+ r2.
+ r1
+ r2.
+ r4 r4 c8( d8) f2 a8 a8 c2 a8 a8 c4 c4 d4 a2 c4 c4 c4 c8( bes8) a2 c8 c8 f2 d4 c2 a8 c8 f2 f4 f4 f4 e4 g4( f4) e8 f8 d2 c4 f2 a,8 a8 c2 c8 c8 f4( a,4) g4 f2. ~ f2. r1 R2. R2.
+ }
+ >>
+ }
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ c4( d4 c4 a4 g4 f2 g4 a4 f4 d4 f2) c8 d8 f2 f8 d8 g2 f8 g8 a2 g8( f8) d2 c8 d8 f2 f8 d8 g2 f8( g8) a2 <f d>4 g2 f8 a8 c2 c8 a8 d4 c4 a8( g8) f2 g8( f8) d2 c8 d8 f2 f8 d8 g2 f8 g8 <a f>2 << g4 \\ { f8( e8) } >> f2
+ c'4( d4 c4 a4 g4 f2 g4 a4 f4 d4 f2) c8( d8) f2 f8 d8 g2 f8 g8 a2 g8 f8 d2 c8 d8 f4 f4 f8( d8) g2 f8 g8 a2 <f d>4 g2 f8 a8 c2 c8( a8) d4 c4 a8( g8) f2 g8 f8 d2 c8( d8) f2 f8 d8 g2 f8 g8 <a f>2 << g4 \\ { f8( e8) } >> f2 c'4( d4 c4 a4 g4 f2) g4( a4 f4 d4 f2.)
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ f4( ~ f2. ~ f4 e2 d4 ~ d2 bes4 a2) c8 d8 a2 bes8 bes8 c2 c8 c8 d2 d4 c2 c8 d8 bes2 c8 c8 c2 c8 c8 d2 c4 f4( e4) f8 a8 f2 f8 f8 f4 f4 e4 e4( d4) d8 d8 c4( bes4) g8 g8 bes2 bes8 bes8 c2 c8 c8 d2 c4 c2
+ f4( ~ f2. ~ f4 e2 d4 ~ d2 bes4 a2) c8( d8) a2 bes8 bes8 c2 c8 c8 d2 d8 d8 c2 c8 d8 bes4 bes4 c4 c2 c8 c8 d2 c4 f4( e4) f8 a8 f2 f4 f4 f4 e4 e4( d4) d8 d8 c4( bes4) g4 bes2 bes8 bes8 c2 c8 c8 d2 c4 c2 f4( ~ f2 e4 d4 c2) d4( ~ d4 bes2 c2.)
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ c4( d4 c2 ~ c2. a4 ~ a4 f2 c2) c8 d8 c2 d8 f8 f2 f8 f8 f2 g4 a2 c,8 d8 g2 bes8 bes8 a2 a8 a8 bes2 bes4 c2 f,8 a8 c2 c8 c8 d4 c4 cis4 a2 a8 a8 f2 f8 f8 d2 d8 f8 f2 g8 g8 bes2 bes4 a2
+ c4( d4 c2 ~ c2. a4 ~ a4 f2 c2) c8( d8) c2 f8 f8 f2 d8 f8 f2 g8 g8 a2 c,8 d8 g4 g4 bes4 a2 a8 a8 bes2 bes4 c2 f,8 a8 c2 c4 d4 c4 cis4 a2 a8 a8 f2 f4 d2 f8 f8 f2 g8 g8 <bes g>2 bes4 a2 c4( d4 c2 bes4 a2) a4( g4 d4 f4 a2.)
+ }
+ >>
+ }
+
+ bassMelodie = \relative c' {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ a4( bes4 a4 g4 f4 e2 d4 c4 bes4 g4 f2) c'8 d8 f,2 g8 g8 a2 a8 a8 bes2 bes4 c2 c8 d8 d2 d8 d8 e2 e8 e8 f2 f4 <bes g>2 f8 a8 a2 a8 a8 bes4 a4 e4 d2 c8 c8 bes2 a8 a8 g2 g8 g8 a2 bes8 bes8 <g' c,>2 q4 <c, f,>2
+ a'4 bes4 a4 g4 f4( e2 d4 c4 bes4 g4 f2) c'8( d8) f,2 g8 g8 a2 a8 a8 bes2 bes8 bes8 c2 c8 d8 d4 d4 d4 e2 e8 e8 f2 f4 <bes g>2 f8 a8 a2 a4 bes4 a4 e4 d2 c8 c8 bes2 a4 g2 g8 g8 a2 bes8 bes8 c2 <g' c,>4 <c, f,>2 a'4( bes4 a4 g4 f4 e2) << { d4( bes4 g4 c4 ~ c2.) } \\ { s4 s4 s4 c,4 f2. } >>
+ }
+ >>
+ }
+
diff --git a/hr/michi/road/texte.ly b/hr/michi/road/texte.ly
new file mode 100644
index 0000000..565e028
--- /dev/null
+++ b/hr/michi/road/texte.ly
@@ -0,0 +1,53 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen % -- _
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorTextI = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ Oo__
+ \set stanza = "1."
+ Tell me where is the road I can call my own,
+ That I left, that I lost,
+ So _ long a -- go?
+ All these years I have wan -- dered,
+ O when will I know
+ There’s a way, there’s a road that will lead me home?
+ Oo__
+ Rise up, fol -- low me,
+ Come a -- way is the call,
+ With the love in your heart
+ As the on -- ly song;
+ There is no such beau -- ty as where you be -- long,
+ Rise up, fol -- low me,
+ I will lead you home.
+ Oo__
+ Oo__
+ }
+
+ tenorTextII = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ _
+ \set stanza = "2."
+ Af -- ter wind, af -- ter rain,
+ When the dark is done,
+ As I wake from a dream
+ In the gold of day,
+ Through the air there’s a call -- ing
+ From far a -- _ way,
+ There’s a voice I can hear that will lead me home.
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/michi/sato/dynArt.ly b/hr/michi/sato/dynArt.ly
new file mode 100644
index 0000000..d5063fd
--- /dev/null
+++ b/hr/michi/sato/dynArt.ly
@@ -0,0 +1,64 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ \time 3/4
+ s2.*9
+ \time 4/4
+ s1
+ \bar "||"
+ \break
+ \time 3/4
+ s2.*8
+ \break
+ s2.*3
+ \bar "||"
+ %\break
+ s2.*10
+ \break
+ s2.*8
+ \bar "||"
+ \break
+ s2.*2
+ \time 4/4
+ s1
+ \time 3/4
+ s2.*4
+ \break
+ s2.*2
+ \time 4/4
+ s1*5
+ \break
+ \time 3/4
+ s2.*15
+ \bar "||"
+ \break
+ s2.*8
+ \bar "||"
+ \break
+ s2.*9
+ \break
+ \time 4/4
+ s1
+ \time 3/4
+ s2.
+ \bar "||"
+ s2.*8
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/michi/sato/midi.lua b/hr/michi/sato/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/michi/sato/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/michi/sato/sato.ly b/hr/michi/sato/sato.ly
new file mode 100644
index 0000000..4e79cbf
--- /dev/null
+++ b/hr/michi/sato/sato.ly
@@ -0,0 +1,74 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Kyrie"
+ composer = "Kentaro Sato"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ %system-count = 11
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 14)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoereI" { \global \voiceOne \tenorI }
+ \new Voice = "tenoereII" { \global \voiceTwo \tenorII }
+ \addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = sopran { \sop }
+ \new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ \new Staff = bass { \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/michi/sato/stimmen.ly b/hr/michi/sato/stimmen.ly
new file mode 100644
index 0000000..3ab3e68
--- /dev/null
+++ b/hr/michi/sato/stimmen.ly
@@ -0,0 +1,791 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key d \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 3/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ kyrie = \relative c' {
+ e8 e8 e4. e8
+ e8( a8) a2
+ e8 e8 e4. e8
+ }
+ sopI = \relative c' {
+ \kyrie
+ e8( cis'8) cis8 a8 b8 cis8
+ d2.
+ d4. cis8 b8 a8
+ b2.
+ a2 ~ a8 a8
+ a4( g4 fis4)
+ d1
+ % 11
+ e8 e8 e4. e8
+ e8( a8) a2
+ e8 e8 e4. e8
+ e8( cis'8) cis8 a8 b8 cis8
+ d2 d4
+ e2.
+ d2.
+ cis4( d4.) a8
+ a4( g4 fis4)
+ d4 a'8 g8 fis8 e8
+ e4 e2
+ % 22
+ \kyrie
+ e8( cis'8) cis8 a8 b8 cis8
+ d2.
+ cis4( e4.) cis8
+ d4 d2 ~
+ d4 d8 cis8 b8 d8
+ e4 fis2
+ fis4 e8 e8 d8( cis8)
+ d2.
+ d4 d4. d8
+ d4 c4 bes4 ~
+ bes4 a4. bes8
+ b2.
+ cis2 cis4
+ dis2.
+ e2.
+ % 40
+ r4 a,4 a4
+ b2.
+ r4 \times 2/3 { a8 b8 c8 } b4 a4
+ r4 a4 a4
+ b4. b8 cis4
+ a2. ~
+ a2.
+ r4 a4 a4
+ b2.
+ r4 \times 2/3 { a8 b8 c8 } b4 a8
+ e'8
+ e4( d8 cis8) b4 a8 e'8
+ e4( d8) cis8 b4( a4)
+ b1 ~
+ b1
+ % 54
+ R2.
+ R2.
+ R2.
+ R2.
+ \repeat unfold 2 {
+ e,8 a8 b8( e4.)
+ e,8( a8) b8( e4.)
+ }
+ d,8 g8 a8( d4.)
+ d,8( g8) a8( d4.)
+ d,8 g8 a8( d4.)
+ d,8( g8) a8( fis'8 e8) d8
+ e4 a,4 a8 e'8
+ g8( fis8 e8) d8 d8 e8
+ d2 d8 cis8
+ % 69
+ cis4( d4) fis,4
+ g4( e'4. d8)
+ cis4( d4) e4
+ d4. d8 cis8( d8)
+ g,4 fis'4 e4
+ d8 d8 cis4.( e8)
+ a,2.
+ r4 r8 a8 b8 cis8
+ cis4 d4 fis,4
+ g4( e'4. d8)
+ cis4( d4 e4)
+ g8 fis8 e8 fis8 e8( cis8)
+ d4. b8 cis8 d8
+ e8( d8) cis8 a8 d8( cis8)
+ d2. ~
+ d2.
+ r2.
+ r4 g,8 g8 a8 a8 b4
+ d,2( e4)
+ % 88
+ e8 e8 e4. e8
+ e8( a8) a2
+ e8 e8 e4. e8
+ e8( cis'8) cis2
+ e,4 e4. e8
+ e8( a8) a2
+ e8 e8 e8 a8 cis4
+ a2.
+ }
+ sopII = \relative c' {
+ \kyrie
+ e8( cis'8) cis8 a8 b8 cis8
+ b2.
+ a4. a8 a8 a8
+ a4( g4 fis4)
+ fis2 ~ fis8 e8
+ d2.
+ d1
+ % 11
+ e8 e8 e4. e8
+ e4 e4( fis8 d8)
+ e8 e8 e4. e8
+ e8( a8) a8 a8 b8 a8
+ b2 b4
+ a8( d8) cis4 a8 a8(
+ b4) b2(
+ a4) a4 ~ a8 fis8
+ a4( g4 fis4)
+ d4 a'8 g8 fis8 e8
+ e4 e2
+ % 22
+ \kyrie
+ e8( cis'8) cis8 a8 b8 cis8
+ d2.
+ cis4( e4.) cis8
+ d4 d2 ~
+ d4 d8 cis8 b8 d8
+ cis4 e8( d8 cis8 d8)
+ d4 d8 d8 d8( cis8)
+ b2.
+ a4 a4. a8
+ a4 a4 g4(
+ f4) f4. f8
+ e4( fis4 gis4)
+ a4( b4) cis4
+ b4( a4 b4)
+ cis2.
+ % 40
+ r4 a4 a4
+ b2.
+ r4 \times 2/3 { a8 b8 c8 } b4 a4
+ r4 a4 a4
+ b4. b8 cis4
+ a2. ~
+ a2.
+ r4 a4 a4
+ b2.
+ r4 \times 2/3 { a8 b8 c8 } b4 a8
+ cis8
+ cis4( d8 cis8) b4 a8 b8
+ a4( b8) a8 b4( a4)
+ b1 ~
+ b1
+ % 54
+ R2.
+ R2.
+ R2.
+ R2.
+ \repeat unfold 2 {
+ e,8 a8 b2
+ e,8( a8) b2
+ }
+ d,8 g8 a2
+ d,8( g8) a2
+ d,8 g8 a2
+ d,8( g8) a8( d8 cis8) b8
+ a4 a4 a8 e'8
+ d4. b8 b4
+ b2 b8 a8
+ % 69
+ a4( d4) fis,4
+ g4( ~ g8 a8 b4)
+ cis4( d4) cis4
+ d4. d8 cis8( d8)
+ g,4 d'4 d4
+ b8 b8 a4.( cis8)
+ a2.
+ r4 r8 fis8 g8 a8
+ a4 d4 fis,4
+ g4( ~ g8 a8 b4)
+ cis4( d4 cis4)
+ d8 d8 d8 d8 d8( cis8)
+ d4. b8 cis8 d8
+ e8( d8) cis8 a8 d8( cis8)
+ b2. ~
+ b2.
+ r2.
+ r4 g8 g8 a8 a8 b4
+ d,2( e4)
+ % 88
+ e8 e8 e4. e8
+ e4 e4( fis8 d8)
+ e8 e8 e4. e8
+ e8( a8) a2
+ e4 e4. e8
+ e4 e4( fis8 d8)
+ e8 e8 e8 e8 a4
+ a2.
+ }
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ <<
+ \sopI \\ \sopII
+ >>
+ }
+ >>
+ }
+
+ altI = \relative c' {
+ R2.
+ R2.
+ e8 e8 e8( d8 cis8) b8
+ cis8( e8) a8 a8 a8 a8
+ a4 g4 fis4
+ e8( g8) fis8 e8 d8 cis8
+ d4 d4 d4(
+ e4) d4 cis8 cis8
+ b4 b4 a4
+ b4( cis4) d2
+ % 11
+ d8 d8 d4 d4
+ d2 d4
+ d8 cis8 b4 cis4
+ d8( e8) e8 fis8 fis8 e8
+ d8( a'8) g4 fis4
+ fis2.
+ a4( g4 fis4)
+ fis4.( e8) d4
+ d2( ~ d8 cis8)
+ d4 fis8 e8 d8 d8
+ d4 d4( cis4)
+ d8 d8 d4. d8
+ d8( fis8) fis2
+ d8 d8 d4. d8
+ d8( a'8) a8 a8 a8 a8
+ b8 a8 g4. fis8
+ e4 a4. cis8
+ b4 b2 ~
+ b4 b8 a8 g8 b8
+ a4 a4. a8
+ a8( g8) fis8( a8 ~ a4)
+ r4 r8 g8 ~ g4
+ g2 g8 g8
+ f2.
+ ees2 f4
+ e4 e4 e4
+ e4 gis4 a4
+ a2.
+ b4( a2)
+ % 40
+ r4 e4 e4
+ fis2.
+ r4 \times 2/3 { e8 fis8 gis8 } fis4 e4
+ r4 e4 e4
+ fis4. fis8 fis4
+ fis2. ~
+ fis2.
+ r4 e4 e4
+ fis2.
+ r4 \times 2/3 { e8 fis8 gis8 } fis4 e8 a8
+ a2 gis8( fis8) e8 a8
+ fis8( gis8 a8) fis8 e2
+ fis1 ~
+ fis1
+ R2.
+ R2.
+ R2.
+ R2.
+ e8 a8 a2
+ e8( a8) a2
+ e8 a8 a2
+ e8( a8) a2
+ d,8 g8 g2
+ d8( g8) g2
+ d8 g8 g2
+ d8( g8) g4. g8
+ e4 e2
+ g4 b8 b8 a4
+ a4( g4) g8 g8
+ % 69
+ fis4( a4) fis8( e8)
+ d4( e8 fis8 g4)
+ a2.
+ b4 b8 b8 a4
+ g4 a8( b8) b8( g8)
+ g8 g8 g4( a4)
+ a2.
+ r4 r8 e8 d8 e8
+ fis4 a4 fis8( e8)
+ d4( e8 fis8 g4)
+ a2.
+ a8 a8 g8 g8 a4
+ b4. g8 a8 b8
+ a4 a8 a8 a4
+ a4( g4 fis4
+ g2.)
+ R2.
+ r4 d8 d8 e8 e8 fis4
+ d2( cis4)
+ d8 d8 d4 ~ d8 d8
+ d4 d2
+ d8 cis8 b4( cis8) cis8
+ d8( e8) e2
+ d4 d4. d8
+ d4 d2
+ d8 cis8 b8 cis8 e4
+ e2.
+ }
+ altII = \relative c' {
+ R2.
+ R2.
+ e8 e8 e8( d8 cis8) b8
+ cis8( e8) a8 a8 a8 a8
+ a4 g4 fis4
+ e8( g8) fis8 e8 d8 cis8
+ d4 d4 d4(
+ e4) d4 cis8 cis8
+ b4 b4 a4
+ a2 b2
+ % 11
+ d8 d8 d4 d4
+ d2 d4
+ d8 cis8 b4 cis4
+ d4 d8 e8 d8 d8
+ d8( a'8) g4 fis4
+ e4 e8( d8) d8 cis8(
+ d4) d2 ~
+ d4 d8( cis8) b4
+ d2( ~ d8 cis8)
+ d4 fis8 e8 d8 d8
+ d4 d4( cis4)
+ d8 d8 d4. d8
+ d8( e8) e2
+ d8 d8 d4. d8
+ d8( e8) e8 e8 e8 e8
+ b'8 a8 g4. fis8
+ e4 a4. cis8
+ a4 g4( fis4
+ g4) g8 g8 e8 g8
+ a4 a4. a8
+ fis8( e8) d8( fis8 ~ fis4)
+ r4 r8 e8 ~ e4
+ d2 d8 d8
+ d2( ~ d8 c8)
+ bes2 c4
+ cis4 cis4 cis4
+ cis4 e4 e4
+ e2.
+ e2.
+ r4 e4 e4 fis2.
+ r4 \times 2/3 { e8 fis8 gis8 } fis4 e4
+ r4 e4 e4
+ fis4. fis8 e4
+ fis2. ~
+ fis2.
+ r4 e4 e4
+ fis2.
+ r4 \times 2/3 { e8 fis8 gis8 } fis4 e8 e8
+ fis2 e8( fis8) e8 e8
+ d8( e8 fis8) d8 cis2
+ d1 ~
+ d1
+ R2.
+ R2.
+ R2.
+ R2.
+ e8 e8 e2
+ e4 e2
+ e8 e8 e2
+ e4 e2
+ d8 d8 d2
+ d4 d2
+ d8 d8 d2
+ d4 d4. d8
+ d4 d2
+ d4 g8 g8 e4
+ a4( g4) e8 e8
+ e4( fis4) fis8( e8)
+ d2.
+ e2.
+ a4 g8 fis8 e4
+ d8( e8) g4 g8( e8)
+ fis8 fis8 e4( g4)
+ a2.
+ r4 r8 e8 d8 e8
+ e4 fis4 fis8( e8)
+ d2.
+ e2.
+ fis8 fis8 g8 g8 fis8( a8)
+ g4. g8 g8 g8
+ e4 e8 e8 e4
+ d2. ~
+ d2.
+ R2.
+ r4 d8 d8 e8 e8 fis4
+ d2( cis4)
+ d8 d8 d4 ~ d8 d8
+ d4 d2
+ d8 cis8 b4( cis8) cis8
+ d4 d2
+ d4 d4. d8
+ d4 d2
+ d8 cis8 b8 cis8 d4
+ d2.
+ }
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ <<
+ \altI \\ \altII
+ >>
+ }
+ >>
+ }
+
+ unter = {
+ s2.*9
+ s1
+ }
+ tenA = \relative c'' {
+ \unter
+ a2. ~
+ a2. ~
+ a2. ~
+ a4. a8 a8 a8
+ b4 d4 cis8 b8
+ a8 a8 cis8( d8) a4
+ r4 r8 g8 d'8 cis8
+ e4 d2
+ cis4. b8 ~ b8 a8 ~
+ a8 b8 ~ b4 b4
+ r8 e,8 g8 d'8 e8( cis8)
+ % 22
+ a4 a8 d8 cis8 e8
+ a,4 a8 fis'8( e8) cis8
+ a4. cis8 d8 e8
+ d4 a4 fis'4
+ }
+ tenB = \relative c'' {
+ r4 r8 g8 fis'8 e8
+ d4( cis4) b4
+ a4 d4 d8 d8
+ d4 d2
+ r8 g,8
+ }
+ tenC = \relative c'' {
+ r4 d4 d4
+ e2.
+ r4 \times 2/3 { d8 e8 e8 } e4 d4
+ r4 d4 d4
+ e4( b4) cis8 d8
+ e4( d4) cis4
+ b4 a2
+ r4 d4 d4
+ e2.
+ r4 \times 2/3 { d8 e8 e8 } e4 d8
+ }
+ tenD = \relative c'' {
+ a2. ~
+ a2. ~
+ a2. ~
+ a2.
+ a4 a4. a8
+ a4 a2
+ a8 a8 a8 a8 a4
+ a2.
+ }
+
+ tenorI = \relative c'' {
+ \tenA
+ d4 b8 cis8 d4
+ e8 e8 d4 cis4
+ \tenB
+ b8 b8 ~ b8 b8
+ a2 a4
+ c8 bes8 a2
+ bes8( a8) g2
+ r8 e8( b'8) a8 ~ a8 e8
+ b'4 a4. cis8
+ cis4( e4 dis4)
+ cis2.
+ % 40
+ \tenC
+ e8
+ e2 e4 cis8 b8
+ a2 b8( a8) gis8 a8
+ b8( cis8 d4) cis4 d4
+ b2 b2
+ b8 b8 b4. cis8
+ d4 d2
+ b4 b4. cis8
+ d4( cis4 b4)
+ a2. ~
+ a2.
+ % 60
+ a4 b4 cis4
+ cis8( d8 e8 d8) cis8( b8)
+ b8 b8 b4. cis8
+ d4 d2
+ b4 b4. cis8
+ d4( cis4 b4)
+ a2.
+ b8( d8) cis8 b8 d4
+ d4 d4 b8( g8)
+ fis8 a8 e'8 d8 ~ d8 a8
+ b2 b4
+ d4 d4 d4
+ d4 d4 d4
+ d4( fis4. e8)
+ d4( cis2)
+ r4 e4 d4(
+ cis4) d4 a8( g8)
+ fis8 a8 e'8 d8 ~ d8 a8
+ b2 b4
+ d4 d4 d4
+ d8 b8 cis8 d8 e4
+ fis4. fis8 fis8 fis8
+ d4 d8 d8 d4
+ d4( b4 cis4
+ d2.)
+ R2.
+ r4 b8 b8 d8 d8 d4
+ b2.
+ \tenD
+ }
+ tenorII = \relative c'' {
+ \tenA
+ b4 g8 a8 b4
+ a8 a8 a4 a4
+ \tenB
+ g8 g8 ~ g8 g8
+ g2 g4
+ a8 g8 f2
+ g8( f8) ees2
+ r8 e8 ~ e8 e8 ~ e8 e8
+ e4 e4. a8
+ a4( cis4 b4)
+ b2.
+ % 40
+ \tenC
+ cis8
+ a2 b8( gis8) a8 a8
+ fis2 e4 e8 e8
+ a4( b4) a4 b4
+ a2 g2
+ a8 a8 g4. a8
+ b4 b2
+ a4 g4( a8) a8
+ b4( ~ b8 a4 g8)
+ a2. ~
+ a2.
+ % 60
+ a4 b4 a4
+ a8( b8 cis8 b8) a8( gis8)
+ a8 a8 g4. a8
+ b4 b2
+ a4 g4( a8) a8
+ b4( ~ b8 a4 g8)
+ fis2.
+ g8( b8) a8 g8 a4
+ b4 b4 g8( e8)
+ fis8 a8 e'8 d8 ~ d8 a8
+ a2 g4
+ a4 a4 a4
+ a4 b4 a4
+ b2.
+ b4( a4 g4)
+ r4 e'4 d4(
+ cis4) d4 a8( g8)
+ fis8 a8 e'8 d8 ~ d8 a8
+ a2 g4
+ a4 a4 a4
+ b8 g8 a8 b8 d4
+ d4. d8 d8 d8
+ a4 a8 a8 a4
+ b4( g4 a4
+ b2.)
+ R2.
+ r4 b8 b8 d8 d8 d4
+ b2( g4)
+ \tenD
+ }
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ <<
+ {\voiceOne \tenorI} \\ \tenorII
+ >>
+ }
+ >>
+ }
+
+ bassA = \relative c {
+ \unter
+ fis2. ~
+ fis2. ~
+ fis2. ~
+ fis4. d8 a8 fis8
+ g4 g8 d'8 a'8( g8)
+ fis2.
+ R2.
+ R2.
+ g4 g8 g8 d4
+ g,2 g4
+ a4 a2
+ % 22
+ r4 fis'8 fis8 fis8 fis8
+ fis4 fis8 fis8 ~ fis8 fis8
+ fis4. fis8 fis8 fis8
+ fis4 fis4 fis4
+ g4 g8 g8 g4
+ fis8 fis8 fis4 fis4
+ r4 r4
+ }
+ bassB = \relative c {
+ c4 c8 c8 ~ c8 c8
+ b2 b8 b8
+ bes2.
+ g2.
+ a2.
+ a2 a4
+ }
+ bassC = \relative c {
+ r4 fis4 fis4
+ gis2.
+ r4 \times 2/3 { fis8 gis8 a8 } gis4 fis4
+ r4 fis4 fis4
+ gis4. gis8 fis8( e8)
+ d2. ~
+ d2.
+ r4 fis4 fis4
+ gis2.
+ r4 \times 2/3 { fis8 gis8 a8 } gis4 fis8 e8
+ d2 cis2(
+ b4.) b8 a2
+ }
+ bassD = \relative c {
+ d,2 fis'8 fis8
+ e4. e8 fis4
+ g4 g,4 a4
+ d8 d8 d8 d8 ~ d8 d8
+ d2 e4
+ fis4 d4 fis,4
+ g4 g'4 fis4
+ }
+ bassE = \relative c {
+ d8 d8 d8 d8 ~ d8 d8
+ d2 e4
+ fis4 d4 fis,4
+ g8 g8 g8 d'8 fis4
+ }
+ bassF = \relative c {
+ fis2. ~
+ fis2. ~
+ fis2. ~
+ fis2.
+ fis4 fis4. fis8
+ fis4 fis2
+ fis8 fis8 fis8 fis8 fis4
+ fis2.
+ }
+
+ bassI = \relative c' {
+ \bassA
+ g4
+ g2 g4
+ g8( e8) fis4 a8 a8
+ a4 a2
+ \bassB
+ e2.
+ e2.
+ % 40
+ \bassC
+ d1 ~
+ d1
+ % 54
+ d2. ~
+ d2. ~
+ d2. ~
+ d2.
+ e2. ~
+ e2. ~
+ e2. ~
+ e2.
+ d8 d8 d4. d8
+ d4 d2
+ d4 d4. d8
+ d2.
+ \bassD
+ g2.
+ g4( a8 g8 fis8 e8)
+ r4 a4 a4 ~
+ a4 a4 e4
+ \bassE
+ g4. g8 g8 g8
+ fis4 fis8 fis8 fis4
+ d2. ~
+ d2.
+ R2.
+ r4 e8 e8 fis8 fis8 g4
+ a4( g4 e4)
+ % 88
+ \bassF
+ }
+ bassII = \relative c' {
+ \bassA
+ g,4
+ g2 g4
+ d'4 d4 cis8 cis8
+ b4 b2
+ \bassB
+ a2.
+ a2.
+ % 40
+ \bassC
+ g1 ~
+ g1
+ % 54
+ g2. ~
+ g2. ~
+ g2. ~
+ g2.
+ fis2. ~
+ fis2. ~
+ fis2. ~
+ fis2.
+ g8 g8 g4. g8
+ g4 g2
+ g4 g4. g8
+ g2.
+ \bassD
+ e'2.
+ a,2.
+ r4 fis'4 fis4 ~
+ fis4 fis4 a,4
+ \bassE
+ e'4. e8 e8 e8
+ fis4 fis8 fis8 fis4
+ g,2. ~
+ g2.
+ R2.
+ r4 e'8 e8 fis8 fis8 g4
+ a4( g4 a,4)
+ % 88
+ \bassF
+ }
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ <<
+ \bassI \\ \bassII
+ >>
+ }
+ >>
+ }
+
diff --git a/hr/michi/sato/texte.ly b/hr/michi/sato/texte.ly
new file mode 100644
index 0000000..ac1980f
--- /dev/null
+++ b/hr/michi/sato/texte.ly
@@ -0,0 +1,88 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+ kyrie = \lyricmode {
+ Ky -- ri -- e e -- lei -- son.
+ }
+ Kyrie = \lyricmode {
+ Ky -- ri -- e e -- lei -- son,
+ e -- lei -- son.
+ }
+ christe = \lyricmode {
+ Chri -- ste e -- lei -- son.
+ }
+ Christe = \lyricmode {
+ Chri -- ste e -- lei -- son,
+ e -- lei -- son.
+ }
+ uniA = \lyricmode {
+ Ky -- ri -- e
+ \christe
+ }
+ uniB = \lyricmode {
+ \kyrie
+ \Christe
+ \kyrie
+ }
+ uniC = \lyricmode {
+ \christe
+ \kyrie
+ }
+
+% Die Textaufteilungen % -- _
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ Oo__
+ \christe
+ \kyrie
+ \christe
+ \christe
+ \christe
+ \kyrie
+ Ky -- ri -- e
+ \Christe
+ \kyrie
+ \christe
+ \kyrie
+ \kyrie
+ Ky -- ri -- e Chri -- ste,
+ \Christe
+ \uniA
+ Ky -- ri -- e,
+ \kyrie
+ Ky -- ri -- e
+ \Christe
+ Ky -- ri -- e
+ \Christe
+ % 54
+ \kyrie
+ \christe
+ \christe
+ \kyrie
+ \christe
+ \Christe
+ \kyrie
+ Ky -- ri -- e,
+ \Christe
+ Chri -- ste
+ \kyrie
+ Ky -- ri -- e,
+ \uniB
+ Oo__
+ \uniC
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/michi/segla/dynArt.ly b/hr/michi/segla/dynArt.ly
new file mode 100644
index 0000000..ebe9fc9
--- /dev/null
+++ b/hr/michi/segla/dynArt.ly
@@ -0,0 +1,35 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ %\override Staff.TimeSignature #'style = #'()
+ \dynamicUp
+ \key fis \minor
+ \time 3/4
+ s2.*6
+ s2.*4
+ \break
+ s2.*8
+ \bar "||"
+ \break
+ s2.*4
+ s2.*4
+ s2.*4
+ s2.*4
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/michi/segla/midi.lua b/hr/michi/segla/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/michi/segla/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/michi/segla/segla.ly b/hr/michi/segla/segla.ly
new file mode 100644
index 0000000..df679f1
--- /dev/null
+++ b/hr/michi/segla/segla.ly
@@ -0,0 +1,73 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen_.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Vem kan segla"
+ %composer = "<+Komponist+>"
+ arranger = "Robert Sund"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 17)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = sopran { \sop }
+ \new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ \new Staff = bass { \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/michi/segla/stimmen.ly b/hr/michi/segla/stimmen.ly
new file mode 100644
index 0000000..086e0f4
--- /dev/null
+++ b/hr/michi/segla/stimmen.ly
@@ -0,0 +1,75 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ R2.
+ R2.
+ fis2 gis4 a4. gis8 fis4 cis'2 cis4 cis2. d2 e4 fis4. e8 d4 cis2. cis2 r4 b2 cis4 d4. cis8 b4 a2 a4 fis2. gis4. a8 gis4 cis,2 eis4 fis2. fis2 r4 fis2 gis4 a4. gis8 fis4 cis'2 cis4 cis2. d2 e4 fis4. e8 d4 cis2. cis2 r4 b2 b4 d4. cis8 b4 a2 a4 fis2. gis4. a8 gis4 cis,2 eis4 fis2. fis2 r4
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ fis4 cis4 fis4 cis4 fis4 cis4
+ fis4 cis4 fis4 cis4 fis4 cis4
+ fis4 a4 fis4 a4 fis4 a4
+ fis4 a4 fis4 a4 fis4 gis4 ~ gis4 e4 gis4 fis4 a4 fis4 ~ fis4 d4 fis4 eis4 gis4 eis4 fis4 cis4 fis4 dis4 fis4 dis4 d4 fis4 d4 eis4 cis4 eis4 cis4 e4 d4 cis2 r4 fis2.( eis2.) e2 eis4 fis4. gis8 a4 fis2 a4 a2. gis2 g4 fis4. gis8 a4 fis2. eis2 r4 gis2 fis4 e4. e8 d4 fis2 fis4 cis2 cis4 e4( dis4 d4) cis2 r4
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ R2.
+ R2.
+ cis2.
+ cis2.
+ cis2.
+ cis2.
+ a2. d2( b4) cis2.( a2) r4
+ b2.
+ b2.
+ cis2.
+ a2.
+ b2. cis2( b4) a2( b4) a2 r4 a2 b4 cis4. b8 a4 a2 b4 cis2. cis2 fis4 d4. e8 f4 e2. d2 r4 d2 d4 b4. cis8 d4 cis2 cis4 cis2. bis4. cis8 bis4 b2 gis4 b2. a2 r4
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ R2.
+ R2.
+ fis2. e2. dis2. d2( cis4) b2. e2. a,2.( d2) r4 gis,2. cis2. fis2. b,2. gis2. cis2. fis2. fis2 r4 fis2.( cis2.) fis2 gis4 a4. gis8 fis4 b2 b,4 e2. a2 a,4 d4. e8 fis4 gis2. cis,2 r4 fis2 e4 d4. cis8 b4 gis2 gis4 cis2 cis4 fis2. fis2 r4
+ }
+ >>
+ }
+
diff --git a/hr/michi/segla/stimmen_.ly b/hr/michi/segla/stimmen_.ly
new file mode 100644
index 0000000..6a88781
--- /dev/null
+++ b/hr/michi/segla/stimmen_.ly
@@ -0,0 +1,189 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ R2.
+ R2.
+ fis2 gis4
+ a4. gis8 fis4
+ cis'2 cis4
+ cis2.
+ d2 e4
+ fis4. e8 d4
+ cis2.
+ cis2 r4
+ b2 cis4
+ d4. cis8 b4
+ a2 a4
+ fis2.
+ gis4. a8 gis4
+ cis,2 eis4
+ fis2.
+ fis2 r4
+ fis2 gis4
+ a4. gis8 fis4
+ cis'2 cis4
+ cis2.
+ d2 e4
+ fis4. e8 d4
+ cis2.
+ cis2 r4
+ b2 b4
+ d4. cis8 b4
+ a2 a4
+ fis2.
+ gis4. a8 gis4
+ cis,2 eis4
+ fis2.
+ fis2 r4
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ fis4 cis4 fis4
+ cis4 fis4 cis4
+ fis4 cis4 fis4
+ cis4 fis4 cis4
+ fis4 a4 fis4
+ a4 fis4 a4
+ fis4 a4 fis4
+ a4 fis4 gis4 ~
+ gis4 e4 gis4
+ fis4 a4 fis4 ~
+ fis4 d4 fis4
+ eis4 gis4 eis4
+ fis4 cis4 fis4
+ dis4 fis4 dis4
+ d4 fis4 d4
+ eis4 cis4 eis4
+ cis4 e4 d4
+ cis2 r4
+ fis2.(
+ eis2.)
+ e2 eis4
+ fis4. gis8 a4
+ fis2 a4
+ a2.
+ gis2 g4
+ fis4. gis8 a4
+ fis2.
+ eis2 r4
+ gis2 fis4
+ e4. e8 d4
+ fis2 fis4
+ cis2 cis4
+ e4( dis4 d4)
+ cis2 r4
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ R2.
+ R2.
+ cis2.
+ cis2.
+ cis2.
+ cis2.
+ a2.
+ d2( b4)
+ cis2.(
+ a2) r4
+ b2.
+ b2.
+ cis2.
+ a2.
+ b2.
+ cis2( b4)
+ a2( b4)
+ a2 r4
+ a2 b4
+ cis4. b8 a4
+ a2 b4
+ cis2.
+ cis2 fis4
+ d4. e8 f4
+ e2.
+ d2 r4
+ d2 d4
+ b4. cis8 d4
+ cis2 cis4
+ cis2.
+ bis4. cis8 bis4
+ b2 gis4
+ b2.
+ a2 r4
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ R2.
+ R2.
+ fis2.
+ e2.
+ dis2.
+ d2( cis4)
+ b2.
+ e2.
+ a,2.(
+ d2) r4
+ gis,2.
+ cis2.
+ fis2.
+ b,2.
+ gis2.
+ cis2.
+ fis2.
+ fis2 r4
+ fis2.(
+ cis2.)
+ fis2 gis4
+ a4. gis8 fis4
+ b2 b,4
+ e2.
+ a2 a,4
+ d4. e8 fis4
+ gis2.
+ cis,2 r4
+ fis2 e4
+ d4. cis8 b4
+ gis2 gis4
+ cis2 cis4
+ fis2.
+ fis2 r4
+ }
+ >>
+ }
+
diff --git a/hr/michi/segla/texte.ly b/hr/michi/segla/texte.ly
new file mode 100644
index 0000000..24410cf
--- /dev/null
+++ b/hr/michi/segla/texte.ly
@@ -0,0 +1,28 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen % -- _
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ Vem kan seg -- la u -- tan vind?
+ Vem kan skil -- jas u -- tan ta -- rar?
+ Jag kan seg -- la för u -- tan vind.
+ Jag kan ro u -- tan å -- ror.
+ Men ej skil -- jas från vän -- nen min
+ u -- tan att fäl -- la tå -- rar.
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/michi/spirit/dynArt.ly b/hr/michi/spirit/dynArt.ly
new file mode 100644
index 0000000..365d890
--- /dev/null
+++ b/hr/michi/spirit/dynArt.ly
@@ -0,0 +1,58 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ %\override Staff.TimeSignature #'style = #'()
+ \dynamicUp
+ \key f \minor
+ \time 2/4
+ s2*9
+ \bar "||"
+ \break
+ \repeat volta 2 {
+ s2*6
+ } \alternative {
+ {
+ s2*2
+ }
+ {
+ s2*2
+ }
+ }
+ \break
+ s2*6
+ \break
+ s2*9
+ \break
+ s2*5
+ \break
+ s2*4
+ \break
+ \repeat volta 2 {
+ s2*6
+ } \alternative {
+ {
+ s2*2
+ }
+ {
+ s2*2
+ }
+ }
+ s2*5
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/michi/spirit/haukify.log b/hr/michi/spirit/haukify.log
new file mode 100644
index 0000000..ea343b2
--- /dev/null
+++ b/hr/michi/spirit/haukify.log
@@ -0,0 +1,43 @@
+ \init
+ \singt
+ \singt
+ \singt
+underfull measure at (orig) 17, measure 3 (local 3) f16 ees16) c16 bes16 aes16\) ?
+80 out of 128
+underfull measure at (orig) 18, measure 6 (local 5) f16 ees16) c16 bes16 aes16\) ?
+80 out of 128
+underfull measure at (orig) 19, measure 9 (local 7) f16 ees16) c16 bes16 aes16\) ?
+80 out of 128
+underfull measure at (orig) 17, measure 14 (local 3) f16 ees16) c16 bes16 aes16\) ?
+80 out of 128
+underfull measure at (orig) 18, measure 17 (local 5) f16 ees16) c16 bes16 aes16\) ?
+80 out of 128
+underfull measure at (orig) 19, measure 20 (local 7) f16 ees16) c16 bes16 aes16\) ?
+80 out of 128
+underfull measure at (orig) 17, measure 31 (local 3) f16 ees16) c16 bes16 aes16\) ?
+80 out of 128
+underfull measure at (orig) 18, measure 34 (local 5) f16 ees16) c16 bes16 aes16\) ?
+80 out of 128
+underfull measure at (orig) 19, measure 37 (local 7) f16 ees16) c16 bes16 aes16\) ?
+80 out of 128
+underfull measure at (orig) 17, measure 50 (local 3) f16 ees16) c16 bes16 aes16\) ?
+80 out of 128
+underfull measure at (orig) 18, measure 53 (local 5) f16 ees16) c16 bes16 aes16\) ?
+80 out of 128
+underfull measure at (orig) 19, measure 56 (local 7) f16 ees16) c16 bes16 aes16\) ?
+80 out of 128
+ \init
+ \singb
+ \singb
+ \yesyoucan
+ \yesyoucan
+ \yesyoucan
+ \singb
+ \init
+ \sings
+ \sings
+ \sings
+ \init
+ \singa
+ \singa
+ \singa
diff --git a/hr/michi/spirit/midi.lua b/hr/michi/spirit/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/michi/spirit/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/michi/spirit/spirit.ly b/hr/michi/spirit/spirit.ly
new file mode 100644
index 0000000..43633be
--- /dev/null
+++ b/hr/michi/spirit/spirit.ly
@@ -0,0 +1,84 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen_.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "I’m Gonna Sing ’Til The Spirit Moves In My Heart"
+ composer = "Moses Hogan"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 14)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \voiceOne \sopranMelodie }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \voiceTwo \altMelodie }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \voiceOne \tenorMelodie }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \voiceTwo \bassMelodie }
+ >>
+
+ \new Score { %\with { skipBars = ##t } {
+ \new GrandStaff <<
+ \new Staff = "tSolo" <<
+ \meta
+ \new Voice = "tSolist" { \global \tenorSoloMelodie }
+ >>
+ \new Staff = "sSolo" <<
+ \meta
+ \new Voice = "sSolistin" { \global \sopranSoloMelodie }
+ >>
+ \new ChoirStaff \with { printPartCombineTexts = ##f } {
+ <<
+ \new Staff = frauen << \sop \alt >>
+ \new Lyrics = "bla" \with { alignAboveContext = maenner }
+ \new Staff = maenner << \ten \bas >>
+ \context Lyrics = "bla" { \lyricsto "tenoere" \tenorText }
+ >>
+ }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ }
+ \layout {
+ \context { \Staff
+ \RemoveEmptyStaves
+ \override VerticalAxisGroup.remove-first = ##t
+ }
+ }
+
diff --git a/hr/michi/spirit/stimmen.ly b/hr/michi/spirit/stimmen.ly
new file mode 100644
index 0000000..76096a5
--- /dev/null
+++ b/hr/michi/spirit/stimmen.ly
@@ -0,0 +1,227 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ init = \relative c' {
+ R2*9 %r2 r2 r2 r2 r2 r2 r2 r2
+ }
+
+ tspat = \relative c {
+ r16 f16 aes16 f16 aes8 f16 g16 aes16 f16 r16 f'16\(( ~ f16 ees16) c16 bes16 aes16\)
+ f16 aes16 f16 bes8 bes16 aes16 bes16 aes16 r16 f'16\(( ~ f16 ees16) c16 bes16 aes16\)
+ f16 aes16 f16 aes8 f16 g16 aes16 f16 r16 f'16\(( ~ f16 ees16) c16 bes16 aes16\)
+ }
+
+ tenorSoloMelodie = \relative c {
+ \clef "treble_8"
+ r4 \tspat f16 aes16 f16 bes8 c8 bes16( aes16) f16 f16 ~ f4 \tspat f16 aes16 f16
+ bes8 c8 bes16( aes16) f16 f16 ~ f4 ~ f16 f16 aes16 f16 bes8 c8 bes16( aes16) f16 f16 ~ f4 r4
+ s2*5
+ r2 r2 r4 \tspat f16 aes16 f16 bes8 c8 bes16( aes16) f16 f16 ~ f16 r8. r4 r2 r2 r2 r2 r2 r2 r2 r4 \tspat f16 aes16 f16
+ bes8 c8 bes16( aes16) f16 f16 ~ f4 ~ f16 f16 aes16 f16 bes8 c8 bes16( aes16) f16 f16 ~ f4 r4
+ r2 r2 r2 r2 r2
+ }
+
+ sopranSoloMelodie = \relative c'' {
+ s2 s2 s2 s2 s2 s2 s2 s2 s2
+ \repeat volta 2 {
+ s2 s2 s2 s2 s2 s2
+ } \alternative {
+ {
+ s2 s2
+ }
+ {
+ s2 s2
+ }
+ }
+ s2 s2 s2 s2 s2 s2
+ s2 s2 s2 s2 s2 s2 s2 s2 s2
+ s2 s2 s2 s2 s2
+ s2 s2 s2 s2
+ \repeat volta 2 {
+ r16 f8( f16 f8 f16) r16 r16 f8( f16 f8 f16 f16)
+ r16 f8( f16 f8 f16) r16 r16 f8\( f16 f16( <g f>16) <aes f>16( <bes g>16 <c aes>16)\) f,8( f16 f8 f16) r16 r16 f8( f16 f8 f16 f16)
+ } \alternative {
+ {
+ r16 f8( f16 f8 f16) r16 r2
+ }
+ {
+ r16 f8( f16 f8 f16) r16 r2
+ }
+ }
+ r2 r2 r2 r2 r2
+ }
+
+ sings = \relative c'' {
+ aes16 aes8 g16 aes8 g16 r16 r16 aes8 g16 aes8 aes16 bes16 r16 bes8 aes16 bes8 bes16 r16 r16 aes8 g16 aes8 aes16( g16) r16 aes8 g16 aes8 g16 r16 r16 aes8 g16 aes8 aes16 bes16
+ }
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ \init
+ \repeat volta 2 {
+ \sings
+ } \alternative {
+ {
+ r16 bes8 aes16 bes8 bes16 r16 r16 f8 f16 f4
+ }
+ {
+ r16 bes8 aes16 bes8 bes16 r16 r16 f8 f16 f8 r8
+ }
+ }
+ r8 g16 aes16 ~ aes4 ~ aes8 g16 aes16 ~ aes4 r8 aes16 g16 ~ g4 ~ g8 g16 aes16 ~ aes4 r8 g16 aes16 ~ aes4 ~ aes8 g16 aes16 ~ aes4 r2 r2
+ \sings
+ r16 bes8 aes16 bes8 bes16 r16 r2 r2 r2 r2 r2
+ f16( g16 aes16 g16 aes16 g16 f16 g16 aes16 bes16 c16 bes16 c16 bes16 aes16 bes16 c16 ees16 f16 ees16 c16 ees16 c16 bes16 aes16 bes16 aes16 g16) f16 r8.
+ \repeat volta 2 {
+ \sings
+ } \alternative {
+ {
+ r16 bes8 aes16 bes8 bes16 r16 r16 f8 f16 f4
+ }
+ {
+ r16 bes8 aes16 bes8 bes16 r16 r16 f8 f16 f16 f16 aes16 bes16
+ }
+ }
+ f2 ~ f4 ges8 g8 aes8 aes8 ~ aes4
+ r8 ces,8( ~ ces16 bes16 aes16 f16 aes16 f8. ~ f4)
+ }
+ >>
+ }
+
+ singa = \relative c' {
+ f16 f8 ees16 f8 ees16 r16 r16 f8 ees16 f8 f16 <f des>16 r16 q8 q16 q8 q16 r16 r16 f8 ees16 f8 f16( ees16) r16 f8 ees16 f8 ees16 r16 r16 f8 ees16 <f des>8 f16 f16
+ }
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ \init
+ \repeat volta 2 {
+ \singa
+ } \alternative {
+ {
+ r16 q8 q16 q8 q16 r16 r16 c8 des16 c4
+ }
+ {
+ r16 q8 q16 q8 q16 r16 r16 c8 des16 c8 r8
+ }
+ }
+ r8 e16 f16 ~ f4 ~ f8 e16 f16 ~ f4 r8 f16 ees16 ~ ees4 ~ ees8 ees16 f16 ~ f4 r8 e16 f16 ~ f4 ~ f8 e16 f16 ~ f4 r2 r2
+ \singa
+ r16 f8 <f des>16 q8 q8 r2 r2 r2
+ aes,16( bes16 c16 bes16 c16 bes16 aes16 bes16 c16 des16 ees16 des16 ees16 des16) c16( bes16) c16( des16 f16 ees16 f16 ees16 c16 des16 f16 g16 aes16 g16 aes16 g16 f16 g16 aes16 bes16 c16 bes16 aes16 bes16 aes16 g16 f16 g16 f16 ees16) c16 r8.
+ \repeat volta 2 {
+ \singa
+ } \alternative {
+ {
+ r16 q8 q16 q8 q16 r16 r16 c8 des16 c4
+ }
+ {
+ r16 q8 q16 q8 q16 r16 r16 c8 des16 c16 f16 aes16 bes16
+ }
+ }
+ ces,2 ~ ces4 c8 des8 d8 e8 ~ e4
+ r8 ces8( ~ ces16 bes16 aes16 f16 aes16 f8. ~ f4)
+ }
+ >>
+ }
+
+ singt = \relative c' {
+ c16 c8 bes16 c8 bes16 r16 r16 c8 bes16 c8 c16 aes16 r16 aes8 f16 aes8 aes16 r16 r16 c8 bes16 c8 c16( bes16) r16 c8 bes16 c8 bes16 r16 r16 c8 bes16 c8 c16 aes16
+ }
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ \init
+ \repeat volta 2 {
+ \singt
+ } \alternative {
+ {
+ r16 aes8 f16 aes8 aes16 r16 r16 aes8 bes16 aes4
+ }
+ {
+ r16 aes8 f16 aes8 aes16 r16 r16 aes8 bes16 aes8 r8
+ }
+ }
+ r8 bes16 c16 ~ c4 ~ c8 bes16 c16 ~ c4 r8 ces16 bes16 ~ bes4 ~ bes8 bes16 c16 ~ c4 r8 bes16 c16 ~ c4 ~ c8 bes16 c16 ~ c4 r2 r16 f8 ees16 c16 r8.
+ \singt
+ r16 aes8 f16 aes8 aes16 r16
+ r16 f'8 ees16 c16 bes16 aes16 g16 f16( g16 aes16 g16 aes16 g16 f16 g16 aes16 bes16 c16 bes16 c16 bes16) aes16( g16) f16( g16 aes16 g16 aes16 g16 f16 g16 aes16 bes16 c16 bes16 c16 bes16) aes16( g16) aes16( bes16 c16 bes16 c16 bes16 aes16 bes16 c16 ees16 f16 ees16 f16 ees16 c16 ees16 f16 g16 aes16 g16 f16 g16 f16 ees16 c16 ees16 c16 bes16) aes16 r8.
+ \repeat volta 2 {
+ \singt
+ } \alternative {
+ {
+ r16 aes8 f16 aes8 aes16 r16 r16 aes8 bes16 aes4
+ }
+ {
+ r16 aes8 f16 aes8 aes16 r16 r16 aes8 g16 aes16 f16 aes16 bes16
+ }
+ }
+ ees,2 ~ ees4 ees8 fes8 f8 bes8 ~ bes4 r8 ces8 ~ ces16 bes16 aes16 f16 aes16 f8. ~ f4
+ }
+ >>
+ }
+
+ singb = \relative c {
+ f16 f8 c16 f8 c16 r16 r16 f8 c16 f8 f16 bes,16 r16 bes8 bes16 bes8 bes16 r16 r16 f'8 c16 f8 f16( c16) r16 f8 c16 f8 c16 r16 r16 f8 c16 f8 f16 bes,16
+ }
+ yesyoucan = \relative c {
+ r8. f16 r16 ees16 c16 bes16 f16 f16 r8 r4
+ }
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ \init
+ \repeat volta 2 {
+ \singb
+ } \alternative {
+ {
+ r16 bes8 bes16 bes8 bes16 r16 r16 f'8 f16 f4
+ }
+ {
+ r16 bes,8 bes16 bes8 bes16 r16 r16 f'8 f16 f16 c16 ees16 f16 ~
+ }
+ }
+ f4. f16 aes16 ~ aes16 f8. ~ f16 f16 aes16 ces16( bes4.) f16 aes16 ~ aes16 f8. ~ f16 c16 ees16 f16 ~ f4. f16 aes16 ~ aes16 f8. ~ f16 aes,16 bes16 c16 r8 bes16 bes16 aes8 g16 f16 ~ f4 ~ f16 r8.
+ \singb
+ r16 bes8 bes16 bes8 bes16 r16 r2 r2
+ \yesyoucan
+ \yesyoucan
+ \yesyoucan
+ r2
+ \repeat volta 2 {
+ \singb
+ } \alternative {
+ {
+ r16 bes8 bes16 bes8 bes16 r16 r16 f'8 f16 f4
+ }
+ {
+ r16 bes,8 bes16 bes8 bes16 r16 r16 f'8 f16 f16 f16 aes16 bes16
+ }
+ }
+ aes,2 ~ aes4 a8 bes8 b8 c8 ~ c8 bes16 aes16 f2 ~ f2
+ }
+ >>
+ }
+
diff --git a/hr/michi/spirit/stimmen_.ly b/hr/michi/spirit/stimmen_.ly
new file mode 100644
index 0000000..6cccf0c
--- /dev/null
+++ b/hr/michi/spirit/stimmen_.ly
@@ -0,0 +1,407 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ init = \relative c' {
+ R2*9 %r2 r2 r2 r2 r2 r2 r2 r2
+ }
+
+ tspat = \relative c {
+ r16 f16 aes16 f16
+ aes8 f16 g16 aes16 f16 r16 f'16\(( ~
+ f16 ees16) c16 bes16 aes16\)
+ f16 aes16 f16
+ bes8 bes16 aes16 bes16 aes16 r16 f'16\(( ~
+ f16 ees16) c16 bes16 aes16\)
+ f16 aes16 f16
+ aes8 f16 g16 aes16 f16 r16 f'16\(( ~
+ f16 ees16) c16 bes16 aes16\)
+ }
+
+ tenorSoloMelodie = \relative c {
+ \clef "treble_8"
+ r4 \tspat f16 aes16 f16
+ bes8 c8 bes16( aes16) f16 f16 ~
+ f4 \tspat f16 aes16 f16
+ bes8 c8 bes16( aes16) f16 f16 ~
+ f4 ~ f16 f16 aes16 f16
+ bes8 c8 bes16( aes16) f16 f16 ~
+ f4 r4
+ s2*5
+ r2
+ r2
+ r4 \tspat f16 aes16 f16
+ bes8 c8 bes16( aes16) f16 f16 ~
+ f16 r8. r4
+ r2
+ r2
+ r2
+ r2
+ r2
+ r2
+ r2
+ r4 \tspat f16 aes16 f16
+ bes8 c8 bes16( aes16) f16 f16 ~
+ f4 ~ f16 f16 aes16 f16
+ bes8 c8 bes16( aes16) f16 f16 ~
+ f4 r4
+ r2
+ r2
+ r2
+ r2
+ r2
+ }
+
+ sopranSoloMelodie = \relative c'' {
+ s2
+ s2
+ s2
+ s2
+ s2
+ s2
+ s2
+ s2
+ s2
+ \repeat volta 2 {
+ s2
+ s2
+ s2
+ s2
+ s2
+ s2
+ } \alternative {
+ {
+ s2
+ s2
+ }
+ {
+ s2
+ s2
+ }
+ }
+ s2
+ s2
+ s2
+ s2
+ s2
+ s2
+ s2
+ s2
+ s2
+ s2
+ s2
+ s2
+ s2
+ s2
+ s2
+ s2
+ s2
+ s2
+ s2
+ s2
+ s2
+ s2
+ s2
+ s2
+ \repeat volta 2 {
+ r16 f8( f16 f8 f16) r16
+ r16 f8( f16 f8 f16 f16)
+ r16 f8( f16 f8 f16) r16
+ r16 f8\( f16 f16( <g f>16) <aes f>16( <bes g>16
+ <c aes>16)\) f,8( f16 f8 f16) r16
+ r16 f8( f16 f8 f16 f16)
+ } \alternative {
+ {
+ r16 f8( f16 f8 f16) r16
+ r2
+ }
+ {
+ r16 f8( f16 f8 f16) r16
+ r2
+ }
+ }
+ r2
+ r2
+ r2
+ r2
+ r2
+ }
+
+ sings = \relative c'' {
+ aes16 aes8 g16 aes8 g16 r16
+ r16 aes8 g16 aes8 aes16 bes16
+ r16 bes8 aes16 bes8 bes16 r16
+ r16 aes8 g16 aes8 aes16( g16)
+ r16 aes8 g16 aes8 g16 r16
+ r16 aes8 g16 aes8 aes16 bes16
+ }
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ \init
+ \repeat volta 2 {
+ \sings
+ } \alternative {
+ {
+ r16 bes8 aes16 bes8 bes16 r16
+ r16 f8 f16 f4
+ }
+ {
+ r16 bes8 aes16 bes8 bes16 r16
+ r16 f8 f16 f8 r8
+ }
+ }
+ r8 g16 aes16 ~ aes4 ~
+ aes8 g16 aes16 ~ aes4
+ r8 aes16 g16 ~ g4 ~
+ g8 g16 aes16 ~ aes4
+ r8 g16 aes16 ~ aes4 ~
+ aes8 g16 aes16 ~ aes4
+ r2
+ r2
+ \sings
+ r16 bes8 aes16 bes8 bes16 r16
+ r2
+ r2
+ r2
+ r2
+ r2
+ f16( g16 aes16 g16 aes16 g16 f16 g16
+ aes16 bes16 c16 bes16 c16 bes16 aes16 bes16
+ c16 ees16 f16 ees16 c16 ees16 c16 bes16
+ aes16 bes16 aes16 g16) f16 r8.
+ \repeat volta 2 {
+ \sings
+ } \alternative {
+ {
+ r16 bes8 aes16 bes8 bes16 r16
+ r16 f8 f16 f4
+ }
+ {
+ r16 bes8 aes16 bes8 bes16 r16
+ r16 f8 f16 f16 f16 aes16 bes16
+ }
+ }
+ f2 ~
+ f4 ges8 g8
+ aes8 aes8 ~ aes4
+ r8 ces,8( ~ ces16 bes16 aes16 f16
+ aes16 f8. ~ f4)
+ }
+ >>
+ }
+
+ singa = \relative c' {
+ f16 f8 ees16 f8 ees16 r16
+ r16 f8 ees16 f8 f16 <f des>16
+ r16 q8 q16 q8 q16 r16
+ r16 f8 ees16 f8 f16( ees16)
+ r16 f8 ees16 f8 ees16 r16
+ r16 f8 ees16 <f des>8 f16 f16
+ }
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ \init
+ \repeat volta 2 {
+ \singa
+ } \alternative {
+ {
+ r16 q8 q16 q8 q16 r16
+ r16 c8 des16 c4
+ }
+ {
+ r16 q8 q16 q8 q16 r16
+ r16 c8 des16 c8 r8
+ }
+ }
+ r8 e16 f16 ~ f4 ~
+ f8 e16 f16 ~ f4
+ r8 f16 ees16 ~ ees4 ~
+ ees8 ees16 f16 ~ f4
+ r8 e16 f16 ~ f4 ~
+ f8 e16 f16 ~ f4
+ r2
+ r2
+ \singa
+ r16 f8 <f des>16 q8 q8
+ r2
+ r2
+ r2
+ aes,16( bes16 c16 bes16 c16 bes16 aes16 bes16
+ c16 des16 ees16 des16 ees16 des16) c16( bes16)
+ c16( des16 f16 ees16 f16 ees16 c16 des16
+ f16 g16 aes16 g16 aes16 g16 f16 g16
+ aes16 bes16 c16 bes16 aes16 bes16 aes16 g16
+ f16 g16 f16 ees16) c16 r8.
+ \repeat volta 2 {
+ \singa
+ } \alternative {
+ {
+ r16 q8 q16 q8 q16 r16
+ r16 c8 des16 c4
+ }
+ {
+ r16 q8 q16 q8 q16 r16
+ r16 c8 des16 c16 f16 aes16 bes16
+ }
+ }
+ ces,2 ~
+ ces4 c8 des8
+ d8 e8 ~ e4
+ r8 ces8( ~ ces16 bes16 aes16 f16
+ aes16 f8. ~ f4)
+ }
+ >>
+ }
+
+ singt = \relative c' {
+ c16 c8 bes16 c8 bes16 r16
+ r16 c8 bes16 c8 c16 aes16
+ r16 aes8 f16 aes8 aes16 r16
+ r16 c8 bes16 c8 c16( bes16)
+ r16 c8 bes16 c8 bes16 r16
+ r16 c8 bes16 c8 c16 aes16
+ }
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ \init
+ \repeat volta 2 {
+ \singt
+ } \alternative {
+ {
+ r16 aes8 f16 aes8 aes16 r16
+ r16 aes8 bes16 aes4
+ }
+ {
+ r16 aes8 f16 aes8 aes16 r16
+ r16 aes8 bes16 aes8 r8
+ }
+ }
+ r8 bes16 c16 ~ c4 ~
+ c8 bes16 c16 ~ c4
+ r8 ces16 bes16 ~ bes4 ~
+ bes8 bes16 c16 ~ c4
+ r8 bes16 c16 ~ c4 ~
+ c8 bes16 c16 ~ c4
+ r2
+ r16 f8 ees16 c16 r8.
+ \singt
+ r16 aes8 f16 aes8 aes16 r16
+ r16 f'8 ees16 c16 bes16 aes16 g16
+ f16( g16 aes16 g16 aes16 g16 f16 g16
+ aes16 bes16 c16 bes16 c16 bes16) aes16( g16)
+ f16( g16 aes16 g16 aes16 g16 f16 g16
+ aes16 bes16 c16 bes16 c16 bes16) aes16( g16)
+ aes16( bes16 c16 bes16 c16 bes16 aes16 bes16
+ c16 ees16 f16 ees16 f16 ees16 c16 ees16
+ f16 g16 aes16 g16 f16 g16 f16 ees16
+ c16 ees16 c16 bes16) aes16 r8.
+ \repeat volta 2 {
+ \singt
+ } \alternative {
+ {
+ r16 aes8 f16 aes8 aes16 r16
+ r16 aes8 bes16 aes4
+ }
+ {
+ r16 aes8 f16 aes8 aes16 r16
+ r16 aes8 g16 aes16 f16 aes16 bes16
+ }
+ }
+ ees,2 ~
+ ees4 ees8 fes8
+ f8 bes8 ~ bes4
+ r8 ces8 ~ ces16 bes16 aes16 f16
+ aes16 f8. ~ f4
+ }
+ >>
+ }
+
+ singb = \relative c {
+ f16 f8 c16 f8 c16 r16
+ r16 f8 c16 f8 f16 bes,16
+ r16 bes8 bes16 bes8 bes16 r16
+ r16 f'8 c16 f8 f16( c16)
+ r16 f8 c16 f8 c16 r16
+ r16 f8 c16 f8 f16 bes,16
+ }
+ yesyoucan = \relative c {
+ r8. f16 r16 ees16 c16 bes16
+ f16 f16 r8 r4
+ }
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ \init
+ \repeat volta 2 {
+ \singb
+ } \alternative {
+ {
+ r16 bes8 bes16 bes8 bes16 r16
+ r16 f'8 f16 f4
+ }
+ {
+ r16 bes,8 bes16 bes8 bes16 r16
+ r16 f'8 f16 f16 c16 ees16 f16 ~
+ }
+ }
+ f4. f16 aes16 ~
+ aes16 f8. ~ f16 f16 aes16 ces16(
+ bes4.) f16 aes16 ~
+ aes16 f8. ~ f16 c16 ees16 f16 ~
+ f4. f16 aes16 ~
+ aes16 f8. ~ f16 aes,16 bes16 c16
+ r8 bes16 bes16 aes8 g16 f16 ~
+ f4 ~ f16 r8.
+ \singb
+ r16 bes8 bes16 bes8 bes16 r16
+ r2
+ r2
+ \yesyoucan
+ \yesyoucan
+ \yesyoucan
+ r2
+ \repeat volta 2 {
+ \singb
+ } \alternative {
+ {
+ r16 bes8 bes16 bes8 bes16 r16
+ r16 f'8 f16 f4
+ }
+ {
+ r16 bes,8 bes16 bes8 bes16 r16
+ r16 f'8 f16 f16 f16 aes16 bes16
+ }
+ }
+ aes,2 ~
+ aes4 a8 bes8
+ b8 c8 ~ c8 bes16 aes16
+ f2 ~
+ f2
+ }
+ >>
+ }
+
diff --git a/hr/michi/spirit/texte.ly b/hr/michi/spirit/texte.ly
new file mode 100644
index 0000000..ebcb152
--- /dev/null
+++ b/hr/michi/spirit/texte.ly
@@ -0,0 +1,64 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+ til = \lyricmode {
+ I’m gon -- na sing ’til the spi -- rit
+ moves in my heart.
+ I’m gon -- na sing ’til the spi -- rit
+ moves in my heart.
+ I’m gon -- na sing ’til the spi -- rit
+ moves in my heart.
+ I’m gon -- na sing ’til Je -- sus comes.
+ }
+ wer = \lyricmode {
+ Oh my Je -- sus
+ }
+ commonI = \lyricmode {
+ Sing \wer \wer Oh \wer \wer \wer \wer
+ Oh \wer ’til he comes.
+ \wer ’til he comes.
+ }
+ oberI = \lyricmode {
+ Oh yea my Lord
+ Oh yea my Lord
+ Oh yea my Lord
+ }
+ commonII = \lyricmode {
+ Pray \wer \wer Oh \wer \wer \wer \wer
+ Oh \wer
+ }
+ commonIII = \lyricmode {
+ Shout \wer \wer Oh \wer \wer \wer \wer
+ Oh \wer ’til he comes.
+ \wer ’til he comes.
+ I’m gon -- na sing ’til my Je -- sus
+ }
+
+% Die Textaufteilungen % -- _
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyricmode {
+ %<+hier den Text für den Tenor eintragen+>
+ \commonI
+ \oberI
+ Hal -- le -- lu
+ \commonII
+ Can’t you feel the spi -- rit mov -- in’
+ Mov -- in’
+ Mov -- in’.
+ \commonIII
+ hum _ _
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/michi/thompson/dynArt.ly b/hr/michi/thompson/dynArt.ly
new file mode 100644
index 0000000..94d0d80
--- /dev/null
+++ b/hr/michi/thompson/dynArt.ly
@@ -0,0 +1,43 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ %\override Staff.TimeSignature #'style = #'()
+ \dynamicUp
+ \key d \major
+ \time 4/4
+ s1*2
+ \time 2/8
+ s4
+ \time 4/4
+ s1*9
+ s1*11
+ \time 2/8
+ s4
+ \time 4/4
+ s1*12
+ \time 2/8
+ s4
+ \time 4/4
+ s1*12
+ \time 5/4
+ s4*5
+ \time 4/4
+ s1*37
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/michi/thompson/midi.lua b/hr/michi/thompson/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/michi/thompson/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/michi/thompson/stimmen.ly b/hr/michi/thompson/stimmen.ly
new file mode 100644
index 0000000..ddb9fad
--- /dev/null
+++ b/hr/michi/thompson/stimmen.ly
@@ -0,0 +1,101 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ a4 a4 a8( g8) a4 a8 g8 a8 a8 a8 g8 a8 a8 g8 a8 b2 a4 g8 a8 b2 a4 b8 cis8 d2 cis4 a8 a8 a4( gis4) a4 d8 e8 fis2 e4 e,8 e8 e'2 d4 d,8 d8 d'2 cis2 b8( a8 b8 cis8 d8 cis8) b8( a8) b1 a2 r2 r1
+ r4 r8 a8 a8 a8 a2 r8 a8 a8 a8 a2 r8 b8 b8 b8 b2 r8 b8 b8 b8 b4( e,4)
+ r8 gis8( fis8) e8 fis8( dis8) e8( fis8) r8 fis8( e8) dis8 e8( cis8) dis8( e8) r8 e8 dis4 ~ dis8 dis8 cis4 ~ cis8 r8 b4.( cis8) d4 cis8( b8 cis8 d8 e8 d8 cis8 b8 cis2) cis2
+ cis'4 cis4 cis8( b8) cis4 cis8 b8 cis8 cis8 cis8 b8 cis8 cis8 b8 cis8 e2 cis4 cis8 cis8 e2 cis8 fis,8( gis8) a8 b4 b4 r8 gis8( a8) b8 cis4 cis4 r8 a8( b8) cis8 d8( b8) cis8( d8) e8( cis8) d8( e8) fis2( ~ fis8 a8 g8 fis8 e8 d8) e4 r8 g8( fis8) e8 d8( fis8 e8 d8 cis8 e8 d8 cis8 b8 ais8) b4 b8( d8) cis8( b8) ais8( gis8 ais8 b8 cis8 b8) ais8( gis8) ais8( b8 cis8 d8 e8 d8) cis8( b8) ais8( gis8 b8 ais8 cis8 b8 ais8 gis8 ais2 ~ ais2.) b2
+ b8( a8) b4 d4 b4 b8( a8) b4 e4 b4 b8( a8) b4 fis'4 b,4 b8( a8) b4 d2 a4 a8 a8 d4 a4 a4 a4 c2 a4 a8 a8 c2 b2
+ cis2 cis8( b8 cis4) dis4 dis4 dis8( cis8) dis4 e4 e4 e8( d8) e4 e8( d8) e4 e8( d8) e4 g2 e4 e8 e8 g2 e4 r4
+ r2 r8 a,4 a8 d4 d4 r8 a8( b8) cis8 d8( cis8 b8 a8) b8 cis8( d8) e8 fis8( e8 d8 cis8) d8 d8( e8) fis8 g8( fis8) e8( d8) g8( fis8) e8( d8) g8( fis8) e8( d8) g8( fis8) e8 g8( fis8) e8 g8 fis8 e8 g8 fis8 e8 a8( g8 fis8 e8) d4
+ r8 a16 a16 a'8( g8 fis8 e8) d4 r8 d,16 d16 d'4 d4 d,8( e8) fis8( g8) a2 a2 r8 d,8( e8 fis8 g8 fis8) e8( d8) e2 e2 ~ e4 r4 r4
+ e8 e8 a1 e2 r4 e8 e8 a1 e2 r4 e8 e8 a2( b2 a2 g2) a1 r4 <fis d>2. q1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ fis4 fis4 fis8( e8) fis4 fis8 e8 fis8 fis8 fis8 e8 fis8 fis8 e8 fis8 g2 fis4 e8 fis8 g2 fis4 fis8 fis8 fis4( gis4) a8 a8( b8) cis8 d2 cis8( b8) a8 g8 fis8( cis'8 b8 a8 gis8 b8 a8 gis8 a8 b8 a8 gis8 fis8 a8 gis8 fis8 gis8 a8 gis8 fis8) e8( gis8 fis8 e8) fis8( e8 fis8 gis8 a8 gis8) fis8( e8) fis2 e2
+ e4 e4 e8( d8) e4 e8 d8 e8 e8 e8 d8 e8 e8 d8 e8 fis2 e8 e8( d8) e8 fis2 e8 e8( fis8) gis8 a2 gis8 e8( fis8) gis8 a2 gis4 a8 b8 cis2 b4
+ b,8 b8 b'2 a4 a,8 a8 a'4.( b8 gis4. a8 fis8 e8) fis4 fis8( a8) gis8( fis8) eis8( dis8 eis8 fis8 gis8 fis8 eis8 dis8 eis1) fis2. ~ fis8 r8
+ fis8 e8 fis8 fis8 fis8 e8 fis8 fis8 e8 fis8 gis2 fis8 fis8( e8) fis8 gis2 fis4 r4
+ r8 a8( gis8) fis8 gis4 gis4 r8 b8( a8) gis8 fis8( gis8 fis8 e8) d4 e8 fis8 gis8( b8 a8 g8 fis8 c'8 b8 a8 b4) b4
+ r8 b8( a8) g8 a4 a4 a4 g4 g4 fis4 fis4( e8 d8 e4) g4 fis8( e8 fis8 g8 a8 g8) fis8( e8) fis8( g8 a8 b8 cis8 b8) a8( g8) fis8( e8 g8 fis8 a8 g8 fis8 e8 fis2) fis2.
+ g4 d4 d4 d4 d8 cis8 d8 d8 d8 cis8 d8 d8 e4 e4 e8( d8) e4 d8 cis8 d8 d8 d8 cis8 d8 d8 d4 d4 d8( cis8) d4 d8 cis8 d8 d8 d8 cis8 d8 d8 e4 e4 d8( cis8) d4 e8( fis8) e4 dis8( cis8) dis4
+ eis4 eis4 eis8( dis8) eis4 fis4 fis4 fis8( e8) fis8( gis8) a4 a4 a4 a4 a4. a8 a8 a8 a8 a8 a2 a8 a8( g8) a8 b2 a8 a,4 a8 a'4 a4 r2
+ r2 r8 a4 a8 a4 a4 r8 a4 a8 d4 d4 r8 a8( b8) cis8 d8( cis8) b8( a8) d8( cis8) b8( a8) d8( cis8) b8( a8) d8( cis8) b8 d8( cis8) b8 d8 cis8 b8 d8 cis8 b8 a4 a2 r8
+ a16 a16 d4 a4 r8 d,16 d16 d'4( ~ d8 c8) b8( a8) a8( g8) fis8( e8) d2 cis2
+ r8 a8( b8 cis8 d8 cis8) b8( a8) b2 b2 ~ b4 r4 r4
+ d8 d8 d1 b2 r4 b8 b8 d1 d2 r4 d8 d8 d1 ~ d1 d8 r8 a8 a8 a4 a4 ~ a1 ~ a1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ d4 d4 d4 d4 d4 d4 d4 d4 d8 d8 d8 d8 d8 d8 d8 d8 d8 d8 d8 d8 d8 d8 d8 d8 d8 cis8 b2 a4 e'8 e8 d2 e4 a,8 a8 a8( e'8 d8 cis8 b8 d8 cis8 b8 cis8 d8 cis8 b8 a8 cis8 b8 a8 b8 cis8 b8 a8 gis8 b8 a8 gis8) fis8 r8 a2 a4 a2 gis2
+ cis4 cis4 cis8( b8) cis4 cis8 b8 cis8 cis8 cis8 b8 cis8 cis8 b8 cis8 d2 cis8 cis8( b8) cis8 d2 cis4 cis8 e8 e4( dis4) e4 b8 e8 e4( dis4) e2
+ r8 e8( dis8) cis8 dis8( b8) cis8( dis8) r8 dis8( cis8) b8 cis8( a8) b8( cis8) r8 cis8 b4 ~ b8 b8 a4 ~ a8 r8 b2 b8( a8) gis8( fis8 gis8 a8 b8 a8 gis8 fis8 gis2) gis2
+ a4 a4 a8( gis8) a4 a8 gis8 a8 a8 a8 gis8 a8 a8 gis8 a8 b2 a8 a8( gis8) a8 b2 a8 a8( b8) cis8 d4 d4 r8 b8( cis8) d8 e4 a,4 r4
+ a8 a8 fis4 b4 b8( d8) cis8( b8) a8( e'8 d8 c8 d8 fis8 e8 d8 cis8 b8) cis4 r8 e8( d8) cis8 cis4( b4) b4( a4)
+ b2. e8( d8) cis8( b8 cis8 d8 e8 d8) cis8( b8) cis8( d8 e8 fis8 g8 fis8) e8( d8) cis8( b8 d8 cis8 e8 d8 cis8 b8 cis2) cis2.
+ d4 g,4 g8( fis8) g4 fis8 e8 fis8 fis8 fis8 e8 fis8 fis8 gis4 gis4 gis8( fis8) gis4 fis8 e8 fis8 fis8 fis8 e8 fis8 fis8 fis4 fis4 fis8( e8) fis4 fis8 e8 fis8 fis8 fis8 e8 fis8 fis8 g4 g4 fis8( e8) fis4 g8( a8) g4 fis8( e8) fis4
+ b4 b4 b8( cis8) b4 a4 a4 a8( gis8) a8( b8) cis4 cis4 cis8( b8) cis4 cis8( b8) cis4 cis8 b8 cis8 cis8 d2 cis8 cis8( b8) cis8 d2 cis8 a8( b8) cis8 d8( cis8 b8 a8) b8( cis8) d8 e8 fis8( e8 d8 cis8) d8( cis8 d8 e8) fis8( e8) d8( cis8) d8( e8) fis8( g8) a8( g8) fis8( e8) fis4 d8 r8
+ d4 d4 d4 d4 d4 d4 d4 d4 d4 d4 d4 d4
+ r8 a16 a16 a'4( ~ a8 g8 fis8 e8) d8 a16 a16 a'4( ~ a8 g8 fis8 e8 d8 g8 fis8 e8) d4 d,8 e16( fis16) e1 d2. r8
+ d16 d16 d'4 d2. ~ d4 r4 r4
+ g,8 g8 fis1 d2 r4 d8 d8 fis1 g2 r4 g8 g8 fis2( g2 fis2 e2) fis1 r4 <fis d>2. q1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c' {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ a4 a4 a8( b8) a4 a8 b8 a8 a8 a8 b8 a8 a8 b8 a8 g2 d4 d8 d8 g2 d2
+ r2 r4 cis8 cis8 b2 a4 b8 cis8 d2 e2 e2 b2 b2 cis2
+ d8( cis8 d8 e8 fis8 e8) d8( cis8) d2 e2
+ a4 a4 a4 a4 a8 a8 a8 a8 a8 a8 a8 a8 a8 a8 d,2 a'4 a8 a8 d,2 a'4
+ a8 gis8 fis2 e4 a8 gis8 fis2 e8 e8( fis8) gis8 a1 gis1
+ fis2( e2 d4) d8( cis8) d4 b4 cis2. gis4 cis2 cis2
+ fis4 fis4 fis4 fis4 fis4 fis4 fis4 fis4 ~ fis4
+ r8 cis8 cis8 cis8 fis2 r8 cis8 cis8 cis8 fis2 r8 fis8( e8) d8 e4 e4
+ a8( gis8 fis8 e8 d8 e8) d8( cis8) b2 a2 d2 g2 g2 fis2
+ b,4 e4 a,4 d4 g2. e4 fis2. cis4 fis2. cis4 fis1( ~ fis8 e8 g8 fis8 a8 g8 fis8 e8 d8 cis8 b4) b2.
+ b4 b4 b4 b4 b4 b4 b4 b4 b4 b4 b4 b4 a4 a4 a4 a4 a4 a4 a4 a4 a4 a4 a4 a4 a4 a4 a'4 a4
+ gis4 gis4 gis8( a8) gis4 fis4 fis4 fis8( gis8) fis4 e4 e4 e8( fis8) e4 e8( fis8) e4 e8( fis8) e4
+ r8 e8 e8 e8 a2 r8 e8 e8 e8 a8 a4 g8 fis8( e8 d8 cis8) d8( e8) fis8 g8 a8( g8 fis8 e8) fis8 e8( fis8) g8 a8( g8 fis8 e8) fis8 g8( a8) b8 cis8( b8 a8 g8) a8 fis8( g8) a8 b8( a8) g8( fis8) b8( a8) g8( fis8) b8( a8) g8( fis8) b8( a8) g8 b8( a8) g8 b8 a8 g8 b8 a8 g8 fis8 a8 d8 cis8 b4 a8( g8) fis8 a8 d8 cis8 b4 a8( g8) fis8( e8) d8( c8) b4 b4 a2 a2
+ r8 fis8( g8 a8 b8 a8) g8( fis8) g2 g2 ~ g4 r4 r4
+ b8 b8 a1 g2 r4 g8 g8 a1 b2 r4 b8 b8 a2( g2 a2 b2) d1 r4 <a d,>2. q1
+ }
+ >>
+ }
+
diff --git a/hr/michi/thompson/texte.ly b/hr/michi/thompson/texte.ly
new file mode 100644
index 0000000..aef92d6
--- /dev/null
+++ b/hr/michi/thompson/texte.ly
@@ -0,0 +1,45 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+ al = \lyricmode {
+ al -- le -- lu -- ia,
+ }
+
+% Die Textaufteilungen % -- _
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ Al -- le -- lu -- ia,
+ \al \al \al \al \al \al
+ \al \al \al
+ \al \al \al
+ \al \al \al \al
+ \al \al \al \al
+ \al \al \al
+ \al \al \al \al \al \al \al
+ \al \al
+ \al \al \al \al
+ \al \al \al
+ \al \al \al
+ \al \al \al \al
+ \al \al \al \al \al
+ \al \al
+ \al \al \al
+ \al \al
+ \al \al \al \al
+ \al A -- men.
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/michi/thompson/thompson.ly b/hr/michi/thompson/thompson.ly
new file mode 100644
index 0000000..d9018c9
--- /dev/null
+++ b/hr/michi/thompson/thompson.ly
@@ -0,0 +1,72 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Alleluia"
+ composer = "Randall Thompson"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 16)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = sopran { \sop }
+ \new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ \new Staff = bass { \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/michi/todo b/hr/michi/todo
new file mode 100644
index 0000000..e801ffb
--- /dev/null
+++ b/hr/michi/todo
@@ -0,0 +1 @@
+bei mehrfach verwendeten defs werden jeweils fehler ausgegeben (oder nicht), das alignment passiert mehrmals und wird gematcht (bei wiederholtem auftreten in eine neue ds, die dann el-weise vgl wird mit der schon generierten)
diff --git a/hr/michi/whitacre/both/both.ly b/hr/michi/whitacre/both/both.ly
new file mode 100644
index 0000000..31a704f
--- /dev/null
+++ b/hr/michi/whitacre/both/both.ly
@@ -0,0 +1,72 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "A boy and a girl"
+ composer = "Eric Whitacre"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 17)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = sopran { \sop }
+ \new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ \new Staff = bass { \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/michi/whitacre/both/dynArt.ly b/hr/michi/whitacre/both/dynArt.ly
new file mode 100644
index 0000000..6cd40e1
--- /dev/null
+++ b/hr/michi/whitacre/both/dynArt.ly
@@ -0,0 +1,63 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ %\override Staff.TimeSignature #'style = #'()
+ \dynamicUp
+ \key c \major
+ \time 4/4
+ s1*6
+ \break
+ \time 3/4
+ s2.
+ \time 4/4
+ s1*4
+ \time 2/4
+ s2
+ \time 4/4
+ s1*3
+ \time 3/4
+ s2.
+ \time 4/4
+ s1*4
+ \time 3/4
+ s2.*2
+ \time 4/4
+ s1*3
+ \time 2/4
+ s2
+ \time 4/4
+ s1*7
+ \time 2/4
+ s2
+ \time 4/4
+ s1*3
+ \time 2/4
+ s2
+ \time 4/4
+ s1
+ \time 2/4
+ s2
+ \time 4/4
+ s1
+ \time 2/4
+ s2
+ \time 4/4
+ s1*10
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/michi/whitacre/both/haukify.log b/hr/michi/whitacre/both/haukify.log
new file mode 100644
index 0000000..63f928f
--- /dev/null
+++ b/hr/michi/whitacre/both/haukify.log
@@ -0,0 +1,169 @@
+Use of uninitialized value $1 in split at ../haukify line 129, <> line 249.
+Use of uninitialized value $2 in split at ../haukify line 130, <> line 249.
+Use of uninitialized value $d in numeric ne (!=) at ../haukify line 134, <> line 249.
+Use of uninitialized value $c in numeric ne (!=) at ../haukify line 134, <> line 249.
+Use of uninitialized value $b in numeric lt (<) at ../haukify line 122, <> line 249.
+Use of uninitialized value $a in numeric lt (<) at ../haukify line 122, <> line 249.
+Use of uninitialized value in addition (+) at ../haukify line 214, <> line 249.
+underfull measure at (orig) 130, measure 16 (local 16) g4( f4) << { \voiceOne f8 f8 } { \voiceTwo c8 f8 } >> ?
+128 out of 192
+underfull measure at (orig) 131, measure 19 (local 18) r4 e,4 ?
+128 out of 256
+error at measure 21 (local 19) in (orig) 135, (result) 30
+320 out of 192
+(occurred after reading r4 e'8 e8 e2. )
+error at measure 25 (local 23) in (orig) 142, (result) 39
+320 out of 256
+(occurred after reading b4( d4) r4 \times 2/3 { f4 f4 g4 } )
+error at measure 29 (local 27) in (orig) 143, (result) 43
+320 out of 256
+(occurred after reading a4 b4 f2. )
+error at measure 32 (local 30) in (orig) 143, (result) 46
+320 out of 256
+(occurred after reading g4 b4 f8 f8 d2 )
+underfull measure at (orig) 144, measure 41 (local 39) r4 e8 e8 ?
+128 out of 256
+ \tsilence
+error at measure 42 (local 1) in (orig) 113, (result) 59
+192 out of 128
+(occurred after reading a4 )
+underfull measure at (orig) 113, measure 43 (local 2) d,4 ?
+64 out of 256
+underfull measure at (orig) 117, measure 44 (local 2) g4 d4 ?
+192 out of 256
+error at measure 45 (local 2) in (orig) 120, (result) 67
+320 out of 256
+(occurred after reading r2 )
+underfull measure at (orig) 146, measure 46 (local 39) r2 ?
+128 out of 256
+ \tsilence
+underfull measure at (orig) 117, measure 48 (local 2) g4 d4 ?
+128 out of 256
+underfull measure at (orig) 148, measure 50 (local 39) r2 ?
+128 out of 256
+error at measure 51 (local 39) in (orig) 152, (result) 86
+320 out of 256
+(occurred after reading a2.( )
+underfull measure at (orig) 152, measure 52 (local 40) d,4) ?
+64 out of 256
+underfull measure at (orig) 156, measure 54 (local 41) d4) ?
+64 out of 256
+error at measure 55 (local 41) in (orig) 159, (result) 95
+320 out of 256
+(occurred after reading r1 )
+underfull measure at (orig) 185, measure 15 (local 15) r2 ?
+128 out of 256
+underfull measure at (orig) 189, measure 18 (local 17) g2( f4) ?
+192 out of 256
+underfull measure at (orig) 196, measure 23 (local 21) r4 a4 ?
+128 out of 256
+error at measure 25 (local 22) in (orig) 200, (result) 147
+320 out of 256
+(occurred after reading r4 g'8 g8 e2. )
+error at measure 28 (local 25) in (orig) 200, (result) 150
+320 out of 256
+(occurred after reading r4 \times 2/3 { a4 a4 b4 } \times 2/3 { g2 d4~ } )
+underfull measure at (orig) 200, measure 30 (local 27) e4( g4) ?
+128 out of 256
+error at measure 32 (local 28) in (orig) 204, (result) 157
+320 out of 256
+(occurred after reading r4 c'8 c8 a2. )
+error at measure 35 (local 31) in (orig) 204, (result) 160
+320 out of 256
+(occurred after reading r4 \times 2/3 { d4 d4 e4 } \times 2/3 { c2 g4~ } )
+underfull measure at (orig) 204, measure 37 (local 33) e'2 ?
+128 out of 256
+error at measure 38 (local 33) in (orig) 207, (result) 165
+192 out of 128
+(occurred after reading r4 )
+error at measure 39 (local 34) in (orig) 207, (result) 166
+384 out of 256
+(occurred after reading a,4 d4 e4 b2. )
+error at measure 41 (local 36) in (orig) 207, (result) 168
+320 out of 256
+(occurred after reading c4 e4( f4) r2 )
+underfull measure at (orig) 207, measure 47 (local 42) c8 c8 r4 r4 ?
+192 out of 256
+underfull measure at (orig) 211, measure 49 (local 43) c4 ?
+64 out of 256
+underfull measure at (orig) 215, measure 50 (local 43) g8 a8 f4 ?
+192 out of 256
+underfull measure at (orig) 218, measure 52 (local 44) g4 a4 ?
+128 out of 256
+underfull measure at (orig) 226, measure 54 (local 45) f,4 c'4 ?
+128 out of 256
+ \bsilence
+underfull measure at (orig) 169, measure 57 (local 1) c4 g4 ?
+128 out of 256
+underfull measure at (orig) 176, measure 59 (local 2) r2 ?
+128 out of 256
+ \bsilence
+underfull measure at (orig) 169, measure 61 (local 1) c4 g4 ?
+128 out of 256
+underfull measure at (orig) 176, measure 63 (local 2) r2 ?
+128 out of 256
+error at measure 66 (local 50) in (orig) 241, (result) 233
+320 out of 256
+(occurred after reading f2.( g2) )
+underfull measure at (orig) 54, measure 15 (local 15) r4 g2 ?
+192 out of 256
+error at measure 16 (local 15) in (orig) 58, (result) 270
+256 out of 192
+(occurred after reading g4( )
+underfull measure at (orig) 58, measure 17 (local 16) a4 b4) a8 a8 ?
+192 out of 256
+underfull measure at (orig) 61, measure 19 (local 17) a2 a8 a8 ?
+192 out of 256
+error at measure 20 (local 17) in (orig) 64, (result) 278
+320 out of 256
+(occurred after reading <c g>2( )
+error at measure 21 (local 18) in (orig) 64, (result) 279
+256 out of 192
+(occurred after reading <bes f>4) r4 r2 )
+error at measure 22 (local 19) in (orig) 64, (result) 280
+256 out of 192
+(occurred after reading r4 c,4 <e c>2 )
+error at measure 23 (local 20) in (orig) 64, (result) 281
+320 out of 256
+(occurred after reading r4 g8 g8 <b a>2. )
+error at measure 25 (local 22) in (orig) 64, (result) 283
+320 out of 256
+(occurred after reading d8( e8 f4) a4~ \times 2/3 { a4 a4 b4 } )
+underfull measure at (orig) 68, measure 28 (local 25) b4( c4) ?
+128 out of 256
+underfull measure at (orig) 78, measure 44 (local 40) e4 c4 ?
+128 out of 256
+underfull measure at (orig) 88, measure 47 (local 42) e4 c4 ?
+128 out of 256
+underfull measure at (orig) 19, measure 15 (local 15) r4 ?
+64 out of 256
+underfull measure at (orig) 21, measure 18 (local 17) f2( e4) ?
+192 out of 256
+underfull measure at (orig) 23, measure 22 (local 20) d4) ?
+64 out of 192
+error at measure 25 (local 22) in (orig) 26, (result) 382
+320 out of 256
+(occurred after reading r4 <g' e>8 q8 <g eis>2. )
+underfull measure at (orig) 27, measure 26 (local 23) r4 ?
+64 out of 128
+error at measure 28 (local 24) in (orig) 29, (result) 386
+320 out of 256
+(occurred after reading d4( cis4) r4 \times 2/3 { f4 f4 g4 } )
+error at measure 34 (local 30) in (orig) 34, (result) 395
+192 out of 128
+(occurred after reading d2. )
+error at measure 36 (local 32) in (orig) 34, (result) 397
+320 out of 256
+(occurred after reading a4) r2 e2 )
+underfull measure at (orig) 34, measure 49 (local 45) r2 ?
+128 out of 256
+error at measure 50 (local 45) in (orig) 37, (result) 413
+320 out of 256
+(occurred after reading g2.( )
+underfull measure at (orig) 37, measure 51 (local 46) d4) ?
+64 out of 256
+underfull measure at (orig) 39, measure 53 (local 47) d4) ?
+64 out of 256
+error at measure 54 (local 47) in (orig) 42, (result) 420
+320 out of 256
+(occurred after reading r1 )
diff --git a/hr/michi/whitacre/both/midi.lua b/hr/michi/whitacre/both/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/michi/whitacre/both/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/michi/whitacre/both/stimmen.ly b/hr/michi/whitacre/both/stimmen.ly
new file mode 100644
index 0000000..93ae764
--- /dev/null
+++ b/hr/michi/whitacre/both/stimmen.ly
@@ -0,0 +1,243 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ e2 g4( a4) r2 g2 g4 a8 a8 bes4( a4) r2 r4 d,4 c2 r4 b'8 b8 a2( f2) ~ f4 e4 d8( g8) f8 f8 e4 r4 c'4( \times 2/3 { b4) b4 c4 } a8( f8) e4 ~ e4 r4 r4 c4 c2 r4 c4 d4 e4 b1 e2 g4( a4)
+ r4 <<
+ {
+ g4( c4 g'4) g2 f8 f8 f2( e4)
+ } \\ {
+ g,4( c2) c2 c8 f8 e2( d4)
+ }
+ >>
+ r4 r2 r4 e,4 <g f>2 r4 <g' e>8 q8 <g eis>2.
+ r4 <<
+ {
+ d4 cis4 b8( e8) d4( cis4) r4 \times 2/3 { f4 f4 g4 }
+ } \\ {
+ cis,4 b4 b8( e8) cis4( b4) r4 \times 2/3 { eis4 eis4 f4 }
+ }
+ >>
+ \times 2/3 { eis4( c4) b4 ~ } b2 r4 g4 e2 r4 cis4 fis4 gis4 dis2. ees4 ~ ees2 g4( aes4) r2 ees2 g4 d8 d8 c4( d4) r2 r4 c4 <c b>2 r4 e8 e8 <e d>2 r4 g8 g8 e4 c4 r4 b'8 c8 a8( f8) e8( c8 ~ c4. e8 g8 f4 c8 ~ c4 d4) r2 r4 c8 c8 <g' f>4 <d d>4 r2 r4 b8( c8) <g' f>4 <d d>4 r2 r2
+ <<
+ {
+ g2.( d4)
+ } \\ {
+ f2.( d4)
+ }
+ >>
+ r1 e2( g4 a4) r2 g2( ~ g4 a4 bes4 a4) r2 r4 c,4 ~ c1 r4 c4( d4 e4 b1 ~ b1)
+ \bar "|."
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ d2 f4( g4) r2 r4 d4 e4 g8 g8 a4( g4) r2 r4 c,4 bes2 r4 g'8 a8 g4( c,4 f4 e4) ~ e4 d4 r4 e8 e8 d4 d8( e8 f8 g8 \times 2/3 { a4) a4 b4 } g8( f8) d4 ~ d4 r4 r2 a4( b4) r4 a4 c4 d4 a1 d2 f4( g4) r4 g2
+ <<
+ {
+ \voiceOne
+ g4( a4 bes4) a8 a8
+ } \\ {
+ \voiceTwo
+ g4 a2 a8 a8
+ }
+ >>
+ <c g>2( <bes f>4) r4 r2 r4 c,4 <e c>2 r4 g8 g8 <b a>2. r4 d,8( e8) fis4 r4 d8( e8 fis4) a4 ~ \times 2/3 { a4 a4 b4 } \times 2/3 { d4( c4) a4 ~ } a2 r2
+ <<
+ {
+ \voiceOne
+ b,4( cis4)
+ } \\ {
+ \voiceTwo
+ b2
+ }
+ >>
+ r4 b4 e4 fis4 cis2. r4 r4 d4 f4( g4) r2 r4 d4 f4 c8 c8 b4( c4) r2 r4 a4 <a g>2 r4 c8 c8 <c a>2 r4 fis8 fis8 d4 c4 r4 a'8 b8 g8( f8) d8( c8 b4. c8 ~ c8 f8 e8 c8 ~ c8 b8 c4) r2 r4 c8 c8
+ <<
+ {
+ \voiceOne
+ e4 c4
+ } \\ {
+ \voiceTwo
+ c4 c4
+ }
+ >>
+ r2 r4 b8( c8)
+ <<
+ {
+ \voiceOne
+ e4 c4
+ } \\ {
+ \voiceTwo
+ c4 c4
+ }
+ >>
+ r2 r2
+ <<
+ {
+ \voiceOne
+ e2.( c4)
+ } \\ {
+ \voiceTwo
+ c1
+ }
+ >>
+ r1 d2( f4 g4) r2 r4 d4( e4 g4 a4 g4) r1 a,2( b2) r4 a4( c4 d4 a1 ~ a1)
+ }
+ >>
+ }
+
+ tsilence = \relative c' {
+ <<
+ {
+ a4 d,4
+ }
+ {
+ g4 d4
+ }
+ >>
+ r2
+ }
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ g2 bes4( c4) r2 r4 e,4 g4 bes8 bes8 c4( bes4) r2 r4 f4 ees2 r4 d'8 d8 c2. r4 g4 f4 r4 g8 g8 f4 g4( c4 \times 2/3 { d4) d4 e4 } c4 g4 ~ g4 r4 r2 c,4( d4) r4 c4 f4 g4 d1 g2 bes4( c4) r2 c4( e4)
+ g4( f4) << { \voiceOne f8 f8 } { \voiceTwo c8 f8 } >>
+ e2( d4) r4 r2 r4 e,4
+ <<
+ {
+ \voiceOne
+ g2 r4 e'8 e8 e2.
+ }
+ {
+ \voiceTwo
+ f,2 r4 c'8 c8 cis2.
+ }
+ >>
+ r4 b4 d4 r4 b4( d4) r4 \times 2/3 { fis4 fis4 g4 } \times 2/3 { e2 b4 ~ } b2 r2
+ g4( a4) r4 e4 a4 b4 fis2. r4 r4 g4 bes4( c4) r2 r4 g4 bes4 f8 f8 d2 r2 r4 e4 c2 r4 e8 e8 fis2 r4 b8 b8 g8 g8 r4 b4 ~ b8 c8 a4 g4( d4 e4 a4 g4 d4 g4) r2
+ r4 e8 e8
+ \tsilence
+ r2
+ \tsilence
+ r2
+ <<
+ {
+ \voiceOne
+ a2.( d,4)
+ }
+ {
+ \voiceTwo
+ g2.( d4)
+ }
+ >>
+ r1
+ g2( bes4 c4) r2 r4 e,4( g4 bes4 c4 b4) r1 c,2( d2) r4 c4( f4 g4 d1 ~ d1)
+ }
+ >>
+ }
+
+ bsilence = \relative c {
+ <<
+ {
+ c4 g4
+ }
+ {
+ f4 g4
+ }
+ >>
+ r2
+ }
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ c2 ees4( f4) r2 r4 g,4 c4 ees8 ees8 f4( ees4) r2 r4 bes4 aes2 r4 g'8 g8 f2 r2 c4 bes4 r4 c8 c8 bes4 r2 \times 2/3 { g'4 g4 a4 } f4 c4 ~ c4 r4 r2 f,4( g4) r4 f4 bes4 c4 g1 c2 ees4( f4) r2
+ <<
+ {
+ \voiceOne
+ e4( g4) bes4( c4) a8 c8 g2( f4)
+ }
+ {
+ \voiceTwo
+ g,4( c4) ees4( f4) a8 f8 c2( bes4)
+ }
+ >>
+ r4 r2 r4 a4
+ <<
+ {
+ \voiceOne
+ c2 r4 g'8 g8 e2. r4 d4 fis4 r4 d4( fis4) r4 \times 2/3 { a4 a4 b4 } \times 2/3 { g2 d4 ~ } d2 r2 e4( g4)
+ }
+ {
+ \voiceTwo
+ f,2 r4 c'8 c8 a2. r4 g4 b4 r4 g4( b4) r4 \times 2/3 { d4 d4 e4 } \times 2/3 { c2 g4 ~ } g2 r2 e'2
+ }
+ >>
+ r4 a,4 d4 e4 b2. r4 r4 c4 ees4( f4) r2 r4 c4 ees4 bes8 bes8 g2 r2 r4 a4 f2 r4 a8 a8 <d a>2 r4 e8 e8 c8 c8 r4 r4
+ <<
+ {
+ \voiceOne
+ d8 e8 c4
+ }
+ {
+ \voiceTwo
+ g8 a8 f4
+ }
+ >>
+ c'4( g4 a4
+ <<
+ {
+ c4 c4
+ }
+ {
+ f,4 c'4
+ }
+ >>
+ g4) r4 r2 r4 a8 a8
+ \bsilence
+ r2
+ \bsilence
+ r2
+ <<
+ {
+ \voiceOne
+ c2.( g4)
+ }
+ {
+ \voiceTwo
+ f2.( g4)
+ }
+ >>
+ r1 c2( ees4 f4) r2 r4 g,4( c4 ees4 f4 ees4)
+ r1 d,2( e2) r4 d4( ges4 a4 e1 ~ e1)
+ }
+ >>
+ }
+
diff --git a/hr/michi/whitacre/both/stimmen_.ly b/hr/michi/whitacre/both/stimmen_.ly
new file mode 100644
index 0000000..4b3c7d7
--- /dev/null
+++ b/hr/michi/whitacre/both/stimmen_.ly
@@ -0,0 +1,435 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ e2 g4( a4)
+ r2 g2
+ g4 a8 a8 bes4( a4)
+ r2 r4 d,4
+ c2 r4 b'8 b8
+ a2( f2) ~
+ f4 e4 d8( g8)
+ f8 f8 e4 r4 c'4(
+ \times 2/3 { b4) b4 c4 } a8( f8) e4 ~
+ e4 r4 r4 c4
+ c2 r4 c4
+ d4 e4
+ b1
+ e2 g4( a4)
+ r4
+ {
+ g4( c4
+ g'4) g2 f8 f8
+ f2( e4)
+ } \\ {
+ g,4(
+ c2) c2
+ c8 f8 e2(
+ d4)
+ }
+ >>
+ r4 r2
+ r4 e,4 <g f>2
+ r4 <g' e>8 q8 <g eis>2.
+ r4
+ {
+ d4 c4 b8( e8)
+ d4( cis4) r4 \times 2/3 { f4 f4 g4 }
+ } \\ {
+ cis,4 b4 b8( e8) cis4(
+ b4) r4 \times 2/3 { eis4 eis4 f4 }
+ }
+ >>
+ \times 2/3 { e4( c4) b4 ~ } b2
+ r4 g4 e2
+ r4 c4 f4 g4
+ d2.
+ e4 ~ e2 g4(
+ a4) r2 e2
+ g4 d8 d8 c4( d4)
+ r2
+ r4 c4 <c b>2
+ r4 e8 e8
+ <e d>2 r4 g8 g8
+ e4 c4
+ r4 b'8 c8 a8( f8) e8( c8 ~
+ c4. e8 g8 f4 c8 ~
+ c4 d4) r2
+ r4 c8 c8 <g' f>4 <d d>4
+ r2 r4 b8( c8)
+ <g' f>4 <d d>4 r2
+ r2
+ <<
+ {
+ g2.(
+ d4)
+ } \\ {
+ f2.(
+ d4)
+ }
+ >>
+ r1
+ e2( g4 a4)
+ r2 g2( ~
+ g4 a4 bes4 a4)
+ r2 r4 c,4 ~
+ c1
+ r4 c4( d4 e4
+ b1 ~
+ b1)
+ \bar "|."
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ d2 f4( g4)
+ r2 r4 d4
+ e4 g8 g8 a4( g4)
+ r2 r4 c,4
+ b2 r4 g'8 a8
+ g4( c,4 f4 e4) ~
+ e4 d4 r4
+ e8 e8 d4 d8( e8 f8 g8
+ \times 2/3 { a4) a4 b4 } g8( f8) d4 ~
+ d4 r4 r2
+ a4( b4) r4 a4
+ c4 d4
+ a1
+ d2 f4( g4)
+ r4 g2
+ <<
+ {
+ \voiceOne
+ g4(
+ a4 b4) a8 a8
+ } \\ {
+ \voiceTwo
+ g4
+ a2 a8 a8
+ }
+ >>
+ <c g>2(
+ <bes f>4) r4 r2
+ r4 c,4 <e c>2
+ r4 g8 g8 <b a>2.
+ r4 d,8( e8) f4 r4
+ d8( e8 f4) a4 ~ \times 2/3 { a4 a4 b4 }
+ \times 2/3 { d4( c4) a4 ~ }
+ a2 r2
+ <<
+ {
+ \voiceOne
+ b4( c4)
+ } \\ {
+ \voiceTwo
+ b2
+ }
+ >>
+ r4 b4 e4 f4
+ c2. r4
+ r4 d4 f4( g4)
+ r2 r4 d4
+ f4 c8 c8
+ b4( c4) r2
+ r4 a4 <a g>2
+ r4 c8 c8 <c a>2
+ r4 fis8 fis8
+ d4 c4 r4 a'8 b8
+ g8( f8) d8( c8
+ b4. c8 ~ c8 f8 e8 c8 ~
+ c8 b8 c4)
+ r2 r4 c8 c8
+ <<
+ {
+ \voiceOne
+ e4 c4
+ } \\ {
+ \voiceTwo
+ c4 c4
+ }
+ >>
+ r2 r4 b8( c8)
+ <<
+ {
+ \voiceOne
+ e4 c4
+ } \\ {
+ \voiceTwo
+ c4 c4
+ }
+ >>
+ r2 r2
+ <<
+ {
+ \voiceOne
+ e2.( c4)
+ } \\ {
+ \voiceTwo
+ c1
+ }
+ >>
+ r1
+ d2( f4 g4)
+ r2 r4 d4(
+ e4 g4 a4 g4)
+ r1
+ a,2( b2)
+ r4 a4( c4 d4
+ a1 ~
+ a1)
+ }
+ >>
+ }
+
+ tsilence = \relative c' {
+ <<
+ {
+ \voiceOne
+ a4 d,4
+ }
+ {
+ \voiceTwo
+ g4 d4
+ }
+ >>
+ r2
+ }
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ g2 b4( c4)
+ r2 r4 e,4
+ g4 b8 b8 c4( b4)
+ r2 r4 f4
+ e2 r4 d'8 d8
+ c2. r4
+ g4 f4 r4
+ g8 g8 f4 g4( c4
+ \times 2/3 { d4) d4 e4 } c4 g4 ~
+ g4 r4 r2
+ c,4( d4) r4 c4
+ f4 g4
+ d1
+ g2 b4( c4)
+ r2 c4( e4)
+ g4( f4) << { \voiceOne f8 f8 } { \voiceTwo c8 f8 } >>
+ e2(
+ d4) r4 r2
+ r4 e,4
+ <<
+ {
+ \voiceOne
+ g2
+ r4 e'8 e8 e2.
+ }
+ {
+ \voiceTwo
+ f,2 r4
+ c'8 c8 c2.
+ }
+ >>
+ r4 b4 d4 r4
+ b4( d4) r4 \times 2/3 { f4 f4 g4 }
+ \times 2/3 { e2 b4 ~ }
+ b2 r2
+ g4( a4) r4 e4
+ a4 b4 f2.
+ r4 r4 g4 b4(
+ c4) r2 r4
+ g4 b4 f8 f8 d2
+ r2 r4 e4
+ c2
+ r4 e8 e8 f2
+ r4 b8 b8 g8 g8 r4
+ b4 ~ b8 c8 a4 g4(
+ d4 e4
+ a4 g4 d4 g4)
+ r2
+ r4 e8 e8
+ \tsilence
+ r2
+ \tsilence
+ r2
+ <<
+ {
+ \voiceOne
+ a2.(
+ d,4)
+ }
+ {
+ \voiceTwo
+ g2.(
+ d4)
+ }
+ >>
+ r1
+ g2( b4 c4)
+ r2 r4 e,4(
+ g4 b4 c4 b4)
+ r1
+ c,2( d2)
+ r4 c4( f4 g4
+ d1 ~
+ d1)
+ }
+ >>
+ }
+
+ bsilence = \relative c' {
+ <<
+ {
+ \voiceOne
+ c4 g4
+ }
+ {
+ \voiceTwo
+ f4 g4
+ }
+ >>
+ r2
+ }
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ c2 e4( f4)
+ r2 r4 g,4
+ c4 e8 e8 f4( e4)
+ r2 r4 b4
+ a2 r4 g'8 g8
+ f2 r2
+ c4 b4 r4
+ c8 c8 b4 r2
+ \times 2/3 { g'4 g4 a4 } f4 c4 ~
+ c4 r4 r2
+ f,4( g4) r4 f4
+ b4 c4
+ g1
+ c2 e4( f4)
+ r2
+ <<
+ {
+ \voiceOne
+ e4(
+ g4) b4( c4) a8 c8
+ g2( f4)
+ }
+ {
+ \voiceTwo
+ g,4(
+ c4) e4( f4) a8 f8
+ c2( b4)
+ }
+ >>
+ r4 r2
+ r4 a4
+ <<
+ {
+ \voiceOne
+ c2
+ r4 g'8 g8 e2.
+ r4 d4
+ f4 r4 d4( f4)
+ r4 \times 2/3 { a4 a4 b4 } \times 2/3 { g2 d4 ~ }
+ d2 r2
+ e4( g4)
+ }
+ {
+ \voiceTwo
+ f,2
+ r4 c'8 c8 a2.
+ r4 g4 b4 r4
+ g4( b4)
+ r4 \times 2/3 { d4 d4 e4 } \times 2/3 { c2 g4 ~ }
+ g2 r2
+ e'2
+ }
+ >>
+ r4
+ a,4 d4 e4 b2.
+ r4 r4
+ c4 e4( f4) r2
+ r4 c4
+ e4 b8 b8 g2
+ r2 r4 a4
+ f2 r4 a8 a8
+ <d a>2 r4 e'8 e8
+ c8 c8 r4 r4
+ <<
+ {
+ \voiceOne
+ d8 e8
+ c4
+ }
+ {
+ \voiceTwo
+ g8 a8 f4
+ }
+ >>
+ c'4(
+ g4 a4
+ <<
+ {
+ \voiceOne
+ c4 c4
+ }
+ {
+ \voiceTwo
+ f,4 c'4
+ }
+ >>
+ g4) r4
+ r2 r4 a8 a8
+ \bsilence
+ r2
+ \bsilence
+ r2
+ <<
+ {
+ \voiceOne
+ c2.( g4)
+ }
+ {
+ \voiceTwo
+ f2.( g2)
+ }
+ >>
+ r1
+ c2( e4 f4)
+ r2 r4 g,4(
+ c4 e4 f4 e4)
+ r1
+ d,2( e2)
+ r4 d4( g4 a4
+ e1 ~
+ e1)
+ }
+ >>
+ }
+
diff --git a/hr/michi/whitacre/both/texte.ly b/hr/michi/whitacre/both/texte.ly
new file mode 100644
index 0000000..70c9503
--- /dev/null
+++ b/hr/michi/whitacre/both/texte.ly
@@ -0,0 +1,42 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen % -- _
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ Stretched out,
+ stretched out on the grass
+ a boy and a girl
+ sa -- vouring
+ or -- an -- ges
+ giv -- ing their kiss -- es
+ waves ex -- chang -- ing foam.
+ Stretched out,
+ stretched out on the beach
+ a boy and a girl
+ sa -- vouring limes
+ giv -- ing their kiss -- es
+ clouds ex -- chang -- ing foam.
+ Stretched out,
+ stretched out un -- der -- ground
+ a boy and a girl
+ say -- ing noth -- ing
+ nev -- er kiss -- ing
+ giv -- ing si -- lence. si -- lence.
+ (mm) (mm) (mm) (mm) (mm)
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/michi/whitacre/haukify b/hr/michi/whitacre/haukify
new file mode 100644
index 0000000..857ed04
--- /dev/null
+++ b/hr/michi/whitacre/haukify
@@ -0,0 +1,385 @@
+#!/usr/bin/perl
+
+# preamble
+use strict;
+use warnings;
+# elbmaerp
+#
+# program logic goes here
+
+ my %lines = ();
+ my %defs = ();
+ my %feds = ();
+ my @skeleton = ();
+ my @rhf = ();
+ my @current;
+{ # sub def scope
+ my $DEN = 256;
+ my $m = 0;
+ #my @voices = map { $_ . "Melodie" } ("sopran", "alt", "tenor", "bass");
+ my $n = 0;
+ my $o = 0;
+ my @chunks;
+ my @measures;
+ { # scope for reading in <dynArt.ly>
+ my $lrd = 0;
+ my $inda = 0;
+ my $num;
+ my $den;
+ open(FH, "<dynArt.ly");
+ while (<FH>) {
+ next if (/^\s*%/ or /override/ or /partial/ or /alternative/);
+ /{/; #vim bug
+ s/{[^}]*}//g;
+ if (/{/) {
+ $lrd += 1;
+ if ($lrd == 1) {
+ @measures = ();
+ $inda = 1 - $inda;
+ }
+ next;
+ }
+ next unless $inda;
+ if (/}/) {
+ $lrd -= 1;
+ if ($lrd == 0) {
+ if ($#measures == -1) {
+ } else {
+ my @bla = map $_, @measures;
+ push @chunks, \@bla;
+ }
+ $inda = 1 - $inda;
+ }
+ }
+ #push @measures, $DEN/$1 if /partial \D*(\d+)/;
+ if (/time (\d+)\/(\d+)/) {
+ $num = $1;
+ $den = $2;
+ while ($den < $DEN) {
+ $num *= 2; $den *= 2;
+ }
+ }
+ if (/^\s*s/) {
+ if (/s(\d+\.*)\*(\d+)\s*$/) {
+ my $times = ($2 and ($2 ne "")) ? $2 : 1;
+ my $dur = &duration($1);
+ push @measures, $dur for (1 .. $times);
+ } else {
+ my @code = split /\s+/;
+ my $num = 0;
+ for (@code) {
+ $num += &duration($_);
+ }
+ push @measures, $num;
+ }
+ }
+ }
+ }
+ my @fm = @{$chunks[0]};
+
+ my $idx = 0;
+ my $intimes = 0;
+ my $conc = 0;
+
+ { # scope for &conc
+ my $cdur;
+ my $crud;
+ my $clev;
+ sub conc() {
+ return $_ if (/%/);
+ if (/^\s*{\s*$/) {
+ $clev += 1;
+ return $_;
+ }
+ if (/^\s*}\s*$/) {
+ $clev -= 1;
+ if ($cdur and $crud) {
+ $cdur = 0; $crud = 0;
+ }
+ return $_;
+ }
+ if ($clev == 1) {
+ my @code = split /\s*/;
+ my @tms = map { &duration($_) } @code;
+ if ($cdur) {
+ $crud += $_ for @code;
+ } else {
+ $cdur += $_ for @code;
+ }
+ if ($crud and $crud != $cdur) {
+ print STDERR "parallel parts don’t match: $.; $n\n";
+ }
+ print STDERR "parallel parts don’t match dynArt: $.; $n\n"
+ if $cdur % $measures[$idx];
+ return $_;
+ # recursive call of haukified w/ local counter and state vars!
+ }
+ }
+ }
+ sub min() {
+ my $a = shift;
+ my $b = shift;
+ return $a < $b ? $a : $b;
+ }
+ my $par = "";
+ sub par() {
+ /{{/; # vim bug
+ $par =~ /{([^}]*)}\s*\\\\\s*{([^}]*)}/;
+ my (@c, @d);
+ @c = split(/\s+/, $1);
+ @d = split(/\s+/, $2);
+ my ($c, $d);
+ $c += &duration($_) for @c;
+ $d += &duration($_) for @d;
+ print STDERR "parallel mismatch in\n>>>$par\n" . ($c/$DEN) . " " . ($d/$DEN) . "\n" if ($c != $d);
+ return &min($c, $d);
+ }
+ { # scope for &times
+ my $tnum;
+ my $tden;
+ my $tstr;
+ my $tdur = 0;
+ sub times() {
+ my $task = shift;
+ if ($task eq "start") {
+ $tnum = shift;
+ $tden = shift;
+ $tdur = 0;
+ $tstr = "\\times $tnum\/$tden ";
+ $intimes = 1 - $intimes;
+ }
+ if ($task eq "cont") {
+ my $code = shift;
+ $tstr .= $code . " ";
+ $tdur += &duration($code);
+ }
+ if ($task eq "stop") {
+ $intimes = 1 - $intimes;
+ return ($tstr, $tdur*$tnum/$tden);
+ #return ($tstr . "} ", $tdur*$tnum/$tden);
+ }
+ }
+ }
+ sub duration() {
+ return 0 unless(/\D*(\d+)(\.*).*/);
+ my ($den, $dots, $num) = ($1, $2, 1);
+ $num = 0 if (/</);
+ while ($dots) {
+ $num *= 2;
+ $den *= 2;
+ $num += 1;
+ chop($dots);
+ }
+ while ($den < $DEN) {
+ $num *= 2; $den *= 2;
+ }
+ print STDERR "bad duration: $1\n" unless ($den == $DEN);
+ return $num;
+ }
+ my $NUM = 0;
+ # one func to rule them all
+ sub haukified() {
+ if (/^\s*<<\s*$/) {
+ $conc += 1;
+ return $_;
+ }
+ if (/^\s*>>\s*$/) {
+ $conc -= 1;
+ return $_;
+ }
+ return &conc($_) if ($conc > 1);
+ local $, = "|";
+ return $_ if (/%/ or /repeat/ or /time / or /clef/ or /partial/ or /version/);
+ s/times\s*/times/g;
+ #if (/times/) {
+ # $idx += 1 unless (length(@measures)<2);
+ # return $_;
+ #}
+ # time key -> dynArt
+ chomp $_;
+ #times, repeat & bla = { … }; partial!
+ # -> tokenstream vorbereiten (trb -> hooks)
+ # -> repeat ought to occur in dynArt as well
+ s/ ~/~/g;
+ /^(\s*)(.*)/;
+ my $indent = $1;
+ my @code = split(/\s+/, $2);
+ my @parts;
+ my $part = "";
+ my $inpar = 0;
+ for (@code) {
+ if ($inpar) {
+ if (/>>/) {
+ $part .= "<< $par ";
+ $NUM += &par($par);
+ while ($NUM > $measures[$idx]) {
+ $NUM -= $measures[$idx];
+ $idx += 1 if($measures[$idx + 1]);
+ #$measures[$idx] //= $measures[$idx-1];
+ }
+ $par = "";
+ $inpar = 0;
+ } else {
+ $par .= "$_ ";
+ next;
+ }
+ }
+ if (/<</) {
+ $inpar = 1;
+ next;
+ }
+ if ($intimes) {
+ /{/; #vim bug
+ if (/}/) {
+ my ($text, $dur) = &times("stop");
+ $part .= $text;
+ $NUM += $dur;
+ my $tmp = $dur/$DEN;
+ } else {
+ &times("cont", $_);
+ next;
+ }
+ }
+ if (/times(\d+)\/(\d+)/) {
+ &times("start", $1, $2);
+ next;
+ }
+ $part .= "$_ ";
+ if (/^\\(\S+)$/) {
+ &align($defs{$1}, $1);
+ next;
+ }
+ /{/; #vim bug
+ $NUM += &duration($_) unless /}/;
+ if ($NUM > $measures[$idx]) {
+ print STDERR "error at measure " . ($idx+1) . " (local $m) in (orig) $o, (result) $n\n";
+ print STDERR "$NUM out of $measures[$idx]\n";
+ print STDERR "(occurred after reading $part)\n";
+ }
+ unless ($NUM < $measures[$idx]) {
+ push @parts, $part;
+ $n += 1;
+ $idx += 1;
+ $m += 1;
+ $measures[$idx] //= $measures[$idx-1];
+ $NUM = 0;
+ $part = $indent;
+ }
+ }
+ if ($part =~ /\S/) {
+ push @parts, $part;
+ print STDERR "underfull measure at (orig) $o, measure " . ($idx+1) . " (local $m) ";
+ print STDERR "$part?\n";
+ print STDERR "$NUM out of $measures[$idx]\n";
+ $idx += 1 unless ($#measures < 1);
+ $measures[$idx] //= $measures[$idx-1];
+ } else {
+ $n -= 1;
+ #$idx -= 1 unless (length(@measures)<2);
+ }
+ my $res = $indent;
+ for (@parts) {
+ s/~/ ~/g;
+ $res .= $_ . "\n";
+ }
+ return $res;
+ #return $indent . join("\n", map s/~/ ~/g, @parts);
+ }
+ #my $m;
+ my %aligned = ();
+ sub align {
+ my $bla = shift;
+ my @out = ();
+ my $name = shift;
+ my $oldm = $m;
+ $m = 1; # measure innerhalb dieser def
+ my $oldo = $o;
+ $o = $lines{$name};
+ for (@$bla) {
+ if (/^\s*\\(\S+)\s*$/) {
+ unless (/voice/) {
+ print STDERR "$_";
+ &align($defs{$1}, $1);
+ }
+ }
+ $n += 1;
+ push @out, $_ unless (/\d/);
+ #print &haukified($_), "\n" if /\d/;
+ $o += 1;
+ push @out, &haukified($_) if /\d/;
+ }
+ $m = $oldm;
+ $o = $oldo;
+ if ($aligned{$name}) {
+ my $match = 1;
+ for (0 .. &min(@out, @{$feds{$name}})) {
+ $match = 0 if $feds{$name}->[$_] != $out[$_];
+ }
+ print STDERR "inconsistent use of $name …" unless $match;
+ } else {
+ @{$feds{$name}} = map $_, @out;
+ }
+ }
+ my $i = 0;
+ sub align_voice() {
+ #print STDERR "dynart exhausted before stimmen done!\n" unless ($#chunks > -1);
+ @measures = ($#chunks == -1) ? @fm : @{pop @chunks};
+ $idx = 0;
+ $NUM = 0;
+ &align(@_);
+ $i += 1;
+ }
+ sub check() {
+ $o += @{$skeleton[$i]};
+ for (keys %defs) {
+ &align_voice($defs{$_}, $_) if /Melodie/;
+ }
+ for (keys %defs) {
+ $feds{$_} //= $defs{$_};
+ }
+ }
+ sub flush() {
+ for (0 .. $#rhf) {
+ print for @{$skeleton[$_]};
+ print for @{$feds{$rhf[$_]}};
+ }
+ print for @{$skeleton[$#rhf+1]};
+ }
+}
+
+my $inddef = "";
+my $def = 0;
+while (<>) {
+ if ($def) {
+ /{/; #vim bug
+ if (/^$inddef}\s*$/) {
+ $def = 0;
+ my @bla = map $_, @current;
+ $defs{$rhf[$#rhf]} = \@bla;
+ @current = ();
+ }
+ }
+ if (/^(\s*)(\S*) = \\relative/) {
+ push @current, $_;
+ my @bla = map $_, @current;
+ push @skeleton, \@bla;
+ @current = ();
+ $inddef = $1;
+ push @rhf, $2;
+ $lines{$2} = $.;
+ $def = 1; #TODO: def zoix -> %def, später einbinden
+ # ds chunk -> begin orig, begin hauked
+ # TODO: conc innerhalb des taktes -> zwei gobble-ups, vgl, hinzufügen
+ next;
+ }
+ push @current, $_;
+}
+
+{ # using the defs
+ my @bla = map $_, @current;
+ push @skeleton, \@bla;
+ &check();
+ &flush();
+}
+
+# some settings # vim: et
diff --git a/hr/michi/whitacre/haukify_ b/hr/michi/whitacre/haukify_
new file mode 100644
index 0000000..83cb531
--- /dev/null
+++ b/hr/michi/whitacre/haukify_
@@ -0,0 +1,390 @@
+#!/usr/bin/perl
+
+# preamble
+use strict;
+use warnings;
+# elbmaerp
+#
+# program logic goes here
+
+ my %lines = ();
+ my %defs = ();
+ my %feds = ();
+ my @skeleton = ();
+ my @rhf = ();
+ my @current;
+sub { # sub def scope
+ my $DEN = 256; # shortest duration glyph
+ my $measure = 0;
+ #my @voices = map { $_ . "Melodie" } ("sopran", "alt", "tenor", "bass");
+ my $n = 0;
+ my $orig = 0;
+ my @chunks;
+ my @measures;
+ { # scope for reading in <dynArt.ly>
+ my $lrd = 0;
+ my $inside = 0; # are we inside a definition?
+ my $num; # numerator
+ my $den; # denominator
+ open(FH, "<dynArt.ly");
+ while (<FH>) {
+ next if (/^\s*%/ or /override/ or /partial/ or /alternative/);
+ /{/; #vim bug
+ s/{[^}]*}//g;
+ if (/{/) {
+ $lrd += 1;
+ if ($lrd == 1) {
+ @measures = ();
+ $inside = 1 - $inside;
+ }
+ next;
+ }
+ next unless $inside;
+ if (/}/) {
+ $lrd -= 1;
+ if ($lrd == 0) {
+ if ($#measures == -1) {
+ } else {
+ my @bla = map $_, @measures;
+ push @chunks, \@bla;
+ }
+ $inside = 1 - $inside;
+ }
+ }
+ if (/time (\d+)\/(\d+)/) { # time signature change
+ $num = $1;
+ $den = $2;
+ while ($den < $DEN) {
+ $num *= 2; $den *= 2;
+ }
+ }
+ if (/^\s*s/) {
+ if (/s(\d+\.*)\*(\d+)\s*$/) { # multiple measures
+ #TODO: support s8*7*18 etc.
+ my $times = ($2 and ($2 ne "")) ? $2 : 1;
+ my $dur = &duration($1);
+ push @measures, $dur for (1 .. $times);
+ } else { # analogous to a melody
+ my @code = split /\s+/;
+ my $num = 0;
+ for (@code) {
+ $num += &duration($_);
+ }
+ push @measures, $num;
+ }
+ }
+ }
+ }
+ my @fm = @{$chunks[0]}; # first @measures
+
+ my $idx = 0;
+ my $intimes = 0;
+ my $conc = 0;
+
+ { # scope for &conc (concurrent music)
+ my $cdur; # duration
+ my $crud; # same for second part
+ my $clev; # manage sequential construct level (nesting curlies)
+ sub conc() {
+ return $_ if (/%/); # ignore comments
+ if (/^\s*{\s*$/) {
+ $clev += 1;
+ return $_;
+ }
+ if (/^\s*}\s*$/) {
+ $clev -= 1;
+ if ($cdur and $crud) {
+ $cdur = 0; $crud = 0;
+ }
+ return $_;
+ }
+ if ($clev == 1) { # ought to never be anything but 0 or 1
+ # -> TODO: don’t rely on that
+ my @code = split /\s*/;
+ my @tms = map { &duration($_) } @code;
+ if ($cdur) {
+ $crud += $_ for @code;
+ } else {
+ $cdur += $_ for @code;
+ }
+ if ($crud and $crud != $cdur) {
+ print STDERR "parallel parts don’t match: $.; $n\n";
+ }
+ print STDERR "parallel parts don’t match dynArt: $.; $n\n"
+ if $cdur % $measures[$idx];
+ # TODO: don’t rely on the measure not to change inside conc music!
+ return $_;
+ # recursive call of haukified w/ local counter and state vars!
+ }
+ }
+ }
+ sub min() {
+ my $a = shift;
+ my $b = shift;
+ return $a < $b ? $a : $b;
+ }
+ my $par = ""; # parallel text inside &par
+ sub par() { # single line parallel music
+ /{{/; # vim bug
+ $par =~ /{([^}]*)}\s*\\\\\s*{([^}]*)}/;
+ my (@c, @d);
+ @c = split(/\s+/, $1);
+ @d = split(/\s+/, $2);
+ my ($c, $d);
+ $c += &duration($_) for @c;
+ $d += &duration($_) for @d;
+ print STDERR "parallel mismatch in\n>>>$par\n"
+ . ($c/$DEN) . " " . ($d/$DEN) . "\n" if ($c != $d);
+ return &min($c, $d);
+ }
+ { # scope for &times (old-style tuple declaration)
+ my $tnum; # numerator
+ my $tden; # denominator
+ my $tstr; # resulting string
+ my $tdur = 0; # aggregate sum of nominal duration
+ sub times() { # simulating a FSM w/ outside states
+ # (basically a dispatcher w/ local memory)
+ my $task = shift;
+ if ($task eq "start") {
+ $tnum = shift;
+ $tden = shift;
+ $tdur = 0;
+ $tstr = "\\times $tnum\/$tden ";
+ $intimes = 1 - $intimes;
+ }
+ if ($task eq "cont") {
+ my $code = shift;
+ $tstr .= $code . " ";
+ $tdur += &duration($code);
+ }
+ if ($task eq "stop") {
+ $intimes = 1 - $intimes;
+ return ($tstr, $tdur*$tnum/$tden);
+ #return ($tstr . "} ", $tdur*$tnum/$tden);
+ }
+ }
+ }
+ sub duration() { # find a single note’s/a chord’s duration
+ return 0 unless(/\D*(\d+)(\.*).*/); # ignore anything w/o duration
+ my ($den, $dots, $num) = ($1, $2, 1);
+ $num = 0 if (/</); # chord -> TODO: just ignore
+ while ($dots) {
+ $num *= 2;
+ $den *= 2;
+ $num += 1;
+ chop($dots);
+ }
+ while ($den < $DEN) {
+ $num *= 2; $den *= 2;
+ }
+ print STDERR "bad duration: $1\n" unless ($den == $DEN);
+ return $num;
+ }
+ my $NUM = 0; # where am I in this measure?
+ # one func to rule them all
+ sub haukified() { # line-wise pretty-print definitions into arrays
+ if (/^\s*<<\s*$/) { # multi-line concurrent start
+ $conc += 1;
+ return $_;
+ }
+ if (/^\s*>>\s*$/) { # multi-line concurrent stop
+ $conc -= 1;
+ return $_;
+ }
+ return &conc($_) if ($conc > 1);
+ #local $, = "|";
+ return $_ if (/%/ or /repeat/ or /time / or /clef/ or /partial/ or /version/); # pipe single-line instructions that don’t need to be matched
+ #if (/times/) {
+ # $idx += 1 unless ($#measures<2);
+ # return $_;
+ #}
+ # time key -> dynArt
+ chomp $_;
+ #times, repeat & bla = { … }; partial!
+ # -> tokenstream vorbereiten (trb -> hooks)
+ # -> repeat ought to occur in dynArt as well
+ s/times\s*/times/g; # this glues the numerator to 'times'
+ s/ ~/~/g; # this glues a tie to its left anchor, will be untied again
+ /^(\s*)(.*)/;
+ my $indent = $1;
+ my @code = split(/\s+/, $2);
+ my @parts; # prettified measures
+ my $part = ""; # current measure’s text
+ my $inpar = 0; # inside parallel section?
+ for (@code) {
+ if ($inpar) {
+ if (/>>/) { # parallel stop
+ $part .= "<< $par ";
+ $NUM += &par($par);
+ while ($NUM > $measures[$idx]) {
+ $NUM -= $measures[$idx];
+ $idx += 1 if($measures[$idx + 1]);
+ #$measures[$idx] //= $measures[$idx-1];
+ }
+ $par = "";
+ $inpar = 0;
+ } else {
+ $par .= "$_ ";
+ next;
+ }
+ }
+ if (/<</) { # parallel start
+ $inpar = 1;
+ next;
+ }
+ if ($intimes) {
+ /{/; #vim bug
+ if (/}/) { # tuplet stop
+ # -> TODO: maybe support curlies inside tuplets
+ my ($text, $dur) = &times("stop");
+ $part .= $text;
+ $NUM += $dur;
+ } else {
+ &times("cont", $_);
+ next;
+ }
+ }
+ if (/times(\d+)\/(\d+)/) { # tuplet start
+ &times("start", $1, $2);
+ next;
+ }
+ $part .= "$_ ";
+ if (/^\\(\S+)$/) { # definition start
+ &align($defs{$1}, $1);
+ next;
+ }
+ /{/; #vim bug
+ $NUM += &duration($_) unless /}/;
+ if ($NUM > $measures[$idx]) { # overfull measure
+ print STDERR "error at measure " . ($idx+1) . " (local $measure) in (orig) $orig, (result) $n\n";
+ print STDERR "$NUM out of $measures[$idx]\n";
+ print STDERR "(occurred after reading $part)\n";
+ }
+ unless ($NUM < $measures[$idx]) {
+ push @parts, $part;
+ $n += 1;
+ $idx += 1;
+ $measure += 1;
+ $measures[$idx] //= $measures[$idx-1]; # for most simplistic dynArt
+ # as well as for errors
+ $NUM = 0;
+ $part = $indent;
+ }
+ }
+ if ($part =~ /\S/) { # still sth read left?
+ push @parts, $part;
+ print STDERR "underfull measure at (orig) $orig, measure " . ($idx+1) . " (local $measure) ";
+ print STDERR "$part?\n";
+ print STDERR "$NUM out of $measures[$idx]\n";
+ $idx += 1 unless ($#measures < 1);
+ $measures[$idx] //= $measures[$idx-1];
+ } else {
+ $n -= 1;
+ #$idx -= 1 unless ($#measures<2);
+ }
+ my $res = $indent;
+ for (@parts) {
+ s/~/ ~/g; # undoing the gluing ;-)
+ $res .= $_ . "\n";
+ }
+ return $res;
+ #return $indent . join("\n", map s/~/ ~/g, @parts);
+ }
+ my %aligned = ();
+ sub align { # match a def against the dynArt definition’s measures
+ my $bla = shift;
+ my @out = ();
+ my $name = shift;
+ my $oldm = $measure;
+ $measure = 1; # measure inside this def
+ my $oldorig = $orig;
+ $orig = $lines{$name}; # actual input file position
+ for (@$bla) {
+ if (/^\s*\\(\S+)\s*$/) { # call to another def
+ # -> TODO: beware of recursive calls
+ # well, we assume a sane user anyway …
+ unless (/voice/) {
+ print STDERR "$_"; # tell the caller we’re handling this
+ &align($defs{$1}, $1);
+ }
+ }
+ $n += 1;
+ $orig += 1;
+ push @out, $_ unless (/\d/); # pipe non-duration lines
+ #print &haukified($_), "\n" if /\d/;
+ push @out, &haukified($_) if /\d/;
+ }
+ $measure = $oldm; # restoring values …
+ $orig = $oldorig;
+ if ($aligned{$name}) { # already aligned this def
+ my $match = 1;
+ for (0 .. &min(@out, @{$feds{$name}})) {
+ $match = 0 if $feds{$name}->[$_] != $out[$_];
+ }
+ print STDERR "inconsistent use of $name …" unless $match;
+ } else {
+ @{$feds{$name}} = map $_, @out;
+ }
+ }
+ my $i = 0; # index into @skeleton
+ sub align_voice() { # match a voice using &align
+ #print STDERR "dynart exhausted before stimmen done!\n" unless ($#chunks > -1);
+ @measures = ($#chunks == -1) ? @fm : @{pop @chunks};
+ $idx = 0;
+ $NUM = 0;
+ &align(@_);
+ $i += 1;
+ }
+ sub check() { # overall handling of everything read from <stimmen.ly>
+ $orig += @{$skeleton[$i]};
+ for (keys %defs) {
+ &align_voice($defs{$_}, $_) if /Melodie/;
+ }
+ for (keys %defs) {
+ $feds{$_} //= $defs{$_};
+ }
+ }
+ sub flush() {
+ for (0 .. $#rhf) {
+ print for @{$skeleton[$_]};
+ print for @{$feds{$rhf[$_]}};
+ }
+ print for @{$skeleton[$#rhf+1]};
+ }
+} ();
+
+my $inddef = "";
+my $def = 0;
+while (<>) {
+ if ($def) {
+ /{/; #vim bug
+ if (/^$inddef}\s*$/) { # def stop
+ $def = 0;
+ my @bla = map $_, @current;
+ $defs{$rhf[$#rhf]} = \@bla;
+ @current = ();
+ }
+ }
+ if (/^(\s*)(\S*) = \\relative/) { # def start
+ push @current, $_;
+ my @bla = map $_, @current;
+ push @skeleton, \@bla;
+ @current = ();
+ $inddef = $1;
+ push @rhf, $2;
+ $lines{$2} = $.;
+ $def = 1; #TODO: def zoix -> %def, später einbinden
+ # ds chunk -> begin orig, begin hauked
+ next;
+ }
+ push @current, $_;
+}
+
+{ # using the defs
+ my @bla = map $_, @current;
+ push @skeleton, \@bla;
+ &check();
+ &flush();
+}
+
+# some settings # vim: et
diff --git a/hr/michi/whitacre/hide/dynArt.ly b/hr/michi/whitacre/hide/dynArt.ly
new file mode 100644
index 0000000..423abff
--- /dev/null
+++ b/hr/michi/whitacre/hide/dynArt.ly
@@ -0,0 +1,55 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ %\override Staff.TimeSignature #'style = #'()
+ \dynamicUp
+ \key c \major
+ \partial 2
+ \time 4/4
+ s2
+ s1*4
+ \time 3/4
+ s2.*2
+ \break
+ \time 4/4
+ s1
+ \time 2/4
+ s2
+ \time 3/4
+ s2.
+ \time 4/4
+ s1*2
+ s1*2
+ \time 6/4
+ s1.
+ \time 4/4
+ s1
+ \break
+ s1*3
+ \time 5/4
+ s4 s1
+ \time 6/4
+ s1.
+ \break
+ \time 4/4
+ s1*6
+ \break
+ s1*5
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/michi/whitacre/hide/haukify.log b/hr/michi/whitacre/hide/haukify.log
new file mode 100644
index 0000000..6ec0fe6
--- /dev/null
+++ b/hr/michi/whitacre/hide/haukify.log
@@ -0,0 +1,77 @@
+4
+5
+dynart exhausted before stimmen done!
+6
+7
+8
+9
+10
+dynart exhausted before stimmen done!
+11
+dynart exhausted before stimmen done!
+dynart exhausted before stimmen done!
+Use of uninitialized value in numeric gt (>) at ../haukify line 159, <> line 18.
+error at (orig) 18, (result) 18
+Use of uninitialized value in numeric lt (<) at ../haukify line 162, <> line 18.
+underfull measure at (orig) 18, (result) 19 64 out of 256
+dynart exhausted before stimmen done!
+error at (orig) 19, (result) 23
+error at (orig) 19, (result) 26
+error at (orig) 19, (result) 28
+error at (orig) 19, (result) 30
+error at (orig) 19, (result) 32
+error at (orig) 19, (result) 34
+error at (orig) 19, (result) 39
+error at (orig) 19, (result) 45
+error at (orig) 19, (result) 49
+error at (orig) 19, (result) 53
+underfull measure at (orig) 19, (result) 64 0 out of 256
+12
+13
+14
+dynart exhausted before stimmen done!
+15
+dynart exhausted before stimmen done!
+dynart exhausted before stimmen done!
+underfull measure at (orig) 30, (result) 75 128 out of 256
+dynart exhausted before stimmen done!
+error at (orig) 31, (result) 79
+error at (orig) 31, (result) 82
+error at (orig) 31, (result) 86
+error at (orig) 31, (result) 88
+error at (orig) 31, (result) 89
+error at (orig) 31, (result) 104
+error at (orig) 31, (result) 105
+16
+17
+18
+dynart exhausted before stimmen done!
+19
+dynart exhausted before stimmen done!
+dynart exhausted before stimmen done!
+underfull measure at (orig) 43, (result) 123 128 out of 256
+dynart exhausted before stimmen done!
+error at (orig) 44, (result) 127
+error at (orig) 44, (result) 134
+error at (orig) 44, (result) 140
+error at (orig) 44, (result) 141
+error at (orig) 44, (result) 145
+20
+21
+22
+dynart exhausted before stimmen done!
+23
+dynart exhausted before stimmen done!
+dynart exhausted before stimmen done!
+underfull measure at (orig) 56, (result) 170 128 out of 256
+dynart exhausted before stimmen done!
+error at (orig) 57, (result) 174
+error at (orig) 57, (result) 177
+error at (orig) 57, (result) 180
+error at (orig) 57, (result) 185
+error at (orig) 57, (result) 191
+error at (orig) 57, (result) 192
+error at (orig) 57, (result) 206
+24
+25
+26
diff --git a/hr/michi/whitacre/hide/hide.ly b/hr/michi/whitacre/hide/hide.ly
new file mode 100644
index 0000000..dbba6b7
--- /dev/null
+++ b/hr/michi/whitacre/hide/hide.ly
@@ -0,0 +1,72 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "I hide myself"
+ composer = "Eric Whitacre"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 17)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = sopran { \sop }
+ \new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ \new Staff = bass { \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/michi/whitacre/hide/midi.lua b/hr/michi/whitacre/hide/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/michi/whitacre/hide/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/michi/whitacre/hide/stimmen.ly b/hr/michi/whitacre/hide/stimmen.ly
new file mode 100644
index 0000000..25e07f9
--- /dev/null
+++ b/hr/michi/whitacre/hide/stimmen.ly
@@ -0,0 +1,61 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ e4( g4)
+ aes2. g4 g2 e4( g4) \times 2/3 { aes2 bes4 } c8 d8 ees8 d8 \times 2/3 { c2( f,4) } f4 g4 g8 g8 \times 2/3 { g2 g4 } <g f>2 r4 ees2 r4 ees8 ees8 ees8( bes'8) bes4 ~ bes2 d8 bes8 aes4 aes4 bes4 c4 des2 b4.( bes8) a4 a4 r4 c,8( des8) \times 2/3 { des4( ees4) ees4 } f2 f4 aes4 aes2 ees2 e2 r2 r2 r4 c4 f4 bes4 ees4. des8 \times 2/3 { des4( c4) bes4 } \times 2/3 { c2 f4 } << { \voiceOne ges4( ~ \times 2/3 { ges4 f4) ees4 } } \\ { \voiceTwo f4 ~ \times 2/3 { f2 ees4 } } >> \times 2/3 { d4( c4) bes4 } \times 2/3 { aes4( ges4) f4 } f2. f4 \times 2/3 { aes4( ges4) f4 } \times 2/3 { aes4( ges4) f4 } f4( ges2.) ees2 r4 ees8 ees8 d4( ees4) f2 ges4. f8 f8( des8) \times 2/3 { bes'8 f8 ees8 } des4 des4 des4 ges4 << { ges1 ~ ges1 ~ ges1 ~ ges1 ~ ges1 } \\ { des2. ees4 ees2. ces4 ces2. ces4 ces2 ces2 bes1 } >>
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ e4( g4)
+ aes2. g4 g2 e4( g4) \times 2/3 { g4( f4) f4 } g4 bes4 ~ \times 2/3 { bes4 f4 f4 } e4 f4 f16( e16) d16 e16 ~ \times 2/3 { e4 f4 e4 } ees2 r4 aes,4( bes4) r4 aes8 bes8 bes4 c4 c8( d8) d8 ees8 ees8 f8 ges8( f8) ees8( des8) d4 e4 ges4( f2) <b b,>8( <bes bes,>8) <f c>4 <ees des>4 r4 c4 c4 c4 \times 2/3 { c4( ees4) des4 } c2 \times 2/3 { bes4( c4) des4 } \times 2/3 { des4( c4) bes4 } c2 r2 r2 r4 c4 c4 f4 f4 f4 f4 f4 \times 2/3 { bes4( a4) c4 } d4 r2 r2 ges,4 ees4 d2. r4 <ees c>4 <d c>4 <ees c>4 <d c>4 d4 ees4 ees2 aes,4( bes4) r4 bes8 c8 bes2 bes2 bes4. aes8 aes8( des8) \times 2/3 { f8 ees8 des8 } ces4. bes8 bes4 ges'4 des4. des8 ces4 ees4 des4( ces8) bes8 ces4 ces4 \times 2/3 { bes4( aes4) des4 } aes4 des4 d2. e4 des1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ r2
+ r1 r2 e4( g4) \times 2/3 { <e' c>2 d4 } d2 \times 2/3 { d4 c4 aes4 } g4 c4 c8 c8 \times 2/3 { d4( c4) d4 } ees4( d4) r4 f,2 r4 f8 f8 f8( g8) aes4 aes8( bes8) bes8 c8 c8 aes8 bes4 aes8( bes8) c8( bes8) aes8( bes8) b2 b4.( bes8) a4 g4 r4 a4 a4 a4 \times 2/3 { g2 aes4 } \times 2/3 { bes4( aes4) ges4 } \times 2/3 { f4( ees4) f4 } \times 2/3 { f4( ees4) <f des>4 } <g c,>2 r2 r4 g4 bes4( aes4 g4 aes4 bes4) c4 c4 des4 ees4 f4 f4 r2 r2 ees4 aes,4 bes2. r4 bes4 bes4 bes4 bes4 bes4 bes4 bes2 c,4( d4) r4 d8 ees8 f2 ees4( d4) ees4 f4 ges4 f4 aes4 ges4 f2 ees4( f4) ees2 ees4( f4) ees2 ees4( f4) ees4 aes4 aes1 ~ aes1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r2
+ r1 r2 e4( g4) \times 2/3 { f2 g4 } f2 \times 2/3 { <f bes,>4 <f aes,>4 <f bes,>4 } q4 \times 2/3 { bes8( a8 g8) } g8 g8 \times 2/3 { g2 a4 } f2 r4 c4( d4) r4 c8 d8 d4 ees4 ~ ees2. ees2 ees4 ees4 ees2. b'8( bes8) f4 f4 r4 f4 <f bes,>4 q4 \times 2/3 { bes,4( c4) bes4 } aes2 ges4 ges4 ges4 ges4 f2 r4 c'4 des1 ~ des2 des2 ees2 f4( a4) bes4 r2 r2 R1. ges4 aes4 ges4 aes4 ees4 ees4 <f ees>2 << { c4( d4) } \\ { f,2 } >> r4 <d' f,>8 <ees f,>8 <f g,>2 << { ees4( d4) ees4 f4 ges4 f4 } \\ { g,2 aes2 aes2 } >> <aes' bes,>4 <ges bes,>4 <f bes,>2 << { ees4( f4) ees2 ees4( f4) ees2 ees4( f4) } \\ { ges,2 ges2 ges2 ges2 ges2 } >> <ees' ges,>4 q4 <des ges,>1 ~ q1
+ }
+ >>
+ }
+
diff --git a/hr/michi/whitacre/hide/stimmen_.ly b/hr/michi/whitacre/hide/stimmen_.ly
new file mode 100644
index 0000000..c4a45fa
--- /dev/null
+++ b/hr/michi/whitacre/hide/stimmen_.ly
@@ -0,0 +1,211 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ e4(
+ g4)
+ aes2. g4
+ g2 e4( g4)
+ \times2/3 { aes2
+ bes4 } c8 d8 ees8 d8 \times2/3
+ { c2( f,4) } f4
+ g4 g8 g8 \times2/3
+ { g2 g4 } <g f>2
+ r4 ees2 r4
+ ees8 ees8 ees8( bes'8) bes4 ~ bes2
+ d8 bes8 aes4 aes4 bes4
+ c4 des2 b4.(
+ bes8) a4 a4 r4 c,8(
+ des8) \times2/3 { des4( ees4)
+ ees4 } f2 f4
+ aes4 aes2 ees2
+ e2 r2
+ r2 r4 c4
+ f4 bes4 ees4. des8
+ \times2/3 { des4( c4)
+ bes4 } \times2/3 { c2
+ f4 } << { ges4( ~ \times2/3
+ { ges4 f4) ees4 } } { f4 ~
+ \times2/3 { f2
+ ees4 } } >> \times2/3 { d4(
+ c4) bes4 } \times2/3
+ { aes4( ges4) f4 } f2.
+ f4 \times2/3 { aes4(
+ ges4) f4 } \times2/3
+ { aes4( ges4) f4 } f4(
+ ges2.) ees2
+ r4 ees8 ees8 d4( ees4)
+ f2 ges4. f8
+ f8( des8) \times2/3 { bes'8 f8
+ ees8 } des4 des4 des4 ges4
+ << { ges1 ~
+ ges1 ~
+ ges1 ~
+ ges1 ~
+ ges1
+ } { des2. ees4
+ ees2. ces4
+ ces2. ces4
+ ces2 ces2
+ bes1
+ } >>
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ e4( g4)
+ aes2. g4
+ g2 e4( g4)
+ \times2/3 { g4( f4)
+ f4 } g4 bes4 ~ \times2/3
+ { b4 f4 f4 } e4
+ f4 f16( e16) d16 e16 ~ \times2/3
+ { e4 f4 e4 } ees2
+ r4 aes,4( bes4) r4
+ aes8 bes8 bes4 c4 c8( d8)
+ d8 ees8 ees8 f8 ges8( f8) ees8( des8)
+ d4 e4 ges4( f2)
+ <b b,>8( <bes bes,>8) <f c>4 <ees des>4 r4
+ c4 c4 c4 \times2/3
+ { c4( ees4) des4 } c2
+ \times2/3 { bes4( c4)
+ des4 } \times2/3 { des4(
+ c4) bes4 } c2
+ r2 r2
+ r4 c4 c4 f4
+ f4 f4 f4 f4
+ \times2/3 { bes4( a4)
+ c4 } d4 r2
+ r2 ges,4 ees4
+ d2. r4
+ <ees c>4 <d c>4 <ees c>4 <d c>4
+ d4 ees4 ees2
+ aes,4( bes4) r4 bes8 c8
+ bes2 bes2
+ bes4. aes8 aes8( des8) \times2/3
+ { f8 ees8 des8 } ces4. bes8 bes4
+ ges'4 des4. des8 ces4
+ ees4 des4( ces8) bes8 ces4
+ ces4 \times2/3 { bes4(
+ aes4) des4 } aes4 des4
+ d2. e4
+ des1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ r2
+ r1
+ r2 e4( g4)
+ \times2/3 { <e' c>2
+ d4 } d2 \times2/3
+ { d4 c4 aes4 } g4
+ c4 c8 c8 \times2/3
+ { d4( c4) d4 } ees4(
+ d4) r4 f,2
+ r4 f8 f8 f8( g8) aes4
+ aes8( bes8) bes8 c8 c8 aes8 bes4
+ aes8( bes8) c8( bes8) aes8( bes8) b2
+ b4.( bes8) a4 g4
+ r4 a4 a4 a4
+ \times2/3 { g2
+ aes4 } \times2/3 { bes4(
+ aes4) ges4 } \times2/3
+ { f4( ees4) f4 } \times2/3
+ { f4( ees4) <f des>4 } <g c,>2
+ r2 r4 g4
+ bes4( aes4 g4 aes4
+ bes4) c4 c4 des4
+ ees4 f4 f4 r2
+ r2 ees4 aes,4
+ bes2. r4
+ bes4 bes4 bes4 bes4
+ bes4 bes4 bes2
+ c,4( d4) r4 d8 ees8
+ f2 ees4( d4)
+ ees4 f4 ges4 f4
+ aes4 ges4 f2
+ ees4( f4) ees2
+ ees4( f4) ees2
+ ees4( f4) ees4 aes4
+ aes1 ~
+ aes1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r2
+ r1
+ r2 e4( g4)
+ \times2/3 { f2
+ g4 } f2 \times2/3
+ { <f bes,>4 <f aes,>4 <f bes,>4 } q4
+ \times2/3 { bes8( a8 g8) } g8
+ g8 \times2/3 { g2
+ a4 } f2 r4
+ c4( d4) r4 c8 d8
+ d4 ees4 ~ ees2.
+ ees2 ees4 ees4
+ ees2. b'8( bes8)
+ f4 f4 r4 f4
+ <f bes,>4 q4 \times2/3
+ { bes,4( c4) bes4 } aes2
+ ges4 ges4 ges4 ges4
+ f2 r4 c'4
+ des1 ~
+ des2 des2
+ ees2 f4( a4)
+ bes4 r2 r2
+ R1.
+ ges4 aes4 ges4 aes4
+ ees4 ees4 <f ees>2
+ << { c4( d4) } { f,2
+ } >> r4 <d f,>8 <ees f,>8 <f g,>2
+ << { ees4( d4) ees4 f4
+ ges4 f4 } { g,2
+ aes2 aes2
+ } >> <aes bes,>4 <ges bes,>4 <f bes,>2
+ << { ees4( f4) ees2
+ ees4( f4) ees2
+ ees4( f4) } { ges,2
+ ges2 ges2
+ ges2 ges2
+ } >> <ees ges,>4 q4 <des ges,>1 ~
+ q1
+ }
+ >>
+ }
+
diff --git a/hr/michi/whitacre/hide/texte.ly b/hr/michi/whitacre/hide/texte.ly
new file mode 100644
index 0000000..c97c47a
--- /dev/null
+++ b/hr/michi/whitacre/hide/texte.ly
@@ -0,0 +1,36 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen % -- _
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ I hide my -- self with -- in my flow’r,
+ That wear -- ing on your breast,
+ You, un -- sus -- pect -- ing,
+ you, un -- sus -- pect -- ing,
+ wear me, wear me too
+ And an -- gels, and an -- gels,
+ an -- gels, an -- gels,
+ an -- gels know the rest.
+ I hide, I hide, I hide, I hide
+ in my flow’r,
+ fad -- ing, fad -- ing from your vase,
+ You, un -- sus -- pect -- ing,
+ feel for me a lone -- li -- ness.
+ I hide, I hide, I hide my -- self.
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/michi/whitacre/lily/dynArt.ly b/hr/michi/whitacre/lily/dynArt.ly
new file mode 100644
index 0000000..db4061c
--- /dev/null
+++ b/hr/michi/whitacre/lily/dynArt.ly
@@ -0,0 +1,120 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ %\override Staff.TimeSignature #'style = #'()
+ \dynamicUp
+ \key fis \minor
+ \time 4/4
+ s1*2
+ \bar "||"
+ s1
+ \time 6/8
+ s8*6
+ \time 2/4
+ s2
+ \time 8/8
+ s1
+ \time 3/4
+ s2.
+ \time 6/8
+ s2.
+ \time 2/4
+ s2
+ \time 6/8
+ s2.
+ \time 2/4
+ s2
+ \time 6/8
+ s2.
+ \time 3/4
+ s2.
+ \time 6/8
+ s2.
+ \time 2/4
+ s2
+ \time 6/8
+ s2.
+ \time 3/4
+ s2.
+ \time 6/8
+ s2.
+ \time 4/4
+ s1
+ \time 6/8
+ s2.
+ \time 5/4
+ s4*5
+ \time 4/4
+ s1
+ \time 8/8
+ s1
+ \time 6/8
+ s2.
+ \time 4/4
+ s1
+ \time 6/8
+ s2.
+ \time 3/4
+ s2.
+ \time 6/8
+ s2.
+ \time 4/4
+ s1
+ \break
+ s1*8
+ \time 8/8
+ s1
+ \time 2/4
+ s2
+ \time 8/8
+ s1
+ \time 3/4
+ s2.
+ \time 8/8
+ s1
+ \time 3/4
+ s2.
+ \time 6/4
+ s1.
+ \time 4/4
+ s1
+ \time 3/4
+ s2.*3
+ \time 4/4
+ s1
+ \bar "||"
+ \key cis \major
+ s1*6
+ \bar "||"
+ \key fis \minor
+ s1*2
+ \bar "||"
+ s1
+ \time 6/8
+ s2.
+ \time 2/4
+ s2
+ \time 6/8
+ s2.
+ \time 3/4
+ s2.
+ \time 8/8
+ s1*2
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/michi/whitacre/lily/lily.ly b/hr/michi/whitacre/lily/lily.ly
new file mode 100644
index 0000000..c0a3d90
--- /dev/null
+++ b/hr/michi/whitacre/lily/lily.ly
@@ -0,0 +1,72 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "With a lily in your hand"
+ composer = "Eric Whitacre"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 16)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = sopran { \sop }
+ \new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ \new Staff = bass { \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/michi/whitacre/lily/midi.lua b/hr/michi/whitacre/lily/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/michi/whitacre/lily/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/michi/whitacre/lily/stimmen.ly b/hr/michi/whitacre/lily/stimmen.ly
new file mode 100644
index 0000000..7980695
--- /dev/null
+++ b/hr/michi/whitacre/lily/stimmen.ly
@@ -0,0 +1,232 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ cis4 r4 cis4 fis4 e2 fis2 fis,8 fis8 r4 r2 cis4 cis8 cis4 cis8 d8 d8 e4 fis4.
+ <<
+ {
+ a4. d4 e4 a,4 b4 ais8 r8 r8 ais4 ais8 b4 cis4 ais8 ais8 ais8 ais8 ais8 ais8 b8 b8 cis4
+ } \\
+ {
+ a8 g8 a8 a4 cis4 a4 g4 fis8 r8 r8 fis4 fis8 g4 a4 fis8 fis8 fis8 fis8 fis8 fis8 g8 g8 a4
+ }
+ >>
+ r2. r4 fis4 cis'4 e4. d4. cis4 fis4 cis2. ~ cis2 fis4 e4.( d4.) cis4 r4 fis,4 d'4 d8 r8 r8 cis4.( ~ cis2 ais4 fis4) e8 e8 d8 d8 r4 r4 e8 e8 d8 d8 r8 d4. e4 cis4. d4. cis2. cis4 d4. a'4.( b4 cis4) a4 a4. gis4. ~ gis2. ~ gis4 ~ gis2 r2
+ \times 2/3 { cis4 fis4 b,4 } \times 2/3 { ais4( gis4 fis4) } \times 2/3 { gis8 a8 gis8 ~ } gis2. ~ gis8 ais8 ais8 b8 \times 2/3 { a4( gis4) fis4 } <gis fis>2 \times 2/3 { a4( b4) cis4 } \times 2/3 { cis4 b4 cis4 } \times 2/3 { e4( dis4) fis,4 } \times 2/3 { e4 dis4 e4 ~ } \times 2/3 { e2 cis'4 } \times 2/3 { e4( d4) cis4 } \times 2/3 { e4( d4) cis4 } b8 r8 r8 ais4 ais4 ais8 b8 b8 fis4 fis4.
+ <<
+ {
+ a4. d4 e4 a,4 e'4 d4. b4. d4 a'4 d,4 b4 ais8
+ } \\
+ {
+ a8 gis8 a8 a4 cis4 a4 cis4 d4. b8 a8 b8 b4 b4 b4 b4 ais8
+ }
+ >>
+ r8 r2 r4 cis4 fis4 e4. fis16( e16) e4( d4)
+ cis4. b8 a4 b4( a4 g4) fis2. cis'2 \times 2/3 { cis4( b4) d4 }
+ cis2 \times 2/3 { cis4 ais4 fis4 } bis4. bis8 bis2 r4 cis4 \times 2/3 { cis4( eis4) ais,4 } bis4. bis8 bis2 r1 r4 dis4 \times 2/3 { dis4( e4) dis4 }
+ \times 2/3 { d2 d4 } \times 2/3 { d2 e4 } \times 2/3 { fis2 e4 } \times 2/3 { a4 g2 } fis1 ~ fis2. ~ fis2 fis8 fis8 fis8 fis8 fis8 fis8 a4 a4 g4 fis8 fis8 fis8 r4.
+ <<
+ {
+ fis4( \glissando \parenthesize b8)
+ } \\
+ {
+ fis4 ~ fis8
+ }
+ >>
+ r8 r4 r2
+ }
+ >>
+ }
+
+ altTriole = \relative c' {
+ \times 2/3 { d8 fis8 gis8 }
+ }
+ altMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ a4 r4 a4 a4 a2 b2 ais8 ais8 r4 r2 ais,4 ais8 ais4 ais8 cis4 cis8 d8 fis8 e8 fis8 e8 e8 d8 fis8 fis8 a4 e4 d4 cis8 r8 r8 cis4 cis8 d4 e4 cis8 r8 r8 cis4 cis8 d8 d8 e4 d8 r8 r8 d4 d8 d4 e4 fis4 fis4 fis8 fis4 fis8 fis4 fis4 fis4 fis8 fis4 fis8 g4 a4 g4 fis4 fis8 fis4 fis8 fis8 fis8 r4 fis4
+ <<
+ {
+ b4 b8 r8 r8 ais4.( ~ ais2 fis4 cis4)
+ } \\
+ {
+ fis4 fis8 r8 r8 fis4.( ~ fis2 ~ fis4 cis4)
+ }
+ >>
+ cis8 cis8 cis8 cis8 r4 r4 cis8 cis8 cis8 cis8 r8 cis4. cis4 b4. b4. ais2. cis4 cis4.
+ <<
+ {
+ b4.( cis4 d4) d4 d4. e4. ~ e1
+ } \\
+ {
+ b4.( cis2) cis4 cis4. cis4. ~ cis1
+ }
+ >>
+ \repeat unfold 8 \altTriole
+ \times 2/3 { e8 fis8 e8 } \times 2/3 { fis8 e8 fis8 } e32 fis32 e8. ~ e4
+ \repeat unfold 3 \altTriole
+ fis4 \times 2/3 { e4( d4) e4 }
+ <<
+ {
+ \times 2/3 { fis4( gis4 a4) } \times 2/3 { a4 gis4 a4 } \times 2/3 { cis4( b4) fis4 }
+ } \\
+ {
+ \times 2/3 { d4( e4 fis4) } \times 2/3 { e4 dis4 e4 } \times 2/3 { a4( fis4) fis4 }
+ }
+ >>
+ \times 2/3 { e4 dis4 e4 ~ } \times 2/3 { e2 e4 } \times 2/3 { g4( fis4) e4 } \times 2/3 { a4( fis4) e4 }
+ <<
+ {
+ g8 r8 r8 fis4 fis4 fis8 fis4 fis8 fis8
+ } \\
+ {
+ d8 r8 r8 cis4 cis4 cis8 d4 d8 e8
+ }
+ >>
+ fis8 e8 fis8 e8 e8 d8 fis8 fis8 a4 e4 a4 g1 g4 a4 g4 fis8 r8 fis1 cis'4 d4 d4 d2
+ a4. a8 e4 g4( fis4 e4) dis8( cis8 dis2) r4 cis'4 \times 2/3 { cis4( b4) d4 }
+ cis2 \times 2/3 { cis4 ais4 fis4 }
+ <<
+ {
+ gis4. gis8 gis2 r4 ais4 ais4 fis4 gis4. gis8 gis2
+ } \\
+ {
+ dis4. dis8 dis2 r4 fis4 fis4 fis4 dis4. dis8 dis2
+ }
+ >>
+ r1 r4 <bis' gis>4 q4 q4
+ <<
+ {
+ \times 2/3 { b2 b4 } \times 2/3 { b2 b4 } \times 2/3 { cis4( b4) cis4 } \times 2/3 { b4( cis4) e4 }
+ dis1 ~ dis2. ~ dis2 dis8 dis8 dis8 dis8 dis8 dis8 e4 e4 e4 dis8 dis8 dis8 r4. dis4 ~ dis8 r8 r4 r2
+ } \\
+ {
+ \times 2/3 { fis,2 fis4 } \times 2/3 { fis2 fis4 } \times 2/3 { a4( b4) cis4 } \times 2/3 { b2 b4 } b1 ~ b2. ~ b2 b8 b8 b8 b8 b8 b8 b4 b4 b4 b8 b8 b8 r4. b,4( \glissando b'8) r8 r4 r2
+ }
+ >>
+ }
+ >>
+ }
+
+ tenorTriolen = \relative c' {
+ \times 2/3 { ais8 cis8 ais8 }
+ \times 2/3 { cis8 ais8 cis8 }
+ }
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ fis4 r4 e4 e4 e2 <fis e>2 fis8 fis8 r4 r2 fis,4 fis8 fis4 fis8 fis8 fis8 fis4 a8 a8 a8 a8 a8 a8 a8 b8 cis4 cis4 b4 ais8 r8 r8 ais4 ais8 b4 cis4 ais8 r8 r8 ais4 ais8 b8 b8 cis4 cis8 r8 r8 cis4 cis8 cis4 cis4 d4 e4 e8 d4 d8 cis4 b4 ais4 ais8 ais4 ais8 b4 cis4 d4 e4 e8 d4 d8 cis8 cis8 r4 fis,4 e'4 e8 r8 r8 cis4.( ~ cis2 ~ cis4 fis,4) fis8 fis8 fis8 fis8 r4 r8 fis8 ~ fis8 fis8 fis8 fis8 r8 fis4. fis4 gis4. gis4. gis2. b4 a4. b4.( a4 b4) cis4 b4. ais4. ~ ais1 ~
+ \repeat unfold 4 \tenorTriolen
+ \times 2/3 { b8 d8 b8 } \times 2/3 { d8 b8 d8 } \times 2/3 { b8 d8 b8 } b32 d32 b8.( ais4) \times 2/3 { cis8 ais8 cis8 } \times 2/3 { ais8 cis8 ais8 } cis4 \times 2/3 { c4( b4) c4 } \times 2/3 { c2( d4) } \times 2/3 { cis4 b4 cis4 } \times 2/3 { cis4( e4) dis4 } \times 2/3 { cis4 b4 b4 ~ } \times 2/3 { b2 cis4 } \times 2/3 { e4( d4) cis4 } \times 2/3 { e4( d4) cis4 } b8 r8 r8 ais4 ais4 b8 cis8 cis8 b4 a8 a8 a8 a8 a8 a8 a8 b8 cis4 d4 e4 fis8 fis8 fis8 e8 e8 e8 d8 d8 b4 b4 d4 cis8 r8 r4 cis2. fis4 fis4 fis4 fis2
+ e4 cis4 cis4 b4.( cis8 b8 a8) fis2. cis'2 \times 2/3 { cis4( b4) d4 }
+ cis4 cis4 cis4 cis4 cis4. cis8 cis2 r4 cis4 cis4 cis4 cis4. cis8 cis2 r4
+ <<
+ {
+ \voiceOne
+ cis4 cis4 cis4 bis4. bis8
+ }
+ \new Voice {
+ \voiceTwo
+ ais4 ais4 ais4 gis4. gis8
+ }
+ >>
+ \oneVoice
+ bis4 dis4
+ \times 2/3 { cis2 d4 } \times 2/3 { e4( d4) e4 } \times 2/3 { fis4( d4) e4 } \times 2/3 { fis4( a4) g4 } fis1 fis8 fis8 fis8 fis8 fis8 fis8 a8 a8 g4 fis8 r8 r8 fis4 fis8 g4 g4 a4 fis8 fis8 fis8 r4. fis,4( \glissando fis'8) r8 r4 r2
+ }
+ >>
+ }
+
+ bassTriolen = \relative c {
+ \times 2/3 { fis8 gis8 fis8 }
+ \times 2/3 { gis8 fis8 gis8 }
+ }
+ bassMelodie = \relative c' {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ <<
+ {
+ cis4 r4 fis,4 gis4 b4( e4) dis2
+ } \\
+ {
+ fis,4 r4 fis4 fis4 fis2 b2
+ }
+ >>
+ <cis fis,>8 q8 r4 r2 <cis, fis,>4 q8 q4 q8 b8 b8 b4 d8 d8 d8 d8 d8 d8 d8 d8
+ <<
+ {
+ e4 e4 d4 cis8 r8 r8 cis4 cis8 d4 e4 cis8 r8 r8 cis4 cis8 d8 d8 e4 fis8 r8 r8 fis4 fis8 fis4 fis4 fis4 a4 a8 a4 a8 fis4 fis4 cis4 cis8 cis4 cis8 d4 e4 fis4 a4 a8 a4 a8 b8 b8
+ } \\
+ {
+ a,4 a4 g4 fis8 r8 r8 fis4 fis8 g4 a4 fis8 r8 r8 fis4 fis8 g8 g8 a4 b8 r8 r8 b4 b8 b4 b4 b4 d4 d8 d4 d8 b4 b4 fis4 fis8 fis4 fis8 g4 a4 b4 d4 d8 d4 d8 e8 e8
+ }
+ >>
+ r4 fis4 b4 g8 r8 r8 fis4.( ~ fis2 ~ fis4 cis4) ais8 ais8 b8 b8 r4 r4 cis8 cis8 b8 b8 r8 b4. b4 <cis fis,>4. q4. q2. q4 <d g,>4. q4.( b4 e4) g4 fis4. fis4. ~ fis1 ~
+ \repeat unfold 4 \bassTriolen
+ \times 2/3 { d8 e8 fis8 } \times 2/3 { d8 e8 fis8 } \times 2/3 { d8 e8 fis8 } \times 2/3 { d8 e8 fis8 ~ } \bassTriolen
+ \times 2/3 { fis8 gis8 fis8 } <ais fis>4 \times 2/3 { <a d,>2 d,4 } \times 2/3 { e4( fis4 a4) } \times 2/3 { a4 gis4 a4 } \times 2/3 { a4( cis4) b4 } \times 2/3 { a4 fis4 a4 ~ } \times 2/3 { a2 a4 }
+ <<
+ {
+ \times 2/3 { b2 b4 } \times 2/3 { b2 g4 } g8 r8 r8 fis4 cis4 cis8 fis8 fis8 fis4
+ } \\
+ {
+ \times 2/3 { g4( fis4) e4 } \times 2/3 { d4( b4) g4 } g8 r8 r8 fis4 fis8 fis8 b8 b8 b4
+ }
+ >>
+ d8 d8 d8 d8 d8 d8 d8 d8 <e a,>4 q4 e4 <b' e,>8 q8 q8 q8 q8 q8 e,8 e8
+ <<
+ {
+ d4 d4 d4 cis8
+ } \\
+ {
+ g4 g4 g4 fis8
+ }
+ >>
+ r8 r4 r4 fis'2 fis4 b4 b4 b2
+ a4. b8 a4 g4( fis4 e4) b2. r4 cis'4 \times 2/3 { cis4( b4) d4 }
+ cis4 cis4 cis4 ais4 <ais fis>4. q8 q2 r4 q4 q4 q4 q4. q8 q2 r4 fis4 \times 2/3 { fis4( cis4) <cis fis,>4 } <dis gis,>4. q8 q4 q4
+ <<
+ {
+ \times 2/3 { fis2 fis4 } \times 2/3 { fis2 g4 }
+ } \\
+ {
+ \times 2/3 { b,4( cis4) d4 } \times 2/3 { e4( fis4) g4 }
+ }
+ >>
+ \times 2/3 { a4( b4) cis4 } \times 2/3 { d4( e4) <fis e>4 }
+ <<
+ {
+ dis1 dis8 dis8 dis8 dis8 dis8 dis8 e8 e8 e4 dis8 r8 r8 dis4 dis8 dis4 dis4 dis4 dis8 dis8 dis8 r4. cis4( \glissando e8)
+ } \\
+ {
+ b1 b8 b8 b8 b8 b8 b8 b8 b8 b4 b8 r8 r8 b4 b8 b4 b4 b4 b8 b8 b8 r4. b,4( \glissando b'8) r8 r4 r2
+ }
+ >>
+ }
+ >>
+ }
+
diff --git a/hr/michi/whitacre/lily/texte.ly b/hr/michi/whitacre/lily/texte.ly
new file mode 100644
index 0000000..806cf68
--- /dev/null
+++ b/hr/michi/whitacre/lily/texte.ly
@@ -0,0 +1,61 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen % -- _
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ laIII = \lyricmode {
+ la la la
+ }
+ laIV = \lyricmode {
+ la la la la
+ }
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ O! O my night love! la la
+ la la la la la la la
+ \laIII \laIII la la
+ \laIII la
+ la la la la la
+ la_la la
+ \laIII la
+ la la \laIII \laIV la la
+ \laIV \laIII \laIV la la
+ O my night love!
+ Lit -- tle wid -- ow,
+ __lit -- tle wid -- ow of my sin -- gle star
+ I find you,
+ I find you ooh _ \repeat unfold 10 { _ _ _ }
+ but -- ter -- flies ooh _ _ _ _ _
+ my way, my way.
+ Af -- ter a thou -- sand years have gone,
+ you’ll see me,
+ O my night love! la la
+ la la la
+ \laIII \laIII la la
+ \laIII \laIII \laIII la la
+ \laIII la
+ By the blue foot -- path,
+ tam -- er of dark stars,
+ I’ll make my way.
+ Un -- til the u -- ni -- verse,
+ un -- til the u -- ni -- verse,
+ un -- til the u -- ni -- verse,
+ the u -- ni -- verse can fit in -- side my heart.
+ \laIII \laIII la la la la
+ la la \laIII \laIII
+ la_(ah)
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/michi/whitacre/marriage/dynArt.ly b/hr/michi/whitacre/marriage/dynArt.ly
new file mode 100644
index 0000000..33097fd
--- /dev/null
+++ b/hr/michi/whitacre/marriage/dynArt.ly
@@ -0,0 +1,50 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ %\override Staff.TimeSignature #'style = #'()
+ \override BreathingSign.text = \markup { \musicglyph #"scripts.caesura.straight" }
+ \dynamicUp
+ \key e \major
+ %\time 4/4
+ s4*7
+ \bar "" %\break
+ s4*11
+ \bar "" \break
+ s4*10
+ \bar "" \pageBreak
+ s4*9
+ \bar "" %\break
+ s4*6
+ \bar "" \break
+ s4*8
+ \bar "" %\break
+ s4*14
+ \bar "" \break
+ s4*9
+ \bar "" %\break
+ s4*15
+ \breathe
+ \bar "" \break
+ s4*11
+ \bar "" \break
+ s4*10
+ %\bar "" \break
+ s4*12
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/michi/whitacre/marriage/marriage.ly b/hr/michi/whitacre/marriage/marriage.ly
new file mode 100644
index 0000000..a35c7d9
--- /dev/null
+++ b/hr/michi/whitacre/marriage/marriage.ly
@@ -0,0 +1,74 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "This marriage"
+ composer = "Eric Whitacre"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ system-count = 11
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 15)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \set Score.timing = ##f
+ \new Staff = sopran { \sop }
+ \new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ \new Staff = bass { \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/michi/whitacre/marriage/midi.lua b/hr/michi/whitacre/marriage/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/michi/whitacre/marriage/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/michi/whitacre/marriage/stimmen.ly b/hr/michi/whitacre/marriage/stimmen.ly
new file mode 100644
index 0000000..c326c24
--- /dev/null
+++ b/hr/michi/whitacre/marriage/stimmen.ly
@@ -0,0 +1,101 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ gis8[ b8] b4 b8[ b8] \times 2/3 { e,4 e4 e8([ gis8)] } gis4 gis4
+ r8 e8 gis8[ b8] dis16([ e8.)] a,4 r4 e4 dis4 b'4 cis,4 cis2
+ r4 cis8[ cis8] e8[ e8] gis8[ gis8] fis8[ fis8] a4 gis8[ e8] dis4 dis2
+ r4 gis8[ e8] fis8[ fis8] a4 e'4. e8 fis,4 fis2
+ r8 fis8 d'8[ cis8] cis8[ fis,8] fis8[ dis8] dis8[ e8] e4
+ r4 e8[ e8] fis8[ fis8] a4. a8 \times 2/3 { gis8[ gis8 e8] } fis4 fis4
+ r8 fis8 a2 gis4 e8[ fis8] fis4 r4 fis4( cis'2) b4 gis4 fis4 fis4
+ r4 ais8[ ais8] bis8[ bis8] cis8[ eis8] fis,8([ ais8)] ais4 ais8[ cis8] dis,8([ fis8)] fis4
+ r8 fis8 \times 2/3 { fis4 fis4 fis4 } \times 2/3 { e4 e4 e4 } b'4 b8[ cis8] cis,2 e2 fis1
+ \times 2/3 { gis4 gis4 gis8[ b8] } b4 b16[ b16] b4 b8 b8[ b8] \times 2/3 { e,4 e4 e8[ e16( gis16)] } gis4 gis2
+ r8 e8( gis8[ b8] dis16[ e8.] a,4) r4 e4( dis4 b'4 cis,4 cis4)
+ r4 cis8([ cis8] e8[ e8] gis8[ gis8] fis8[ fis8] a4 gis8[ e8] dis4 dis1)
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ e8[ gis8] gis4 gis8[ gis8] \times 2/3 { cis,4 cis4 cis4 } e4 e4
+ r8 cis8[ e8] gis8 b4 fis4 r4 cis4 b4 gis'4 a,4 a2
+ r4 a8[ a8] cis8[ cis8] e8[ e8] d8[ d8] fis4 e8[ cis8] b4 b2
+ r4 e8[ cis8] d8[ d8] fis4 cis'4. cis8 d,4 d2
+ r8 d8 b'8[ a8] a8[ d,8] d8[ b8] b8[ cis8] cis4
+ r4 cis8[ cis8] d8[ d8] fis4. fis8 \times 2/3 { e8[ e8 cis8] } d4 d4
+ r8 d8 fis2 e4 cis8[ d8] d4 r4 d4( a'2) gis4 e4 dis4 dis4
+ r4 fis8[ fis8] ais8[ ais8] ais8[ cis8] dis,4 fis4 fis8[ fis8] b,4 dis4
+ r8 dis8 \times 2/3 { dis4 dis4 dis4 } \times 2/3 { cis4 cis4 cis4 } gis'4 gis8[ gis8] a,2 cis2 dis1
+ \times 2/3 { e4 e4 e8[ e8] } gis4 gis16[ gis16] gis4 gis8 gis8 gis8 \times 2/3 { cis,4 cis4 cis8[ cis8] } e4 e2
+ r8 cis8( e8[ gis8] b4 fis4) r4 cis4( b4 gis'4 a,4 a4)
+ r4 a8([ a8] cis8[ cis8] e8[ e8] dis8[ dis8] fis4 e8[ cis8] b4 b1)
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ b8[ dis8] dis4 dis8[ dis8] \times 2/3 { gis,4 gis4 gis4 } b4 b4
+ r8 gis8 b8[ dis8] fis4 cis4 r4 gis4 fis4 dis'4 e,4 e2
+ r4 e8[ e8] gis8[ gis8] b8[ b8] a8[ a8] cis4 b8[ gis8] fis4 fis2
+ r4 b8[ gis8] a8[ a8] cis4 gis'4. gis8 a,4 a2
+ r8 a8 fis'8[ e8] e8[ a,8] a8[ fis8] fis8[ gis8] gis4
+ r4 gis8[ gis8] a8[ a8] cis4. cis8 \times 2/3 { b8[ b8 gis8] } a4 a4
+ r8 a8 cis2 b4 gis8[ a8] a4 r4 a4( e'2) dis4 b4 ais4 ais4
+ r4 cis8[ cis8] eis8[ eis8] eis8[ eis8] ais,4 cis4 cis8[ cis8] fis,4 ais4
+ r8 ais8 \times 2/3 { ais4 ais4 ais4 } \times 2/3 { gis4 gis4 gis4 } dis'4 dis8[ dis8] e,2 gis2 fis1
+ \times 2/3 { b4 b4 b8[ b8] } dis4 dis16[ dis16] dis4 dis8 dis8[ dis8] \times 2/3 { gis,4 gis4 gis8[ gis8] } b4 b2
+ r8 gis8( b8[ dis8] fis4 cis4) r4 gis4( fis4 dis'4 e,4 e4)
+ r4 e8([ e8] gis8[ gis8] b8[ b8] a8[ a8] cis4 b8[ gis8] fis4 fis1)
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ e8[ gis8] gis4 gis8[ gis8] \times 2/3 { cis,4 cis4 cis4 } e4 e4
+ r8 cis8[ e8] gis8 b4 fis4 r4 cis4 b4 gis'4 a,4 a2
+ r4 a8[ a8] cis8[ cis8] e8[ e8] d8[ d8] fis4 e8[ cis8] b4 b2
+ r4 e8[ cis8] d8[ d8] fis4 cis'4. cis8 d,4 d2
+ r8 d8 b'8[ a8] a8[ d,8] d8[ b8] b8[ cis8] cis4
+ r4 cis8[ cis8] d8[ d8] fis4. fis8 \times 2/3 { e8[ e8 cis8] } d4 d4
+ r8 d8 fis2 e4 cis8[ d8] d4 r4 d4( a'2) gis4 e4 dis4 dis4
+ r4 fis8[ fis8] ais8[ ais8] ais8[ cis8] dis,4 fis4 fis8[ fis8] b,4 dis4
+ r8 dis8 \times 2/3 { dis4 dis4 dis4 } \times 2/3 { cis4 cis4 cis4 } gis'4 gis8[ gis8] a,2 cis2 b1
+ \times 2/3 { e4 e4 e8[ e8] } gis4 gis16[ gis16] gis4 gis8 gis8[ gis8] \times 2/3 { cis,4 cis4 cis8[ cis8] } e4 e2
+ r8 cis8( e8[ gis8] b4 fis4) r4 cis4( b4 gis'4 a,4 a4)
+ r4 a8([ a8] cis8[ cis8] e8[ e8] d8[ d8] fis4 e8[ cis8] b4 b1)
+ }
+ >>
+ }
+
diff --git a/hr/michi/whitacre/marriage/texte.ly b/hr/michi/whitacre/marriage/texte.ly
new file mode 100644
index 0000000..7b59c9b
--- /dev/null
+++ b/hr/michi/whitacre/marriage/texte.ly
@@ -0,0 +1,33 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen % -- _
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ May these vows and this mar -- riage be bless -- ed.
+ May it be sweet milk, like wine and hal -- vah.
+ May this mar -- riage of -- fer fruit and shade like the date palm.
+ May this mar -- riage be full of laugh -- ter,
+ our eve -- ry day a day in par -- a -- dise.
+ May this mar -- riage be a sign of com -- pas -- sion,
+ a seal of hap -- pi -- ness, here and here -- af -- ter.
+ May this mar -- riage have a fair face and a good name,
+ an o -- men as wel -- comes the moon in a clear blue sky.
+ I am out of words to de -- scribe how spi -- rit min -- gles in the mar -- riage.
+ ah ooh ooh
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/michi/whitacre/rose/dynArt.ly b/hr/michi/whitacre/rose/dynArt.ly
new file mode 100644
index 0000000..06540fc
--- /dev/null
+++ b/hr/michi/whitacre/rose/dynArt.ly
@@ -0,0 +1,63 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ %\override Staff.TimeSignature #'style = #'()
+ \dynamicUp
+ %\key fis \major
+ \key dis \minor
+ \time 4/4
+ s1*2
+ \time 6/4
+ s1.
+ \time 4/4
+ s1*9
+ \time 6/4
+ s1.
+ \time 4/4
+ s1*2
+ \time 6/4
+ s1.
+ \time 4/4
+ s1
+ \break
+ s1*8
+ \bar "||"
+ \break
+ \key cis \major
+ s1*6
+ \time 3/2
+ s1.*2
+ \time 4/2
+ s1*2
+ \time 3/2
+ s1.*2
+ \time 4/4
+ s1*2
+ \break
+ s1*4
+ \bar "||"
+ s1*4
+ \break
+ s1*5
+ \time 6/4
+ s1.
+ \time 4/4
+ s1*3
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/michi/whitacre/rose/midi.lua b/hr/michi/whitacre/rose/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/michi/whitacre/rose/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/michi/whitacre/rose/rose.ly b/hr/michi/whitacre/rose/rose.ly
new file mode 100644
index 0000000..6e8e38f
--- /dev/null
+++ b/hr/michi/whitacre/rose/rose.ly
@@ -0,0 +1,80 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Go, lovely rose"
+ composer = "Eric Whitacre"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 14)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = soloS { \global \sSoloMelodie }
+ \new Staff = sopran { \sop }
+ \new Staff = alt { \alt }
+ \new Staff = soloT { \global \tSoloMelodie }
+ \new Staff = tenor { \ten }
+ \new Staff = tlow { \global \tLowMelodie }
+ \new Staff = bass { \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ \context {
+ \Staff
+ \RemoveEmptyStaves
+ \override VerticalAxisGroup #'remove-first = ##t
+ }
+ }
+ }
+
diff --git a/hr/michi/whitacre/rose/stimmen.ly b/hr/michi/whitacre/rose/stimmen.ly
new file mode 100644
index 0000000..fdd3089
--- /dev/null
+++ b/hr/michi/whitacre/rose/stimmen.ly
@@ -0,0 +1,343 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sSoloMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \time 4/4
+ s1*2
+ \time 6/4
+ s1.
+ \time 4/4
+ s1*9
+ \time 6/4
+ s1.
+ \time 4/4
+ s1*2
+ \time 6/4
+ s1.
+ \time 4/4
+ s1*6
+ dis8.( e16 dis4. cis8) fis8 gis8 dis8. e16 dis2 cis4 <gis' \parenthesize dis>1
+ }
+ >>
+ }
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ b4( cis4 dis4 eis4) fis4. gis8 eis2 ~ eis4 r4 r4 fis4 \times 2/3 { cis'4( ais4) gis4 } gis4. ais8 fis4 eis4 dis2. dis4
+ <<
+ {
+ b2 cis4 fis4 ~ fis2
+ } \\
+ {
+ b,2 b2 b2
+ }
+ >>
+ \times 2/3 { dis4 cis4 dis4 } \times 2/3 { ais'4( b4) gis4 } fis4 cis4
+ dis2. dis4 gis4( b4) r2 r1 r1
+ b,8( dis8) eis8( gis8) ais4.( b8 ais4) dis4 cis2( b4) ais4 \times 2/3 { b2 b4 } \times 2/3 { ais2 ais4 } \times 2/3 { gis2 gis4 } gis2 fis4 gis4 fis2. r4
+ r4 b,4 cis4 dis4
+ <<
+ {
+ eis4. fis8 ~ fis2 eis4. dis8 ~ dis2 eis4. fis8 ~ fis2 eis4. dis8 ~ dis2
+ } \\
+ {
+ e1 ~ e1 ~ e1 ~ e1
+ }
+ >>
+ e4( gis4) gis4 gis4 e4 gis4 gis4 cis4 dis1
+ cis,2 cis4 dis4 dis2 dis4( fis4) fis2 fis2 fis2 <ais fis>2 gis2 gis2 fis1
+ fis2 r2 r2 r1. r1 r4 d4 c4 d4 dis4( eis4 fis4) eis4 fis4 gis4 ~ gis4 gis4
+ <<
+ {
+ gis2( ais2) ais4 b4 cis4 eis4 fis4( eis2.\fermata)
+ } \\
+ {
+ gis,1 ais4 b4 gis4 cis4 fis4( eis4 dis2\fermata)
+ }
+ >>
+ r4 cis4 <cis b>2 ~ q1 ~ q1 q2 q2
+ r4 cis,4 fis4 ais4 b4 cis4 fis,4 cis4 dis2
+ <<
+ {
+ fis2 fis1
+ } \\
+ {
+ dis2 b1
+ }
+ >>
+ r1 r1 b4( cis4) dis4 eis4 fis4. gis8 eis4 eis4 eis4 eis4 fis4 gis4 ais4 dis4 cis1 cis2 cis2 ~ cis1 ~ cis1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ <<
+ {
+ b4( cis4
+ dis4 eis4)
+ } \\
+ {
+ s2 dis2
+ }
+ >>
+ <eis dis>4. q8 dis4( cis4 dis4) dis4 \times 2/3 { ais'4( fis4) eis4 } dis4 eis4
+ cis4. cis8 cis4 cis4 cis2( b4) ais4 gis2 ais4 ais4 \times 2/3 { b4 ais4 b4 } fis'4 b,4 b2 b2 b2. b4 dis4( <gis e>4) r4 gis4 fis4 cis4 e4 fis4 dis1
+ b8( dis8) eis8( gis8) <gis eis>2( dis4) fis4 fis2 r2 \times 2/3 { b4( ais4) gis4 } \times 2/3 { ais4( gis4) fis4 } \times 2/3 { gis4( fis4) e4 } e2 dis4 dis4 dis2. r4
+ r4 b4 cis4 cis4
+ <<
+ {
+ cis4. dis8 ~ dis2 cis4. b8 ~ b2 cis4. dis8 ~ dis2 cis4. b8 ~ b2
+ } \\
+ {
+ cis1 ~ cis1 ~ cis1 ~ cis1
+ }
+ >>
+ <<
+ {
+ e4( gis4) gis4 gis4 e4 gis4 gis4 gis4 gis1
+ } \\
+ {
+ e2 e4 cis4 e4 e4 gis4 fis4 eis1
+ }
+ >>
+ cis2 cis4 dis4 dis2 dis4( fis4) eis2 eis2 eis2 eis2 dis2 dis2 dis2( eis2) eis4( dis4) r2 r2 r1. a4( b4) c4 b4 c4 d4 c4 d4
+ <<
+ {
+ d2. dis4
+ } \\
+ {
+ d1
+ }
+ >>
+ d2 d4 d4 fis1 fis4 fis4 fis4 gis4 gis4( ais4 <cis b>2\fermata)
+ r4 cis4 b4 ais4 <ais fis>1 ~ q1 q2 q2
+ r4 cis,4 cis4 cis4 cis4 fis4 cis4 cis4 cis4( b4) ais4( b4)
+ <<
+ {
+ ais4.( gis8 ~ gis2)
+ } \\
+ {
+ ais1
+ }
+ >>
+ r4 b'4 ais4 fis4 dis1 ~ dis2 dis4 <eis dis>4 q4. q8 dis4 cis4 dis4 eis4
+ <<
+ {
+ fis4 fis4 fis4 fis4 fis1 fis2
+ } \\
+ {
+ eis4 eis4 cis4 cis4 eis1 eis2
+ }
+ >>
+ fis2 ~ fis1 ~ fis1
+ }
+ >>
+ }
+
+ tSoloMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \time 4/4
+ s1*2
+ \time 6/4
+ s1.
+ \time 4/4
+ s1*9
+ \time 6/4
+ s1.
+ \time 4/4
+ s1*2
+ \time 6/4
+ s1.
+ \time 4/4
+ s1
+ r1 r2 r4 e4 fis8( cis'8) cis4 dis8( e16 dis16 cis8) b8 cis4. gis'8 gis2 ~ gis1
+ }
+ >>
+ }
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ b4( cis2.) cis4. cis8 b4( ais4 b4) gis4 b4 ais4 \times 2/3 { b4( gis4) fis4 } eis4. eis8 gis4 gis4 fis2. fis4 e2 fis2 gis1
+ <<
+ {
+ \voiceOne
+ gis2 ais2 ais2. fis4 b2
+ }
+ \new Voice {
+ \voiceTwo
+ e,4( fis4) fis2 fis2. fis4 fis2
+ }
+ >>
+ r2 r1 r1
+ b8( dis4.) dis2( b4) b4 b2( dis4) cis4
+ <<
+ {
+ \voiceOne
+ \times 2/3 { dis2 dis4 } \times 2/3 { dis2 dis4 } \times 2/3 { dis2 dis4 } dis4( cis4) b4 ais4 b2.
+ }
+ \new Voice {
+ \voiceTwo
+ \times 2/3 { dis4( cis4) b4 } \times 2/3 { cis4( b4) ais4 } \times 2/3 { b4( ais4) gis4 } fis2 fis4 fis4 fis2.
+ }
+ >>
+ r4
+ r4 b4 cis4 cis4
+ <<
+ {
+ \voiceOne
+ cis4. dis8 ~ dis2 cis4. b8 ~ b2 cis4. dis8 ~ dis2 cis4. b8 ~ b2
+ }
+ \new Voice {
+ \voiceTwo
+ cis1 ~ cis1 ~ cis1 ~ cis1
+ }
+ >>
+ cis4( dis4) e4 dis4 cis4 dis4 e4 cis4 <dis cis>1
+ cis2 cis4 cis4 cis2 <dis cis>2 cis2 cis2 dis2 cis2 cis2 <cis bis>2
+ <<
+ {
+ \voiceOne
+ cis1 cis4( b4)
+ }
+ \new Voice {
+ \voiceTwo
+ ais2( gis2) fis2
+ }
+ >>
+ r2 r2 dis4( eis4) fis4( gis4) fis4 gis4 a1 ~ a2. a4 a4 ais4 a2. a4 ~ a4 a4 b2( cis2) cis4 dis4 eis4 fis4 fis1 r1 r4 cis4 <cis b>2 ~ q1 q2 q2
+ r4 b4 ais4 b4 fis4 fis4 ais4 eis4 fis2 gis2
+ <<
+ {
+ \voiceOne
+ fis4.( e8 ~ e2)
+ }
+ \new Voice {
+ \voiceTwo
+ fis1
+ }
+ >>
+ r1 r1 b4( cis4) cis4 cis4 cis4. cis8 b4 ais4 b4 gis4
+ <<
+ {
+ \voiceOne
+ ais4 ais4 b4 b4 cis4( dis4 cis2) cis2 cis2 cis2 bis2( ais1)
+ }
+ \new Voice {
+ \voiceTwo
+ gis4 gis4 gis4 gis4 gis1 cis2 cis2 ais2 gis2( fis1)
+ }
+ >>
+ }
+ >>
+ }
+ tLowMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \time 4/4
+ s1*2
+ \time 6/4
+ s1.
+ \time 4/4
+ s1*9
+ \time 6/4
+ s1.
+ \time 4/4
+ s1*2
+ \time 6/4
+ s1.
+ \time 4/4
+ s1
+ r4 b4 b4 b4
+ <<
+ {
+ a4. b8 ~ b2 a4. fis8 ~ fis2 a4. b8 ~ b2 a4. fis8 ~ fis2
+ } \\
+ {
+ a1 ~ a1 ~ a1 ~ a1
+ }
+ >>
+ }
+ >>
+ }
+
+ bassMelodie = \relative c' {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ b1 b4. b8 gis4( b,4 gis'4) fis4 eis4 dis4 cis4 b4 ais4. ais8 ais4 ais4 b2. b4 b2 cis2 dis1 b2 cis2 <dis gis,>2. gis,4 gis4( a4) r2 r1 r1
+ b'2 b2( e,4) e4 dis2 r2
+ <<
+ {
+ dis4 dis4 dis4 dis4
+ } \\
+ {
+ gis,4 gis4 fis4 fis4
+ }
+ >>
+ cis'4 cis4 cis2 e4 dis4 <dis gis,>2. r4
+ r4 b'4 b4 b4
+ <<
+ {
+ ais4. b8 ~ b2 ais4. fis8 ~ fis2 ais4. b8 ~ b2 ais4. fis8 ~ fis2
+ } \\
+ {
+ a1 ~ a1 ~ a1 ~ a1
+ }
+ >>
+ a4( b4) cis4 b4 a4 b4 cis4 ais4 gis1
+ cis2 cis4 cis4 bis2 ais2 gis2 gis2 fis2 fis2 eis2 eis2 dis2( cis2) b4( cis4) dis4( cis4) dis4( e4) dis4( eis2.) dis4 fis4 ~ fis2. gis4 fis4 eis4 fis2 b,4 b4 ais2 cis2 eis4 fis4 gis4( ais2.) b4
+ <<
+ {
+ b4 cis4 cis4 cis2( dis2\fermata)
+ } \\
+ {
+ gis,4 ais4 b4 ais4( cis2.\fermata)
+ }
+ >>
+ r1 r2 r4 dis,4 <dis gis,>1 q2 q2 ~ q2 q4 q4 ais4 ais4 ais4 ais4 b2 b2 <b e,>1 r1 r1
+ b'2 b4 b4 b4. b8 gis4 b,4 gis'4 gis4 gis4 cis,4 b4 b4 cis1 r1 <cis fis,>2 q2 ~ q1
+ <<
+ {
+ } \\
+ {
+ }
+ >>
+ }
+ >>
+ }
+
diff --git a/hr/michi/whitacre/rose/texte.ly b/hr/michi/whitacre/rose/texte.ly
new file mode 100644
index 0000000..5ec123a
--- /dev/null
+++ b/hr/michi/whitacre/rose/texte.ly
@@ -0,0 +1,45 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen % -- _
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ Go, love -- ly rose,
+ Tell her, tell her
+ that wastes her time
+ and me,
+ that now she knows,
+ her to thee.
+ How sweet
+ Tell her that’s young
+ And shuns to have her gra -- ces spied,
+ gra -- ces spied,
+ That hadst thou spru -- ng. _ _ _ _ _ _
+ Thou must have un -- com -- mend -- ed died.
+ Small is the worth
+ Of beau -- ty from the light re -- tired;
+ Bid, forth,
+ Suf -- fer her -- self
+ to be de -- sired,
+ And not blush so to be ad -- mired.
+ Then die, then die,
+ that she the com -- mon fate of all things rare.
+ How small a part of time they share,
+ that are so won -- drous sweet
+ and fair, and fair!
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/nonnast_backup/ines/repertoire_2014.sla b/hr/nonnast_backup/ines/repertoire_2014.sla
new file mode 100644
index 0000000..e2020a5
--- /dev/null
+++ b/hr/nonnast_backup/ines/repertoire_2014.sla
@@ -0,0 +1,985 @@
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+ <para PARENT="Inhalt"/>
+ <ITEXT CPARENT="Inhalt" CH="Remember not Lord"/>
+ <para PARENT="Inhalt"/>
+ <ITEXT CPARENT="Inhalt" CH="our offences"/>
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+ <ITEXT CPARENT="Inhalt" CH="Sommarpsalm"/>
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new file mode 100644
index 0000000..200e13b
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+ <para PARENT="Inhalt"/>
+ <para PARENT="Inhalt"/>
+ <ITEXT CPARENT="Inhalt" FONTSIZE="20" CH="Inhalt"/>
+ <para PARENT="Inhalt"/>
+ <para PARENT="Inhalt"/>
+ <ITEXT CPARENT="Inhalt" CH="Aller Augen"/>
+ <para PARENT="Inhalt"/>
+ <ITEXT CH="Alta trinita beata"/>
+ <para PARENT="Inhalt"/>
+ <ITEXT CPARENT="Inhalt" CH="Ave maris stella"/>
+ <para PARENT="Inhalt"/>
+ <ITEXT CH="Dem dunkeln Schoß"/>
+ <para PARENT="Inhalt"/>
+ <ITEXT CPARENT="Inhalt" CH="Denn er hat seinen Engeln"/>
+ <para PARENT="Inhalt"/>
+ <ITEXT CPARENT="Inhalt" CH="Die drei guten Dinge"/>
+ <para PARENT="Inhalt"/>
+ <ITEXT CPARENT="Inhalt" CH="Die mit Tränen säen"/>
+ <para PARENT="Inhalt"/>
+ <ITEXT CPARENT="Inhalt" CH="Down to the River"/>
+ <para PARENT="Inhalt"/>
+ <ITEXT CPARENT="Inhalt" CH="Gaudeamus igitur"/>
+ <para PARENT="Inhalt"/>
+ <ITEXT CPARENT="Inhalt" CH="God be in my head"/>
+ <para PARENT="Inhalt"/>
+ <ITEXT CH="In stiller Nacht"/>
+ <para PARENT="Inhalt"/>
+ <ITEXT CPARENT="Inhalt" CH="Ja in Jene"/>
+ <para PARENT="Inhalt"/>
+ <ITEXT CPARENT="Inhalt" CH="Jauchzet dem Herrn"/>
+ <para PARENT="Inhalt"/>
+ <ITEXT CPARENT="Inhalt" CH="Let my light"/>
+ <para PARENT="Inhalt"/>
+ <ITEXT CPARENT="Inhalt" CH="Lux Aurumque"/>
+ <para PARENT="Inhalt"/>
+ <ITEXT CPARENT="Inhalt" CH="O magnum mysterium"/>
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+ <ITEXT CPARENT="Inhalt" CH="Remember not Lord"/>
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diff --git a/hr/nonnast_backup/repertoire_2014.sla b/hr/nonnast_backup/repertoire_2014.sla
new file mode 100644
index 0000000..fcb2df6
--- /dev/null
+++ b/hr/nonnast_backup/repertoire_2014.sla
@@ -0,0 +1,562 @@
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+ <ITEXT CPARENT="Inhalt" CH="Ave maris stella"/>
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+ <ITEXT CPARENT="Inhalt" CH="Lux Aurumque"/>
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+ <ITEXT CPARENT="Inhalt" CH="O magnum mysterium"/>
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+ <para PARENT="Inhalt" ALIGN="2"/>
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+ <para PARENT="Inhalt" ALIGN="2"/>
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+ <para PARENT="Inhalt" ALIGN="2"/>
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+ <para PARENT="Inhalt" ALIGN="2"/>
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+ <para PARENT="Inhalt" ALIGN="2"/>
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+ <para PARENT="Inhalt" ALIGN="2"/>
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+ <para PARENT="Inhalt" ALIGN="2"/>
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+ <para PARENT="Inhalt" ALIGN="2"/>
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+ <para PARENT="Inhalt" ALIGN="2"/>
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+ <para PARENT="Inhalt" ALIGN="2"/>
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diff --git a/hr/nonnast_backup/repertoire_2014.sla.autosave b/hr/nonnast_backup/repertoire_2014.sla.autosave
new file mode 100644
index 0000000..e2bde61
--- /dev/null
+++ b/hr/nonnast_backup/repertoire_2014.sla.autosave
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+ <para PARENT="Inhalt"/>
+ <ITEXT CPARENT="Inhalt" CH="Aller Augen"/>
+ <para PARENT="Inhalt"/>
+ <ITEXT CH="Alta trinita beata"/>
+ <para PARENT="Inhalt"/>
+ <ITEXT CPARENT="Inhalt" CH="Ave maris stella"/>
+ <para PARENT="Inhalt"/>
+ <ITEXT CH="Dem dunkeln Schoß"/>
+ <para PARENT="Inhalt"/>
+ <ITEXT CPARENT="Inhalt" CH="Denn er hat seinen Engeln"/>
+ <para PARENT="Inhalt"/>
+ <ITEXT CPARENT="Inhalt" CH="Die drei guten Dinge"/>
+ <para PARENT="Inhalt"/>
+ <ITEXT CPARENT="Inhalt" CH="Die mit Tränen säen"/>
+ <para PARENT="Inhalt"/>
+ <ITEXT CPARENT="Inhalt" CH="Down to the River"/>
+ <para PARENT="Inhalt"/>
+ <ITEXT CPARENT="Inhalt" CH="Gaudeamus igitur"/>
+ <para PARENT="Inhalt"/>
+ <ITEXT CPARENT="Inhalt" CH="God be in my head"/>
+ <para PARENT="Inhalt"/>
+ <ITEXT CPARENT="Inhalt" CH="Ja in Jene"/>
+ <para PARENT="Inhalt"/>
+ <ITEXT CPARENT="Inhalt" CH="Jauchzet dem Herrn"/>
+ <para PARENT="Inhalt"/>
+ <ITEXT CPARENT="Inhalt" CH="Let my light"/>
+ <para PARENT="Inhalt"/>
+ <ITEXT CPARENT="Inhalt" CH="Lux Aurumque"/>
+ <para PARENT="Inhalt"/>
+ <ITEXT CPARENT="Inhalt" CH="O magnum mysterium"/>
+ <para PARENT="Inhalt"/>
+ <ITEXT CPARENT="Inhalt" CH="Remember not Lord our offences"/>
+ <para PARENT="Inhalt"/>
+ <ITEXT CPARENT="Inhalt" CH="Richte mich Gott"/>
+ <para PARENT="Inhalt"/>
+ <ITEXT CPARENT="Inhalt" CH="Sleep"/>
+ <para PARENT="Inhalt"/>
+ <ITEXT CPARENT="Inhalt" CH="Sommarpsalm"/>
+ <para PARENT="Inhalt"/>
+ <ITEXT CPARENT="Inhalt" CH="Ubi caritas"/>
+ <para PARENT="Inhalt"/>
+ <ITEXT CPARENT="Inhalt" CH="Waldesnacht"/>
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+ <para PARENT="Inhalt"/>
+ <para PARENT="Inhalt"/>
+ <para PARENT="Inhalt"/>
+ <ITEXT CH="Heinrich Schütz"/>
+ <para PARENT="Inhalt"/>
+ <ITEXT CH="Günther Ramin"/>
+ <para PARENT="Inhalt"/>
+ <ITEXT CH="Edward Grieg"/>
+ <para PARENT="Inhalt"/>
+ <ITEXT CH="Johannes Brahms"/>
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diff --git a/hr/quartett/03 - O Magnum Mysterium Quartett.ogg b/hr/quartett/03 - O Magnum Mysterium Quartett.ogg
new file mode 100644
index 0000000..15e97b6
--- /dev/null
+++ b/hr/quartett/03 - O Magnum Mysterium Quartett.ogg
Binary files differ
diff --git a/hr/quartett/avc/ave.ly b/hr/quartett/avc/ave.ly
new file mode 100644
index 0000000..45183df
--- /dev/null
+++ b/hr/quartett/avc/ave.ly
@@ -0,0 +1,56 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Ave verum corpus"
+ composer = "Wolfgang Amadeus Mozart"
+ opus = "KV 618, 1791"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "fP" { \frauenPausen }
+ \new Voice = "soprane" { \global \voiceOne \sopranMelodie }
+ \new Voice = "alti" { \global \voiceTwo \altMelodie }
+ \addlyrics { \altText }
+ >>
+ \new Staff = maenner <<
+ \new Voice = "mP" { \maennerPausen }
+ \new Voice = "tenoere" { \global \voiceOne \tenorMelodie }
+ \new Voice = "baesse" { \global \voiceTwo \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/quartett/avc/dynArt.ly b/hr/quartett/avc/dynArt.ly
new file mode 100644
index 0000000..30423d4
--- /dev/null
+++ b/hr/quartett/avc/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/quartett/avc/midi.lua b/hr/quartett/avc/midi.lua
new file mode 100644
index 0000000..f8b2520
--- /dev/null
+++ b/hr/quartett/avc/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu encoding=utf8 et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/quartett/avc/stimmen.ly b/hr/quartett/avc/stimmen.ly
new file mode 100644
index 0000000..b0ee87e
--- /dev/null
+++ b/hr/quartett/avc/stimmen.ly
@@ -0,0 +1,243 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ % \include "dynArt.ly"
+
+ global = {
+ \key d \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ frauenPausen = \relative c' {
+ \compressFullBarRests
+ R1*2
+ s1*8
+ \break
+ s1*8
+ R1*3
+ \break
+ s1*16
+ \break
+ s1*6
+ R1*3
+ }
+
+ sopranMelodie = \relative c'' {
+ <<
+ % { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ s1*2
+ a2 d4( fis,4)
+ a4( gis4) g2
+ g4( b4) a4( g4)
+ g4( fis4) fis2
+ e2. e4
+ fis4 fis4 g4 g4
+ g2( fis4) fis4
+ e1
+ e2. a4
+ a4( gis4) gis2
+ e4( gis2) b4
+ b4( a4) a4 a4
+ d1( ~
+ d4 cis4) b4 a4
+ a2( gis4) gis4
+ a1
+ s1*3
+ a2. a4
+ a4( bes4) bes2
+ bes4( d4) c4( bes4)
+ bes4( a4) a2
+ g2. g4
+ g4( bes4) a4 g4
+ g2( f8 e8) f4
+ e2 r2
+ fis2. fis4
+ fis4( e4) d4( g4)
+ g2. g4
+ g4( fis4) e4 a4
+ a1( ~
+ a4 g4) a4 b4
+ fis2( e4.) fis8
+ g2 g2
+ d'1( ~
+ d2 dis2
+ e4 b4 cis4 d4
+ cis4 b8 a8) d4 g,4
+ fis2( e4.) e8
+ d1
+ s1*3
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ % { \meta }
+ %\altArt
+ %the actual tune
+ {
+ s1*2
+ fis2 fis2
+ e2 e2
+ e4( g4) fis4( e4)
+ e4( d4) d2
+ cis2. cis4
+ d4 d4 e4 e4
+ e2( d4) d4
+ cis1
+ e2. e4
+ e2 e2
+ e2. gis4
+ gis4( a4) a2
+ r2 gis2
+ a2 fis4 fis4
+ e2. e4
+ e1
+ s1*3
+ e2. e4
+ e2 e2
+ e2. e4
+ e4( f4) f2
+ d2. d4
+ e4( f4) e4 e4
+ e2( d8 cis8) d4
+ cis2 r2
+ d2. d4
+ d4( cis4) b4( e4)
+ e2. e4
+ e4( d4) cis4 fis4
+ fis1( ~
+ fis4 g4) fis4 e4
+ d2( cis4.) cis8
+ d2 r2
+ r2 fis2
+ g2( fis2
+ e1 ~
+ e4 d8 cis8) d4 d4
+ d2( cis4.) cis8
+ d1
+ s1*3
+ }
+ >>
+ }
+
+ maennerPausen = \relative c' {
+ \compressFullBarRests
+ R1*2
+ s1*16
+ R1*3
+ s1*22
+ R1*3
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ % { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ s1*2
+ a2 a2
+ b2 b2
+ a2 a2
+ a2 a2
+ a2. a4
+ a4 a4 a4 a4
+ a2. a4
+ a1
+ cis2. cis4
+ cis4( d4) d2
+ b2. d4
+ d4( cis4) cis2
+ r2 d2
+ e2 d4 cis4
+ b2. b4
+ cis1
+ s1*3
+ cis2. cis4
+ cis2 cis4( c4)
+ c4( bes4 a4) g4
+ g4( a4) a2
+ b2. b4
+ cis4( d4) e4 cis4
+ cis2( d4) b4
+ e,2 r2
+ r1
+ b'2. b4
+ b4( a4) g4( cis4)
+ cis2. cis4
+ cis4( b4) a4 d4
+ d2 d4 d4
+ a2. a4
+ g2 r2
+ r2 c2
+ d2( c2
+ b4 d4 cis4 b4
+ a2) a4 g4
+ a2( g4.) g8
+ fis1
+ s1*3
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ % { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ s1*2
+ d2 d2
+ d2 d2
+ cis2 cis2
+ d2 d2
+ a2. a4
+ d4 d4 cis4 cis4
+ d2. d4
+ a1
+ a'2. a4
+ a4( b4) b2
+ gis2 e2
+ eis4( fis4) fis2
+ r2 b,2
+ cis2 d4 d4
+ e2. e4
+ a,1
+ s1*3
+ a'2. a4
+ a4( g4) g2
+ c,2. c4
+ c4( f4) f2
+ f2. f4
+ e4( d4) cis4 a4
+ bes2( a4) gis4
+ a2 r2
+ r1
+ g'2. g4
+ g4( fis4) e4( a4)
+ a2. a4
+ a4( g4) fis4 b4
+ b2 a4 gis4
+ a2 a,2
+ b2 r2
+ r2 a'2
+ bes2( a2
+ gis1
+ g2) fis4 b,4
+ a2. a4
+ d1
+ s1*3
+ }
+ >>
+ }
+
diff --git a/hr/quartett/avc/texte.ly b/hr/quartett/avc/texte.ly
new file mode 100644
index 0000000..3ab9e34
--- /dev/null
+++ b/hr/quartett/avc/texte.ly
@@ -0,0 +1,36 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+ text = \lyricmode {
+ A -- ve, a -- ve ve -- rum cor -- pus
+ na -- tum de Ma -- ri -- a vir -- gi -- ne,
+ ve -- re, pas -- sum im -- mo -- la -- tum
+ in cru -- ce pro ho -- mi -- ne.
+ Cu -- jus la -- tus
+ per -- fo -- ra -- tum
+ un -- da flu -- xit et san -- gui -- ne,
+ e -- sto no -- bis præ -- gu -- sta -- tum
+ in mor -- tis ex -- a -- mi -- ne,
+ in mor -- tis ex -- a -- mi -- ne.
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ \text
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/quartett/ave/ave.ly b/hr/quartett/ave/ave.ly
new file mode 100644
index 0000000..3f97af8
--- /dev/null
+++ b/hr/quartett/ave/ave.ly
@@ -0,0 +1,63 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Ave maris stella"
+ composer = "Jósef Świder"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 20
+ top-margin = 10
+ bottom-margin = 10
+ %page-count = 3
+ %foot-separation = 20
+ bottom-margin = 20
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 15)
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ \addlyrics { \sopranText }
+ >>
+ \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ \addlyrics { \altText }
+ >>
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ >>
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ \addlyrics { \bassText }
+ >>
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/quartett/ave/ave.ps b/hr/quartett/ave/ave.ps
new file mode 100644
index 0000000..01ee3a9
--- /dev/null
+++ b/hr/quartett/ave/ave.ps
Binary files differ
diff --git a/hr/quartett/ave/dynArt.ly b/hr/quartett/ave/dynArt.ly
new file mode 100644
index 0000000..e743f02
--- /dev/null
+++ b/hr/quartett/ave/dynArt.ly
@@ -0,0 +1,386 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+ % abbreviations
+
+ pr = \markup{poco rall.}
+ ra = \markup{rall.}
+
+
+ %(dynamic) marks global to all voices
+
+ meta = {
+ \dynamicUp
+ % con moto {{{%
+ s2.*14
+ \break
+ s2.*13
+ s4 s2\>
+ s2.\!
+ s2.*3
+ s2.\>
+ s2.*2
+ s2\pp s4\fermata
+ \pageBreak
+ %}}}%
+ % adagio espressivo {{{%
+ s4\p s4.\< s8\!
+ s8 s4.\> s4\!
+ s4 s2\<
+ s8\! s2\> s8\!
+ s4.\mf s4.\<
+ s2.\!
+ s2\f s4\<
+ s2.\!
+ %\pageBreak
+ %}}}%
+ % con passione {{{%
+ s8 s2..\ff
+ s4 s2\> s4\!
+ s2.\p s4\>
+ s8\! s2..\f
+ s2\> s2\!
+ s1\p
+ s8 s2..\mf
+ s4 s2\> s4\!
+ s2 s8 s4.\>
+ \break
+ %}}}%
+ % vivo {{{%
+ s2.\!
+ s2.*13 \bar "||"
+ \pageBreak
+ %}}}%
+ % adagio espressivo {{{%
+ s2.\p
+ s2.
+ s2.\mf
+ s8\> s4\! s4.\<
+ s8 s8\! s4.\f s8\>
+ s8 s2\! s8\>
+ s2.
+ s2.\mf
+ s2.
+ s2 s4\pp \bar "||"
+ \break
+ %}}}%
+ % vivo {{{%
+ s2.*9
+ %}}}%
+ % vigoroso {{{%
+ s2.*3
+ s4 s2\>
+ s2.
+ s2.\mf
+ s2.\f
+ s2.*3
+ s8 s8\> s2
+ s4 s2\!
+ s8 s8\< s2
+ s2.\!
+ s2 s8 s8\<
+ s4 s2\!
+ s2.
+ s4\fermata s2\pp
+ \bar "|."
+ %}}}%
+ }
+
+
+ % articulation
+
+ sopranArt = {
+ \dynamicUp
+ % con moto {{{%
+ s2.*6
+ s2.\p\<
+ s2.\!
+ s4 s2\>
+ % 10 %
+ s4 s2\!
+ s4^\pr s2\>
+ s2.*2
+ s2.\pp
+ s2.*2
+ s4\p s2\<
+ s8 s8\! s2
+ s2.
+ % 20 %
+ s2.
+ s2.\mf
+ s2.
+ s2.\<
+ s2.\f
+ s2.*5
+ % 30 %
+ s2.*4
+ s2.^\ra
+ s2.*2
+ %}}}%
+ % adagio espressivo {{{%
+ s2.*8
+ %}}}%
+ % con passione {{{%
+ s1*5
+ s1\p
+ s1*2
+ s2.\p s4\fermata
+ %}}}%
+ % vivo {{{%
+ s2.*6
+ % 60 %
+ s2.\p\<
+ s2.\!
+ s2.\>
+ s4\! s2\<
+ s4 s2\!
+ s2.^\ra\>
+ s2.
+ s2.\pp
+ %}}}%
+ % adagio espressivo {{{%
+ s2.*8
+ s2^\ra s4\>
+ s4 s2\!
+ %}}}%
+ % vivo {{{%
+ s2.*2
+ s2.\f
+ s2.*5
+ s2.\<
+ %}}}%
+ % vigoroso {{{%
+ s2.\ff
+ s2.*2
+ % 90 %
+ s2.*9
+ s2.\p
+ % 100 %
+ s8 s8\> s2
+ s8 s8\! s2
+ s2.
+ s2.\>
+ s2.\!
+ %}}}%
+ }
+
+ altArt = {
+ \dynamicUp
+ % con moto {{{%
+ s4\pp s2\<
+ s2.\!
+ s4 s2\>
+ s2.
+ s2.\!
+ s2.*4
+ % 10 %
+ s8 s8\< s2
+ s4\! s2\>
+ s2.*2
+ s2.\pp
+ s4\p s2\<
+ s2.\!
+ s2.*2
+ s2.\mf
+ % 20 %
+ s2.*4
+ s2.\<
+ s2.\f
+ s2.*4
+ % 30 %
+ s2.*7
+ %}}}%
+ % adagio espressivo {{{%
+ s2.*8
+ %}}}%
+ % con passione {{{%
+ s1*5
+ s2. s4\>
+ s1\!
+ s1
+ s1\pp\fermata
+ %}}}%
+ % vivo {{{%
+ s4. s4.\<
+ s8 s8\! s2
+ s4 s2\>
+ s2.\!
+ s2.*2
+ % 60 %
+ s2.
+ s4. s4.\<
+ s2.
+ s2.\!
+ s2.
+ s2.\>
+ s2.
+ s2.\pp
+ %}}}%
+ % adagio espressivo {{{%
+ s2.*8
+ s2 s4\>
+ s4 s2\!
+ %}}}%
+ % vivo {{{%
+ s2.\f
+ s2.*7
+ s2.\<
+ %}}}%
+ % vigoroso {{{%
+ s2.\!
+ s2.\ff
+ s2.
+ % 90 %
+ s2.*9
+ s2.\p
+ % 100 %
+ s8 s8\> s2
+ s2.\!
+ s2.
+ s4\mf s2\>
+ s2.\!
+ %}}}%
+ }
+
+ tenorArt = {
+ \dynamicUp
+ % con moto {{{%
+ s2.\pp
+ s2.*8
+ % 10 %
+ s2.\mf
+ s2.
+ s4. s4.\>
+ s2.
+ s2.\pp
+ s2.
+ s4\p s2\<
+ s2.\!
+ s2.*2
+ % 20 %
+ s2.\mf
+ s2.*3
+ s2.\f
+ s2.*5
+ % 30 %
+ s2.*7
+ %}}}%
+ % adagio espressivo {{{%
+ s2.*8
+ %}}}%
+ % con passione {{{%
+ s1*5
+ s2. s4\>
+ s1\!
+ s1
+ s1\pp\fermata
+ %}}}%
+ % vivo {{{%
+ s2.*6
+ % 60 %
+ s2.
+ s4. s4.\<
+ s2.
+ s8\mf s8\< s2
+ s2.\!
+ s2.\>
+ s2.
+ s2.\pp
+ %}}}%
+ % adagio espressivo {{{%
+ s2.*8
+ s2 s4\>
+ s4 s2\!
+ %}}}%
+ % vivo {{{%
+ s2.
+ s2.\f
+ s2.*7
+ %}}}%
+ % vigoroso {{{%
+ s2.\ff
+ s2.*2
+ % 90 %
+ s2.*9
+ s2.\p
+ % 100 %
+ s8 s8\> s2
+ s2.\!
+ s2.
+ s4\mf s2\>
+ s2.\!
+ %}}}%
+ }
+
+ bassArt = {
+ \dynamicUp
+ % con moto {{{%
+ s2.*3
+ s4\p s2\<
+ s8 s8\! s2
+ s2.\>
+ s8 s8\! s2
+ s2.*2
+ % 10 %
+ s8 s8\< s2
+ s8 s8\! s2
+ s2.\>
+ s2.
+ s2.\pp
+ s2.*3
+ s4\mf s2\<
+ s2.\!
+ % 20 %
+ s2.*4
+ s2.\<
+ s2.\f
+ s2.*4
+ % 30 %
+ s2.*7
+ %}}}%
+ % adagio espressivo {{{%
+ s2.*8
+ %}}}%
+ % con passione {{{%
+ s1*5
+ s2. s4\>
+ s1\!
+ s1
+ s1\pp\fermata
+ %}}}%
+ % vivo {{{%
+ s2.*3
+ s2\p\< s4\!
+ s2.*2
+ % 60 %
+ s2.*5
+ s2.\>
+ s2.
+ s2.\pp
+ %}}}%
+ % adagio espressivo {{{%
+ s2.*8
+ s2.\>
+ s4 s2\!
+ %}}}%
+ % vivo {{{%
+ s2.*3
+ s2.\f
+ s2.*4
+ s2.\<
+ %}}}%
+ % vigoroso {{{%
+ s2.
+ s2.\ff
+ s2.
+ % 90 %
+ s2.*9
+ s2.\mf
+ % 100 %
+ s8 s8\> s2
+ s2.\!
+ s2.
+ s2.\>
+ s2.\!
+ %}}}%
+ }
+
diff --git a/hr/quartett/ave/midi.lua b/hr/quartett/ave/midi.lua
new file mode 100644
index 0000000..f8b2520
--- /dev/null
+++ b/hr/quartett/ave/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu encoding=utf8 et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/quartett/ave/stimmen.ly b/hr/quartett/ave/stimmen.ly
new file mode 100644
index 0000000..3583a7e
--- /dev/null
+++ b/hr/quartett/ave/stimmen.ly
@@ -0,0 +1,549 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key c \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 3/4
+ \autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ { \sopranArt }
+ %\sopranArt
+ %the actual tune
+ {
+ a2.(
+ b2.
+ c2. ~
+ c2.
+ d2.)
+ r2.
+ d4( a'4) b4
+ c4( g4) a4
+ b2( a4)
+ %%% Takt 10 %%%
+ g2.
+ gis2.(
+ a2. ~
+ a2. ~
+ a2) r4
+ %%% Takt 15 %%%
+ r2.
+ r2.
+ d4( g,4) a4
+ bes2 a4
+ g2( f4)
+ e2 r4
+ c'4( f,4) g4
+ a2 g4
+ f2 c'4
+ f4( e4) c4
+ d2. ~
+ d4( c4) a4
+ b2( c4)
+ b2.
+ %%% Takt 29 %%%
+ c4( b4) g4
+ a2.( ~
+ a4 g4) e4
+ d2.(
+ dis2.)
+ e2. ~
+ e2. ~
+ e2 r4
+ \bar "||"
+ %%% Takt 37 %%%
+ c'4. a8 a8 d8
+ a2 g4
+ d'4. b8 b8 fis8
+ b2 a4
+ e'4. cis8 cis8 gis8
+ cis2 b4
+ fis'4. d8 fis8 d8
+ fis2 d4
+ %%% Takt 45 %%%
+ \time 4/4
+ r8 g4 c,4 c8 d8 ees8
+ d2 d,4 r4
+ \times 2/3
+ {
+ d8 a'8 bes8
+ c8( g8 a8)
+ }
+ bes4 a4
+ r8 ees'4 g,4 g8 a8 bes8
+ a2 d,4 r4
+ d1
+ r8 c'4 ees,4 ees8 f8 g8
+ fis2 d4 r4
+ \times 2/3
+ {
+ d8( a'8) b8
+ c8( g8) a8
+ }
+ b4 a4
+ %%% Takt 54 %%%
+ \time 3/4
+ a2. ~
+ a2. ~
+ a2. ~
+ a2. ~
+ a2. ~
+ a2.
+ d,4( a'4) b4
+ c4 g4 a4
+ b2( a4)
+ g2.
+ gis2.(
+ a2.) ~
+ a2. ~
+ a2 r4
+ \bar "||"
+ %%% Takt 68 %%%
+ c4. a8 a8 e8
+ a2 g4
+ d'4. b8 b8 fis8
+ b8 a8 r8 a8 b8 cis8
+ d8 e8 fis4.( e8)
+ d4 d8 cis8 e8 d8
+ a2 a4
+ bes4 a4 c8 bes8
+ a2.
+ a2.
+ \bar "||"
+ %%% Takt 78 %%%
+ r2.
+ r2.
+ d4 g,4( a4)
+ bes2( a4)
+ g2( f4)
+ e2 r4
+ c'4( f,4) g4
+ a2 g4
+ f2 c'4
+ f4( e4) c4
+ d2. ~
+ d4( c4) a4
+ b2( c4)
+ b2. ~
+ b2 r4
+ %%% Takt 93 %%%
+ f'4( e4) c4
+ d2. ~
+ d4( c4) a4
+ b2( c4)
+ b2. ~
+ b2 r4
+ a4( g4 f4
+ e4 d4 e4)
+ f2 g4
+ a2. ~
+ a2. ~
+ a2.
+ \bar "||"
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ { \altArt }
+ %\altArt
+ %the actual tune
+ {
+ a4( e'4) f4
+ g4( d4) e4
+ f2 e4 ~
+ e2.
+ d2.(
+ c2.
+ d2.
+ ees2.
+ f2.)
+ %%% Takt 10 %%%
+ f2( e4
+ d4 c4 b4
+ a2.) ~
+ a2. ~
+ a2 r4
+ %%% Takt 15 %%%
+ a'4( d,4) e4
+ f4.( e8) c4
+ d2. ~
+ d4.( e8) f4
+ g4( c,4) d4
+ e4.( d8) b4
+ c2 b4
+ c4.( d8) e4
+ f2 g4
+ a2 a4
+ a4( g4) e4
+ f2. ~
+ f4( aes4) g4
+ f2.
+ %%% Takt 29 %%%
+ e2.
+ e4( d4) b4
+ c2.( ~
+ c4 b4) a4
+ g2( f'4)
+ e2. ~
+ e2. ~
+ e2 r4
+ %%% Takt 37 %%%
+ f4. e8 d8 c8
+ d2 d4
+ g4. fis8 e8 d8
+ e2 e4
+ a4. gis8 fis8 e8
+ fis2 fis4
+ b4. gis8 b8 gis8
+ b2 <gis b>4
+ %%% Takt 45 %%%
+ \time 4/4
+ r8 <a c>4 a4 a8 a8 a8
+ a2 d,4 r4
+ d1
+ r8 g4 ees4 ees8 ees8 ees8
+ d2 d4 r4
+ \times 2/3
+ {
+ d8( c8) bes8
+ a8( bes8) c8
+ }
+ g4 a4
+ r8 ees'4 c4 c8 c8 c8
+ d2 d4 r4
+ d1
+ %%% Takt 54 %%%
+ \time 3/4
+ a4( e'4) f4
+ g4( d4) e4
+ f2 e4
+ e2.(
+ d2.
+ c2.)
+ d2.(
+ ees2.
+ f2.)
+ f2( e4
+ d4 c4 b4
+ a2.) ~
+ a2. ~
+ a2 r4
+ %%% Takt 68 %%%
+ f'4. e8 d8 c8
+ d2 d4
+ g4. fis8 e8 d8
+ e8 e8 r8 e8 g8 a8
+ a8 a8 a4( b4)
+ g4 fis8 fis8 f8 f8
+ e4( fis4) g4
+ f4 e4 g8 f8
+ e4( fis4 g4)
+ f2.
+ %%% Takt 78 %%%
+ a4 d,4( e4)
+ f4.( e8) c4
+ d2. ~
+ d4.( e8) f4
+ g4( c,4) d4
+ e4.( d8) b4
+ c2 b4
+ c4.( d8) e4
+ f2 g4
+ a2 a4
+ a4( g4) e4
+ f2.( ~
+ f4 aes4) g4
+ f2 f4 ~
+ f2 r4
+ %%% Takt 93 %%%
+ a2. ~
+ a4( g4) e4
+ f2. ~
+ f4( aes4) g4
+ f2 f4 ~
+ f2 r4
+ e4( d4 c4
+ b4 a4 b4)
+ c2 d4
+ e2.
+ <d f>2.
+ <cis e>2.
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ { \tenorArt }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ a2. ~
+ a2. ~
+ a2.
+ a2. ~
+ a2. ~
+ a2.
+ a2. ~
+ a2. ~
+ a2.
+ %%% Takt 10 %%%
+ b4( d4) e4
+ f4( e4) d4
+ c2( b4)
+ a2. ~
+ a2 r4
+ %%% Takt 15 %%%
+ r2.
+ d4( g,4) a4
+ bes2 a4
+ g2( f4)
+ c2 r4
+ c'4( f,4) g4
+ a2 g4
+ f2( e4)
+ d2 r4
+ d'4( c4) a4
+ bes2. ~
+ bes4( a4) c4
+ d2( e4)
+ d2.
+ %%% Takt 29 %%%
+ a4( g4) e4
+ f2.( ~
+ f4 e4) g4
+ f2.(
+ c'4 b4 a4)
+ g2( f4
+ e2.) ~
+ e2 r4
+ %%% Takt 37 %%%
+ a4. a8 a8 a8
+ b4( c4) b4
+ b4. b8 b8 b8
+ cis4( d4) cis4
+ cis4. cis8 cis8 cis8
+ dis4( e4) dis4
+ d4. fis8 d8 fis8
+ d2 fis4
+ %%% Takt 45 %%%
+ \time 4/4
+ r8 g4 g4 g8 g8 g8
+ fis2 d4 r4
+ \times 2/3
+ {
+ d8 c8 bes8
+ a8 bes8 a8
+ }
+ g4 a4
+ r8 ees'4 c4 c8 c8 c8
+ d2 d,4 r4
+ \times 2/3
+ {
+ d8( a'8) bes8
+ c8( g8) a8
+ }
+ bes4 a4
+ r8 a4 a4 a8 a8 a8
+ a2 d,4 r4
+ d1
+ %%% Takt 54 %%%
+ \time 3/4
+ a'2.(
+ b2.
+ c2.) ~
+ c2.(
+ b2.
+ a2.)
+ a2.( ~
+ a2. ~
+ a2.)
+ b4( d4) e4
+ f4( e4) d4
+ c2( b4)
+ a2. ~
+ a2 r4
+ %%% Takt 68 %%%
+ a4. a8 a8 a8
+ b4( c4) b4
+ b4. b8 b8 b8
+ cis8 cis8 r8 cis8 d8 e8
+ d8 cis8 d2
+ e4 d8 a8 b8 b8
+ cis4( d4) cis4
+ d4 c4 e8 d8
+ d4( cis4 b4)
+ c2.
+ %%% Takt 78 %%%
+ r2.
+ d4 g,4( a4)
+ bes2( a4)
+ g2( f4)
+ c2 r4
+ c'4( f,4) g4
+ a2 g4
+ f2( e4)
+ d2 r4
+ d'4( c4) a4
+ bes2. ~
+ bes4( a4) c4
+ d2( e4)
+ d2. ~
+ d2 r4
+ %%% Takt 93 %%%
+ d4( c4) a4
+ b2. ~
+ b4( a4) c4
+ d2( e4)
+ d2. ~
+ d2 r4
+ c4( b4 a4
+ g4 f4 g4)
+ a2 b4
+ cis2.
+ b2.
+ a2.
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ { \bassArt }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r2.
+ r2.
+ r2.
+ a4( e'4) f4
+ g4( d4) e4
+ f2( e4)
+ d2. ~
+ d2. ~
+ d2.
+ %%% Takt 10 %%%
+ d2. ~
+ d2( e4
+ f2 g4
+ a2.) ~
+ a2 r4
+ %%% Takt 15 %%%
+ r2.
+ r2.
+ r2.
+ g4( c,4) d4
+ e2 f4
+ g4( a4 g4)
+ f2 r4
+ f4( bes,4) c4
+ d2 e4
+ f2 f4
+ f4( e4) c4
+ d2. ~
+ d4( f4) e4
+ a2.
+ %%% Takt 29 %%%
+ c,2.
+ c4( b4) g4
+ a2.
+ a2.
+ a2( b4)
+ c2( d4
+ e2.) ~
+ e2 r4
+ %%% Takt 37 %%%
+ d4. e8 f8 g8
+ f2 f4
+ e4. fis8 g8 a8
+ g2 g4
+ fis4. gis8 a8 b8
+ a2 a4
+ gis4. b8 gis8 b8
+ gis2 b4
+ %%% Takt 45 %%%
+ \time 4/4
+ r8 ees4 ees4 ees8 d8 c8
+ d2 d,4 r4
+ d1
+ r8 c'4 bes4 bes8 a8 g8
+ fis2 d4 r4
+ d1
+ r8 g4 g4 g8 f8 ees8
+ d2 d4 r4
+ d1
+ %%% Takt 54 %%%
+ \time 3/4
+ a'2. ~
+ a2. ~
+ a2.
+ a,4( e'4) f4
+ g4( d4) e4
+ f2 e4
+ d2. ~
+ d2. ~
+ d2. ~
+ d2.
+ d2( e4
+ f2 g4
+ a2.) ~
+ a2 r4
+ %%% Takt 68 %%%
+ d,4. e8 f8 g8
+ f2 f4
+ e4. fis8 g8 a8
+ g8 g8 r8 g4 g8
+ fis8 e8 d4( g4)
+ bes4 a8 a8 gis8 gis8
+ g4( fis4) e4
+ d4 d4 g8 g8
+ a2.
+ a2.
+ %%% Takt 78 %%%
+ r2.
+ r2.
+ r2.
+ g4 c,4( d4)
+ e2( f4)
+ g4 a4( g4)
+ f2 r4
+ f4( bes,4) c4
+ d2 e4
+ f2 f4
+ f4( e4) c4
+ d2. ~
+ d4( f4) e4
+ a2 a4 ~
+ a2 r4
+ %%% Takt 93 %%%
+ f2. ~
+ f4( e4) c4
+ d2. ~
+ d4( f4) e4
+ a2 a4 ~
+ a2 r4
+ a,4( e'4 f4
+ g4 d4 e4)
+ f2 e4
+ <a, e'>2. ~
+ <a e'>2. ~
+ <a e'>2.
+ }
+ >>
+ }
+
diff --git a/hr/quartett/ave/texte.ly b/hr/quartett/ave/texte.ly
new file mode 100644
index 0000000..37487a4
--- /dev/null
+++ b/hr/quartett/ave/texte.ly
@@ -0,0 +1,125 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+% Abkürzungen
+
+ gabrielis = \lyricmode {
+ Ga -- bri -- e -- lis o -- re
+ fun -- da nos in pa -- ce,
+ mu -- tans He -- vae no -- me
+ Sol -- ve vin -- cla -- re -- is,
+ pro -- fer lu -- men cae -- cis:
+ ma -- la no -- stra pel -- le,
+ bo -- na cunc -- ta po -- sce.
+ }%_____________________________________n.
+
+ Vitam = \lyricmode {
+ Vi -- tam prae -- sta pu -- ram,
+ i -- ter pa -- ra tu -- um:
+ ut vi -- den -- tes Je -- sum
+ sem -- per col -- lae -- te -- mur,
+ sem -- per col -- lae -- te -- mur.
+ }
+
+ vitam = \lyricmode {
+ Vi -- tam prae -- sta pu -- ram,
+ i -- ter pa -- ra tu -- um:
+ ut _ vi -- den -- tes Je -- sum
+ sem -- per col -- lae -- te -- mur,
+ sem -- per col -- lae -- te -- mur.
+ }
+
+ Laus = \lyricmode {
+ Sit laus De -- o Pa -- tri,
+ }
+ decus = \lyricmode {
+ sum -- mo Chri -- sto de -- cus
+ Spi -- ri -- tu -- i san -- cto,
+ tri -- bus ho -- nor u -- nus.
+ A -- men,
+ }
+ laus = \lyricmode {
+ Sit laus De__-__o Pa -- tri,
+ sum -- mo Chri -- sto de -- cus
+ Spi -- ri -- tu -- i san -- cto,
+ tri -- bus ho -- nor u -- nus.
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ a
+ at -- que sem -- per Vir -- go,
+ a
+ su -- mens il -- lud
+ A -- ve \gabrielis
+ Mon -- stra te es -- se ma -- trem:
+ su -- _ -- mat per__te pre -- ces,
+ mon -- stra te es -- se ma -- tre -- m,
+ mon -- stra te es -- se ma -- tre
+ tu -- lit es -- se tu -- us.
+ m,
+ nos a cul -- pis so -- lu -- tos,
+ o.
+ \vitam
+ \laus
+ A -- men, a -- men.
+ }%______________________________________________________m
+
+ altText = \lyrics {
+ A -- ve ma -- ris stel -- la
+ a
+ a
+ su -- mens il -- lud
+ A -- ve Ga -- bri -- e -- lis o -- re,
+ \gabrielis
+ Mon -- stra te es -- se ma -- tre -- m
+ mon -- stra te es -- se ma -- trem,
+ tu -- lit es -- se tu -- us,
+ mon -- stra te es -- se ma -- tre -- m,
+ Vir -- go sin -- gu -- la -- ris,
+ m,
+ o,
+ o,
+ \vitam
+ \Laus
+ sum -- mo Chri -- sto de -- cus,
+ \decus a -- men, a -- men.
+ }
+
+ tenorText = \lyrics {
+ m
+ m
+ a
+ at -- que sem -- per vir -- go
+ su -- mens il -- lud A -- ve
+ \gabrielis
+ Mon -- stra te es -- se ma -- trem:
+ su -- _ -- mat per -- _ -- te pre -- ces,
+ mon -- stra te es -- se ma -- trem,
+ tu -- lit es -- se tu -- us.
+ mon -- stra te es -- se ma -- tre -- m,
+ m,
+ o
+ mi -- tes fac et ca -- stos.
+ \vitam
+ \laus
+ A -- men, a -- men, a -- men.
+ }
+
+ bassText = \lyrics {
+ De -- i Ma -- ter al -- ma,
+ a
+ su -- mens il -- lud A -- ve
+ \gabrielis
+ Mon -- stra te es -- se ma -- tre -- m,
+ mon -- stra te es -- se ma -- tre -- m,
+ mon -- stra te es -- se ma -- tre -- m,
+ m,
+ in -- ter o -- mnes mi -- tis
+ o,
+ o,
+ \Vitam
+ \Laus
+ \decus a -- men.
+ }
+
diff --git a/hr/quartett/babylon/babylon.ly b/hr/quartett/babylon/babylon.ly
new file mode 100644
index 0000000..a554d34
--- /dev/null
+++ b/hr/quartett/babylon/babylon.ly
@@ -0,0 +1,62 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+\version "2.12"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Super Flumina Babylonis"
+ composer = "Orlando di Lasso"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ %page-count = 2
+ %system-count = 6
+ ragged-last-bottom = ##f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 17)
+
+ \score {
+ \new ChoirStaff <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ \lyricsto soprane \sopranText
+ >>
+ \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ \lyricsto alti \altText
+ >>
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \lyricsto tenoere \tenorText
+ >>
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ \lyricsto baesse \bassText
+ >>
+ >>
+% \midi {
+% \context{
+% \Score
+% tempoWholesPerMinute = #(ly:make-moment 80 4)
+% }
+% }
+ \layout {
+ }
+ }
+
diff --git a/hr/quartett/babylon/babylon.midi b/hr/quartett/babylon/babylon.midi
new file mode 100644
index 0000000..26ecf5f
--- /dev/null
+++ b/hr/quartett/babylon/babylon.midi
Binary files differ
diff --git a/hr/quartett/babylon/babylon.ps b/hr/quartett/babylon/babylon.ps
new file mode 100644
index 0000000..a7c7157
--- /dev/null
+++ b/hr/quartett/babylon/babylon.ps
Binary files differ
diff --git a/hr/quartett/babylon/babylon_6.ps b/hr/quartett/babylon/babylon_6.ps
new file mode 100644
index 0000000..5c3ead4
--- /dev/null
+++ b/hr/quartett/babylon/babylon_6.ps
Binary files differ
diff --git a/hr/quartett/babylon/babylon_7.ps b/hr/quartett/babylon/babylon_7.ps
new file mode 100644
index 0000000..a82b3c7
--- /dev/null
+++ b/hr/quartett/babylon/babylon_7.ps
Binary files differ
diff --git a/hr/quartett/babylon/dynArt.ly b/hr/quartett/babylon/dynArt.ly
new file mode 100644
index 0000000..a218b6a
--- /dev/null
+++ b/hr/quartett/babylon/dynArt.ly
@@ -0,0 +1,60 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+% articulation
+
+ sopranArt = {
+ s1 s2 s2\p s1 s1 s1
+ s1 s2. s4\mf s1 s1 s1
+ s1 s1 s2. s4\f s1 s1
+ s1 s2 s4\pp s4\p s1 s1 s1
+ s1 s4 s2.\f s1 s1
+ s1 s1 s1 s1 s1
+ s1 s1 s2 s2\mf s1 s1
+ s1 s1 s1 s1\mf
+ s1 s1 s1 s1\p s1
+ }
+
+ altArt = {
+ s1 s1 s1 s1 s1\mp
+ s1 s1 s1 s1\mf s1
+ s1 s1 s2. s4\f s1 s1
+ s1 s1 s1\p s1 s1
+ s1 s2 s2\f s1 s1
+ s1 s1 s1 s1 s1
+ s1 s1 s4 s2.\mf s1 s1
+ s1 s1 s1 s2. s4\mf
+ s1 s1 s2 s2\p s1 s1
+ }
+
+ tenorArt = {
+ s1\p s1 s1 s1 s1
+ s1*5
+ s1 s1\mf s1 s1 s1
+ s1 s2. s4\pp s1\p s1 s1
+ s1 s2 s2\f s1 s1
+ s1*5
+ s1 s1 s1 s1 s2 s2\mf
+ s1 s1 s1 s2 s2\mf
+ s1 s1 s2 s2\p s1 s1
+ }
+
+ bassArt = {
+ s1*5
+ s1 s2 s2\mf s1 s1 s1
+ s1 s1 s2. s4\f s1 s1
+ s1 s2. s4\pp s1\p s1 s1
+ s1 s2 s2\f s1 s1
+ s1*5
+ s2 s2\p s1 s1 s1 s4 s2.\mf
+ s1 s1 s1 s4 s2.\mf
+ s1 s1 s2 s2\p s1 s1
+ }
+
diff --git a/hr/quartett/babylon/keine bell b/hr/quartett/babylon/keine bell
new file mode 100644
index 0000000..9b6fafc
--- /dev/null
+++ b/hr/quartett/babylon/keine bell
@@ -0,0 +1,2 @@
+:set vb t_vb=
+
diff --git a/hr/quartett/babylon/stimmen.ly b/hr/quartett/babylon/stimmen.ly
new file mode 100644
index 0000000..1305167
--- /dev/null
+++ b/hr/quartett/babylon/stimmen.ly
@@ -0,0 +1,232 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key bes \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ \sopranArt
+ %the actual tune
+ {
+ % super flumina
+ r1
+ r2 d2 ~
+ d4 bes4 c4 d4
+ g,8( a8 bes8 c8 d4) bes4 ~
+ bes4 bes4 ees2(
+ d2) ees4.( d16 c16
+ bes4. a8 g4) d'4
+ bes4 c2 bes4
+ ees4 ees4 d4 c4 ~
+ c4 bes4 aes4 g4
+ ees'4.( d16 c16 bes8 c8 d4)
+ %\break
+ d2 c4 f,4
+ c'2 d4 f4
+ d4 bes4 c4 bes4 ~
+ bes4 bes4.( c8 d4)
+ c4 ees4.( d8 c4 ~
+ c8 b16 a16 b4) c4 c4 ~
+ \break
+ % illic sedimus
+ c4 c4 c4 c4
+ f2 r4 f4 ~
+ f4 f4 f4 f4
+ bes,1
+ r4 ees2( d4 ~
+ d8 c8 bes4. a8 g8 a8
+ bes4) g2 fis4
+ fis2 r2
+ g2. g4
+ g4 g4 a2
+ a2. a4
+ a4 a4 bes2 ~
+ bes2 g2
+ c2. b4
+ b2 d2
+ % dum recordaremur
+ c4 c4 ees4 d4( ~
+ d8 c8 bes2) a4( ~
+ a8 bes8 c2) bes4
+ a4 bes4.( a8 g4 ~
+ g8 fis16 ees16 fis4) g2
+ bes2. a4
+ a4 c4 bes2
+ a4 bes4.( a8 g4 ~
+ g8 fis16 ees16 fis4) g2
+ g1
+ g1
+ }
+ >>
+ }
+
+ altMelodie = \relative c'' {
+ <<
+ { \meta }
+ \altArt
+ %the actual tune
+ {
+ % super flumina
+ r1 r1 r1 r1
+ g2. ees4
+ f4 g4 c,8( d8 ees8 f8
+ g4) f4 bes4 g4
+ g2 r2
+ g2. ees4
+ f4 g4 c,8( d8 ees8 f8
+ g4. f16 ees16 d4) bes'4( ~
+ bes8 a8 bes4) a4 bes4( ~
+ bes8 a16 g16 a4) bes4 f4( ~
+ f8 d8 g4) f2
+ g4 g4 f4 bes4
+ aes4 g4.( f16 ees16 f4)
+ g1
+ % illic sedimus
+ a2. a4
+ a4 a4 a2
+ bes2. f4
+ f4 f4 g2 ~
+ g2 bes4.( a16 g16
+ f8 ees8 f4) g8( f8 ees8 d16 c16
+ bes4) c4 d2
+ r4 d2 d4
+ d4 d4 d2(
+ ees2) f2 ~
+ f4 f4 f4 f4
+ f4 c4 d4 g4
+ f2 r4 c4
+ ees4 f4 g2
+ % dum recordaremur
+ r4 g2 f4
+ f4 aes4 g2
+ d2 r4 f4 ~
+ f4 ees4 g4 g4
+ f2 bes,4.( c8
+ d4) d4 ees4 ees4 ~
+ ees4 d4 r4 f4 ~
+ f4 ees4 g4 g4
+ f2 bes,4.( c8
+ d2) ees4 ees4
+ ees1
+ d1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ \tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ % super flumina
+ d2. bes4
+ c4 d4 g,8( a8 bes8 c8
+ d8 bes8 ees4. d16 c16 bes4)
+ c4 g8( a8 bes8 c8 d4)
+ ees4.( d8 c2)
+ bes2 r2
+ r4 d2 bes4
+ d4 ees4 d2
+ c2 b4 c4( ~
+ c8 d8 ees8 d8 f4) bes,4
+ r1
+ f'2. d4
+ ees4 f4 bes,8( c8 d8 ees8
+ f4) ees2 d4
+ ees2 d4 f4 ~
+ f4 bes,4 c2(
+ d2) e2
+ % illic sedimus
+ f2. f4
+ c4 c4 c2
+ d2. d4
+ d4 d4 ees4.( d16 c16
+ bes4) c4 f4.( ees8
+ d4. c8 bes4. a8
+ g4) g4 a2 ~
+ a2 b2 ~
+ b4 b4 b4 b4
+ c4 c2 c4
+ c4 c4 c2 ~
+ c4 f2( ees4 ~
+ ees8 d16 c16 d4) ees4.( d8
+ c4. d8 ees4) d4
+ d2 r2
+ r1
+ r2 d2
+ c4 c4 ees4 d4( ~
+ d8 c8 bes8 a8 g4) g4
+ a4 a4 c2
+ g2 d'2
+ c4 c4 ees4 d4( ~
+ d8 c8 bes8 a8 g2)
+ a2 c2 ~
+ c4 c4 c2
+ b1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c' {
+ <<
+ { \meta }
+ \bassArt
+ %the actual tune
+ \clef bass
+ {
+ % super flumina
+ r1 r1 r1 r1 r1 r1
+ r2 g2 ~
+ g4 ees4 f4 g4
+ c,8( d8 ees8 f8 g4) aes4 ~
+ aes4 g4 f4( ees8 d8
+ c8 d8 ees8 f8 g2)
+ d2 r2
+ r2 r4 bes'4 ~
+ bes4 g4 a4 bes4
+ ees,8( f8 g8 a8 bes2)
+ f4 g4 aes2(
+ g2) c2
+ % illic sedimus
+ f,2. f4
+ f4 f4 f2
+ bes2. bes4
+ bes4 bes4 ees,2 ~
+ ees2 bes2 ~
+ bes2 ees2 ~
+ ees4 ees4 d2 ~
+ d2 g2 ~
+ g4 g4 g4 g4
+ c,2 f2 ~
+ f4 f4 f4 f4
+ f2 bes2 ~
+ bes2 c4.( bes8
+ aes4) aes4 g2 ~
+ g2 r2
+ r1
+ % dum recordaremur
+ r4 g2 f4
+ f4 aes4 g2
+ d2 ees4 ees4
+ d2 c2
+ r4 g'2 f4
+ f4 aes4 g2
+ d2 ees2
+ d2 c2 ~
+ c1
+ g'1
+ }
+ >>
+ }
+
diff --git a/hr/quartett/babylon/teil.ly b/hr/quartett/babylon/teil.ly
new file mode 100644
index 0000000..046ae70
--- /dev/null
+++ b/hr/quartett/babylon/teil.ly
@@ -0,0 +1,48 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+\version "2.12"
+
+ \header {
+ title = "<+Titel+>"
+ composer = "<+Komponist+>"
+ %opus = "<+Werk+>"
+ %tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ \score {
+ \new ChoirStaff <<
+ \new Staff = bass
+ \new Voice = "baesse"
+ \relative c'
+ {
+ bes'4 ~
+ bes4 g4 a4 bes4
+ ees,8( f8 g8 a8 bes2)
+ f4 g4 aes2(
+ g2) c2
+ }
+ >>
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 82 4)
+ }
+ }
+ }
+
diff --git a/hr/quartett/babylon/teil.midi b/hr/quartett/babylon/teil.midi
new file mode 100644
index 0000000..5e53766
--- /dev/null
+++ b/hr/quartett/babylon/teil.midi
Binary files differ
diff --git a/hr/quartett/babylon/texte.ly b/hr/quartett/babylon/texte.ly
new file mode 100644
index 0000000..5ecd6fc
--- /dev/null
+++ b/hr/quartett/babylon/texte.ly
@@ -0,0 +1,57 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+% Abkürzungen
+
+ Super = \lyricmode {
+ Su -- per flu -- mi -- na Ba -- by -- lo -- nis,
+ }
+ super = \lyricmode {
+ su -- per flu -- mi -- na Ba -- by -- lo -- nis,
+ }
+ bab = \lyricmode {
+ Ba -- by -- lo -- nis,
+ }
+
+ illic = \lyricmode {
+ il -- lic se -- di -- mus,
+ il -- lic se -- di -- mus
+ et fle -- vi -- mus,
+ }
+
+ altExtra = \lyricmode {
+ et fle -- vi -- mus,
+ dum re -- cor -- da -- re -- mur,
+ }
+
+ dum = \lyricmode {
+ dum re -- cor -- da -- re -- mur tu -- i, Si -- on,
+ dum re -- cor -- da -- re -- mur tu -- i, Si -- on.
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ \Super \super \bab \bab \super
+ \illic \illic
+ \dum
+ }
+
+ altText = \lyrics {
+ \Super \super \super
+ \illic \illic
+ \altExtra
+ \dum
+ }
+
+ tenorText = \lyrics {
+ \Super \super \super \bab
+ \illic \illic
+ \dum
+ }
+
+ bassText = \lyrics {
+ \Super \super
+ \illic \illic
+ \dum
+ }
+
diff --git a/hr/quartett/christe/christe.ly b/hr/quartett/christe/christe.ly
new file mode 100644
index 0000000..c58187e
--- /dev/null
+++ b/hr/quartett/christe/christe.ly
@@ -0,0 +1,61 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+\version "2.12.1"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Jesu Christe"
+ %composer = "<+Komponist+>"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 40
+ ragged-last-bottom = ##f
+ page-count = 1
+ system-count = 4
+ top-margin=10
+ bottom-margin=20
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3)
+ }
+ }
+
+ #(set-global-staff-size 15)
+
+ \score {
+ \new ChoirStaff <<
+ \new Lyrics = "sop" { s4 }
+ \new Staff = "frauen" <<
+ { \dynamicUp \meta }
+ \new Voice = "soprane" { \global \voiceOne \sopranMelodie }
+ \new Voice = "alti" { \global \voiceTwo \altMelodie \bar "||" }
+ >>
+ \context Lyrics = "sop" \lyricsto "soprane" \sopranText
+ \lyricsto alti \altText
+ \new Lyrics = "ten"
+ \new Staff = "maenner" <<
+ { \dynamicDown \meta }
+ \new Voice = "tenoere" { \global \voiceOne \tenorMelodie }
+ \new Voice = "baesse" { \global \voiceTwo \bassMelodie }
+ >>
+ \context Lyrics = "ten" \lyricsto "tenoere" \tenorText
+ \lyricsto baesse \bassText
+ %\new Staff = bass <<
+ %>>
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 92 4)
+ %}
+ %}
+ }
+
diff --git a/hr/quartett/christe/christe.midi b/hr/quartett/christe/christe.midi
new file mode 100644
index 0000000..f37862a
--- /dev/null
+++ b/hr/quartett/christe/christe.midi
Binary files differ
diff --git a/hr/quartett/christe/christe.ps b/hr/quartett/christe/christe.ps
new file mode 100644
index 0000000..c152a86
--- /dev/null
+++ b/hr/quartett/christe/christe.ps
Binary files differ
diff --git a/hr/quartett/christe/dynArt.ly b/hr/quartett/christe/dynArt.ly
new file mode 100644
index 0000000..4091fa1
--- /dev/null
+++ b/hr/quartett/christe/dynArt.ly
@@ -0,0 +1,95 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+ meta = {
+ %(dynamic) marks global to all voices
+ %\dynamicUp
+ s4
+ s1*3
+ s2 s2\<
+ s1\!
+ s2.\> s4\<
+ s2 s2\>
+ s1\!
+ s1
+ s4 s2.\<
+ s1\!
+ s2\> s2\!
+ s1*4
+ s4 s2.\<\cresc
+ s2. s4\ff
+ s1*2
+ s1\>
+ s1\!
+ s1*3
+ s4 s2\< s4\!
+ s1*2
+ s4 s2.\>
+ s1\!
+ s1*3
+ s1\<
+ s2\! s2\>
+ s2\fermata s2\!
+ %\break
+ }
+
+% abkuerzungen
+
+ ps = ^\markup { \dynamic{p} sostenuto }
+
+% articulation
+
+ sopranArt = {
+ \dynamicUp
+ s4
+ s2. s4\ps
+ s1*7
+ s2. s4\mf
+ s1*2
+ s2. s4\mf
+ s1*10
+ s2. s4\p
+ s1*6
+ s2. s4\p
+ s1*6
+ }
+
+ altArt = {
+ s4\ps
+ s1*8
+ s1*4
+ s2. s4\mf
+ s1*8
+ s2. s4\p
+ s1*8
+ s2. s4\p
+ s1*5
+ }
+
+ tenorArt = {
+ \dynamicUp
+ s4
+ s1
+ s4 s2.\ps
+ s1*10
+ s4 s2.\mf
+ s1*8
+ s4 s2.\p
+ s1*8
+ s4 s2.\p
+ s1*5
+ }
+
+ bassArt = {
+ s4
+ s4 s2.\ps
+ s1*6
+ s2. s4\mf
+ s1*5
+ s4 s2.\mf
+ s1*8
+ s4 s2.\p
+ s1*6
+ s2 s2\p
+ s1*6
+ }
+
diff --git a/hr/quartett/christe/midis/alt.midi b/hr/quartett/christe/midis/alt.midi
new file mode 100644
index 0000000..1fe4dd3
--- /dev/null
+++ b/hr/quartett/christe/midis/alt.midi
Binary files differ
diff --git a/hr/quartett/christe/midis/bass.midi b/hr/quartett/christe/midis/bass.midi
new file mode 100644
index 0000000..9730ce5
--- /dev/null
+++ b/hr/quartett/christe/midis/bass.midi
Binary files differ
diff --git a/hr/quartett/christe/midis/gesamt.midi b/hr/quartett/christe/midis/gesamt.midi
new file mode 100644
index 0000000..cd6dd81
--- /dev/null
+++ b/hr/quartett/christe/midis/gesamt.midi
Binary files differ
diff --git a/hr/quartett/christe/midis/sopran.midi b/hr/quartett/christe/midis/sopran.midi
new file mode 100644
index 0000000..35c70dd
--- /dev/null
+++ b/hr/quartett/christe/midis/sopran.midi
Binary files differ
diff --git a/hr/quartett/christe/midis/tenor.midi b/hr/quartett/christe/midis/tenor.midi
new file mode 100644
index 0000000..9206967
--- /dev/null
+++ b/hr/quartett/christe/midis/tenor.midi
Binary files differ
diff --git a/hr/quartett/christe/stimmen.ly b/hr/quartett/christe/stimmen.ly
new file mode 100644
index 0000000..610050f
--- /dev/null
+++ b/hr/quartett/christe/stimmen.ly
@@ -0,0 +1,211 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key f \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ \partial 4
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ % { \meta }
+ \sopranArt
+ %the actual tune
+ {
+ r4
+ r2 r4 d4
+ c4 bes4 a4 g4
+ f4( e4) a4 g4
+ f4 g4 a4 d4
+ d4( cis4) d4 a4
+ a4 g4 f4 a4
+ d4( c4) b4 b4
+ a2 a4 s4
+ %Attende
+ r2 r4 d4
+ d4 e4 f4 f4
+ e4( d4 c4) b4
+ a4( gis4) a4 a4
+ b4 cis4 d4 e4
+ a,2 a4 a4
+ a4 b4 c4 d4
+ g,2 g4 g4
+ g4 a4 bes4 c4
+ f,2 f4 f4
+ d'4. d8 c4 bes4
+ a4 g4 f4 f4
+ f2( ~ f4 e4)
+ %Christe
+ f4 s4 r2
+ r2 r4 d'4
+ c4 bes4 a4 g4
+ f4( e4) a4 g4
+ f4 g4 a4 d4
+ d4( cis4) d4 a4
+ a4 gis4 a4 g4
+ f4 e4 d4 cis4
+ d4 d4 r4 d'4
+ c4 bes4 a4 g4
+ d'2 d4 c4
+ bes4 a4 g4 g4
+ fis2 bes2
+ a2( fis4 e4)
+ d1
+ }
+ >>
+ }
+
+ altMelodie = \relative c'' {
+ <<
+ % { \meta }
+ \altArt
+ %the actual tune
+ {
+ a4
+ g4 f4 e4 d4
+ d2 d4 d4
+ d4 cis4 f4 e4
+ d2 d4 d4
+ e4 e4 d4 d4
+ cis2 d4 f4
+ f4 e4 f4 e8( d8)
+ c4( f4) e4 s4
+ %Attende
+ r4 a4 a4 g4 ~
+ g4 g4( f4) f4
+ f2. f4
+ e2 e4 r4
+ r2 r4 a4
+ g4 f4 e4 d4
+ d4 d4 r4 g4
+ f4 e4 d4 c4
+ c4 c4 r4 ees4
+ ees2 d4 f4
+ d4. d8 ees4 d4
+ d4 d4 d4 c4
+ b2( bes2)
+ %Christe
+ a4 s4 r4 a'4
+ g4 f4 e4 d4
+ d2 d4 d4
+ d4 cis4 f4 e4
+ d2 d4 d4
+ e4 e4 d4 d4
+ d2 cis4 e4
+ d4 bes4 a4 a4
+ a4 a4 r2
+ r2 r4 g'4
+ fis4 e4 d4 ees4
+ d2. e4
+ d2 d2
+ cis1
+ d1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ % { \meta }
+ \tenorArt
+ %the actual tune
+ {
+ r4
+ r1
+ r4 d4 c4 bes4
+ a2 a4 a4
+ a4 a4 a4 a4
+ bes2 a4 a4
+ a2 a4 a4
+ a4 a4 a4 gis4
+ a4( d4) c4 f4(
+ %Attende
+ e4) e4( d4) d4 ~
+ d4 cis4( d4) a4
+ a4( b4) c4( d4)
+ c4( b4) c4 r4
+ r4 a4 b4 cis4
+ d4 d4 r2
+ r4 g,4 a4 b4
+ c4 c4 r2
+ r4 f,4 g4 a4
+ bes2 bes4 f4
+ f4. f8 fis4 g4
+ a4 bes4 a4 a4
+ aes4( g4 ~ g2)
+ %Christe
+ f4 a4 a4 a4
+ a2 a4 r4
+ r4 d4 c4 bes4
+ a2 a4 a4
+ a4 a4 a4 a4
+ bes2 a4 a4
+ b2 a4 a4
+ a4 g4 f4 e4
+ f4 f4 r2
+ r4 d'4 c4 bes4
+ a4 g4 fis4 fis4
+ g4( a4) bes4 bes4
+ a2 g2
+ g4( fis4 a4 g4)
+ fis1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c' {
+ <<
+ % { \meta }
+ \bassArt
+ %the actual tune
+ \clef bass
+ {
+ r4
+ r4 a4 g4 f4
+ g2 g4 g4
+ a4 a4 a,4 cis4
+ d4.( e8) f4 f4
+ g4 g4 f4 f4
+ e2 d4 c4
+ b4 c4 d4 e4
+ a2 a4 d4 ~
+ %Attende
+ d4 c4 ~ c4 bes4
+ a2 d,2
+ d2 d2
+ e2 a4 s4
+ r1
+ r4 a4 g4 f4
+ g4 g4 r2
+ r4 g4 f4 e4
+ f4 f4 r2
+ r2 r4 f4
+ bes,4. bes8 bes4 bes4
+ bes4 bes4 b4 c4
+ d2(\( des4\) c4)
+ %Christe
+ f,4 r4 r2
+ r4 a'4 g4 f4
+ g2 g4 g4
+ a4 a4 a,4 cis4
+ d4.( e8) f4 f4
+ g4 g4 f4 f4
+ e2 a,4 cis4
+ d4 g,4 a4 a4
+ d4 d4 d2
+ d1
+ d1
+ d2. cis4
+ d2 g,2
+ a1
+ d1
+ }
+ >>
+ }
+
diff --git a/hr/quartett/christe/texte.ly b/hr/quartett/christe/texte.ly
new file mode 100644
index 0000000..9c9e740
--- /dev/null
+++ b/hr/quartett/christe/texte.ly
@@ -0,0 +1,70 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+% Abkürzungen
+
+ christe = \lyricmode {
+ O Je -- su Chri -- ste ca -- re
+ }
+ jesu = \lyricmode {
+ O Je -- su ca -- re
+ }
+
+ sol = \lyricmode {
+ Sol pec -- to -- ris præ -- cla -- re,
+ }
+ Sol = \lyricmode {
+ Sol pec -- to -- ris
+ }
+
+ pr = \lyricmode {
+ præ -- cla -- re,
+ }
+
+ attende = \lyricmode {
+ At -- ten -- de vo -- ta
+ }
+
+ grate = \lyricmode {
+ no -- stra gra -- te
+ }
+
+ excellens = \lyricmode {
+ Ex -- cel -- lens bo -- ni -- ta -- te
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyricmode {
+ \christe \sol \sol \pr
+ \attende \grate \christe \sol
+ \excellens \attende vo -- ta \grate
+ \christe \sol \Sol \sol
+ \excellens \attende \grate
+ }
+
+ altText = \lyrics {
+ \christe \sol \sol \sol
+ \attende \grate \christe \sol \pr
+ \attende vo -- ta \grate
+ \christe \sol \sol \sol
+ \attende vo -- ta \grate
+ }
+
+ tenorText = \lyricmode {
+ \jesu \sol \pr \sol
+ \attende \grate
+ \jesu \jesu \jesu
+ \attende vo -- ta \grate
+ \jesu \jesu \sol \pr \sol
+ \excellens \attende gra -- te
+ }
+
+ bassText = \lyrics {
+ \jesu \sol \sol \sol
+ \attende \grate
+ \jesu \jesu
+ \attende vo -- ta \grate
+ \jesu \sol \sol \sol
+ \attende \grate
+ }
+
diff --git a/hr/quartett/convivium/convivium.ly b/hr/quartett/convivium/convivium.ly
new file mode 100644
index 0000000..1f7a6a8
--- /dev/null
+++ b/hr/quartett/convivium/convivium.ly
@@ -0,0 +1,59 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+\version "2.12"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "O sacrum convivium!"
+ composer = "Olivier MESSIAEN"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 15
+ ragged-last-bottom = #'f
+ }
+
+ %\layout {
+ % indent = #0
+ % \context {
+ % \Staff
+ % \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ % }
+ %}
+
+ #(set-global-staff-size 13)
+
+ \score {
+ \new ChoirStaff <<
+ \new Lyrics = "s"
+ \new Staff = sopran <<
+ \set Staff.midiInstrument = #"accordion"
+ \new Voice = "soprane" { \global \voiceOne \sopranMelodie \bar "||" }
+ \new Voice = "alti" { \global \voiceTwo \altMelodie }
+ >>
+ \new Lyrics = "a"
+ \new Lyrics = "t"
+ \new Staff = tenor <<
+ \set Staff.midiInstrument = #"accordion"
+ \new Voice = "tenoere" { \global \voiceOne \tenorMelodie }
+ \new Voice = "baesse" { \global \voiceTwo \bassMelodie }
+ >>
+ \new Lyrics = "b"
+ \context Lyrics = "s" \lyricsto soprane \sopranText
+ \context Lyrics = "a" \lyricsto alti \altText
+ \context Lyrics = "t" \lyricsto tenoere \tenorText
+ \context Lyrics = "b" \lyricsto baesse \bassText
+ >>
+ \midi {
+ \context{
+ \Score
+% tempoWholesPerMinute = #(ly:make-mment 72 4)
+ }
+ }
+ }
+
diff --git a/hr/quartett/convivium/convivium.midi b/hr/quartett/convivium/convivium.midi
new file mode 100644
index 0000000..d35227c
--- /dev/null
+++ b/hr/quartett/convivium/convivium.midi
Binary files differ
diff --git a/hr/quartett/convivium/convivium.ogg b/hr/quartett/convivium/convivium.ogg
new file mode 100644
index 0000000..fb52e0e
--- /dev/null
+++ b/hr/quartett/convivium/convivium.ogg
Binary files differ
diff --git a/hr/quartett/convivium/convivium1.midi b/hr/quartett/convivium/convivium1.midi
new file mode 100644
index 0000000..a29bd0f
--- /dev/null
+++ b/hr/quartett/convivium/convivium1.midi
Binary files differ
diff --git a/hr/quartett/convivium/convivium_.midi b/hr/quartett/convivium/convivium_.midi
new file mode 100644
index 0000000..a29bd0f
--- /dev/null
+++ b/hr/quartett/convivium/convivium_.midi
Binary files differ
diff --git a/hr/quartett/convivium/dynArt.ly b/hr/quartett/convivium/dynArt.ly
new file mode 100644
index 0000000..a120a4d
--- /dev/null
+++ b/hr/quartett/convivium/dynArt.ly
@@ -0,0 +1,39 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+ meta = {
+ %(dynamic) marks global to all voices
+ %\dynamicUp
+ s1\p s1
+ s1*8
+ s1\mf s1\dim
+ s1*4
+ s1\pp s1
+ s1\p s1\cresc
+ \time 5/2
+ s1 s1 s2
+ \time 4/2
+ s1\f s1
+ s1*2
+ \time 3/2
+ s1\p s2
+ s2*3
+ s2.\dim s2.
+ \time 4/2
+ s2 s1\pp s2
+ s1 s1\fermata
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/quartett/convivium/mid/alt.midi b/hr/quartett/convivium/mid/alt.midi
new file mode 100644
index 0000000..8c66e6e
--- /dev/null
+++ b/hr/quartett/convivium/mid/alt.midi
Binary files differ
diff --git a/hr/quartett/convivium/mid/bass.midi b/hr/quartett/convivium/mid/bass.midi
new file mode 100644
index 0000000..eb83c92
--- /dev/null
+++ b/hr/quartett/convivium/mid/bass.midi
Binary files differ
diff --git a/hr/quartett/convivium/mid/gesamt.midi b/hr/quartett/convivium/mid/gesamt.midi
new file mode 100644
index 0000000..a29bd0f
--- /dev/null
+++ b/hr/quartett/convivium/mid/gesamt.midi
Binary files differ
diff --git a/hr/quartett/convivium/mid/sopran.midi b/hr/quartett/convivium/mid/sopran.midi
new file mode 100644
index 0000000..edcccfe
--- /dev/null
+++ b/hr/quartett/convivium/mid/sopran.midi
Binary files differ
diff --git a/hr/quartett/convivium/mid/tenor.midi b/hr/quartett/convivium/mid/tenor.midi
new file mode 100644
index 0000000..7e1a443
--- /dev/null
+++ b/hr/quartett/convivium/mid/tenor.midi
Binary files differ
diff --git a/hr/quartett/convivium/midis/alt_.midi b/hr/quartett/convivium/midis/alt_.midi
new file mode 100644
index 0000000..73be7f7
--- /dev/null
+++ b/hr/quartett/convivium/midis/alt_.midi
Binary files differ
diff --git a/hr/quartett/convivium/midis/bass_.midi b/hr/quartett/convivium/midis/bass_.midi
new file mode 100644
index 0000000..d84282f
--- /dev/null
+++ b/hr/quartett/convivium/midis/bass_.midi
Binary files differ
diff --git a/hr/quartett/convivium/midis/gesamt.midi b/hr/quartett/convivium/midis/gesamt.midi
new file mode 100644
index 0000000..a29bd0f
--- /dev/null
+++ b/hr/quartett/convivium/midis/gesamt.midi
Binary files differ
diff --git a/hr/quartett/convivium/midis/sopran_.midi b/hr/quartett/convivium/midis/sopran_.midi
new file mode 100644
index 0000000..3d8cfab
--- /dev/null
+++ b/hr/quartett/convivium/midis/sopran_.midi
Binary files differ
diff --git a/hr/quartett/convivium/midis/tenor_.midi b/hr/quartett/convivium/midis/tenor_.midi
new file mode 100644
index 0000000..2d9cb1c
--- /dev/null
+++ b/hr/quartett/convivium/midis/tenor_.midi
Binary files differ
diff --git a/hr/quartett/convivium/midis/unterstimmen.midi b/hr/quartett/convivium/midis/unterstimmen.midi
new file mode 100644
index 0000000..eda66cf
--- /dev/null
+++ b/hr/quartett/convivium/midis/unterstimmen.midi
Binary files differ
diff --git a/hr/quartett/convivium/ohneAlt.midi b/hr/quartett/convivium/ohneAlt.midi
new file mode 100644
index 0000000..e6df95d
--- /dev/null
+++ b/hr/quartett/convivium/ohneAlt.midi
Binary files differ
diff --git a/hr/quartett/convivium/ohneTenor.midi b/hr/quartett/convivium/ohneTenor.midi
new file mode 100644
index 0000000..f9de8d4
--- /dev/null
+++ b/hr/quartett/convivium/ohneTenor.midi
Binary files differ
diff --git a/hr/quartett/convivium/stimmen.ly b/hr/quartett/convivium/stimmen.ly
new file mode 100644
index 0000000..f8851d1
--- /dev/null
+++ b/hr/quartett/convivium/stimmen.ly
@@ -0,0 +1,162 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key fis \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/2
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ \dynamicUp
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ %\set Staff.midiInstrument = "dulcimer"
+ {
+ eis4.\( cisis4 dis4 gis4 eis4 cisis8 dis2\)
+ eis4.\( cisis4 dis4 gis4 cis4 ais8 gis2\)
+ ais4.\( dis4 cis4 gis4 cis8 dis8 cis8 gis2\)
+ ais4.\( dis4 cis4 gis4 cis4( ais8) gis2\)
+ bis4.\( fis'4 dis4 a4 bis8( dis8) bis8 fis2\)
+ a4.\( ees'4 c4 fis,4 a8( c8) a8 fis2\)
+ fis4\( f8( gis8 f8) d2\)
+ s8
+ f4.\( d4\) f8 ~
+ f4\( d4\) f2.\( d2.\)
+ %O sacrum convivium
+ eis4.\( cisis4 dis4 gis4 eis4 cisis8 dis2\)
+ eis4.\( cisis4 dis4 gis4 cis4 ais8 gis2\)
+ ais4.\( dis4 cis4 gis4 cis4.( fis4) dis4 ais4\)
+ s4
+ dis4.\( ais'4 eis4 d4 eis8( gis8) eis8 d2\)
+ bis4.\( fis'4 dis4 gis,4 ais8( cis8 ais8) gis2\)
+ gis'4.\(( dis4 eis4 dis8 gis,4 ais4
+ cis4 ais8 dis,4 fis4
+ s8
+ ais4) fis8
+ s8
+ cis4( dis4 ~ dis4) cis4( dis4 ~ dis4)\)
+ cis4\(( dis4) gis4. dis4\) gis4.\( dis4 dis4
+ gis2. dis4 dis1\)
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ %\set Staff.midiInstrument = "acoustic grand"
+ {
+ ais4.\( ais4 b4 b4 ais4 ais8 b2\)
+ ais4.\( ais4 b4 b4 d4 d8 dis2\)
+ eis4.\( eis4 fis4 fis4 g8 g8 g8 fis2\)
+ eis4.\( eis4 fis4 fis4 g4. fis2\)
+ fis4.\( fis4 fis4 e4 fis4 fis8 fis2\)
+ ees4.\( ees4 ees4 des4 ees4 ees8 des2\)
+ des4\( c4. b2\)
+ s8
+ b4.\( bes4\) b8 ~
+ b4\( bes4\) a2.\( a2.\)
+ %O sacrum convivium
+ ais4.\( ais4 b4 b4 ais4 ais8 b2\)
+ ais4.\( ais4 b4 b4 d4 d8 dis2\)
+ eis4.\( eis4 fis4 fis4 g4. ~ g4 gis4 gis4\)
+ s4
+ ais4.\( b4 gis4 fis4 a4 a8 a2\)
+ fis4.\( ais4 fis4 dis4 fis4. fis2\)
+ fis1\(( ~ fis2
+ dis4. ~ cis2
+ s8
+ b4) b8
+ s8
+ b2. b2.\)
+ gis4\(( b4) ais4. ais4\) ais4.\( ais4 ais4
+ ais2. ais4 ais1\)
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c {
+ <<
+ \dynamicUp
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ %\set Staff.midiInstrument = "celesta"
+ {
+ cis4.\( cis4 cis4 cis4 cis4 cis8 cis2\)
+ cis4.\( cis4 cis4 cis4 eis4 eis8 fis2\)
+ b4.\( b4 b4 b4 b8 b8 b8 b2\)
+ b4.\( b4 b4 b4 b4. b2\)
+ ais4.\( ais4 ais4 bis4 ais4 ais8 ais2\)
+ g4.\( g4 g4 a4 g4 g8 g2\)
+ g4\( fis4. fis2\)
+ s8
+ d4.\( d4\) d8 ~
+ d4\( d4\) d2.\( d2.\)
+ %O sacrum convivium
+ cis4.\( cis4 cis4 cis4 cis4 cis8 cis2\)
+ cis4.\( cis4 cis4 cis4 eis4 eis8 fis2\)
+ b4.\( b4 b4 b4 b4. ~ b4 b4 b4\)
+ s4
+ b4.\( eis4 dis4 cis4 bis4 bis8 bis2\)
+ ais4.\( dis4 cis4 ais4 b4. b2\)
+ ais1\(( ~ ais2
+ fis4. ~ fis2
+ s8
+ fis4) fis8
+ s8
+ fis2. fis2.\)
+ dis4\(( fis4) cis4. cis4\) cis4.\( cis4 cis4
+ cis2. cis4 cis1\)
+ }
+ >>
+ }
+
+ bassMelodie = \relative c, {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ %\set Staff.midiInstrument = "harpsichord"
+ {
+ fis4.\( fis4 fis4 fis4 fis4 fis8 fis2\)
+ fis4.\( fis4 fis4 fis4 b4 b8 b2\)
+ cis4.\( cis4 d4 d4 dis8 dis8 dis8 d2\)
+ cis4.\( cis4 d4 d4 dis4. d2\)
+ cis4.\( cis4 cis4 cis4 cis4 cis8 cis2\)
+ bes4.\( bes4 bes4 bes4 bes4 bes8 a2\)
+ a4\( a4. gis2\)
+ s8
+ g4.\( g4\) g8 ~
+ g4\( g4\) fis2.\( fis2.\)
+ %O sacrum convivium
+ fis4.\( fis4 fis4 fis4 fis4 fis8 fis2\)
+ fis4.\( fis4 fis4 fis4 b4 b8 b2\)
+ cis4.\( cis4 d4 d4 dis4. ~ dis4 e4 e4\)
+ s4
+ eis4.\( cis'4 b4 ais4 fis4 fis8 fis2\)
+ dis4.\( bis'4 ais4 fis4 d4. d2\)
+ %\break
+ cis1\(( ~ cis2
+ ais4. ~ ais2
+ s8
+ gis4) gis8
+ s8
+ gis2. gis2.\)
+ b4\(( gis4) fis4. fis4\) fis4.\( fis4 fis4
+ fis2. fis4 fis1\)
+ }
+ >>
+ }
+
diff --git a/hr/quartett/convivium/texte.ly b/hr/quartett/convivium/texte.ly
new file mode 100644
index 0000000..795da3a
--- /dev/null
+++ b/hr/quartett/convivium/texte.ly
@@ -0,0 +1,51 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+% Abkürzungen
+
+ o = \lyricmode {
+ O sá -- crum con -- ví -- vi -- um!
+ }
+ in = \lyricmode {
+ in quo Chrí -- stus sú -- mi -- tur:
+ }
+ rec = \lyricmode {
+ re -- có -- li -- tur me -- mó -- ri -- a
+ pas -- si -- ó -- nis é -- jus:
+ }
+ mens = \lyricmode {
+ mens im -- plé -- tur grá -- ti --
+ }
+ sacrum = \lyricmode {
+ O sá -- crum, sá -- crum, sá -- crum, sá -- crum,
+ }
+ et = \lyricmode {
+ et fu -- tú -- ræ gló -- ri -- æ
+ nó -- bis pí -- gnus dá -- tur,
+ al -- le -- lú -- ia.
+ }
+ ende = \lyricmode {
+ O sá -- crum, sá -- crum con -- ví -- vi -- um!
+ }
+ gesamt = \lyricmode {
+ \o \in \rec \mens a, \mens a. \sacrum
+ \o \in \mens a: \et \ende
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyricmode {
+ \gesamt
+ }
+
+ altText = \lyricmode {
+ \gesamt
+ }
+
+ tenorText = \lyricmode {
+ \gesamt
+ }
+
+ bassText = \lyricmode {
+ \gesamt
+ }
+
diff --git a/hr/quartett/convivium/unterstimmen.midi b/hr/quartett/convivium/unterstimmen.midi
new file mode 100644
index 0000000..58b0ea5
--- /dev/null
+++ b/hr/quartett/convivium/unterstimmen.midi
Binary files differ
diff --git a/hr/quartett/credo/credo.ly b/hr/quartett/credo/credo.ly
new file mode 100644
index 0000000..76bbd55
--- /dev/null
+++ b/hr/quartett/credo/credo.ly
@@ -0,0 +1,59 @@
+%some settings% vim: ai encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "<+Titel+>"
+ composer = "<+Komponist+>"
+ %opus = "<+Werk+>"
+ %tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ \score {
+ \new ChoirStaff <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\lyricsto soprane \sopranText
+ >>
+ \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\lyricsto alti \altText
+ >>
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ %\lyricsto tenoere \tenorText
+ >>
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\lyricsto baesse \bassText
+ >>
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/quartett/credo/dynArt.ly b/hr/quartett/credo/dynArt.ly
new file mode 100644
index 0000000..cc03b0e
--- /dev/null
+++ b/hr/quartett/credo/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai encoding=utf8 et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/quartett/credo/stimmen.ly b/hr/quartett/credo/stimmen.ly
new file mode 100644
index 0000000..68b5ca2
--- /dev/null
+++ b/hr/quartett/credo/stimmen.ly
@@ -0,0 +1,594 @@
+%some settings% vim: ai encoding=utf8 et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key e \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ }
+
+% Die Stimmen
+
+ sopranA = {
+ r1
+ \time 2/4
+ r1
+ \time 3/4
+ r1
+ r1
+ \time 4/4
+ r1
+ r1
+ \time 3/4
+ r1
+ \time 4/4
+ r1
+ \time 3/4
+ r1
+ \time 2/4
+ r1
+ \time 3/4
+ r1
+ % -- 12 -- %
+ \time 4/4
+ r1
+ r1
+ \time 5/4
+ r1
+ \time 2/4
+ r1
+ \time 3/4
+ r1
+ \time 4/4
+ r1
+ \time 2/4
+ r1
+ \time 4/4
+ r1
+ r1
+ r1
+ % -- 22 -- %
+ \time 3/4
+ r1
+ r1
+ \time 2/4
+ r1
+ r1
+ r1
+ \time 4/4
+ r1
+ \time 6/4
+ r1
+ \time 4/4
+ r1
+ \time 3/4
+ r1
+ % -- 31 -- %
+ r1
+ \time 5/4
+ r1
+ \time 2/4
+ r1
+ r1
+ r1
+ r1
+ \time 3/4
+ r1
+ r1
+ \time 2/4
+ r1
+ \time 4/4
+ r1
+ % -- 41 -- %
+ \time 5/4
+ r1
+ \time 3/4
+ r1
+ r1
+ r1
+ \time 4/4
+ r1
+ \time 2/4
+ r1
+ \time 4/4
+ r1
+ r1
+ % -- 49 -- %
+ r1
+ \time 2/4
+ r1
+ \time 3/4
+ r1
+ \time 4/4
+ r1
+ \time 3/4
+ r1
+ \time 4/4
+ r1
+ r1
+ \time 2/4
+ r1
+ \time 3/4
+ r1
+ % -- 58 -- %
+ r1
+ \time 2/4
+ r1
+ \time 3/4
+ r1
+ \time 2/4
+ r1
+ \time 4/4
+ r1
+ \time 3/4
+ r1
+ \time 2/4
+ r1
+ \time 3/4
+ r1
+ \time 4/4
+ r1
+ % -- 67 -- %
+ r1
+ \time 3/4
+ r1
+ \time 2/4
+ r1
+ \time 4/4
+ r1
+ \time 3/4
+ r1
+ \time 4/4
+ r1
+ r1
+ }
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ \sopranA
+ }
+ >>
+ }
+
+ altA = {
+ r1
+ \time 2/4
+ r1
+ \time 3/4
+ r1
+ r1
+ \time 4/4
+ r1
+ r1
+ \time 3/4
+ r1
+ \time 4/4
+ r1
+ \time 3/4
+ r1
+ \time 2/4
+ r1
+ \time 3/4
+ r1
+ % -- 12 -- %
+ \time 4/4
+ r1
+ r1
+ \time 5/4
+ r1
+ \time 2/4
+ r1
+ \time 3/4
+ r1
+ \time 4/4
+ r1
+ \time 2/4
+ r1
+ \time 4/4
+ r1
+ r1
+ r1
+ % -- 22 -- %
+ \time 3/4
+ r1
+ r1
+ \time 2/4
+ r1
+ r1
+ r1
+ \time 4/4
+ r1
+ \time 6/4
+ r1
+ \time 4/4
+ r1
+ \time 3/4
+ r1
+ % -- 31 -- %
+ r1
+ \time 5/4
+ r1
+ \time 2/4
+ r1
+ r1
+ r1
+ r1
+ \time 3/4
+ r1
+ r1
+ \time 2/4
+ r1
+ \time 4/4
+ r1
+ % -- 41 -- %
+ \time 5/4
+ r1
+ \time 3/4
+ r1
+ r1
+ r1
+ \time 4/4
+ r1
+ \time 2/4
+ r1
+ \time 4/4
+ r1
+ r1
+ % -- 49 -- %
+ r1
+ \time 2/4
+ r1
+ \time 3/4
+ r1
+ \time 4/4
+ r1
+ \time 3/4
+ r1
+ \time 4/4
+ r1
+ r1
+ \time 2/4
+ r1
+ \time 3/4
+ r1
+ % -- 58 -- %
+ r1
+ \time 2/4
+ r1
+ \time 3/4
+ r1
+ \time 2/4
+ r1
+ \time 4/4
+ r1
+ \time 3/4
+ r1
+ \time 2/4
+ r1
+ \time 3/4
+ r1
+ \time 4/4
+ r1
+ % -- 67 -- %
+ r1
+ \time 3/4
+ r1
+ \time 2/4
+ r1
+ \time 4/4
+ r1
+ \time 3/4
+ r1
+ \time 4/4
+ r1
+ r1
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ \altA
+ }
+ >>
+ }
+
+ tenorA = {
+ r1
+ \time 2/4
+ r1
+ \time 3/4
+ r1
+ r1
+ \time 4/4
+ r1
+ r1
+ \time 3/4
+ r1
+ \time 4/4
+ r1
+ \time 3/4
+ r1
+ \time 2/4
+ r1
+ \time 3/4
+ r1
+ % -- 12 -- %
+ \time 4/4
+ r1
+ r1
+ \time 5/4
+ r1
+ \time 2/4
+ r1
+ \time 3/4
+ r1
+ \time 4/4
+ r1
+ \time 2/4
+ r1
+ \time 4/4
+ r1
+ r1
+ r1
+ % -- 22 -- %
+ \time 3/4
+ r1
+ r1
+ \time 2/4
+ r1
+ r1
+ r1
+ \time 4/4
+ r1
+ \time 6/4
+ r1
+ \time 4/4
+ r1
+ \time 3/4
+ r1
+ % -- 31 -- %
+ r1
+ \time 5/4
+ r1
+ \time 2/4
+ r1
+ r1
+ r1
+ r1
+ \time 3/4
+ r1
+ r1
+ \time 2/4
+ r1
+ \time 4/4
+ r1
+ % -- 41 -- %
+ \time 5/4
+ r1
+ \time 3/4
+ r1
+ r1
+ r1
+ \time 4/4
+ r1
+ \time 2/4
+ r1
+ \time 4/4
+ r1
+ r1
+ % -- 49 -- %
+ r1
+ \time 2/4
+ r1
+ \time 3/4
+ r1
+ \time 4/4
+ r1
+ \time 3/4
+ r1
+ \time 4/4
+ r1
+ r1
+ \time 2/4
+ r1
+ \time 3/4
+ r1
+ % -- 58 -- %
+ r1
+ \time 2/4
+ r1
+ \time 3/4
+ r1
+ \time 2/4
+ r1
+ \time 4/4
+ r1
+ \time 3/4
+ r1
+ \time 2/4
+ r1
+ \time 3/4
+ r1
+ \time 4/4
+ r1
+ % -- 67 -- %
+ r1
+ \time 3/4
+ r1
+ \time 2/4
+ r1
+ \time 4/4
+ r1
+ \time 3/4
+ r1
+ \time 4/4
+ r1
+ r1
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ \tenorA
+ }
+ >>
+ }
+
+ bassA = {
+ r1
+ \time 2/4
+ r1
+ \time 3/4
+ r1
+ r1
+ \time 4/4
+ r1
+ r1
+ \time 3/4
+ r1
+ \time 4/4
+ r1
+ \time 3/4
+ r1
+ \time 2/4
+ r1
+ \time 3/4
+ r1
+ % -- 12 -- %
+ \time 4/4
+ r1
+ r1
+ \time 5/4
+ r1
+ \time 2/4
+ r1
+ \time 3/4
+ r1
+ \time 4/4
+ r1
+ \time 2/4
+ r1
+ \time 4/4
+ r1
+ r1
+ r1
+ % -- 22 -- %
+ \time 3/4
+ r1
+ r1
+ \time 2/4
+ r1
+ r1
+ r1
+ \time 4/4
+ r1
+ \time 6/4
+ r1
+ \time 4/4
+ r1
+ \time 3/4
+ r1
+ % -- 31 -- %
+ r1
+ \time 5/4
+ r1
+ \time 2/4
+ r1
+ r1
+ r1
+ r1
+ \time 3/4
+ r1
+ r1
+ \time 2/4
+ r1
+ \time 4/4
+ r1
+ % -- 41 -- %
+ \time 5/4
+ r1
+ \time 3/4
+ r1
+ r1
+ r1
+ \time 4/4
+ r1
+ \time 2/4
+ r1
+ \time 4/4
+ r1
+ r1
+ % -- 49 -- %
+ r1
+ \time 2/4
+ r1
+ \time 3/4
+ r1
+ \time 4/4
+ r1
+ \time 3/4
+ r1
+ \time 4/4
+ r1
+ r1
+ \time 2/4
+ r1
+ \time 3/4
+ r1
+ % -- 58 -- %
+ r1
+ \time 2/4
+ r1
+ \time 3/4
+ r1
+ \time 2/4
+ r1
+ \time 4/4
+ r1
+ \time 3/4
+ r1
+ \time 2/4
+ r1
+ \time 3/4
+ r1
+ \time 4/4
+ r1
+ % -- 67 -- %
+ r1
+ \time 3/4
+ r1
+ \time 2/4
+ r1
+ \time 4/4
+ r1
+ \time 3/4
+ r1
+ \time 4/4
+ r1
+ r1
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ \bassA
+ }
+ >>
+ }
+
diff --git a/hr/quartett/credo/texte.ly b/hr/quartett/credo/texte.ly
new file mode 100644
index 0000000..9951256
--- /dev/null
+++ b/hr/quartett/credo/texte.ly
@@ -0,0 +1,22 @@
+%some settings% vim: ai encoding=utf8 et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ <+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ <+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ <+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ <+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/quartett/dignare/dignare.ly b/hr/quartett/dignare/dignare.ly
new file mode 100644
index 0000000..a3b29a0
--- /dev/null
+++ b/hr/quartett/dignare/dignare.ly
@@ -0,0 +1,55 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Dignare custos Angele"
+ composer = "Anton Bruckner"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ { \dynamicUp \meta }
+ \new Voice = "soprane" { \global \voiceOne \sopranMelodie }
+ \new Voice = "alti" { \global \voiceTwo \altMelodie }
+ >>
+ \new Lyrics = "txt" \lyricsto soprane { \text }
+ \new Staff = tenor <<
+ { \dynamicDown \meta }
+ \new Voice = "tenoere" { \global \voiceOne \tenorMelodie }
+ \new Voice = "baesse" { \global \voiceTwo \bassMelodie }
+ >>
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/quartett/dignare/dynArt.ly b/hr/quartett/dignare/dynArt.ly
new file mode 100644
index 0000000..8d8dd61
--- /dev/null
+++ b/hr/quartett/dignare/dynArt.ly
@@ -0,0 +1,56 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+ global = {
+ \key g \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ \partial 2
+ }
+
+ meta = {
+ %(dynamic) marks global to all voices
+ %\dynamicUp
+ \global
+ s2\p
+ s1
+ s1
+ s1
+ s2 s2\mf
+ s1
+ s1
+ s1
+ s2 r2
+ s1\f
+ s1
+ s1
+ s2 s2\p
+ s1
+ s1
+ s1
+ s2 s2
+ s1
+ s1\mf
+ s1
+ s2 s2\f
+ s1
+ s1
+ s1
+ s1
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/quartett/dignare/midi.lua b/hr/quartett/dignare/midi.lua
new file mode 100644
index 0000000..f8b2520
--- /dev/null
+++ b/hr/quartett/dignare/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu encoding=utf8 et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/quartett/dignare/stimmen.ly b/hr/quartett/dignare/stimmen.ly
new file mode 100644
index 0000000..844c622
--- /dev/null
+++ b/hr/quartett/dignare/stimmen.ly
@@ -0,0 +1,145 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ %\sopranArt
+ %the actual tune
+ {
+ e2
+ g2 a2
+ b2 c2
+ b2. a4
+ e2\fermata g2
+ b2 c2
+ d2 e2
+ d2. a4
+ b2 s2
+ b2 a4 b4
+ c2( a4) c4
+ e2( d4) d4
+ e2\fermata e2
+ d2 c2
+ b2 a2
+ b2. b4
+ cis2\fermata e,2
+ fis2 g2
+ fis2 fis2(
+ gis2) a2
+ gis2\fermata b2
+ c2. c4
+ b2 e,2
+ e2 fis2
+ gis1\fermata
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ %\altArt
+ %the actual tune
+ {
+ e2
+ e2 c2
+ d2 e2
+ d2( c4) c4
+ b2 g'2
+ g2 e2
+ g2 g2
+ g2. fis4
+ g2 s2
+ b2 a4 b4
+ c2( a4) a4
+ g2. g4
+ g2 e2
+ e2 e2
+ e2 e2
+ e2. e4
+ e2 cis2
+ d2 d2
+ d2 dis2(
+ e2) e2
+ e2 e2
+ e2. e4
+ e2 e2
+ e2 e2
+ e1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c {
+ <<
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ e2
+ e2 e2
+ g2 g2
+ g2( e4) e4
+ g2\fermata g2
+ g2 g2
+ d'2 c2
+ b4( a8 g8 a4) d4
+ d2 s2
+ b2 a4 b4
+ c2( a4) a4
+ c2. b4
+ c2\fermata c2
+ b2 a2
+ gis2 a2
+ a2( gis4) gis4
+ a2\fermata a2
+ a2 b2
+ a2 b2 ~
+ b2 cis2
+ b2\fermata gis2
+ a2. a4
+ gis2 e2
+ e2 c'2
+ b1\fermata
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ e2
+ c2 a2
+ g2 c2
+ g2( a4) a4
+ e'2 g2
+ e2 c2
+ b2 c2
+ d2. d4
+ g,2 s2
+ b'2 a4 b4
+ c2( a4) f4
+ e4( f4 g4) g4
+ c,2 a2
+ b2 c4( d4)
+ e2 e2
+ e2. e4
+ a,2 a2
+ d2 g,2
+ d'2 b2(
+ e2) a,2
+ e'2 e2
+ a,2. a4
+ e'2 e4( d4)
+ c2 a2
+ c,1
+ }
+ >>
+ }
+
diff --git a/hr/quartett/dignare/texte.ly b/hr/quartett/dignare/texte.ly
new file mode 100644
index 0000000..b7d4e81
--- /dev/null
+++ b/hr/quartett/dignare/texte.ly
@@ -0,0 +1,15 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ text = \lyrics {
+ Iam lu -- cis or -- to si -- de -- re
+ Di -- gna -- re cu -- stos an -- ge -- le!
+ Men -- tis fu -- ga -- re nu -- bi -- la
+ Et al -- ma fer -- re lu -- mi -- na;
+ Me re -- cta pru -- dens do -- ce,
+ Ut ex -- se -- quar me com -- mo -- ne.
+ }
+
diff --git a/hr/quartett/jesu/dynArt.ly b/hr/quartett/jesu/dynArt.ly
new file mode 100644
index 0000000..756726f
--- /dev/null
+++ b/hr/quartett/jesu/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/quartett/jesu/jesu.ly b/hr/quartett/jesu/jesu.ly
new file mode 100644
index 0000000..5611b0e
--- /dev/null
+++ b/hr/quartett/jesu/jesu.ly
@@ -0,0 +1,60 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Jesu, meine Freude"
+ composer = "Johann Sebastian Bach, 1685–1750"
+ opus = "BWV 227"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ \score {
+ \new ChoirStaff \with {} <<
+% \new Staff = sopran <<
+% %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+% \new Voice = "soprane" { \global \sopranMelodie }
+% %\addlyrics { \sopranText }
+% >>
+% \new Staff = alt <<
+% \new Voice = "alti" { \global \altMelodie }
+% %\addlyrics { \altText }
+% >>
+% \new Staff = tenor <<
+% \new Voice = "tenoere" { \global \tenorMelodie }
+% %\addlyrics { \tenorText }
+% >>
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ \addlyrics { \bassText }
+ >>
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/quartett/jesu/midi.lua b/hr/quartett/jesu/midi.lua
new file mode 100644
index 0000000..f8b2520
--- /dev/null
+++ b/hr/quartett/jesu/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu encoding=utf8 et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/quartett/jesu/stimmen.ly b/hr/quartett/jesu/stimmen.ly
new file mode 100644
index 0000000..e1ebbb6
--- /dev/null
+++ b/hr/quartett/jesu/stimmen.ly
@@ -0,0 +1,123 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key g \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ \repeat volta 2 {
+ e4 d4 c4. b8
+ a4( b4) e2
+ e4 a8( g8) fis4 g8( fis8)
+ e8( fis8 g8 a8) b2
+ c4 b8( a8) b4 b,4
+ e1
+ }
+ e8( fis8) g4 fis4 g4
+ c,4 d4 g,2
+ g'4 fis8( e8) fis4 g8( fis8)
+ e4 b4 e4( fis4)
+ b,2 e4 d4
+ c4 b4 a4( b4)
+ e1
+ \bar "||"
+ \time 3/2
+ \repeat unfold 2 {
+ e2 g2 fis2
+ g2 r2 r2
+ gis2 r2 r2
+ r2 a4( g4) fis4( e4)
+ dis2. dis4 dis4 b4
+ e2. fis4 g4 fis4
+ g4 e4 c2. c4
+ b2 r2 r2
+ }
+ b2 b'2 a2
+ gis2 e'2 e,2
+ a4( b4 a4 g4 fis4 e4
+ dis4 b4 b'4 a4 g4 fis4
+ e2) e2 r2
+ R1.
+ R1.
+ R1.
+ R1.
+ R1.
+ b4 b4 b4 b4 cis4 dis4
+ e4 ais,2 b2 cis4
+ d1. ~
+ d4( cis8 b8 cis4 d4 e4 fis4
+ g4 cis,2 d2 e4
+ fis4 b,2 cis2 d4
+ e4 d4) e2 r2
+ r2 d2 fis2
+ g2( e2) fis2
+ b1 r2
+ \repeat unfold 2 {
+ b2 d2 cis2
+ d2 r2 r2
+ dis2 r2 r2
+ r2 e4( d4) cis4( b4)
+ ais2. ais4 ais4 fis4
+ b2. cis4 d4 cis4
+ d4 b4 g'2. g4
+ fis2 r2 r2
+ }
+ R1.
+ R1.
+ r4 e4 gis4 fis4 gis4 e4
+ a1. ~
+ a2. b4 a4 g4
+ fis2. e4 fis4 d4
+ g4( fis4) g4 a4
+ }
+ >>
+ }
+
diff --git a/hr/quartett/jesu/texte.ly b/hr/quartett/jesu/texte.ly
new file mode 100644
index 0000000..51d4b6a
--- /dev/null
+++ b/hr/quartett/jesu/texte.ly
@@ -0,0 +1,22 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/quartett/lux/dynArt.ly b/hr/quartett/lux/dynArt.ly
new file mode 100644
index 0000000..1f40be6
--- /dev/null
+++ b/hr/quartett/lux/dynArt.ly
@@ -0,0 +1,185 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s8 s8\pp s2.
+ s1
+ \time 3/4
+ s4\fermata s8 s4.\p
+ \time 4/4
+ s2 s8 s8\mp s4\<
+ \time 3/4
+ s4\mf s2\>
+ \time 4/4
+ s1\p
+ s1\fermata
+ s1*3
+ \time 3/4
+ s4 s2\>
+ \time 4/4
+ s1\p
+ s8\fermata s8\> s2 s4\!
+ s1*2
+ s1\>
+ s1\!
+ s2 s2\<
+ s1\f
+ \time 3/4
+ s2.
+ \time 4/4
+ s1
+ s2 s2\>
+ \time 3/4
+ s8\mf s8\> s2
+ s2.\!
+ \time 4/4
+ s1\>
+ s1\p
+ s1*2
+ s2 s2\<
+ s2\mf s2\>
+ s1\mp
+ \time 3/4
+ s2.*2
+ \time 2/4
+ s2\>
+ \time 4/4
+ s1\p
+ s1*3
+ s1\fermata\>
+ \bar "||"
+ }
+
+% abkuerzungen
+
+ rit=^\markup{rit.}
+ at=^\markup{a tempo}
+ mr=^\markup{molto rit.}
+ memo=^\markup{meno mosso}
+ lg=^\markup{lunga}
+
+% articulation
+
+ sopranArt = {
+ s1
+ s2. s4\rit
+ s4. s4.\at
+ s1
+ s2 s4\rit
+ s2.\at s4\rit
+ s1
+ s8 s8\p s2.
+ s1
+ s2 s8 s8\mf s4
+ s2 s4\rit
+ s2.\at s4\mf
+ s8 s8\mp s2.
+ s1*3
+ s2..\at s8\mp
+ s2 s2\mr
+ s8 s2..\at
+ s2.
+ s1*2
+ s2.
+ s2.\mp
+ s2. s4\mr
+ s8 s2\at s8\mp s4
+ s1*2
+ s8 s8\mp s2.
+ s2 s2\rit
+ s2.\at s4\rit
+ s2.
+ s2\at s4\rit
+ s2\mr
+ s8 s2..\memo
+ s2 s8 s4.\mr
+ s1*2
+ s1\lg
+ }
+
+ altArt = {
+ s1*2
+ s2.
+ s1
+ s2.
+ s1
+ s8 s8\p s2.
+ s1*2
+ s2 s8 s8\mf s4
+ s2.
+ s1*2
+ s8 s2. s8\mp
+ s1*2
+ s1\p
+ s1*2
+ s2.
+ s1*2
+ s2.
+ s8\mp s8 s2
+ s1
+ s8 s8\mp s2.
+ s1
+ s2 s8 s8\mp s4
+ s1*3
+ s2.*2
+ s2
+ s1*5
+ }
+
+ tenorArt = {
+ s1*2
+ s2.
+ s1
+ s2.
+ s1*2
+ s8 s8\p s2.
+ s1
+ s4 s8 s8\mf s2
+ s2.
+ s1*2
+ s1\mp
+ s1*2
+ s1\p
+ s1*2
+ s2.
+ s1*2
+ s2.
+ s2.\mp
+ s1*3
+ s4. s8\mp s2
+ s1*3
+ s2.*2
+ s2
+ s1*5
+ }
+
+ bassArt = {
+ s1*2
+ s2.
+ s1
+ s2.
+ s1
+ s2 s8 s8\p s4
+ s1*2
+ s2 s8 s8\mf s4
+ s2.
+ s1*2
+ s8 s8\mp s2.
+ s1*2
+ s8 s8\mp s2.
+ s1*2
+ s2.
+ s1*2
+ s2.
+ s2.\mp
+ s1
+ s1
+ s1
+ s2 s8 s8\mp s4
+ s1*3
+ s2.*2
+ s2
+ s1*5
+ }
+
diff --git a/hr/quartett/lux/lux.ly b/hr/quartett/lux/lux.ly
new file mode 100644
index 0000000..17164c3
--- /dev/null
+++ b/hr/quartett/lux/lux.ly
@@ -0,0 +1,59 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+\version "2.12"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "O Nata Lux"
+ %composer = "<+Komponist+>"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ page-count = 3
+ ragged-last-bottom = ##f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 16)
+
+ \score {
+ \new ChoirStaff <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie \bar "||" }
+ \lyricsto soprane \sopranText
+ >>
+ \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ \lyricsto alti \altText
+ >>
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \lyricsto tenoere \tenorText
+ >>
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ \lyricsto baesse \bassText
+ >>
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 40 4)
+ %}
+ %}
+ }
+
diff --git a/hr/quartett/lux/lux.midi b/hr/quartett/lux/lux.midi
new file mode 100644
index 0000000..5d904ef
--- /dev/null
+++ b/hr/quartett/lux/lux.midi
Binary files differ
diff --git a/hr/quartett/lux/lux.ps b/hr/quartett/lux/lux.ps
new file mode 100644
index 0000000..c5295dc
--- /dev/null
+++ b/hr/quartett/lux/lux.ps
Binary files differ
diff --git a/hr/quartett/lux/stimmen.ly b/hr/quartett/lux/stimmen.ly
new file mode 100644
index 0000000..c21df98
--- /dev/null
+++ b/hr/quartett/lux/stimmen.ly
@@ -0,0 +1,339 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key d \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ \sopranArt
+ %the actual tune
+ {
+ r8 fis8 fis8 fis8 fis8 d8 g8 e8
+ e8 e8 e8 fis8 g8 g8 g8 a8
+ a4 r8 a8 d8 cis8
+ b8 b8 b8 cis8 d8 d8 g8 fis8
+ e8 fis8 d8 a8 a4
+ d,8 g8 g8 fis8 e8( g8) d8 d8
+ d2 ~ d8 r8 r4
+ r8 a'8 a4( ~ a8 d,8 g8) e8
+ e4 ~ e8 a8 d8 cis8 b8 b8
+ b8 cis8 d4 ~ d8 d8 g8 fis8
+ e8 fis8 d8 a8 a4
+ %laudes
+ d,8 g8 g8 fis8 e8( g8) d8 d8
+ d8 fis8 fis8 fis8 fis8 gis8 b8( gis8
+ e4 ~ e8) a8 a4 ~ a8 a8
+ a2. ~ a8 a8
+ << d,1 e1 >>
+ r2 r4 r8 b'8
+ b8 b8 b8 b8 b8( cis8 d8) e8
+ e1 ~
+ e8 fis8 d8( cis8) d8 e8
+ e1 ~
+ e8 fis8 d8( cis8 d8 g,8) e'8 a,8
+ fis8 fis8 b8 g8 g8 a8
+ %corporis
+ << { g2 ~ g8 } { a2 ~ a8 } >> d,8
+ d8 d8 d8 d8 d8 d8 d8 a'8
+ << { e2 ~ e8 } { a2 ~ a8 } >> a8 b8 a8
+ a2 ~ a8 b8 cis8( d8 ~
+ d8) a8 fis2 r4
+ r8 b8 b8 cis8 d4 ~ d8 d8
+ g8( fis8 e8 fis8 d8) a8 a4
+ %laudes
+ d,8 g8 g8 fis8 e8( g8) d8 d8
+ a'2 ~ a8 r8
+ d,8 g8 g8 fis8 e8( g8)
+ d4. d8
+ d8 fis8 fis8 fis8 fis8 d8 g8 e8
+ e8 e8 e8 fis8 g8 g8 g8 a8
+ <<
+ {
+ e1 ~
+ e1 ~
+ e1
+ }
+ {
+ a1 ~
+ a1 ~
+ a1
+ }
+ >>
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ \altArt
+ %the actual tune
+ {
+ r8 << { d8 d8 d8 d8 } { e8 e8 e8 e8 } >> d8 d8 d8
+ d8 d8 d8 d8 d8 d8 d8 d8
+ <<d4 e4>> r8 e8 e8 e8
+ a8 a8 a8 a8
+ <<
+ {
+ e8 e8 g8 g8
+ a8 a8 a8
+ }
+ {
+ a8 a8 d8 a8
+ d8 cis8 b8
+ }
+ >> g8 e4
+ b8
+ << { b8 b8 } { d8 d8 } >>
+ d8 d4 cis8 d8
+ d8 fis8 fis8 fis8 fis8 d8 g8 e8
+ e8 e8 e8 fis8 g8 g8 g8 a8
+ a4 ~ a8 e8 e8 e8 a8 a8
+ a8 a8
+ <<
+ {
+ e4 ~ e8 e8 g8 g8
+ a8 a8 a8
+ }
+ {
+ a4 ~ a8 a8 d8 a8
+ d8 cis8 b8
+ }
+ >> g8 e4
+ %laudes
+ b8 << { b8 b8 } { d8 d8 } >> d8 d4 cis8 d8
+ d2. r4
+ r2 r4 r8 b'8
+ b8 b8 b8 b8 b8( cis8 d8) a8
+ a4 ~ a8 a8 d8( cis8 b8 a8
+ e4 ~ e8 a8) a4 a8 a8
+ a2 ~ a4 ~ a8 a8
+ << { e4 ~ e8 } { a4 ~ a8 } >> a8 d8( cis8) b8 a8
+ a2. ~
+ a4 ~ a8 a8 d8( cis8) b8 a8
+ a1(
+ d,2.)
+ %corporis
+ r8 d8 g8 fis8 e8 d8
+ d2. ~ d8 d8
+ d8 fis8 fis8 fis8 fis8 d8 g8 e8
+ e8 e8 e8 fis8 g8 g8 g8 <<g8 a8>>
+ << { e2 ~ e8 } { a2 ~ a8 } >> a8 d8 cis8
+ b8 a8 a8 a8 <<
+ {
+ e4 ~ e8 e8
+ g8 g8 a8 a8 a8
+ }
+ {
+ a4 ~ a8 a8
+ d8 a8 d8 cis8 b8
+ }
+ >> g8 e4
+ %laudes
+ b8 << b8 d8 >> << b8 d8 >> d8 d4 cis8 d8
+ e2 ~ e8 r8
+ b8 << b8 d8 >> << b8 d8 >> d8 d4
+ cis4( a8) a8
+ d2 ~ d8 d8 d8 << b8 d8 >>
+ cis2( d8) d8 d8( b8
+ << { a1 ~ a2) } { d1 ~ d2) } >> a2
+ a1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ \tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r8 a8 a8 a8 a8 a8 g8 g8
+ a8 a8 a8 a8 g8 g8 g8 g8
+ fis4 r8 d'8 a8 cis8
+ e8 e8 e8 e8 d8 d8 d8 d8
+ e8 d8 d8 d8 d4
+ a8 a8 a8 g8 a8( d8) d8 a8
+ a2 ~ a8 r8 r4
+ r8 d8 cis4\(( b4 ~ b8) b8\)
+ d8 a8 d8 cis8 b8 a8 e'8 e8
+ e4( d8) d8 g8 fis8 e8 d8
+ e8 d8 d2
+ %laudes
+ a8 a8 a8 g8 a8( d8) d8 a8
+ a2. r4
+ a4 a8 a8 a8 b8 d8( b8
+ e4 ~ e8) e8 e4 e8 e8
+ a,8 a8 d2.
+ a2 a8 b8 d8( b8
+ e4 ~ e8) e8 e4 e8 d8
+ a8 a8 e'2.( ~
+ <<
+ {
+ d4) d2
+ }
+ {
+ e4) e2
+ }
+ >>
+ r8 a,8 e'2.( ~ \(
+ << { d2.\) } { e2 d4) } >> a8 e'8
+ <<
+ {
+ d8 d8 b8 b8 b8 b8
+ %corporis
+ a2. ~
+ a2. ~ a8 a8
+ }
+ {
+ e'8 e8 d8 d8 d8 d8
+ %corporis
+ d2( ~ d8 cis8
+ b2. ~ b8) b8
+ }
+ >>
+ d2 ~ d8 d8 d8 d8
+ e2( d4) d8 d8
+ d4 ~ d8 a8 d8 cis8 b8 a8
+ e'8 e8 e4( d8) d8 g8 fis8
+ e8 d8 e8 d8 d2
+ %laudes
+ a8 a8 a8 g8 a8( d8) d8 a8
+ d2 ~ d8 r8
+ a8 a8 a8 g8 a8( d8)
+ d8( a8 ~ a8) g8
+ a2 ~ a8 a8 b8 a8
+ a2( b8) b8( cis8 d8)
+ d4 a4 fis2 ~
+ fis1 ~
+ fis1
+ }
+ %{
+ %}
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ \bassArt
+ %the actual tune
+ \clef bass
+ {
+ r8 fis8 fis8 fis8 fis8 fis8 b,8 b8
+ cis8 cis8 cis8 cis8 b8 b8 b8 b8
+ a4 r8 a'8 fis8 a8
+ gis8 gis8 gis8 gis8 fis8 fis8 b,8 b8
+ cis8 fis8 g8 g8 fis4
+ g8 g8 g8
+ <<
+ {
+ b,8 cis8( b8) b8 b8 a2 ~ a8
+ }
+ {
+ g'8 a8( fis8) g8 g8 fis2 ~ fis8
+ }
+ >>
+ fis8 fis8 g8
+ a4 ~ a8 a8 g4 ~ g8 g8
+ fis4 ~ fis8 fis8 fis8 fis8 gis8 gis8
+ gis8 gis8 fis4 ~ fis8 fis8 b,8 b8
+ cis8 fis8 g8 g8 fis4
+ %laudes
+ g8 g8 g8
+ <<
+ {
+ b,8 cis8( b8) b8 b8
+ a2.
+ }
+ {
+ g'8 a8( fis8) g8 g8
+ fis2.
+ }
+ >> r4
+ r8 cis'8 d8 cis8 b8( a8 b8) a8
+ gis4 ~ gis8 gis8 gis4 fis8 fis8
+ fis1
+ r8 cis'8 d8 cis8 b8 a8 b8( a8
+ gis4 ~ gis8) gis8 gis4 fis8 fis8
+ <<
+ {
+ cis2. ~ cis8 cis8
+ a2 a8 a8
+ cis2. ~ cis8 cis8
+ a2( b4) cis8 cis8
+ d8 d8 d8 d8 d8 d8
+ }
+ {
+ a'2. ~ a8 a8
+ fis2 fis8 fis8
+ a2. ~ a8 a8
+ fis2( g4) a8 a8
+ a8 a8 g8 g8 g8 g8
+ }
+ >>
+ %corporis
+ << fis2.( a2.( >>
+ g2. ~ g8) g8
+ <<
+ {
+ fis2 ~ fis8 fis8 b,8 b8
+ c2( b4) b8 b8
+ a2 ~ a8
+ }
+ {
+ a'2 ~ a8 a8 g8 g8
+ a2( g4) g8 g8
+ fis2 ~ fis8
+ }
+ >>
+ a8 fis8 fis8
+ gis8 gis8 gis8 gis8 fis4 ~ fis8 fis8
+ b,8 b8 cis8 fis8 g8 g8 fis4
+ %laudes
+ g8 g8 g8
+ <<
+ {
+ b,8 cis8( b8) b8 b8
+ a2 ~ a8
+ }
+ {
+ g'8 a8( fis8) g8 g8
+ fis2 ~ fis8
+ }
+ >> r8
+ g8 g8 g8
+ <<
+ {
+ b,8 cis8( b8)
+ b4. b8
+ d2 ~ d8 d8 d8 d8
+ d2 ~ d8 d8 d8 d8
+ d1 ~
+ d1 ~
+ d1
+ }
+ {
+ g8 a8( fis8)
+ g4. g8
+ fis2 ~ fis8 fis8 g8 g8
+ a2( g8) g8 g8 g8
+ fis1 ~
+ fis1 ~
+ fis1
+ }
+ >>
+ }
+ >>
+ }
+
diff --git a/hr/quartett/lux/texte.ly b/hr/quartett/lux/texte.ly
new file mode 100644
index 0000000..b15e0a6
--- /dev/null
+++ b/hr/quartett/lux/texte.ly
@@ -0,0 +1,133 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+% Abkürzungen
+
+ lux = \lyricmode {
+ O na -- ta lux de lu -- mi -- ne,
+ }
+ lumine = \lyricmode {
+ O na -- ta lux de lu -- mi -- ne.
+ }
+
+ jesu = \lyricmode {
+ Je -- su re -- demp -- tor sae -- cu -- li,
+ }
+ saeculi = \lyricmode {
+ Je -- su re -- demp -- tor sae -- cu -- li.
+ }
+
+ dig = \lyricmode {
+ dig -- na -- re cle -- mens sup -- pli -- cum,
+ }
+ dignare = \lyricmode {
+ dig -- na -- re cle -- mens sup -- pli -- cum
+ }
+
+ laudes = \lyricmode {
+ lau -- des pre -- ces -- que su -- me -- re.
+ }
+ sumere = \lyricmode {
+ lau -- des pre -- ces -- que su -- me -- re,
+ }
+
+ alleA = \lyrics {
+ \lux \jesu \dig \dignare \laudes
+ }
+
+ sopA = \lyricmode {
+ O na -- ta lux,
+ }
+
+ altA = \lyricmode {
+ \lux \jesu
+ }
+
+ tenA = \lyricmode {
+ \sopA
+ }
+
+ bassA = \lyricmode {
+ \lux
+ }
+
+ alleB = \lyricmode {
+ \dig \dig \laudes
+ }
+
+ qui = \lyricmode {
+ Qui car -- ne quon -- dam con -- te -- gi, qui con -- te -- gi
+ }%sopran
+ carne = \lyricmode {
+ Qui car -- ne quon -- dam con -- te -- gi
+ }%alt
+ contegi = \lyricmode {
+ Qui car -- ne quon -- dam con -- te -- gi, con -- te -- gi
+ }
+
+ dignatus = \lyricmode {
+ dig -- na -- tus es pro per -- di -- tis.
+ }
+ perditis = \lyricmode {
+ dig -- na -- tus es pro per -- di -- tis, per -- di -- tis.
+ }
+
+ effici = \lyricmode {
+ Nos mem -- bra con -- fer ef -- fi -- ci,
+ }%tenor
+ confer = \lyricmode {
+ Nos mem -- bra con -- fer, con -- fer ef -- fi -- ci,
+ }
+
+ tui = \lyricmode {
+ tu -- i be -- a -- ti cor -- po -- ris,
+ }%sopran
+ corporis = \lyricmode {
+ tu -- i be -- a -- ti cor -- po -- ris.
+ }
+
+ de = \lyricmode {
+ De lu -- mi -- ne, sae -- cu -- li,
+ }
+
+ sopB = \lyricmode {
+ \qui \dignatus \confer \tui \corporis
+ }
+
+ altB = \lyricmode {
+ \carne \dignatus \confer \corporis \lux \jesu
+ }
+
+ tenB = \lyricmode {
+ \contegi \perditis \effici \corporis \de
+ }
+
+ bassB = \lyricmode {
+ \contegi \perditis \confer \corporis \de
+ }
+
+ sopC = \lyricmode {
+ \lux \lux \sumere \laudes \lux \saeculi
+ }
+
+ unterC = \lyricmode {
+ \dig \dig \sumere \laudes \lumine
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ \alleA \sopA \alleB \sopB \sopC
+ }
+
+ altText = \lyrics {
+ \alleA \altA \alleB \altB \unterC
+ }
+
+ tenorText = \lyrics {
+ \alleA \tenA \alleB \tenB \unterC
+ }
+
+ bassText = \lyrics {
+ \alleA \bassA \alleB \bassB \unterC
+ }
+
diff --git a/hr/quartett/machaut/dynArt.ly b/hr/quartett/machaut/dynArt.ly
new file mode 100644
index 0000000..30423d4
--- /dev/null
+++ b/hr/quartett/machaut/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/quartett/machaut/machaut-1.midi b/hr/quartett/machaut/machaut-1.midi
new file mode 100644
index 0000000..510bb76
--- /dev/null
+++ b/hr/quartett/machaut/machaut-1.midi
Binary files differ
diff --git a/hr/quartett/machaut/machaut-2.midi b/hr/quartett/machaut/machaut-2.midi
new file mode 100644
index 0000000..521ad2c
--- /dev/null
+++ b/hr/quartett/machaut/machaut-2.midi
Binary files differ
diff --git a/hr/quartett/machaut/machaut-3.midi b/hr/quartett/machaut/machaut-3.midi
new file mode 100644
index 0000000..e273e6e
--- /dev/null
+++ b/hr/quartett/machaut/machaut-3.midi
Binary files differ
diff --git a/hr/quartett/machaut/machaut.ly b/hr/quartett/machaut/machaut.ly
new file mode 100644
index 0000000..b274350
--- /dev/null
+++ b/hr/quartett/machaut/machaut.ly
@@ -0,0 +1,109 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "parts/kyrie.ly"
+\include "parts/gloria.ly"
+\include "parts/credo.ly"
+\include "parts/sanctus.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Messe de nostre dame"
+ composer = "Guillaume de Machaut"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 15)
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+%{
+ \score {
+ \kyrie
+ \header {
+ piece = \markup { \bold "Kyrie" }
+ }
+ \layout { }
+ %{
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 200 4)
+ }
+ }
+ % }
+ }
+%}
+
+%{
+ \score {
+ \gloria
+ \header {
+ piece = \markup { \bold "Gloria" }
+ }
+ \layout { }
+ %{
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 200 4)
+ }
+ }
+ % }
+ }
+%}
+
+%\bookpart {
+ \score {
+ \credo
+ \header {
+ piece = \markup { \bold "Credo" }
+ }
+ \layout { }
+ %{
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 200 4)
+ }
+ }
+ %}
+ }
+%}
+
+%{
+ \score {
+ \sanctus
+ \header {
+ piece = \markup { \bold "Sanctus" }
+ }
+ \layout { }
+ %{
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 200 4)
+ }
+ }
+ % }
+ }
+%}
diff --git a/hr/quartett/machaut/machaut.midi b/hr/quartett/machaut/machaut.midi
new file mode 100644
index 0000000..06008b3
--- /dev/null
+++ b/hr/quartett/machaut/machaut.midi
Binary files differ
diff --git a/hr/quartett/machaut/midi.lua b/hr/quartett/machaut/midi.lua
new file mode 100644
index 0000000..58e69da
--- /dev/null
+++ b/hr/quartett/machaut/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/quartett/machaut/midi/machaut-1.midi b/hr/quartett/machaut/midi/machaut-1.midi
new file mode 100644
index 0000000..5eb5ae5
--- /dev/null
+++ b/hr/quartett/machaut/midi/machaut-1.midi
Binary files differ
diff --git a/hr/quartett/machaut/midi/machaut-2.midi b/hr/quartett/machaut/midi/machaut-2.midi
new file mode 100644
index 0000000..8d29bdf
--- /dev/null
+++ b/hr/quartett/machaut/midi/machaut-2.midi
Binary files differ
diff --git a/hr/quartett/machaut/midi/machaut-3.midi b/hr/quartett/machaut/midi/machaut-3.midi
new file mode 100644
index 0000000..ba1f748
--- /dev/null
+++ b/hr/quartett/machaut/midi/machaut-3.midi
Binary files differ
diff --git a/hr/quartett/machaut/midi/machaut.midi b/hr/quartett/machaut/midi/machaut.midi
new file mode 100644
index 0000000..f40a02b
--- /dev/null
+++ b/hr/quartett/machaut/midi/machaut.midi
Binary files differ
diff --git a/hr/quartett/machaut/parts/credo.ly b/hr/quartett/machaut/parts/credo.ly
new file mode 100644
index 0000000..b247dfa
--- /dev/null
+++ b/hr/quartett/machaut/parts/credo.ly
@@ -0,0 +1,304 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.14"
+ \include "dynArt.ly"
+
+ globalCredo = {
+ \key c \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 2/2
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranCredo = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ e2 f2 e1 d8 c4 b8 a2 b2 d8 cis4 b8 d1
+ a'8 g4 f8 f8 e4 d8 cis1 d4 f4 e4 e4 a,1
+ a'4 a4 g4 f4 e4 d4 e8 d8 cis8 d8 e1
+ fis2 a8 g8 f8 e8 d4 e4 d4 cis4 d1
+ r1 a'1 gis2 b8 a8 g8 f8 e1 f8 e8 e8 d8 e4 f4 g4 f4 e2
+ b1 d8 c8 b8 c8 a4 d4 c2 f4 e4 d2 g8 f8 e8 d8 c4 d4 e1
+ a2 f2 f8 g8 a8 g8 a4 gis4 a1
+ c4 c4 b4 a4 gis1 a2 f8 e8 f8 d8 e1
+ r1 cis2 d2 cis4 d8 e8 f4 e4 d4 a'4 a8 g8 g8 f8 e1
+ gis2 a2 b8 a4 gis8 a2 d,4 f4 e4 d4 cis1
+ d8 cis8 b8 cis8 d2 c4 d8 e8 f2
+ c'4 c4 b4 a4 g2 f2 f8 g8 a8 g8 f8 e8 f8 d8 e1
+ cis1 d2 f4 gis4 a2 b8 a8 g8 f8 e4 d8 e8 d2 cis1 d1
+ %
+ e1 d2 cis2 d2 g4 a4 f1 c'4 c4 b4 a4 g4 f4 f8 gis8 a8 gis8 a1
+ d,1 a'8 g8 g8 f8 e4 d4 cis1 d2 e4 e4 d4 e4 f4 a4 gis4 a4 f2 gis1 a1
+ %
+ b\breve c\breve a\breve g\breve f\breve gis\breve
+ a2 b8 a8 g8 f8 e4 d8 e8 d4 cis4 d1
+ r1 cis1 d2 e2 d2 e8 f8 g8 d8 e4 cis4 d8 cis8 b8 cis8 d1
+ e4 g4 f8 e8 f8 d8 c4 d4 e1
+ f4 gis4 a4 a4 b8 a8 a8 gis8 a1
+ c4 c4 b2 a2 gis1. a4 a4 g2 f2 e1.
+ f4 g4 a4 d,4 g8 f8 e8 d8 cis1.
+ d2 e2 a,4 d4 c4 d4 e1
+ f2 e2 d4 a'4 g4 a4 f2 f8 gis8 a8 gis8 a1
+ r1 c2 c8 c8 b8 a8 g4 a4 f4 a8 g8 f8 e8 f8 d8 e1
+ f2 e2 d2 c4 c4 d4 e4 f4 g4 f1
+ c'4 b8 a8 g2 f2 b8 a8 g8 f8 e4 d8 e8 d2 cis1 d1
+ %
+ a'1 d,2 f8 e8 f8 gis8 a4 f4 g4 e4 f4 d4 e1
+ f4 d4 e4 cis4 d8 cis8 b8 cis8 d1
+ e2 d2 cis2 d2 f4 gis4 a4 e4 f4 e8 d8 e1
+ g8 f8 e8 f8 e4 d4 c4 e4 b4 cis4 d1
+ c'8 c8 b8 a8 g4 f4 f8 a8 g8 f8 e4 d4 e1
+ d8 e8 f8 gis8 a2 b8 a8 g8 f8 e4 d8 e8 d4 cis4 d1
+ r1 a'1 b8 a8 g8 f8 e4 g4 d4 e4 b4 cis4 d1
+ e2 d2 f8 e8 f8 g8 a4 d,4 g4 e4 f4 d4 e1
+ a,2 cis4 cis4 d1 f4 g4 a2 b8 a4 gis8 a1
+ c4 b8 a8 g4 f4 b8 a8 g8 f8 e4 a4 e4 f4 e1
+ r1 g1 f2 e2 d4 e4 f4 d4 e4 cis4 d1
+ a'2. g4 f2 f8 g8 a8 gis8 a1
+ c2 b4 c4 b4 a4 gis1. a2 g2 f8 e8 f8 d8 e1.
+ %
+ a1. g4 a4 b1 c4 a2 f2 a4 g1. f2 e2 c2 d4 f2 e2 g4 a1.
+ g2 r2 e2 a4 d,2 f2 a4 g1. g8 a4 b8 c4 r8 a8 a8 g4 f8
+ e2 fis1 g1. fis2 r2 a2 g4 d2 e2 f4 g1.
+ a2 e2 g2 e4 g2 d2 g4 f1.
+ a2 r2 fis2 g4 d2 e2 gis4 a1.
+ e8 c4 e8 g4 r8 g8 f8 e4 d8 g2 a1 e1.
+ d2 r2 fis2 g4 e2 c2 e4 g1.
+ a2 d,2 f2 c4 e2 a2 fis4 g1.
+ a2 r2 fis2 g4 c,2 e2 gis4 a1.
+ b8 a4 d,8 e4 r8 c8 a'8 g4 fis8 g2 gis1 a1.
+ }
+ >>
+ }
+
+ altCredo = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ e2 d2 cis1 a'4 g4 f8 e8 f8 d8 e4 f4 gis4 fis8 gis8 a1
+ d,8 cis8 d8 b8 cis4 d4 e1
+ f4 d4 gis4 gis4 a1
+ d,4 d4 b4 a4 g'8 f8 e8 d8 d4 cis8 b8 cis1
+ d2 e8 d8 e8 f8 g4 g4 f4 gis4 a1
+ r1 d,2 f2 e2 d8 c8 b8 a8 b1
+ c4 c4 b4 d4 a4 d4 e2
+ a8 gis8 a8 fis8 gis4 fis8 gis8 a2 e4 f4 e2 f4 g4 a2 d,2 g8 f8 e8 d8 cis1
+ d2 a2 d8 cis8 d8 b8 cis4 cis4 d1
+ g4 a4 g4 d4 e1 a,2 d8 cis8 d8 b8 cis1
+ r1 a'2 b8 a8 g8 f8 e4 g4 a4 g4 a4 d,4 e4 d4 cis1
+ cis4 d8 e8 f2 e2 d2 g4 a4 e4 f4 gis1
+ fis8 gis8 a8 gis8 a2 g4 g4 a4 f4 g4 f8 e8 d4 c4 b8 c8 d8 e8 c2 e4 a,4 c8 b8 c8 a8 cis1
+ gis'1 a2 d,8 cis8 b8 cis8 d1 g4 f8 e8 f2 gis1 a1
+ %
+ g1 f2 a8 gis8 fis8 gis8 a4 g8 a8 b4 a8 b8 c2 a2
+ f8 e8 d8 c8 b4 c4 d4 d4 e8 d4 cis8 d1
+ b'1 a4 a4 a8 g8 a8 f8 gis1
+ a8 g4 f8 g4 g4 f4 gis4 a4 a4 e4 d4 c8 b8 c8 a8 cis1 d1
+ %
+ e\breve f\breve c\breve b\breve d\breve cis\breve
+ d2 d2 c4 d8 e8 f4 gis4 a1
+ r1 gis1 a2 c8 b8 a8 g8 a2 a4 c4 g4 a4 gis4 fis8 gis8 a1
+ g8 f8 e8 f8 d4 f4 e4 d4 cis1
+ d4 e8 d8 c8 b8 a8 b8 cis4 cis4 d1
+ g4 a4 d,2 f4 e8 d8 cis1.
+ d4 f4 e2 f8 g8 a8 f8 g1.
+ a4 b4 a4 g4 a8 g4 f8 gis1.
+ a2 c8 b8 a8 g8 a4 d,4 e4 d4 cis1
+ a'8 g8 a8 f8 g4 f8 g8 a4 d,4 c4 f8 e8 d8 c8 d8 b8 cis2 d1
+ r1 f2 a8 a8 a8 a8 d,4 f8 e8 d4 d4 a'4 a4 b1
+ a4 g8 f8 g8 f8 e8 d8 a'4 g4 f4 e4 f4 g4 a4 g4 a2 c4 b8 a8 g4 f4 e4 d4 c4 b8 c8 d4 c4 c4 d8 e8 f2 gis1 a1
+ %
+ d,2 f8 g8 a8 f8 g4 d4 d4 cis4 d4 d4 b4 b4 d4 d4 cis1
+ a'4 a4 g4 f4 a8 gis4 fis8 a1
+ c8 b8 a8 g8 f2 gis2 a2 d,4 e4 d4 c4 a'4 d,4 cis1
+ e4 c4 g'4 g4 e4 e4 a4 fis8 gis8 a1
+ g8 a8 g8 a8 d,4 f4 d8 d8 d8 d8 b4 d4 cis1
+ d8 e8 d8 cis8 f2 f2 e4 f8 g8 a4 gis4 a1
+ r1 d,1 c2 d4 e4 f4 g4 a4 gis4 a1
+ c4 b8 a8 g2 a4 d,8 e8 f4 a4 d,4 d4 c'4 b8 a8 b1
+ a2 e4 e4 a2 g2 f4 d4 e4 d4 cis2 d1
+ g4 d4 e4 a,4 a2 a'4 a4 g8 f8 g8 e8 gis1
+ r1 e1 d2 e8 d4 c8 g'4 g4 a4 g8 f8 e4 gis4 a1
+ f1 d2 e2 d2 a2 e'2 d4 a'4 d,4 f4 e1. f2 e2 a4 g8 f8 gis1.
+ %
+ d1. e2 d1 f2 r2 d2 e1.
+ d4 a2 c2 a4 b2 c2 e2 d2 f1
+ e2 c1 f8 c4 d8 f4 r8 f8 a8 d,4 c8 e1.
+ d4 e2 c2 d4 c2 b2 d2 c2 e1
+ d2 cis1 d2 r2 c2 e1.
+ f4 d2 e2 d4 c2 d2 e2 f2 a1
+ e2 cis1 d8 e4 a8 g4 r8 g8 e8 d4 cis8 d1.
+ g4 e2 c2 d4 e2 d2 f2 e2 cis1
+ f2 d1 e2 r2 g2 e1.
+ f4 a2 g2 d4 c2 d2 cis2 d2 e1 d2 a1
+ c8 e4 c8 e4 r8 e8 e8 d4 cis8 d1. b4 c2 e2 d4 e2 cis1 d1.
+ }
+ >>
+ }
+
+ tenorCredo = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r1 r1 d2 d2 b4 a4 gis2 a1
+ a4 g8 f8 e4 f4 gis1
+ a4 a4 e'4 cis4 d1 d4 f4 e4 d8 c8 b4 a4 b4 a4 gis1
+ b2 c2 b4 a4 a4 gis4 a1
+ d4 c8 b8 a4 cis4 d2 c2 b2 a2 g1
+ c4 d4 e4 a,4 e'4 d8 c8 b2
+ e1 f2 e4 d4 e2 a,8 b8 c8 b8 a2 g4 f4 e4 f4 gis1
+ d'2 c2 a2 a4 gis4 a1
+ e'4 a,4 d4 a4 cis1 d2 a2 gis1
+ b4 a8 b8 cis4 d4 e2 f2 e4 e4 d4 cis4 d4 a4 g4 f4 gis1
+ gis2 a4 b4 cis2 d2 b4 b4 c4 d4 e1
+ c8 b8 a8 gis8 a2 e'4 d4 c2 e4 c4 f4 e4 d8 c8 b8 a8 c2 b4 d4 c4 b8 a8 gis1
+ e'1 a,2 gis4 gis4 a1 e2 a2 gis1 a1
+ %
+ g1 d2 gis2 a2 b4 d4 c1
+ c4 f4 e4 e4 d4 a4 gis4 fis8 gis8 a1
+ b1 d4 a4 b4 a4 gis1
+ a2 c4 c4 a4 cis4 d4 d4 c4 b4 a4 g8 f8 gis1 a1
+ %
+ b\breve c\breve f,1 d1 e\breve f1 a1 gis\breve
+ a2 f4 e8 d8 e4 e4 a4 gis4 a1
+ d,4 f4 e4 f4 gis2 a2 b2 c2 a2 d,4 c4 e4 f4 gis2 a1
+ c4 c4 b4 a4 g4 f4 gis1
+ f4 gis4 a4 d,4 f4 gis4 a1
+ c4 c4 d4 b4 d8 c8 b8 a8 gis1.
+ d'4 d4 a4 g4 f4 e8 f8 g1.
+ c4 c4 d4 d4 c4 d4 e1.
+ a,8 g8 a8 b8 c2 c4 c4 a4 a4 gis1
+ a2 c2 a4 a4 c4 d4 c4 b8 a8 gis2 a1
+ f4 g4 a4 b4 c2 a8 g8 a8 f8 g4 d4 a'4 a4 f4 f4 e1
+ a2 c2 a2 f4 a4 c4 g4 a4 g4 c2 a2
+ g4 a4 g2 f2 a2 e2 f2 gis1 a1
+ %
+ a1 b2 c2 a4 a4 g4 g4 d4 d4 e1
+ a4 d,4 e4 f4 gis4 fis8 gis8 a1
+ c2 a2 gis2 a2 a4 gis4 a4 a4 c4 b8 a8 gis1
+ c2 b4 b4 a4 g4 f4 gis4 a1
+ c8 c8 a8 a8 d4 c4 a8 a8 a8 a8 g4 f4 e1
+ d'8 cis8 b8 cis8 d2 c2 b2 a4 gis4 a1
+ a4 f8 g8 a4 gis4 a1 a2 b4 b4 a4 c4 a4 gis4 a1
+ c2 b2 c2 d4 d4 b4 b4 a4 a4 b1
+ a4 g8 f8 e4 gis4 a2 b2 d4 d4 a2 gis2 a1
+ e'4 f4 d4 c4 d2 c4 d4 e4 d4 cis1
+ d4 a8 b8 c4 b4 c1 b2 c8 b4 a8 b4 c4 d4 d4 a4 gis4 a1
+ d1 b2 cis2 d1
+ c2 e8 f8 e8 d8 c8 b8 c8 a8 cis1.
+ d4 c4 b2 a2 gis1.
+ a1. r2 b1 r2 c2 a2 g1. f2 g1 f2 e1 a1.
+ g1. f1. g2 c,1 b'2 c2 a2 g2 fis1 g1.
+ r2 fis1 r2 g2 c,2 g'1.
+ a2 g1 a2 b1 c1. a1.
+ g1. a2 f1 c'2 b2 a2 g2 d1 e1.
+ d1. c1. g'2 c,1 f2 g2 d2 e2 fis1 g1.
+ r2 fis1 r2 g2 e2 d1.
+ g2 a2 b2 c2 gis1 a1.
+ }
+ >>
+ }
+
+ bassCredo = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r1 r1 d2 f2 g4 f4 e2 d1
+ d4 e8 f8 g4 f4 e1 d4 d4 e4 e4 d1
+ d4 d4 e4 f4 g4 a4 g4 f4 e1
+ d2 c2 g'4 e4 f4 e4 d1
+ a'4 d,8 e8 f4 e4 d1 e2 f2 g1
+ f4 a4 e4 d4 c4 d4 e2
+ g4 f4 e2 a2 g4 f4 e2 d4 c4 \time 3/2 d2 d4 e8 f8 g4 f4 \time 2/2 e1
+ d2 f2 a4 d,4 f4 e4 d1
+ c4 f4 g4 f4 e1 d2 f2 e1
+ g8 f8 e8 f8 e4 d4 a'2 d,2
+ a'4 g4 f4 g4 d4 d4 c4 d4 e1
+ e2 d2 a'2 d,2 g4 d4 g4 f4 e1
+ a4 a4 d,2 g4 g4 f2
+ c4 f4 g4 a4 d,4 e4 f2 e4 d4 f8 a8 g8 f8 e1
+ e1 d2 f4 e4 d2 f2 g2 d2 e1 d1 \bar "||"
+ c1 f2 e2 d2 e4 e4 f1 f4 f4 g4 a4 g4 a4 e2 d1
+ g1 d4 f4 g4 d4 e1
+ d2 c4 c4 f4 e4 d4 d4 e4 d4 f2 e1 d1 \bar "||"
+ \time 4/2
+ g\breve f\breve f\breve g\breve d\breve e\breve
+ \time 2/2
+ d2 d2 g4 g4 f4 e4 d1
+ a'4 g8 a8 g4 f4 e1 d2 c2 d2 a'4 a4 g4 f4 e2 d1
+ \time 3/2
+ c4 c4 d4 d4 e4 f4 \time 2/2 e1
+ \time 3/2
+ f4 e4 d4 a'8 g8 f4 e4 \time 2/2 d1
+ \time 3/2
+ c4 f4 g2 d2 e1. d4 d4 e2 f4 e8 d8 c1.
+ f4 e4 d4 g4 f2 e1.
+ \time 2/2
+ d2 c2 f4 g4 a4 g8 f8 e1
+ d2 c2 d4 d4 e4 d4 f2 e2 d1
+ d'8 c8 b8 c8 a4 g4 f2 f8 f8 g8 a8 \time 3/2 bes4 a4 d,4 d4 f4 a4 \time 2/2 g1
+ d2 c2 d2 a'4 a4 f4 e4 d4 e4 f1
+ c4 d4 e2 f2 d2 g2 d2 e1 d1 \bar "||"
+ \time 3/2
+ d1 g2 \time 2/2 f4 e4 d4 d4 e4 g4 f4 a4 gis1
+ \time 3/2
+ f4 a4 g4 f4 e2 \time 2/2 d1
+ c2 f2 e2 d2 \time 3/2 f4 e4 d4 a'4 f4 g4 \time 2/2 e1
+ c2 e4 g4 a4 e4 f4 e4 d1
+ c8 c8 d8 d8 e4 f4 d8 d8 e8 f8 g4 a4 gis1
+ a8 g8 f8 e8 d2 \time 3/2 f2 g2 f4 e4 \time 2/2 d1
+ d4 a'8 g8 f4 e4 d1 f2 g4 e4 d4 c4 f4 e4 d1
+ c2 g'2 f2 d4 d4 e4 e4 f4 a4 g1
+ d2 e4 e4 d2 g2 \time 3/2 a4 b4 a4 g8 f8 e2 \time 2/2 d1
+ c4 d4 e4 f4 \time 3/2 d2 a'4 d,4 c4 d4 \time 2/2 e1
+ g8 f8 e8 f8 e4 d4 c1 d2 e2 \time 3/2 g4 g4 d4 g8 f8 e4 e4 \time 2/2 d1
+ d1 f2 e2 d1
+ \time 3/2
+ c2 g'4 f4 g4 d4 e1. d2 e2 f2 e1. \bar "||"
+ d1. g1. f1. g2 e1 d2 c2 e2 d2 c1 d1.
+ r2 e1 r2 c'2 a2 g1. g2 f1 e2 d1 c1.
+ a'1. g1. e2 c1 d2 e2 c2 e2 g1 f1.
+ r2 fis1 r2 g2 e2 d1. c2 e1 g2 a1 gis1.
+ r2 b1 r2 c2 a2 g1. c2 b1 a2 a1 g1.
+ d1. c1. d2 a'1 f2 e2 d2 c2 e1 d1. \bar "|."
+ }
+ >>
+ }
+
+ sop = \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \globalCredo \sopranCredo }
+ %\addlyrics { \sopranText }
+ >>
+ alt = \new Staff = alt <<
+ \new Voice = "alti" { \globalCredo \altCredo }
+ %\addlyrics { \altText }
+ >>
+ ten = \new Staff = tenor <<
+ \new Voice = "tenoere" { \globalCredo \tenorCredo }
+ %\addlyrics { \tenorText }
+ >>
+ bas = \new Staff = bass <<
+ \new Voice = "baesse" { \globalCredo \bassCredo }
+ %\addlyrics { \bassText }
+ >>
+
+ credo = \new ChoirStaff \with {} <<
+ \sop
+ \alt
+ \ten
+ \bas %
+ >>
diff --git a/hr/quartett/machaut/parts/gloria.ly b/hr/quartett/machaut/parts/gloria.ly
new file mode 100644
index 0000000..c149a5a
--- /dev/null
+++ b/hr/quartett/machaut/parts/gloria.ly
@@ -0,0 +1,229 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.14"
+ \include "dynArt.ly"
+
+ globalGloria = {
+ \key c \major
+ \override Staff.TimeSignature #'style = #'()
+ \time 4/2
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranGloria = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ a\breve a\breve g1. e2 f2 gis2 a\breve
+ a1 f2 f8 gis8 a8 gis8 a2 b8 a8 g8 f8 e1
+ a2 b8 a8 g8 f8 e4 d4 e4 f4 e2 d8 cis8 d8 b8 cis1.
+ d2 e4 d4 c4 d4 e1. f4 gis4 a2 b8 a4 gis8 a1.
+ b8 a8 g8 f8 e4 d8 e8 d4 cis4 d1
+ r1 e1 cis2 d2 c4 d4 e2 g8 f8 e8 f8 e4 d4 cis1
+ e2 d2 f4 gis4 a2 b8 a8 g8 f8 e4 d8 e8 d8 cis8 d8 b8 cis2 d1
+ %
+ a'1 a2 g2 f2 e4 d4 e2 g8 f8 e8 d8 cis1
+ d2 e2 f8 e4 d8 f4 gis4 a2 a8 g4 f8 gis1.
+ a4 a4 g4 f4 e4 d4 c2 c8 d8 c8 d8 e2 b'8 a8 g8 f8 e4 d4
+ cis\breve d\breve e\breve d\breve
+ r1 e1 f2 e4 d4 c4 d4 e4 f4 e1
+ a2 b8 a8 g8 f8 e4 d4 c4 d4 e1 d2 cis2 d1
+ %
+ a'1 b2 a4 g8 f8 e4 d4 c2 e1 d1
+ f4 gis4 a2 g2 f8 e4 d8 e1
+ r1 e1 f2 e2 d4 f4 e4 d4 cis1
+ d8 cis8 d8 b8 cis4 b8 cis8 d1
+ d4 e4 f4 gis4 a2 f2 gis1 a1
+ b8 a8 g8 f8 e4 d4 e1
+ f2 g4 d4 e8 f8 g8 f8 e4 d4 c1
+ c4 d4 e2 d2 cis2 d1
+ %
+ g2 g2 f2 a4 g8 f8 e4 d4 e2 f1.
+ a2 g4 f4 e4 d4 e1. g2 f2 a4 g8 f8 e4 d4 cis1.
+ e\breve d\breve e\breve cis\breve d\breve
+ r1 e2 f2 e2 d2 f4 g4 a4 a4 a8 g8 a8 f8 gis1.
+ a4 g8 f8 e2 d2 cis2 d1
+ %
+ a'1. f1. e2 d1 e2 gis1 a1. d,2 r2 e2 r2 a,2 b2 c2 r2 g'2
+ r2 d2 f2 e2 r2 c2 d2 cis1 d1. d2 g2 b8 a8 g8 f8 e1.
+ a2 r4 g4 f2 r4 e4 g2 r4 e4 d2 a2 r2 d2 a2 r2 e'4 d4 r2 c4 d4 e1.
+ r4 g4 r4 d4 r4 e4 f8 e4 d4 f4 a4 g4 f8 gis1.
+ a8 d,4 f4 g4 f4 e4 d8 cis1. d1.
+ }
+ >>
+ }
+
+ altGloria = \relative c'' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ d\breve f\breve e\breve a,2 cis2 d\breve
+ d1 a4 b4 cis2 d1
+ cis1 d2 a2 b4 a4 b4 c4 b2 a2 gis1.
+ a2 c4 b4 a4 g8 a8 b1.
+ a4 b8 cis8 d2 cis2 d1.
+ d2 c4 b4 a4 gis4 a1
+ r1 c1 e2 a,2 a4 g8 a8 b2 c2 a2 gis1
+ c2 a2 cis2 d2 c2 c4 b4 a2 gis2 a1
+ %
+ d1 c2 e2 d2 b4 a4 b2 d4 c8 d8 e1
+ a,2 b2 b2 d4 cis4 d2 c8 b8 c8 a8 cis1.
+ e4 f4 e4 d4 c4 d4 e2 e8 f8 e8 d8 c2 d2 cis4 d4
+ e\breve a,\breve gis\breve a\breve
+ r1
+ b1 a2 c4 a4 a4 b4 c4 b4 c1
+ d2 d4 c4 b2 a2 b1 a2 gis2 a1
+ %
+ f'1 e2 d2 e4 f4 e4 d8 c8 b1 a1
+ cis4 cis4 d2 d2 c8 b8 c8 a8 b1
+ r1 c1 a2 g2 g4 a8 b8 c4 d4 e1
+ a,2 gis2 a1 b4 b4 cis4 cis4 d2 a2 cis1 d1
+ d2 c2 b1 c8 b8 c8 a8 b4 b4 a4 b4 c4 d4 e1
+ e4 a,4 b2 a2 gis2 a1
+ %
+ c2 c4 b8 a8 c2 d2 e4 d8 c8 b2 c1.
+ d2 b4 a4 b4 c4 b1.
+ e2 c2 d4 d4 c4 d4 e1.
+ c\breve a\breve b\breve gis\breve a\breve
+ r1
+ c2 a2 g2 g'8 f8 e8 f8 d4 c4 d4 d4 d4 cis8 b8 cis1.
+ d4 c4 b2 a2 gis2 a1
+ %
+ d1. d2 a1 b2 a1 cis1. d2 a1
+ r2 d2 b2 c2 d1 r2 e2 c2 b2 a1 r2 g2 a2 f2 gis1 a1.
+ d4 c4 b2 a2 b1.
+ r4 d4 a2 r4 b4 c2 r4 e4 c2 r2 d2 a2 r2 d2 a2 r2 e'4 d4 r2 cis1.
+ e4 r4 d4 r4 b4 r4 c4 a2 d2 a4 cis1.
+ d4 a2 b2 a4 gis1. a1.
+ }
+ >>
+ }
+
+ tenorGloria = \relative c {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ d\breve \bar "||" d\breve \time 6/2 e\breve d2 cis2 \time 4/2 d\breve
+ \bar "||"
+ \time 2/2
+ a'1 d,2 a'8 g4 f8 a1 e1 f2 d2 c4 d4 c4 d4 e2 f4 e8 d8 \time 3/2 cis1.
+ f2 g4 g4 d4 d4 e2 g1
+ f4 g4 a4 g8 f8 e2 a1.
+ g4 e4 c4 e4 d4 c4 \time 2/2 d1
+ d4 e8 f8 g4 a4 g1 g2 a2 f4 a4 g2 e2 d2 cis1
+ g'2 f2 g2 a2 f2 e2 f4 e8 d8 cis2 d1 \bar "||"
+ a'1 a2 g2 a4 g8 a8 g4 f4 e2 d2 cis1
+ f2 e2 d2 f4 g4 a2 f4 e8 d8 \time 3/2 cis1.
+ \time 2/2
+ a'4 f4 g4 d4 c4 d4 cis2 cis8 cis8 f8 f8 g2 d2 cis4 d4
+ \time 4/2
+ e\breve d\breve c\breve d\breve
+ \time 2/2
+ a'4 g8 f8 e4 d4 e1 g2 g4 f8 e8 d4 d4 c4 d4 e1
+ a1 g2 f4 e8 d8 c1 d2 c2 d1 \bar "||"
+ d1 e2 f2 c4 d4 cis4 d4 e1 a2 f2
+ a4 g4 a2 g4 f8 e8 d4 f4 e2 g2
+ d4 e8 f8 g4 a4 g1 f2 e2 c4 d4 c4 d4 cis1
+ d2 cis2 d2 f2 e4 e4 a4 g4 a2 d,2 cis1 d1
+ a'2 g4 f4 e1 d2 c4 d4 f4 e4 c4 d4 cis1
+ f4 f4 c2 f2 c2 d1 \bar "||"
+ g2 g2 a2 a2 c,4 d4 e2 \time 3/2 f1.
+ a2 e4 d4 c4 d4 e1.
+ \time 2/2
+ g2 f2 a4 d,4 e4 d4 \time 3/2 cis1.
+ \time 4/2
+ g'\breve d\breve g\breve cis,\breve d\breve
+ \time 2/2
+ d4 e8 f8 g4 a4 g2 f2 e2 c2 \time 3/2 d4 g4 d4 d4 f4 d4 cis1.
+ \time 4/2
+ a'2 e2 d2 cis2 \time 2/2 d1 \bar "||"
+ \time 3/2
+ a'1. r2 f2 d2 e2 d1 cis1.
+ a'1. e4 c2 d2 e4 g2 fis1
+ g4 a2 g2 f4 e2 f1
+ e4 c2 c2 e4 d2 cis1
+ d2 f1 g1 f2 e1.
+ a8 a8 r8 f8 a4 r8 d,8 a'8 g8 r8 f8 g4 r8 g8 c8 b8 r8 a8 g4 r8 g8
+ a4 f2 a2 d2 a2 d2 c4 r8 b4 d4 b4 c4 a4 a8 gis1.
+ a8 e4 g4 c,4 d4 e4 f8 g2 a1 gis1.
+ a2 e2 d2 cis1. d1. \bar "|."
+ }
+ >>
+ }
+
+ bassGloria = \relative c' {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ a\breve f\breve g\breve f2 e2 d\breve
+ d1 f2 e2 d1 a'1 d,2 f2 g4 a4 g4 f4 g2 d2 e1.
+ d2 c4 g'4 f4 f4 e1. f4 e4 d2 a'2 d,1.
+ d4 g4 a4 e4 f4 e4 d1
+ a'4 g8 f8 e4 d4 c1 e2 d2 f4 f4 e2 c2 g'4 f4 e1
+ c2 f2 e2 d2 f4 g4 a2 d,2 e2 d1
+ %
+ d1 f2 e2 f2 g4 a4 g2 f2 e1
+ d2 g2 f2 f4 e4 d2 f2 e1.
+ d4 d4 e4 f4 g4 f4 e2 a8 g8 a8 f8 e2 f2 g4 d4
+ cis\breve f\breve e\breve d\breve
+ d4 e8 f8 g4 a4 g1 d2 c4 d4 a'4 g8 f8 e4 d4 c1
+ d2 d4 f4 e4 g4 a4 g8 f8 g1 f2 e2 d1
+ %
+ f1 g2 d2 g4 f4 a2 g1 d1
+ f4 e4 d2 g2 a4 g8 f8 e1
+ a4 g8 f8 e4 d4 c1 d2 e2 g4 f4 a4 g8 f8 e1
+ f2 e2 d1 g4 g4 f4 e4 d2 f2 e1 d1
+ d4 e8 f8 g4 a4 g1 f2 e4 g4 a4 g4 g4 f4 e1
+ a4 a4 g2 d2 e2 d1
+ %
+ c2 e2 f2 d2 g4 a4 g2 f1.
+ d2 g4 a4 g4 f4 e1.
+ e2 f2 d4 f4 g4 f4 e1.
+ c\breve f\breve e\breve e\breve d\breve
+ a'4 g8 f8 e4 d4 c2 d2 e2 g2 f4 e4 d4 g4 d4 f4 e1.
+ d2 g2 f2 e2 d1
+ %
+ d1. ~ d1. g2 f1 e1. d2 f1
+ g1. e2 d1 c1. g'2 d1 e1. f2 e1 d1.
+ r1. g1. d1. c1. d1. ~ d1. g1 f2 e1.
+ c2 g'1 c,2 d2 f2 e1. d2 g2 f2 e1. d1.
+ }
+ >>
+ }
+
+ sop = \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \globalGloria \sopranGloria }
+ %\addlyrics { \sopranText }
+ >>
+ alt = \new Staff = alt <<
+ \new Voice = "alti" { \globalGloria \altGloria }
+ %\addlyrics { \altText }
+ >>
+ ten = \new Staff = tenor <<
+ \new Voice = "tenoere" { \globalGloria \tenorGloria }
+ %\addlyrics { \tenorText }
+ >>
+ bas = \new Staff = bass <<
+ \new Voice = "baesse" { \globalGloria \bassGloria }
+ %\addlyrics { \bassText }
+ >>
+
+ gloria = \new ChoirStaff \with {} <<
+ \sop
+ \alt
+ \ten %
+ \bas
+ >>
diff --git a/hr/quartett/machaut/parts/kyrie.ly b/hr/quartett/machaut/parts/kyrie.ly
new file mode 100644
index 0000000..a5b8188
--- /dev/null
+++ b/hr/quartett/machaut/parts/kyrie.ly
@@ -0,0 +1,180 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.14"
+ \include "dynArt.ly"
+
+ globalKyrie = {
+ \key c \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 3/2
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranKyrie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ a1. a2 b2 gis2 a1 f4 e4 d2 e2 fis2
+ g1 f2 e2 a1 g1. e4 d2 f2 gis4
+ a1 d,2 r4 a'4 r4 b4 r4 b4 c4 a2 g2 f4 g2 a1
+ d,1. r1. g1. a4 b4 a2 gis2
+ a1. f2 e1 g4 a4 b1 a4 d,2 e2 f4 e1 g2
+ r4 c,4 r4 e4 r4 gis4 a4 f2 a2 d,4 e2 f1
+ g4 f4 e4 d4 e2 f4 g4 a2 gis2 a1.
+ %
+ a1. b8 a8 g8 f8 e2 g2 r8 e4 c8 e4. g8 d8 f8 e8 d8
+ r8 cis4 d8 e4. d8 e8 fis8 g8 fis8 g1.
+ g4 f8 g8 a2 b8 a8 g8 f8 e4 r4 g8 d4 e4 d8 e8 f8 g1.
+ a2 a4 g8 a8 f2 r8 g4 a8 g4. g8 d8 e8 f8 g8
+ r8 a4 g8 a4. d,8 d8 e8 f8 g8 a1.
+ e2 a2 b8 a8 g8 f8 e4 r4 g8 d4 e4 d8 e8 d8 c1.
+ g'2 a2 d,4 c8 d8 r8 e4 c8 g'4. a8 d,8 f8 e8 g8
+ r8 a4 d,8 a'4. e8 d8 e8 f8 g8 a1.
+ e4 d8 e8 f2 c'8 b8 c8 a8 b4 r4 g8 d4 e4 gis8 fis8 gis8 a1.
+ %
+ a1. d,4 e4 f2 a8 gis4 fis8 a1. b1.
+ a2 d,2 e8 d8 c8 d8 e4 r4 r8 d4 f8 e4 r4
+ r8 d4 g8 d4 r4 r8 g4 f8 a2 r2 r2 g1.
+ f8 e4 d8 e2 a8 g4 fis8 g2 a2 f2 f8 e8 d8 e8 c2 a'8 g4 f8 g1.
+ a4 r4 r8 e4 g8 c,4 r4 r8 d4 c8 e4 r4 r8 d8 e8 fis8 gis1. a1.
+ %
+ a1. d,4 e4 f2 a8 gis4 fis8 a1. b1.
+ a4 r4 r8 e4 g8 e4 r4 r8 g4 a8 d,4 r4 r8 g4 f8 a2 r2 r2 g1.
+ f8 e4 d8 e2 a8 g4 fis8 g4 f8 g8 a1 a4 g4 f4 e4 d4 e4
+ fis4 r4 r8 g4 e8 d2 c4 r4 e8 g4 a4 d,4 fis8 g4 a4 b1
+ a2 a4 g8 f8 f8 e8 d8 e8 f4 a4 gis2 a4 d,4 g2 a8 g8 f8 e8 d4 f4 e1.
+ a4 r4 r8 f4 c8 f4 r4 r8 d4 g8 a4 r4 r8 e4 g8 a2 r2 r2 b1.
+ g4 f8 e8 f4 a4 gis8 a8 b8 gis8 a2 b1 c2 c8 b8 c8 a8 a8 g8 a8 f8
+ e4 r4 r8 g4 b8 a2 d,4 r4 e8 d4 e4 gis4 a8 e2 gis1 a1.
+ }
+ >>
+ }
+
+ altKyrie = \relative c'' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ d1. e2 b2 cis2 d1. c2 b1 c2 g2 a2 e'4 d4 cis1 d2 e1
+ a,2 cis1 d2 f1 e2 r2 e2 f2 r2 a2 d,4 e4 f2 e2 d2 f1
+ e1. d2 e1 d2 a2 cis2 d2 f2 e2 d2 cis1 d2 e1 a,2 b2 c2 b1.
+ a2 r2 e'2 d2 r2 d2 b2 d4 c4 b4 a4 e'2 cis1 d2 cis1 d1.
+ %
+ d1. c2 b1 a4 e'2 d4 b'8 a8 g8 f8 e4 b2 d4 c8 b4 a8 e'1.
+ d2 f2 e2 r4 d2 b2 a4 c2 e1
+ d2 c1 d4 e2 d4 b'8 a8 g8 f8 e4 d2 a'4 b8 a8 g8 f8 e1.
+ g2 f2 a4 d,4 r4 e2 d2 b4 c2 e1
+ d2 f2 g8 f8 e8 d8 c4 e2 d4 e8 d8 c8 b8 a4 d2 e4 d4 c8 b8 a1.
+ e'2 a,2 c4 d4 r4 e2 d2 cis4 d1.
+ %
+ d1. b2 c8 b4 a8 cis2 d2 e2 fis2 g1. a2 fis1
+ r4 g4 f4 d4 r4 e4 d4 c4 r4 b4 d4 e4 d2 e2 f8 e4 d8 e1.
+ a,4 d4 cis2 d2 e2 d1 c2 f8 g8 a8 g8 f4 e4 d1.
+ r4 a'4 g4 e4 r4 g4 d4 f4 r4 e4 d4 b4 cis1. d1.
+ %
+ d1. b2 c8 b4 a8 cis2 d2 e2 fis2 g1.
+ r4 fis4 g4 e4 r4 e4 d4 c4 r4 b4 d4 e4 d2 e2 f8 e4 d8 e1.
+ a,4 d4 cis2 d4 c8 d8 e1. d2 a'2 f4 e4 r4 d2 e4 f4 e8 d8 r4 e2 d2 cis4 d1 b8 cis8 d8 cis8 d1.
+ d2 e2 f4 e8 d8 e2 d2 g8 f8 e8 d8 cis1.
+ r4 d4 c4 f4 r4 c4 a'4 g4 r4 e4 d4 c4 d2 e2 f8 e4 d8 e1.
+ d4 e4 d8 cis8 d8 b8 cis4 b8 cis8 d1.
+ f2 a4 g4 f4 e4 r4 d2 e4 f8 e8 d8 c8 r4 d2 b2 a4 cis1. d1.
+ }
+ >>
+ }
+
+ tenorKyrie = \relative c {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ d1. r2 e1 d2 f1 g4 f4 e2 d2 c1 f2 e2 fis1 g1.
+ a4 g4 f2 e2 d1. r2 b'1 r2 c2 a2 g2 f1 a1.
+ r2 b1 g2 c,1 a'4 g4 f2 e2 d1 cis'2 d4 c4 b2 a2 g1.
+ a2 g2 f2 e1. r2 cis'1 r2 d2 a2 g2 d1 cis1 r2 r2 gis'1 a1.
+ %
+ d,1. f2 g2 e2 r2 d1 r2 e1 c1. b'2 c2 a2 r2 g1 c,1.
+ d2 f2 a2 r2 g1 r2 d1 cis'1.
+ cis2 d2 a2 r2 g1 c,1.
+ b'2 c2 a2 r2 g1 r2 a1 f1. g2 c2 a2 r2 gis1 a1.
+ %
+ a1. g2 f2 e2 d2 cis'1 d1.
+ d,1. c2 d2 e2 r2 g1 d1. c1.
+ f2 e2 d2 c2 d1 f1. g1.
+ d2 e2 c2 r2 g'1 e1. d1.
+ %
+ a'1. g2 f2 e2 d2 cis'1 d1.
+ d,2 c2 e2 r2 g1 d1. c1.
+ f2 e2 d2 c2 cis'1
+ d1. d,2 c2 d2 e2 fis1 g1. d1.
+ f2 e2 d2 c2 d1 e1.
+ d2 f2 f2 g2 a1 d,1. g1.
+ g2 f2 e2 d2 b'1 c1. a2 g2 f2 g2 e1 ~ e1. d1.
+ }
+ >>
+ }
+
+ bassKyrie = \relative c' {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ a1. a2 gis1 a1. r1.
+ c1. b2 a1 g1. r1.
+ a1. a2 g1 f1. r1.
+ d1. e2 e1 g1. r1.
+ a1. d,2 e1 g1. r1.
+ g1. f2 e1 d1. r1.
+ e1. f2 e1 d1. \bar "||"
+ a'1. a2 g1 a2 r2 r2 g1. ~ g1.
+ g2 f1 g2 r2 r2 g1.
+ a2 f1 g2 r2 r2 a1. ~ a1.
+ e2 d1 e2 r2 r2 g1.
+ g2 f1 e2 r2 r2 d1. ~ d1.
+ e2 f1 e2 r2 r2 d1. \bar "||"
+ d1. r1. a'2 a1 g1.
+ a1. c2 b1 g2 b1 a1. c1.
+ r1. c2 a1 a1. b1.
+ a2 g1 f2 e1 gis1. a1. \bar "||"
+ d,1. r1. a'2 a1 g1.
+ a2 c2 b2 g2 b1 a1. c1.
+ r1. c2 a1 d,1. r1. a'2 a1 g1. a1. r1. c2 b1 gis1.
+ b2 a2 c2 c2 a1 a1. b1.
+ r1. a2 g1 f1. r1. e2 gis1 ~ gis1. a1. \bar "|."
+ }
+ >>
+ }
+
+ sop = \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \globalKyrie \sopranKyrie }
+ %\addlyrics { \sopranText }
+ >>
+ alt = \new Staff = alt <<
+ \new Voice = "alti" { \globalKyrie \altKyrie }
+ %\addlyrics { \altText }
+ >>
+ ten = \new Staff = tenor <<
+ \new Voice = "tenoere" { \globalKyrie \tenorKyrie }
+ %\addlyrics { \tenorText }
+ >>
+ bas = \new Staff = bass <<
+ \new Voice = "baesse" { \globalKyrie \bassKyrie }
+ %\addlyrics { \bassText }
+ >>
+
+ kyrie = \new ChoirStaff \with {} <<
+ \sop
+ \alt
+ \ten
+ \bas %
+ >>
diff --git a/hr/quartett/machaut/parts/sanctus.ly b/hr/quartett/machaut/parts/sanctus.ly
new file mode 100644
index 0000000..54f3396
--- /dev/null
+++ b/hr/quartett/machaut/parts/sanctus.ly
@@ -0,0 +1,128 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.14"
+ \include "dynArt.ly"
+
+ globalSanctus = {
+ \key c \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 3/2
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranSanctus = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ c1. f,1 e4 d4 a'2 b2 c8 b4 a8 g2 a2 b2 c1.
+ %
+ c1. c4 a2 f4 r8 e4 d8 a'2 d,4 r4 a'8 b8 c8 b8 c1. b1.
+ c1. f,1 e4 d4 a'2 b2 c8 b4 a8 g2 a2 b2 c1.
+ %
+ a1 f4 g4 a2 bes1 a1 c8 b4 a8
+ c1. r8 a8 r8 a8 fis4 r8 g8 c4 a4
+ r8 g8 r8 f8 a4 r8 e8 a4 c4 b1.
+ a2 b1 c2 r2 r2 a4 g4 fis1 g2 c2 a4 g8 a8 b1.
+ r8 a8 r8 b8 c4 r8 g8 a4 e4 r8 f8 r8 f8 d4 r8 e8 f4 g4 a1.
+ g2 fis1 g2 r2 r2 b8 a8 g8 f8 e1 d4 e4 g2 g4 f8 g8 a1.
+ r8 g8 r8 b8 a4 r8 a8 e4 cis4 r8 d8 r8 d8 a'4 r8 a8 d,4 c4 e1.
+ c'4 b4 a1 f2 r2 r2
+ a1. b8 a4 g8 a1 e1.
+ r8 e8 r8 g8 a4 r8 f8 e4 c4 r8 d8 r8 a'8 f4 r8 f8 c'4 a4 b1.
+ a2 b1 c1. c8 bes8 a8 g8 fis2 a2 g8 f8 g8 a8 b1 c1.
+ r8 a8 r8 a8 fis4 r8 g8 a4 b4 r8 c8 r8 c8 f,4 r8 f8 g4 a4 b1.
+ gis2 a1 c2 r2 r2 a4 fis8 g8 a2 a8 g4 fis8 g1 e8 d4 c8 d1.
+ r8 d8 r8 g8 a4 r8 a8 c4 a4 r8 g8 r8 g8 a4 r8 a8 f4 d4 e1. f1.
+ %
+ c'1. c8 b8 c8 a8 b2 g4 a4 b1. c1.
+ r8 a8 r8 a8 e4 r8 e8 a4 e4 r8 a8 r8 a8 d,4 r8 a'8 b4 a4 c1.
+ a4 c4 b4 a4 g8 a8 g8 a8 f2 r2 r2
+ e2 g4 a4 b2 g2 g8 f8 e8 f8 e4 d4 a'1.
+ r8 c8 r8 c8 a4 r8 e8 d4 f4 r8 e8 r8 c8 d4 r8 d8 a'4 b4 c1.
+ b4 a4 g2 a8 b8 c8 b8 c2 r2 r2 fis,4 g8 a8 g1 c1 c8 b8 c8 a8 b1.
+ r8 a8 r8 a8 f4 r8 a8 e4 d4 r8 a'8 r8 a8 g4 r8 g8 a4 b4 c1.
+ f,8 e8 f8 d8 fis2 fis4 e8 fis8 g2 r2 r2
+ e1. a4 fis8 g8 a4 fis4 g4 a4 b1.
+ r8 c8 r8 a8 g4 r8 f8 bes4 g4 r8 a8 r8 f8 g4 r8 g8 f4 e4 f1.
+ }
+ >>
+ }
+
+ altSanctus = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ tenorSanctus = \relative c {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ f1. f1 g2 a2 e2 f2 g2 d2 b'2 c1. \bar "||"
+ c1. a2 f2 g2 a2 g2 b2 c1. g1.
+ f1. f1 g2 a2 e2 f2 g2 d2 b'2 c1. \bar "||"
+ a1. c2 bes1 r2 a1 f1. a2 b2 c2 bes2 a1 g1.
+ a2 g1 f1. a2 b1 r2 c1 d1. b2 c2 a2 f2 g1 d1.
+ bes'2 a1 g1. f2 a1 r2 g1 d1. g2 f2 e2 d2 f1 e1. f2 a1 c1.
+ a2 f1 r2 d1 e1. g2 f2 e2 d2 f1 g1. a2 g1 f1.
+ bes2 a1 r2 g1 f1. a2 b2 c2 f,2 f1 e1. e2 d1 c1.
+ fis2 fis1 r2 g1 d1. bes'2 a2 c2 bes2 a1 g1. f1. \bar "||"
+ c'1. a2 b1 r2 g1 c,1. f2 a2 d,2 a'2 g1 f1. a2 b1 c1.
+ c2 d1 r2 bes1 a1. f2 e2 d2 e2 d1 c1. e2 g1 f1.
+ a2 g1 r2 f1 g1. d2 f2 g2 a2 g1 f1. bes2 a1 g1.
+ d2 e1 r2 d1 g1. c2 c2 bes2 a2 g1 f1. \bar "|."
+ }
+ >>
+ }
+
+ bassSanctus = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ c1. c1. a1. bes2 a2 g2 f1. \bar "||"
+ f,1. a2 c1 c2 d1 c1. r1.
+ c1. c1. a1. bes2 a2 g2 f1. \bar "||"
+ r1
+ }
+ >>
+ }
+
+ sop = \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \globalSanctus \sopranSanctus }
+ %\addlyrics { \sopranText }
+ >>
+ alt = \new Staff = alt <<
+ \new Voice = "alti" { \globalSanctus \altSanctus }
+ %\addlyrics { \altText }
+ >>
+ ten = \new Staff = tenor <<
+ \new Voice = "tenoere" { \globalSanctus \tenorSanctus }
+ %\addlyrics { \tenorText }
+ >>
+ bas = \new Staff = bass <<
+ \new Voice = "baesse" { \globalSanctus \bassSanctus }
+ %\addlyrics { \bassText }
+ >>
+
+ sanctus = \new ChoirStaff \with {} <<
+ \sop
+
+ \ten
+ %\bas
+ >>
diff --git a/hr/quartett/machaut/stimmen.ly b/hr/quartett/machaut/stimmen.ly
new file mode 100644
index 0000000..ae98bc7
--- /dev/null
+++ b/hr/quartett/machaut/stimmen.ly
@@ -0,0 +1,60 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.14"
+ \include "dynArt.ly"
+
+ global = {
+ \key c \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r1
+ }
+ >>
+ }
+
diff --git a/hr/quartett/machaut/texte.ly b/hr/quartett/machaut/texte.ly
new file mode 100644
index 0000000..3653454
--- /dev/null
+++ b/hr/quartett/machaut/texte.ly
@@ -0,0 +1,22 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/quartett/magnum/dynArt.ly b/hr/quartett/magnum/dynArt.ly
new file mode 100644
index 0000000..d1a6c13
--- /dev/null
+++ b/hr/quartett/magnum/dynArt.ly
@@ -0,0 +1,53 @@
+%some settings% vim: ai sw=2 lbr nu
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s1*5
+ s1*4 %\break
+ s1*7 %\break
+ s1*4 %\break
+ s1*2
+ %s1*6 %\break
+ %
+ s1*8 %\break
+ s1*9 %\break
+ % 40 %
+ \pageBreak
+ s1*9 %\break
+ %\pageBreak
+ s1*4
+ s2.*5 %\break
+ s2.*8 %\break
+ s1*8
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+% articulation
+
+ sopranArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+ altArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+ tenorArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+ bassArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
diff --git a/hr/quartett/magnum/mysterium.ly b/hr/quartett/magnum/mysterium.ly
new file mode 100644
index 0000000..54f7418
--- /dev/null
+++ b/hr/quartett/magnum/mysterium.ly
@@ -0,0 +1,63 @@
+%some settings% vim: ai sw=2 lbr nu
+
+\version "2.12"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "O magnum mysterium"
+ composer = "Tomás Luis da Victoria (1548-1611)"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 20
+ bottom-margin = 30
+ after-title-space = 20
+ page-count = 2
+ system-count = 9
+ ragged-last-bottom = #f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 13)
+
+ \score {
+ \new ChoirStaff <<
+ \new Lyrics = "sop" {s4}
+ \new Staff = "frauen" <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "fPausen" { \frauenPausen \bar "||" }
+ \new Voice = "soprane" { \global \voiceOne \sopranMelodie }
+ \new Voice = "alti" { \global \voiceTwo \altMelodie }
+ >>
+ \new Lyrics = "alt"
+ \new Lyrics = "ten" {s4}
+ \new Staff = "maenner" <<
+ \new Voice = "mPausen" { \maennerPausen }
+ \new Voice = "tenoere" { \global \voiceOne \tenorMelodie }
+ \new Voice = "baesse" { \global \voiceTwo \bassMelodie }
+ >>
+ \new Lyrics = "bass"
+ \context Lyrics = "sop" \lyricsto soprane \sopranText
+ \context Lyrics = "alt" \lyricsto alti \altText
+ \context Lyrics = "ten" \lyricsto tenoere \tenorText
+ \context Lyrics = "bass" \lyricsto baesse \bassText
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ }
+
diff --git a/hr/quartett/magnum/stimmen.ly b/hr/quartett/magnum/stimmen.ly
new file mode 100644
index 0000000..fa6b440
--- /dev/null
+++ b/hr/quartett/magnum/stimmen.ly
@@ -0,0 +1,385 @@
+%some settings% vim: ai sw=2 lbr nu
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key g \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ }
+
+% Die Stimmen
+
+ frauenPausen = {
+ s1*20
+ r4 s2.
+ s1*17
+ s2 r2
+ s1*13
+ s2.*14
+ s1*8
+ }
+
+ maennerPausen = {
+ \repeat unfold 7 {
+ r1
+ }
+ s1*31
+ s2 r2
+ }
+
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ b'1
+ e,2 b'2 ~
+ b4 b4 c4 c4
+ b2 r4 e4
+ c4 d4 e4. e8
+ e4 b4 c4 b4( ~
+ b8 a8 g8 fis8 g8 a8 b8 g8
+ a8 g8 g8 fis16 e16 fis2 ~
+ fis2) e2
+ gis1
+ a2 gis4.( a8
+ b4) c4.( b8 a4 ~
+ a4 gis4) a4( g8 fis8
+ e4) fis4 g2
+ r4 e'4 c4 d4
+ e4. e8 e4 c4
+ a4 b4 c4. c8
+ c4 b4. a8 a4( ~
+ a4 gis4) a2
+ %ut
+ r1
+ s4 c4 b4. gis8
+ a4 b4 c4 a4
+ c4. c8 c4 c4
+ b2 b2
+ gis4 b4 b4. b8
+ b4 cis4 d2
+ c4.( b16 a16 b2
+ c2) b2
+ r1
+ r4 e,4 a2
+ g4 e4 fis4( gis4)
+ a4.( b8 c4) c4
+ b2 r2
+ r1
+ r4 a4 d2
+ c4 a4 b4( cis4)
+ d4.( c8 b8 a8 a4 ~
+ a4 gis8 fis8 gis4) gis4
+ a2 s2
+ %O beata
+ gis2. gis4
+ gis2 a2
+ gis4.( a8 b4 c4 ~
+ c8 b8 b4. a8 a4)
+ b4 gis2 gis4
+ a4. a8 a2
+ r4 a4.( b8 c8 a8
+ b4) e4 d2
+ c4 e4 d4 b4
+ c4.( b8 a8 g8 g8 fis16 e16
+ fis4) fis4 e4 b'4 ~
+ b4 g2 c4( ~
+ c8 b8 a2 gis4)
+ %Alleluja
+ \time 3/4
+ a2 c4
+ b2 gis4
+ a4. g8( a8 b8)
+ c4 b2
+ a2 a4
+ g2 e4
+ fis4. e8( fis8 g8)
+ a2 gis4
+ a2.
+ r2 d4
+ c4.( b8 c8 a8
+ b4) g8( a8 b8 c8
+ d4) d4 d4
+ c4 e2
+ %ja
+ \time 4/4
+ e1
+ r4 e4 e8( d8 c8 b8
+ a4) d4.( c8 b8 a8
+ gis4 a2 gis4)
+ a1 ~
+ a1 ~
+ a1 ~
+ a1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ r2 e2 ~
+ e2 a,2
+ e'2. e4
+ f4 f4 e2
+ r4 e4 c4 d4
+ e4. e8 e4 b4
+ c4 e2( dis8 cis8
+ dis2) e2
+ e1
+ e2 e4.( fis8
+ g4) g,4 a4.( b8
+ c4) b4 a4 e'4
+ e4 d4 b4. b8
+ b4 c4. b8 a4( ~
+ a4 gis4) a4 a'4
+ e4 g4 g4. g8
+ g2 e4 f4
+ e2 e2 ~
+ %ut
+ e2 r2
+ s4 a4 g4. e8
+ fis4 gis4 a4 e4
+ e4. e8 e4 fis4
+ g2 fis2
+ e4 g4 g4. g8
+ g4 g4 a4 b4( ~
+ b8 a8 ~ a2 gis4)
+ a4 e4 g4.( fis16 g16
+ a4 g8 fis8 e4) b4
+ r2 r4 a4
+ e'2 d4 b4
+ c4( d4) e8( d8 e8 fis8
+ g4. fis16 g16 a4) g8( fis8)
+ e2 r4 b4
+ e2 d4 b4
+ c8( d8 e8 fis8 g2)
+ a4.( g8 f8 e8 f4
+ e2.) e4
+ cis2 s2
+ %O beata
+ e2. e4
+ e2 e2
+ e1 ~
+ e1
+ e2 r4 e4 ~
+ e4 e4 f4. f8
+ e4 a,8( b8 c8 d8 e8 fis8
+ g4) g4 g2
+ e4 e4 fis4 gis4
+ a4.( g8 fis8 e8 e4 ~
+ e4) dis4 e4 g4( ~
+ g8 fis8 e8 d8 e2
+ c4) d4 e2
+ %Alleluja
+ \time 3/4
+ e2 a4
+ g2 e4
+ fis4. e8( fis8 g8)
+ a2 gis4
+ a2 e4
+ e2 b4
+ d2 d4
+ e4 e2
+ e2 c4
+ a2 gis4
+ a2 a'4
+ g2 e4
+ fis4. e8( fis8 g8)
+ a2 gis4
+ %ja
+ \time 3/4
+ a2 r4 e4
+ e8( d8 c8 b8 a4) a'4( ~
+ a8 g8 f8 e8 d4) f4
+ e2 r4 b4
+ c4.( d8 e4) f4( ~
+ f4 e4 d4. e8
+ f2) e2 ~
+ e1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ \repeat unfold 7 {
+ s1
+ }
+ r2 b2 ~
+ b2 e,2
+ b'2. b4
+ c4 c4 b2
+ r4 e4 c4 d4
+ e4. e8 e4 b4
+ c4 b4.( a8 g8 fis8
+ g2 a2
+ b2) c4 e4
+ c4 d4 e4. e8
+ e4 d4 c4( d4)
+ b2 a4 c4
+ %ut
+ b4. gis8 a4 b4
+ c4 a4 e'4. e8
+ d4 b4 a4 c4
+ c4. c8 c4 c4
+ d4 e2( dis4)
+ e4 e,4 e'4. e8
+ e4 e4 d2
+ f2 e2
+ r4 a,4 e'2
+ d4 b4 cis4( d4)
+ e8( d8 c8 b8 a8 b8 c8 a8
+ b2.) b4
+ a2 r4 a4
+ e'2 d4 b4
+ c4 b4.( a8 g8 fis8
+ g4 a2) gis4
+ a4 c4 d4( e4)
+ f4.( e8 d8 c8 d4
+ c4 b8 a8 b4) b4
+ a2 s2
+ %O beata
+ b2. b4
+ b2 c2
+ b2.( a4
+ b2 c2)
+ b4 b2 b4
+ cis4. cis8 d4 a8( b8
+ c8 d8 e2) c4
+ d4( c2 b4)
+ c4 c4 d4 e4
+ a,2. c4
+ b1
+ g1
+ a2 b2
+ %Alleluja
+ \time 3/4
+ a2 a4
+ e'2 e4
+ d2 d4
+ a4 e'2
+ a,2 c4
+ b2 g4
+ a4. g8( a8 b8)
+ c4 b2
+ a2 e4
+ fis4 d2
+ e2 c'4
+ b2 g4
+ a2 a4
+ a4 b2
+ %ja
+ \time 4/4
+ a4 c4 b8( a8 g8 fis8
+ e4) a8( b8 c8 d8 e8 c8
+ d4. e8 f8 e8 d8 c8
+ b4 a4) b4 e4
+ e8( d8 c8 b8 a4) c4(
+ d4 e4 f4. e8
+ d2. cis8 b8)
+ cis1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ s1*7
+ \repeat unfold 2 {
+ r1
+ }
+ e1
+ a,2 e'2 ~
+ e4 e4 f4 f4
+ e2 r4 e4
+ c4 d4 e4. e8
+ e4 c4 f2
+ e2 a,4 a4
+ a'4 g4 c,4. c8
+ c4 g'4 a4( d,4)
+ e2 a,4 a'4
+ %ut
+ g4. e8 fis4 gis4
+ a2 r2
+ r2 r4 a,4
+ a'4. a8 a4 a4
+ g4.( a8) b2
+ e,2 r2
+ r1
+ r2 r4 e4
+ a2 g4 e4
+ fis4( g4) a4( g8 fis8
+ e4. g8 f4) f4
+ e2 r2
+ r4 d4 a'2
+ g4 e4 fis4( g4)
+ a4( g8 fis8 e4. d8
+ c4 b8 a8 b4) b4
+ a4 a'4 g4( e4)
+ d1(
+ e2.) e4
+ a,2 s2
+ %O beata
+ e'2. e4
+ e2 a,2
+ e'4.( fis8 gis4 a4 ~
+ a8 gis8 gis4 a2)
+ e4 e2 e4
+ a4. a8 d,2
+ a'2. a4
+ g4( c,4 g'2)
+ c,2 r2
+ r1
+ r2 e2 ~
+ e2 c2
+ f2( e2)
+ %Alleluja
+ \time 3/4
+ a,2 r4
+ r2.
+ r2.
+ r2.
+ r2 a4
+ e'2 e4
+ d2 d4
+ a4 e'2
+ a,2 a4
+ d4 b2
+ a2 a4
+ e'2 e4
+ d2 d4
+ f4 e2
+ %ja
+ \time 4/4
+ a,4 a'4 g8( fis8 e8 d8
+ c8 b8 a8 g8 a2)
+ d1(
+ e1)
+ a,4 a'4 a8( g8 f8 e8
+ d4 cis4) d2 ~
+ d2 a2 ~
+ a1
+ }
+ >>
+ }
+
diff --git a/hr/quartett/magnum/texte.ly b/hr/quartett/magnum/texte.ly
new file mode 100644
index 0000000..34da82c
--- /dev/null
+++ b/hr/quartett/magnum/texte.ly
@@ -0,0 +1,123 @@
+%some settings% vim: ai sw=2 lbr nu
+
+% Abkürzungen
+
+ myst = \lyricmode {
+ O mag -- num my -- ste -- ri -- um
+ }
+ magnum = \lyricmode {
+ o mag -- num my -- ste -- ri -- um
+ }
+
+ sacra = \lyricmode {
+ et ad -- mi -- ra -- bi -- le sa -- cra -- men -- tum,
+ }
+
+ admirabile = \lyricmode {
+ et ad -- mi -- ra -- bi -- le,
+ }
+
+ Animalia = \lyricmode {
+ ut a -- ni -- ma -- li -- a
+ }
+
+ viderent = \lyricmode {
+ vi -- de -- rent Do -- mi -- num na -- tum,
+ }
+
+ jacentem = \lyricmode {
+ ja -- cen -- tem in prae -- se -- pi -- o.
+ }
+ Jacentem = \lyricmode {
+ ja -- cen -- tem in prae -- se -- pi -- o,
+ }
+
+ prae = \lyricmode {
+ in prae -- se -- pi -- o.
+ }
+
+ sopA = \lyricmode {
+ \myst \sacra \magnum \admirabile \sacra
+ \Animalia \viderent \viderent
+ \Jacentem \jacentem
+ }
+
+ altA = \lyricmode {
+ \myst \sacra \magnum \sacra \sacra
+ \Animalia \viderent \viderent
+ ja -- cen -- tem,
+ \Jacentem \jacentem
+ }
+
+ tenA = \lyricmode {
+ \myst \sacra \sacra
+ ut a -- ni -- ma -- li -- a,
+ \Animalia \viderent \viderent
+ \Jacentem \Jacentem \prae
+ }
+
+ bassA = \lyricmode {
+ \myst \sacra \sacra
+ \Animalia \viderent
+ \Jacentem \Jacentem \prae
+ }
+
+ virgo = \lyricmode {
+ O be -- a -- ta vir -- go,
+ cu -- jus vis -- ce -- ra me -- ru -- e -- runt
+ }
+
+ portare = \lyricmode {
+ por -- ta -- re Do -- mi -- num
+ }
+
+ chr = \lyricmode {
+ Je -- sum Chri -- stum.
+ }
+
+ alle = \lyricmode {
+ Al -- le -- lu -- ja,
+ Al -- le -- lu -- ja,
+ }
+ alleluja = \lyricmode {
+ Al -- le -- lu -- ja.
+ }
+
+ sopB = \lyricmode {
+ \virgo \portare \chr
+ \alle \alle \alle \alleluja
+ }
+
+ altB = \lyricmode {
+ \virgo \portare \chr
+ \alle \alle \alle \alle \alleluja
+ }
+
+ tenB = \lyricmode {
+ \virgo \portare \chr
+ \alle \alle \alle \alle \alleluja
+ }
+
+ bassB = \lyricmode {
+ \virgo \chr
+ \alle \alle \alle \alleluja
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyricmode {
+ \sopA \sopB
+ }
+
+ altText = \lyricmode {
+ \altA \altB
+ }
+
+ tenorText = \lyricmode {
+ \tenA \tenB
+ }
+
+ bassText = \lyricmode {
+ \bassA \bassB
+ }
+
diff --git a/hr/quartett/mysterium/Mysterium_.ly b/hr/quartett/mysterium/Mysterium_.ly
new file mode 100644
index 0000000..3146513
--- /dev/null
+++ b/hr/quartett/mysterium/Mysterium_.ly
@@ -0,0 +1,64 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+\version "2.12"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "O magnum mysterium"
+ composer = "Tomás Luis da Victoria (1548-1611)"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ #(set-global-staff-size 15)
+ #(set-default-paper-size "a4" 'landscape)
+ %#(ly:set-option 'point-and-click #f)
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 20
+ %after-title-space = 20
+ %page-count = 4
+ ragged-last-bottom = #f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-4 . 4.5)
+ }
+ }
+
+ %#(set-global-staff-size 15)
+
+ \score {
+ \new ChoirStaff <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie \bar "||" }
+ \lyricsto soprane \sopranText
+ >>
+ \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ \lyricsto alti \altText
+ >>
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \lyricsto tenoere \tenorText
+ >>
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ \lyricsto baesse \bassText
+ >>
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ }
+
diff --git a/hr/quartett/mysterium/Mysterium_.ps b/hr/quartett/mysterium/Mysterium_.ps
new file mode 100644
index 0000000..6c62061
--- /dev/null
+++ b/hr/quartett/mysterium/Mysterium_.ps
Binary files differ
diff --git a/hr/quartett/mysterium/dynArt.ly b/hr/quartett/mysterium/dynArt.ly
new file mode 100644
index 0000000..b03db14
--- /dev/null
+++ b/hr/quartett/mysterium/dynArt.ly
@@ -0,0 +1,51 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s1*5
+ s1*4 \break
+ s1*7 %\break
+ s1*4 \break
+ s1*2
+ %s1*6 %\break
+ %
+ s1*8 \break
+ s1*9 \break
+ s1*9 \break
+ %\pageBreak
+ s1*4
+ s2.*5 \break
+ s2.*8 \break
+ s1*8
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+% articulation
+
+ sopranArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+ altArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+ tenorArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+ bassArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
diff --git a/hr/quartett/mysterium/midis/alt.midi b/hr/quartett/mysterium/midis/alt.midi
new file mode 100644
index 0000000..724f3c3
--- /dev/null
+++ b/hr/quartett/mysterium/midis/alt.midi
Binary files differ
diff --git a/hr/quartett/mysterium/midis/bass.midi b/hr/quartett/mysterium/midis/bass.midi
new file mode 100644
index 0000000..fdb0894
--- /dev/null
+++ b/hr/quartett/mysterium/midis/bass.midi
Binary files differ
diff --git a/hr/quartett/mysterium/midis/gesamt.midi b/hr/quartett/mysterium/midis/gesamt.midi
new file mode 100644
index 0000000..1d5c8d5
--- /dev/null
+++ b/hr/quartett/mysterium/midis/gesamt.midi
Binary files differ
diff --git a/hr/quartett/mysterium/midis/sopran.midi b/hr/quartett/mysterium/midis/sopran.midi
new file mode 100644
index 0000000..ace70c8
--- /dev/null
+++ b/hr/quartett/mysterium/midis/sopran.midi
Binary files differ
diff --git a/hr/quartett/mysterium/midis/tenor.midi b/hr/quartett/mysterium/midis/tenor.midi
new file mode 100644
index 0000000..2629774
--- /dev/null
+++ b/hr/quartett/mysterium/midis/tenor.midi
Binary files differ
diff --git a/hr/quartett/mysterium/mysterium.ly b/hr/quartett/mysterium/mysterium.ly
new file mode 100644
index 0000000..bad4e61
--- /dev/null
+++ b/hr/quartett/mysterium/mysterium.ly
@@ -0,0 +1,60 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+\version "2.12"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "O magnum mysterium"
+ composer = "Tomás Luis da Victoria (1548-1611)"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 20
+ bottom-margin = 30
+ after-title-space = 20
+ %page-count = 4
+ ragged-last-bottom = #f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-4 . 4.5)
+ }
+ }
+
+ #(set-global-staff-size 15)
+
+ \score {
+ \new ChoirStaff <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie \bar "||" }
+ \lyricsto soprane \sopranText
+ >>
+ \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ \lyricsto alti \altText
+ >>
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \lyricsto tenoere \tenorText
+ >>
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ \lyricsto baesse \bassText
+ >>
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ }
+
diff --git a/hr/quartett/mysterium/mysterium.ps b/hr/quartett/mysterium/mysterium.ps
new file mode 100644
index 0000000..4a8dcc5
--- /dev/null
+++ b/hr/quartett/mysterium/mysterium.ps
Binary files differ
diff --git a/hr/quartett/mysterium/stimmen.ly b/hr/quartett/mysterium/stimmen.ly
new file mode 100644
index 0000000..535a632
--- /dev/null
+++ b/hr/quartett/mysterium/stimmen.ly
@@ -0,0 +1,365 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key g \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ b'1
+ e,2 b'2 ~
+ b4 b4 c4 c4
+ b2 r4 e4
+ c4 d4 e4. e8
+ e4 b4 c4 b4( ~
+ b8 a8 g8 fis8 g8 a8 b8 g8
+ a8 g8 g8 fis16 e16 fis2 ~
+ fis2) e2
+ gis1
+ a2 gis4.( a8
+ b4) c4.( b8 a4 ~
+ a4 gis4) a4( g8 fis8
+ e4) fis4 g2
+ r4 e'4 c4 d4
+ e4. e8 e4 c4
+ a4 b4 c4. c8
+ c4 b4. a8 a4( ~
+ a4 gis4) a2
+ %ut
+ r1
+ r4 c4 b4. gis8
+ a4 b4 c4 a4
+ c4. c8 c4 c4
+ b2 b2
+ gis4 b4 b4. b8
+ b4 cis4 d2
+ c4.( b16 a16 b2
+ c2) b2
+ r1
+ r4 e,4 a2
+ g4 e4 fis4( gis4)
+ a4.( b8 c4) c4
+ b2 r2
+ r1
+ r4 a4 d2
+ c4 a4 b4( cis4)
+ d4.( c8 b8 a8 a4 ~
+ a4 gis8 fis8 gis4) gis4
+ a2 r2
+ %O beata
+ gis2. gis4
+ gis2 a2
+ gis4.( a8 b4 c4 ~
+ c8 b8 b4. a8 a4)
+ b4 gis2 gis4
+ a4. a8 a2
+ r4 a4.( b8 c8 a8
+ b4) e4 d2
+ c4 e4 d4 b4
+ c4.( b8 a8 g8 g8 fis16 e16
+ fis4) fis4 e4 b'4 ~
+ b4 g2 c4( ~
+ c8 b8 a2 gis4)
+ %Alleluja
+ \time 3/4
+ a2 c4
+ b2 gis4
+ a4. g8( a8 b8)
+ c4 b2
+ a2 a4
+ g2 e4
+ fis4. e8( fis8 g8)
+ a2 gis4
+ a2.
+ r2 d4
+ c4.( b8 c8 a8
+ b4) g8( a8 b8 c8
+ d4) d4 d4
+ c4 e2
+ %ja
+ \time 4/4
+ e1
+ r4 e4 e8( d8 c8 b8
+ a4) d4.( c8 b8 a8
+ gis4 a2 gis4)
+ a1 ~
+ a1 ~
+ a1 ~
+ a1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ r2 e2 ~
+ e2 a,2
+ e'2. e4
+ f4 f4 e2
+ r4 e4 c4 d4
+ e4. e8 e4 b4
+ c4 e2( dis8 cis8
+ dis2) e2
+ e1
+ e2 e4.( fis8
+ g4) g,4 a4.( b8
+ c4) b4 a4 e'4
+ e4 d4 b4. b8
+ b4 c4. b8 a4( ~
+ a4 gis4) a4 a'4
+ e4 g4 g4. g8
+ g2 e4 f4
+ e2 e2 ~
+ %ut
+ e2 r2
+ r4 a4 g4. e8
+ fis4 gis4 a4 e4
+ e4. e8 e4 fis4
+ g2 fis2
+ e4 g4 g4. g8
+ g4 g4 a4 b4( ~
+ b8 a8 ~ a2 gis4)
+ a4 e4 g4.( fis16 g16
+ a4 g8 fis8 e4) b4
+ r2 r4 a4
+ e'2 d4 b4
+ c4( d4) e8( d8 e8 fis8
+ g4. fis16 g16 a4) g8( fis8)
+ e2 r4 b4
+ e2 d4 b4
+ c8( d8 e8 fis8 g2)
+ a4.( g8 f8 e8 f4
+ e2.) e4
+ cis2 r2
+ %O beata
+ e2. e4
+ e2 e2
+ e1 ~
+ e1
+ e2 r4 e4 ~
+ e4 e4 f4. f8
+ e4 a,8( b8 c8 d8 e8 fis8
+ g4) g4 g2
+ e4 e4 fis4 gis4
+ a4.( g8 fis8 e8 e4 ~
+ e4) dis4 e4 g4( ~
+ g8 fis8 e8 d8 e2
+ c4) d4 e2
+ %Alleluja
+ \time 3/4
+ e2 a4
+ g2 e4
+ fis4. e8( fis8 g8)
+ a2 gis4
+ a2 e4
+ e2 b4
+ d2 d4
+ e4 e2
+ e2 c4
+ a2 gis4
+ a2 a'4
+ g2 e4
+ fis4. e8( fis8 g8)
+ a2 gis4
+ %ja
+ \time 3/4
+ a2 r4 e4
+ e8( d8 c8 b8 a4) a'4( ~
+ a8 g8 f8 e8 d4) f4
+ e2 r4 b4
+ c4.( d8 e4) f4( ~
+ f4 e4 d4. e8
+ f2) e2 ~
+ e1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ \repeat unfold 7 {
+ r1
+ }
+ r2 b2 ~
+ b2 e,2
+ b'2. b4
+ c4 c4 b2
+ r4 e4 c4 d4
+ e4. e8 e4 b4
+ c4 b4.( a8 g8 fis8
+ g2 a2
+ b2) c4 e4
+ c4 d4 e4. e8
+ e4 d4 c4( d4)
+ b2 a4 c4
+ %ut
+ b4. gis8 a4 b4
+ c4 a4 e'4. e8
+ d4 b4 a4 c4
+ c4. c8 c4 c4
+ d4 e2( dis4)
+ e4 e,4 e'4. e8
+ e4 e4 d2
+ f2 e2
+ r4 a,4 e'2
+ d4 b4 cis4( d4)
+ e8( d8 c8 b8 a8 b8 c8 a8
+ b2.) b4
+ a2 r4 a4
+ e'2 d4 b4
+ c4 b4.( a8 g8 fis8
+ g4 a2) gis4
+ a4 c4 d4( e4)
+ f4.( e8 d8 c8 d4
+ c4 b8 a8 b4) b4
+ a2 r2
+ %O beata
+ b2. b4
+ b2 c2
+ b2.( a4
+ b2 c2)
+ b4 b2 b4
+ cis4. cis8 d4 a8( b8
+ c8 d8 e2) c4
+ d4( c2 b4)
+ c4 c4 d4 e4
+ a,2. c4
+ b1
+ g1
+ a2 b2
+ %Alleluja
+ \time 3/4
+ a2 a4
+ e'2 e4
+ d2 d4
+ a4 e'2
+ a,2 c4
+ b2 g4
+ a4. g8( a8 b8)
+ c4 b2
+ a2 e4
+ fis4 d2
+ e2 c'4
+ b2 g4
+ a2 a4
+ a4 b2
+ %ja
+ \time 4/4
+ a4 c4 b8( a8 g8 fis8
+ e4) a8( b8 c8 d8 e8 c8
+ d4. e8 f8 e8 d8 c8
+ b4 a4) b4 e4
+ e8( d8 c8 b8 a4) c4(
+ d4 e4 f4. e8
+ d2. cis8 b8)
+ cis1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ \repeat unfold 9 {
+ r1
+ }
+ e1
+ a,2 e'2 ~
+ e4 e4 f4 f4
+ e2 r4 e4
+ c4 d4 e4. e8
+ e4 c4 f2
+ e2 a,4 a4
+ a'4 g4 c,4. c8
+ c4 g'4 a4( d,4)
+ e2 a,4 a'4
+ %ut
+ g4. e8 fis4 gis4
+ a2 r2
+ r2 r4 a,4
+ a'4. a8 a4 a4
+ g4.( a8) b2
+ e,2 r2
+ r1
+ r2 r4 e4
+ a2 g4 e4
+ fis4( g4) a4( g8 fis8
+ e4. g8 f4) f4
+ e2 r2
+ r4 d4 a'2
+ g4 e4 fis4( g4)
+ a4( g8 fis8 e4. d8
+ c4 b8 a8 b4) b4
+ a4 a'4 g4( e4)
+ d1(
+ e2.) e4
+ a,2 r2
+ %O beata
+ e'2. e4
+ e2 a,2
+ e'4.( fis8 gis4 a4 ~
+ a8 gis8 gis4 a2)
+ e4 e2 e4
+ a4. a8 d,2
+ a'2. a4
+ g4( c,4 g'2)
+ c,2 r2
+ r1
+ r2 e2 ~
+ e2 c2
+ f2( e2)
+ %Alleluja
+ \time 3/4
+ a,2 r4
+ r2.
+ r2.
+ r2.
+ r2 a4
+ e'2 e4
+ d2 d4
+ a4 e'2
+ a,2 a4
+ d4 b2
+ a2 a4
+ e'2 e4
+ d2 d4
+ f4 e2
+ %ja
+ \time 4/4
+ a,4 a'4 g8( fis8 e8 d8
+ c8 b8 a8 g8 a2)
+ d1(
+ e1)
+ a,4 a'4 a8( g8 f8 e8
+ d4 cis4) d2 ~
+ d2 a2 ~
+ a1
+ }
+ >>
+ }
+
diff --git a/hr/quartett/mysterium/texte.ly b/hr/quartett/mysterium/texte.ly
new file mode 100644
index 0000000..482d0d7
--- /dev/null
+++ b/hr/quartett/mysterium/texte.ly
@@ -0,0 +1,123 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+% Abkürzungen
+
+ myst = \lyricmode {
+ O mag -- num my -- ste -- ri -- um
+ }
+ magnum = \lyricmode {
+ o mag -- num my -- ste -- ri -- um
+ }
+
+ sacra = \lyricmode {
+ et ad -- mi -- ra -- bi -- le sa -- cra -- men -- tum,
+ }
+
+ admirabile = \lyricmode {
+ et ad -- mi -- ra -- bi -- le,
+ }
+
+ Animalia = \lyricmode {
+ ut a -- ni -- ma -- li -- a
+ }
+
+ viderent = \lyricmode {
+ vi -- de -- rent Do -- mi -- num na -- tum,
+ }
+
+ jacentem = \lyricmode {
+ ja -- cen -- tem in prae -- se -- pi -- o.
+ }
+ Jacentem = \lyricmode {
+ ja -- cen -- tem in prae -- se -- pi -- o,
+ }
+
+ prae = \lyricmode {
+ in prae -- se -- pi -- o.
+ }
+
+ sopA = \lyricmode {
+ \myst \sacra \magnum \admirabile \sacra
+ \Animalia \viderent \viderent
+ \Jacentem \jacentem
+ }
+
+ altA = \lyricmode {
+ \myst \sacra \magnum \sacra \sacra
+ \Animalia \viderent \viderent
+ ja -- cen -- tem,
+ \Jacentem \jacentem
+ }
+
+ tenA = \lyricmode {
+ \myst \sacra \sacra
+ ut a -- ni -- ma -- li -- a,
+ \Animalia \viderent \viderent
+ \Jacentem \Jacentem \prae
+ }
+
+ bassA = \lyricmode {
+ \myst \sacra \sacra
+ \Animalia \viderent
+ \Jacentem \Jacentem \prae
+ }
+
+ virgo = \lyricmode {
+ O be -- a -- ta vir -- go,
+ cu -- jus vis -- ce -- ra me -- ru -- e -- runt
+ }
+
+ portare = \lyricmode {
+ por -- ta -- re Do -- mi -- num
+ }
+
+ chr = \lyricmode {
+ Je -- sum Chri -- stum.
+ }
+
+ alle = \lyricmode {
+ Al -- le -- lu -- ja,
+ Al -- le -- lu -- ja,
+ }
+ alleluja = \lyricmode {
+ Al -- le -- lu -- ja.
+ }
+
+ sopB = \lyricmode {
+ \virgo \portare \chr
+ \alle \alle \alle \alleluja
+ }
+
+ altB = \lyricmode {
+ \virgo \portare \chr
+ \alle \alle \alle \alle \alleluja
+ }
+
+ tenB = \lyricmode {
+ \virgo \portare \chr
+ \alle \alle \alle \alle \alleluja
+ }
+
+ bassB = \lyricmode {
+ \virgo \chr
+ \alle \alle \alle \alleluja
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ \sopA \sopB
+ }
+
+ altText = \lyrics {
+ \altA \altB
+ }
+
+ tenorText = \lyrics {
+ \tenA \tenB
+ }
+
+ bassText = \lyrics {
+ \bassA \bassB
+ }
+
diff --git a/hr/quartett/sanctificatus/dynArt.ly b/hr/quartett/sanctificatus/dynArt.ly
new file mode 100644
index 0000000..7e8cabb
--- /dev/null
+++ b/hr/quartett/sanctificatus/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/quartett/sanctificatus/sanctificatus.ly b/hr/quartett/sanctificatus/sanctificatus.ly
new file mode 100644
index 0000000..2c75e9c
--- /dev/null
+++ b/hr/quartett/sanctificatus/sanctificatus.ly
@@ -0,0 +1,67 @@
+%some settings% vim: ai et
+
+\version "2.12"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Dies sanctificatus"
+ composer = "Giovanni Pierluigi da Palestrina"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'false
+ %system-count = 6
+ page-count = 2
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-4 . 4)
+ }
+ }
+
+ #(set-global-staff-size 16)
+
+ \score {
+ \new StaffGroup <<
+ \new Lyrics = "s"
+ \new Staff = frauen <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" \with { \remove Forbid_line_break_engraver }
+ { \global \voiceOne \sopranMelodie }
+ \new Voice = "alti" \with { \remove Forbid_line_break_engraver }
+ { \global \voiceTwo \altMelodie }
+ >>
+ \new Lyrics = "a"
+ \new Lyrics = "t"
+ \new Staff = maenner <<
+ \new Voice = "mPausen" { \maennerPausen }
+ \new Voice = "tenoere" \with { \remove Forbid_line_break_engraver }
+ { \global \voiceOne \tenorMelodie }
+ \new Voice = "baesse" \with { \remove Forbid_line_break_engraver }
+ { \global \voiceTwo \bassMelodie }
+ >>
+ \new Lyrics = "b"
+ \context Lyrics = "s" \lyricsto soprane \sopranText
+ \context Lyrics = "a" \lyricsto alti \altText
+ \context Lyrics = "t" \lyricsto tenoere \tenorText
+ \context Lyrics = "b" \lyricsto baesse \bassText
+ >>
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 96 4)
+ }
+ }
+ \layout {
+ }
+ }
+
diff --git a/hr/quartett/sanctificatus/sanctificatus.midi b/hr/quartett/sanctificatus/sanctificatus.midi
new file mode 100644
index 0000000..c55d4a6
--- /dev/null
+++ b/hr/quartett/sanctificatus/sanctificatus.midi
Binary files differ
diff --git a/hr/quartett/sanctificatus/sanctificatus.ps b/hr/quartett/sanctificatus/sanctificatus.ps
new file mode 100644
index 0000000..78e90ff
--- /dev/null
+++ b/hr/quartett/sanctificatus/sanctificatus.ps
Binary files differ
diff --git a/hr/quartett/sanctificatus/sanctificatus_1.midi b/hr/quartett/sanctificatus/sanctificatus_1.midi
new file mode 100644
index 0000000..90a9934
--- /dev/null
+++ b/hr/quartett/sanctificatus/sanctificatus_1.midi
Binary files differ
diff --git a/hr/quartett/sanctificatus/sanctificatus_2.midi b/hr/quartett/sanctificatus/sanctificatus_2.midi
new file mode 100644
index 0000000..5378200
--- /dev/null
+++ b/hr/quartett/sanctificatus/sanctificatus_2.midi
Binary files differ
diff --git a/hr/quartett/sanctificatus/sanctificatus_3.midi b/hr/quartett/sanctificatus/sanctificatus_3.midi
new file mode 100644
index 0000000..acf6125
--- /dev/null
+++ b/hr/quartett/sanctificatus/sanctificatus_3.midi
Binary files differ
diff --git a/hr/quartett/sanctificatus/stimmen.ly b/hr/quartett/sanctificatus/stimmen.ly
new file mode 100644
index 0000000..725e5d0
--- /dev/null
+++ b/hr/quartett/sanctificatus/stimmen.ly
@@ -0,0 +1,340 @@
+%some settings% vim: ai et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \override Staff.BarLine #'transparent = ##t
+ \key bes \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 2/2
+ }
+
+% Die Stimmen
+
+ maennerPausen = {
+ r1
+ r1
+ r1
+ r1
+ r1
+ r1
+ s1*36
+ r1
+ r1
+ r1
+ }
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ c1
+ c2 d2
+ c4( a4 bes2)
+ a2 r4 g4
+ a4 bes4 c4.( bes8
+ a4 g4 a4. bes8
+ g4 a4 g2)
+ a1
+ r4 f4 d4 ees4
+ % -- 10 -- %
+ f4( f4) g8( a8 bes8 c8
+ d2 g,2)
+ r1
+ r2 r4 g4
+ a4 bes4 c2.(
+ bes8 a8 g4. a8
+ bes2 a4) f4
+ r4 g4 a4 bes4
+ c4.( bes16 a16 g2)
+ a\breve
+ % -- 21 -- %
+ r1 r1 r1
+ f2( bes2.)
+ a4 d4.( c8
+ bes4 a4) g1
+ f4 bes2(
+ g4 aes4) g4.(
+ f8 f2 e4)
+ f2 r2
+ % -- 31 -- %
+ bes2( ees2.)
+ d4 c2
+ d8( c8 bes8 a8 g4 a4
+ bes4 ees,8 f8 g8 a8 bes2
+ a4) g4.( a8
+ bes1.) r2
+ f2( bes2.)
+ a4 d4.( c8
+ bes4 a4) g2
+ f\breve
+ % -- 43 -- %
+ r2 d'2
+ f2 ees4 d4.(
+ c8 ees4. d8 d2
+ c4) d1
+ r4 a4
+ bes2 a4 g2(
+ f4 g4. a8
+ bes4 a4) c4( bes4.
+ c8 d8 bes8 c2)
+ % -- 52 -- %
+ r2 r4 c4
+ ees2. d4
+ c2( bes4 c4.
+ bes8 g4) a2
+ r4 g4 bes4 a4.(
+ g8 g2) f4
+ g4 c4 ees2.
+ d4 c2
+ bes2 r4 f4
+ g4 a4 bes4( g4
+ a4 bes8 c8 d2.
+ bes4 c2)
+ a\breve
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ f1
+ f2 g2
+ f4( d4 ees2)
+ d2 r4 c4
+ d4 ees4 f4( d4
+ e4 f2) e4
+ r2 r4 f4.(
+ ees8 d2 c8 bes8
+ % -- 10 -- %
+ c4) d4 g,4 g'2(
+ f4) ees8( f8 g8 ees8
+ f4 ees8 d8 c4 d4)
+ c4 c4 d4 ees4
+ f4.( d8 ees8 f8 g4.
+ f8 f2 ees4)
+ f4 g4 c,4( d4
+ e4 g4. f8 f2
+ e8 d8 e2)
+ f\breve
+ % -- 21 -- %
+ f1
+ f1
+ f2 f4.( ees8
+ d4 c4) bes2(
+ c2) r2
+ r2 bes2(
+ ees2.) d4
+ g4.( f8 ees4) d4
+ c2 r4 bes4
+ c4.( d8 ees4 d4
+ % -- 31 -- %
+ g4 f4) ees2
+ r2 f2(
+ bes2.) a4
+ g4.( f8 ees4) d4
+ c4 f4( ees4 d4)
+ g2( f2
+ ees4. d16 c16 bes2)
+ f4 f'2( ees4
+ d4 c4) bes8( c8 d8 ees8
+ f2 ees2)
+ d\breve
+ % -- 43 -- %
+ g2 bes2.
+ a4 g2(
+ f4 g4. f8 d4
+ ees2 d4 g4
+ f4. ees8 d4 c4)
+ bes2 r4 g'4
+ bes4 a2 g2(
+ f4 ees2)
+ d2 r4 c4
+ % -- 52 -- %
+ ees4( d4) c2
+ r4 g'4 bes2.
+ a4 g4 a4.(
+ g8 g2 f4
+ ees2 d4 ees2
+ c4) d2
+ r2 g2
+ bes2. a4
+ g2 f2
+ r4 c4 d4 ees4
+ f4( g4 f4 g4.
+ f8 f2 e4)
+ f\breve
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ s1
+ s1
+ s1
+ s1
+ s1
+ s1
+ c1
+ c2 d2
+ c4( a4 bes2
+ % -- 10 -- %
+ c2) r4 g4
+ a4 bes4 c4.( bes8
+ a4 g4 a4 bes2
+ a4 g2)
+ f2 r4 g4
+ a4( bes4) c2
+ r4 g4 a4 bes4
+ c4( bes4. a8 g8 f8
+ g2 c2)
+ c\breve
+ % -- 21 -- %
+ f,2( bes2.)
+ a4 d4.( c8
+ d8 bes8 c4) bes8( a8 bes8 c8
+ d8 ees8 f2 e4)
+ f2. d4
+ ees4 f4 d2
+ r2 bes2(
+ ees4. d8 c4 bes4
+ aes4. g16 f16 g2)
+ f2 bes4.( a8
+ % -- 31 -- %
+ g4) bes2( a4)
+ bes2( f2)
+ r1
+ r1
+ r2 bes2(
+ ees2.) d4
+ g4.( f8 ees4 d4)
+ c2 bes2
+ f'2 f4.( ees8
+ d4. c8 bes2)
+ bes\breve
+ % -- 43 -- %
+ s1
+ s1
+ s1
+ r1
+ d2 f2
+ ees4 d4.( c8 ees4.
+ d8 d4. c16 bes16 c4)
+ d2 r4 g,4
+ bes2 f4 a4(
+ % -- 52 -- %
+ g4) g'4.( f8 ees8 d8
+ c2) r2
+ r2 r4 c4
+ ees2 d2
+ c2( bes4 c4.
+ bes8 g4 a2)
+ g1.
+ r4 c4
+ ees2. d4
+ c2( bes4 c4.
+ bes8 g4 a4 bes4.
+ a8 f4 g2)
+ f\breve
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ s1
+ s1
+ s1
+ s1
+ s1
+ s1
+ r1
+ f1
+ f2 g2
+ % -- 10 -- %
+ f4( d4 ees2)
+ d2 r4 c4
+ d4 ees4 f4( d4
+ ees4 f2 ees4
+ d2) c2
+ r2 r4 c4
+ d4 ees4 f4( d4
+ c4 ees4 d2
+ c1)
+ f\breve
+ \bar "||"
+ \break
+ % -- 21 -- %
+ r1
+ f2( bes2.)
+ a4 d4.( c8
+ bes4 a4) g2
+ f2 bes4.( a8
+ g4 f4) g4.( f8
+ ees8 d8 ees4) bes2
+ \pageBreak
+ r1
+ f'2( bes2.)
+ a4 g4.( f8
+ % -- 31 -- %
+ ees4 d4) c2
+ bes4 bes'2( a4)
+ g2.( f4
+ ees4. d8 c4 bes4
+ f'2 g2
+ ees2) bes2
+ ees4.( f8 g8 a8 bes2
+ a4 g2
+ f2) bes,4.( c8
+ d2 e2)
+ bes\breve
+ \bar "||"
+ \break
+ % -- 43 -- %
+ s1
+ s1
+ s1
+ r2 g'2
+ bes2. a4
+ g2( f4 g4.
+ f8 d4 ees2)
+ d2 c8( d8 ees8 f8
+ g8 a8 bes8 g8 a8 bes8 c2
+ % -- 52 -- %
+ bes4 c4) c,4.(
+ d8 ees8 f8 g8 a8 bes4)
+ f2 r2
+ r1
+ r2 r4 c4
+ ees2 d2
+ ees4( c4. d8 ees8 f8
+ g8 a8 bes4) f2
+ r4 g4 bes2.
+ a4 g4( c,4
+ f4 ees4 d4 bes4
+ d2 c2)
+ f\breve
+ \bar "||"
+ }
+ >>
+ }
+
diff --git a/hr/quartett/sanctificatus/texte.ly b/hr/quartett/sanctificatus/texte.ly
new file mode 100644
index 0000000..8eb62b9
--- /dev/null
+++ b/hr/quartett/sanctificatus/texte.ly
@@ -0,0 +1,66 @@
+%some settings% vim: ai et
+
+% Abkürzungen
+
+k = \lyricmode {
+ Ky -- ri -- e
+}
+
+ke = \lyricmode {
+ Ky -- ri -- e~e -- lei -- son.
+}
+
+Ke = \lyricmode {
+ Ky -- ri -- e~e -- lei -- son,
+}
+
+ce = \lyricmode {
+ Chri -- ste e -- lei -- son.
+}
+
+Ce = \lyricmode {
+ Chri -- ste e -- lei -- son,
+}
+
+ee = \lyricmode {
+ e -- lei -- son.
+}
+
+E = \lyricmode {
+ e -- lei -- son,
+}
+
+% Die Textaufteilungen
+
+ sopranText = \lyricmode {
+ %%<+hier den Text für den Sopran eintragen+>
+ \ke \ke \ke \ke \ke
+ \Ce \ee \ce \ce
+ \ke \ke \ke \ke \ke \ke
+ }
+
+ altText = \lyricmode {
+ %%<+hier den Text für den Alt eintragen+>
+ \ke \ke \k \ee \Ke \ee
+ \ce \Ce \ee \Ce \E \ee
+ \ke \Ke \ee \k \ee \ke \ke
+ }
+
+ tenorText = \lyricmode {
+ %%<+hier den Text für den Tenor eintragen+>
+ Ky -- ri -- e~e -- lei______-______-______son.
+ %\ke
+ \Ke \ee \ke
+ \Ce
+ e -- lei -- _ -- son.
+ \ce \Ce \ee
+ \ke \ke \ke \ke
+ }
+
+ bassText = \lyricmode {
+ %%<+hier den Text für den Baß eintragen+>
+ \ke \ke \ke
+ \Ce \ee \Ce \E \ee
+ \Ke \ee \ke \ke
+ }
+
diff --git a/hr/quartett/segne/dynArt.ly b/hr/quartett/segne/dynArt.ly
new file mode 100644
index 0000000..756726f
--- /dev/null
+++ b/hr/quartett/segne/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/quartett/segne/midi.lua b/hr/quartett/segne/midi.lua
new file mode 100644
index 0000000..f8b2520
--- /dev/null
+++ b/hr/quartett/segne/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu encoding=utf8 et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/quartett/segne/segne.ly b/hr/quartett/segne/segne.ly
new file mode 100644
index 0000000..6a0a830
--- /dev/null
+++ b/hr/quartett/segne/segne.ly
@@ -0,0 +1,60 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Es segne uns Gott"
+ %composer = "<+Komponist+>"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ \addlyrics { \sopranText }
+ >>
+ \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ \addlyrics { \altText }
+ >>
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ >>
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ \addlyrics { \bassText }
+ >>
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/quartett/segne/stimmen.ly b/hr/quartett/segne/stimmen.ly
new file mode 100644
index 0000000..5d38ae3
--- /dev/null
+++ b/hr/quartett/segne/stimmen.ly
@@ -0,0 +1,365 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key d \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1
+ r2 fis2
+ cis'1 ~
+ cis2 cis4 cis4
+ cis2 cis2 ~
+ cis4( e4) d4( cis4)
+ d1 ~
+ d2 d2
+ cis1( ~
+ cis2 d4 cis4
+ b1
+ b2) cis4 b4
+ ais1 ~
+ ais2 r2
+ % 15 %
+ r1
+ r2 a2
+ e'1 ~
+ e2 e4 e4
+ e2 e2 ~
+ e4( g4) fis4( e4)
+ fis1 ~
+ fis2 fis2
+ e1( ~
+ e2 fis4 e4
+ d1 ~
+ d2 e4 d4)
+ cis1 ~
+ cis2 d4( cis4)
+ b1 ~
+ b2 cis4 b4
+ ais1 ~
+ ais2 r2
+ % 33 %
+ r4 fis'4 fis4 fis4
+ fis4 d4( e4) fis4
+ b,2 d4 cis8( b8)
+ cis4 fis2 eis4
+ fis4 cis2 d4
+ cis4 fis4( e8 d8) cis8( dis8)
+ b4 d4 e4 cis4
+ d4 fis2 eis4
+ fis4 d4 d4 d4
+ d4 cis4( d4) e4
+ a,4 e'4 fis4 d4
+ e4 a,4( b4) a4
+ a4 a4 b4 g4
+ a4 e'4( d8 cis8) b8( cis8)
+ a2 r2
+ r4 d2 cis4
+ d4 dis4 e4 cis4
+ dis4 e2 dis4
+ e4 fis4 g4 e4
+ fis4 g4 fis2
+ e2 r2
+ % 54 %
+ r4 d2 cis4
+ d4 e4 fis4 d4
+ e4 fis4 e2
+ d2 r2
+ r4 b4 cis4 dis4
+ e4 e2 d4
+ cis4 cis4 d4 e4
+ fis4 fis2 e4
+ d4 fis4 fis4 fis4
+ fis4 d4( e4) fis4
+ b,4 cis4 d4 b4
+ cis4 fis4( e8 d8) cis8( d8)
+ b4 cis2 d4
+ cis4 cis4( d4) b4
+ cis2 r2
+ d1
+ cis1 ~
+ cis1
+ b1 ~
+ b1 ~
+ b2 r2
+ \bar "|."
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r2 fis2
+ b1 ~
+ b2 b4 b4
+ b1 ~
+ b2 ais2 ~
+ ais4( cis4) b4( ais4)
+ b2 fis2
+ g1( ~
+ g2 a4 g4
+ fis1
+ fis2 g4 fis4)
+ e4( d4) e2
+ fis1 ~
+ fis2 r2
+ % 15 %
+ r2 a2
+ d1 ~
+ d2 d4 d4
+ d1 ~
+ d2 cis2 ~
+ cis4( e4) d4( cis4)
+ d2 a2
+ b1( ~
+ b2 cis4 b4
+ a1 ~
+ a2 b4 a4
+ fis4 fis4 gis2)
+ a2 e2
+ fis1( ~
+ fis2 g4 fis4
+ e4) d4 e2
+ fis1 ~
+ fis2 r2
+ % 33 %
+ r1
+ r1
+ r4 b4 b4 b4
+ b4 a4( b4) cis4
+ fis,2 ais4 b4
+ ais4 b2 ais4
+ b4 fis4 g4 e4
+ fis4 a4 gis2
+ fis4 a4 b4 g4
+ a4 a4( b4) b4
+ cis4 a4 a4 a4
+ a4 fis4( g4) a4
+ d,4 fis4 g4 e4
+ fis4 a4( b4) e,4
+ e4 e4 fis4 d4
+ e4 fis4 e2
+ d4 fis4 g4 e4
+ fis4 g4 fis2
+ e4 b'4 b4 b4
+ b4 g4( a4) b4
+ e,4 e4 fis4 d4
+ % 54 %
+ e4 fis4 e2
+ d4 a'4 a4 a4
+ a4 fis4( g4) a4
+ d,4 fis4 g4 a4
+ b4 cis4 a2
+ b4 g4 a4 b4
+ a4 a2 b4
+ ais4 ais4( b4) cis4
+ b4 cis4 d4 b4
+ cis4 b4 cis2
+ b4 ais4 b4 gis4
+ ais4 b4( cis4) fis,4
+ fis4 ais2 b4
+ ais4 ais4( b4) gis4
+ ais2 r2
+ b1 ~
+ b1
+ ais1
+ b4 fis4 g4 e4
+ fis4 fis4( g4) e4
+ fis2 r2
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r1
+ r2 fis2
+ g1
+ d2 d2
+ fis1
+ fis2 fis2
+ fis1
+ b,1
+ cis1(
+ fis2 fis,2
+ b1)
+ b2 g'2
+ cis,1 ~
+ cis2 r2
+ % 15 %
+ r1
+ r2 d2
+ b1
+ b2 b2
+ a1
+ a2 a2
+ a1
+ d1
+ e1(
+ a,1
+ d1
+ d2) b2
+ e1
+ cis2 fis,2
+ b1
+ b2 g'2
+ cis,1 ~
+ cis2 r2
+ % 33 %
+ r1
+ r1
+ r1
+ r1
+ r4 fis4 fis4 fis4
+ fis4 d4( e4) fis4
+ b,2 r2
+ r4 cis4( d4) cis4
+ cis4 fis4 g4 e4
+ fis4 e4( fis4) e4
+ e4 cis4 d4 b4
+ cis4 d4( b4) e4
+ fis4 d4 d4 d4
+ d4 cis4( d4) e4
+ a,4 cis4 d4 b4
+ cis4 a4( b4) a4
+ a2 r2
+ r4 b4( c4) b4
+ b4 dis4 e4 cis4
+ dis4 e4( c4) b4
+ b4 cis4 d4 b4
+ % 54 %
+ cis4 a4( b4) a4
+ a4 cis4 d4 b4
+ cis4 d4( b4) a4
+ a2 r2
+ r4 d4 e4 fis4
+ g4 g4 fis2
+ e4 e4( fis4) gis4
+ cis,4 fis2 fis4
+ fis4 ais,4 b4 gis4
+ ais4 fis'4( g4) fis4
+ fis4 fis4 fis4 fis4
+ fis4 d4( e4) fis4
+ d4 fis2 fis4
+ fis4 fis2 fis4
+ fis2 r2
+ b,1
+ fis'1 ~
+ fis1
+ fis4 dis4 e4 cis4
+ dis4 dis4( e4) cis4
+ dis2 r2
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r1
+ r2 d2
+ e1
+ g2 g2
+ fis1
+ fis2 fis2
+ b,1 ~
+ b2 b'2
+ a1( ~
+ a2 d,2
+ g1)
+ g2 g2
+ fis1 ~
+ fis2 r2
+ % 15 %
+ r1
+ r2 fis2
+ g1
+ gis2 gis2
+ a1
+ a2 a2
+ d,1 ~
+ d2 d'2
+ cis1( ~
+ cis2 fis,2
+ b1)
+ b2 b2
+ a1 ~
+ a2 d,2
+ g1
+ g2 g2
+ fis1 ~
+ fis2 r2
+ % 33 %
+ r1
+ r1
+ r1
+ r1
+ r1
+ r1
+ r4 b4 b4 b4
+ b4 a4( b4) cis4
+ fis,2 r2
+ r4 a2 gis4
+ a2 r2
+ r4 d,2 cis4
+ d2 r2
+ r4 a2 gis4
+ a4 a'4 a4 a4
+ a4 fis4( g4) a4
+ d,4 b'4 b4 b4
+ b4 g4( a4) b4
+ e,2 r2
+ r4 e2 dis4
+ e4 a4 a4 a4
+ % 54 %
+ a4 fis4( g4) a4
+ d,2 r2
+ r4 d2 cis4
+ d4 d4 e4 fis4
+ g4 g2 fis4
+ e4 e4 fis4 gis4
+ a4 a2 gis4
+ fis4 fis4( gis4) ais4
+ b4 ais4 b4 gis4
+ ais4 b2 ais4
+ b2 r2
+ r4 b,2 ais4
+ b4 fis'4 fis4 fis4
+ fis4 fis2 fis4
+ fis2 r2
+ eis1
+ fis1 ~
+ fis1
+ b,1 ~
+ b1 ~
+ b2 r2
+ }
+ >>
+ }
+
diff --git a/hr/quartett/segne/texte.ly b/hr/quartett/segne/texte.ly
new file mode 100644
index 0000000..f0246d8
--- /dev/null
+++ b/hr/quartett/segne/texte.ly
@@ -0,0 +1,111 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+% Abkürzungen
+
+ segne = \lyricmode {
+ Es seg -- ne uns Gott,
+ }
+
+ gott = \lyricmode {
+ un -- ser Gott
+ }
+
+ fürchte = \lyricmode {
+ und al -- le Welt fürch -- te ihn
+ }
+
+ welt = \lyricmode {
+ al -- le Welt fürch -- te ihn
+ }
+
+ textA = \lyricmode {
+ \segne \gott
+ \segne
+ \segne \gott
+ }
+
+ textB = \lyricmode {
+ \segne
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ \textA
+ es seg -- ne,
+ \textB
+ \fürchte
+ \welt \welt
+ \fürchte \fürchte
+ \fürchte \fürchte
+ fürch -- te ihn
+ \fürchte \fürchte
+ fürch -- te ihn
+ \fürchte \fürchte
+ \fürchte \fürchte
+ \fürchte
+ \welt
+ fürch -- te ihn
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ \textA
+ es seg -- ne,
+ \textB
+ \fürchte
+ \welt
+ \fürchte \fürchte
+ \fürchte \fürchte
+ \fürchte \fürchte
+ \fürchte \fürchte
+ \fürchte \fürchte
+ und al -- le Welt fürch -- te, Welt fürch -- te ihn,
+ \fürchte \fürchte
+ \welt
+ fürch -- te ihn
+ \fürchte
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ \textA
+ \textB
+ \segne
+ \fürchte
+ fürch -- te ihn
+ \fürchte \fürchte
+ \fürchte
+ \fürchte
+ fürch -- te ihn
+ \fürchte \fürchte
+ \fürchte
+ und al -- le Welt, \welt fürch -- te ihn,
+ \fürchte \fürchte
+ \welt
+ fürch -- te ihn
+ \fürchte
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ \textA
+ \textB
+ \segne
+ \fürchte
+ fürch -- te ihn
+ fürch -- te ihn
+ fürch -- te ihn
+ \fürchte \fürchte
+ fürch -- te ihn
+ \fürchte
+ fürch -- te ihn
+ \fürchte \fürchte
+ al -- le Welt
+ \fürchte
+ fürch -- te ihn
+ \fürchte
+ fürch -- te ihn
+ }
+
diff --git a/hr/quartett/tantum/dynArt.ly b/hr/quartett/tantum/dynArt.ly
new file mode 100644
index 0000000..26f6a5f
--- /dev/null
+++ b/hr/quartett/tantum/dynArt.ly
@@ -0,0 +1,128 @@
+%some settings% vim: ai encoding=utf8 et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ %\dynamicUp
+ s4
+ s1*2
+ \time 2/4
+ s2
+ \time 3/4
+ s2.
+ \time 4/4
+ s1
+ \time 2/4
+ s2
+ \time 4/4
+ s1*3
+ \time 2/4
+ s2
+ \time 4/4
+ s1*4
+ \time 3/4
+ s2.
+ \time 4/4
+ s1
+ \time 3/4
+ s2.
+ \time 4/4
+ s4 s2.\>
+ s1\p
+ s1\p
+ s4 s2.\>
+ s1\pp
+ \bar "|."
+ }
+
+% abkuerzungen
+
+ pc=^\markup{poco cresc.}
+% articulation
+
+ sopranArt = {
+ \dynamicUp
+ s4\p
+ s1*2
+ s2
+ s2.
+ s1
+ s2
+ s1*3
+ s2
+ s1*2
+ s4 s2.\pc
+ s1
+ s2.
+ s1\dim
+ s2.
+ s1
+ s2. s4\p
+ s4 s2.\mp
+ s1^\markup{ \bold{Rall.} }
+ }
+
+ altArt = {
+ \dynamicDown
+ s4
+ s4 s2.\p
+ s1
+ s2
+ s2.
+ s1
+ s2
+ s1*3
+ s2
+ s1*3
+ s1\pc
+ s2.
+ s1
+ s4\dim s2
+ s1
+ s1
+ s4 s2.\mp
+ s1
+ }
+
+ tenorArt = {
+ \dynamicUp
+ s4
+ s2 s2\mp
+ s1
+ s2
+ s2.
+ s1
+ s2
+ s1*3
+ s2
+ s1*2
+ s2. s4\pc
+ s1
+ s2.
+ s1
+ s2\dim s4
+ s1
+ s1
+ s4 s2.\mp
+ s1
+ }
+
+ bassArt = {
+ \dynamicDown
+ s4
+ s2. s4\p
+ s1
+ s2
+ s2.
+ s1
+ s2
+ s1*3
+ s2
+ s1*2
+ s2 s2\pc
+ s1
+ s2.
+ s1
+ s2\dim s4
+ s1*4
+ }
+
diff --git a/hr/quartett/tantum/stimmen.ly b/hr/quartett/tantum/stimmen.ly
new file mode 100644
index 0000000..b06f46c
--- /dev/null
+++ b/hr/quartett/tantum/stimmen.ly
@@ -0,0 +1,180 @@
+%some settings% vim: ai encoding=utf8 et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key ees \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ \partial 4
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ \sopranArt
+ %the actual tune
+ {
+ \repeat volta 2 {
+ g4
+ g4 aes4 g4( f4)
+ bes4 bes4 c4( ees4)
+ ees2
+ ees4( f4) ees4
+ ees4 d4 c4 ees4
+ d4( c4
+ bes2) r4 bes4
+ c4 ees4 d4 c4
+ bes4 c4 bes2
+ c4 d4
+ bes4 bes4 g4 c4
+ c2( f,2)
+ r4 g4 bes4 bes4
+ g4 bes4 c4 c4
+ bes2 c4
+ d4 bes4 c4( bes4)
+ aes4( g4) f4
+ g1 ~
+ }
+ \alternative {
+ {
+ g2. g4
+ }
+ {
+ g4\repeatTie c4( ~ c8 bes8 aes8 g8
+ f4. d8) g2 ~
+ g1
+ }
+ }
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ \altArt
+ %the actual tune
+ {
+ \repeat volta 2 {
+ r4
+ r4 f4( ~ f8 ees8) d8( c8)
+ d4 f4 ees4 aes4
+ aes4 g4
+ g4( c4) bes4
+ aes4.( bes8) aes4.( g8)
+ f8( g8 aes4
+ g8 f8) ees4 d2
+ g4 g4 f4 aes4
+ g8( aes8) g8( f8) f8( ees8 d8 ees8)
+ c4( f4)
+ g2 f4 ees4( ~
+ ees8 d8) ees4( ~ ees8 f8) d8( c8
+ bes8 g8) bes8( c8) d8( bes8 ees4)
+ ees8( f8) ees8( d8) c4 f4
+ g8( aes8) g8( f8) ees8( c8)
+ g'2 g4 g8( c,8)
+ f4( ees2)
+ d4( ees4) d4 c4
+ }
+ \alternative {
+ {
+ bes2. r4
+ }
+ {
+ bes4 ees4( d4 f8 ees8
+ d4 c4 bes8 g8 c4)
+ bes1
+ }
+ }
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ \tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ \repeat volta 2 {
+ r4
+ r2 g4 aes4
+ g4 g8( f8) bes4 c8( d8)
+ ees4 ees4 ~
+ ees2 ees4(
+ f8 g8) f4 ees8( d8) c4
+ c4 ees4
+ d4.( c8 bes2) ~
+ bes8 r8 bes4 c8( d8) ees4
+ d4 c4 d8( c8) bes4
+ bes4 c4
+ d4 bes4 bes4 g4 ~
+ g4 c4 c2(
+ f,2) r4 g8( aes8)
+ bes4 bes4 g4 aes8( bes8)
+ c4 c4 bes4
+ bes8( c8) d4 bes4 c4( ~
+ c4 bes4) aes8( g8
+ f8 d8 g4 f8 ees8) d8( c8)
+ }
+ \alternative {
+ {
+ d2. r4
+ }
+ {
+ d4 g4( f4 c'4 ~
+ c8 bes8 aes8 g8 f4. ees8)
+ d1
+ }
+ }
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ \bassArt
+ %the actual tune
+ \clef bass
+ {
+ \repeat volta 2 {
+ r4
+ r2 r4 c4
+ f4 d4 g4 f4
+ c'4.( d8)
+ c8( bes8) aes4 aes8( g8
+ f4) c'4 c4 bes4
+ aes4 g8( f8)
+ g2 ~ g8 g8( f8 g8
+ ees4) d8( c8) aes'4 g8( f8)
+ bes4 aes4 g4 g4
+ aes4 aes8( g8)
+ f8( g8 f8 ees8) d8( ees8 d8 c8)
+ bes4( aes8 g8 aes8 f8) bes8( aes8)
+ g2 g4 c4
+ g'4 g8( f8) ees8( d8) ees4
+ ees4( aes4) g4
+ f4.( g8) ees8( d8) ees4( ~
+ ees8 f8) d8( ees8) c4( ~
+ c4. bes8 c4) aes4
+ }
+ \alternative {
+ {
+ g2. r4
+ }
+ {
+ g1
+ g1
+ g1
+ }
+ }
+ }
+ >>
+ }
+
diff --git a/hr/quartett/tantum/tantum.ly b/hr/quartett/tantum/tantum.ly
new file mode 100644
index 0000000..ee72e75
--- /dev/null
+++ b/hr/quartett/tantum/tantum.ly
@@ -0,0 +1,69 @@
+%some settings% vim: ai encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Tantum ergo"
+ %composer = "<+Komponist+>"
+ %opus = "<+Werk+>"
+ %tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ system-count = 4
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-2 . 2)
+ }
+ }
+
+ #(set-global-staff-size 12)
+
+ \score {
+ \new ChoirStaff <<
+ \new Lyrics = "sA"
+ \new Lyrics = "sB"
+ \new Staff = frauen <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \voiceOne \sopranMelodie }
+ \new Voice = "alti" { \global \voiceTwo \altMelodie }
+ >>
+ \new Lyrics = "aA"
+ \new Lyrics = "aB"
+ \new Lyrics = "tA"
+ \new Lyrics = "tB"
+ \new Staff = maenner <<
+ \new Voice = "tenoere" { \global \voiceOne \tenorMelodie }
+ \new Voice = "baesse" { \global \voiceTwo \bassMelodie }
+ >>
+ \new Lyrics = "bA"
+ \new Lyrics = "bB"
+ \context Lyrics = "sA" \lyricsto soprane \sopranTextA
+ \context Lyrics = "sB" \lyricsto soprane \sopranTextB
+ \context Lyrics = "aA" \lyricsto alti \altTextA
+ \context Lyrics = "aB" \lyricsto alti \altTextB
+ \context Lyrics = "tA" \lyricsto tenoere \tenorTextA
+ \context Lyrics = "tB" \lyricsto tenoere \tenorTextB
+ \context Lyrics = "bA" \lyricsto baesse \bassTextA
+ \context Lyrics = "bB" \lyricsto baesse \bassTextB
+ >>
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ \layout {
+ }
+ }
+
diff --git a/hr/quartett/tantum/tantum.midi b/hr/quartett/tantum/tantum.midi
new file mode 100644
index 0000000..4ca7490
--- /dev/null
+++ b/hr/quartett/tantum/tantum.midi
Binary files differ
diff --git a/hr/quartett/tantum/tantum.ps b/hr/quartett/tantum/tantum.ps
new file mode 100644
index 0000000..2a18ec0
--- /dev/null
+++ b/hr/quartett/tantum/tantum.ps
Binary files differ
diff --git a/hr/quartett/tantum/texte.ly b/hr/quartett/tantum/texte.ly
new file mode 100644
index 0000000..30302e1
--- /dev/null
+++ b/hr/quartett/tantum/texte.ly
@@ -0,0 +1,63 @@
+%some settings% vim: ai encoding=utf8 et
+
+% Abkürzungen
+
+text = \lyricmode {
+ Tan -- tum er -- go sa -- cra -- men -- tum
+ Ve -- ne -- re -- mur cer -- nu -- i,
+ Et an -- ti -- quum do -- cu -- men -- tum
+ No -- vo -- ce -- dat ri -- tu -- i,
+ Prae -- stet fi -- des sup -- ple -- men -- tum
+ Sen -- su -- um de -- fe -- ctu -- i
+}
+
+Text = \lyricmode {
+ ni -- to -- ri, ge -- ni -- to -- que
+ sa__lus et ju -- bi -- la -- ti -- o
+ Sa -- lus, ho -- nor, vir -- tus quo -- que
+ sit et be -- ne -- di -- cti -- o,
+ Pro -- ce -- den -- ti ab u -- tro -- que
+ Com -- par -- sit lau -- da -- ti --
+}
+
+ende = \lyricmode {
+ _ o. A -- men.
+}
+
+% Die Textaufteilungen
+
+ sopranTextA = \lyricmode {
+ \text
+ Ge_-
+ }
+
+ sopranTextB = \lyricmode {
+ ________-
+ \Text
+ o. _ _ A -- men.
+ }
+
+ altTextA = \lyricmode {
+ \text
+ }
+
+ altTextB = \lyricmode {
+ Ge -- \Text \ende
+ }
+
+ tenorTextA = \lyricmode {
+ \text
+ }
+
+ tenorTextB = \lyricmode {
+ Ge -- \Text \ende
+ }
+
+ bassTextA = \lyricmode {
+ \text
+ }
+
+ bassTextB = \lyricmode {
+ Ge -- \Text \ende
+ }
+
diff --git a/hr/schott/gloria/dynArt.ly b/hr/schott/gloria/dynArt.ly
new file mode 100644
index 0000000..a46cb75
--- /dev/null
+++ b/hr/schott/gloria/dynArt.ly
@@ -0,0 +1,76 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ % intro
+ s4-.\pp^\markup{INTRO} s4-. s2
+ s1
+ s4-. s4-. s2
+ s1
+ s4-. s4-. s2
+ s1
+ s4-. s4-. s2
+ s1
+ \bar "||"
+ % verse 1,2
+ s1^\markup{VERSE 1/2}
+ s1
+ s4-. s4-. s2
+ s1
+ s4-. s4-. s2
+ s1
+ s4-. s4-. s2
+ s1
+ s8-. s8-. s4-. s2
+ s1
+ s8-. s8-. s4-. s2
+ s1
+ s4 s4-. s2
+ s1
+ s4 s4-. s8 s8\p s4
+ s1
+ \bar "||"
+ % bridge 1,2
+ s1^\markup{BRIDGE 1/2}
+ \repeat unfold 7 {
+ s1
+ }
+ \bar "||"
+ % prechorus
+ s4-.^\markup{PRECHORUS} s4-. s2
+ s1
+ s4-. s4-. s2
+ s1
+ s4-. s4-. s2
+ s1
+ s4-. s4-. s2
+ s1
+ s4-. s4-. s2
+ s1
+ \repeat unfold 4 {
+ s1
+ }
+ \bar "||"
+ % chorus
+ s1^\markup{CHORUS}
+ \repeat unfold 15 {
+ s1
+ }
+ \bar "||"
+ }
+
diff --git a/hr/schott/gloria/gloria.ly b/hr/schott/gloria/gloria.ly
new file mode 100644
index 0000000..a8d7a27
--- /dev/null
+++ b/hr/schott/gloria/gloria.ly
@@ -0,0 +1,60 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Gloria"
+ composer = "Bigazzi/Tozzi"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 17)
+
+ \score {
+ \new ChoirStaff \with {} <<
+% \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ %\new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ %>>
+ %\new Staff = alt <<
+ %\new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ %>>
+ %\new Staff = tenor <<
+ %\new Voice = "tenoere" { \global \tenorMelodie }
+ %\addlyrics { \tenorText }
+ %>>
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ \addlyrics { \bassText }
+ >>
+ >>
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 130 4)
+ }
+ }
+ %\layout {
+ %}
+ }
+
diff --git a/hr/schott/gloria/gloria.midi b/hr/schott/gloria/gloria.midi
new file mode 100644
index 0000000..2d715a4
--- /dev/null
+++ b/hr/schott/gloria/gloria.midi
Binary files differ
diff --git a/hr/schott/gloria/midi.lua b/hr/schott/gloria/midi.lua
new file mode 100644
index 0000000..f8b2520
--- /dev/null
+++ b/hr/schott/gloria/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu encoding=utf8 et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/schott/gloria/stimmen.ly b/hr/schott/gloria/stimmen.ly
new file mode 100644
index 0000000..20a2dd0
--- /dev/null
+++ b/hr/schott/gloria/stimmen.ly
@@ -0,0 +1,135 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key f \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r1
+ }
+ >>
+ }
+
+ bassf = {
+ r4 r8 f8 ~ f8 f8 e8 e8
+ }
+
+ bassd = {
+ r4 r8 d8 ~ d8 d8 c8 c8
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ \bassArt
+ %the actual tune
+ \clef bass
+ {
+ f4 e4 r8 f8 r8 e8
+ \bassf
+ f4 e4 r8 f8 r8 e8
+ \bassf
+ d4 c4 r8 f8 r8 f8
+ \bassd
+ d4 c4 r8 f8 r8 f8
+ r4 f8 e8 r8 f8 d8 r8
+ % gloria
+ f4\segno e4 r8 f8 r8 e8
+ \bassf
+ d4 c4 r8 d8 d8 c8
+ \tieDashed
+ \bassd
+ f4 e4 r8 f8 r8 e8
+ \bassf
+ d4 c4 r8 d8 d8 c8
+ \bassd
+ c8 ~ c8 c4 r8 c8 r8 c8
+ r4 r8 c8 c8 c8 c8 c8
+ f8 ~ f8 f4 r8 f8 r8 f8
+ r4 r8 f8 f8 e8 d8 d8
+ d8 c8 c4 r8 d8 c8 c8
+ r4 r8 c8 c8 c8 c8 c8
+ f8 f8 f4 r8 f8 f8 f8
+ r4 c4 cis4 cis4
+ % bridge
+ \tieSolid
+ d4. d8 d2
+ g4. g8 g2
+ c,4. c8 c2
+ f4. f8 f2
+ bes,4. bes8 bes2
+ c2 c2
+ f2 g4 g8 f8 ~
+ f2.-\bendAfter #-2 r4
+ % prechorus
+ c4 c4 r8 c8 r8 c8
+ r8 c8 r8 c8 ~ c8 c8 c8 c8
+ f4 f4 r8 f8 r8 f8
+ r8 f8 r8 f8 ~ f8 f8 e8 d8
+ c4 c4 r8 c8 r8 c8
+ r8 c8 r8 c8 ~ c8 e8 g8 a8
+ g4 f4 r8 f8 r8 f8
+ r8 f8 r8 f8 ~ f8 f8 f8 f8
+ c4 c4 r8 g'8 a8 bes8 ~
+ bes2 g4 ees4
+ bes4 bes4 bes4 c4 ~
+ c1
+ r4 d4. ees8 ~ ees4
+ f4 r8 f8 a,4 bes4
+ % chorus
+ c8 c4 c4 c4 c8 ~
+ c8 c4 c4 c16 c16 c4
+ f8 f4 f4 f4 f8 ~
+ f8 f4 f4 f16 f16 f4
+ c8 c4 c4 c4 c8 ~
+ c8 c4 c4 c16 c16 c4
+ f8 f4 f4 f4 f8 ~
+ f8 f4 f8 e4 a,4
+ r4 d4 f4 a4
+ b2( g2)
+ r4 c,4 e4 g4
+ a2( f2)
+ r4 d4 bes'4 a4
+ g8 g8 g8 g8 a8 bes4 c8 ~
+ c2 bes4 bes8 f8 ~
+ f4 r4 r2
+ }
+ >>
+ }
+
diff --git a/hr/schott/gloria/texte.ly b/hr/schott/gloria/texte.ly
new file mode 100644
index 0000000..e7dd437
--- /dev/null
+++ b/hr/schott/gloria/texte.ly
@@ -0,0 +1,86 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+% Abkürzungen
+
+ bta = \lyricmode {
+ doob doob doob doob
+ }
+
+ btb = \lyricmode {
+ doo doo doo doo
+ doob doob doob doob
+ }
+
+ btc = \lyricmode {
+ doon doon doon doon
+ doon doon doon doo dl doo
+ }
+
+ intro = \lyricmode {
+ Doob doob doob doob
+ \btb
+ \btb
+ \btb
+ doo doob doo doob
+ }
+
+ gloriaA = \lyricmode {
+ Glo -- ria, doop doop,
+ man -- chi tu nell' a -- ria, doo doo doop
+ man chi_ad u -- na ma -- no doop doop
+ che la -- vo -- ra pia -- no doo doo doop
+ man -- chi_a ques -- ta boc -- ca boc -- ca
+ che ci -- bo più non toc -- ca toc -- ca
+ e sem -- pre ques -- ta sto -- ri -- a sto -- ri -- a
+ che lei la chia -- mo Glo -- ri -- a
+ }
+
+ prechorus = \lyricmode {
+ Glo -- ria, Glo -- ri -- a
+ man -- chi tu nell' a -- ria,
+ Glo -- ri -- a
+ man -- chi co -- me_il sa -- le
+ Glo -- ri -- a
+ man -- chi più del so -- le
+ Glo -- ri -- a
+ sco -- gli que -- sta ne -- ve
+ Glo -- ri -- a mi -- o pet -- to a ha
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ \intro
+ \gloriaA
+ Glo -- ri -- a Glo -- ri -- a
+ Glo -- ri -- a Glo -- ri -- a
+ Glo -- ri -- a Glo -- ri -- a
+ Glo -- ri -- a
+ Glo -- ri -- a Glo -- ri -- a
+ \prechorus
+ Glo -- ri -- a bah doon doon
+ \btc
+ \btc
+ \btc
+ doon doon doon doon
+ doon doon doon doon doon
+ O Glo -- ri -- a
+ O Glo -- ri -- a
+ O Glo -- ri -- a
+ t'as -- pet -- to Glo -- ri -- a,
+ Glo -- ri -- a
+ }
+
diff --git a/hr/schott/life/dynArt.ly b/hr/schott/life/dynArt.ly
new file mode 100644
index 0000000..756726f
--- /dev/null
+++ b/hr/schott/life/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/schott/life/life.ly b/hr/schott/life/life.ly
new file mode 100644
index 0000000..40bb740
--- /dev/null
+++ b/hr/schott/life/life.ly
@@ -0,0 +1,60 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "It's my life"
+ composer = "Jon Bon Jovi"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+ \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/schott/life/midi.lua b/hr/schott/life/midi.lua
new file mode 100644
index 0000000..f8b2520
--- /dev/null
+++ b/hr/schott/life/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu encoding=utf8 et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/schott/life/stimmen.ly b/hr/schott/life/stimmen.ly
new file mode 100644
index 0000000..2df1b96
--- /dev/null
+++ b/hr/schott/life/stimmen.ly
@@ -0,0 +1,61 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key e \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ <c g'>4 <c g'>4 r8
+ r1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r1
+ }
+ >>
+ }
+
diff --git a/hr/schott/life/texte.ly b/hr/schott/life/texte.ly
new file mode 100644
index 0000000..51d4b6a
--- /dev/null
+++ b/hr/schott/life/texte.ly
@@ -0,0 +1,22 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/schott/lily/stimmen.log b/hr/schott/lily/stimmen.log
new file mode 100644
index 0000000..7a262ee
--- /dev/null
+++ b/hr/schott/lily/stimmen.log
@@ -0,0 +1,68 @@
+# -*-compilation-*-
+»stimmen.ly« wird verarbeitet
+Analysieren...
+stimmen.ly:4:11: Fehler: Datei »dynArt.ly« kann nicht gefunden werden
+(Suchpfad: »C:/Programme/LilyPond/usr/share/lilypond/current/fonts/svg/;C:/Programme/LilyPond/usr/share/lilypond/current/fonts/type1/;C:/Programme/LilyPond/usr/share/lilypond/current/fonts/otf/;C:/Programme/LilyPond/usr/share/lilypond/current/scm;C:/Programme/LilyPond/usr/share/lilypond/current/ps;C:/Programme/LilyPond/usr/share/lilypond/current/ly;«)
+ \include
+ "dynArt.ly"
+stimmen.ly:30:8: Fehler: Ungültige Fluchtsequenz: »\meta«
+ {
+ \meta }
+stimmen.ly:30:8: Fehler: syntax error, unexpected STRING
+ {
+ \meta }
+stimmen.ly:53:10: Fehler: syntax error, unexpected DURATION_IDENTIFIER
+ a1
+ \breve
+stimmen.ly:73:10: Fehler: syntax error, unexpected DURATION_IDENTIFIER
+ f1
+ \breve
+stimmen.ly:97:10: Fehler: syntax error, unexpected DURATION_IDENTIFIER
+ a1
+ \breve
+stimmen.ly:104:8: Fehler: Ungültige Fluchtsequenz: »\meta«
+ {
+ \meta }
+stimmen.ly:104:8: Fehler: syntax error, unexpected STRING
+ {
+ \meta }
+stimmen.ly:127:10: Fehler: syntax error, unexpected DURATION_IDENTIFIER
+ f1
+ \breve
+stimmen.ly:150:10: Fehler: syntax error, unexpected DURATION_IDENTIFIER
+ d1
+ \breve
+stimmen.ly:174:10: Fehler: syntax error, unexpected DURATION_IDENTIFIER
+ f1
+ \breve
+stimmen.ly:181:8: Fehler: Ungültige Fluchtsequenz: »\meta«
+ {
+ \meta }
+stimmen.ly:181:8: Fehler: syntax error, unexpected STRING
+ {
+ \meta }
+stimmen.ly:205:10: Fehler: syntax error, unexpected DURATION_IDENTIFIER
+ c1
+ \breve
+stimmen.ly:228:12: Fehler: syntax error, unexpected DURATION_IDENTIFIER
+ bes1
+ \breve
+stimmen.ly:252:10: Fehler: syntax error, unexpected DURATION_IDENTIFIER
+ f1
+ \breve
+stimmen.ly:259:8: Fehler: Ungültige Fluchtsequenz: »\meta«
+ {
+ \meta }
+stimmen.ly:259:8: Fehler: syntax error, unexpected STRING
+ {
+ \meta }
+stimmen.ly:283:10: Fehler: syntax error, unexpected DURATION_IDENTIFIER
+ f1
+ \breve
+stimmen.ly:308:12: Fehler: syntax error, unexpected DURATION_IDENTIFIER
+ bes1
+ \breve
+stimmen.ly:334:10: Fehler: syntax error, unexpected DURATION_IDENTIFIER
+ f1
+ \breve
+Fehler: gescheiterte Dateien: "F:\\stimmen.ly"
diff --git a/hr/schott/lily/stimmen.ly b/hr/schott/lily/stimmen.ly
new file mode 100644
index 0000000..91c786c
--- /dev/null
+++ b/hr/schott/lily/stimmen.ly
@@ -0,0 +1,339 @@
+%some settings% vim: ai encoding=utf8 et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \override Staff.BarLine #'transparent = ##t
+ \key bes \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 2/2
+ }
+
+% Die Stimmen
+
+ maennerPausen = {
+ r1
+ r1
+ r1
+ r1
+ r1
+ r1
+ s1*34
+ r1
+ r1
+ r1
+ }
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ c1
+ c2 d2
+ c4( a4 bes2)
+ a2 r4 g4
+ a4 bes4 c4.( bes8
+ a4 g4 a4. bes8
+ g4 a4 g2)
+ a1
+ r4 f4 d4 ees4
+ % -- 10 -- %
+ f4( f4) g8( a8 bes8 c8
+ d2 g,2)
+ r1
+ r2 r4 g4
+ a4 bes4 c2.(
+ bes8 a8 g4. a8
+ bes2 a4) f4
+ r4 g4 a4 bes4
+ c4.( bes16 a16 g2)
+ a1\breve
+ % -- 20 -- %
+ r1 r1 r1
+ f2( bes2.)
+ a4 d4.( c8
+ bes4 a4) g1
+ f4 bes2(
+ g4 aes4) g4.(
+ f8 f2 e4)
+ f2 r2
+ % -- 30 -- %
+ bes2( ees2.)
+ d4 c2
+ d8( c8 bes8 a8 g4 a4
+ bes4 ees,8 f8 g8 a8 bes2
+ a4) g4.( a8
+ bes1.) r2
+ f2( bes2.)
+ a4 d4.( c8
+ bes4 a4) g2
+ f1\breve
+ % -- 41 -- %
+ r2 d'2
+ f2 ees4 d4.(
+ c8 ees4. d8 d2
+ c4) d1
+ r4 a4
+ bes2 a4 g2(
+ f4 g4. a8
+ bes4 a4) c4( bes4.
+ c8 d8 bes8 c2)
+ % -- 50 -- %
+ r2 r4 c4
+ ees2. d4
+ c2( bes4 c4.
+ bes8 g4) a2
+ r4 g4 bes4 a4.(
+ g8 g2) f4
+ g4 c4 ees2.
+ d4 c2
+ bes2 r4 f4
+ g4 a4 bes4( g4
+ a4 bes8 c8 d2.
+ bes4 c2)
+ a1\breve
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ f1
+ f2 g2
+ f4( d4 ees2)
+ d2 r4 c4
+ d4 ees4 f4( d4
+ e4 f2) e4
+ r2 r4 f4.(
+ ees8 d2 c8 bes8
+ % -- 10 -- %
+ c4) d4 g,4 g'2(
+ f4) ees8( f8 g8 ees8
+ f4 ees8 d8 c4 d4)
+ c4 c4 d4 ees4
+ f4.( d8 ees8 f8 g4.
+ f8 f2 ees4)
+ f4 g4 c,4( d4
+ e4 g4. f8 f2
+ e8 d8 e2)
+ f1\breve
+ % -- 20 -- %
+ f1
+ f1
+ f2 f4.( ees8
+ d4 c4) bes2(
+ c2) r2
+ r2 bes2(
+ ees2.) d4
+ g4.( f8 ees4) d4
+ c2 r4 bes4
+ c4.( d8 ees4 d4
+ % -- 30 -- %
+ g4 f4) ees2
+ r2 f2(
+ bes2.) a4
+ g4.( f8 ees4) d4
+ c4 f4( ees4 d4)
+ g2( f2
+ ees4. d16 c16 bes2)
+ f4 f'2( ees4
+ d4 c4) bes8( c8 d8 ees8
+ f2 ees2)
+ d1\breve
+ % -- 41 -- %
+ g2 bes2.
+ a4 g2(
+ f4 g4. f8 d4
+ ees2 d4 g4
+ f4. ees8 d4 c4)
+ bes2 r4 g'4
+ bes4 a2 g2(
+ f4 ees2)
+ d2 r4 c4
+ % -- 50 -- %
+ ees4( d4) c2
+ r4 g'4 bes2.
+ a4 g4 a4.(
+ g8 g2 f4
+ ees2 d4 ees2
+ c4) d2
+ r2 g2
+ bes2. a4
+ g2 f2
+ r4 c4 d4 ees4
+ f4( g4 f4 g4.
+ f8 f2 e4)
+ f1\breve
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ s1
+ s1
+ s1
+ s1
+ s1
+ s1
+ c1
+ c2 d2
+ c4( a4 bes2
+ % -- 10 -- %
+ c2) r4 g4
+ a4 bes4 c4.( bes8
+ a4 g4 a4 bes2
+ a4 g2)
+ f2 r4 g4
+ a4( bes4) c2
+ r4 g4 a4 bes4
+ c4( bes4. a8 g8 f8
+ g2 c2)
+ c1\breve
+ % -- 20 -- %
+ f,2( bes2.)
+ a4 d4.( c8
+ d8 bes8 c4) bes8( a8 bes8 c8
+ d8 ees8 f2 e4)
+ f2. d4
+ ees4 f4 d2
+ r2 bes2(
+ ees4. d8 c4 bes4
+ aes4. g16 f16 g2)
+ f2 bes4.( a8
+ % -- 30 -- %
+ g4) bes2( a4)
+ bes2( f2)
+ r1
+ r1
+ r2 bes2(
+ ees2.) d4
+ g4.( f8 ees4 d4)
+ c2 bes2
+ f'2 f4.( ees8
+ d4. c8 bes2)
+ bes1\breve
+ % -- 41 -- %
+ s1
+ s1
+ s1
+ r1
+ d2 f2
+ ees4 d4.( c8 ees4.
+ d8 d4. c16 bes16 c4)
+ d2 r4 g,4
+ bes2 f4 a4(
+ % -- 50 -- %
+ g4) g'4.( f8 ees8 d8
+ c2) r2
+ r2 r4 c4
+ ees2 d2
+ c2( bes4 c4.
+ bes8 g4 a2)
+ g1.
+ r4 c4
+ ees2. d4
+ c2( bes4 c4.
+ bes8 g4 a4 bes4.
+ a8 f4 g2)
+ f1\breve
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ s1
+ s1
+ s1
+ s1
+ s1
+ s1
+ r1
+ f1
+ f2 g2
+ % -- 10 -- %
+ f4( d4 ees2)
+ d2 r4 c4
+ d4 ees4 f4( d4
+ ees4 f2 ees4
+ d2) c2
+ r2 r4 c4
+ d4 ees4 f4( d4
+ c4 ees4 d2
+ c1)
+ f1\breve
+ \bar "||"
+ \break
+ % -- 20 -- %
+ r1
+ f2( bes2.)
+ a4 d4.( c8
+ bes4 a4) g2
+ f2 bes4.( a8
+ g4 f4) g4.( f8
+ ees8 d8 ees4) bes2
+ r1
+ f'2( bes2.)
+ a4 g4.( f8
+ % -- 30 -- %
+ ees4 d4) c2
+ bes4 bes'2( a4)
+ g2.( f4
+ ees4. d8 c4 bes4
+ f'2 g2
+ ees2) bes2
+ ees4.( f8 g8 a8 bes2
+ a4 g2
+ f2) bes,4.( c8
+ d2 e2)
+ bes1\breve
+ \bar "||"
+ \break
+ % -- 41 -- %
+ s1
+ s1
+ s1
+ r2 g'2
+ bes2. a4
+ g2( f4 g4.
+ f8 d4 ees2)
+ d2 c8( d8 ees8 f8
+ g8 a8 bes8 g8 a8 bes8 c2
+ % -- 50 -- %
+ bes4 c4) c,4.(
+ d8 ees8 f8 g8 a8 bes4)
+ f2 r2
+ r1
+ r2 r4 c4
+ ees2 d2
+ ees4( c4. d8 ees8 f8
+ g8 a8 bes4) f2
+ r4 g4 bes2.
+ a4 g4( c,4
+ f4 ees4 d4 bes4
+ d2 c2)
+ f1\breve
+ \bar "||"
+ }
+ >>
+ }
+
diff --git a/hr/schott/medley/dynArt.ly b/hr/schott/medley/dynArt.ly
new file mode 100644
index 0000000..cceb05e
--- /dev/null
+++ b/hr/schott/medley/dynArt.ly
@@ -0,0 +1,266 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ artbassa={
+ s4 s2\mp\<
+ s4\> s2\!
+ s4 s2\<
+ s4\> s2\!
+ s4 s4\< s4\>
+ s4\! s4\< s4\>
+ }
+
+ artbassb={
+ s2.\!
+ s2.
+ s2.\mp
+ \repeat unfold 3 {
+ s2.
+ }
+ }
+
+ artbassc = {
+ s4 s8-.\f s8-. s8-. s8-.
+ s4-. s4-. s4-.
+ s4.-> s8 s4->
+ }
+
+ artbassame = {
+ s8-.\f s8-. s8-. s8-. s8-. s8-.
+ s4-> s4-> s4->
+ s8-. s8-. s8-. s8-. s8-. s8-.
+ s4-> s4-> s4->
+ s8-. s8-. s8-. s8-. s8-. s8-.
+ s4-> s4-> s4->
+ s8-. s8-. s8-. s8-. s8-. s8-.
+ }
+
+ bassArt = {
+ % tonight
+ \tempo 4 = 72
+ \partial 4
+ s4^\markup{TONIGHT}
+ \repeat unfold 6 {
+ s1
+ }
+ s1\<
+ s2. s4\mf
+ \repeat unfold 6 {
+ s1
+ }
+ s1\<
+ s2 s2\!%ff
+ \repeat unfold 4 {
+ s1
+ }
+ s2. s4\>
+ s1
+ s1\<
+ s2. s4\f
+ \repeat unfold 5 {
+ s1
+ }
+ s2 s2^\markup{\italic ten.}\>
+ \bar "||"
+ \break
+ % pretty
+ \tempo 2. = 74
+ s2.^\markup{I FEEL PRETTY}\!
+ \repeat unfold 3 {
+ s2.
+ }
+ \artbassa
+ \artbassb
+ \artbassc
+ s2.
+ \artbassa
+ \artbassb
+ \artbassc
+ s4 s4-> s4
+ \repeat unfold 3 {
+ s2.
+ }
+ s4\f-> s2
+ s4-> s2
+ s2.
+ s2.
+ s4-. s4-. s4-.
+ s2-> s4
+ s2-> s4
+ s2-> s4
+ s2-> s4
+ \artbassc
+ s2.
+ \artbassa
+ s2.\mf
+ s2.
+ s4 s2^\markup{\italic cresc.}
+ s2.
+ s8-> s8 s2
+ s8-> s8 s2
+ s2.\f
+ \repeat unfold 4 {
+ s2.
+ }
+ s2.\ff
+ s2.
+ \bar "||"
+ \break
+ % maria
+ \override Staff.NoteHead #'style = #'cross
+ s4.^\markup{MARIA} s4.^\markup{\italic Spoken} s4
+ \revert Staff.NoteHead #'style
+ \times 2/3 {
+ s4.. s16\mf s4
+ }
+ s4.*2/3
+ s4
+ \repeat unfold 9 {
+ s1
+ }
+ s2
+ \times 2/3 {
+ s2\< s4\mf
+ }
+ \tempo 4 = 104
+ \repeat unfold 11 {
+ s1
+ }
+ s2.^\markup{\italic {poco rit.}}\< s4\f^\markup{\italic ten.}
+ s1^\markup{\italic {a tempo}}
+ s1
+ s2
+ \times 2/3 {
+ s4 s2\pp
+ }
+ s1
+ s2. s4\mp
+ s1
+ \times 2/3 {
+ s4^\markup{\italic {dim. poco a poco}} s4 s4
+ }
+ \times 2/3 {
+ s2.
+ }
+ \repeat unfold 3 {
+ s1
+ }
+ s2.\fermata s4
+ s1
+ s1\pp
+ s1
+ \bar "||"
+ \break
+ % america
+ \tempo 4 = 126
+ s2.^\markup{AMERICA}
+ \override Staff.NoteHead #'style = #'cross
+ s2.^\markup{\italic{Handclaps}}
+ s2.
+ s2.
+ \revert Staff.NoteHead #'style
+ \artbassame
+ s4-> s8-> s8 s4->
+ \repeat unfold 6 {
+ s2.
+ }
+ s2.\mf
+ \repeat unfold 3 {
+ s2.
+ }
+ s2 s4^\markup{\italic{(spoken or sung)}}
+ s8-> s4 s8-> s4
+ s4 s8-> s4 s8-.
+ s2.
+ \artbassame
+ s4-> s8-> s8 s4
+ s2.
+ s2 s4\mf
+ s8-> s8 s2
+ s4-> s4-> s4->
+ s4.-> s4.->
+ s4.-> s4.->\<
+ s4. s4.\!
+ s4.-> s4.->
+ s4-> s4-> s4->
+ s4.-> s4.->
+ s2.
+ s2.
+ s8 s8^\markup{\italic{cresc.}} s2
+ s4. s4.^\markup{\italic{no breath}}
+ \artbassame
+ s4-> s8-> s8 s4
+ s2.
+ s2.
+ s4.-> s4.->
+ s4-> s4-> s4->
+ s4.-> s4.->
+ s4. s4.->\sfz\<
+ s4.\!^\markup{\italic{Let voices rise}} s4
+ \override Staff.NoteHead #'style = #'cross
+ s8
+ s8 s8 s2
+ \revert Staff.NoteHead #'style
+ \bar "||"
+ \break
+ % one
+ \tempo 4 = 104
+ s2.^\markup{ONE HAND, ONE HEART}
+ \repeat unfold 9 {
+ s2.
+ }
+ s2.\mp
+ \repeat unfold 8 {
+ s2.
+ }
+ s4 s2^\markup{\italic{stagger breathing}}
+ \repeat unfold 7 {
+ s2.
+ }
+ s2.^\markup{\italic{cresc.}}
+ s2.
+ s2.
+ s2.\ff
+ s2.\breathe
+ s2.\p
+ \repeat unfold 7 {
+ s2.
+ }
+ \bar "||"
+ \break
+ % somewhere
+ \tempo 4 = 66
+ s1^\markup{SOMEWHERE}
+ s1\mp
+ \repeat unfold 7 {
+ s1
+ }
+ s1\<
+ \tempo 4 = 72
+ s1\f
+ \repeat unfold 7 {
+ s1
+ }
+ s8-> s8-> s2.\breathe
+ s8-> s8-> s2.\breathe
+ s8\ff-> s8-> s2.
+ s1\cresc
+ s1\fermata
+ \bar "|."
+ }
+
diff --git a/hr/schott/medley/medley.ly b/hr/schott/medley/medley.ly
new file mode 100644
index 0000000..8abb5e7
--- /dev/null
+++ b/hr/schott/medley/medley.ly
@@ -0,0 +1,61 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "<Medley>"
+ %composer = "<+Komponist+>"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ %page-count = 2
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ \score {
+ \new ChoirStaff \with {} <<
+% \new Staff = sopran <<
+% %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+% \new Voice = "soprane" { \global \sopranMelodie }
+% %\addlyrics { \sopranText }
+% >>
+% \new Staff = alt <<
+% \new Voice = "alti" { \global \altMelodie }
+% %\addlyrics { \altText }
+% >>
+% \new Staff = tenor <<
+% \new Voice = "tenoere" { \global \tenorMelodie }
+% %\addlyrics { \tenorText }
+% >>
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global <<\bassArt \bassMelodie>> }
+ \addlyrics { \bassText }
+ >>
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \midi {
+ }
+ }
+
diff --git a/hr/schott/medley/medley.midi b/hr/schott/medley/medley.midi
new file mode 100644
index 0000000..ff3ae20
--- /dev/null
+++ b/hr/schott/medley/medley.midi
Binary files differ
diff --git a/hr/schott/medley/midi.lua b/hr/schott/medley/midi.lua
new file mode 100644
index 0000000..f8b2520
--- /dev/null
+++ b/hr/schott/medley/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu encoding=utf8 et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/schott/medley/stimmen.ly b/hr/schott/medley/stimmen.ly
new file mode 100644
index 0000000..7df10bd
--- /dev/null
+++ b/hr/schott/medley/stimmen.ly
@@ -0,0 +1,549 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ %\key c \major
+ %\override Staff.TimeSignature #'style = #'()
+ %\time 4/4
+ %\autoBeamOff
+ \set Score.currentBarNumber = #'11
+ }
+
+ ton = {
+ \key bes \major
+ \time 4/4
+ \partial 4
+ }
+
+ pre = {
+ \key ees \major
+ \time 3/4
+ }
+
+ mar = {
+ \key d \major
+ \time 4/4
+ }
+
+ ame = {
+ \key c \major
+ \time 6/8
+ }
+
+ one = {
+ \key f \major
+ \time 3/4
+ }
+
+ som = {
+ \key d \major
+ \time 4/4
+ }
+
+% parts
+
+ sTonight = \relative c' {
+ \ton
+ r4
+ }
+
+ aTonight = \relative c' {
+ \ton
+ r4
+ }
+
+ tTonight = \relative c' {
+ \ton
+ r4
+ }
+
+ bTonight = \relative c {
+ \ton
+ f4
+ bes2. d,4
+ c2. g'4
+ f4 d4 bes'4 d,4
+ c2. g'4
+ f4 d4 bes'4 a4
+ g2 g4 g4
+ a1(
+ aes2.) c4
+ des2. f,4
+ ees2. bes'4
+ aes4 f4 des4 des4
+ ges2 ges4 f4
+ ees2 ees4 des4
+ c2 ees4 ges4
+ f1(
+ ees2) r4 r4
+ r4 ges4 bes4 des4
+ c4 bes4 aes4 ges4
+ f4( ges2) bes4
+ a4( f4) g4 a4
+ aes4 aes2 aes4
+ bes4 g4 des4 des4
+ c2( g'2
+ ges2.) c4
+ bes2. d,4
+ c2. g'4
+ f4 d4 bes'4 a4
+ g2 g4 g4
+ d1(
+ c2) f2
+ }
+
+ sPretty = \relative c' {
+ \pre
+ r4
+ }
+
+ aPretty = \relative c' {
+ \pre
+ r4
+ }
+
+ tPretty = \relative c' {
+ \pre
+ r4
+ }
+
+ bpa = \relative c' {
+ r4 g2(
+ aes4) r4 r4
+ r4 g2(
+ aes4) r4 r4
+ r4 g4( aes4)
+ r4 g4( aes4)
+ }
+
+ bpb = \relative c' {
+ c2.(
+ bes2.
+ aes2.
+ d,2.)
+ r4 ees8 ees8 ees8 ees8
+ ees4 f4 d4
+ }
+
+ bPretty = \relative c' {
+ \pre
+ bes4 r4 r4
+ R2.
+ R2.
+ R2.
+ \bpa
+ f4 aes4 c4
+ bes8 r8 r4 r4
+ \bpb
+ ees,4. f8 g4
+ R2.
+ \bpa
+ r4 aes4 c4
+ bes4 r4 r4
+ \bpb
+ ees,4. f8 g4 ~
+ g8 aes8 bes4 r4
+ R2.
+ R2.
+ R2.
+ aes4 c,4 ees4
+ aes4 r4 r4
+ R2.
+ R2.
+ ees4 g4 bes4
+% bes2 r4
+% a2 r4
+% bes2 r4
+ d,2 r4
+ d2 r4
+ g2 r4
+ <ges bes>2 r4
+ r4 bes8 bes8 bes8 bes8
+ bes4 c4 aes4
+ bes4. c8 d4
+ R2.
+ \bpa
+ f,4 aes4 c4
+ bes8 r8 r4 r4
+ r4 ees,4 f4
+ g4 g4 bes4
+ aes8 aes8 ~ aes2
+ bes4. bes8 bes4
+ ees,2. ~
+ ees2. ~
+ ees2. ~
+ ees2. ~
+ ees2. ~
+ ees4 r4 r4
+ R2.
+ }
+
+ sMaria = \relative c' {
+ \mar
+ r4
+ }
+
+ aMaria = \relative c' {
+ \mar
+ r4
+ }
+
+ tMaria = \relative c' {
+ \mar
+ r4
+ }
+
+ bMaria = \relative c {
+ \mar
+ r4 r8 d8 d8 d8 r4
+ \times 2/3 {
+ r4 r8. d16 d4
+ }
+ \times 2/3 {
+ d8 d8 d8
+ }
+ d8 d8
+ ees8 bes8 c2. ~
+ c2 r4 r8 s8 %c8
+ %\times 2/3 {
+ % f4 ees4 r4
+ %}
+ \times 2/3 {
+ s4 s4 r4
+ }
+ \times 2/3 {
+ r4 r4 c4
+ }
+ f8 d4. ~ d4. r8
+ \times 2/3 {
+ r8 d8 d8
+ }
+ \times 2/3 {
+ d8 d8 d8
+ }
+ \times 2/3 {
+ d8 d8 d8
+ }
+ \times 2/3 {
+ d8 d8 d8
+ }
+ ees8 bes8 c2 r4
+ r2 r4 r8 c8
+ \times 2/3 {
+ g'4 f4 r4
+ }
+ \times 2/3 {
+ r4 r4 c4
+ }
+ g'8 f4. r4 r8 d8
+ \times 2/3 {
+ g4 f4 d4
+ }
+ \times 2/3 {
+ g4 f4 d4
+ }
+ gis8 a4. ~ a4. d,8
+ \times 2/3 {
+ gis4 a4 b4
+ }
+ \times 2/3 {
+ gis4 a4 b4
+ }
+ gis8 a4. ~ a4. a8
+ gis8 fis8 e8 d8 e4. a8
+ g8 fis8 e8 d8 e4 d4
+ fis2 r4 r8 d8
+ gis8 a4. ~ a4. d,8
+ \times 2/3 {
+ gis4 a4 b4
+ }
+ \times 2/3 {
+ gis4 a4 b4
+ }
+ cis8 a4. ~ a4 r8 a8
+ b8 a8 gis8 fis8 a4. a8
+ b8 a8 gis8 fis8 a4 b4
+ cis2. cis4
+ b8 a4. ~ a4 cis8 b8
+ \times 2/3 {
+ a4 g4 a4
+ }
+ b4 a4
+ a8 fis4.
+ \times 2/3 {
+ r4 a4 b4
+ }
+ \times 2/3 {
+ e,4 e4 e4
+ }
+ \times 2/3 {
+ a,4 a4 a4
+ }
+ b8 b4. ~ b4 e4
+ g8 d4. ~ d4. e8
+ \times 2/3 {
+ g4 d4 e4
+ }
+ \times 2/3 {
+ g4 d8 r8 r8 e8
+ }
+ fis8 fis4. ~ fis2 ~
+ \phrasingSlurDashed
+ fis1\(
+ \phrasingSlurSolid
+ a1\) (
+ g2.) r4
+ r1
+ d1 ~
+ d1
+ }
+
+ sAmerica = \relative c' {
+ \ame
+ r4
+ }
+
+ aAmerica = \relative c' {
+ \ame
+ r4
+ }
+
+ tAmerica = \relative c' {
+ \ame
+ r4
+ }
+
+ baa = \relative c' {
+ a4 f4 c4
+ g'8 g8 g8 c8 c8 c8
+ b4 g4 d4
+ bes'8 bes8 bes8 ees8 ees8 ees8
+ d4 bes4 f4
+ ees8 ees8 ees8 aes8 aes8 aes8
+ g4 c8 r8 c,4 ~
+ c2. ~
+ }
+
+ bAmerica = \relative c {
+ \ame
+ R2.
+ e4 e4 e4
+ R2.
+ e4 e4 e4
+ g8 g8 g8 c8 c8 c8
+ \baa
+ c,2.
+ R2.
+ R2.
+ R2.
+ R2.
+ e8 a8 g8 c8 a8 g8
+ b4 b8( a4.)
+ R2.
+ R2.
+ R2.
+ a8 d8 c8 f8 d8 c8
+ b4 b8( g4) g8
+ R2.
+ g8 g8 g8 c8 c8 c8
+ \baa
+ c,4. r8 c8 des8
+ ees8 ees8 ees8 ees8 ees8 ees8
+ ees8 f8 ges8 aes8 ges8 f8
+ ees8 f8 ges8 aes8 ges8 f8
+ ees4 ees8 f4. ~
+ f4. r8 d8 ees8
+ f8 d8 bes8 f'8 d8 bes8
+ bes'4 bes4 bes4
+ bes8 aes8 f8 bes8 aes8 f8
+ g4 g8 c4. ~
+ c2. ~
+ c2. ~
+ \phrasingSlurDashed
+ c2.\(
+ g8\) g8 g8 c8 c8 c8
+ \baa
+ \phrasingSlurSolid
+ r4. r8 e,8 f8
+ g8 g8 g8 g8 g8 g8
+ g8 aes8 bes8 c8 bes8 aes8
+ g8 aes8 bes8 c8 bes8 aes8
+ g4 g8 c4. ~
+ c4. ~ c4 d,8 d8
+ r8 r8 r4.
+ }
+
+ sOne = \relative c' {
+ \one
+ r4
+ }
+
+ aOne = \relative c' {
+ \one
+ r4
+ }
+
+ tOne = \relative c' {
+ \one
+ r4
+ }
+
+ bOne = \relative c {
+ \one
+ \repeat unfold 10 {
+ s2.
+ }
+ f4 f4 f4
+ bes,2.
+ c2 c4
+ d2.
+ ees2 ees4
+ c2 c4
+ bes2.(
+ c2) c4
+ \phrasingSlurDashed
+ f2.\(
+ \phrasingSlurSolid
+ d2.\)(
+ e2.
+ f2.
+ d2.
+ a2.
+ ees'2.
+ d2.)
+ f4 f4 f4
+ bes,2.
+ e2 e4
+ g2.
+ a2.
+ g2.
+ d2.
+ g2.
+ \repeat unfold 6 {
+ s2.
+ }
+ }
+
+ sSomewhere = \relative c' {
+ \som
+ r4
+ }
+
+ aSomewhere = \relative c' {
+ \som
+ r4
+ }
+
+ tSomewhere = \relative c' {
+ \som
+ r4
+ }
+
+ bSomewhere = \relative c {
+ \som
+ r1
+ a2 g'2
+ fis4. d8 b2
+ r4 b'4 a4 g4
+ fis4. d8 b2
+ cis4. d8
+ \times 2/3 {
+ e4 fis4 g4
+ }
+ a4. fis8 d2
+ b'4. g8 e2
+ d4 cis2.
+ \bar "||"
+ \key ees \major
+ ees4 d2.
+ bes2 aes'2
+ g4. ees8 c2
+ r4 c'4 bes8( c8) aes8( bes8)
+ g4. ees8 c2
+ d4. ees8
+ \times 2/3 {
+ f4 g4 aes4
+ }
+ bes4. g8 ees2
+ c'4. aes8
+ \times 2/3 {
+ f4 g4 aes4
+ }
+ des4. bes8 ges2
+ ges8 ges8 ~ ges2.
+ ces8 ces8 ~ ces2.
+ aes8 bes8 ~ bes2. ~
+ bes1 ~
+ bes1
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ \sTonight
+ \sPretty
+ \sMaria
+ \sAmerica
+ \sOne
+ \sSomewhere
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ \aTonight
+ \aPretty
+ \aMaria
+ \aAmerica
+ \aOne
+ \aSomewhere
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ \tTonight
+ \tPretty
+ \tMaria
+ \tAmerica
+ \tOne
+ \tSomewhere
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ \bTonight
+ \bPretty
+ \bMaria
+ \bAmerica
+ \bOne
+ \bSomewhere
+ }
+ >>
+ }
+
diff --git a/hr/schott/medley/texte.ly b/hr/schott/medley/texte.ly
new file mode 100644
index 0000000..2286e00
--- /dev/null
+++ b/hr/schott/medley/texte.ly
@@ -0,0 +1,159 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+% Abkürzungen
+
+ tonText = \lyricmode {
+ To -- night, to -- night,
+ won't be just an -- y night.
+ To -- night there will be no morn -- ing star.
+ To -- night, to -- night,
+ I'll see my love to -- night.
+ And for us stars will stop where they are!
+ To -- day the min -- utes seem like hours,
+ the hours go so slow -- ly and still the sky is light.
+ Oh, moon grow bright,
+ and make this end -- less day end -- less night to -- night!
+ }
+
+ preTextB = \lyricmode {
+ Doo doo doo doo
+ wit -- ty and bright!
+ Oo
+ La la la la
+ la la la
+ la la la
+ Doo doo doo doo
+ how she feels!
+ Oo
+ La la la la
+ la la la
+ la la la la la
+ What mir -- ror, where?
+ Which, what, where?
+ Whom?
+ Whom?
+ Whom?
+ Whom?
+ La la la la
+ la la la
+ la la la
+ Doo doo doo doo
+ danc -- ing for joy!
+ For she's loved by a pret -- ty won -- der -- ful boy!
+ }
+
+ marTextB = \lyricmode {
+ Ma -- ri -- a.
+ The most beau -- ti -- ful sound I ev -- er heard:
+ Ma -- ri -- a.
+ All the beau -- ti ful sounds of the world in a sin -- gle word:
+ Ma -- ri -- a,
+ Ma -- ri -- a,
+ Ma -- ri -- a,
+ Ma -- ri -- a.
+ Ma -- ri -- a,
+ I just met a girl named Ma -- ri -- a,
+ and sud -- den -- ly that name will nev -- er be the same to me.
+ Ma -- ri -- a!
+ I've just kissed a girl named Ma -- ri -- a,
+ and sud -- den -- ly I've found how won -- der -- ful a sound can be!
+ Ma -- ri -- a!
+ Say it loud and there's mu -- sic play -- ing.
+ Say it soft and it's al -- most like pray -- ing.
+ Ma -- ri -- a, I'll nev -- er stop say -- ing, “Ma -- ri -- a”.
+ Oo
+ Mm
+ }
+
+ ameTextA = \lyricmode {
+ I like to be een A -- mer -- ee -- ca,
+ O. K. by me een A -- mer -- ee -- ca,
+ Ev -- 'ry -- thing free een A -- mer -- ee -- ca,
+ For a small fee en A -- mer -- ee -- ca!
+ }
+
+ ameTextBassA = \lyricmode {
+ I know a boat you can get on.
+ Hun -- dreds of peo -- ple in each °room -- ah
+ }
+
+ ameTextB = \lyricmode {
+ Im -- mi -- grants go to A -- mer -- ee -- ca,
+ ma -- ny hel -- los in A -- mer -- ee -- ca,
+ Ev -- 'ry -- one knows een A -- mer -- ee -- ca,
+ Puer -- to Ri -- co's een A -- mer -- ee -- ca!
+ }
+
+ oneText = \lyricmode {
+ Make of our vows one last vow:
+ On -- ly death will part us now.
+ Oo
+ Now it be -- gins,
+ now we start one hand, one heart.
+ %Ev -- en death won't part us now.
+ }
+
+ somText = \lyricmode {
+ There's a place for us,
+ some -- where a place for us.
+ Peace and qui -- et and o -- pen air wait for us some -- where,
+ some -- where.
+ There's a place for us,
+ a time and place for us.
+ Hold my hand and we're half -- way there.
+ Hold my hand and I'll take you there,
+ some -- how, some -- day, some -- where.
+ }
+
+ ameTextC = \lyricmode {
+ La la
+ la la la la la la
+ la la la la la la
+ la la la la la la
+ la la la
+ la da
+ da da da da da da
+ ow ow ow
+ la da da da da da
+ da da da
+ }
+
+ ameTextD = \lyricmode {
+ La la
+ la la la la la la
+ la la la la la la
+ la la la la la,
+ A -- mer -- ee -- ca!
+ O -- le!
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ \tonText
+ \preTextB
+ \marTextB
+ _ _ _
+ _ _ _
+ \ameTextA
+ \ameTextBassA
+ \ameTextB
+ \ameTextC
+ \ameTextA
+ \ameTextD
+ \oneText
+ \somText
+ }
+
diff --git a/hr/schott/men/dynArt.ly b/hr/schott/men/dynArt.ly
new file mode 100644
index 0000000..756726f
--- /dev/null
+++ b/hr/schott/men/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/schott/men/men.ly b/hr/schott/men/men.ly
new file mode 100644
index 0000000..3f5d0a5
--- /dev/null
+++ b/hr/schott/men/men.ly
@@ -0,0 +1,60 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "<+Titel+>"
+ composer = "<+Komponist+>"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+ \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/schott/men/midi.lua b/hr/schott/men/midi.lua
new file mode 100644
index 0000000..f8b2520
--- /dev/null
+++ b/hr/schott/men/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu encoding=utf8 et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/schott/men/stimmen.ly b/hr/schott/men/stimmen.ly
new file mode 100644
index 0000000..baf9cef
--- /dev/null
+++ b/hr/schott/men/stimmen.ly
@@ -0,0 +1,60 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key c \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r1
+ }
+ >>
+ }
+
diff --git a/hr/schott/men/texte.ly b/hr/schott/men/texte.ly
new file mode 100644
index 0000000..51d4b6a
--- /dev/null
+++ b/hr/schott/men/texte.ly
@@ -0,0 +1,22 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/schott/midis/gloria.midi b/hr/schott/midis/gloria.midi
new file mode 100644
index 0000000..2d715a4
--- /dev/null
+++ b/hr/schott/midis/gloria.midi
Binary files differ
diff --git a/hr/schott/midis/medley.midi b/hr/schott/midis/medley.midi
new file mode 100644
index 0000000..2d26248
--- /dev/null
+++ b/hr/schott/midis/medley.midi
Binary files differ
diff --git a/hr/schott/midis/sommer.midi b/hr/schott/midis/sommer.midi
new file mode 100644
index 0000000..54a3c0f
--- /dev/null
+++ b/hr/schott/midis/sommer.midi
Binary files differ
diff --git a/hr/schott/sommer/sommer.ly b/hr/schott/sommer/sommer.ly
new file mode 100644
index 0000000..a2dc720
--- /dev/null
+++ b/hr/schott/sommer/sommer.ly
@@ -0,0 +1,73 @@
+% vim: encoding=utf8 nu
+
+\version "2.12.2"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Jetzt ist Sommer"
+ %subtitle = "(Traditional)"
+ composer = "Stefan Kalmer"
+ }
+
+#(set-global-staff-size 14)
+
+ \paper {
+ ragged-last-bottom = ##f
+% system-count = 5
+% page-count = 1
+ line-width = 182\mm
+ %between-system-space = 1\mm
+ %after-title-space = 0\mm
+ foot-separation = 15\mm
+ top-margin = 10\mm
+ bottom-margin = 25\mm
+ tagline=""
+ }
+
+ \midi {
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ % a little smaller so lyrics can be closer to the staff
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3)
+ }
+ \context {
+% \Voice
+% \consists Ambitus_engraver
+ }
+ }
+
+ \score {
+ \unfoldRepeats
+ %\simultaneous
+ \new ChoirStaff <<
+% \new Lyrics = sop {s1}
+% \new Staff = frauen <<
+% \new Voice = "fPausen" { \frauenPausen }
+% \new Voice = "soprane" { \global \voiceOne \sopMusic }
+% \new Voice = "alti" { \global \voiceTwo \altMusic }
+% >>
+% \new Lyrics = "alt" {s1}
+% \new Lyrics = "ten" {s1}
+ \new Staff = maenner <<
+ \new Voice = "mPausen" { \maennerPausen }
+% \new Voice = "tenoere" { \global \voiceOne \tenorMusic }
+ \new Voice = "baesse" { \global <<\bassArt \bassMusic>> }
+ >>
+ \new Lyrics = bass {s1}
+% \context Lyrics = sop \lyricsto soprane \oberWords
+% \context Lyrics = alt \lyricsto alti \oberWords
+% \context Lyrics = ten \lyricsto tenoere \tenorWords
+ \context Lyrics = bass \lyricsto baesse \bassWords
+ >>
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 130 4)
+ }
+ }
+ }
diff --git a/hr/schott/sommer/sommer.midi b/hr/schott/sommer/sommer.midi
new file mode 100644
index 0000000..fda220b
--- /dev/null
+++ b/hr/schott/sommer/sommer.midi
Binary files differ
diff --git a/hr/schott/sommer/stimmen.ly b/hr/schott/sommer/stimmen.ly
new file mode 100644
index 0000000..2012fe6
--- /dev/null
+++ b/hr/schott/sommer/stimmen.ly
@@ -0,0 +1,150 @@
+% vim: encoding=utf8 nu
+
+global = {
+ \key bes \major
+ \time 4/4
+}
+
+%Die Stimmen mit ihren jeweiligen Textaufteilungen
+
+ frauenPausen = {
+ }
+
+ maennerPausen = {
+ % Intro
+ s1*2 \bar"||"
+ % Strophe I
+ s1*12 \bar"||"
+ % Refrain I
+ s8 s8 s2.
+ s1*3
+ s1
+ s1
+ s1*2^\coda \bar"||"
+ % Strophe II
+ s1*10
+ s1
+ s1 ^\markup{ Dal Segno al Coda} \bar"||"
+ s1*2^\coda \bar"||"
+ % Mittelteil
+ s1*8 \bar"||"
+ % Refrain II
+ s1*8 \bar"||"
+ s1
+ s1*7 \bar"|."
+ }
+
+ sopMusic = \relative c'' {
+ }
+
+ altMusic = \relative c' {
+ }
+
+ tenorMusic = \relative c {
+ }
+
+ fstM = \relative c' {
+ bes8 bes r4 bes8 bes r4
+ aes8 aes r4 bes8 bes r4
+ }
+ refMa = \relative c {
+ g8 g bes b c c r4
+ f8 f des c bes bes r4
+ }
+ refMb = \relative c {
+ g8 g bes b c c r4
+ f8 f des c bes bes a aes
+ }
+ inter = \relative c' {
+ bes,8 bes r4 bes8 bes r4
+ aes8 aes r4 ees'8 ees r4
+ \transpose c' c \fstM
+ <ges, ges'>8 <ges ges'>8 r4 <aes aes'>8 <aes aes'>8 r4
+ ees'8 ees r4 bes8 bes r4
+ <ges ges'>8 <ges ges'>8 r4 <aes aes'>8 <aes aes'>8 r4
+ ees'8 ees r4 f fis
+ }
+
+ bassMusic = \relative c {
+ \clef bass
+ \tempo 4 = 96
+% \tempo \markup {
+% \concat {
+% (
+% \smaller \general-align #Y #DOWN \note #"16" #1
+% \smaller \general-align #Y #DOWN \note #"16" #1
+% " = "
+% \smaller \general-align #Y #DOWN \note #"8" #1
+% \smaller \general-align #Y #DOWN \note #"16" #1
+% )
+% }
+% }
+ % Intro
+ \fstM
+ % Strophe I
+ \fstM
+ \fstM
+ \inter
+ % Refrain I
+ g'8^\segno g, bes b c c r4
+ f8 f des c bes bes r4
+ \refMb \refMa
+ \refMa
+ % Strophe II
+ r1
+ r4 aes16 aes aes aes aes8 bes16 bes ~ bes4
+ r1
+ r1
+ \inter
+% g'8^\segno g, bes b c c r4
+% f8 f des c bes bes r4
+% \refMb \refMa
+ \refMa
+ % Mittelteil
+ \transpose c' c \fstM
+ bes8 bes r4 bes8 bes r4
+ aes8 aes r4 ees'8 ees r4
+ ges,8 ges r4 aes8 aes r4
+ ees'8 ees r4 bes8 bes r4
+ ges8 ges r4 aes8 aes r4
+ r1
+ % Refrain II
+ \refMa \refMb \refMa \refMa
+ \refMa \refMb \refMa
+ g8 g bes b c c r4
+ c'16 bes c8 c des c bes bes r8
+ }
+
+ bassArt = {
+ s1^\markup{Intro}
+ s1
+ s1^\markup{Strophe 1}
+ \repeat unfold 11 {
+ s1
+ }
+ s1^\markup{Refrain 1+2}
+ \repeat unfold 7 {
+ s1
+ }
+ s1^\markup{Strophe 2}
+ \repeat unfold 11 {
+ s1
+ }
+ s1
+ s1
+ s1^\markup{Mittelteil}
+ \repeat unfold 3 {
+ s1
+ }
+ \repeat unfold 4 {
+ s1
+ }
+ s1^\markup{Refrain 3}
+ \repeat unfold 7 {
+ s1
+ }
+ s1^\markup{Refrain 4}
+ \repeat unfold 7 {
+ s1
+ }
+ }
diff --git a/hr/schott/sommer/texte.ly b/hr/schott/sommer/texte.ly
new file mode 100644
index 0000000..5363f01
--- /dev/null
+++ b/hr/schott/sommer/texte.ly
@@ -0,0 +1,28 @@
+% vim: encoding=utf8 nu
+
+ odm = \lyricmode { dm dm dm dm dm dm dm dm }
+ snd = \lyricmode { dm dm dm dm dm dm dm dm dm dm dm dm }
+ Snd = \lyricmode { \snd dm dm }
+ ok = \lyricmode { und das ist in Ord -- nung so, }
+ trotzdem = \lyricmode { Som -- mer ist, wenn man trotz -- dem lacht! }
+
+ oberWords = \lyricmode {
+ }
+
+ tenorWords = \lyricmode {
+ }
+
+ bassWords = \lyricmode {
+ \odm \odm \odm \odm \odm \odm \odm
+ \snd \Snd \snd
+ \snd
+ \ok
+ \odm \odm \odm \odm
+ dm dm dm dm dm dm
+ doom doom doom doom doom doom
+ \odm \odm \odm
+ dm dm dm dm
+ \snd \Snd \snd \snd \snd \Snd \snd
+ dm dm dm dm dm dm
+ \trotzdem
+ }
diff --git a/hr/stch/Brahms-Fest-undGedenksprnncheop109-ChamberChoirofEurope-NicolMatt.zip b/hr/stch/Brahms-Fest-undGedenksprnncheop109-ChamberChoirofEurope-NicolMatt.zip
new file mode 100644
index 0000000..0804bd0
--- /dev/null
+++ b/hr/stch/Brahms-Fest-undGedenksprnncheop109-ChamberChoirofEurope-NicolMatt.zip
Binary files differ
diff --git a/hr/stch/agenda/leevsten/leevsten.ly b/hr/stch/agenda/leevsten/leevsten.ly
new file mode 100644
index 0000000..20f2057
--- /dev/null
+++ b/hr/stch/agenda/leevsten/leevsten.ly
@@ -0,0 +1,58 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+\version "2.10.10"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Dat Du min Leevsten büst"
+ composer = "Volkslied"
+ %text-translator = "<+Uebersetzer+>"
+ %tagline = ""
+ }
+
+ \paper {
+ %<+weitere Einstellungen+>
+ }
+
+ \layout {
+ %indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ \score {
+ \new ChoirStaff <<
+ \tempo 4 = 80
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\lyricsto soprane \sopranAText
+ >>
+ %\new Lyrics \with { alignAboveContext=sopran }
+ %\lyricsto soprane \sopranAText
+ %\new Staff = alt <<
+ %\new Voice = "alti" { \global \altMelodie }
+ %\lyricsto alti \altText
+ %>>
+ %\new Staff = tenor <<
+ %\new Voice = "tenoere" { \global \tenorMelodie }
+ %\lyricsto tenoere \tenorText
+ %>>
+ %\new Staff = bass <<
+ %\new Voice = "baesse" { \global \bassMelodie }
+ %\lyricsto baesse \bassText
+ %>>
+ >>
+
+ \midi {
+ }
+ \layout{
+ }
+
+ }
+
diff --git a/hr/stch/agenda/leevsten/leevsten.midi b/hr/stch/agenda/leevsten/leevsten.midi
new file mode 100644
index 0000000..2d0ef45
--- /dev/null
+++ b/hr/stch/agenda/leevsten/leevsten.midi
Binary files differ
diff --git a/hr/stch/agenda/leevsten/leevsten.ps b/hr/stch/agenda/leevsten/leevsten.ps
new file mode 100644
index 0000000..3409d23
--- /dev/null
+++ b/hr/stch/agenda/leevsten/leevsten.ps
Binary files differ
diff --git a/hr/stch/agenda/leevsten/stimmen.ly b/hr/stch/agenda/leevsten/stimmen.ly
new file mode 100644
index 0000000..462110c
--- /dev/null
+++ b/hr/stch/agenda/leevsten/stimmen.ly
@@ -0,0 +1,320 @@
+%some settings% vim: ai sw=2 lbr nu
+
+ global = {
+ \key e \major
+ \time 3/4
+ }
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ \repeat unfold 58 {
+ s4*3
+ }
+ }
+
+% Die Stimmen
+
+%{
+ sopranMelodie = {
+ <<
+ { \meta }
+ %articulation etc.
+ \repeat unfold 58 {
+ s4*3
+ }
+ {
+ <<
+ \sopranAMelodieI \\
+ \sopranBMelodieI
+ >>
+ %Takt 20
+ \sopranMelodieII
+ <<
+ \sopranAMelodieIII \\
+ \sopranBMelodieIII
+ >>
+ }
+ >>
+ }
+%}
+
+ sopranAMelodieI = \relative c''
+ %the actual tune
+ {
+ b2. ~ b2. ~ b2. ~ b2.
+ e2. e2 b4 b2.
+ e,4 gis4 b4 fis4 fis8 dis8 b4
+ e4 gis4 b4 fis2.
+ a4 cis8 b8 a4 gis4 b8 a8 gis4
+ fis4 e4 fis4 gis4( b4( e4 ) )
+ e2. e2( b4 ) b2. gis2.
+ \break
+ }
+
+ sopranAMelodieIII = \relative c''
+ {
+ cis4 dis2.
+ \break
+ %Takt 36
+ cis2. e2. dis2.
+ e2. fis2. e2.
+ dis4 cis4 b4
+ cis2 dis4 e4. e8 cis4
+ cis4 a4 b4 b4( dis4( e4 ) )
+ e2 fis4 gis4 fis4 e4
+ cis4 cis4 b4
+ \break
+ %Takt 50
+ b2. ~ b2. ~ b2.
+ gis2. gis2.
+ }
+
+ sopranBMelodieI = \relative c'
+ %the actual tune
+ {
+ e2. dis2. e2. dis2.
+ a'2. b2 gis4 a2 fis4
+ e2 r4
+ \repeat unfold 3 {R2.}
+ e2. dis2.
+ cis4 e4 dis4 gis4( b2)
+ a4 cis8 b8 a4 gis4 b8 a8 gis4
+ fis4 e4 dis4 e2( gis4)
+ \break
+ }
+
+ sopranBMelodieIII = \relative c'
+ {
+ fis4 fis2.
+ \break
+ %Takt 36
+ a2. gis2. b2.
+ gis2. b2 fis4 gis2.
+ fis4 e4 dis4
+ cis2 fis4 e4. e8 e4
+ cis4 cis4 dis4 e4( fis4 b4)
+ a4 cis8( b8) a4 gis4 b8( a8) gis4
+ fis4 e4 dis4
+ \break
+ %Takt 50
+ e2. ~ e4 gis4 b4 fis4 fis8 dis8 b4
+ cis4 e4 gis4 dis2.
+ }
+
+ sopranMelodieII = \relative c''
+ {
+ b2 fis4 fis4 gis4 ais4
+ b2 fis4 fis4 gis4 ais4
+ b2. R2.*7
+ b2( cis4) dis4.( e8) fis4
+ b,2
+ }
+
+ sopranMelodieIV = \relative c'
+ {
+ e2. e2 b4 b2. b2.
+ }
+
+
+ sopranMelodie = {
+ <<
+ { \meta }
+ %tunes glued together
+ {
+ <<
+ \voiceOne \sopranAMelodieI \\
+ \voiceTwo \sopranBMelodieI
+ >>
+ \oneVoice \sopranMelodieII
+ <<
+ \voiceOne \sopranAMelodieIII \\
+ \voiceTwo \sopranBMelodieIII
+ >>
+ \oneVoice \sopranMelodieIV
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %the actual tune
+ {
+ e4 gis4 b4
+ fis,4 fis8 dis8 b4
+ cis4 e4 gis4
+ dis4 dis8 b8 gis4
+ cis2.
+ e2.
+ e4 cis4 b4
+ gis2 r4
+ r1
+ r1
+ fis4 e4 dis4
+ cis2.
+ b2.
+ a4 cis4 b4
+ b4( e4 gis4)
+ e2.
+ dis2( e4)
+ cis2( b4)
+ b2 e4
+ % ||
+ dis2.
+ e2.
+ dis4 e4 fis4
+ e2.
+ dis2 dis4
+ r2.
+ r2.*4
+ r2.
+ dis4( fis4 b4)
+ b2( ais4)
+ b2 b4
+ dis2 c4
+ b4( dis4 fis4)
+ c2.
+ cis4( e4 gis4)
+ dis2.
+ e4 gis4 b4
+ fis4 fis8( dis8) b4
+ e4 gis4 b4
+ fis2.
+ a4 cis8( b8) a8
+ gis4 b8( a8) gis4
+ fis4 e4 fis4
+ gis4( b2)
+ a4 cis8( b8) a4
+ gis4 b8( a8) gis4
+ fis4 e4 dis4
+ e2. ~
+ % ||
+ e4 gis4 b4
+ fis4 fis8 dis8 b4
+ cis4 e4 gis4
+ dis4 dis8 b8 gis4
+ a2.
+ b2.
+ a2.
+ gis2.
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %the actual tune
+ {
+ e2.
+ b2.
+ cis2.
+ gis2.
+ a4 cis4 e4
+ b4 b8 gis8 e4
+ cis4 e4 dis4
+ e2 r4
+ r2. r2. r2.
+ r2. r2. r2.
+ e'2.
+ cis2.
+ b2( cis4)
+ a4 fis4 b4
+ b2.
+ % ||
+ b2.
+ ais4 b4 cis4
+ b2.
+ ais4 b4 cis4
+ b4 dis4 fis4
+ cis4 cis8( ais8) fis4
+ b4 dis4 fis4
+ cis2.
+ e4 gis8( fis8) e4
+ dis4 fis8( e8) dis4
+ cis4 b4 cis4
+ dis4( fis2)
+ e4 gis8( fis8) e4
+ dis4 fis8( e8) dis4
+ cis4 b4 ais4
+ b2.
+ % || S.3
+ cis4. a8 fis4
+ c'2.
+ dis4. b8 gis4
+ r4
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %the actual tune
+ \clef bass
+ {
+ r2.
+ r2.
+ r2.
+ r2.
+ a2.
+ gis2.
+ fis2 b4
+ cis2 r4
+ r2.
+ r2.
+ r2.
+ r2.
+ r2.
+ r2.
+ r2.
+ r2.
+ r2.
+ r2.
+ e4 gis4 b4
+ fis4 fis8 dis8 b4
+ cis4 cis8 ais8 fis4
+ b4. cis8 dis4
+ cis4 cis8 ais8 fis4
+ b2.
+ r2.
+ {
+ {
+ \voiceOne
+ b'4 b4 cis4
+ b4 gis4 ais4
+ b2 cis4
+ ais4. ais8 b4
+ gis2 ais4
+ ais2 b4
+ gis2 fis4
+ fis4. fis8 fis4
+ dis4. e8 fis4
+ fis2.
+ fis2.
+ gis2.
+ gis2.
+ }
+ {
+ \voiceTwo
+ gis'4 fis4 e4
+ fis2.
+ g2 g4
+ fis4. fis8 gis4
+ e2 fis4
+ dis2.
+ cis2 cis4
+ b4. b8 ais4
+ gis2 fis4
+ b2.
+ fis2.
+ cis'2.
+ gis2.
+ }
+ }
+ }
+ >>
+ }
+%{
+%}
diff --git a/hr/stch/agenda/leevsten/texte.ly b/hr/stch/agenda/leevsten/texte.ly
new file mode 100644
index 0000000..4d118be
--- /dev/null
+++ b/hr/stch/agenda/leevsten/texte.ly
@@ -0,0 +1,58 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+%abkürzungen
+ leevsten = \lyricmode {
+ Dat du min Leev -- sten _ büst, dat du wull weest,
+ }
+
+ nacht = \lyricmode {
+ bi de Nacht, kumm bi de Nacht, segg, wo du heest,
+ }
+
+ middernacht = \lyricmode {
+ Ik kumm um Mid -- der -- nacht, ik kumm Klock een,
+ }
+
+ slöppt = \lyricmode {
+ Va -- der slöppt, Mo -- der slöppt, du slöppst al -- leen.
+ }
+
+ kammerdöör = \lyricmode {
+ Klopp an de Kam -- mer -- döör, faud an de Klink,
+ }
+
+ meent = \lyricmode {
+ Va -- der meent, Mo -- der meent, dat deit de
+ }
+
+ leer = \lyricmode {
+ _ _ _ _
+ }
+
+% Die Textaufteilungen
+
+ sopranAText = \lyrics {
+ \leer _ \leevsten Kumm \nacht kumm, kumm, kumm. m
+ \leer \leer \leer \leer \leer _ Va -- der
+ }
+
+ sopranBText = \lyrics {
+ m m m m kumm, kumm, segg, wo du heest,
+ \nacht m m m
+ kumm, kumm, ick slaap al -- leen. n_m m
+ Va -- der, Mo -- der meent, dat deit de Wind,
+ \meent Wind. m
+ }
+
+ %altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ %}
+%
+ %tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ %}
+%
+ %bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ %}
+
diff --git a/hr/stch/agenda/leevsten/vk/leevsten.midi b/hr/stch/agenda/leevsten/vk/leevsten.midi
new file mode 100644
index 0000000..68911d2
--- /dev/null
+++ b/hr/stch/agenda/leevsten/vk/leevsten.midi
Binary files differ
diff --git a/hr/stch/agenda/leevsten/vk/leevsten.ps b/hr/stch/agenda/leevsten/vk/leevsten.ps
new file mode 100644
index 0000000..90629e7
--- /dev/null
+++ b/hr/stch/agenda/leevsten/vk/leevsten.ps
Binary files differ
diff --git a/hr/stch/beatles/ailh/ailh.ly b/hr/stch/beatles/ailh/ailh.ly
new file mode 100644
index 0000000..201b02c
--- /dev/null
+++ b/hr/stch/beatles/ailh/ailh.ly
@@ -0,0 +1,68 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "dynArt.ly"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "And I Love Her"
+ %composer = "<+Komponist+>"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 50
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = ##f
+ page-count = 3
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3)
+ }
+ }
+
+ #(set-global-staff-size 14)
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ \addlyrics { \sopranText }
+ >>
+ \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ \addlyrics { \altText }
+ \addlyrics { \altstz }
+ >>
+ %\new Lyrics \lyricsto "altstz" \strIII
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ \addlyrics { \tenstz }
+ >>
+ %\new Lyrics \lyricsto "tenstz" \strIII
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ \addlyrics { \bassText }
+ >>
+ >>
+ %{
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/beatles/ailh/ailh.midi b/hr/stch/beatles/ailh/ailh.midi
new file mode 100644
index 0000000..a9c3f6f
--- /dev/null
+++ b/hr/stch/beatles/ailh/ailh.midi
Binary files differ
diff --git a/hr/stch/beatles/ailh/dynArt.ly b/hr/stch/beatles/ailh/dynArt.ly
new file mode 100644
index 0000000..0a8ee8e
--- /dev/null
+++ b/hr/stch/beatles/ailh/dynArt.ly
@@ -0,0 +1,132 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s1\p
+ s1
+ s1
+ s1\>
+ s1\!
+ s1*10
+ s4. s8\< s2
+ s1\!
+ s1*8
+ s1\>
+ s4.\! s8\p\< s2
+ s1\!
+ s1
+ s1\<
+ s1\mf
+ s1
+ s4. s8\< s2
+ s1\f
+ s1
+ s1\f
+ s1*14
+ s2....\> s32\!
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ s4.-- s8 s2
+ s4.-- s8 s2
+ s4.--\< s8\! s4 s4--
+ s1
+ s4. s4\p s4.
+ s1*6
+ s2.\< s4\!
+ s1*4
+ s4 s2.\pp
+ s1*9
+ s2.. s8--
+ s1
+ s8 s4.--\mp s4. s8--
+ s1
+ s2.. s8--
+ s1*5
+ s1\p
+ s1*4
+ s2.\< s4\!
+ s1*7
+ s1\p
+ s1
+ }
+
+ altArt = {
+ s8-- s4 s8 s2
+ s8-- s4 s8 s2
+ s8--\< s4 s8\! s4 s4--
+ s1
+ s4 s2.\p
+ s1*6
+ s2.\< s4\!
+ s1*4
+ s4 s2.\p
+ s1*9
+ s2.. s8--
+ s1
+ s8 s4.-- s4. s8
+ s1
+ s2.. s8
+ s1*5
+ s4 s2.\p
+ s1*4
+ s2.\< s4\!
+ s1
+ s1*6
+ s1\p
+ s1
+ }
+
+ tenorArt = {
+ s4.-- s8 s2
+ s4.-- s8 s2
+ s4.-- s8 s4 s4--
+ s1
+ s4 s2.\mp
+ s1*11
+ s4 s2.\p
+ s1*9
+ s2.. s8--
+ s1
+ s8 s4. s4. s8
+ s1
+ s2.. s8--
+ s1*5
+ s4 s2.\mp
+ s1*9
+ s2.\< s4\!
+ s2 s2\>
+ s2 s2\mp
+ s1
+ s1
+ }
+
+ bassArt = {
+ s1*2
+ s4.\< s8\! s2
+ s1
+ s1\p
+ s1*6
+ s2.\< s4\!
+ s1
+ s1*3
+ s1\pp
+ s1*9
+ s2.. s8--
+ s1
+ s8 s4. s4. s8
+ s1
+ s2.. s8--
+ s1*5
+ s1\p
+ s1*4
+ s2.\< s4\!
+ s1*7
+ s1\p
+ s1
+ }
+
diff --git a/hr/stch/beatles/ailh/dynArt_rina.ly b/hr/stch/beatles/ailh/dynArt_rina.ly
new file mode 100644
index 0000000..eeb549e
--- /dev/null
+++ b/hr/stch/beatles/ailh/dynArt_rina.ly
@@ -0,0 +1,127 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s1\mp
+ \override BreathingSign #'text = \markup { \musicglyph #"scripts.upbow" }
+ s1\breathe
+ s1
+ s1\<
+ s1\!
+ s1*7
+ s1\mp
+ s1\breathe
+ s1*2
+ %
+ s1*7
+ s2.\breathe s4
+ s1
+ s1\<
+ s4\breathe s8 s8\mf s2
+ s1*8
+ %
+ s2.\< s4\!
+ s1*12
+ s2\fermata s2
+ s1*2
+ }
+
+% articulation
+
+ sopranArt = {
+ s1*4
+ s4. s4->\p s4.
+ s4. s4-> s4.
+ s4. s4-> s4.
+ s1*3
+ s1\espressivo
+ s2 s2\>
+ s1*4
+ %
+ s4 s8-> s4-> s8 s4\>
+ s1\!
+ s1*4
+ s1\>
+ s2.\< s4\!
+ s1*11
+ %
+ s1
+ s1\p\<
+ s1\>
+ s1\!
+ s1*3
+ s1\espressivo
+ s2. s4\>
+ s1\!
+ s2. s4\>
+ s1\!
+ s1*4
+ }
+
+ altArt = {
+ s1*4
+ s4 s2.->\p
+ s4 s2.->
+ s4 s2.->
+ s4 s2.->
+ s4 s2.->
+ s1
+ s1\espressivo
+ s2 s2\>
+ s1*4
+ %
+ s1*8
+ s1*11
+ %
+ s1
+ s4 s2.\pp
+ s1*5
+ s1\espressivo
+ s2. s4\>
+ s1\!
+ s2. s4\>
+ s1\!
+ s1*4
+ }
+
+ tenorArt = {
+ s1*4
+ s4 s2.\mp
+ s1*6
+ s1*5
+ %
+ s1*8
+ s1*11
+ %
+ s1
+ s4 s2.\p
+ s1*14
+ }
+
+ bassArt = {
+ s1*4
+ s8->\p s2..
+ s8-> s8-> s2.
+ s8-> s4-> s4 s4.
+ s1*3
+ s1\espressivo
+ s2 s2\>
+ s1*4
+ %
+ s8-> s4-> s4 s8 s4\>
+ s1\!
+ s1*4
+ s1\>
+ s2.\< s4\!
+ s1*11
+ %
+ s1
+ s1\pp
+ s1*5
+ s1\espressivo
+ s2. s4\>
+ s1\!
+ s1*6
+ }
+
diff --git a/hr/stch/beatles/ailh/midi.lua b/hr/stch/beatles/ailh/midi.lua
new file mode 100644
index 0000000..596ac5a
--- /dev/null
+++ b/hr/stch/beatles/ailh/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu encoding=utf8 et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/beatles/ailh/midis/a.midi b/hr/stch/beatles/ailh/midis/a.midi
new file mode 100644
index 0000000..3cdb73b
--- /dev/null
+++ b/hr/stch/beatles/ailh/midis/a.midi
Binary files differ
diff --git a/hr/stch/beatles/ailh/midis/ailh.midi b/hr/stch/beatles/ailh/midis/ailh.midi
new file mode 100644
index 0000000..a9c3f6f
--- /dev/null
+++ b/hr/stch/beatles/ailh/midis/ailh.midi
Binary files differ
diff --git a/hr/stch/beatles/ailh/midis/b.midi b/hr/stch/beatles/ailh/midis/b.midi
new file mode 100644
index 0000000..3ec768c
--- /dev/null
+++ b/hr/stch/beatles/ailh/midis/b.midi
Binary files differ
diff --git a/hr/stch/beatles/ailh/midis/s.midi b/hr/stch/beatles/ailh/midis/s.midi
new file mode 100644
index 0000000..d7dad4b
--- /dev/null
+++ b/hr/stch/beatles/ailh/midis/s.midi
Binary files differ
diff --git a/hr/stch/beatles/ailh/midis/t.midi b/hr/stch/beatles/ailh/midis/t.midi
new file mode 100644
index 0000000..d8ab5af
--- /dev/null
+++ b/hr/stch/beatles/ailh/midis/t.midi
Binary files differ
diff --git a/hr/stch/beatles/ailh/rina.ly b/hr/stch/beatles/ailh/rina.ly
new file mode 100644
index 0000000..1e6dba6
--- /dev/null
+++ b/hr/stch/beatles/ailh/rina.ly
@@ -0,0 +1,67 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen_rina.ly"
+\include "texte.ly"
+
+ \header {
+ title = "And I Love Her"
+ %composer = "<+Komponist+>"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 50
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = ##f
+ page-count = 3
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3)
+ }
+ }
+
+ #(set-global-staff-size 14)
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ \addlyrics { \sopranText }
+ >>
+ \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ \addlyrics { \altText }
+ \addlyrics { \altstz }
+ >>
+ %\new Lyrics \lyricsto "altstz" \strIII
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ \addlyrics { \tenstz }
+ >>
+ %\new Lyrics \lyricsto "tenstz" \strIII
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ \addlyrics { \bassText }
+ >>
+ >>
+ %{
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/beatles/ailh/stimmen.ly b/hr/stch/beatles/ailh/stimmen.ly
new file mode 100644
index 0000000..cdd330f
--- /dev/null
+++ b/hr/stch/beatles/ailh/stimmen.ly
@@ -0,0 +1,315 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+
+ global = {
+ \key f \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ \autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ \sopranArt
+ %the actual tune
+ {
+ e4. c8 ~ c2
+ a4. f8 ~ f2
+ e'4. c8 ~ c4 a4 ~
+ a1
+ r4 r8 a4 g4.
+ r4 r8 e4 d4.
+ r4 r8 a'4 g4.
+ r4 r8 e4 d4.
+ r4 r8 a'4 g4.
+ r4 r8 e4 d4.
+ d1(
+ f4. g4.) r4
+ %f4. g8 ~ g2)
+ %f2 g2)
+ e'4. c8 ~ c2
+ a4. f8 ~ f2
+ %e'4. c8 ~ c2
+ e'4. c4. r4
+ a4. g8 ~ g2
+ \repeat volta 2 {
+ r4 d8 a'4 g4.
+ r4 c,8 e4 d4.
+ r4 d8 a'4 g4.
+ r4 c,8 e4 f4.
+ r4 d8 a'4 g4.
+ r4 c,8 e4 d4.
+ d1
+ d4. e4. d8 c8
+ bes2 f'4.( e8 ~
+ e1 ~
+ e4) r8 a8 a8 a4 g8 ~
+ g1
+ r8 e'4. c4 a8 c8 ~
+ c1
+ e2 c4 a8 c8 ~
+ c2 a4 c4
+ a8( g8) g2.
+ } \alternative {
+ {
+ d'8( c8) c2.
+ c2. r4
+ }
+ {
+ d8 c8 c2 r4
+ }
+ }
+ \key ges \major
+ ees2.( des8 ces8
+ bes1)
+ r4 ees,8 bes'4 aes4.
+ r4 des,8 f4 ges4.
+ ees'2.( des8 ces8)
+ bes4. ces4. des4
+ ees1
+ r4 des2.
+ bes4. ges8 ~ ges2
+ f8( ges4) ees8 ~ ees2
+ f'4. des4. ees4 ~
+ ees1 ~
+ ees2 r2
+ ees1 ~
+ ees1
+ \bar "||"
+ }
+ >>
+ }
+
+ altMelodie = \relative c'' {
+ <<
+ { \meta }
+ \altArt
+ %the actual tune
+ {
+ g8( a4) e8 ~ e2
+ c8( d4) a8 ~ a2
+ g'8( a4) e8 ~ e4 d4 ~
+ d1
+ \break
+ r4 d2.
+ r4 c2.
+ r4 d2.
+ r4 c2.
+ \break
+ r4 d2.
+ r4 c2.
+ c1(
+ %d4. e8 ~ e2)
+ d4. e4.) r4
+ \break%
+ g8( a4) e8 ~ e2
+ c8( d4) a8 ~ a2
+ %g'8( a4) e8 ~ e2
+ g'8( a4) e4. r4
+ c8( d4) bes8 ~ bes2
+ \break
+ %\new Voice = "altstz" {
+ \repeat volta 2 {
+ r4 bes4 c4 d4
+ g8 f4 a8 ~ a2
+ r4 bes,4 c4 d4
+ g8( f8 ~ f2.)
+ \break
+ r4 bes,4 c4 d4
+ g8 f4 a8 ~ a2
+ %\break
+ r4 a4 f4 d4
+ c2. d8 c8
+ \break
+ g2 d'4.( c8 ~
+ c1 ~
+ c4) r8 a'8 g8 f4 e8 ~
+ e1
+ %\break
+ r8 a4. a4 f8 g8 ~
+ g1
+ \break
+ d2 d4 d8 f8 ~
+ f2 a4 c4
+ f,4 f2.
+ } \alternative {
+ {
+ a8( e8) e2.
+ e2. r4
+ \pageBreak
+ }
+ {
+ a8 e8 e2 r4
+ }
+ }
+ %}
+ \key ges \major
+ r4 ees8 bes'4 aes4.
+ r4 des,8 f4 ees4.
+ r4 ces4 des4 ees4
+ aes8( ges8 ~ ges2.)
+ \break
+ r4 ees8 bes'4 aes4.
+ f4. ees4. f4
+ aes1
+ r4 ees2.
+ \break
+ f8( ges4) ees8 ~ ees2
+ des8( ees4) bes8 ~ bes2
+ des'4. f,4. bes4 ~
+ bes1 ~
+ bes2 r2
+ g1 ~
+ g1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ \tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ c4. a8 ~ a2
+ f4. d8 ~ d2
+ c'4. a8 ~ a4 bes4 ~
+ bes1
+ r4 g4 a4 bes4
+ e8 d4 f8 ~ f2
+ r4 g,4 a4 bes4
+ e8( d8 ~ d2.)
+ r4 g,4 a4 bes4
+ e8 d4 f8 ~ f2
+ r4 f4 d4 bes4
+ a8( g8 ~ g2) d8 c8
+ d4 a'2. ~
+ a1
+ %c4. a8 ~ a2
+ c4. a4. r4
+ f4. d8 ~ d2
+ %\new Voice = "tenstz" {
+ \repeat volta 2 {
+ r4 g4 a4 bes4
+ e8 d4 f8 ~ f2
+ r4 g,4 a4 bes4
+ e8( d8 ~ d2.)
+ r4 g,4 a4 bes4
+ e8 d4 f8 ~ f2
+ r4 f4 d4 bes4
+ a8( g8 ~ g2) d8 c8
+ d2 a'2 ~
+ a1 ~
+ a4 r8 a8 a8 a4 c8 ~
+ c1
+ r8 e4. d4 c8 b8 ~
+ b1
+ c2 a4 c8 bes8 ~
+ bes2 a4 c4
+ c8( bes8) bes2.
+ } \alternative {
+ {
+ bes8( g8) g2.
+ g2. r4
+ }
+ {
+ bes8 g8 g2 r4
+ }
+ }
+ %}
+ \key ges \major
+ r4 aes4 bes4 ces4
+ f8 ees4 ges8 ~ ges2
+ r4 aes,4 bes4 ces4
+ f8( ees8 ~ ees2.)
+ r4 aes,4 bes4 ces4
+ f8 ees4 ges8 ~ ges2
+ r4 ges4 ees4 ces4
+ bes8( aes8 ~ aes2) ees8 des8
+ ees4 bes'2. ~
+ bes2. ees,8 des8
+ ees4 bes'2 des4 ~
+ des1 ~
+ des2 ees,4 des4
+ ees2 bes'2
+ bes1\fermata
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ \bassArt
+ %the actual tune
+ \clef bass
+ {
+ f2. f4
+ bes,1
+ f'4. f8 ~ f4 c4 ~
+ c1
+ g'8( bes4) c4 bes4.
+ d,8 a'8 ~ a2 d,4
+ g8( bes4) c4 bes4.
+ d,8 a'8 ~ a2 d,4
+ g8( bes4) c4 bes4.
+ d,8 a'8 ~ a2 c,4
+ bes1( ~
+ %bes4. c8 ~ c2)
+ bes4. c4.) r4
+ f2. f4
+ bes,1
+ f'2. f4
+ bes,4. c8 ~ c2
+ \repeat volta 2 {
+ g'8( bes4) c4 bes4.
+ d,8( a'8 ~ a2) d,4
+ g8 bes4 c4 bes4.
+ d,8( a'8 ~ a2) d,4
+ g8 bes4 c4 bes4.
+ d,8 a'8 ~ a2 c,4
+ bes1
+ bes2. d8 c8
+ c2 c4.( f,8 ~
+ f1 ~
+ f4) r8 a'8 g8 f4 a8 ~
+ a1
+ r8 f4. f4 f8 a,8 ~
+ a1
+ bes2 bes4 a8 g8 ~
+ g2 r2
+ r8 g4 d'8 a'4 g4
+ } \alternative {
+ {
+ c,4 c2.
+ c2. r4
+ }
+ {
+ c4 c2 r4
+ }
+ }
+ \key ges \major
+ aes'8 ces4 des4 ces4.
+ ees,8 bes'8 ~ bes2 ees,4
+ aes8 ces4 des4 ces4.
+ ees,8 bes'8 ~ bes2 ees,4
+ aes8 ces4 des4 ces4.
+ ges,4. aes4. bes4
+ fes'1
+ r4 ces2.
+ ces2. ces4
+ ges'2. ces,4
+ ees4. ees4. ces4 ~
+ ces1 ~
+ ces2 r2
+ f,1 ~
+ f1
+ }
+ >>
+ }
+
diff --git a/hr/stch/beatles/ailh/stimmen_rina.ly b/hr/stch/beatles/ailh/stimmen_rina.ly
new file mode 100644
index 0000000..6b0f18a
--- /dev/null
+++ b/hr/stch/beatles/ailh/stimmen_rina.ly
@@ -0,0 +1,316 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt_rina.ly"
+
+ global = {
+ \key f \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ \autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ \sopranArt
+ %the actual tune
+ {
+ e4. c8 ~ c2
+ a4. f8 ~ f2
+ e'4. c8 ~ c4 a4 ~
+ a1
+ r4 r8 a4 g4.
+ r4 r8 e4 d4.
+ r4 r8 a'4 g4.
+ r4 r8 e4 d4.
+ r4 r8 a'4 g4.
+ r4 r8 e4 d4.
+ d1(
+ %f4. g4.) r4
+ f4. g8 ~ g2)
+ %f2 g2)
+ e'4. c8 ~ c2
+ a4. f8 ~ f2
+ %e'4. c8 ~ c2
+ e'4. c4. r4
+ a4. g8 ~ g2
+ \repeat volta 2 {
+ r4 d8 a'4 g4.
+ r4 c,8 e4 d4.
+ r4 d8 a'4 g4.
+ r4 c,8 e4 f4.
+ r4 d8 a'4 g4.
+ r4 c,8 e4 d4.
+ d1
+ d4. e4. d8 c8
+ bes2 f'4.( e8 ~
+ e1 ~
+ e4) r8 a8 a8 a4 c8 ~
+ c1
+ r8 e4. c4 a8 c8 ~
+ c1
+ e2 c4 a8 c8 ~
+ c2 a4 c4
+ a8( g8) g2.
+ } \alternative {
+ {
+ d'8( c8) c2.
+ c2. r4
+ }
+ {
+ d8 c8 c2 r4
+ }
+ }
+ \key ges \major
+ ees2.( des8 ces8
+ bes1)
+ r4 ees,8 bes'4 aes4.
+ r4 des,8 f4 ges4.
+ ees'2.( des8 ces8)
+ bes4. ces4. des4
+ ees1
+ r4 des2.
+ bes4. ges8 ~ ges2
+ f8( ges4) ees8 ~ ees2
+ f'4. des4. ees4 ~
+ ees1 ~
+ ees2 r2
+ ees1 ~
+ ees1
+ \bar "||"
+ }
+ >>
+ }
+
+ altMelodie = \relative c'' {
+ <<
+ { \meta }
+ \altArt
+ %the actual tune
+ {
+ g8( a4) e8 ~ e2
+ c8( d4) a8 ~ a2
+ g'8( a4) e8 ~ e4 d4 ~
+ d1
+ \break
+ r4 d2.
+ r4 c2.
+ r4 d2.
+ r4 c2.
+ \break
+ r4 d2.
+ r4 c2.
+ c1(
+ d4. e8 ~ e2)
+ %d4. e4.) r4
+ \break%
+ g8( a4) e8 ~ e2
+ c8( d4) a8 ~ a2
+ %g'8( a4) e8 ~ e2
+ g'8( a4) e4. r4
+ c8( d4) bes8 ~ bes2
+ \break
+ %\new Voice = "altstz" {
+ \repeat volta 2 {
+ r4 bes4 c4 d4
+ g8 f4 a8 ~ a2
+ r4 bes,4 c4 d4
+ g8( f8 ~ f2.)
+ \break
+ r4 bes,4 c4 d4
+ g8 f4 a8 ~ a2
+ %\break
+ r4 a4 f4 d4
+ c2. d8 c8
+ \break
+ g2 d'4.( c8 ~
+ c1 ~
+ c4) r8 a'8 g8 f4 e8 ~
+ e1
+ %\break
+ r8 a4. a4 f8 g8 ~
+ g1
+ \break
+ d2 d4 d8 f8 ~
+ f2 a4 c4
+ f,4 f2.
+ } \alternative {
+ {
+ a8( e8) e2.
+ e2. r4
+ \pageBreak
+ }
+ {
+ a8 e8 e2 r4
+ }
+ }
+ %}
+ \key ges \major
+ r4 ees8 bes'4 aes4.
+ r4 des,8 f4 ees4.
+ r4 ces4 des4 ees4
+ aes8( ges8 ~ ges2.)
+ \break
+ r4 ees8 bes'4 aes4.
+ f4. ees4. f4
+ aes1
+ r4 ees2.
+ \break
+ f8( ges4) ees8 ~ ees2
+ des8( ees4) bes8 ~ bes2
+ des'4. f,4. bes4 ~
+ bes1 ~
+ bes2 r2
+ g1 ~
+ g1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ \tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ c4. a8 ~ a2
+ f4. d8 ~ d2
+ c'4. a8 ~ a4 bes4 ~
+ bes1
+ r4 g4 a4 bes4
+ e8 d4 f8 ~ f2
+ r4 g,4 a4 bes4
+ e8( d8 ~ d2.)
+ r4 g,4 a4 bes4
+ e8 d4 f8 ~ f2
+ r4 f4 d4 bes4
+ a8( g8 ~ g2) d8 c8
+ d4 a'2. ~
+ a1
+ %c4. a8 ~ a2
+ c4. a4. r4
+ f4. d8 ~ d2
+ %\new Voice = "tenstz" {
+ \repeat volta 2 {
+ r4 g4 a4 bes4
+ e8 d4 f8 ~ f2
+ r4 g,4 a4 bes4
+ e8( d8 ~ d2.)
+ r4 g,4 a4 bes4
+ e8 d4 f8 ~ f2
+ r4 f4 d4 bes4
+ a8( g8 ~ g2) d8 c8
+ d2 a'2 ~
+ a1 ~
+ a4 r8 a8 a8 a4 a8 ~
+ a1
+ r8 e'4. d4 c8 b8 ~
+ b1
+ c2 a4 c8 bes8 ~
+ bes2 a4 c4
+ c8( bes8) bes2.
+ } \alternative {
+ {
+ bes8( g8) g2.
+ g2. r4
+ }
+ {
+ bes8 g8 g2 r4
+ }
+ }
+ %}
+ \key ges \major
+ r4 aes4 bes4 ces4
+ f8 ees4 ges8 ~ ges2
+ r4 aes,4 bes4 ces4
+ f8( ees8 ~ ees2.)
+ r4 aes,4 bes4 ces4
+ f8 ees4 ges8 ~ ges2
+ r4 ges4 ees4 ces4
+ bes8( aes8 ~ aes2) ees8 des8
+ ees4 bes'2. ~
+ bes2. ees,8 des8
+ ees4 bes'2 des4 ~
+ des1 ~
+ des2 ees,4 des4
+ ees2 bes'2
+ bes1\fermata
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ \bassArt
+ %the actual tune
+ \clef bass
+ {
+ f2. f4
+ bes,1
+ f'4. f8 ~ f4 c4 ~
+ c1
+ g'8( bes4) c4 bes4.
+ d,8 a'8 ~ a2 d,4
+ g8( bes4) c4 bes4.
+ d,8 a'8 ~ a2 d,4
+ g8( bes4) c4 bes4.
+ d,8 a'8 ~ a2 c,4
+ bes1( ~
+ bes4. c8 ~ c2)
+ %bes4. c4.) r4
+ f2. f4
+ bes,1
+ f'2. f4
+ bes,4. c8 ~ c2
+ \repeat volta 2 {
+ g'8( bes4) c4 bes4.
+ d,8( a'8 ~ a2) d,4
+ g8 bes4 c4 bes4.
+ d,8( a'8 ~ a2) d,4
+ g8 bes4 c4 bes4.
+ d,8 a'8 ~ a2 c,4
+ bes1
+ bes2. d8 c8
+ c2 c4.( f,8 ~
+ f1 ~
+ f4) r8 a'8 g8 f4 g8 ~
+ g1
+ r8 f4. f4 f8 a,8 ~
+ a1
+ bes2 bes4 a8 g8 ~
+ g2 r2
+ r8 g4 d'8 a'4 g4
+ } \alternative {
+ {
+ c,4 c2.
+ c2. r4
+ }
+ {
+ c4 c2 r4
+ }
+ }
+ \key ges \major
+ aes'8 ces4 des4 ces4.
+ ees,8 bes'8 ~ bes2 ees,4
+ aes8 ces4 des4 ces4.
+ ees,8 bes'8 ~ bes2 ees,4
+ aes8 ces4 des4 ces4.
+ ges,4. aes4. bes4
+ fes'1
+ r4 ces2.
+ ces2. ces4
+ ges'2. ces,4
+ ees4. ees4. ces4 ~
+ ces1 ~
+ ces2 r2
+ f,1 ~
+ f1
+ }
+ >>
+ }
+
diff --git a/hr/stch/beatles/ailh/texte.ly b/hr/stch/beatles/ailh/texte.ly
new file mode 100644
index 0000000..b5bd772
--- /dev/null
+++ b/hr/stch/beatles/ailh/texte.ly
@@ -0,0 +1,151 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+ oberI = \lyricmode {
+ Love her, love her,
+ love her, love,
+ }
+ oberII = \lyricmode {
+ love her, love her,
+ }
+ loveIII = \lyricmode {
+ love her, love her,
+ love her, love
+ }
+
+ strI = \lyricmode {
+ I give her all my love,
+ that’s all I do.
+ And if you saw my love
+ you’d love her too.
+ }
+
+ strII = \lyricmode {
+ She gives me ev’ -- ry -- thing
+ and ten -- der -- ly.
+ The kiss my lo -- ver brings,
+ she brings to me.
+ }
+
+ strIII = \lyricmode {
+ Bright are the stars that shine,
+ dark is the sky.
+ I know this love of mine
+ will ne -- ver die.
+ }
+
+ tuttiI = \lyricmode {
+ And I love her.
+ A love like ours
+ could ne -- ver die
+ as long as I
+ have you near me,
+ }
+
+ this = \lyricmode {
+ this love of mine
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ \oberI
+ \repeat unfold 6 {
+ doo doo
+ }
+ oo
+ \oberII
+ \oberII
+ nah nah nah
+ …
+ \repeat unfold 14 { _ }
+ _ _ _
+ \tuttiI
+ near me. _ near _ me.
+ oo
+ doo doo doo doo doo doo
+ oo
+ \this
+ oo
+ \loveIII
+ oo
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ \oberI
+ \repeat unfold 6 {
+ doo
+ }
+ oo
+ \oberII
+ %\oberII
+ %love her, love \set associatedVoice = "altstz" her,
+ love her, love her,
+ \strII
+ \tuttiI
+ near me. _ near _ me.
+ doo doo doo doo doo doo
+ dark is the sky.
+ doo doo doo
+ \this
+ oo
+ \loveIII
+ oo
+ }
+
+ altstz = \lyrics {
+ \repeat unfold 22 { _ }
+ \strIII
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ \oberI
+ \strI
+ And I
+ love her.
+ %\oberII
+ %love her, love \set associatedVoice = "tenstz" her,
+ love her, love her,
+ \strII
+ \tuttiI
+ near me _ near _ me.
+ \strIII
+ And I love her,
+ And I love her,
+ love,
+ and I love her. _
+ }
+
+ tenstz = \lyrics {
+ \repeat unfold 35 { _ }
+ \strIII
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ Love her, love,
+ love her, love,
+ doo_doo doo doo
+ doo doo doo
+ …
+ \repeat unfold 11 { _ }
+ oo
+ love her, love,
+ \oberII
+ nah_nah nah nah …
+ \repeat unfold 14 { _ }
+ _ _
+ \tuttiI
+ near me _ near me.
+ doo doo doo doo …
+ \repeat unfold 13 { _ }
+ \this
+ oo
+ \loveIII
+ oo
+ }
+
diff --git a/hr/stch/beatles/blackbird/a.midi b/hr/stch/beatles/blackbird/a.midi
new file mode 100644
index 0000000..41bd90d
--- /dev/null
+++ b/hr/stch/beatles/blackbird/a.midi
Binary files differ
diff --git a/hr/stch/beatles/blackbird/alt/blackbird.ly b/hr/stch/beatles/blackbird/alt/blackbird.ly
new file mode 100644
index 0000000..13281fb
--- /dev/null
+++ b/hr/stch/beatles/blackbird/alt/blackbird.ly
@@ -0,0 +1,61 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Blackbird"
+ composer = "John Lennon/Paul McCartney"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ %between-system-padding=10
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 15)
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ \addlyrics { \sopranText }
+ >>
+ \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ \addlyrics { \altText }
+ >>
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ >>
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ \addlyrics { \bassText }
+ >>
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/beatles/blackbird/alt/dynArt.ly b/hr/stch/beatles/blackbird/alt/dynArt.ly
new file mode 100644
index 0000000..b50193b
--- /dev/null
+++ b/hr/stch/beatles/blackbird/alt/dynArt.ly
@@ -0,0 +1,146 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s2.
+ \time 4/4
+ s1
+ \repeat volta 2 {
+ \time 3/4
+ s2.
+ \time 4/4
+ s1
+ s1
+ s1
+ \time 2/4
+ s2
+ \time 4/4
+ s1
+ s1
+ s1
+ s1
+ s1
+ }
+ \break
+ s1
+ s1
+ s1
+ s1
+ \time 2/4
+ s2
+ \break
+ \repeat volta 2 {
+ \time 3/4
+ s2.
+ \time 4/4
+ s1
+ s1
+ s1
+ \time 2/4
+ s2
+ \time 4/4
+ s1
+ s1
+ s1
+ }
+ \break
+ s1
+ s1
+ s1
+ s1
+ \time 2/4
+ s2
+ \time 3/4
+ s2.
+ \time 4/4
+ s1
+ s1
+ s1
+ s1
+ s1
+ s1
+ \break
+ s1
+ s1
+ s1
+ s1
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ s2.
+ \time 4/4
+ s1
+ \repeat volta 2 {
+ \time 3/4
+ s2.
+ \segno
+ \time 4/4
+ s1
+ s1
+ s1
+ \time 2/4
+ s2
+ \time 4/4
+ s1
+ s1
+ s1
+ s1
+ \coda
+ s1
+ }
+ s1
+ s1
+ s1
+ s1
+ \time 2/4
+ s2
+ \repeat volta 2 {
+ \time 3/4
+ s2.
+ \time 4/4
+ s1
+ s1
+ s1
+ \time 2/4
+ s2
+ \time 4/4
+ s1
+ s1
+ s1
+ }
+ s1
+ s1
+ s1
+ s1
+ \time 2/4
+ s2
+ \time 3/4
+ s2.
+ \time 4/4
+ s1
+ s1
+ s1
+ s1
+ s1
+ s2 s2
+ ^\markup{"dal Segno al Coda"}
+ s1
+ \coda
+ s1
+ s1
+ s1
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/beatles/blackbird/alt/stimmen.ly b/hr/stch/beatles/blackbird/alt/stimmen.ly
new file mode 100644
index 0000000..92353b1
--- /dev/null
+++ b/hr/stch/beatles/blackbird/alt/stimmen.ly
@@ -0,0 +1,285 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key g \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 3/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopPatA = \relative c'' {
+ g8 g8 g16 g16 g16 g16 g16 d'8.
+ }
+
+ sopPatB = \relative c'' {
+ g8 g16 g16 ~ g8 a8 b16 a16 r8 g8 e8
+ a8 g8 b8 a16 g16 ~ g2
+ }
+
+ sopPatC = \relative c'' {
+ }
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ \sopranArt
+ %the actual tune
+ {
+ R2.
+ r1
+ \repeat volta 2 {
+ \sopPatA
+ d2. r4
+ a8 a8 a16 g16 a8 ~ a8 g8 c8 d16 b16 ~
+ b4 r4 r2
+ a8. b16 ~ b8 g8 ~
+ g2. r4
+ \sopPatB
+ \sopPatB
+ }
+ c4. a16( g16 ~ g4.) g8 ~
+ g2. r4
+ c4. a16( g16 ~ g4.) g8 ~
+ g2. g'16 f16 d16 f16 ~
+ f8 d16 d16 c8 bes16( f16)
+ \repeat volta 2 {
+ <<
+ {
+ \voiceOne g2 r4
+ }
+ \new Voice {
+ \voiceTwo \sopPatA
+ }
+ >>
+ \oneVoice
+ d'2. r4
+ a8 a8 a16 g16 a8 ~ a8 g8 c8 d16 b16 ~
+ b2. r4
+ a4 b8 g8 ~
+ g2. r4
+ g8 g8 g8 a8 b16 a16 r8 g8 e8
+ a8 b8 a8 g16 g16 ~ g2
+ }
+ c4. a16( g16 ~ g4.) g8 ~
+ g2. r4
+ c4. a16( g16 ~ g4.) g8 ~
+ g2. g'16 f16 d16 f16 ~
+ f8 d16 d16 c8 bes16( f16)
+ g2 r4
+ r1
+ r1
+ r1
+ r1
+ r1
+ r1
+ % coda
+ g8 g16 g16 ~ g16 a16( g8) b16 a16 r8 g8 e8
+ a8 b8 a8 g16 g16 ~ g2
+ g8 g16 g16 ~ g16 a16( g8) b16 a16 r8 g8 e8
+ a8 g8 b16 a16 g8 ~ g2
+ }
+ >>
+ }
+
+ altPatA = \relative c' {
+ b4 c4 d4
+ b'2. r4
+ }
+
+ altPatB = \relative c' {
+ e4 g4 fis4 a4
+ g2. r4
+ }
+
+ altPatC = \relative c' {
+ e2 ees2
+ d2 cis2
+ c2 b4 r4
+ }
+
+ altPatD = \relative c'' {
+ a4 g4 f4 e4
+ d2 e2
+ a4 g4 f4 e4
+ d2 cis2
+ c2
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ \altPatA
+ \repeat volta 2 {
+ \altPatA
+ \altPatB
+ fis4 g4
+ \altPatC
+ e4 d4 cis2
+ c2 b4 r4
+ }
+ \altPatD
+ \repeat volta 2 {
+ \altPatA
+ \altPatB
+ fis'4 g4
+ \altPatC
+ }
+ \altPatD
+ b,4 c4 d4
+ b'2 b8 b8 b16 b16 b8
+ b8 b16 b16 b16 b16 b8 b8 b8 b16 b16 b8
+ b8 b8 b8 b8 b8 b8 b4 ~
+ b2. r8 b8
+ b,4 c4 d4 e4
+ d4 cis4 c2
+ % coda
+ e4 d4 cis2
+ c2 b4 r4
+ e4 d4 cis2
+ c2 r8 <b g'>4.
+ }
+ >>
+ }
+
+ tenPatA = \relative c' {
+ g8 g8 g8 g8
+ }
+
+ tenPatB = \relative c' {
+ r8 g16 g16 ~ g16 g16 g8 g8 g16 g16 ~ g16 g16 g8
+ }
+
+ tenPatC = \relative c' {
+ \tenPatA g8 g8
+ }
+
+ tenPatD = \relative c' {
+ \tenPatA \tenPatA
+ }
+
+ tenPatE = \relative c' {
+ r8 g4 g8 ~ g8 g4 g8 ~
+ g8 g16 g16 ~ g16 g16 g8 g8 g16 g16 ~ g16 g16 g8
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ \tenPatC
+ \tenPatB
+ \repeat volta 2 {
+ \tenPatC
+ \tenPatB
+ \tenPatD
+ \tenPatB
+ \tenPatA
+ \tenPatB
+ \tenPatB
+ \tenPatB
+ r8 g4 g8 ~ g8 g16 g16 ~ g16 g16 g8
+ \tenPatB
+ }
+ \tenPatE
+ \tenPatE
+ r8 g16 g16 ~ g16 g16 g8
+ \repeat volta 2 {
+ \tenPatC
+ \tenPatB
+ \tenPatD
+ \tenPatB
+ \tenPatA
+ \tenPatB
+ \tenPatB
+ \tenPatB
+ }
+ \tenPatE
+ \tenPatE
+ r8 g16 g16 ~ g16 g16 g8
+ \tenPatC
+ r8 g16 g16 g16 g16 g8 g8 g8 g16 g16 g8
+ g8 g16 g16 g16 g16 g8 g8 g16 g16 ~ g16 g16 g8
+ g8 g8 g8 g8 g8 g8 g4 ~
+ g2. r8 g8 ~
+ g8 g4 g8 ~ g8 g4 g8 ~
+ g8 g4 g8 ~ g8 g16 g16 ~ g16 g16 g8
+ %coda
+ r8 g4 g8 ~ g8 g16 g16 ~ g16 g16 g8
+ \tenPatB
+ r8 g4 g8 ~ g8 g16 g16 ~ g16 g16 g8
+ r8 g16 g16 ~ g16 g16 g8 r8 g4.
+ }
+ >>
+ }
+
+ bassPatA = \relative c {
+ g4 a4 b4
+ g'2. r4
+ }
+
+ bassPatB = \relative c {
+ c4 cis4 d4 dis4
+ e4 e4 ees4 ees4
+ d4 cis4 c4 c4 c4 c4
+ b4 b4 a4 a4
+ d4 d4 g,4 g4
+ }
+
+ bassPatC = \relative c {
+ f4 e4 d4 c4
+ bes4 bes4 c4 c4
+ f4 e4 d4 c4
+ bes4 bes4 a4 a4
+ d4 d4
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ \bassPatA
+ \repeat volta 2 {
+ \bassPatA
+ \bassPatB
+ c4 b4 a4 a4
+ d4 d4 g,4 g4
+ }
+ \bassPatC
+ \repeat volta 2 {
+ \bassPatA
+ \bassPatB
+ }
+ \bassPatC
+ g4 a4 b4
+ g'4 g4 g4 g4
+ g4 g4 g4 r4
+ r1
+ r2 r4 r8
+ \override Staff.NoteHead #'style = #'cross
+ g8
+ \override Staff.NoteHead #'style = #'default
+ g,4 a4 b4 c4
+ b4 a4 d4 d4
+ % coda
+ c4 b4 a4 a4
+ d4 d4 g,4 g4
+ c4 b4 a4 a4
+ d4 d4 g,2
+ }
+ >>
+ }
+
diff --git a/hr/stch/beatles/blackbird/alt/texte.ly b/hr/stch/beatles/blackbird/alt/texte.ly
new file mode 100644
index 0000000..b6d8916
--- /dev/null
+++ b/hr/stch/beatles/blackbird/alt/texte.ly
@@ -0,0 +1,110 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+% Abkürzungen
+
+ tacetA = \lyricmode {
+ _ _ _ _ _ _ _ _ _
+ }
+
+ tacetB = \lyricmode {
+ _ _ _
+ }
+
+ tacetC = \lyricmode {
+ _ _ _ _ _ _ _ _ _ _ _ _ _
+ }
+
+ blackbird = \lyricmode {
+ Black -- bird, fly,
+ Black -- bird, fly,
+ in -- to the light of a dark, black night.
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ Black -- bird sin -- ging in the dead of night
+ Take these bro -- ken wings and learn to fly;
+ All your life
+ You were on -- ly wait -- ing for this mo -- ment to a -- rise.
+ _
+ \tacetC
+ \blackbird
+ \tacetA
+ \tacetB
+ \tacetC
+ \blackbird
+ You were on -- ly wait -- ing for this mo -- ment to a -- rise.
+ You were on -- ly wait -- ing for this mo -- ment to a -- rise.
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ Dn dn dn dnn
+ Dn dn dn dnn … _ _ _ _
+ \tacetC
+ \tacetC
+ \tacetA
+ _ _ %_ _ _ _ _ _
+ \tacetC
+ \tacetA
+ _ dn dn dng -- a dn dn dng -- a dng -- a dn dn dn dng -- a dn
+ dn dn dn dn dn dn dnn …
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ Dn dn dn dn dn dn
+ a dng -- a dn dng -- a dng -- a dn
+ Dn dn dn dn dn dn
+ a dng -- a dn dng -- a dng -- a dn
+ … _ _ _ _ _ _ _
+ \tacetA
+ _ _ _ _
+ \tacetA
+ \tacetA
+ \tacetA
+ \tacetB
+ \tacetB
+ \tacetA
+ \tacetC
+ \tacetC
+ _ _ _ _
+ \tacetB
+ \tacetB
+ \tacetA
+ _ _ _ _ _ _ _ _
+ \tacetA
+ _ _ _ _
+ \tacetA
+ \tacetA
+ \tacetA
+ \tacetC
+ \tacetC
+ _ _ _ _
+ \tacetB
+ \tacetB
+ dng -- a dng -- a dn dn dn dng -- a dn
+ dn dng -- a dng -- a dn dn dn dng -- a dn
+ dn dn dn dn dn dn dnn
+ Dn …
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ Dn dn dn dnn
+ Dn dn dn dnn … _ _ _ _
+ \tacetC
+ \tacetC
+ \tacetA
+ _ %_ _ _ _ _
+ \tacetC
+ \tacetA
+ \tacetC
+ \tacetC
+ \tacetC
+ Frrr,
+ Dn dn dn dn …
+ }
+
diff --git a/hr/stch/beatles/blackbird/b.midi b/hr/stch/beatles/blackbird/b.midi
new file mode 100644
index 0000000..6a8a88b
--- /dev/null
+++ b/hr/stch/beatles/blackbird/b.midi
Binary files differ
diff --git a/hr/stch/beatles/blackbird/blackbird.ly b/hr/stch/beatles/blackbird/blackbird.ly
new file mode 100644
index 0000000..ee6bec1
--- /dev/null
+++ b/hr/stch/beatles/blackbird/blackbird.ly
@@ -0,0 +1,65 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Blackbird"
+ composer = "John Lennon/Paul McCartney"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ system-count = 12
+ page-count = 2
+ %between-system-padding=10
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 14)
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ >>
+ \new Lyrics = sop {s1}
+ \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ >>
+ \new Lyrics = alt {s1}
+ \new Lyrics = ten {s1}
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \voiceOne \tenorMelodie }
+ \new Voice = "baesse" { \global \voiceTwo \bassMelodie }
+ >>
+ \new Lyrics = bass {s1}
+ \context Lyrics = sop \lyricsto soprane \sopranText
+ \context Lyrics = alt \lyricsto alti \altText
+ \context Lyrics = ten \lyricsto tenoere \tenorText
+ \context Lyrics = bass \lyricsto baesse \bassText
+ >>
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ %\layout {
+ %}
+ }
+
diff --git a/hr/stch/beatles/blackbird/blackbird.midi b/hr/stch/beatles/blackbird/blackbird.midi
new file mode 100644
index 0000000..27d2a28
--- /dev/null
+++ b/hr/stch/beatles/blackbird/blackbird.midi
Binary files differ
diff --git a/hr/stch/beatles/blackbird/dynArt.ly b/hr/stch/beatles/blackbird/dynArt.ly
new file mode 100644
index 0000000..ad57c50
--- /dev/null
+++ b/hr/stch/beatles/blackbird/dynArt.ly
@@ -0,0 +1,178 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s2.
+ \time 4/4
+ s1
+ \repeat volta 2 {
+ \time 3/4
+ s2.
+ \time 4/4
+ s1
+ \break
+ s1
+ s1
+ \time 2/4
+ s2
+ \time 4/4
+ s1
+ \break
+ s1
+ s1
+ s1
+ s1
+ }
+ \break
+ s1
+ s1
+ s1
+ s1
+ \time 2/4
+ s2
+ \break
+ \repeat volta 2 {
+ \time 3/4
+ s2.
+ \time 4/4
+ s1
+ s1
+ s1
+ \break
+ \time 2/4
+ s2
+ \time 4/4
+ s1
+ s1
+ s1
+ }
+ \break
+ s1
+ s1
+ s1
+ s1
+ \break
+ \time 2/4
+ s2
+ \time 3/4
+ s2.
+ \time 4/4
+ s1
+ s1
+ \break
+ s1
+ s1
+ s1
+ s1
+ \break
+ \time 3/4
+ s2.
+ \time 4/4
+ s1
+ s1
+ s1
+ \break
+ \time 2/4
+ s2
+ \time 4/4
+ s1
+ s1
+ s1
+ \break
+ s1
+ s1
+ s1
+ s1
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ s2.
+ \time 4/4
+ s1
+ \repeat volta 2 {
+ \time 3/4
+ s2.
+ %\segno
+ \time 4/4
+ s1
+ s1
+ s1
+ \time 2/4
+ s2
+ \time 4/4
+ s1
+ s1
+ s1
+ s1
+ %\coda
+ s1
+ }
+ s1
+ s1
+ s1
+ s1
+ \time 2/4
+ s2
+ \repeat volta 2 {
+ \time 3/4
+ s2.
+ \time 4/4
+ s1
+ s1
+ s1
+ \time 2/4
+ s2
+ \time 4/4
+ s1
+ s1
+ s1
+ }
+ s1
+ s1
+ s1
+ s1
+ \time 2/4
+ s2
+ \time 3/4
+ s2.
+ \time 4/4
+ s1
+ s1
+ s1
+ s1
+ s1
+ s2 s2
+ %^\markup{"dal Segno al Coda"}
+ \time 3/4
+ s2.
+ %\segno
+ \time 4/4
+ s1
+ s1
+ s1
+ \time 2/4
+ s2
+ \time 4/4
+ s1
+ s1
+ s1
+ s1
+ %\coda
+ s1
+ s1
+ s1
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/beatles/blackbird/midi.lua b/hr/stch/beatles/blackbird/midi.lua
new file mode 100644
index 0000000..f8b2520
--- /dev/null
+++ b/hr/stch/beatles/blackbird/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu encoding=utf8 et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/beatles/blackbird/neu4/blackbird.ly b/hr/stch/beatles/blackbird/neu4/blackbird.ly
new file mode 100644
index 0000000..13281fb
--- /dev/null
+++ b/hr/stch/beatles/blackbird/neu4/blackbird.ly
@@ -0,0 +1,61 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Blackbird"
+ composer = "John Lennon/Paul McCartney"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ %between-system-padding=10
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 15)
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ \addlyrics { \sopranText }
+ >>
+ \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ \addlyrics { \altText }
+ >>
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ >>
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ \addlyrics { \bassText }
+ >>
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/beatles/blackbird/neu4/dynArt.ly b/hr/stch/beatles/blackbird/neu4/dynArt.ly
new file mode 100644
index 0000000..540787d
--- /dev/null
+++ b/hr/stch/beatles/blackbird/neu4/dynArt.ly
@@ -0,0 +1,171 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s2.
+ \time 4/4
+ s1
+ \repeat volta 2 {
+ \time 3/4
+ s2.
+ \time 4/4
+ s1
+ s1
+ s1
+ \time 2/4
+ s2
+ \time 4/4
+ s1
+ s1
+ s1
+ s1
+ s1
+ }
+ \break
+ s1
+ s1
+ s1
+ s1
+ \time 2/4
+ s2
+ \break
+ \repeat volta 2 {
+ \time 3/4
+ s2.
+ \time 4/4
+ s1
+ s1
+ s1
+ \time 2/4
+ s2
+ \time 4/4
+ s1
+ s1
+ s1
+ }
+ \break
+ s1
+ s1
+ s1
+ s1
+ \time 2/4
+ s2
+ \time 3/4
+ s2.
+ \time 4/4
+ s1
+ s1
+ s1
+ s1
+ s1
+ s1
+ \time 3/4
+ s2.
+ \time 4/4
+ s1
+ s1
+ s1
+ \time 2/4
+ s2
+ \time 4/4
+ s1
+ s1
+ s1
+ \break
+ s1
+ s1
+ s1
+ s1
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ s2.
+ \time 4/4
+ s1
+ \repeat volta 2 {
+ \time 3/4
+ s2.
+ %\segno
+ \time 4/4
+ s1
+ s1
+ s1
+ \time 2/4
+ s2
+ \time 4/4
+ s1
+ s1
+ s1
+ s1
+ %\coda
+ s1
+ }
+ s1
+ s1
+ s1
+ s1
+ \time 2/4
+ s2
+ \repeat volta 2 {
+ \time 3/4
+ s2.
+ \time 4/4
+ s1
+ s1
+ s1
+ \time 2/4
+ s2
+ \time 4/4
+ s1
+ s1
+ s1
+ }
+ s1
+ s1
+ s1
+ s1
+ \time 2/4
+ s2
+ \time 3/4
+ s2.
+ \time 4/4
+ s1
+ s1
+ s1
+ s1
+ s1
+ s2 s2
+ %^\markup{"dal Segno al Coda"}
+ \time 3/4
+ s2.
+ %\segno
+ \time 4/4
+ s1
+ s1
+ s1
+ \time 2/4
+ s2
+ \time 4/4
+ s1
+ s1
+ s1
+ s1
+ %\coda
+ s1
+ s1
+ s1
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/beatles/blackbird/neu4/stimmen.ly b/hr/stch/beatles/blackbird/neu4/stimmen.ly
new file mode 100644
index 0000000..be2f1b4
--- /dev/null
+++ b/hr/stch/beatles/blackbird/neu4/stimmen.ly
@@ -0,0 +1,305 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key g \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 3/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopPatA = \relative c'' {
+ g8 g8 g16 g16 g16 g16 g16 d'8.
+ }
+
+ sopPatB = \relative c'' {
+ g8 g16 g16 ~ g8 a8 b16 a16 r8 g8 e8
+ a8 g8 b8 a16 g16 ~ g2
+ }
+
+ sopPatC = \relative c'' {
+ }
+
+ sopSAC = \relative c'' {
+ \sopPatA
+ d2. r4
+ a8 a8 a16 g16 a8 ~ a8 g8 c8 d16 b16 ~
+ b4 r4 r2
+ a8. b16 ~ b8 g8 ~
+ g2. r4
+ \sopPatB
+ }
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ \sopranArt
+ %the actual tune
+ {
+ R2.
+ r1
+ \repeat volta 2 {
+ \sopSAC
+ \sopPatB
+ }
+ c4. a16( g16 ~ g4.) g8 ~
+ g2. r4
+ c4. a16( g16 ~ g4.) g8 ~
+ g2. g'16 f16 d16 f16 ~
+ f8 d16 d16 c8 bes16( f16)
+ \repeat volta 2 {
+ <<
+ {
+ \voiceOne g2 r4
+ }
+ \new Voice {
+ \voiceTwo \sopPatA
+ }
+ >>
+ \oneVoice
+ d'2. r4
+ a8 a8 a16 g16 a8 ~ a8 g8 c8 d16 b16 ~
+ b2. r4
+ a4 b8 g8 ~
+ g2. r4
+ g8 g8 g8 a8 b16 a16 r8 g8 e8
+ a8 b8 a8 g16 g16 ~ g2
+ }
+ c4. a16( g16 ~ g4.) g8 ~
+ g2. r4
+ c4. a16( g16 ~ g4.) g8 ~
+ g2. g'16 f16 d16 f16 ~
+ f8 d16 d16 c8 bes16( f16)
+ g2 r4
+ r1
+ r1
+ r1
+ r1
+ r1
+ r1
+ \sopSAC
+ % coda
+ g8 g16 g16 ~ g16 a16( g8) b16 a16 r8 g8 e8
+ a8 b8 a8 g16 g16 ~ g2
+ g8 g16 g16 ~ g16 a16( g8) b16 a16 r8 g8 e8
+ a8 g8 b16 a16 g8 ~ g2
+ }
+ >>
+ }
+
+ altPatA = \relative c' {
+ b4 c4 d4
+ b'2. r4
+ }
+
+ altPatB = \relative c' {
+ e4 g4 fis4 a4
+ g2. r4
+ }
+
+ altPatC = \relative c' {
+ e2 ees2
+ d2 cis2
+ c2 b4 r4
+ }
+
+ altPatD = \relative c'' {
+ a4 g4 f4 e4
+ d2 e2
+ a4 g4 f4 e4
+ d2 cis2
+ c2
+ }
+
+ altSAC = \relative c' {
+ \altPatA
+ \altPatB
+ fis4 g4
+ \altPatC
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ \altPatA
+ \repeat volta 2 {
+ \altSAC
+ e4 d4 cis2
+ c2 b4 r4
+ }
+ \altPatD
+ \repeat volta 2 {
+ \altPatA
+ \altPatB
+ fis'4 g4
+ \altPatC
+ }
+ \altPatD
+ b,4 c4 d4
+ b'2 b8 b8 b16 b16 b8
+ b8 b16 b16 b16 b16 b8 b8 b8 b16 b16 b8
+ b8 b8 b8 b8 b8 b8 b4 ~
+ b2. r8 b8
+ b,4 c4 d4 e4
+ d4 cis4 c2
+ \altSAC
+ % coda
+ e4 d4 cis2
+ c2 b4 r4
+ e4 d4 cis2
+ c2 r8 <b g'>4.
+ }
+ >>
+ }
+
+ tenPatA = \relative c' {
+ g8 g8 g8 g8
+ }
+
+ tenPatB = \relative c' {
+ r8 g16 g16 ~ g16 g16 g8 g8 g16 g16 ~ g16 g16 g8
+ }
+
+ tenPatC = \relative c' {
+ \tenPatA g8 g8
+ }
+
+ tenPatD = \relative c' {
+ \tenPatA \tenPatA
+ }
+
+ tenPatE = \relative c' {
+ r8 g4 g8 ~ g8 g4 g8 ~
+ g8 g16 g16 ~ g16 g16 g8 g8 g16 g16 ~ g16 g16 g8
+ }
+
+ tenSAC = \relative c' {
+ \tenPatC
+ \tenPatB
+ \tenPatD
+ \tenPatB
+ \tenPatA
+ \tenPatB
+ \tenPatB
+ \tenPatB
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ \tenPatC
+ \tenPatB
+ \repeat volta 2 {
+ \tenSAC
+ r8 g4 g8 ~ g8 g16 g16 ~ g16 g16 g8
+ \tenPatB
+ }
+ \tenPatE
+ \tenPatE
+ r8 g16 g16 ~ g16 g16 g8
+ \repeat volta 2 {
+ \tenPatC
+ \tenPatB
+ \tenPatD
+ \tenPatB
+ \tenPatA
+ \tenPatB
+ \tenPatB
+ \tenPatB
+ }
+ \tenPatE
+ \tenPatE
+ r8 g16 g16 ~ g16 g16 g8
+ \tenPatC
+ r8 g16 g16 g16 g16 g8 g8 g8 g16 g16 g8
+ g8 g16 g16 g16 g16 g8 g8 g16 g16 ~ g16 g16 g8
+ g8 g8 g8 g8 g8 g8 g4 ~
+ g2. r8 g8 ~
+ g8 g4 g8 ~ g8 g4 g8 ~
+ g8 g4 g8 ~ g8 g16 g16 ~ g16 g16 g8
+ \tenSAC
+ %coda
+ r8 g4 g8 ~ g8 g16 g16 ~ g16 g16 g8
+ \tenPatB
+ r8 g4 g8 ~ g8 g16 g16 ~ g16 g16 g8
+ r8 g16 g16 ~ g16 g16 g8 r8 g4.
+ }
+ >>
+ }
+
+ bassPatA = \relative c {
+ g4 a4 b4
+ g'2. r4
+ }
+
+ bassPatB = \relative c {
+ c4 cis4 d4 dis4
+ e4 e4 ees4 ees4
+ d4 cis4 c4 c4 c4 c4
+ b4 b4 a4 a4
+ d4 d4 g,4 g4
+ }
+
+ bassPatC = \relative c {
+ f4 e4 d4 c4
+ bes4 bes4 c4 c4
+ f4 e4 d4 c4
+ bes4 bes4 a4 a4
+ d4 d4
+ }
+
+ bassSAC = \relative c' {
+ \bassPatA
+ \bassPatB
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ \bassPatA
+ \repeat volta 2 {
+ \bassSAC
+ c4 b4 a4 a4
+ d4 d4 g,4 g4
+ }
+ \bassPatC
+ \repeat volta 2 {
+ \bassPatA
+ \bassPatB
+ }
+ \bassPatC
+ g4 a4 b4
+ g'4 g4 g4 g4
+ g4 g4 g4 r4
+ r1
+ r2 r4 r8
+ \override Staff.NoteHead #'style = #'cross
+ g8
+ \override Staff.NoteHead #'style = #'default
+ g,4 a4 b4 c4
+ b4 a4 d4 d4
+ \bassSAC
+ % coda
+ c4 b4 a4 a4
+ d4 d4 g,4 g4
+ c4 b4 a4 a4
+ d4 d4 g,2
+ }
+ >>
+ }
+
diff --git a/hr/stch/beatles/blackbird/neu4/texte.ly b/hr/stch/beatles/blackbird/neu4/texte.ly
new file mode 100644
index 0000000..7e2841b
--- /dev/null
+++ b/hr/stch/beatles/blackbird/neu4/texte.ly
@@ -0,0 +1,128 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+% Abkürzungen
+
+ tacetA = \lyricmode {
+ _ _ _ _ _ _ _ _ _
+ }
+
+ tacetB = \lyricmode {
+ _ _ _
+ }
+
+ tacetC = \lyricmode {
+ _ _ _ _ _ _ _ _ _ _ _ _ _
+ }
+
+ blackbird = \lyricmode {
+ Black -- bird, fly,
+ Black -- bird, fly,
+ in -- to the light of a dark, black night.
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ Black -- bird sin -- ging in the dead of night
+ Take these bro -- ken wings and learn to fly;
+ All your life
+ You were on -- ly wait -- ing for this mo -- ment to a -- rise.
+ \tacetC
+ \blackbird
+ _
+ \tacetA
+ \tacetB
+ \tacetC
+ \blackbird
+ Black -- bird sin -- ging in the dead of night
+ Take these bro -- ken wings and learn to fly;
+ All your life
+ You were on -- ly wait -- ing for this mo -- ment to a -- rise.
+ You were on -- ly wait -- ing for this mo -- ment to a -- rise.
+ You were on -- ly wait -- ing for this mo -- ment to a -- rise.
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ Dn dn dn dnn
+ Dn dn dn dnn … _ _ _ _
+ \tacetC
+ \tacetC
+ \tacetA
+ _ _ %_ _ _ _ _ _
+ \tacetC
+ \tacetA
+ _ dn dn dng -- a dn dn dng -- a dng -- a dn dn dn dng -- a dn
+ dn dn dn dn dn dn dnn …
+ _ _ _ _ _ _ _
+ Dn dn dn dnn … _ _ _
+ \tacetC
+ \tacetA
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ Dn dn dn dn dn dn
+ a dng -- a dn dng -- a dng -- a dn
+ Dn dn dn dn dn dn
+ a dng -- a dn dng -- a dng -- a dn
+ … _ _ _ _ _ _ _
+ \tacetA
+ _ _ _ _
+ \tacetA
+ \tacetA
+ \tacetA
+ \tacetB
+ \tacetB
+ \tacetA
+ \tacetC
+ \tacetC
+ _ _ _ _
+ \tacetB
+ \tacetB
+ \tacetA
+ _ _ _ _ _ _ _ _
+ \tacetA
+ _ _ _ _
+ \tacetA
+ \tacetA
+ \tacetA
+ \tacetC
+ \tacetC
+ _ _ _ _
+ \tacetB
+ \tacetB
+ dng -- a dng -- a dn dn dn dng -- a dn
+ dn dng -- a dng -- a dn dn dn dng -- a dn
+ dn dn dn dn dn dn dnn
+ Dn … _ _ _ _ _ _ _ _ _
+ Dn dn dn dn dn dn
+ a dng -- a dn dng -- a dng -- a dn
+ … _ _ _ _ _ _ _
+ \tacetA
+ _ _ _ _
+ \tacetA
+ \tacetA
+ \tacetA
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ Dn dn dn dnn
+ Dn dn dn dnn … _ _ _ _
+ \tacetC
+ \tacetC
+ \tacetA
+ _ %_ _ _ _ _
+ \tacetC
+ \tacetA
+ \tacetC
+ \tacetC
+ \tacetC
+ Frrr,
+ Dn dn dn dn … _ _ _
+ Dn dn dn dnn … _ _ _ _ _ _ _ _
+ \tacetC
+ }
+
diff --git a/hr/stch/beatles/blackbird/s.midi b/hr/stch/beatles/blackbird/s.midi
new file mode 100644
index 0000000..8c94071
--- /dev/null
+++ b/hr/stch/beatles/blackbird/s.midi
Binary files differ
diff --git a/hr/stch/beatles/blackbird/stimmen.ly b/hr/stch/beatles/blackbird/stimmen.ly
new file mode 100644
index 0000000..919db58
--- /dev/null
+++ b/hr/stch/beatles/blackbird/stimmen.ly
@@ -0,0 +1,305 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key g \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 3/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopPatA = \relative c'' {
+ g8 g8 g16 g16 g16 g16 g16 d'8.
+ }
+
+ sopPatB = \relative c'' {
+ g8 g16 g16 ~ g8 a8 b16 a16 r8 g8 e8
+ a8 g8 b8 a16 g16 ~ g2
+ }
+
+ sopPatC = \relative c'' {
+ }
+
+ sopSAC = \relative c'' {
+ \sopPatA
+ d2. r4
+ a8 a8 a16 g16 a8 ~ a8 g8 c8 d16 b16 ~
+ b4 r4 r2
+ a8. b16 ~ b8 g8 ~
+ g2. r4
+ \sopPatB
+ }
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ \sopranArt
+ %the actual tune
+ {
+ R2.
+ r1
+ \repeat volta 2 {
+ \sopSAC
+ \sopPatB
+ }
+ c4. a16( g16 ~ g4.) g8 ~
+ g2. r4
+ c4. a16( g16 ~ g4.) g8 ~
+ g2. g'16 f16 d16 f16 ~
+ f8 d16 d16 c8 bes16( f16)
+ \repeat volta 2 {
+ <<
+ {
+ \voiceOne g2 r4
+ }
+ \new Voice {
+ \voiceTwo \sopPatA
+ }
+ >>
+ \oneVoice
+ d'2. r4
+ a8 a8 a16 g16 a8 ~ a8 g8 c8 d16 b16 ~
+ b2. r4
+ a4 b8 g8 ~
+ g2. r4
+ g8 g8 g8 a8 b16 a16 r8 g8 e8
+ a8 b8 a8 g16 g16 ~ g2
+ }
+ c4. a16( g16 ~ g4.) g8 ~
+ g2. r4
+ c4. a16( g16 ~ g4.) g8 ~
+ g2. g'16 f16 d16 f16 ~
+ f8 d16 d16 c8 bes16( f16)
+ g2 r4
+ r1
+ r1
+ r1
+ r1
+ r1
+ r1
+ \sopSAC
+ % coda
+ g8 g16 g16 ~ g16 a16( g8) b16 a16 r8 g8 e8
+ a8 b8 a8 g16 g16 ~ g2
+ g8 g16 g16 ~ g16 a16( g8) b16 a16 r8 g8 e8
+ a8 g8 b16 a16 g8 ~ g2
+ }
+ >>
+ }
+
+ altPatA = \relative c' {
+ b4 c4 d4
+ b'2. r4
+ }
+
+ altPatB = \relative c' {
+ e4 g4 fis4 a4
+ g2. r4
+ }
+
+ altPatC = \relative c' {
+ e2 ees2
+ d2 cis2
+ c2 b4 r4
+ }
+
+ altPatD = \relative c'' {
+ a4 g4 f4 e4
+ d2 e2
+ a4 g4 f4 e4
+ d2 cis2
+ c2
+ }
+
+ altSAC = \relative c' {
+ \altPatA
+ \altPatB
+ fis4 g4
+ \altPatC
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ \altPatA
+ \repeat volta 2 {
+ \altSAC
+ e4 d4 cis2
+ c2 b4 r4
+ }
+ \altPatD
+ \repeat volta 2 {
+ \altPatA
+ \altPatB
+ fis'4 g4
+ \altPatC
+ }
+ \altPatD
+ b,4 c4 d4
+ b'2 b8 b8 b16 b16 b8
+ b8 b16 b16 b16 b16 b8 b8 b8 b16 b16 b8
+ b8 b8 b8 b8 b8 b8 b4 ~
+ b2. r8 b8
+ b,4 c4 d4 e4
+ d4 cis4 c2
+ \altSAC
+ % coda
+ e4 d4 cis2
+ c2 b4 r4
+ e4 d4 cis2
+ c2 r8 <b g'>4.
+ }
+ >>
+ }
+
+ tenPatA = \relative c' {
+ g8 g8 g8 g8
+ }
+
+ tenPatB = \relative c' {
+ r8 g16 g16 ~ g16 g16 g8 g8 g16 g16 ~ g16 g16 g8
+ }
+
+ tenPatC = \relative c' {
+ \tenPatA g8 g8
+ }
+
+ tenPatD = \relative c' {
+ \tenPatA \tenPatA
+ }
+
+ tenPatE = \relative c' {
+ r8 g4 g8 ~ g8 g4 g8 ~
+ g8 g16 g16 ~ g16 g16 g8 g8 g16 g16 ~ g16 g16 g8
+ }
+
+ tenSAC = \relative c' {
+ \tenPatC
+ \tenPatB
+ \tenPatD
+ \tenPatB
+ \tenPatA
+ \tenPatB
+ \tenPatB
+ \tenPatB
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ \tenPatC
+ \tenPatB
+ \repeat volta 2 {
+ \tenSAC
+ r8 g4 g8 ~ g8 g16 g16 ~ g16 g16 g8
+ \tenPatB
+ }
+ \tenPatE
+ \tenPatE
+ r8 g16 g16 ~ g16 g16 g8
+ \repeat volta 2 {
+ \tenPatC
+ \tenPatB
+ \tenPatD
+ \tenPatB
+ \tenPatA
+ \tenPatB
+ \tenPatB
+ \tenPatB
+ }
+ \tenPatE
+ \tenPatE
+ r8 g16 g16 ~ g16 g16 g8
+ \tenPatC
+ r8 g16 g16 g16 g16 g8 g8 g8 g16 g16 g8
+ g8 g16 g16 g16 g16 g8 g8 g16 g16 ~ g16 g16 g8
+ g8 g8 g8 g8 g8 g8 g4 ~
+ g2. r8 g8 ~
+ g8 g4 g8 ~ g8 g4 g8 ~
+ g8 g4 g8 ~ g8 g16 g16 ~ g16 g16 g8
+ \tenSAC
+ %coda
+ r8 g4 g8 ~ g8 g16 g16 ~ g16 g16 g8
+ \tenPatB
+ r8 g4 g8 ~ g8 g16 g16 ~ g16 g16 g8
+ r8 g16 g16 ~ g16 g16 g8 r8 g4.
+ }
+ >>
+ }
+
+ bassPatA = \relative c {
+ g4 a4 b4
+ g'2. r4
+ }
+
+ bassPatB = \relative c {
+ c4 cis4 d4 dis4
+ e4 e4 ees4 ees4
+ d4 cis4 c4 c4 c4 c4
+ b4 b4 a4 a4
+ d4 d4 g,4 g4
+ }
+
+ bassPatC = \relative c {
+ f4 e4 d4 c4
+ bes4 bes4 c4 c4
+ f4 e4 d4 c4
+ bes4 bes4 a4 a4
+ d4 d4
+ }
+
+ bassSAC = \relative c' {
+ \bassPatA
+ \bassPatB
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ \bassPatA
+ \repeat volta 2 {
+ \bassSAC
+ c4 b4 a4 a4
+ d4 d4 g,4 g4
+ }
+ \bassPatC
+ \repeat volta 2 {
+ \bassPatA
+ \bassPatB
+ }
+ \bassPatC
+ g4 a4 b4
+ g'4 g4 g4 g4
+ g4 g4 g4 r4
+ r1
+ r2 r4 r8
+ \override Staff.NoteHead #'style = #'cross
+ g8
+ \override Staff.NoteHead #'style = #'default
+ g,4 a4 b4 c4
+ b4 a4 d4 d4
+ \bassSAC
+ % coda
+ c4 b4 a4 a4
+ d4 d4 g,4 g4
+ c4 b4 a4 a4
+ d4 d4 g,2
+ }
+ >>
+ }
+
diff --git a/hr/stch/beatles/blackbird/t.midi b/hr/stch/beatles/blackbird/t.midi
new file mode 100644
index 0000000..0873a76
--- /dev/null
+++ b/hr/stch/beatles/blackbird/t.midi
Binary files differ
diff --git a/hr/stch/beatles/blackbird/texte.ly b/hr/stch/beatles/blackbird/texte.ly
new file mode 100644
index 0000000..7ed4563
--- /dev/null
+++ b/hr/stch/beatles/blackbird/texte.ly
@@ -0,0 +1,128 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+ tacetA = \lyricmode {
+ _ _ _ _ _ _ _ _ _
+ }
+
+ tacetB = \lyricmode {
+ _ _ _
+ }
+
+ tacetC = \lyricmode {
+ _ _ _ _ _ _ _ _ _ _ _ _ _
+ }
+
+ blackbird = \lyricmode {
+ Black -- bird, fly,
+ Black -- bird, fly,
+ in -- to the light of a dark, black night.
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyricmode {
+ %<+hier den Text für den Sopran eintragen+>
+ Black -- bird sin -- ging in the dead of night
+ Take these bro -- ken wings and learn to fly;
+ All your life
+ You were on -- ly wait -- ing for this mo -- ment to a -- rise.
+ \tacetC
+ \blackbird
+ _
+ \tacetA
+ \tacetB
+ \tacetC
+ \blackbird
+ Black -- bird sin -- ging in the dead of night
+ Take these bro -- ken wings and learn to fly;
+ All your life
+ You were on -- ly wait -- ing for this mo -- ment to a -- rise.
+ You were on -- ly wait -- ing for this mo -- ment to a -- rise.
+ You were on -- ly wait -- ing for this mo -- ment to a -- rise.
+ }
+
+ altText = \lyricmode {
+ %<+hier den Text für den Alt eintragen+>
+ Dn dn dn dnn
+ Dn dn dn dnn … _ _ _ _
+ \tacetC
+ \tacetC
+ \tacetA
+ _ _ %_ _ _ _ _ _
+ \tacetC
+ \tacetA
+ _ dn dn dng -- a dn dn dng -- a dng -- a dn dn dn dng -- a dn
+ dn dn dn dn dn dn dnn …
+ _ _ _ _ _ _ _
+ Dn dn dn dnn … _ _ _
+ \tacetC
+ \tacetA
+ }
+
+ tenorText = \lyricmode {
+ %<+hier den Text für den Tenor eintragen+>
+ Dn dn dn dn dn dn
+ a dng -- a dn dng -- a dng -- a dn
+ Dn dn dn dn dn dn
+ a dng -- a dn dng -- a dng -- a dn
+ … _ _ _ _ _ _ _
+ \tacetA
+ _ _ _ _
+ \tacetA
+ \tacetA
+ \tacetA
+ \tacetB
+ \tacetB
+ \tacetA
+ \tacetC
+ \tacetC
+ _ _ _ _
+ \tacetB
+ \tacetB
+ \tacetA
+ _ _ _ _ _ _ _ _
+ \tacetA
+ _ _ _ _
+ \tacetA
+ \tacetA
+ \tacetA
+ \tacetC
+ \tacetC
+ _ _ _ _
+ \tacetB
+ \tacetB
+ dng -- a dng -- a dn dn dn dng -- a dn
+ dn dng -- a dng -- a dn dn dn dng -- a dn
+ dn dn dn dn dn dn dnn
+ Dn … _ _ _ _ _ _ _ _ _
+ Dn dn dn dn dn dn
+ a dng -- a dn dng -- a dng -- a dn
+ … _ _ _ _ _ _ _
+ \tacetA
+ _ _ _ _
+ \tacetA
+ \tacetA
+ \tacetA
+ }
+
+ bassText = \lyricmode {
+ %<+hier den Text für den Baß eintragen+>
+ Dn dn dn dnn
+ Dn dn dn dnn … _ _ _ _
+ \tacetC
+ \tacetC
+ \tacetA
+ _ %_ _ _ _ _
+ \tacetC
+ \tacetA
+ \tacetC
+ \tacetC
+ \tacetC
+ Frrr,
+ Dn dn dn dn … _ _ _
+ Dn dn dn dnn … _ _ _ _ _ _ _ _
+ \tacetC
+ }
+
diff --git a/hr/stch/beatles/cant_buy/cant_buy.ly b/hr/stch/beatles/cant_buy/cant_buy.ly
new file mode 100644
index 0000000..61acc19
--- /dev/null
+++ b/hr/stch/beatles/cant_buy/cant_buy.ly
@@ -0,0 +1,71 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Can’t Buy Me Love"
+ composer = "John Lennon & Paul McCartney"
+ arranger = "Keith Abbs"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 15
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ %\override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 17)
+
+ sop = \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ \addlyrics { \stzI }
+ \addlyrics { \stzII }
+ \addlyrics { \stzIII }
+ >>
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \sop
+ \alt
+ \ten
+ \bas
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 108 2)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/beatles/cant_buy/cant_buy.midi b/hr/stch/beatles/cant_buy/cant_buy.midi
new file mode 100644
index 0000000..8afa336
--- /dev/null
+++ b/hr/stch/beatles/cant_buy/cant_buy.midi
Binary files differ
diff --git a/hr/stch/beatles/cant_buy/dynArt.ly b/hr/stch/beatles/cant_buy/dynArt.ly
new file mode 100644
index 0000000..83b5621
--- /dev/null
+++ b/hr/stch/beatles/cant_buy/dynArt.ly
@@ -0,0 +1,97 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s4\f
+ \repeat volta 2 {
+ \mark \markup { \small \musicglyph #"scripts.segno" }
+ \slurDashed
+ s2 \slurSolid s2
+ s2. \slurDashed s4
+ \slurSolid
+ s1*2
+ \slurDashed
+ s2 \slurSolid s2
+ s2 \slurDashed s2
+ \slurSolid
+ s1*4
+ s1\f
+ \mark \markup { \small \musicglyph #"scripts.coda" }
+ s1
+ \bar "||"
+ \key g \major
+ \slurDashed
+ s1*6
+ \time 6/8
+ s8*6
+ \slurSolid
+ \time 2/2
+ s2. s4^\markup{ \dynamic p \bold "-" \dynamic f }
+ }
+ %\slurDashed
+ %s2 \slurSolid s2
+ %s2. \slurDashed s4
+ %\slurSolid
+ %s1*2
+ %\slurDashed
+ %s2 \slurSolid s2
+ %s2 \slurDashed s2
+ %\slurSolid
+ %s1*4
+ %s1\f
+ \mark \markup { \musicglyph #"scripts.coda" }
+ \key g \minor
+ s1*3
+ s4\f s2.^\markup{ \italic "rit." }
+ s1\fermata
+ \bar "|."
+ }
+ unterArt = {
+ s4
+ s1*8
+ s1\p
+ s1*9
+ s8*6
+ s1*2
+ s1\p
+ s1*3
+ }
+
+% articulation
+
+ sopranArt = {
+ \tempo "Lively, Madrigalian" 2=108
+ s4
+ s1*4
+ s8 s8 s8 s8 s2
+ s2 s8 s8 s4
+ s1*4
+ s8 s2..^\markup{ \bold { "3"\super"rd" "time To Coda" } }
+ s1%^\coda
+ s1*4
+ s1*2
+ \tempo \markup {
+ \concat {
+ (
+ \smaller \general-align #Y #DOWN \note #"8" #1
+ " = "
+ \smaller \general-align #Y #DOWN \note #"8" #1
+ )
+ }
+ }
+ s4. s4
+ \once \override TextScript #'outside-staff-padding = #2
+ s8^\markup{ \bold { "2"\super"nd" "time D. S. al Coda" } }
+ \override TextScript #'outside-staff-priority = #1
+ }
+
+ altArt = << \unterArt {
+ } >>
+
+ tenorArt = << \unterArt {
+ } >>
+
+ bassArt = << \unterArt {
+ } >>
+
diff --git a/hr/stch/beatles/cant_buy/midi.lua b/hr/stch/beatles/cant_buy/midi.lua
new file mode 100644
index 0000000..247a28d
--- /dev/null
+++ b/hr/stch/beatles/cant_buy/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen_midi.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 108 2)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/beatles/cant_buy/midis/a.midi b/hr/stch/beatles/cant_buy/midis/a.midi
new file mode 100644
index 0000000..11dc7de
--- /dev/null
+++ b/hr/stch/beatles/cant_buy/midis/a.midi
Binary files differ
diff --git a/hr/stch/beatles/cant_buy/midis/b.midi b/hr/stch/beatles/cant_buy/midis/b.midi
new file mode 100644
index 0000000..7930423
--- /dev/null
+++ b/hr/stch/beatles/cant_buy/midis/b.midi
Binary files differ
diff --git a/hr/stch/beatles/cant_buy/midis/s.midi b/hr/stch/beatles/cant_buy/midis/s.midi
new file mode 100644
index 0000000..dfd657d
--- /dev/null
+++ b/hr/stch/beatles/cant_buy/midis/s.midi
Binary files differ
diff --git a/hr/stch/beatles/cant_buy/midis/t.midi b/hr/stch/beatles/cant_buy/midis/t.midi
new file mode 100644
index 0000000..22f71f6
--- /dev/null
+++ b/hr/stch/beatles/cant_buy/midis/t.midi
Binary files differ
diff --git a/hr/stch/beatles/cant_buy/stimmen.ly b/hr/stch/beatles/cant_buy/stimmen.ly
new file mode 100644
index 0000000..a26259b
--- /dev/null
+++ b/hr/stch/beatles/cant_buy/stimmen.ly
@@ -0,0 +1,208 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key g \minor
+ %\override Staff.TimeSignature #'style = #'()
+ \time 2/2
+ %\autoBeamOff
+ \partial 4
+ }
+
+% Die Stimmen
+
+ cues = \relative c'' {
+ s4
+ s1*4
+ d8 d8 d8 d8 s2
+ s2 g,8[ g8] s4
+ s1*4
+ s8 s2..
+ s1
+ } \addQuote blahs \cues
+
+ cuea = \relative c'' {
+ s4
+ s1*4
+ bes8 bes8 bes8 bes8 s2
+ s2 d,8[ d8] s4
+ s1*4
+ s8 s2..
+ s1
+ } \addQuote blaha \cuea
+
+ cuet = \relative c'' {
+ s4
+ s1*4
+ g8 g8 g8 g8 s2
+ s2 bes,8[ bes8] s4
+ s1*4
+ s8 s2..
+ s1
+ } \addQuote blaht \cuet
+
+ cueb = \relative c' {
+ s4
+ s1*4
+ g8[ g8] s8 s8 s2
+ s2 d8[ d8] s4
+ s1*4
+ s8 s2..
+ s1
+ } \addQuote blahb \cueb
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ \sopranArt
+ %the actual tune
+ {
+ d4
+ {
+ d4 d8( d8) c4 bes4
+ a4 g4 g4 g8( g8)
+ g4 d4 f4 g4
+ g2. \parenthesize d'4
+ \cueDuring blahs #UP { d4 d4 } c4 bes4
+ a4 g4 \cueDuring blahs #UP { g4 } g8( g8)
+ g4 d4 f4 g4
+ g2. r4
+ r1
+ r1
+ d'8 d8 d4 c8( bes8) a4
+ g4 g4 b4 d4
+ d1(
+ b1)
+ bes8 bes8 a8 g8 a4 a4
+ g4 g4 b4 d4
+ d1(
+ b1)
+ a4( b8) c4( d8)
+ d2. \parenthesize d4
+ }
+ g,2. r4
+ r1
+ r1
+ d'8 d8 d4 c8( bes8) a4
+ g1
+ }
+ >>
+ }
+
+ altMelodie = \relative c'' {
+ <<
+ { \meta }
+ \altArt
+ %the actual tune
+ {
+ bes4
+ {
+ bes4 bes8( bes8) a4 g4
+ f4 c4 d4 ees8( ees8)
+ d4 d4 f8( e8) d8( c8)
+ b2. \parenthesize bes'4
+ \cueDuring blaha #UP { bes4 bes4 } a4 g4
+ f4 c4 \cueDuring blaha #UP { d4 } ees8( ees8)
+ d4 d4 f8( e8) d8( c8)
+ b2. r4
+ d4 d4 ees4 d4
+ c4 bes4 c4 bes4
+ d8 e8 fis4 g4 fis4
+ g4 g4 g4 g4
+ fis1(
+ e4) e8( fis8) g8( e8) fis8( g8)
+ g4 g8 g8 fis8 g4 fis8
+ g4 g4 g4 a8( g8)
+ fis1(
+ e4) e8( fis8) g8( e8) fis8( g8)
+ a4( g8) e4( g8)
+ fis2. \parenthesize bes4
+ }
+ g2. r4
+ d4 d4 ees4 d4
+ c4 bes4 c4 bes4
+ d8 e8 fis4 g4 fis4
+ d1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c'' {
+ <<
+ { \meta }
+ \tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ g4
+ {
+ g4 g8( g8) d4 d4
+ a8( bes8) c4 bes4 g8( a8)
+ bes4 c8( bes8) a4 a4
+ g2. \parenthesize g'4
+ \cueDuring blaht #UP { g4 g4 } d4 d4
+ a8( bes8) c4 \cueDuring blaht #UP bes4 g8( a8)
+ bes8( d8) c8( bes8) a8( g8) a4
+ g2. r4
+ f4 f4 g4 f4
+ f4 g4 a4 bes4
+ fis8 g8 a4 d4 d8( c8)
+ b4 g'8( fis8) e8( d8) c8( b8)
+ b1(
+ g4) g8( a8) b8( g8) a8( b8)
+ g4 ees'4 d4 c4
+ b4 g'8( fis8) e8( d8) c8( b8)
+ b1(
+ g4) g8( a8) b8( g8) a8( b8)
+ e4( d8) c4( b8)
+ a2. \parenthesize g'4
+ }
+ b,2. r4
+ f4 f4 g4 f4
+ f4 g4 a4 bes4
+ fis8 g8 a4 d4 d8( c8)
+ b1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c' {
+ <<
+ { \meta }
+ \bassArt
+ %the actual tune
+ \clef bass
+ {
+ g4
+ {
+ g4 g,8( a8) bes8( c8) d8( ees8)
+ f4 ees4 d4 c8( c8)
+ bes4 a8( g8) d'4 d4
+ g,2. \parenthesize g'4
+ \cueDuring blahb #UP g4 g,8( a8) bes8( c8) d8( ees8)
+ f4 ees4 \cueDuring blahb #UP d4 c8( c8)
+ bes4 a8( g8) d'4 d4 g,2. r4
+ bes4 bes4 ees4 bes4
+ a4 g4 f4 bes4
+ d8 d8 d4 d4 d4
+ g,4 r4 r2
+ r4 b8( c8) d8( b8) c8( d8)
+ e1
+ ees8 ees8 c8 c8 d4 d4
+ g,4 r4 r2
+ r4 b8( c8) d8( b8) c8( d8)
+ e1
+ c4( b8) a4( g8)
+ d'2. \parenthesize g4
+ }
+ g,2. r4
+ bes4 bes4 ees4 bes4
+ a4 g4 f4 bes4
+ d8 d8 d4 d4 d4
+ g,1
+ }
+ >>
+ }
+
diff --git a/hr/stch/beatles/cant_buy/stimmen_midi.ly b/hr/stch/beatles/cant_buy/stimmen_midi.ly
new file mode 100644
index 0000000..c1fb8fc
--- /dev/null
+++ b/hr/stch/beatles/cant_buy/stimmen_midi.ly
@@ -0,0 +1,240 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key g \minor
+ %\override Staff.TimeSignature #'style = #'()
+ \time 2/2
+ %\autoBeamOff
+ \partial 4
+ }
+
+% Die Stimmen
+
+ cues = \relative c'' {
+ s4
+ s1*4
+ d8 d8 d8 d8 s2
+ s2 g,8[ g8] s4
+ s1*4
+ s8 s2..
+ s1
+ } \addQuote blahs \cues
+
+ cuea = \relative c'' {
+ s4
+ s1*4
+ bes8 bes8 bes8 bes8 s2
+ s2 d,8[ d8] s4
+ s1*4
+ s8 s2..
+ s1
+ } \addQuote blaha \cuea
+
+ cuet = \relative c'' {
+ s4
+ s1*4
+ g8 g8 g8 g8 s2
+ s2 bes,8[ bes8] s4
+ s1*4
+ s8 s2..
+ s1
+ } \addQuote blaht \cuet
+
+ cueb = \relative c' {
+ s4
+ s1*4
+ g8[ g8] s8 s8 s2
+ s2 d8[ d8] s4
+ s1*4
+ s8 s2..
+ s1
+ } \addQuote blahb \cueb
+
+ scs = \relative c'' {
+ d4 d8( d8) c4 bes4
+ a4 g4 g4 g8( g8)
+ g4 d4 f4 g4
+ g2. \parenthesize d'4
+ \cueDuring blahs #UP { d4 d4 } c4 bes4
+ a4 g4 \cueDuring blahs #UP { g4 } g8( g8)
+ g4 d4 f4 g4
+ g2. r4
+ r1
+ r1
+ d'8 d8 d4 c8( bes8) a4
+ }
+ ccs = \relative c'' {
+ g4 g4 b4 d4
+ d1(
+ b1)
+ bes8 bes8 a8 g8 a4 a4
+ g4 g4 b4 d4
+ d1(
+ b1)
+ a4( b8) c4( d8)
+ d2. \parenthesize d4
+ }
+ cs = \relative c'' {
+ g2. r4
+ r1
+ r1
+ d'8 d8 d4 c8( bes8) a4
+ g1
+ }
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ \sopranArt
+ %the actual tune
+ {
+ d4
+ \scs \ccs
+ \scs \ccs
+ \scs \cs
+ }
+ >>
+ }
+
+ sca = \relative c'' {
+ bes4 bes8( bes8) a4 g4
+ f4 c4 d4 ees8( ees8)
+ d4 d4 f8( e8) d8( c8)
+ b2. \parenthesize bes'4
+ \cueDuring blaha #UP { bes4 bes4 } a4 g4
+ f4 c4 \cueDuring blaha #UP { d4 } ees8( ees8)
+ d4 d4 f8( e8) d8( c8)
+ b2. r4
+ d4 d4 ees4 d4
+ c4 bes4 c4 bes4
+ d8 e8 fis4 g4 fis4
+ }
+ cca = \relative c'' {
+ g4 g4 g4 g4
+ fis1(
+ e4) e8( fis8) g8( e8) fis8( g8)
+ g4 g8 g8 fis8 g4 fis8
+ g4 g4 g4 a8( g8)
+ fis1(
+ e4) e8( fis8) g8( e8) fis8( g8)
+ a4( g8) e4( g8)
+ fis2. \parenthesize bes4
+ }
+ ca = \relative c'' {
+ g2. r4
+ d4 d4 ees4 d4
+ c4 bes4 c4 bes4
+ d8 e8 fis4 g4 fis4
+ d1
+ }
+
+ altMelodie = \relative c'' {
+ <<
+ { \meta }
+ \altArt
+ %the actual tune
+ {
+ bes4
+ \sca \cca
+ \sca \cca
+ \sca \ca
+ }
+ >>
+ }
+
+ sct = \relative c'' {
+ g4 g8( g8) d4 d4
+ a8( bes8) c4 bes4 g8( a8)
+ bes4 c8( bes8) a4 a4
+ g2. \parenthesize g'4
+ \cueDuring blaht #UP { g4 g4 } d4 d4
+ a8( bes8) c4 \cueDuring blaht #UP bes4 g8( a8)
+ bes8( d8) c8( bes8) a8( g8) a4
+ g2. r4
+ f4 f4 g4 f4
+ f4 g4 a4 bes4
+ fis8 g8 a4 d4 d8( c8)
+ }
+ cct = \relative c' {
+ b4 g'8( fis8) e8( d8) c8( b8)
+ b1(
+ g4) g8( a8) b8( g8) a8( b8)
+ g4 ees'4 d4 c4
+ b4 g'8( fis8) e8( d8) c8( b8)
+ b1(
+ g4) g8( a8) b8( g8) a8( b8)
+ e4( d8) c4( b8)
+ a2. \parenthesize g'4
+ }
+ ct = \relative c'' {
+ b,2. r4
+ f4 f4 g4 f4
+ f4 g4 a4 bes4
+ fis8 g8 a4 d4 d8( c8)
+ b1
+ }
+
+ tenorMelodie = \relative c'' {
+ <<
+ { \meta }
+ \tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ g4
+ \sct \cct
+ \sct \cct
+ \sct \ct
+ }
+ >>
+ }
+
+ scb = \relative c' {
+ g4 g,8( a8) bes8( c8) d8( ees8)
+ f4 ees4 d4 c8( c8)
+ bes4 a8( g8) d'4 d4
+ g,2. \parenthesize g'4
+ \cueDuring blahb #UP g4 g,8( a8) bes8( c8) d8( ees8)
+ f4 ees4 \cueDuring blahb #UP d4 c8( c8)
+ bes4 a8( g8) d'4 d4 g,2. r4
+ bes4 bes4 ees4 bes4
+ a4 g4 f4 bes4
+ d8 d8 d4 d4 d4
+ }
+ ccb = \relative c' {
+ g,4 r4 r2
+ r4 b8( c8) d8( b8) c8( d8)
+ e1
+ ees8 ees8 c8 c8 d4 d4
+ g,4 r4 r2
+ r4 b8( c8) d8( b8) c8( d8)
+ e1
+ c4( b8) a4( g8)
+ d'2. \parenthesize g4
+ }
+ cb = \relative c' {
+ g,2. r4
+ bes4 bes4 ees4 bes4
+ a4 g4 f4 bes4
+ d8 d8 d4 d4 d4
+ g,1
+ }
+
+ bassMelodie = \relative c' {
+ <<
+ { \meta }
+ \bassArt
+ %the actual tune
+ \clef bass
+ {
+ g4
+ \scb \ccb
+ \scb \ccb
+ \scb \cb
+ }
+ >>
+ }
+
diff --git a/hr/stch/beatles/cant_buy/texte.ly b/hr/stch/beatles/cant_buy/texte.ly
new file mode 100644
index 0000000..6b031ae
--- /dev/null
+++ b/hr/stch/beatles/cant_buy/texte.ly
@@ -0,0 +1,57 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+ ignon = { \set ignoreMelismata = ##t }
+ ignoff = { \unset ignoreMelismata }
+ stzI = \lyricmode {
+ I’ll \ignon buy you a \ignoff dia -- mond ring my \ignon friend,
+ if it \ignoff makes you feel al -- right.
+ I’ll get you an -- y -- thing, my \ignon friend,
+ if it \ignoff makes you feel al -- right.
+ I don’t care too much for mon -- ey,
+ mon -- ey can’t buy me love.
+ Can’t__ buy__ me__ love,
+ ev -- ’ry -- bod -- y tells me so.
+ Can’t__ buy__ me__ love,
+ no, no, no. I’ll
+ love. I don’t care too much for mon -- ey,
+ mon -- ey can’t buy me love.
+ }
+ stzII = \lyricmode {
+ _ give you all I’ve got to \ignon give
+ if you \ignoff say you love me too.
+ I may not__ have__ a__ lot to give_but
+ what_I’ve got I’ll__ give to you.
+ _ _ _ _ _ _ _ _
+ _ _ _ _ _ \ignon _
+ Fa la la la la la la,
+ fa la la la la la la,
+ fa la la la la la la,
+ fa la la la la. _
+ }
+ stzIII = \lyricmode {
+ _ \ignon Say that you \ignoff need no dia -- mond rings
+ and__ I’ll be__ sa -- tis -- fied.
+ _ \ignon Tell_me that you \ignoff want the kind of things
+ that mo -- ney just can’t buy.
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/stch/beatles/eleanor/dynArt.ly b/hr/stch/beatles/eleanor/dynArt.ly
new file mode 100644
index 0000000..c8311ed
--- /dev/null
+++ b/hr/stch/beatles/eleanor/dynArt.ly
@@ -0,0 +1,37 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s1*4 \break
+ s1*4 \break
+ s1*5 \break
+ s1*5 \break
+ s1*4 \break
+ s1*4 \break
+ s1*5 \break
+ s1*5 \break
+ s1*4 \break
+ s1*4 \break
+ s1*4 \break
+ s1*4 \break
+ s1*5 \break
+ s1*5 \break
+ s1*4 \break
+ s1*5
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/beatles/eleanor/eleanor.ly b/hr/stch/beatles/eleanor/eleanor.ly
new file mode 100644
index 0000000..82e5dab
--- /dev/null
+++ b/hr/stch/beatles/eleanor/eleanor.ly
@@ -0,0 +1,71 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Eleanor Rigby"
+ composer = "Lennon/McCartney"
+ %opus = "<+Werk+>"
+ arranger = "Andreas Kuch"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ system-count = 16
+ page-count = 4
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 12)
+
+ sop = \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ \addlyrics { \sopranText }
+ >>
+
+ alt = \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ \addlyrics { \altText }
+ >>
+
+ ten = \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ >>
+
+ bas = \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ \addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \sop
+ \alt
+ \ten
+ \bas
+ >>
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ %\layout {
+ %}
+ }
+
diff --git a/hr/stch/beatles/eleanor/eleanor.midi b/hr/stch/beatles/eleanor/eleanor.midi
new file mode 100644
index 0000000..9f176a3
--- /dev/null
+++ b/hr/stch/beatles/eleanor/eleanor.midi
Binary files differ
diff --git a/hr/stch/beatles/eleanor/midi.lua b/hr/stch/beatles/eleanor/midi.lua
new file mode 100644
index 0000000..44004bb
--- /dev/null
+++ b/hr/stch/beatles/eleanor/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/beatles/eleanor/midis/a.midi b/hr/stch/beatles/eleanor/midis/a.midi
new file mode 100644
index 0000000..91c9fd4
--- /dev/null
+++ b/hr/stch/beatles/eleanor/midis/a.midi
Binary files differ
diff --git a/hr/stch/beatles/eleanor/midis/b.midi b/hr/stch/beatles/eleanor/midis/b.midi
new file mode 100644
index 0000000..4971ad1
--- /dev/null
+++ b/hr/stch/beatles/eleanor/midis/b.midi
Binary files differ
diff --git a/hr/stch/beatles/eleanor/midis/eleanor.midi b/hr/stch/beatles/eleanor/midis/eleanor.midi
new file mode 100644
index 0000000..9f176a3
--- /dev/null
+++ b/hr/stch/beatles/eleanor/midis/eleanor.midi
Binary files differ
diff --git a/hr/stch/beatles/eleanor/midis/s.midi b/hr/stch/beatles/eleanor/midis/s.midi
new file mode 100644
index 0000000..50b1fbd
--- /dev/null
+++ b/hr/stch/beatles/eleanor/midis/s.midi
Binary files differ
diff --git a/hr/stch/beatles/eleanor/midis/t.midi b/hr/stch/beatles/eleanor/midis/t.midi
new file mode 100644
index 0000000..2c48fdd
--- /dev/null
+++ b/hr/stch/beatles/eleanor/midis/t.midi
Binary files differ
diff --git a/hr/stch/beatles/eleanor/stimmen.ly b/hr/stch/beatles/eleanor/stimmen.ly
new file mode 100644
index 0000000..443d934
--- /dev/null
+++ b/hr/stch/beatles/eleanor/stimmen.ly
@@ -0,0 +1,299 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key d \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ stanza = \relative c {
+ e8 e8 fis8 d8 ~ d8 b8 r4
+ d8 e8 fis8 a8 ~ a8 gis8 fis8 gis8 ~
+ gis8 fis8 e8 fis8 ~ fis8 e8 d8 e8 ~
+ e2 r2
+ }
+
+ lonely = \relative c {
+ e4 d8 e8 ~ e8 fis4 d8 ~
+ d8 b4. r4 r8 b8
+ b'4 fis8 e8 ~ e8 d4 b8 ~
+ b2 r2
+ e4 d8 e8 ~ e8 fis4 d8 ~
+ d8 b4. r4 r8 b8
+ d'4 b8 fis8 ~ fis8 e4
+ }
+
+ sopranI = \relative c'' {
+ b2 ~ b8 cis8 d8 e8 ~
+ e8 d4 cis8 ~ cis8 b4 fis8 ~
+ fis8
+ }
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ \sopranI d4. r4 fis8 r8
+ \repeat unfold 4 { fis8 r8 }
+ \sopranI d4. r4 fis8 r8
+ \repeat unfold 4 { fis8 r8 }
+ \bar "||"
+ \transpose e e' {
+ \stanza
+ d8 e8 fis8 g8 ~ g8 fis8 r4
+ \stanza
+ d8 e8 fis8 g8 ~ g8 fis4 r8
+ }
+ \bar "||"
+ \repeat unfold 6 {
+ \repeat unfold 4 { fis8 r8 }
+ }
+ fis8 r8 fis8 r8 fis8 r8 r8 fis8
+ d'4 b8 fis8 ~ fis8 e4 d8 ~
+ \bar "||"
+ d2 b8 r8 b8 r8
+ \repeat unfold 4 {
+ \repeat unfold 4 { b8 r8 }
+ }
+ b8 r8 b8 r8 r8 fis'8 b8 cis8
+ d4.( cis8 ~ cis4. b8 ~
+ b4. a8 ~ a4. b8 ~
+ b2.) r4
+ b8( cis8 d4) r4 fis,8 r8
+ \bar "||"
+ \repeat unfold 3 {
+ \repeat unfold 4 { fis8 r8 }
+ }
+ b4( cis4 d4 e4
+ fis1)
+ \octaveCheck c'
+ \repeat unfold 3 {
+ \repeat unfold 4 { fis8 r8 }
+ }
+ \repeat unfold 2 {
+ b2 ~ b8 cis8 d8 e8 ~
+ e8 d4 cis8 ~ cis8 b4 fis8 ~
+ fis8 d4. r4 fis8 r8
+ fis8 r8 fis8 r8 fis8 r8 fis8 r8
+ }
+ \bar "||"
+ r8 fis8 b4 fis8 b4 fis8
+ b4 fis8 b8 ~ b8 fis8 b4
+ fis8 b4 fis8 b4 fis8 b8
+ r8 g8 d'4 g,8 d'4 g,8
+ b4 e,8 b'8 ~ b8 a4 g8
+ \repeat unfold 3 {
+ \repeat unfold 4 { fis8 r8 }
+ }
+ g8 r8 g8 r8 g8 r8 g8 r8
+ g8 r8 g8 r8 fis8 r8 fis8 r8
+ \bar "||"
+ \sopranI d4. b8 r8 b8 r8
+ b8 r8 b8 r8 b8 r8 b8 r8
+ \sopranI d4 r8 b8 r8 b8 r8
+ b2 fis'4 fis4
+ fis2 r2
+ \bar "|."
+ }
+ >>
+ }
+
+ altI = \relative c'' {
+ \repeat unfold 4 { g8 r8 }
+ fis8 r8 fis8 r8 fis8 r8 e8 fis8
+ d8 fis8 cis8 fis8 d8 fis8 b,8 fis'8
+ }
+ altII = \relative c' {
+ \repeat unfold 3 {
+ \repeat unfold 4 { fis8 r8 }
+ }
+ \repeat unfold 4 { g8 r8 }
+ g8 r8 g8 r8 fis8 r8 fis8 r8
+ }
+ altMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ \repeat unfold 4 { g8 r8 }
+ \altI
+ \repeat unfold 4 { g8 r8 }
+ \altI
+ %
+ \altII
+ \repeat unfold 3 {
+ \repeat unfold 4 { b,8 fis'8 }
+ }
+ \repeat unfold 3 {
+ \repeat unfold 4 { g8 }
+ }
+ r8 fis8 r8 fis8
+ %
+ \transpose e e' {
+ \lonely d8 ~
+ d4 fis8 r8 fis8 r8 fis8 r8
+ }
+ %
+ \altII
+ \altII
+ \octaveCheck c
+ \repeat unfold 6 {
+ \repeat unfold 4 { b8 r8 }
+ }
+ b8 r8 b8 r8 b8 r8 r8 fis'8
+ d'4 b8 fis8 ~ fis8 e4 d8 ~
+ d4 g8 r8 g8 r8 g8 r8
+ \altI
+ \repeat unfold 4 { g8 r8 }
+ \altI
+ b1( ~
+ b4. fis8 ~ fis4. e8 ~
+ e4. d8 ~ d2
+ e2) b'4( a4
+ g4. fis8 ~ fis8 e8 ~ e4)
+ \transpose e e' {
+ \stanza
+ d8 e8 fis8 g8 ~ g8 fis4 r8
+ }
+ \repeat unfold 6 {
+ \repeat unfold 4 { fis8 r8 }
+ }
+ fis8 r8 fis8 r8 fis8 r8 r8 fis8
+ d'4 b4 fis4 e4
+ d2 r2
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ \repeat unfold 8 {
+ \repeat unfold 4 { b8 r8 }
+ }
+ \repeat unfold 10 {
+ \repeat unfold 4 { b8 r8 }
+ }
+ \repeat unfold 2 {
+ a1
+ gis1
+ g1
+ fis1
+ }
+ \transpose e e {
+ \stanza
+ d8 e8 fis8 g8 ~ g8 fis8 r4
+ \stanza
+ d8 e8 fis8 g8 ~ g8 fis4 r8
+ }
+ \lonely d8 ~
+ d2 b'8 r8 b8 r8
+ \repeat unfold 8 {
+ \repeat unfold 4 { b8 r8 }
+ }
+ b4. b8 ~ b4 b4 ~
+ b8 b8 ~ b4 b4. b8 ~
+ b4 b4 ~ b8 b4.
+ g4. g8 ~ g4 g4 ~
+ g8 g4. fis4 e4
+ \octaveCheck c'
+ \repeat unfold 5 {
+ \repeat unfold 4 { b8 r8 }
+ }
+ \lonely d,8 ~
+ d2 b'4 b4
+ b2 r2
+ }
+ >>
+ }
+
+ bassI = \relative c {
+ r8 d8 fis8 g8 ~ g2 ~
+ g1
+ fis4 fis8 d8 b2 ~
+ b1 ~
+ b8 d8 b8 g8 ~ g2 ~
+ g1
+ r8 fis'8 d8 b8 ~ b2 ~
+ b1
+ }
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ \bassI
+ \repeat unfold 3 {
+ \repeat unfold 4 { b8 r8 }
+ }
+ g4( d'4 g4 d4)
+ g,8 r8 a8 r8 b8 r8 b8 r8
+ \repeat unfold 2 {
+ \repeat unfold 4 { b8 r8 }
+ }
+ b8 r8 b8 r8 a8 r8 a8 r8
+ g4 d'4 g4 d4
+ g,8 r8 a8 r8 b8 r8 b8 r8
+ \repeat unfold 8 {
+ \repeat unfold 4 { b8 r8 }
+ }
+ \repeat unfold 2 {
+ \repeat unfold 3 {
+ \repeat unfold 4 { b8 r8 }
+ }
+ g8 a8 b8 cis8 d8 e8 fis8 g8 ~
+ } \alternative {
+ {
+ g4. b8 ~ b4 r4
+ }
+ {
+ g4. b8 ~ b4. r8
+ }
+ }
+ \repeat unfold 2 {
+ a1
+ gis1
+ g1
+ fis1
+ }
+ \bassI
+ \transpose e e {
+ \stanza
+ d8 e8 fis8 g8 ~ g8 fis4 r8
+ }
+ r2 r8 fis,8 b8 cis8
+ d8 e8 fis8 a8 ~ a8 gis8 fis8 gis8 ~
+ gis8 fis8 e8 fis8 ~ fis8 e8 d8 e8 ~
+ e2 ~ e8 b8 g8 b8
+ e,4. b'8 ~ b4 r4
+ \repeat unfold 2 {
+ a'1
+ gis1
+ g1
+ } \alternative {
+ {
+ fis1
+ }
+ {
+ fis2 d4 cis4
+ }
+ }
+ b2 r2
+ }
+ >>
+ }
+
diff --git a/hr/stch/beatles/eleanor/texte.ly b/hr/stch/beatles/eleanor/texte.ly
new file mode 100644
index 0000000..8a0e123
--- /dev/null
+++ b/hr/stch/beatles/eleanor/texte.ly
@@ -0,0 +1,201 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+ ah = \lyricmode {
+ Ah, look at all the lone -- ly peo -- ple
+ }
+
+ plum = \lyricmode {
+ plum plum plum plum
+ }
+ plumm = \lyricmode {
+ \plum \plum
+ }
+ plummm = \lyricmode {
+ \plumm \plum
+ }
+ plummmm = \lyricmode {
+ \plumm \plumm
+ }
+
+ lonely = \lyricmode {
+ All the lone -- ly peo -- ple
+ where do they all come from?
+ All the lone -- ly peo -- ple
+ where do they all be -- long?
+ }
+
+ eleanor = \lyricmode {
+ E -- lea -- nor Rig -- by
+ picks up the rice in a church where a wed -- ding has been
+ lives in a dream _
+ }
+ waits = \lyricmode {
+ Waits at the win -- dow
+ wea -- ring a face that she keeps in a jar by the door
+ who is it for? _
+ }
+
+ father = \lyricmode {
+ Fa -- ther Mc Ken -- zie
+ wri -- ting the words of a ser -- mon that no -- one will hear
+ no -- one comes near _
+ }
+ look = \lyricmode {
+ look at him wor -- king
+ dar -- ning his socks in the night when there’s no -- bo -- dy there
+ What does he care? _
+ }
+
+ buried = \lyricmode {
+ E -- lea -- nor Rig -- by
+ died in the church and was bu -- ried a -- long with her name
+ no -- bo -- dy came _
+ }
+ grave = \lyricmode {
+ Fa -- ther Mc Ken -- zie
+ wi -- ping the dirt from his hands as he walks from the grave
+ no -- one was saved. _
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ \ah plum
+ \plum
+ \ah plum
+ \plum
+ \eleanor
+ \waits
+ \plummmm
+ \plumm
+ plum plum plum du
+ du du du du du
+ plum plum
+ \plummmm
+ plum plum da da da
+ da %da da da da
+ da %da da
+ plum
+ \plummm
+ a %(d)a (d)a (d)a (d)a
+ \plummm
+ \ah plum
+ \plum
+ \ah plum
+ \plum
+ … _ _ _ _
+ \repeat unfold 21 { _ }
+ %plum plum plum plum plum
+ %plum plum plum plum plum
+ %plum plum plum plum plum plum
+ %plum plum plum plum plum
+ %plum plum plum plum plum
+ \plummmm
+ \plum
+ \ah plum plum
+ \plum
+ \ah plum plum
+ na da da
+ da
+ }
+
+ plumdi = \lyricmode {
+ \plum
+ plum plum plum di di
+ di di di di di di di di
+ }
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ \repeat unfold 2 {
+ \plum
+ \plumdi
+ }
+ \plum
+ \plummmm
+ %
+ … _ _ _
+ \repeat unfold 8 { _ _ _ _ }
+ %\plummmm
+ %\plummmm
+ %\plum
+ plum plum
+ \lonely plum plum plum
+ \plummmm
+ \plummmm
+ \plumm
+ \plummmm
+ \plumm
+ plum plum plum du
+ du du du du du
+ plum plum plum
+ \plumdi
+ \plum
+ \plumdi
+ ah
+ na %na da da da
+ \grave
+ \plummmm
+ \plumm
+ plum plum plum da
+ da da da da da
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ \plummmm
+ \plummmm
+ \plummmm
+ \plumm
+ \plummmm
+ uh _ _ _ uh _ _ _
+ \father
+ \look
+ \lonely plum plum
+ \plummmm
+ \plummmm
+ plum plum plum
+ plum plum plum
+ plum plum
+ plum plum plum
+ plum plum plum
+ \plummmm
+ \plum
+ \lonely da da da
+ }
+
+ badamba = \lyricmode {
+ ba ba ba
+ dam ba ba ba
+ ba ba ba
+ ba ba ba
+ }
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ \badamba
+ \plummm
+ na %na na na
+ \plummmm
+ na na na na
+ \plum
+ \plummmm
+ \plummmm
+ \plummm
+ ba ba ba ba ba ba ba ba ba
+ \plummm
+ ba ba ba ba ba ba ba ba ba
+ uh _ _ _ uh _ _ _
+ \badamba
+ \buried
+ bam bam bam
+ … \repeat unfold 17 { _ }
+ %bam bam bam bam bam bam bam
+ %bam bam bam bam bam bam
+ %bam bam bam
+ %bam bam
+ uh _ _ _ uh _ _
+ na da da da
+ }
+
diff --git a/hr/stch/beatles/something/dynArt.ly b/hr/stch/beatles/something/dynArt.ly
new file mode 100644
index 0000000..3210a5e
--- /dev/null
+++ b/hr/stch/beatles/something/dynArt.ly
@@ -0,0 +1,31 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s1*9
+ s1*9
+ s1
+ s1
+ %\break
+ \key a \major
+ s1*8
+ \key c \major
+ s1*13
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/beatles/something/midi.lua b/hr/stch/beatles/something/midi.lua
new file mode 100644
index 0000000..f8b2520
--- /dev/null
+++ b/hr/stch/beatles/something/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu encoding=utf8 et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/beatles/something/something.ly b/hr/stch/beatles/something/something.ly
new file mode 100644
index 0000000..2b13d5a
--- /dev/null
+++ b/hr/stch/beatles/something/something.ly
@@ -0,0 +1,60 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Something"
+ composer = "Lennon/McCartney"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 17)
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \new Lyrics = stext {}
+ \new Staff = frauen <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \voiceOne \sopranMelodie }
+ \new Voice = "alti" { \global \voiceTwo \altMelodie }
+ >>
+ \new Lyrics = atext {}
+ \new Lyrics = ttext {}
+ \new Staff = maenner <<
+ \new Voice = "tenoere" { \global \voiceOne \tenorMelodie }
+ \new Voice = "baesse" { \global \voiceTwo \bassMelodie }
+ >>
+ \new Lyrics = btext {}
+ \context Lyrics = stext \lyricsto soprane { \sopranText }
+ \context Lyrics = atext \lyricsto alti { \altText }
+ \context Lyrics = ttext \lyricsto tenoere { \tenorText }
+ \context Lyrics = btext \lyricsto baesse { \bassText }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/beatles/something/stimmen.ly b/hr/stch/beatles/something/stimmen.ly
new file mode 100644
index 0000000..b176fb1
--- /dev/null
+++ b/hr/stch/beatles/something/stimmen.ly
@@ -0,0 +1,218 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key c \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ \repeat unfold 2 {
+ r1
+ c16 c8 c16 ~ c16 c16 c8 r4 c8 b8 ~
+ b2 r2
+ r8 bes16 bes16 ~ bes16 bes16 bes8 r8 c8 d16 c8 c16 ~
+ c16 a8. r4 r2
+ d8 d16 d16 ~ d16 d16 c8 r8 c8( d8) b16( a16
+ b16 a16) g8 r4 r4 r8. g16
+ a16 c16 a16 d16 ~ d16 a16 c8 r4 r8. a16
+ e'16 d16 c16 d16 ~ d16 e16 c16( a16) r2
+ }
+ r8 a8 c8-\bendAfter #-2 a8 bes4 b4
+ a1
+ % asking
+ r8. e16 e8 e16 e16 ~ e8 e16 gis16 ~ gis16 a8.
+ e4 a4 fis4 a8 cis8
+ d4. d8 ~ d8( b8) cis16( d8.)
+ cis4 s4 s2
+ r4 e,8 e8 e8 e8 a8 a8
+ a8 a8 a8 a8 a8 a8 a8 a8
+ a8 a8 a8 g8 ~ g4 ~ g16 fis8.
+ g2 r2
+ % sth II
+ r8 a8 c16 b16 a8 bes4 b4
+ c4 g4 ~ g4 g4 ~
+ g4 ~ g8 g8 c8 g8 g8 f8
+ e2( g4) bes4
+ a4 ~ a8 a16( bes16) a4 g4
+ a4 ~ a8 a16 a16 a4 a4
+ g1
+ e8 e8 e8 e8 e8 e8 e8 e8
+ e8 e8 e8 e8 e8 e8 e8 e8
+ f8 a8 c8 a8 bes4 b4
+ a2. s4
+ f2 g4 g4
+ g1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ f2 g4 g4
+ e8. e16 ~ e16 e16 e8 r4 e8 e8 ~
+ e2 r2
+ r8 e16 e16 ~ e16 e16 e8 r8 e8 e16 e8 f16 ~
+ f16 f8. r8 a16( bes16) a4 g4
+ fis4 ~ fis8 fis16 fis16 fis4 d4
+ b16 b16 b8 c16 c16 c8 d4 d4
+ e8 e8 e8 e8 e8 e8 e8 e8
+ e8 e8 e8 e8 e8 e8 e8 e8
+ % swh
+ f2 g4 g4
+ e8. e16 ~ e16 e16 e8 r4 e8 e8
+ r8 c8 e8 f8 e8( d8) c8 c8
+ g'8 g16 g16 ~ g16 g16 g8 r8 g8 g16 g8 f16 ~
+ f16 c8. r8 a'8 g8 f8 e8 c8
+ fis4 ~ fis8 fis16 fis16 fis4 d4
+ b16 b16 b8 c16 c16 c8 d4 d4
+ e8 e8 e8 e8 e8 e8 e8 e8
+ e8 e8 e8 e8 e8 e8 e8 e8
+ f8 f8 f8 f8 g4 g4
+ e1
+ % asking
+ r8. cis16 cis8 cis16 cis16 ~ cis8 cis16 e16 ~ e16 fis8.
+ cis4 r4 r4 e16 fis8 fis16 ~
+ fis8.( e16) d8 g8 ~ g4 ~ g16 fis8.
+ e4 s4 s2
+ r8. cis16 cis16 cis8 cis16 ~ cis8 cis8 e16 fis8.
+ cis4 r4 r4 e16 fis8 fis16 ~
+ fis8.( e16 d8) g8 ~ g4 ~ g16 fis8.
+ e2 r2
+ % sth II
+ f2 g4 g4
+ e8 e16 e16 ~ e16 e16 e8 r4 e8 e8 ~
+ e4 r4 r2
+ r8 d16 d16 ~ d16 d8 d16 ~ d16 e16 f8 ~ f8 f8
+ f8 c16 c16 r4 r2
+ fis8 fis16 fis16 ~ fis16 fis16 e8 r8 g8( f8) d8 ~
+ d8 b8( c4) d4 d4
+ c8 c8 c8 c8 c8 r8 r8 r16 a16
+ e'16 d16 c16 d16 ~ d16 e16 c16( a16) r8 c8 c8 c8
+ c8 f8 <f a>8 f8 g4 g4
+ e2. s4
+ f2 g4 g4
+ e1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r8 a8 c16 b16 a8 bes4 b4
+ c2 g2
+ c2 r4. g8
+ g8 g16 g16 ~ g4 ~ g8 g8 bes8 bes16 a16 ~
+ a16 c8. r4 r2
+ a8 a16 a16 ~ a16 a16 a8 r8 a8 ~ a8 d8 ~
+ d8 d8 r4 r4 r4
+ c8 c8 c8 c8 c8 c8 c8 c8
+ c8 c8 c8 c8 c8 c8 c8 c8
+ r8 a8 c16 b16 a8 bes4 b4
+ c2 g2
+ c2 r2
+ c8 c16 c16 ~ c8 c8 c4( bes8.) a16 ~
+ a16 a8. r4 r2
+ a8 a16 a16 ~ a16 a16 a8 r8 a8 ~ a8 d8 ~
+ d8 d8 r4 r2
+ c8 c8 c8 c8 c8 c8 c8 c8
+ c8 c8 c8 c8 c8 c8 c8 c8
+ c8 c8 c8 c8 ees4 d4
+ cis1
+ a8 a8 a8 a8 a8 a8 a8 a8
+ a8 a8 a8 a8 a8 a8 a8 a8
+ a8 a8 a8 a8 b8 b8 b8 b8
+ a4 r2.
+ r8. a16 a16 a8 a16 ~ a8 a8 cis16 cis8.
+ a4 r4 r4 cis16 cis8 d16 ~
+ d8.( a16 ~ a8) b8 ~ b4 ~ b16 b8.
+ c2 r2
+ r1
+ c8 c16 c16 ~ c16 c16 c8 r4 c8 b8 ~
+ b4 r4 r2
+ r8 bes16 bes16 ~ bes16 bes8 bes16 ~ bes16 c16 d8 ~ d8 c8
+ c8 a16 a16 r4 r2
+ d8 d16 d16 ~ d16 d16 c8 r8 c8( d8) b16( a16
+ b16 a16) g8 r4 r4 r8. g16
+ a16 c16 a16 d16 ~ d16 a16 c8 r8 c8 c8 c8
+ c8 c8 c8 c8 c8 a8 a8 a8
+ a8 c8 c8 c8 ees4 d4
+ cis2. r4
+ r8 a8 c16 b16 a8 bes4 b4
+ c1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ f2 ees4 d4
+ c4 ~ c8 c16 c16 c4 e8( f8)
+ g4( ~ g8 ~ g16 a16) g4 e8 d8
+ c8 c16 c16 ~ c4 ~ c8 c8 c8 c16 f16 ~
+ f16 f8. r8 f16( g16) f4 e4
+ d4 ~ d8 d16 d16 d4 fis8 a8
+ g16 g16 g8 a16 a16 a8 b4 b4
+ a8 a8 a8 a8 gis8 gis8 gis8 gis8
+ g8 g8 g8 g8 fis8 fis8 fis8 fis8
+ f4 ~ f8 c8 ees4 d4
+ c4 ~ c8 c16 c16 c4 e8( f8)
+ g4( ~ g8 ~ g16 a16 g4) e4
+ e8 e16 e16 ~ e4 ~ e8 e8 e8 e16 f16 ~
+ f16 f8. r8 a8 g8 f8 e8 c8
+ d4 ~ d8 d16 d16 d4 fis8 a8
+ g16 g16 g8 a16 a16 a8 b4 b4
+ a8 a8 a8 a8 gis8 gis8 gis8 gis8
+ g8 g8 g8 g8 fis8 fis8 fis8 fis8
+ f4 f16 e16 d16 c16 ees4 d4
+ r4 a'4 fis8 e8 cis8 b8
+ a4 a'8 a8 gis8 gis8 gis8 gis8
+ fis8 fis8 fis8 fis8 e8 e8 e8 e8
+ d8 d8 fis8 fis8 g8 g8 g8 g8
+ a8. gis16 ~ gis8 g8 ~ g16 fis8. f8 e8
+ a,4 a'8 a8 gis8 gis8 gis8 gis8
+ fis8 fis8 fis8 fis8 e8 e8 e8 e8
+ d8 d8 fis8 fis8 g8 g8 g8 g8
+ cis8. b16 ~ b8 a8 ~ a16 g8. e8 c8
+ f2( ees4) d4
+ c4 ~ c8 c16 c16 c4 e8( f8)
+ g4 ~ g8 g16( a16) g8 e8 e8 d8
+ c2.( d8) e8
+ f4 ~ f8 f16( g16) f4 e4
+ d4 ~ d8 d16 d16 d4 fis4
+ g16 g16 g8 a16 a16 a8 b4 b4
+ a8 a8 a8 a8 gis8 gis8 gis8 gis8
+ g8 g8 g8 g8 fis8 fis8 fis8 fis8
+ f8 f8 f8 f8 ees4 d4
+ r4 a'4 a8 aes8 g8 ges8
+ f2 ees4 d4
+ c1
+ }
+ >>
+ }
+
diff --git a/hr/stch/beatles/something/texte.ly b/hr/stch/beatles/something/texte.ly
new file mode 100644
index 0000000..f6f4353
--- /dev/null
+++ b/hr/stch/beatles/something/texte.ly
@@ -0,0 +1,216 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+% Abkürzungen
+
+ way = \lyricmode {
+ in the way she moves
+ }
+
+ attracts = \lyricmode {
+ at -- tracts me like no o -- ther lo -- ver.
+ }
+
+ unterdu = \lyricmode {
+ du du du du
+ du du du du du du du a
+ }
+
+ obersth = \lyricmode {
+ Some -- thing in the way she woes me
+ }
+
+ leave = \lyricmode {
+ don't want to leave her
+ }
+
+ believe = \lyricmode {
+ you know I be -- lieve and
+ }
+
+ smile = \lyricmode {
+ in her smile she
+ }
+
+ ba = \lyricmode {
+ ba ba ba ba
+ ba ba ba ba
+ ba ba ba ba
+ ba ba ba ba
+ }
+
+ need = \lyricmode {
+ that I don't need no o -- ther
+ }
+
+ oberstyle = \lyricmode {
+ lo -- ver.
+ Some -- thing in her style that shows me
+ }
+
+ unterlover = \lyricmode {
+ lo -- ver, no o -- ther lo -- ver
+ doo du du du du
+ }
+
+ oberba = \lyricmode {
+ ba ba da ba ba u
+ }
+
+ dimdim = \lyricmode {
+ dim dim dim dim
+ }
+
+ grow = \lyricmode {
+ you're as -- king me will my love grow,
+ }
+
+ know = \lyricmode {
+ I don't know
+ }
+
+ stick = \lyricmode {
+ You stick a -- round now, it may show,
+ }
+
+ think = \lyricmode {
+ all I have to do is think of
+ }
+
+ knows = \lyricmode {
+ Some -- thing in the way she knows
+ }
+
+ wa = \lyricmode {
+ wa -- ooh du du du du
+ }
+
+ shows = \lyricmode {
+ Some -- thing in the things she shows me
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyricmode {
+ %<+hier den Text für den Sopran eintragen+>
+ Some -- thing \way
+ \attracts
+ \obersth
+ I \leave now,
+ \believe how.
+ Some -- where \smile knows
+ \need
+ \oberstyle
+ I \leave now,
+ \believe how
+ \oberba
+ % asking
+ \grow will grow,
+ \know \know
+ dim dim \dimdim
+ \dimdim \dimdim
+ dim dim dim \know
+ % c
+ du du du du du du
+ du du du
+ and \think her,
+ \wa
+ ah
+ \ba
+ ba
+ \leave now
+ du du du du
+ }
+
+ altText = \lyricmode {
+ %<+hier den Text für den Alt eintragen+>
+ Some -- thing, some -- thing \way
+ \attracts
+ she woes me woe
+ \unterdu
+ \ba
+ Some -- where, some -- where \smile knows,
+ some -- where \smile knows
+ \need
+ \unterlover
+ du du du du du du du a
+ \ba
+ ba \oberba
+ % asking
+ \grow
+ \know _ \know
+ \stick
+ \know \know
+ % c
+ du du du
+ \knows
+ And \think her.
+ \shows
+ du a
+ ba ba ba ba ba
+ \believe how! ba ba ba
+ ba \leave now
+ du du du du
+ }
+
+ tenorText = \lyricmode {
+ %<+hier den Text für den Tenor eintragen+>
+ du du du du
+ du du du,
+ some -- thing
+ \attracts
+ \obersth
+ \ba
+ du du du du
+ du du du
+ Some -- where
+ I don't need, don't need
+ \oberstyle
+ \ba
+ ba \oberba
+ % asking
+ \dimdim \dimdim \dimdim \dimdim \dimdim \dimdim dim
+ \stick
+ \know \know
+ % c
+ \knows
+ And \think her.
+ \shows
+ I \leave now,
+ ba ba ba
+ ba ba ba ba ba ba ba ba
+ ba \leave now
+ du du du du
+ du du du
+ }
+
+ bassText = \lyricmode {
+ %<+hier den Text für den Baß eintragen+>
+ Some -- thing, some -- thing \way me and
+ \attracts
+ she woes me doo
+ du \unterdu
+ \ba
+ Some _ -- where, some -- where \smile knows
+ \need
+ \unterlover
+ du du du du du du du du a
+ \ba
+ ba du du du du du du
+ \leave
+ % asking
+ now dim dim \dimdim \dimdim \dimdim \dimdim \dimdim
+ love oh love will al -- ways grow dim dim \dimdim
+ \dimdim \dimdim \dimdim \dimdim
+ \dimdim dim dim
+ % c
+ du
+ \knows
+ and \think her,
+ \wa
+ du du du du du du du a
+ \ba
+ ba don't want to leave her,
+ \leave now
+ du du du
+ }
+
diff --git a/hr/stch/extra/aCapella/aCapella.ly b/hr/stch/extra/aCapella/aCapella.ly
new file mode 100644
index 0000000..69e47ed
--- /dev/null
+++ b/hr/stch/extra/aCapella/aCapella.ly
@@ -0,0 +1,80 @@
+%some settings% vim: ai et
+
+\version "2.12"
+%\include "stimmen.ly"
+%\include "texte.ly"
+
+ \header {
+% title = "<+Titel+>"
+% composer = "<+Komponist+>"
+ %opus = "<+Werk+>"
+ %tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ melody = \relative c' {
+ \times 2/3{g8 g16} gis16 a8 a8 c16
+ \times 2/3{b8 a16} b16 c8 g8.
+ \times 2/3{g8 g16} gis16 a8 a8 c16
+ \times 2/3{b8 a16} b16 c16~c4
+ %\repeat unfold 2 {
+ \times 2/3{e8 e16} e16 f8 f8 f16
+ \times 2/3{g8 a16 f8 g16} e4
+ %}
+ \times 2/3{e8 e16} e16 f8 f8 f16
+ \times 2/3{g8 a16 f8 g16} e4
+ %
+ \times 2/3{c8 c16} b16 a8 g16 \times 2/3{f8 e16}
+ d8 \times 2/3{g8 g16 c8 d16 e8 d16}
+ \times 2/3{c8 c16} b16 a8 g16 \times 2/3{f8 e16}
+ d8 g8 c,4
+ }
+
+ \score {
+% \new ChoirStaff <<
+ \new Staff = sopran <<
+ {
+ \melody
+ }
+% %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+% \new Voice = "soprane" { \global \sopranMelodie }
+% %\lyricsto soprane \sopranText
+ >>
+% \new Staff = alt <<
+% \new Voice = "alti" { \global \altMelodie }
+% %\lyricsto alti \altText
+% >>
+% \new Staff = tenor <<
+% \new Voice = "tenoere" { \global \tenorMelodie }
+% %\lyricsto tenoere \tenorText
+% >>
+% \new Staff = bass <<
+% \new Voice = "baesse" { \global \bassMelodie }
+% %\lyricsto baesse \bassText
+% >>
+% >>
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 60 4)
+ }
+ }
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/extra/aCapella/aCapella.midi b/hr/stch/extra/aCapella/aCapella.midi
new file mode 100644
index 0000000..c6247cb
--- /dev/null
+++ b/hr/stch/extra/aCapella/aCapella.midi
Binary files differ
diff --git a/hr/stch/extra/aCapella/aCapella.ps b/hr/stch/extra/aCapella/aCapella.ps
new file mode 100644
index 0000000..e4c1f5b
--- /dev/null
+++ b/hr/stch/extra/aCapella/aCapella.ps
Binary files differ
diff --git a/hr/stch/extra/annika/Annika.ly b/hr/stch/extra/annika/Annika.ly
new file mode 100644
index 0000000..4842af7
--- /dev/null
+++ b/hr/stch/extra/annika/Annika.ly
@@ -0,0 +1,66 @@
+%some settings% vim: ai encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Annika"
+ %composer = "<+Komponist+>"
+ opus = "Annika Bosch gewidmet"
+ %tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 20
+ bottom-margin = 20
+ %between-system-padding=8
+ ragged-last-bottom=#'f
+ foot-separation=20
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-5 . 10)
+ }
+ }
+
+ #(set-global-staff-size 22)
+
+ \score {
+ \new Staff=melody <<
+ \new Voice="mainA" { \global \melodie }
+ \lyricsto "mainA" \text
+ >>
+ %\new ChoirStaff <<
+ %\new Staff = sopran <<
+ %%\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ %\new Voice = "soprane" { \global \sopranMelodie }
+ %%\lyricsto soprane \sopranText
+ %>>
+ %\new Staff = alt <<
+ %\new Voice = "alti" { \global \altMelodie }
+ %%\lyricsto alti \altText
+ %>>
+ %\new Staff = tenor <<
+ %\new Voice = "tenoere" { \global \tenorMelodie }
+ %%\lyricsto tenoere \tenorText
+ %>>
+ %\new Staff = bass <<
+ %\new Voice = "baesse" { \global \bassMelodie }
+ %%\lyricsto baesse \bassText
+ %>>
+ %>>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 90 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/extra/annika/Annika.midi b/hr/stch/extra/annika/Annika.midi
new file mode 100644
index 0000000..3aa3fb1
--- /dev/null
+++ b/hr/stch/extra/annika/Annika.midi
Binary files differ
diff --git a/hr/stch/extra/annika/Annika.ps b/hr/stch/extra/annika/Annika.ps
new file mode 100644
index 0000000..8d1670e
--- /dev/null
+++ b/hr/stch/extra/annika/Annika.ps
Binary files differ
diff --git a/hr/stch/extra/annika/spaß/Annika.ps b/hr/stch/extra/annika/spaß/Annika.ps
new file mode 100644
index 0000000..0de1fe0
--- /dev/null
+++ b/hr/stch/extra/annika/spaß/Annika.ps
Binary files differ
diff --git a/hr/stch/extra/annika/stimmen.ly b/hr/stch/extra/annika/stimmen.ly
new file mode 100644
index 0000000..c44795f
--- /dev/null
+++ b/hr/stch/extra/annika/stimmen.ly
@@ -0,0 +1,97 @@
+%some settings% vim: ai encoding=utf8 et
+
+ \version "2.12"
+% \include "dynArt.ly"
+
+ global = {
+ \key g \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 2/4
+ }
+
+% Die Stimmen
+
+ melodie= \relative c' {
+ %e8-. e-. e-. e-.
+ %e8-. e-. e-. e-.
+ %b8-. b-. b-. b-.
+ %e4-- e--
+ e8 e e e
+ e8 e e e
+ b8 b b b
+ e4 e
+ %e8^\markup{\bold dolce} fis g4
+ e8%^\markup{\bold dolce}
+ fis g4
+ g16 a g fis e4
+ %g8^\markup{\bold {molto espressivo} (e con lingua)} a b e
+ g8%^\markup{\bold {molto espressivo} (e con lingua)}
+ a b e
+ b2
+ %\repeat unfold 2 {
+ %c8^\markup{ con amore ;-) }\sf c16 b a4
+ %b8\sf b16 a g4
+ %a8\sf a16 g fis8 g
+ c8%^\markup{ con amore ;-) }\sf
+ c16 b a4
+ b8 b16 a g4
+ a8 a16 g fis8 g
+ e2
+ %c'8\mp\< c16 b a4
+ c'8 c16 b a4
+ b8 b16 a g4
+ %a8^\markup {señorina}\f a16 g fis8 g
+ a8%^\markup {señorina}\f
+ a16 g fis8 g
+ %^\markup {rep. ad libidum}
+ e2
+ %}
+ \bar ":|"
+ }
+
+% sopranMelodie = \relative c' {
+% <<
+% { \meta }
+% %\sopranArt
+% %the actual tune
+% {
+% r1
+% }
+% >>
+% }
+%
+% altMelodie = \relative c' {
+% <<
+% { \meta }
+% %\altArt
+% %the actual tune
+% {
+% r1
+% }
+% >>
+% }
+%
+% tenorMelodie = \relative c' {
+% <<
+% { \meta }
+% %\tenorArt
+% %the actual tune
+% \clef "treble_8"
+% {
+% r1
+% }
+% >>
+% }
+%
+% bassMelodie = \relative c {
+% <<
+% { \meta }
+% %\bassArt
+% %the actual tune
+% \clef bass
+% {
+% r1
+% }
+% >>
+% }
+%
diff --git a/hr/stch/extra/annika/texte.ly b/hr/stch/extra/annika/texte.ly
new file mode 100644
index 0000000..be4d10d
--- /dev/null
+++ b/hr/stch/extra/annika/texte.ly
@@ -0,0 +1,41 @@
+%some settings% vim: ai encoding=utf8 et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ text=\lyrics {
+
+ Un -- sre Stim -- men
+ woll'n er -- klin -- gen
+ und Dir et -- was sin -- gen
+
+ denn Du warst
+ im -- mer für uns da
+ a -- ä -- a -- ä -- a
+
+ Ein -- sing -- kul -- tur,
+ Stimm -- bil -- dung pur,
+ Ka -- nons in Moll und Dur:
+
+ Drum hat -- ten wir
+ stets viel Plä -- sir,
+ An -- ni -- ka Bosch, mit Dir!
+
+ }
+% sopranText = \lyrics {
+% <+hier den Text für den Sopran eintragen+>
+% }
+%
+% altText = \lyrics {
+% <+hier den Text für den Alt eintragen+>
+% }
+%
+% tenorText = \lyrics {
+% <+hier den Text für den Tenor eintragen+>
+% }
+%
+% bassText = \lyrics {
+% <+hier den Text für den Baß eintragen+>
+% }
+%
diff --git a/hr/stch/extra/froehlich/dynArt.ly b/hr/stch/extra/froehlich/dynArt.ly
new file mode 100644
index 0000000..756726f
--- /dev/null
+++ b/hr/stch/extra/froehlich/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/extra/froehlich/froehlich.ly b/hr/stch/extra/froehlich/froehlich.ly
new file mode 100644
index 0000000..c688113
--- /dev/null
+++ b/hr/stch/extra/froehlich/froehlich.ly
@@ -0,0 +1,59 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Fröhlich fangt alle an"
+ %composer = "<+Komponist+>"
+ %opus = "<+Werk+>"
+ %tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 17)
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ \addlyrics { \sopranText }
+ >>
+ \new Staff = alt <<
+ %\new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+ \new Staff = tenor <<
+ %\new Voice = "tenoere" { \global \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+ \new Staff = bass <<
+ %\new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+ >>
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 90 4)
+ }
+ }
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/extra/froehlich/froehlich.midi b/hr/stch/extra/froehlich/froehlich.midi
new file mode 100644
index 0000000..4523a0a
--- /dev/null
+++ b/hr/stch/extra/froehlich/froehlich.midi
Binary files differ
diff --git a/hr/stch/extra/froehlich/froehlich.ps b/hr/stch/extra/froehlich/froehlich.ps
new file mode 100644
index 0000000..79b43f7
--- /dev/null
+++ b/hr/stch/extra/froehlich/froehlich.ps
Binary files differ
diff --git a/hr/stch/extra/froehlich/midi.lua b/hr/stch/extra/froehlich/midi.lua
new file mode 100644
index 0000000..f8b2520
--- /dev/null
+++ b/hr/stch/extra/froehlich/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu encoding=utf8 et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/extra/froehlich/stimmen.ly b/hr/stch/extra/froehlich/stimmen.ly
new file mode 100644
index 0000000..6639493
--- /dev/null
+++ b/hr/stch/extra/froehlich/stimmen.ly
@@ -0,0 +1,118 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key c \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 3/4
+ %\autoBeamOff
+ \partial8
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ c8 ~
+ c8 c8 c8 d8 d8 c8 ~
+ c16 g16 a8 bes8 g4 a8
+ a8 g8 f8 f8.( g16 a16 bes16
+ c8 d8) d8 c4 c8
+ d8 e8 f4 e8 d8 ~
+ d16( c16 c4 b8) c8 e8
+ d8 c8 c8.( d16 e16 f16 g8
+ a8) a8 g4.
+ s8
+ }
+ >>
+ }
+
+ schrott = \relative c' {
+ <<
+ {
+ %s8
+ f8 ~
+ f8 f8 f8 g8 g8 f8
+ d8 c8 bes8 bes8( c8) d8
+ %bes8( a8) bes8
+ d8 c8 bes8 bes4 c8 ~
+ c8 d4 r8 d8 ees8
+ d8 c8 f8 f8( e8) f8
+ f8 g4. a8 bes4 a4 g4.
+ f8 f8 e8 e8 r8
+ s8
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ a8
+ a8 g8 f8 f8.( g16 a16 bes16
+ c8 d8) d8 c4 c8
+ d8 e8 f4 e8 d8 ~
+ d16( c16 c4 b8) c8 e8
+ d8 c8 c8.( d16 e16 f16 g8
+ a8) a8 g4.
+ c,8 ~
+ c8 c8 c8 d8 d8 c8 ~
+ c16 g16 a8 bes8 g4% a8
+ s8
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ c8
+ d8 e8 f4 e8 d8 ~
+ d16( c16 c4 b8) c8 e8
+ d8 c8 c8.( d16 e16 f16 g8
+ a8) a8 g4.
+ c,8 ~
+ c8 c8 c8 d8 d8 c8 ~
+ c16 g16 a8 bes8 g4 a8
+ a8 g8 f8 f8.( g16 a16 bes16
+ c8 d8) d8 c4 %c8
+ s8
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ e8
+ d8 c8 c8.( d16 e16 f16 g8
+ a8) a8 g4.
+ c,8 ~
+ c8 c8 c8 d8 d8 c8 ~
+ c16 g16 a8 bes8 g4 a8
+ a8 g8 f8 f8.( g16 a16 bes16
+ c8 d8) d8 c4 c8
+ d8 e8 f4 e8 d8 ~
+ d16( c16 c4 b8) c8 %e8
+ s8
+ }
+ >>
+ }
+
diff --git a/hr/stch/extra/froehlich/texte.ly b/hr/stch/extra/froehlich/texte.ly
new file mode 100644
index 0000000..9eae99b
--- /dev/null
+++ b/hr/stch/extra/froehlich/texte.ly
@@ -0,0 +1,45 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+% Abkürzungen
+
+ froehlich= \lyricmode {
+ Fröh -- lich fangt al -- le an,
+ mit mir zu sin -- gen
+ }
+ zum= \lyricmode {
+ zum Lob der mu -- si -- ca:
+ }
+ stimm= \lyricmode {
+ laßt Eu -- re Stimm‘ er -- klin -- gen
+ }
+ lob= \lyricmode {
+ zum Lob der mu -- si -- ca!
+ }
+ text= \lyricmode {
+ \froehlich \zum \stimm
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ \text \lob
+ }
+
+ altText = \lyrics {
+ %\text
+ %zum Lob der mu -- si -- ca,
+ %der mu -- si -- ca!
+ gen \zum \stimm \lob
+ Fröh -- lich fangt al -- le an,
+ mit mir zu sin
+ }
+
+ tenorText = \lyrics {
+ \stimm \lob \froehlich
+ zum Lob der mu -- si -- ca:
+ }
+
+ bassText = \lyrics {
+ \lob \froehlich \zum \stimm
+ }
+
diff --git a/hr/stch/fertig/Abendsegen/Abendsegen.ly b/hr/stch/fertig/Abendsegen/Abendsegen.ly
new file mode 100644
index 0000000..37bc1fc
--- /dev/null
+++ b/hr/stch/fertig/Abendsegen/Abendsegen.ly
@@ -0,0 +1,90 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+\version "2.12.1"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Abendsegen"
+ %title = \markup { "Abendsegen" }
+ subtitle = \markup { \huge "(deutsche Textfassung: Th. Cursch-Bühren)" }
+ composer = \markup { \column { \right-align \huge "Antonín Dvořak" \right-align \normalsize "Op. 29 Nr.1" } }
+ %opus = "Op. 29 Nr. 1"
+ %text-translator = ""
+ meinOddFooter = \markup {
+ \center-align {
+ "viel Spaß beim Singen" "und besucht uns unter"
+ \with-url #"www.studentenchor.de" \line {
+ \bold "www.studentenchor.de"
+ }
+ }
+ }
+ meinEndFooter =
+ \markup {
+ \with-url #"www.studentenchor.de" \line {
+ \bold "www.studentenchor.de"
+ }
+ }
+ }
+
+ #(set-global-staff-size 10)
+ #(set-default-paper-size "a4" 'landscape)
+ #(ly:set-option 'point-and-click #f)
+
+ \paper {
+ %<+weitere Einstellungen+>
+ after-title-space = 12\mm
+ page-top-space = 10\mm
+ bottom-margin = 17\mm
+ top-margin = 12\mm
+ line-width = 260\mm
+ system-count = 5
+ foot-separation = 15\mm
+ head-separation = 0\mm
+ }
+
+ \midi {
+ %\tempo 4 = <+bpm+>
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-2 . 2)
+ }
+ \context {
+ \Voice
+ \override TextScript #'padding = #2.0
+ \override DynamicLineSpanner #'staff-padding = #1
+ %\override DynamicText #'avoid-slur = #'outside
+ \override DynamicLineSpanner #'padding = #1.0
+ \override DynamicTextSpanner #'staff-padding = #4
+ }
+ }
+
+ \score {
+ \new ChoirStaff <<
+ \new Staff = sopran <<
+ \new Voice = "meta" { \meta }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ \lyricsto soprane \sopranText
+ >>
+ \new Staff = alt <<
+ \new Voice = "meta" { \meta }
+ \new Voice = "alti" { \global \altMelodie }
+ \lyricsto alti \altText
+ >>
+ \new Staff = tenor <<
+ \new Voice = "meta" { \meta }
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \lyricsto tenoere \tenorText
+ >>
+ \new Staff = bass <<
+ \new Voice = "meta" { \meta }
+ \new Voice = "baesse" { \global \bassMelodie }
+ \lyricsto baesse \bassText
+ >>
+ >>
+ }
+
diff --git a/hr/stch/fertig/Abendsegen/abend.ly b/hr/stch/fertig/Abendsegen/abend.ly
new file mode 100644
index 0000000..1650707
--- /dev/null
+++ b/hr/stch/fertig/Abendsegen/abend.ly
@@ -0,0 +1,91 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+\version "2.12.1"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Abendsegen"
+ %title = \markup { "Abendsegen" }
+ subtitle = \markup { \huge "(deutsche Textfassung: Th. Cursch-Bühren)" }
+ composer = \markup { \column { \right-align \huge "Antonín Dvořak" \right-align \normalsize "Op. 29 Nr.1" } }
+ %opus = "Op. 29 Nr. 1"
+ %text-translator = ""
+ meinOddFooter = \markup {
+ \center-align {
+ "viel Spaß beim Singen" "und besucht uns unter"
+ \with-url #"www.studentenchor.de" \line {
+ \bold "www.studentenchor.de"
+ }
+ }
+ }
+ meinEndFooter =
+ \markup {
+ \with-url #"www.studentenchor.de" \line {
+ \bold "www.studentenchor.de"
+ }
+ }
+ }
+
+ #(set-global-staff-size 9)
+ #(set-default-paper-size "a4" 'landscape)
+ #(ly:set-option 'point-and-click #f)
+
+ \paper {
+ %<+weitere Einstellungen+>
+ after-title-space = 12\mm
+ page-top-space = 10\mm
+ bottom-margin = 17\mm
+ top-margin = 12\mm
+ line-width = 260\mm
+ system-count = 5
+ foot-separation = 15\mm
+ head-separation = 0\mm
+ page-count = 2
+ }
+
+ \midi {
+ %\tempo 4 = <+bpm+>
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-2 . 2)
+ }
+ \context {
+ \Voice
+ \override TextScript #'padding = #2.0
+ \override DynamicLineSpanner #'staff-padding = #1
+ %\override DynamicText #'avoid-slur = #'outside
+ \override DynamicLineSpanner #'padding = #1.0
+ \override DynamicTextSpanner #'staff-padding = #4
+ }
+ }
+
+ \score {
+ \new ChoirStaff <<
+ \new Staff = sopran <<
+ \new Voice = "meta" { \meta }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ \lyricsto soprane \sopranText
+ >>
+ \new Staff = alt <<
+ \new Voice = "meta" { \meta }
+ \new Voice = "alti" { \global \altMelodie }
+ \lyricsto alti \altText
+ >>
+ \new Staff = tenor <<
+ \new Voice = "meta" { \meta }
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \lyricsto tenoere \tenorText
+ >>
+ \new Staff = bass <<
+ \new Voice = "meta" { \meta }
+ \new Voice = "baesse" { \global \bassMelodie }
+ \lyricsto baesse \bassText
+ >>
+ >>
+ }
+
diff --git a/hr/stch/fertig/Abendsegen/abend.ps b/hr/stch/fertig/Abendsegen/abend.ps
new file mode 100644
index 0000000..84638fc
--- /dev/null
+++ b/hr/stch/fertig/Abendsegen/abend.ps
Binary files differ
diff --git a/hr/stch/fertig/Abendsegen/alt/Abendsegen.ps b/hr/stch/fertig/Abendsegen/alt/Abendsegen.ps
new file mode 100644
index 0000000..8e87ccc
--- /dev/null
+++ b/hr/stch/fertig/Abendsegen/alt/Abendsegen.ps
Binary files differ
diff --git a/hr/stch/fertig/Abendsegen/alt/Abendsegen_.ps b/hr/stch/fertig/Abendsegen/alt/Abendsegen_.ps
new file mode 100644
index 0000000..bf31b29
--- /dev/null
+++ b/hr/stch/fertig/Abendsegen/alt/Abendsegen_.ps
Binary files differ
diff --git a/hr/stch/fertig/Abendsegen/alt/abend.ps b/hr/stch/fertig/Abendsegen/alt/abend.ps
new file mode 100644
index 0000000..740db73
--- /dev/null
+++ b/hr/stch/fertig/Abendsegen/alt/abend.ps
Binary files differ
diff --git a/hr/stch/fertig/Abendsegen/stimmen.ly b/hr/stch/fertig/Abendsegen/stimmen.ly
new file mode 100644
index 0000000..274e58d
--- /dev/null
+++ b/hr/stch/fertig/Abendsegen/stimmen.ly
@@ -0,0 +1,196 @@
+%some settings% vim: ai sw=2 lbr nu
+
+ global = {
+ \key bes \major
+ \time 2/4
+ \autoBeamOff
+ }
+
+ rit = \mark\markup {\italic {rit.}}
+ at = \mark\markup {\italic {a tempo}}
+ di = \mark\markup {\italic {dim.}}
+ pmm = \mark\markup {\bold {Poco meno mosso}}
+
+ meta = {
+ \dynamicUp
+ % Tief im Walde
+ s2\p s2*6 s2\mp s2*2 s2\< s2\mf s4\rit s4 s2 \break\at
+ % Drunt im Dörfchen
+ s2 s2*2 s2\< s2 s8\! s4. s4 s4\>
+ s2\p s8 s4. s2\> s2\!\< s2\f s4\rit s4 s4\> s4\pp\fermata \pageBreak\at
+ % Wenn die Lieder
+ s2 s2*5 s2\rit s4\> s4\!\fermata\at
+ s2\p s2*3 s2\< s2\! s4. s8\> s4 s4\!\fermata \break
+ % und es tröstet
+ s2*2 s2 s2\< s4 s4\f s2
+ \repeat unfold 2 {s8. s16 s4 s2}
+ s8 s4.\< s4\! s4 s4\di s4 s4 s4\fermata \break\pmm
+ % Traum
+ \crescTextCresc
+ s2\pp s2*3 s4 s4\< s2
+ \crescHairpin
+ s2\f s2\> s2\p s4 s4\< s4\!\di s4 s2 \bar "|."
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ % Tief im Walde
+ bes'4 bes4 d8 c8 bes8 f8
+ bes4 bes4 d8 c8 bes8 f8
+ d'16 c16 bes8 a16 g16 fis8 g8 bes8 a8 g8 f4 f4
+ bes4 bes4 d8 c8 bes8 f8
+ bes4 bes4 des8 c8 bes8 f8
+ des'16 c8 b16 aes16 ges16 f8 ees8 ges8 f8 ees8 des4 des4
+ % Drunt im Dörfchen
+ des8 f8 aes8 aes8 a4 gis4
+ cis2 ~ cis2 ~ cis8 cis8 e8 d8 cis8-> b4.
+ cis4-> gis4 b8. a16 a8 a8
+ cis8-> gis8 gis8 gis8 b4 bes4
+ bes4( ees8 ) d8 g8 g8 f8 bes,8
+ f'8 ees16[ d16 ] c8 f8 d8.[ bes16 ] bes4
+ % Wenn die Lieder
+ bes4 bes4 bes8 d16[ c16 ] bes8 f8
+ bes4 bes4 bes8 d16[ c16 ] bes8 f8
+ d'16[ c16 ] bes8 a16[ g16 ] fis8 g4 g4
+ c8 d16[ bes16 ] a8 g8 f4 f8.[ bes16 ]
+ bes4 bes4 bes8 d16[ c16 ] bes8 f8
+ bes4 bes4 bes8 des16[ c16 ] bes8 f8
+ f'8 f8 ees8 des8 c4 bes4
+ c8 c8 bes8 aes8 aes4 g4
+ % und es tröstet
+ c,8\pp e8 g8 g8 aes4 g4
+ c2 ~ c2 ~ c4( ees8 ) des8 c8. bes16 bes8 bes8
+ c8.-> g16 g8 g8 bes4 aes4
+ c8.-> g16 g8 g8 bes4 bes4
+ bes8 bes8 ees8 d8 g4-> f4->
+ f8 ees16[ d16 ] c8 f8 d8.[ bes16 ] bes4
+ % Böser Traum
+ bes4 bes4 bes16[ c16 ] d16[ c16 ] bes8 f8
+ bes4 bes4 bes16[ c16 ] d16[ c16 ] bes8 f8
+ bes4( des8 ) ces8 bes8. bes16 c8 d8
+ ees8 bes8 a8 g8 f4.( ees8 ) d4 r4
+ g8 ees16[ f16 ] g8 a8 bes4( ees8.( d16 ) ) d2
+ }
+
+ altMelodie = \relative c' {
+ % Tief im Walde
+ f4 f4 f8 f8 f8 f8
+ f4 f4 f8 f8 f8 f8
+ bes16 a16 g8 fis16 e16 d8 d8 d8 e8 e8 f4 f4
+ f4 f4 f8 f8 f8 f8
+ f4 f4 f8 f8 f8 f8
+ bes16 aes8 ges16 f16 ees16 des8 ees8 des8 c8 c8 des4 des4
+ % Drunt im Dörfchen
+ r2 r2
+ des8\p f8 aes8 aes8 a4 gis4
+ a8 a8 cis8 b8 a8-> gis4.
+ gis4-> gis4 eis8. fis16 fis8 fis8
+ gis8 gis8 gis8 gis8 eis4 e4
+ f4( bes8 ) bes8 bes8 bes8 bes8 bes8
+ a8 a8 a8 a8 bes8[ g8 ] f4
+ % Wenn die Lieder
+ f4 f4 f8 f8 f8 f8
+ f4 f4 f8 f8 f8 f8
+ bes16[ a16 ] g8 fis16[ e16 ] d8 d4 d4
+ f8 f8 f8 e8 d4 c8.[ f16 ]
+ f4 f4 f8 f8 f8 f8
+ f4 f4 f8 f8 f8 f8
+ f8 f8 aes8 f8 aes4 g4
+ aes8 aes8 g8 f8 f4 e4
+ % und es tröstet
+ r2 r2
+ c8\pp e8 g8 g8 aes4 g4
+ aes4( c8 ) bes8 aes8. g16 g8 g8
+ g8.-> g16 g8 g8 e4 f4
+ g8.-> g16 g8 g8 e4 e4
+ f8 f8 bes8 bes8 bes4-> bes4->
+ a8 a8 a8 a8 bes8[ g8 ] f4
+ % Böser Traum
+ f4 f4 f8 f8 f8 f8
+ f4 f4 f8 f8 f8 f8
+ ges4( f8 ) f8 ges8. ges16 aes8 aes8
+ g8 g8 f8 ees8 d4.( c8 ) bes4 r4
+ ees8 ees8 ees8 ees8 d4( f4 ) f2
+ }
+
+ tenorMelodie = \relative c' {
+ % Tief im Walde
+ d'4 d4 f8 ees8 d8 d8
+ d4 d4 f8 ees8 d8 d8
+ d16 d16 d8 d16 a16 a8 bes8 d8 c8 bes8 a4 a4
+ d4 d4 f8 ees8 d8 d8
+ des4 des4 f8 ees8 des8 des8
+ des16 des8 des16 des16 aes16 aes8 bes8 bes8 aes8 ges8 f4 f4
+ % Drunt im Dörfchen
+ des8\p f8 aes8 aes8 a4 gis4
+ cis2 ~ cis2 ~ cis8 cis8 fis8 fis8 e8-> d4.
+ cis4-> cis4 cis8. cis16 cis8 cis8
+ cis8 cis8 cis8 cis8 cis4 cis4
+ d4( g8 ) f8 ees8 ees8 d8 d8
+ c8 c16[ d16 ] ees8 c8 d8[ ees8 ] d4
+ % Wenn die Lieder
+ d4 d4 d8 f16[ ees16 ] d8 d8
+ d4 d4 d8 f16[ ees16 ] d8 d8
+ d8 d8 d8 a8 bes4 g4
+ a8 d8 c8 bes8 bes4 a8.[ d16 ]
+ d4 d4 d8 f16[ ees16 ] d8 d8
+ des4 des4 des8 des8 des8 des8
+ des8 des8 c8 bes8 c8[ d8 ] ees4
+ ees8 ees8 des8 des8 c4 c4
+ % und es tröstet
+ c,8\pp e8 g8 g8 aes4 g4
+ c2 ~ c2 ~ c4( f8 ) f8 ees8. des16 des8 des8
+ c8.-> c16 c8 c8 c4 c4
+ c8.-> c16 c8 c8 c4 cis4
+ d8 d8 g8 f8 ees4-> d4->
+ c8 c16[ d16 ] ees8 c8 d8[ ees8 ] d4
+ % Böser Traum
+ d4 d4 d16[ ees16 ] f16[ ees16 ] d8 d8
+ d4 d4 d16[ ees16 ] f16[ ees16 ] d8 d8
+ des4( ces8 ) aes8 bes8. bes16 bes8 bes8
+ bes8 bes8 bes8 bes8 bes4( a4 ) bes4 r4
+ bes8 g16[ a16 ] bes8 c8 f,4( a4 ) bes2
+ }
+
+ bassMelodie = \relative c {
+ \clef bass
+ % Tief im Walde
+ bes4 bes4 bes'8 bes,8 bes8 bes8
+ bes4 bes4 bes'8 bes,8 bes8 bes8
+ g'16 g16 g8 d16 d16 d8 g8 g8 c,8 c8 f4 f4
+ bes,4 bes4 bes'8 bes,8 bes8 bes8
+ bes4 bes4 bes'8 bes,8 bes8 bes8
+ ges'16 ges8 ges16 des16 des16 des8 ges8 ees8 aes8 aes,8 des4 des4
+ % Drunt im Dörfchen
+ r2 r2
+ des8\p f8 aes8 aes8 a4 gis4
+ fis8 fis8 d8 d8 e8-> e4.
+ eis4-> eis4 gis8. fis16 fis8 fis8
+ eis8 eis8 eis8 eis8 gis4 fis4
+ f4 f4 f8 f8 f8 f8
+ f8 f8 f8 f8 bes4 bes,4
+ % Wenn die Lieder
+ bes'4 bes4 bes8 bes,8 bes8 bes8
+ bes'4 bes4 bes8 bes,8 bes8 bes8
+ g'8 g8 d8 d8 bes4 bes4
+ a8 bes8 c8 c8 f4 f4
+ bes4. f8 bes8 f8 d8 bes8
+ bes'4. f8 bes8 f8 des8 bes8
+ bes8 bes8 c8 des8 ees4 ees4
+ aes8 aes,8 bes8 b8 c4 c4
+ % und es tröstet
+ r2 r2
+ c8\pp e8 g8 g8 aes4 g4
+ f4 des4 ees8. ees16 ees8 ees8
+ e8.-> e16 e8 e8 g4 f4
+ e8.-> e16 e8 e8 g4 ges4
+ f8 f8 f8 f8 f4-> f4->
+ f8 f8 f8 f8 bes4 bes,4
+ % Böser Traum
+ bes'16[ f16 ] d16[ ees16 ] f8 bes,8 bes'8 bes,8 bes8 bes8
+ bes'16[ f16 ] d16[ ees16 ] f8 bes,8 bes'8 bes,8 bes8 bes8
+ ges'4( des8 ) des8 ges8. ges16 f8 f8
+ ees8 ees8 ees8 ees8 f2 g4 r4
+ ees8 ees8 c8 c8 bes4( f4 ) bes2
+ }
diff --git a/hr/stch/fertig/Abendsegen/texte.ly b/hr/stch/fertig/Abendsegen/texte.ly
new file mode 100644
index 0000000..57519f4
--- /dev/null
+++ b/hr/stch/fertig/Abendsegen/texte.ly
@@ -0,0 +1,78 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+% Die Textaufteilungen
+
+ hirt = \lyricmode {
+ Tief im Wal -- de steht ein Hirt bei sei -- nen Her -- den,
+ flat -- tert sein Man -- tel, er wallt ihm bis zur Er -- den.
+ }
+
+ haus = \lyricmode {
+ Ein -- sam lugt des Hir -- ten Haus vom Wal -- des -- han -- ge,
+ drun -- ten im Ta -- le ein Dörf -- chen dehnt sich lan -- ge.
+ }
+
+ herz = \lyricmode {
+ Drunt im Dörf -- chen läßt ein Mägd -- lein Lie -- der klin -- gen,
+ die aus lie -- bes -- trunk -- nem Her -- zen se -- lig drin -- gen,
+ die aus lie -- bes -- trunk -- nem Her -- zen se -- lig drin -- gen.
+ }
+
+ grün = \lyricmode {
+ Wenn die Lie -- der sie hi -- nauf dem Lieb -- sten sen -- det,
+ klingt es, wie wenn fri -- sches Grün der Früh -- ling spen -- det.
+ }
+
+ glöcklein = \lyricmode {
+ Ihm er -- klin -- gen wie des Glöck -- leins Ton die Lie -- der,
+ wenn er fromm des A -- bends kniet zum Be -- ten nie -- der,
+ }
+
+ sang = \lyricmode {
+ und es trö -- stet ihn ihr Sang __ in ban -- gen Nä -- chten,
+ wenn sich in sein Träu -- men grau -- se Bil -- der fle -- chten,
+ wenn sich in sein Träu -- men grau -- se Bil -- der fle -- chten.
+ }
+
+ segen = \lyricmode {
+ hört, mir singt mein Lieb -- chen mei -- nen A -- bend -- se -- gen,
+ mei -- nen A -- bend -- se -- gen.
+ }
+
+ böse = \lyricmode {
+ Bö -- ser Traum in ban -- gen Nä -- chten soll mir nicht mein Herz er -- re -- gen:
+ }
+
+ bang = \lyricmode {
+ Traum in ban -- gen Nä -- chten soll mich nicht er -- re -- gen:
+ }
+
+
+ sopranText = \lyrics {
+ \hirt \haus
+ \herz
+ \grün \glöcklein
+ \sang \bang \segen
+ }
+
+ altText = \lyrics {
+ \hirt \haus
+ \herz
+ \grün \glöcklein
+ \sang \bang \segen
+ }
+
+ tenorText = \lyrics {
+ \hirt \haus
+ \herz
+ \grün \glöcklein
+ \sang \bang \segen
+ }
+
+ bassText = \lyrics {
+ \hirt \haus
+ \herz
+ \grün \glöcklein
+ \sang \böse \segen
+ }
+
diff --git a/hr/stch/fertig/abendlied/abendlied.ly b/hr/stch/fertig/abendlied/abendlied.ly
new file mode 100644
index 0000000..bb48a4a
--- /dev/null
+++ b/hr/stch/fertig/abendlied/abendlied.ly
@@ -0,0 +1,76 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Abendlied"
+ composer = "Josef Rheinberger"
+ opus = "Op. 69, No. 3" %TODO: schmale geschützte!
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ tenII = <<
+ \new Voice = "tenoereZwei" { \global \tenorIIMelodie }
+ \addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \bassMelodie }
+ \addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { } <<
+ %\new Staff = sopran { \global \sop }
+ %\new Staff = alt { \global \alt }
+ %\new Staff = tenor { \global \ten }
+ \new Staff = tenoereII { \tenII }
+ %\new Staff = bass { \global \bas }
+ >>
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ %\layout {
+ %}
+ }
+
diff --git a/hr/stch/fertig/abendlied/abendlied.midi b/hr/stch/fertig/abendlied/abendlied.midi
new file mode 100644
index 0000000..f3d66fd
--- /dev/null
+++ b/hr/stch/fertig/abendlied/abendlied.midi
Binary files differ
diff --git a/hr/stch/fertig/abendlied/dynArt.ly b/hr/stch/fertig/abendlied/dynArt.ly
new file mode 100644
index 0000000..fa59243
--- /dev/null
+++ b/hr/stch/fertig/abendlied/dynArt.ly
@@ -0,0 +1,70 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s1*4
+ s1\>
+ s1\!
+ s1*10
+ s2 s2\dim
+ s1*14
+ s2\> s2
+ s4\! s4 s2
+ s1*11
+ s2 s2\ff
+ s2 s2\dim
+ s1
+ s1\pp
+ s1\fermata
+ }
+
+% articulation
+
+ oberArt = {
+ }
+
+ unterArt = {
+ s1
+ s1\p
+ s1\<
+ s4 s4\! s2
+ s1*25
+ s1\<
+ s4 s4\! s2
+ s1
+ % stop
+ }
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ tenorIIArt = {
+ s1*7
+ s4 s2\f s4
+ s1*2
+ s4 s4\f s2
+ s1*9
+ s4 s2\f s4
+ s1*4
+ s2 s2\dim
+ s1*2
+ s4 s4\p s2
+ s1*4
+ s4 s2\f s4
+ s1*5
+ s2 s2\p
+ s1*2
+ s4 s4\f s2
+ s1*6
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/fertig/abendlied/midi.lua b/hr/stch/fertig/abendlied/midi.lua
new file mode 100644
index 0000000..8d7d5be
--- /dev/null
+++ b/hr/stch/fertig/abendlied/midi.lua
@@ -0,0 +1,51 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ \unfoldRepeats
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/fertig/abendlied/stimmen.ly b/hr/stch/fertig/abendlied/stimmen.ly
new file mode 100644
index 0000000..800a6c7
--- /dev/null
+++ b/hr/stch/fertig/abendlied/stimmen.ly
@@ -0,0 +1,169 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key f \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ \autoBeamOff
+ \override DynamicTextSpanner #'style = #'none
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r1
+ }
+ >>
+ }
+
+ tenorIIMelodie = \relative c' {
+ <<
+ { \meta }
+ { \unterArt }
+ \tenorIIArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r1
+ a2. a4
+ g2. c4
+ a4 a4 b4 b4
+ g2 c2
+ r1
+ r1
+ r4 g'2 f4
+ e4 c2 d8[ ees8]
+ d1
+ r4 f,4 a4 c4
+ c2 g2
+ fis1
+ g2. bes4
+ bes1 ~
+ bes2 bes2
+ g2( a2)
+ a1
+ r1
+ r1
+ r4 d2 d4
+ d4 g,4 a4 bes4
+ c1 ~
+ c1
+ bes2 bes4.( a8)
+ g2 f4( a4)
+ bes2.( a8[ g8])
+ a2 r2
+ r4 c4 bes4 a4
+ g2. c4
+ a4 a4 b4 b4
+ g2 c2
+ r1
+ r4 c2 c4
+ c4 f,4 g4 a4
+ bes2 bes2
+ bes2( a4) f4
+ c'2.( bes4)
+ a2 r2
+ r2 f2
+ g2. g4
+ d'2 r2
+ r4 c,4 f4 a4
+ c2. c4
+ f,2 a2
+ a2 d,2
+ g2 a2
+ c1
+ c,1%\fermata
+ \bar "|."
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r1
+ a2. a4
+ c2. c4
+ d4 d4 g4 g4
+ c,2 c2
+ r4 g'2 f4
+ e4 c4 f4 a4
+ bes2 a2
+ g2 f2
+ bes,1
+ f1
+ r1
+ r1
+ r4 g4 bes4 d4
+ ees1(
+ bes2.) d4
+ c1
+ d1
+ R1*4
+ r4 c'2 c4
+ c4 f,4 g4 a4
+ bes2 bes,2
+ c2. c4
+ c1
+ f,2 r2
+ a2. a4
+ c2. c4
+ d4 d4 g4 g4
+ c,2 c2
+ r4 g'2 g4
+ g4 c,4 d4 e4
+ f1
+ bes,2 bes2
+ c2 c2
+ c1
+ d2 d2
+ e2 f2
+ bes,2 c2
+ d2 g4( f4)
+ e2 f2
+ c2. c4
+ d2 d2
+ a2 bes2
+ c2 c2
+ c1
+ f,1\fermata
+ \bar "|."
+ }
+ >>
+ }
+
diff --git a/hr/stch/fertig/abendlied/texte.ly b/hr/stch/fertig/abendlied/texte.ly
new file mode 100644
index 0000000..96a8e06
--- /dev/null
+++ b/hr/stch/fertig/abendlied/texte.ly
@@ -0,0 +1,45 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ Bleib bei uns, denn es will A -- bend wer -- den,
+ bleib bei uns, denn es will,
+ denn es will A -- bend wer -- den,
+ will A -- bend wer -- den,
+ und der Tag hat sich ge -- nei -- get,
+ hat sich ge -- nei -- get,
+ o bleib bei uns, denn es will A -- bend wer -- den,
+ und der Tag hat sich ge -- neigt,
+ hat sich ge -- nei -- get.
+ O bleib bei uns,
+ o bleib, o bleib bei uns,
+ denn es will A -- bend wer -- den.
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ Bleib bei uns, denn es will A -- bend wer -- den,
+ bleib bei uns, denn es will A -- bend, A -- bend wer -- den,
+ denn es will A -- bend wer -- den,
+ und der Tag hat sich ge -- nei -- get,
+ sich ge -- nei -- get,
+ bleib bei uns, denn es will A -- bend wer -- den,
+ und der Tag hat sich ge -- nei -- get,
+ hat sich ge -- nei -- get.
+ O bleib, o bleib bei uns,
+ o bleib, o bleib bei uns,
+ denn es will A -- bend wer -- den.
+ }
+
diff --git a/hr/stch/fertig/adeste/Adeste Fideles 1.PNG b/hr/stch/fertig/adeste/Adeste Fideles 1.PNG
new file mode 100644
index 0000000..ab43ded
--- /dev/null
+++ b/hr/stch/fertig/adeste/Adeste Fideles 1.PNG
Binary files differ
diff --git a/hr/stch/fertig/adeste/Adeste fideles - 2.JPG b/hr/stch/fertig/adeste/Adeste fideles - 2.JPG
new file mode 100644
index 0000000..dac21f6
--- /dev/null
+++ b/hr/stch/fertig/adeste/Adeste fideles - 2.JPG
Binary files differ
diff --git a/hr/stch/fertig/adeste/adeste.ly b/hr/stch/fertig/adeste/adeste.ly
new file mode 100644
index 0000000..aaa7f0a
--- /dev/null
+++ b/hr/stch/fertig/adeste/adeste.ly
@@ -0,0 +1,81 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Adeste fideles"
+ %composer = "<+Komponist+>"
+ arranger = "Carl Thiel"
+ text = "Adeste fideles um 1790, Abbé Borderies"
+ opus = "Opus 7"
+ tagline = ""
+ }
+
+ \paper {
+ print-page-number = ##f
+ line-width = \paper-width - 30
+ top-margin = 15
+ bottom-margin = 25
+ top-system-spacing #'minimum-distance = 17
+ ragged-last-bottom = #'f
+ system-count = 5
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ \pointAndClickOff
+
+ #(set-global-staff-size 16)
+
+ sop = \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ \addlyrics { \sopOne }
+ \addlyrics { \sopThree }
+ \new Voice { \global \sopTwo }
+ >>
+
+ alt = \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenOne }
+ \addlyrics { \tenThree }
+ \new Voice { \global \tenorTwo }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \sop
+ \alt
+ \ten
+ \bas
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+ \texte
+
diff --git a/hr/stch/fertig/adeste/dynArt.ly b/hr/stch/fertig/adeste/dynArt.ly
new file mode 100644
index 0000000..a4158e3
--- /dev/null
+++ b/hr/stch/fertig/adeste/dynArt.ly
@@ -0,0 +1,75 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s4
+ s1
+ s1
+ s1
+ s2. s4\mf
+ s1
+ s1
+ s1
+ s1
+ s1\f
+ s1
+ s4 s2.\>
+ s2. s4\p
+ s1
+ s1
+ s1
+ s2. s4\f
+ s2 s4^\markup{ \italic "poco" } s4\>
+ s2\! s4\< s4\!
+ s1
+ s2.%\fermata
+ \bar "|."
+ }
+
+% articulation
+
+ mep = \markup{ \italic "meno" \dynamic "p" }
+ unterArt = {
+ s4^\markup{ \italic "poco" \dynamic "f" }
+ s2 s4\< s4\!
+ s2 s4\> s4\!
+ s2\! s2\!
+ s2\> s4\! s4
+ }
+
+ sopranArt = {
+ s4^\markup{ \bold "Mit freudigem Ausdruck" }
+ \repeat unfold 13 { s1 }
+ s2. s4^\mep
+ \repeat unfold 4 { s1 }
+ s2^\markup{ \italic "poco rit." }
+ }
+
+ altArt = {
+ s4
+ \repeat unfold 13 { s1 }
+ s2. s4^\mep
+ }
+
+ tenorArt = {
+ <<
+ \unterArt
+ {
+ s4
+ \repeat unfold 13 { s1 }
+ s2. s4^\mep
+ }
+ >>
+ }
+
+ bassArt = {
+ <<
+ \unterArt
+ {
+ s4
+ \repeat unfold 13 { s1 }
+ }
+ >>
+ }
+
diff --git a/hr/stch/fertig/adeste/midi.lua b/hr/stch/fertig/adeste/midi.lua
new file mode 100644
index 0000000..58e69da
--- /dev/null
+++ b/hr/stch/fertig/adeste/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/fertig/adeste/stimmen.ly b/hr/stch/fertig/adeste/stimmen.ly
new file mode 100644
index 0000000..e59b986
--- /dev/null
+++ b/hr/stch/fertig/adeste/stimmen.ly
@@ -0,0 +1,256 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key b \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ \partial 4
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ \sopranArt
+ %the actual tune
+ {
+ \oneVoice
+ r4
+ r1
+ r1
+ r1
+ r2 r4 b4
+ b2 ais4 gis4
+ ais4( b4) cis4 dis4
+ ais4( b4) gis2
+ fis2. r4
+ {
+ \voiceOne
+ fis'2 e4 dis4
+ e2 dis2
+ cis4 dis4 b4 cis4
+ ais4( gis4) fis4
+ }
+ % Venite
+ \oneVoice
+ b4
+ b4 ais4 b4 cis4
+ b2 fis4
+ \voiceOne
+ dis'4
+ dis4 cis4 dis4 e4
+ dis2 cis4 fis4
+ e4 dis4 cis4 b4
+ ais2 b4( e4)
+ dis2 cis2
+ b2.\fermata
+ }
+ >>
+ }
+ sopTwo = \relative c'' {
+ <<
+ {
+ \oneVoice
+ r4
+ r1
+ r1
+ r1
+ r2 r4 b4
+ b2 ais4 gis4
+ ais4( b4) cis4 dis4
+ ais4( b4) gis2
+ fis2 s4 r4
+ \voiceTwo
+ % \dynamicOff
+ dis'2 b4 b4
+ b4( ais4) b2
+ ais4 ais4 gis4 gis4
+ ais4( gis4) fis4
+ % Venite
+ \oneVoice
+ b4
+ b4 ais4 b4 cis4
+ b2 fis4
+ \voiceTwo
+ b4
+ b4 ais4 b4 gis8 ais8
+ b2 ais4 b4
+ ais4 b4 cis4 b4
+ ais2 b2
+ b2. ais4 b2.
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ \bassArt
+ %the actual tune
+ {
+ r4
+ r1
+ r1
+ r1
+ r2 r4 fis4
+ dis4( eis4) fis4 eis4
+ fis2 fis4 fis4
+ fis2 fis4( eis4)
+ fis2. r4
+ <fis b>2 fis4 fis4
+ fis2 fis2
+ fis4 dis4 dis4 gis4
+ fis4( eis4) cis4
+ % Venite
+ fis4
+ fis4 fis4 fis4 fis4
+ fis2 fis4 fis4
+ fis4 fis4 fis4 e4
+ fis4( gis4) ais4 fis4
+ fis4 fis4 gis4 gis4
+ gis4( fisis4) gis2
+ fis2( eis4) fis4 fis2.\fermata
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c'' {
+ <<
+ { \meta }
+ \tenorArt
+ {
+ {
+ \voiceOne
+ b4
+ b2 fis4 b4
+ cis2( fis,4) gis8 ais8
+ b4( cis4) dis4 e4
+ dis2 cis4
+ }
+ \oneVoice
+ b4
+ b2 cis4 cis4
+ cis2 cis4 b4
+ dis2 cis2
+ ais2. r4
+ { \voiceOne dis2 cis4 b4 }
+ \oneVoice
+ cis2 b2
+ cis4 ais4 b4 gis4
+ cis4( b4) ais4
+ % Venite
+ b4
+ b4 cis4 dis4 cis4
+ dis2 dis4 b4
+ b4 fis4 b4 cis4
+ dis4( e4) fis4 dis4
+ e4 fis4 e4 dis4
+ dis2 dis4( e4)
+ b2. cis4 dis2.\fermata
+ }
+ >>
+ }
+ tenorTwo = \relative c'' {
+ <<
+ {
+ {
+ \voiceTwo
+ b4
+ b2 fis4 b4
+ cis2( fis,4) gis8 ais8
+ b4( ais4) b4 b4
+ b2 ais4
+ }
+ \oneVoice
+ b4
+ b2 cis4 cis4
+ cis2 cis4 b4
+ dis2 cis2
+ ais2 s4 r4
+ { \voiceTwo b2 fis4 b4 }
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ \clef bass
+ <<
+ { \meta }
+ \altArt
+ {
+ <<
+ {
+ \voiceOne
+ b'4
+ b2 fis4 b4
+ cis2 fis,4 ~ fis4
+ fis4 ~ fis4 fis4 gis4
+ fis2 fis4
+ }
+ \\
+ \new Voice \with {\remove Dynamic_engraver }
+ {
+ \voiceTwo
+ b4
+ b2 fis4 b4
+ cis2 fis,4( e4)
+ dis4( fis4) b,4 e4
+ b4( dis4) fis4
+ }
+ >>
+ dis4
+ gis2 fis4 cis4
+ fis4( gis4) ais4 b4
+ dis,4( gis4) cis2
+ fis,2. r4
+ <<
+ {
+ \voiceOne
+ fis2 fis4 fis4
+ fis2 fis2
+ }
+ \\
+ \new Voice \with {\remove Dynamic_engraver }
+ {
+ \voiceTwo
+ b,2 cis4 dis4
+ cis4( fis4) b,2
+ }
+ >>
+ fis'4 fisis4 gis4 eis4
+ fis4( cis4) fis4
+ % Venite
+ dis4
+ dis4 fis4 b4 ais4
+ b2 b4 r4
+ r1
+ r2 r4
+ <<
+ {
+ \voiceOne
+ fis4
+ fis4 b4 e,4 gis4
+ ais2 gis2
+ b4( fis4 gis4) fis4
+ fis2.\fermata
+ }
+ \\
+ \new Voice \with {\remove Dynamic_engraver }
+ {
+ \voiceTwo
+ b,4
+ cis4 dis4 e4 gis4
+ dis2 gis4( cis,4)
+ dis2( gis4) fis4
+ b,2.
+ }
+ >>
+ }
+ >>
+ }
+
diff --git a/hr/stch/fertig/adeste/texte.ly b/hr/stch/fertig/adeste/texte.ly
new file mode 100644
index 0000000..754a3e2
--- /dev/null
+++ b/hr/stch/fertig/adeste/texte.ly
@@ -0,0 +1,141 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopVerseOne = \lyricmode {
+ \set stanza = "1."
+ Ve -- ni -- te
+ }
+ tenVerseOne = \lyricmode {
+ \set stanza = "1."
+ Ad -- es -- te fi -- de -- les
+ læ -- ti tri -- um -- phan -- tes;
+ ve -- ni -- te
+ }
+ sopVerseThree = \lyricmode {
+ \set stanza = "3."
+ ve -- la -- tum
+ }
+ tenVerseThree = \lyricmode {
+ \set stanza = "3."
+ Æ -- ter -- ni pa -- ren -- tis
+ splen -- do -- rem æ -- ter -- num
+ ve -- la -- tum
+ }
+ verseOne = \lyricmode {
+ ve -- ni -- te in Beth -- le -- hem.
+ Na -- tum vi -- de -- te
+ re -- gem An -- ge -- lo -- rum.
+ }
+ verseThree = \lyricmode {
+ sub car -- ne vi -- de -- bi -- mus;
+ De -- um in -- fan -- tem
+ pa -- nis in -- vo -- lu -- tum.
+ }
+ refr = \lyricmode {
+ Ve -- ni -- te ad -- o -- re -- mus.
+ Ve -- ni -- te ad -- o -- re -- mus.
+ Ve -- ni -- te ad -- o -- re -- mus Do -- mi -- num.
+ }
+ sopOne = \lyrics {
+ \sopVerseOne
+ \verseOne
+ \refr
+ }
+ sopThree = \lyrics {
+ \sopVerseThree
+ \verseThree
+ %\refr
+ }
+ tenOne = \lyrics {
+ \tenVerseOne
+ \verseOne
+ \refr
+ }
+ tenThree = \lyrics {
+ \tenVerseThree
+ \verseThree
+ %\refr
+ }
+ texte = \markup {
+ \fill-line {
+ " "
+ \column {
+ \line {
+ \bold " "%1."
+ \column {
+ " "%Herbei o ihr Gläubigen, fröhlich triumphierend"
+ " "%o kommet, o kommet nach Bethlehem"
+ " "%sehet das Kindlein uns zum Heil geboren!"
+ " "%O lasset uns anbeten, o lasset uns anbeten,"
+ " "%o lasset uns anbeten den König, den Herrn."
+ " "
+ " "
+ " "
+ }
+ }
+ \line {
+ \bold "2."
+ \column {
+ "Engrege relicto humiles ad cunas"
+ "vocati pastores ad properant;"
+ "nosque ovanti gradu festinemus:"
+ }
+ }
+ }
+ " "
+ \column {
+ \line {
+ \bold "1."
+ \column {
+ "Herbei o ihr Gläubigen, fröhlich triumphierend"
+ "o kommet, o kommet nach Bethlehem"
+ "sehet das Kindlein uns zum Heil geboren!"
+ "O lasset uns anbeten, o lasset uns anbeten,"
+ "o lasset uns anbeten den König, den Herrn."
+ " "
+ " "
+ " "
+ }
+ }
+ \line {
+ \bold "2."
+ \column {
+ "Der König der Ehren, Herrscher der Heerscharen"
+ "er ruht in der Krippe gering und arm:"
+ "Er, unser Gott, von Ewigkeit geboren."
+ " "
+ " "
+ " "
+ }
+ }
+ \line {
+ \bold "3."
+ \column {
+ "Kommt, singet dem Herren, o ihr Engelschöre,"
+ "frohlocket, frohlocket ihr Seligen:"
+ "Ehre sei Gott im Himmel und auf Erden."
+ }
+ }
+ }
+ " "
+ }
+ }
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/stch/fertig/alta/a5/alta.ly b/hr/stch/fertig/alta/a5/alta.ly
new file mode 100644
index 0000000..c682ab2
--- /dev/null
+++ b/hr/stch/fertig/alta/a5/alta.ly
@@ -0,0 +1,66 @@
+%some settings% vim: ai sw=2 lbr nu
+
+\version "2.18"
+\include "../stimmen.ly"
+\include "../texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Alta trinita beata"
+ subtitle = "Trinitanisgesang aus dem 15. Jahrhundert"
+ opus = "eingerichtet von Günther Ramin"
+ tagline = ""
+ }
+
+ \paper {
+ #(set-paper-size "a5")
+ line-width = \paper-width - 20\mm
+ bottom-margin = 10\mm
+ top-margin = 10\mm
+ %foot-separation = 0
+ %head-separation = 0
+ %after-title-space = 10
+ %page-top-space = 0
+ %between-system-space = 5
+ page-count = 1
+ system-count = 3
+ ragged-last-bottom = #'f
+ }
+
+ #(set-global-staff-size 13)
+
+ \midi {
+ %\tempo 4 = <+bpm+>
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ \score {
+ \new ChoirStaff <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ \lyricsto soprane \sopranText
+ >>
+ \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ \lyricsto alti \altText
+ >>
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \lyricsto tenoere \tenorText
+ >>
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ \lyricsto baesse \bassText
+ >>
+ >>
+ }
+
diff --git a/hr/stch/fertig/alta/alta.ly b/hr/stch/fertig/alta/alta.ly
new file mode 100644
index 0000000..3178044
--- /dev/null
+++ b/hr/stch/fertig/alta/alta.ly
@@ -0,0 +1,64 @@
+%some settings% vim: ai sw=2 lbr nu
+
+\version "2.12.1"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Alta trinita beata"
+ subtitle = "Trinitanisgesang aus dem 15. Jahrhundert"
+ opus = "eingerichtet von Günther Ramin"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 40\mm
+ bottom-margin = 15\mm
+ top-margin = 20\mm
+ foot-separation = 0
+ %head-separation = 0
+ after-title-space = 10
+ %page-top-space = 0
+ %between-system-space = 5
+ page-count = 1
+ system-count = 3
+ ragged-last-bottom = #'f
+
+ }
+
+ #(set-global-staff-size 16)
+
+ \midi {
+ %\tempo 4 = <+bpm+>
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ \score {
+ \new ChoirStaff <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ \lyricsto soprane \sopranText
+ >>
+ \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ \lyricsto alti \altText
+ >>
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \lyricsto tenoere \tenorText
+ >>
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ \lyricsto baesse \bassText
+ >>
+ >>
+ }
+
diff --git a/hr/stch/fertig/alta/stimmen.ly b/hr/stch/fertig/alta/stimmen.ly
new file mode 100644
index 0000000..85aec46
--- /dev/null
+++ b/hr/stch/fertig/alta/stimmen.ly
@@ -0,0 +1,175 @@
+%some settings% vim: ai sw=2 lbr nu
+
+ global = {
+ \key fis \major
+ \time 4/4
+ }
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ % bisher nur leere takte
+ s1*8
+ s1\mf
+ s1*7
+ s1\f
+ s1*3
+ s1\p
+ s1*3
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %the actual tune
+ {
+ \repeat volta 2 {
+ %die folgenden Zeilen könnte auch lauten:
+ %fis2 fis4(gis) ais2 gis4(fis)
+ %b2 ais4(gis) ais2 ais
+ \tempo "Sehr ruhig" 4 = 76
+ fis2^\markup{ piano e legato } fis4( gis4 )
+ ais2 gis4( fis4 )
+ b2 ais4( gis4 )
+ ais2 ais2
+ gis2 ais4( b4 )
+ ais2 gis4( fis4 )
+ gis4( b4 ) ais4( gis4 )
+ fis2 fis2
+ cis'2 cis4( dis4 )
+ b1\(
+ cis4\)( b4 ) ais4( gis4 )
+ ais2 ais2
+ gis4( fis4 ) b4( gis4 )
+ fis2 b4( ais4 )
+ gis4( fis4 ) b4( gis4 )
+ fis2 fis2
+ }
+ \repeat volta 2 {
+ cis'2 cis4( dis4 )
+ b2 cis4( dis4 )
+ e4( dis4 ) cis4( ais4 )
+ b2 gis2
+ fis2 gis4( ais4 )
+ b2 ais2
+ gis4( fis4 ) b4( gis4 )
+ fis2 fis2
+ }
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %the actual tune
+ {
+ \repeat volta 2 {
+ cis2 cis4( eis4)
+ fis2 eis4( fis4)
+ fis2 fis4( eis4)
+ fis2 fis2
+ eis2 fis2
+ fis2 eis4( fis4)
+ eis4( fis4) fis4( eis4)
+ cis2 cis2
+ ais'2 ais2
+ gis1\(
+ gis2\) fis4( eis4)
+ fis2 fis2
+ eis4( dis4) dis4( eis4)
+ fis2 fis2
+ eis4( dis4) dis4( eis4)
+ cis2 cis2
+ }
+ \repeat volta 2 {
+ ais'2 ais4( fis4)
+ gis2 gis4( b4)
+ cis4( b4) gis4( fis4)
+ fis2 eis2
+ cis2 eis4( fis4)
+ fis2 fis2
+ eis4( dis4) dis4( eis4)
+ cis2 cis2
+ }
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %the actual tune
+ \clef "treble_8"
+ {
+ \repeat volta 2 {
+ ais2 ais4( cis4)
+ cis2 cis2
+ dis2 cis2
+ cis2 cis2
+ cis2 cis4( dis4)
+ cis2 cis4( ais4)
+ cis4( dis4) cis2
+ ais2 ais2
+ fis'2 fis2
+ dis1\(
+ eis2\) cis2
+ cis2 cis2
+ cis4( ais4) b4( cis4)
+ cis2 dis4( cis4)
+ cis4( ais4) b4( cis4)
+ ais2 ais2
+ }
+ \repeat volta 2 {
+ fis'2 fis2
+ dis2 e4( fis4)
+ gis4( fis4) e4( cis4)
+ dis2 cis2
+ ais2 cis2
+ dis2 cis2
+ cis4( ais4) b4( cis4)
+ ais2 ais2
+ }
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %the actual tune
+ \clef bass
+ {
+ \repeat volta 2 {
+ fis2 fis4( cis4)
+ fis2 cis4( fis4)
+ b,2 fis'4( cis4)
+ fis2 fis2
+ cis2 fis4( b,4)
+ fis'2 cis4( dis4)
+ cis4( b4) fis'4( cis4)
+ << { fis,2 fis2 } { fis'2 fis2 } >>
+ fis2 fis4( dis4)
+ gis1\(
+ cis,2\) fis4( cis4)
+ fis2 fis2
+ cis4( dis4) gis,4( cis4)
+ fis2 b,4( fis'4)
+ cis4( dis4) gis,4( cis4)
+ fis2 fis2
+ }
+ \repeat volta 2 {
+ fis2 fis4( dis4)
+ gis2 e4( dis4)
+ cis4( dis4) e4( fis4)
+ b,2 cis2
+ fis2 cis4( fis4)
+ b,2 fis'2
+ cis4( dis4) gis,4( cis4)
+ << { fis,2 fis2 } { fis'2 fis2 } >>
+ }
+ }
+ >>
+ }
diff --git a/hr/stch/fertig/alta/texte.ly b/hr/stch/fertig/alta/texte.ly
new file mode 100644
index 0000000..c40f26a
--- /dev/null
+++ b/hr/stch/fertig/alta/texte.ly
@@ -0,0 +1,31 @@
+%some settings% vim: ai sw=2 lbr nu
+
+%rohfassung bass
+
+ text = \lyricmode {
+ Al -- ta tri -- ni -- ta be -- a -- ta,
+ da no_-_i sem -- pre a -- do -- ra -- ta.
+ Tri -- ni -- ta glo -- ri -- o -- sa,
+ u -- ni -- ta ma -- ra -- vi -- glio -- sa.
+ Tu sei -- ma -- na sa -- po -- ro -- sa,
+ e tu -- ta de -- si -- de -- ro -- sa.
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ \text
+ }
+
+ altText = \lyrics {
+ \text
+ }
+
+ tenorText = \lyrics {
+ \text
+ }
+
+ bassText = \lyrics {
+ \text
+ }
+
diff --git a/hr/stch/fertig/angry/angry.ly b/hr/stch/fertig/angry/angry.ly
new file mode 100644
index 0000000..6dac00c
--- /dev/null
+++ b/hr/stch/fertig/angry/angry.ly
@@ -0,0 +1,69 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Lord, how long wilt thou be angry?"
+ composer = "Henry Purcell"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \bassMelodie }
+ \addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \set Score.skipBars = ##t
+ %\new Staff = sopran { \global \sop }
+ %\new Staff = alt { \global \alt }
+ %\new Staff = tenor { \global \ten }
+ \new Staff = bass { \global \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/fertig/angry/dynArt.ly b/hr/stch/fertig/angry/dynArt.ly
new file mode 100644
index 0000000..30423d4
--- /dev/null
+++ b/hr/stch/fertig/angry/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/fertig/angry/midi.lua b/hr/stch/fertig/angry/midi.lua
new file mode 100644
index 0000000..8d7d5be
--- /dev/null
+++ b/hr/stch/fertig/angry/midi.lua
@@ -0,0 +1,51 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ \unfoldRepeats
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/fertig/angry/stimmen.ly b/hr/stch/fertig/angry/stimmen.ly
new file mode 100644
index 0000000..b0ff126
--- /dev/null
+++ b/hr/stch/fertig/angry/stimmen.ly
@@ -0,0 +1,132 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key g \minor
+ %\override Staff.TimeSignature #'style = #'()
+ \time 2/2
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ R1*9
+ d1 ~
+ d2 ees2
+ b4 b4 b4 b4
+ c2. c4
+ d2. d4
+ ees4 ees4 e2
+ f2 fis2
+ g2 b,2
+ c2 c2
+ d1 ~
+ d1
+ g,1
+ R1*23
+ g'2 g4 g4
+ g2 r2
+ c,2 c4 c4
+ f2 bes,2
+ ees2 ees2
+ d4 d4 r2
+ a'4 a4 bes2 ~
+ bes2 d,2
+ f2 f,2
+ bes2 r2
+ R1*4
+ r2 f'4 f4
+ fis4 fis4 g2 ~
+ g4 f4 ees4 c4
+ g2 g2
+ c2 a2
+ d2 g,4 g'4
+ cis,4. cis8 cis4 cis4
+ d4. d8 d2
+ r1
+ r1
+ r2 ees4 ees4
+ e4 e4 f2 ~
+ f4 fis4 g2 ~
+ g4 f4 ees4 d4(
+ c2) c2
+ d1 ~
+ d1
+ g,1
+ \time 3/4
+ r4 r4 bes'4
+ bes4. bes8 bes8 f8
+ bes4 bes,4 bes'8. bes16
+ a4 g4. f8
+ f4 f4 f4
+ ees4. d8 c4
+ f4 g2
+ c,2 r4
+ R2.*3
+ r4 r4 g8 g'8
+ ees4 d4 c4
+ g'8 g8 g4 g,4
+ a2 r4
+ r4 r4 a'8 d,8
+ g4 a4 bes4
+ a4 a4. g8
+ f4( e4) d4
+ a'2 a,4
+ d2. ~
+ d2 e4
+ fis4 fis4 fis4
+ g4 g4 a4
+ bes4 bes,4 c4
+ d2. ~
+ d2 d4
+ d2 c4
+ d2.
+ g,2.\fermata
+ \bar "|."
+ }
+ >>
+ }
+
diff --git a/hr/stch/fertig/angry/texte.ly b/hr/stch/fertig/angry/texte.ly
new file mode 100644
index 0000000..8b00ebd
--- /dev/null
+++ b/hr/stch/fertig/angry/texte.ly
@@ -0,0 +1,39 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ Lord, how long wilt thou be an -- gry?
+ Shall thy jea -- lou -- sy burn like fire,
+ like fire for ev -- er?
+ %
+ Help us, O God, help us, O God of our sal -- va -- tion,
+ for the glo -- ry of thy name;
+ and be mer -- ci -- ful un to our sins, for thy name’s sake,
+ O de -- li -- ver us, de -- li -- ver us,
+ and be mer -- ci -- ful un -- to our sins,
+ for thy name’s sake.
+ So we, that are thy peo -- ple and the sheep of thy pas -- ture,
+ shall give thee thanks for e -- ver:
+ and will al -- ways be shew -- ing forth thy praise,
+ and will al -- ways,
+ will al -- ways be shew -- ing forth thy praise
+ from one ge -- ne -- ra -- tion,
+ from one ge -- ne -- ra -- tion to a -- no -- ther.
+ }
+
diff --git a/hr/stch/fertig/bach/bach.ly b/hr/stch/fertig/bach/bach.ly
new file mode 100644
index 0000000..d57abc1
--- /dev/null
+++ b/hr/stch/fertig/bach/bach.ly
@@ -0,0 +1,55 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+\version "2.10.10"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "<+Titel+>"
+ composer = "<+Komponist+>"
+ %text-translator = "<+Uebersetzer+>"
+ tagline = ""
+ }
+
+ \paper {
+ %<+weitere Einstellungen+>
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ \score {
+ \new ChoirStaff <<
+ %{
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ \lyricsto soprane \sopranText
+ >>
+ \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ \lyricsto alti \altText
+ >>
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \lyricsto tenoere \tenorText
+ >>
+ %}
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ \tempo 8 = 144
+ %\lyricsto baesse \bassText
+ >>
+ >>
+ \midi {
+ }
+
+ }
+
diff --git a/hr/stch/fertig/bach/bach.midi b/hr/stch/fertig/bach/bach.midi
new file mode 100644
index 0000000..7aff85c
--- /dev/null
+++ b/hr/stch/fertig/bach/bach.midi
Binary files differ
diff --git a/hr/stch/fertig/bach/stimmen.ly b/hr/stch/fertig/bach/stimmen.ly
new file mode 100644
index 0000000..ae3179c
--- /dev/null
+++ b/hr/stch/fertig/bach/stimmen.ly
@@ -0,0 +1,274 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+ global = {
+ \key c \major
+ \time 3/4
+ }
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ \repeat unfold 126 {
+ s4*3 \break
+ }
+ }
+
+% Die Stimmen
+
+%{
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %articulation etc.
+ \repeat unfold <+number of parts+> {
+ s4*<+number of measures within a part+>
+ }
+ %the actual tune
+ {
+ r1 <++>
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %articulation etc.
+ \repeat unfold <+number of parts+> {
+ s4*<+number of measures within a part+>
+ }
+ %the actual tune
+ {
+ r1 <++>
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %articulation etc.
+ \repeat unfold <+number of parts+> {
+ s4*<+number of measures within a part+>
+ }
+ %the actual tune
+ {
+ r1 <++>
+ }
+ >>
+ }
+%}
+
+ first = {
+ r8 c8 c8 c'8 c c
+ b16 a b c d b
+ g f g a b g
+ a g a b c a
+ b a b c d b
+ }
+
+ bassFirst = {
+ \first
+ c16 b c d e c
+ a8 d d,
+ g g f e16 d e f e f
+ e8 a d, g b g
+ c c b a d d,
+ g r8 r8 r4 g8
+ d'4 r8 r4 g,8
+ c4 r8 r4 c,8
+ g'8 g, g f' f f
+ e16 d e f g e
+ c b c d e c
+ d c d e f d
+ e d e f g e
+ f e f g a f
+ d8 g g
+ c c bes a16 g a bes a bes
+ a8 d g, c e, c
+ f4 r8 r4 r8
+ }
+
+ bassSecond = {
+ \first
+ c16 b c d e c
+ a16 gis a b c a
+ fis e fis gis a fis
+ gis fis gis a b gis
+ a gis a b c a
+ f e f g a f
+ d c d e f d
+ e d e f g e
+ f e f g a f
+ d c d e f d
+ g f g a b g
+ e d e f g e
+ a g a b c a
+ f e f g a f
+ b a b c d b
+ g f g a b g
+ c8 c, e g e g
+ c4 r8 r4 c,8
+ c'4 r8 r4 c,8
+ c'8 r8 r8 r4 r8
+ }
+
+ bassThird = {
+ \relative c {
+ \first
+ }
+ c8 a f e g g,
+ c4 r8 r4 r8
+ }
+
+ bassForth = {
+ r4 a8 a' a a
+ a f d a' a a
+ a f d
+ d'16 e d c bes a
+ g f g a bes g
+ c d c bes a g
+ f e f g a f
+ bes c bes a g f
+ e d e f g e
+ a bes a g f e
+ d8 f16(e) f(d)
+ d'8 a f
+ d f16(e) f(d)
+ d'8 bes f
+ d gis16(fis) gis(e)
+ e'8 b g
+ c d16(c) b(a)
+ e'8 e,16 fis gis e
+ a b a g f e
+ d c d e f d
+ g a g f e d
+ c b c d e c
+ f g f e d c
+ b a b c d b
+ e f e d c(b)
+ c8 d e
+ a, a r r4 r8
+ }
+
+ bassFifth = {
+ r4 r8 fis'4 fis8
+ g(b) g fis(d) fis
+ g4 r8 r4 r8
+ }
+
+ bassSixth = {
+ r4 r8 gis4 e8
+ a(c) a e'4 e,8
+ a4 a,8
+ a'16 b a g f e
+ d c d e f d
+ g a g f e d
+ c b c d e c
+ f g f e d c
+ b4 b8 e(d) e
+ a, c16(b c a
+ a'8 e) c
+ a8 c16 b c a
+ a'8 f c
+ a8 dis16 cis dis b
+ b'8 fis d
+ g a16 g fis e
+ b'4 b,8
+ e g e
+ a16 g a b c a
+ d e d c b a
+ g fis g a b a
+ c d c b a g
+ fis e fis g a fis
+ b c b a g fis
+ e d e fis gis e
+ a b a g fis e
+ dis cis dis e fis dis
+ e dis e fis g a
+ b8 a b
+ %takt 82
+ e,4 r8 r4 r8
+ }
+
+ bassSeventh = {
+ r8 c8 c8 c'8 c c
+ %takt 90
+ b16 a b c d b
+ g f g a b g
+ }
+
+ bassEighth = {
+ \relative c'
+ c'2 g4 c,2 d4
+ e(fis) g c, d2
+ g,2.
+ e'2 g4 c(b) a
+ g(f) g c,2.
+ c'2 g4 c,2 d4
+ e(fis)g c, d2 g,2.
+ e'2 g4
+ c(b) a g(f) g c,2.
+ c'2 a4 e2 f4
+ g(f) g c,2.
+ c4 c'8(bes a g)
+ f2 e4
+ a8(b c4) c, g'2.
+ c2 e,4 f2 g4
+ a(b) g c2(c,4)
+ f2.
+ c2 c'4
+ c(b) c g(a) c,
+ g2. c2.
+ }
+
+ bassPart = \relative c {
+ \clef bass \bassFirst
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %articulation etc.
+ \repeat unfold 126 {
+ s4*3
+ }
+ %the actual tune
+ \clef bass
+ {
+ \bassFirst
+ \bassSecond
+ r4*3
+ \bassThird
+ \repeat unfold 3 {
+ r4*3
+ }
+ %takt 42
+ r4 r8 r4 r8
+ r4*3
+ \bassForth
+ \repeat unfold 3 {
+ r4*3
+ }
+ %takt 62
+ \bassFifth
+ r4*3
+ \bassSixth
+ \repeat unfold 6 {
+ r4*3
+ }
+ \bassSeventh
+ \repeat unfold 4 {
+ r4*3
+ }
+ %hier dann das recitativo(baß)
+ %und die aria(sopran),
+ %das recitativo(tenor)
+ %und schließlich die aria(tenor)
+ %mitsamt dem recitativo(sopran)
+ %jetzt gehts doch tatsächlich nochmal weiter
+ %mit dem choral(36 takte)
+ \bassEighth
+ }
+ >>
+ }
diff --git a/hr/stch/fertig/bach/texte.ly b/hr/stch/fertig/bach/texte.ly
new file mode 100644
index 0000000..e69de29
--- /dev/null
+++ b/hr/stch/fertig/bach/texte.ly
diff --git a/hr/stch/fertig/blessing/alt/blessing.ps b/hr/stch/fertig/blessing/alt/blessing.ps
new file mode 100644
index 0000000..25cc9e3
--- /dev/null
+++ b/hr/stch/fertig/blessing/alt/blessing.ps
Binary files differ
diff --git a/hr/stch/fertig/blessing/blessing.ly b/hr/stch/fertig/blessing/blessing.ly
new file mode 100644
index 0000000..58fa1aa
--- /dev/null
+++ b/hr/stch/fertig/blessing/blessing.ly
@@ -0,0 +1,63 @@
+% vim: nu
+
+\version "2.12.1"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "An Irish Blessing"
+ subtitle = "(Traditional)"
+ composer = "James E. Moore"
+ }
+#(set-global-staff-size 17)
+
+ \paper {
+ ragged-last-bottom = ##f
+ system-count = 4
+ line-width = 180\mm
+ between-system-space = 1\mm
+ after-title-space = 0\mm
+ foot-separation = 5\mm
+ top-separation = 0\mm
+ top-margin = 0\mm
+ bottom-margin = 10\mm
+ }
+
+ \midi {
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ % a little smaller so lyrics can be closer to the staff
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 2)
+ }
+ }
+
+ \score {
+ \unfoldRepeats
+ %\simultaneous
+ \new ChoirStaff <<
+ \new Staff = Frauen <<
+ \new Voice = "meta"
+ { s1*8 \repeat volta 2 { s1*2 s1*2 } \alternative {{s1} {s1} {}} \bar "|." }
+ \new Voice = "soprane" { \voiceOne \global \sopranMelodie }
+ %\lyricsto soprane \sopranText
+ %>>
+ %\new Staff = Alt <<
+ \new Voice = "alti" { \voiceTwo \global \altMelodie }
+ \lyricsto alti \altText
+ >>
+ \new Staff = Tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \lyricsto tenoere \tenorText
+ >>
+ \new Staff = Bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ \lyricsto baesse \bassText
+ >>
+ >>
+ \midi {
+ }
+ }
diff --git a/hr/stch/fertig/blessing/blessing.midi b/hr/stch/fertig/blessing/blessing.midi
new file mode 100644
index 0000000..a691611
--- /dev/null
+++ b/hr/stch/fertig/blessing/blessing.midi
Binary files differ
diff --git a/hr/stch/fertig/blessing/blessing.ps b/hr/stch/fertig/blessing/blessing.ps
new file mode 100644
index 0000000..cbb8831
--- /dev/null
+++ b/hr/stch/fertig/blessing/blessing.ps
Binary files differ
diff --git a/hr/stch/fertig/blessing/midi.lua b/hr/stch/fertig/blessing/midi.lua
new file mode 100644
index 0000000..fefb60b
--- /dev/null
+++ b/hr/stch/fertig/blessing/midi.lua
@@ -0,0 +1,51 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ \unfoldRepeats
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ { \global <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \]]..stimme..[[Melodie }
+ >> }
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/fertig/blessing/midis/a.midi b/hr/stch/fertig/blessing/midis/a.midi
new file mode 100644
index 0000000..9e3a7b2
--- /dev/null
+++ b/hr/stch/fertig/blessing/midis/a.midi
Binary files differ
diff --git a/hr/stch/fertig/blessing/midis/b.midi b/hr/stch/fertig/blessing/midis/b.midi
new file mode 100644
index 0000000..bc30a05
--- /dev/null
+++ b/hr/stch/fertig/blessing/midis/b.midi
Binary files differ
diff --git a/hr/stch/fertig/blessing/midis/s.midi b/hr/stch/fertig/blessing/midis/s.midi
new file mode 100644
index 0000000..687398a
--- /dev/null
+++ b/hr/stch/fertig/blessing/midis/s.midi
Binary files differ
diff --git a/hr/stch/fertig/blessing/midis/t.midi b/hr/stch/fertig/blessing/midis/t.midi
new file mode 100644
index 0000000..5c4f1cf
--- /dev/null
+++ b/hr/stch/fertig/blessing/midis/t.midi
Binary files differ
diff --git a/hr/stch/fertig/blessing/stimmen.ly b/hr/stch/fertig/blessing/stimmen.ly
new file mode 100644
index 0000000..df3dd36
--- /dev/null
+++ b/hr/stch/fertig/blessing/stimmen.ly
@@ -0,0 +1,81 @@
+% vim: nu
+
+global = {
+ \key bes \major
+ \time 4/4
+}
+
+%Die Stimmen mit ihren jeweiligen Textaufteilungen
+
+ sopranMelodie = \relative c' {
+ d8 f8 bes4 ees4. d8 c4 f,2 f8 f8
+ g4. g8 f8 f8 f8 ees8 f2. f8 f8
+ g4. g8 f4. g8 a4( g8 ) a8 bes4. bes8
+ bes4. bes8 bes8 bes8 a8 bes8 c2. f,8 f8
+ \repeat volta 2 {
+ g8 g8 f8 f8 f4. f8 d'8 d8 c8 d8 bes4. bes8
+ ees2 ees8 d8 c8 bes8 f2. ees8 f8
+ } \alternative {
+ {
+ f2. f8 f8
+ }
+ {
+ f1
+ }
+ }
+ }
+
+ altMelodie = \relative c' {
+ d8 c8 d4 ees4. ees8 ees4 f4( ees4 ) c8 d8
+ f4( ees8 ) ees8 ees8 d8 c8 ees8 c4( d2 ) c8 d8
+ f4( ees8 ) ees8 c4( d8 ) d8 d4. d8 a'4( g8 ) f8
+ ees8( a8( g8 ) ) f8 ees8 ees8 f8 g8 ees4( g4( f4 ) ) f8 f8
+ \repeat volta 2 {
+ f8 ees8 c8 c8 c4( d8 ) d8 a'8 a8 a8 a8 a4( g8 ) f8
+ ees8 a8 bes8( c8 ) f,8 f8 g8 g8 ees2. ees8 c8
+ } \alternative {
+ {
+ c4( d2 ) f8 f8
+ }
+ {
+ c4( d2. )
+ }
+ }
+ }
+
+ tenorMelodie = \relative c' {
+ f8 d8 a'4 g4. g8 a4 a4( g4 ) g8 a8
+ bes4. bes8 g8 a8 bes8 a8 f2. bes8 bes8
+ bes4. bes8 a4( bes8 ) bes8 c4. c8 d4. d8
+ g,8( c8 bes8 ) a8 g8 c8 bes8 c8 bes2( a4 ) f8 f8
+ \repeat volta 2 {
+ bes8 bes8 a8 a8 a4( bes8 ) bes8 c8 d8 ees8 d8 d4. d8
+ bes8 c8 bes8( a8 ) a8 bes8 bes8 c8 bes4( g4( a4 ) ) a8 a8
+ } \alternative {
+ {
+ f2. f8 f8
+ }
+ {
+ f1
+ }
+ }
+ }
+
+ bassMelodie = \relative c {
+ \clef bass
+ bes8 bes8 bes4 bes4. bes8 bes4 bes2 bes8 bes8
+ ees4. ees8 f8 f8 f8 f8 bes,2. d8 d8
+ ees4. ees8 d4. d8 fis4( e8 ) fis8 g4. g8
+ c,4. c8 c8 c8 d8 e8 f2. f8 f8
+ \repeat volta 2 {
+ ees8 ees8 ees8 ees8 d4. d8 fis8 fis8 fis8 fis8 g4. g8
+ c,2 d8 d8 ees8 ees8 f2. f8 f8
+ } \alternative {
+ {
+ bes,2. f'8 f8
+ }
+ {
+ bes,1
+ }
+ }
+ }
diff --git a/hr/stch/fertig/blessing/texte.ly b/hr/stch/fertig/blessing/texte.ly
new file mode 100644
index 0000000..2f3eb92
--- /dev/null
+++ b/hr/stch/fertig/blessing/texte.ly
@@ -0,0 +1,38 @@
+%some settings% vim: ai sw=2 lbr nu
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ May the road rise to meet you. May the wind be al -- ways at your back.
+ May the sun shine warm up -- on__ your face, the rains fall soft
+ up -- on your fields,
+ and un -- til we meet a -- gain, un -- til we meet a -- gain,
+ may God hold you in the palm of His hand, and un -- hand.
+ }
+
+ altText = \lyrics {
+ May the road rise to meet you. May the wind be al -- ways at your back.
+ May the sun shine warm up -- on your face, the rains fall soft
+ up -- on your fields,
+ and un -- til we meet a -- gain, un -- til we meet a -- gain,
+ may God, may God hold you in the palm of His hand, and un -- hand.
+ }
+
+ tenorText = \lyrics {
+ May the road rise to meet you. May the wind be al -- ways at your back.
+ May the sun shine warm up -- on your face, the rains fall soft
+ up -- on your fields,
+ and un -- til we meet a -- gain, un -- til we meet a -- gain,
+ may God, may God hold you in the palm of His hand, and un -- hand.
+ }
+
+ bassText = \lyrics {
+ May the road rise to meet you. May the wind be al -- ways at your back.
+ May the sun shine warm up -- on your face, the rains fall soft
+ up -- on your fields,
+ and un -- til we meet a -- gain, un -- til we meet a -- gain,
+ may God hold you in the palm of His hand, and un -- hand.
+ }
+
diff --git a/hr/stch/fertig/brevis_leavitt/agnus/a.midi b/hr/stch/fertig/brevis_leavitt/agnus/a.midi
new file mode 100644
index 0000000..728c9fd
--- /dev/null
+++ b/hr/stch/fertig/brevis_leavitt/agnus/a.midi
Binary files differ
diff --git a/hr/stch/fertig/brevis_leavitt/agnus/agnus.ly b/hr/stch/fertig/brevis_leavitt/agnus/agnus.ly
new file mode 100644
index 0000000..3a1abb5
--- /dev/null
+++ b/hr/stch/fertig/brevis_leavitt/agnus/agnus.ly
@@ -0,0 +1,78 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Agnus dei"
+ composer = "John Leavitt"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \RemoveEmptyStaves
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ \override VerticalAxisGroup #'remove-first = ##t
+ }
+ }
+
+ #(set-global-staff-size 17)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \generalPausen
+ \new Voice = "soprane" { \sopranMelodie }
+ \new Voice = "alti" { \altMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \bassMelodie }
+ \addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \new Staff = sopran \with {
+ fontSize = #-3
+ \override StaffSymbol #'staff-space = #(magstep -3)
+ }{ \global \sop }
+ %\new Staff = alt { \global \alt }
+ \new Staff = tenor \with {
+ fontSize = #-3
+ \override StaffSymbol #'staff-space = #(magstep -3)
+ }{ \global \ten }
+ \new Staff = bass { \global \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/fertig/brevis_leavitt/agnus/b.midi b/hr/stch/fertig/brevis_leavitt/agnus/b.midi
new file mode 100644
index 0000000..cbcade5
--- /dev/null
+++ b/hr/stch/fertig/brevis_leavitt/agnus/b.midi
Binary files differ
diff --git a/hr/stch/fertig/brevis_leavitt/agnus/dynArt.ly b/hr/stch/fertig/brevis_leavitt/agnus/dynArt.ly
new file mode 100644
index 0000000..30423d4
--- /dev/null
+++ b/hr/stch/fertig/brevis_leavitt/agnus/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/fertig/brevis_leavitt/agnus/midi.lua b/hr/stch/fertig/brevis_leavitt/agnus/midi.lua
new file mode 100644
index 0000000..e22ba8e
--- /dev/null
+++ b/hr/stch/fertig/brevis_leavitt/agnus/midi.lua
@@ -0,0 +1,51 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ \unfoldRepeats
+]]
+
+post=[[
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 120 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/fertig/brevis_leavitt/agnus/s.midi b/hr/stch/fertig/brevis_leavitt/agnus/s.midi
new file mode 100644
index 0000000..8e63d84
--- /dev/null
+++ b/hr/stch/fertig/brevis_leavitt/agnus/s.midi
Binary files differ
diff --git a/hr/stch/fertig/brevis_leavitt/agnus/stimmen.ly b/hr/stch/fertig/brevis_leavitt/agnus/stimmen.ly
new file mode 100644
index 0000000..5540057
--- /dev/null
+++ b/hr/stch/fertig/brevis_leavitt/agnus/stimmen.ly
@@ -0,0 +1,226 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key e \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ generalPausen = {
+ s1*8
+ \break
+ s1*8
+ \break
+ R1*3
+ s1*4
+ \break
+ s1*4
+ s1*4
+ \break
+ s1*4
+ s1*4
+ \break
+ s1*5
+ r1
+ s1
+ s1
+ }
+ frauenEnde = \relative c'' {
+ g2( d2)
+ e1 ~
+ e1
+ s1\fermata
+ }
+ sopPat = \relative c' {
+ r4 e4( gis4) b4
+ c4.( g8) b2
+ r4 e,4( gis4) b4
+ c8( e8 d8 c8) b4. b8
+ \voiceOne
+ d4 e8 d8 a4 fis8( gis8)
+ a2 cis2
+ c4 d8( c8) a4 e8( f8)
+ g2 c4( b4)
+ a2( e2)
+ fis1
+ g2( d2)
+ e1
+ }
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ \oneVoice
+ R1
+ R1*3
+ \sopPat
+ s1*3
+ \sopPat
+ %
+ r4 c4( e4) g4
+ a4.( d,8) g2
+ r4 g4( bes4) d4
+ cis4.( a8) b4. b8
+ d4 d8 cis8 a4 fis8( g8)
+ a2 cis2
+ c4 c8( b8) g4 e8( f8)
+ g2 c4( b4)
+ a2( e2)
+ fis1
+ \frauenEnde
+ gis1
+ gis1\fermata
+ \bar "|."
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ s1*4
+ s1*3
+ %s2 s4. r8
+ s1
+ \voiceTwo
+ a'1( ~
+ a1 ~
+ a1
+ g1)
+ R1*4
+ %
+ s1*3
+ r4 e4( gis4) b4
+ c4.( g8) b2
+ r4 e,4( gis4) b4
+ c8( e8 d8 c8) b4. r8
+ fis2 fis2
+ fis4 fis2.
+ f2 f2
+ e4 e2.
+ a2( e2)
+ fis1
+ g2( d2)
+ e1
+ %
+ r4 c2 e4
+ d2 d2
+ r4 d4( g4) bes4
+ a2 fis4. fis8
+ g2 g2(
+ fis4) fis4 fis4 fis4
+ f2 f2
+ r4 e8 e8 e4 e4
+ e1
+ fis4 a8 a8 a4 a4
+ \frauenEnde
+ e1
+ e1\fermata
+ }
+ >>
+ }
+
+ maennerI = \relative c' {
+ R1
+ d4 d4 cis4 cis4
+ c2( b2)
+ gis1
+ }
+ maennerII = \relative c {
+ r4 e4( e'4 d8 c8
+ b2) b2
+ c4( b8 a8) gis4. r8
+ a2 a2
+ a4 a2.
+ a2 a2
+ g4 g2.
+ R1
+ d'4 d4 cis4 cis4
+ c2( b2)
+ c1
+ }
+ maennerEnde = \relative c' {
+ c2( d2)
+ e1 ~
+ e1
+ R1\fermata
+ }
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ R1*8
+ d1(
+ cis1
+ c1 ~
+ c1)
+ \maennerI
+ %
+ R1*4
+ \maennerII
+ %
+ r4 c2 c4
+ c2 b2
+ r4 bes4( d4) f4
+ e2 d4. d8
+ b2 b2(
+ cis4) cis4 cis4 cis4
+ a2 a2
+ r4 c8 c8 c4 c4
+ d2( cis2)
+ d4 a8 a8 a4 a4
+ \maennerEnde
+ gis1
+ gis1\fermata
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ R1*8
+ fis1( ~
+ fis1
+ f1
+ e1)
+ \maennerI
+ %
+ R1*4
+ \maennerII
+ %
+ r4 c'8( b8 a4) g4
+ fis2 g2
+ r4 g2 g4
+ g2 b4. b8
+ d4 d8 cis8 a4 fis8( gis8)
+ a2 a2
+ c4 c8( b8) g4 e8( f8)
+ g2 g2
+ a2( cis2)
+ d1
+ \maennerEnde
+ <b, e,>1
+ q1\fermata
+ }
+ >>
+ }
+
diff --git a/hr/stch/fertig/brevis_leavitt/agnus/t.midi b/hr/stch/fertig/brevis_leavitt/agnus/t.midi
new file mode 100644
index 0000000..0c870e3
--- /dev/null
+++ b/hr/stch/fertig/brevis_leavitt/agnus/t.midi
Binary files differ
diff --git a/hr/stch/fertig/brevis_leavitt/agnus/texte.ly b/hr/stch/fertig/brevis_leavitt/agnus/texte.ly
new file mode 100644
index 0000000..cef06f7
--- /dev/null
+++ b/hr/stch/fertig/brevis_leavitt/agnus/texte.ly
@@ -0,0 +1,36 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ Oo
+ mi -- se -- re -- re no -- bis.
+ Ag -- nus De -- i
+ Ag -- nus De -- i
+ Ag -- nus De -- i
+ mi -- se -- re -- re no -- bis.
+ Ag -- nus De -- i
+ Ag -- nus De -- i
+ qui tol -- lis pec -- ca -- ta mun -- di
+ do -- na no -- bis pa -- cem
+ A -- men,
+ A -- men.
+ A -- men.
+ A -- men.
+ }
+
diff --git a/hr/stch/fertig/brevis_leavitt/gloria/a.midi b/hr/stch/fertig/brevis_leavitt/gloria/a.midi
new file mode 100644
index 0000000..1e1a823
--- /dev/null
+++ b/hr/stch/fertig/brevis_leavitt/gloria/a.midi
Binary files differ
diff --git a/hr/stch/fertig/brevis_leavitt/gloria/b.midi b/hr/stch/fertig/brevis_leavitt/gloria/b.midi
new file mode 100644
index 0000000..ae80404
--- /dev/null
+++ b/hr/stch/fertig/brevis_leavitt/gloria/b.midi
Binary files differ
diff --git a/hr/stch/fertig/brevis_leavitt/gloria/dynArt.ly b/hr/stch/fertig/brevis_leavitt/gloria/dynArt.ly
new file mode 100644
index 0000000..30423d4
--- /dev/null
+++ b/hr/stch/fertig/brevis_leavitt/gloria/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/fertig/brevis_leavitt/gloria/gloria.ly b/hr/stch/fertig/brevis_leavitt/gloria/gloria.ly
new file mode 100644
index 0000000..22267b7
--- /dev/null
+++ b/hr/stch/fertig/brevis_leavitt/gloria/gloria.ly
@@ -0,0 +1,80 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Gloria in excelsis Deo"
+ composer = "John Leavitt"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \RemoveEmptyStaves
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ \override VerticalAxisGroup #'remove-first = ##t
+ }
+ }
+
+ #(set-global-staff-size 17)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \generalPausen
+ \frauenPausen
+ \new Voice = "soprane" { \voiceOne \sopranMelodie }
+ \new Voice = "alti" { \voiceTwo \altMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \bassMelodie }
+ \addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \set Score.skipBars = ##t
+ \new Staff = sopran \with {
+ fontSize = #-3
+ \override StaffSymbol #'staff-space = #(magstep -3)
+ }{ \global \sop }
+ %\new Staff = alt { \global \alt }
+ \new Staff = tenor \with {
+ fontSize = #-3
+ \override StaffSymbol #'staff-space = #(magstep -3)
+ }{ \global \ten }
+ \new Staff = bass { \global \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/fertig/brevis_leavitt/gloria/midi.lua b/hr/stch/fertig/brevis_leavitt/gloria/midi.lua
new file mode 100644
index 0000000..e22ba8e
--- /dev/null
+++ b/hr/stch/fertig/brevis_leavitt/gloria/midi.lua
@@ -0,0 +1,51 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ \unfoldRepeats
+]]
+
+post=[[
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 120 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/fertig/brevis_leavitt/gloria/s.midi b/hr/stch/fertig/brevis_leavitt/gloria/s.midi
new file mode 100644
index 0000000..c28a534
--- /dev/null
+++ b/hr/stch/fertig/brevis_leavitt/gloria/s.midi
Binary files differ
diff --git a/hr/stch/fertig/brevis_leavitt/gloria/stimmen.ly b/hr/stch/fertig/brevis_leavitt/gloria/stimmen.ly
new file mode 100644
index 0000000..115f6de
--- /dev/null
+++ b/hr/stch/fertig/brevis_leavitt/gloria/stimmen.ly
@@ -0,0 +1,338 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key aes \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 6/8
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ generalPausen = {
+ R1*6/8*2
+ s2.*7
+ R1*6/8*3
+ \break
+ s2.*8
+ \break
+ s2.*4
+ s2.*4
+ \break
+ R1*2/4*4
+ s2*4
+ \pageBreak
+ s2*4
+ R1*2/4*2
+ s2*4
+ \break
+ s2*5
+ s2*2
+ s2*2
+ \break
+ R1*6/8*2
+ s2.*8
+ \break
+ s2.*4
+ s2.*4
+ \break
+ R1*6/8*2
+ s2.*10
+ }
+ frauenPausen = {
+ s2.*2
+ s2.*7
+ s2.*3
+ %
+ s2.*8
+ %
+ R1*6/8*4
+ s2.*4
+ %
+ s2*4
+ s2*4
+ %
+ s2*4
+ s2*2
+ s2*4
+ %
+ s2*5
+ R1*2/4*2
+ s2*2
+ %
+ s2.*2
+ s2.*8
+ R1*6/8*4
+ s2.*4
+ s2.*2
+ s2.*10
+ }
+ upper = \relative c'' {
+ aes8. aes16 aes8 ees8. ees16 ees'8
+ d8.( c16) aes8 bes8 c8 d8
+ }
+ lower = \relative c' {
+ ees8. ees16 ees8 aes,8. aes16 aes'8
+ bes8.( aes16) fes8 ges8 aes8 bes8
+ }
+ braceS = \relative c' {
+ s1*6/8*2
+ aes'8. aes16 aes8 ees8. ees16 ees'8
+ d8.( c16) bes8 c8 c4
+ aes8. aes16 aes8 ees8. ees16 ees'8
+ d8.( c16) bes8 c8 c4
+ \upper
+ }
+ braceA = \relative c' {
+ s1*6/8*4
+ ees8. ees16 ees8 aes,8. aes16 aes'8
+ bes8.( aes16) ges8 aes8 aes4
+ \lower
+ }
+ braceT = \relative c' {
+ R1*6/8*6
+ \transpose c c, \upper
+ }
+ braceB = \relative c' {
+ R1*6/8*6
+ \transpose aes' aes \lower
+ }
+ frauenIs = \relative c' {
+ ees4 aes8 aes4.
+ s2.
+ c8.( des16) ees8 ees8( des8) c8
+ bes4. bes4.
+ aes4 ees8 ees4.
+ s2.
+ c8.( des16) ees8 ees8( f8) g8
+ f4. f4.
+ s1*6/8*4
+ ges4 ges8 ~ ges8 aes8 bes8
+ aes4 des8 ~ des4.
+ des4 c8 ~ c8 aes4
+ }
+ frauenIa = \relative c' {
+ s2.
+ ees4 bes'8 bes4.
+ s2.
+ bes8.( aes16) ges8 f8 ges8 aes8
+ aes4 r8 r4.
+ aes4 des,8 des4.
+ c8.( des16) ees8 ees4 ees8
+ c4. c4.
+ s1*6/8*4
+ bes4 bes8 ~ bes8 c8 des8
+ des4 aes'8 ~ aes4.
+ f4 ees8 ~ ees8 f4
+ }
+ maennerI = \relative c' {
+ c4. bes4.
+ bes4. a4.
+ f4 f8 ~ f8 g8 aes8
+ g4( c8 ~ c8) g4
+ f4( bes8 ~ bes8) f4
+ ees2.
+ ges4. des4.
+ f2.
+ }
+ maennerT = \relative c' {
+ r4 r8 r8 c8 c8
+ des4 r8 r8 ees8 ees8
+ ees4. c4.
+ des2.
+ c4 r8 r8 c8 c8
+ des4 r8 r8 des8 des8
+ \maennerI
+ aes4 bes8 ~ bes8 c4
+ aes4.( g4.)
+ }
+ maennerB = \relative c {
+ r4 r8 r8 ees8 ees8
+ f4 r8 r8 g8 g8
+ aes4. g4.
+ ges4.( f4.)
+ f4 r8 r8 f8 f8
+ f4 r8 r8 des'8 des8
+ \maennerI
+ bes,4 c8 ~ c8 des4
+ ees2.
+ }
+ frauenII = \relative c'' {
+ s2*4
+ aes8 ees16 ees16 f8 c16 c16
+ des8 f16 f16 ees8 bes'16 bes16
+ aes8 ees8 f16 c16 c16 c16
+ des8 f8 ees4
+ \bar "||"
+ \key c \major
+ c'8 g16 g16 a8 e16 e16
+ f8 a16 a16 g8 d'16 d16
+ c8 g8 a16 e16 e16 e16
+ f8 a8 g4
+ s2*2
+ a8 b16 c16 b8 c16 d16
+ c8( g8) g4
+ c8 b16( a16) b16( a16) g8
+ e8. e16 e4
+ ees4 f4
+ f2
+ g4 f4
+ f2
+ }
+ maennerII = \relative c' {
+ R2*4
+ c8 aes16 aes16 bes8 ees,16 ees16
+ f8 aes16 aes16 bes8 g16 g16
+ c8 aes8 bes16 ees,16 ees16 ees16
+ f8 aes8 bes4
+ \bar "||"
+ \key c \major
+ r4 c8 g16 g16
+ a8 f16 f16 g8 g16 g16
+ r8 g16 g16 c8( g8)
+ a8( f8) g4
+ R2*2
+ c4 d4
+ e2
+ }
+ maennerIII = \relative c' {
+ g8 a16 bes16 a8 bes16 c16
+ bes8( f8) f4
+ bes8 a16( g16) a16( bes16) c8
+ }
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ \braceS
+ ees'2.
+ s1*6/8*3
+ \frauenIs
+ bes2.
+ %\mark \markup { "4. -- > 4" }
+ \time 2/4
+ \frauenII
+ bes8( f'8) f4
+ s2*2
+ ees4 d4
+ bes4 c4
+ \bar "||"
+ \time 6/8
+ \key bes \major
+ s1*6/8*2
+ \transpose aes bes \frauenIs
+ c2.
+ \bar "||"
+ \key c \major
+ \transpose aes c' \braceS
+ g'2. ~
+ g2. ~
+ g2. ~
+ g2.
+ \bar "|."
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ \braceA
+ aes'2.
+ s1*6/8*3
+ \frauenIa
+ ees2.
+ \frauenII
+ bes'8( f8) f4
+ s2*2
+ g4 f4
+ ees4 ees4
+ \key bes \major
+ s1*6/8*2
+ \transpose aes bes \frauenIa
+ ees2.
+ \key c \major
+ \transpose aes c' \braceA
+ c'2. ~
+ c2. ~
+ c2. ~
+ c2.
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ \braceT
+ c2.
+ R1*6/8*3
+ \maennerT
+ \maennerII
+ f4 e4
+ c2
+ \maennerIII
+ b8 f'8 f4
+ b,8( f'8) f4
+ R2*2
+ bes,4 a4
+ g4 a4
+ \key bes \major
+ R1*6/8*2
+ \transpose aes bes \maennerT
+ \key c \major
+ \transpose aes c' \braceT
+ e'2. ~
+ e2. ~
+ e2. ~
+ e2.
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ \braceB
+ aes'2.
+ R1*6/8*3
+ \maennerB
+ \maennerII
+ c4 b4
+ b4( a4)
+ \maennerIII
+ b8 f8 f4
+ b8( f8) f4
+ c'8 c8 c8 c8
+ c8 c8 c8 c8
+ f,8 f8 f8 f8
+ f8 f8 f8 f8
+ \key bes \major
+ R1*6/8*2
+ \transpose aes bes \maennerB
+ \key c \major
+ \transpose aes c' \braceB
+ c'2. ~
+ c2. ~
+ c2. ~
+ c2.
+ }
+ >>
+ }
+
diff --git a/hr/stch/fertig/brevis_leavitt/gloria/t.midi b/hr/stch/fertig/brevis_leavitt/gloria/t.midi
new file mode 100644
index 0000000..3cbe02a
--- /dev/null
+++ b/hr/stch/fertig/brevis_leavitt/gloria/t.midi
Binary files differ
diff --git a/hr/stch/fertig/brevis_leavitt/gloria/texte.ly b/hr/stch/fertig/brevis_leavitt/gloria/texte.ly
new file mode 100644
index 0000000..16d84f8
--- /dev/null
+++ b/hr/stch/fertig/brevis_leavitt/gloria/texte.ly
@@ -0,0 +1,43 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ Glo -- ri -- a, Glo -- ri -- a in ex -- cel -- sis De -- o!
+ Glo -- ri -- a in ex -- cel -- sis De -- o.
+ Glo -- ri -- a in ex -- cel -- sis De -- o.
+ Et in ter -- ra pax ho -- mi -- ni -- bus,
+ ter -- ra pax ho -- mi -- ni -- bus.
+ Lau -- da -- mus te. Be -- ne -- di -- ci -- mus te.
+ A -- do -- ra -- mus te. Glo -- ri -- fi -- ca -- mus te.
+ Lau -- da -- mus te. Be -- ne -- di -- ci -- mus,
+ A -- do -- ra -- mus te.
+ Gra -- ti -- as, gra -- ti -- as,
+ Gra -- ti -- as a -- gi -- mus ti -- bi
+ prop -- ter mag -- nam glo -- ri -- am tu -- am.
+ Al -- le -- lu -- ia,
+ Al -- le -- lu -- ia,
+ Al -- le -- lu -- ia,
+ Al -- le -- lu -- ia.
+ Glo -- ri -- a in ex -- cel -- sis De -- o.
+ Glo -- ri -- a in ex -- cel -- sis De -- o.
+ Et in ter -- ra pax ho -- mi -- ni -- bus,
+ ter -- ra pax ho -- mi -- ni -- bus.
+ Glo -- ri -- a, Glo -- ri -- a in ex -- cel -- sis De -- o!
+ }
+
diff --git a/hr/stch/fertig/brevis_leavitt/kyrie/a.midi b/hr/stch/fertig/brevis_leavitt/kyrie/a.midi
new file mode 100644
index 0000000..382da5e
--- /dev/null
+++ b/hr/stch/fertig/brevis_leavitt/kyrie/a.midi
Binary files differ
diff --git a/hr/stch/fertig/brevis_leavitt/kyrie/b.midi b/hr/stch/fertig/brevis_leavitt/kyrie/b.midi
new file mode 100644
index 0000000..c0c708a
--- /dev/null
+++ b/hr/stch/fertig/brevis_leavitt/kyrie/b.midi
Binary files differ
diff --git a/hr/stch/fertig/brevis_leavitt/kyrie/dynArt.ly b/hr/stch/fertig/brevis_leavitt/kyrie/dynArt.ly
new file mode 100644
index 0000000..30423d4
--- /dev/null
+++ b/hr/stch/fertig/brevis_leavitt/kyrie/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/fertig/brevis_leavitt/kyrie/kyrie.ly b/hr/stch/fertig/brevis_leavitt/kyrie/kyrie.ly
new file mode 100644
index 0000000..6d4052a
--- /dev/null
+++ b/hr/stch/fertig/brevis_leavitt/kyrie/kyrie.ly
@@ -0,0 +1,79 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Kyrie eleison"
+ composer = "John Leavitt"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \RemoveEmptyStaves
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ \override VerticalAxisGroup #'remove-first = ##t
+ }
+ }
+
+ #(set-global-staff-size 17)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \generalPausen
+ \new Voice = "soprane" { \sopranMelodie }
+ \new Voice = "alti" { \altMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \bassMelodie }
+ \addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \set Score.skipBars = ##t
+ \new Staff = sopran \with {
+ fontSize = #-3
+ \override StaffSymbol #'staff-space = #(magstep -3)
+ }{ \global \sop }
+ %\new Staff = alt { \global \alt }
+ \new Staff = tenor \with{
+ fontSize = #-3
+ \override StaffSymbol #'staff-space = #(magstep -3)
+ }{ \global \ten }
+ \new Staff = bass { \global \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/fertig/brevis_leavitt/kyrie/midi.lua b/hr/stch/fertig/brevis_leavitt/kyrie/midi.lua
new file mode 100644
index 0000000..e22ba8e
--- /dev/null
+++ b/hr/stch/fertig/brevis_leavitt/kyrie/midi.lua
@@ -0,0 +1,51 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ \unfoldRepeats
+]]
+
+post=[[
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 120 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/fertig/brevis_leavitt/kyrie/s.midi b/hr/stch/fertig/brevis_leavitt/kyrie/s.midi
new file mode 100644
index 0000000..7cf8c18
--- /dev/null
+++ b/hr/stch/fertig/brevis_leavitt/kyrie/s.midi
Binary files differ
diff --git a/hr/stch/fertig/brevis_leavitt/kyrie/stimmen.ly b/hr/stch/fertig/brevis_leavitt/kyrie/stimmen.ly
new file mode 100644
index 0000000..c69e0eb
--- /dev/null
+++ b/hr/stch/fertig/brevis_leavitt/kyrie/stimmen.ly
@@ -0,0 +1,267 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key a \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 3/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ generalPausen = {
+ s2.*19
+ s4 r4 r4
+ %
+ s2.*6
+ r2.
+ r2.
+ s2.*6
+ %
+ s2.*14
+ R2.*4
+ s2.*10
+ }
+ uniOne = \relative c' {
+ e2.
+ f2.
+ g4. g8 g4
+ g2.
+ e2.
+ f2.
+ \key a \major
+ }
+ uniTwoW = \relative c' {
+ e8( d8) cis4 e4
+ fis4( b4) a4
+ cis2. ~
+ cis2.
+ }
+ uniTwoM = \relative c {
+ cis'8( d8) cis4 a4
+ b2 b8( cis8)
+ d2 cis8( a8)
+ e2.
+ cis'8( b8) a4 cis4
+ d2 d4
+ cis2. ~
+ cis2.
+ }
+ uniThreeM = \relative c' {
+ cis8( b8) a4 a4
+ e2 e4
+ }
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ \oneVoice
+ R1*3/4*4
+ e8( d8) cis4 e4
+ fis4( b4) a4
+ cis,2.
+ r2.
+ e8( d8) cis4 e4
+ fis4( b4) a4
+ cis2.
+ r4 r4 a8( b8)
+ \break
+ \voiceOne
+ cis8( d8 cis4) a4
+ b2 b8( cis8)
+ d2 cis8( a8)
+ e2 cis'8 d8
+ e2.
+ e2.
+ e2. ~
+ e4 s4 s4
+ \bar "||"
+ \break
+ \key a \minor
+ a,4 a2
+ g4 g2
+ f4 f4 f4
+ e2 c4
+ f2 e8( f8)
+ d2.
+ s2.
+ s2.
+ \uniOne
+ \bar "||"
+ \break
+ e4. e8 e4
+ e2.
+ a4 a2
+ gis4 gis2
+ fis4 fis4 fis4
+ e2.
+ \uniTwoW
+ \break
+ a2.
+ gis2.
+ fis4 fis4 e4
+ e2.
+ s2.*4
+ e8( d8) cis2
+ d2.
+ e8( d8) cis2
+ d2.
+ e8( d8) cis4 e4
+ fis4( a4) gis4
+ a2. ~
+ a2. ~
+ a2. ~
+ a2.
+ \bar "|."
+ }
+ >>
+ }
+
+ altMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ s2.*12
+ \voiceTwo
+ a8. a16 a2
+ g4 g2
+ fis8. fis16 fis2
+ e4 e2
+ e8( d8) cis4 e4
+ fis4( b4) a4
+ cis2. ~
+ cis4 s4 s4
+ %
+ \key a \minor
+ e,4 e2
+ e4 e2
+ d4 d4 d4
+ c2 c4
+ d2 d4
+ d2.
+ s2.
+ s2.
+ \uniOne
+ %
+ e4. e8 e4
+ e2.
+ fis4 fis2
+ d4 d2
+ d4 d4 d4
+ e2.
+ \uniTwoW
+ d2.
+ e2.
+ d4 d4 d4
+ cis2.
+ s2.*4
+ R2.*2
+ e8( d8) cis2
+ d2.
+ e8( d8) cis4 cis4
+ d2 d4
+ cis2.(
+ d2.
+ cis2. ~
+ cis2.)
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ R1*3/4*12
+ cis8. cis16 cis2
+ d4 d2
+ d8. d16 d2
+ d4 d2
+ cis8( b8) a4 cis4
+ d2 d4
+ e2. ~
+ e4 r4 r4
+ %
+ \key a \minor
+ c8( b8) a4 c4
+ b4 g2
+ f8( g8) a4 b4
+ g2 c4
+ bes2 bes4
+ c4( b2)
+ r2.
+ r2.
+ \transpose c c, \uniOne
+ %
+ e,4. e8 e4
+ e2.
+ \uniTwoM
+ fis2.
+ gis2.
+ a4 a4 gis4
+ a2.
+ R1*3/4*8
+ \uniThreeM
+ e2.(
+ fis2.
+ e2. ~
+ e2.)
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ R1*3/4*12
+ fis8. fis16 fis2
+ g4 g2
+ b8. b16 b2
+ e,4 e2
+ a2.
+ a,2.
+ a'2. ~
+ a4 r4 r4
+ %
+ \key a \minor
+ c8( b8) a4 c4
+ b4 g2
+ f8( g8) a4 b4
+ g2 c4
+ f,2 f4
+ g2.
+ r2.
+ r2.
+ \transpose c c, \uniOne
+ %
+ e4. e8 e4
+ e2.
+ \uniTwoM
+ d2.
+ cis2.
+ b4 b4 e4
+ a2.
+ R1*3/4*8
+ \uniThreeM
+ a,2. ~
+ a2. ~
+ a2. ~
+ a2.
+ }
+ >>
+ }
+
diff --git a/hr/stch/fertig/brevis_leavitt/kyrie/t.midi b/hr/stch/fertig/brevis_leavitt/kyrie/t.midi
new file mode 100644
index 0000000..f15e78c
--- /dev/null
+++ b/hr/stch/fertig/brevis_leavitt/kyrie/t.midi
Binary files differ
diff --git a/hr/stch/fertig/brevis_leavitt/kyrie/texte.ly b/hr/stch/fertig/brevis_leavitt/kyrie/texte.ly
new file mode 100644
index 0000000..05e777c
--- /dev/null
+++ b/hr/stch/fertig/brevis_leavitt/kyrie/texte.ly
@@ -0,0 +1,35 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ Ky -- ri -- e~e -- lei -- son.
+ Ky -- ri -- e~e -- lei -- son.
+ e -- lei -- son.
+ Chris -- te e -- lei -- son,
+ e -- le -- i -- son,
+ e -- le -- i -- son.
+ Al -- le, Al -- le -- lu -- ia.
+ Al -- le, Al -- le -- lu -- ia.
+ Chris -- te~e -- lei -- son
+ e -- le -- i -- son.
+ Chris -- te e -- le -- i -- son.
+ Al -- le, Al -- le -- lu -- ia.
+ Ky -- ri -- e~e -- le -- i -- son.
+ }
+
diff --git a/hr/stch/fertig/brevis_leavitt/sanctus/a.midi b/hr/stch/fertig/brevis_leavitt/sanctus/a.midi
new file mode 100644
index 0000000..980fe48
--- /dev/null
+++ b/hr/stch/fertig/brevis_leavitt/sanctus/a.midi
Binary files differ
diff --git a/hr/stch/fertig/brevis_leavitt/sanctus/b.midi b/hr/stch/fertig/brevis_leavitt/sanctus/b.midi
new file mode 100644
index 0000000..a0ab61b
--- /dev/null
+++ b/hr/stch/fertig/brevis_leavitt/sanctus/b.midi
Binary files differ
diff --git a/hr/stch/fertig/brevis_leavitt/sanctus/dynArt.ly b/hr/stch/fertig/brevis_leavitt/sanctus/dynArt.ly
new file mode 100644
index 0000000..30423d4
--- /dev/null
+++ b/hr/stch/fertig/brevis_leavitt/sanctus/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/fertig/brevis_leavitt/sanctus/midi.lua b/hr/stch/fertig/brevis_leavitt/sanctus/midi.lua
new file mode 100644
index 0000000..e22ba8e
--- /dev/null
+++ b/hr/stch/fertig/brevis_leavitt/sanctus/midi.lua
@@ -0,0 +1,51 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ \unfoldRepeats
+]]
+
+post=[[
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 120 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/fertig/brevis_leavitt/sanctus/s.midi b/hr/stch/fertig/brevis_leavitt/sanctus/s.midi
new file mode 100644
index 0000000..4a1955f
--- /dev/null
+++ b/hr/stch/fertig/brevis_leavitt/sanctus/s.midi
Binary files differ
diff --git a/hr/stch/fertig/brevis_leavitt/sanctus/sanctus.ly b/hr/stch/fertig/brevis_leavitt/sanctus/sanctus.ly
new file mode 100644
index 0000000..0c1a223
--- /dev/null
+++ b/hr/stch/fertig/brevis_leavitt/sanctus/sanctus.ly
@@ -0,0 +1,80 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Festival sanctus"
+ composer = "John Leavitt"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \RemoveEmptyStaves
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ \override VerticalAxisGroup #'remove-first = ##t
+ }
+ }
+
+ #(set-global-staff-size 16)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \generalPausen
+ \frauenPausen
+ \new Voice = "soprane" { \voiceOne \sopranMelodie }
+ \new Voice = "alti" { \voiceTwo \altMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \bassMelodie }
+ \addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \set Score.skipBars = ##t
+ \new Staff = sopran \with {
+ fontSize = #-3
+ \override StaffSymbol #'staff-space = #(magstep -3)
+ }{ \global \sop }
+ %\new Staff = alt { \global \alt }
+ \new Staff = tenor \with{
+ fontSize = #-3
+ \override StaffSymbol #'staff-space = #(magstep -3)
+ }{ \global \ten }
+ \new Staff = bass { \global \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/fertig/brevis_leavitt/sanctus/stimmen.ly b/hr/stch/fertig/brevis_leavitt/sanctus/stimmen.ly
new file mode 100644
index 0000000..e1b1b74
--- /dev/null
+++ b/hr/stch/fertig/brevis_leavitt/sanctus/stimmen.ly
@@ -0,0 +1,405 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key a \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ generalPausen = {
+ r1
+ s1
+ s1*4
+ \break
+ r1
+ s1
+ s1*4
+ r1
+ r1
+ r1
+ \break
+ s1*8
+ \break
+ %
+ s1*4
+ s2.*2
+ s1*4
+ \break
+ s1*3
+ s1*3
+ s1*10/8*4
+ R1*3
+ s1*8
+ \break
+ s1*8
+ \break
+ %
+ s1*4
+ s2.*3
+ s1
+ s1*10/8*4
+ %\time 4/4
+ s2 r2
+ }
+ frauenPausen = {
+ s1
+ r1
+ s1*4
+ s1
+ r1
+ s1*4
+ s1
+ s1
+ s1
+ s1*8
+ %
+ s1*4
+ s2.*2
+ s1*4
+ R1*3
+ s1*3
+ s1*10/8*4
+ s1*3
+ s1*16
+ %
+ r1 s1 r1 s1
+ s2.*3
+ s1
+ s1*10/8*4
+ s1
+ }
+ frauenI = \relative c'' {
+ a8( b8 cis8) d8 ~ d8 cis4 b8
+ d4 cis4 b4 a4
+ a8( b8 cis8) d8 ~ d8 d8 cis8 b8
+ }
+ maennerI = \relative c' {
+ a4. a8 ~ a4 a4
+ a4. a8 ~ a4 a4
+ a4. a8 ~ a8 a8 a8 a8
+ }
+ frauenII = \relative c' {
+ fis8( gis8) a8 e8 ~ e8 a4 d8( ~
+ d8 cis8) b8 a8 ~ a8 e4.
+ fis4. e8 ~ e4 cis4 ~
+ cis2. a'4
+ }
+ maennerII = \relative c' {
+ d4 d8 cis8 ~ cis8 cis4 a8 ~
+ a4 b8 cis8 ~ cis8 cis4.
+ d4. b8 ~ b4 a4 ~
+ a2.
+ }
+ frauenIII = \relative c' {
+ d8( e8 fis8) g8 ~ g8 fis4 e8
+ g4 fis4 e4 d4
+ d8( e8 fis8) g8 ~ g8 g8 fis8 e8
+ }
+ maennerIII = \relative c {
+ fis8( g8 a8) b8 ~ b8 a4 g8
+ b4 a4 g4 fis4
+ fis8( g8 a8) b8 ~ b8 b8 a8 g8
+ }
+ commonIV = \relative c' {
+ a8( b8 cis8) d8 ~ d8 cis4 b8
+ d4 cis4 b4 a4
+ a8( b8 cis8) d8 ~ d8 d8 cis8 b8
+ }
+ oberIV = \relative c' {
+ b4. b8 ~ b4 b4
+ b4. b8 ~ b4 b4
+ b4. b8 ~ b8 b8 b8 b8
+ b4 b2.
+ \commonIV
+ e4 e2.
+ }
+ unterIV = \relative c' {
+ e8( fis8 gis8) a8 ~ a8 gis4 fis8
+ a4 gis4 fis4 e4
+ e8( fis8 gis8) a8 ~ a8 a8 gis8 fis8
+ b4 b2.
+ \transpose c c' \commonIV
+ a4 a2.
+ a4. a8 ~ a4 a4
+ a4. a8 ~ a4 a4
+ a4. a8 ~ a8 a8 a8 a8
+ }
+ frauenV = \relative c' {
+ b8 cis8 d8 cis8( d8) e8
+ dis8 e8 fis8 eis8( fis8) gis8
+ fis8 gis8 a8 gis8( a8) b8
+ \time 4/4
+ a8. a16 a2 r4
+ }
+ oberVI = \relative c' {
+ R1*10/8
+ d8 cis8 a8 c8 b8 g8 a4 a4
+ a4. b4. c2
+ d4. e4.
+ }
+ unterVI = \relative c' {
+ a8 gis8 e8 g8 fis8 d8 e4 e4
+ d8 cis8 a8 c8 b8 g8 a4 a4
+ a'8 gis8 e8 g8( fis8) d8 e4 e4
+ d'8 cis8 a8 c8( b8) g8
+ }
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ s1*2
+ d'4 cis2 \times 2/3 { b8 a8 b8 }
+ d4 cis2 \times 2/3 { b8 a8 b8 }
+ d4 cis2( d4)
+ e8. e16 e2.
+ s1*2
+ d4 cis2 \times 2/3 { b8 a8 b8 }
+ d4 cis2 \times 2/3 { b8 a8 b8 }
+ d4 cis2( d4)
+ e8. e16 e2.
+ s1
+ \repeat volta 2 {
+ s1*2
+ }
+ \frauenI
+ e4 e2.
+ \frauenI
+ e4 e2.
+ \bar "||"
+ \mark \markup { \smaller \musicglyph #"scripts.segno" }
+ \frauenII
+ \time 6/8
+ a,8( gis8) fis8 e4.
+ d'8( cis8) b8 a4.
+ \time 4/4
+ b4 b2.
+ b4 b2.
+ a4 a2. ~
+ a1
+ \once \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
+ \mark \markup { \smaller \musicglyph #"scripts.coda" }
+ s1*3
+ cis4. d8 ~ d4 b4 ~
+ b8 cis4. a4. b8 ~
+ b4 \times 2/3 { b8 a8 b8 } cis4 cis4
+ \time 10/8
+ R1*10/8
+ d8 cis8 a8 c8 b8 g8 a4 a4
+ a4. b4. c2
+ d4. e4. f4( g4)
+ \time 4/4
+ s1*3
+ \frauenIII
+ a,4 a2.
+ \transpose c c' \oberIV
+ a8( b8 cis8) d8 ~ d8 cis4 b8
+ d4 cis4 b4 a4
+ a8( b8 cis8) d8 ~ d8 d8 cis8 b8
+ e4^\markup { "D.S. al Coda" } e2.
+ \bar "||"
+ \mark \markup { \smaller \musicglyph #"scripts.coda" }
+ s1
+ d4 cis2.
+ s1
+ cis4 b2.
+ \time 6/8
+ \frauenV
+ \time 10/8
+ \transpose d d' \oberVI f'4( g4)
+ a4 a4 s2
+ \bar "|."
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ s1*2
+ b'4 a2 \times 2/3 { a8 g8 a8 }
+ b4 a2 \times 2/3 { a8 g8 a8 }
+ b4 a2( b4)
+ a8. a16 a2.
+ s1*2
+ b4 a2 \times 2/3 { a8 g8 a8 }
+ b4 a2 \times 2/3 { a8 g8 a8 }
+ b4 a2( b4)
+ g8. g16 g2.
+ s1
+ \repeat volta 2 {
+ s1*2
+ }
+ \frauenI
+ a4 a2.
+ cis,8( d8 e8) fis8 ~ fis8 e4 d8
+ fis4 e4 d4 cis4
+ cis8( d8 e8) fis8 ~ fis8 fis8 e8 d8
+ g4 g2.
+ \frauenII
+ a8( gis8) fis8 e4.(
+ g4.) a8 g8 fis8
+ g4 g2.
+ g4 g2.
+ a4 a2. ~
+ a1
+ s1*3
+ a4. a8 ~ a4 g4 ~
+ g8 a4. f4. g8 ~
+ g4 \times 2/3 { g8 f8 g8 } a4 a4
+ a8 gis8 e8 g8 fis8 d8 e4 e4
+ d8 cis8 a8 c8 b8 g8 a4 a4
+ a'8 gis8 e8 g8 fis8 d8 e4 e4
+ d'8 cis8 a8 c8 b8 g8 a4( b4)
+ s1*3
+ \frauenIII
+ d,4 d2.
+ \unterIV
+ g4 g2.
+ s1
+ b4 a2.
+ s1
+ a4 g2.
+ \frauenV
+ \transpose a a' \unterVI a4( <b d>4)
+ <a e'>4 q4 s2
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ R1
+ r2 fis4 e4 ~
+ e2. \times 2/3 { e8 d8 e8 }
+ fis4 e2 \times 2/3 { e8 d8 e8 }
+ fis4 e2( fis4)
+ cis8. cis16 cis2.
+ R1
+ r2 fis4 e4 ~
+ e2. \times 2/3 { e8 d8 e8 }
+ fis4 e2 \times 2/3 { e8 d8 e8 }
+ fis4 e2( fis4)
+ e8. e16 e2.
+ R1
+ \repeat volta 2 {
+ R1*2
+ }
+ R1*4
+ \maennerI
+ e4 e2.
+ \maennerII a,4
+ fis'8 e8 d8 cis4.(
+ d4.) fis8 e8 d8
+ d4 d2.
+ e4 e2.
+ a,4 a2. ~
+ a1
+ cis4. d8 ~ d4 b4 ~
+ b8 cis4. a4. b8 ~
+ b4 \times 2/3 { b8 a8 b8 } cis4 cis4
+ e4. fis8 ~ fis4 d4 ~
+ d8 e4. c4. d8 ~
+ d4 \times 2/3 { d8 cis8 d8 } e4 e4
+ R1*10/8
+ d8 cis8 a8 c8 b8 g8 a4 a4
+ a4. b4. c2
+ d4. e4. f4( d4)
+ R1*3
+ \maennerIII
+ d4 d2.
+ \oberIV
+ cis8( d8 e8) fis8 ~ fis8 e4 d8
+ fis4 e4 d4 cis4
+ cis8( d8 e8) fis8 ~ fis8 fis8 e8 d8
+ e4 e2.
+ r2 fis4 e4 ~
+ e1
+ r2 e4 d4 ~
+ d1
+ R1*6/8
+ b8 cis8 dis8 cis8( dis8) eis8
+ fis4. e4.
+ e2. r4
+ \oberVI f4( d4)
+ e4 e4 r2
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ R1
+ b'4 a2. ~
+ a2. \times 2/3 { a8 a8 a8 }
+ a4 a2 \times 2/3 { a8 a8 a8 }
+ a4 a2.
+ a8. a16 a2.
+ R1
+ b4 a2. ~
+ a2. \times 2/3 { a8 a8 a8 }
+ a4 a2 \times 2/3 { a8 a8 a8 }
+ a4 a2.
+ c8. c16 c2.
+ R1
+ \repeat volta 2 {
+ R1*2
+ }
+ R1*4
+ \maennerI
+ c4 c2.
+ \maennerII r4
+ r4. cis8 b8 a8
+ b8 a8 g8 d4.
+ g4 g2.
+ e4 e2.
+ a4 a2. ~
+ a1
+ a4. fis8 ~ fis4 g4 ~
+ g8 e4. f4. d8 ~
+ d4 \times 2/3 { g8 f8 g8 } a4 a4
+ a4. a8 ~ a4 a4 ~
+ a8 a4. a4. a8 ~
+ a4 \times 2/3 { a8 a8 a8 } a4 a4
+ a8 gis8 e8 g8 fis8 d8 e4 e4
+ d8 cis8 a8 c8 b8 g8 a4 a4
+ a'8 gis8 e8 g8 fis8 d8 e4 e4
+ d'8 cis8 a8 c8 b8 g8 a4( b4)
+ R1*3
+ \maennerIII
+ d,4 d2.
+ \transpose c c, \unterIV
+ c'4 c2.
+ b4 a2. ~
+ a1
+ a4 g2. ~
+ g1
+ R1*6/8*2
+ a8 b8 cis8 b8( cis8) d8
+ cis8. cis16 cis2 r4
+ \unterVI a4( b4)
+ a4 a4 r2
+ }
+ >>
+ }
+
diff --git a/hr/stch/fertig/brevis_leavitt/sanctus/t.midi b/hr/stch/fertig/brevis_leavitt/sanctus/t.midi
new file mode 100644
index 0000000..14cc685
--- /dev/null
+++ b/hr/stch/fertig/brevis_leavitt/sanctus/t.midi
Binary files differ
diff --git a/hr/stch/fertig/brevis_leavitt/sanctus/texte.ly b/hr/stch/fertig/brevis_leavitt/sanctus/texte.ly
new file mode 100644
index 0000000..720c462
--- /dev/null
+++ b/hr/stch/fertig/brevis_leavitt/sanctus/texte.ly
@@ -0,0 +1,54 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ pleni = \lyricmode {
+ Ple -- ni sunt cœ -- li et ter -- ra
+ Glo -- ri -- a Glo -- ri -- a tu -- a
+ }
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ \repeat unfold 2 {
+ Sanc -- tus
+ Do -- mi -- nus De -- us
+ Do -- mi -- nus De -- us
+ Sa -- ba -- oth!
+ }
+ Ho -- san -- na Ho -- san -- na Ho -- san -- na in ex -- cel -- sis!
+ Be -- ne -- dic -- tus Be -- ne -- dic -- tus qui ve -- nit
+ no -- mi -- ne Do -- _ mi -- ne De -- i De -- i De -- i.
+ \repeat unfold 2 {
+ Sanc -- tus Sanc -- tus Sanc -- tus
+ Do -- mi -- nus De -- us
+ }
+ \pleni
+ Ple -- ni sunt cœ -- li et ter -- ra
+ Glo -- ri -- a Glo -- ri -- a tu~a!
+ \repeat unfold 3 {
+ Ho -- san -- na Ho -- san -- na De -- o
+ Ho -- san -- na in ex -- cel -- sis!
+ }
+ Ho -- san -- na Ho -- san -- na
+ Ho -- san -- na in ex -- cel -- sis!
+ Sanc -- tus Sanc -- tus
+ Do -- mi -- nus De -- us Sa -- ba -- oth!
+ \pleni
+ Ho -- san -- na in ex -- cel -- sis
+ Ho -- san -- na in ex -- cel~sis
+ De -- o!
+ }
+
diff --git a/hr/stch/fertig/canzone/canzone.ly b/hr/stch/fertig/canzone/canzone.ly
new file mode 100644
index 0000000..7264a69
--- /dev/null
+++ b/hr/stch/fertig/canzone/canzone.ly
@@ -0,0 +1,48 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+\version "2.12.1"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Canzone da due soldi"
+ composer = "Musica di C. Conida"
+ opus = "Armonizzazione di C. Riffero"
+ %tagline = ""
+ }
+
+ \paper {
+ %<+weitere Einstellungen+>
+ }
+
+ \midi {
+ %\tempo 4 = <+bpm+>
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 17)
+
+ \score {
+ \new ChoirStaff <<
+ \new Staff = frauen <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \voiceOne \sopranMelodie }
+ \new Voice = "alti" { \global \voiceTwo \altMelodie }
+ \lyricsto soprane \sopranText
+ >>
+ \new Staff = maenner <<
+ \new Voice = "tenoere" { \global \voiceOne \tenorMelodie }
+ \new Voice = "baesse" { \global \voiceTwo \bassMelodie }
+ \new Voice = "bass" { \global \voiceTwo \bassExtra }
+ \lyricsto bass \bassText
+ >>
+ >>
+ }
+
diff --git a/hr/stch/fertig/canzone/canzone.ps b/hr/stch/fertig/canzone/canzone.ps
new file mode 100644
index 0000000..128b616
--- /dev/null
+++ b/hr/stch/fertig/canzone/canzone.ps
Binary files differ
diff --git a/hr/stch/fertig/canzone/stimmen.ly b/hr/stch/fertig/canzone/stimmen.ly
new file mode 100644
index 0000000..e0ee233
--- /dev/null
+++ b/hr/stch/fertig/canzone/stimmen.ly
@@ -0,0 +1,260 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+ global = {
+ \key d \minor
+ \time 4/4
+ }
+
+ meta = {
+ }
+ %{
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ \repeat unfold <+number of parts+> {
+ s4*<+number of measures within a part+> \break
+ }
+ %}
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %%articulation etc.
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ %the actual tune
+ {
+ % E_una
+ a2 gis2
+ \repeat volta 3 {
+ a4 gis4 a4 bes8 a8 ~ a8 d,4. e4 f4
+ a4. g8 ~ g2 ~ g2 r8 g4 fis8
+ g4 fis4 g4 a8 g8 ~ g8 cis,4. d4 e4
+ g4. f8 ~ f2 ~ f2 r8 a4 gis8
+ a4 gis4 a4 bes8 a8 ~ a8 d,4. e4 f4
+ c'4. bes8 ~ bes2 ~ bes2 r8 c4 bes8
+ a4 a4 g4 f8 g8 ~ g8 g4 ~ g8 f8 e4 d8 ~
+ }
+ \alternative {
+ {
+ d1
+ % Du du a
+ d8 r8 d8 e8 r8 a4 gis8
+ }
+ {
+ d1 ~ d8 r8 r4 r4 a'4
+ a8 r8 r4 bes8 r8 bes8 a8 ~ a8 r8 r4 r4 a4
+ a8 r8 r4 bes8 r8 bes8 a8 ~ a8 r8 r4 r4 a4
+ bes8 r8 r4 bes8 r8 bes8 bes8 ~ bes8
+ r8 r4 bes4 bes8 a8 ~ a8 r8 a8 r8 g8 r8 f8 a8 ~ a2
+ % E_una
+ r8 a4 gis8
+ }
+ {
+ \times 2/3 {
+ d8 r8 a'4 bes4 b4 c4 cis4
+ }
+ d8 r8 r4 <<b2 e2>>
+ }
+ }
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %%articulation etc.
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ %the actual tune
+ {
+ % E_una
+ cis2 cis2
+ \repeat volta 3 {
+ d4 d4 cis4 cis8 d8 ~ d8 d4. cis4 d4
+ d4. d8 ~ d2 ~ d2 r8 d4 d8
+ cis4 cis4 cis4 cis8 cis8 ~ cis8 a4. a4 a4
+ d4. d8 ~ d2 ~ d2 r8 cis4 cis8
+ d4 d4 cis4 cis8 d8 ~ d8 d4. cis4 d4
+ a'4. g8 ~ g2 ~ g2 r8 a4 g8
+ f4 f4 e4 d8 d8 ~ d8 d4 ~ d8 cis8 cis4 d8 ~
+ }
+ \alternative {
+ {
+ % Du du a
+ d1 d8 r8 d8 cis8 r8 cis4 cis8
+ }
+ {
+ d2( bes2( a8 ) ) r8 r4 r4 f'4
+ g8 r8 r4 g8 r8 g8 g8 ~ g8 r8 r4 r4 g4
+ f8 r8 r4 f8 r8 f8 f8 ~ f8 r8 r4 r4 a4
+ g8 r8 r4 e8 r8 e8 e8 ~ e8
+ r8 r4 d4 e8 f8 ~ f8 r8 f8 r8 f8 r8 f8 e8 ~ e2
+ r8 cis4 cis8
+ }
+ {
+ \times 2/3 {
+ d8 r8 a4 bes4 b4 c4 cis4
+ }
+ d8 r8 r4 f2
+ }
+ }
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %%articulation etc.
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ %the actual tune
+ {
+ % E_una
+ a2 a2
+ \repeat volta 3 {
+ f4 f4 g4 g8 a8 ~ a8 a4. g4 a4
+ bes4. bes8 ~ bes2 ~ bes2 r8 bes4 bes8
+ a4 a4 a4 a8 a8 ~ a8 a4. a4 a4
+ a4. a8 ~ a2 ~ a2 r8 a4 a8
+ f4 f4 g4 g8 a8 ~ a8 a4. g4 a4
+ g4. g8 ~ g2 ~ g2 r8 g4 g8
+ a4 a4 a4 a8 f8 ~ f8 f4 ~ f8 a8 g4 f8 ~
+ }
+ \alternative {
+ {
+ f1 f8 r8 f8 a8 r8 a4 a8
+ }
+ {
+ f2( g2( f8 ) ) r8 r4 r4 d'4
+ e8 r8 r4 d8 r8 d8 cis8 ~ cis8 r8 r4 r4 cis4
+ d8 r8 r4 d8 r8 d8 d8 ~ d8 r8 r4 r4 d4
+ c8 r8 r4 d8 r8 d8 c8 ~ c8 r8 r4
+ c4 c8 c8 ~ c8 r8 c8 r8 c8 r8 c8 cis8 ~ cis2
+ % E_una
+ r8 a4 a8
+ }
+ {
+ \times 2/3 {
+ f8 r8 a4 bes4 b4 c4 cis4
+ }
+ d8 r8 r4 <<a2 d2>>
+ }
+ }
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %%articulation etc.
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ %the actual tune
+ \clef bass
+ {
+ % E_una
+ a2 a2
+ \repeat volta 3 {
+ d4 d4 e4 e8 f8 ~ f8 f4. e4 d4
+ s2*3 r8 g,4 g8
+ a4 a4 e'4 e8 a,8 ~ a8 a4. b4 cis4
+ s2*3 r8 a4 a8
+ d4 d4 e4 e8 f8 ~ f8 f4. e4 d4
+ s2*3 r8 g4 g8
+ d4 d4 c4 c8 bes8 ~ bes8 bes4 ~ bes8 a8 a4 d8 ~
+ }
+ \alternative {
+ {
+ d2( c2 )
+ % Du du a
+ bes8 r8 bes8 a8 r8 a4 a8
+ }
+ {
+ d1 ~ d8 s8 s4 s2
+ s1*7
+ % E_una
+ s2 r8 a4 a8
+ }
+ %{
+ d4 d4 e4 e8 f8 ~ f8 f4. e4 d4
+ s2*3 r8 g,4 g8
+ a4 a4 e'4 e8 a,8 ~ a8 a4. b4 cis4
+ s2*3 r8 a4 a8
+ d4 d4 e4 e8 f8 ~ f8 f4. e4 d4
+ s2*3 r8 g4 g8
+ d4 d4 c4 c8 bes8 ~ bes8 bes4. a8 a4 d8 ~
+ %}
+ {
+ \times 2/3 {
+ d8 r8 a4 bes4 b4 c4 cis4
+ }
+ d8 r8 r4 <<d2 e2>>
+ }
+ }
+ }
+ >>
+ }
+
+ bassExtra = \relative c {
+ <<
+ { \meta }
+ %%articulation etc.
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ %the actual tune
+ \clef bass
+ {
+ s1
+ \repeat volta 3 {
+ s1*2
+ % soldi
+ g4\( a4 bes4 d4 g2 \) s2
+ s1*2
+ % borghi
+ d4\( e4 f4 a4 d,2 \) s2
+ s1*2
+ % cordi
+ g,4\( a4 bes4 d4 g2 \) s2
+ s1*2
+ }
+ \alternative {
+ { s1*2 }
+ {
+ % si
+ s1 s8 d4. d4 d4
+ cis8. d16 cis8. d16 e2
+ r8 e4. e4 e4
+ d8. e16 d8. e16 f2
+ r8 f4. f4 f4
+ e8. f16 e8. f16 g2
+ r8 g4. f4 g8 a8 ~ a1 ~ a2 s2
+ }
+ {
+ s1*2
+ }
+ }
+ }
+ %{
+ s1*2
+ % soldi
+ g,4( a4( bes4( d4( g2 ) ) ) ) s2
+ s1*2
+ % borghi
+ d4( e4( f4( a4( d,2 ) ) ) ) s2
+ s1*2
+ % sogna
+ g,4( a4( bes4( d4( g2 ) ) ) ) s2
+ s1*4
+ %}
+ >>
+ }
diff --git a/hr/stch/fertig/canzone/texte.ly b/hr/stch/fertig/canzone/texte.ly
new file mode 100644
index 0000000..e955735
--- /dev/null
+++ b/hr/stch/fertig/canzone/texte.ly
@@ -0,0 +1,76 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+%Rohfassung Baß
+
+ eins = \lyricmode {
+ E_u -- na sem -- pli -- ce can -- zo -- ne
+ da due sol -- di, que si can -- ta per le stra -- de
+ dei sob -- bor -- ghi,
+ e ri -- sve -- gli_an fon -- do_el a -- ni -- mo_i
+ ri -- cor -- di
+ d'u -- na dol -- ce spen -- sie -- ra -- ta gio -- ven -- tu.
+ Du du a... E_u -- na
+ }
+
+ drei = \lyricmode {
+ E_u -- na sem -- pli -- ce can -- zo -- ne
+ da due sol -- di, que si can -- ta per le stra -- de
+ dei sob -- bor -- ghi,
+ per qui spe -- ra, per qui a -- ma,
+ per qui so -- gna.
+ e l'e -- ter -- na dol -- ce_'sto -- ria de l'a -- mor.
+ va va va va va va
+ va
+ }
+
+ bass = \lyricmode {
+ Si ve -- de_a prie -- re pia -- no pian,
+ qual -- que fi -- ne -- stra d'a -- lon -- tan,
+ che qui s'af -- fac -- cia d'as -- col -- tar
+ e so -- spi -- rar.
+ }
+ %{
+ bass = \lyricmode {
+ Si4. ve4 -- de_a4 prie8. -- re16 pia8. -- no16 pian,2
+ qual4. -- que4 fi4 -- ne8. -- stra16 d'a8. -- lon16 -- tan,2
+ c'e4. qui4 s'af4 -- fac8. -- cia16 d'as8. -- col16 -- tar2
+ e4. so4 -- spi8 -- rar.__8
+ %}
+ sopran = \lyricmode {
+ Du a du du a
+ du a du du a
+ du a du du a
+ du du a du du du a...__
+ }
+
+ sogna = \lyricmode {
+ III._Per chi spe -- ra,
+ per chi a__ ma,
+ per chi so -- gna__
+ e l'e -- ter -- na
+ dol -- ce sto__ ria
+ del -- l'a -- mor.__
+ }
+
+ unten = \lyricmode {
+ so_ _ _ _ _ gna
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ \eins
+ _
+ \sopran
+ E_u -- na
+ _ va va va va va va va
+ %\drei
+ }
+
+ bassText = \lyrics {
+ sol_ _ _ _ di
+ -bor_ _ _ _ ghi
+ -cor_ _ _ _ di
+ \bass
+ }
+
diff --git a/hr/stch/fertig/capricciata/capricciata.ly b/hr/stch/fertig/capricciata/capricciata.ly
new file mode 100644
index 0000000..edc4677
--- /dev/null
+++ b/hr/stch/fertig/capricciata/capricciata.ly
@@ -0,0 +1,74 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Capricciata"
+ composer = "Adriano Banchieri, 1567-1634"
+ %opus = "<+Werk+>"
+ %tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 15)
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \new Staff = sopranA <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "sopraneA" { \global \sopranMelodieA }
+ \addlyrics { \sopranText }
+ >>
+ \new Staff = altA <<
+ \new Voice = "altiA" { \global \altMelodieA }
+ \addlyrics { \altText }
+ >>
+ \new Staff = bassA <<
+ \new Voice = "baesseA" { \global \bassMelodieA }
+ \addlyrics { \bassText }
+ >>
+ >>
+% \new ChoirStaff \with {} <<
+% \new Staff = sopranB <<
+% %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+% \new Voice = "sopraneB" { \global \sopranMelodieB }
+% %\addlyrics { \sopranText }
+% >>
+% \new Staff = altB <<
+% \new Voice = "altiB" { \global \altMelodieB }
+% %\addlyrics { \altText }
+% >>
+% \new Staff = tenorB <<
+% \new Voice = "tenoereB" { \global \tenorMelodieB }
+% %\addlyrics { \tenorText }
+% >>
+% \new Staff = bassB <<
+% \new Voice = "baesseB" { \global \bassMelodieB }
+% %\addlyrics { \bassText }
+% >>
+% >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/fertig/capricciata/dynArt.ly b/hr/stch/fertig/capricciata/dynArt.ly
new file mode 100644
index 0000000..756726f
--- /dev/null
+++ b/hr/stch/fertig/capricciata/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/fertig/capricciata/midi.lua b/hr/stch/fertig/capricciata/midi.lua
new file mode 100644
index 0000000..f8b2520
--- /dev/null
+++ b/hr/stch/fertig/capricciata/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu encoding=utf8 et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/fertig/capricciata/stimmen.ly b/hr/stch/fertig/capricciata/stimmen.ly
new file mode 100644
index 0000000..7a9ba74
--- /dev/null
+++ b/hr/stch/fertig/capricciata/stimmen.ly
@@ -0,0 +1,228 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key c \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 2/2
+ \autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodieA = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ \repeat volta 2 {
+ c4 c8 c8 b4 g4
+ a2 g2
+ f4 f8 f8 e4 c4
+ d2 c2
+ r4 g'4 c4. c8
+ a4. a8 d4. d8
+ }
+ \alternative {
+ {
+ b2 a4 c4( ~
+ \time 3/2
+ c4 b8 a8 b2) c2
+ }
+ {
+ \time 3/2
+ b2 a4 c2( b4)
+ }
+ }
+ \time 2/2
+ c4 g4 g8( f8 g8 a8
+ \repeat volta 2 {
+ g4) g4 r2
+ r4 e4 e8( d8 e8 f8
+ e4) e4 r4 e4
+ e8( d8 e8 f8 g4) g4
+ g4( fis8 e8 fis2)
+ g1
+ r2 c,4 d8 e8
+ f4 e4 d4 c4
+ r2 g'4 a8 b8
+ c4 d4 c4 b4
+ r2 e4 d8 c8
+ b4 a4 b4 c4
+ }
+ \alternative {
+ {
+ d4 e4 d2
+ e4 g,4 g8( f8 g8 a8
+ }
+ {
+ %<<s4)
+ g4) e4 d2
+ c1
+ }
+ }
+ \bar "||"
+ }
+ >>
+ }
+
+ altMelodieA = \relative c'' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ \repeat volta 2 {
+ r1
+ c4 c8 c8 b4 g4
+ a2 g2
+ g4 g8 g8 e4 c4
+ d2 c2
+ r4 c4 f4. f8
+ }
+ \alternative {
+ {
+ d4 g4 f8 d8 e8 c8
+ \time 3/2
+ e4( d8 c8 d2) c2
+ }
+ {
+ \time 3/2
+ d4. g8 f8 d8 e8 c8 d2
+ }
+ }
+ \time 2/2
+ c4 e4 e8( d8 e8 f8
+ \repeat volta 2 {
+ e4) e4 r2
+ r4 g4 g8( f8 g8 a8
+ g4) g4 r4 g4
+ c8( b8 c8 d8 c4) b4
+ b4( a8 g8 a2)
+ b1
+ g4 a8 b8 c4 b4
+ a4 g4 r2
+ g4 a8 b8 c4 d4
+ c4 b4 r2
+ e4 d8 c8 b4 a4
+ b4 c4 d4 e4
+ }
+ \alternative {
+ {
+ d4( c2 b4)
+ \slurDown
+ c4 e,4 e8( d8 e8 f8)
+ }
+ {
+ d'4( c2 b4)
+ c1
+ }
+ }
+ }
+ >>
+ }
+
+ bassMelodieA = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ \repeat volta 2 {
+ r1
+ r1
+ r2 c'4 c8 c8
+ b4 g4 a2
+ g2 r4 c,4
+ f4. f8 d4. d8
+ }
+ \alternative {
+ {
+ g4. e8 f4 e4
+ \time 3/2
+ g1 c,2
+ }
+ {
+ \time 3/2
+ g'4. e8 f4 e4 g2
+ }
+ }
+ c,1
+ \repeat volta 2 {
+ r4 c'4 c8( b8 c8 d8
+ c4) c4 r2
+ r4 c4 c8( b8 c8 d8
+ c2) g2
+ d'1
+ g,2 g4 a8 b8
+ c4 b4 a4 g4
+ r2 d4 e8 f8
+ g4 f4 e4 d4
+ a'4 g8 f8 e4 d4
+ e4 f4 g4 a4
+ g1 ~
+ }
+ \alternative {
+ {
+ g1
+ c,1
+ }
+ {
+ g'1 \repeatTie
+ c,1
+ }
+ }
+ }
+ >>
+ }
+
+ sopranMelodieB = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ altMelodieB = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ tenorMelodieB = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r1
+ }
+ >>
+ }
+
+ bassMelodieB = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r1
+ }
+ >>
+ }
+
diff --git a/hr/stch/fertig/capricciata/texte.ly b/hr/stch/fertig/capricciata/texte.ly
new file mode 100644
index 0000000..1cc23be
--- /dev/null
+++ b/hr/stch/fertig/capricciata/texte.ly
@@ -0,0 +1,53 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+% Abkürzungen
+
+ nobili = \lyricmode {
+ u -- dret' hor ho -- ra quat -- tro bel -- li_hu -- mo -- ri.
+ }
+
+ frauen = \lyricmode {
+ bel -- li_hu -- mo -- ri:
+ Un ca -- ne, un cuc -- co, un chiù per spas -- so,
+ }
+
+ maenner = \lyricmode {
+ quat -- tro bel -- li_hu -- mo -- ri:
+ Un gat -- to, un chiù per spas -- so,
+ }
+
+ far = \lyricmode {
+ far con -- trap -- pun -- to_a men -- te,
+ far con -- trap -- pun -- to_a men -- te,
+ far con -- trap -- pun -- to_a men -- te so -- praun bas -- so.
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ No -- bi -- li spet -- ta -- to -- ri,
+ no -- bi -- li spet -- ta -- to -- ri,
+ \nobili
+ \frauen
+ \far
+ Un ca____________________so -- praun bas -- so.
+ }
+
+ altText = \lyrics {
+ No -- bi -- li spet -- ta -- to -- ri,
+ no -- bi -- li spet -- ta -- to -- ri,
+ \nobili
+ ho -- ra quat -- tro
+ \frauen
+ \far
+ Un ca -- bas -- so.
+ }
+
+ bassText = \lyrics {
+ No -- bi -- li spet -- ta -- to -- ri,
+ \nobili
+ \maenner
+ \far
+ _ -- so.
+ }
+
diff --git a/hr/stch/fertig/carol/carol.ly b/hr/stch/fertig/carol/carol.ly
new file mode 100644
index 0000000..d71a67d
--- /dev/null
+++ b/hr/stch/fertig/carol/carol.ly
@@ -0,0 +1,61 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Carol of the Bells"
+ composer = "M. Leontovich"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 50
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ system-count = 10
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 11)
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ \addlyrics { \sopranText }
+ >>
+ \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ \addlyrics { \altText }
+ >>
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ >>
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ \addlyrics { \bassText }
+ >>
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/fertig/carol/dynArt.ly b/hr/stch/fertig/carol/dynArt.ly
new file mode 100644
index 0000000..55628d6
--- /dev/null
+++ b/hr/stch/fertig/carol/dynArt.ly
@@ -0,0 +1,178 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ dec = ^\markup{ \bold \italic "decresc." }
+ dwr = ^\markup{ \bold \italic "dim. (without ritard.)" }
+ dm = ^\markup{ \bold \italic "dim." }
+ sim = ^\markup{ \bold \italic "simile" }
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ \repeat unfold 4 { s2. }
+ \break
+ \repeat volta 2 {
+ \repeat unfold 8 { s2. }
+ \break
+ s4\mf s2
+ \repeat unfold 3 { s2. }
+ \break
+ s4\f s2
+ \repeat unfold 3 { s2. }
+ \break
+ s4\ff s2
+ \repeat unfold 9 { s2. }
+ s2.\dec
+ s2.
+ \break
+ } \alternative {
+ \repeat unfold 4 { s2. }
+ \break
+ \repeat unfold 6 { s2. }
+ }
+ }
+
+% articulation
+
+ sopranArt = {
+ s4\pp-- s8-.^\markup{ \bold \italic "(staccato)" } s8-. s4-.
+ \repeat unfold 3 { s4-- s8-. s8-. s4-. }
+ \repeat volta 2 {
+ s4\pp-- s8-. s8-. s4-.
+ s4-- s8-. s8-. s4-.
+ s4\sim s8 s8 s4
+ s4 s8 s8 s4
+ s4\p s8 s8 s4
+ \repeat unfold 7 { s4 s8 s8 s4 }
+ \repeat unfold 4 {
+ s4 s8 s8 s4
+ }
+ s4 s8 s8 s8 s8
+ s4 s8 s8 s8 s8
+ s4 s8 s8 s8 s8
+ s4 s8 s8 s4
+ \repeat unfold 2 {
+ s8\f^\markup{ \bold \italic "cresc." } s8 s8 s8 s8 s8
+ s8\dec s8 s4 s4
+ }
+ s4\dwr s8 s8 s4
+ s4 s8 s8 s4
+ s4 s8 s8 s4
+ s4 s8 s8 s4
+ } \alternative {
+ {
+ s4\pp s8 s8 s4
+ \repeat unfold 3 {
+ s4 s8 s8 s4
+ }
+ }
+ {
+ s2.\dwr ~
+ s2. ~
+ s2. ~
+ s2.\fermata\ppp
+ s4\mf s8 s8\fermata s4-> ~
+ s2.
+ }
+ }
+ }
+
+ altArt = {
+ \repeat unfold 4 { s4 s8 s8 s4 }
+ \repeat volta 2 {
+ s2.->\pp
+ \repeat unfold 3 { s2.-> }
+ s2.->\p
+ \repeat unfold 3 { s2.-> }
+ s4-- s8-. s8-. s4-.
+ s4-- s8-. s8-. s4-.
+ s4\sim s8 s8 s4
+ s4 s8 s8 s4
+ \repeat unfold 8 { s2. }
+ s2.\f
+ s2.
+ s2.
+ s2.
+ s2.\dm
+ s2.
+ s2.
+ s2.
+ } \alternative {
+ {
+ \repeat unfold 4 { s2. }
+ }
+ {
+ s2.\dm ~
+ s2. ~
+ s2. ~
+ s2.\fermata\ppp
+ s4\mf s8 s8\fermata s4-> ~
+ s2.
+ }
+ }
+ }
+
+ tenorArt = {
+ \repeat unfold 4 { s4 s8 s8 s4 }
+ \repeat volta 2 {
+ \repeat unfold 4 { s2. }
+ s2.->\p
+ \repeat unfold 3 { s2.-> }
+ s4-- s8-. s8-. s4-.
+ s4-- s8-. s8-. s4-.
+ s4\sim s8 s8 s4
+ s4 s8 s8 s4
+ \repeat unfold 8 { s2. }
+ s2.\ff
+ s2.
+ s2.
+ s4-> s8 s8 s4
+ s2.\dm
+ s2.
+ s2.
+ s2.
+ } \alternative {
+ {
+ \repeat unfold 4 { s2. }
+ }
+ {
+ s2.\dm
+ s2.
+ s2.
+ s4 s8 s8 s4\fermata
+ s2.
+ s2.
+ }
+ }
+ }
+
+ bassArt = {
+ \repeat unfold 4 { s4 s8 s8 s4 }
+ \repeat volta 2 {
+ \repeat unfold 8 { s2. }
+ s4-- s8-. s8-. s4-.
+ s4-- s8-. s8-. s4-.
+ s4\sim s8 s8 s4
+ s4 s8 s8 s4
+ \repeat unfold 8 { s2. }
+ s2.->\ff
+ s2.->
+ s2.->
+ s2-> s4
+ s2.\dm
+ s2.
+ s2.
+ s2.
+ } \alternative {
+ {
+ \repeat unfold 4 { s2. }
+ }
+ {
+ s2.\dm ~
+ s2. ~
+ s2. ~
+ s2.\fermata\ppp
+ s2.
+ s2.->\fermata
+ }
+ }
+ }
+
diff --git a/hr/stch/fertig/carol/midi.lua b/hr/stch/fertig/carol/midi.lua
new file mode 100644
index 0000000..58e69da
--- /dev/null
+++ b/hr/stch/fertig/carol/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/fertig/carol/stimmen.ly b/hr/stch/fertig/carol/stimmen.ly
new file mode 100644
index 0000000..780dcde
--- /dev/null
+++ b/hr/stch/fertig/carol/stimmen.ly
@@ -0,0 +1,172 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.14"
+ \include "dynArt.ly"
+
+ global = {
+ \key bes \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 3/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ \sopranArt
+ %the actual tune
+ {
+ \repeat unfold 4 { bes4 a8 bes8 g4 }
+ \repeat volta 2 {
+ \repeat unfold 12 { bes4 a8 bes8 g4 }
+ \repeat unfold 4 {
+ d'4 c8 d8 bes4
+ }
+ g'4 g8 g8 f8( ees8)
+ d4 d8 d8 c8( bes8)
+ c4 c8 c8 d8( c8)
+ g4 g8 g8 g4
+ \repeat unfold 2 {
+ d8 e8 fis8 g8 a8 bes8
+ c8 d8 c4 bes4
+ }
+ \repeat unfold 4 {
+ bes4 a8 bes8 g4
+ }
+ } \alternative {
+ {
+ \repeat unfold 4 {
+ bes4 a8 bes8 g4
+ }
+ }
+ {
+ g2. ~
+ g2. ~
+ g2. ~
+ g2.
+ d'4 c8 d8 g,4 ~
+ g2.
+ }
+ }
+ \bar "|."
+ }
+ >>
+ }
+
+ altMelodie = \relative c'' {
+ <<
+ { \meta }
+ \altArt
+ %the actual tune
+ {
+ \repeat unfold 4 { R2. }
+ \repeat volta 2 {
+ \repeat unfold 2 { g2. f2. ees2. d2. }
+ \repeat unfold 4 { g4 g8 g8 g4 }
+ \repeat unfold 4 { bes4 a8 bes8 g4 }
+ \repeat unfold 4 { g4 g8 g8 g4 }
+ \repeat unfold 2 { d2. e4( fis4) g4 }
+ d2. c2.
+ f2. ees2.
+ } \alternative {
+ {
+ d2. ~
+ d2. ~
+ d2.
+ R2.
+ }
+ {
+ d2. ~
+ d2. ~
+ d2. ~
+ d2.
+ bes'4 a8 bes8 g4 ~
+ g2.
+ }
+ }
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ \tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ \repeat unfold 4 { R2. }
+ \repeat volta 2 {
+ \repeat unfold 4 { R2. }
+ ees2. d2. c2. bes2.
+ c4 c8 c8 c4
+ d4 d8 d8 d4
+ ees4 ees8 ees8 ees4
+ d4 d8 d8 d4
+ d2. e2. f4( ees4) d4
+ g8( f8) ees4 d4
+ d4 ees8 ees8 d8( c8)
+ d4 d8 d8 d4
+ ees4 ees8 ees8 f8( ees8)
+ d4 d8 d8 d4
+ \repeat unfold 4 { bes4 a8 bes8 g4 }
+ \repeat unfold 4 { g2. }
+ } \alternative {
+ {
+ g2. ~
+ g2. ~
+ g2.
+ R2.
+ }
+ {
+ \repeat unfold 4 { bes4 a8 bes8 g4 }
+ R2.
+ R2.
+ }
+ }
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ \bassArt
+ %the actual tune
+ \clef bass
+ {
+ \repeat unfold 4 { R2. }
+ \repeat volta 2 {
+ \repeat unfold 8 { R2. }
+ ees4 ees8 ees8 ees4
+ g4 g8 g8 g4
+ c4 c8 c8 c4
+ \repeat unfold 5 { g4 g8 g8 g4 }
+ \repeat unfold 4 { bes4 a8 bes8 g4 }
+ d2.
+ d2.
+ d2.
+ d2( e4)
+ f2. ees2. d2. c2.
+ } \alternative {
+ {
+ g2. ~
+ g2. ~
+ g2.
+ R2.
+ }
+ {
+ g2. ~
+ g2. ~
+ g2. ~
+ g2.
+ R2.
+ g2.
+ }
+ }
+ }
+ >>
+ }
+
diff --git a/hr/stch/fertig/carol/texte.ly b/hr/stch/fertig/carol/texte.ly
new file mode 100644
index 0000000..4a6c52f
--- /dev/null
+++ b/hr/stch/fertig/carol/texte.ly
@@ -0,0 +1,87 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+ words = \lyricmode {
+ One seems to hear, Words of good cheer,
+ From ev’ -- ry -- where Fil -- ling the air
+ }
+ pound = \lyricmode {
+ O, how they pound, Rise -- ing their sound,
+ O’er hill and dale, Tell -- ing their tale,
+ }
+ ring = \lyricmode {
+ Gay -- ly they ring, While peo -- ple sing
+ song of good cheer, Christ -- mas is here!
+ }
+ song = \lyricmode {
+ Ding, dong, ding, dong, That is their song,
+ With joy -- ful ring, All car -- ol -- ign.
+ }
+ send = \lyricmode {
+ On, on they send, on with -- out end
+ their joy -- ful tone to ev’ -- ry home.
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ \override LyricText #'self-alignment-X = #CENTER
+ %<+hier den Text für den Sopran eintragen+>
+ Heark! how the bells, sweet sil -- ver bells,
+ All seem to say “Throw cares a -- way”
+ Christ -- mas is here Bring -- ing good cheer
+ To young and old, Meek and the bold,
+ \song
+ \words
+ \pound
+ \ring
+ Mer -- ry, mer -- ry, mer -- ry, mer -- ry Christ -- mas!
+ Mer -- ry, mer -- ry, mer -- ry, mer -- ry Christ -- mas!
+ \send
+ Heark! how the bells, sweet sil -- ver bells,
+ All seem to say “Throw cares a -- way”
+ dong
+ Ding, dong, ding, dong.
+ }
+
+ altText = \lyrics {
+ \override LyricText #'self-alignment-X = #CENTER
+ %<+hier den Text für den Alt eintragen+>
+ Ding, dong, ding, dong,
+ Ding, dong, ding, dong
+ \words
+ \pound
+ \ring
+ Ding, ding, dong,
+ Ding, ding dong,
+ Ding, dong, ding, ding, dong,
+ dong
+ Ding, dong, ding, dong.
+ }
+
+ tenorText = \lyrics {
+ \override LyricText #'self-alignment-X = #CENTER
+ %<+hier den Text für den Tenor eintragen+>
+ Ding, dong, ding, dong
+ \words
+ O, how hap -- py are their tones,
+ \ring
+ \song
+ Ding, dong, ding, ding,
+ dong,
+ \send
+ }
+
+ bassText = \lyrics {
+ \override LyricText #'self-alignment-X = #CENTER
+ %<+hier den Text für den Baß eintragen+>
+ \words
+ \pound
+ \ring
+ Ding, dong, ding, dong,
+ Ding, dong, ding, ding, dong,
+ dong
+ Bohm!
+ }
+
diff --git a/hr/stch/fertig/deep/a.midi b/hr/stch/fertig/deep/a.midi
new file mode 100644
index 0000000..a21232d
--- /dev/null
+++ b/hr/stch/fertig/deep/a.midi
Binary files differ
diff --git a/hr/stch/fertig/deep/b.midi b/hr/stch/fertig/deep/b.midi
new file mode 100644
index 0000000..c521ca7
--- /dev/null
+++ b/hr/stch/fertig/deep/b.midi
Binary files differ
diff --git a/hr/stch/fertig/deep/deep.ly b/hr/stch/fertig/deep/deep.ly
new file mode 100644
index 0000000..efc8657
--- /dev/null
+++ b/hr/stch/fertig/deep/deep.ly
@@ -0,0 +1,70 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Deep River"
+ composer = "Norman Luboff"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \tenorMelodie }
+ \addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \bassMelodie }
+ \addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with {} <<
+ %\new Staff = sopran { \global \sop }
+ %\new Staff = alt { \global \alt }
+ \new Staff = tenor { \global \ten }
+ %\new Staff = bass { \global \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/fertig/deep/dynArt.ly b/hr/stch/fertig/deep/dynArt.ly
new file mode 100644
index 0000000..0948121
--- /dev/null
+++ b/hr/stch/fertig/deep/dynArt.ly
@@ -0,0 +1,51 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s1\p
+ s1
+ s1^\markup{ \italic "poco cresc." }
+ s2 s2\>
+ s1\!
+ s1
+ s1*2
+ \bar "||"
+ s1\p
+ s1*4
+ s1*3
+ \bar "||"
+ s8\f s4^\markup{ \italic "cresc. poco a poco" } s8 s2
+ s1*2
+ s2 s2\ff
+ s1*4
+ s2 s2\fermata
+ \bar "||"
+ s1\p
+ s4 s2 s4\<
+ s4 s4\! s2
+ s4 s4^\markup{ \italic "rit." } s4 s4^\markup{ \italic "ten." }
+ s1
+ s2 s4.^\markup{ \italic "ten." } s8
+ s1
+ s2 s4.\fermata s8
+ \override BreathingSign #'text = \markup{ \musicglyph #"scripts.rvarcomma" }
+ s8^\markup{ \italic "rit." } s8 s4 s8 s8^\markup{ \italic "ten." } \breathe s4
+ s4 s2.\fermata
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/fertig/deep/midi.lua b/hr/stch/fertig/deep/midi.lua
new file mode 100644
index 0000000..b12fb9a
--- /dev/null
+++ b/hr/stch/fertig/deep/midi.lua
@@ -0,0 +1,51 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ \unfoldRepeats
+]]
+
+post=[[
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/fertig/deep/s.midi b/hr/stch/fertig/deep/s.midi
new file mode 100644
index 0000000..a01e16d
--- /dev/null
+++ b/hr/stch/fertig/deep/s.midi
Binary files differ
diff --git a/hr/stch/fertig/deep/stimmen.ly b/hr/stch/fertig/deep/stimmen.ly
new file mode 100644
index 0000000..a068f78
--- /dev/null
+++ b/hr/stch/fertig/deep/stimmen.ly
@@ -0,0 +1,142 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key des \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ aes2 ~ aes8( ges8 f4)
+ ges4 ges2 ges4
+ aes4 aes4 des4. bes8
+ aes4 aes4( ges4) ~ ges4
+ aes2( a4 bes4)
+ bes4 ges4 bes4. bes8
+ bes8 aes8 bes4 bes8 bes8 aes8 ges8
+ f4 f2.
+ \bar "||"
+ \break
+ f1
+ ges1
+ aes2 bes4 des4
+ c4 aes4 ges2
+ aes2 a4 bes4
+ bes4 ges4 bes2
+ bes4 aes4 bes4 ges4
+ f4( ges4 f2)
+ \bar "||"
+ \break
+ bes8 bes4 c8 des8( c8) bes4
+ aes4( f2) aes8 aes8
+ bes4( des4) c4( bes4)
+ aes4( f2) aes4
+ des2( a4) bes4
+ bes4( ges2) bes4
+ aes2. c4
+ bes1 ~
+ bes2( g2\fermata)
+ \bar "||"
+ \break
+ aes2 ~ aes8( ges8 f4)
+ ges4 ges2 ges4
+ aes4 aes4 des4. bes8
+ aes4 aes4( ges4) ~ ges4
+ aes2( a4 bes4)
+ ges4 ges4 g4. g8
+ bes8 aes8 bes4 bes8 bes8 aes8 ges8
+ f4 f4( fes4.\fermata) fes8
+ f8 bes8 aes4 g8 g8 ges8 ges8
+ f4 f2.\fermata
+ \bar "|."
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ des,2 ~ des8( des8 des4)
+ ges4 ges2 ges4
+ aes4 aes4 bes4. bes8
+ f4 f4( ees4 aes4)
+ des2( c4)( bes8)( aes8)
+ ges4 ges4 g4. g8
+ aes8 aes8 aes4 aes8 aes8 aes8 aes8
+ des,4 des2.
+ \bar "||"
+ \break
+ des1
+ ges1
+ aes2 bes2
+ f2 ees4 aes4
+ des2( c4)( bes8)( aes8)
+ ges2 g2
+ aes2 aes2
+ des,1
+ \bar "||"
+ \break
+ bes''8 bes4 bes8 bes4 bes4
+ f4( f,2) f'8 f8
+ bes4( aes4) g4( ges4)
+ f4( f,2) aes4
+ des2( c4) bes8( aes8)
+ ges2. g4
+ aes2. a4
+ bes2( aes2)(
+ g2)( ees2\fermata)
+ \bar "||"
+ \break
+ des2 ~ des8( des8 des4)
+ ges4 ges2 ges4
+ aes4 aes4 bes4. bes8
+ f4 f4( ees4 aes4)
+ des2( c4)( bes8)( aes8)
+ ges4 fes4 ees4. ees8
+ f8 f8 f4 f8 f8 f8 f8
+ des4 des4( ges4.\fermata) ges8
+ aes8 ges8 fes4 ees8 ees8 aes8 aes8
+ des,4 des2.\fermata
+ \bar "|."
+ }
+ >>
+ }
+
diff --git a/hr/stch/fertig/deep/t.midi b/hr/stch/fertig/deep/t.midi
new file mode 100644
index 0000000..8b91f6b
--- /dev/null
+++ b/hr/stch/fertig/deep/t.midi
Binary files differ
diff --git a/hr/stch/fertig/deep/texte.ly b/hr/stch/fertig/deep/texte.ly
new file mode 100644
index 0000000..8010338
--- /dev/null
+++ b/hr/stch/fertig/deep/texte.ly
@@ -0,0 +1,52 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ commonI = \lyricmode {
+ Deep Riv -- er,
+ my home is o -- ver Jor -- dan
+ Deep Riv -- er, Lord,
+ I want to cross o -- ver in -- to camp ground.
+ }
+
+ commonII = \lyricmode {
+ Oh don’t you want to go
+ to that Gos -- pel feast
+ that prom -- ised land
+ where all is peace.
+ }
+
+ commonIII = \lyricmode {
+ Deep Riv -- er
+ my home is o -- ver Jor -- dan
+ Deep Riv -- er Lord
+ I want to cross o -- ver in -- to camp ground
+ I want to cross o -- ver in -- to camp ground.
+ }
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ \commonI
+ Oo _ _ _ _ _ _ _ Oo _ _ _ _ _ _ _ _ _ _
+ \commonII
+ \commonIII
+ }
+
+ bassText = \lyricmode {
+ %<+hier den Text für den Baß eintragen+>
+ \commonI
+ Oo _ _ _ _ _ _ Oo _ _ _ _ _
+ \commonII
+ \commonIII
+ }
+
diff --git a/hr/stch/fertig/dicta/dicta.ly b/hr/stch/fertig/dicta/dicta.ly
new file mode 100644
index 0000000..b6d2518
--- /dev/null
+++ b/hr/stch/fertig/dicta/dicta.ly
@@ -0,0 +1,87 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Gloriosa dicta sunt Nr. 2"
+ subtitle = "Communio an Mariæ Empfängnis - 8. Dezember"
+ composer = "Vytautas Miškinis"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \musicglyph #"scripts.segno"
+ \musicglyph #"noteheads.shufnagel.virga"
+ \musicglyph #"scripts.upedalheel"
+ \musicglyph #"pedal.d"
+ \musicglyph #"pedal.e"
+ \musicglyph #"scripts.dpedalheel"
+ \musicglyph #"noteheads.shufnagel.virga"
+ \musicglyph #"pedal.e"
+ \musicglyph #"scripts.dpedalheel"
+ \musicglyph #"timesig.C44"
+ \musicglyph #"clefs.petrucci.c3_change"
+ \musicglyph #"scripts.flageolet"
+ \dynamic r
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 14)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ \addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ \addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ \addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f
+ beamExceptions = #'()
+ } <<
+ \new Staff = sopran { \sop }
+ \new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ \new Staff = bass { \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/fertig/dicta/dynArt.ly b/hr/stch/fertig/dicta/dynArt.ly
new file mode 100644
index 0000000..325b3af
--- /dev/null
+++ b/hr/stch/fertig/dicta/dynArt.ly
@@ -0,0 +1,215 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s1
+ s1
+ s1
+ s1
+ s1
+ \break
+ %
+ s1
+ s1
+ s1
+ s1
+ s1
+ \break
+ %
+ s1^\markup{ \italic "cresc. molto" }
+ s1
+ s1
+ s1
+ s1
+ s1
+ \bar "||"
+ \pageBreak
+ %
+ \key d \major
+ s1\mp
+ s1
+ s2.\< s4\f
+ s1
+ s2.\< s4\ff
+ \break
+ %
+ s4 s2\> s4\f^\markup{ \italic "dim. poco a poco" }
+ s2. s4\mf
+ s2. s4\mp
+ s1
+ s4\p s4 s4\fermata s4\>
+ \breathe
+ \bar "||"
+ \break
+ %
+ s2\! s8 s8\> s4
+ s2\mp s8 s8\> s4
+ s1\!
+ s4\fermata s2\> s4\!
+ \bar "|."
+ }
+
+ mpesp = \markup{ \dynamic "mp" \italic " espr."}
+ % mfesp = \markup{ \center-align \line { \dynamic "mf" \italic " espr."} }
+ mfesp = \markup{ \dynamic "mf" \italic " espr."}
+ ris = \markup{ \italic "risoluto poco a poco" }
+
+% articulation
+
+ oberArt = {
+ \dynamicUp
+ s1
+ s1
+ s1
+ s1
+ s1
+ \break
+ %
+ s1
+ s1
+ s1
+ s1
+ s1
+ \break
+ %
+ s1
+ s1
+ s4 s2.\f
+ s4 s2.^\markup{ \italic "dim." }
+ s1
+ s1
+ \bar "||"
+ \pageBreak
+ %
+ \key d \major
+ s1
+ s1
+ s1
+ s1
+ s1
+ \break
+ %
+ s1
+ s1
+ s1
+ s1
+ s1
+ \bar "||"
+ \break
+ %
+ s2\mp s2
+ s1
+ s1
+ s1
+ \bar "|."
+ }
+
+ sopranArt = << \oberArt {
+ \tempo "Moderato" 4=60
+ s1^\mpesp
+ s1\p
+ s1
+ s1
+ s1\mp
+ s1
+ s1
+ s1
+ s1^\ris
+ s1
+ s1^\ris
+ s1
+ s4 s2.^\markup{ \italic "allargando" }
+ s1
+ s1
+ s1^\markup{ \italic "poco rit." }
+ %
+ s1^\markup{ \italic "più mosso ma leggiero" }
+ s1*6
+ s1^\markup{ \italic "rit." }
+ s1*2
+ %
+ s1^\markup{ \italic "Tempo I" }
+ s1
+ s8^\markup{ \italic "Lento" } s8\p s2 s4
+ s1
+ } >>
+
+ altArt = << \oberArt {
+ s1\p
+ s1
+ s1^\mpesp
+ s1\p
+ s1
+ s1
+ s1
+ s1
+ s1
+ s1
+ s1
+ s1
+ s1
+ s1
+ s1
+ s1
+ %
+ s1*10
+ %
+ s1
+ s1
+ s4 s8 s8\p s2
+ s1
+ } >>
+
+ tenorArt = << \oberArt {
+ s1\p
+ s1^\mpesp
+ s1\p
+ s1
+ s8 s8\mp s2.
+ s1
+ s1
+ s1
+ s1
+ s1
+ s1
+ s1
+ s1
+ s1
+ s1
+ s1
+ %
+ s1*10
+ %
+ s1
+ s1
+ s4 s8 s8\p s2
+ s1
+ } >>
+
+ bassArt = {
+ s1\p
+ s1
+ s1
+ s1^\mpesp
+ s1
+ s1
+ s1
+ s1
+ s1
+ s2. s8 \once \override Staff.TextScript #'extra-offset = #'(8 . 0) \once \override Staff.TextScript #'self-alignment-X = #RIGHT s8^\mfesp
+ s1
+ s1
+ s1\f
+ s1^\markup{ \italic "dim." }
+ s1
+ s1
+ %
+ s1*10
+ %
+ s1\mf
+ s1
+ s4 s8 s8\p s2
+ s1
+ }
+
diff --git a/hr/stch/fertig/dicta/midi.lua b/hr/stch/fertig/dicta/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/stch/fertig/dicta/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/fertig/dicta/stimmen.ly b/hr/stch/fertig/dicta/stimmen.ly
new file mode 100644
index 0000000..89cbaf6
--- /dev/null
+++ b/hr/stch/fertig/dicta/stimmen.ly
@@ -0,0 +1,184 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key a \major
+ \override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ \sopranArt
+ %the actual tune
+ {
+ a16 b16 cis8 ~ cis8 a8 gis8 a8 e4
+ a4 a4 gis4 gis4
+ a4 a4 a4 b4
+ cis4 a4 e'4 e4
+ a,16 b16 cis8 ~ cis8 a8 a16 b16 cis8 ~ cis8 a8
+ a16 b16 cis8 ~ cis8 a8 a16 b16 cis8 ~ cis8 a8
+ b8 a8 a4 b8 a8 a4
+ b8 a8 a4 b8 a8 b4
+ cis4. a8 b8 cis8 ~ cis8 a8
+ b8 cis8 ~ cis8 a8 b8 cis8 ~ cis4
+ a4 a4 b4 b4
+ cis4 cis4 d4 d4
+ r4 a'4 g4 e4
+ r4 cis4 b4 g4
+ r4 e2 e4
+ e1
+ %
+ fis8 fis4. e8 fis8 g8 g8
+ a8 a4. d8 cis8 b8 b8
+ a4 a2 a4
+ fis'8 e8 d2 a4
+ fis'8 e8 g2 a4
+ g4 fis2 fis4
+ e4 d2 d4
+ cis4 b2 b4
+ a4 g2 g4
+ fis4 e4 e2
+ %
+ fis16 g16 a8 ~ a8 fis8 e8 d8 e4
+ fis16 g16 a8 ~ a8 fis8 e8 d8 e4
+ r8 fis8 e2 fis4 ~
+ fis1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ \altArt
+ %the actual tune
+ {
+ e4 e4 e4 e4
+ e4 e4 fis4 e4
+ fis16 e16 d8 ~ d8 fis8 fis8 e8 e4
+ d4 d4 a'4 gis4
+ e4 e4 e4 e4
+ e4 e4 e4 e4
+ fis4 fis4 e4 e4
+ d4 d4 d4 e4
+ e4 e4 d4 d4
+ e4 e4 fis4 fis4
+ e4 e4 fis4 fis4
+ gis4 gis4 a4 a4
+ r4 cis4 d4 b4
+ r4 a4 g4 e4
+ r4 cis2 cis4
+ c1
+ %
+ d8 d4. d8 d8 d8 d8
+ e8 e4. fis8 fis8 fis8 fis8
+ e4 e2 a4
+ a8 a8 g2 a4
+ a8 a8 b2 cis4
+ a2 a4 a4
+ fis2 fis4 fis4
+ d2 d4 d4
+ d2 d4 d4
+ cis2 b2
+ %
+ d8 d8 d8 d8 d8 d8 cis4
+ d8 d8 d8 d8 b8 b8 b4
+ r4 r8 d8 d2
+ d1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ \tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ cis4 cis4 cis4 cis4
+ a16 b16 cis8 ~ cis8 a8 b8 cis8 cis4
+ b4 a4 b4 a4
+ a4 b4 d4 b4
+ r8 a16 b16 cis8 a8 ~ a8 a16 b16 cis8 a8 ~
+ a8 a16 b16 cis8 a8 ~ a8 a16 b16 cis8 a8 ~
+ a4 b8 a8 a4 b8 a8
+ a4 b8 a8 a4 gis4
+ a4 a4 a4 a4
+ a4 a4 a4 a4
+ cis4 cis4 d4 d4
+ e4 e4 fis4 fis4
+ r4 e4 a4 g4
+ r4 e4 d4 b4
+ r4 a2 a4
+ g1
+ %
+ a8 a4. a8 a8 b8 b8
+ cis8 cis4. d8 d8 e8 d8
+ d4 cis2 a4
+ d8 cis8 b2 a4
+ d8 cis8 d2 e4
+ fis2 fis4 cis4
+ d2 d4 a4
+ b2 b4 b4
+ b2 b4 b4
+ a2 g2
+ %
+ a8 a8 a8 a8 b8 b8 b4
+ a8 a8 a8 a8 g8 g8 g4
+ r4 r8 b8 a2
+ a1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c' {
+ <<
+ { \meta }
+ \bassArt
+ %the actual tune
+ \clef bass
+ {
+ a4 a4 gis4 gis4
+ fis4 fis4 e4 e4
+ d4 d4 cis4 cis4
+ b16 cis16 d8 ~ d8 fis8 fis8 e8 e4
+ a4 a4 gis4 gis4
+ fis4 fis4 e4 e4
+ d4 d4 cis4 cis4
+ b4 b4 e4 e4
+ a,4 a4 b4 b4
+ cis4 cis4 d4 d8 a'8
+ b8 cis8 ~ cis8 a8 b8 cis8 ~ cis8 a8
+ b8 cis8 ~ cis8 a8 b8 cis8 ~ cis8 d8
+ cis2. d4
+ e,2. d4
+ a1 ~
+ a4 a4 b4 c4
+ %
+ d8 d4. cis8 d8 e8 e8
+ fis8 fis4. b8 a8 g8 g8
+ a4 a2 a4
+ d,8 d8 d2 a'4
+ d,8 d8 a'2 a4
+ d2 cis4 fis,4
+ b2 a4 d,4
+ g2 fis4 fis4
+ e2 e4 e4
+ a,2 a2
+ %
+ d16 e16 fis8 ~ fis8 d8 g8 g8 a4
+ d,16 e16 fis8 ~ fis8 d8 b8 b8 a4
+ r4 r8 g'8 g2
+ d1
+ }
+ >>
+ }
+
diff --git a/hr/stch/fertig/dicta/texte.ly b/hr/stch/fertig/dicta/texte.ly
new file mode 100644
index 0000000..7c64510
--- /dev/null
+++ b/hr/stch/fertig/dicta/texte.ly
@@ -0,0 +1,100 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+ Glo = \lyricmode {
+ Glo -- ri -- o -- sa,
+ }
+
+ glo = \lyricmode {
+ glo -- ri -- o -- sa,
+ }
+
+ Dicta = \lyricmode {
+ Glo -- ri -- o -- sa dic -- ta sunt,
+ }
+
+ dicta = \lyricmode {
+ glo -- ri -- o -- sa dic -- ta sunt,
+ }
+
+ Sunt = \lyricmode {
+ Dic -- ta sunt,
+ }
+
+ sunt = \lyricmode {
+ dic -- ta sunt
+ }
+
+ m = \lyricmode {
+ Ma -- ri -- a,
+ }
+
+ inter = \lyricmode {
+ Ma -- ri -- a:
+ qui -- a fe -- cit ti -- bi,
+ qui -- a fe -- cit ti -- bi mag -- na
+ qui pot -- ens est,
+ qui pot -- ens est,
+ \m \m \m \m
+ }
+
+ finis = \lyricmode {
+ \Dicta
+ \dicta
+ Ma -- ri -- a.
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ \Dicta
+ \glo \glo \glo
+ \glo \glo \glo \dicta dic -- ta sunt,
+ \Sunt dic -- ta de te,
+ \m \m \m
+ te \m te \m \m
+ \m
+ \inter
+ qui pot -- ens est.
+ \finis
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ \Glo \glo
+ \dicta
+ \glo \glo \glo
+ glo -- ri -- o -- sa \sunt de te,
+ \m te, \m te \m te \m
+ \m \m
+ \inter
+ Ma -- ri -- a.
+ \finis
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ \Glo
+ \dicta
+ \glo \glo
+ \glo \glo \glo \dicta
+ dic -- ta sunt, \sunt de te,
+ \m te, \m te \m te \m
+ \m \m
+ \inter
+ Ma -- ri -- a.
+ \finis
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ \Glo \glo \glo
+ \dicta \glo \glo glo -- ri -- o -- sa \sunt de te, \m te, \m
+ \m \m \m \m de te, de te, de te,
+ \inter
+ Ma -- ri -- a.
+ \finis
+ }
+
diff --git a/hr/stch/fertig/down/a5/down.ly b/hr/stch/fertig/down/a5/down.ly
new file mode 100644
index 0000000..2cb17df
--- /dev/null
+++ b/hr/stch/fertig/down/a5/down.ly
@@ -0,0 +1,98 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.18"
+\include "dynArt.ly"
+\include "../stimmen.ly"
+\include "../texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Down to the River to Pray"
+ composer = "Traditional"
+ arranger = "Philip Lawson"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ %\bold "studentenchor"
+ }
+ }
+
+ \paper {
+ #(set-paper-size "a5")
+ line-width = \paper-width - 20
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ print-page-number = #'f
+ page-count = 5
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 14)
+
+ sop = <<
+ \set Staff.instrumentName = "Frauenstimmen"
+ \set Staff.shortInstrumentName = "F"
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ %\new NullVoice { s4 s2*98 \pageBreak }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ >>
+
+ alt = <<
+ \set Staff.instrumentName = "Alt"
+ \set Staff.shortInstrumentName = "A"
+ \new Voice = "alti" { \global \altMelodie }
+ >>
+
+ ten = <<
+ \set Staff.instrumentName = "Tenor"
+ \set Staff.shortInstrumentName = "T"
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ >>
+
+ ban = <<
+ \set Staff.instrumentName = "Bariton"
+ \set Staff.shortInstrumentName = "Bn"
+ \new Voice = "baritone" { \global \baritoneMelodie }
+ >>
+
+ bas = <<
+ \set Staff.instrumentName = "Baß"
+ \set Staff.shortInstrumentName = "B"
+ \new Voice = "baesse" { \global \bassMelodie }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = sopran { \sop }
+ \new Lyrics \lyricsto soprane \sopranText
+ %\new Staff = alt { \alt }
+ %\new Lyrics \lyricsto alti \altText
+ \new Staff = tenor { \ten }
+ \new Lyrics \lyricsto tenoere \tenorText
+ \new Staff = baritone { \ban }
+ \new Lyrics \lyricsto baritone \baritoneText
+ \new Staff = bass { \bas }
+ \new Lyrics \lyricsto baesse \bassText
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ \context { \Staff
+ \RemoveEmptyStaves
+ \override VerticalAxisGroup.remove-first = ##t
+ }
+ }
+ }
+
diff --git a/hr/stch/fertig/down/a5/down_landscape.ly b/hr/stch/fertig/down/a5/down_landscape.ly
new file mode 100644
index 0000000..535928f
--- /dev/null
+++ b/hr/stch/fertig/down/a5/down_landscape.ly
@@ -0,0 +1,89 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.18"
+\include "dynArt.ly"
+\include "../stimmen.ly"
+\include "../texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Down to the River to Pray"
+ composer = "Traditional"
+ arranger = "Philip Lawson"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ %\bold "studentenchor"
+ }
+ }
+
+ \paper {
+ #(set-paper-size "a5" 'landscape)
+ line-width = \paper-width - 20
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ print-page-number = #'f
+ page-count = 4
+ system-count = 12
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 12)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ %\new NullVoice { s4 s2*98 \pageBreak }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ >>
+
+ ban = <<
+ \new Voice = "baritone" { \global \baritoneMelodie }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = sopran { \sop }
+ \new Lyrics \lyricsto soprane \sopranText
+ %\new Staff = alt { \alt }
+ %\new Lyrics \lyricsto alti \altText
+ \new Staff = tenor { \ten }
+ \new Lyrics \lyricsto tenoere \tenorText
+ \new Staff = baritone { \ban }
+ \new Lyrics \lyricsto baritone \baritoneText
+ \new Staff = bass { \bas }
+ \new Lyrics \lyricsto baesse \bassText
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ \context { \Staff
+ \RemoveEmptyStaves
+ \override VerticalAxisGroup.remove-first = ##t
+ }
+ }
+ }
+
diff --git a/hr/stch/fertig/down/a5/dynArt.ly b/hr/stch/fertig/down/a5/dynArt.ly
new file mode 100644
index 0000000..8e87c22
--- /dev/null
+++ b/hr/stch/fertig/down/a5/dynArt.ly
@@ -0,0 +1,103 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ vbreak = {
+ \break % unless landscape
+ }
+ wbreak = {
+ \break % unless landscape short
+ }
+
+ meta = {
+ %(dynamic) marks global to all voices
+ %\override Staff.TimeSignature #'style = #'()
+ \dynamicUp
+ \key aes \major
+ \time 2/4
+ \partial 4
+ \tempo "Folky (in one)" 2 = 72
+ s4\mp
+ s2*8
+ % 9
+ \wbreak
+ s2*8
+ % 17
+ \break
+ s2\mp
+ s2*7
+ % 25
+ \wbreak
+ s2*8
+ % 33
+ \break
+ s2*9
+ % 42
+ \vbreak
+ s2*8
+ % 50
+ \break
+ s2*8
+ % 58
+ \vbreak
+ s2*8
+ % 66
+ \break
+ s2*9
+ % 75
+ \vbreak
+ s2*8
+ % 83
+ \break
+ s2*16
+ % 99
+ \break
+ s2*9
+ \vbreak
+ s2*8
+ % 116
+ \break
+ s2^\markup{ \italic "cresc." }
+ s2*7
+ s2\mp
+ s2*5
+ s2\>
+ s2
+ \break
+ s2\!
+ s2*8
+ \vbreak
+ s2*6
+ s2\<
+ s2
+ \break
+ s2\mf
+ s2*7
+ \vbreak
+ s2*4
+ s2*2
+ \break
+ s2^\markup{ \italic "dim." }
+ s2*5
+ \break
+ s2*7
+ \vbreak
+ s2*4
+ s2^\markup{ \italic "rit." }
+ s2*2
+ s8 s4\> s16. s32\!
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/fertig/down/down-page-1.svg b/hr/stch/fertig/down/down-page-1.svg
new file mode 100644
index 0000000..fa00e29
--- /dev/null
+++ b/hr/stch/fertig/down/down-page-1.svg
@@ -0,0 +1,1740 @@
+<svg xmlns="http://www.w3.org/2000/svg" xmlns:xlink="http://www.w3.org/1999/xlink" version="1.2" width="210.00mm" height="297.00mm" viewBox="0 0 140.5901 198.8346">
+<!-- Page: 1/4 -->
+<text transform="translate(10.0421, 6.6948)" font-family="Century Schoolbook L" font-size="2.2000" text-anchor="start" fill="currentColor">
+<tspan>
+ </tspan>
+</text>
+<text transform="translate(46.5554, 10.3057)" font-family="Century Schoolbook L" font-weight="bold" font-size="3.4925" text-anchor="start" fill="currentColor">
+<tspan>
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diff --git a/hr/stch/fertig/down/down-page1.png b/hr/stch/fertig/down/down-page1.png
new file mode 100644
index 0000000..6b879d8
--- /dev/null
+++ b/hr/stch/fertig/down/down-page1.png
Binary files differ
diff --git a/hr/stch/fertig/down/down-page2.png b/hr/stch/fertig/down/down-page2.png
new file mode 100644
index 0000000..3fe963e
--- /dev/null
+++ b/hr/stch/fertig/down/down-page2.png
Binary files differ
diff --git a/hr/stch/fertig/down/down-page3.png b/hr/stch/fertig/down/down-page3.png
new file mode 100644
index 0000000..9d063d1
--- /dev/null
+++ b/hr/stch/fertig/down/down-page3.png
Binary files differ
diff --git a/hr/stch/fertig/down/down-page4.png b/hr/stch/fertig/down/down-page4.png
new file mode 100644
index 0000000..43145e5
--- /dev/null
+++ b/hr/stch/fertig/down/down-page4.png
Binary files differ
diff --git a/hr/stch/fertig/down/down.ly b/hr/stch/fertig/down/down.ly
new file mode 100644
index 0000000..06d48e0
--- /dev/null
+++ b/hr/stch/fertig/down/down.ly
@@ -0,0 +1,84 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.18"
+\include "dynArt.ly"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Down to the River to Pray"
+ composer = "Traditional"
+ arranger = "Philip Lawson"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ %\bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 17)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ >>
+
+ ban = <<
+ \new Voice = "baritone" { \global \baritoneMelodie }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = sopran { \sop }
+ \new Lyrics \lyricsto soprane \sopranText
+ %\new Staff = alt { \alt }
+ %\new Lyrics \lyricsto alti \altText
+ \new Staff = tenor { \ten }
+ \new Lyrics \lyricsto tenoere \tenorText
+ \new Staff = baritone { \ban }
+ \new Lyrics \lyricsto baritone \baritoneText
+ \new Staff = bass { \bas }
+ \new Lyrics \lyricsto baesse \bassText
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ \context { \Staff
+ \RemoveEmptyStaves
+ \override VerticalAxisGroup.remove-first = ##t
+ }
+ }
+ }
+
diff --git a/hr/stch/fertig/down/down.ps b/hr/stch/fertig/down/down.ps
new file mode 100644
index 0000000..6b3c4b5
--- /dev/null
+++ b/hr/stch/fertig/down/down.ps
Binary files differ
diff --git a/hr/stch/fertig/down/dynArt.ly b/hr/stch/fertig/down/dynArt.ly
new file mode 100644
index 0000000..4b0a043
--- /dev/null
+++ b/hr/stch/fertig/down/dynArt.ly
@@ -0,0 +1,67 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ %\override Staff.TimeSignature #'style = #'()
+ \dynamicUp
+ \key aes \major
+ \time 2/4
+ \partial 4
+ \tempo "Folky (in one)" 2 = 72
+ s4\mp
+ s2*16
+ \break
+ s2\mp
+ s2*15
+ \break
+ s2*17
+ \break
+ s2*16
+ \break
+ s2*17
+ \break
+ s2*16
+ \break
+ s2*17
+ \break
+ s2^\markup{ \italic "cresc." }
+ s2*7
+ s2\mp
+ s2*5
+ s2\>
+ s2
+ \break
+ s2\!
+ s2*14
+ s2\<
+ s2
+ \break
+ s2\mf
+ s2*7
+ \break
+ s2*4
+ s2*2
+ s2^\markup{ \italic "dim." }
+ s2*5
+ \break
+ s2*11
+ s2^\markup{ \italic "rit." }
+ s2*2
+ s8 s4\> s16. s32\!
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/fertig/down/midi.lua b/hr/stch/fertig/down/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/stch/fertig/down/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/fertig/down/stimmen.ly b/hr/stch/fertig/down/stimmen.ly
new file mode 100644
index 0000000..c7912b6
--- /dev/null
+++ b/hr/stch/fertig/down/stimmen.ly
@@ -0,0 +1,599 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.18"
+
+ global = {
+ %\autoBeamOff
+ }
+
+ went = \relative c'' {
+ <<
+ {
+ aes4 aes8 aes8 aes8 aes8 aes4 aes4
+ }
+ {
+ ees4 ees8 ees8 ees8 ees8 ees4 ees4
+ }
+ >>
+ r4
+ <<
+ {
+ bes'8 bes8 bes8 c8 bes4 aes4 c4 bes8( aes8) aes4
+ }
+ {
+ f8 f8 f8 aes8 f4 ees4 aes4 f8( ees8) ees4
+ }
+ >>
+ <<
+ {
+ \voiceOne
+ f8( ees8)
+ }
+ \new Voice {
+ \voiceTwo
+ des4
+ }
+ >>
+ \oneVoice
+ }
+
+ choir = \markup{ \italic "Stagger breathing" }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r4
+ R2*49
+ <<
+ {
+ bes2\mp^\choir ~ bes4 aes4 c2 bes8 aes4. ~ aes2 ~ aes2 ~ aes2 ~ aes2
+ bes2 ~ bes4 aes4 c2 bes8 aes4. aes4 aes8 e8 aes8 aes8
+ }
+ {
+ g2 ~ g4 f4 aes2 f8 ees4. ~ ees2 ~ ees2 ~ ees2 ~ ees2
+ g2 ~ g4 f4 aes2 f8 ees4. ees4 ees8 ees8 ees8 ees8
+ }
+ >>
+ r4 R2 R2
+ r4 ees4\mf ees4 f4
+ \went
+ <<
+ {
+ ees4 c4 ees4. f8 aes4 c4 c8( bes8) aes4 bes2 aes8 aes4 f8 ees2 ~ ees4
+ }
+ {
+ c4 aes4 c4. des8 ees4 aes4 aes8( f8) ees4 f2 f8 f4 f8 ees2 ~ ees4
+ }
+ >>
+ r4
+ % 83
+ <<
+ {
+ bes'2 bes4 aes4 c4 ees4
+ }
+ {
+ ees,2 ees4 ees4 aes4 aes4
+ }
+ >>
+ <<
+ {
+ \voiceOne
+ bes8( aes4.)
+ }
+ \new Voice {
+ \voiceTwo
+ ees2
+ }
+ >>
+ \oneVoice
+ <<
+ {
+ c'4 bes4 aes2 aes8 aes4.
+ }
+ {
+ aes4 f4 f2 f8 f4.
+ }
+ >>
+ <<
+ {
+ \voiceOne
+ f8( ees4.)
+ }
+ \new Voice {
+ \voiceTwo
+ c2
+ }
+ >>
+ \oneVoice
+ <<
+ {
+ bes'2 bes4 aes4 c4 ees4
+ }
+ {
+ ees,2 ees4 ees4 aes4 aes4
+ }
+ >>
+ <<
+ {
+ \voiceOne
+ bes8( aes4.)
+ }
+ \new Voice {
+ \voiceTwo
+ ees2
+ }
+ >>
+ \oneVoice
+ <<
+ {
+ c'4 bes8 aes8 aes8 aes8
+ }
+ {
+ aes4 f8 ees8 ees8 ees8
+ }
+ >>
+ <<
+ {
+ \voiceOne
+ f8( ees8)
+ }
+ \new Voice {
+ \voiceTwo
+ des4
+ }
+ >>
+ \oneVoice
+ ees2 ~ ees2
+ r4 ees4\p ees4 f4
+ \went
+ <<
+ {
+ ees4 c4 ees4. f8 aes4 c4 c8( bes8) aes4 bes2 aes8 aes4 f8 ees2 ~ ees4
+ }
+ {
+ c4 c4 c4. des8 ees4 aes4 aes8( f8) ees4 f2 f8 f4 des8 c2 ~ c4
+ }
+ >>
+ r4
+ <<
+ {
+ bes'2 bes4 aes4 c4 ees4
+ }
+ {
+ ees,2 ees4 ees4 aes4 aes4
+ }
+ >>
+ <<
+ {
+ \voiceOne
+ bes8( aes4.)
+ }
+ \new Voice {
+ \voiceTwo
+ ees2
+ }
+ >>
+ \oneVoice
+ <<
+ {
+ c'8 bes4. aes4 aes8 f8 aes8 aes8 aes4
+ }
+ {
+ aes8 f4. f4 f8 f8 f8 f8 f4
+ }
+ >>
+ <<
+ {
+ \voiceOne
+ f8( ees4.)
+ }
+ \new Voice {
+ \voiceTwo
+ c2
+ }
+ >>
+ \oneVoice
+ <<
+ {
+ bes'8 bes4. bes4 aes4 c4 ees4
+ }
+ {
+ ees,8 ees4. ees4 ees4 aes4 aes4
+ }
+ >>
+ <<
+ {
+ \voiceOne
+ bes8( aes4.)
+ }
+ \new Voice {
+ \voiceTwo
+ ees2
+ }
+ >>
+ \oneVoice
+ <<
+ {
+ c'4 bes8 aes8 aes8 aes8
+ }
+ {
+ aes4 f8 ees8 ees8 ees8
+ }
+ >>
+ <<
+ {
+ \voiceOne
+ f8( ees8)
+ }
+ \new Voice {
+ \voiceTwo
+ des4
+ }
+ >>
+ \oneVoice
+ <<
+ {
+ ees2 ~ ees2
+ }
+ {
+ c2 ~ c2
+ }
+ >>
+ R2*17
+ <<
+ {
+ bes'2( ~ bes4 aes4 c2) bes8( aes4. ~ aes2) aes2 ~ aes2 aes2
+ bes2( ~ bes4 aes4 c2) bes8( aes4.) aes4 aes8 aes8 aes8 aes8
+ }
+ {
+ g2( ~ g4 f4 aes2) f8( ees4. ~ ees2) ees2 ~ ees2 ees2
+ g2( ~ g4 f4 aes2) f8( ees4.) ees4 ees8 ees8 ees8 ees8
+ }
+ >>
+ <<
+ {
+ \voiceOne
+ f8( ees8)
+ ees2 ~ ees2
+ R2 R2 r4
+ ees4\p ees4 f4
+ }
+ \new Voice {
+ \voiceTwo
+ ees4
+ ees2 ~ ees2 ~ ees2 ~ ees2 ~ ees2 ~ ees2
+ }
+ >>
+ \oneVoice
+ <<
+ {
+ aes4 aes8 aes8 aes8 aes8 aes4 aes2
+ bes8 bes8 bes8 c8 bes4 aes4 c4 bes8( aes8) aes4 f8( ees8) ees4 c4 ees4. f8 aes4 f4 aes4 c4 bes2 aes8 aes4 f8 ees2 ~ ees2\fermata
+ }
+ %{
+ s2*11
+ s2^\markup{ \italic "rit."}
+ s2*2
+ s8 s4\> s16. s32\!
+ %}
+ >>
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ r4
+ R2*32
+ r4 ees,4\mp ees4 f4 aes4 aes8 aes8 aes8 aes8 aes4 aes2
+ bes8 bes8 bes8 c8 bes4 aes4 c4 bes8( aes8) aes4 f8( ees8) ees4 c4 ees4. f8 aes4 f4 aes4 c4 bes2 aes8 aes4 f8 ees2 ~ ees4 r4 bes'2 bes4 aes4 c4 ees4 bes8( aes4.) c4 bes4 aes2 aes8 aes4. ees2 bes'8 bes4. bes4 aes4 c4 ees4 bes8( aes4.) c4 bes8 aes8 aes8 aes8 f8( ees8) ees2 ~ ees2
+ R2 R2
+ c'4\mf c8 c8 c8 c8 c4 c4 r4 des8 des8 des8 ees8 des4 c4 ees4 des8( c8) c4 bes8( aes8) aes4 f4 aes4. bes8 c4 ees4 ees8( des8) c4 des2 des8 des4 des8 c2 ~ c4 r4
+ bes2 bes4 c4 ees4 ees4 des8( c4.) ees4 des4 des2 des8 des4. aes2
+ bes2 bes4 c4 ees4 ees4 des8( c4.) ees4 des8 des8 des8 des8 des4 ees2 ~ ees2
+ R2 R2
+ <<
+ {
+ c4\p c8 c8 c8 c8 c4 c4
+ }
+ {
+ aes4 aes8 aes8 aes8 aes8 aes4 aes4
+ }
+ >>
+ r4
+ <<
+ {
+ des8 des8 des8 ees8 des4 c4 ees4 des8( c8) c4 bes8( aes8) aes4 aes4 aes4. bes8 c4 ees4 ees8( des8) c4 des2 des8 des4 aes8 aes2 ~ aes4
+ }
+ {
+ bes8 bes8 bes8 c8 bes4 aes4 c4 bes8( aes8) aes4 f8( ees8) ees4 c4 ees4. f8 aes4 c4 c8( bes8) aes4 bes2 aes8 aes4 f8 ees2 ~ ees4
+ }
+ >>
+ r4
+ <<
+ {
+ bes'2 bes4 c4 ees4 ees4
+ }
+ {
+ g,2 g4 aes4 c4 c4
+ }
+ >>
+ <<
+ {
+ \voiceOne
+ des8( c4.)
+ }
+ \new Voice {
+ \voiceTwo
+ aes2
+ }
+ >>
+ \oneVoice
+ <<
+ {
+ ees'8 des4. des4 des8 des8 des8 des8 des4
+ }
+ {
+ c8 bes4. aes4 aes8 f8 aes8 aes8 aes4
+ }
+ >>
+ <<
+ {
+ \voiceOne
+ aes2
+ }
+ \new Voice {
+ \voiceTwo
+ f8( ees4.)
+ }
+ >>
+ \oneVoice
+ <<
+ {
+ bes'8 bes4. bes4 c4 ees4 ees4
+ }
+ {
+ g,8 g4. g4 aes4 c4 c4
+ }
+ >>
+ <<
+ {
+ \voiceOne
+ des8( c4.)
+ }
+ \new Voice {
+ \voiceTwo
+ aes2
+ }
+ >>
+ \oneVoice
+ <<
+ {
+ ees'4 des8 des8 des8 des8 bes8( aes8) aes2 ~ aes2
+ { R2 R2 }
+ ees'2\p^\markup{ (Oo) } ~ ees2 ~ ees2 ~ ees2 ~ ees2 ~ ees2 ~ ees2
+ f2 ~ f2 ~ f2 ~ f2 ~ f2 ~ f2 ~ f2 ~ f2
+ ees2( ~ ees4 des4 c2) c2 ~ c2 des2 ~ des2 des2
+ ees2( ~ ees4 des4 c2) c2 c4 bes8 aes8 aes8 aes8 aes4
+ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2
+ }
+ {
+ c4 bes8 aes8 aes8 aes8 f8( ees8) ees2 ~ ees2
+ { \dynamicDown \stemDown ees2\p^\choir ~ ees2 ~ } \stemNeutral \dynamicNeutral ees2 ~ ees2 ~ ees2 ~ ees2 ~ ees2 ~ ees2 ~ ees2
+ des2 ~ des2 ~ des2 ~ des2 ~ des2 ~ des2 ~ des2 ~ des2
+ ees2^\markup{""} ~ ees2 ~ ees2 ees2 ~ ees2 f2 ~ f2 f2
+ ees2 ~ ees2 ~ ees2 ees2 ees4 des8 des8 des8 des8 des4 des2 ~ des2 ~ des2 ~ des2 ~ des2 ~ des2
+ }
+ >>
+ }
+ >>
+ }
+
+ baritoneMelodie = \relative c {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "bass"
+ r4
+ R2*131
+ r4 ees4\mp ees4 f4 aes4 aes8 aes8 aes8 aes8 aes4 aes2
+ bes8 bes8 bes8 c8 bes4 aes4 c4 bes8( aes8) aes4 f8( ees8) ees4 c4 ees4. f8 aes4 f4 aes4 c4 bes2 aes8 aes4 f8 ees2 ~ ees2
+ bes'2 bes4 aes4 c4 ees4 bes8( aes4.) c4 bes4 aes2 aes8 aes4. f8( ees4.)
+ bes'2 bes4 aes4 c4 ees4 bes8( aes4.) c4 bes8 aes8 aes8 aes8 f8( ees8) ees2 ~ ees2 ~ ees2 ~ ees2 ~ ees2 ~ ees2
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ ees4 ees4 f4 aes4 aes8 aes8 aes8 aes8 aes4 aes2 bes8 bes8 bes8 c8 bes4 aes4 c4 bes8( aes8) aes4 f8( ees8) ees4 c4 ees4. f8 aes4 f4 aes4 c4 bes2 aes8 aes4 f8 ees2 ~ ees4 r4
+ %{
+ <<
+ {
+ bes'2 bes4 aes4 c4 ees4 bes8( aes4.) c4 bes4 aes2 aes8 aes4. \voiceOne f8( ees4.) \oneVoice bes'2 bes4 aes4 c4 ees4 bes8( aes4.) c4 bes8 aes8 aes8 aes8 f8( ees8) ees2 ~ ees2
+ }
+ \new Voice {
+ g2 g4 f4 aes4 c4 f,8 ees4. aes4 f4 f2 ees8 ees4. \voiceTwo c2 \oneVoice g'2 g4 f4 aes4 c4 f,8 ees4. f4 f8 ees8 ees8 ees8 des4 ees2 ~ ees2
+ }
+ >>
+ %}
+ <<
+ {
+ bes'2 bes4 aes4 c4 ees4 bes8( aes4.) c4 bes4 aes2 aes8 aes4.
+ }
+ {
+ g2 g4 f4 aes4 c4 f,8 ees4. aes4 f4 f2 ees8 ees4.
+ }
+ >>
+ <<
+ {
+ \voiceOne f8( ees4.)
+ }
+ \new Voice {
+ \voiceTwo c2
+ }
+ >>
+ \oneVoice
+ <<
+ {
+ bes'2 bes4 aes4 c4 ees4 bes8( aes4.) c4 bes8 aes8 aes8 aes8
+ }
+ {
+ g2 g4 f4 aes4 c4 f,8 ees4. f4 f8 ees8 ees8 ees8
+ }
+ >>
+ <<
+ {
+ \voiceOne
+ f8( ees8)
+ }
+ \new Voice {
+ \voiceTwo
+ des4
+ }
+ >>
+ \oneVoice
+ <<
+ {
+ ees2 ~ ees2
+ }
+ {
+ ees2 ~ ees2
+ }
+ >>
+ R2 R2
+ <<
+ {
+ ees2^\choir ~ ees2 ~ ees2 ~ ees2 ~ ees2 ~ ees2 ~ ees2
+ des2 ~ des2 ~ des2 ~ des2 ~ des2 ~ des2 ~ des2 ~ des2
+ ees2 ~ ees2 ~ ees2 ~ ees2 ~ ees2
+ f2 ~ f2 ~ f2
+ ees2 ~ ees2 ~ ees2 ~ ees2 des4 des8 des8 des8 des8
+ }
+ {
+ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2
+ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 aes4 aes8 aes8 aes8 aes8
+ }
+ >>
+ r4 R2 R2
+ R2*35
+ <<
+ {
+ ees'4\p ees8 ees8 ees8 ees8 ees4 ees4
+ }
+ {
+ c4 c8 c8 c8 c8 c4 c4
+ }
+ >>
+ r4
+ <<
+ {
+ f8 f8 f8 aes8 f4 ees4 aes4 f8( ees8) ees4 des4 c4 f4 c4. des8 ees4 aes4 aes8( f8) ees4 f2 f8 f4 des8 c2 ~ c4
+ }
+ {
+ des8 des8 des8 ees8 des4 c4 ees4 des8( c8) c4 bes4 aes4 f4 aes4. bes8 c4 ees4 ees8( des8) c4 des2 des8 des4 bes8 aes2 ~ aes4
+ }
+ >>
+ r4
+ <<
+ {
+ ees'2 ees4 ees4 aes4 aes4
+ }
+ {
+ bes,2 bes4 c4 ees4 aes4
+ }
+ >>
+ <<
+ {
+ \voiceOne
+ f8( ees4.)
+ }
+ \new Voice {
+ \voiceTwo
+ aes,2
+ }
+ >>
+ \oneVoice
+ <<
+ {
+ aes'8 f4. f4 f8 f8 f8 f8 f4 ees2
+ ees8 ees4. ees4 ees4 aes4 aes4
+ }
+ {
+ ees8 des4. des4 des8 des8 des8 des8 des4 c2
+ bes8 bes4. bes4 c4 ees4 aes4
+ }
+ >>
+ <<
+ {
+ \voiceOne
+ f8( ees4.)
+ }
+ \new Voice {
+ \voiceTwo
+ aes,2
+ }
+ >>
+ \oneVoice
+ <<
+ {
+ aes'4 f8 f8 f8 f8 des4 c2 ~ c2
+ }
+ {
+ ees4 des8 des8 des8 des8 bes4 aes2 ~ aes2
+ }
+ >>
+ aes2\p^\choir ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2
+ aes2 ~ aes2 ~ aes2 aes2 ~ aes2 aes2 ~ aes2 aes2
+ aes2 ~ aes2 ~ aes2 aes2 aes4 aes8 aes8 aes8 aes8 aes4
+ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2
+ }
+ >>
+ }
+
+ %{
+ <<
+ {
+ \voiceOne
+ }
+ \new Voice {
+ \voiceTwo
+ }
+ >>
+ \oneVoice
+ <<
+ {
+ }
+ {
+ }
+ >>
+ %}
+ % TODO: dynamics
diff --git a/hr/stch/fertig/down/texte.ly b/hr/stch/fertig/down/texte.ly
new file mode 100644
index 0000000..832bd54
--- /dev/null
+++ b/hr/stch/fertig/down/texte.ly
@@ -0,0 +1,117 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+ olim = \lyricmode {
+ As I went down in the riv -- er to pray,
+ stud -- y -- in’ a -- bout that good old way
+ and who shall wear
+ }
+
+ cmon = \lyricmode {
+ let’s go down,
+ let’s go down,
+ come on down.
+ }
+
+ river = \lyricmode {
+ let’s go down,
+ down in the riv -- er to pray.
+ }
+
+ sugg = \lyricmode {
+ let’s go down,
+ come on down,
+ don’t you wan -- na go down?
+ }
+
+ show = \lyricmode {
+ Good Lord, show me the way.
+ }
+
+ robe = \lyricmode {
+ the robe and crown,
+ }
+
+ star = \lyricmode {
+ the star -- ry crown,
+ }
+
+% Die Textaufteilungen % -- _
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ Oo _ _ _ _
+ _ _ _ _ _
+ down in the riv -- er
+ \olim \star
+ \show
+ Oh, fa -- thers, \cmon
+ Oh, fa -- thers, \river
+ \olim \robe
+ \show
+ Oh, moth -- ers, \sugg
+ Come on, moth -- ers, \river
+ %
+ Oh, down, down, down.
+ Oh, down, down in the riv -- er to pray.
+ \olim \robe
+ \show
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ \olim \robe
+ \show
+ Oh, broth -- ers, \cmon
+ Come on, broth -- ers, \river
+ down in the riv -- er to pray,
+ stud -- y -- in’ a -- bout that good old way
+ and who shall wear \star
+ \show
+ Oh, fa -- thers, \cmon
+ Oh, fa -- thers, \river
+ down in the riv -- er to pray,
+ stud -- y -- in’ a -- bout that good old way
+ and who shall wear \robe
+ \show
+ Oh, moth -- ers, \sugg
+ Come on, moth -- ers, \river
+ %
+ Oo _
+ Oh, down, down, down.
+ Oh, down, down in the riv -- er to pray.
+ }
+
+ baritoneText = \lyrics {
+ %<+hier den Text für den Bariton eintragen+>
+ \olim \star
+ \show
+ Oh, sin -- ners, \cmon
+ Oh, sin -- ners, \river
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ \olim \star
+ \show
+ Oh, sis -- ters, \cmon
+ Oh, sis -- ters, \river
+ Mm_(or_Oo) (Oo)
+ down in the riv -- er
+ down in the riv -- er to pray,
+ stud -- y -- in’ a -- bout that good old way
+ and who shall wear \robe
+ \show
+ Oh, moth -- ers, \sugg
+ Come on, moth -- ers, \river
+ %
+ Oo
+ Oh, down, down, down.
+ Oh, down, down in the riv -- er to pray.
+ }
+
diff --git a/hr/stch/fertig/edel/alt/edel.ps b/hr/stch/fertig/edel/alt/edel.ps
new file mode 100644
index 0000000..72fd816
--- /dev/null
+++ b/hr/stch/fertig/edel/alt/edel.ps
Binary files differ
diff --git a/hr/stch/fertig/edel/alt/edel_.ps b/hr/stch/fertig/edel/alt/edel_.ps
new file mode 100644
index 0000000..3b8748c
--- /dev/null
+++ b/hr/stch/fertig/edel/alt/edel_.ps
Binary files differ
diff --git a/hr/stch/fertig/edel/edel.ly b/hr/stch/fertig/edel/edel.ly
new file mode 100644
index 0000000..09c89be
--- /dev/null
+++ b/hr/stch/fertig/edel/edel.ly
@@ -0,0 +1,80 @@
+% vim: encoding=utf8 nu
+
+\version "2.12.1"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Von edler Art"
+ composer = "Johannes Brahms"
+ }
+
+ #(set-global-staff-size 18)
+
+ \paper {
+ %system-count = 4
+ ragged-last-bottom = ##f
+ foot-separation = 7\mm
+ bottom-margin = 7\mm
+ top-margin = 7\mm
+ head-separation = 4\mm
+ print-page-number = ##f
+ %between-system-padding = 10\mm
+ after-title-space = 7\mm
+ page-top-space = 0\mm
+ line-width = 170\mm
+ }
+
+ \midi {
+ %\tempo 4 = 72
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-2 . 2)
+ }
+ \context {
+ \Voice
+ \override TextScript #'padding = #1.0
+ }
+ }
+
+ cpap = \markup {\italic {cresc. poco a poco}}
+ rit = \markup {\italic {rit.}}
+
+ \score {
+ \new ChoirStaff <<
+ \new Staff = sopran <<
+ \new Voice = "meta" { \metaDynamics }
+ \new Voice = "Dyn" { \sopranDyn }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ \lyricsto soprane \sopranText
+ \lyricsto soprane \oberTextZwei
+ \lyricsto soprane \oberTextDrei
+ >>
+ \new Staff = alt <<
+ \new Voice = "meta" { \metaDynamics }
+ \new Voice = "alti" { \global \altMelodie }
+ \lyricsto alti \altText
+ \lyricsto alti \oberTextZwei
+ \lyricsto alti \oberTextDrei
+ >>
+ \new Staff = tenor <<
+ \new Voice = "meta" { \metaDynamics }
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \lyricsto tenoere \tenorText
+ \lyricsto tenoere \oberTextZwei
+ \lyricsto tenoere \oberTextDrei
+ >>
+ \new Staff = bass <<
+ \new Voice = "meta" { \metaDynamics }
+ \new Voice = "baesse" { \global \bassMelodie }
+ \lyricsto baesse \bassText
+ \lyricsto baesse \bassTextZwei
+ \lyricsto baesse \bassTextDrei
+ >>
+ >>
+ }
+
diff --git a/hr/stch/fertig/edel/edel.ps b/hr/stch/fertig/edel/edel.ps
new file mode 100644
index 0000000..f374178
--- /dev/null
+++ b/hr/stch/fertig/edel/edel.ps
Binary files differ
diff --git a/hr/stch/fertig/edel/stimmen.ly b/hr/stch/fertig/edel/stimmen.ly
new file mode 100644
index 0000000..7ed3cfe
--- /dev/null
+++ b/hr/stch/fertig/edel/stimmen.ly
@@ -0,0 +1,63 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+global = {
+ \key f \major
+ \time 4/4
+}
+
+% markups
+
+ pc = \markup {\italic {poco cresc.}}
+ cpap = \markup {\italic {cresc. poco a poco}}
+ rit = \markup {\italic {rit.}}
+
+% Die Stimmen
+
+ metaDynamics = {
+ \set hairpinToBarline = ##f
+ \dynamicUp
+ s1*5 s1^\pc s1*2 s2\< s4\! s4 s4 s2.\> \pageBreak
+ s1\! s2. s4\< s4 s4\! s2^\cpap s1*3
+ s4\< s4\! s2\> s2^\rit s4\! s4 \bar "|."
+ }
+
+ sopranDyn = {
+ \set hairpinToBarline = ##f
+ \dynamicUp
+ s1 s1\p s2\< s4\! s4 s2\< s2\> s4 s4\< s2\> s2.\! s4\< s2\> s2\!
+ s4 s2.\< s1\! s1 s4\p s4\< s2\> s1\! s1 s1 s1 s4 s4\f s2 s1 s1
+ }
+
+
+ sopranMelodie = \relative c'' {
+ r1 f2 e4 d4 c4 bes4 a4^>( ~ a8 g8( f8( g8 ) ) ) e4 d2
+ r4 d'4 c4 d4 e2 r4 e4 f4 d4 c2 r4 c4 d4 e4
+ a,4 a4 c4.( bes8( a8( bes8 ) ) ) g4 f2 r4 f4 g4 a4 d,2 r4 a'4
+ bes4 c4 a4 r8 a8 d4 d4 c4 f4 e4 d4 cis2 r4 a4 c4 c4
+ d4 f4 e8.( d16( c8( bes8( a8( g16( f16 ) ) ) ) ) ) g4 f2
+ }
+
+ altMelodie = \relative c'' {
+ r2 c2 bes4 aes4 ges4 f4 e4( d4( cis4 ) ) d4( ~ d4. cis8 ) d2
+ r4 f4 g4 f4 e4 g4 a4 e4 d8( f4( g8( a2 ) ) ) r4 e4 g4 e4
+ f2 e4 d4 ~ d4 e4 f2 r2 e2 d4 bes4 c4 f4
+ f4 g4 f4 ees4 f4 f4 g4 a4 g4 g4 e2 r4 f4 g4 g4
+ bes4 f4 a4( e4 ~ e8.( f16 ) ) f8( e8 ) f2
+ }
+
+ tenorMelodie = \relative c'' {
+ f2 e4 c4 d4 c4 c4 a4 g2 r2 r2 r4 a4
+ bes4 a4 g8( c4( b8( c2 ) ) ) r4 c4 a4 bes4 c4 f4 e4( c4 ~ c8( bes8 ) ) c4
+ a2 a4 f4 ~ f4 c'4 a2 d2 c4 a4 bes2 r4 c4
+ d4 c4 c4 c4 a4 a4 g4 c4 c4 bes4 a4 e'4 f2 e2
+ f4 d4 c4( a8( g8( c8.( a16 ) ) ) ) c4 a2
+ }
+
+ bassMelodie = \relative c {
+ \clef bass
+ f2 a4 a4 bes4 f4 c4 d4 e4 g4 a4( bes4 ~ bes8( g8 ) ) a4 d,2
+ r4 d4 e4 d4 c2 r4 a4 d4 bes4 f'2 a2 g4 c,4
+ d2 a4 bes4 ~ bes4 c4 f2 r1 bes2 a4 f4
+ d4 e4 f4 a4 d,4 d4 e4 f4 c4 g'4 a4 a4 d4 d4 c4 c4
+ bes4 bes,4 c2 ~ c4 c4 f,2
+ }
diff --git a/hr/stch/fertig/edel/texte.ly b/hr/stch/fertig/edel/texte.ly
new file mode 100644
index 0000000..18a753a
--- /dev/null
+++ b/hr/stch/fertig/edel/texte.ly
@@ -0,0 +1,133 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+% Die Textaufteilungen
+
+ art = \lyricmode {
+ Von ed -- ler Art,
+ }
+
+ bart = \lyricmode {
+ von ed -- ler Art,
+ }
+
+ zart = \lyricmode {
+ auch rein und zart,
+ }
+
+ kron = \lyricmode {
+ bist du ein Kron,
+ }
+
+ ar = \lyricmode {
+ der ich mich han er -- ge -- ben gar, glaub mir fürwahr; _
+ }
+
+ herz = \lyricmode {
+ das Herz in mir kränkt sich nach dir,
+ }
+
+ ehr = \lyricmode {
+ da -- rum ich b'gehr auf all dein Ehr:
+ hilf mir, ich hab nicht Tro -- stes mehr.
+ }
+
+
+ sopranText = \lyrics {
+ \art \zart \kron \ar
+ \herz \ehr
+ }
+
+ altText = \lyrics {
+ \sopranText
+ }
+
+ tenorText = \lyrics {
+ \sopranText
+ }
+
+ bassText = \lyrics {
+ \art \bart \zart \kron \ar
+ \herz \ehr
+ }
+
+
+ tu = \lyricmode {
+ Wie ich ihm tu,
+ }
+
+ tuba = \lyricmode {
+ wie ich ihm tu,
+ }
+
+ ruh = \lyricmode {
+ hab ich kein Ruh,
+ }
+
+ alt = \lyricmode {
+ ohn dein Ge -- stalt, die mich mit G'walt
+ }
+
+ at = \lyricmode {
+ ge -- fan -- gen hat: Herz -- lieb, gib Rat,
+ }
+
+ versieh = \lyricmode {
+ des ich mich doch zu dir ver -- sieh
+ }
+
+ iel = \lyricmode {
+ in Hoff -- nung viel, nit mehr ich will,
+ al -- lein setz mir ein gna -- digs Ziel.
+ }
+
+ oberTextZwei = \lyrics {
+ \tu \ruh \alt \at
+ \versieh \iel
+ }
+
+ bassTextZwei = \lyrics {
+ \tu \tuba \ruh \alt \at
+ \versieh \iel
+ }
+
+
+ bist = \lyricmode {
+ Seit du die bist,
+ }
+
+ baßt = \lyricmode {
+ seit du die bist,
+ }
+
+ List = \lyricmode {
+ gen der ich List
+ }
+
+ ol = \lyricmode {
+ nit brau -- chen soll, das weißt du wohl:
+ }
+
+ erz = \lyricmode {
+ ohn al -- len Scherz will dir mein Herz
+ }
+
+ treuen = \lyricmode {
+ in Treu -- en sein, da -- rum ich dein
+ }
+
+ ag = \lyricmode {
+ kein Stund im Tag vor Leid und Klag,
+ auch rech -- ter Lieb ver -- ges -- sen mag.
+ }
+
+
+ oberTextDrei = \lyrics {
+ \bist \List \ol \erz
+ \treuen \ag
+ }
+
+ bassTextDrei = \lyrics {
+ \bist \baßt \List \ol \erz
+ \treuen \ag
+ }
+
diff --git a/hr/stch/fertig/emanuel/dynArt.ly b/hr/stch/fertig/emanuel/dynArt.ly
new file mode 100644
index 0000000..dad4f68
--- /dev/null
+++ b/hr/stch/fertig/emanuel/dynArt.ly
@@ -0,0 +1,30 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ \repeat unfold 3 {
+ s1*4
+ \break
+ s1*3
+ \break
+ s1*4
+ \pageBreak
+ }
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/fertig/emanuel/emanuel.ly b/hr/stch/fertig/emanuel/emanuel.ly
new file mode 100644
index 0000000..7c832fd
--- /dev/null
+++ b/hr/stch/fertig/emanuel/emanuel.ly
@@ -0,0 +1,88 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Enatus est Emanuel (Geborn ist uns Immanuel)"
+ composer = "Michael Prætorius"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \musicglyph #"scripts.segno"
+ \musicglyph #"noteheads.shufnagel.virga"
+ \musicglyph #"scripts.upedalheel"
+ \musicglyph #"pedal.d"
+ \musicglyph #"pedal.e"
+ \musicglyph #"scripts.dpedalheel"
+ \musicglyph #"noteheads.shufnagel.virga"
+ \musicglyph #"pedal.e"
+ \musicglyph #"scripts.dpedalheel"
+ \musicglyph #"timesig.C44"
+ \musicglyph #"clefs.petrucci.c3_change"
+ \musicglyph #"scripts.flageolet"
+ \dynamic r
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 18)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ \addlyrics { \sopranText }
+ %\addlyrics { \sopB }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ \addlyrics { \altText }
+ %\addlyrics { \altB }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ %\addlyrics { \tenB }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ \addlyrics { \bassText }
+ %\addlyrics { \basB }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = sopran { \sop }
+ \new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ \new Staff = bass { \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/fertig/emanuel/midi.lua b/hr/stch/fertig/emanuel/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/stch/fertig/emanuel/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/fertig/emanuel/stimmen.ly b/hr/stch/fertig/emanuel/stimmen.ly
new file mode 100644
index 0000000..2ab8279
--- /dev/null
+++ b/hr/stch/fertig/emanuel/stimmen.ly
@@ -0,0 +1,196 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key f \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ \autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ f2 c'8 c8 c8 c8
+ d4 bes4 c2
+ f2 d2
+ c1
+ f8 e8 d8 c8 d8 d8 c4
+ a2 bes2
+ c1
+ f,4 g4 a8.[ bes16 c8] a8
+ bes8 g8 f8 e8 f8.[ g16 a8] a8
+ bes4 g4 f4 e4
+ f1
+ %
+ R1
+ R1
+ c'2. b4
+ c1
+ R1
+ c2 d2
+ g,1
+ f4 g4 a8.[ bes16 c8] a8
+ bes8 g8 f8 e8 f8.[ g16 a8] a8
+ bes4 g4 f4 e4
+ f1
+ %
+ r4 f4 c'8 c8 c8 c8
+ d4 bes4 c2
+ f2 d2
+ c1
+ f8 e8 d8 c8 d8 d8 c4
+ a2 bes2
+ c1
+ f,4 g4 a8.[ bes16 c8] a8
+ bes8 g8 f8 e8 f8.[ g16 a8] a8
+ bes4 g4 f4 e4
+ f1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r4 f4 f8 f8 e8 f8
+ bes,4 d4 c8[ d8] e4
+ a2 g2
+ g1
+ a8 g8 f8 e8 f8 g8 c,4
+ f2. f4
+ e1
+ d4 e4 f4. f8
+ f8 e8 d8[ c16 bes16 c8] c8 c8 f8
+ f4 e4 d8[ c16 bes16 c8] c8
+ c1
+ %
+ R1
+ R1
+ a'2 g2
+ e1
+ R1
+ f2. d4
+ e1
+ d4 e4 f4. f8
+ f8 e8 d8[ c16 bes16 c8] c8 c8 f8
+ f4 e4 d8[ c16 c16 d8] d8
+ c1
+ %
+ r4 c4 c8 g'8 f8 e8
+ g4 g4 g2
+ f2 f2
+ f1
+ a8 g8 f8 e8 g8 g8 e4
+ f2. f4
+ e1
+ d4 e4 f4. f8
+ f8 e8 d8[ c16 bes16 c8] c8 c8 f8
+ f4 e4 d8[ c16 bes16 c8] c8
+ c1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ R1
+ R1
+ c2. b4
+ c4. d8 e2
+ R1
+ c4 d2 d4
+ g,2 c2
+ a4 bes4 c8.[ bes16 a8] c8
+ d8 c8 a8 g8 a8.[ bes16 c8] c8
+ d8 d8 c8.[ bes16] a8[ g16 f16 g8] g8
+ a1
+ %
+ f2 c'8 c8 c8 c8
+ d4 bes4 c2
+ f2 d2
+ c1
+ f8 e8 d8 c8 d8 d8 c4
+ a2 bes2
+ c1
+ a4 bes4 c8.[ bes16 a8] c8
+ d8 c8 a8 g8 a8.[ bes16 c8] c8
+ d8 d8 c8.[ bes16] a8[ g16 f16 g8] g8
+ a1
+ %
+ r4 a4 a8 g8 a8 c8
+ bes4 d4 c2
+ a2 bes2
+ a1
+ a8 c8 a8 c8 b8 b8 c4
+ c2 d2
+ g,2 c2
+ a4 bes4 c8.[ bes16 a8] c8
+ d8 c8 a8 g8 a8.[ bes16 c8] c8
+ d8 d8 c8.[ bes16] a8[ g16 f16 g8] g8
+ a1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ R1
+ R1
+ f2 g2
+ c,1
+ R1
+ f4. e8 d4 d4
+ c1
+ d4 g4 f4. f8
+ bes,8 c8 d8 g8 f4. f8
+ bes,4 c4 d4 c4
+ f1
+ %
+ r4 f4 f8 f8 e8 f8
+ bes,4 d4 c8[ d8] e4
+ f2 g2
+ c,2. c'8 bes8
+ a8[ g8 f8] e8 f8 g8 a4
+ f4. e8 d4 d4
+ c1
+ d4 g4 f4. f8
+ bes,8 c8 d8 g8 f4. f8
+ bes,4 c4 d4 c4
+ f1
+ %
+ r4 f4 f8 e8 f8 a8
+ g4 g4 c,2
+ d2 bes2
+ f'1
+ d8 e8 f8 a8 g8 g8 c,4
+ f4. e8 d4 d4
+ c1
+ d4 g4 f4. f8
+ bes,8 c8 d8 g8 f4. f8
+ bes,4 c4 d4 c4
+ f1
+ }
+ >>
+ }
+
diff --git a/hr/stch/fertig/emanuel/texte.ly b/hr/stch/fertig/emanuel/texte.ly
new file mode 100644
index 0000000..83ef79d
--- /dev/null
+++ b/hr/stch/fertig/emanuel/texte.ly
@@ -0,0 +1,219 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+ enatus = \lyricmode {
+ E -- na -- tus est E -- ma -- nu -- el,
+ }
+
+ dom = \lyricmode {
+ do -- mi -- nus,
+ }
+
+ prae = \lyricmode {
+ quem præ -- di -- xit Ga -- bri -- el,
+ }
+
+ salve = \lyricmode {
+ do -- mi -- nus sal -- va -- tor no -- ster est,
+ sal -- va -- tor no -- ster est.
+ }
+
+ jacet = \lyricmode {
+ Hic ja -- cet in præ -- se -- pi -- o,
+ }
+
+ puer = \lyricmode {
+ pu -- er ad -- mi -- ra -- bi -- lis,
+ }
+
+ lux = \lyricmode {
+ Hæc lux est or -- ta ho -- di -- e,
+ do -- mi -- nus,
+ ex Ma -- ri -- a vir -- gi -- ne,
+ }
+
+ rio = \lyricmode {
+ Do -- mi -- nus sal -- va -- tor no -- ster est,
+ sal -- va -- tor no -- ster est.
+ }
+
+ finis = \lyricmode {
+ \dom
+ \salve
+ \lux
+ \dom
+ \rio
+ }
+
+ geb = \lyricmode {
+ Ge -- born ist uns Im -- ma -- nu -- el,
+ }
+
+ chr = \lyricmode {
+ Christ, der Herr,
+ }
+
+ gabi = \lyricmode {
+ wie ver -- kün -- digt Gab -- ri -- el,
+ }
+
+ hi = \lyricmode {
+ Christ, der Herr, der un -- ser Hei -- land ist,
+ der un -- ser Hei -- land ist.
+ }
+
+ liegt = \lyricmode {
+ Hier liegt es in dem Krip -- pe -- lein,
+ }
+
+ wer = \lyricmode {
+ doch ist Gott dies Kin -- de -- lein,
+ }
+
+ helle = \lyricmode {
+ Es leuch -- tet uns ein hel -- ler Schein,
+ Christ, der Herr,
+ von Ma -- rie, der Jung -- frau rein,
+ }
+
+ high = \lyricmode {
+ Christ, der Herr,
+ der un -- ser Hei -- land ist,
+ der un -- ser Hei -- land ist.
+ }
+
+ ende = \lyricmode {
+ \chr
+ \hi
+ \helle
+ \chr
+ \high
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ \enatus
+ \dom
+ \prae
+ \dom
+ \salve
+ \dom
+ \finis
+ }
+ sopB = \lyrics {
+ \override LyricText #'font-shape = #'italic
+ \geb
+ \chr
+ \gabi
+ \chr
+ \hi
+ \chr
+ \ende
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ \enatus _
+ \dom
+ \prae
+ \dom
+ \salve
+ \dom
+ \finis
+ }
+ altB = \lyrics {
+ \override LyricText #'font-shape = #'italic
+ \geb _
+ \chr
+ \gabi
+ \chr
+ \hi
+ \chr
+ \ende
+ }
+
+ rioTen = \lyricmode {
+ sal -- va -- tor no -- ster est,
+ sal -- va -- tor no -- _ ster est.
+ }
+
+ highTen = \lyricmode {
+ der un -- ser Hei -- land ist,
+ der un -- ser Hei -- _ land ist.
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ \dom _ _
+ do -- _ mi -- nus, _
+ do -- mi -- nus
+ \rioTen
+ \jacet
+ \dom
+ \puer
+ \dom
+ do -- mi -- nus
+ \rioTen
+ \lux
+ \dom _
+ Do -- mi -- nus
+ \rioTen
+ }
+ tenB = \lyrics {
+ \override LyricText #'font-shape = #'italic
+ \chr _ _
+ Christ, _ der Herr, _
+ \chr
+ \highTen
+ \liegt
+ \chr
+ \wer
+ \chr
+ \chr
+ \highTen
+ \helle
+ \chr _
+ \chr
+ \highTen
+ }
+
+ domBas = \lyricmode {
+ do -- _ _ mi -- nus,
+ }
+
+ chrBas = \lyricmode {
+ Christ, _ _ der Herr,
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ \dom
+ \domBas
+ \salve
+ \jacet _
+ \dom
+ \puer
+ \domBas
+ \salve
+ \lux
+ \domBas
+ \rio
+ }
+ basB = \lyrics {
+ \override LyricText #'font-shape = #'italic
+ \chr
+ \chrBas
+ \hi
+ \liegt _
+ \chr
+ \wer
+ \chrBas
+ \hi
+ \helle
+ \chrBas
+ \high
+ }
+
diff --git a/hr/stch/fertig/evening/alt/evening.ps b/hr/stch/fertig/evening/alt/evening.ps
new file mode 100644
index 0000000..72345ba
--- /dev/null
+++ b/hr/stch/fertig/evening/alt/evening.ps
Binary files differ
diff --git a/hr/stch/fertig/evening/evening.ly b/hr/stch/fertig/evening/evening.ly
new file mode 100644
index 0000000..7a8b0bc
--- /dev/null
+++ b/hr/stch/fertig/evening/evening.ly
@@ -0,0 +1,81 @@
+% vim: nu
+
+\version "2.12.1"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = \markup \center-align {"Evening Rise" " " " "}
+ composer = "Satz: Meinhard Ansohn"
+ }
+
+ #(set-global-staff-size 17)
+
+ \paper {
+ ragged-last-bottom = ##f
+ system-count = 2
+ top-margin = 15\mm
+ bottom-margin = 20\mm
+ left-margin = 32\mm
+ line-width = 147\mm
+ head-separation = 6\mm
+ foot-separation = 15\mm
+ after-title-space = 10\mm
+ }
+
+ %\midi {
+ %\tempo 4=72
+ %}
+
+ \layout {
+ indent = #0
+ \context {
+ % a little smaller so lyrics can be closer to the staff
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3.5 . 3.5)
+ }
+ }
+
+ \score {
+ %\simultaneous
+ \new ChoirStaff <<
+ \new Staff = oberstimme
+ << \set Staff.instrumentName = #"Sopran I (6.) "
+ \new Voice = "xtras" { s1*4 s1*4 \bar "|." }
+ \new Voice = "soprane" { \global \oberMusic }
+ \lyricsto soprane \oberWords
+ >>
+ \new Staff = melodie
+ << \set Staff.instrumentName = #"Sopran II (1.) "
+ \new Voice = "sopraneTwo" { \global \melMusic }
+ \lyricsto sopraneTwo \melWords
+ >>
+ \new Staff = altEins
+ << \set Staff.instrumentName = #"Alt I (3.) "
+ \new Voice = "alti" { \global \altAM }
+ \lyricsto alti \altAW
+ >>
+ \new Staff = altZwei
+ << \set Staff.instrumentName = #"Alt II (2.) "
+ \new Voice = "altiTwo" { \global \altBM }
+ \lyricsto altiTwo \altBW
+ >>
+ \new Staff = tenor
+ << \set Staff.instrumentName = #"Tenor (5.) "
+ \new Voice = "tenoere" { \global \tenorMusic }
+ \lyricsto tenoere \tenorWords
+ >>
+ \new Staff = bass
+ << \set Staff.instrumentName = #"Baß (4.) "
+ \new Voice = "baesse" { \global \bassMusic }
+ \lyricsto baesse \bassWords
+ >>
+ >>
+% \midi{
+% \context{
+% \Score
+% tempoWholesPerMinute = #(ly:make-moment 72 4)
+% }
+% %\tempo 4=72
+% }
+ }
diff --git a/hr/stch/fertig/evening/evening.midi b/hr/stch/fertig/evening/evening.midi
new file mode 100644
index 0000000..d59bd2a
--- /dev/null
+++ b/hr/stch/fertig/evening/evening.midi
Binary files differ
diff --git a/hr/stch/fertig/evening/evening_christoph.ly b/hr/stch/fertig/evening/evening_christoph.ly
new file mode 100644
index 0000000..6dd49aa
--- /dev/null
+++ b/hr/stch/fertig/evening/evening_christoph.ly
@@ -0,0 +1,82 @@
+% vim: nu
+
+\version "2.12.1"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = \markup \center-align {"Evening Rise" " " " "}
+ composer = "Satz: Meinhard Ansohn"
+ tagline = ""
+ }
+
+ #(set-global-staff-size 17)
+
+ \paper {
+ ragged-last-bottom = ##f
+ system-count = 2
+ top-margin = 15\mm
+ bottom-margin = 20\mm
+ left-margin = 22\mm
+ line-width = 167\mm
+ head-separation = 6\mm
+ foot-separation = 15\mm
+ after-title-space = 10\mm
+ }
+
+ %\midi {
+ %\tempo 4=72
+ %}
+
+ \layout {
+ indent = #12
+ \context {
+ % a little smaller so lyrics can be closer to the staff
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3.5 . 3.5)
+ }
+ }
+
+ \score {
+ %\simultaneous
+ \new ChoirStaff <<
+ \new Staff = oberstimme
+ << \set Staff.instrumentName = #"Sopran I (6.) "
+ \new Voice = "xtras" { s1*4 s1*4 \bar "|." }
+ \new Voice = "soprane" { \global \oberMusic }
+ \lyricsto soprane \oberWords
+ >>
+ \new Staff = melodie
+ << \set Staff.instrumentName = #"Sopran II (1.) "
+ \new Voice = "sopraneTwo" { \global \melMusic }
+ \lyricsto sopraneTwo \melWords
+ >>
+ \new Staff = altEins
+ << \set Staff.instrumentName = #"Alt I (3.) "
+ \new Voice = "alti" { \global \altAM }
+ \lyricsto alti \altAW
+ >>
+ \new Staff = altZwei
+ << \set Staff.instrumentName = #"Alt II (2.) "
+ \new Voice = "altiTwo" { \global \altBM }
+ \lyricsto altiTwo \altBW
+ >>
+ \new Staff = tenor
+ << \set Staff.instrumentName = #"Tenor (5.) "
+ \new Voice = "tenoere" { \global \tenorMusic }
+ \lyricsto tenoere \tenorWords
+ >>
+ \new Staff = bass
+ << \set Staff.instrumentName = #"Baß (4.) "
+ \new Voice = "baesse" { \global \bassMusic }
+ \lyricsto baesse \bassWords
+ >>
+ >>
+% \midi{
+% \context{
+% \Score
+% tempoWholesPerMinute = #(ly:make-moment 72 4)
+% }
+% %\tempo 4=72
+% }
+ }
diff --git a/hr/stch/fertig/evening/stimmen.ly b/hr/stch/fertig/evening/stimmen.ly
new file mode 100644
index 0000000..d27db04
--- /dev/null
+++ b/hr/stch/fertig/evening/stimmen.ly
@@ -0,0 +1,43 @@
+% vim: nu
+
+global = {
+ \key g \major
+ \time 4/4
+ #(override-auto-beam-setting '(end 1 8 * *) 1 4)
+ #(override-auto-beam-setting '(end 1 8 * *) 1 2)
+ #(override-auto-beam-setting '(end 1 8 * *) 3 4)
+}
+
+%Die Stimmen
+
+ oberMusic = \relative c' {
+ e8(fis)g(a) b4 b8(c) b4 a8(g) a2 d4 d a4. d8 d4 b b2
+ b8 c b2 a8(g) a b a2 b8 a g(fis) e4 a g8(fis) fis1
+ }
+
+ melMusic = \relative c' {
+ e4 b' b2 a4 b e,2 g4 g fis g8(fis) e4 b' b2
+ e,4 b' b4. b8 a4 b e, e8 fis g4 g fis g8(fis) e1
+ }
+
+ altAM = \relative c' {
+ e4 g fis2 g4 g e2 e4 d d e8 d b4 g'8(fis) dis2
+ e4 g fis4. fis8 g4 g8(fis) e2 e4 e d d b1
+ }
+
+ altBM = \relative c' {
+ #(set-accidental-style 'no-reset)
+ e4 e dis2 d4 d cis2 c4 c d b8 d e4 e fis2
+ e4 e dis4. dis8 d4 d cis cis8 cis c4 c d b8(d) e1
+ }
+
+ tenorMusic = \relative c' {
+ e4 e fis2 g8(fis) g(a) b2 c8(b) g4 a g8 a b4 b a2
+ g4 e fis4. b8 b4 g b e,8 e e4 g c8(b) a4 b1
+ }
+
+ bassMusic = \relative c {
+ \clef bass
+ e4 e8(c) b2 d4 b a2 c4 e d2 g8(fis) e4 b2
+ e4 e8(d) b4. cis8 d4 g, a2 c4 c d d e1
+ }
diff --git a/hr/stch/fertig/evening/texte.ly b/hr/stch/fertig/evening/texte.ly
new file mode 100644
index 0000000..fb6a5cc
--- /dev/null
+++ b/hr/stch/fertig/evening/texte.ly
@@ -0,0 +1,33 @@
+% vim: encoding=utf8 nu
+
+%Die Textaufteilungen
+
+ oberWords = \lyrics {
+ Eve -- ning ri -- ses, spi -- rit come, sun goes down, the day is done.
+ Mo -- ther Earth a -- wa -- kens me with the heart -- beat of the sea.
+ }
+
+ melWords = \lyrics {
+ Eve -- ning rise, spi -- rit come, sun goes down, the day is done.
+ Mo -- ther Earth a -- wa -- kens me with the heart -- beat of the sea.
+ }
+
+ altAW = \lyrics {
+ Eve -- ning rise, spi -- rit come, sun goes down when the day is done.
+ Mo -- ther Earth a -- wa -- kens me, heart -- beat of the sea.
+ }
+
+ altBW = \lyrics {
+ Eve -- ning rise, spi -- rit come, sun goes down when the day is done.
+ Mo -- ther Earth a -- wa -- kens me with the heart -- beat of the sea.
+ }
+
+ tenorWords = \lyrics {
+ Eve -- ning rise, spi -- rit come, sun goes down when the day is done.
+ Mo -- ther Earth a -- wa -- kens me with the heart -- beat of the sea.
+ }
+
+ bassWords = \lyrics {
+ Eve -- ning rise, spi -- rit come, sun goes down, day is done.
+ Mo -- ther Earth a -- wa -- kens me, heart -- beat of the sea.
+ }
diff --git a/hr/stch/fertig/factus/dynArt.ly b/hr/stch/fertig/factus/dynArt.ly
new file mode 100644
index 0000000..36b62e8
--- /dev/null
+++ b/hr/stch/fertig/factus/dynArt.ly
@@ -0,0 +1,102 @@
+%some settings% vim: ai encoding=utf8 et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ }
+
+% articulation
+
+ ne=\markup{\dynamic mf \italic {nicht eilen} }
+
+ sopranArt = {
+ \dynamicUp
+ s2\p s4 s4\>
+ s1*2
+ s2 s2\!
+ s2\mf s2\>
+ s1*2
+ s2 s2\!\<
+ s2\! s2\>
+ s2 s2\!
+ s1\p
+ s1\<
+ s1
+ s1
+ s2\! s2\<
+ s1
+ s2\!\f s2
+ s1
+ s1
+ s1^\ne
+ s1
+ s4 s2.\>
+ s1
+ s4\! s2.\<
+ s2 s2\!
+ s4 s2.\<
+ s1
+ s1\!\f
+ s1
+ s2.\< s4\>
+ s1
+ s2\! s4 s4\mf
+ s4 s2.\>
+ s1
+ s2... s16\!
+ }
+
+ altArt = {
+ \dynamicDown
+ s1*30
+ s1*2
+ s4 s4\mf s2
+ s1*2
+ }
+
+ tenorArt = {
+ \dynamicUp
+ s1*30
+ s1
+ s2 s4 s4\mf
+ s1*3
+ }
+
+ bassArt = {
+ \dynamicDown
+ s1
+ s1\p\>
+ s1
+ s2 s2\!
+ s1
+ s1\mf\>
+ s1
+ s2 s2\!\<
+ s2\! s2\>
+ s2 s2\!
+ s1\p
+ s1\<
+ s1
+ s1
+ s2\! s2\<
+ s1
+ s1\f
+ s1
+ s1
+ s2. s4\mf
+ s1
+ s1\>
+ s1
+ s4\! s2.\<
+ s1
+ s4\! s2.\<
+ s1
+ s1\!
+ s1
+ s2.\f\< s4\>
+ s1
+ s2\! s2
+ s4 s4\mf s2\>
+ s1
+ s2 s2\!
+ }
+
diff --git a/hr/stch/fertig/factus/factus.ly b/hr/stch/fertig/factus/factus.ly
new file mode 100644
index 0000000..1a98baa
--- /dev/null
+++ b/hr/stch/fertig/factus/factus.ly
@@ -0,0 +1,72 @@
+%some settings% vim: ai encoding=utf8 et
+
+\version "2.12.1"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Graduale: Christus factus est."
+ composer = "A. Bruckner"
+ %opus = "<+Werk+>"
+ %tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ \score {
+ \new ChoirStaff <<
+ %\new Lyrics = "sop" { s4 }
+ \new Staff = "frauen" <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "fPausen" { \global \frauenPausen }
+ \new Voice = "SopArt" { \global \sopranArt }
+ \new Voice = "AltArt" { \global \altArt }
+ \new Voice = "soprane" { \global \voiceOne \sopranMelodie }
+ \new Voice = "alti" { \global \voiceTwo \altMelodie }
+ >>
+ \new Lyrics = "alt" { s4 }
+ \new Lyrics \with { alignAboveContext = "frauen" }
+ \lyricsto "sopEnde" \ende
+ %\context Lyrics = "sop" \lyricsto "sopEnde" \ende
+ \context Lyrics = "alt" \lyricsto "altEnde" \ende
+ \lyricsto propterF \propter
+ \lyricsto soprane \sopranText
+ %\lyricsto altEnde \ende
+ \new Lyrics = "t" { s1 }
+ \new Staff = maenner <<
+ \new Voice = "mPausen" { \global \maennerPausen }
+ \new Voice = "BassArt" { \global \bassArt }
+ \new Voice = "TenorArt" { \global \tenorArt }
+ \new Voice = "tenoere" { \global \voiceOne \tenorMelodie }
+ \new Voice = "baesse" { \global \voiceTwo \bassMelodie }
+ >>
+ \new Lyrics = "b" { s1 }
+ \context Lyrics = "t" \lyricsto tenEnde \ende
+ \lyricsto propterM \propter
+ \context Lyrics = "b" \lyricsto bassEnde \ende
+ %\lyricsto bassEnde \ende
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ %\layout {
+ %}
+ }
+
diff --git a/hr/stch/fertig/factus/factus.ps b/hr/stch/fertig/factus/factus.ps
new file mode 100644
index 0000000..6c488da
--- /dev/null
+++ b/hr/stch/fertig/factus/factus.ps
Binary files differ
diff --git a/hr/stch/fertig/factus/stimmen.ly b/hr/stch/fertig/factus/stimmen.ly
new file mode 100644
index 0000000..215a23a
--- /dev/null
+++ b/hr/stch/fertig/factus/stimmen.ly
@@ -0,0 +1,260 @@
+%some settings% vim: ai encoding=utf8 et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key f \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 2/2
+ }
+
+% Die Stimmen
+
+ frauenPausen = \relative c'' {
+ s1*3
+ s2 r2
+ s1*5
+ s2 r2
+ s1*8
+ s2 r2
+ s1*4
+ r4 s4*3 s1
+ r4 s4*3 s1
+ s1*8 \bar "||"
+ }
+
+ maennerPausen = \relative c {
+ r1
+ s1*2
+ s2 r2
+ r1
+ s1*4
+ s2 r2
+ s1*8
+ s2 r2
+ r1
+ s1*3
+ r4 s2.
+ s1
+ r4 s2.
+ s1
+ r1
+ s1*7
+ }
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ c2 bes4( a4)
+ f2 f2
+ f2 e2
+ f2 s2
+ d'2 c4( bes4)
+ g2 g2
+ g2 fis2
+ g2 bes2
+ bes2^>( a2)
+ g2 s2
+ %%% -- 11 -- %%%
+ c1
+ g2 g4 g4
+ a2 g4 g4
+ b2( c2)
+ b2 b2(
+ bes2) a2
+ f'2 e2
+ e4( d4 c4 d4)
+ e2 s2
+ %%% -- 20 -- %%%
+ \new Voice = "propterF" {
+ \voiceOne
+ e4 d4 c4 b4
+ a2 b2
+ }
+ c4 c4 b4 b4
+ b2 a2
+ s4 a4 a4 a4
+ bes2 bes2
+ s4 c2 c4
+ d2 d2
+ f2 e4( d4)
+ c2 bes4( a4)
+ g4( d'4 c8[ bes8]) a8[( g8])
+ f2 e2
+ g2^> f2
+ \new Voice = "sopEnde" {
+ \voiceOne
+ \dynamicUp
+ bes2 a4( g4)
+ f2( e2)
+ f1
+ }
+ }
+ >>
+ }
+
+ altMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ a2 g4( f4)
+ c2 c2
+ c2 c2
+ c2 s2
+ bes'2 a4( g4)
+ d2 d2
+ d2 d2
+ d2 g2
+ g2( f2)
+ e2 s2
+ %%% -- 11 -- %%%
+ e1
+ e2 e4 e4
+ f2 e4 e4
+ g1
+ g2 gis2(
+ e2) e2
+ a2 a2
+ g1
+ g2 s2
+ %%% -- 20 -- %%%
+ c4 b4 a4 g4
+ fis2 g2
+ a4 a4 g4 g4
+ g2 fis2
+ s4 fis4 fis4 fis4
+ g2 g2
+ s4 a2 f4
+ f2 f2
+ d'2 c4( bes4)
+ a2 g4( f4)
+ g4( a4 g4) d4
+ c2 c2
+ c2 c2
+ \new Voice = "altEnde" {
+ \voiceTwo
+ r2 d4 d4
+ c1
+ c1
+ }
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ s1
+ c2 bes4( a4)
+ g2 g2
+ a2 s2
+ s1
+ d2 c4( bes4)
+ a2 a2
+ bes2 d2
+ c1
+ c2 s2
+ %%% -- Takt 11 -- %%%
+ c1
+ c2 c4 c4
+ c2 c4 c4
+ d2( e2)
+ d2 e2(
+ d2) c2
+ d2 c2
+ c4( b4 a4 b4)
+ c2 s2
+ %%% -- Takt 20 -- %%%
+ \autoBeamOff
+ s1
+ d8 d8 d8 d8 d4 d4
+ \autoBeamOn
+ d4 d4 d4 d4
+ d2 d2
+ s4 d4 d4 d4
+ d2 d2
+ s4 a2 a4
+ bes2 bes2
+ s1
+ f'2( cis4) d4
+ d2. c8( bes8)
+ a2 g2
+ bes2^> a2
+ \new Voice = "tenEnde" {
+ \voiceOne
+ \dynamicUp
+ d2 c4( bes4)
+ a2( g2)
+ a1
+ }
+ }
+ >>
+ }
+
+ bassMelodie = \relative c' {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ s1
+ a2 g4( f4)
+ c2 c2
+ f2 s2
+ s1
+ bes2 a4( g4)
+ d2 d2
+ g2 g2
+ e2_>( f2)
+ c2 s2
+ %%% -- 11 -- %%%
+ c1
+ c2 c4 c4
+ f2 c4 c4
+ g'2( c,2)
+ g'2 e2(
+ a2) a2
+ f2 fis2
+ g1
+ c,2 s2
+ %%% -- 20 -- %%%
+ s1
+ \new Voice = "propterM" {
+ \voiceTwo
+ \autoBeamOff
+ c'8 c8 c8 c8 b4 b4
+ }
+ fis4 fis4 g4 g4
+ d'2 d,2
+ s4 d4 d4 d4
+ g2 g2
+ s4 f2 f4
+ bes,2 bes2
+ s1
+ r1
+ bes'4( fis4 g4) bes,4
+ c2 c2
+ r1
+ \new Voice = "bassEnde" {
+ \voiceTwo
+ r2 bes4 bes4
+ c1
+ <<
+ f,1 f'1
+ >>
+ }
+ }
+ >>
+ }
+
diff --git a/hr/stch/fertig/factus/texte.ly b/hr/stch/fertig/factus/texte.ly
new file mode 100644
index 0000000..d4de644
--- /dev/null
+++ b/hr/stch/fertig/factus/texte.ly
@@ -0,0 +1,34 @@
+%some settings% vim: ai encoding=utf8 et
+
+% Abkürzungen
+
+christus = \lyricmode {
+ Chri -- stus, Chri -- stus fa -- ctus est.
+ Chri -- stus, Chri -- stus fa -- ctus est pro no -- bis
+ o -- be -- di -- ens us -- que ad mor -- tem
+ mor -- tem au -- tem cru -- cis.
+}
+
+propter = \lyrics {
+ Pro -- pter quod et De -- us
+}
+
+exaltavit = \lyricmode {
+ ex -- al -- ta -- vit il -- lum,
+ et de -- dit il -- li,
+ il -- li no -- men,
+ quod est su -- per o -- mne no -- men, no -- men,
+}
+
+ende = \lyricmode {
+ o -- mne no -- men.
+}
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ \christus
+ \exaltavit
+ no -- men
+ }
+
diff --git a/hr/stch/fertig/gaudeamus/a5/gaudeamus.ly b/hr/stch/fertig/gaudeamus/a5/gaudeamus.ly
new file mode 100644
index 0000000..be3b322
--- /dev/null
+++ b/hr/stch/fertig/gaudeamus/a5/gaudeamus.ly
@@ -0,0 +1,67 @@
+%some settings% vim: ai sw=2 lbr nu
+
+\version "2.18"
+%\include "../dynArt.ly"
+\include "../stimmen.ly"
+\include "../texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Gaudeamus Igitur"
+ composer = "Satz: Siegfried Müller"
+ opus = "Studentenlied"
+ tagline = ""
+ }
+
+ \paper {
+ #(set-paper-size "a5")
+ %page-top-space = 20\mm
+ line-width = \paper-width - 20
+ top-margin = 10\mm
+ bottom-margin = 10\mm
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 13)
+
+ \score {
+ \new ChoirStaff <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ \addlyrics { \eins }
+ \addlyrics { \drei }
+ \addlyrics { \vier }
+ >>
+ \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\lyricsto alti \altText
+ >>
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \eins }
+ \addlyrics { \drei }
+ \addlyrics { \vier }
+ >>
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\lyricsto baesse \bassText
+ >>
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-mment 72 4)
+ %}
+ %}
+ }
+
diff --git a/hr/stch/fertig/gaudeamus/gaudeamus.ly b/hr/stch/fertig/gaudeamus/gaudeamus.ly
new file mode 100644
index 0000000..8ff7a98
--- /dev/null
+++ b/hr/stch/fertig/gaudeamus/gaudeamus.ly
@@ -0,0 +1,64 @@
+%some settings% vim: ai sw=2 lbr nu
+
+\version "2.12.1"
+%\include "dynArt.ly"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Gaudeamus Igitur"
+ composer = "Satz: Siegfried Müller"
+ opus = "Studentenlied"
+ tagline = ""
+ }
+
+ \paper {
+ %page-top-space = 20\mm
+ line-width = \paper-width - 30
+ top-margin = 10\mm
+ bottom-margin = 10\mm
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 16)
+
+ \score {
+ \new ChoirStaff <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ \addlyrics { \eins }
+ \addlyrics { \drei }
+ \addlyrics { \vier }
+ >>
+ \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\lyricsto alti \altText
+ >>
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \eins }
+ \addlyrics { \drei }
+ \addlyrics { \vier }
+ >>
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\lyricsto baesse \bassText
+ >>
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-mment 72 4)
+ %}
+ %}
+ }
+
diff --git a/hr/stch/fertig/gaudeamus/stimmen.ly b/hr/stch/fertig/gaudeamus/stimmen.ly
new file mode 100644
index 0000000..fffef60
--- /dev/null
+++ b/hr/stch/fertig/gaudeamus/stimmen.ly
@@ -0,0 +1,124 @@
+%some settings% vim: ai sw=2 lbr nu
+\version "2.12.1"
+ global = {
+ \key c \major
+ \override Staff.TimeSignature #'style = #'()
+ \time 3/4
+ }
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \set Timing.beamExceptions = #'()
+ \set Timing.beatStructure = #'(1 1 1)
+ \dynamicUp
+ % bisher nur leere takte
+ \repeat unfold 4 {
+ s4*3
+ }
+ \break
+ \repeat unfold 7 {
+ s4*3
+ }
+ s4*5
+ \bar "||"
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %the actual tune
+ {
+ \repeat volta 2 {
+ c8. g16 g4 c4
+ a8. a16 a2
+ b8. c16 d4 b4
+ c8.( e16) c4 r4
+ }
+ b8. c16 d4 d4
+ e8. c16 d4 d4
+ b8. c16 d4 d4
+ e8. c16 d4 d4
+ \break
+ c8. b16 a8 (f'8) e8 (d8)
+ e4( d4) c4
+ c8. b16 a8 (f'8) e8 (d8)
+ \time 2/4 g4( b,4)
+ \time 3/4 c4 r4 r4
+ }
+ >>
+ }
+
+ altMelodie = \relative c'' {
+ <<
+ { \meta }
+ %the actual tune
+ {
+ \repeat volta 2 {
+ g8. e16 e8 (f8) g4
+ f8. f16 f4( g4)
+ f8. g16 a4 g4
+ g4 e4 r4
+ }
+ <g d>8. <g a>16 <g b>4 <g b>4
+ <g c>8. <g a>16 <g b>4 <g b>4
+ <g d>8. <g a>16 <g b>4 <g b>4
+ <g c>8. <g a>16 <g b>4 <g b>4
+ g8. e16 f8 (a8) g8 (a8)
+ g4( f4) e4
+ g8. e16 f8 (a8) g8 (a8)
+ \time 2/4 c8( b16 a16 g4)
+ \time 3/4 g4 r4 r4
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c'' {
+ <<
+ { \meta }
+ %the actual tune
+ {
+ \repeat volta 2 {
+ e8. c16 c4 c4
+ c8. c16 c4( cis4)
+ d8. c16 c8 (f8) e8 (d8)
+ e8.( c16) g4 r4
+ }
+ b8. c16 d4 d4
+ e8. c16 d4 d4
+ b8. c16 d4 d4
+ e8. c16 d4 d4
+ c8. c16 c4 c4
+ c4.( b8) c4
+ c8. c16 c4 c4
+ \time 2/4 e4( d8 f8)
+ \time 3/4 e4 r4 r4
+ }
+ >>
+ }
+
+ bassMelodie = \relative c' {
+ <<
+ { \meta }
+ %the actual tune
+ \clef bass
+ {
+ \repeat volta 2 {
+ c8. c,16 c8 (d8) e4
+ f8. f16 f4( e4)
+ d8. e16 f4 g4
+ c,4 c4 r4
+ }
+ g'8. <g a>16 <g b>4 <g b>4
+ <g c>8. <g a>16 <g b>4 <g b>4
+ g8. <g a>16 <g b>4 <g b>4
+ <g c>8. <g a>16 <g b>4 <g b>4
+ e8. c16 f8 (d8) e8 (f8)
+ g4.( gis8) a4
+ e8. c16 f8 (d8) e8 (f8)
+ \time 2/4 g4( g,4)
+ \time 3/4 c4 r4 r4
+ }
+ >>
+ }
diff --git a/hr/stch/fertig/gaudeamus/texte.ly b/hr/stch/fertig/gaudeamus/texte.ly
new file mode 100644
index 0000000..47862d5
--- /dev/null
+++ b/hr/stch/fertig/gaudeamus/texte.ly
@@ -0,0 +1,57 @@
+%some settings% vim: ai sw=2 lbr nu
+
+% Abkürzungen
+
+ eins = \lyricmode {
+ Gau -- de -- a -- mus i -- gi -- tur,
+ iu -- ve -- nes dum su -- mus.
+ Post iu -- cun -- dam iu -- ven -- tu -- tem,
+ post mo -- le -- stam se -- ne -- ctu -- tem
+ nos ha -- be -- bit hu -- mus,
+ nos ha -- be -- bit hu -- mus.
+ }
+
+ drei = \lyricmode {
+ Vi -- ta no -- stra bre -- vis est,
+ bre -- vi fi -- ni -- e -- tur,
+ ve -- nit mors ve -- lo -- _ -- ci -- ter,
+ ra -- pit nos a -- tro -- _ -- ci -- ter,
+ ne -- mi -- ni par -- ce -- tur,
+ ne -- mi -- ni par -- ce -- tur.
+ }
+
+ vier = \lyricmode {
+ Vi -- vat a -- ca -- de -- mi -- a,
+ vi -- vant pro -- fes -- so -- res,
+ vi -- vat mem -- brum quod -- _ -- li -- bet,
+ vi -- vant mem -- bra, quae -- _ -- li -- bet,
+ sem -- per sint in flo -- re,
+ sem -- per sint in flo -- re!
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ \eins
+ \drei
+ \vier
+ }
+
+ altText = \lyrics {
+ \eins
+ \drei
+ \vier
+ }
+
+ tenorText = \lyrics {
+ \eins
+ \drei
+ \vier
+ }
+
+ bassText = \lyrics {
+ \eins
+ \drei
+ \vier
+ }
+
diff --git a/hr/stch/fertig/geh_aus/a.midi b/hr/stch/fertig/geh_aus/a.midi
new file mode 100644
index 0000000..584b3ba
--- /dev/null
+++ b/hr/stch/fertig/geh_aus/a.midi
Binary files differ
diff --git a/hr/stch/fertig/geh_aus/b.midi b/hr/stch/fertig/geh_aus/b.midi
new file mode 100644
index 0000000..9f56211
--- /dev/null
+++ b/hr/stch/fertig/geh_aus/b.midi
Binary files differ
diff --git a/hr/stch/fertig/geh_aus/dynArt.ly b/hr/stch/fertig/geh_aus/dynArt.ly
new file mode 100644
index 0000000..27334df
--- /dev/null
+++ b/hr/stch/fertig/geh_aus/dynArt.ly
@@ -0,0 +1,66 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ \tempo "Allegro ma molto moderato."
+ %\override DynamicTextSpanner #'style = #'none
+ s4
+ s1*4
+ s2. s4\mf
+ %\break
+ s1\<
+ s1\>
+ \break
+ s4\! s2.
+ s1*3
+ %\break
+ s1
+ s2 s2\>
+ s2\! s2^\markup { \italic "cresc." }
+ \break
+ s1*3
+ s2 s2\f
+ %\break
+ s1*2
+ s1^\markup { \italic "sempre" \dynamic "f" }
+ s4 s2.^\markup { \italic "rit." }
+ s2.
+ \bar "|."
+ }
+
+% articulation
+
+ oberArt = {
+ s4\f
+ s1*7
+ s2. s4\p
+ s1\<
+ s1\!
+ s4-> s2.
+ s2 s2\<
+ s1*10
+ s2.
+ }
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ s4
+ s4 s4\f s2
+ s1*6
+ s4 s4\mf s2->
+ s2 s2\<
+ s4 s2.\!
+ s4 s4\mf s2
+ s1*10
+ s2.
+ }
+
diff --git a/hr/stch/fertig/geh_aus/geh_aus.ly b/hr/stch/fertig/geh_aus/geh_aus.ly
new file mode 100644
index 0000000..9e1c25d
--- /dev/null
+++ b/hr/stch/fertig/geh_aus/geh_aus.ly
@@ -0,0 +1,101 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Sommerlied"
+ subtitle = "Song of Summer"
+ composer = "Max Bruch"
+ opus = "Op. 60 No. 2"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ system-count = 3
+ page-count = 1
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 16)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" {
+ \transpose c bes,
+ {
+ \voiceOne
+ \sopranMelodie
+ }
+ }
+ % {
+ \new Voice = "alti" {
+ \transpose c bes,
+ {
+ \voiceTwo
+ \altMelodie
+ }
+ }
+ % }
+ >>
+
+ alt = <<
+ \new Voice = "alti" {
+ \transpose c bes,
+ \altMelodie
+ }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" {
+ \transpose c bes,
+ \tenorMelodie
+ }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" {
+ \transpose c bes,
+ \bassMelodie
+ }
+ \addlyrics { \stzIb }
+ \addlyrics { \stzIIb }
+ \addlyrics { \stzIIIb }
+ \addlyrics { \stzIVb }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = sopran { \global \sop }
+ %\new Lyrics \lyricsto soprane \stzI
+ %\new Staff = alt { \global \alt }
+ %\new Lyrics \lyricsto alti \stzII
+ \new Staff = tenor { \global \ten }
+ %\new Lyrics \lyricsto tenoere \stzIII
+ %\new Lyrics \lyricsto tenoere \stzIV
+ \new Staff = bass { \global \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/fertig/geh_aus/m.ly b/hr/stch/fertig/geh_aus/m.ly
new file mode 100644
index 0000000..9a5bbdc
--- /dev/null
+++ b/hr/stch/fertig/geh_aus/m.ly
@@ -0,0 +1,32 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ >>
+ \new Staff = alt <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "alti" { \global \altMelodie }
+ >>
+ \new Staff = tenor <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ >>
+ \new Staff = bass <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "baesse" { \global \bassMelodie }
+ >>
+ >>
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 120 4)
+ }
+ }
+ }
diff --git a/hr/stch/fertig/geh_aus/midi.lua b/hr/stch/fertig/geh_aus/midi.lua
new file mode 100644
index 0000000..0776208
--- /dev/null
+++ b/hr/stch/fertig/geh_aus/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 120 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/fertig/geh_aus/s.midi b/hr/stch/fertig/geh_aus/s.midi
new file mode 100644
index 0000000..9871738
--- /dev/null
+++ b/hr/stch/fertig/geh_aus/s.midi
Binary files differ
diff --git a/hr/stch/fertig/geh_aus/satb.midi b/hr/stch/fertig/geh_aus/satb.midi
new file mode 100644
index 0000000..cbd9ce2
--- /dev/null
+++ b/hr/stch/fertig/geh_aus/satb.midi
Binary files differ
diff --git a/hr/stch/fertig/geh_aus/stimmen.ly b/hr/stch/fertig/geh_aus/stimmen.ly
new file mode 100644
index 0000000..8b162d7
--- /dev/null
+++ b/hr/stch/fertig/geh_aus/stimmen.ly
@@ -0,0 +1,153 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key bes \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ \partial 4
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ \oberArt
+ %the actual tune
+ {
+ g4
+ c2. g4
+ a4. a8 c4 d4
+ e2. e4
+ f4. c8 f4 e4
+ d4. a8 a4 d4
+ c4 b4 b4 c4
+ d1
+ d2 r4 g,4
+ a4. b8 b4 c4
+ d2. e4
+ d4( c4) r4 c4
+ g4. f8 g4 a4
+ bes2. c4
+ a2 d2
+ c4( b4) c4( d4)
+ e4( d4) c4( d4)
+ b1
+ c2 f2
+ e4( d4) e4( f4)
+ g4( f4) e4( d4)
+ c1(
+ d1)
+ c2.\fermata
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ % { \meta }
+ % \oberArt
+ %the actual tune
+ {
+ g'4
+ g2. e4
+ f4. a8 g4 a8( b8)
+ c2. g4
+ a4. a8 c4 a4
+ a4. f8 f4 a4
+ g4. g8 g4 g4
+ g2.( fis4)
+ g2 r4 d4
+ e4. f8 f4 g4
+ a4( c4) b2
+ b4( c4) r4 e,4
+ e4. d8 e4 f4
+ f4( d4) e4.( g8)
+ g4( f4) a2
+ g2 a4( b4)
+ b2 a2
+ a4( gis4 fis4 gis4)
+ a2 a4( d4)
+ c4( b4) c4( d4)
+ e4( d4) c4( b4)
+ a2( c2) ~
+ c4( b4 a4 b4)
+ c2.%\fermata
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ \oberArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ g4
+ e'2. c4
+ c4. f8 e4 f4
+ g2. c,4
+ c4. c8 a4 c4
+ f4. d8 d4 f4
+ d4 d4 d4 g,4
+ b2( a4 c4)
+ b2 r4 b4
+ c4. d8 d4 e4
+ f2. g4
+ f4( e4) r4 c4
+ bes4. c8 bes4 a4
+ g2 c2
+ c2 f2
+ d2 c4( b4)
+ g'4( f4) e4( f4)
+ e1
+ e2 d2
+ g,2 g'2
+ g2 g4( f4)
+ e1(
+ g2 f2)
+ e2.\fermata
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ \bassArt
+ %the actual tune
+ \clef bass
+ {
+ r4
+ r4 c4 c'2 ~
+ c2. g4
+ c,2. c4
+ f4. a8 f4 a4
+ d,4. f8 f4 d4
+ g4 g4 f4 e4
+ b4( c4) d2
+ r4 g,4 g'2 ~
+ g4 g4 g2 ~
+ g1
+ r4 c,4 c'2 ~
+ c1 ~
+ c2 c,2
+ f2 d2
+ g2. g4
+ e4( g4) a4( d,4)
+ e1
+ a2 d,2
+ g2. f4
+ e4( g4) c4( g4)
+ a1(
+ g1)
+ c,2.\fermata
+ }
+ >>
+ }
+
diff --git a/hr/stch/fertig/geh_aus/t.midi b/hr/stch/fertig/geh_aus/t.midi
new file mode 100644
index 0000000..fc46633
--- /dev/null
+++ b/hr/stch/fertig/geh_aus/t.midi
Binary files differ
diff --git a/hr/stch/fertig/geh_aus/texte.ly b/hr/stch/fertig/geh_aus/texte.ly
new file mode 100644
index 0000000..4433649
--- /dev/null
+++ b/hr/stch/fertig/geh_aus/texte.ly
@@ -0,0 +1,113 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+ stzI = \lyrics {
+ \set stanza = "1."
+ Geh’ aus, mein Herz, und su -- che Freud
+ in die -- ser lie -- ben Som -- mer -- zeit,
+ an dei -- nes Got -- tes Ga -- ben!
+ Schau an der schö -- nen Gär -- ten Zier,
+ und sie -- he, wie sie dir und mir
+ sich aus -- ge -- schmü -- cket ha -- ben,
+ sich aus -- ge -- schmü -- cket ha -- ben!
+ }
+
+ stzII = \lyrics {
+ \set stanza = "2."
+ Die Bäu -- me ste -- hen vol -- ler Laub,
+ das Erd -- reich de -- cket sei -- nen Staub
+ mit ei -- nem grü -- nen Klei -- de.
+ Nar -- cis -- sen und die Tu -- li -- pan
+ die zie -- hen sich viel schö -- ner an
+ als Sa -- lo -- mo -- nis Sei -- de,
+ als Sa -- lo -- mo -- nis Sei -- de!
+ }
+
+ stzIII = \lyrics {
+ \set stanza = "3."
+ Die Ler -- che schwingt sich in die Luft,
+ das Täub -- chen fliegt aus sei -- ner Kluft
+ und macht sich in die Wäl -- der.
+ Die hoch -- be -- lob -- te Nach -- ti -- gall
+ er -- götzt und füllt mit ih -- rem Schall
+ Berg, Hü -- gel, Thal und Fel -- der,
+ Berg, Hü -- gel, Thal und Fel -- der!
+ }
+
+ stzIV = \lyrics {
+ \set stanza = "4."
+ Ich sel -- ber kann und mag nicht ruh’n,
+ des gro -- ßen Got -- tes gro -- ßes Thun
+ er -- weckt mir al -- le Sin -- nen!
+ Ich sin -- ge mit, wenn al -- les singt
+ und las -- se was dem Höch -- sten klingt,
+ aus mei -- nem Her -- zen rin -- nen,
+ aus mei -- nem Her -- zen rin -- nen!
+ }
+
+ bstart = \lyricmode {
+ Geh’ aus, mein Herz!
+ }
+ stzIb = \lyrics {
+ \set stanza = "1."
+ \bstart
+ in die -- ser lie -- ben Som -- mer -- zeit,
+ an dei -- nes Got -- tes Ga -- ben!
+ \bstart
+ \bstart
+ sich aus -- ge -- schmü -- cket ha -- ben,
+ sich aus -- ge -- schmü -- cket ha -- ben!
+ }
+
+ stzIIb = \lyrics {
+ \set stanza = "2."
+ \bstart
+ das Erd -- reich de -- cket sei -- nen Staub
+ mit ei -- nem grü -- nen Klei -- de.
+ \bstart
+ \bstart
+ als Sa -- lo -- mo -- nis Sei -- de,
+ als Sa -- lo -- mo -- nis Sei -- de!
+ }
+
+ stzIIIb = \lyrics {
+ \set stanza = "3."
+ \bstart
+ das Täub -- chen fliegt aus sei -- ner Kluft
+ und macht sich in die Wäl -- der.
+ \bstart
+ \bstart
+ Berg, Hü -- gel, Thal und Fel -- der,
+ Berg, Hü -- gel, Thal und Fel -- der!
+ }
+
+ stzIVb = \lyrics {
+ \set stanza = "4."
+ \bstart
+ des gro -- ßen Got -- tes gro -- ßes Thun
+ er -- weckt mir al -- le Sin -- nen.
+ \bstart
+ \bstart
+ aus mei -- nem Her -- zen rin -- nen,
+ aus mei -- nem Her -- zen rin -- nen!
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/stch/fertig/goodnight/TODO b/hr/stch/fertig/goodnight/TODO
new file mode 100644
index 0000000..6a82c37
--- /dev/null
+++ b/hr/stch/fertig/goodnight/TODO
@@ -0,0 +1 @@
+respice finem
diff --git a/hr/stch/fertig/goodnight/alt/goodnight.ps b/hr/stch/fertig/goodnight/alt/goodnight.ps
new file mode 100644
index 0000000..2b30b7f
--- /dev/null
+++ b/hr/stch/fertig/goodnight/alt/goodnight.ps
Binary files differ
diff --git a/hr/stch/fertig/goodnight/alt/stimmen (Kopie).ly b/hr/stch/fertig/goodnight/alt/stimmen (Kopie).ly
new file mode 100644
index 0000000..c4fd57f
--- /dev/null
+++ b/hr/stch/fertig/goodnight/alt/stimmen (Kopie).ly
@@ -0,0 +1,302 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+ global = {
+ \key g \major
+ \time 4/4
+ \partial 4.
+ }
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s8 s4
+ \repeat volta 2 {
+ s1*7
+ }
+ \alternative {
+ { s1 }
+ { s1 }
+ }
+ %\break
+ s1*4 %\break
+ \repeat unfold 12 {
+ s4*4 %\break
+ }
+ { s1*5 }
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %%articulation etc.
+ %%\repeat unfold <+number of parts+> {
+ %%s4*<+number of measures within a part+>
+ %%}
+ %the actual tune
+ {
+ s8 s4
+ \repeat volta 2 {
+ s1*4
+ % hate to leave
+ r8 b8 ais8 b8 a8 g4 g8
+ a8 a8 b8 c8 ~ c8 s8 s4
+ s1
+ }
+ \alternative {
+ { s1 }
+ { s1 }
+ }
+ % morning
+ r8 a4 g8 a8 g8 \times 2/3 {a8 g8 a8}
+ b8 d,8 ~ d2 s4
+ r8 a'4 g8 b8 d8 ~ \times 2/3 {d8 b8 g8}
+ a8( g8 ~ g2 ) s4
+ r8 c,8 a'16 a16 a16 g16 a8 g8 s8 s8
+ s1*3
+ % parents
+ r8 a4 g8 a8( g8 ) \times 2/3 {a8( g8 ) a8}
+ b8 d,8 ~ d2 s4
+ r8 a'8 a8 g8 b8 d8 ~ \times 2/3 {d8 b8 g8}
+ a8( g8 ~ g2 ) s4
+ r8 c,8 \times 2/3 {a'8 a8 a8} a8 s8 s8 s8
+ s1*3
+ { s1*5 }
+ }
+ >>
+ }
+
+ sopranGemein = \relative c'' {
+ <<
+ { \meta }
+ %%articulation etc.
+ %%\repeat unfold <+number of parts+> {
+ %%s4*<+number of measures within a part+>
+ %%}
+ %the actual tune
+ {
+ s8 s4
+ \repeat volta 2 {
+ \repeat unfold 2 {
+ % Goodnight
+ s8 b8 b8 a8 g8 b4 b8
+ a4 b8 b8( a4 ) s4
+ }
+ % so goodnight
+ s1 s2 s8 b4 a8
+ b4 a8( g8 ) fis4 a8 a8(
+ }
+ \alternative {
+ { g2 ) s2 }
+ { g2 s2 }
+ }
+ \repeat unfold 2 {
+ % maybe/going
+ s1*4 s2.. g8
+ b4 b4 b8 e,8 s8 e8
+ b'4 b4 b8( a8 ) b8 b8( a8 ) s8 s4 s2
+ }
+ {
+ g2 s8 b4 a8
+ b4 a8( g8 ) fis4 a8 a8(
+ g2 ) s8 b4 a8
+ b4 a8( g8 ) fis4 a8 a8(
+ g2 ) s2
+ }
+ }
+ >>
+ }
+
+ altMelodie = \relative c'' {
+ <<
+ { \meta }
+ %%articulation etc.
+ %%\repeat unfold <+number of parts+> {
+ %%s4*<+number of measures within a part+>
+ %%}
+ %the actual tune
+ {
+ s8 s4
+ \repeat volta 2 {
+ \repeat unfold 2 {
+ % Goodnight
+ s8 g8 g8 fis8 e8 g4 g8
+ e4 g8 g8( fis4 ) s4
+ }
+ % Oh & so
+ d2( ~ d2 g2 ~ g8) g4 g8
+ g4 g4 d4 fis8 fis8(
+ }
+ \alternative {
+ { d2 ) s2 }
+ { d2 s2 }
+ }
+ % Oh
+ e1( d2. ) s4
+ e1( d2. ) s4
+ e2. r8 g8
+ % maybe
+ g4 g4 g8 e8 s8 e8
+ g4 g4 g4 g8 g8( fis8 ) s8 s4 s2
+ % Oh
+ e1( d2. ) s4
+ e1( d2. ) s4
+ e2 ~ e8 s8 s8 g8
+ % going
+ g4 g4 g8 e8 s8 e8
+ g4 g4 g4 g8 g8( fis8 ) s8 s4 s2
+ {
+ d2 s8 g4 g8
+ g4 g4 d4 fis8 fis8(
+ d2 ) s8 g4 g8
+ g4 g4 d4 fis8 fis8(
+ d2 ) s2
+ }
+ }
+ >>
+ }
+
+ frauenPausen = {
+ r8 r4 r8
+ s2.. s2. r4
+ r8 s2.. s2. r4
+ s1 s1 s1
+ \mark \markup { \musicglyph #"scripts.coda"\tiny{2} }
+ s2 r2 s2 r2
+ \mark \markup { \musicglyph #"scripts.coda"\tiny{1} }
+ %well
+ s1 s2. r4
+ %\pageBreak
+ s1 s2. r4
+ s1 s2. r8 s8
+ s1 s8 r8 r4
+ \override Score.RehearsalMark #'self-alignment-X = #LEFT
+ \mark "Dal Segno al Coda 1"
+ r2
+ \bar "||"
+ \break
+ \mark \markup { \musicglyph #"scripts.coda"\tiny{1} }
+ s1 s2. r4
+ s1 s2. r4
+ s1 s2. r8 s8
+ s1 s8 r8 r4
+ \override Score.RehearsalMark #'self-alignment-X = #LEFT
+ \mark "Dal Segno al Coda 2"
+ r2
+ \bar "||"
+ \break
+ \mark \markup { \musicglyph #"scripts.coda"\tiny{2} }
+ s1*4
+ s2 r2
+ \bar "||"
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %%articulation etc.
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ %the actual tune
+ {
+ r8 r4
+ \repeat volta 2 {
+ \repeat unfold 2 {
+ % Goodnight
+ r8 d8 d8 c8 b8 d4 d8
+ c4 e8 e8( d4 ) r4
+ }
+ % Oh & so
+ b2( ~ b2 c2 ~ c8 ) c4 c8
+ d4 c8( b8 ) a4 c8 c8(
+ }
+ \alternative {
+ { b2 ) r2 }
+ { b2 r2 }
+ }
+ \repeat unfold 2 {
+ % Oh
+ g1( b2. ) r4
+ g1( b2. ) r4
+ g2. r8 g8
+ % maybe/going
+ d'4 d4 e8 b8 r8 e8
+ d4 d4 d4 d8 d8 ~ d8 s8 s4 r2
+ }
+ {
+ b2 r8 c4 c8
+ d4 c8( b8 ) a4 c8 c8(
+ b2 ) r8 c4 c8
+ d4 c8( b8 ) a4 c8 c8(
+ b2 ) s2
+ }
+ }
+ >>
+ }
+
+ auftakt = {
+ \times 2/3 {d8 b8 d8}
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %%articulation etc.
+ %%\repeat unfold <+number of parts+> {
+ %%s4*<+number of measures within a part+>
+ %%}
+ %the actual tune
+ \clef bass
+ {
+ d8 \auftakt
+ \repeat volta 2 {
+ % doodelei
+ g,2( e'8 ) e4 e8
+ a,4 a8 a8( d8 ) d8 \auftakt
+ % well
+ g,2( e'8 ) e4 e8
+ a,4 a8 a8( d8 ) d8 e8 fis8
+ % doo again & so
+ g2( f2( e2( ees8 ) ) ) ees4 ees8
+ d4 d4 d4 d8 d8(
+ }
+ \alternative {
+ {
+ g,2 ) r8 d'8 \auftakt
+ }
+ {
+ g,2 r8 g8 a8 b8
+ }
+ }
+ \repeat unfold 2 {
+ % doodelei & maybe/going
+ c1( g4 ) g'4 g8 e8 d8 e8
+ c1( g4 ) ~
+ \times 2/3 {g8 g'8 g8} f4 \times 2/3 {g,8 a8 b8}
+ c2. r8 g8 g'4 fis4 e8 e8 r8 e8
+ g4 g4 g8( e8 ) g8 g8(
+ a8 ) s8 s4 r8 d,8 \auftakt
+ }
+ {
+ g,2 r8 ees'4 ees8
+ d4 d4 d4 d8 d8
+ ( g,2 ) r8 ees'4 ees8
+ d4 d4 d4 fis8 fis8
+ ( g2 ) s2
+ }
+ }
+ >>
+ }
+
+ maennerPausen = {
+ s4.
+ s1*8
+ s1*8
+ s8 r8 r4 s2
+ s1*7
+ s8 r8 r4 s2
+ s1*4
+ s2 r2
+ }
diff --git a/hr/stch/fertig/goodnight/alt/texte (Kopie).ly b/hr/stch/fertig/goodnight/alt/texte (Kopie).ly
new file mode 100644
index 0000000..331ba92
--- /dev/null
+++ b/hr/stch/fertig/goodnight/alt/texte (Kopie).ly
@@ -0,0 +1,102 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+%Rohfassung
+
+ auf = \lyricmode {
+ Doot doo doo doo
+ }
+
+ Doo = \lyricmode {
+ doo,
+ well, it's time to go,
+ }
+
+ takt = \lyricmode {
+ doot doo doo doo
+ }
+
+ doo = \lyricmode {
+ doo doo doo doo
+ }
+
+ good = \lyricmode {
+ so good -- night, sweet -- heart,
+ good -- night.
+ }
+
+ doot = \lyricmode {
+ doot doo doo doo doo doo,
+ doo doo doo
+ doo doo doo doo,
+ }
+
+ maybe = \lyricmode {
+ but don't mean may -- be,
+ You know I love You so.
+ }
+
+
+
+ Good = \lyricmode {
+ Good -- night, sweet -- heart,
+ well it's time to go,
+ }
+
+ leave = \lyricmode {
+ I hate to leave you,
+ I real -- ly must say
+ }
+
+ morning = \lyricmode {
+ Well, it's three o' -- clock in the mor -- ning,
+ Babe, I just can't treat you right,
+ I have to leave you, Ba -- by,
+ }
+
+ parents = \lyricmode {
+ Mo -- ther, oh, and your fa -- ther
+ might hear if I stay here too long,
+ a kiss and we'll part
+ }
+
+ going = \lyricmode {
+ and I'll be go -- ing,
+ you know I hate to go.
+ }
+
+ drei = \lyricmode {
+ _ \good \good
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyricmode {
+ \leave
+ \morning
+ \parents
+ }
+
+ altText = \lyrics {
+ \Good
+ \Good
+ Oh
+ \good _
+ Oh Oh Oh
+ \maybe
+ Oh Oh Oh
+ \going
+ \drei
+ }
+
+ bassText = \lyrics {
+ \auf \Doo
+ \takt \Doo
+ \doo \good \auf
+ _ Doo doo doo
+ doo \doot
+ \maybe \auf
+ doo \doot
+ \going \auf
+ \drei
+ }
+
diff --git a/hr/stch/fertig/goodnight/goodnight.ly b/hr/stch/fertig/goodnight/goodnight.ly
new file mode 100644
index 0000000..d9696b3
--- /dev/null
+++ b/hr/stch/fertig/goodnight/goodnight.ly
@@ -0,0 +1,65 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+\version "2.12.1"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Goodnight, well it's time to go"
+ composer = "Calvin Carter, James Hudson"
+ translator = "Arr: Robert Sund"
+ %tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 40
+ after-title-space = 10
+ top-margin = 10
+ bottom-margin = 10
+ foot-separation = 8
+ ragged-last-bottom = ##f
+ page-count = 2
+ system-count = 9
+ }
+
+ \midi {
+ %\tempo 4 = <+bpm+>
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3)
+ }
+ }
+
+ #(set-global-staff-size 16)
+
+ \score {
+ \new ChoirStaff <<
+ \new Lyrics = "sop" { s4 }
+ \new Staff = "frauen" <<
+ %%\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \voiceOne \sopranMelodie }
+ \new Voice = "gemein" { \global \voiceThree \sopranGemein }
+ \new Voice = "alti" { \global \voiceTwo \altMelodie }
+ \new Voice = "fR" { \global \frauenPausen }
+ >>
+ \context Lyrics = "sop" \lyricsto "soprane" \sopranText
+ \lyricsto alti \altText
+ \new Staff = "maenner" <<
+ \new Voice = "tenoere" { \global \voiceOne \tenorMelodie }
+ \new Voice = "baesse" { \global \voiceTwo \bassMelodie }
+ \new Voice = "mR" { \global \maennerPausen }
+ \lyricsto baesse \bassText
+ >>
+ >>
+% \midi{
+% \context{
+% \Score
+% tempoWholesPerMinute = #(ly:make-moment 84 4)
+% }
+% }
+ }
+
diff --git a/hr/stch/fertig/goodnight/goodnight.midi b/hr/stch/fertig/goodnight/goodnight.midi
new file mode 100644
index 0000000..ba94b89
--- /dev/null
+++ b/hr/stch/fertig/goodnight/goodnight.midi
Binary files differ
diff --git a/hr/stch/fertig/goodnight/goodnight.ps b/hr/stch/fertig/goodnight/goodnight.ps
new file mode 100644
index 0000000..2f8c9a6
--- /dev/null
+++ b/hr/stch/fertig/goodnight/goodnight.ps
Binary files differ
diff --git a/hr/stch/fertig/goodnight/mgl/goodnight.ps b/hr/stch/fertig/goodnight/mgl/goodnight.ps
new file mode 100644
index 0000000..7048e18
--- /dev/null
+++ b/hr/stch/fertig/goodnight/mgl/goodnight.ps
Binary files differ
diff --git a/hr/stch/fertig/goodnight/stimmen.ly b/hr/stch/fertig/goodnight/stimmen.ly
new file mode 100644
index 0000000..5c09e62
--- /dev/null
+++ b/hr/stch/fertig/goodnight/stimmen.ly
@@ -0,0 +1,320 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+ global = {
+ \key g \major
+ \time 4/4
+ \partial 4.
+ }
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s8 s4
+ \repeat volta 2 {
+ s1*7
+ }
+ \alternative {
+ { s1 }
+ { s1 }
+ }
+ %\break
+ s1*4 %\break
+ \repeat unfold 12 {
+ s4*4 %\break
+ }
+ { s1*5 }
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %%articulation etc.
+ %%\repeat unfold <+number of parts+> {
+ %%s4*<+number of measures within a part+>
+ %%}
+ %the actual tune
+ {
+ s8 s4
+ \repeat volta 2 {
+ s1*4
+ % hate to leave
+ r8 b8 ais8 b8 a8 g4 g8
+ a8 a8 b8 c8 ~ c8 s8 s4
+ s1
+ }
+ \alternative {
+ { s1 }
+ { s1 }
+ }
+ % morning
+ r8 a4 g8 a8 g8 \times 2/3 {a8 g8 a8}
+ b8 d,8 ~ d2 s4
+ r8 a'4 g8 b8 d8 ~ \times 2/3 {d8 b8 g8}
+ a8( g8 ~ g2 ) s4
+ r8 c,8 a'16 a16 a16 g16 a8 g8 s8 s8
+ s1*3
+ % parents
+ s1
+ r8 a4 g8 a8( g8 ) \times 2/3 {a8( g8 ) a8}
+ b8 d,8 ~ d2 s4
+ r8 a'8 a8 g8 b8 d8 ~ \times 2/3 {d8 b8 g8}
+ a8( g8 ~ g2 ) s4
+ r8 c,8 \times 2/3 {a'8 a8 a8} a8 s8 s8 s8
+ s1*3
+ { s1*5 }
+ }
+ >>
+ }
+
+ sopranGemein = \relative c'' {
+ <<
+ { \meta }
+ %%articulation etc.
+ %%\repeat unfold <+number of parts+> {
+ %%s4*<+number of measures within a part+>
+ %%}
+ %the actual tune
+ {
+ s8 s4
+ \repeat volta 2 {
+ \repeat unfold 2 {
+ % Goodnight
+ s8 b8 b8 a8 g8 b4 b8
+ a4 b8 b8( a4 ) s4
+ }
+ % so goodnight
+ s1 s2 s8 b4 a8
+ b4 a8( g8 ) fis4 a8 a8(
+ }
+ \alternative {
+ { g2 ) s2 }
+ % { g2 s2 }
+ {}
+ }
+ \repeat unfold 2 {
+ { g2 s2 }
+ % maybe/going
+ s1*4 s2.. g8
+ b4 b4 b8 e,8 s8 e8
+ b'4 b4 b8( a8 ) b8 b8( a8 ) s8 s4 s2
+ }
+ {
+ g2 s8 b4 a8
+ b4 a8( g8 ) fis4 a8 a8(
+ g2 ) s8 b4 a8
+ b4 a8( g8 ) fis4 a8 a8(
+ g2 ) s2
+ }
+ }
+ >>
+ }
+
+ altMelodie = \relative c'' {
+ <<
+ { \meta }
+ %%articulation etc.
+ %%\repeat unfold <+number of parts+> {
+ %%s4*<+number of measures within a part+>
+ %%}
+ %the actual tune
+ {
+ s8 s4
+ \repeat volta 2 {
+ \repeat unfold 2 {
+ % Goodnight
+ s8 g8 g8 fis8 e8 g4 g8
+ e4 g8 g8( fis4 ) s4
+ }
+ % Oh & so
+ d2( ~ d2 g2 ~ g8) g4 g8
+ g4 g4 d4 fis8 fis8(
+ }
+ \alternative {
+ { d2 ) s2 }
+ { d2 s2 }
+ }
+ % Oh
+ e1( d2. ) s4
+ e1( d2. ) s4
+ e2. r8 g8
+ % maybe
+ g4 g4 g8 e8 s8 e8
+ g4 g4 g4 g8 g8( fis8 ) s8 s4 s2
+ % Oh
+ { d2 s2 }
+ e1( d2. ) s4
+ e1( d2. ) s4
+ e2 ~ e8 s8 s8 g8
+ % going
+ g4 g4 g8 e8 s8 e8
+ g4 g4 g4 g8 g8( fis8 ) s8 s4 s2
+ {
+ d2 s8 g4 g8
+ g4 g4 d4 fis8 fis8(
+ d2 ) s8 g4 g8
+ g4 g4 d4 fis8 fis8(
+ d2 ) s2
+ }
+ }
+ >>
+ }
+
+ frauenPausen = {
+ r8 r4 %r8
+ \mark \markup { \musicglyph #"scripts.segno"}%\tiny{2} }
+ r8
+ s2.. s2. r4
+ r8 s2.. s2. r4
+ s1 s1 s1
+ \mark \markup { \musicglyph #"scripts.coda"}%\tiny{2} }
+ s2 r2 s2 r2
+ %\mark \markup { \musicglyph #"scripts.coda"\tiny{1} }
+ %well
+ s1 s2. r4
+ %\pageBreak
+ s1 s2. r4
+ s1 s2. r8 s8
+ s1 s8 %r8 r4
+ \override Score.RehearsalMark #'self-alignment-X = #LEFT
+ \mark "Dal Segno al Coda"% 1"
+ r8 r4
+ r2
+ \pageBreak
+ \bar "||"
+ \break
+ \mark \markup { \musicglyph #"scripts.coda"}%\tiny{1} }
+ s2 r2
+ s1 s2. r4
+ s1 s2. r4
+ s2 s8 r4 s8 s2. r8 s8
+ s1 s8 r8 r4
+ \override Score.RehearsalMark #'self-alignment-X = #LEFT
+ \mark "Dal Segno al Coda"% 2"
+ r2
+ \bar "||"
+ \break
+ \mark \markup { \musicglyph #"scripts.coda"}%\tiny{2} }
+ s2 r8 s4.
+ s1
+ s2 r8 s4.
+ s1
+ s2 r2
+ \bar "||"
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %%articulation etc.
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ %the actual tune
+ {
+ r8 r4
+ \repeat volta 2 {
+ \repeat unfold 2 {
+ % Goodnight
+ r8 d8 d8 c8 b8 d4 d8
+ c4 e8 e8( d4 ) r4
+ }
+ % Oh & so
+ b2( ~ b2 c2 ~ c8 ) c4 c8
+ d4 c8( b8 ) a4 c8 c8(
+ }
+ \alternative {
+ { b2 ) r2 }
+ % { b2 r2 }
+ {}
+ }
+ \repeat unfold 2 {
+ { b2 r2 }
+ % Oh
+ g1( b2. ) r4
+ g1( b2. ) r4
+ g2. r8 g8
+ % maybe/going
+ d'4 d4 e8 b8 r8 e8
+ d4 d4 d4 d8 d8 ~ d8 s8 s4 r2
+ }
+ {
+ b2 r8 c4 c8
+ d4 c8( b8 ) a4 c8 c8(
+ b2 ) r8 c4 c8
+ d4 c8( b8 ) a4 c8 c8(
+ b2 ) s2
+ }
+ }
+ >>
+ }
+
+ auftakt = {
+ \times 2/3 {d8 b8 d8}
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %%articulation etc.
+ %%\repeat unfold <+number of parts+> {
+ %%s4*<+number of measures within a part+>
+ %%}
+ %the actual tune
+ \clef bass
+ {
+ d8 \auftakt
+ \repeat volta 2 {
+ % doodelei
+ g,2( e'8 ) e4 e8
+ a,4 a8 a8( d8 ) d8 \auftakt
+ % well
+ g,2( e'8 ) e4 e8
+ a,4 a8 a8( d8 ) d8 e8 fis8
+ % doo again & so
+ g2( f2( e2( ees8 ) ) ) ees4 ees8
+ d4 d4 d4 d8 d8(
+ }
+ \alternative {
+ {
+ g,2 ) r8 d'8 \auftakt
+ }
+ %{
+ g,2 r8 g8 a8 b8
+ %}
+ {}
+ }
+ \repeat unfold 2 {
+ % doodelei & maybe/going
+ {
+ g,2 r8 g8 a8 b8
+ }
+ c1( g4 ) g'4 g8 e8 d8 e8
+ c1( g4 ) ~
+ \times 2/3 {g8 g'8 g8} f4 \times 2/3 {g,8 a8 b8}
+ c2. r8 g8 g'4 fis4 e8 e8 r8 e8
+ g4 g4 g8( e8 ) g8 g8(
+ a8 ) s8 s4 r8 d,8 \auftakt
+ }
+ {
+ g,2 r8 ees'4 ees8
+ d4 d4 d4 d8 d8
+ ( g,2 ) r8 ees'4 ees8
+ d4 d4 d4 fis8 fis8
+ ( g2 ) s2
+ }
+ }
+ >>
+ }
+
+ maennerPausen = {
+ s4.
+ s1*8
+ s1*8
+ s8 r8 r4 s2
+ s1*8
+ s8 r8 r4 s2
+ s1*4
+ s2 r2
+ }
diff --git a/hr/stch/fertig/goodnight/texte.ly b/hr/stch/fertig/goodnight/texte.ly
new file mode 100644
index 0000000..f02b5fd
--- /dev/null
+++ b/hr/stch/fertig/goodnight/texte.ly
@@ -0,0 +1,103 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+%Rohfassung
+
+ auf = \lyricmode {
+ Doot doo doo doo
+ }
+
+ Doo = \lyricmode {
+ doo,
+ well, it's time to go,
+ }
+
+ takt = \lyricmode {
+ doot doo doo doo
+ }
+
+ doo = \lyricmode {
+ doo doo doo doo
+ }
+
+ good = \lyricmode {
+ so good -- night, sweet -- heart,
+ good -- night.
+ }
+
+ doot = \lyricmode {
+ doot doo doo doo doo doo,
+ doo doo doo
+ doo doo doo doo,
+ }
+
+ maybe = \lyricmode {
+ but don't mean may -- be,
+ You know I love You so.
+ }
+
+
+
+ Good = \lyricmode {
+ Good -- night, sweet -- heart,
+ well it's time to go,
+ }
+
+ leave = \lyricmode {
+ I hate to leave you,
+ I real -- ly must say
+ }
+
+ morning = \lyricmode {
+ Well, it's three o' -- clock in the mor -- ning,
+ Babe, I just can't treat you right,
+ I have to leave you, Ba -- by,
+ }
+
+ parents = \lyricmode {
+ Mo -- ther, oh, and your fa -- ther
+ might hear if I stay here too long,
+ a kiss and we'll part
+ }
+
+ going = \lyricmode {
+ and I'll be go -- ing,
+ you know I hate to go.
+ }
+
+ drei = \lyricmode {
+ _ \good \good
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyricmode {
+ \leave
+ \morning
+ \parents
+ }
+
+ altText = \lyrics {
+ \Good
+ \Good
+ Oh
+ \good _
+ Oh Oh Oh
+ \maybe
+ _ Oh Oh Oh
+ \going
+ \drei
+ }
+
+ bassText = \lyrics {
+ \auf \Doo
+ \takt \Doo
+ \doo \good \auf
+ _ Doo doo doo
+ doo \doot
+ \maybe \auf
+ _ Doo doo doo
+ doo \doot
+ \going \auf
+ \drei
+ }
+
diff --git a/hr/stch/fertig/head/a.midi b/hr/stch/fertig/head/a.midi
new file mode 100644
index 0000000..318384f
--- /dev/null
+++ b/hr/stch/fertig/head/a.midi
Binary files differ
diff --git a/hr/stch/fertig/head/a5/head.ly b/hr/stch/fertig/head/a5/head.ly
new file mode 100644
index 0000000..9f26b89
--- /dev/null
+++ b/hr/stch/fertig/head/a5/head.ly
@@ -0,0 +1,86 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.18"
+\include "../dynArt.ly"
+\include "../stimmen.ly"
+\include "../texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "God be in my head"
+ composer = "John Rutter"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ #(set-paper-size "a5")
+ line-width = \paper-width - 20
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 12)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \voiceOne \sopranMelodie }
+ \new Voice = "alti" { \voiceTwo \altMelodie }
+ %\addlyrics { \text }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \altMelodie }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \tenorMelodie }
+ >>
+
+ bas = <<
+ \new Voice = "tenoere" { \voiceOne \tenorMelodie }
+ \new Voice = "baesse" { \voiceTwo \bassMelodie }
+ >>
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \new Lyrics = so \with { \override VerticalAxisGroup.staff-affinity = #DOWN }
+ \new Staff = sopran { \global \sop }
+ \new Lyrics = al {
+ }
+ \new Lyrics { \lyricsto soprane \text }
+ %\new Staff = alt { \global \alt }
+ %\new Staff = tenor { \global \ten }
+ \new Lyrics = te \with { \override VerticalAxisGroup.staff-affinity = #DOWN }
+ \new Staff = bass { \global \bas }
+ \new Lyrics = ba {
+ }
+ \context Lyrics = so
+ \lyricsto "soprane" \sopranText
+ \context Lyrics = al
+ \lyricsto "alti" \altText
+ \context Lyrics = te
+ \lyricsto "tenoere" \tenorText
+ \context Lyrics = ba
+ \lyricsto "baesse" \bassText
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/fertig/head/b.midi b/hr/stch/fertig/head/b.midi
new file mode 100644
index 0000000..07d1b78
--- /dev/null
+++ b/hr/stch/fertig/head/b.midi
Binary files differ
diff --git a/hr/stch/fertig/head/dynArt.ly b/hr/stch/fertig/head/dynArt.ly
new file mode 100644
index 0000000..3d62a3f
--- /dev/null
+++ b/hr/stch/fertig/head/dynArt.ly
@@ -0,0 +1,48 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ \tempo "Tranquillo - poco rubato" 4 = 100
+ s8\p s4.^\markup{ \italic "legato sempre" } s2
+ \repeat unfold 4 s1
+ \break
+ s2\cresc s2
+ s2 s2\mp
+ s1
+ s1
+ s2 s2\>
+ \break
+ s2\p s2
+ s1
+ s1\<
+ s1\mf
+ s2 s2\>
+ \break
+ s1\p
+ s1
+ s1
+ s1
+ \break
+ s1\pp^\markup{ \bold "Poco meno mosso" }
+ s1
+ s1\<
+ s1\>
+ s8\pp s4.\> s2^\markup{ \bold "rit." }
+ s1\ppp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/fertig/head/head.ly b/hr/stch/fertig/head/head.ly
new file mode 100644
index 0000000..7811440
--- /dev/null
+++ b/hr/stch/fertig/head/head.ly
@@ -0,0 +1,80 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "dynArt.ly"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "God be in my head"
+ composer = "John Rutter"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 17)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \voiceOne \sopranMelodie }
+ \new Voice = "alti" { \voiceTwo \altMelodie }
+ \addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \altMelodie }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \tenorMelodie }
+ >>
+
+ bas = <<
+ \new Voice = "tenoere" { \voiceOne \tenorMelodie }
+ \new Voice = "baesse" { \voiceTwo \bassMelodie }
+ >>
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \new Staff = sopran { \global \sop }
+ \new Lyrics \with { alignAboveContext = sopran } {
+ \lyricsto "soprane" \sopranText
+ }
+ \new Lyrics \with { alignBelowContext = sopran } {
+ \lyricsto "soprane" \altText
+ }
+ %\new Staff = alt { \global \alt }
+ %\new Staff = tenor { \global \ten }
+ \new Staff = bass { \global \bas }
+ \new Lyrics \with { alignAboveContext = bass } {
+ \lyricsto "soprane" \tenorText
+ }
+ \new Lyrics \with { alignBelowContext = bass } {
+ \lyricsto "soprane" \bassText
+ }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/fertig/head/midi.lua b/hr/stch/fertig/head/midi.lua
new file mode 100644
index 0000000..a87bcc0
--- /dev/null
+++ b/hr/stch/fertig/head/midi.lua
@@ -0,0 +1,51 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ \unfoldRepeats
+]]
+
+post=[[
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/fertig/head/s.midi b/hr/stch/fertig/head/s.midi
new file mode 100644
index 0000000..fc5400c
--- /dev/null
+++ b/hr/stch/fertig/head/s.midi
Binary files differ
diff --git a/hr/stch/fertig/head/stimmen.ly b/hr/stch/fertig/head/stimmen.ly
new file mode 100644
index 0000000..a69ef82
--- /dev/null
+++ b/hr/stch/fertig/head/stimmen.ly
@@ -0,0 +1,157 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+
+ global = {
+ \key e \major
+ \override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ \key e \major
+ e2 b'2
+ cis4 a4 b2
+ e,2 fis4 gis4
+ a4( gis4 fis4) e4
+ fis2 e2
+ e2 b'2
+ e4 cis4 b2
+ b2 cis4 dis4
+ e4( dis4 cis4 b4
+ cis2) b2
+ b2 a4( b4)
+ gis4 cis4 fis,2
+ gis2 ais4 b4
+ cis4( b4 ais4 gis4
+ ais2) gis2
+ fis2 b2
+ e,4 fis8( gis8) a2
+ fis2 fis4 e4
+ dis4( e4) fis2\fermata
+ fis2 fis2
+ gis4 b4 e,2\fermata
+ e2 fis4( gis4)
+ a4( gis4 fis4) e4
+ fis1
+ gis1\fermata
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ % { \meta }
+ %\altArt
+ %the actual tune
+ {
+ e2 e4( dis4)
+ cis4 a'4 gis4( fis4)
+ e2 e4 e4
+ e4( dis4 cis4) e4
+ e4( dis4) b2
+ b2 b2
+ cis4 e4 dis2
+ e4( dis4) cis4 fis4
+ gis2( e4 dis4
+ fis4. e8) e4( cis4)
+ dis2 e4( dis4)
+ dis4 cis4 cis4( b4)
+ e2 gis4 gis4
+ gis1( ~
+ gis4 fis2) fis8( e8)
+ cis2 b2
+ b4 b4 e4( b4)
+ e4( dis4) cis4 cis4
+ cis4( bis4) cis2
+ d4( cis4) b4( a4)
+ e'4 e4 e2
+ e4( dis4) cis4( b4)
+ cis2. e4
+ e2( dis2)
+ e1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ e4( fis4) gis4( b4)
+ a4 e'4 dis4( cis4)
+ b2 cis4 b4
+ a4( b4 cis4) gis4
+ b4.( a8) a4( fis4)
+ gis4( a4) fis2
+ gis4 ais4 b4( ais4)
+ gis2 ais4 b4
+ e2( gis,4 b4 ~
+ b4 ais4) fis2
+ b2 cis4( a4)
+ b4 gis4 ais4( gis4)
+ b2 e4 dis4
+ e2.( cis4
+ ais4 dis8 cis8) b2
+ ais4( gis4) fis4( a4)
+ gis4 gis4 gis4( fis4)
+ gis4( b4) a4 gis4
+ a4( gis4) cis2
+ a2 fis2
+ b4 gis4 b4( a4\fermata)
+ gis2 e2
+ a2. gis4
+ b4( a4 fis4 b4)
+ gis1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ % { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ e2 e2
+ e4 cis'4 b4( a4
+ gis4) gis,4 a4 b4
+ cis4( b4 a4) cis4
+ b2 e2
+ e2. dis4
+ cis4 cis4 gis'4( fis4)
+ e2 e4 dis4
+ cis2( e4 gis4
+ fis2) b,2
+ b'4( a4) gis4( fis4)
+ fis4 e4 dis2 ~
+ dis4 cis4 cis'4 b4
+ ais4( b4 cis4 e,4
+ dis2) e2
+ e2 dis2
+ dis4 d4 cis4( dis4)
+ e2 e4 e4
+ fis4( gis4) a2\fermata
+ d,2 d2
+ d4 d4 cis2
+ b2 a4( gis4)
+ fis2( a4) cis4
+ b1
+ <b e,>1
+ \bar "|."
+ }
+ >>
+ }
+
diff --git a/hr/stch/fertig/head/t.midi b/hr/stch/fertig/head/t.midi
new file mode 100644
index 0000000..99e7a8b
--- /dev/null
+++ b/hr/stch/fertig/head/t.midi
Binary files differ
diff --git a/hr/stch/fertig/head/texte.ly b/hr/stch/fertig/head/texte.ly
new file mode 100644
index 0000000..85bd69f
--- /dev/null
+++ b/hr/stch/fertig/head/texte.ly
@@ -0,0 +1,42 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+ text = \lyricmode {
+ God be in my head and in my un -- der -- stand -- ing.
+ God be in mine eyes and in my look -- ing.
+ God be in my mouth and in my speak -- ing.
+ God be in mine heart and in my think -- ing.
+ God be at my end and in my de -- part -- ing.
+ }
+
+ ober = \lyricmode {
+ \repeat unfold 25 { _ }
+ _ _ _ _ speak -- ing,
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyricmode {
+ %<+hier den Text für den Sopran eintragen+>
+ \ober
+ }
+
+ altText = \lyricmode {
+ %<+hier den Text für den Alt eintragen+>
+ \ober
+ }
+
+ tenorText = \lyricmode {
+ %<+hier den Text für den Tenor eintragen+>
+ \ober
+ }
+
+ bassText = \lyricmode {
+ %<+hier den Text für den Baß eintragen+>
+ _ _ _ _ head and
+ _ _ _ _ _ _ God be
+ \repeat unfold 12 { _ }
+ mouth and
+ }
+
diff --git a/hr/stch/fertig/himmelsbogen/dynArt.ly b/hr/stch/fertig/himmelsbogen/dynArt.ly
new file mode 100644
index 0000000..32a829e
--- /dev/null
+++ b/hr/stch/fertig/himmelsbogen/dynArt.ly
@@ -0,0 +1,38 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ \tempo 4 = 80
+ s1\mf
+ s1*3
+ \break
+ s1*4
+ \break
+ s1*4
+ \break
+ s1*5
+ %s2.\fermata s4
+ s2. s4
+ }
+
+% articulation
+
+ sopranArt = {
+ s1*4
+ s1*4
+ s1*4
+ s1*4
+ s4 s4^\markup { \italic "rit." } s2
+ s1
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/fertig/himmelsbogen/himmelsbogen.ly b/hr/stch/fertig/himmelsbogen/himmelsbogen.ly
new file mode 100644
index 0000000..33f936d
--- /dev/null
+++ b/hr/stch/fertig/himmelsbogen/himmelsbogen.ly
@@ -0,0 +1,77 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Steigt der Mond am Himmelsbogen"
+ composer = "aus Wales"
+ arranger = "Karl-Josef Müller"
+ translator = "Helmut König"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ { \meta }
+ \new Voice = "soprane" { \voiceOne \sopranMelodie }
+ \new Voice = "alti" { \voiceTwo \altMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ { \meta }
+ \new Voice = "tenoere" { \voiceOne \tenorMelodie }
+ \new Voice = "baesse" { \voiceTwo \bassMelodie }
+ %\addlyrics { \stzI }
+ %\addlyrics { \stzII }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = sopran { \global \sop }
+ \new Lyrics \lyricsto soprane \stzI
+ \new Lyrics \lyricsto soprane \stzII
+ %\new Staff = alt { \global \alt }
+ %\new Staff = tenor { \global \ten }
+ \new Staff = bass { \global \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/fertig/himmelsbogen/midi.lua b/hr/stch/fertig/himmelsbogen/midi.lua
new file mode 100644
index 0000000..8d7d5be
--- /dev/null
+++ b/hr/stch/fertig/himmelsbogen/midi.lua
@@ -0,0 +1,51 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ \unfoldRepeats
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/fertig/himmelsbogen/stimmen.ly b/hr/stch/fertig/himmelsbogen/stimmen.ly
new file mode 100644
index 0000000..a4d4eaa
--- /dev/null
+++ b/hr/stch/fertig/himmelsbogen/stimmen.ly
@@ -0,0 +1,137 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key a \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ \autoBeamOff
+ %\set Staff.melismaBusyProperties
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ % { \meta }
+ \sopranArt
+ %the actual tune
+ {
+ a'4. gis8 fis4 a4
+ b4. a8 gis4 e4
+ fis2 gis4. gis8
+ a2 r2
+ a4. gis8 fis4 a4
+ b4. a8 gis4 e4
+ fis2 gis4. gis8
+ a2. r4
+ d4 cis4 d4 e4
+ fis4 e4 d4 cis4
+ d4 cis4 b4 a4
+ cis4 b4 a4 gis4
+ a4. gis8 fis4 a4
+ b4. a8 gis4 e4
+ fis2 gis4. gis8
+ a2. r4
+ fis2 gis4. gis8
+ a2.\fermata r4
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ % { \meta }
+ %\altArt
+ %the actual tune
+ {
+ e4. e8 d4 e4
+ dis4 fis4 e4 e4
+ d2 d4. d8
+ cis4( e4 fis8[ e8] d4)
+ cis8[ e8] eis4 fis4 e4
+ dis8[ e8] fis4 e4 e4
+ fis8([ e8] dis4) e4. d8
+ cis4( d4 e8[ fis8] g4)
+ fis4 g4 a4 b4
+ ais4 fis4 fis4 fis4
+ fis4 g4 fis4 fis4
+ e4 fis4 e4 d4
+ cis8[ e8] eis4 fis4 e4
+ d8[ e8] fis4 e4 e4
+ d2 d4. d8
+ cis2. r4
+ d2 d8[ fis8 d8] d8
+ cis2. r4
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ % { \meta }
+ %\tenorArt
+ %the actual tune
+ %\clef "treble_8"
+ {
+ cis4. b8 a4 a4
+ fis4 b4 b4 gis4
+ a2 b4. b8
+ a2.( gis4)
+ a8[ cis8] b4 a4 a4
+ fis4 b4 b4 gis4
+ b2 b8[ d8 cis8] b8
+ a4( b4 cis8[ d8] e4)
+ d4 a4 d4 d4
+ e4 cis4 b4 ais4
+ b4 ais4 b4 b4
+ a4 d4 cis4 b4
+ a8[ cis8] b4 a4 a4
+ fis4 b4 b4 gis4
+ a2 b4. b8
+ a2. r4
+ a4( b4) b8[ d8 cis8] b8
+ a2.\fermata r4
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ % { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ \autoBeamOff
+ \repeat volta 2 {
+ a4 cis4 d4 cis4
+ b4 dis4 e4 e4
+ d4( cis4) b4 e4
+ a,4( cis4 d4 e4)
+ a,4 cis4 d4 cis4
+ b8[ cis8] dis4 e4 e4
+ dis8([ cis8] b4) e4 e4
+ a,2.( cis4)
+ d4 e4 fis4 g4
+ fis4 ais,4 b4 cis4
+ b4 cis4 d4 dis4
+ e2 e2
+ a,4 cis4 d4 cis4
+ b8[ cis8] dis4 e4 e4
+ } \alternative {
+ {
+ d4( cis4) b4 e4 a,2. r4
+ }
+ {
+ d8( cis8 b4) e4 e4
+ <e a,>2. r4
+ }
+ }
+ \bar "|."
+ }
+ >>
+ }
+
diff --git a/hr/stch/fertig/himmelsbogen/texte.ly b/hr/stch/fertig/himmelsbogen/texte.ly
new file mode 100644
index 0000000..039c71e
--- /dev/null
+++ b/hr/stch/fertig/himmelsbogen/texte.ly
@@ -0,0 +1,49 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+ wann = \lyricmode {
+ in dunk -- ler Nacht,
+ }
+ Wann = \lyricmode {
+ in dunk -- ler Nacht.
+ }
+ stzI = \lyrics {
+ \set stanza = "1. "
+ Steigt der Mond am Him -- mels -- bo -- gen \wann
+ kom -- men Ster -- ne her -- ge -- zo -- gen \Wann
+ Und der Tag ver -- klingt nun lei -- se,
+ singt noch sei -- ne letz -- te Wei -- se,
+ %singt noch sei -- ne Wei -- se,
+ geht dann auf die gro -- ße Rei -- se \Wann
+ }
+ stzII = \lyrics {
+ \set stanza = "2. "
+ Und die Ster -- ne in der Run -- de \wann
+ leuch -- ten uns die spä -- te Stun -- de \Wann
+ Al -- le Zu -- kunft ist ver -- bor -- gen,
+ doch das Herz mit sei -- nen Sor -- gen
+ %doch das Herz mit Sor -- gen
+ war -- tet wie -- der auf den Mor -- gen
+ _ _ _ _
+ \Wann
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/stch/fertig/ix/dynArt.ly b/hr/stch/fertig/ix/dynArt.ly
new file mode 100644
index 0000000..4de7733
--- /dev/null
+++ b/hr/stch/fertig/ix/dynArt.ly
@@ -0,0 +1,61 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ %\override Staff.TimeSignature #'style = #'()
+ \dynamicUp
+ \key d \minor
+ \time 2/2
+ s1*12
+ \break
+ %himmel
+ s1*10
+ %ein tag
+ s1*7
+ \break
+ s1*5
+ %schnur
+ s1*15
+ \break
+ %hütte
+ s1*7
+ \break
+ s1*7
+ %held
+ s1*1
+ \break
+ s1*15
+ s1
+ \break
+ %sonne
+ s1*12
+ \break
+ %himmel
+ s1*10
+ \bar "||"
+ \break
+ %ehre
+ s1*8
+ %geist
+ s1*6
+ %ἁρχη
+ s1*10
+ %amen
+ s1*3
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/fertig/ix/ix.ly b/hr/stch/fertig/ix/ix.ly
new file mode 100644
index 0000000..4f6c312
--- /dev/null
+++ b/hr/stch/fertig/ix/ix.ly
@@ -0,0 +1,90 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Die Himmel erzählen die Ehre Gottes"
+ composer = "Heinrich Schütz"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 16)
+
+ sopI = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "sopraneI" { \global \sopranIMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ sopII = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "sopraneII" { \global \sopranIIMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ tenI = <<
+ \new Voice = "tenoereI" { \global \tenorIMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ tenII = <<
+ \new Voice = "tenoereII" { \global \tenorIIMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = sopranA { \sopI }
+ \new Staff = sopranB { \sopII }
+ \new Staff = alt { \alt }
+ \new Staff = tenorA { \tenI }
+ \new Staff = tenorB { \tenII }
+ \new Staff = bass { \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ \context {
+ \Staff
+ \RemoveEmptyStaves
+ \override VerticalAxisGroup.remove-first=##t
+ }
+ }
+ }
+
diff --git a/hr/stch/fertig/ix/midi.lua b/hr/stch/fertig/ix/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/stch/fertig/ix/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/fertig/ix/stimmen.ly b/hr/stch/fertig/ix/stimmen.ly
new file mode 100644
index 0000000..a487ec6
--- /dev/null
+++ b/hr/stch/fertig/ix/stimmen.ly
@@ -0,0 +1,187 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranIMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1 r1 d2 ees2 d4 d4 c4 c8 c8 bes2. a4 a1 a2 r4 a4 ~ a4 bes4 c2 c4 bes4 a4. a8 a4 d2 c4 bes2 a2 g1
+ d'2 e2 f4 d4 c4 c8 c8 ees2 d2 d1 d2 r4 d4 ~ d4 d4 ees2 ees4 f4 c4. c8 c4 bes4 g4 a4 ~ a8 g8 g2 fis4 g1
+ r1 r1 r1 r4 a4 a4 a4 bes2 c4 d4 ~ d4 c4 c2 bes1
+ \repeat unfold 5 {
+ r1
+ }
+ r1 r1 r4 f8 g8 a4 a8 bes8 c8 c8 bes8 a8 g4 g4 r4 g8 a8 bes4 bes8 c8 d2 r8 d8 c8 bes8 a4 a4 f'2 ees2 d2 c1 bes2 bes4 f4 ~ f4 a4 c2 bes4 d4. c8 bes4 a4 d,4 r2 r4 d'4. c8 bes4 a4 g4 r2
+ d'2 g,4 d'4 ees2 d4 d4 ~ d4 c4 c2 ~ c2 c2 r4 bes2 g4 bes2 a4 g4 fis1
+ \repeat unfold 9 {
+ r1
+ }
+ r2 r4 a4 c4 a8 a8 g4 f4 g4 g4 e4 c4 r4 c'4 c8 bes8 a8 g8 a4 bes4 r4 f'4 d4 bes4 r4 c4 a4 f4 r2 r1 r2 c4 c8 d8 e8 f8 g4. f8 d8 e8 fis4 g2 fis4 g2 r4 d'4 bes4 g4 r2
+ r1 r4 d4 d4 e4 f4. f8 f4 g4 a2 a4 bes4 c1 d1
+ bes4 d4 g,4. f8 e4 d4 g4 f4 e4 d8 d8 cis4 d4 ~ d4 cis4 d2
+ r4 d'4 c4 f4 ~ f8 ees8 d8 c8 bes4 c4 fis,4 bes4 a2 g1
+ d'2 e2 f4 d4 c4 c8 c8 ees2 d2 d1 d2 r4 d4 ~ d4 d4 ees2 ees4 f4 c4. c8 c4 bes4 g4 a4 ~ a8 g8 g2 fis4 g1
+ r1 r1 g4. g8 f4 d4 g8 a8 bes8 c8 d8 a8 d4 ~ d4 c4 d2
+ r1 r1 r1 r4 bes4 f4. g8 a4 f4 f'2 ees2 ees2 d2 d4 d4 ~ d4 c8 bes8 a2 b1
+ d2 e2 f4 d4 c2 c4 ees2 d4 d2. d4 d2 r4 d4 ~ d4 d4 ees4. ees8 ees4 f4 c4. c8 c4 bes4 g8 g8 a4 ~ a8 g8 g2 fis4 g1 g1 ~ g1 g1
+ }
+ >>
+ }
+
+ sopranIIMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ g2 bes2 a4 a4 g4 g8 g8 f4 f4 g4 a4 bes4 bes4 a4 a8 a8 g2. e4 fis1 fis2 r4 fis4 ~ fis4 g4 a2 a4 d4 c4. c8 c4 bes4 g4 a4 ~ a4 g2 fis4 g1
+ b2 c2 a4 bes4 a4 a8 a8 c2 g2 a1 a2 r4 a4 ~ a4 bes4 bes2 bes4 bes4 a4. a8 a4 f'2 ees4 d2 d2 d1
+ r1 r1 r1 r4 fis,4 fis4 fis4 g2 a4 bes4 ~ bes4 bes4 a2 bes1
+ \repeat unfold 5 {
+ r1
+ }
+ r1 r1 r1 r4 c,8 d8 e4 e8 f8 g8 g8 f8 e8 d4 d4 r2 r8 bes'8 a8 g8 f4 f4 r4 f4 g2 f4 bes4 ~ bes4 a8 g8 a2 bes2 r4 d4 ~ d4 f2 ees4 d1 d2 r4 d4 ~ d8 c8 bes4 a4 g4 r1
+ r2 bes2 g4 a4 bes2 a4 a2 g4 a2 a4 g4 ~ g4 f4 g2 ~ g2 a4 bes4 a1
+ \repeat unfold 9 {
+ r1
+ }
+ r4 f4 a4 f8 f8 c4. d8 e4 d4 e2 r4 c'4 a4 f4 r4 f'4 f8 e8 d8 c8 bes4 f4 r4 d'4 c8 bes8 a8 g8 f4 c'4 r2 r2 r4 g4 e4 c4 r2 g'4 g8 a8 bes8 c8 d8 c16 bes16 a4 g4 a2 g4 d'4 bes4 g4
+ r1 r1 r1 r4 d4 d4 e4 f4. f8 f4 g4 a4 bes8 bes8 bes4 a4 bes2 f4 g4 d2 bes'4 d4 g,4. f8 e4 d4 g4 f4 e4 d8 d8 e2 d4 a'4 f4 bes4. a8 f8 g8 a4 bes4 g4. f16 g16 a4 g2 fis4 g1
+ b2 c2 a4 bes4 a4 a8 a8 c2 g2 a1 a2 r4 a4 ~ a4 bes4 bes2 bes4 bes4 a4. a8 a4 f'2 ees4 d2 d2 d1
+ r1 r1 r2 d4. d8 bes4 g4 a4 g8 f8 g8 f8 g8 a8 bes2 a2 r2
+ r1 r1 d1 c1 ~ c2 c2 bes2. bes4 a4 d,4 d'2 d1
+ b2 c2 a4 bes4 a2 a4 c2 g4 a2. a4 a2 r4 a4 ~ a4 bes4 bes4. bes8 bes4 bes4 a4. a8 a4 f'4 f4 ees8 ees8 d1 d1 ees2. d4 c1 b1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1 d2 ees2 d4 d4 c4 c8 c8 bes2 f4 f4 g2 c2 d1 d2 r4 d4 ~ d4 g4 f2 f4 bes,4 f'4. f8 f4 bes,2 c4 d2 d2 g,1
+ g'2 g2 f4 f4 f4 f8 f8 g2. g4 fis1 fis2 r4 fis4 ~ fis4 g4 g2 g4 f4 f4. f8 f4 d2 c4 a4 bes8 c8 d4 d4 b1
+ r1 r1 r1 r4 d4 d4 d4 d2 f4 f4 ~ f4 g4 f2 f2 r4 f4 f4 f8 f8 f4 f8 d8 f2 f4 d8 d8 f4 d8 d8 c4 d4 ees4 d2 c4 d1
+ r4 bes8 c8 d4 d8 e8 f2 r8 f8 e8 d8 c4 c4 r2
+ r1 r1 r1 r2 r8 f8 d8 c8 bes4 bes4 r4 f'4 ~ f4 c4 f2 f1
+ r4 f4 c4 ees4 g1 fis2 r4 f4 a4 d,4 d4. e8 fis4 g4 r2
+ r2 g2 c,4 c4 g'2 f4 f2 e4 f2 f4 ees4 ~ ees4 d4 ees2 ~ ees2 f4 g4 d1
+ \repeat unfold 9 {
+ r1
+ }
+ r1 r1 r2 g4 e4 c4 r4 r2 r4 bes4 bes8 c8 d8 e8 f4. g8 a8 g8 f4 ~ f8 e16 d16 c8 d8 ees8 f8 g8 f16 ees16 d4 c4 d2 c2 g'4 e4 c4 r4 r2
+ r1 r1 d4 d8 e8 f8 g8 a8 g16 f16 e4 d4 e2 d2 r2 r4 bes4 bes4 g4 d'4. d8 d4 g4 f4 ees8 ees8 f2 bes,4 bes4 d4 g,4 ~ g4 g4 g2 g2 g2 g2 a4 bes8 bes8 a2 d2 d4 bes4 f'4. ees8 d8 c8 bes4 ees2 d1 bes1
+ g'2 g2 f4 f4 f4 f8 f8 g2. g4 fis1 fis2 r4 fis4 ~ fis4 g4 g2 g4 f4 f4. f8 f4 d2 c4 a4 bes8 c8 d4 d4 b1
+ r1 r1 r1 g'4. g8 f4 d4 ees2 d2
+ r1 r1 r1 r1 r4 f4 c4. d8 ees4 c4 g'2 g4 g4 d4. e8 fis4 g2 fis4 g1
+ g2 g2 f4 f4 f2 f4 g2 g4 fis2. fis4 fis2 r4 fis4 ~ fis4 g4 g4. g8 g4 f4 f4. f8 f4 d4 d4 c8 bes8 a4 d,4 d'2 d1 c2. d4 ees1 d1
+ }
+ >>
+ }
+
+ tenorIMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ \repeat unfold 12 {
+ r1
+ }
+ d2 c2 c4 bes4 c4 c8 c8 c2 d2 d1 a2 r4 d4 ~ d4 bes4 bes2 bes4 f4 a4. a8 f2 r4 c'4 ~ c4 bes4 a4 a4 g1
+ d'4 g,4 bes4. c8 d8 ees8 d4. e8 f4 ~ f4 e4 e2 d4 d,4 d4 d4 g2 f4 bes4 ~ bes4 ees,4 f2 bes1
+ r1 r2 r4 bes8 bes8 d4 bes8 bes8 a4 f4 g8 a8 bes2 a8 g8 fis4 g2 fis4 g4
+ g8 a8 bes4 bes8 c8 d2 r8 d8 c8 bes8 a4 a4 r4 f8 g8 a4 a8 bes8 c8 c8 bes8 a8 g4 g4 r2 r8 g8 f8 e8 d4 d4 r2 r8 d'8 bes8 a8 g4 g4 r8 bes8 d8 bes8 c1 d1
+ bes4 a2 c4 d2 g,2 a4 d4. c8 bes4 a4 g4 a4 bes4 d4 d4 r2
+ \repeat unfold 6 {
+ r1
+ }
+ d2 r4 d4 bes4 g8 g8 d'4 d8 e8 f1 r4 e2 d4 e2. e4 e4 a,4 d4. c8 bes4 g4 r4 bes4 c4 d4 ees2 d2 r4 d4 f4 d8 d8 c4 bes4 c1
+ r1 r2 r4 c,4 f8 g8 a8 bes8 c2 f,2 r4 bes4 bes8 c8 d8 e8 f4 f,8 g8 a8 bes8 c4. bes8 g8 a8 b4 c2 b4 c4 g4 e4 c4 r1 r2 r4 d'4 bes4 g4 g4 g8 a8 bes8 c8 d4. c8 a8 b8 cis4 d2 cis4 d1
+ \repeat unfold 12 {
+ r1
+ }
+ d2 c2 c4 bes4 c4 bes8 bes8 c2 d2 d1 a2 r4 d4 ~ d4 bes4 bes2 bes4 f4 a4. a8 f2 r4 c'4 ~ c4 bes4 a4 a4 g1
+ d'4. d8 bes4 g4 a8 g8 a8 bes8 c4 d4 ~ d4 c4 d2
+ r1 r1 r2 d4. d8 bes4 g4 ees'2 d2 c4 c4 bes2 r4 bes4 f4. g8 a4 f4 r4 c'4 g4. a8 bes2 g2 a1 g1
+ d'2 c2 c4 bes4 c2 c4 c2 d4 d2. a4 a2 r4 d4 ~ d4 bes4 bes4. bes8 bes4 f4 a4. a8 f2 r4 c'4 c4 bes8 bes8 a2 b1 g1 ~ g1 g1
+ }
+ >>
+ }
+
+ tenorIIMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ \repeat unfold 12 {
+ r1
+ }
+ g2 g2 a4 f4 a2 g2 r4 d4 fis4. g8 a2 ~ a4 d,4 r4 a'4 ~ a4 g4 g2 g4 bes4 c2 a4 bes4. d,8 a'4 fis4 g4 a4 d,4 d1
+ r2 d'4 g,4 bes4. c8 d2 ~ d4 d4 cis2 d1
+ r1 r1 r4 d4 d4 d8 d8 d4 d8 c8 d2 ~ d2 d2 r2 r4 a8 a8 c4 f,8 f8 g4 a4 bes4 a8 g8 a2 g1
+ r4 d8 e8 f4 f8 g8 a8 c8 a8 bes8 c4 c4 r1 r2 r4 g8 a8 bes4 bes8 c8 d2 r8 a8 f8 e8 d4 d4 r8 g8 bes8 c8 d4 bes4 r8 f8 a8 bes8 c4 f,4
+ r2 bes2 f2 a4 g4 ~ g8 a8 bes4. c8 d4 ~ d4 a4 r2 r4 bes4 fis4 g4 d4 g4 r2
+ \repeat unfold 6 {
+ r1
+ }
+ r1 bes2 r4 bes4 a4 f8 f8 a4 a8 b8 cis2 cis4 d4 cis2. cis4 cis2 a4 d4 ~ d8 c8 bes8 a8 g2 a4 bes2 a4 bes4 bes4 d4 bes8 bes8 f4. g8 a4 g4 a2 r4 f4 a4 f8 f8 c'4 d4 c1
+ r4 c4 a4 f4 r4 f'4 d4 bes4 r4 bes4 f8 g8 a8 bes8 c4. bes16 a16 g4 c,4 r1 r2 r4 c4 c8 d8 e8 f8 g8 a8 bes8 c8 d4 ees4 d2 g,2 d'4 bes4 g4 r4 r2 r1 r1
+ \repeat unfold 12 {
+ r1
+ }
+ g2 g2 a4 f4 a2 g2 r4 d4 fis4. g8 a2 ~ a4 d,4 r4 a'4 ~ a4 g4 g2 g4 bes4 c2 a4 bes4. d,8 a'4 fis4 g4 a4 d,4 d1
+ r2 g4. g8 f4 d4 g8 a8 bes4 ~ bes4 a8 g8 a2
+ r1 r2 g4. g8 f4 d4 bes'8 c8 bes8 a8 g4. a16 bes16 c8 d8 c8 bes8 a4 bes4 bes4 a4 bes1 r2 r4 f4 c4. d8 ees4 c4 r4 d4 d2 ~ d4 d4 d2 d1
+ g2 g2 a4 f4 a2 ~ a4 g4 g4 d4 ~ d4 a'2 d4 d2 r4 a4 ~ a4 g4 g4. g8 g4 bes4 c2 a4 bes4. d,8 a'4 fis4 g4 a4 d,4 d2 g2 ~ g4 f4 e2 ~ e4 d4 c2 d1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ \repeat unfold 12 {
+ r1
+ }
+ g2 c2 f4 bes,4 f'4 f8 f8 c2 b2 d1 d2 r4 d4 ~ d4 g4 ees2 ees4 d4 f4. f8 f4 bes,2 c4 d2 d2 g,1
+ r1 g'4 g,4 bes4. c8 d4 g4 a2 d,1 r1 r1 r4 bes'4 bes4 bes8 bes8 bes4 bes8 a8 bes2 ~ bes2 bes2 r4 bes,8 bes8 f'4 d8 d8 c4 d4 ees2 d1
+ r1 r4 bes8 c8 d4 d8 e8 f1 r2 r4 c8 d8 e4 e8 f8 g2 r4 g,8 a8 bes4 bes8 c8 d2 bes2 ees2 bes2 f'1 bes,2
+ r4 bes4 ~ bes4 f'2 c4 g'1 d2 bes'2 fis4 g4 d4 g,4 r1
+ \repeat unfold 6 {
+ r1
+ }
+ r1 g'2 r4 g4 f4 d8 d8 f4 f8 g8 a2 a4 bes4 a4. a8 a4 a,4 a'2 fis4 fis4 g4. f8 ees2 ~ ees4 d4 c2 bes2 r4 bes4 d4 bes8 bes8 f'4 g4 f1
+ r1 r1 r2 r4 f4 d4 bes4 r2 r2 r4 f4 f8 g8 a8 bes8 c8 d8 ees8 f8 g4 a4 g2 c,2 r4 g'4 e4 c4 r2
+ r1 r2 r4 g4 g8 a8 bes8 c8 d8 e8 f8 g8 a4 bes4 a2 d,1
+ \repeat unfold 12 {
+ r1
+ }
+ g,2 c2 f4 bes,4 f'4 f8 f8 c2 b2 d1 d2 r4 d4 ~ d4 g4 ees2 ees4 d4 f4. f8 f4 bes,2 c4 d2 d2 g,1
+ r1 d'4. d8 c4 bes4 ees2 d2
+ r1 r1 d4. d8 bes4 g4 ees'8 f8 ees8 d8 c2 d2 ees4 f4 bes,1
+ r1 r2 r4 c4 g4. a8 bes4 g4 d'1 g,1
+ g2 c2 f4 bes,4 f'2 f4 c2 b4 d2. d4 d2 r4 d4 ~ d4 g4 ees4. ees8 ees4 d4 f4. f8 f4 bes,4 bes4 c8 c8 d1 g,1 c1 ~ c1 g1
+ }
+ >>
+ }
+
diff --git a/hr/stch/fertig/ix/texte.ly b/hr/stch/fertig/ix/texte.ly
new file mode 100644
index 0000000..02ed3b0
--- /dev/null
+++ b/hr/stch/fertig/ix/texte.ly
@@ -0,0 +1,22 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen % -- _
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/stch/fertig/jauchzet/a.midi b/hr/stch/fertig/jauchzet/a.midi
new file mode 100644
index 0000000..7729316
--- /dev/null
+++ b/hr/stch/fertig/jauchzet/a.midi
Binary files differ
diff --git a/hr/stch/fertig/jauchzet/a5/jauchzet.ly b/hr/stch/fertig/jauchzet/a5/jauchzet.ly
new file mode 100644
index 0000000..8eb2915
--- /dev/null
+++ b/hr/stch/fertig/jauchzet/a5/jauchzet.ly
@@ -0,0 +1,81 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.18"
+\include "../dynArt.ly"
+\include "../stimmen.ly"
+\include "../texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Jauchzet dem Herrn, alle Welt"
+ composer = "Felix Mendelssohn Bartholdy"
+ text = "Psalm 100"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ #(set-paper-size "a5")
+ line-width = \paper-width - 20
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ %page-count = 3
+ %system-count = 12
+ print-page-number = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ %printPartCombineTexts = ##f
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 11.2)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \sopranMelodie }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \altMelodie }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \tenorMelodie }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \bassMelodie }
+ \new Lyrics \lyricsto firstBass { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \new Staff = sopran { \sop }
+ \new Lyrics \lyricsto soprane \sopranText
+ \new Staff = alt { \alt }
+ \new Lyrics \lyricsto alti \altText
+ \new Staff = tenor { \ten }
+ \new Lyrics \lyricsto tenoere \tenorText
+ \new Staff = bass { \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ \context { \Staff
+ \RemoveEmptyStaves
+ \override VerticalAxisGroup.remove-first = ##t
+ }
+ }
+ }
+
diff --git a/hr/stch/fertig/jauchzet/b.midi b/hr/stch/fertig/jauchzet/b.midi
new file mode 100644
index 0000000..5b834e2
--- /dev/null
+++ b/hr/stch/fertig/jauchzet/b.midi
Binary files differ
diff --git a/hr/stch/fertig/jauchzet/dynArt.ly b/hr/stch/fertig/jauchzet/dynArt.ly
new file mode 100644
index 0000000..4cadaaf
--- /dev/null
+++ b/hr/stch/fertig/jauchzet/dynArt.ly
@@ -0,0 +1,263 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ \tempo "Andante con moto"
+ s1\f
+ s1
+ s1
+ s1*8
+ s2.\fermata s4\p
+ s1
+ s1\<
+ s4^>\f s2.\>
+ s8 s2..\!
+ \break
+ s1\p
+ s1^\markup{\italic "cresc."}
+ s1
+ s1\f
+ s1
+ %
+ s1*2
+ s1\p
+ s1*7
+ \bar "||"
+ \break
+ %\pageBreak
+ \tempo "Poco lento"
+ \key f \major
+ s1*16
+ \break
+ s2.\< s4\>
+ s8 s2..\!
+ s2\< s8 s4.\>
+ s1\mf\<
+ s2\f s2\>
+ s1
+ s1\p
+ s1
+ \break
+ s1\p
+ s1\mf
+ s1\f
+ s1
+ s2 s2\f\>
+ s2. s16 s8.\!
+ s1\p
+ s1\fermata
+ \bar "||"
+ \break
+ %\pageBreak
+ \tempo "Andante"
+ \key c \major
+ s1*6
+ s1*2
+ \break
+ s1*4
+ s2..\< s8\!
+ \break
+ s1\f
+ s1^\markup{\italic "dim."}
+ s2 s2\p
+ s1*3
+ s1\>
+ s1\!\fermata
+ \bar "|."
+ }
+
+% articulation
+
+ frauen = {
+ s1
+ s2 s4 s4\mp\<
+ s1\mf\>
+ s1\mp
+ s1*2
+ s1\<
+ s1\!
+ s1\mf
+ s1*2
+ s4 s2.\mf
+ s1*12
+ }
+
+ maenner = {
+ s4.\mp s8\< s4. s8\!
+ s1*2
+ s2 s2\<
+ s1\!
+ s1\>
+ s1\!
+ s2.\< s4\!
+ s1
+ s2. s4\<
+ s4\! s2.\>
+ s1\!
+ s1*12
+ }
+
+ unter = {
+ s1\p
+ s1
+ s4 s2.^\markup{\italic "cresc."}
+ s1
+ s8 s2.\< s8\!
+ s1
+ s1\p
+ s1
+ }
+
+ sopranArt = {
+ \dynamicUp
+ s1
+ s1
+ s1
+ s1*8
+ s2. s4
+ s1
+ s1
+ s4 s2.
+ s8 s2..
+ s1
+ s1
+ s1
+ s1\f
+ s2 s2^\markup{\italic "dim."}
+ %
+ s1*2
+ s1
+ s1*2
+ s2..\< s8\!
+ s1 s4 s2\> s8 s8\!
+ s2.\< s4\>
+ s4 s2.\!
+ %
+ \frauen
+ s4 s2.^\markup{\italic "cresc."}
+ s1*7
+ %
+ s1*8
+ s1\p
+ s1*7
+ s1
+ s4. s8^\markup{\italic "cresc."} s2
+ s1\f
+ s1*2
+ }
+
+ altArt = {
+ \dynamicUp
+ s1
+ s1
+ s1
+ s1*8
+ s2. s4
+ s1
+ s1
+ s4 s2.
+ s8 s2..
+ s1
+ s1
+ s1
+ s1\f
+ s2 s2
+ %
+ s1^\markup{\italic "dim."}
+ s1*3
+ s4 s4\< s16 s8\! s16\> s4
+ s1\!
+ s1*2
+ s2\< s2\>
+ s8 s2..\!
+ %
+ \frauen
+ s4 s2.^\markup{\italic "cresc."}
+ s1*7
+ %
+ \unter
+ s1\p
+ s1*7
+ s4. s8^\markup{\italic "cresc."} s2
+ s1
+ s1\f
+ s1*2
+ }
+
+ tenorArt = {
+ \dynamicUp
+ s1
+ s1
+ s1
+ s1*8
+ s2. s4
+ s1
+ s1
+ s4 s2.
+ s8 s2..
+ s1
+ s1
+ s1
+ s1\f
+ s2 s2
+ %
+ s2 s2^\markup{\italic "dim."}
+ s1*2
+ s8 s4.\< s2\>
+ s1\!
+ s2.\< s32 s8..\!
+ s1
+ s2 s2\>
+ s4 s2.\!
+ s1
+ %
+ \maenner
+ s1
+ s1*7
+ %
+ \unter
+ s1\p
+ s1*7
+ s4. s8^\markup{\italic "cresc."} s2
+ s1
+ s2. s4\f
+ s1*2
+ }
+
+ bassArt = {
+ \dynamicUp
+ s1
+ s1
+ s1
+ s1*8
+ s2. s4
+ s1
+ s1
+ s4 s2.
+ s8 s2..
+ s1
+ s1
+ s1
+ s1\f
+ s2 s2
+ %
+ s1
+ s1^\markup{\italic "dim."}
+ s1*6
+ s2\< s4\! s4\>
+ s4 s2.\!
+ %
+ \maenner
+ s4 s2.^\markup{\italic "cresc."}
+ s1*7
+ %
+ \unter
+ s4 s2.\p
+ s1*7
+ s1
+ s2. s4^\markup{\italic "cresc."}
+ s1\f
+ s1*2
+ }
+
diff --git a/hr/stch/fertig/jauchzet/jauchzet.ly b/hr/stch/fertig/jauchzet/jauchzet.ly
new file mode 100644
index 0000000..38e6a62
--- /dev/null
+++ b/hr/stch/fertig/jauchzet/jauchzet.ly
@@ -0,0 +1,74 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.18"
+\include "dynArt.ly"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Jauchzet dem Herrn, alle Welt"
+ composer = "Felix Mendelssohn Bartholdy"
+ text = "Psalm 100"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ page-count = 3
+ system-count = 12
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ %printPartCombineTexts = ##f
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ \RemoveEmptyStaves
+ }
+ }
+
+ #(set-global-staff-size 12)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \sopranMelodie }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \altMelodie }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \tenorMelodie }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \bassMelodie }
+ \new Lyrics \lyricsto firstBass { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \new Staff = sopran { \sop }
+ \new Lyrics \lyricsto soprane \sopranText
+ \new Staff = alt { \alt }
+ \new Lyrics \lyricsto alti \altText
+ \new Staff = tenor { \ten }
+ \new Lyrics \lyricsto tenoere \tenorText
+ \new Staff = bass { \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/fertig/jauchzet/midi.lua b/hr/stch/fertig/jauchzet/midi.lua
new file mode 100644
index 0000000..e22ba8e
--- /dev/null
+++ b/hr/stch/fertig/jauchzet/midi.lua
@@ -0,0 +1,51 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ \unfoldRepeats
+]]
+
+post=[[
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 120 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/fertig/jauchzet/s.midi b/hr/stch/fertig/jauchzet/s.midi
new file mode 100644
index 0000000..2e496c4
--- /dev/null
+++ b/hr/stch/fertig/jauchzet/s.midi
Binary files differ
diff --git a/hr/stch/fertig/jauchzet/stimmen.ly b/hr/stch/fertig/jauchzet/stimmen.ly
new file mode 100644
index 0000000..8715358
--- /dev/null
+++ b/hr/stch/fertig/jauchzet/stimmen.ly
@@ -0,0 +1,576 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.18"
+
+ global = {
+ \key c \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ \autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopZwo = \relative c' {
+ s1
+ s2 s4 a'4
+ bes1
+ a1
+ s1
+ s2 s4 c4
+ c2( b2)
+ g2 s2
+ c4 c8 c8 c4 bes4
+ c4. c8 c2
+ s1
+ s4 c4 c4 c4
+ c4( b2 d4)
+ c4.( b8) a2
+ s1
+ s1
+ c2. c4
+ bes1
+ d2. bes4
+ c1
+ a2 a2
+ f4( g4 a4) d,4
+ g1
+ a2 s2
+ r4 bes4( a4) g4
+ f2 s2
+ d'2 bes2
+ g2. r4
+ s2 a4 a4
+ f4( g4 a4) d,4
+ g1
+ f1
+ }
+
+ sopranMelodie = \relative c' { \global
+ <<
+ { \meta }
+ \sopranArt
+ %the actual tune
+ {
+ g'2 g4 g4
+ c2 c4 d4
+ e1\fermata
+ g,4 g8 g8 a4 g4
+ f2 e2
+ c'4 c8 c8 c4 c4
+ c4( d4) e4 c4
+ b4 a4 g4 b4
+ e2.( d4 ~
+ d4) c2 c4
+ c1
+ b2. e,4
+ e4. e8 e4 e4
+ g1
+ a1
+ a2 r2
+ a4. a8 a4 a4
+ bes2. bes4
+ d2 d2 f4. f8 f4 f4
+ f2 c4 bes4
+ %
+ a1 ~
+ a4 a4 g4 f4
+ e4( g4 c2 ~
+ c4) b2 r4
+ r2 r4 c8 c8
+ d4 c4 c4 b4
+ c1 ~
+ c4 b4 c4 a4
+ g1
+ g1
+ <<
+ \relative c' {
+ \voiceTwo \sopZwo
+ }
+ \new Voice {
+ \voiceOne
+ s1
+ s2 s4 c4
+ d1
+ c1
+ s1
+ s2 s4 c4
+ d2.( f4)
+ e2 s2
+ c4 c8 c8 d4 d4
+ f4. f8 f2
+ s1
+ s4 c4 c4 c4
+ %
+ f2 e2( ~
+ e4. d8) c2
+ s1
+ s1
+ c2. c4
+ d1
+ d2. d4
+ e1
+ f2 e2
+ d2( c4) bes4
+ g2.( bes4)
+ a2 s2
+ c2. c4
+ d2 s2
+ g2. g4
+ g4( f4 e4 d4)
+ c2 f4 e4
+ d2( c4) bes4
+ g2.( bes4)
+ a1
+ }
+ \new Voice {
+ R1 r2 r4 s4 s1*2 R1 r2 r4 s4 s1*4 R1 s1
+ s1*2 R1 R1 s1*7 s2 r2 s1 s2 r2 s1*6
+ }
+ >>
+ \oneVoice
+ R1*8
+ c4 c4 f4 e4
+ d2 c2
+ e4 e8 e8 g4 e4
+ d4 d4 f4 e8[ d8]
+ c4 c8 c8 d4 e4
+ f4 f4 e2
+ d4 e8 e8 f4 e8[ d8]
+ d4 d4 c2 ~
+ c1
+ c4 c8 c8 f4 e4
+ d4( c2) c4
+ c2 b2
+ c1
+ }
+ >>
+ }
+
+ altZwo = \relative c' {
+ s1
+ s2 s4 f4
+ bes,1
+ f'1
+ s1
+ s2 s4 a4
+ f2( g2)
+ c,2 s2
+ f4 f8 f8 f4 f4
+ f4. f8 f2
+ s1
+ s4 f4 f4 f4
+ d2( e2)
+ a,2 a2
+ s1
+ s1
+ f'2. e4
+ d1
+ bes'4( a4 g4) f4
+ e1
+ f2 a2
+ bes,2( c4) d4
+ c1
+ c2 s2
+ c2. c4
+ bes2 s2
+ g'4( f4 e4) d4
+ c2. s4
+ s2 d4 e4
+ d4( bes4 c4) d4
+ c1
+ c1
+ }
+
+ altMelodie = \relative c' { \global
+ <<
+ { \meta }
+ \altArt
+ %the actual tune
+ {
+ e2 e4 f4
+ g2 g4 g4
+ c1\fermata
+ g4 g8 g8 a4 g4
+ f2 e2
+ g4 g8 g8 a4 g4 f2 e2
+ r2 c'4( b4)
+ a4 g4 f4 f4
+ e2 a4 g4
+ e4( fis4) g2 ~
+ g2. c,4
+ c4. c8 c4 c4
+ d1
+ d1
+ cis2 r2
+ d4. d8 d4 d4
+ d2. d4
+ f2 f2
+ bes4. bes8 f4 g4
+ a2 r2
+ %
+ a4 g4 f4 e4
+ d2( e4) f4
+ g2. f4
+ e4 d2 r4
+ r4 g8 g8 a4 g4
+ f4( e4) d2
+ c4 c4 d4 e4
+ f4. f8 e4 d4
+ d1
+ e1
+ <<
+ \relative c' {
+ \voiceOne
+ s1
+ s2 s4 f4
+ f2( e2)
+ f1
+ s1
+ s2 s4 a4
+ a2( g2)
+ g2 s2
+ a4 a8 a8 f4 bes4
+ bes4. a8 a2
+ s1
+ s4 a4 a4 a4
+ %
+ a2( gis2)
+ a2 e2
+ s1
+ s1
+ f2. f4
+ f1
+ bes2. bes4
+ g1
+ f2 c'2
+ f,2. f4
+ f2( c2)
+ c2 s2
+ r4 g'4( f4) e4
+ d2 s2
+ bes'4( a4 g4) g4
+ e2. s4
+ s2 d4 a'4
+ d,4( f2) f4
+ c1
+ c1
+ }
+ \new Voice { \voiceTwo \altZwo }
+ \new Voice {
+ R1 r2 r4 s4 s1*2 R1 r2 r4 s4 s1*4 R1 s1
+ s1*2 R1 R1 s1*7 s2 r2 s1 s2 r2 s1 s2. r4 r2 s2 s1*3
+ }
+ >>
+ \oneVoice
+ c4 c4 f4 e4
+ d2 c2
+ e4 e8 e8 g4 e4
+ d4 d4 f4 e8[ d8]
+ c4 c8 c8 d4 e4
+ f4 f4 e2
+ d4 e8 e8 f4 e8[ d8]
+ d4 d4 c2
+ e4 e4 f4 g4
+ f2 e2
+ a4 a8 a8 g4. g8
+ g4 g4 a4 gis4
+ e4 e8 e8 a4 g4
+ f4 a4 a2
+ a4 a8 a8 a4 g8[ a8]
+ g4 g8[ f8] e2
+ f4 e8 e8 a4 g4
+ a4 g8 g8 c4 c4
+ a4( g4 f4) e8[ d8]
+ d2 d2
+ e1
+ }
+ >>
+ }
+
+ tenZwo = \relative c' {
+ c4 c8 c8 d4 d4
+ c4. c8 c2
+ s1
+ s4 c4 c4 c4
+ c4( b2 d4)
+ c4.( b8) a2
+ s2 s4 b4
+ c1
+ c2 s2
+ s2 s4 a4
+ bes1
+ a1
+ s1
+ s2 s4 c4
+ c2( b2)
+ c2 s2
+ a2. a4
+ f1
+ bes2. bes4
+ bes1
+ a2 a2
+ d2 f,2
+ f2( e2)
+ f2 s2
+ s1
+ d'4( c4 bes4) a4
+ g2 g2
+ g2. s4
+ s2 a4 cis4
+ f2 f,2
+ c1
+ c1
+ }
+
+ tenorMelodie = \relative c' { \global
+ <<
+ { \meta }
+ \tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ c2 c4 d4
+ e2 e4 f4
+ g1\fermata
+ R1
+ R1
+ e4 e8 e8 f4 e4
+ a,2 g2
+ r4 f'4 e4 d4
+ c4 b4 a4 r4
+ r4 g'4( f4) e4
+ c2 d2 ~
+ d2. g,4
+ g4. g8 g4 g4
+ g1
+ f1
+ e2 r2
+ f4. f8 f4 f4
+ f2. f4
+ bes2 bes2
+ d4. d8 d4 d4
+ c2 r2
+ %
+ r2 d4 c4
+ b4 b4 c4 d4
+ e4( d4) c2
+ r8 g8 g8 g8 a4 g4
+ f2 e2
+ d4 e8[ f8] g4 g4
+ c4( b4 a4) g4
+ a4 g4 c2( ~
+ c2 b2)
+ c1
+ <<
+ \relative c' {
+ \voiceOne
+ c4 c8 c8 d4 d4
+ f4. f8 f2
+ s1
+ s4 c4 c4 c4
+ f2 e2 ~
+ e2 c2
+ s2 s4 d4
+ e2.( g4)
+ f2 s2
+ s2 s4 c4
+ d1
+ c1
+ %
+ s1
+ s2 s4 c4
+ d2.( f4)
+ e2 s2
+ c2. c4
+ f,1
+ d'2. d4
+ c1
+ f2 c2
+ d2 f2
+ c1
+ c4 f4( e4) d4
+ c2 s2
+ f4( e4 d4) c4
+ bes2 bes2
+ bes2. s4
+ s2 d4 cis4
+ d2( ees4) d4
+ g,1
+ a1
+ }
+ \new Voice { \voiceTwo \tenZwo }
+ \new Voice {
+ s1*2 R1 r4 s2. s1*2 r2 r4 s4 s1 s2 r2 r2 s2 s1*2
+ R1 r2 r4 s4 s1 s2 r2 s1*8 s2 r2 s1*2 s2. r4 r2 s2 s1*3
+ }
+ >>
+ \oneVoice
+ a4 a4 b4 c4
+ c4( b4) c2
+ c4 c8 c8 c4 c4
+ c4 b4 a4 gis4
+ a4 a8 a8 b4 c4
+ d4 d4 c2
+ c4 c8 c8 c4 c4
+ c4 b4 c2
+ g4 g4 a4 c4
+ c4( b4) g2
+ c4 c8 c8 c4. c8
+ c4 b4 b4 b4
+ a4 a8 a8 a4 cis4
+ d4 d4 cis2
+ d4 cis8 cis8 a8[ b8] c4
+ c4 b4 c2
+ a4 g8 g8 f'4 e4
+ f4 e8 e8 a4( g4
+ f4 c2) a4
+ g2 g2
+ g1
+ }
+ >>
+ }
+
+ bassZwo = \relative c' {
+ c4 c8 c8 c4 bes4
+ f4. f8 f2
+ s1
+ s4 f4 f4 f4
+ d2( e2)
+ a,2 a2
+ s2 s4 g4
+ c1
+ f,2 s2
+ s2 s4 f'4
+ bes,1
+ f1
+ s1
+ s2 s4 a'4
+ f2( g2)
+ c,2 c4 bes4
+ a2. a4
+ bes1
+ g2. g4
+ c1
+ d2 a2
+ bes2( f4) bes4
+ c1
+ f,2 s2
+ a2. a4
+ bes2 s2
+ g'2 g2
+ c,2. s4
+ s2 d4 a4
+ bes2( f4) bes4
+ c1
+ f,1
+ }
+
+ bassMelodie = \relative c { \global
+ <<
+ { \meta }
+ \bassArt
+ %the actual tune
+ \clef bass
+ \new Voice = firstBass {
+ c'2 c4 c4
+ c2 c4 c4
+ c1\fermata
+ R1
+ R1
+ c4 c8 c8 c4 c4
+ f,2 c4 c4
+ d2 e2 ~
+ e4 e4 a4 b4
+ c4 c,4 f4 g4
+ a2 g2
+ g2. c,4
+ c4. c8 c4 c4
+ bes1
+ a1
+ a2 r2
+ d4. d8 d4 d4
+ bes2. bes4
+ bes2 bes2
+ bes'4. bes8 bes4 bes4
+ f1 ~
+ %
+ f1
+ f4 f4 e4 d4
+ c4( b4) a2
+ g1
+ g1 ~
+ g2. g'8 g8
+ a4 g4 f4 e4
+ d2( c4) <f f,>4
+ <g g,>1
+ c,1
+ <<
+ \new Voice \relative c' {
+ \voiceOne
+ c4 c8 c8 c4 bes4
+ bes4. a8 a2
+ s1
+ s4 a4 a4 a4
+ a2( gis2)
+ a2 e2
+ s2 s4 g4
+ g2( bes2)
+ a2 s2
+ s2 s4 f4
+ f2( e2)
+ f1
+ %
+ s1
+ s2 s4 a4
+ a2( g2)
+ g2 s2
+ f2. f4
+ bes1
+ g2. g4
+ g1
+ d2 e2
+ bes'2( a4) g4
+ g2.( e4)
+ a2 s2
+ f2. f4
+ f2 s2
+ d'2 g,2
+ g2. s4
+ s2 d'4 a4
+ bes2 f2
+ f2( e2)
+ f1
+ }
+ { \voiceTwo \bassZwo }
+ \new Voice {
+ s1*2 R1 r4 s2. s1*2 r2 r4 s4 s1 s2 r2 r2 s2 s1*2
+ R1 r2 r4 s4 s1 s2 s2 s1*8 s2 s2 s1*2 s2. r4 r2 s2 s1*3
+ }
+ >>
+ \oneVoice
+ f4 e4 d4 c4
+ g2 c2
+ a'4 a8 a8 e4. f8
+ g4 g4 d4 e4
+ a4 g8 g8 f4 e4
+ d4 f4 a2
+ f4 g8 g8 a4 g8[ f8]
+ g4 g4 c,2 ~
+ c4 c4 c4 c4
+ g2 c2
+ a'4 a8 a8 e4. f8
+ g4 g4 d4 e4
+ a4 a8 g8 f4 e4
+ d4 d4 a2
+ f'4 e8 e8 d4 e8[ f8]
+ g4 g4 c,2 ~
+ c1 ~
+ c2 c4 c8 c8
+ f4 e4 a4 f4
+ g2 g,2
+ c1
+ }
+ >>
+ }
+
diff --git a/hr/stch/fertig/jauchzet/t.midi b/hr/stch/fertig/jauchzet/t.midi
new file mode 100644
index 0000000..d94f6b0
--- /dev/null
+++ b/hr/stch/fertig/jauchzet/t.midi
Binary files differ
diff --git a/hr/stch/fertig/jauchzet/texte.ly b/hr/stch/fertig/jauchzet/texte.ly
new file mode 100644
index 0000000..7a51466
--- /dev/null
+++ b/hr/stch/fertig/jauchzet/texte.ly
@@ -0,0 +1,152 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+ jauchzet = \lyricmode {
+ Jauch -- zet dem Herrn al -- le Welt!
+ }
+ Dienet = \lyricmode {
+ Die -- net dem Herrn mit Freu -- den,
+ }
+ dienet = \lyricmode {
+ die -- net dem Herrn mit Freu -- den,
+ }
+ kommt = \lyricmode {
+ kommt vor sein An -- ge -- sicht mit Froh -- lo -- cken.
+ Er -- ken -- net, daß der Herr Gott ist.
+ Er hat uns ge -- macht, und nicht wir selbst, zu sei -- nem Volk
+ }
+ unzu = \lyricmode {
+ und zu Scha -- fen
+ }
+ weide = \lyricmode {
+ sei -- ner Wei -- de,
+ }
+ Weide = \lyricmode {
+ sei -- ner Wei -- de.
+ }
+ frauen = \lyricmode {
+ mit Dan -- ken, mit Lo -- ben,
+ ge -- het zu sei -- nen To -- ren ein,
+ zu sei -- nen Vor -- hö -- fen
+ Dan -- ket ihm, dan -- ket ihm,
+ lo -- bet sei -- nen Na -- men.
+ Dan -- ket ihm, dan -- ket ihm,
+ lo -- bet sei -- nen Na -- men.
+ }
+ maennerA = \lyricmode {
+ Ge -- het zu sei -- nen To -- ren ein,
+ zu sei -- nen Vor -- hö -- fen
+ mit Lo -- ben, mit Dan -- ken, mit Lo -- ben.
+ }
+ maennerB = \lyricmode {
+ dan -- ket ihm, lo -- bet sei -- nen Na -- men.
+ }
+ wahrheit = \lyricmode {
+ und sei -- ne Wahr -- heit
+ }
+ fuf = \lyricmode {
+ für und für,
+ }
+ unter = \lyricmode {
+ Denn der Herr ist freund -- lich,
+ und sei -- ne Gna -- de wäh -- ret e -- wig
+ \wahrheit \fuf
+ }
+ freundlich = \lyricmode {
+ Herr ist freund -- lich,
+ und sei -- ne Gna -- de wäh -- ret e -- wig
+ \wahrheit \fuf
+ }
+ wahr = \lyricmode {
+ und sei -- ne Wahr -- heit,
+ }
+ heit = \lyricmode {
+ und sei -- ne Wahr -- heit wäh -- ret für und für.
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyricmode {
+ %<+hier den Text für den Sopran eintragen+>
+ \jauchzet
+ \Dienet
+ \dienet
+ \kommt
+ \unzu \weide
+ \unzu \weide \Weide
+ %
+ \frauen
+ %
+ Denn der \freundlich
+ \wahrheit \fuf
+ \heit
+ }
+
+ altText = \lyricmode {
+ %<+hier den Text für den Alt eintragen+>
+ \jauchzet
+ \Dienet
+ \dienet
+ \kommt
+ \unzu sei -- ner, \weide
+ \unzu \weide
+ \unzu \Weide
+ %
+ \frauen
+ %
+ \unter
+ \wahrheit \fuf
+ Denn der \freundlich
+ \wahrheit \fuf
+ \wahr
+ \heit
+ }
+
+ tenorText = \lyricmode {
+ %<+hier den Text für den Tenor eintragen+>
+ \jauchzet
+ \Dienet
+ \kommt
+ \unzu \weide
+ zu Scha -- fen \weide
+ \unzu sei -- ner, \Weide
+ %
+ \maennerA
+ Dan -- ket ihm,
+ \maennerB
+ Dan -- ket ihm,
+ dan -- ket,
+ \maennerB
+ %
+ \unter
+ \wahrheit \fuf
+ Denn der \freundlich
+ \wahrheit \fuf
+ \wahr
+ \wahrheit \fuf
+ }
+
+ bassText = \lyricmode {
+ %<+hier den Text für den Baß eintragen+>
+ \jauchzet
+ \Dienet
+ mit Freu -- den,
+ \kommt
+ \unzu \weide
+ \unzu sei -- ner, \Weide
+ %
+ \maennerA
+ Dan -- ket,
+ dan -- ket ihm,
+ \maennerB
+ Dan -- ket ihm,
+ \maennerB
+ %
+ \unter
+ \wahrheit _ \fuf
+ Der \freundlich
+ \wahrheit _ \fuf
+ \heit
+ }
+
diff --git a/hr/stch/fertig/jene/a5/dynArt_.ly b/hr/stch/fertig/jene/a5/dynArt_.ly
new file mode 100644
index 0000000..7813ceb
--- /dev/null
+++ b/hr/stch/fertig/jene/a5/dynArt_.ly
@@ -0,0 +1,53 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ %\override Staff.TimeSignature #'style = #'()
+ \dynamicUp
+ \key a \major
+ \time 4/4
+ s1
+ s4\fermata
+ \bar ""
+ \break
+ s2.
+ s4\fermata
+ \bar ""
+ \break
+ s2.
+ s1*1
+ s4
+ \bar ""
+ \break
+ s2.
+ \bar "||"
+ s2.
+ \bar ""
+ \break
+ s4
+ s1*2
+ \break
+ s1*3
+ \break
+ s1*2
+ \break
+ s1*3
+ \break
+ s1*3
+ \bar ":|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/fertig/jene/a5/jene.ly b/hr/stch/fertig/jene/a5/jene.ly
new file mode 100644
index 0000000..749ef51
--- /dev/null
+++ b/hr/stch/fertig/jene/a5/jene.ly
@@ -0,0 +1,188 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.18"
+%\include "dynArt_.ly"
+\include "../dynArt.ly"
+\include "../stimmen.ly"
+\include "../texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Ja, in Jene"
+ %composer = "<+Komponist+>"
+ arranger = "Siegfried Müller"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ %\bold "studentenchor"
+ }
+ }
+
+ \paper {
+ #(set-paper-size "a5")
+ line-width = \paper-width - 20
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ page-count = 2
+ system-count = 7
+ print-page-number = #'f
+ }
+
+ \layout {
+ indent = #25
+ short-indent = #5
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 15)
+
+ sop = <<
+ \set Staff.instrumentName = "Sopran"
+ \set Staff.shortInstrumentName = "S"
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ \addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \set Staff.instrumentName = "Alt"
+ \set Staff.shortInstrumentName = "A"
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \set Staff.instrumentName = "Tenor"
+ \set Staff.shortInstrumentName = "T"
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \set Staff.instrumentName = "Männerstimmen"
+ \set Staff.shortInstrumentName = "M"
+ \new Voice = "baesse" { \global \bassMelodie }
+ \addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = sopran { \sop }
+ \new Staff = alt { \alt }
+ %\new Staff = tenor { \ten }
+ \new Staff = bass { \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ \context { \Staff
+ \RemoveEmptyStaves
+ \override VerticalAxisGroup.remove-first = ##t
+ }
+ }
+ }
+
+ \markup {
+ \override #'(font-name . "Liberation Sans Narrow")
+ \fill-line {
+ \line {
+ \column {
+ "2."
+ " "
+ " "
+ " "
+ " "
+ " "
+ "3."
+ " "
+ " "
+ " "
+ " "
+ }
+ \column {
+ "Und die Straßen sind so sauber,"
+ "|:sind sie gleich ein wenig krumm,:|"
+ "denn ein Wasser wird gelassen,"
+ "aller Wochen durch die Gassen"
+ "|:in der ganzen Stadt herum.:|"
+ " "
+ "Und ein Wein wächst auf den Bergen,"
+ "|:und der Wein ist gar nicht schlecht,:|"
+ "tut er auch die Strümpfe flicken"
+ "und den Hals zusammendrücken,"
+ "|:ist er doch zur Bowle recht.:|"
+ }
+ }
+ \line {
+ \column {
+ "4."
+ " "
+ " "
+ " "
+ " "
+ " "
+ "7."
+ " "
+ " "
+ " "
+ " "
+ }
+ \column {
+ "Die Philister und die Wirte"
+ "|:sind die besten auf der Welt,:|"
+ "Wein und Bier in vollen Humpen"
+ "tun sie den Studenten pumpen"
+ "|:und dazu noch bares Geld.:|"
+ " "
+ "Auf den Straßen, auf den Gassen"
+ "|:stehn Studenten allzuhauf,:|"
+ "Mädchen an den Fenstern stehen"
+ "und auf die Studenten sehen"
+ "|:und wer will, der schaut hinauf.:|"
+ }
+ }
+ \line {
+ \column {
+ "8."
+ " "
+ " "
+ " "
+ " "
+ " "
+ "9."
+ " "
+ " "
+ " "
+ " "
+ }
+ \column {
+ "Und die allergrößte Freiheit"
+ "|:herrscht in Jene auf dem Damm,:|"
+ "In Schlafröcken darf man gehen"
+ "und den Bart sich lassen stehen,"
+ "|:wie ein jeder will und kann.:|"
+ " "
+ "Denn die allergrößte Freiheit"
+ "|:hat in Jene der Student,:|"
+ "Wenn die andern früh aufstehen"
+ "und gestreßt zur Arbeit gehen"
+ "|:legt er sich ins Nest und pennt.:|"
+ %\line { }
+ %\line { }
+ %\line { }
+ %\line { }
+ %\line { }
+ %\line { }
+ }
+ }
+ }
+ }
+
diff --git a/hr/stch/fertig/jene/dynArt.ly b/hr/stch/fertig/jene/dynArt.ly
new file mode 100644
index 0000000..20e2deb
--- /dev/null
+++ b/hr/stch/fertig/jene/dynArt.ly
@@ -0,0 +1,43 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ %\override Staff.TimeSignature #'style = #'()
+ \dynamicUp
+ \key a \major
+ \time 4/4
+ s1
+ s4\fermata s2.
+ s4\fermata
+ \bar ""
+ \break
+ s2.
+ s1*2
+ \bar "||"
+ \break
+ s1*3
+ \break
+ s1*3
+ \break
+ s1*2
+ \break
+ s1*3
+ \break
+ s1*3
+ \bar ":|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/fertig/jene/jene.ly b/hr/stch/fertig/jene/jene.ly
new file mode 100644
index 0000000..add34f7
--- /dev/null
+++ b/hr/stch/fertig/jene/jene.ly
@@ -0,0 +1,128 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.18"
+\include "dynArt.ly"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Ja, in Jene"
+ %composer = "<+Komponist+>"
+ arranger = "Siegfried Müller"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ %\bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 16)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ \addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ \addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = sopran { \sop }
+ %\new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ \new Staff = bass { \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
+ \markup {
+ \override #'(font-name . "Liberation Sans Narrow")
+ \fill-line {
+ \line {
+ \column {
+ "2."
+ " "
+ " "
+ "4."
+ " "
+ " "
+ }
+ \column {
+ "Und die Straßen sind so sauber, sind sie gleich ein wenig krumm,"
+ "denn ein Wasser wird gelassen, aller Wochen durch die Gassen"
+ "in der ganzen Stadt herum."
+ %"3 Und ein Wein wächst auf den Bergen,"
+ %"und der Wein ist gar nicht schlecht, und der Wein ist gar nicht schlecht,"
+ %"tut er auch die Strümpfe flicken und den Hals zusammendrücken,"
+ %"ist er doch zur Bowle recht, ist er doch zur Bowle recht."
+ "Die Philister und die Wirte sind die besten auf der Welt."
+ "Wein und Bier in vollen Humpen tun sie den Studenten pumpen"
+ "und dazu noch bares Geld."
+ %"7. Auf den Straßen, auf den Gassen"
+ %"stehn Studenten allzuhauf, stehn Studenten allzuhauf,"
+ }
+ }
+ \line {
+ \column {
+ "8."
+ " "
+ " "
+ "9."
+ " "
+ " "
+ }
+ \column {
+ "Und die allergrößte Freiheit herrscht in Jene auf dem Damm."
+ "In Schlafröcken darf man gehen und den Bart sich lassen stehen,"
+ "wie ein jeder will und kann."
+ "Denn die allergrößte Freiheit hat in Jene der Student."
+ "Wenn die andern früh aufstehen und gestreßt zur Arbeit gehen"
+ "legt er sich ins Nest und pennt."
+ %\line { }
+ %\line { }
+ %\line { }
+ %\line { }
+ %\line { }
+ %\line { }
+ }
+ }
+ }
+ }
+
diff --git a/hr/stch/fertig/jene/midi.lua b/hr/stch/fertig/jene/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/stch/fertig/jene/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/fertig/jene/stimmen.ly b/hr/stch/fertig/jene/stimmen.ly
new file mode 100644
index 0000000..a8c4641
--- /dev/null
+++ b/hr/stch/fertig/jene/stimmen.ly
@@ -0,0 +1,73 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+
+ global = {
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1 r4 r4 r2
+ r4 a8 a8 fis'2( ~ fis4 d8 cis8) b2 ~ b4 r4 r2
+ r2 r4 e,8 e8 a8 a8 b8 b8 cis8 a8 a8 a8 gis4 a4 b4 cis4 b8( e8 dis8 cis8 b4) a8 a8 gis4 gis4 b4 b4 e,2
+ r4 e8 e8 d'4. b8 cis4. a8 cis8( b8) b4
+ r4 e,8 e8 d'4. b8 cis4. a8 cis8( b8) b4
+ r4 e,8 e8 a4 a4 b4 b4 e4.( cis8 a4) a8 gis8 fis8( d'8) cis8( b8) cis4 b4 a2 r2
+ }
+ >>
+ }
+
+ altMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ r2 r2 r4 a8 a8 cis2 a4 a8 a8 a2( b4 a4) gis2 ~ gis4 r4 r2
+ r2 r4 e8 e8 e8 fis8 gis8 fis8 e8 e8 e8 e8 e2 e2 gis4. a8 gis4 e8 fis8 e4 e4 e4 dis4 e2
+ r4 e8 e8 b'4. gis8 a4. fis8 a8( gis8) gis4
+ r4 e8 e8 b'4. gis8 a4. fis8 a8( gis8) gis4
+ r4 e8 e8 e4 e4 e8( fis8) a8( gis8) b4( gis4 a4) e8 e8 fis4 a4 a4 a8( gis8) a2 r2
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ r2 r2 r4 a8 a8 cis2 a4 a8 a8 a2( b4 a4) gis2 ~ gis4 r4 r2
+ r2 r4 e8 e8 e8 fis8 gis8 fis8 e8 e8 e8 e8 e2 e2 gis4. a8 gis4 e8 fis8 e4 e4 e4 dis4 e2
+ r4 e8 e8 b'4. gis8 a4. fis8 a8( gis8) gis4
+ r4 e8 e8 b'4. gis8 a4. fis8 a8( gis8) gis4
+ r4 e8 e8 e4 e4 e8( fis8) a8( gis8) b4( gis4 a4) e8 e8 fis4 a4 a4 a8( gis8) a2 r2
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r4 e8 e8 a2 e4 r4 r2 r4 a8 a8 d,2( ~ d4 b4) e2 ~ e4 r2
+ e8 e8 a4 a4 e4 e4 cis4( e8 cis8) a4 cis8 cis8 d4 cis4 gis'4 a4 e2( ~ e8 dis8) cis8 dis8 e4 cis4 b4 b4 e4
+ e8 e8 d8 cis8 b8 a8 <e' e,>1 q4
+ e8 e8 d8 cis8 b8 a8 <e' e,>1 q4
+ gis,8 b8 e4 d4 cis2 gis4( d'4) cis4( e4 fis4) cis8 a8 d4 fis4 e4 e4 a,2 r4 e'8 e8
+ }
+ >>
+ }
+
diff --git a/hr/stch/fertig/jene/texte.ly b/hr/stch/fertig/jene/texte.ly
new file mode 100644
index 0000000..e31b156
--- /dev/null
+++ b/hr/stch/fertig/jene/texte.ly
@@ -0,0 +1,49 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+ lebt = \lyricmode {
+ in Je -- ne lebt sich’s
+ }
+ selbst = \lyricmode {
+ bin ja sel -- ber drin ge -- we -- sen
+ wie da steht ge -- druckt zu le -- sen,
+ zehn Se -- me -- ster wohl -- ge -- mut,
+ zehn Se -- me -- ster wohl -- ge -- mut.
+ }
+
+% Die Textaufteilungen % -- _
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ Ja, in Je -- ne.
+ Ja \lebt be -- ne
+ ja \lebt gut. Ja \lebt gut,
+ \selbst
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ Ja, in Je -- ne.
+ ja, in Je -- ne.
+ Ja \lebt be -- ne
+ ja \lebt gut.
+ Ja \lebt gut,
+ \selbst
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ Ja, in Je -- ne,
+ ja, in Je -- ne.
+ Ja, \lebt be -- ne,
+ ja \lebt gut,
+ ja \lebt gut,
+ \selbst
+ Und die
+ }
+
diff --git a/hr/stch/fertig/joshua/dynArt.ly b/hr/stch/fertig/joshua/dynArt.ly
new file mode 100644
index 0000000..30423d4
--- /dev/null
+++ b/hr/stch/fertig/joshua/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/fertig/joshua/joshua.ly b/hr/stch/fertig/joshua/joshua.ly
new file mode 100644
index 0000000..6fc1f20
--- /dev/null
+++ b/hr/stch/fertig/joshua/joshua.ly
@@ -0,0 +1,69 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Jushua Fit The Battle Of Jericho"
+ composer = "Traditional"
+ arranger = "Carsten Gerlitz"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \bassMelodie }
+ \addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with {} <<
+ %\new Staff = sopran { \global \sop }
+ %\new Staff = alt { \global \alt }
+ %\new Staff = tenor { \global \ten }
+ \new Staff = bass { \global \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/fertig/joshua/midi.lua b/hr/stch/fertig/joshua/midi.lua
new file mode 100644
index 0000000..8d7d5be
--- /dev/null
+++ b/hr/stch/fertig/joshua/midi.lua
@@ -0,0 +1,51 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ \unfoldRepeats
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/fertig/joshua/stimmen.ly b/hr/stch/fertig/joshua/stimmen.ly
new file mode 100644
index 0000000..7f1ae56
--- /dev/null
+++ b/hr/stch/fertig/joshua/stimmen.ly
@@ -0,0 +1,90 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key e \minor
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ e4 r8 e8( d4) r8 d8( c4) r8 c8( b4) dis4
+ e4 r8 e8( d4) r8 d8( c4) r8 c8( b4) dis4
+ \mark \markup { \smaller \musicglyph #"scripts.segno" }
+ \repeat volta 2 {
+ e4 r8 e8( d4) r8 d8( c4) r8 c8( b4) e4
+ b4 r8 dis8( fis4) b,4
+ e8 e8( d4) c4 b4
+ e4 r8 e8( d4) r8 d8( c4) r8 c8( b4) e4
+ b4 c4 cis4 dis4
+ \mark \markup { \smaller \musicglyph #"scripts.coda" }
+ } \alternative {
+ {
+ e4 d4 c4 b4
+ }
+ {
+ e4 b4 e4 r4
+ }
+ }
+ e1 ~
+ e1
+ e1
+ fis1
+ e1 ~
+ e1
+ b4 c4 cis4 dis4
+ e4^\markup { "D. S. al Coda" } d4 c4 b4
+ \bar "||"
+ \mark \markup { \musicglyph #"scripts.coda" }
+ \set melismaBusyProperties = #'()
+ r8 c'8( b8 e,8) r4 \override NoteHead #'style = #'cross d4
+ \bar "|."
+ }
+ >>
+ }
+
diff --git a/hr/stch/fertig/joshua/texte.ly b/hr/stch/fertig/joshua/texte.ly
new file mode 100644
index 0000000..a4036c8
--- /dev/null
+++ b/hr/stch/fertig/joshua/texte.ly
@@ -0,0 +1,33 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ dm de_dm de_dm de_dm dm
+ dm de_dm de_dm de_dm dm
+ dm de_dm de_dm de_dm dm
+ dm de_dm dm de de_dm dm dm
+ dm de_dm de_dm de_dm dm
+ dm dm dm dm
+ dm dm dm dm
+ dm dm dm
+ hm hm hm hm
+ dm dm dm dm dm dm dm dm
+ tum -- blin’ down
+ }
+
diff --git a/hr/stch/fertig/koenige/dynArt.ly b/hr/stch/fertig/koenige/dynArt.ly
new file mode 100644
index 0000000..30423d4
--- /dev/null
+++ b/hr/stch/fertig/koenige/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/fertig/koenige/koenige.ly b/hr/stch/fertig/koenige/koenige.ly
new file mode 100644
index 0000000..5b9bd09
--- /dev/null
+++ b/hr/stch/fertig/koenige/koenige.ly
@@ -0,0 +1,66 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Die Könige"
+ composer = "Peter Cornelius, 1824 - 1874"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ sop = \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \voiceOne \sopranMelodie }
+ %\addlyrics { \sopranText }
+ \new Voice = "alti" { \global \voiceTwo \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \voiceOne \tenorMelodie }
+ %\addlyrics { \tenorText }
+ \new Voice = "baesse" { \global \voiceTwo \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \new Staff = solo \new Voice { \global \soloMelodie }
+ \sop
+ \new Lyrics = first { }
+ \new Lyrics \lyricsto "soprane" \altText
+ %\alt
+ \ten
+ %\bas
+ \context Lyrics = first { \lyricsto "soprane" \sopranText }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/fertig/koenige/midi.lua b/hr/stch/fertig/koenige/midi.lua
new file mode 100644
index 0000000..58e69da
--- /dev/null
+++ b/hr/stch/fertig/koenige/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/fertig/koenige/stimmen.ly b/hr/stch/fertig/koenige/stimmen.ly
new file mode 100644
index 0000000..321001f
--- /dev/null
+++ b/hr/stch/fertig/koenige/stimmen.ly
@@ -0,0 +1,142 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key g \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 3/4
+ %\autoBeamOff
+ \partial 4.
+ }
+
+% Die Stimmen
+
+ soloMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ d8 b'8 fis8
+ \repeat volta 2 {
+ a8 g8 b,8 c8 e8. d16
+ \bar "||"
+ \time 4/4
+ d4 r8 d8 g8 a8 b8 a16 g16
+ g8 c8 g4 r8 g8 b8 c8
+ d8 b16 a16 g8 fis16 g16 e8 b'4 a8
+ g8 a8 b8 ais16 b16 d8 cis16 b16 a4
+ r8 a8 gis8 a8 c8 a8 b8 a16 g16
+ c8 g8 b8 a16 g16 e8( fis8 g8) d8
+ } \alternative {
+ {
+ \time 2/4
+ e8 fis16 e16 d4
+ \bar "||"
+ \time 3/4
+ r4 r8 d8 b'8 fis8
+ }
+ {
+ \time 4/4
+ e8 fis16 e16 d4 ~ d8 r8 r4
+ }
+ }
+ r4 r8 d8 b'8. c16 b4 g8 fis8 e8 g8 fis2
+ r8 d8 c'8. a16 e'8 d8 b8 g8
+ r8 g8 g8 e8 b'2
+ r8^\markup{ \italic "etwas bewegter" } c8 b8 g8 e8 fis16 e16 dis8 e8
+ fis8 c'8 b8 a16 g16 e8 fis16 e16 dis8 e8
+ fis8 fis8 c'8 b8 a8 g16 e16 d8^\markup{ \italic "rit." } d'16 c16
+ b4^\markup{ \italic "im Zeitmaß" } b8 a16 g16 d'8 b8 g8 fis8 e8 fis16 g16 d4 r2
+ e4 d8. d16 b'2\fermata
+ \bar "|."
+ }
+ >>
+ }
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r8 r4
+ r4 r4 g4 d'4 b4 g4 d'4 e4 e4 d2
+ r4 d4 e4 fis4 g4 fis4 e4 e4 d2
+ r4 b4 e4 d4 c4 b4 a2 g2 r4
+ a2 g2
+ d'2 b2 r1
+ d2 b2 r1
+ c4 b4 a4 b4 c4 b4 a4 b4 c4 c8( b8) a2 g2
+ g8( g'4) fis8 ~ fis8 e4 d4 c4 b8 a2 g2\fermata
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r8 r4
+ r4 r4 e4 g4 fis4 e4 g4 g4 g4 g2
+ r4 g4 g4 b4 b4 b4 b4 a8( g8) fis2
+ r4 g4 g4 g4 g8( fis8) g4 g4( fis4) d2 r4
+ g4( fis4) e2
+ fis2 g2 r1
+ fis2 g2 r1
+ dis4 e4 e4 fis8( e8)
+ dis4 e4 e4 fis8( e8)
+ dis4 e4 e4( d4) d4( g4)
+ g4 g4 g4 g4 fis4 g4 g4( fis4) d2
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r8 r4
+ r4 r4 c4 b4 d4 b4 g8( d'8) c4 c4 b2
+ r4 d4 b4 dis4 e4 b4 d4 cis4 d2
+ r4 d4 c4 b4 a8( d8) d4 e4( d8 c8) b2 r4
+ e4( d8 c8) b2
+ a4( d4) d2 b4( cis4) d2
+ c4( a8 d8) d2 b4( cis4) dis2
+ a4 g4 c4 b4 a4 g4 c4 b4
+ a4 g4 g4. fis8 g8( b8 cis4)
+ d4 d4 c4 b4 d4 d4 e4( d8 c8) b2
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r8 r4
+ r4 r4 c'4 g4 d4 e4 b4 c4 c4 g'2
+ r4 b4 g4 fis4 e4 d4 g4 a4 d,2
+ r4 g4 c,4 g'4 a8( d,8) g8( b,8)
+ c4( d4) g2 r4
+ c,4( d4) g2
+ d2 g2 g4( e4) b2
+ a4( d4) g2 g4( e4) b2
+ fis'4 g4 a4 a8( g8)
+ fis4 g4 a4 a8( g8)
+ fis4 g4 c,4( d4) g4( e4)
+ b4 b'4 c4 g4 a4 b4 c8( c,8 d4) g2\fermata
+ }
+ >>
+ }
+
diff --git a/hr/stch/fertig/koenige/texte.ly b/hr/stch/fertig/koenige/texte.ly
new file mode 100644
index 0000000..0f56b38
--- /dev/null
+++ b/hr/stch/fertig/koenige/texte.ly
@@ -0,0 +1,38 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyricmode {
+ %<+hier den Text für den Sopran eintragen+>
+ Wie schön leuch -- tet der Mor -- gen -- stern
+ voll Gnad und Wahr -- heit von dem Herrn,
+ die sü -- ße Wur -- zel Jes -- se.
+ ses -- %sen.
+ \set associatedVoice = tenoere
+ sen.
+ Lieb -- lich, lieb -- lich,
+ freund -- lich, freund -- lich,
+ \set associatedVoice = alti
+ schön und herr -- lich,
+ groß und ehr -- lich,
+ reich an Ga -- ben,
+ hoch und sehr präch -- tig er -- ha -- ben.
+ }
+
+ altText = \lyricmode {
+ %<+hier den Text für den Alt eintragen+>
+ Du Sohn Da -- vids aus Ja -- kobs Stamm
+ mein Hei -- land und mein Bräu -- ti -- gam,
+ hast mit mein Herz be
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/stch/fertig/locus/alt/locus.ps b/hr/stch/fertig/locus/alt/locus.ps
new file mode 100644
index 0000000..0092af0
--- /dev/null
+++ b/hr/stch/fertig/locus/alt/locus.ps
Binary files differ
diff --git a/hr/stch/fertig/locus/locus.log b/hr/stch/fertig/locus/locus.log
new file mode 100644
index 0000000..3a51573
--- /dev/null
+++ b/hr/stch/fertig/locus/locus.log
@@ -0,0 +1,10 @@
+# -*-compilation-*-
+»C:/Dokumente und Einstellungen/Hauke Rehr/Desktop/lilydocs/locus/locus.ly« wird verarbeitet
+Analysieren...
+Interpretation der Musik...[8][16][24][32][40][48]
+Vorverarbeitung der grafischen Elemente...
+Ideale Seitenanzahl wird gefunden...
+Musik wird auf 1 oder 2 Seiten angepasst...
+Systeme erstellen...
+Layout nach »/Dokumente und Einstellungen/Hauke Rehr/Desktop/lilydocs/locus/locus.ps« ausgeben...
+Konvertierung nach »/Dokumente und Einstellungen/Hauke Rehr/Desktop/lilydocs/locus/locus.pdf«...
diff --git a/hr/stch/fertig/locus/locus.ly b/hr/stch/fertig/locus/locus.ly
new file mode 100644
index 0000000..68dda4c
--- /dev/null
+++ b/hr/stch/fertig/locus/locus.ly
@@ -0,0 +1,76 @@
+% vim: encoding=utf8 nu
+
+\version "2.12.1"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Locus iste"
+ %subtitle = "(Traditional)"
+ composer = "Anton Bruckner, 1824-1896"
+ }
+
+#(set-global-staff-size 16)
+
+ \paper {
+ ragged-last-bottom = ##f
+ %system-count = 4
+ page-count = 2
+ line-width = 182\mm
+ %between-system-space = 1\mm
+ %after-title-space = 0\mm
+ foot-separation = 15\mm
+ top-margin = 20\mm
+ bottom-margin = 25\mm
+ }
+
+ \midi {
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ % a little smaller so lyrics can be closer to the staff
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-4 . 4)
+ }
+ \context {
+ \Voice
+ \consists Ambitus_engraver
+ }
+ }
+
+ \score {
+ %\simultaneous
+ \new ChoirStaff <<
+ \new Staff = Sopran <<
+ \new Voice = "meta"
+ {
+ \dynamicUp
+ s1*3 s1 %\>
+ s1*2 \break
+ s1 %\!
+ s1% \break
+ s1*5 \break
+ s1*7 \pageBreak
+ s1*4 s1*2 s1*3 \break
+ s1*4 s1*4 \break
+ s1*6 s1*5 \bar "|."
+ }
+ \new Voice = "soprane" { \global \sopMusic }
+ \lyricsto soprane \oberWords
+ >>
+ \new Staff = Alt <<
+ \new Voice = "alti" { \global \altMusic }
+ \lyricsto alti \oberWords
+ >>
+ \new Staff = Tenor <<
+ \new Voice = "tenoere" { \global \tenorMusic }
+ \lyricsto tenoere \tenorWords
+ >>
+ \new Staff = Bass <<
+ \new Voice = "baesse" { \global \bassMusic }
+ \lyricsto baesse \bassWords
+ >>
+ >>
+ }
diff --git a/hr/stch/fertig/locus/locus.ps b/hr/stch/fertig/locus/locus.ps
new file mode 100644
index 0000000..d01131e
--- /dev/null
+++ b/hr/stch/fertig/locus/locus.ps
Binary files differ
diff --git a/hr/stch/fertig/locus/locus/locus.ly b/hr/stch/fertig/locus/locus/locus.ly
new file mode 100644
index 0000000..17c4712
--- /dev/null
+++ b/hr/stch/fertig/locus/locus/locus.ly
@@ -0,0 +1,68 @@
+% vim: encoding=utf8 nu
+
+\version "2.12.2"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Locus iste"
+ %subtitle = "(Traditional)"
+ composer = "Anton Bruckner, 1824-1896"
+ }
+
+#(set-global-staff-size 13)
+
+ \paper {
+ ragged-last-bottom = ##f
+ system-count = 5
+ page-count = 1
+ line-width = 182\mm
+ %between-system-space = 1\mm
+ %after-title-space = 0\mm
+ foot-separation = 15\mm
+ top-margin = 10\mm
+ bottom-margin = 25\mm
+ tagline=""
+ }
+
+ \midi {
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ % a little smaller so lyrics can be closer to the staff
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3)
+ }
+ \context {
+ \Voice
+ \consists Ambitus_engraver
+ }
+ }
+
+ \score {
+ %\simultaneous
+ \new ChoirStaff <<
+ \new Lyrics = sop {s1}
+ \new Staff = frauen <<
+ \new Voice = "fPausen" { \frauenPausen }
+ \new Voice = "soprane" { \global \voiceOne \sopMusic }
+ \new Voice = "alti" { \global \voiceTwo \altMusic }
+ >>
+ \new Lyrics = "alt" {s1}
+ \new Lyrics = "ten" {s1}
+ \new Staff = maenner <<
+ \new Voice = "mPausen" { \maennerPausen }
+ \new Voice = "tenoere" { \global \voiceOne \tenorMusic }
+ \new Voice = "baesse" { \global \voiceTwo \bassMusic }
+ >>
+ \new Lyrics = bass {s1}
+ \context Lyrics = sop \lyricsto soprane \oberWords
+ \context Lyrics = alt \lyricsto alti \oberWords
+ \context Lyrics = ten \lyricsto tenoere \tenorWords
+ \context Lyrics = bass \lyricsto baesse \bassWords
+ >>
+ \layout {
+ }
+ }
diff --git a/hr/stch/fertig/locus/locus/stimmen.ly b/hr/stch/fertig/locus/locus/stimmen.ly
new file mode 100644
index 0000000..627b0eb
--- /dev/null
+++ b/hr/stch/fertig/locus/locus/stimmen.ly
@@ -0,0 +1,166 @@
+% vim: encoding=utf8 nu
+
+global = {
+ \key c \major
+ \time 4/4
+}
+
+%Die Stimmen mit ihren jeweiligen Textaufteilungen
+
+ frauenPausen = {
+ \dynamicUp
+ s1
+ s2. r4
+ r4 s2.
+ s2. r4 %\>
+ s1
+ s2. r4 \break
+ r4 s2. %\!
+ s2. r4
+ r4 s2.
+ r4 s2.
+ s1*1
+ s4 r4 r2 \break
+ r4 s2.
+ s1
+ s1
+ s2 r2
+ r4 s2.
+ s1*2
+ s2 r2 %\pageBreak
+ r1
+ s1
+ s2. r4
+ s1
+ s2. r4
+ s1*3
+ s2 r2 \break
+ %s1*4 s1*4 \break
+ %s1*6 s1*5 \bar "|."
+ s1*3
+ r1
+ r4 s2.
+ s1*3
+ s2. r4 \bar "|."
+ }
+
+ maennerPausen = {
+ s1*3
+ s2. r4
+ s1*15
+ s2 r2
+ s1*12
+ r1
+ r4 s2.
+ s1*3
+ s2. r4
+ }
+
+ sopMusic = \relative c'' {
+ % Locus iste
+ c2. b4 a2 g4 s4
+ s4 g4 a4 e4 g4. g8 f4 s4
+ d'2. c4 c2 b4 s4
+ s4 d4 e4 g4 f4. f8 e4 s4
+ s4 f4 f4 e4 s4 f,2 e4
+ d2.^\coda c4 b4 s4 s2
+ % in aestimabile
+ s4 d4 d4 d4 d4. e8 f4( bes4 )
+ d2. e4 e4 a,4 s2
+ s4 e4 e4 e4 e4. fis8 g4( c4 )
+ e2. fis4 fis4 b,4 s2
+ s1 fis4 fis4 fis4 fis4 g8. g16 g4 g4 s4
+ e4 e4 e4 e4 f8. f16 f4 f4 s4
+ f2 e2 a2. g4 f4. f8 e2 e4( d4 ) s2^\markup{da capo al coda}
+ % Locus iste
+% c'2. b4 a2 g4 r4
+% r4 g4 a4 e4 g4. g8 f4 r4
+% d'2. c4 c2 b4 r4
+% r4 d4 e4 g4 f4. f8 e4 r4
+% r4 f4 f4 e4 r4 f,2 e4
+ d2.(^\coda e4 f2 fis2 ~ fis2 ) g2
+ s1 s4 g4 f4 e4 f2 d2
+ d1 ~ d2 d2 e2. s4
+ }
+
+ altMusic = \relative c' {
+ % Locus iste
+ e2. e4 e2 e4 s4
+ s4 e4 e4 e4 d4. d8 d4 s4
+ fis2. fis4 fis2 g4 s4
+ s4 g4 g4 g4 g4. g8 g4 s4
+ s4 g4 g4 g4 s4 d2 c4
+ b2 g2 g4 s4 s2
+ % in aestimabile
+ s4 d'4 d4 d4 d4. d8 d4( f4 )
+ f2. g4 a4 e4 s2
+ s4 e4 e4 e4 e4. e8 e4( g4 )
+ g2. a4 b4 fis4 s2
+ s1 e4 e4 dis4 dis4 d8. d16 d4 d4 s4
+ d4 d4 cis4 cis4 c8. c16 c4 c4 s4
+ b2 c2 c2. c4 c4. b8 c2 c4( b4 ) s2
+ % Locus iste
+% e2. e4 e2 e4 r4
+% r4 e4 e4 e4 d4. d8 d4 r4
+% fis2. fis4 fis2 g4 r4
+% r4 g4 g4 g4 g4. g8 g4 r4
+% r4 g4 g4 g4 r4 d2 c4
+ c4( b4 bes2 ~ bes4 a4 c2 ~ c2 ) b2
+ s1 s4 c4 b4 c4 c2 c2
+ c1( b2 ) b2 c2. s4
+ }
+
+ tenorMusic = \relative c {
+ \clef "treble_8"
+ % Locus iste
+ g'2. g4 c2 c4 r4
+ r4 c4 c4 c4 a4. a8 a4 s4
+ a2. d4 d2 d4 r4
+ r4 b4 c4 d4 d4. d8 c4 r4
+ r4 d4 d4 c4 r4 g2 g4
+ f2 e2 d4 r4 r2
+ % in aestimabile
+ r4 d4 bes'4 c4 d4. d8 d2
+ d2. d4 d4 cis4 r2
+ r4 e,4 c'4 d4 e4. e8 e2
+ e2. e4 e4 dis4 s2
+ c4 c4 c4 c4 b8. b16 b4 b4 r4
+ bes4 bes4 bes4 bes4 a8. a16 a4 a4 r4
+ aes4 aes4 aes4 aes4 g8. g16 g4 g4 r4
+ f4 f4 e4 e4 d4. d8 e4( c4 ) g'2 r2
+ % Locus iste
+% g2. g4 c2 c4 r4
+% r4 c4 c4 c4 a4. a8 a4 r4
+% a2. d4 d2 d4 r4
+% r4 b4 c4 d4 d4. d8 c4 r4
+% r4 d4 d4 c4 r4 g2 g4
+ g1( f2 a2 ~ a2 ) g2
+ s1 s4 g4 g4 g4 a2 a2
+ g1 ~ g2 g2 g2. s4
+ }
+
+ bassMusic = \relative c {
+ \clef bass
+ % Locus iste
+ c2. c4 c2 c4 c4
+ c2. c4 d4. d8 d4 s4
+ d2. d4 g,2 g4 g'4
+ f2( e4 ) b4 c4. c8 c4 c4
+ b2 c2 b2 c2
+ g2 g2 g4 g4 g4 a4
+ % in aestimabile
+ bes4. d8 g4( a4 ) bes2. bes4
+ bes2( bes,2 ) a4 a4 a4 b4
+ c4. e8 a4( b4 ) c2. c4
+ c2( c,2 ) b2 s2
+ \repeat unfold 9 r1
+ % Locus iste
+% c2. c4 c2 c4 c4
+% c2. c4 d4. d8 d4 r4
+% d2. d4 g,2 g4 g'4
+% f2( e4 ) b4 c4. c8 c4 c4
+% b2 c2 b2 c2
+ g2( g'4 cis,4 d2. dis4 e2 ) e2
+ s1 s4 e4 d4 c4 f,2 fis2
+ g1 ~ g2 g2 c2. s4
+ }
diff --git a/hr/stch/fertig/locus/locus/texte.ly b/hr/stch/fertig/locus/locus/texte.ly
new file mode 100644
index 0000000..d9164db
--- /dev/null
+++ b/hr/stch/fertig/locus/locus/texte.ly
@@ -0,0 +1,49 @@
+% vim: encoding=utf8 nu
+
+cus = \lyricmode {
+ cus i -- ste a De -- o fa -- ctus
+}
+
+factus = \lyricmode {
+ a De -- o, De -- o fa -- ctus
+}
+
+sacra = \lyricmode {
+ in -- ae -- sti -- ma -- bi -- le sa -- cra -- men --
+}
+
+irre = \lyricmode {
+ ir -- re -- pre -- hen -- si -- bi -- lis
+}
+
+ade = \lyricmode {
+ a De -- o, De -- o, De -- o,
+}
+
+ anfang = \lyricmode {
+ Lo -- \cus est lo -- \cus est, \factus est
+ \sacra tum, \sacra tum
+ }
+
+ ende = \lyricmode {
+% Lo -- \cus est, lo -- \cus est,
+% \ade \factus est.
+ De -- o, \factus est.
+ }
+
+ oberWords = \lyricmode {
+ \anfang
+ \irre est, \irre est, \irre est.
+ \ende
+ }
+
+ tenorWords = \lyricmode {
+ \anfang
+ \irre est, \irre est, \irre est, \irre est.
+ \ende
+ }
+
+ bassWords = \lyricmode {
+ \anfang
+ \ende
+ }
diff --git a/hr/stch/fertig/locus/stimmen.ly b/hr/stch/fertig/locus/stimmen.ly
new file mode 100644
index 0000000..19a1e70
--- /dev/null
+++ b/hr/stch/fertig/locus/stimmen.ly
@@ -0,0 +1,116 @@
+% vim: encoding=utf8 nu
+
+global = {
+ \key c \major
+ \time 4/4
+}
+
+%Die Stimmen mit ihren jeweiligen Textaufteilungen
+
+ sopMusic = \relative c'' {
+ % Locus iste
+ c2. b4 a2 g4 r4
+ r4 g4 a4 e4 g4. g8 f4 r4
+ d'2. c4 c2 b4 r4
+ r4 d4 e4 g4 f4. f8 e4 r4
+ r4 f4 f4 e4 r4 f,2 e4
+ d2. c4 b4 r4 r2
+ % in aestimabile
+ r4 d4 d4 d4 d4. e8 f4( bes4 )
+ d2. e4 e4 a,4 r2
+ r4 e4 e4 e4 e4. fis8 g4( c4 )
+ e2. fis4 fis4 b,4 r2
+ r1 fis4 fis4 fis4 fis4 g8. g16 g4 g4 r4
+ e4 e4 e4 e4 f8. f16 f4 f4 r4
+ f2 e2 a2. g4 f4. f8 e2 e4( d4 ) r2
+ % Locus iste
+ c'2. b4 a2 g4 r4
+ r4 g4 a4 e4 g4. g8 f4 r4
+ d'2. c4 c2 b4 r4
+ r4 d4 e4 g4 f4. f8 e4 r4
+ r4 f4 f4 e4 r4 f,2 e4
+ d2.( e4 f2 fis2 ~ fis2 ) g2
+ r1 r4 g4 f4 e4 f2 d2
+ d1 ~ d2 d2 e2. r4
+ }
+
+ altMusic = \relative c' {
+ % Locus iste
+ e2. e4 e2 e4 r4
+ r4 e4 e4 e4 d4. d8 d4 r4
+ fis2. fis4 fis2 g4 r4
+ r4 g4 g4 g4 g4. g8 g4 r4
+ r4 g4 g4 g4 r4 d2 c4
+ b2 g2 g4 r4 r2
+ % in aestimabile
+ r4 d'4 d4 d4 d4. d8 d4( f4 )
+ f2. g4 a4 e4 r2
+ r4 e4 e4 e4 e4. e8 e4( g4 )
+ g2. a4 b4 fis4 r2
+ r1 e4 e4 dis4 dis4 d8. d16 d4 d4 r4
+ d4 d4 cis4 cis4 c8. c16 c4 c4 r4
+ b2 c2 c2. c4 c4. b8 c2 c4( b4 ) r2
+ % Locus iste
+ e2. e4 e2 e4 r4
+ r4 e4 e4 e4 d4. d8 d4 r4
+ fis2. fis4 fis2 g4 r4
+ r4 g4 g4 g4 g4. g8 g4 r4
+ r4 g4 g4 g4 r4 d2 c4
+ c4( b4 bes2 ~ bes4 a4 c2 ~ c2 ) b2
+ r1 r4 c4 b4 c4 c2 c2
+ c1( b2 ) b2 c2. r4
+ }
+
+ tenorMusic = \relative c' {
+ % Locus iste
+ g'2. g4 c2 c4 r4
+ r4 c4 c4 c4 a4. a8 a4 r4
+ a2. d4 d2 d4 r4
+ r4 b4 c4 d4 d4. d8 c4 r4
+ r4 d4 d4 c4 r4 g2 g4
+ f2 e2 d4 r4 r2
+ % in aestimabile
+ r4 d4 bes'4 c4 d4. d8 d2
+ d2. d4 d4 cis4 r2
+ r4 e,4 c'4 d4 e4. e8 e2
+ e2. e4 e4 dis4 r2
+ c4 c4 c4 c4 b8. b16 b4 b4 r4
+ bes4 bes4 bes4 bes4 a8. a16 a4 a4 r4
+ aes4 aes4 aes4 aes4 g8. g16 g4 g4 r4
+ f4 f4 e4 e4 d4. d8 e4( c4 ) g'2 r2
+ % Locus iste
+ g2. g4 c2 c4 r4
+ r4 c4 c4 c4 a4. a8 a4 r4
+ a2. d4 d2 d4 r4
+ r4 b4 c4 d4 d4. d8 c4 r4
+ r4 d4 d4 c4 r4 g2 g4
+ g1( f2 a2 ~ a2 ) g2
+ r1 r4 g4 g4 g4 a2 a2
+ g1 ~ g2 g2 g2. r4
+ }
+
+ bassMusic = \relative c {
+ \clef bass
+ % Locus iste
+ c2. c4 c2 c4 c4
+ c2. c4 d4. d8 d4 r4
+ d2. d4 g,2 g4 g'4
+ f2( e4 ) b4 c4. c8 c4 c4
+ b2 c2 b2 c2
+ g2 g2 g4 g4 g4 a4
+ % in aestimabile
+ bes4. d8 g4( a4 ) bes2. bes4
+ bes2( bes,2 ) a4 a4 a4 b4
+ c4. e8 a4( b4 ) c2. c4
+ c2( c,2 ) b2 r2
+ \repeat unfold 9 r1
+ % Locus iste
+ c2. c4 c2 c4 c4
+ c2. c4 d4. d8 d4 r4
+ d2. d4 g,2 g4 g'4
+ f2( e4 ) b4 c4. c8 c4 c4
+ b2 c2 b2 c2
+ g2( g'4 cis,4 d2. dis4 e2 ) e2
+ r1 r4 e4 d4 c4 f,2 fis2
+ g1 ~ g2 g2 c2. r4
+ }
diff --git a/hr/stch/fertig/locus/texte.ly b/hr/stch/fertig/locus/texte.ly
new file mode 100644
index 0000000..95834ea
--- /dev/null
+++ b/hr/stch/fertig/locus/texte.ly
@@ -0,0 +1,48 @@
+% vim: encoding=utf8 nu
+
+cus = \lyricmode {
+ cus i -- ste a De -- o fa -- ctus
+}
+
+factus = \lyricmode {
+ a De -- o, De -- o fa -- ctus
+}
+
+sacra = \lyricmode {
+ in -- ae -- sti -- ma -- bi -- le sa -- cra -- men --
+}
+
+irre = \lyricmode {
+ ir -- re -- pre -- hen -- si -- bi -- lis
+}
+
+ade = \lyricmode {
+ a De -- o, De -- o, De -- o,
+}
+
+ anfang = \lyricmode {
+ Lo -- \cus est lo -- \cus est, \factus est
+ \sacra tum, \sacra tum
+ }
+
+ ende = \lyricmode {
+ Lo -- \cus est, lo -- \cus est,
+ \ade \factus est.
+ }
+
+ oberWords = \lyrics {
+ \anfang
+ \irre est, \irre est, \irre est.
+ \ende
+ }
+
+ tenorWords = \lyrics {
+ \anfang
+ \irre est, \irre est, \irre est, \irre est.
+ \ende
+ }
+
+ bassWords = \lyrics {
+ \anfang
+ \ende
+ }
diff --git a/hr/stch/fertig/magnum_l/a5/dynArt.ly b/hr/stch/fertig/magnum_l/a5/dynArt.ly
new file mode 100644
index 0000000..bbc7e3f
--- /dev/null
+++ b/hr/stch/fertig/magnum_l/a5/dynArt.ly
@@ -0,0 +1,272 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ rit = \markup{\bold\italic{rit.}}
+ prit = \markup{\bold\italic{poco rit.}}
+ mrit = \markup{\bold\italic{molto rit.}}
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ \override BreathingSign.text = \markup { \musicglyph #"scripts.caesura.straight" }
+ \tempo "Adagio, molto legato e espressivo" 4=72
+ s1*3
+ s2 s4^\rit s4\fermata
+ \breathe
+ \tempo "A tempo"
+ s1*4
+ \time 3/2
+ s2.
+ \bar ""
+ \break
+ s2.\p
+ s2. s2.\<
+ \time 4/4
+ s1\mp
+ s1*4
+ s2 s4\fermata \tempo "A tempo" s4\p
+ s1
+ s2 s2\fermata \breathe
+ \bar "||"
+ \break
+ \tempo "Poco più mosso" 4=76
+ s1*3
+ s2 s2
+ \tempo "A tempo"
+ s1*4
+ \time 3/2
+ s2.
+ \bar ""
+ \break
+ s2.
+ s2. s2.\<
+ \time 4/4
+ s1\mf
+ s1*4
+ s2\> s4\fermata \tempo "A tempo" s4\p
+ s1*2
+ s4 s2.\>
+ \bar "||"
+ \break
+ \time 3/2
+ \tempo "Tempo primo"
+ s1.\pp
+ s1.*2
+ s2. s2.
+ \tempo "A tempo"
+ s1.*2
+ s1.\<
+ s1 s2
+ \bar "||"
+ \break
+ \time 4/4
+ \tempo "A tempo, poco deliberamente"
+ s1*3
+ s2 s2\<
+ \tempo "A tempo"
+ s1*3
+ s1\>
+ \bar "||"
+ \time 3/2
+ s2.\!
+ \bar ""
+ \break
+ s2.
+ s2. s2.\<
+ \time 4/4
+ s1\mf
+ s1*4
+ s2 s4\fermata
+ \bar ""
+ \break
+ s4\p
+ s4 s2.
+ \tempo "A tempo"
+ s1*2
+ s4 s2.
+ \tempo "A tempo"
+ s1*3
+ s1
+ \tempo "Meno mosso"
+ s1\pp
+ s2 s2\fermata
+ s2...\fermata\ppp\> s16\!
+ %s2 s4..\fermata s16\ppp
+ %s2...\fermata\> s16\!
+ \bar "|."
+ }
+
+ nalt = {
+ \dynamicUp
+ s1\pp
+ s1*4
+ s1*3
+ s1.*2
+ s1*8
+ s1\p
+ s1*7
+ s2. s2.\mp
+ s1.
+ s1*9
+ s1.*8
+ s1\mf
+ s1*3
+ s1\f
+ s1*3
+ s2. s2.\mp
+ s1.
+ s1*17
+ }
+
+ yalt = {
+ s4 s2.\pp
+ s1*4
+ s1*3
+ s1.*2
+ s1*8
+ s4 s2.\p
+ s1*6
+ s4 s2.\mp
+ s2. s2.
+ s1.
+ s1*9
+ s1.*8
+ s4 s2.\mf
+ s1*3
+ s4 s2.\f
+ s1*3
+ s1.*2
+ s1*17
+ }
+
+% articulation
+
+ sopranArt = <<
+ \nalt
+ {
+ s1*3
+ s2 s4 s4
+ s1\pp
+ s1*3
+ s1.*2
+ s1*5
+ s1^\rit
+ s1*2
+ s1
+ s1*2
+ s2 s2^\prit
+ s1*4
+ s2. s2.
+ s1.
+ s1*5
+ s1^\rit
+ s1*2
+ s4 s2.^\rit
+ s1.*3
+ s2. s2.^\prit
+ s1.*3
+ s1 s2^\mrit
+ s1*3
+ s2 s2^\prit
+ s1
+ s1*3
+ s1.
+ s1.
+ s1*4
+ s1
+ s1^\rit
+ s4 s2.^\mrit
+ s1*2
+ s4 s2.^\prit
+ s4 s2.\mp
+ s1*2
+ s1\>^\mrit
+ s1*3
+ }
+ >>
+
+ altArt = <<
+ \yalt
+ {
+ s1*4
+ s1\pp
+ s1*2
+ s4 s2.\p
+ s1.*2
+ s1*8
+ s1
+ s1*7
+ s2. s2.
+ s1.
+ s1*9
+ s1.*8
+ s1
+ s1*3
+ s1
+ s1*3
+ s1.\mp
+ s1.
+ s1*9
+ s4 s2.\mp
+ s1
+ s1*2
+ s1\>
+ s1*3
+ }
+ >>
+
+ tenorArt = <<
+ \nalt
+ {
+ s1*4
+ s4 s2.\pp
+ s1*3
+ s1.*2
+ s1*8
+ s1
+ s1*7
+ s2. s2.
+ s1.
+ s1*9
+ s1.*8
+ s1
+ s1*3
+ s1
+ s1*3
+ s1.\mp
+ s1.
+ s1*7
+ s4 s2.\mp
+ s1*5
+ s2 s2\>
+ s1*3
+ }
+ >>
+
+ bassArt = <<
+ \nalt
+ {
+ s1*4
+ s1\pp
+ s1*3
+ s1.*2
+ s1*8
+ s1
+ s1*7
+ s2. s2.
+ s1.
+ s1*9
+ s1.*8
+ s1
+ s1*3
+ s1
+ s1*3
+ s1.\mp
+ s1.
+ s1*9
+ s4 s2.\mp
+ s1*3
+ s1\>
+ s1*3
+ }
+ >>
+
diff --git a/hr/stch/fertig/magnum_l/a5/dynArt_.ly b/hr/stch/fertig/magnum_l/a5/dynArt_.ly
new file mode 100644
index 0000000..7dc6ebc
--- /dev/null
+++ b/hr/stch/fertig/magnum_l/a5/dynArt_.ly
@@ -0,0 +1,297 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ rit = \markup{\bold\italic{rit.}}
+ prit = \markup{\bold\italic{poco rit.}}
+ mrit = \markup{\bold\italic{molto rit.}}
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ \override BreathingSign.text = \markup { \musicglyph #"scripts.caesura.straight" }
+ \tempo "Adagio, molto legato e espressivo" 4=72
+ s1*3
+ s2 s4^\rit s4\fermata
+ \breathe
+ \break
+ \tempo "A tempo"
+ s1
+ s2.
+ s4
+ s1*2
+ \time 3/2
+ s2.
+ \bar ""
+ %\break
+ s2.\p
+ s2.
+ \bar ""
+ \break
+ s2.\<
+ \time 4/4
+ s1\mp
+ s1*4
+ s2 s4\fermata
+ \bar ""
+ \break
+ \tempo "A tempo" s4\p
+ s1
+ s2 s2\fermata \breathe
+ \bar "||"
+ %\break
+ \tempo "Poco più mosso" 4=76
+ s1*3
+ s2 s2
+ \break
+ \tempo "A tempo"
+ s1*4
+ \time 3/2
+ s2.
+ s2.
+ s2.
+ \bar ""
+ \break
+ s2.\<
+ \time 4/4
+ s1\mf
+ s1*4
+ s2\> s4\fermata
+ \bar ""
+ \break
+ \tempo "A tempo" s4\p
+ s1*2
+ s4 s2.\>
+ \bar "||"
+ %\break
+ \time 3/2
+ \tempo "Tempo primo"
+ s1.\pp
+ s1
+ \bar ""
+ \break
+ s2
+ s1.
+ s2. s2.
+ \break
+ \tempo "A tempo"
+ s1.*2
+ s1.\<
+ s1 s2
+ \bar "||"
+ \break
+ \time 4/4
+ \tempo "A tempo, poco deliberamente"
+ s1*3
+ s2 s2\<
+ \break
+ \tempo "A tempo"
+ s1*3
+ s1\>
+ \bar "||"
+ \time 3/2
+ s2.\!
+ \bar ""
+ %\break
+ s2.
+ s2.
+ \bar ""
+ \break
+ s2.\<
+ \time 4/4
+ s1\mf
+ s1*4
+ s2 s4\fermata
+ \bar ""
+ \break
+ s4\p
+ s4 s2.
+ \tempo "A tempo"
+ s1*2
+ s4 s2.
+ \break
+ \tempo "A tempo"
+ s1*3
+ s1
+ \tempo "Meno mosso"
+ s1\pp
+ s2 s2\fermata
+ s2...\fermata\ppp\> s16\!
+ %s2 s4..\fermata s16\ppp
+ %s2...\fermata\> s16\!
+ \bar "|."
+ }
+
+ nalt = {
+ \dynamicUp
+ s1\pp
+ s1*4
+ s1*3
+ s1.*2
+ s1*8
+ s1\p
+ s1*7
+ s2. s2.\mp
+ s1.
+ s1*9
+ s1.*8
+ s1\mf
+ s1*3
+ s1\f
+ s1*3
+ s2. s2.\mp
+ s1.
+ s1*17
+ }
+
+ yalt = {
+ s4 s2.\pp
+ s1*4
+ s1*3
+ s1.*2
+ s1*8
+ s4 s2.\p
+ s1*6
+ s4 s2.\mp
+ s2. s2.
+ s1.
+ s1*9
+ s1.*8
+ s4 s2.\mf
+ s1*3
+ s4 s2.\f
+ s1*3
+ s1.*2
+ s1*17
+ }
+
+% articulation
+
+ sopranArt = <<
+ \nalt
+ {
+ s1*3
+ s2 s4 s4
+ s1\pp
+ s1*3
+ s1.*2
+ s1*5
+ s1^\rit
+ s1*2
+ s1
+ s1*2
+ s2 s2^\prit
+ s1*4
+ s2. s2.
+ s1.
+ s1*5
+ s1^\rit
+ s1*2
+ s4 s2.^\rit
+ s1.*3
+ s2. s2.^\prit
+ s1.*3
+ s1 s2^\mrit
+ s1*3
+ s2 s2^\prit
+ s1
+ s1*3
+ s1.
+ s1.
+ s1*4
+ s1
+ s1^\rit
+ s4 s2.^\mrit
+ s1*2
+ s4 s2.^\prit
+ s4 s2.\mp
+ s1*2
+ s1\>^\mrit
+ s1*3
+ }
+ >>
+
+ altArt = <<
+ \yalt
+ {
+ s1*4
+ s1\pp
+ s1*2
+ s4 s2.\p
+ s1.*2
+ s1*8
+ s1
+ s1*7
+ s2. s2.
+ s1.
+ s1*9
+ s1.*8
+ s1
+ s1*3
+ s1
+ s1*3
+ s1.\mp
+ s1.
+ s1*9
+ s4 s2.\mp
+ s1
+ s1*2
+ s1\>
+ s1*3
+ }
+ >>
+
+ tenorArt = <<
+ \nalt
+ {
+ s1*4
+ s4 s2.\pp
+ s1*3
+ s1.*2
+ s1*8
+ s1
+ s1*7
+ s2. s2.
+ s1.
+ s1*9
+ s1.*8
+ s1
+ s1*3
+ s1
+ s1*3
+ s1.\mp
+ s1.
+ s1*7
+ s4 s2.\mp
+ s1*5
+ s2 s2\>
+ s1*3
+ }
+ >>
+
+ bassArt = <<
+ \nalt
+ {
+ s1*4
+ s1\pp
+ s1*3
+ s1.*2
+ s1*8
+ s1
+ s1*7
+ s2. s2.
+ s1.
+ s1*9
+ s1.*8
+ s1
+ s1*3
+ s1
+ s1*3
+ s1.\mp
+ s1.
+ s1*9
+ s4 s2.\mp
+ s1*3
+ s1\>
+ s1*3
+ }
+ >>
+
diff --git a/hr/stch/fertig/magnum_l/a5/dynArt_four.ly b/hr/stch/fertig/magnum_l/a5/dynArt_four.ly
new file mode 100644
index 0000000..e169345
--- /dev/null
+++ b/hr/stch/fertig/magnum_l/a5/dynArt_four.ly
@@ -0,0 +1,276 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ rit = \markup{\bold\italic{rit.}}
+ prit = \markup{\bold\italic{poco rit.}}
+ mrit = \markup{\bold\italic{molto rit.}}
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ \override BreathingSign.text = \markup { \musicglyph #"scripts.caesura.straight" }
+ \tempo "Adagio, molto legato e espressivo" 4=72
+ s1*3
+ s2 s4^\rit s4\fermata
+ \breathe
+ \tempo "A tempo"
+ s1*4
+ \time 3/2
+ s2.
+ \bar ""
+ s2.\p
+ \noBreak
+ s2.
+ \bar ""
+ s2.\<
+ \time 4/4
+ s1\mp
+ s1*4
+ s2 s4\fermata \tempo "A tempo" s4\p
+ s1
+ s2 s2\fermata \breathe
+ \bar "||"
+ \break
+ \tempo "Poco più mosso" 4=76
+ s1*3
+ s2 s2
+ \tempo "A tempo"
+ s1*4
+ \time 3/2
+ s2.
+ \bar ""
+ s2.
+ \noBreak
+ s2.
+ \bar ""
+ s2.\<
+ \time 4/4
+ s1\mf
+ s1*4
+ s2\> s4\fermata \tempo "A tempo" s4\p
+ s1*2
+ s4 s2.\>
+ \bar "||"
+ \break
+ \time 3/2
+ \tempo "Tempo primo"
+ s1.\pp
+ s1.*2
+ s2. s2.
+ \tempo "A tempo"
+ s1.*2
+ s1.\<
+ s1 s2
+ \bar "||"
+ \break
+ \time 4/4
+ \tempo "A tempo, poco deliberamente"
+ s1*3
+ s2 s2\<
+ \tempo "A tempo"
+ s1*3
+ s1\>
+ \bar "||"
+ \time 3/2
+ s2.\!
+ \bar ""
+ \break
+ s2.
+ s2. s2.\<
+ \time 4/4
+ s1\mf
+ s1*4
+ s2 s4\fermata
+ \bar ""
+ \break
+ s4\p
+ s4 s2.
+ \tempo "A tempo"
+ s1*2
+ s4 s2.
+ \tempo "A tempo"
+ s1*3
+ s1
+ \tempo "Meno mosso"
+ s1\pp
+ s2 s2\fermata
+ s2...\fermata\ppp\> s16\!
+ %s2 s4..\fermata s16\ppp
+ %s2...\fermata\> s16\!
+ \bar "|."
+ }
+
+ nalt = {
+ \dynamicUp
+ s1\pp
+ s1*4
+ s1*3
+ s1.*2
+ s1*8
+ s1\p
+ s1*7
+ s2. s2.\mp
+ s1.
+ s1*9
+ s1.*8
+ s1\mf
+ s1*3
+ s1\f
+ s1*3
+ s2. s2.\mp
+ s1.
+ s1*17
+ }
+
+ yalt = {
+ s4 s2.\pp
+ s1*4
+ s1*3
+ s1.*2
+ s1*8
+ s4 s2.\p
+ s1*6
+ s4 s2.\mp
+ s2. s2.
+ s1.
+ s1*9
+ s1.*8
+ s4 s2.\mf
+ s1*3
+ s4 s2.\f
+ s1*3
+ s1.*2
+ s1*17
+ }
+
+% articulation
+
+ sopranArt = <<
+ \nalt
+ {
+ s1*3
+ s2 s4 s4
+ s1\pp
+ s1*3
+ s1.*2
+ s1*5
+ s1^\rit
+ s1*2
+ s1
+ s1*2
+ s2 s2^\prit
+ s1*4
+ s2. s2.
+ s1.
+ s1*5
+ s1^\rit
+ s1*2
+ s4 s2.^\rit
+ s1.*3
+ s2. s2.^\prit
+ s1.*3
+ s1 s2^\mrit
+ s1*3
+ s2 s2^\prit
+ s1
+ s1*3
+ s1.
+ s1.
+ s1*4
+ s1
+ s1^\rit
+ s4 s2.^\mrit
+ s1*2
+ s4 s2.^\prit
+ s4 s2.\mp
+ s1*2
+ s1\>^\mrit
+ s1*3
+ }
+ >>
+
+ altArt = <<
+ \yalt
+ {
+ s1*4
+ s1\pp
+ s1*2
+ s4 s2.\p
+ s1.*2
+ s1*8
+ s1
+ s1*7
+ s2. s2.
+ s1.
+ s1*9
+ s1.*8
+ s1
+ s1*3
+ s1
+ s1*3
+ s1.\mp
+ s1.
+ s1*9
+ s4 s2.\mp
+ s1
+ s1*2
+ s1\>
+ s1*3
+ }
+ >>
+
+ tenorArt = <<
+ \nalt
+ {
+ s1*4
+ s4 s2.\pp
+ s1*3
+ s1.*2
+ s1*8
+ s1
+ s1*7
+ s2. s2.
+ s1.
+ s1*9
+ s1.*8
+ s1
+ s1*3
+ s1
+ s1*3
+ s1.\mp
+ s1.
+ s1*7
+ s4 s2.\mp
+ s1*5
+ s2 s2\>
+ s1*3
+ }
+ >>
+
+ bassArt = <<
+ \nalt
+ {
+ s1*4
+ s1\pp
+ s1*3
+ s1.*2
+ s1*8
+ s1
+ s1*7
+ s2. s2.
+ s1.
+ s1*9
+ s1.*8
+ s1
+ s1*3
+ s1
+ s1*3
+ s1.\mp
+ s1.
+ s1*9
+ s4 s2.\mp
+ s1*3
+ s1\>
+ s1*3
+ }
+ >>
+
diff --git a/hr/stch/fertig/magnum_l/a5/dynArt_three.ly b/hr/stch/fertig/magnum_l/a5/dynArt_three.ly
new file mode 100644
index 0000000..1367e87
--- /dev/null
+++ b/hr/stch/fertig/magnum_l/a5/dynArt_three.ly
@@ -0,0 +1,282 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ rit = \markup{\bold\italic{rit.}}
+ prit = \markup{\bold\italic{poco rit.}}
+ mrit = \markup{\bold\italic{molto rit.}}
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ \override BreathingSign.text = \markup { \musicglyph #"scripts.caesura.straight" }
+ \tempo "Adagio, molto legato e espressivo" 4=72
+ s1*3
+ s2 s4^\rit s4\fermata
+ \breathe
+ \tempo "A tempo"
+ s1*4
+ \time 3/2
+ s2.
+ \bar ""
+ s2.\p
+ \noBreak
+ s2.
+ \bar ""
+ s2.\<
+ \time 4/4
+ s1\mp
+ s1*4
+ s2 s4\fermata \tempo "A tempo" s4\p
+ s1
+ s2 s2\fermata \breathe
+ \bar "||"
+ \break
+ \tempo "Poco più mosso" 4=76
+ s1*3
+ s2 s2
+ \tempo "A tempo"
+ s1*4
+ \time 3/2
+ s2.
+ \bar ""
+ s2.
+ \noBreak
+ s2.
+ \bar ""
+ s2.\<
+ \time 4/4
+ s1\mf
+ s1*4
+ s2\> s4\fermata \tempo "A tempo" s4\p
+ s1*2
+ s4 s2.\>
+ \bar "||"
+ \break
+ \time 3/2
+ \tempo "Tempo primo"
+ s1.\pp
+ s1.*2
+ s2. s2.
+ \tempo "A tempo"
+ s1.
+ s2.
+ \bar ""
+ s2.
+ s1.\<
+ s1 s2
+ \bar "||"
+ %\break
+ \time 4/4
+ \tempo "A tempo, poco deliberamente"
+ s1\!
+ s1*2
+ s2 s2\<
+ \break
+ \tempo "A tempo"
+ s1*3
+ s1\>
+ \bar "||"
+ \time 3/2
+ s2.\!
+ \bar ""
+ s2.
+ s2.
+ \bar ""
+ s2.\<
+ \time 4/4
+ s1\mf
+ s1*4
+ s2 s4\fermata
+ \bar ""
+ \break
+ s4\p
+ s4 s2.
+ \tempo "A tempo"
+ s1*2
+ s4 s2.
+ \tempo "A tempo"
+ s1*3
+ s1
+ \tempo "Meno mosso"
+ s1\pp
+ s2 s2\fermata
+ s2...\fermata\ppp\> s16\!
+ %s2 s4..\fermata s16\ppp
+ %s2...\fermata\> s16\!
+ \bar "|."
+ }
+
+ nalt = {
+ \dynamicUp
+ s1\pp
+ s1*4
+ s1*3
+ s1.*2
+ s1*8
+ s1\p
+ s1*7
+ s2. s2.\mp
+ s1.
+ s1*9
+ s1.*8
+ s1\mf
+ s1*3
+ s1\f
+ s1*3
+ s2. s2.\mp
+ s1.
+ s1*17
+ }
+
+ yalt = {
+ s4 s2.\pp
+ s1*4
+ s1*3
+ s1.*2
+ s1*8
+ s4 s2.\p
+ s1*6
+ s4 s2.\mp
+ s2. s2.
+ s1.
+ s1*9
+ s1.*8
+ s4 s2.\mf
+ s1*3
+ s4 s2.\f
+ s1*3
+ s1.*2
+ s1*17
+ }
+
+% articulation
+
+ sopranArt = <<
+ \nalt
+ {
+ s1*3
+ s2 s4 s4
+ s1\pp
+ s1*3
+ s1.*2
+ s1*5
+ s1^\rit
+ s1*2
+ s1
+ s1*2
+ s2 s2^\prit
+ s1*4
+ s2. s2.
+ s1.
+ s1*5
+ s1^\rit
+ s1*2
+ s4 s2.^\rit
+ s1.*3
+ s2. s2.^\prit
+ s1.*3
+ s1 s2^\mrit
+ s1*3
+ s2 s2^\prit
+ s1
+ s1*3
+ s1.
+ s1.
+ s1*4
+ s1
+ s1^\rit
+ s4 s2.^\mrit
+ s1*2
+ s4 s2.^\prit
+ s4 s2.\mp
+ s1*2
+ s1\>^\mrit
+ s1*3
+ }
+ >>
+
+ altArt = <<
+ \yalt
+ {
+ s1*4
+ s1\pp
+ s1*2
+ s4 s2.\p
+ s1.*2
+ s1*8
+ s1
+ s1*7
+ s2. s2.
+ s1.
+ s1*9
+ s1.*8
+ s1
+ s1*3
+ s1
+ s1*3
+ s1.\mp
+ s1.
+ s1*9
+ s4 s2.\mp
+ s1
+ s1*2
+ s1\>
+ s1*3
+ }
+ >>
+
+ tenorArt = <<
+ \nalt
+ {
+ s1*4
+ s4 s2.\pp
+ s1*3
+ s1.*2
+ s1*8
+ s1
+ s1*7
+ s2. s2.
+ s1.
+ s1*9
+ s1.*8
+ s1
+ s1*3
+ s1
+ s1*3
+ s1.\mp
+ s1.
+ s1*7
+ s4 s2.\mp
+ s1*5
+ s2 s2\>
+ s1*3
+ }
+ >>
+
+ bassArt = <<
+ \nalt
+ {
+ s1*4
+ s1\pp
+ s1*3
+ s1.*2
+ s1*8
+ s1
+ s1*7
+ s2. s2.
+ s1.
+ s1*9
+ s1.*8
+ s1
+ s1*3
+ s1
+ s1*3
+ s1.\mp
+ s1.
+ s1*9
+ s4 s2.\mp
+ s1*3
+ s1\>
+ s1*3
+ }
+ >>
+
diff --git a/hr/stch/fertig/magnum_l/a5/magnum_l.ly b/hr/stch/fertig/magnum_l/a5/magnum_l.ly
new file mode 100644
index 0000000..3dc41cb
--- /dev/null
+++ b/hr/stch/fertig/magnum_l/a5/magnum_l.ly
@@ -0,0 +1,102 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.18"
+\include "dynArt_.ly"
+%\include "../dynArt.ly"
+\include "../stimmen.ly"
+\include "../texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "O Magnum Mysterium"
+ composer = "Morten Lauridsen"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ %\bold "studentenchor"
+ }
+ }
+
+ \paper {
+ #(set-paper-size "a5")
+ line-width = \paper-width - 20
+ top-margin = 8
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ system-count = 14
+ page-count = 5
+ print-page-number = #'f
+ }
+ %#(set-default-paper-size "a4" 'landscape)
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 12)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "sopA" { \global \sSolo }
+ <<
+ \new Voice = "soprane" { \global \sopranMelodie }
+ \addlyrics { \sopranText }
+ >>
+ \new NullVoice = "saligner" { \sSolo }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ \addlyrics { \altText }
+ >>
+
+ ten = { \dynamicUp <<
+ \meta
+ \tenorArt
+ { \nalt }
+ { \partcombine
+ { \tenorMelodieA }
+ { \tenorMelodieB }
+ }
+ \new NullVoice = "taligner" { \tenorMelodieA }
+ %\new Voice = "tenoere" { \global \tenorMelodieA }
+ %\lyricsto "t1" { \tenorText }
+ %\lyricsto "one" \tenorText
+ % \new Lyrics { \lyricsto "one" \tenorText }
+ %\new Lyrics { \lyricsto "tenoere" \tenorText }
+ >> }
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ \addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f \accepts Devnull } <<
+ \new Staff = sopran { \sop }
+ \new Lyrics \with { alignAboveContext = sopran } {
+ \lyricsto "saligner" \sSoloText
+ }
+ \new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ %\new Staff = extra { \new Voice { \global \tenorMelodieB } }
+ \new Lyrics { \lyricsto "taligner" \tenorText }
+ \new Staff = bass { \bas }
+ >>
+ %{
+ \midi {
+ \context{
+ \Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ tempoWholesPerMinute = #(ly:make-moment 80 4)
+ }
+ }
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/fertig/magnum_l/a5/magnum_l_.ly b/hr/stch/fertig/magnum_l/a5/magnum_l_.ly
new file mode 100644
index 0000000..2684ab4
--- /dev/null
+++ b/hr/stch/fertig/magnum_l/a5/magnum_l_.ly
@@ -0,0 +1,104 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.18"
+\include "dynArt_four.ly"
+%\include "dynArt_three.ly"
+%\include "dynArt_.ly"
+%\include "../dynArt.ly"
+\include "../stimmen.ly"
+\include "../texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "O Magnum Mysterium"
+ composer = "Morten Lauridsen"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ %\bold "studentenchor"
+ }
+ }
+
+ \paper {
+ #(set-paper-size "a5")
+ line-width = \paper-width - 20 %16
+ top-margin = 10 %8
+ bottom-margin = 10 %8
+ ragged-last-bottom = #'f
+ system-count = 8
+ page-count = 4
+ print-page-number = #'f
+ }
+ %#(set-default-paper-size "a4" 'landscape)
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 11)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "sopA" { \global \sSolo }
+ <<
+ \new Voice = "soprane" { \global \sopranMelodie }
+ \addlyrics { \sopranText }
+ >>
+ \new NullVoice = "saligner" { \sSolo }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ \addlyrics { \altText }
+ >>
+
+ ten = { \dynamicUp <<
+ \meta
+ \tenorArt
+ { \nalt }
+ { \partcombine
+ { \tenorMelodieA }
+ { \tenorMelodieB }
+ }
+ \new NullVoice = "taligner" { \tenorMelodieA }
+ %\new Voice = "tenoere" { \global \tenorMelodieA }
+ %\lyricsto "t1" { \tenorText }
+ %\lyricsto "one" \tenorText
+ % \new Lyrics { \lyricsto "one" \tenorText }
+ %\new Lyrics { \lyricsto "tenoere" \tenorText }
+ >> }
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ \addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f \accepts Devnull } <<
+ \new Staff = sopran { \sop }
+ \new Lyrics \with { alignAboveContext = sopran } {
+ \lyricsto "saligner" \sSoloText
+ }
+ \new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ %\new Staff = extra { \new Voice { \global \tenorMelodieB } }
+ \new Lyrics { \lyricsto "taligner" \tenorText }
+ \new Staff = bass { \bas }
+ >>
+ %{
+ \midi {
+ \context{
+ \Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ tempoWholesPerMinute = #(ly:make-moment 80 4)
+ }
+ }
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/fertig/magnum_l/dynArt.ly b/hr/stch/fertig/magnum_l/dynArt.ly
new file mode 100644
index 0000000..16179ef
--- /dev/null
+++ b/hr/stch/fertig/magnum_l/dynArt.ly
@@ -0,0 +1,259 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ rit = \markup{\bold\italic{rit.}}
+ prit = \markup{\bold\italic{poco rit.}}
+ mrit = \markup{\bold\italic{molto rit.}}
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ \override BreathingSign.text = \markup { \musicglyph #"scripts.caesura.straight" }
+ \tempo "Adagio, molto legato e espressivo" 4=72
+ s1*3
+ s2 s4^\rit s4\fermata
+ \breathe
+ \tempo "A tempo"
+ s1*4
+ \time 3/2
+ s2. s2.\p
+ s2. s2.\<
+ \time 4/4
+ s1\mp
+ s1*4
+ s2 s4\fermata \tempo "A tempo" s4\p
+ s1
+ s2 s2\fermata \breathe
+ \bar "||"
+ \tempo "Poco più mosso" 4=76
+ s1*3
+ s2 s2
+ \tempo "A tempo"
+ s1*4
+ \time 3/2
+ s1.
+ s2. s2.\<
+ \time 4/4
+ s1\mf
+ s1*4
+ s2\> s4\fermata \tempo "A tempo" s4\p
+ s1*2
+ s4 s2.\>
+ \bar "||"
+ \break
+ \time 3/2
+ \tempo "Tempo primo"
+ s1.\pp
+ s1.*2
+ s2. s2.
+ \tempo "A tempo"
+ s1.*2
+ s1.\<
+ s1 s2
+ \bar "||"
+ \break
+ \time 4/4
+ \tempo "A tempo, poco deliberamente"
+ s1*3
+ s2 s2\<
+ \tempo "A tempo"
+ s1*3
+ s1\>
+ \bar "||"
+ \time 3/2
+ s1.\!
+ s2. s2.\<
+ \time 4/4
+ s1\mf
+ s1*4
+ s2 s4\fermata s4\p
+ s4 s2.
+ \tempo "A tempo"
+ s1*2
+ s4 s2.
+ \tempo "A tempo"
+ s1*3
+ s1
+ \tempo "Meno mosso"
+ s1\pp
+ s2 s2\fermata
+ s2...\fermata\ppp\> s16\!
+ %s2 s4..\fermata s16\ppp
+ %s2...\fermata\> s16\!
+ \bar "|."
+ }
+
+ nalt = {
+ \dynamicUp
+ s1\pp
+ s1*4
+ s1*3
+ s1.*2
+ s1*8
+ s1\p
+ s1*7
+ s2. s2.\mp
+ s1.
+ s1*9
+ s1.*8
+ s1\mf
+ s1*3
+ s1\f
+ s1*3
+ s2. s2.\mp
+ s1.
+ s1*17
+ }
+
+ yalt = {
+ s4 s2.\pp
+ s1*4
+ s1*3
+ s1.*2
+ s1*8
+ s4 s2.\p
+ s1*6
+ s4 s2.\mp
+ s2. s2.
+ s1.
+ s1*9
+ s1.*8
+ s4 s2.\mf
+ s1*3
+ s4 s2.\f
+ s1*3
+ s1.*2
+ s1*17
+ }
+
+% articulation
+
+ sopranArt = <<
+ \nalt
+ {
+ s1*3
+ s2 s4 s4
+ s1\pp
+ s1*3
+ s1.*2
+ s1*5
+ s1^\rit
+ s1*2
+ s1
+ s1*2
+ s2 s2^\prit
+ s1*4
+ s2. s2.
+ s1.
+ s1*5
+ s1^\rit
+ s1*2
+ s4 s2.^\rit
+ s1.*3
+ s2. s2.^\prit
+ s1.*3
+ s1 s2^\mrit
+ s1*3
+ s2 s2^\prit
+ s1
+ s1*3
+ s1.
+ s1.
+ s1*4
+ s1
+ s1^\rit
+ s4 s2.^\mrit
+ s1*2
+ s4 s2.^\prit
+ s4 s2.\mp
+ s1*2
+ s1\>^\mrit
+ s1*3
+ }
+ >>
+
+ altArt = <<
+ \yalt
+ {
+ s1*4
+ s1\pp
+ s1*2
+ s4 s2.\p
+ s1.*2
+ s1*8
+ s1
+ s1*7
+ s2. s2.
+ s1.
+ s1*9
+ s1.*8
+ s1
+ s1*3
+ s1
+ s1*3
+ s1.\mp
+ s1.
+ s1*9
+ s4 s2.\mp
+ s1
+ s1*2
+ s1\>
+ s1*3
+ }
+ >>
+
+ tenorArt = <<
+ \nalt
+ {
+ s1*4
+ s4 s2.\pp
+ s1*3
+ s1.*2
+ s1*8
+ s1
+ s1*7
+ s2. s2.
+ s1.
+ s1*9
+ s1.*8
+ s1
+ s1*3
+ s1
+ s1*3
+ s1.\mp
+ s1.
+ s1*7
+ s4 s2.\mp
+ s1*5
+ s2 s2\>
+ s1*3
+ }
+ >>
+
+ bassArt = <<
+ \nalt
+ {
+ s1*4
+ s1\pp
+ s1*3
+ s1.*2
+ s1*8
+ s1
+ s1*7
+ s2. s2.
+ s1.
+ s1*9
+ s1.*8
+ s1
+ s1*3
+ s1
+ s1*3
+ s1.\mp
+ s1.
+ s1*9
+ s4 s2.\mp
+ s1*3
+ s1\>
+ s1*3
+ }
+ >>
+
diff --git a/hr/stch/fertig/magnum_l/logfile b/hr/stch/fertig/magnum_l/logfile
new file mode 100644
index 0000000..94526a1
--- /dev/null
+++ b/hr/stch/fertig/magnum_l/logfile
@@ -0,0 +1,32 @@
+GNU LilyPond 2.14.2
+»magnum_l.ly« wird verarbeitet
+Analysieren...
+Interpretation der Musik...
+Interpretation der Musik...
+Interpretation der Musik...
+Interpretation der Musik...
+stimmen.ly:227:10: Warnung: already have slur
+ d1
+ (
+stimmen.ly:324:12: Warnung: Legatobogen kann nicht beendet werden
+ fis4
+ ) fis4 fis4( fis4)
+stimmen.ly:228:17: Warnung: already have slur
+ d4) d4 d4
+ ( d4)
+stimmen.ly:324:29: Warnung: Legatobogen kann nicht beendet werden
+ fis4) fis4 fis4( fis4
+ )
+[8]
+stimmen.ly:240:11: Warnung: already have slur
+ b2.
+ ( g4
+[16][24][32][40][48][56][64][72]
+Vorverarbeitung der grafischen Elemente...
+MIDI-Ausgabe nach »magnum_l.midi«...
+Ideale Seitenanzahl wird gefunden...
+Musik wird auf 2 oder 3 Seiten angepasst...
+Systeme erstellen...
+Layout nach »magnum_l.ps« ausgeben...
+Konvertierung nach »./magnum_l.pdf«...
+Erfolg: Kompilation erfolgreich beendet
diff --git a/hr/stch/fertig/magnum_l/magnum_l.ly b/hr/stch/fertig/magnum_l/magnum_l.ly
new file mode 100644
index 0000000..6e6745a
--- /dev/null
+++ b/hr/stch/fertig/magnum_l/magnum_l.ly
@@ -0,0 +1,97 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.18"
+\include "dynArt.ly"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "O Magnum Mysterium"
+ composer = "Morten Lauridsen"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ %\bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+ %#(set-default-paper-size "a4" 'landscape)
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 14)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "sopA" { \global \sSolo }
+ <<
+ \new Voice = "soprane" { \global \sopranMelodie }
+ \addlyrics { \sopranText }
+ >>
+ \new NullVoice = "saligner" { \sSolo }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ \addlyrics { \altText }
+ >>
+
+ ten = { \dynamicUp <<
+ \meta
+ \tenorArt
+ { \nalt }
+ { \partcombine
+ { \tenorMelodieA }
+ { \tenorMelodieB }
+ }
+ \new NullVoice = "taligner" { \tenorMelodieA }
+ %\new Voice = "tenoere" { \global \tenorMelodieA }
+ %\lyricsto "t1" { \tenorText }
+ %\lyricsto "one" \tenorText
+ % \new Lyrics { \lyricsto "one" \tenorText }
+ %\new Lyrics { \lyricsto "tenoere" \tenorText }
+ >> }
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ \addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f \accepts Devnull } <<
+ \new Staff = sopran { \sop }
+ \new Lyrics \with { alignAboveContext = sopran } {
+ \lyricsto "saligner" \sSoloText
+ }
+ \new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ %\new Staff = extra { \new Voice { \global \tenorMelodieB } }
+ \new Lyrics { \lyricsto "taligner" \tenorText }
+ \new Staff = bass { \bas }
+ >>
+ %{
+ \midi {
+ \context{
+ \Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ tempoWholesPerMinute = #(ly:make-moment 80 4)
+ }
+ }
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/fertig/magnum_l/magnum_l.midi b/hr/stch/fertig/magnum_l/magnum_l.midi
new file mode 100644
index 0000000..48cfc72
--- /dev/null
+++ b/hr/stch/fertig/magnum_l/magnum_l.midi
Binary files differ
diff --git a/hr/stch/fertig/magnum_l/magnum_l_.midi b/hr/stch/fertig/magnum_l/magnum_l_.midi
new file mode 100644
index 0000000..85829d2
--- /dev/null
+++ b/hr/stch/fertig/magnum_l/magnum_l_.midi
Binary files differ
diff --git a/hr/stch/fertig/magnum_l/midi.lua b/hr/stch/fertig/magnum_l/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/stch/fertig/magnum_l/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/fertig/magnum_l/stimmen.ly b/hr/stch/fertig/magnum_l/stimmen.ly
new file mode 100644
index 0000000..b70074d
--- /dev/null
+++ b/hr/stch/fertig/magnum_l/stimmen.ly
@@ -0,0 +1,604 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.18"
+
+ global = {
+ \key d \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sSolo = \relative c'' {
+ s1*4
+ s1*4
+ s1.*2
+ s1*8
+ s1*4
+ s1*4
+ s1.*2
+ s1*9
+ s1.*7
+ s2 s2
+ {
+ \voiceOne
+ a4 d4
+ d1 ~
+ d4 e4 a,4 e'8( d8)
+ d1 ~
+ d4 a4 a4 d4
+ g1 ~
+ g4 e4 a,4 e'8( d8)
+ d1( ~
+ d4 a4) d,2
+ }
+ }
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ \sopranArt
+ %the actual tune
+ {
+ a1
+ a2 a4 a4
+ a4( b4 g4 a4 ~
+ a4) a4 a4 ~ a4
+ d1
+ d4( e4) a,4 a4
+ a4( d4 g,4 a4 ~
+ a4) d,4 d2
+ r2 r4 b'4( cis4) d4
+ d4( a4) d,4 d'4 e4 fis4
+ g2.( fis4
+ e4 g4 a,4) cis4
+ cis4( d4 d,4) g4
+ g4( fis4 d4 g4 ~
+ g4 fis4 d4) a'4
+ a4 e4 d4 d4( ~
+ d4 g4 e4) d4
+ e2 e2
+ a1
+ a2 a4 a4
+ a4( b4 g4 a4 ~
+ a4) a4 a2
+ d1
+ d4( e4) a,4 a4
+ a4( d4 g,4 a4 ~
+ a4) d,4 d2
+ r2 r4 b'4 cis4 d4
+ d4 a4 d,4 d'4 e4 fis4
+ g2.( fis4
+ e4 g4 a,4) cis4
+ cis4( d4 d,4) g4
+ g4( fis4 d4) g4
+ g4 fis4 d4( a'4)
+ a4( e4) fis4 d4
+ d4 g4 e4 d4
+ e2 e2 ~
+ e4 a4 a4 a4
+ a2( ~ a4 b4 g4 a4 ~
+ a2) a2 a4 a4
+ b4 b4 b2 fis4 g4
+ a2 a4 a4 a4 a4
+ a2( ~ a4 b4 g4 a4 ~
+ a2) a4 a4 a4 a4
+ d4 d4 d1
+ d4( e4)
+ %{
+ <<
+ \new Voice="s1" {
+ \voiceOne
+ s2 a,4 d4
+ d1 ~
+ d4 e4 a,4 e'8( d8)
+ d1 ~
+ d4 a4 a4 d4
+ g1 ~
+ g4 e4 a,4 e'8( d8)
+ d1( ~
+ d4 a4) d,2
+ }
+ \\
+ \context Voice="soprane" {
+ \voiceTwo
+ e'2( a,2)
+ a1
+ a2 a4 a4
+ a4( b4 g4 a4 ~
+ a4) a4 a2
+ d1
+ d4( e4) a,4 a4
+ a4( d4 g,4 a4 ~
+ a4) d,4 d2
+ }
+ >>
+ %}
+ {
+ \voiceTwo
+ e2( a,2)
+ a1
+ a2 a4 a4
+ a4( b4 g4 a4 ~
+ a4) a4 a2
+ d1
+ d4( e4) a,4 a4
+ a4( d4 g,4 a4 ~
+ a4) d,4 d2
+ }
+ \oneVoice
+ r2 r4 b'4( cis4) d4
+ d4( a4) d,4 d'4 e4 fis4
+ g2.( fis4
+ e4 g4 a,4) cis4
+ cis4( d4 d,4) g4
+ g4( fis4 d4) g4
+ g4 fis4 d4( a'4)
+ a4( e4) d4 d4
+ d4 g4 e4 d4
+ d1
+ d1
+ r1
+ r4 a'2 a4
+ a4( b4 g4 a4 ~
+ a1)
+ a1
+ d,2 d2
+ d2( a2)
+ a1
+ }
+ >>
+ }
+
+ both = \relative c'' {
+ <<
+ \partcombine
+ \relative c'' {
+ \voiceOne
+ d1( ~
+ d2 a4) b4
+ a2( d,4)
+ }
+ \\
+ \relative c'' {
+ \voiceTwo
+ g4( fis4 e4 g4
+ a2.) a4
+ e2( d4)
+ }
+ >>
+ \oneVoice
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ \altArt
+ %the actual tune
+ {
+ r4 d4( g4 e4)
+ a,2 a4 e'4
+ g1(
+ d4) e4 e4( d4)
+ g1
+ e4( d4) cis4 d4
+ d2. d4
+ d4 d4 e4 fis4
+ a4 e4 fis4 a2 a4
+ <g a>2 d4 a'4 a4 a4
+ \both
+ d,4
+ d1 ~
+ d2. d4
+ e4 e4 d4 cis4(
+ d2.) d4
+ d2 d2
+ r4 d4( g4 e4)
+ a,2 a4 e'4
+ g1(
+ d4) e4 e4( d4)
+ g1
+ e4( d4) cis4 d4
+ d2. d4
+ d4 d4 e4 fis4
+ a4 e4 fis4 a4 a4 a4
+ <a b>4 q4 d,4 a'4 a4 a4
+ \both
+ d,4
+ d2. d4
+ d4 d4 d2
+ e2 d4 cis4
+ d4 d4 d4 d4
+ e2 e2 ~
+ e1
+ e2( d2 ~ d4 a'4
+ gis2) fis2 cis4 cis4
+ d4 d4 d2 d4 d4
+ e2 e1
+ e2( d2 ~ d4 a'4
+ gis2) fis4 fis4 fis4 fis4
+ fis4 fis4 << \partcombine \context Voice="alti" \relative c' { \voiceOne d4( fis4 g4 d'4) } \\ \relative c' { \voiceTwo s2 g2 } >> \oneVoice
+ <d' a>2 a2( <g e>2)
+ r4 d4( g4 e4)
+ a,2 a4 e'4
+ g1(
+ d4) e4 e4( d4)
+ <<
+ \partcombine
+ \relative c'' {
+ \voiceOne
+ g1
+ a2 a4 d,4
+ g2. g4
+ }
+ \\
+ \relative c' {
+ \voiceTwo
+ b1
+ e4( d4) cis4 d4
+ b2. b4
+ }
+ >>
+ \oneVoice
+ d4 d4 e4 fis4
+ a4 e4 fis4 a2 a4
+ <a g>2 d,4 a'4 a4 a4
+ \both
+ d,4
+ d2. d4
+ d4 d4 d2
+ e2 d4 cis4
+ d4 d4 d4 d4
+ a1
+ a1
+ r4 d4 g4 e4
+ e1(
+ g1
+ e1
+ d1)
+ d2 a2
+ b2( g2)
+ a1
+ }
+ >>
+ }
+
+ tenorMelodieA = \relative c' {
+ <<
+ %the actual tune
+ \clef "treble_8"
+ {
+ \time 4/4
+ e1
+ e2 e4 a,4
+ d1(
+ d4) d4 d4( d4)
+ r4 d4( g4 e4)
+ a,2 a4 e'4
+ d1(
+ e4) d4 d2(
+ \time 3/2
+ e2 ~ e4) d2 d4
+ d2 a4 e'4 e4 e4
+ \time 4/4
+ fis4( g2 e4 ~
+ e2.) e4
+ d2. a4
+ b2.( g4
+ fis2.) g4
+ a4 a4 fis4 fis4(
+ g2.) g4
+ a2 a2
+ \bar "||"
+ e'1
+ e2 e4 a,4
+ d1 ~
+ d4 d4 d2
+ r4 d4( g4 e4)
+ a,2 a4 e'4
+ d1(
+ e4) d4 d2\((
+ \time 3/2
+ e2) ~ e4\) d4 d4 d4
+ d4 d4 a4 e'4 e4 e4
+ \time 4/4
+ fis4( g2 e4 ~
+ e2.) e4
+ d2. a4
+ b2. g4
+ fis4 fis4 fis4( g4)
+ a2 fis4 fis4
+ g4 g4 g4 g4
+ a2 a2 ~
+ a1
+ \bar "||"
+ \time 3/2
+ d2( b1
+ cis2) cis2 fis,4 fis4
+ fis4 fis4 fis2 fis4 fis4
+ a2 a1
+ d2( b1
+ cis2) cis4 cis4 cis4 cis4
+ d4 d4 d1
+ e4( d4) d4( a4 d2)
+ \bar "||"
+ \time 4/4
+ e1
+ e2 e4 e4
+ d1 ~
+ d4 d4 d2
+ r4 d4( g4 e4)
+ cis2 d4 e4
+ d1(
+ e4) d4 d2\((
+ \bar "||"
+ \time 3/2
+ e2) ~ e4\) d2 d4
+ d2 a4 e'4 e4 e4
+ \time 4/4
+ fis4( g2 e4 ~
+ e2.) e4
+ d2. a4
+ b2. g4
+ fis4 fis4 fis4( g4)
+ a2 fis4 fis4
+ g2 g2
+ r4 a2 a4
+ a4( b4 g4 a4 ~
+ a2. d4)
+ d1( ~
+ d1
+ e2 a,2)
+ r4 d4( g4) e4
+ a,2( d2
+ a2 e2)
+ fis1
+ \bar "|."
+ }
+ >>
+ }
+
+ tenorMelodieB = \relative c' {
+ <<
+ %the actual tune
+ \clef "treble_8"
+ {
+ d1
+ a2 a4 a4
+ g1(
+ fis4) fis4 fis4( fis4)
+ r4 d'4( g4 e4)
+ a,2 a4 a4
+ a1 ~
+ a4 a4 a2 ~
+ \time 3/2
+ a2 ~ a4 d2 d4
+ d2 a4 e'4 e4 e4
+ \time 4/4
+ d1(
+ e2.) e4
+ d2. a4
+ a2.( g4
+ fis2.) g4
+ a4 a4 fis4 fis4(
+ g2.) g4
+ a2 a2
+ \bar "||"
+ d1
+ a2 a4 a4
+ g1(
+ fis4) fis4 fis2
+ r4 d'4( g4 e4)
+ a,2 a4 a4
+ a1 ~
+ a4 a4 a2 ~
+ \time 3/2
+ a2 ~ a4 d4 d4 d4
+ d4 d4 a4 e'4 e4 e4
+ \time 4/4
+ d1(
+ e2.) e4
+ d2. a4
+ a2. g4
+ fis4 fis4 fis4( g4)
+ a2 fis4 fis4
+ g4 g4 g4 g4
+ a2 a2 ~
+ a1
+ \bar "||"
+ \time 3/2
+ d2( a1
+ cis2) cis2 fis,4 fis4
+ fis4 fis4 fis2 fis4 fis4
+ a2 a1
+ d2( a1
+ cis2) cis4 cis4 cis4 cis4
+ b4 b4 b1
+ a2 a2( b4 a4)
+ \bar "||"
+ \time 4/4
+ d1
+ cis2 cis4 cis4
+ b1(
+ a4) a4 a2
+ r4 d4( g4 e4)
+ a,2 a4 cis4
+ a1 ~
+ a4 a4 a2 ~
+ \bar "||"
+ \time 3/2
+ a2 ~ a4 d2 d4
+ d2 a4 e'4 e4 e4
+ \time 4/4
+ d1(
+ e2.) e4
+ d2. a4
+ a2. g4
+ fis4 fis4 fis4( g4)
+ a2 fis4 fis4
+ g2 g2
+ r4 a2 a4
+ a4( b4 g4 a4 ~
+ a2. d4)
+ d1( ~
+ d1
+ e2 a,2)
+ r4 d4( g4) e4
+ a,2( d2
+ a2 e2)
+ d1
+ }
+ >>
+ }
+
+ beide = {
+ <<
+ \partcombine
+ \relative c' {
+ \voiceOne
+ d4 cis4
+ b1(
+ a4) a4 a2 ~
+ a2 ~ a4
+ }
+ \\
+ \relative c' {
+ \voiceTwo
+ a4 a4
+ g1(
+ fis4) fis4 fis2(
+ cis2 d4)
+ }
+ >>
+ \oneVoice
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ \bassArt
+ %the actual tune
+ \clef bass
+ {
+ fis1
+ cis2 cis4 cis4
+ b1(
+ a4) a4 a4 ~ a4
+ b'1
+ a2
+ \beide
+ g2 g4
+ fis2 a4 d4 d4 d4
+ b1(
+ cis2.) cis4
+ fis,2. fis4
+ g2.( b,4
+ a2.) b4
+ cis4 cis4 b4 b4 ~
+ b2. b4
+ cis2 cis2
+ fis1
+ cis2 cis4 cis4
+ b1(
+ a4) a4 a2
+ b'1
+ a2
+ \beide
+ g4 g4 g4
+ fis4 fis4 a4 d4 d4 d4
+ b1(
+ cis2.) cis4
+ fis,2. fis4
+ g2. b,4
+ a4 a4 a4( b4)
+ cis2 b4 b4
+ b4 b4 b4 b4
+ cis2 cis2 ~
+ cis1
+ fis2( g1
+ fis2) fis2 fis4 fis4
+ b,4 b4 b2 b4 b4
+ cis2 cis1
+ fis2( g1
+ fis2) fis4 fis4 fis4 fis4
+ <<
+ \partcombine
+ \relative c {
+ \voiceOne
+ fis4 fis4 fis1
+ e2 e2 e4 e4
+ fis1(
+ e4) e4 e4 e4
+ g1(
+ fis4) fis4 fis4 fis4
+ g1(
+ e4) e4 e4 e4
+ g1(
+ fis2) fis2
+ a2 ~ a4
+ }
+ \\
+ \relative c {
+ \voiceTwo
+ b4 b4 b1
+ a2 a2 a4 a4
+ <a d,>1 ~
+ q4 q4 q4 q4
+ <b d,>1(
+ <a d,>4) q4 q4 q4
+ <b d,>1(
+ <a d,>4) q4 q4 q4
+ <b d,>1(
+ <a d,>2) q2(
+ cis2 d4)
+ }
+ >>
+ \oneVoice
+ g2 g4
+ fis2 a4 d4 d4 d4
+ b1(
+ cis2.) cis4
+ fis,2. fis4
+ g2. b,4
+ a4 a4 a4( b4)
+ cis2 b4 b4
+ b4 b4 b4
+ <<
+ \partcombine
+ \relative c {
+ \voiceOne
+ g'4
+ fis1
+ g1(
+ a4) g2 g4
+ fis1
+ g1
+ a1
+ g1
+ fis2 fis2
+ d2 ~ d2
+ a1
+ }
+ \\
+ \relative c {
+ \voiceTwo
+ b4
+ a1
+ b1(
+ cis4) b2 b4
+ a1(
+ b1
+ cis1)
+ b1
+ a2 a2
+ g2 ~ g2
+ d1
+ }
+ >>
+ \oneVoice
+ }
+ >>
+ }
+
diff --git a/hr/stch/fertig/magnum_l/texte.ly b/hr/stch/fertig/magnum_l/texte.ly
new file mode 100644
index 0000000..a230aa6
--- /dev/null
+++ b/hr/stch/fertig/magnum_l/texte.ly
@@ -0,0 +1,146 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+ teilA = \lyricmode {
+ O mag -- num my -- ste -- ri -- um,
+ O mag -- num my -- ste -- ri -- um,
+ sa -- cra -- men -- tum,
+ et ad -- mi -- ra -- bi -- le,
+ et ad -- mi -- ra -- bi -- le sa -- cra -- men -- tum,
+ O mag -- num my -- ste -- ri -- um,
+ O mag -- num my -- ste -- ri -- um,
+ vi -- de -- rent Do -- mi -- num,
+ ut a -- ni -- ma -- li -- a vi -- de -- rent Do -- mi -- num na -- tum,
+ ja -- cen -- tem in præ -- se -- pio!
+ }
+
+% Die Textaufteilungen
+
+ oberB = \lyricmode {
+ Be -- a -- ta Vir -- go,
+ cu -- jus vi -- sce -- ra me -- ru -- e -- runt,
+ Be -- a -- ta Vir -- go,
+ por -- ta -- re Do -- mi -- num Chri -- stum.
+ O mag -- num my -- ste -- ri -- um,
+ O mag -- num my -- ste -- ri -- um,
+ sa -- cra -- men -- tum,
+ ut a -- ni -- ma -- li -- a vi -- de -- rent Do -- mi -- num na -- tum,
+ ja -- cen -- tem in præ -- se -- pio.
+ Al -- le -- lu -- ia!
+ Al -- le -- lu -- ia!
+ }
+
+ sSoloText = \lyricmode {
+ Al -- le -- lu -- ia!
+ Al -- le -- lu -- ia!
+ Al -- le -- lu -- ia!
+ Al -- le -- lu -- ia!
+ }
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ \teilA
+ \oberB
+ }
+
+ altA = \lyricmode {
+ O mag -- num my -- ste -- ri -- um,
+ O mag -- num my -- ste -- ri -- um,
+ et ad -- mi -- ra -- bi -- le sa -- cra -- men -- tum,
+ et ad -- mi -- ra -- bi -- le,
+ et ad -- mi -- ra -- bi -- le sa -- cra -- men -- tum,
+ O mag -- num my -- ste -- ri -- um,
+ O mag -- num my -- ste -- ri -- um,
+ ut a -- ni -- ma -- li -- a vi -- de -- rent Do -- mi -- num,
+ ut a -- ni -- ma -- li -- a vi -- de -- rent Do -- mi -- num na -- tum,
+ ja -- cen -- tem in præ -- se -- pio!
+ }
+
+ altB = \lyricmode {
+ Vir -- go,
+ cu -- jus vi -- sce -- ra me -- ru -- e -- runt,
+ Vir -- go,
+ por -- ta -- re Do -- mi -- num Chri -- stum.
+ O mag -- num my -- ste -- ri -- um,
+ O mag -- num my -- ste -- ri -- um,
+ et ad -- mi -- ra -- bi -- le sa -- cra -- men -- tum,
+ ut a -- ni -- ma -- li -- a vi -- de -- rent Do -- mi -- num na -- tum,
+ ja -- cen -- tem in præ -- se -- pio.
+ Al -- le -- lu -- ia!
+ Al -- le -- lu -- ia!
+ }
+
+ bassB = \lyricmode {
+ Vir -- go,
+ cu -- jus vi -- sce -- ra me -- ru -- e -- runt,
+ Vir -- go,
+ por -- ta -- re Do -- mi -- num Chri -- stum.
+ Al -- le -- lu -- ia!
+ Al -- le -- lu -- ia!
+ Al -- le -- lu -- ia!
+ Al -- le -- lu -- ia!
+ sa -- cra -- men -- tum,
+ ut a -- ni -- ma -- li -- a vi -- de -- rent Do -- mi -- num na -- tum,
+ ja -- cen -- tem in præ -- se -- pio.
+ Al -- le -- lu -- ia!
+ Al -- le -- lu -- ia!
+ }
+
+ unterB = \lyricmode {
+ Vir -- go,
+ cu -- jus vi -- sce -- ra me -- ru -- e -- runt,
+ Vir -- go,
+ por -- ta -- re Do -- mi -- num Chri -- stum.
+ O mag -- num my -- ste -- ri -- um,
+ O mag -- num my -- ste -- ri -- um,
+ sa -- cra -- men -- tum,
+ ut a -- ni -- ma -- li -- a vi -- de -- rent Do -- mi -- num na -- tum,
+ ja -- cen -- tem.
+ Al -- le -- lu -- ia!
+ Al -- le -- lu -- ia!
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ \altA
+ \altB
+ }
+
+ tenorText = \lyricmode {
+ %<+hier den Text für den Tenor eintragen+>
+ \teilA
+ \unterB
+ }
+
+ tenorTextA = \lyricmode {
+ %<+hier den Text für den Tenor eintragen+>
+ O mag -- num my -- ste -- ri -- um,
+ O mag -- num my -- ste -- ri -- um,
+ sa -- cra -- men -- tum,
+ et ad -- mi -- ra -- bi -- le,
+ et ad -- mi -- ra -- bi -- le sa -- cra -- men -- tum,
+ O mag -- num my -- ste -- _ ri -- um,
+ O mag -- num my -- ste -- ri -- um, _
+ vi -- de -- rent Do -- mi -- num,
+ ut a -- ni -- ma -- li -- a vi -- de -- rent Do -- mi -- num na -- tum,
+ ja -- cen -- tem in præ -- se -- pio! _
+ Vir -- go,
+ cu -- jus vi -- sce -- ra me -- ru -- e -- runt,
+ Vir -- go,
+ por -- ta -- re Do -- mi -- num Chri -- stum.
+ O mag -- num my -- ste -- _ ri -- um,
+ O mag -- num my -- ste -- ri -- um, _
+ sa -- cra -- men -- tum,
+ ut a -- ni -- ma -- li -- a vi -- de -- rent Do -- mi -- num na -- tum,
+ ja -- cen -- tem.
+ Al -- le -- lu -- ia!
+ Al -- le -- lu -- ia!
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ \teilA
+ \bassB
+ }
+
diff --git a/hr/stch/fertig/psallite/dynArt.ly b/hr/stch/fertig/psallite/dynArt.ly
new file mode 100644
index 0000000..9ce0352
--- /dev/null
+++ b/hr/stch/fertig/psallite/dynArt.ly
@@ -0,0 +1,52 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+#(define ((my-time one num) grob)
+ (grob-interpret-markup grob
+ (markup #:override '(baseline-skip . 0) #:number
+ (#:line (
+ (#:column (one num)))))))
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s1*2*4
+ \break
+ s1*2*4
+ \break
+ \repeat volta 2 {
+ s1*2*4
+ \pageBreak
+ s1*2*4
+ \break
+ s1*2*4
+ \break
+ s1*2*2
+ s1 s1
+ } \alternative {
+ {
+ \once \override Staff.TimeSignature #'stencil = #(my-time "2" "2")
+ \time 2/2
+ s1
+ }
+ {
+ \time 4/2
+ s1*2
+ }
+ }
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/fertig/psallite/dynArt_.ly b/hr/stch/fertig/psallite/dynArt_.ly
new file mode 100644
index 0000000..cd6ea77
--- /dev/null
+++ b/hr/stch/fertig/psallite/dynArt_.ly
@@ -0,0 +1,57 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+#(define ((my-time one num) grob)
+ (grob-interpret-markup grob
+ (markup #:override '(baseline-skip . 0) #:number
+ (#:line (
+ (#:column (one num)))))))
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s1*2*4
+ \break
+ s1*2*4
+ \break
+ \repeat volta 2 {
+ \time 2/2
+ s1
+ \time 4/2
+ s1*2*4
+ \pageBreak
+ s1*2*4
+ \break
+ s1*2*4
+ \break
+ s1*2*2
+ } \alternative {
+ {
+ %\once \override Staff.TimeSignature #'stencil = #(my-time "2" "2")
+ %\time 4/2
+ s1
+ s1
+ }
+ {
+ %\time 4/2
+ \time 6/2
+ s1
+ s1*2
+ }
+ }
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/fertig/psallite/midi.lua b/hr/stch/fertig/psallite/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/stch/fertig/psallite/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/fertig/psallite/psallite.ly b/hr/stch/fertig/psallite/psallite.ly
new file mode 100644
index 0000000..153cd2c
--- /dev/null
+++ b/hr/stch/fertig/psallite/psallite.ly
@@ -0,0 +1,92 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Psallite"
+ composer = "unbekannt, bei Prætorius"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \with-url
+ #"www.studentenchor.de"
+ \line {
+ \musicglyph #"scripts.segno"
+ \musicglyph #"noteheads.shufnagel.virga"
+ \musicglyph #"scripts.upedalheel"
+ \musicglyph #"pedal.d"
+ \musicglyph #"pedal.e"
+ \musicglyph #"scripts.dpedalheel"
+ \musicglyph #"noteheads.shufnagel.virga"
+ \musicglyph #"pedal.e"
+ \musicglyph #"scripts.dpedalheel"
+ \musicglyph #"timesig.C44"
+ \musicglyph #"clefs.petrucci.c3_change"
+ \musicglyph #"scripts.flageolet"
+ \dynamic r
+ }
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 16)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ \addlyrics { \sopranText }
+ \addlyrics { \sopTtwo }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ \addlyrics { \altText }
+ \addlyrics { \altTtwo }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ \addlyrics { \tenTtwo }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ \addlyrics { \bassText }
+ \addlyrics { \basTtwo }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = sopran { \sop }
+ \new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ \new Staff = bass { \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/fertig/psallite/stimmen.ly b/hr/stch/fertig/psallite/stimmen.ly
new file mode 100644
index 0000000..68dd48a
--- /dev/null
+++ b/hr/stch/fertig/psallite/stimmen.ly
@@ -0,0 +1,169 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key g \major
+ \override Staff.TimeSignature #'style = #'()
+ \time 4/2
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ extendLV = #(define-music-function (parser location further) (number?)
+ #{
+ \once \override LaissezVibrerTie #'X-extent = #'(0 . 0)
+ \once \override LaissezVibrerTie #'details #'note-head-gap = #(/ $further -2)
+ \once \override LaissezVibrerTie #'extra-offset = #(cons (/ $further 2) 0)
+ #})
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ R1*2
+ g2 d2 g2 r2
+ a4 b4 c4 a4 b1
+ g4 g4 g4 fis4 e4 e4 d2
+ g2 d2 g2 r2
+ a4 b4 c4 a4 b4 b4 a4 c4
+ b4 b4 a4 c4 b2. g4
+ a4 g4 g4 fis4 g1
+ %
+ r1 b2 d4 d4
+ c4 c4 b4 b4 d4 d4 c4 c4
+ b2 r2 r1
+ R1*2
+ R1*2
+ r1 b2. a4
+ b2 c2 d2. d4
+ b2 d2 c2 b2
+ a4 a4 g2 g2 d2
+ g2 r2 a4 b4 c4 a4
+ b1 g4 g4 g4 fis4
+ e4 e4 d2 g2 d2
+ g2 r2 a4 b4 c4 a4
+ b4 b4 a4 c4 b4 b4 a4 c4
+ b2. g4 a4 g4 g4 fis4
+ g1
+ g\breve
+ }
+ >>
+ }
+
+ altMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ R1*2
+ r2 g2 d2 g2
+ fis4 fis4 e4 fis4 g1
+ b,4 b4 b4 d4 cis4 cis4 d2
+ R1*2
+ fis4 fis4 e4 fis4 g4 g4 fis4 e4
+ g4 g4 fis4 e4 g2. d4
+ e4 e4 d4 d4 b1
+ %
+ r1 g'2 g4 g4
+ c,4 c4 g'4 g4 d4 d4 a'4 a4
+ g2 r2 r1
+ R1*2
+ R1*2
+ r1 g2. fis4
+ e2 e2 d2. d4
+ g2 fis2 a2 g2
+ fis4 fis4 g2 r2 g2
+ d2 g2 fis4 fis4 e4 fis4
+ g1 b,4 b4 b4 d4
+ cis4 cis4 d2 r1
+ r1 fis4 fis4 e4 fis4
+ g4 g4 fis4 e4 g4 g4 fis4 e4
+ g2. d4 e4 e4 d4 d4
+ d1
+ d\breve
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ d2 a2 d1 ~
+ d1 r1
+ d4 d4 c4 c4 d1 ~
+ d1 r1
+ b4 b4 b4 d4 c4 c4 d2
+ d4 d4 c4 c4 d4 d4 d4 c4
+ d4 d4 d4 c4 d2. b4
+ c4 b4 a4 a4 g1 ~
+ %
+ g\breve
+ R1*2
+ r1 b2. a4
+ b2 c2 d2. d4
+ b2 d2 c2 b2
+ a4 a4 g2 d'2. d4
+ b2 a2 a1
+ r2 d2 a2 d2 ~
+ d\breve
+ r1 d4 d4 c4 c4
+ d\breve
+ r1 b4 b4 b4 d4
+ c4 c4 d2 d4 d4 c4 c4
+ d4 d4 d4 c4 d4 d4 d4 c4
+ d2. b4 c4 b4 a4 a4
+ \extendLV #1.5
+ g1 \laissezVibrer %~ \once \override NoteHead #'transparent = ##t g1
+ g\breve
+ }
+ >>
+ }
+
+ bassMelodie = \relative c' {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r1 g2 d2
+ g\breve
+ d4 d4 a'4 a4 g1 ~
+ g1 r1
+ g4 g4 g4 fis4 e4 e4 d2
+ d4 d4 a'4 a4 g4 g4 d4 a'4
+ g4 g4 d4 a'4 g2. g4
+ c,4 c4 d4 d4 g,1 ~
+ %
+ g\breve
+ R1*2
+ r1 g'2. fis4
+ e2 e2 d2. d4
+ g2 fis2 a2 g2
+ fis4 fis4 g2 g2. d4
+ g2 a2 d,1
+ r1 r2 g2
+ d2 g2 ~ g1 ~
+ g1 d4 d4 a'4 a4
+ g\breve
+ r1 g4 g4 g4 fis4
+ e4 e4 d2 d4 d4 a'4 a4
+ g4 g4 d4 a'4 g4 g4 d4 a'4
+ g2. g4 c,4 c4 d4 d4
+ \extendLV #1.5
+ g,1 \laissezVibrer%~ \once \override NoteHead #'transparent = ##t g1
+ g\breve
+ }
+ >>
+ }
+
diff --git a/hr/stch/fertig/psallite/stimmen_.ly b/hr/stch/fertig/psallite/stimmen_.ly
new file mode 100644
index 0000000..206a857
--- /dev/null
+++ b/hr/stch/fertig/psallite/stimmen_.ly
@@ -0,0 +1,177 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt_.ly"
+
+ global = {
+ \key g \major
+ \override Staff.TimeSignature #'style = #'()
+ \time 4/2
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ extendLV = #(define-music-function (parser location further) (number?)
+ #{
+ \once \override LaissezVibrerTie #'X-extent = #'(0 . 0)
+ \once \override LaissezVibrerTie #'details #'note-head-gap = #(/ $further -2)
+ \once \override LaissezVibrerTie #'extra-offset = #(cons (/ $further 2) 0)
+ #})
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ R1*2
+ g2 d2 g2 r2
+ a4 b4 c4 a4 b1
+ g4 g4 g4 fis4 e4 e4 d2
+ g2 d2 g2 r2
+ a4 b4 c4 a4 b4 b4 a4 c4
+ b4 b4 a4 c4 b2. g4
+ a4 g4 g4 fis4 g1
+ %
+ r1
+ b2 d4 d4 c4 c4 b4 b4
+ d4 d4 c4 c4 b2 r2
+ R1*2
+ R1*2
+ R1*2
+ b2. a4 b2 c2
+ d2. d4 b2 d2
+ c2 b2 a4 a4 g2
+ g2 d2 g2 r2
+ a4 b4 c4 a4 b1
+ g4 g4 g4 fis4 e4 e4 d2
+ g2 d2 g2 r2
+ a4 b4 c4 a4 b4 b4 a4 c4
+ b4 b4 a4 c4 b2. g4
+ a4 g4 g4 fis4
+ g1
+ a4 g4 g4 fis4
+ g\breve
+ }
+ >>
+ }
+
+ altMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ R1*2
+ r2 g2 d2 g2
+ fis4 fis4 e4 fis4 g1
+ b,4 b4 b4 d4 cis4 cis4 d2
+ R1*2
+ fis4 fis4 e4 fis4 g4 g4 fis4 e4
+ g4 g4 fis4 e4 g2. d4
+ e4 e4 d4 d4 b1
+ %
+ r1
+ g'2 g4 g4 c,4 c4 g'4 g4
+ d4 d4 a'4 a4 g2 r2
+ R1*2
+ R1*2
+ R1*2
+ g2. fis4 e2 e2
+ d2. d4 g2 fis2
+ a2 g2 fis4 fis4 g2
+ r2 g2 d2 g2
+ fis4 fis4 e4 fis4 g1
+ b,4 b4 b4 d4 cis4 cis4 d2
+ r1 r1
+ fis4 fis4 e4 fis4 g4 g4 fis4 e4
+ g4 g4 fis4 e4 g2. d4
+ e4 e4 d4 d4
+ d1
+ e4 e4 d4 d4
+ d\breve
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ d2 a2 d1 ~
+ d1 r1
+ d4 d4 c4 c4 d1 ~
+ d1 r1
+ b4 b4 b4 d4 c4 c4 d2
+ d4 d4 c4 c4 d4 d4 d4 c4
+ d4 d4 d4 c4 d2. b4
+ c4 b4 a4 a4 g1 ~
+ %
+ g1 ~
+ g1 r1
+ R1*2
+ b2. a4 b2 c2
+ d2. d4 b2 d2
+ c2 b2 a4 a4 g2
+ d'2. d4 b2 a2
+ a1 r2 d2
+ a2 d2 ~ d1 ~
+ d1 r1
+ d4 d4 c4 c4 d1 ~
+ d1 r1
+ b4 b4 b4 d4 c4 c4 d2
+ d4 d4 c4 c4 d4 d4 d4 c4
+ d4 d4 d4 c4 d2. b4
+ c4 b4 a4 a4
+ \extendLV #1.5
+ g1 \laissezVibrer %~ \once \override NoteHead #'transparent = ##t g1
+ c4 b4 a4 a4
+ g\breve
+ }
+ >>
+ }
+
+ bassMelodie = \relative c' {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r1 g2 d2
+ g\breve
+ d4 d4 a'4 a4 g1 ~
+ g1 r1
+ g4 g4 g4 fis4 e4 e4 d2
+ d4 d4 a'4 a4 g4 g4 d4 a'4
+ g4 g4 d4 a'4 g2. g4
+ c,4 c4 d4 d4 g,1 ~
+ %
+ g1 ~
+ g1 r1
+ R1*2
+ g'2. fis4 e2 e2
+ d2. d4 g2 fis2
+ a2 g2 fis4 fis4 g2
+ g2. d4 g2 a2
+ d,1 r1
+ r2 g2 d2 g2 ~
+ g\breve
+ d4 d4 a'4 a4 g1 ~
+ g1 r1
+ g4 g4 g4 fis4 e4 e4 d2
+ d4 d4 a'4 a4 g4 g4 d4 a'4
+ g4 g4 d4 a'4 g2. g4
+ c,4 c4 d4 d4
+ \extendLV #1.5
+ g,1 \laissezVibrer%~ \once \override NoteHead #'transparent = ##t g1
+ c4 c4 d4 d4
+ g,\breve
+ }
+ >>
+ }
+
diff --git a/hr/stch/fertig/psallite/texte.ly b/hr/stch/fertig/psallite/texte.ly
new file mode 100644
index 0000000..c612ad8
--- /dev/null
+++ b/hr/stch/fertig/psallite/texte.ly
@@ -0,0 +1,141 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+ primum = \lyricmode {
+ Psal -- li -- te u -- ni -- ge -- ni -- to
+ Chri -- sto, de -- i fi -- li -- o,
+ }
+
+ secundum = \lyricmode {
+ re -- demp -- to -- ri,
+ do -- mi -- no,
+ pu -- e -- ru -- lo ia -- cen -- ti
+ in præ -- se -- pi -- o.
+ }
+
+ psalSop = \lyricmode {
+ \primum
+ psal -- li -- te
+ \secundum
+ }
+
+ psalUnter = \lyricmode {
+ \primum
+ \secundum
+ }
+
+ inter = \lyricmode {
+ \repeat unfold 12 { _ }
+ }
+
+ interUp = \lyricmode {
+ \inter
+ \inter _
+ }
+
+ interDn = \lyricmode {
+ \inter _
+ _ _ _ _ _
+ }
+
+ eins = \lyricmode {
+ Singt und klingt Je -- su, Got -- tes Kind
+ und Ma -- ri -- en Söh -- ne -- lein,
+ }
+
+ zwei = \lyricmode {
+ un -- serm lie -- ben Je -- su -- lein im Krip -- pe -- lein
+ beim Öchs -- lein und beim E -- se -- lein!
+ }
+
+ sukSop = \lyricmode {
+ \eins
+ singt und klingt
+ \zwei
+ }
+
+ sukUnter = \lyricmode {
+ \eins
+ \zwei
+ }
+
+ kind = \lyricmode {
+ Ein klei -- nes Kin -- de -- lein liegt in dem Krip -- pe -- lein;
+ }
+
+ engel = \lyricmode {
+ al -- le lie -- ben En -- ge -- lein die -- nen dem
+ }
+
+ zwischenUp = \lyricmode {
+ \kind
+ \engel Kin -- de -- lein.
+ }
+
+ zwischenDn = \lyricmode {
+ \engel Kin -- de -- lein und sin -- gen ihm fein.
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ \psalSop
+ \interUp
+ \psalSop
+ o.
+ }
+ sopTtwo = \lyrics {
+ \override LyricText #'font-shape = #'italic
+ \sukSop
+ \zwischenUp
+ \sukSop
+ lein!
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ \psalUnter
+ \interUp
+ \psalUnter
+ o.
+ }
+ altTtwo = \lyrics {
+ \override LyricText #'font-shape = #'italic
+ \sukUnter
+ \interUp
+ \sukUnter
+ lein!
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ \psalUnter
+ \interDn
+ \psalUnter
+ o.
+ }
+ tenTtwo = \lyrics {
+ \override LyricText #'font-shape = #'italic
+ \sukUnter
+ \zwischenDn
+ \sukUnter
+ lein!
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ \psalUnter
+ \interDn
+ \psalUnter
+ o.
+ }
+ basTtwo = \lyrics {
+ \override LyricText #'font-shape = #'italic
+ \sukUnter
+ \zwischenDn
+ \sukUnter
+ lein!
+ }
+
diff --git a/hr/stch/fertig/psallite/texte_.ly b/hr/stch/fertig/psallite/texte_.ly
new file mode 100644
index 0000000..f4bc2a7
--- /dev/null
+++ b/hr/stch/fertig/psallite/texte_.ly
@@ -0,0 +1,149 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+ primum = \lyricmode {
+ Psal -- li -- te u -- ni -- ge -- ni -- to
+ Chri -- sto, de -- i fi -- li -- o,
+ }
+
+ secundum = \lyricmode {
+ re -- demp -- to -- ri,
+ do -- mi -- no,
+ pu -- e -- ru -- lo ia -- cen -- ti
+ in præ -- se -- pi -- o.
+ }
+
+ psalSop = \lyricmode {
+ \primum
+ psal -- li -- te
+ \secundum
+ }
+
+ psalUnter = \lyricmode {
+ \primum
+ \secundum
+ }
+
+ inter = \lyricmode {
+ \repeat unfold 12 { _ }
+ }
+
+ interUp = \lyricmode {
+ \inter
+ \inter _
+ }
+
+ interDn = \lyricmode {
+ \inter _
+ _ _ _ _ _
+ }
+
+ eins = \lyricmode {
+ Singt und klingt Je -- su, Got -- tes Kind
+ und Ma -- ri -- en Söh -- ne -- lein,
+ }
+
+ zwei = \lyricmode {
+ un -- serm lie -- ben Je -- su -- lein im Krip -- pe -- lein
+ beim Öchs -- lein und beim E -- se -- lein!
+ }
+
+ sukSop = \lyricmode {
+ \eins
+ singt und klingt
+ \zwei
+ }
+
+ sukUnter = \lyricmode {
+ \eins
+ \zwei
+ }
+
+ kind = \lyricmode {
+ Ein klei -- nes Kin -- de -- lein liegt in dem Krip -- pe -- lein;
+ }
+
+ engel = \lyricmode {
+ al -- le lie -- ben En -- ge -- lein die -- nen dem
+ }
+
+ zwischenUp = \lyricmode {
+ \kind
+ \engel Kin -- de -- lein.
+ }
+
+ zwischenDn = \lyricmode {
+ \engel Kin -- de -- lein und sin -- gen ihm fein.
+ }
+
+ finis = \lyricmode {
+ in præ -- se -- pi -- o.
+ }
+
+ ende = \lyricmode {
+ und beim E -- se -- lein!
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ \psalSop
+ \interUp
+ \psalSop
+ \finis
+ }
+ sopTtwo = \lyrics {
+ \override LyricText #'font-shape = #'italic
+ \sukSop
+ \zwischenUp
+ \sukSop
+ \ende
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ \psalUnter
+ \interUp
+ \psalUnter
+ \finis
+ }
+ altTtwo = \lyrics {
+ \override LyricText #'font-shape = #'italic
+ \sukUnter
+ \interUp
+ \sukUnter
+ \ende
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ \psalUnter
+ \interDn
+ \psalUnter
+ \finis
+ }
+ tenTtwo = \lyrics {
+ \override LyricText #'font-shape = #'italic
+ \sukUnter
+ \zwischenDn
+ \sukUnter
+ \ende
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ \psalUnter
+ \interDn
+ \psalUnter
+ \finis
+ }
+ basTtwo = \lyrics {
+ \override LyricText #'font-shape = #'italic
+ \sukUnter
+ \zwischenDn
+ \sukUnter
+ \ende
+ }
+
diff --git a/hr/stch/fertig/reiselein/reiselein.ly b/hr/stch/fertig/reiselein/reiselein.ly
new file mode 100644
index 0000000..0cbe372
--- /dev/null
+++ b/hr/stch/fertig/reiselein/reiselein.ly
@@ -0,0 +1,54 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+\version "2.12.1"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Ich brach drei dürre Reiselein"
+ composer = "Hugo Distler, 1908-1942"
+ %opus = "<+Werk+>"
+ %tagline = ""
+ }
+
+ \paper {
+ %<+weitere Einstellungen+>
+ }
+
+ \midi {
+ %\tempo 4 = <+bpm+>
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ \score {
+ \new ChoirStaff <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ <<
+ \new Voice = "soprane" { \global \voiceOne \sopranMelodie }
+ \lyricsto soprane \sopranText
+ \new Voice = "alti" { \global \voiceTwo \altMelodie }
+ >>
+ >>
+ %\new Staff = alt <<
+ %>>
+ \new Staff = tenor <<
+ <<
+ \new Voice = "tenoere" { \global \voiceOne \tenorMelodie }
+ \new Voice = "baesse" { \global \voiceTwo \bassMelodie }
+ >>
+ >>
+ %\new Staff = bass <<
+ %>>
+ >>
+ }
+
diff --git a/hr/stch/fertig/reiselein/reiselein.ps b/hr/stch/fertig/reiselein/reiselein.ps
new file mode 100644
index 0000000..6d84235
--- /dev/null
+++ b/hr/stch/fertig/reiselein/reiselein.ps
Binary files differ
diff --git a/hr/stch/fertig/reiselein/stimmen.ly b/hr/stch/fertig/reiselein/stimmen.ly
new file mode 100644
index 0000000..f53e3f4
--- /dev/null
+++ b/hr/stch/fertig/reiselein/stimmen.ly
@@ -0,0 +1,117 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+ global = {
+ \key c \major
+ \override Staff.TimeSignature #'style = #'()
+ \time 3/4
+ \partial 4
+ }
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+% articulation
+
+ sopranArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+ altArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+ tenorArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+ bassArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ a'4 c4. c8 a8 a8
+ c4. c8 a8 c8
+ \time 4/4 c4 d4 c4 a4
+ \time 3/4 g8( a8 f8 g8~g8 ) g8
+ b4. b8 g8 g8
+ b4 a4 g4
+ \time 7/8 g4 g8 e8 fis4 fis8
+ \time 3/4 g2
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ f4 g4. a8 f8 f8
+ g4. a8 f8 a8
+ c4. c8 a4 g4
+ e8( f8( d8( e8 ~ e8 ) ) ) ees8
+ g4. f8 ees8 f8
+ g4 f4 ees4
+ d4 d8 d8 d4 d8
+ g2
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ c4 d4. d8 c8 c8
+ d4. d8 c8 c8
+ a4 f4 c'4 c4
+ c8( d8( bes8( c8 ~ c8 ) ) ) c8
+ d4. d8 d8 c8
+ d4. d8 c4
+ c4 c8 bes8 a4 a8
+ g2
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ c4 f4. f8 c8 c8
+ f4. f8 c8 c8
+ f4 a4 f4 f4
+ c2 c4
+ f4. f8 c8 c8
+ f4. f8 c4
+ g'4 g8 g8 d4 d8
+ g,2
+ }
+ >>
+ }
diff --git a/hr/stch/fertig/reiselein/texte.ly b/hr/stch/fertig/reiselein/texte.ly
new file mode 100644
index 0000000..727fbec
--- /dev/null
+++ b/hr/stch/fertig/reiselein/texte.ly
@@ -0,0 +1,25 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ Ich brach drei dür -- re Rei -- se -- lein
+ vom har -- ten Ha -- sel -- strauch
+ und tat sie in ein Ton -- krüg -- lein;
+ warm war das Was -- ser auch.
+ }
+
+ %altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ %}
+
+ %tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ %}
+
+ %bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ %}
+
diff --git a/hr/stch/fertig/richte/dynArt.ly b/hr/stch/fertig/richte/dynArt.ly
new file mode 100644
index 0000000..c4ac926
--- /dev/null
+++ b/hr/stch/fertig/richte/dynArt.ly
@@ -0,0 +1,69 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s1\f
+ s1*4
+ \override Hairpin #'style = #'dashed-line
+ s2\> s2\p
+ s1*3
+ s2.\fermata s8 s8\f
+ s1*5
+ s2\> s2\p
+ s1*3
+ s1\fermata
+ s2\f s2
+ s1*11
+ s2..\fermata s8\mf
+ \bar "||"
+ \time 3/8
+ s4.*12
+ \revert Hairpin #'style
+ s4\< s8
+ s8.\sf s8.
+ s4.*5
+ s8 s8\f s8
+ s4.*11
+ s4 s8\p
+ s4.*4
+ s4.
+ s4.*2
+ \bar "||"
+ \key d \major
+ \time 4/4
+ s1\p
+ s1*6
+ s2\f s2
+ s1*3
+ s2.\f s4
+ s1*3
+ s1%\ff
+ s1*14
+ s1\fermata
+ \bar "||"
+ }
+
+ maennerOber = {
+ s1*33
+ s4.*36
+ s4.^\markup{ "[" \italic "dim." "]" }
+ s4.*2
+ s1*3
+ s1\p
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/fertig/richte/midi.lua b/hr/stch/fertig/richte/midi.lua
new file mode 100644
index 0000000..58e69da
--- /dev/null
+++ b/hr/stch/fertig/richte/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/fertig/richte/richte.ly b/hr/stch/fertig/richte/richte.ly
new file mode 100644
index 0000000..b453a26
--- /dev/null
+++ b/hr/stch/fertig/richte/richte.ly
@@ -0,0 +1,77 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Richte mich, Gott"
+ composer = "Felix Mendelssohn Bartholdy"
+ text = "Psalm 43"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 17)
+
+ sop = \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ tenII = \new Staff = tenorTwo <<
+ \new Voice = "tenoere" { \global \tenorIIMelodie }
+ \addlyrics { \text }
+ >>
+
+ bas = \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ \addlyrics { \text }
+ >>
+
+ \score {
+ \new ChoirStaff \with {} <<
+ %\sop
+ %\alt
+ %\ten
+ \tenII
+ %\bas
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/fertig/richte/stimmen.ly b/hr/stch/fertig/richte/stimmen.ly
new file mode 100644
index 0000000..03e49f0
--- /dev/null
+++ b/hr/stch/fertig/richte/stimmen.ly
@@ -0,0 +1,411 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key f \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r1
+ }
+ >>
+ }
+
+ tenorIIMelodie = \relative c' {
+ <<
+ { \meta }
+ \maennerOber
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ a2 d,4 bes'4
+ a2. d4
+ c4 a4 f4 bes4
+ a4 f4 d4 e8 f8
+ g2 g4 a8 bes8
+ a1 ~
+ a1 ~
+ a1 ~
+ a1 ~
+ a2. r8 a8
+ a2 d,4 bes'4
+ a2 d2
+ c4 a4 f4 bes8 bes8
+ a4 f4 d4 e8 e8
+ f2 e4 f4
+ c1 ~
+ c1 ~
+ c1 ~
+ c1 ~
+ c1
+ c'2 c4 c4
+ c1 ~
+ c4 d4 d4 d4
+ d2 d2 ~
+ d4 d4 c4 g4
+ bes2 bes2 ~
+ bes4 bes4 a4 a4
+ bes4 bes8 a8 c2
+ c2 %c4( bes4)
+ %a4( d4 e4) f4
+ %<<
+ %{
+ \voiceTwo
+ f,4 g4
+ a4( bes4 c4) d4
+ e4 fis4 g4 a4
+ bes4 bes4 bes,2
+ a2..
+ %}
+ % {
+ %\voiceOne
+ c4 bes4
+ a4( d4 e4) f4
+ g4 d4 d4 cis4
+ d4 bes4 g2
+ cis2..
+ %}
+ %>>
+ %\clef "treble_8"
+ %\oneVoice
+ a8
+ \time 3/8
+ a8 d,8 bes'8
+ a8. a16 a8
+ a8 f8 g8
+ a4 a8
+ a8 c8 bes8
+ \repeat unfold 6 { a4. ~ }
+ a8 r8 a8
+ a4 d8
+ c8. a16 g8
+ f8 g8 a8
+ c,4. ~
+ c4. ~
+ c4. ~
+ c4.
+ r8 c'8 c8
+ bes8 c8 d8
+ c8. bes16 a8
+ g8 a8 bes8
+ a4. ~
+ a4. ~
+ a4. ~
+ a4.
+ r8 a8 a8
+ a8 d,8 bes'8
+ a4 a8
+ a4.
+ f4 bes8
+ bes8 bes8 bes8
+ c4 c8
+ g8 g8 g8
+ e4 a8
+ a8 a8 a8
+ a8[ d,8] bes'8
+ a8 a8 g8
+ \bar "||"
+ \key d \major
+ \time 4/4
+ fis1 ~
+ fis1
+ e1
+ b'1 ~
+ b1
+ a2 gis2
+ a1
+ cis2 d4. cis8
+ cis1
+ cis2 d4. cis8
+ cis1
+ d2. d4
+ d4. d8 d4 d4
+ cis2( d2) ~
+ d2 cis2
+ a2\ff b4. fis8
+ fis1
+ a2 b4. fis8
+ fis1
+ fis2. fis4
+ g2 a2
+ e2 e2
+ e2 e2
+ a2 b2
+ d,2. fis4
+ a4. a8 a2
+ fis2 d2
+ d2 e2
+ fis1(
+ g1)
+ fis1
+ \bar "|."
+ %{
+ \bar "||"
+ \break
+ \key f \major
+ \clef "bass"
+ f2. f4
+ g2 a2
+ bes1
+ a1
+ a2 a2
+ \set melismaBusyProperties = #'()
+ d1(
+ c1)
+ \unset melismaBusyProperties
+ f,2 f2
+ bes,1 ~
+ bes1
+ \set melismaBusyProperties = #'()
+ g2( c2)
+ \unset melismaBusyProperties
+ c1 ~
+ c1
+ f,1
+ f'2. f4
+ g2 a2
+ bes1
+ a1
+ a2 a2
+ d2. d4
+ c1
+ f,2 f2
+ bes,1 ~
+ bes1(
+ g2) g2
+ a2 a2
+ a2 a2
+ d1
+ r1
+ r1
+ r1
+ f,1 ~
+ f2 f2
+ g2 a2
+ bes1 ~
+ bes2 a2
+ c1 ~
+ c1
+ f,1
+ \bar "|."
+ %}
+ }
+ >>
+ }
+
+ bassMelodie = \relative c' {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ a2 d,4 bes'4
+ a2. d4
+ c4 a4 f4 bes4
+ a4 f4 d4 e8 f8
+ g2 g4 a8 bes8
+ a1 ~
+ a1 ~
+ a1 ~
+ a1 ~
+ a2. r8 a8
+ a2 d,4 bes'4
+ a2 d2
+ c4 a4 f4 bes8 bes8
+ a4 f4 d4 e8 e8
+ f2 e4 f4
+ c1 ~
+ c1 ~
+ c1 ~
+ c1 ~
+ c1
+ c'2 c4 c4
+ f,1 ~
+ f4 d4 d4 d4
+ g2 g2 ~
+ g4 g4 g4 g4
+ g4( f4 e4 d4)
+ c4 c4 c4 c4
+ c4 c8 c8 c2 f2
+ <<
+ {
+ \voiceTwo
+ f,4 g4
+ a4( bes4 c4) d4
+ e4 fis4 g4 a4
+ bes4 bes4 bes,2
+ a2..
+ }
+ {
+ \voiceOne
+ c'4 bes4
+ a4( d4 e4) f4
+ g4 d4 d4 cis4
+ d4 bes4 g2
+ cis2..
+ }
+ >>
+ \clef "treble_8"
+ \oneVoice
+ a8
+ \time 3/8
+ a8 d,8 bes'8
+ a8. a16 a8
+ a8 f8 g8
+ a4 a8
+ a8 c8 bes8
+ \repeat unfold 6 { a4. ~ }
+ a8 r8 a8
+ a4 d8
+ c8. a16 g8
+ f8 g8 a8
+ c,4. ~
+ c4. ~
+ c4. ~
+ c4.
+ r8 c'8 c8
+ bes8 c8 d8
+ c8. bes16 a8
+ g8 a8 bes8
+ a4. ~
+ a4. ~
+ a4. ~
+ a4.
+ r8 a8 a8
+ a8 d,8 bes'8
+ a4 a8
+ a4.
+ f4 bes8
+ bes8 bes8 bes8
+ c4 c8
+ g8 g8 g8
+ e4 a8
+ a8 a8 a8
+ a8[ d,8] bes'8
+ a8 a8 g8
+ \bar "||"
+ \key d \major
+ \time 4/4
+ fis1 ~
+ fis1
+ e1
+ b'1 ~
+ b1
+ a2 gis2
+ a1
+ cis2 d4. cis8
+ cis1
+ cis2 d4. cis8
+ cis1
+ d2. d4
+ d4. d8 d4 d4
+ cis2( d2) ~
+ d2 cis2
+ a2 b4. fis8
+ fis1
+ a2 b4. fis8
+ fis1
+ fis2. fis4
+ g2 a2
+ e2 e2
+ e2 e2
+ a2 b2
+ d,2. fis4
+ a4. a8 a2
+ fis2 d2
+ d2 e2
+ fis1(
+ g1)
+ fis1
+ \bar "|."
+ %{
+ \bar "||"
+ \break
+ \key f \major
+ \clef "bass"
+ f2. f4
+ g2 a2
+ bes1
+ a1
+ a2 a2
+ \set melismaBusyProperties = #'()
+ d1(
+ c1)
+ \unset melismaBusyProperties
+ f,2 f2
+ bes,1 ~
+ bes1
+ \set melismaBusyProperties = #'()
+ g2( c2)
+ \unset melismaBusyProperties
+ c1 ~
+ c1
+ f,1
+ f'2. f4
+ g2 a2
+ bes1
+ a1
+ a2 a2
+ d2. d4
+ c1
+ f,2 f2
+ bes,1 ~
+ bes1(
+ g2) g2
+ a2 a2
+ a2 a2
+ d1
+ r1
+ r1
+ r1
+ f,1 ~
+ f2 f2
+ g2 a2
+ bes1 ~
+ bes2 a2
+ c1 ~
+ c1
+ f,1
+ \bar "|."
+ %}
+ }
+ >>
+ }
+
diff --git a/hr/stch/fertig/richte/texte.ly b/hr/stch/fertig/richte/texte.ly
new file mode 100644
index 0000000..5468da6
--- /dev/null
+++ b/hr/stch/fertig/richte/texte.ly
@@ -0,0 +1,54 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+ text = \lyrics {
+ Rich -- te mich, Gott! und füh -- re mei -- ne Sa -- che
+ wi -- der das un -- hei -- li -- ge Volk.
+ Denn du bist der Gott, du bist der Gott mei -- ner Stär -- ke;
+ war -- um ver -- stö -- ßest du mich?
+ Sen -- de dein Licht und dei -- ne Wahr -- heit,
+ daß sie mich lei -- ten zu dei -- nem hei -- li -- gen Ber -- ge,
+ und zu dei -- ner Woh -- nung, und zu dei -- ner Woh -- nung.
+ %
+ Daß ich hin -- ein -- ge -- he zum Al -- _ tar Got -- tes, zu _ dem Gott,
+ der mei -- ne Freu -- de und Won -- _ ne ist,
+ und dir, Gott, auf der Har -- _ fe dan -- ke, mein Gott,
+ und dir, Gott, auf der Har -- fe dan -- ke,
+ dir Gott, auf der Har -- fe dan -- ke, mein Gott,
+ dir Gott, auf der Har -- _ fe dan -- ke, mein
+ %
+ Gott, mein Gott, _ mein Gott?
+ Har -- re auf Gott!
+ Har -- re auf Gott!
+ Denn ich wer -- de ihm noch dan -- ken.
+ Har -- re auf Gott!
+ Har -- re auf Gott!
+ Denn ich wer -- de ihm noch dan -- ken,
+ daß er mei -- nes An -- ge -- sichts Hil -- fe und mein Gott ist!
+ %
+ Eh -- re sei dem Va -- ter und dem Soh -- ne
+ und dem hei -- li -- gen Gei -- ste.
+ Wie es war im An -- fang,
+ jetzt und im -- mer -- dar und von E -- wig -- keit zu E -- wig -- keit.
+ A -- men, a -- _ _ men, a -- men.
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/stch/fertig/ride/a.midi b/hr/stch/fertig/ride/a.midi
new file mode 100644
index 0000000..0c2b5c4
--- /dev/null
+++ b/hr/stch/fertig/ride/a.midi
Binary files differ
diff --git a/hr/stch/fertig/ride/b.midi b/hr/stch/fertig/ride/b.midi
new file mode 100644
index 0000000..7837da5
--- /dev/null
+++ b/hr/stch/fertig/ride/b.midi
Binary files differ
diff --git a/hr/stch/fertig/ride/dynArt.ly b/hr/stch/fertig/ride/dynArt.ly
new file mode 100644
index 0000000..1aad1d7
--- /dev/null
+++ b/hr/stch/fertig/ride/dynArt.ly
@@ -0,0 +1,83 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ \override BreathingSign #'text = \markup { \musicglyph #"scripts.caesura.straight" } % caesura-like? double-slash!
+ s4.
+ \mark \markup { \smaller \musicglyph #"scripts.segno" }
+ \repeat volta 2 {
+ s8 s4-> s8 s2
+ s4. s8-> s2
+ s8 s4-> s8 s2
+ s4. s8-> s2
+ s1
+ s4. s8-> s2
+ s4. s8-> s2
+ } \alternative {
+ {
+ s4. s8-> s2
+ }
+ {
+ s4. s8-> s2
+ }
+ }
+ s1
+ s4.-> s8\fp s2\<
+ s1
+ s4.->\> s8\fp s4 s4\cresc
+ s1
+ s4.->\! s8 s2
+ s1
+ s2.. s8
+ \bar "|."
+ s2. \bar "||" s4
+ \repeat volta 2 {
+ s2.\< s4\!
+ s2.\< s4\!
+ s1\<
+ s4.\! s8-> s2
+ s2.\> s4\!
+ s2.\> s4\!
+ s8 s2..\cresc
+ } \alternative {
+ {
+ s4. s8-> s2
+ }
+ {
+ s1\!
+ }
+ }
+ s8 s4-> s8\cresc s2
+ s2. s4\!
+ s8 s4-> s8 s2
+ s4. s8-> s2
+ s1
+ s4. s8-> s2
+ s4.->\f s8 s2
+ s4.->\mf s8-> s2
+ s8 s4\mf s8 s2\cresc
+ s4. s8-> s2
+ s8 s4\mf s8\cresc s2
+ s4. s8-> s8 \breathe s8--\! s8-- s8--
+ s8-> s4-> s8-> s8-> s8-> s8-> s8->
+ s2-> s2->
+ s1
+ s1->\fermata\f
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/fertig/ride/midi.lua b/hr/stch/fertig/ride/midi.lua
new file mode 100644
index 0000000..e22ba8e
--- /dev/null
+++ b/hr/stch/fertig/ride/midi.lua
@@ -0,0 +1,51 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ \unfoldRepeats
+]]
+
+post=[[
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 120 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/fertig/ride/ride.ly b/hr/stch/fertig/ride/ride.ly
new file mode 100644
index 0000000..2cde048
--- /dev/null
+++ b/hr/stch/fertig/ride/ride.ly
@@ -0,0 +1,77 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Ride the Chariot"
+ %composer = "<+Komponist+>"
+ arranger = "William Henry Smith"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ page-count = 2
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \RemoveEmptyStaves
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ \override VerticalAxisGroup #'remove-first = ##t
+ }
+ }
+
+ #(set-global-staff-size 17)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ \addlyrics { \bassText }
+ >>
+
+ \score {
+ <<
+ \new Staff { \new Voice { \global \soloMelodie } }
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ %\new Staff = sopran { \sop }
+ %\new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ %\new Staff = bass { \bas }
+ >>
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/fertig/ride/s.midi b/hr/stch/fertig/ride/s.midi
new file mode 100644
index 0000000..56de4b9
--- /dev/null
+++ b/hr/stch/fertig/ride/s.midi
Binary files differ
diff --git a/hr/stch/fertig/ride/stimmen.ly b/hr/stch/fertig/ride/stimmen.ly
new file mode 100644
index 0000000..629086e
--- /dev/null
+++ b/hr/stch/fertig/ride/stimmen.ly
@@ -0,0 +1,217 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key g \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ \partial 4.
+ \override DynamicTextSpanner #'style = #'none
+ }
+
+% Die Stimmen
+
+ soloMelodie = \relative c' {
+ <<
+ % { \meta } nope!
+ {
+ s4.
+ s1*4
+ \break
+ s1*4
+ \break
+ r4. r4. d8\f d8
+ g8 g8 g4 b8 d4. ~
+ d2 r4 d,8 d8
+ g8 g8 g8 a8 b8 g4. ~
+ g2. d8 d8
+ g8 g8 g8 g8 b8 d4. ~
+ d2 r4 c4
+ b8 b8 b8 b8 b8 a8 g8 g8
+ a8 a4 a8 g2^\markup { \italic "D.S." }
+ a8 a4 a8 g4
+ g'4
+ \break
+ g4 d4 d4 d8 ~ d8
+ d8( c8) b4 g2
+ d'1\< ~
+ d2.\! g4
+ \break
+ g4 d4 d4 d4
+ d8( c8) b4 g2
+ d'1\< ~
+ d2.\! g4
+ d2. \repeatTie r4
+ \break
+ <<d2\mf { s4. s8\cresc }>> e2
+ e2( fis2)
+ <<d2\mf { s4. s8\cresc }>> g2
+ e2( fis2)
+ g1\f
+ g1
+ d4.\f e8( e2)
+ d4.->\mf <d g,>8-> ~ q8 g,8->\f g8-> g8->
+ g'1-> ~
+ g2 ~ g8 g,8-> g8-> g8->
+ g'1-> ~
+ g2 ~ g8 r8 r4
+ \break
+ s1*4
+ }
+ >>
+ }
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ tenorPartI = \relative c' {
+ r8 b4 b8 e8 e8 e8 d8
+ c4 c8 c8-> ~ c4 r4
+ r8 b4 b8 g8 g8 g8 g8
+ a4 g8 fis8 ~ fis4 r4
+ r8 d'8 d8 d8 d8 c8 b8 b8
+ c4 b8 e8 ~ e2
+ d4. cis8 ~ cis2
+ c4. b8 ~ b4 r4
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r8 r4
+ \tenorPartI
+ c4. b8 ~ b4 r4
+ r1
+ b4. b8 ~ b2 ~
+ b1
+ c4. b8 ~ b2 ~
+ b1
+ d4. d8 ~ d4 e4
+ d8 d8 d8 d8 d8 c8 b8 b8
+ c8 c4 c8 b2
+ c8 c4 c8 b4 r4
+ b1
+ c1
+ b8 b4 b8 d8 d8 d8 d8
+ c4 c8 b8 ~ b2
+ b1
+ g1
+ b8 b4 b8 d8 d8 d8 d8
+ c4 c8 b8 ~ b2
+ c4 c8 b8-> ~ b2
+ \tenorPartI
+ r8 d4 d8 c8 c8 c8 c8
+ bes4 bes8 b8 ~ b2
+ r8 d4 d8 c8 c8 c8 c8
+ d4 d8 e8 ~ e8 d8 d8 d8
+ b8 b4 b8 b8 b8 c8 d8
+ c2 c2
+ b4-> b4-> c4-> a4->
+ b1
+ }
+ >>
+ }
+
+ ride = \relative c' {
+ g8 g4 g8 e8 e8 e8 e8
+ a4 e8 d8 ~ d8 d8-> e8-> fis8->
+ g8 e4 d8 b8 b8 b8 b8
+ a4 a8 d8 ~ d8 d8-> e8-> fis8->
+ g4 g4 f4 f4
+ e4 d8 c8 ~ c2
+ d4. e8 ~ e4( a,4)
+ }
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ d8-> e8-> fis8->
+ \ride
+ d4. g,8 ~ g8 d'8-> e8-> fis8->
+ d4. g,8 ~ g4 r4
+ r1
+ g'4. g8 ~ g2 ~
+ g1
+ c,4. <g g'>8 ~ q2 ~
+ q1
+ <b b'>4. <g g'>8 ~ q4 c4
+ d8 d8 d8 d8 d8 dis8 e8 e8
+ a,8 a4 d8 <g, g'>8 d'8-> e8-> fis8->
+ a,8 a4 d8 <g, g'>4
+ r4
+ g'1
+ g1
+ g8 g4 e8 d8 d8 d8 d8
+ d4 d8 <g, g'>8 ~ q2
+ g'2( f2)
+ e2( ees2)
+ d8 d4 e8 d8 d8 d8 d8
+ d4 d8 <g, g'>8 ~ q2
+ d'4 d8 g,8 ~ g8 d'8-> e8-> fis8->
+ \ride
+ d4. g,8 ~ g4 r4
+ r8 f'4 f8 e8 e8 e8 e8
+ ees4 ees8 d8 ~ d2
+ r8 f4 f8 e8 e8 e8 e8
+ d4 g8 <c, c'>8 ~ q8
+ %\partcombine
+ <<
+ \relative c' { %\voiceOne
+ c8 b8 a8
+ g8 g4 g8 g8 g8 g8 g8
+ e2 a2
+ }
+ %\\
+ \relative c' { %\voiceTwo
+ c8 b8 a8
+ g8 g4 fis8 e8 d8 c8 b8
+ a2 b2
+ }
+ >>
+ <<
+ \relative c' {
+ \voiceOne
+ g1-> ~
+ g1->
+ }
+ \\
+ \relative c' {
+ \voiceTwo
+ g2. g4->
+ g,1
+ }
+ \addlyrics { Lord, my Lord }
+ >>
+ }
+ >>
+ }
+
diff --git a/hr/stch/fertig/ride/t.midi b/hr/stch/fertig/ride/t.midi
new file mode 100644
index 0000000..8af95e7
--- /dev/null
+++ b/hr/stch/fertig/ride/t.midi
Binary files differ
diff --git a/hr/stch/fertig/ride/texte.ly b/hr/stch/fertig/ride/texte.ly
new file mode 100644
index 0000000..8ec4a3a
--- /dev/null
+++ b/hr/stch/fertig/ride/texte.ly
@@ -0,0 +1,82 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+ gonna = \lyricmode {
+ I’m gon -- na ride in the char -- iot in the morn -- ing, Lord,
+ }
+ ride = \lyricmode {
+ Ride, ride,
+ Ride in the char -- i -- ot to see my Lord.
+ }
+ ready = \lyricmode {
+ I’m get -- tin’ read -- y for the judg -- ment day,
+ }
+ Ride = \lyricmode {
+ Ride the char -- iot in the morn -- ing,
+ }
+ waiting = \lyricmode {
+ I’m wait -- in’ for the char -- iot ’cause I’m read -- y to go.
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ \Ride Lord,
+ \Ride Lord,
+ \ready my Lord, my Lord.
+ my Lord.
+ Oh yes
+ Oh, yes,
+ Oh, yes,
+ \waiting
+ read -- y to go.
+ \ride
+ \ride
+ see my Lord.
+ \Ride Lord,
+ \Ride Lord,
+ \ready
+ My Lord, my Lord,
+ \Ride Lord,
+ \Ride Lord,
+ I’m gon -- na ride in the char -- i -- ot to see my Lord,
+ to see my Lord.
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ \gonna
+ \gonna
+ \ready
+ my Lord, my Lord. Im gon -- na
+ my Lord.
+ Oh yes
+ Oh, yes,
+ Oh, yes,
+ \waiting
+ I’m gon -- na
+ read -- y to go.
+ \ride
+ \ride
+ see my Lord.
+ \gonna
+ \gonna
+ \ready
+ my Lord, my Lord,
+ \Ride Lord,
+ \Ride
+ %\set associatedVoice = upper
+ Lord,
+ I’m gon -- na ride in the char -- i -- ot to see my Lord, my Lord.
+ }
+
diff --git a/hr/stch/fertig/riverside/dynArt.ly b/hr/stch/fertig/riverside/dynArt.ly
new file mode 100644
index 0000000..ca8ed9e
--- /dev/null
+++ b/hr/stch/fertig/riverside/dynArt.ly
@@ -0,0 +1,55 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ pat = {
+ s2 s8-- s8-. s8 s8-.
+ }
+ dot = {
+ s2 s8-- s8-. s8 s8->
+ }
+ sopranArt = {
+ s4.
+ \repeat unfold 16 s1
+ \repeat unfold 16 s1
+ \dot
+ }
+
+ altArt = {
+ s4.
+ \repeat unfold 16 s1
+ \repeat unfold 14 s1
+ \pat
+ \pat
+ \dot
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ s4.
+ s4-. s2.
+ \repeat unfold 3 {
+ s1
+ s1->
+ }
+ s1
+ s4-. s2.
+ \override BreathingSign #'text = \markup { \musicglyph #"scripts.caesura" }
+ s2. \breathe s4->
+ s1->
+ \repeat unfold 5 s1
+ \repeat unfold 6 s1
+ s4 s2-> s4
+ \repeat unfold 7 s1
+ \pat
+ \pat
+ \dot
+ }
+
diff --git a/hr/stch/fertig/riverside/midi.lua b/hr/stch/fertig/riverside/midi.lua
new file mode 100644
index 0000000..8d7d5be
--- /dev/null
+++ b/hr/stch/fertig/riverside/midi.lua
@@ -0,0 +1,51 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ \unfoldRepeats
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/fertig/riverside/riverside.ly b/hr/stch/fertig/riverside/riverside.ly
new file mode 100644
index 0000000..510b853
--- /dev/null
+++ b/hr/stch/fertig/riverside/riverside.ly
@@ -0,0 +1,75 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Down By The Riverside"
+ composer = "Traditional"
+ arranger = "Carsten Gerlitz"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 17)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \partcombine
+ { \sopranMelodie }
+ { \altMelodie }
+ %\new Voice = "soprane" { \voiceOne \sopranMelodie }
+ %\new Voice = "alti" { \voiceTwo \altMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \bassMelodie }
+ \addlyrics { \bassText }
+ \addlyrics { \second }
+ \addlyrics { \third }
+ \addlyrics { \fourth }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = sopran { \global \sop }
+ %\new Staff = alt { \global \alt }
+ %\new Staff = tenor { \global \ten }
+ \new Staff = bass { \global \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/fertig/riverside/stimmen.ly b/hr/stch/fertig/riverside/stimmen.ly
new file mode 100644
index 0000000..5114868
--- /dev/null
+++ b/hr/stch/fertig/riverside/stimmen.ly
@@ -0,0 +1,163 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key g \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ \partial 4.
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ \sopranArt
+ %the actual tune
+ {
+ r8 r4
+ r2 b'4 g4
+ d4 e4 g4 fis4
+ r4 b4 b4. ais8
+ b8 a4 g8 ~ g4 r4
+ r4 a4 a4. gis8
+ a8 g4 fis8 ~ fis4 r4
+ r4 b4 b4. ais8
+ b8 a4 g8 ~ g4 r4
+ r2 b4 g4
+ g4 g4 a2
+ r4 b4 b4. ais8
+ b8 a4 g8 ~ g4 g4
+ a4 a8 a8 a4 c4
+ b2 a2
+ g1 ~
+ g4 s8 g8 a4 b8 b8
+ %
+ c8 c4 c8 ~ c4 c4
+ c4 d4 g,4 a8 ais8
+ b8 b4 b8 ~ b4 a4
+ g2. g4
+ a2 a4 a4
+ a8 a4. g4 a4
+ b1 ~
+ b4 s8 g8 a4 b8 b8
+ c8 c4 c8 ~ c4 c4
+ c4 d4 g,4 a8 ais8
+ b8 b4 b8 ~ b4 a4
+ g2. g4
+ a2 a4 a4
+ a8 c4. b4 a4
+ g1 ~
+ g1 ~
+ g2 g8 g8 r8 b8
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ \altArt
+ %the actual tune
+ {
+ r8 r4
+ r2 d4 c4
+ c4 c4 c4 d4
+ r4 d4 d4. cis8
+ d8 c4 b8 ~ b4 s4
+ r4 c4 c4. b8
+ c8 e4 d8 ~ d4 s4
+ r4 d4 d4. cis8
+ d8 c4 b8 ~ b4 r4
+ r2 d4 c4
+ e4 c4 fis2
+ r4 d4 d4. cis8
+ d8 c4 b8 ~ b4 b4
+ c4 c8 c8 c4 a4
+ d4( g4) c,4( e4)
+ b2 e4 ees4
+ d4 s8 g8 a4 b8 b8
+ %
+ r4 fis4 e8 e4 g8 ~
+ g4. e8 ~ e4 f8 fis8
+ g4 g4 ~ g8 fis4 fis8
+ d1
+ e1(
+ c1
+ g'4) g2 a4
+ b4 s8 g8 a4 b8 b8
+ r4 f4 e8 e4 g8 ~
+ g4. e8 ~ e4 f8 fis8
+ g4 g4 ~ g8 fis4 fis8
+ d1
+ e1
+ e8 e4. e8( eis8) fis4
+ r2 e8 e8 r8 d8
+ r2 e8 e8 r8 d8
+ r2 e8 e8 r8 d8
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c' {
+ <<
+ { \meta }
+ \bassArt
+ %the actual tune
+ \clef bass
+ {
+ b8 b8 ais8
+ b4 d,2 e4
+ g4 g4 a2
+ g1 ~
+ g2 r8 g8 fis8 e8
+ d1 ~
+ d2 r8 d8 e8 fis8
+ g1 ~
+ g2 r8 b8 b8 ais8
+ b4 d,2 e4
+ c4 e4 d4 d4
+ g1 ~
+ g2. f4
+ e2 ees2
+ d2 d2
+ g2 c4 c4
+ b4 r8 g8 a4 b8 b8
+ \bar "||"
+ r4 a4 g8 g4 e8 ~
+ e4. c8 ~ c4 ees8 ees8
+ d4 d4 ~ d8 dis4 dis8
+ e1
+ c1( d2 e4 fis4
+ g4) b2 c4
+ d4 r8 g,8 a4 b8 b8
+ r4 a4 g8 g4 e8 ~
+ e4. c8 ~ c4 ees8 ees8
+ d4 d4 ~ d8 dis4 dis8
+ e1
+ c1
+ c4 c4 d4 d4
+ g,2 c8 c8 r8 b8
+ r2 c8 c8 r8 b8
+ r2 c'8 c8 r8 g8
+ \bar "|."
+ }
+ >>
+ }
+
diff --git a/hr/stch/fertig/riverside/texte.ly b/hr/stch/fertig/riverside/texte.ly
new file mode 100644
index 0000000..773465f
--- /dev/null
+++ b/hr/stch/fertig/riverside/texte.ly
@@ -0,0 +1,46 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+ second = \lyrics { I’m gon -- na put on my trave -- lin’ shoes }
+ third = \lyrics { I’m gon -- na put on my long white robe }
+ fourth = \lyrics { I’m gon -- na put on my star -- ry crown }
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ I’m gon -- na lay down my sword and shield
+ down,
+ gon -- na lay down,
+ gon -- na lay down,
+ I’m gon -- na lay down my sword and shield,
+ lay down
+ I gon -- na war no more,
+ war no more.
+ I ain’t gon -- na
+ stud -- y war no more,
+ gon -- na stud -- y war no more,
+ ooh war no more.
+ I ain’t gon -- na
+ stud -- y war no more,
+ gon -- na stud -- y war no more,
+ ooh
+ stud -- y war no more,
+ war no more,
+ war no more,
+ war no more.
+ }
+
diff --git a/hr/stch/fertig/ros_distler/midis.zip b/hr/stch/fertig/ros_distler/midis.zip
new file mode 100644
index 0000000..fc544b2
--- /dev/null
+++ b/hr/stch/fertig/ros_distler/midis.zip
Binary files differ
diff --git a/hr/stch/fertig/ros_distler/midis/alt.midi b/hr/stch/fertig/ros_distler/midis/alt.midi
new file mode 100644
index 0000000..a004bef
--- /dev/null
+++ b/hr/stch/fertig/ros_distler/midis/alt.midi
Binary files differ
diff --git a/hr/stch/fertig/ros_distler/midis/bass.midi b/hr/stch/fertig/ros_distler/midis/bass.midi
new file mode 100644
index 0000000..3420aab
--- /dev/null
+++ b/hr/stch/fertig/ros_distler/midis/bass.midi
Binary files differ
diff --git a/hr/stch/fertig/ros_distler/midis/ros.midi b/hr/stch/fertig/ros_distler/midis/ros.midi
new file mode 100644
index 0000000..daacb86
--- /dev/null
+++ b/hr/stch/fertig/ros_distler/midis/ros.midi
Binary files differ
diff --git a/hr/stch/fertig/ros_distler/midis/sopran.midi b/hr/stch/fertig/ros_distler/midis/sopran.midi
new file mode 100644
index 0000000..11ac9e9
--- /dev/null
+++ b/hr/stch/fertig/ros_distler/midis/sopran.midi
Binary files differ
diff --git a/hr/stch/fertig/ros_distler/midis/tenor.midi b/hr/stch/fertig/ros_distler/midis/tenor.midi
new file mode 100644
index 0000000..df00c9d
--- /dev/null
+++ b/hr/stch/fertig/ros_distler/midis/tenor.midi
Binary files differ
diff --git a/hr/stch/fertig/ros_distler/ros.ly b/hr/stch/fertig/ros_distler/ros.ly
new file mode 100644
index 0000000..894769a
--- /dev/null
+++ b/hr/stch/fertig/ros_distler/ros.ly
@@ -0,0 +1,77 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+\version "2.12.1"
+\include "stimmen.ly"
+%\include "texte.ly"
+
+ \header {
+ title = "Es ist ein Ros entsprungen"
+ composer = "Satz: Hugo Distler, 1908-1942"
+ opus = "aus der \"Weihnachtsgeschichte\" op.10"
+ %tagline = ""
+ }
+
+ \paper {
+ %<+weitere Einstellungen+>
+ }
+
+ \midi {
+ %\tempo 4 = <+bpm+>
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Score
+ \remove "Timing_translator"
+ \remove "Default_bar_line_engraver"
+ \remove "Time_signature_engraver"
+ %\override SpacingSpanner #'uniform-stretching = ##t
+ %\override SpacingSpanner #'strict-note-spacing = ##t
+ proportionalNotationDuration = #(ly:make-moment 1 2)
+ }
+ \context {
+ \Staff
+ \consists "Timing_translator"
+ \consists "Default_bar_line_engraver"
+ \consists "Time_signature_engraver"
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+% \context {
+% \Voice
+% \remove "Forbid_line_break_engraver"
+% }
+ }
+
+ #(set-global-staff-size 16)
+
+ \score {
+ \new ChoirStaff <<
+ \new Staff = sopran <<
+ %%\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie \end }
+ %\lyricsto soprane \sopranText
+ >>
+ \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie \end }
+ %\lyricsto alti \altText
+ >>
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie \end }
+ %\lyricsto tenoere \tenorText
+ >>
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie \end }
+ %\lyricsto baesse \bassText
+ >>
+ >>
+% \midi{
+% \context{
+% \Score
+% tempoWholesPerMinute = #(ly:make-moment 84 4)
+% }
+% }
+ %{
+ %}
+ }
+
diff --git a/hr/stch/fertig/ros_distler/ros.midi b/hr/stch/fertig/ros_distler/ros.midi
new file mode 100644
index 0000000..3fff1ae
--- /dev/null
+++ b/hr/stch/fertig/ros_distler/ros.midi
Binary files differ
diff --git a/hr/stch/fertig/ros_distler/ros.ps b/hr/stch/fertig/ros_distler/ros.ps
new file mode 100644
index 0000000..5fe1ff1
--- /dev/null
+++ b/hr/stch/fertig/ros_distler/ros.ps
Binary files differ
diff --git a/hr/stch/fertig/ros_distler/stimmen.ly b/hr/stch/fertig/ros_distler/stimmen.ly
new file mode 100644
index 0000000..0b24a35
--- /dev/null
+++ b/hr/stch/fertig/ros_distler/stimmen.ly
@@ -0,0 +1,141 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+ global = {
+ \key e \major
+ \time 3/2
+ \partial 2
+ \cadenzaOn
+ }
+ end = {\cadenzaOff}
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s4*24 %\break
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+% articulation
+
+ sopranArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+ altArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+ tenorArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+ bassArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ b2\p
+ \bar "|" \time 4/4 b4 b4 cis4 b4
+ \bar "|" b2 gis2
+ \bar "|" a2 gis4 fis4 ~
+ \bar "|" fis4 e2 dis4
+ \bar "|" \time 3/2 <<{e4.( fis8 gis2)}\\ {e1}>> gis2
+ \bar "|" \time 4/4 fis4 dis4 e4 cis4
+ \bar "|" b2 b'2
+ \bar "|" b4 b4 cis4 b4
+ \bar "|" b2 gis2
+ \bar "|" a2 gis4 fis4 ~
+ \bar "|" fis4 e2 dis4
+ \bar "|" <<{e4.( fis8 gis2)}\\ {e1}>>
+ \bar "||"
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r4 e4\p
+ \bar "|" \time 4/4 e4 fis4 a4 a4
+ \bar "|" gis4( fis8( e8( fis2 ) ) )
+ \bar "|" e4 e4 dis4 b4
+ \bar "|" cis4.( dis8( e4 ) ) fis4
+ \bar "|" \time 5/4 gis4.( fis8 e2 ) e4
+ \bar "|" e4 e4 gis4.( fis8 ) e4
+ \bar "|" \time 4/4 \times 2/3 { fis8.( gis16 e8 } fis2) e4
+ \bar "|" e4 fis4 a4 a4
+ \bar "|" gis4( fis8( e8( fis2 ) ) )
+ \bar "|" e4 e4 dis4 b4
+ \bar "|" cis4.( dis8( e4 ) ) fis4
+ \bar "|" gis4.( fis8( e2 ) )
+ \bar "||"
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ r4 b'4\p
+ \bar "|" b4 cis4 e4 e4 dis2
+ \bar "|" \time 5/4 cis4 cis2 cis4 cis4
+ \bar "|" e4.( dis8( b4( cis4 ) ) ) b4
+ \bar "|" gis8( a b cis) b2 b4
+ \bar "|" b2 gis4 cis4 cis4
+ \bar "|" \time 4/4 dis8( cis8 b4 ) b2
+ \bar "|" \time 3/2 b4 cis4 e4 e4 dis2
+ \bar "|" \time 5/4 cis4 cis2 cis4 cis4
+ \bar "|" e4.( dis8( b4( cis4 ) ) ) b4
+ \bar "|" \time 4/4 gis8( a b cis b2)
+ \bar "||"
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r2
+ \bar "|" \time 4/4 r1
+ \bar "|" r2 r4 cis'4\p ~
+ \bar "|" cis4 a2 b4
+ \bar "|" gis2 fis2
+ \bar "|" \time 3/2 e4.( cis8( e2 ) ) e2
+ \bar "|" \time 4/4 b4 cis4 e4 e4
+ \bar "|" b2. r4
+ \bar "|" r1
+ \bar "|" r2 r4 cis'4 ~
+ \bar "|" cis4 a2 b4
+ \bar "|" gis2 fis2
+ \bar "|" e1
+ \bar "||"
+ }
+ >>
+ }
diff --git a/hr/stch/fertig/ros_distler/tenorBass.midi b/hr/stch/fertig/ros_distler/tenorBass.midi
new file mode 100644
index 0000000..9e630df
--- /dev/null
+++ b/hr/stch/fertig/ros_distler/tenorBass.midi
Binary files differ
diff --git a/hr/stch/fertig/ros_distler/texte.ly b/hr/stch/fertig/ros_distler/texte.ly
new file mode 100644
index 0000000..d073090
--- /dev/null
+++ b/hr/stch/fertig/ros_distler/texte.ly
@@ -0,0 +1,22 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ <+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ <+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ <+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ <+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/stch/fertig/schoß/a.midi b/hr/stch/fertig/schoß/a.midi
new file mode 100644
index 0000000..576f9a0
--- /dev/null
+++ b/hr/stch/fertig/schoß/a.midi
Binary files differ
diff --git a/hr/stch/fertig/schoß/a5/schoß.ly b/hr/stch/fertig/schoß/a5/schoß.ly
new file mode 100644
index 0000000..e5e0245
--- /dev/null
+++ b/hr/stch/fertig/schoß/a5/schoß.ly
@@ -0,0 +1,90 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.18"
+\include "../dynArt.ly"
+\include "../stimmen.ly"
+\include "../texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Dem dunkeln Schoß der heilgen Erde"
+ subtitle = "Aus Schillers „Lied von der Glocke“"
+ composer = "Johannes Brahms"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ #(set-paper-size "a5")
+ line-width = \paper-width - 20
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ print-page-number = #'f
+ page-count = 2
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 12.3)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" {
+ %\voiceOne
+ \sopranMelodie
+ }
+ %\new Voice = "alti" { \voiceTwo \altMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" \with { \remove Forbid_line_break_engraver } { \global \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ %\new Voice = "tenoere" { \voiceOne \tenorMelodie }
+ \new Voice = "baesse" {
+ %\voiceTwo
+ \bassMelodie
+ }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \new Staff = sopran \with {
+ %fontSize = #-3
+ %\override StaffSymbol #'staff-space = #(magstep -3)
+ } { \global \sop }
+ \new Lyrics \lyricsto soprane \sopranText
+ \new Staff = alt { \global \alt }
+ \new Lyrics \lyricsto alti \altText
+ \new Staff = tenor { \global \ten }
+ \new Lyrics \lyricsto tenoere \tenorText
+ \new Staff = bass { \global \bas }
+ \new Lyrics \lyricsto baesse \bassText
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/fertig/schoß/b.midi b/hr/stch/fertig/schoß/b.midi
new file mode 100644
index 0000000..b05856b
--- /dev/null
+++ b/hr/stch/fertig/schoß/b.midi
Binary files differ
diff --git a/hr/stch/fertig/schoß/bass/schoß.ly b/hr/stch/fertig/schoß/bass/schoß.ly
new file mode 100644
index 0000000..7b57783
--- /dev/null
+++ b/hr/stch/fertig/schoß/bass/schoß.ly
@@ -0,0 +1,73 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Dem dunkeln Schoß der heilgen Erde"
+ composer = "Johannes Brahms"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 17)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \voiceOne \sopranMelodie }
+ \new Voice = "alti" { \voiceTwo \altMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "tenoere" { \voiceOne \tenorMelodie }
+ \new Voice = "baesse" { \voiceTwo \bassMelodie }
+ \addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \new Staff = sopran \with {
+ fontSize = #-3
+ \override StaffSymbol #'staff-space = #(magstep -3)
+ } { \global \sop }
+ %\new Staff = alt { \global \alt }
+ %\new Staff = tenor { \global \ten }
+ \new Staff = bass { \global \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/fertig/schoß/dynArt.ly b/hr/stch/fertig/schoß/dynArt.ly
new file mode 100644
index 0000000..d114fb0
--- /dev/null
+++ b/hr/stch/fertig/schoß/dynArt.ly
@@ -0,0 +1,121 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ \partial 4
+ s4\p
+ s1*7
+ s2.
+ \bar ""
+ \break
+ s4
+ s1*4
+ s1\<
+ s1
+ s1\>
+ s2 s8 s8\fermata
+ \bar ""
+ \break
+ s4
+ s1*3
+ s2
+ s2^\markup{ \italic "cresc." }
+ s2. s4\<
+ s2.. s8\!
+ s2 s2\>
+ s2 s8 s8\!
+ \bar ""
+ \break
+ s4
+ s1*5
+ \break
+ s1\f
+ s1
+ s2
+ \bar ""
+ s2
+ s1
+ s1\<
+ s2.. s8\!
+ s2.\>
+ \bar ""
+ \break
+ s4
+ s2 s2\<
+ s1
+ s2.. s8\!
+ s1\>
+ s8\! s8 s2 s4\pp
+ s1
+ s1\<
+ s1\>
+ s1\!\fermata
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ s4
+ s1*15
+ s4 s2.\!
+ s1*8
+ %
+ s1*3
+ s8 s2..\<
+ s2 s8 s4.\!
+ s1
+ s1\>
+ s2\! s2\p
+ s1*3
+ s2.. s8\!
+ s1*9
+ }
+
+ altArt = {
+ s4
+ s1*15
+ s2 s8\! s4.
+ s1*8
+ %
+ s1*3
+ s2. s4\<
+ s2.. s8\!
+ s1*6
+ s2.. s8\!
+ s1*9
+ }
+
+ tenorArt = {
+ s4
+ s1*15
+ s2 s8\! s8 s4\p
+ s1*7
+ s2. s4\p
+ %
+ s1*3
+ s1\<
+ s2.. s8\!
+ s1*6
+ s2 s8 s4.\!
+ s1*9
+ }
+
+ bassArt = {
+ s4
+ s1*15
+ s4 s2.\!
+ s1*8
+ %
+ s1*3
+ s4. s8\< s2
+ s2.. s8\!
+ s2 s2\>
+ s1
+ s4 s4\! s2\p
+ s1*3
+ s2..\> s8\!
+ s1*9
+ }
+
diff --git a/hr/stch/fertig/schoß/midi.lua b/hr/stch/fertig/schoß/midi.lua
new file mode 100644
index 0000000..b12fb9a
--- /dev/null
+++ b/hr/stch/fertig/schoß/midi.lua
@@ -0,0 +1,51 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ \unfoldRepeats
+]]
+
+post=[[
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/fertig/schoß/s.midi b/hr/stch/fertig/schoß/s.midi
new file mode 100644
index 0000000..2c7d53f
--- /dev/null
+++ b/hr/stch/fertig/schoß/s.midi
Binary files differ
diff --git a/hr/stch/fertig/schoß/schoß.ly b/hr/stch/fertig/schoß/schoß.ly
new file mode 100644
index 0000000..4cf8aa0
--- /dev/null
+++ b/hr/stch/fertig/schoß/schoß.ly
@@ -0,0 +1,85 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "dynArt.ly"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Dem dunkeln Schoß der heilgen Erde"
+ subtitle = "Aus Schillers „Lied von der Glocke“"
+ composer = "Johannes Brahms"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 17)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" {
+ %\voiceOne
+ \sopranMelodie
+ }
+ %\new Voice = "alti" { \voiceTwo \altMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ %\new Voice = "tenoere" { \voiceOne \tenorMelodie }
+ \new Voice = "baesse" {
+ %\voiceTwo
+ \bassMelodie
+ }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \new Staff = sopran \with {
+ %fontSize = #-3
+ %\override StaffSymbol #'staff-space = #(magstep -3)
+ } { \global \sop }
+ \new Lyrics \lyricsto soprane \sopranText
+ \new Staff = alt { \global \alt }
+ \new Lyrics \lyricsto alti \altText
+ \new Staff = tenor { \global \ten }
+ \new Lyrics \lyricsto tenoere \tenorText
+ \new Staff = bass { \global \bas }
+ \new Lyrics \lyricsto baesse \bassText
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/fertig/schoß/stimmen.ly b/hr/stch/fertig/schoß/stimmen.ly
new file mode 100644
index 0000000..b4adfa6
--- /dev/null
+++ b/hr/stch/fertig/schoß/stimmen.ly
@@ -0,0 +1,124 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+
+ global = {
+ \key d \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ \autoBeamOff
+ \partial 4
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ \sopranArt
+ %the actual tune
+ {
+ \key d \major
+ d4
+ a'2 b2 fis2. a4 e4( g4 fis4) e4 d2 fis4 fis4 b2 gis2 a2 g4( b4) d4( a4) fis4( a4)
+ d,2. d4 a'2 b2 fis2. a4 e4( g4) fis4( e4) d2 fis4 fis4 e2 a4( gis4) fis2 b4( a4) a2 gis2 a2. r4
+ r2 r4 a4 e'2 fis2 cis2 d2 cis2( b2) a4 fis'2 e4 ~ e4 d4 cis4 b4 a4( c4) b4( a4) g2 b4 r4
+ r2 r4 cis4 d2 a4 r4 r4 b4 c2 g4 c4 g'2 ~ g4( f4) ees4( d4) cis4. cis8 d4 f,4
+ e1 r2 d2 a'2 b2 fis2. a4 e4( g4) fis4( e4) d2 fis4 e4
+ a4( g4) fis2 b4( a4) gis2 e'4( d4) cis4( b4) d4( a4) a4( g4) g1( fis2) g2 d'1 e1 a,1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ \altArt
+ %the actual tune
+ {
+ d4
+ a'2 b2 fis2. r4 r2 r4 cis4 b2 d4 r4 r4 d4 f4. f8 e2 g4( d4) d2 d2
+ d2( cis4) d4 d2 d2 d2 cis2 e2 cis2 b2 d4 d4 cis4( b4) a4( a'4) a2 gis4( fis4) e4( eis4) fis4( d4) d2( cis4) r4
+ r1 r1 r2 r4 d4 a'2. g4( ~ g4 fis4) g4 b4 fis2( a4 g4) ~ g4 fis4 fis2( ~ fis4 dis4) e4 r4
+ r4 g4 bes2 a4 r4 r4 f4 aes2 g4 r4 r2 r4 g4 a4( bes4 a4) d,4 a'4 g4 f4 d4
+ d4. d8 d4( cis4 ~ cis4) b4 a2 c2 b4 d4 d2 c2 b2 c2 c4( b4) a4 b4
+ cis2 fis4( e4) d2 gis4( fis4) e2 eis2 fis2 e4( d4) cis1( d4 c2) b4 ~ b2 d2 ~ d2 cis2 d1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c {
+ <<
+ { \meta }
+ \tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ d4
+ a'2 b2 fis2. a4 e4( g4 fis4) g4 fis2 b4 r4 r2 r4 b4 e4 a,4 d4 g,4 fis2 a2
+ a2. d,4 d2 d4( g4) a2 a2 b2 ais4( fis4) fis2 b4 a4 gis2 a4( e'4) d4( cis4) b2 bis4( cis4) d4( b4) b2( a4) a4
+ e'2 fis2 cis2 d2 e8([ fis8] g2 fis4 ~ fis4 e4 d2) ~ d4 a4 r4 g4 d'2( e2) ~ e4 d8[ a8] b4 c4 b2 g4 b4 e2 cis4 r4 r4 a4 d2 b4 r4 r4 g4 c1( cis4 d4 fis4) g4 f4 e4 d4 b4
+ b4 b4 a4. a8 g2. fis4 fis2 g2 a2. fis4 g2 a4( g4) fis4( g4) a4 r4
+ r4 a4 d4 cis4 b2 e4( d4) cis4( b4) cis4( d4) a4( d4) cis4( b4) a1 ~ a2 g2 g1 g1 fis1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ \bassArt
+ %the actual tune
+ \clef bass
+ {
+ d4
+ a'2 b2
+ fis2. r4
+ r2 r4 a,4
+ b2 b4 r4
+ r2 d2
+ cis2 b2
+ a4. a8 a4 fis4
+ a2. d4
+ fis,2 g2
+ d'2 fis2
+ g4( e4) fis4( ais,4)
+ b2 b4 b4
+ e4( d4) cis2
+ d2 dis2
+ e2 e2
+ %<<a,2. s2 s4\fermata>> r4
+ <<a,2. s2 s4>> r4
+ r1
+ r2 r4 d4
+ a'2 b2
+ fis2 g4 g,4
+ d'2 e2
+ b2 cis2
+ d2 dis2
+ e2 e4 r4
+ r2 g2
+ fis2 f2 ~
+ f2 e2 ~
+ e2 ees2 ~
+ ees4 d4 c4 bes4
+ a2 gis2
+ a1 ~
+ a2 a2( ~
+ a4 d4) g,4 b4
+ d2 dis2
+ e2 a,2
+ d4( g,4) d'4 g4
+ fis4( e4) d2
+ g4( fis4) e2
+ gis2 gis2
+ a1 ~
+ a4 r4 r4 a,4
+ d2 e2
+ b1
+ a1
+ d1%\fermata
+ }
+ >>
+ }
+
diff --git a/hr/stch/fertig/schoß/t.midi b/hr/stch/fertig/schoß/t.midi
new file mode 100644
index 0000000..7712ff0
--- /dev/null
+++ b/hr/stch/fertig/schoß/t.midi
Binary files differ
diff --git a/hr/stch/fertig/schoß/texte.ly b/hr/stch/fertig/schoß/texte.ly
new file mode 100644
index 0000000..8013343
--- /dev/null
+++ b/hr/stch/fertig/schoß/texte.ly
@@ -0,0 +1,70 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyricmode {
+ %<+hier den Text für den Sopran eintragen+>
+ Dem dun -- keln Schoß der heil -- gen Er -- de
+ ver -- traut der Sä -- mann sei -- ne Saat
+ und hofft, daß sie ent -- kei -- men wer -- de
+ zum Se -- gen nach des Him -- mels Rat.
+ Noch köst -- li -- che -- ren Sa -- men,
+ noch köst -- li -- che -- ren Sa -- men ber -- gen
+ wir trau -- ernd,
+ wir trau -- ernd,
+ wir trau -- ernd in der Er -- de Schoß
+ und hof -- fen, daß er aus den Sär -- gen er -- blü -- hen
+ soll zu schö -- nerm, schö -- nerm Los,
+ zu schö -- nerm Los.
+ }
+
+ altText = \lyricmode {
+ %<+hier den Text für den Alt eintragen+>
+ Dem dun -- keln Schoß der Er -- de
+ ver -- traut der Sä -- mann sei -- ne Saat
+ und hofft, daß sie ent -- kei -- men wer -- de
+ zum Se -- gen nach des Him -- mels Rat.
+ Noch köst -- li -- che -- ren Sa -- men ber -- gen
+ wir trau -- ernd,
+ wir trau -- ernd,
+ wir trau -- ernd in der Er -- de,
+ in der Er -- de Schoß
+ und hof -- fen, daß er aus den Sär -- gen er -- blü -- hen
+ soll zu schö -- nerm, schö -- nerm Los,
+ zu schö -- nerm Los.
+ }
+
+ tenorText = \lyricmode {
+ %<+hier den Text für den Tenor eintragen+>
+ Dem dun -- keln Schoß der heil -- gen Er -- de
+ ver -- traut der Sä -- mann sei -- ne Saat
+ und hofft, daß sie ent -- kei -- men wer -- de
+ zum Se -- gen nach des Him -- mels Rat.
+ Noch köst -- li -- che -- ren Sa -- men,
+ noch köst -- li -- che -- ren ber -- gen
+ wir trau -- ernd,
+ wir trau -- ernd,
+ wir trau -- ernd in der Er -- de,
+ in der Er -- de Schoß
+ und hof -- fen, daß er aus den Sär -- gen er -- blü -- hen
+ soll zu schö -- nerm, schö -- nerm Los,
+ zu schö -- nerm Los.
+ }
+
+ bassText = \lyricmode {
+ %<+hier den Text für den Baß eintragen+>
+ Dem dun -- keln Schoß der Er -- de
+ ver -- traut der Sä -- mann sei -- ne Saat
+ und hofft, daß sie ent -- kei -- men wer -- de
+ zum Se -- gen nach des Him -- mels Rat.
+ Noch köst -- li -- che -- ren,
+ noch köst -- li -- che -- ren Sa -- men ber -- gen
+ wir trau -- ernd,
+ wir trau -- ernd in der Er -- de Schoß
+ und hof -- fen, daß er aus den Sär -- gen er -- blü -- hen
+ soll zu schö -- nerm Los,
+ zu schö -- nerm, schö -- nerm Los.
+ }
+
diff --git a/hr/stch/fertig/sleep/a5/dynArt.ly b/hr/stch/fertig/sleep/a5/dynArt.ly
new file mode 100644
index 0000000..5c07f1c
--- /dev/null
+++ b/hr/stch/fertig/sleep/a5/dynArt.ly
@@ -0,0 +1,869 @@
+%some settings% vim: ai sw=2 lbr nu et
+#(define ((compound-time one two num) grob)
+ (grob-interpret-markup grob
+ (markup #:override '(baseline-skip . 0) #:number
+ (#:line (
+ (#:column (one num))
+ (#:column (two num)))))))
+ % #:vcenter "+"
+#(define ((compound-times one two three num) grob)
+ (grob-interpret-markup grob
+ (markup #:override '(baseline-skip . 0) #:number
+ (#:line (
+ (#:column (one num))
+ (#:column (two num))
+ (#:column (three num)))))))
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ \tempo "Lento; lontano e molto legato"
+ s2 s4 s4\pp s4 s4 s4 s4
+ \time 2/4
+ s4 s4
+ \time 4/4
+ s2.
+ s4 s4 s4 s4 s4
+ \time 2/4
+ s4 s4
+ \time 4/4
+ s2.
+ s4 s4 s4 s4 s4
+ \time 3/4
+ s4 s2
+ \override Staff.TimeSignature #'stencil = #(compound-time "2" "4" "4")
+ \time 6/4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s4 s4 s4 s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s1\>
+ %\time 2/4
+ \break
+ s4\! \tempo "Poco più mosso" s4\mf
+ %\time 4/4
+ s4 s4 s4 s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s1
+ %\time 2/4
+ s8 s8
+ s4\mp
+ %\time 4/4
+ s4 s4 s4 s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s2.
+ \breathe
+ \revert Staff.TimeSignature #'stencil
+ s4\mf
+ \time 4/4
+ s4 s4 s4 s4 s4 s4 s4 s4 s4\> s4 s4 s4
+ \time 2/4
+ s4 s4
+ \time 4/4
+ s2\p s2
+ \break
+ s1 s2^\markup{ \italic "transparente" } s2
+ \override Staff.TimeSignature #'stencil = #(compound-time "2" "4" "4")
+ \time 6/4
+ %\time 2/4
+ s2
+ %\time 4/4
+ s2 s2
+ %\time 2/4
+ s2
+ %\time 4/4
+ s1
+ %\time 2/4
+ s2
+ %\time 4/4
+ s2
+ \revert Staff.TimeSignature #'stencil
+ s2
+ %\break
+ \time 4/4
+ s2
+ s4 s4 s4 s4 s4 s4
+ \override Staff.TimeSignature #'stencil = #(compound-time "2" "4" "4")
+ \time 6/4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s1
+ %\time 2/4
+ s2
+ %\time 4/4
+ s4 s4 s2
+ %\time 2/4
+ s2
+ %\time 4/4
+ s4 s4
+ \revert Staff.TimeSignature #'stencil
+ s2
+ \time 4/4
+ s2\!\fermata
+ \once \override BreathingSign #'text = \markup { \musicglyph #"scripts.caesura.straight" }
+ \breathe
+ % What
+ s4 s4
+ %\break
+ \override Staff.TimeSignature #'stencil = #(compound-times "4" "2" "4" "4")
+ \time 10/4
+ s2 s2
+ %\time 2/4
+ s2
+ %\time 4/4
+ s1
+ s2\< s2
+ %\time 2/4
+ s2
+ %\time 4/4
+ \revert Staff.TimeSignature #'stencil
+ s1
+ \time 2/4
+ s2
+ \override Staff.TimeSignature #'stencil = #(compound-times "4" "4" "2" "4")
+ \time 10/4
+ %\time 4/4
+ s2 s2 s2 s8 s8
+ s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s2 s2 s2 s8 s8
+ s4
+ %\time 2/4
+ s4
+ \revert Staff.TimeSignature #'stencil
+ s4
+ \time 4/4
+ s2 s2
+ %\time 4/4
+ s4 s4 s4 s4 s4\ff s4 s4 s4 s4 s4
+ s2 s4\> s4 s4 s4 s4 s4 s2 \breathe
+ s2\p\< s4\> s4\!
+ s2\< s4\> s4\!
+ s1\<
+ s1\> s1\mf s1\>
+ s4\p s4 s2
+ s4^\markup{ \italic "dim. poco a poco" } s4 s2
+ s4 s4 s2
+ s4 s4 s2
+ \repeat volta 2 {
+ s4 s4 s2
+ s4\ppp s4 s2
+ }
+ }
+
+% articulation
+
+ oberArt = {
+ s1*2
+ s2
+ s1*2
+ s2
+ s1*2
+ s2.
+ s2
+ s1
+ s2
+ s1
+ s2
+ s1
+ s2
+ s1
+ s2
+ s1
+ s2
+ s1*4
+ s2
+ s1*2
+ s4\< s8 s8\mp s2\>
+ s2\!
+ s4\< s8 s8\mp s2\>
+ s2\!
+ s4\< s8 s8\mp s2\>
+ s2\!
+ s4\< s8 s8\mp s2\>
+ s4\! s4 s2 % <- then
+ s1
+ s2
+ s1
+ s2
+ s1
+ s2
+ s1
+ s2 s4 s8\p s8^\markup { \italic "espressivo" }
+ }
+
+ unterArt = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s2 s4 s4 s4 s4 s4 s4
+ \time 2/4
+ s4 s4
+ \time 4/4
+ s2.
+ s4 s4 s4 s4 s4
+ \time 2/4
+ s4 s4
+ \time 4/4
+ s2.
+ s4 s4 s4 s4 s4
+ \time 3/4
+ s4 s2
+ \time 6/4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s4 s4 s4 s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s1
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s4 s4 s4 s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s1
+ %\time 2/4
+ s8 s8
+ s4
+ %\time 4/4
+ s4 s4 s4 s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s2.
+ s4
+ \time 4/4
+ s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4
+ \time 2/4
+ s4 s4
+ \time 4/4
+ s2 s2
+ % If
+ s2 s4 s4
+ s2 s2
+ \time 6/4
+ %\time 2/4
+ s2
+ %\time 4/4
+ s2 s2
+ %\time 2/4
+ s2
+ %\time 4/4
+ s1
+ %\time 2/4
+ s2
+ %\time 4/4
+ s2
+ s2
+ %\break
+ % Then
+ \time 4/4
+ s2
+ s4 s4 s4 s4 s4 s4
+ \time 6/4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s2 s4 s4
+ %\time 2/4
+ s2
+ %\time 4/4
+ s4 s4 s4 s4
+ %\time 2/4
+ s2
+ %\time 4/4
+ s4 s4
+ s2
+ \time 4/4
+ s2
+ s4 s4
+ %\break
+ \time 10/4
+ s2 s2
+ %\time 2/4
+ s2
+ %\time 4/4
+ s1
+ s2 s2
+ %\time 2/4
+ s2
+ %\time 4/4
+ s1
+ \time 2/4
+ s16 s8. s4
+ \time 10/4
+ %\time 4/4
+ s2 s2 s2 s8 s8
+ s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s2 s2 s2 s8 s8
+ s4
+ %\time 2/4
+ s4
+ s4
+ \time 4/4
+ s2 s2
+ %\time 4/4
+ s4 s4 s4 s4 s4 s4 s4 s4 s4 s4
+ s2 s4 s4 s4 s4 s4 s4 s2
+ s2 s4 s4
+ s2 s4 s4
+ s1
+ s2. s4 s1 s1
+ \breathe
+ s8 s4.\> s2\!
+ s4\> s4 s2\!
+ s4\> s4 s2\!
+ s4\> s4 s2\!
+ \repeat volta 2 {
+ s4\> s4 s2\!
+ s8 s4.\> s2\!
+ }
+ }
+
+ sopranArt = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s2 s4 s4 s4 s4 s4 s4
+ \time 2/4
+ s4 s4
+ \time 4/4
+ s2.
+ s4 s4 s4 s4 s4
+ \time 2/4
+ s4 s4
+ \time 4/4
+ s2.
+ s4 s4 s4 s4 s4
+ \time 3/4
+ s4 s2
+ \time 6/4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s4 s4 s4 s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s1
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s4 s4 s4 s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s1
+ %\time 2/4
+ s8 s8
+ s4
+ %\time 4/4
+ s4 s4 s4 s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s2.
+ s4
+ \time 4/4
+ s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4
+ \time 2/4
+ s4 s4
+ \time 4/4
+ s2 s2
+ % If
+ s2 s4 s4\pp
+ s2 s2
+ \time 6/4
+ %\time 2/4
+ s2
+ %\time 4/4
+ s2 s2
+ %\time 2/4
+ s2
+ %\time 4/4
+ s1
+ %\time 2/4
+ s2
+ %\time 4/4
+ s2
+ s2
+ %\break
+ % Then
+ \time 4/4
+ s2
+ s4 s4 s4 s4 s4 s4
+ \time 6/4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s2 s4 s4\mp
+ %\time 2/4
+ s2\<
+ %\time 4/4
+ s4\> s4 s4 s4\!
+ %\time 2/4
+ s2\<
+ %\time 4/4
+ s4\> s4
+ s2
+ \time 4/4
+ s2
+ s4 s4
+ %\break
+ \time 10/4
+ s2 s2
+ %\time 2/4
+ s2
+ %\time 4/4
+ s1
+ s2 s2
+ %\time 2/4
+ s2
+ %\time 4/4
+ s1
+ \time 2/4
+ s16 s8.\! s4\f
+ \time 10/4
+ %\time 4/4
+ s2 s2 s2 s8 s8
+ s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s2 s2 s2 s8 s8
+ s4
+ %\time 2/4
+ s4
+ s4
+ \time 4/4
+ s2\< s2
+ %\time 4/4
+ s4 s4 s4 s4 s4 s4 s4 s4 s4 s4
+ s2 s4 s4 s4 s4 s4 s4 s2
+ s2 s4 s4
+ s2 s4 s4
+ s1
+ s2. s4\< s1 s1
+ s4 s4 s2
+ s4 s4 s2
+ s4 s4 s2
+ s4 s4 s2
+ \repeat volta 2 {
+ s4^\markup{\italic "repeat and dim. al niente"}^\markup{\italic "gradually reduce dynamic to a whisper;"} s4 s2
+ s4 s4 s2
+ }
+ }
+
+ altArt = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s2 s4 s4 s4 s4 s4 s4
+ \time 2/4
+ s4 s4
+ \time 4/4
+ s2.
+ s4 s4 s4 s4 s4
+ \time 2/4
+ s4 s4
+ \time 4/4
+ s2.
+ s4 s4 s4 s4 s4
+ \time 3/4
+ s4 s2
+ \time 6/4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s4 s4 s4 s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s1
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s4 s4 s4 s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s1
+ %\time 2/4
+ s8 s8
+ s4
+ %\time 4/4
+ s4 s4 s4 s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s2.
+ s4
+ \time 4/4
+ s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4
+ \time 2/4
+ s4 s4
+ \time 4/4
+ s2 s2
+ % If
+ s2 s2\pp
+ s2 s2
+ \time 6/4
+ %\time 2/4
+ s2
+ %\time 4/4
+ s2 s2
+ %\time 2/4
+ s2
+ %\time 4/4
+ s1
+ %\time 2/4
+ s2
+ %\time 4/4
+ s2
+ s2
+ %\break
+ % Then
+ \time 4/4
+ s4 s4\pp
+ s4 s4 s4 s4 s4 s4
+ \time 6/4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s2 s4 s4\mp
+ %\time 2/4
+ s2\<
+ %\time 4/4
+ s4\> s2 s4\!
+ %\time 2/4
+ s2\<
+ %\time 4/4
+ s4\> s4
+ s2
+ \time 4/4
+ s2
+ s4 s4
+ %\break
+ \time 10/4
+ s2 s2
+ %\time 2/4
+ s2
+ %\time 4/4
+ s1
+ s2 s2
+ %\time 2/4
+ s2
+ %\time 4/4
+ s1
+ \time 2/4
+ s16 s8.\! s4\f
+ \time 10/4
+ %\time 4/4
+ s2 s2 s2 s8 s8
+ s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s2 s2 s2 s8 s8
+ s4
+ %\time 2/4
+ s4
+ s4
+ \time 4/4
+ s2\< s2
+ %\time 4/4
+ s4 s4 s4 s4 s4 s4 s4 s4 s4 s4
+ s2 s4 s4 s4 s4 s4 s4 s2
+ s2 s4 s4
+ s2 s4 s4
+ s1
+ s2 s2\< s1 s1
+ s4 s4 s2
+ s4 s4 s2
+ s4 s4 s2
+ s4 s4 s2
+ \repeat volta 2 {
+ s4 s4 s2
+ s4 s4 s2
+ }
+ }
+
+ tenorArt = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s2 s4 s4 s4 s4 s4 s4
+ \time 2/4
+ s4 s4
+ \time 4/4
+ s2.
+ s4 s4 s4 s4 s4
+ \time 2/4
+ s4 s4
+ \time 4/4
+ s2.
+ s4 s4 s4 s4 s4
+ \time 3/4
+ s4 s2
+ \time 6/4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s4 s4 s4 s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s1
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s4 s4 s4 s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s1
+ %\time 2/4
+ s8 s8
+ s4
+ %\time 4/4
+ s4 s4 s4 s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s2.
+ s4
+ \time 4/4
+ s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4
+ \time 2/4
+ s4 s4
+ \time 4/4
+ s2 s2
+ % If
+ s4 s2.\pp
+ s2 s2
+ \time 6/4
+ %\time 2/4
+ s2
+ %\time 4/4
+ s2 s2
+ %\time 2/4
+ s2
+ %\time 4/4
+ s1
+ %\time 2/4
+ s2
+ %\time 4/4
+ s2
+ s2
+ %\break
+ % Then
+ \time 4/4
+ s2
+ s4 s4\mp s4 s4 s4 s4
+ \time 6/4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s1
+ %\time 2/4
+ s2\<
+ %\time 4/4
+ s8 s8\! s4 s2\>
+ %\time 2/4
+ s2\!
+ %\time 4/4
+ s4\< s16 s8.\!
+ s2\>
+ \time 4/4
+ s2
+ s4 s4
+ %\break
+ \time 10/4
+ s2 s2
+ %\time 2/4
+ s2
+ %\time 4/4
+ s1
+ s2 s2
+ %\time 2/4
+ s2
+ %\time 4/4
+ s1
+ \time 2/4
+ s2
+ \time 10/4
+ %\time 4/4
+ s2\f s2 s2 s8 s8
+ s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s2 s2 s2 s8 s8
+ s4
+ %\time 2/4
+ s4
+ s4
+ \time 4/4
+ s2 s2\<
+ %\time 4/4
+ s4 s4 s4 s4 s4 s4 s4 s4 s4 s4
+ s2 s4 s4 s4 s4 s4 s4 s2
+ s2 s4 s4
+ s2 s4 s4
+ s1
+ s2 s2\< s1 s1
+ s4 s4 s2
+ s4 s4 s2
+ s4 s4 s2
+ s4 s4 s2
+ \repeat volta 2 {
+ s4 s4 s2
+ s4 s4 s2
+ }
+ }
+
+ bassArt = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s2 s4 s4 s4 s4 s4 s4
+ \time 2/4
+ s4 s4
+ \time 4/4
+ s2.
+ s4 s4 s4 s4 s4
+ \time 2/4
+ s4 s4
+ \time 4/4
+ s2.
+ s4 s4 s4 s4 s4
+ \time 3/4
+ s4 s2
+ \time 6/4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s4 s4 s4 s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s1
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s4 s4 s4 s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s1
+ %\time 2/4
+ s8 s8
+ s4
+ %\time 4/4
+ s4 s4 s4 s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s2.
+ s4
+ \time 4/4
+ s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4
+ \time 2/4
+ s4 s4
+ \time 4/4
+ s2 s2
+ % If
+ s1\pp s2 s2
+ \time 6/4
+ %\time 2/4
+ s2
+ %\time 4/4
+ s2 s2
+ %\time 2/4
+ s2
+ %\time 4/4
+ s1
+ %\time 2/4
+ s2
+ %\time 4/4
+ s2
+ s2
+ %\break
+ % Then
+ \time 4/4
+ s2
+ s4 s4\mp s4 s4 s4 s4
+ \time 6/4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s1
+ %\time 2/4
+ s2
+ %\time 4/4
+ s4\< s16 s8.\! s2\>
+ %\time 2/4
+ s2\!
+ %\time 4/4
+ s4\< s16 s8.\!
+ s2\>
+ \time 4/4
+ s2
+ s4 s4
+ %\break
+ \time 10/4
+ s2\p\< s2
+ %\time 2/4
+ s2\mp
+ %\time 4/4
+ s1\>
+ s2 s2
+ %\time 2/4
+ s2
+ %\time 4/4
+ s1
+ \time 2/4
+ s2
+ \breathe
+ \time 10/4
+ %\time 4/4
+ s2\f s2 s2 s8 s8
+ s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s2 s2 s2 s8 s8
+ s4
+ %\time 2/4
+ s4
+ s4
+ \time 4/4
+ s2 s2\<
+ %\time 4/4
+ s4 s4 s4 s4 s4 s4 s4 s4 s4 s4
+ s2 s4 s4 s4 s4 s4 s4 s2
+ s2 s4 s4
+ s2 s4 s4
+ s1
+ s2 s2\< s1 s1
+ s4 s4 s2
+ s4 s4 s2
+ s4 s4 s2
+ s4 s4 s2
+ \repeat volta 2 {
+ s4 s4 s2
+ s4 s4 s2
+ }
+ }
+
diff --git a/hr/stch/fertig/sleep/a5/sleep.ly b/hr/stch/fertig/sleep/a5/sleep.ly
new file mode 100644
index 0000000..59efb8d
--- /dev/null
+++ b/hr/stch/fertig/sleep/a5/sleep.ly
@@ -0,0 +1,83 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.18"
+\include "dynArt.ly"
+\include "../stimmen.ly"
+\include "../texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Sleep"
+ composer = "Eric Whitacre"
+ poet = "Charles Anthony Silvestri"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ %#(set-paper-size "a5")
+ line-width = \paper-width - 10
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ print-page-number = #'f
+ }
+ #(set-default-paper-size "a5" 'landscape)
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 11.8)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \new Staff = sopran { \global \sop }
+ \new Lyrics \lyricsto "soprane" \sopranText
+ \new Staff = alt { \global \alt }
+ \new Lyrics \lyricsto "alti" \altText
+ \new Staff = tenor { \global \ten }
+ \new Lyrics \lyricsto "tenoere" \tenorText
+ \new Staff = bass { \global \bas }
+ \new Lyrics \lyricsto "baesse" \bassText
+ >>
+ %{
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ %}
+ % {
+ \layout {
+ }
+ %}
+ }
+
diff --git a/hr/stch/fertig/sleep/dynArt.ly b/hr/stch/fertig/sleep/dynArt.ly
new file mode 100644
index 0000000..e5a09a9
--- /dev/null
+++ b/hr/stch/fertig/sleep/dynArt.ly
@@ -0,0 +1,867 @@
+%some settings% vim: ai sw=2 lbr nu et
+#(define ((compound-time one two num) grob)
+ (grob-interpret-markup grob
+ (markup #:override '(baseline-skip . 0) #:number
+ (#:line (
+ (#:column (one num))
+ (#:column (two num)))))))
+ % #:vcenter "+"
+#(define ((compound-times one two three num) grob)
+ (grob-interpret-markup grob
+ (markup #:override '(baseline-skip . 0) #:number
+ (#:line (
+ (#:column (one num))
+ (#:column (two num))
+ (#:column (three num)))))))
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ \tempo "Lento; lontano e molto legato"
+ s2 s4 s4\pp s4 s4 s4 s4
+ \time 2/4
+ s4 s4
+ \time 4/4
+ s2.
+ s4 s4 s4 s4 s4
+ \time 2/4
+ s4 s4
+ \time 4/4
+ s2.
+ s4 s4 s4 s4 s4
+ \time 3/4
+ s4 s2
+ \override Staff.TimeSignature #'stencil = #(compound-time "2" "4" "4")
+ \time 6/4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s4 s4 s4 s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s1\>
+ %\time 2/4
+ s4\! \tempo "Poco più mosso" s4\mf
+ %\time 4/4
+ s4 s4 s4 s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s1
+ %\time 2/4
+ s8 s8
+ s4\mp
+ %\time 4/4
+ s4 s4 s4 s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s2.
+ \breathe
+ \revert Staff.TimeSignature #'stencil
+ s4\mf
+ \time 4/4
+ s4 s4 s4 s4 s4 s4 s4 s4 s4\> s4 s4 s4
+ \time 2/4
+ s4 s4
+ \time 4/4
+ s2\p s2
+ s1 s2^\markup{ \italic "transparente" } s2
+ \override Staff.TimeSignature #'stencil = #(compound-time "2" "4" "4")
+ \time 6/4
+ %\time 2/4
+ s2
+ %\time 4/4
+ s2 s2
+ %\time 2/4
+ s2
+ %\time 4/4
+ s1
+ %\time 2/4
+ s2
+ %\time 4/4
+ s2
+ \revert Staff.TimeSignature #'stencil
+ s2
+ %\break
+ \time 4/4
+ s2
+ s4 s4 s4 s4 s4 s4
+ \override Staff.TimeSignature #'stencil = #(compound-time "2" "4" "4")
+ \time 6/4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s1
+ %\time 2/4
+ s2
+ %\time 4/4
+ s4 s4 s2
+ %\time 2/4
+ s2
+ %\time 4/4
+ s4 s4
+ \revert Staff.TimeSignature #'stencil
+ s2
+ \time 4/4
+ s2\!\fermata
+ \once \override BreathingSign #'text = \markup { \musicglyph #"scripts.caesura.straight" }
+ \breathe
+ % What
+ s4 s4
+ %\break
+ \override Staff.TimeSignature #'stencil = #(compound-times "4" "2" "4" "4")
+ \time 10/4
+ s2 s2
+ %\time 2/4
+ s2
+ %\time 4/4
+ s1
+ s2\< s2
+ %\time 2/4
+ s2
+ %\time 4/4
+ \revert Staff.TimeSignature #'stencil
+ s1
+ \time 2/4
+ s2
+ \override Staff.TimeSignature #'stencil = #(compound-times "4" "4" "2" "4")
+ \time 10/4
+ %\time 4/4
+ s2 s2 s2 s8 s8
+ s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s2 s2 s2 s8 s8
+ s4
+ %\time 2/4
+ s4
+ \revert Staff.TimeSignature #'stencil
+ s4
+ \time 4/4
+ s2 s2
+ %\time 4/4
+ s4 s4 s4 s4 s4\ff s4 s4 s4 s4 s4
+ s2 s4\> s4 s4 s4 s4 s4 s2 \breathe
+ s2\p\< s4\> s4\!
+ s2\< s4\> s4\!
+ s1\<
+ s1\> s1\mf s1\>
+ s4\p s4 s2
+ s4^\markup{ \italic "dim. poco a poco" } s4 s2
+ s4 s4 s2
+ s4 s4 s2
+ \repeat volta 2 {
+ s4 s4 s2
+ s4\ppp s4 s2
+ }
+ }
+
+% articulation
+
+ oberArt = {
+ s1*2
+ s2
+ s1*2
+ s2
+ s1*2
+ s2.
+ s2
+ s1
+ s2
+ s1
+ s2
+ s1
+ s2
+ s1
+ s2
+ s1
+ s2
+ s1*4
+ s2
+ s1*2
+ s4\< s8 s8\mp s2\>
+ s2\!
+ s4\< s8 s8\mp s2\>
+ s2\!
+ s4\< s8 s8\mp s2\>
+ s2\!
+ s4\< s8 s8\mp s2\>
+ s4\! s4 s2 % <- then
+ s1
+ s2
+ s1
+ s2
+ s1
+ s2
+ s1
+ s2 s4 s8\p s8^\markup { \italic "espressivo" }
+ }
+
+ unterArt = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s2 s4 s4 s4 s4 s4 s4
+ \time 2/4
+ s4 s4
+ \time 4/4
+ s2.
+ s4 s4 s4 s4 s4
+ \time 2/4
+ s4 s4
+ \time 4/4
+ s2.
+ s4 s4 s4 s4 s4
+ \time 3/4
+ s4 s2
+ \time 6/4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s4 s4 s4 s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s1
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s4 s4 s4 s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s1
+ %\time 2/4
+ s8 s8
+ s4
+ %\time 4/4
+ s4 s4 s4 s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s2.
+ s4
+ \time 4/4
+ s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4
+ \time 2/4
+ s4 s4
+ \time 4/4
+ s2 s2
+ % If
+ s2 s4 s4
+ s2 s2
+ \time 6/4
+ %\time 2/4
+ s2
+ %\time 4/4
+ s2 s2
+ %\time 2/4
+ s2
+ %\time 4/4
+ s1
+ %\time 2/4
+ s2
+ %\time 4/4
+ s2
+ s2
+ %\break
+ % Then
+ \time 4/4
+ s2
+ s4 s4 s4 s4 s4 s4
+ \time 6/4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s2 s4 s4
+ %\time 2/4
+ s2
+ %\time 4/4
+ s4 s4 s4 s4
+ %\time 2/4
+ s2
+ %\time 4/4
+ s4 s4
+ s2
+ \time 4/4
+ s2
+ s4 s4
+ %\break
+ \time 10/4
+ s2 s2
+ %\time 2/4
+ s2
+ %\time 4/4
+ s1
+ s2 s2
+ %\time 2/4
+ s2
+ %\time 4/4
+ s1
+ \time 2/4
+ s16 s8. s4
+ \time 10/4
+ %\time 4/4
+ s2 s2 s2 s8 s8
+ s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s2 s2 s2 s8 s8
+ s4
+ %\time 2/4
+ s4
+ s4
+ \time 4/4
+ s2 s2
+ %\time 4/4
+ s4 s4 s4 s4 s4 s4 s4 s4 s4 s4
+ s2 s4 s4 s4 s4 s4 s4 s2
+ s2 s4 s4
+ s2 s4 s4
+ s1
+ s2. s4 s1 s1
+ \breathe
+ s8 s4.\> s2\!
+ s4\> s4 s2\!
+ s4\> s4 s2\!
+ s4\> s4 s2\!
+ \repeat volta 2 {
+ s4\> s4 s2\!
+ s8 s4.\> s2\!
+ }
+ }
+
+ sopranArt = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s2 s4 s4 s4 s4 s4 s4
+ \time 2/4
+ s4 s4
+ \time 4/4
+ s2.
+ s4 s4 s4 s4 s4
+ \time 2/4
+ s4 s4
+ \time 4/4
+ s2.
+ s4 s4 s4 s4 s4
+ \time 3/4
+ s4 s2
+ \time 6/4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s4 s4 s4 s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s1
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s4 s4 s4 s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s1
+ %\time 2/4
+ s8 s8
+ s4
+ %\time 4/4
+ s4 s4 s4 s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s2.
+ s4
+ \time 4/4
+ s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4
+ \time 2/4
+ s4 s4
+ \time 4/4
+ s2 s2
+ % If
+ s2 s4 s4\pp
+ s2 s2
+ \time 6/4
+ %\time 2/4
+ s2
+ %\time 4/4
+ s2 s2
+ %\time 2/4
+ s2
+ %\time 4/4
+ s1
+ %\time 2/4
+ s2
+ %\time 4/4
+ s2
+ s2
+ %\break
+ % Then
+ \time 4/4
+ s2
+ s4 s4 s4 s4 s4 s4
+ \time 6/4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s2 s4 s4\mp
+ %\time 2/4
+ s2\<
+ %\time 4/4
+ s4\> s4 s4 s4\!
+ %\time 2/4
+ s2\<
+ %\time 4/4
+ s4\> s4
+ s2
+ \time 4/4
+ s2
+ s4 s4
+ %\break
+ \time 10/4
+ s2 s2
+ %\time 2/4
+ s2
+ %\time 4/4
+ s1
+ s2 s2
+ %\time 2/4
+ s2
+ %\time 4/4
+ s1
+ \time 2/4
+ s16 s8.\! s4\f
+ \time 10/4
+ %\time 4/4
+ s2 s2 s2 s8 s8
+ s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s2 s2 s2 s8 s8
+ s4
+ %\time 2/4
+ s4
+ s4
+ \time 4/4
+ s2\< s2
+ %\time 4/4
+ s4 s4 s4 s4 s4 s4 s4 s4 s4 s4
+ s2 s4 s4 s4 s4 s4 s4 s2
+ s2 s4 s4
+ s2 s4 s4
+ s1
+ s2. s4\< s1 s1
+ s4 s4 s2
+ s4 s4 s2
+ s4 s4 s2
+ s4 s4 s2
+ \repeat volta 2 {
+ s4^\markup{\italic "repeat and dim. al niente"}^\markup{\italic "gradually reduce dynamic to a whisper;"} s4 s2
+ s4 s4 s2
+ }
+ }
+
+ altArt = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s2 s4 s4 s4 s4 s4 s4
+ \time 2/4
+ s4 s4
+ \time 4/4
+ s2.
+ s4 s4 s4 s4 s4
+ \time 2/4
+ s4 s4
+ \time 4/4
+ s2.
+ s4 s4 s4 s4 s4
+ \time 3/4
+ s4 s2
+ \time 6/4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s4 s4 s4 s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s1
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s4 s4 s4 s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s1
+ %\time 2/4
+ s8 s8
+ s4
+ %\time 4/4
+ s4 s4 s4 s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s2.
+ s4
+ \time 4/4
+ s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4
+ \time 2/4
+ s4 s4
+ \time 4/4
+ s2 s2
+ % If
+ s2 s2\pp
+ s2 s2
+ \time 6/4
+ %\time 2/4
+ s2
+ %\time 4/4
+ s2 s2
+ %\time 2/4
+ s2
+ %\time 4/4
+ s1
+ %\time 2/4
+ s2
+ %\time 4/4
+ s2
+ s2
+ %\break
+ % Then
+ \time 4/4
+ s4 s4\pp
+ s4 s4 s4 s4 s4 s4
+ \time 6/4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s2 s4 s4\mp
+ %\time 2/4
+ s2\<
+ %\time 4/4
+ s4\> s2 s4\!
+ %\time 2/4
+ s2\<
+ %\time 4/4
+ s4\> s4
+ s2
+ \time 4/4
+ s2
+ s4 s4
+ %\break
+ \time 10/4
+ s2 s2
+ %\time 2/4
+ s2
+ %\time 4/4
+ s1
+ s2 s2
+ %\time 2/4
+ s2
+ %\time 4/4
+ s1
+ \time 2/4
+ s16 s8.\! s4\f
+ \time 10/4
+ %\time 4/4
+ s2 s2 s2 s8 s8
+ s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s2 s2 s2 s8 s8
+ s4
+ %\time 2/4
+ s4
+ s4
+ \time 4/4
+ s2\< s2
+ %\time 4/4
+ s4 s4 s4 s4 s4 s4 s4 s4 s4 s4
+ s2 s4 s4 s4 s4 s4 s4 s2
+ s2 s4 s4
+ s2 s4 s4
+ s1
+ s2 s2\< s1 s1
+ s4 s4 s2
+ s4 s4 s2
+ s4 s4 s2
+ s4 s4 s2
+ \repeat volta 2 {
+ s4 s4 s2
+ s4 s4 s2
+ }
+ }
+
+ tenorArt = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s2 s4 s4 s4 s4 s4 s4
+ \time 2/4
+ s4 s4
+ \time 4/4
+ s2.
+ s4 s4 s4 s4 s4
+ \time 2/4
+ s4 s4
+ \time 4/4
+ s2.
+ s4 s4 s4 s4 s4
+ \time 3/4
+ s4 s2
+ \time 6/4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s4 s4 s4 s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s1
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s4 s4 s4 s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s1
+ %\time 2/4
+ s8 s8
+ s4
+ %\time 4/4
+ s4 s4 s4 s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s2.
+ s4
+ \time 4/4
+ s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4
+ \time 2/4
+ s4 s4
+ \time 4/4
+ s2 s2
+ % If
+ s4 s2.\pp
+ s2 s2
+ \time 6/4
+ %\time 2/4
+ s2
+ %\time 4/4
+ s2 s2
+ %\time 2/4
+ s2
+ %\time 4/4
+ s1
+ %\time 2/4
+ s2
+ %\time 4/4
+ s2
+ s2
+ %\break
+ % Then
+ \time 4/4
+ s2
+ s4 s4\mp s4 s4 s4 s4
+ \time 6/4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s1
+ %\time 2/4
+ s2\<
+ %\time 4/4
+ s8 s8\! s4 s2\>
+ %\time 2/4
+ s2\!
+ %\time 4/4
+ s4\< s16 s8.\!
+ s2\>
+ \time 4/4
+ s2
+ s4 s4
+ %\break
+ \time 10/4
+ s2 s2
+ %\time 2/4
+ s2
+ %\time 4/4
+ s1
+ s2 s2
+ %\time 2/4
+ s2
+ %\time 4/4
+ s1
+ \time 2/4
+ s2
+ \time 10/4
+ %\time 4/4
+ s2\f s2 s2 s8 s8
+ s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s2 s2 s2 s8 s8
+ s4
+ %\time 2/4
+ s4
+ s4
+ \time 4/4
+ s2 s2\<
+ %\time 4/4
+ s4 s4 s4 s4 s4 s4 s4 s4 s4 s4
+ s2 s4 s4 s4 s4 s4 s4 s2
+ s2 s4 s4
+ s2 s4 s4
+ s1
+ s2 s2\< s1 s1
+ s4 s4 s2
+ s4 s4 s2
+ s4 s4 s2
+ s4 s4 s2
+ \repeat volta 2 {
+ s4 s4 s2
+ s4 s4 s2
+ }
+ }
+
+ bassArt = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s2 s4 s4 s4 s4 s4 s4
+ \time 2/4
+ s4 s4
+ \time 4/4
+ s2.
+ s4 s4 s4 s4 s4
+ \time 2/4
+ s4 s4
+ \time 4/4
+ s2.
+ s4 s4 s4 s4 s4
+ \time 3/4
+ s4 s2
+ \time 6/4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s4 s4 s4 s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s1
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s4 s4 s4 s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s1
+ %\time 2/4
+ s8 s8
+ s4
+ %\time 4/4
+ s4 s4 s4 s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s2.
+ s4
+ \time 4/4
+ s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4
+ \time 2/4
+ s4 s4
+ \time 4/4
+ s2 s2
+ % If
+ s1\pp s2 s2
+ \time 6/4
+ %\time 2/4
+ s2
+ %\time 4/4
+ s2 s2
+ %\time 2/4
+ s2
+ %\time 4/4
+ s1
+ %\time 2/4
+ s2
+ %\time 4/4
+ s2
+ s2
+ %\break
+ % Then
+ \time 4/4
+ s2
+ s4 s4\mp s4 s4 s4 s4
+ \time 6/4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s1
+ %\time 2/4
+ s2
+ %\time 4/4
+ s4\< s16 s8.\! s2\>
+ %\time 2/4
+ s2\!
+ %\time 4/4
+ s4\< s16 s8.\!
+ s2\>
+ \time 4/4
+ s2
+ s4 s4
+ %\break
+ \time 10/4
+ s2\p\< s2
+ %\time 2/4
+ s2\mp
+ %\time 4/4
+ s1\>
+ s2 s2
+ %\time 2/4
+ s2
+ %\time 4/4
+ s1
+ \time 2/4
+ s2
+ \breathe
+ \time 10/4
+ %\time 4/4
+ s2\f s2 s2 s8 s8
+ s4
+ %\time 2/4
+ s4 s4
+ %\time 4/4
+ s2 s2 s2 s8 s8
+ s4
+ %\time 2/4
+ s4
+ s4
+ \time 4/4
+ s2 s2\<
+ %\time 4/4
+ s4 s4 s4 s4 s4 s4 s4 s4 s4 s4
+ s2 s4 s4 s4 s4 s4 s4 s2
+ s2 s4 s4
+ s2 s4 s4
+ s1
+ s2 s2\< s1 s1
+ s4 s4 s2
+ s4 s4 s2
+ s4 s4 s2
+ s4 s4 s2
+ \repeat volta 2 {
+ s4 s4 s2
+ s4 s4 s2
+ }
+ }
+
diff --git a/hr/stch/fertig/sleep/midi.lua b/hr/stch/fertig/sleep/midi.lua
new file mode 100644
index 0000000..8d7d5be
--- /dev/null
+++ b/hr/stch/fertig/sleep/midi.lua
@@ -0,0 +1,51 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ \unfoldRepeats
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/fertig/sleep/sleep.ly b/hr/stch/fertig/sleep/sleep.ly
new file mode 100644
index 0000000..2b95c3f
--- /dev/null
+++ b/hr/stch/fertig/sleep/sleep.ly
@@ -0,0 +1,81 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.18"
+\include "dynArt.ly"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Sleep"
+ composer = "Eric Whitacre"
+ poet = "Charles Anthony Silvestri"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+ #(set-default-paper-size "a4" 'landscape)
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 15.5)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \new Staff = sopran { \global \sop }
+ \new Lyrics \lyricsto "soprane" \sopranText
+ \new Staff = alt { \global \alt }
+ \new Lyrics \lyricsto "alti" \altText
+ \new Staff = tenor { \global \ten }
+ \new Lyrics \lyricsto "tenoere" \tenorText
+ \new Staff = bass { \global \bas }
+ \new Lyrics \lyricsto "baesse" \bassText
+ >>
+ %{
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ %}
+ % {
+ \layout {
+ }
+ %}
+ }
+
diff --git a/hr/stch/fertig/sleep/sleep.midi b/hr/stch/fertig/sleep/sleep.midi
new file mode 100644
index 0000000..4073fd2
--- /dev/null
+++ b/hr/stch/fertig/sleep/sleep.midi
Binary files differ
diff --git a/hr/stch/fertig/sleep/stimmen.ly b/hr/stch/fertig/sleep/stimmen.ly
new file mode 100644
index 0000000..10e445b
--- /dev/null
+++ b/hr/stch/fertig/sleep/stimmen.ly
@@ -0,0 +1,258 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.18"
+
+ global = {
+ \key c \minor
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ \oberArt
+ \sopranArt
+ %the actual tune
+ {
+ r2 r4 c4\( f4 ees4 d4 << { \voiceOne bes'4 c4 } \new Voice { \voiceTwo g4 aes4 } >> \oneVoice ees4 f2.\) c4\( bes4 c4 ees4 ees4 ees4 f4 g2.\) f4\( ees4 ees4 f4 f4 g4 ees2 ees4 << { \voiceOne ees4 } \new Voice { \voiceTwo d4 } >> \oneVoice ees4 d4 d4 ees4 f4 f4 f1\)
+ r4 d'4\( << { f4 ees4 d4 ees4 g,4 bes4 bes1 ~ bes8 } { c4 c4 bes4 c4 g4 bes4 a1 ~ a8\) } >> r8 f4\( f4 f4 f4 f4 f4 f4 f2.\) <d' bes>4\( << { a4 c4 g4 bes4 d,4 g4 } { f4 a4 ees4 g4 d4 ees4 } >> f4 f4 f4 f4 e4 ees4 ees4 ees4 c1\) ~ c2 r4 c4\( c'4 c4 <d b>4 q4\) r2 c4\( <f c>4 <d b>2\) r4 c4\( <ees d>4 q4 d4 d4\) r2 <f ees>4\( q4 d2\)
+ r1 r1 r2 r2 r4 c,4\( <bes' aes>4 q4 d,2.\) ees4\( bes'4 <ees bes>4 f,1 ~ f2\) r4 c4\( c4 c4 d4 ees4 ees4 ees4 f2.\) ees4\( g4 aes4 << { bes4 c4 d4 ees4 f1 ~ f8 } { g,4 g4 g4 c4 ees1 ~ ees8\) } >> r8
+ aes,4\( << { ees'4 ees4 f4 g4 g4 g4 g2 ~ g8 } { c,4 c4 d4 d4 ees4 ees4 ees2 ~ ees8\) } >> r8
+ aes,4\( << { ees'4 ees4 f4 g4 g4 g4 g2 ~ g8 } { c,4 c4 d4 d4 ees4 ees4 ees2 ~ ees8\) } >> r8
+ aes,4\( << { \voiceOne ees'4 ees4 f4 g4 g2( aes2 aes2. g4 ~ g4 f2) f4 } \new Voice { \voiceTwo c4 c4 d4 d4 ees4( g2. ees1 c2 ees4) } >> \oneVoice << { ees2( c4 bes4 aes4 g4 f2) } { c'4( d4 c4 bes4 s4 s4 s2)\) } >>
+ d,2( c4) r4 ees2( d4) r4 d2( c4) c8( f8 ~ f2.) bes4( <d bes>2 <c aes>4) ees,4( ~ ees2 f2) ~ f1 ~ f1 ~ f1 ~ f1 ~ f1 ~ f1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ \oberArt
+ \unterArt
+ \altArt
+ %the actual tune
+ {
+ r2 r4 aes4\( c4 c4 bes4 d4 ees4 ees4 ees2.\) aes,4\( g4 aes4 c4 d4 c4 d4 <ees bes>2.\) d4\( c4 d4 d4 ees4 ees4 d2 c4 bes4 c4 d4 c4 d4 ees4 ees4 e1\)
+ r4 bes'4\( aes4 g4 f4 aes4 ees4 d4 <f c>1 ~ q8\) r8 <c a>4\( <ees bes>4 q4 q4 q4 q4 q4 q2.\) g4\( d4 f4 c4 d4 bes4 bes4 ees4 d4 e4 ees4 d4 d4 d4 bes4 c1\) ~ c4 r4 c2\( <aes' f>4 q4 g4 g4\) r2 <aes f>4\( q4 <b g>2\)
+ r4 c,4\( <aes' f>4 q4 <b g>4 q4\) r2 <aes f>4\( q4 <b g>2\)
+ r4 c,4\( c2 c2 c2 c2 c4 c4 c4 c4 ees4 ees4 c2.\) c4\( <aes' ees>4 q4 c,1 ~ c2\)
+ r4 c4\( aes4 aes4 bes4 bes4 c4 c4 ees2.\) ees4\( <ees c>4 q4 q4 q4 <ees d>4 <g ees>4 <bes f>1 ~ q8\) r8
+ aes4\( <aes ees>4 q4 <bes f>4 <bes g>4 <bes aes>4 q4 q2 ~ q8\) r8
+ aes4\( <aes ees>4 q4 <bes f>4 <bes g>4 <bes aes>4 q4 q2 ~ q8\) r8
+ aes4^\( <aes ees>4 q4 <bes f>4 <bes g>4 << { \voiceOne bes4( ees4 des2 c2 bes2 aes2 f4) f4 aes4( bes4 aes4 g4 ees1)\) } \new Voice { \voiceTwo aes1( ~ aes2. g4 aes2 ees4) d4 ees4( f4 ees4 d4 ees1) } >> \oneVoice
+ bes2( aes4) r4 bes2. r4 bes2. aes4( ees'4 bes4 d2) <f d>2( <ees c>2 d1)
+ \repeat unfold 6 {
+ e4( ees4) r2
+ }
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c {
+ <<
+ { \meta }
+ \oberArt
+ \unterArt
+ \tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r2 r4 ees4\(
+ aes4 g4 f4 bes4
+ aes4 g4
+ bes2.\) ees,4\(
+ d4 c4 g'4 f4
+ ees4 f4
+ g2.\) f4\(
+ ees4 f4 f4 g4
+ g4 g2
+ ees4 f4
+ aes4 f4 g4 g4
+ bes4 aes4
+ g1\)
+ r4 g'4\(
+ f4 ees4 d4 ees4
+ g,4 <bes g>4
+ <a g>1 ~
+ q8\) r8 c,4\(
+ d4 ees4 f4 g4
+ a4 d4
+ g,2.\) bes4\(
+ a4 a4 g4 bes4
+ f4 g4 f4 f4
+ g4 bes4 g4 g4
+ f4 ees4
+ g1\)
+ r4 c2.\pp\(
+ ees4 ees4 d4 d4\)
+ r2
+ ees4\( ees4 d2\)
+ r4 c4\(
+ ees4 ees4 d4 d4\)
+ r4 c4\((
+ d4) ees4 f2\)
+ r2 r4 c4\mp\(
+ bes4 bes4 aes4 aes4
+ ees'4 ees4
+ d2\) \breathe d2
+ c2\<
+ d2 d2\>
+ r4\! c4\(
+ d4\< d4 d2\> ~
+ << { d2\)\fermata } { s8 s4.\! } >> r4 c,4\(
+ ees4 ees4 f4 g4
+ aes4 bes4
+ bes1\)
+ <c aes>2\( <bes g>2
+ aes2(
+ bes1 ~
+ bes2)\)
+ \breathe
+ <c aes>2\( <bes g>2
+ <c aes>2 ~ q8\) r8 q4\((
+ <g' ees>4 <f c>4
+ <c aes>2) <bes g>2
+ <aes f>2 ~ q8\) r8 <c aes>4(
+ <g' ees>4 <f c>4
+ <c aes>2)
+ <<
+ {
+ \voiceOne
+ bes2\((
+ aes4 c4 des4 f4
+ ees4 c4 ees4 g4 ~
+ g4 f4 ees4) d4
+ c4( d4 c4 bes4
+ \hideNotes
+ c4 bes2.)\)
+ \unHideNotes
+ }
+ \new Voice {
+ \voiceTwo
+ g2(
+ aes2. des4
+ ees4 c4 bes4 ees4
+ c4) aes4 bes2(
+ aes4 bes4 aes4 bes4
+ c4 bes2.)
+ }
+ >>
+ \oneVoice
+ ees,2. r4
+ f2. r4
+ ees1
+ f2\> bes2\<(
+ c2 aes4 ees4
+ f1) \breathe
+ \repeat unfold 4 { g4( bes4) r2 }
+ \repeat volta 2 {
+ g4( bes4) r2
+ g4( bes4) r2
+ }
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ \unterArt
+ \bassArt
+ %the actual tune
+ \clef bass
+ {
+ r2 r4 aes4\( << { \voiceOne c4 c4 bes4 d4
+ ees4 c4 } \new Voice { \voiceTwo f,4 c'4 bes4 g4 aes4 c4 } >> \oneVoice
+ d2.\)
+ aes4\( g4 f4 c'4 bes4
+ aes4 bes4
+ <bes ees,>2.\)
+ bes4\( aes4 aes4 bes4 bes4
+ c4 bes2
+ <ees aes,>4 <ees g,>4
+ <c f,>4 bes4 b4 c4
+ d4 c4
+ c1\)
+ r4 d'4\(
+ c4 c4 bes4 <c aes>4
+ c,4 <d g,>4
+ <c f,>1 ~
+ q8\) r8
+ q4\(
+ <<
+ {
+ d4 ees4 f4 ees4 f4 bes4
+ }
+ {
+ f,4 g4 a4 bes4
+ c4 f4
+ }
+ >>
+ <ees bes>2.\)
+ <d g,>4\( << { \voiceOne d4 c4 c4 d4 bes4 bes4 } \new Voice { \voiceTwo d4 f,4 c'4 g4 bes4 ees,4 } >> \oneVoice bes'4 bes4 c4 d4 c4 bes4
+ aes4 aes4
+ << { \voiceOne c2.\) r4 } \new Voice { \voiceTwo g2 r2 } >> \oneVoice
+ c'1 c2 c2
+ c2
+ c2 c2
+ c2
+ c1
+ c2
+ c2 c2 ~ c2
+ r4 c4\( <f, d>4 q4 <ees c>4 q4
+ <c' g>4 q4
+ <bes f>1\)
+ r2
+ q4\( q4 q2\)
+ c2\(
+ q4 q4 q2 ~ q2\fermata\)
+ r4 << {
+ c,4\( ees2 ees2 c2( d1)\)
+ ees2\( ees2 c2( d1 ~ d2)\)
+ aes'2\( ees2 c2 ~ c8\) r8
+ f4\(( c'4 aes4 ees2) ees2 c2 ~ c8\) r8
+ f4( c'4 aes4 ees2)
+ } {
+ c4 aes2 g2 f2 ~ f1
+ aes2 g2 f2 ~ f1 ~ f2
+ aes2 g2 f2 ~ f8 r8
+ c'4( aes'4 f4 aes,2) g2 f2 ~ f8 r8
+ c'4 aes'4 f4 aes,2
+ } >>
+ <<
+ {
+ \voiceOne
+ ees'2\(( c4 f2 aes4 c4 ees,2 g4 aes4) f4 d2( ees4 f4 ees4 d4 ees2 d2)\)
+ }
+ \new Voice {
+ \voiceTwo
+ g,2( f4 c'4 aes4 des4 aes'4 aes,4 ees'4 bes4 f'4) c4
+ f,2( aes4 bes4 aes4 g4 aes4 ees'4 d2)
+ }
+ >>
+ \oneVoice
+ aes2. r4
+ bes2. r4
+ aes1
+ <<
+ {
+ \voiceOne
+ bes2( f'2 ees1 bes1)
+ }
+ \new Voice {
+ \voiceTwo
+ bes1( aes1 bes1)
+ }
+ >> \oneVoice
+ \repeat unfold 6 {
+ c4( d4) r2
+ }
+ }
+ >>
+ }
+
diff --git a/hr/stch/fertig/sleep/texte.ly b/hr/stch/fertig/sleep/texte.ly
new file mode 100644
index 0000000..20abd9b
--- /dev/null
+++ b/hr/stch/fertig/sleep/texte.ly
@@ -0,0 +1,90 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+ commonI = \lyricmode {
+ The eve -- ning hangs be -- neath the moon,
+ A sil -- ver thread on dark -- ened dune.
+ With clos -- ing eyes and rest -- ing head I know that sleep is com -- ing soon.
+ Up -- on my pil -- low safe in bed,
+ A thou -- sand pic -- tures fill my head,
+ I can -- not sleep, my mind’s a -- flight;
+ And yet my limbs seem made of lead.
+ If there are nois -- es in the night,
+ }
+
+ oberI = \lyricmode {
+ A fright -- ening shad -- ow, flick -- ering light;
+ }
+ surrender = \lyricmode {
+ I sur -- ren -- der un -- to sleep,
+ }
+ commonII = \lyricmode {
+ clouds of dream
+ give sec -- ond sight.
+ What dreams may come,
+ }
+ dad = \lyricmode {
+ dark and deep,
+ }
+ frauenI = \lyricmode {
+ Of fly -- ing wings and soar -- ing leap
+ As \surrender
+ As \surrender
+ As \surrender
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyricmode {
+ %<+hier den Text für den Sopran eintragen+>
+ \commonI
+ \oberI
+ Where \commonII
+ both \dad
+ \frauenI
+ \repeat unfold 6 {
+ sleep,
+ }
+ }
+
+ altText = \lyricmode {
+ %<+hier den Text für den Alt eintragen+>
+ \commonI
+ \oberI
+ Then \surrender
+ Where \commonII
+ both \dad
+ \frauenI
+ \repeat unfold 11 {
+ sleep,
+ }
+ }
+
+ tenorText = \lyricmode {
+ %<+hier den Text für den Tenor eintragen+>
+ \commonI
+ \oberI
+ Then \surrender
+ Where \commonII
+ both \dad
+ \dad \dad \dad
+ dark un -- to sleep,
+ \repeat unfold 11 {
+ sleep,
+ }
+ }
+
+ bassText = \lyricmode {
+ %<+hier den Text für den Baß eintragen+>
+ \commonI
+ in the night,
+ Then \surrender
+ \commonII
+ \dad \dad \dad
+ dark un -- to sleep,
+ \repeat unfold 10 {
+ sleep,
+ }
+ }
+
diff --git a/hr/stch/fertig/sommarpsalm/a5/sommarpsalm.ly b/hr/stch/fertig/sommarpsalm/a5/sommarpsalm.ly
new file mode 100644
index 0000000..07df272
--- /dev/null
+++ b/hr/stch/fertig/sommarpsalm/a5/sommarpsalm.ly
@@ -0,0 +1,85 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.18"
+\include "../dynArt.ly"
+\include "../stimmen.ly"
+\include "../texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Sommarpsalm"
+ composer = "Waldemar Åhlén"
+ text = "Carl David af Wirsen"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ #(set-paper-size "a5")
+ line-width = \paper-width - 20
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ ragged-last = ##t
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 13)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ { \meta }
+ { \frauenArt }
+ \new Voice = "soprane" { \voiceOne \sopranMelodie }
+ \new Voice = "alti" { \voiceTwo \altMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ { \meta }
+ { \maennerArt }
+ \new Voice = "tenoere" { \voiceOne \tenorMelodie }
+ \new Voice = "baesse" { \voiceTwo \bassMelodie }
+ %\addlyrics { \stzI }
+ %\addlyrics { \stzII }
+ %\addlyrics { \stzIII }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = sopran { \global \sop }
+ \new Lyrics \lyricsto soprane \stzI
+ \new Lyrics \lyricsto soprane \stzII
+ \new Lyrics \lyricsto soprane \stzIII
+ %\new Staff = alt { \global \alt }
+ %\new Staff = tenor { \global \ten }
+ \new Staff = bass { \global \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/fertig/sommarpsalm/a5/sommarpsalm_orig.ly b/hr/stch/fertig/sommarpsalm/a5/sommarpsalm_orig.ly
new file mode 100644
index 0000000..edf3604
--- /dev/null
+++ b/hr/stch/fertig/sommarpsalm/a5/sommarpsalm_orig.ly
@@ -0,0 +1,85 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.18"
+\include "../dynArt_orig.ly"
+\include "../stimmen.ly"
+\include "../texte_orig.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Sommarpsalm"
+ composer = "Waldemar Åhlén"
+ text = "Carl David af Wirsen"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ #(set-paper-size "a5")
+ line-width = \paper-width - 20
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ ragged-last = ##t
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 13)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ { \meta }
+ { \frauenArt }
+ \new Voice = "soprane" { \voiceOne \sopranMelodie }
+ \new Voice = "alti" { \voiceTwo \altMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ { \meta }
+ { \maennerArt }
+ \new Voice = "tenoere" { \voiceOne \tenorMelodie }
+ \new Voice = "baesse" { \voiceTwo \bassMelodie }
+ %\addlyrics { \stzI }
+ %\addlyrics { \stzII }
+ %\addlyrics { \stzIII }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = sopran { \global \sop }
+ \new Lyrics \lyricsto soprane \stzI
+ \new Lyrics \lyricsto soprane \stzII
+ \new Lyrics \lyricsto soprane \stzIII
+ %\new Staff = alt { \global \alt }
+ %\new Staff = tenor { \global \ten }
+ \new Staff = bass { \global \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/fertig/sommarpsalm/dynArt.ly b/hr/stch/fertig/sommarpsalm/dynArt.ly
new file mode 100644
index 0000000..c4e1f40
--- /dev/null
+++ b/hr/stch/fertig/sommarpsalm/dynArt.ly
@@ -0,0 +1,87 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ \tempo "Andante"
+ s4\mp
+ s2.*3
+ s2 \breathe s4\mf
+ s2.*3
+ s2 \breathe
+ \bar ""
+ \break
+ s4
+ s2.*3
+ s2 \breathe s4
+ s2.*3
+ s2 \breathe
+ \bar ""
+ \break
+ s4\p
+ s2.
+ s2 \breathe s4
+ s2.
+ s2 s4
+ s2\f s4
+ s2.*2
+ s2 \breathe
+ \bar ""
+ \break
+ s4
+ s2.*2
+ s4 s2^\markup { \italic "rit." }
+ s2.\p
+ \bar "|."
+ }
+
+% articulation
+
+ frauenArt = {
+ s4
+ s2.\<
+ s4 s2\!
+ s2 s4\>
+ s2 s4\!
+ s2.*2
+ s4 s2\>
+ s2.\!
+ s2.\<
+ s2 s4\!
+ s2.
+ s2 s4\mf
+ s2.*2
+ s2.\>
+ s2\! s4
+ s2\< s4\>
+ s2.\!
+ s2\< s4\>
+ s2.\!
+ s2.*2
+ s2.\>
+ s2\! s4\<
+ s2.\!
+ s2.
+ s2.\>
+ s2.\!
+ }
+
+ maennerArt = {
+ s4
+ s2.*12
+ s2 s4\mf
+ s2.*15
+ }
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/fertig/sommarpsalm/dynArt_orig.ly b/hr/stch/fertig/sommarpsalm/dynArt_orig.ly
new file mode 100644
index 0000000..8e879f4
--- /dev/null
+++ b/hr/stch/fertig/sommarpsalm/dynArt_orig.ly
@@ -0,0 +1,87 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ %\tempo "Ej långsamt"
+ s4\mp
+ s2.*3
+ s2 \breathe s4\mf
+ s2.*3
+ s2 \breathe
+ \bar ""
+ \break
+ s4
+ s2.*3
+ s2 \breathe s4
+ s2.*3
+ s2 \breathe
+ \bar ""
+ \break
+ s4\p
+ s2.
+ s2 \breathe s4
+ s2.
+ s2 s4
+ s2\f s4
+ s2.*2
+ s2 \breathe
+ \bar ""
+ \break
+ s4
+ s2.*2
+ s4 s2^\markup { \italic "rit." }
+ s2.\p
+ \bar "|."
+ }
+
+% articulation
+
+ frauenArt = {
+ s4^\markup{ \italic "Ej långsamt" }
+ s2.\<
+ s4 s2\!
+ s2 s4\>
+ s2 s4\!
+ s2.*2
+ s4 s2\>
+ s2.\!
+ s2.\<
+ s2 s4\!
+ s2.
+ s2 s4\mf
+ s2.*2
+ s2.\>
+ s2\! s4
+ s2\< s4\>
+ s2.\!
+ s2\< s4\>
+ s2.\!
+ s2.*2
+ s2.\>
+ s2\! s4\<
+ s2.\!
+ s2.
+ s2.\>
+ s2.\!
+ }
+
+ maennerArt = {
+ s4
+ s2.*12
+ s2 s4\mf
+ s2.*15
+ }
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/fertig/sommarpsalm/midi.lua b/hr/stch/fertig/sommarpsalm/midi.lua
new file mode 100644
index 0000000..8d7d5be
--- /dev/null
+++ b/hr/stch/fertig/sommarpsalm/midi.lua
@@ -0,0 +1,51 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ \unfoldRepeats
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/fertig/sommarpsalm/sommarpsalm.ly b/hr/stch/fertig/sommarpsalm/sommarpsalm.ly
new file mode 100644
index 0000000..31f4756
--- /dev/null
+++ b/hr/stch/fertig/sommarpsalm/sommarpsalm.ly
@@ -0,0 +1,81 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "dynArt.ly"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Sommarpsalm"
+ composer = "Waldemar Åhlén"
+ text = "Carl David af Wirsen"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 17)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ { \meta }
+ { \frauenArt }
+ \new Voice = "soprane" { \voiceOne \sopranMelodie }
+ \new Voice = "alti" { \voiceTwo \altMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ { \meta }
+ { \maennerArt }
+ \new Voice = "tenoere" { \voiceOne \tenorMelodie }
+ \new Voice = "baesse" { \voiceTwo \bassMelodie }
+ %\addlyrics { \stzI }
+ %\addlyrics { \stzII }
+ %\addlyrics { \stzIII }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = sopran { \global \sop }
+ \new Lyrics \lyricsto soprane \stzI
+ \new Lyrics \lyricsto soprane \stzII
+ \new Lyrics \lyricsto soprane \stzIII
+ %\new Staff = alt { \global \alt }
+ %\new Staff = tenor { \global \ten }
+ \new Staff = bass { \global \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/fertig/sommarpsalm/sommarpsalm.midi b/hr/stch/fertig/sommarpsalm/sommarpsalm.midi
new file mode 100644
index 0000000..339c2e2
--- /dev/null
+++ b/hr/stch/fertig/sommarpsalm/sommarpsalm.midi
Binary files differ
diff --git a/hr/stch/fertig/sommarpsalm/stimmen.ly b/hr/stch/fertig/sommarpsalm/stimmen.ly
new file mode 100644
index 0000000..634706b
--- /dev/null
+++ b/hr/stch/fertig/sommarpsalm/stimmen.ly
@@ -0,0 +1,172 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+
+ global = {
+ \key a \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 3/4
+ %\autoBeamOff
+ \partial 4
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ % { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ e4
+ e2 a4
+ b4( cis4) a4
+ fis2 gis4
+ a2 cis4
+ cis4( e4) d4
+ cis4( b4) a4
+ b2.
+ b2 e,4
+ e2 a4
+ b4( cis4) a4
+ fis2 gis4
+ a2 cis4
+ b4( e4) gis,4
+ a4( gis4) e4
+ fis2.
+ e2 e4
+ d'2 d4
+ b2 b4
+ <a e'>2 <b e>4
+ <a cis>4( <b d>4) <cis e>4
+ <d fis>2 <cis e>4
+ e4( d4) cis4
+ b2.
+ b2 cis4
+ d2 cis4
+ b4( a4) fis4
+ gis2( a4)
+ a2\fermata
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ % { \meta }
+ %\altArt
+ %the actual tune
+ {
+ e4
+ cis2 cis4
+ d2 d4
+ d2 d4
+ cis2 e4
+ e2 fis4
+ e2 e4
+ e4( cis4 dis4)
+ e2 d4
+ cis2 cis4
+ d2 d4
+ d4( fis4) eis4
+ fis2 dis4
+ e2 e4
+ e2 e4
+ e2( dis4)
+ e2 e4
+ fis2 fis4
+ gis4( fis4) gis4
+ fis2 gis4
+ a2 a4
+ <fis a>2 <e a>4
+ <gis b>2 a4
+ a2.
+ <e gis>2 <e fis>4
+ <d fis>2 <e a>4
+ fis2 d4
+ d2.
+ cis2
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ % { \meta }
+ %\tenorArt
+ %the actual tune
+ % \clef "treble_8"
+ {
+ e,4
+ e2 e4
+ fis2 fis4
+ a4( cis4) b4
+ a2 a4
+ a2 a4
+ a4( d4) cis4
+ a2.
+ a4( gis4) fis4
+ e2 e4
+ fis2 fis4
+ a4( cis4) b4
+ cis2 a4
+ b2 b4
+ a4( b4) gis4
+ cis4( b2)
+ gis2 e'4
+ a,2 a4
+ b4( a4) b4
+ cis2 d4
+ e2 e4
+ d2 cis4
+ b2 a4
+ fis'2.
+ b,2 ais4
+ b2 a4
+ d2 cis4
+ b2.
+ a2\fermata
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ % { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ e4
+ a,2 a4
+ <a e'>2 q4
+ q2 q4
+ q2 a'4
+ cis,2 d4
+ a'2 a4
+ fis2( b,4)
+ e2 e4
+ a,2 a4
+ a2 a4
+ a2 a4
+ <a a'>2 <fis fis'>4
+ <gis gis'>2 cis4
+ cis4( b4) cis4
+ a4( b2)
+ e2 e4
+ e2 e4
+ e2 e4
+ e2 e4
+ a2 a4
+ <d, a'>2 a'4
+ e2 fis4
+ dis4( cis4 dis4)
+ e2 cis4
+ <b fis'>2 cis4
+ d2 d4
+ << { e2( e,4) } e'2. >>
+ <a, e'>2
+ }
+ >>
+ }
+
diff --git a/hr/stch/fertig/sommarpsalm/texte.ly b/hr/stch/fertig/sommarpsalm/texte.ly
new file mode 100644
index 0000000..ec6388f
--- /dev/null
+++ b/hr/stch/fertig/sommarpsalm/texte.ly
@@ -0,0 +1,53 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+ stzI = \lyrics {
+ \set stanza = "1. "
+ Wie herr -- lich grü -- nen Baum und Strauch
+ und zie -- ren Tal und Hän -- ge.
+ Ein zar -- ter mil -- der war -- mer Hauch
+ um -- spielt das Blatt -- ge -- men -- ge.
+ Im Son -- nen -- schein wogt Flur und Hain
+ und wiegt sich in den Win -- den.
+ Der Som -- mer will sich fin -- den.
+ }
+ stzII = \lyrics {
+ \set stanza = "2. "
+ Dem hel -- len Lied im Wie -- sen -- grund,
+ dem dump -- fen Wal -- des -- rau -- schen,
+ dem kann man nun so man -- che Stund
+ mit al -- ler Ehr -- furcht lau -- schen.
+ Und Vo -- gel -- sang im Ü -- ber -- schwang,
+ ge -- würzt durch Blü -- ten -- düf -- te,
+ er -- hebt sich in die Lüf -- te.
+ }
+ stzIII = \lyrics {
+ \set stanza = "3. "
+ O gu -- ter Gott, wie ist Dir gleich
+ der lich -- te Son -- nen -- rei -- gen.
+ Im Som -- mer willst Du gna -- den -- reich
+ uns Dei -- ne Grö -- ße zei -- gen.
+ All Fleisch ist Heu, all Le -- ben Streu,
+ ver -- gäng -- lich al -- les Trei -- ben,
+ nur Dein Wort wird ver -- blei -- ben.
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/stch/fertig/sommarpsalm/texte_orig.ly b/hr/stch/fertig/sommarpsalm/texte_orig.ly
new file mode 100644
index 0000000..536b814
--- /dev/null
+++ b/hr/stch/fertig/sommarpsalm/texte_orig.ly
@@ -0,0 +1,56 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+ stzI = \lyrics {
+ \set stanza = "1. "
+ En vän -- lig grön -- skas ri -- ka dräkt
+ har smyck -- at dal och äng -- ar.
+ Nu sme -- ker vin -- dens ljum -- ma fläkt
+ de fag -- ra ör -- te -- sän -- gar.
+ Och so -- lens ljus
+ och lun -- dens sus
+ och vå -- gens sorl bland vi -- den
+ för -- kun -- na som -- mar -- ti -- den.
+ }
+ stzII = \lyrics {
+ \set stanza = "2. "
+ Sin lyc -- ka och sin som -- mar -- ro
+ de y -- ra fåg -- lar pri -- sa;
+ Ur sko -- gens snår, ur stil -- la bo
+ fram -- kling -- ar de -- ras -- vi -- sa.
+ En hymn går opp
+ av fröjd och hopp
+ från de -- ras gla -- da kvä -- den,
+ från blom -- mor -- na och trä -- den.
+ }
+ stzIII = \lyrics {
+ \set stanza = "3. "
+ Men Du, o Gud, som gör vår jord
+ så skön i som -- marns stun -- der.
+ Giv, att jag ak -- tar främst ditt ord
+ och di -- na nå -- des -- un -- der.
+ Allt kött är hö,
+ och blomst -- ren dö
+ och ti -- den allt för -- dri -- ver
+ blott Her -- rens ord för -- bli -- ver.
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/stch/fertig/spirit/dynArt.ly b/hr/stch/fertig/spirit/dynArt.ly
new file mode 100644
index 0000000..30423d4
--- /dev/null
+++ b/hr/stch/fertig/spirit/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/fertig/spirit/midi.lua b/hr/stch/fertig/spirit/midi.lua
new file mode 100644
index 0000000..8d7d5be
--- /dev/null
+++ b/hr/stch/fertig/spirit/midi.lua
@@ -0,0 +1,51 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ \unfoldRepeats
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/fertig/spirit/spirit.ly b/hr/stch/fertig/spirit/spirit.ly
new file mode 100644
index 0000000..6b60223
--- /dev/null
+++ b/hr/stch/fertig/spirit/spirit.ly
@@ -0,0 +1,79 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Ev’ry time I feel the spirit"
+ %composer = "<+Komponist+>"
+ arranger = "William L. Dawson"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \RemoveEmptyStaves
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ \override VerticalAxisGroup #'remove-first = ##t
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ sol = <<
+ \new Voice = "soloVoice" { \solo }
+ %\addlyrics { \soloBla }
+ >>
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \bassMelodie }
+ \addlyrics { \bassText }
+ >>
+
+ \score {
+ <<
+ \new Staff = solo { \global \sol }
+ \new Lyrics = soloText \lyricsto soloVoice \soloBla
+ \new ChoirStaff \with {} <<
+ %\new Staff = sopran { \global \sop }
+ %\new Staff = alt { \global \alt }
+ %\new Staff = tenor { \global \ten }
+ \new Staff = bass { \global \bas }
+ >>
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/fertig/spirit/stimmen.ly b/hr/stch/fertig/spirit/stimmen.ly
new file mode 100644
index 0000000..b47fc7d
--- /dev/null
+++ b/hr/stch/fertig/spirit/stimmen.ly
@@ -0,0 +1,141 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key ees \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ \partial 4.
+ }
+
+% Die Stimmen
+
+ solo = \relative c {
+ \clef "bass"
+ r4.
+ \repeat unfold 7 { r1 }
+ \break
+ r2 r8 bes8 c8 ees8
+ g4 g4. c,8. ees8.
+ g2 ~ g8 bes,8 c8 ees8
+ bes'4 g4. f4 g8
+ ees2 ~ ees8 bes8 c8 ees8
+ g4 g4. bes,8 c8 ees8
+ g2 ~ g8 bes,8 c8 ees8
+ bes'4 g4. g8 f8 g8
+ ees2 ~ ees8 r4.
+ \break
+ \repeat unfold 7 { r1 }
+ \break
+ r2 r8 c8. ees8.
+ g4 g4 ~ g8 bes,8 c16 c16 ees8
+ g2 ~ g8 bes,8 c8 ees8
+ bes'4 g4. g8 f8 g8
+ ees2 ~ ees8 bes8 c8 ees8
+ g4 g4. bes,8 c8 ees8
+ g2 ~ g8 bes,8 c8 ees8
+ bes'4 g4. f8. g8.
+ ees2 ~ ees8 r4.
+ \break
+ }
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ ees4 ees8
+ % \repeat volta 2 {
+ % }
+ aes4 aes4. aes4 aes8
+ ees4 ees4. ees4 ees8
+ bes8 bes8 c4. bes4 bes8
+ ees2 ~ ees8 ees8 f8 g8
+ aes4 aes4. aes4 aes8
+ ees4 ees4. ees4 ees8
+ bes8 bes8 c4. bes4 bes8
+ ees2 ~ ees8 r8 r4
+ ees,2. r4
+ ees2. r4
+ ees1 ~
+ ees2 ~ ees8 r4.
+ ees2. r4
+ ees2. r4
+ ees1 ~
+ ees2 ~ ees8 ees'4 ees8
+ aes4 aes4. aes4 aes8
+ g4 g4. ees4 bes8
+ b8 b8 c4. bes4 bes8
+ bes'4( aes4 g8) ees8 f8 g8
+ aes4 aes4. a4 a8
+ bes8( aes8) g4. ees4 ees8
+ ees8 ees8 aes,4. bes4 bes8
+ ees2 ~ ees8 r4.
+ ees,2. r4
+ ees2. r4
+ ees1 ~
+ ees2 ~ ees8 r4.
+ ees2. r4
+ ees2. r4
+ ees1 ~
+ ees2 ~ ees8 r4.
+ aes'4 g4 f2
+ g4 f4 ees4 d4
+ c4 g4 aes4 bes4
+ c4 d4 ees2
+ aes4 g4 f2
+ bes4 aes4 g4. r8
+ ees8 d8 c8 bes8 aes4 bes4
+ bes8 c8 bes8 aes8 g8 r4.
+ aes'8 bes8 aes8 g8 f8 f8 f8 f8
+ g8 aes8 g8 f8 ees4( g,4)
+ bes4 b8( d8) c4 f,4
+ bes8 a8 bes8 c8 d8 ees8 f8( g8)
+ aes8 bes8 c8 bes8 aes8 g8 f8 aes8
+ g8 aes8 bes8 aes8 g8 f8 ees8 g8
+ bes8 b8 c4\fermata r8 bes4 bes8
+ ees,2 ~ ees8\fermata
+ \bar "|."
+ }
+ >>
+ }
+
diff --git a/hr/stch/fertig/spirit/texte.ly b/hr/stch/fertig/spirit/texte.ly
new file mode 100644
index 0000000..6f383e6
--- /dev/null
+++ b/hr/stch/fertig/spirit/texte.ly
@@ -0,0 +1,70 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ soloBla = \lyrics {
+ Up -- on the moun -- tain
+ my Lord spoke,
+ Out of His mouth came
+ fire and smoke;
+ Looked all a -- round me,
+ It looked so fine,
+ till I asked my Lord
+ if all was mine.
+ %
+ Jor -- dan ri -- ver
+ is chil -- ly and cold,
+ It chills the bo -- dy,
+ but not the soul;
+ There ain’t but one train
+ up -- on this track,
+ it runs to heav -- en
+ an’ right back.
+ }
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ Ev -- ’ry time I feel the spir -- it,
+ Mov -- ing in my heart,
+ I will pray;
+ Yes, Ev -- ’ry time I feel the spir -- it,
+ Mov -- ing in my heart,
+ I will pray,
+ Hum _ _ _ _ _
+ Ev -- ’ry time I feel the spir -- it,
+ Mov -- ing in my heart,
+ I will pray;
+ Yes, Ev -- ’ry time I feel the spir -- it,
+ Mov -- ing in my heart,
+ I will pray.
+ Hum _ _ _ _ _
+ I will pray,
+ ev -- ’ry time I feel the spi -- rit, I will pray,
+ I will pray,
+ I will pray,
+ Ev -- ’ry time I feel the spi -- rit, I will pray,
+ Ev -- ’ry time I feel the spi -- rit,
+ Mov -- ing in my heart,
+ Oh, the spir -- it
+ mov -- ing in my heart,
+ Oh, yes
+ Ev -- ’ry time I feel the spi -- rit,
+ Mov -- ing in my heart,
+ oh, mov -- ing in my heart,
+ I will pray.
+ }
+
diff --git a/hr/stch/fertig/tebje/TODO.txt b/hr/stch/fertig/tebje/TODO.txt
new file mode 100644
index 0000000..b8deb9c
--- /dev/null
+++ b/hr/stch/fertig/tebje/TODO.txt
@@ -0,0 +1 @@
+punkte immer nach oben
diff --git a/hr/stch/fertig/tebje/alt/tebje.ps b/hr/stch/fertig/tebje/alt/tebje.ps
new file mode 100644
index 0000000..71b451f
--- /dev/null
+++ b/hr/stch/fertig/tebje/alt/tebje.ps
Binary files differ
diff --git a/hr/stch/fertig/tebje/stimmen.ly b/hr/stch/fertig/tebje/stimmen.ly
new file mode 100644
index 0000000..a467abf
--- /dev/null
+++ b/hr/stch/fertig/tebje/stimmen.ly
@@ -0,0 +1,85 @@
+% vim: encoding=utf8 nu
+
+global = {
+ \key ees \major
+ \time 4/4
+ \slurDashed
+ \tieDashed
+}
+
+
+ text = \new Lyrics {
+ \lyricmode {
+ Te -- bje pa -- jom, te -- bja bla -- gos_-_la -- wim,
+ te -- bja bla -- go -- da -- rim. Gos -- po -- di.
+ I mo -- lim -- sia bo -- sche -- nasch.
+ I mo -- lim -- sia bo -- sche -- nasch.
+ I mo -- lim -- sia bo -- sche -- nasch, bo -- sche -- nasch.
+ Mo -- lim -- sia bo -- sche -- nasch.
+ }
+ }
+
+%Die Stimmen mit ihren jeweiligen Textaufteilungen
+
+ breit = \markup { \italic "breit" }
+ aTempo = \markup { \italic "a tempo" }
+ getragen = \markup { \bold "Getragen" }
+
+ metaVoice = {
+ \repeat volta 2 { \partial 4 s4\pp s1*4 s4 s4\< s2 s1 s1\! s2. }
+ \crescTextCresc
+ \repeat volta 8 { r4 s1 s1 \< s1*3 s1\f^\breit s1\pp^\aTempo s2. }
+ r4 s1*4 \bar "|."
+ }
+
+ sopMusic = \relative c'' {
+ g4^\getragen g2. g4 g2( f4 ) bes4
+ aes2. bes4 aes4 ~ aes4 g4 g4
+ bes4 bes4 b4 b4 c1
+ bes2 aes2 g2. s4
+ g4 g8 g8 aes4( bes4 ) aes4. aes8 aes2
+ a4 a8 a8 bes4( c4 ) bes4. bes8 bes2
+ b4 b8 b8 c4( d4 ) c4. c8 c2
+ bes2 aes2 g2. s4
+ aes2 g2 aes2( g2 )
+ f2 aes2 g1\fermata
+ }
+
+ altMusic = \relative c' {
+ ees4 ees2. ees4 ees2( d4 ) f4
+ ees2. f4 f4 ~ f4 ees4 ees4
+ g4 g4 f4 f4 ees1
+ g2 f2 ees2. s4
+ ees4 ees8 ees8 ees4 ~ ees4 ees4. ees8 ees2
+ f4 f8 f8 f4 ~ f4 f4. f8 f2
+ g4 g8 f8 ees4( f4 ) g4. g8 fis2
+ g2 f2 ees2. s4
+ ees2 ees2 d2( ees2 )
+ ees2 ees4( d4 ) ees1
+ }
+
+ tenorMusic = \relative c' {
+ bes4 bes2. bes4 bes2 ~ bes4 d4
+ c2. bes4 bes4 ~ bes4 bes4 bes4
+ g4 g4 g4 g4 g2( aes2 )
+ ees'2 d2 bes2. s4
+ bes4 bes8 bes8 c4( des4 ) c4. c8 c2
+ c4 c8 c8 d4( ees4 ) d4. d8 d2
+ d4 d8 d8 c4( b4 ) ees4. ees8 ees2
+ ees2 d2 bes2. s4
+ c2 bes2 bes4( b4( c2 ) )
+ c2 bes2 bes1\fermata
+ }
+
+ bassMusic = \relative c {
+ ees4 ees2. g4 bes2( bes,4 ) bes4
+ c2. d4 ees4 ~ ees4 ees4 ees4
+ ees4 ees4 d4 d4 c4( bes4 aes2 )
+ bes2 bes2 ees2. s4
+ ees4 ees8 ees8 ees4 ~ ees4 aes4. aes8 aes2
+ f4 f8 f8 f4 ~ f4 bes4. bes8 bes2
+ g4 g8 g8 g4 ~ g4 c4. bes8 a2
+ bes2. bes,4 ees2. s4
+ aes,2 ees'2 f2( c2 )
+ aes2 bes2 ees1
+ }
diff --git a/hr/stch/fertig/tebje/tebje.log b/hr/stch/fertig/tebje/tebje.log
new file mode 100644
index 0000000..1643515
--- /dev/null
+++ b/hr/stch/fertig/tebje/tebje.log
@@ -0,0 +1,12 @@
+# -*-compilation-*-
+»C:/Dokumente und Einstellungen/Hauke Rehr/Desktop/lilydocs/tebje/tebje.ly« wird verarbeitet
+Analysieren...
+Interpretation der Musik...[8][16][24][24]
+Vorverarbeitung der grafischen Elemente...
+Zeilenumbrüche werden berechnet...
+Systeme erstellen...
+Ideale Seitenanzahl wird gefunden...
+Musik wird auf eine Seite angepasst...
+Systeme erstellen...
+Layout nach »/Dokumente und Einstellungen/Hauke Rehr/Desktop/lilydocs/tebje/tebje.ps« ausgeben...
+Konvertierung nach »/Dokumente und Einstellungen/Hauke Rehr/Desktop/lilydocs/tebje/tebje.pdf«...
diff --git a/hr/stch/fertig/tebje/tebje.ly b/hr/stch/fertig/tebje/tebje.ly
new file mode 100644
index 0000000..890b55a
--- /dev/null
+++ b/hr/stch/fertig/tebje/tebje.ly
@@ -0,0 +1,64 @@
+% vim: encoding=utf8 nu
+
+\version "2.12.1"
+\include "stimmen.ly"
+
+ \header {
+ title = "Tebje Pajom"
+ subtitle = "Altrussischer Kirchengesang"
+ composer = "Melodie: Dimitri Bortnianski"
+ arranger = \markup {
+ \column \right-align {
+ "Satz: Hans-Joachim Rolf" "[Deutscher Text: Klaus Siefert]"
+ }
+ }
+ }
+
+#(set-global-staff-size 18)
+
+ \paper {
+ ragged-last-bottom = ##f
+ system-count = 4
+ top-margin = 15\mm
+ bottom-margin = 10\mm
+ line-width = 175\mm
+ }
+
+ \midi {
+ %\tempo 4=72
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ % a little smaller so lyrics can be closer to the staff
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 4.5)
+ }
+ }
+
+ \score {
+ %\simultaneous
+ \new ChoirStaff <<
+ \new Staff = Frauen <<
+ %\new Staff = Sopran <<
+ \new Voice = "meta" \metaVoice
+ \new Voice = "soprane" { \voiceOne \global \sopMusic }
+ \lyricsto soprane \text
+ %>>
+ %\new Staff = Alt <<
+ \new Voice = "alti" { \voiceTwo \global \altMusic }
+ %\lyricsto alti \text
+ >>
+ \new Staff = Maenner <<
+ \new Voice = "meta" { \clef bass \metaVoice }
+ %\new Staff = Tenor <<
+ \new Voice = "tenoere" { \voiceOne \global \tenorMusic }
+ \lyricsto tenoere \text
+ %>>
+ %\new Staff = Bass <<
+ \new Voice = "baesse" { \voiceTwo \global \bassMusic }
+ %\lyricsto baesse \text
+ >>
+ >>
+ }
diff --git a/hr/stch/fertig/tebje/tebje.ps b/hr/stch/fertig/tebje/tebje.ps
new file mode 100644
index 0000000..46eadff
--- /dev/null
+++ b/hr/stch/fertig/tebje/tebje.ps
Binary files differ
diff --git a/hr/stch/fertig/tore/dynArt.ly b/hr/stch/fertig/tore/dynArt.ly
new file mode 100644
index 0000000..8c6536f
--- /dev/null
+++ b/hr/stch/fertig/tore/dynArt.ly
@@ -0,0 +1,24 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s2.*29
+ \break
+ s2.*1
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/fertig/tore/midi.lua b/hr/stch/fertig/tore/midi.lua
new file mode 100644
index 0000000..58e69da
--- /dev/null
+++ b/hr/stch/fertig/tore/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/fertig/tore/stimmen.ly b/hr/stch/fertig/tore/stimmen.ly
new file mode 100644
index 0000000..f4d6613
--- /dev/null
+++ b/hr/stch/fertig/tore/stimmen.ly
@@ -0,0 +1,191 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key g \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 3/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranIMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ d4. d8 d4 d4. d8 d4
+ r4 d4 d4 c2 c4
+ b4. c8 d4 b4 a2 g4 g4 a4
+ b4 b4 c4 d2. a4 a4 b4 c4 c4 d4 e4. d8 c4 b2 a4
+ e'4. e8 e4 e4. e8 e4
+ r4 e4 e4 c4. d8 e4 e4 f2 e2 r4
+ R2.*3
+ r4 a,4 b4 c4 c4 d4 e2. b4 b4 cis4 dis2 dis4 e4 e4. dis8 e2.
+ e4 b4 b4 b4 cis4 d4 cis4 cis4 r4
+ R2.*3
+ d4 d4 d4 b2 r4 r4 e4 e4 c2 c4
+ a4 a4 a4 d4 d4 d4 b2 b4
+ r4 e4 e4 c4. d8 e4 d2 r4
+ e4. e8 e4 e4. e8 e4
+ r4 e4 e4 d2 d4
+ c4. d8 e4 c4 b2 a2 r4
+ R2.*10
+ b4 c4 d4 b4 c4 d4 b4 c4 d4 e2 e4
+ e2 e4 e2 e4
+ e2 d4 e4. f8 g4 e4 d2 c4
+ e4 e4 d2 d4 g,4 a4 b4 c4 d4 e4 d4. c8 b4 e4 d2 d2.
+ \bar "|."
+ }
+ >>
+ }
+ sopranIIMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ b4. b8 b4 b4. b8 b4
+ r4 b4 b4 a2 a4 g4. a8 b4 g4 g4 fis4 g2 r4
+ R2.
+ r4 d4 e4 fis4 fis4 g4 a2. e2 fis4 gis2 a4
+ c4. c8 c4 c4. c8 c4
+ r4 c4 c4 a4. b8 c4 c4 c4 b4 c2 r4
+ R2.*5
+ r4 e,4 fis4 g4 g4 a4 b2 b4 b4 b2 b2.
+ gis4 gis4 gis4 gis4 a4 b4 a4 a4 r4
+ R2.*3
+ b4 b4 b4 g2 r4 r4 g4 g4 a2 a4
+ fis4 fis4 fis4 b4 b4 b4 g2 g4
+ r4 c4 c4 a4. b8 c4 b2 r4
+ c4. c8 c4 c4. c8 c4
+ r4 c4 c4 b2 b4 a4. b8 c4 a4 a4 gis4 a2 r4
+ R2.*10
+ g4 a4 b4 g4 a4 b4 g4 a4 b4 c2 c4
+ c2 c4 c2 c4 c2 b4 c4. d8 e4 c4 c4 b4 c4
+ c4 c4 b2 b4 e,4 fis4 g4 a4 b4 c4
+ b4. a8 g4 c4 a2 b2.
+ }
+ >>
+ }
+
+ altMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ g4. g8 g4 g4. g8 g4
+ r4 g4 g4 e2 e4 g2. g4 d2 d2 r4
+ R2.*6
+ g4. g8 g4 g4. g8 g4 r4 g4 g4 a4. a8 g4 g4 f2 g4
+ c,4 d4 e4 e4 f4 g2. d4 d4 e4 f2. e2.
+ r4 e4 e4 e4 e4 e4 fis2 fis4 g4 fis2 e2.
+ R2.*2
+ a4 e4 e4 e4 fis4 g4 fis2 g4 g4 g4. fis8 g2 r4
+ d4 d4 d4 e2. r4 e4 e4 d2 d4
+ fis4 fis4 fis4 g2. r4 e4 e4 f4. f8 g4 g2 r4
+ g4. g8 g4 g4. g8 g4
+ r4 g4 g4 g2 g4 e2. e4 e2 e2 r4
+ R2.*4
+ e4 f4 g4 e4 f4 g4 e4 f4 g4 g2 g4
+ e4. f8 g4 g4 g4. fis8 g2 r4
+ % R2.*2
+ g2 g4 g2 g4
+ e4 f4 g4 e4 f4 g4 e4 f4 g4 g2 g4
+ g2. g4 g2 g4 g4 g4 g2 g4
+ g2 g4 c,2 c4 g'2. g4 g4. fis8 g2.
+ }
+ >>
+ }
+
+ tenorIMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ d4. d8 d4 d4. d8 d4
+ r4 d4 b4 c2 c4 d2. e4 a,2 b2 r4
+ r4 g4 a4 b4 b4 c4 d2. a4 a4 b4 c4 c4 d4 e2 a,4
+ e'4. c8 c4 c4. c8 c4
+ r4 c4 c4 c4. c8 c4 c4 d2 e2 r4
+ R2.*5
+ r4 c4 c4 b4 b4 b4 b2 b4 b4 b2 b2.
+ e4 e4 e4 e2 e4
+ cis4 cis4 cis4 cis4 d4 e4 a,2 d4 e4 d2 b2 r4
+ b4 b4 b4 g2.
+ r4 c4 c4 d2 d4 d4 d4 d4 e2.
+ r4 c4 c4 c4. c8 c4 d2 r4
+ c4. c8 c4 c4. c8 c4 r4 c4 c4 d2 d4 a2. a4 b2 cis2 r4
+ R2.
+ b4 c4 d4 b4 c4 d4 b4 c4 d4 e2 e4 e2 e4 e2 e4
+ e2 d4 c4. d8 e4 d4 d2 d2 r4
+ R2.*2
+ e2 e4 e2 e4 e2 e4 e2 b4
+ e4. d8 c4 c4 d2 e4 c4 c4 d2 d4
+ c2 d4 e2 c4 d2. e4 a,4 d4 d2.
+ }
+ >>
+ }
+ tenorIIMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ b4. b8 b4 b4. b8 b4 r4 g4 g4 c2 c4 g2. g4 d'4 d,4 g2 r4
+ R2.*6
+ g4. g8 g4 g4. g8 g4 r4 g4 g4 f4. f8 g4 g4 d'2 g,2 r4
+ R2.
+ r4 g4 a4 b4 b4 c4 d2. a2.
+ r4 g4 g4 g4 g4 g4 fis2 fis4 e4 fis2 gis2.
+ R2.*2
+ e4 a4 a4 a4 d4 cis4 d2 g,4 c4 a2 g2 r4
+ g4 g4 g4 e2. r4 a4 a4 d2 a4 b4 b4 b4 e,2.
+ r4 g4 g4 a4. a8 g4 g2 r4
+ g4. g8 g4 g4. g8 g4
+ r4 g4 g4 g2 g4 c4. b8 a4 e4 e2 a2 r4
+ R2.
+ g4 a4 b4 g4 a4 b4 g4 a4 b4 c2 c4 c2 c4 c2 c4
+ c2 b4 c4. c8 c4 b4 a2 g2 r4
+ R2.*2
+ c2 c4 c2 c4 c2 c4 c2 g4
+ c2. g4 g2 c4 g4 g4 g2 g4 g2 g4 c2 a4
+ d2. g,4 d'4 a4 g2.
+ }
+ >>
+ }
+
+ bassMelodie = \relative c' {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ g4. g8 g4 g4. g8 g4
+ r4 g4 g4 a2 a,4 b2. c4 d2 g,2 r4
+ R2.*6
+ c4. c8 c4 c4. c8 c4 r4 c4 c4 f4. f8 e4 e4 d2 c2 r4
+ r4 c4 d4 e4 e4 f4 g2. d2.
+ r4 a4 b4 c4 c4 d4 e2. b2. e4 b2 e2.
+ R2.*2
+ a,4 a4 a4 a4 a4 a4 d2 b4 c4 d2 g2 r4
+ R2.*3
+ d4 d4 d4 b2. r4 e4 e4 c2 c4 f4. f8 e4 g2 r4
+ c,4. c8 c4 c4. c8 c4 r4 c4 c4 g'2 g,4 a2. a4 e'2 a,2 r4
+ d4 e4 fis4 g2 g4 g2 g4 g2 g4
+ c,4 d4 e4 c4 d4 e4 c4 d4 e4 e4 f4 g4 c,2. g'4 d2 g2 r4
+ R2.*2
+ c,4 d4 e4 c4 d4 e4 c4 d4 e4 e4 f4 g4 c,2. c4 g'2 c,4
+ c4 c4 g'2 g,4 c2 b4 a2 a4 b2. c4 d2 g2.
+ }
+ >>
+ }
+
diff --git a/hr/stch/fertig/tore/texte.ly b/hr/stch/fertig/tore/texte.ly
new file mode 100644
index 0000000..20af431
--- /dev/null
+++ b/hr/stch/fertig/tore/texte.ly
@@ -0,0 +1,144 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+ machetA = \lyricmode {
+ Ma -- chet die To -- re weit
+ und die Tü -- ren in _ _ der Welt hoch,
+ }
+
+ machetB = \lyricmode {
+ Ma -- chet die To -- re weit
+ und die Tü -- ren in der Welt hoch,
+ }
+
+ herrA = \lyricmode {
+ Es ist der Herr,
+ stark und mäch -- tig,
+ es ist der Herr,
+ stark und mäch -- tig, stark und mäch -- tig im Streit.
+ }
+
+ herrB = \lyricmode {
+ Es ist der Herr,
+ stark und mäch -- tig,
+ es ist der Herr,
+ stark und mäch -- tig im Streit.
+ }
+
+ ehrenA = \lyricmode {
+ daß der Kö -- nig der Eh -- ren,
+ daß der Kö -- nig der Eh -- ren ein -- zie -- he.
+ }
+
+ ehrenB = \lyricmode {
+ daß der Kö -- nig der Eh -- ren,
+ daß der Kö -- nig der Eh -- ren ein -- zie -- he.
+ }
+
+ hosiannaA = \lyricmode {
+ Ho -- _ si -- an -- _ na
+ ho -- _ si -- an -- na
+ ho -- si -- an -- na
+ dem _ Soh -- _ _ ne Da -- vids,
+ ho -- si -- an -- na, ho -- _ si -- an -- _ na
+ in _ _ der Hö -- he.
+ }
+
+ hosiannaB = \lyricmode {
+ Ho -- _ si -- an -- _ na
+ ho -- _ si -- an -- na
+ in _ _ der Hö -- _ he.
+ Ho -- si -- an -- na, ho -- _ si -- an -- _ na
+ ho -- _ si -- an -- na in der Hö -- he,
+ ho -- si -- an -- na, ho -- si -- an -- na
+ in der Hö -- _ he.
+ }
+
+ hosiannaC = \lyricmode {
+ Ho -- _ si -- an -- _ na
+ ho -- _ si -- an -- na
+ ho -- si -- an -- na,
+ ho -- si -- an -- na in der Hö -- he.
+ Ho -- si -- an -- na,
+ ho -- si -- an -- na in _ _ der Hö -- he.
+ Ho -- si -- an -- na, ho -- si -- an -- na
+ in der Hö -- _ he,
+ }
+
+ hosiannaD = \lyricmode {
+ Ho -- _ si -- an -- na
+ ho -- si -- an -- na
+ ho -- _ si -- an -- _ na
+ ho -- _ si -- an -- _ na
+ in der Hö -- he.
+ Ho -- _ si -- an -- _ na
+ ho -- _ si -- an -- _ na
+ in der Hö -- he.
+ Ho -- si -- an -- na,
+ ho -- si -- an -- na in der Hö -- he.
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ \machetA
+ \ehrenA
+ \machetB
+ daß der Kö -- nig der Eh -- ren,
+ daß der Kö -- nig ein -- zie -- _ he.
+ Wer ist der -- sel -- bi -- ge Kö -- nig?
+ \herrA
+ \machetA
+ \hosiannaA
+ }
+
+ altText = \lyricmode {
+ %<+hier den Text für den Alt eintragen+>
+ \machetB
+ \machetB
+ daß der Kö -- nig der Eh -- ren,
+ daß der Kö -- nig,
+ daß der Kö -- nig der Eh -- ren ein -- zie -- he.
+ Wer ist der -- sel -- bi -- ge Kö -- nig der Eh -- _ ren?
+ \herrB
+ \machetB
+ \hosiannaB
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ \machetB
+ daß der Kö -- nig der Eh -- ren,
+ daß der Kö -- ing ein -- zie -- he.
+ %\machetB
+ Ma -- chet die To -- re weit
+ und die Tü -- ren in der Welt
+ \set associatedVoice = "tenoereB"
+ hoch,
+ %\ehrenB
+ daß der Kö -- nig der Eh -- ren,
+ daß der Kö -- nig der Eh -- ren ein -- zie --
+ \set associatedVoice = "tenoereA"
+ he.
+ Wer ist der -- sel -- be,
+ wer ist der -- sel -- bi -- ge Kö -- nig der Eh -- ren?
+ \herrB
+ \machetB
+ \hosiannaC
+ }
+
+ bassText = \lyricmode {
+ %<+hier den Text für den Baß eintragen+>
+ \machetB
+ \machetB
+ \ehrenB
+ Wer ist der -- sel -- bi -- ge Kö -- nig der Eh -- ren?
+ Es ist der Herr,
+ stark und mäch -- tig,
+ mäch -- tig im Streit.
+ \machetB
+ \hosiannaD
+ }
+
diff --git a/hr/stch/fertig/tore/tore.ly b/hr/stch/fertig/tore/tore.ly
new file mode 100644
index 0000000..50cf8fc
--- /dev/null
+++ b/hr/stch/fertig/tore/tore.ly
@@ -0,0 +1,76 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Machet die Tore weit"
+ composer = "Andreas Hammerschmidt (1612 - 1675)"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 15)
+
+ sop = \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "sopraneA" { \global \voiceOne \sopranIMelodie }
+ \new Voice = "sopraneB" { \global \voiceTwo \sopranIIMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = \new Staff = tenor <<
+ \new Voice = "tenoereA" { \global \voiceOne \tenorIMelodie }
+ \new Voice = "tenoereB" { \global \voiceTwo \tenorIIMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \sop
+ \new Lyrics \lyricsto "sopraneA" \sopranText
+ \new Lyrics = "alt"
+ \alt
+ \ten
+ \new Lyrics \lyricsto "tenoereA" \tenorText
+ \new Lyrics = "bass"
+ \bas
+ \context Lyrics = "alt" { \lyricsto "alti" \altText }
+ \context Lyrics = "bass" { \lyricsto "baesse" \bassText }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/fertig/traenen/LTBreitkopfFraktur.zip b/hr/stch/fertig/traenen/LTBreitkopfFraktur.zip
new file mode 100644
index 0000000..6609767
--- /dev/null
+++ b/hr/stch/fertig/traenen/LTBreitkopfFraktur.zip
Binary files differ
diff --git a/hr/stch/fertig/traenen/LTBreitkopfFraktur/LTBreitkopfFrakturHalbfettU1S.otf b/hr/stch/fertig/traenen/LTBreitkopfFraktur/LTBreitkopfFrakturHalbfettU1S.otf
new file mode 100644
index 0000000..c78c9cc
--- /dev/null
+++ b/hr/stch/fertig/traenen/LTBreitkopfFraktur/LTBreitkopfFrakturHalbfettU1S.otf
Binary files differ
diff --git a/hr/stch/fertig/traenen/LTBreitkopfFraktur/LTBreitkopfFrakturU1S.otf b/hr/stch/fertig/traenen/LTBreitkopfFraktur/LTBreitkopfFrakturU1S.otf
new file mode 100644
index 0000000..e41fcee
--- /dev/null
+++ b/hr/stch/fertig/traenen/LTBreitkopfFraktur/LTBreitkopfFrakturU1S.otf
Binary files differ
diff --git a/hr/stch/fertig/traenen/LTBreitkopfFrakturU1S.otf b/hr/stch/fertig/traenen/LTBreitkopfFrakturU1S.otf
new file mode 100644
index 0000000..e41fcee
--- /dev/null
+++ b/hr/stch/fertig/traenen/LTBreitkopfFrakturU1S.otf
Binary files differ
diff --git a/hr/stch/fertig/traenen/_diff b/hr/stch/fertig/traenen/_diff
new file mode 100644
index 0000000..7851436
--- /dev/null
+++ b/hr/stch/fertig/traenen/_diff
@@ -0,0 +1,62 @@
+4a5,14
+> % Die Textaufteilungen
+>
+> sopranText = \lyrics {
+> %<+hier den Text für den Sopran eintragen+>
+> }
+>
+> altText = \lyrics {
+> %<+hier den Text für den Alt eintragen+>
+> }
+>
+24,73d33
+<
+< % Die Textaufteilungen
+<
+< sopranText = \lyrics {
+< %<+hier den Text für den Sopran eintragen+>
+< Die \wer
+< wer -- den mit_x Freu -- den ern -- ten,
+< %die \wer
+< die
+< mi[t]~ Trä -- nen,
+< mi[t]~ Trä -- nen sä -- en,
+< die \wer
+< wer -- den mit_x Freu -- den,
+< mit_x Freu -- den ern -- ten,
+< wer -- den mit_x Freu -- den,
+< mit_x Freu -- den ern -- ten.
+< Sie ge -- hen hin,
+< sie ge -- hen hin,
+< sie ge -- hen hin und_x wei -- nen,
+< sie ge -- hen hin,
+< sie ge -- hen hin und_x wei -- nen
+< \edlen Sa -- men,
+< \edlen Sa -- men
+< und_x \bk -- men mit \bfr -- den
+< \ihre \br -- ben,
+< und_x \bk -- men mit \bfr -- den
+< \ihre Gar -- ben,
+< und tra -- gen ed -- len Sa -- men
+< und_x \bk -- men mit \bfr -- den
+< \ihre \br -- ben,
+< \edlen Sa -- men,
+< \edlen Sa -- men,
+< \edlen Sa -- men
+< und_x \bk -- men mit \bfr -- den
+< \ihre \br -- ben,
+< und_x \bk -- men mit \bfr -- den
+< \ihre \br -- ben,_~
+< ih -- re Gar -- ben,
+< und_x \bk -- men mit \bfr -- den
+< \ihre \br -- ben,
+< und_x \bk -- men mit \bfr -- den
+< \ihre Gar -- ben,_~
+< und brin -- gen ih -- re, ih -- re Gar -- ben,
+< ih -- re \br -- ben.
+< }
+<
+< altText = \lyrics {
+< %<+hier den Text für den Alt eintragen+>
+< }
+<
diff --git a/hr/stch/fertig/traenen/a5/LTBreitkopfFrakturU1S.otf b/hr/stch/fertig/traenen/a5/LTBreitkopfFrakturU1S.otf
new file mode 100644
index 0000000..e41fcee
--- /dev/null
+++ b/hr/stch/fertig/traenen/a5/LTBreitkopfFrakturU1S.otf
Binary files differ
diff --git a/hr/stch/fertig/traenen/a5/breitkopf_fraktur_regular.ttf b/hr/stch/fertig/traenen/a5/breitkopf_fraktur_regular.ttf
new file mode 100644
index 0000000..118403f
--- /dev/null
+++ b/hr/stch/fertig/traenen/a5/breitkopf_fraktur_regular.ttf
Binary files differ
diff --git a/hr/stch/fertig/traenen/a5/dynArt.ly b/hr/stch/fertig/traenen/a5/dynArt.ly
new file mode 100644
index 0000000..fd29a3c
--- /dev/null
+++ b/hr/stch/fertig/traenen/a5/dynArt.ly
@@ -0,0 +1,551 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ wantbreak = {
+ \break
+ }
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ \tempo 2 = 66-72
+ \time 4/2
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ \tempo \markup {
+ \concat {
+ \smaller \general-align #Y #DOWN \note #"2" #1
+ " = "
+ \smaller \general-align #Y #DOWN \note #"4" #1
+ }
+ }
+ %\break
+ \time 6/2
+ s1.
+ \bar ""
+ \wantbreak
+ s1.
+ s\breve.
+ \tempo \markup {
+ \concat {
+ \smaller \general-align #Y #DOWN \note #"4" #1
+ " = "
+ \smaller \general-align #Y #DOWN \note #"2" #1
+ }
+ }
+ %\break
+ \time 4/2
+ s2
+ \bar ""
+ \wantbreak
+ s1.
+ s\breve
+ s\breve
+ s2
+ \bar ""
+ \wantbreak
+ s1.
+ s1
+ \bar ""
+ %\break
+ s1
+ s\breve
+ s\breve
+ s\breve
+ \tempo \markup {
+ \concat {
+ \smaller \general-align #Y #DOWN \note #"2" #1
+ " = "
+ \smaller \general-align #Y #DOWN \note #"4" #1
+ }
+ }
+ %\break
+ \wantbreak
+ \time 6/2
+ s\breve.
+ s1.
+ \bar ""
+ %\break
+ s1.
+ s\breve.
+ s\breve.
+ s\breve.
+ s\breve.
+ \tempo \markup {
+ \concat {
+ \smaller \general-align #Y #DOWN \note #"4" #1
+ " = "
+ \smaller \general-align #Y #DOWN \note #"2" #1
+ }
+ }
+ \time 4/2
+ s1
+ \bar ""
+ s1
+ s\breve
+ %\break
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ %\break
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ %
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ }
+
+% articulation
+
+ brt = {
+ \override BreathingSign #'text = \markup { \musicglyph #"scripts.rcomma" }
+ \breathe
+ }
+ trb = {
+ \override BreathingSign #'text = \markup { \musicglyph #"scripts.rvarcomma" }
+ \breathe
+ }
+ sopranIArt = {
+ s\breve\p
+ s\breve
+ s1 \brt s1
+ s\breve
+ s\breve
+ \time 6/2
+ s1. \trb s1.\f
+ s1 \brt s\breve
+ \time 4/2
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s1 s1\p
+ s\breve
+ s\breve
+ s\breve \trb
+ \time 6/2
+ s\breve\f s2 \brt s2
+ s\breve.
+ s\breve.
+ s1 s1. \breathe s2
+ s1 s1. \trb s2
+ s1 \brt s\breve
+ \time 4/2
+ s\breve
+ s\breve
+ s2 s2\p s1
+ s2 \breathe s1.
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s2 \breathe s1.
+ s1. s2\mf
+ s\breve
+ s\breve
+ s\breve
+ s4 s4\f s2.. \breathe s8 s2
+ s2 \trb s1.
+ s1 s8 s8\mf s4 s2
+ s2. \breathe s4\f s1
+ s\breve
+ s2 s2\mf s1
+ s\breve
+ s\breve
+ s2 \breathe s1.
+ s\breve
+ s2. s4\f s2.. \brt s8
+ s\breve
+ s\breve
+ s\breve
+ s4 \trb s1..
+ s4 \breathe s1..
+ s\breve
+ s\breve
+ s\breve
+ }
+
+ sopranIIArt = {
+ s1 s1\p
+ s\breve
+ s2 \brt s1.
+ s\breve
+ s\breve
+ \time 6/2
+ s1. \trb s1.\f
+ s1 \brt s\breve
+ \time 4/2
+ s\breve
+ s\breve
+ s\breve
+ s1 s1\p
+ s\breve
+ s\breve
+ s\breve
+ s\breve \breathe
+ \time 6/2
+ s\breve\f s2 \brt s2
+ s\breve.
+ s\breve.
+ s1 s1. \breathe s2
+ s1 s1. \trb s2
+ s1 \brt s\breve
+ \time 4/2
+ s\breve
+ s\breve
+ s2 s1\p s4 \breathe s4
+ s1. \brt s2
+ s\breve
+ s\breve
+ s2 \breathe s1.
+ s\breve
+ s\breve
+ s\breve
+ s\breve \trb
+ s\breve\mf
+ s\breve
+ s\breve
+ s2. s4\f s2.. \brt s8
+ s1 s4 \trb s2.
+ s1 s8 s2..\mf
+ s1. s2\f
+ s\breve
+ s1 \breathe s1\mf
+ s\breve
+ s1. \breathe s2
+ s\breve
+ s\breve
+ s\breve
+ s2. s1\f s8 \brt s8
+ s\breve
+ s8 \trb s2.. \breathe s1
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ }
+
+ altArt = {
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ \time 6/2
+ s\breve.
+ s\breve.
+ \time 4/2
+ s1 s1\p
+ s\breve
+ s2 \trb s1.
+ s2. \brt s4 s1
+ s\breve
+ s\breve
+ s\breve
+ s\breve \trb
+ \time 6/2
+ s\breve.\f
+ s\breve.
+ s\breve.
+ s\breve.
+ s\breve.
+ s1 \brt s\breve
+ \time 4/2
+ s1. s2\p
+ s\breve \trb
+ s\breve
+ s2 \breathe s1.
+ s1. \brt s2
+ s\breve
+ s\breve
+ s2 \breathe s1.
+ s\breve
+ s\breve
+ s\breve
+ s1. s2\mf
+ s1.. \trb s4\f
+ s2.. \brt s8 s1
+ s\breve
+ s\breve
+ s2 s8 s4.\mf s1
+ s2. \trb s4\f s2.. \brt s8
+ s\breve
+ s\breve
+ s2 s1.\mf
+ s\breve \breathe
+ s\breve
+ s4 s1\f s8 \brt s8 s2
+ s\breve
+ s1. s8 \trb s4.
+ s\breve
+ s\breve
+ s2.. \brt s8 s1
+ s\breve
+ s\breve
+ s2 \trb s1.
+ s\breve
+ }
+
+ %{
+ tenorArt = {
+ \trb
+ s1
+ s1
+ s1\<
+ s2 s2\!
+ s1->
+ s2 \breathe s2\<
+ s2\> s2\<
+ s2\> s2\!
+ s1\<
+ s1\>
+ s1\! \breathe
+ s1.
+ s1.
+ s1-> s2\>
+ s1 \breathe
+ s1\!
+ s2-> s2 \breathe
+ s2 s2\<
+ s2\> s2\!
+ s2-> s2
+ s2 s2\<
+ s4 s4\> \brt s4\! \trb s4
+ s2 \breathe s2\<
+ s2\> s2\!
+ s1->
+ s1\>
+ s2\! s2
+ s1
+ s1->\>
+ s1
+ s1.\!
+ s1.
+ s1.
+ s1.
+ s1.
+ s2-> s2 s2\>
+ s1 s2\!
+ s1.
+ s1.
+ s1.
+ s1.
+ s2-> s2 s2\>
+ s1
+ s2\! s2
+ s1
+ s1->
+ s1
+ s1
+ s1
+ s1
+ s1
+ s2-> s2
+ s1
+ s2 s4 s4\<
+ s4\> s4\! s2
+ s1
+ s1
+ s1
+ s2-> s2
+ s1
+ s2 s2\<
+ s2\> s2\!
+ s1->
+ s1
+ s1
+ s2-> s2 \breathe
+ s1
+ s2-> s2
+ s1
+ s1
+ s1
+ s2-> s4 \breathe s4
+ s1
+ s2 s4-> s4
+ s1
+ s2 s2\<
+ s2\> s2\!
+ s1
+ s4-> s4 s2
+ s2 s2->
+ s2 \breathe s2
+ s4 s4\< s4\> s4\!
+ s2-> s2 \breathe
+ s2 s2\<
+ s2\> s2\!
+ s1
+ s2 s2\<
+ s4->\> s4 s2\!
+ s1
+ s1
+ s2 s2->
+ s4 \breathe s4 s2
+ s2-> s2
+ s1
+ s1
+ s1
+ s4-> s4 s4 s4->
+ s2\> s4\! s4
+ s1
+ s2 s2->
+ s4 \breathe s4 s2
+ s1
+ s2-> s2
+ s1
+ s4-> s4 s2
+ s4-> s4 s2\>
+ s1\!
+ }
+ %}
+
+ tenorArt = {
+ s1 s1
+ s1\p s2 s2
+ s1 s2 \trb s2
+ s2 s2 s2 s2 \brt
+ s1 s1
+ %
+ s1. \trb s1.
+ s1. \brt s1 s2
+ %
+ s1 \trb s1\p
+ s2 s2 \breathe s2 s2
+ s2 s2 \brt s2 s2
+ s2 s2 s4 s4 \brt s4 s4
+ s2 \trb s2 s2 s2
+ s1 s1
+ s2 s2 s1
+ s1 s1
+ %
+ s1. s1.
+ s1. s1.\f
+ s1 \brt s2 s2 s2 s2
+ s1 s2 s1.
+ s1. s1.
+ s1 \breathe s2 s2 s2 s2
+ %
+ s1 s2 s2\p
+ s1 s1
+ s1 s1
+ s1 s1
+ s1 s2 s2
+ s1 s2 \breathe s4 s4
+ s4 s4 s2 s1
+ s1 s1
+ s2 s2 s1
+ s2 s2 s2 \breathe s2
+ s1 s1
+ s1\mf s2 s2 \trb
+ s1 s2 s2
+ s1 s4 s4\f s2
+ s4. \brt s2.. s2 \trb s4
+ s2.. \brt s8 s1
+ s2 s8 s4.\mf s2 s2
+ s1 s4 s2.\f
+ s4 s4 s2 s2 s2
+ s2 \trb s2\mf s4 s4 s4 s4
+ s2 s2 \breathe s2 s2
+ s2 s2 s1
+ s2 s2 s4 s4 s2
+ s2. s4\f s2.. \brt s8
+ s2 s2 s4 \trb s4 s2
+ s2 s2 s1
+ s1 s1
+ s4 s4 \breathe s4 s4 s2 s4 s4
+ s2.. \brt s8 s2 s2
+ s4 \trb s4 s2 s1
+ s2 s8 \breathe s2.. \brt s2
+ s4 s4 s2 s4 s4 s2
+ s1
+ }
+
+ bassArt = {
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ \time 6/2
+ s\breve.
+ s\breve.
+ \time 4/2
+ s2 s1.\p
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ \time 6/2
+ s\breve.
+ s1. s1.\f
+ s1 \brt s\breve
+ s\breve.
+ s\breve.
+ s1 \breathe s\breve
+ \time 4/2
+ s1 \trb s1\p
+ s\breve
+ s\breve
+ s\breve
+ s1 \brt s1
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s4 s1\f s8 \breathe s8 s2
+ s\breve
+ s1 s4. \breathe s8 s2
+ s\breve
+ s4 s1\f s8 \breathe s8 s2
+ s4. \trb s1 \brt s8 s2
+ s\breve
+ s1 s1\mf
+ s1. \trb s2
+ s\breve
+ s2. s1\f s8 \brt s8
+ s\breve
+ s\breve
+ s\breve
+ s1 \trb s1
+ s\breve
+ s\breve
+ s2 s8 \breathe s2.. \breathe s2
+ s\breve
+ s\breve
+ }
+
diff --git a/hr/stch/fertig/traenen/a5/dynArt_.ly b/hr/stch/fertig/traenen/a5/dynArt_.ly
new file mode 100644
index 0000000..461dcac
--- /dev/null
+++ b/hr/stch/fertig/traenen/a5/dynArt_.ly
@@ -0,0 +1,539 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ \tempo 2 = 66-72
+ \time 4/2
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ \tempo \markup {
+ \concat {
+ \smaller \general-align #Y #DOWN \note #"2" #1
+ " = "
+ \smaller \general-align #Y #DOWN \note #"4" #1
+ }
+ }
+ %\break
+ \time 6/2
+ s\breve.
+ s\breve.
+ \tempo \markup {
+ \concat {
+ \smaller \general-align #Y #DOWN \note #"4" #1
+ " = "
+ \smaller \general-align #Y #DOWN \note #"2" #1
+ }
+ }
+ %\break
+ \time 4/2
+ s1
+ \bar ""
+ s1
+ s\breve
+ s\breve
+ s\breve
+ s1
+ \bar ""
+ %\break
+ s1
+ s\breve
+ s\breve
+ s\breve
+ \tempo \markup {
+ \concat {
+ \smaller \general-align #Y #DOWN \note #"2" #1
+ " = "
+ \smaller \general-align #Y #DOWN \note #"4" #1
+ }
+ }
+ %\break
+ \time 6/2
+ s\breve.
+ s1.
+ \bar ""
+ %\break
+ s1.
+ s\breve.
+ s\breve.
+ s\breve.
+ s\breve.
+ \tempo \markup {
+ \concat {
+ \smaller \general-align #Y #DOWN \note #"4" #1
+ " = "
+ \smaller \general-align #Y #DOWN \note #"2" #1
+ }
+ }
+ \time 4/2
+ s1
+ \bar ""
+ s1
+ s\breve
+ %\break
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ %\break
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ %
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ }
+
+% articulation
+
+ brt = {
+ \override BreathingSign #'text = \markup { \musicglyph #"scripts.rcomma" }
+ \breathe
+ }
+ trb = {
+ \override BreathingSign #'text = \markup { \musicglyph #"scripts.rvarcomma" }
+ \breathe
+ }
+ sopranIArt = {
+ s\breve\p
+ s\breve
+ s1 \brt s1
+ s\breve
+ s\breve
+ \time 6/2
+ s1. \trb s1.\f
+ s1 \brt s\breve
+ \time 4/2
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s1 s1\p
+ s\breve
+ s\breve
+ s\breve \trb
+ \time 6/2
+ s\breve\f s2 \brt s2
+ s\breve.
+ s\breve.
+ s1 s1. \breathe s2
+ s1 s1. \trb s2
+ s1 \brt s\breve
+ \time 4/2
+ s\breve
+ s\breve
+ s2 s2\p s1
+ s2 \breathe s1.
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s2 \breathe s1.
+ s1. s2\mf
+ s\breve
+ s\breve
+ s\breve
+ s4 s4\f s2.. \breathe s8 s2
+ s2 \trb s1.
+ s1 s8 s8\mf s4 s2
+ s2. \breathe s4\f s1
+ s\breve
+ s2 s2\mf s1
+ s\breve
+ s\breve
+ s2 \breathe s1.
+ s\breve
+ s2. s4\f s2.. \brt s8
+ s\breve
+ s\breve
+ s\breve
+ s4 \trb s1..
+ s4 \breathe s1..
+ s\breve
+ s\breve
+ s\breve
+ }
+
+ sopranIIArt = {
+ s1 s1\p
+ s\breve
+ s2 \brt s1.
+ s\breve
+ s\breve
+ \time 6/2
+ s1. \trb s1.\f
+ s1 \brt s\breve
+ \time 4/2
+ s\breve
+ s\breve
+ s\breve
+ s1 s1\p
+ s\breve
+ s\breve
+ s\breve
+ s\breve \breathe
+ \time 6/2
+ s\breve\f s2 \brt s2
+ s\breve.
+ s\breve.
+ s1 s1. \breathe s2
+ s1 s1. \trb s2
+ s1 \brt s\breve
+ \time 4/2
+ s\breve
+ s\breve
+ s2 s1\p s4 \breathe s4
+ s1. \brt s2
+ s\breve
+ s\breve
+ s2 \breathe s1.
+ s\breve
+ s\breve
+ s\breve
+ s\breve \trb
+ s\breve\mf
+ s\breve
+ s\breve
+ s2. s4\f s2.. \brt s8
+ s1 s4 \trb s2.
+ s1 s8 s2..\mf
+ s1. s2\f
+ s\breve
+ s1 \breathe s1\mf
+ s\breve
+ s1. \breathe s2
+ s\breve
+ s\breve
+ s\breve
+ s2. s1\f s8 \brt s8
+ s\breve
+ s8 \trb s2.. \breathe s1
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ }
+
+ altArt = {
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ \time 6/2
+ s\breve.
+ s\breve.
+ \time 4/2
+ s1 s1\p
+ s\breve
+ s2 \trb s1.
+ s2. \brt s4 s1
+ s\breve
+ s\breve
+ s\breve
+ s\breve \trb
+ \time 6/2
+ s\breve.\f
+ s\breve.
+ s\breve.
+ s\breve.
+ s\breve.
+ s1 \brt s\breve
+ \time 4/2
+ s1. s2\p
+ s\breve \trb
+ s\breve
+ s2 \breathe s1.
+ s1. \brt s2
+ s\breve
+ s\breve
+ s2 \breathe s1.
+ s\breve
+ s\breve
+ s\breve
+ s1. s2\mf
+ s1.. \trb s4\f
+ s2.. \brt s8 s1
+ s\breve
+ s\breve
+ s2 s8 s4.\mf s1
+ s2. \trb s4\f s2.. \brt s8
+ s\breve
+ s\breve
+ s2 s1.\mf
+ s\breve \breathe
+ s\breve
+ s4 s1\f s8 \brt s8 s2
+ s\breve
+ s1. s8 \trb s4.
+ s\breve
+ s\breve
+ s2.. \brt s8 s1
+ s\breve
+ s\breve
+ s2 \trb s1.
+ s\breve
+ }
+
+ %{
+ tenorArt = {
+ \trb
+ s1
+ s1
+ s1\<
+ s2 s2\!
+ s1->
+ s2 \breathe s2\<
+ s2\> s2\<
+ s2\> s2\!
+ s1\<
+ s1\>
+ s1\! \breathe
+ s1.
+ s1.
+ s1-> s2\>
+ s1 \breathe
+ s1\!
+ s2-> s2 \breathe
+ s2 s2\<
+ s2\> s2\!
+ s2-> s2
+ s2 s2\<
+ s4 s4\> \brt s4\! \trb s4
+ s2 \breathe s2\<
+ s2\> s2\!
+ s1->
+ s1\>
+ s2\! s2
+ s1
+ s1->\>
+ s1
+ s1.\!
+ s1.
+ s1.
+ s1.
+ s1.
+ s2-> s2 s2\>
+ s1 s2\!
+ s1.
+ s1.
+ s1.
+ s1.
+ s2-> s2 s2\>
+ s1
+ s2\! s2
+ s1
+ s1->
+ s1
+ s1
+ s1
+ s1
+ s1
+ s2-> s2
+ s1
+ s2 s4 s4\<
+ s4\> s4\! s2
+ s1
+ s1
+ s1
+ s2-> s2
+ s1
+ s2 s2\<
+ s2\> s2\!
+ s1->
+ s1
+ s1
+ s2-> s2 \breathe
+ s1
+ s2-> s2
+ s1
+ s1
+ s1
+ s2-> s4 \breathe s4
+ s1
+ s2 s4-> s4
+ s1
+ s2 s2\<
+ s2\> s2\!
+ s1
+ s4-> s4 s2
+ s2 s2->
+ s2 \breathe s2
+ s4 s4\< s4\> s4\!
+ s2-> s2 \breathe
+ s2 s2\<
+ s2\> s2\!
+ s1
+ s2 s2\<
+ s4->\> s4 s2\!
+ s1
+ s1
+ s2 s2->
+ s4 \breathe s4 s2
+ s2-> s2
+ s1
+ s1
+ s1
+ s4-> s4 s4 s4->
+ s2\> s4\! s4
+ s1
+ s2 s2->
+ s4 \breathe s4 s2
+ s1
+ s2-> s2
+ s1
+ s4-> s4 s2
+ s4-> s4 s2\>
+ s1\!
+ }
+ %}
+
+ tenorArt = {
+ s1 s1
+ s1\p s2 s2
+ s1 s2 \trb s2
+ s2 s2 s2 s2 \brt
+ s1 s1
+ %
+ s1. \trb s1.
+ s1. \brt s1 s2
+ %
+ s1 \trb s1\p
+ s2 s2 \breathe s2 s2
+ s2 s2 \brt s2 s2
+ s2 s2 s4 s4 \brt s4 s4
+ s2 \trb s2 s2 s2
+ s1 s1
+ s2 s2 s1
+ s1 s1
+ %
+ s1. s1.
+ s1. s1.\f
+ s1 \brt s2 s2 s2 s2
+ s1 s2 s1.
+ s1. s1.
+ s1 \breathe s2 s2 s2 s2
+ %
+ s1 s2 s2\p
+ s1 s1
+ s1 s1
+ s1 s1
+ s1 s2 s2
+ s1 s2 \breathe s4 s4
+ s4 s4 s2 s1
+ s1 s1
+ s2 s2 s1
+ s2 s2 s2 \breathe s2
+ s1 s1
+ s1\mf s2 s2 \trb
+ s1 s2 s2
+ s1 s4 s4\f s2
+ s4. \brt s2.. s2 \trb s4
+ s2.. \brt s8 s1
+ s2 s8 s4.\mf s2 s2
+ s1 s4 s2.\f
+ s4 s4 s2 s2 s2
+ s2 \trb s2\mf s4 s4 s4 s4
+ s2 s2 \breathe s2 s2
+ s2 s2 s1
+ s2 s2 s4 s4 s2
+ s2. s4\f s2.. \brt s8
+ s2 s2 s4 \trb s4 s2
+ s2 s2 s1
+ s1 s1
+ s4 s4 \breathe s4 s4 s2 s4 s4
+ s2.. \brt s8 s2 s2
+ s4 \trb s4 s2 s1
+ s2 s8 \breathe s2.. \brt s2
+ s4 s4 s2 s4 s4 s2
+ s1
+ }
+
+ bassArt = {
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ \time 6/2
+ s\breve.
+ s\breve.
+ \time 4/2
+ s2 s1.\p
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ \time 6/2
+ s\breve.
+ s1. s1.\f
+ s1 \brt s\breve
+ s\breve.
+ s\breve.
+ s1 \breathe s\breve
+ \time 4/2
+ s1 \trb s1\p
+ s\breve
+ s\breve
+ s\breve
+ s1 \brt s1
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s4 s1\f s8 \breathe s8 s2
+ s\breve
+ s1 s4. \breathe s8 s2
+ s\breve
+ s4 s1\f s8 \breathe s8 s2
+ s4. \trb s1 \brt s8 s2
+ s\breve
+ s1 s1\mf
+ s1. \trb s2
+ s\breve
+ s2. s1\f s8 \brt s8
+ s\breve
+ s\breve
+ s\breve
+ s1 \trb s1
+ s\breve
+ s\breve
+ s2 s8 \breathe s2.. \breathe s2
+ s\breve
+ s\breve
+ }
+
diff --git a/hr/stch/fertig/traenen/a5/traenen.ly b/hr/stch/fertig/traenen/a5/traenen.ly
new file mode 100644
index 0000000..7feaccb
--- /dev/null
+++ b/hr/stch/fertig/traenen/a5/traenen.ly
@@ -0,0 +1,102 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.18"
+ %\include "gregorian.ly"
+\include "dynArt_.ly"
+\include "../stimmen.ly"
+\include "../texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Die mit Tränen säen"
+ composer = "Heinrich Schütz"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ %\bold "studentenchor"
+ }
+ }
+
+ %#(set-default-paper-size "a4" 'landscape)
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-2 . 2.5)
+ }
+ }
+
+ #(set-global-staff-size 12)
+
+
+ sopI = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "sopraneI" { \global \sopranIMelodie }
+ \addlyrics { \sopranIText }
+ >>
+
+ sopII = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "sopraneII" { \global \sopranIIMelodie }
+ \addlyrics { \sopranIIText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ \addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ \addlyrics { \bassText }
+ >>
+
+ \paper {
+ #(set-paper-size "a5" 'landscape)
+ %#(set-paper-size "a5")
+ line-width = \paper-width - 18
+ top-margin = 10
+ bottom-margin = 10
+ #(define fonts
+ (make-pango-font-tree "Breitkopf Fraktur"
+ "DejaVu Sans"
+ "Droid Sans Mono"
+ (/ 12 20)))
+ ragged-last-bottom = #'f
+ page-count = 6
+ print-page-number = #'f
+ }
+
+ \score {
+ \new StaffGroup \with { printPartCombineTexts = ##f } <<
+ \new Staff = sopranI { \sopI }
+ %\new Lyrics \lyricsto sopraneI \sopranText
+ \new Staff = sopranII { \sopII }
+ \new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ \new Staff = bass { \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ \context { \Staff
+ \RemoveEmptyStaves
+ \override VerticalAxisGroup.remove-first = ##t
+ }
+ \context {
+ \Voice
+ \remove Forbid_line_break_engraver
+ }
+ }
+ }
+
diff --git a/hr/stch/fertig/traenen/a5/traenen_.ly b/hr/stch/fertig/traenen/a5/traenen_.ly
new file mode 100644
index 0000000..3575d07
--- /dev/null
+++ b/hr/stch/fertig/traenen/a5/traenen_.ly
@@ -0,0 +1,102 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.18"
+ %\include "gregorian.ly"
+\include "dynArt_.ly"
+\include "../stimmen.ly"
+\include "../texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Die mit Tränen säen"
+ composer = "Heinrich Schütz"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ %\bold "studentenchor"
+ }
+ }
+
+ %#(set-default-paper-size "a4" 'landscape)
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-2 . 2.5)
+ }
+ }
+
+ #(set-global-staff-size 13)
+
+
+ sopI = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "sopraneI" { \global \sopranIMelodie }
+ \addlyrics { \sopranIText }
+ >>
+
+ sopII = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "sopraneII" { \global \sopranIIMelodie }
+ \addlyrics { \sopranIIText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ \addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ \addlyrics { \bassText }
+ >>
+
+ \paper {
+ %#(set-paper-size "a5" 'landscape)
+ #(set-paper-size "a5")
+ line-width = \paper-width - 20
+ top-margin = 10
+ bottom-margin = 10
+ #(define fonts
+ (make-pango-font-tree "Breitkopf Fraktur"
+ "DejaVu Sans"
+ "Droid Sans Mono"
+ (/ 13 20)))
+ ragged-last-bottom = #'f
+ page-count = 7
+ print-page-number = #'f
+ }
+
+ \score {
+ \new StaffGroup \with { printPartCombineTexts = ##f } <<
+ \new Staff = sopranI { \sopI }
+ %\new Lyrics \lyricsto sopraneI \sopranText
+ \new Staff = sopranII { \sopII }
+ \new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ \new Staff = bass { \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ \context { \Staff
+ \RemoveEmptyStaves
+ \override VerticalAxisGroup.remove-first = ##t
+ }
+ \context {
+ \Voice
+ \remove Forbid_line_break_engraver
+ }
+ }
+ }
+
diff --git a/hr/stch/fertig/traenen/breitkopf_fraktur_regular.ttf b/hr/stch/fertig/traenen/breitkopf_fraktur_regular.ttf
new file mode 100644
index 0000000..118403f
--- /dev/null
+++ b/hr/stch/fertig/traenen/breitkopf_fraktur_regular.ttf
Binary files differ
diff --git a/hr/stch/fertig/traenen/dynArt.ly b/hr/stch/fertig/traenen/dynArt.ly
new file mode 100644
index 0000000..4682170
--- /dev/null
+++ b/hr/stch/fertig/traenen/dynArt.ly
@@ -0,0 +1,532 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ \tempo 2 = 66-72
+ \time 4/2
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ \tempo \markup {
+ \concat {
+ \smaller \general-align #Y #DOWN \note #"2" #1
+ " = "
+ \smaller \general-align #Y #DOWN \note #"4" #1
+ }
+ }
+ %\break
+ \time 6/2
+ s\breve.
+ s\breve.
+ \tempo \markup {
+ \concat {
+ \smaller \general-align #Y #DOWN \note #"4" #1
+ " = "
+ \smaller \general-align #Y #DOWN \note #"2" #1
+ }
+ }
+ \break
+ \time 4/2
+ s1
+ \bar ""
+ s1
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ \tempo \markup {
+ \concat {
+ \smaller \general-align #Y #DOWN \note #"2" #1
+ " = "
+ \smaller \general-align #Y #DOWN \note #"4" #1
+ }
+ }
+ \break
+ \time 6/2
+ s\breve.
+ s\breve.
+ s\breve.
+ s\breve.
+ s\breve.
+ s\breve.
+ \tempo \markup {
+ \concat {
+ \smaller \general-align #Y #DOWN \note #"4" #1
+ " = "
+ \smaller \general-align #Y #DOWN \note #"2" #1
+ }
+ }
+ \time 4/2
+ s1
+ \bar ""
+ \break
+ s1
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ \break
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ }
+
+% articulation
+
+ brt = {
+ \override BreathingSign #'text = \markup { \musicglyph #"scripts.rcomma" }
+ \breathe
+ }
+ trb = {
+ \override BreathingSign #'text = \markup { \musicglyph #"scripts.rvarcomma" }
+ \breathe
+ }
+ sopranIArt = {
+ s\breve\p
+ s\breve
+ s1 \brt s1
+ s\breve
+ s\breve
+ \time 6/2
+ s1. \trb s1.\f
+ s1 \brt s\breve
+ \time 4/2
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s1 s1\p
+ s\breve
+ s\breve
+ s\breve \trb
+ \time 6/2
+ s\breve\f s2 \brt s2
+ s\breve.
+ s\breve.
+ s1 s1. \breathe s2
+ s1 s1. \trb s2
+ s1 \brt s\breve
+ \time 4/2
+ s\breve
+ s\breve
+ s2 s2\p s1
+ s2 \breathe s1.
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s2 \breathe s1.
+ s1. s2\mf
+ s\breve
+ s\breve
+ s\breve
+ s4 s4\f s2.. \breathe s8 s2
+ s2 \trb s1.
+ s1 s8 s8\mf s4 s2
+ s2. \breathe s4\f s1
+ s\breve
+ s2 s2\mf s1
+ s\breve
+ s\breve
+ s2 \breathe s1.
+ s\breve
+ s2. s4\f s2.. \brt s8
+ s\breve
+ s\breve
+ s\breve
+ s4 \trb s1..
+ s4 \breathe s1..
+ s\breve
+ s\breve
+ s\breve
+ }
+
+ sopranIIArt = {
+ s1 s1\p
+ s\breve
+ s2 \brt s1.
+ s\breve
+ s\breve
+ \time 6/2
+ s1. \trb s1.\f
+ s1 \brt s\breve
+ \time 4/2
+ s\breve
+ s\breve
+ s\breve
+ s1 s1\p
+ s\breve
+ s\breve
+ s\breve
+ s\breve \breathe
+ \time 6/2
+ s\breve\f s2 \brt s2
+ s\breve.
+ s\breve.
+ s1 s1. \breathe s2
+ s1 s1. \trb s2
+ s1 \brt s\breve
+ \time 4/2
+ s\breve
+ s\breve
+ s2 s1\p s4 \breathe s4
+ s1. \brt s2
+ s\breve
+ s\breve
+ s2 \breathe s1.
+ s\breve
+ s\breve
+ s\breve
+ s\breve \trb
+ s\breve\mf
+ s\breve
+ s\breve
+ s2. s4\f s2.. \brt s8
+ s1 s4 \trb s2.
+ s1 s8 s2..\mf
+ s1. s2\f
+ s\breve
+ s1 \breathe s1\mf
+ s\breve
+ s1. \breathe s2
+ s\breve
+ s\breve
+ s\breve
+ s2. s1\f s8 \brt s8
+ s\breve
+ s8 \trb s2.. \breathe s1
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ }
+
+ altArt = {
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ \time 6/2
+ s\breve.
+ s\breve.
+ \time 4/2
+ s1 s1\p
+ s\breve
+ s2 \trb s1.
+ s2. \brt s4 s1
+ s\breve
+ s\breve
+ s\breve
+ s\breve \trb
+ \time 6/2
+ s\breve.\f
+ s\breve.
+ s\breve.
+ s\breve.
+ s\breve.
+ s1 \brt s\breve
+ \time 4/2
+ s1. s2\p
+ s\breve \trb
+ s\breve
+ s2 \breathe s1.
+ s1. \brt s2
+ s\breve
+ s\breve
+ s2 \breathe s1.
+ s\breve
+ s\breve
+ s\breve
+ s1. s2\mf
+ s1.. \trb s4\f
+ s2.. \brt s8 s1
+ s\breve
+ s\breve
+ s2 s8 s4.\mf s1
+ s2. \trb s4\f s2.. \brt s8
+ s\breve
+ s\breve
+ s2 s1.\mf
+ s\breve \breathe
+ s\breve
+ s4 s1\f s8 \brt s8 s2
+ s\breve
+ s1. s8 \trb s4.
+ s\breve
+ s\breve
+ s2.. \brt s8 s1
+ s\breve
+ s\breve
+ s2 \trb s1.
+ s\breve
+ }
+
+ %{
+ tenorArt = {
+ \trb
+ s1
+ s1
+ s1\<
+ s2 s2\!
+ s1->
+ s2 \breathe s2\<
+ s2\> s2\<
+ s2\> s2\!
+ s1\<
+ s1\>
+ s1\! \breathe
+ s1.
+ s1.
+ s1-> s2\>
+ s1 \breathe
+ s1\!
+ s2-> s2 \breathe
+ s2 s2\<
+ s2\> s2\!
+ s2-> s2
+ s2 s2\<
+ s4 s4\> \brt s4\! \trb s4
+ s2 \breathe s2\<
+ s2\> s2\!
+ s1->
+ s1\>
+ s2\! s2
+ s1
+ s1->\>
+ s1
+ s1.\!
+ s1.
+ s1.
+ s1.
+ s1.
+ s2-> s2 s2\>
+ s1 s2\!
+ s1.
+ s1.
+ s1.
+ s1.
+ s2-> s2 s2\>
+ s1
+ s2\! s2
+ s1
+ s1->
+ s1
+ s1
+ s1
+ s1
+ s1
+ s2-> s2
+ s1
+ s2 s4 s4\<
+ s4\> s4\! s2
+ s1
+ s1
+ s1
+ s2-> s2
+ s1
+ s2 s2\<
+ s2\> s2\!
+ s1->
+ s1
+ s1
+ s2-> s2 \breathe
+ s1
+ s2-> s2
+ s1
+ s1
+ s1
+ s2-> s4 \breathe s4
+ s1
+ s2 s4-> s4
+ s1
+ s2 s2\<
+ s2\> s2\!
+ s1
+ s4-> s4 s2
+ s2 s2->
+ s2 \breathe s2
+ s4 s4\< s4\> s4\!
+ s2-> s2 \breathe
+ s2 s2\<
+ s2\> s2\!
+ s1
+ s2 s2\<
+ s4->\> s4 s2\!
+ s1
+ s1
+ s2 s2->
+ s4 \breathe s4 s2
+ s2-> s2
+ s1
+ s1
+ s1
+ s4-> s4 s4 s4->
+ s2\> s4\! s4
+ s1
+ s2 s2->
+ s4 \breathe s4 s2
+ s1
+ s2-> s2
+ s1
+ s4-> s4 s2
+ s4-> s4 s2\>
+ s1\!
+ }
+ %}
+
+ tenorArt = {
+ s1 s1
+ s1\p s2 s2
+ s1 s2 \trb s2
+ s2 s2 s2 s2 \brt
+ s1 s1
+ %
+ s1. \trb s1.
+ s1. \brt s1 s2
+ %
+ s1 \trb s1\p
+ s2 s2 \breathe s2 s2
+ s2 s2 \brt s2 s2
+ s2 s2 s4 s4 \brt s4 s4
+ s2 \trb s2 s2 s2
+ s1 s1
+ s2 s2 s1
+ s1 s1
+ %
+ s1. s1.
+ s1. s1.\f
+ s1 \brt s2 s2 s2 s2
+ s1 s2 s1.
+ s1. s1.
+ s1 \breathe s2 s2 s2 s2
+ %
+ s1 s2 s2\p
+ s1 s1
+ s1 s1
+ s1 s1
+ s1 s2 s2
+ s1 s2 \breathe s4 s4
+ s4 s4 s2 s1
+ s1 s1
+ s2 s2 s1
+ s2 s2 s2 \breathe s2
+ s1 s1
+ s1\mf s2 s2 \trb
+ s1 s2 s2
+ s1 s4 s4\f s2
+ s4. \brt s2.. s2 \trb s4
+ s2.. \brt s8 s1
+ s2 s8 s4.\mf s2 s2
+ s1 s4 s2.\f
+ s4 s4 s2 s2 s2
+ s2 \trb s2\mf s4 s4 s4 s4
+ s2 s2 \breathe s2 s2
+ s2 s2 s1
+ s2 s2 s4 s4 s2
+ s2. s4\f s2.. \brt s8
+ s2 s2 s4 \trb s4 s2
+ s2 s2 s1
+ s1 s1
+ s4 s4 \breathe s4 s4 s2 s4 s4
+ s2.. \brt s8 s2 s2
+ s4 \trb s4 s2 s1
+ s2 s8 \breathe s2.. \brt s2
+ s4 s4 s2 s4 s4 s2
+ s1
+ }
+
+ bassArt = {
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ \time 6/2
+ s\breve.
+ s\breve.
+ \time 4/2
+ s2 s1.\p
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ \time 6/2
+ s\breve.
+ s1. s1.\f
+ s1 \brt s\breve
+ s\breve.
+ s\breve.
+ s1 \breathe s\breve
+ \time 4/2
+ s1 \trb s1\p
+ s\breve
+ s\breve
+ s\breve
+ s1 \brt s1
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s\breve
+ s4 s1\f s8 \breathe s8 s2
+ s\breve
+ s1 s4. \breathe s8 s2
+ s\breve
+ s4 s1\f s8 \breathe s8 s2
+ s4. \trb s1 \brt s8 s2
+ s\breve
+ s1 s1\mf
+ s1. \trb s2
+ s\breve
+ s2. s1\f s8 \brt s8
+ s\breve
+ s\breve
+ s\breve
+ s1 \trb s1
+ s\breve
+ s\breve
+ s2 s8 \breathe s2.. \breathe s2
+ s\breve
+ s\breve
+ }
+
diff --git a/hr/stch/fertig/traenen/midi.lua b/hr/stch/fertig/traenen/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/stch/fertig/traenen/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/fertig/traenen/stimmen.ly b/hr/stch/fertig/traenen/stimmen.ly
new file mode 100644
index 0000000..6a1a6fb
--- /dev/null
+++ b/hr/stch/fertig/traenen/stimmen.ly
@@ -0,0 +1,245 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+
+ global = {
+ \key c \major
+ %\override Staff.TimeSignature #'style = #'()
+ \autoBeamOff
+ \override Staff.BarLine #'transparent = ##t
+ }
+
+% Die Stimmen
+
+ sopranIMelodie = \relative c' {
+ <<
+ { \meta }
+ \sopranIArt
+ %the actual tune
+ {
+ d1. d2 f\breve e1 d4( e4 f4 d4 e4 d4 e4 c4 d4 f4 e4 d4 e4 d4 d2. cis8 b8 cis2) d1.
+ d'2 c2 b2 c2 bes2 a2 b2 a2 g2 f1 r1 R\breve R\breve R\breve r1
+ a1. a2 c1 b1 e\breve a,1
+ %
+ f'2 e2 d2 e2 d2 c2 d2 c2 b2 a1 r2 R\breve.
+ d2 c2 b2 c2 b2 a2 bes2 a2 g2 f1 a2 g2 f2 e2 f2 g2 e2 fis1 r1 R\breve
+ %
+ r2 b2 c2 d2 e2 d2 c2( b1 a1 gis2) a1 r2 a1 a2.( g4 g1 fis2) g2 r4 e4 f2 g2 a2.( b4 c2) a2 f1 e1 r2 e4 f8 g8 a2. d,4 g2 f2 R\breve
+ %
+ R\breve r4 d'4 c4 c8 a8 b4 b8 g8 a8 g8 a8 b8 c4 c4 b4 e4. d8 d4. c8 c2( b4) c2 r8 e,8 fis8 g8 a4 f4 e2 d4 f4 e4 e8 a8 g4 g4 r2 r8 g8 g8 g8 g4 g4 e4 e4 r2 cis4 d8 e8 f2. d4 cis2 d2 r1 r1 e4 f8 g8 a2. f4 d4 f4 e4( f2 e4) f1
+ %
+ r1 r2 r4 d'4 c4 c8 a8 b4 b8 g8 a8 g8 a8 b8 gis4( a2 gis4) a2 r2 r8 d8 d8 d8 d4 c4 b2 a2 r8 e8 e8 e8 f4 g4 a4( d,4) e4 a2 g2 f2( e4) f4 f4 e4 e8 c8 d4 d4 r2
+ R\breve r8 c'8 c8 c8 c4 bes4 a1 a\breve
+ }
+ >>
+ }
+
+ sopranIIMelodie = \relative c'' {
+ <<
+ { \meta }
+ \sopranIIArt
+ %the actual tune
+ {
+ r1 a1. a2 bes1 a2 a4( g4 f4 g4 a4 f4 g4 f4 g4 e4 f4 d4 g2. f4 f4 e8 d8 e1) d1. f2 f2 g2 a2 g2 f2 g2 f2 e2 f1 r1 R\breve R\breve r1
+ d1. d2 f1 e1 r2 e2 g2.( f4 e2) f2 g1 fis1
+ %
+ a2 a2 b2 c2 b2 a2 b2 a2 gis2 a1 r2 R\breve.
+ f2 e2 d2 e2 e2 f2 g2 f2 e2 f1 d'2 b2 b2 c2 a2 bes2 a2 a1 r1 R\breve
+ %
+ r2 g2 a2 b4 b4 c2 d2 e2 d2 c1 b1 r2 a2 g1 fis2 a2 bes1 a1 r2 g1 g2.( f4 f2. e4 e2. d4 d1 cis4 b4) c1 c4 d8 e8 f4 f4 e2 f2 R\breve
+ %
+ R\breve r2 r4 a4 g4 g8 e8 f4 f8 d8 e8 d8 e8 f8 g2 c,4 d4 g2 g2 g2 r8 g8 a8 b8 c4 bes4 a2 a2
+ r2 b4 e4. d8 d4. c8 c4.( b8 b4. a8 a2 gis4) a2 a4 b8 c8 d4 g,4 e2 fis2
+ r2 d4 e8 f8 g4 e4 e2 cis2 c4 d8 e8 f2. d4 g4( f4 g2) a1
+ %
+ r1 R\breve r2 r4 e'4 d4 d8 b8 c4 c8 a8 b8 a8 b8 c8 a4.( b8 gis4 a2 gis4) a8 c8 c8 c8 c4 b4 a4 g4 f8( g8 a2) e4 r2 r1
+ r2 r4 a2 g2 f2( e4) f2 r1 r8 a8 a8 a8 a4 f4 e4( d4 e2) f\breve
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ \altArt
+ %the actual tune
+ {
+ R\breve
+ R\breve
+ R\breve
+ R\breve
+ R\breve
+ R\breve.
+ R\breve.
+ r1 a1. a2 bes1 a2 d1 c1 bes4 bes2( a4 a2. g4 g4 f8 g8) a1
+ %\break
+ r2 a1 a2 e'2 b2 cis2( d2. cis8 b8 cis2) d1
+ %
+ d2 c2 b2 a1 a2 d1( e2) a,1 r2
+ d2 d2 e2 c2 f2 e2 d1 r2 a2 g2 f2 bes2. bes4 c2 c1 f2 e2 b2 e2 d2 d2 cis2 d1 r2 a2 b2 c2 d1
+ %
+ g2 e1 d2 c2 g2 g4 a4 b2 r4 e4 e4 f4 g2 e2 f1 e1 r2 d2 fis2 g2 a2 d,2 e1 d1 r2 c1 c2.( b4 a4 g4 a1) a1 r1 r2 a4 b8 c8 d2. c4 b2 a4
+ %
+ e'4 c4 c8 a8 b4 b8 g8 a8 g8 a8 b8 c2 a1 r1 r2 r8 g'8 g8 g8 f4 f4 e2 d2 r8 e8 c8 d8 e2. d4 cis2 d4 d4 c4 a8 a8 e'4 e8 e8 c8 b8 c8 d8 b4 c4 r8 g'8 g8 g8 g4 e4 e2 e2 r1
+ r2 a,4 b8 cis8 d1 ~ d4 c4 b2 a1 a4 b8 c8 d4 d4 c2 c2
+ %
+ r4 c4 a4 a8 f8 c'4 c8 b8 a8 g8 a8 b8 gis4( a2 gis4) a2 r8 e'8 e8 e8 d4 d4 c4( b8 a8 b2) a8 a'8 a8 a8 g4 g4 f2 e1
+ r1 r2 r4 f4 e4 e8 c8 d4 d8 b8 c8 b8 c8 d8 bes2 a2 r2 r8 f8 g8 f8 g4 a4 bes2 a2 r8 c8 c8 c8 b4 g4 a4 a4 e'4 d4 cis4( d2 cis4) d\breve
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ \tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ R\breve
+ d1.
+ d2
+ cis1
+ d2 d1
+ c1
+ bes2
+ a\breve
+ %\time 3/2
+ d,1.
+ bes'2 a2 g2
+ f1 f2
+ bes1( c2)
+ %\time 2/2
+ f,1
+ f2 f2
+ e2 e2
+ fis2 g1
+ f2
+ e2( a4 g4
+ f4 e4 f2.
+ e4 e4 d8[ c8])
+ d2 d'1
+ d2
+ cis1
+ e1
+ r2 d2
+ a2 a2
+ g1
+ a1
+ %\time 3/2
+ R\breve.
+ r1.
+ c2 b2 a2
+ b2 a2 g2
+ a2 d2 cis2
+ d1 r2
+ r1.
+ r1.
+ a2 g2 f2
+ g2 g2 a2
+ f2 d2 a'2
+ %\time 2/2
+ a1
+ r2 fis2
+ g2 a2
+ b1
+ %
+ R\breve
+ r1
+ r2 fis2
+ g2 a2
+ b2 r4 b4
+ c2 d2
+ e2 e,4 a2(
+ g4 f4 e4
+ d1)
+ a'2 r4 a4
+ b2 c2
+ d2 r4 d,4
+ e2 f2
+ g2(
+ a1) d,2
+ e1
+ e2 r2
+ a4 b8 c8 d4 bes4
+ c2 f,2
+ fis4 g8 a8 b4 a4
+ gis2 a2
+ %
+ r1
+ r4 a4 g4 g8 e8
+ f4 f8 d8 e8 d8 e8 fis8
+ g2 d4 d'4
+ c4 c8 a8 b4 b8 g8
+ a8. g16 a8 f8 g4 g4
+ r2 r8 g8 a8 b8
+ c4 b4 a1
+ d,2
+ r4 c'4 b4 b8 g8
+ a4 a4 r8 e'8 e8 e8
+ d4 d4 c2
+ b2 a4 b8 cis8
+ d2. bes4
+ a2 d,2
+ fis4 g8 a8 b2.
+ a4 gis2
+ a2 r2
+ f4 g8 a8 bes2.
+ a4 g2
+ f2
+ %
+ r4 a4
+ g4 g8 e8 f4 f8 d8
+ e8 d8 e8 f8 d2
+ e4 a4 g4 g8 e8
+ f2 e2
+ r1
+ r1
+ r8 e'8 e8 e8 e4 d4
+ c4 e4 e8 a,8 b4
+ c2 r4 d4
+ c4 c8 a8 bes4 bes8 g8
+ a8 g8 a8 bes8 g2
+ f4 a4 g4 g8 e8
+ f4 f8 d8 e8 d8 e8 f8
+ g2 c,8 a'8 a8 a8
+ a4 g4 f4 d4
+ f4 e4 r2
+ a4 f4 e2
+ d\breve\fermata
+ \revert Staff.BarLine #'transparent
+ \bar "|."
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ \bassArt
+ %the actual tune
+ \clef bass
+ {
+ R\breve
+ R\breve
+ R\breve
+ R\breve
+ R\breve
+ R\breve.
+ R\breve.
+ r2 d1 d2 cis1 d\breve r1 d1 d2 c2 bes1 a1 r1 r2 a'1 g1 f2 e1 d1
+ %
+ R\breve. r1. a'2 g2 f2 g2 f2 e2 f2 d2 a'2 d,1 r2 r1.
+ r1. f2 e2 d2 e2 d2 c2 d2 g,2 a2 d1 d1 b2 a2 g1
+ %
+ R\breve r2 b2 c2 d2 e1 e2 e2.( d4 d1 cis2) d1 r2 d1 d2.( c4 c1 b2) c1 c1 a\breve a1 R\breve d4 e8 fis8 g4 a4 e2 a,2
+ %
+ r4 a'4 g4 g8 e8 f4 f8 d8 e8 d8 e8 c8 d2 a2 r1 r4 a'4 g4 g8 e8 f4 f8 d8 e8 d8 e8 f8 g2 c,2 r1 r4 a'4 f4 d8 d8 a'4 a8 f8 g8 f8 g8 e8 f4 f8 d8 e4 e8 c8 g'4 g8 g,8 c8 b8 c8 d8 e2 a,2 r1
+ r1 d4 e8 fis8 g2. a4 e2 a,2 a4 b8 c8 d2 bes2 c1 f,2
+ %
+ r4 f'4 e4 e8 c8 d4 d8 b8 c8 b8 c8 d8 b2 a2 r2 R\breve R\breve
+ r8 a'8 a8 a8 a4 g4 f4 e4 d2 a2 r2 r1 r4 d2 c4 bes2.( a4 g2) f8 f'8 f8 f8 f4 e4 d4 bes4 a\breve d\breve
+ }
+ >>
+ }
+
diff --git a/hr/stch/fertig/traenen/texte.ly b/hr/stch/fertig/traenen/texte.ly
new file mode 100644
index 0000000..2b0f683
--- /dev/null
+++ b/hr/stch/fertig/traenen/texte.ly
@@ -0,0 +1,193 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+ wer = \lyricmode {
+ mit Trä -- nen,
+ mit Trä -- nen sä -- en,
+ }
+ edlen = \lyricmode {
+ und tra -- gen ed -- len
+ }
+ ihre = \lyricmode {
+ und brin -- gen ih -- re
+ }
+ sopstart = \lyricmode {
+ Die mit Trä -- nen sä -- en,
+ wer -- den mit Freu -- den,
+ mit Freu -- den ern -- ten,
+ }
+ futur = \lyricmode {
+ wer -- den mit Freu -- den,
+ mit Freu -- den ern -- ten,
+ }
+
+% Die Textaufteilungen
+
+ sopranIText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ \sopstart
+ die mit Trä -- nen sä -- en,
+ \futur
+ \futur
+ mit Freu -- den,
+ mit Freu -- den ern -- ten.
+ Sie ge -- hen hin und wei -- nen,
+ und wei -- nen,
+ sie ge -- hen hin und wei -- nen
+ \edlen Sa -- men,
+ und kom -- men mit Freu -- den
+ \ihre Gar -- ben,
+ \ihre Gar -- ben,
+ und tra -- gen ed -- len Sa -- men,
+ und kom -- men mit Freu -- den
+ \ihre Gar -- ben,
+ \edlen Sa -- men,
+ und tra -- gen ed -- len,
+ ed -- len Sa -- men,
+ und kom -- men mit Freu -- den
+ \ihre Gar -- ben,
+ \ihre Gar -- ben,
+ \ihre Gar -- ben,
+ ih -- re Gar -- ben,
+ und kom -- men mit Freu -- den
+ \ihre Gar -- ben.
+ }
+
+ sopranIIText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ \sopstart
+ die mit Trä -- nen, mit Trä -- nen sä -- en,
+ \futur
+ \futur
+ mit Freu -- den,
+ mit Freu -- den ern -- ten.
+ Sie ge -- hen, sie ge -- hen hin und wei -- nen,
+ und wei -- nen,
+ und wei -- nen,
+ und wei -- nen,
+ \edlen Sa -- men,
+ und kom -- men mit Freu -- den
+ \ihre Gar -- ben,
+ ih -- re Gar -- ben,
+ und tra -- gen ed -- len Sa -- men,
+ \ihre Gar -- ben,
+ \edlen Sa -- men,
+ \edlen Sa -- men,
+ \edlen Sa -- men,
+ und kom -- men mit Freu -- den
+ \ihre Gar -- ben,
+ und brin -- gen ih -- re, ih -- re Gar -- ben,
+ ih -- re Gar -- ben,
+ \ihre Gar -- ben,
+ ih -- re Gar -- ben.
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ Die \wer
+ die mit Trä -- nen sä -- en,
+ wer -- den mit Freu -- den ern -- ten,
+ wer -- den mit Freu -- den ern -- ten,
+ wer -- den mit Freu -- den ern -- ten,
+ mit Freu -- den, mit Freu -- den ern -- ten.
+ Sie ge -- hen hin,
+ sie ge -- hen hin,
+ sie ge -- hen hin,
+ sie ge -- hen hin und wei -- nen,
+ sie ge -- hen hin und wei -- nen,
+ und wei -- nen
+ \edlen Sa -- men,
+ und kom -- men mit Freu -- den
+ \ihre Gar -- ben,
+ \ihre Gar -- ben,
+ \edlen Sa -- men,
+ und kom -- men mit Freu -- den
+ \ihre Gar -- ben,
+ \ihre Gar -- ben,
+ \edlen Sa -- men,
+ \edlen Sa -- men,
+ und kom -- men mit Freu -- den
+ \ihre Gar -- ben,
+ \ihre Gar -- ben,
+ \ihre Gar -- ben,
+ und kom -- men mit Freu -- den
+ \ihre Gar -- ben,
+ \ihre Gar -- ben,
+ \ihre Gar -- ben,
+ ih -- re Gar -- ben.
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ Die \wer
+ wer -- den mit Freu -- den ern -- ten,
+ %die \wer
+ die
+ mit Trä -- nen,
+ mit Trä -- nen sä -- en,
+ die \wer
+ wer -- den mit Freu -- den,
+ mit Freu -- den ern -- ten,
+ wer -- den mit Freu -- den,
+ mit Freu -- den ern -- ten.
+ Sie ge -- hen hin,
+ sie ge -- hen hin,
+ sie ge -- hen hin und wei -- nen,
+ sie ge -- hen hin,
+ sie ge -- hen hin und wei -- nen
+ \edlen Sa -- men,
+ \edlen Sa -- men
+ und kom -- men mit Freu -- den
+ \ihre Gar -- ben,
+ und kom -- men mit Freu -- den
+ \ihre Gar -- ben,
+ und tra -- gen ed -- len Sa -- men
+ und kom -- men mit Freu -- den
+ \ihre Gar -- ben,
+ \edlen Sa -- men,
+ \edlen Sa -- men,
+ \edlen Sa -- men
+ und kom -- men mit Freu -- den
+ \ihre Gar -- ben,
+ und kom -- men mit Freu -- den
+ \ihre Gar -- ben,_~
+ ih -- re Gar -- ben,
+ und kom -- men mit Freu -- den
+ \ihre Gar -- ben,
+ und kom -- men mit Freu -- den
+ \ihre Gar -- ben,_~
+ und brin -- gen ih -- re, ih -- re Gar -- ben,
+ ih -- re Gar -- ben.
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ Die \wer
+ mit Trä -- nen sä -- en,
+ wer -- den mit Freu -- den,
+ mit Freu -- den ern -- ten,
+ wer -- den mit Freu -- den,
+ mit Freu -- den ern -- ten.
+ Sie ge -- hen hin,
+ sie ge -- hen hin und wei -- nen,
+ und wei -- nen,
+ und wei -- nen
+ \edlen Sa -- men,
+ und kom -- men mit Freu -- den
+ \ihre Gar -- ben,
+ und kom -- men mit Freu -- den
+ \ihre Gar -- ben,
+ und kom -- men mit Freu -- den
+ \ihre Gar -- ben,
+ und kom -- men mit Freu -- den
+ \ihre Gar -- ben,
+ und tra -- gen ed -- len Sa -- men
+ und tra -- gen ed -- len Sa -- men
+ und kom -- men mit Freu -- den
+ \ihre Gar -- ben,
+ und brin -- gen ih -- re, ih -- re Gar -- ben,
+ ih -- re Gar -- ben,
+ und brin -- gen ih -- re, ih -- re Gar -- ben.
+ }
+
diff --git a/hr/stch/fertig/traenen/texte_.ly b/hr/stch/fertig/traenen/texte_.ly
new file mode 100644
index 0000000..b5b8644
--- /dev/null
+++ b/hr/stch/fertig/traenen/texte_.ly
@@ -0,0 +1,81 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+ bk = \markup {
+ \bold{k}\hspace #-.6 om
+ }
+ br = \markup {
+ Ga\hspace #-.6 \bold{r}
+ }
+ bfr = \markup {
+ \bold{Fr}\hspace #-.6 eu
+ }
+ wer = \lyricmode {
+ mi[t]~ Trä -- nen,
+ mi[t]~ Trä -- nen sä -- en,
+ }
+ edlen = \lyricmode {
+ und_x tra -- gen ed -- len
+ }
+ ihre = \lyricmode {
+ und brin -- gen ih -- re
+ }
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ Die \wer
+ wer -- den mit_x Freu -- den ern -- ten,
+ %die \wer
+ die
+ mi[t]~ Trä -- nen,
+ mi[t]~ Trä -- nen sä -- en,
+ die \wer
+ wer -- den mit_x Freu -- den,
+ mit_x Freu -- den ern -- ten,
+ wer -- den mit_x Freu -- den,
+ mit_x Freu -- den ern -- ten.
+ Sie ge -- hen hin,
+ sie ge -- hen hin,
+ sie ge -- hen hin und_x wei -- nen,
+ sie ge -- hen hin,
+ sie ge -- hen hin und_x wei -- nen
+ \edlen Sa -- men,
+ \edlen Sa -- men
+ und_x \bk -- men mit \bfr -- den
+ \ihre \br -- ben,
+ und_x \bk -- men mit \bfr -- den
+ \ihre Gar -- ben,
+ und tra -- gen ed -- len Sa -- men
+ und_x \bk -- men mit \bfr -- den
+ \ihre \br -- ben,
+ \edlen Sa -- men,
+ \edlen Sa -- men,
+ \edlen Sa -- men
+ und_x \bk -- men mit \bfr -- den
+ \ihre \br -- ben,
+ und_x \bk -- men mit \bfr -- den
+ \ihre \br -- ben,_~
+ ih -- re Gar -- ben,
+ und_x \bk -- men mit \bfr -- den
+ \ihre \br -- ben,
+ und_x \bk -- men mit \bfr -- den
+ \ihre Gar -- ben,_~
+ und brin -- gen ih -- re, ih -- re Gar -- ben,
+ ih -- re \br -- ben.
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/stch/fertig/traenen/traenen.ly b/hr/stch/fertig/traenen/traenen.ly
new file mode 100644
index 0000000..c8379d0
--- /dev/null
+++ b/hr/stch/fertig/traenen/traenen.ly
@@ -0,0 +1,94 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+ %\include "gregorian.ly"
+\include "dynArt.ly"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Die mit Tränen säen"
+ composer = "Heinrich Schütz"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ %\bold "studentenchor"
+ }
+ }
+
+ #(set-default-paper-size "a4" 'landscape)
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 15)
+
+
+ sopI = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "sopraneI" { \global \sopranIMelodie }
+ \addlyrics { \sopranIText }
+ >>
+
+ sopII = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "sopraneII" { \global \sopranIIMelodie }
+ \addlyrics { \sopranIIText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ \addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ \addlyrics { \bassText }
+ >>
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ #(define fonts
+ (make-pango-font-tree "Breitkopf Fraktur"
+ "DejaVu Sans"
+ "Droid Sans Mono"
+ (/ 15 20)))
+ ragged-last-bottom = #'f
+ }
+
+ \score {
+ \new StaffGroup \with { printPartCombineTexts = ##f } <<
+ \new Staff = sopranI { \sopI }
+ %\new Lyrics \lyricsto sopraneI \sopranText
+ \new Staff = sopranII { \sopII }
+ \new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ \new Staff = bass { \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ \context {
+ \Voice
+ \remove Forbid_line_break_engraver
+ }
+ }
+ }
+
diff --git a/hr/stch/fertig/verleih/a.midi b/hr/stch/fertig/verleih/a.midi
new file mode 100644
index 0000000..f16bd5c
--- /dev/null
+++ b/hr/stch/fertig/verleih/a.midi
Binary files differ
diff --git a/hr/stch/fertig/verleih/b.midi b/hr/stch/fertig/verleih/b.midi
new file mode 100644
index 0000000..c692b02
--- /dev/null
+++ b/hr/stch/fertig/verleih/b.midi
Binary files differ
diff --git a/hr/stch/fertig/verleih/dynArt.ly b/hr/stch/fertig/verleih/dynArt.ly
new file mode 100644
index 0000000..30423d4
--- /dev/null
+++ b/hr/stch/fertig/verleih/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/fertig/verleih/midi.lua b/hr/stch/fertig/verleih/midi.lua
new file mode 100644
index 0000000..b12fb9a
--- /dev/null
+++ b/hr/stch/fertig/verleih/midi.lua
@@ -0,0 +1,51 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ \unfoldRepeats
+]]
+
+post=[[
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/fertig/verleih/s.midi b/hr/stch/fertig/verleih/s.midi
new file mode 100644
index 0000000..039bcfa
--- /dev/null
+++ b/hr/stch/fertig/verleih/s.midi
Binary files differ
diff --git a/hr/stch/fertig/verleih/stimmen.ly b/hr/stch/fertig/verleih/stimmen.ly
new file mode 100644
index 0000000..c1843a0
--- /dev/null
+++ b/hr/stch/fertig/verleih/stimmen.ly
@@ -0,0 +1,173 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key ees \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 3/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ ees4 g4 f4
+ ees2 ees4
+ ees4( bes'4) aes4
+ g2 g4
+ c2 bes4
+ aes4( g4) ees8( f8)
+ g2.
+ ees4 r4 r4
+ ees4 aes4 aes8 g8
+ f2 r4
+ f4 bes4 bes8 aes8
+ g2 r4
+ bes4 ees4 des4
+ c4( bes4) aes8( bes8)
+ c2.
+ c,2 r4
+ R2.
+ R2.
+ R2.
+ r4 r4 c'8 d8
+ ees2( des4)
+ c4 bes4 aes4
+ g2. ~
+ g4 r4 g4
+ ces2. ~
+ ces4( bes4) aes4
+ g4( f2)
+ ees2. ~
+ ees2.
+ \bar "|."
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ bes4 ees4 ees8 d8
+ ees2 des4
+ c4( ees4.) d8
+ ees2 g4
+ aes2 f4
+ f4( ees4) ees4
+ ees4( d2)
+ ees4 r4 r4
+ ees4 f4 ees4
+ d2 r4
+ d4 ees4 f4
+ bes,2 r4
+ ees4 f4 g4
+ aes4( g4) f4
+ e8( f8 g4 f4)
+ e2 r4
+ R2.
+ R2.
+ r4 r4 g4
+ aes4 g4 f4
+ bes2.
+ ees,2 f4
+ g2. ~
+ g4 r4 c,4
+ c2.
+ ees2 aes4
+ ees4( d2)
+ ees2 bes4
+ bes2.
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ g4 bes4 bes4
+ g2 bes4
+ ees,4( g4) f4
+ ees2 ees'4
+ ees2 d4
+ bes2 c4
+ c2( b4)
+ c4 r4 r4
+ g4 aes4 bes8 c8
+ d2 r4
+ bes8( aes8) g4 f4
+ g2 r4
+ g4 aes4 bes4
+ c8( des8 ees4) aes,4
+ g8 aes8 bes4 aes4
+ g4( c4.) c8
+ c2 c,4
+ r4 r4 c'8( d8)
+ ees2( des4)
+ c4 bes4 aes4
+ g2.
+ c2 c8 d8
+ ees2. ~
+ ees4 r4 ees4
+ ees2. ~
+ ees4( d4) c4
+ bes2 aes4
+ g4( f2)
+ g2.
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ ees4 ees4 bes4
+ c2 g4
+ aes4( g8 aes8) bes4
+ ees2 ees4
+ aes,2 bes4
+ d4( ees4) aes4
+ g2.
+ c,4 r4 r4
+ c4 f4 g8[ aes8]
+ bes2 r4
+ bes,4 c4 d4
+ ees2 r4
+ ees8[ des8] c4 ees4
+ aes4( ees4) f4
+ c2.
+ c2 r4
+ r4 r4 g'4
+ aes4 g4 f4
+ bes2.
+ r4 r4 f4
+ g2 g4
+ aes4 g4 f4
+ c'2. ~
+ c4 r4 c,4
+ aes2. ~
+ aes2 aes4
+ bes2. ~
+ bes2.
+ ees2.
+ }
+ >>
+ }
+
diff --git a/hr/stch/fertig/verleih/t.midi b/hr/stch/fertig/verleih/t.midi
new file mode 100644
index 0000000..c661a8b
--- /dev/null
+++ b/hr/stch/fertig/verleih/t.midi
Binary files differ
diff --git a/hr/stch/fertig/verleih/texte.ly b/hr/stch/fertig/verleih/texte.ly
new file mode 100644
index 0000000..1a38986
--- /dev/null
+++ b/hr/stch/fertig/verleih/texte.ly
@@ -0,0 +1,29 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ Ver -- leih uns Frie -- den gnä -- dig -- lich,
+ Herr Gott zu un -- sern Zei -- ten!
+ Es ist doch _ ja kein and -- rer nicht,
+ der _ für uns könn -- te strei -- ten,
+ denn du, un -- ser Gott,
+ denn du, denn du, un -- ser Gott,
+ denn du, al -- lei -- ne.
+ }
+
diff --git a/hr/stch/fertig/verleih/verleih.ly b/hr/stch/fertig/verleih/verleih.ly
new file mode 100644
index 0000000..ec3eb12
--- /dev/null
+++ b/hr/stch/fertig/verleih/verleih.ly
@@ -0,0 +1,68 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Verleih uns Frieden gnädiglich"
+ composer = "Felix Mendelssohn Baartholdy"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \voiceOne \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \voiceTwo \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \voiceOne \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \voiceTwo \bassMelodie }
+ \addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \new Staff = sopran { << { \global \sop } { \global \alt } >> }
+ %\new Staff = alt { \global \alt }
+ \new Staff = tenor { << { \global \ten } { \global \bas } >> }
+ %\new Staff = bass { \global \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/fertig/willkommen/stimmen.ly b/hr/stch/fertig/willkommen/stimmen.ly
new file mode 100644
index 0000000..9cdc7cc
--- /dev/null
+++ b/hr/stch/fertig/willkommen/stimmen.ly
@@ -0,0 +1,116 @@
+%some settings% vim: ai sw=2 lbr nu
+
+ global = {
+ \key as \major
+ \override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ \override BreathingSign #'text = \markup { \musicglyph #"scripts.upbow" }
+ \autoBeamOff
+ \set melismaBusyProperties = #'(slurMelismaBusy)
+ }
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ % bisher nur leere takte
+ %\repeat unfold 24 {
+ %s4*4
+ %}
+ }
+
+% Die Stimmen
+
+ TenorSoloA = \relative c' {
+ f4^\markup{"Tenor-Solo"} as8[ g8] f8[ es8] as8 des8
+ c2\breathe c8[ c8] es8[ es8]
+ des8[ c8] c8[ bes8] as2\breathe
+ as4 as8 c8 des4 bes4
+ as4. g8 f4 es4
+ bes'8[ bes8] des4. bes8 as8[ as8]
+ g4.( bes8) bes2
+ \bar "||"
+ }
+
+ TenorSoloB =\relative c' {
+ f4.^\markup{"Tenor-Solo"} f8 as8[ g8] f8[ es8]
+ as8[ as8] des8[ des8] c2\breathe
+ c8[-\parenthesize\f c8] es8[ es8] des8 des16[ des16] c8[ c8]
+ c4 bes4 as2\breathe
+ as4-\parenthesize\p as8 c8 des8[ bes8] as8 as16[ g16]
+ f4 es4\breathe bes'8[ bes8] bes8[ bes8]
+ des8[ bes8] as8 as16[ as16] g4. bes8
+ \time 2/4
+ bes2
+ \bar "||"
+ }
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %the actual tune
+ {
+ c2\p (es2
+ f4.) f8 es4 f4
+ g2\< as2
+ as1\>\breathe
+ as2\mf (bes2
+ des4.) des8 c4\breathe as4\<
+ es'2 es2\>
+ es1\!
+ }
+ >>
+ \bar "||"
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %the actual tune
+ {
+ c2 ~c2
+ ~c4. c8 c4 c4
+ es2 f2
+ es1
+ f2 (g2
+ as4.) as8 as4 es4
+ as4 (g8 f8) g2
+ as1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %the actual tune
+ {
+ c2 (as2
+ ~as4.) as8 g4 as4
+ bes2 des2
+ des4 (c8 bes8 c2)\breathe
+ c2 (es2
+ f4.) f8 es4\breathe as,4
+ bes2 bes2
+ <c aes>1
+ %<c \parenthesize aes>1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c' {
+ <<
+ { \meta }
+ %the actual tune
+ \clef bass
+ {
+ c2 (as2
+ f4.) f8 c4 f4
+ es2 des2
+ as1
+ f'2 (es2
+ des4.) des8 as4 f'4
+ es2 es2
+ << es1 as,1 >>
+ }
+ >>
+ }
diff --git a/hr/stch/fertig/willkommen/texte.ly b/hr/stch/fertig/willkommen/texte.ly
new file mode 100644
index 0000000..63d8e69
--- /dev/null
+++ b/hr/stch/fertig/willkommen/texte.ly
@@ -0,0 +1,40 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ Ky -- ri -- e e -- lei -- _ son.
+ Ky -- ri -- e e -- lei -- _ son.
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorTextA = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ \set stanza = "1. "
+ Nun sei will -- kom -- men, Her -- re Christ,
+ der du un -- ser al -- ler Her -- re bist.
+ Nun sei will -- kom -- men, lie -- ber Her -- re,
+ hier auf Er -- den al -- so schö -- ne.
+ }
+
+ tenorTextB = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ \set stanza = "2. "
+ Nun ist Gott ge -- bo -- ren,
+ un -- ser al -- ler Trost,
+ der der Höl -- len Pfor -- ten
+ mit sei -- nem Kreuz auf -- stoßt.
+ Die Mut -- ter hat ge -- hei -- ßen Ma -- ri -- a,
+ wie in al -- len Chri -- sten -- bü -- chern ge -- schrie -- ben steht.
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/stch/fertig/willkommen/willkommen.ly b/hr/stch/fertig/willkommen/willkommen.ly
new file mode 100644
index 0000000..8d24cf6
--- /dev/null
+++ b/hr/stch/fertig/willkommen/willkommen.ly
@@ -0,0 +1,68 @@
+%some settings% vim: ai sw=2 lbr nu
+
+\version "2.12.1"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Nun sei willkommen, Herre Christ"
+ composer = "Christoph J. Westphal"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ %<+weitere Einstellungen+>
+ ragged-last-bottom = ##f
+ top-margin = 15
+ bottom-margin = 15
+ left-margin = 10
+ right-margin = 10
+ markup-system-spacing #'basic-distance = 12
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ \score {
+ \new Staff = TenorA <<
+ \new Voice = "soloA" { \global \dynamicUp \TenorSoloA }
+ \lyricsto soloA \tenorTextA
+ >>
+ }
+ \score {
+ \new ChoirStaff <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \voiceOne \sopranMelodie }
+ \lyricsto soprane \sopranText
+ \new Voice = "alti" { \global \voiceTwo \altMelodie }
+ %\lyricsto alti \altText
+ >>
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \voiceOne \tenorMelodie }
+ %\lyricsto tenoere \tenorText
+ \new Voice = "baesse" { \global \voiceTwo \bassMelodie }
+ %\lyricsto baesse \bassText
+ >>
+ >>
+ \layout {
+ }
+ %\midi {
+ %}
+ }
+ \score {
+ \new Staff = TenorB <<
+ \new Voice = "soloB" { \global \dynamicUp \TenorSoloB }
+ \lyricsto soloB \tenorTextB
+ >>
+ }
+ % TODO: breathe & dyn & Text & balken
+
diff --git a/hr/stch/fertig/willkommen/willkommen.midi b/hr/stch/fertig/willkommen/willkommen.midi
new file mode 100644
index 0000000..6656ff1
--- /dev/null
+++ b/hr/stch/fertig/willkommen/willkommen.midi
Binary files differ
diff --git a/hr/stch/fertig/xci/dynArt.ly b/hr/stch/fertig/xci/dynArt.ly
new file mode 100644
index 0000000..be83ad6
--- /dev/null
+++ b/hr/stch/fertig/xci/dynArt.ly
@@ -0,0 +1,28 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ %\override Staff.TimeSignature #'style = #'()
+ \dynamicUp
+ \key g \major
+ \time 4/4
+ \partial 4
+ s4
+ s1*72
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/fertig/xci/midi.lua b/hr/stch/fertig/xci/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/stch/fertig/xci/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/fertig/xci/stimmen.ly b/hr/stch/fertig/xci/stimmen.ly
new file mode 100644
index 0000000..76f730d
--- /dev/null
+++ b/hr/stch/fertig/xci/stimmen.ly
@@ -0,0 +1,202 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranIMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ d4 d4 d4 d4 d4 g2 b,4 b4 a4 b4 c4 e4 d1 ~ d4 r4 r2
+ r1 r1
+ r2 r4 d4 d4 d4 d4 d4 g2 b,4 b4 b4 a4 e'4 e4 dis1 ~ dis4 r4 r2
+ r2 e2 ~ e4 e4 fis4 e4 d2 d4 d4 d4 fis4 e4 d4 cis2 d2 ~ d4 d4 cis4 b4 a2. b4 a1 a2 r2
+ r1 r1
+ r2 a4 a4 a4 a8 a8 b4 b4 d2 c2
+ r1
+ r2 g4 g4 c4 c8 c8 e4 e4 g2 e2 e2 e2 d4 d4 cis4( b4) ais4 b4 cis4 d4 e1 d2 d2
+ r1
+ r2 r4 cis4 d4 d4 d4 d4 g2 b,4 b4 a4 b4 c4 e4 d2 g,4 g4 a4 a8 a8 b4 b4 c2 c2 cis4 cis8 cis8 cis4 cis4 d2 d2 d2 d4 d4 e2 g2 a,2.( b8 c8) b2 r2
+ r2 g4 a4 b4 b4 e2 d4 g,4 g4 a4 b4 b4 e2 d2 d4 d4 d4( c4) b4( c4) b2( a2) d1
+ r1
+ b4 b4 c4 cis4 d4( g4) fis4 e4 d4 b4 a4 e'4 d1 ~ d2 g,2
+ r1
+ r2 b4 b4 b2.( a4) g1
+ r1
+ r4 b4 b4 b4 b2.( a4) g1
+ }
+ >>
+ }
+
+ sopranIIMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ b4 b4 b4 c4 c4 b2 g4 g4 g4 g4 c4 c4 b1 ~ b4 r4 r2
+ r1 r1
+ r2 r4 a4 b4 b4 c4 c4 b2 g4 g4 g4 g4 fis4 a4 b1 ~ b4 r4 r2
+ r2 cis2 ~ cis4 cis4 cis4 cis4 cis2 b4 b4 b4 b4 e4 g,4 a2 d2 ~ d4 b4 cis4 d4 a2. g4 fis2( a2) a2 r2
+ r1 r1
+ r2 a4 a4 a4 a8 a8 a4 a4 gis2 a2
+ r1
+ r2 g4 g4 g4 g8 g8 c4 c4 e2 e2 cis2 cis2 b4 b4 b2 fis4 gis4 ais4 b4 cis1 ~ cis4 cis4 b4 a4 gis4( d'4 cis4 b4) b2 ais4 ais4 b4 b4 c4 c4 b2 g4 g4 g4 g4 g4 c4 b2 r2
+ r1
+ r2 e,4 e4 a4 a8 a8 a4 a4 d2 b2 d2 b4 b4 e2 c2 a1 g2 r2
+ r2 g4 g4 g4 b4 c2 g4 g4 g4 g4 g4 g4 c2 b2 b4 b4 b4( c4) g2 g2( d2) d1
+ r1
+ g4 g4 a4 ais4 b4( g4) d2( ~ d4 d'4) c4 bes4 a1 g1
+ r1
+ r2 g4 g4 g2( fis2) g1
+ r1
+ r4 g4 g4 g4 g2( fis2) g1
+ }
+ >>
+ }
+
+ altIMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ g4 g4 g4 g4 fis4 g2 e4 e4 e4 g4 g4 fis4 g1 ~ g4 r4 r2
+ r1 r1
+ r2 r4 fis4 g4 g4 g4 fis4 g2 e4 e4 e4 e4 a4 fis4 fis1 ~ fis4 r4 r2
+ r2 a2 ~ a4 a4 a4 a4 a2 a4 a4 gis4 gis4 g4 g4 g2 fis2 ~ fis4 e4 e4 e4 e2 a4( d,4) fis2.( e4) fis2 r2
+ r1 r1
+ r2 fis4 fis4 f4 f8 f8 f4 f4 f2 e2
+ r1
+ r2 e4 e4 g4 g8 g8 g4 g4 c2 g2 g2 e2 b4 b4 b2 cis4 d4 e4 fis4 e2( fis2) fis1( eis1) ~ eis2 fis4 fis4 b4 b4 a4 a4 b2 d,4 g4 g4 f4 e4 fis4 g2 r2
+ r2 g4 g4 g4 g8 g8 g4 g4 g2 g2 fis2 fis2 g2 b4 b4 c4( b4) a4( g4) fis4( e4 d2) d2 r2
+ r2 e4 e4 f4 f4 e2 g4 d4 e4 e4 f4 f4 e2 g2 g4 g4 g2 g2 g2( fis2) g1
+ r1
+ g1 ~ g4 b4 a4 g4 g1( ~ g2 fis2) g1
+ r1
+ r2 d4 d4 d1 d1
+ r1
+ r4 d4 d4 d4 d1 d1
+ }
+ >>
+ }
+
+ altIIMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ g4 g4 g4 d4 d4 e2 d4 d4 c4 d4 e4 c4 g'1 ~ g4 r4 r2
+ r1 r1
+ r2 r4 d4 d4 d4 d4 d4 e2 d4 d4 c4 c4 c4 c4 b1 ~ b4 r4 r2
+ r2 e2 ~ e4 e4 a4 a4 d,2 d4 d4 e4 e4 e4 b4 cis2 fis2 ~ fis4 b4 g4 e4 e2 fis4( d4) d2( cis2) d2 r2
+ r1 r1
+ r2 d4 d4 d4 d8 d8 d4 d4 d2 e2
+ r1
+ r2 c4 c4 e4 e8 e8 g4 g4 g2 g2 g2 cis,2 fis4 fis4 eis2 fis4 fis4 fis4 fis4 g2( fis2) fis1( g1) ~ g2 fis4 fis4 fis4 fis4 d4 d4 d2 d4 d4 c4 d4 e4 c4 g'2 r2
+ r1 r1
+ r2 e4 e4 d4 d8 d8 fis4 fis4 b2 b4 g4 g2 a2 d,1 d2 r2
+ r2 c4 c4 d4 d4 c2 g'4 g4 e4 c4 d4 d4 c2 d2 g4 g4 g2 g2 d1 d1
+ r1 r1 r1
+ g4 g4 a4 bes4 d,1 d1
+ r1
+ r2 b4 b4 c1 b1
+ r1
+ r4 d4 d4 d4 d1 d1
+ }
+ >>
+ }
+
+ tenorIMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ r4
+ r1 r1 r1
+ r2 d2 ~ d4 d4 e4 d4 c2 c4 c4 c4 b4 a4 e'4 d1 d2 r2
+ r1 r1
+ r2 dis2 ~ dis4 dis4 e4 d4 cis2 cis2 ~ cis2 fis4 fis4 fis2 fis4 d4 d4 d4 cis4 d4 e2 d4 cis4 b2( e4) d4 cis2 d2
+ r2 a2 a4 d4 cis4 e4 d2 d4 d4 d4 d4 g4 g4 fis1
+ r1
+ r2 c4 c4 c4 c8 c8 d4 d4 f2 e2 ~ e4 e8 e8 e4 e4 e2( b2 cis2 fis2) fis2 r2
+ fis,4 fis'4 e4 d4 cis2 cis4 cis4 d4( e4) fis2 b,2( cis4 d4) d2( cis4 e4 d1 ~ d2 f2 e4 d4 c2) d2 d4 d4 d4 d8 d8 d4 d4 c2 c2 e4 e8 e8 e4 e4 b2 d2 f2 f4 f4 e2 e2 c2.( a4) g2 g4 a4 b4 b4 e2 d4 g,4 g4 a4 b4 b4 e2 d2 g,4 g4 d'1 g2. c,4 d1 d2 d4 d4 d4( c4) b4( c4) b4( g4) d2
+ r1
+ b'4 b4 c4 cis4 d1 d2 d4 d4 d2.( c4) b1
+ r1
+ r4 d4 d4 d4 d2.( c4) b4 b4 b4 b4 c1 b1
+ }
+ >>
+ }
+
+ tenorIIMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \clef "treble_8"
+ r4
+ r1 r1 r1
+ r2 b2 ~ b4 b4 b4 b4 b2 a4 g4 fis4 g4 a4 a4 a1 g2 r2
+ r1 r1
+ r2 b2 ~ b4 b4 b4 b4 b2 a2 ~ a2 cis4 cis4 d2 d4 b4 b4 b4 cis4 b4 a2 d,4 fis4 b2. b4 e2 d2
+ r2 g,2 fis4 fis4 e4 g4 fis2 b4 b4 b4 a4 d4 d4 d1
+ r1
+ r2 c4 c4 c4 c8 c8 c4 c4 c2 c2 ~ c4 c8 c8 c4 c4 c2( e2 ~ e2 cis2) d2 r2
+ fis,4 d'4 cis4 b4 b2 ais4 ais4 b4( cis4) d2 gis,1 gis2( ais4 cis4 b2 fis2 b2 d2 g,2. a4) b2 b4 b4 c4 c8 c8 b4 b4 g2 g2 cis4 cis8 cis8 cis4 cis4 fis,2 fis2 d'2 d4 g,4 g2 g2 d1 d2 g4 g4 g4 g4 c2 b4 g4 g4 fis4 g4 g4 c2 b2 g4 g4 b1 g2. a4 b2( d2) d2 b4 b4 b4( c4) g2
+ r1
+ b4 b4 c4 cis4 d2( e2 a,4 b4 c2) b2 b4 b4 g2( a2) d,1 ~ d1 ~ d4 g4 g4 g4 g2( fis2) g4 g4 g4 g4 d1 g1
+ }
+ >>
+ }
+
+ bassIMelodie = \relative c' {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r4
+ r1 r1 r1
+ r2 g2 ~ g4 g4 g4 g4 e2 e4 e4 a4 d,4 g4 g4 g2( fis2) b2 r2
+ r1 r1
+ r2 fis2 ~ fis4 fis4 e4 e4 e2 e2 a2. a4 fis2 fis4 fis4 e4 e4 e4 e4 e2 b4 d4 g2. g4 a2 a4 r4
+ r2 a2 a4 a4 a4 a4 d2 fis,4 fis4 e4 fis4 g4 b4 a1
+ r1
+ r2 a4 a4 a4 a8 a8 a4 a4 a2 g2 ~ g4 g8 g8 g4 g4 g1( ~ g2 fis2) fis2 g2 fis2 fis4 fis4 fis2 fis4 fis4 fis2 b2 b1( ~ b2 fis2 ~ fis2 a2) g1( ~ g2 c2) g2 b4 b4 a4 a8 a8 g4 g4 c2 bes2 a4 a8 a8 a4 a4 b2 b2 b2 g4 g4 g2 c,2 a'4( g4 fis2) g2 e4 e4 g4 g4 g2 g4 g4 g4 c,4 d4 d4 g2 g2 g4 g4 g1 ~ g2. g4 g2( a2) b2 g4 g4 g1 d1 g4 g4 a4 ais4 b4( g4 d2 ~ d1) d2 f4 f4 e2( fis2) g2 g2 d1 g4 f4 f4 f4 e2( ees2) d4 d4 d4 d4 d1 d1
+ }
+ >>
+ }
+
+ bassIIMelodie = \relative c' {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r4
+ r1 r1 r1
+ r2 g2 ~ g4 g4 e4 e4 a,2 a4 a4 a4 b4 c4 cis4 d1 g,2 r2
+ r1 r1
+ r2 b2 ~ b4 a4 g4 g4 a2 a2 g2 fis2 b2 b4 b4 e4 e4 e4 e4 a,2 b4 a4 g2. g4 g2 fis4 g4 a2. a4 d4 d4 a4 a4 b2 a4 a4 g4 a4 b4 g4 d'1
+ r1
+ r2 a'4 a4 g4 g8 g8 f4 f4 f2 c2 ~ c4 c8 c8 c4 c4 c2( b2 ~ b2 ais2) b2 r2
+ fis'4 fis4 fis,4 fis4 fis2 fis4 fis4 fis1 fis1 fis1 ~ fis1 g1 ~ g1 g2 g'4 g4 f4 f8 f8 f4 f4 e2 e2 a,4 a8 a8 a4 a4 b2 b2 g2 g4 g4 c2 c2 d1 g,2 e'4 e4 d4 d4 c2 g4 g4 c4 c4 b4 b4 c2 g2 g'4 g4 f1( e2) ees2 d2( c2) b2 f'4 f4 e2 ees2 d1 ~ d2 d2 d1 ~ d1 g,2 g4 g4 g1 g2 g2 g1 g4 g4 g4 g4 g1 g4 g4 g4 g4 g1 g1
+ }
+ >>
+ }
+
diff --git a/hr/stch/fertig/xci/texte.ly b/hr/stch/fertig/xci/texte.ly
new file mode 100644
index 0000000..02ed3b0
--- /dev/null
+++ b/hr/stch/fertig/xci/texte.ly
@@ -0,0 +1,22 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen % -- _
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/stch/fertig/xci/xci.ly b/hr/stch/fertig/xci/xci.ly
new file mode 100644
index 0000000..69a0f6a
--- /dev/null
+++ b/hr/stch/fertig/xci/xci.ly
@@ -0,0 +1,76 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Denn er hat seinen Engeln befohlen über dir"
+ composer = "Felix Mendelssohn Bartholdy (1809–1847)"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 17)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "sopraneI" { \global \voiceOne \sopranIMelodie }
+ \new Voice = "sopraneII" { \global \voiceTwo \sopranIIMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "altiI" { \global \voiceOne \altIMelodie }
+ \new Voice = "altiII" { \global \voiceTwo \altIIMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoereI" { \global \voiceOne \tenorIMelodie }
+ \new Voice = "tenoereII" { \global \voiceTwo \tenorIIMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesseI" { \global \voiceOne \bassIMelodie }
+ \new Voice = "baesseII" { \global \voiceTwo \bassIIMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = sopran { \sop }
+ \new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ \new Staff = bass { \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/golle/I/komm.ly b/hr/stch/golle/I/komm.ly
new file mode 100644
index 0000000..9cbdc26
--- /dev/null
+++ b/hr/stch/golle/I/komm.ly
@@ -0,0 +1,59 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+\version "2.10.10"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "I. O komm, o komm, du Morgenstern"
+ composer = "J. Golle"
+ %opus = "<+Werk+>"
+ %tagline = ""
+ }
+
+ \paper {
+ %<+weitere Einstellungen+>
+ }
+
+ \midi {
+ %\tempo 4 = <+bpm+>
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 19)
+
+ \score {
+ <<
+ \new Staff = solo <<
+ \new Voice = "altSolistin" { \global \altSolo }
+ \lyricsto altSolistin \soloText
+ >>
+ \new ChoirStaff <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ \lyricsto soprane \sopranText
+ >>
+ \new Staff = alt <<
+ \new Voice = "alti" { \global \altGemein << \altA \\ \altB >> }
+ %\lyricsto alti \altText
+ >>
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \lyricsto tenoere \tenorText
+ >>
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\lyricsto baesse \bassText
+ >>
+ >>
+ >>
+ }
+
diff --git a/hr/stch/golle/I/komm.ps b/hr/stch/golle/I/komm.ps
new file mode 100644
index 0000000..299f4c5
--- /dev/null
+++ b/hr/stch/golle/I/komm.ps
Binary files differ
diff --git a/hr/stch/golle/I/stimmen.ly b/hr/stch/golle/I/stimmen.ly
new file mode 100644
index 0000000..2a2e8f8
--- /dev/null
+++ b/hr/stch/golle/I/stimmen.ly
@@ -0,0 +1,204 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+ global = {
+ \key c \major
+ \time 6/4
+ }
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+% articulation
+
+ soloArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+ sopranArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+ altArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+ tenorArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+ bassArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+% Die Stimmen
+
+ altSolo = \relative c' {
+ <<
+ { \meta }
+ %\soloArt
+ %the actual tune
+ {
+ r4 r4 d4 f2 c'4
+ a2 g4 f4( d4 ) a'4
+ a1.
+ r1. r1. r1.
+ r4 r4 f4 c'2 b4
+ a2 d,4 e4( f4 ) g4 a1.
+ r1. r1. r1.
+ e2 e4 f4. d8 f4
+ g2 e4 a2.
+ c4 c4 b4 a2 d4
+ c4 b2 a2. ~ a1.
+ r1. r1. r1.
+ a2 a4 b4. g8 b4
+ c2 a4 d2. ~ d1.
+ r2. d4 c4 a4
+ d2. ~ d2 d4
+ c4 b2 a2.
+ }
+ >>
+ }
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1. r1. r1.
+ r4 r4 f4 f2 e4
+ d2 g4 f4 e2
+ d1.
+ r1. r1. r1.
+ r4 r4 c'4 c2 b4
+ a2 d4 c4 b2
+ a1.
+ r1. r1. r1. r1.
+ e2 e4 f4. d8 f4
+ g2 e4 a2.
+ c4 c4 b4 a2 d4
+ c4 b2 a2. ~ a1.
+ r1.
+ f'4 f4 e4 d2 g4
+ f4 e2 d2.
+ f4 f4 e4 d2 g4
+ f4 e2 d2.
+ }
+ >>
+ }
+
+ altGemein = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1. r1. r1.
+ r4 r4 d4 d2 c4
+ b2 d4 c4 b2
+ a1.
+ r1. r1. r1.
+ r4 r4 a'4 a2 g4
+ fis2 a4 g4 fis2
+ e1.
+ r1. r1. r1. r1.
+ c2 c4 d4. d8 d4
+ }
+ >>
+ }
+
+ altA = \relative c {
+ \voiceOne
+ e'2 e4 e2.
+ e4 a4 g4 fis2 a4
+ g4 fis2 e2. ~ e1.
+ s1.
+ a4 d4 c4 b2 d4
+ c4 b2 a2.
+ a4 d4 c4 b2 d4
+ c4 b2 a2.
+ }
+
+ altB = \relative c' {
+ \voiceTwo
+ d2 d4 d2.
+ c4 e4 e4 e2 e4
+ e4 d2 cis2. ~ cis1.
+ r1.
+ f4 a4 a4 a2 a4
+ a4 g2 fis2.
+ f4 a4 a4 a2 a4
+ a4 g2 fis2.
+ }
+
+ tenorMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ r1. r1. r1.
+ r4 r4 a4 a2 d,4
+ a'2 a4 a2 g4
+ a1.
+ r1. r1. r1.
+ r4 r4 e'4 e2 a,4
+ e'2 e4 e4 d2
+ cis1.
+ r1. r1. r1. r1.
+ a2 a4 c4. c8 c4
+ b2 b4 a2.
+ a4 a4 e4 a2 a4
+ a2 g4 a2. ~ a1.
+ r1.
+ d4 d4 a4 d2 d4
+ d2 c4 d2.
+ d4 d4 a4 d2 d4
+ d2 c4 d2.
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r1. r1. r1.
+ r4 r4 d4 d4( e4 ) f4
+ g4( f4 ) e4 a2 a,4
+ d1.
+ r1. r1. r1.
+ r4 r4 a4 a4( b4 ) c4
+ d4( c4 ) b4 e2 e4
+ << e1. a,1. >>
+ r1. r1. r1. r1.
+ a2 a4 a'4. a8 a4
+ g2 g4 fis2.
+ a,4 b4 c4 d4( c4 ) b4
+ e2 e4 << { e2. ~ e1. } { a,2. ~ a1. } >>
+ r1.
+ d4 e4 f4 g4( f4 ) e4
+ a2 a4 << a2. d,2. >>
+ d4 e4 f4 g4( f4 ) e4
+ a2 a4 << a2. d,2. >>
+ }
+ >>
+ }
diff --git a/hr/stch/golle/I/texte.ly b/hr/stch/golle/I/texte.ly
new file mode 100644
index 0000000..c07ffa8
--- /dev/null
+++ b/hr/stch/golle/I/texte.ly
@@ -0,0 +1,41 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+% Abkürzungen
+
+ hale = \lyricmode {
+ Freut euch und singt Ha -- le -- lu -- ja.
+ }
+
+ freut = \lyricmode {
+ Freut euch, freut euch, der Herr ist nah.
+ \hale
+ }
+
+% Die Textaufteilungen
+
+ soloText = \lyrics {
+ O komm, o komm, du Mor -- gen -- stern,...
+ Ver -- treib das Dun -- kel uns -- rer Nacht...
+ \freut
+ \freut
+ }
+
+ sopranText = \lyrics {
+ _...laß uns dich schau -- en, un -- sern Herrn.
+ _...durch dei -- nes kla -- ren Lich -- tes Pracht.
+ \freut
+ \hale \hale
+ }
+
+ altText = \lyrics {
+ \sopranText
+ }
+
+ tenorText = \lyrics {
+ \sopranText
+ }
+
+ bassText = \lyrics {
+ \sopranText
+ }
+
diff --git a/hr/stch/golle/II/dynArt.ly b/hr/stch/golle/II/dynArt.ly
new file mode 100644
index 0000000..bd2d482
--- /dev/null
+++ b/hr/stch/golle/II/dynArt.ly
@@ -0,0 +1,36 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+% articulation
+
+ sopranArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+ altArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+ tenorArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
+ bassArt = {
+ %\repeat unfold <+number of parts+> {
+ %s4*<+number of measures within a part+>
+ %}
+ }
+
diff --git a/hr/stch/golle/II/hodie.ly b/hr/stch/golle/II/hodie.ly
new file mode 100644
index 0000000..36bfb49
--- /dev/null
+++ b/hr/stch/golle/II/hodie.ly
@@ -0,0 +1,45 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+\version "2.10.10"
+\include "parts.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Hodie Christus natus est"
+ composer = "JG"
+ %opus = "<+Werk+>"
+ %tagline = ""
+ }
+
+ \paper {
+ %<+weitere Einstellungen+>
+ }
+
+ \midi {
+ %\tempo 4 = <+bpm+>
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ %\context {
+ %\Score
+ %\remove "Timing_translator"
+ %\remove "Default_bar_line_engraver"
+ %}
+ %\context {
+ %\ChoirStaff
+ %\consists "Timing_translator"
+ %\consists "Default_bar_line_engraver"
+ %}
+ }
+
+ #(set-global-staff-size 12)
+
+ \score {
+ \wholeMusic
+ }
+
diff --git a/hr/stch/golle/II/hodie.ps b/hr/stch/golle/II/hodie.ps
new file mode 100644
index 0000000..d82c4a8
--- /dev/null
+++ b/hr/stch/golle/II/hodie.ps
Binary files differ
diff --git a/hr/stch/golle/II/parts.ly b/hr/stch/golle/II/parts.ly
new file mode 100644
index 0000000..49430b2
--- /dev/null
+++ b/hr/stch/golle/II/parts.ly
@@ -0,0 +1,86 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+\include "stimmen.ly"
+\include "texte.ly"
+
+ partA = \new ChoirStaff <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodieA }
+ %\lyricsto soprane \sopranText
+ >>
+ \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodieA }
+ %\lyricsto alti \altText
+ >>
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodieA }
+ %\lyricsto tenoere \tenorText
+ >>
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodieA }
+ %\lyricsto baesse \bassText
+ >>
+ >>
+
+ partB = \new ChoirStaff <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \sopranMelodieB }
+ %\lyricsto soprane \sopranText
+ >>
+ \new Staff = alt <<
+ \new Voice = "alti" { \altMelodieB }
+ %\lyricsto alti \altText
+ >>
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \tenorMelodieB }
+ %\lyricsto tenoere \tenorText
+ >>
+ \new Staff = bass <<
+ \new Voice = "baesse" { \bassMelodieB }
+ %\lyricsto baesse \bassText
+ >>
+ >>
+
+ partC = \new ChoirStaff <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \sopranMelodieC }
+ %\lyricsto soprane \sopranText
+ >>
+ \new Staff = alt <<
+ \new Voice = "alti" { \altMelodieC }
+ %\lyricsto alti \altText
+ >>
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \tenorMelodieC }
+ %\lyricsto tenoere \tenorText
+ >>
+ \new Staff = bass <<
+ \new Voice = "baesse" { \bassMelodieC }
+ %\lyricsto baesse \bassText
+ >>
+ >>
+
+ wholeMusic = {
+ <<
+ \new Staff = TenorSolo <<
+ \new Voice = "Tsolo" { \global \tenorSolo }
+ \lyricsto Tsolo \Tenor
+ >>
+ \partA
+ >>
+ \\
+ \break
+ \partB
+ \\
+ \break
+ <<
+ \new Staff = SopranSolo <<
+ \new Voice = "Ssolo" { \global \sopranSolo }
+ \lyricsto Ssolo \Sopran
+ >>
+ \partC
+ >>
+ }
diff --git a/hr/stch/golle/II/stimmen.ly b/hr/stch/golle/II/stimmen.ly
new file mode 100644
index 0000000..f1b2a41
--- /dev/null
+++ b/hr/stch/golle/II/stimmen.ly
@@ -0,0 +1,352 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+ \include "dynArt.ly"
+
+ global = {
+ \key c \major
+ \override Score.TimeSignature #'style = #'()
+ \time 2/2
+ }
+
+% Die Stimmen
+
+ tenorSolo = \relative c'' {
+ \repeat volta 2 {
+ d4. d8 c4 a4
+ g4 d4 a'2 ~ a1 ~ a2 r2
+ f'8. f16 e4 d4 c4
+ a4 c4 d2 ~ d1 ~ d2 r2
+ d4 d8 d8 d4 a4
+ }
+ \alternative {
+ {
+ c4 a4 a2 ~ a2 r2
+ }
+ {
+ c4 a4 a2 ~ a2
+ }
+ }
+ }
+
+ sopranSolo = \relative c'' {
+ %-------------------------------%
+ %--------- Und es sang ---------%
+ %-------------------------------%
+ r2*8
+ \time 3/2
+ r4 d2 b4 d2 ~ \time 2/2 d2 r4 d4 ~ d4 d4 d4 g4
+ f4( d4 ) d2 ~ d2 r4 a4 ~ a4 d4 c4 c4
+ a1 ~ a2 r4 d4
+ \time 3/2
+ a4 a8 a8 c4. c8 f4 f4
+ e4( a,4 ) a1
+ }
+
+ sopranMelodieA = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ \repeat volta 2 {
+ r1 r1
+ d4. c8 a4 f4
+ g4 d4 a'2
+ r1 r1
+ f'4. e8 d4 c4
+ a4 c4 d2
+ f4. e8 d4 c4
+ }
+ \alternative {
+ {
+ a4 c4 d2 ~ d2 r2
+ }
+ {
+ a4 c4 d2 ~ d2 r2
+ }
+ }
+ }
+ >>
+ }
+
+ sopranMelodieB = \relative c'' {
+ <<
+ {
+ %-------------------------------%
+ %-------- Wißt ihr noch --------%
+ %-------------------------------%
+ \repeat volta 4 {
+ \time 3/2
+ e,4. e8 f4 f4 g4 g4
+ \time 2/2
+ a2 a2
+ \time 3/2
+ a4. a8 b4 b4 c4 c4
+ d2 d1
+ d4. d8 d4 d4 f4 f4
+ \time 2/2
+ d2 d2
+ \time 3/2
+ d4. d8 f,4 f4 d4 d4
+ a'1 r2
+ d4. d8 f,4 f4 d4 d4
+ a'1 r2
+ }
+ }
+ >>
+ }
+
+ sopranMelodieC = \relative c'' {
+ <<
+ {
+ %-------------------------------%
+ %--------- Und es sang ---------%
+ %-------------------------------%
+ \repeat unfold 2 {
+ \time 3/2
+ e,4. e8 f4 f4 g4 g4
+ \time 2/2
+ a2 a2
+ \time 3/2
+ a4. a8 b4 b4 c4 c4
+ d2 d1
+ d4. d8 d4 d4 f4 f4
+ \time 2/2
+ d2 d2
+ \time 3/2
+ d4. d8 f,4 f4 d4 d4
+ a'1 r2
+ d4. d8 f,4 f4 d4 d4
+ }
+ \alternative {
+ { a'1. ~ a1. }
+ { a'1 r2 }
+ }
+ }
+ >>
+ }
+
+ altMelodieA = \relative c'' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ \repeat volta 2 {
+ r1 r1
+ a4. g8 f4 d4
+ d4 d4 c2
+ r1 r1
+ c'4. b8 a4 g4
+ f4 e4 g2
+ c4. b8 a4 g4
+ }
+ \alternative {
+ {
+ e4 g4 fis2 ~ fis2 r2
+ }
+ {
+ e4 g4 fis2 ~ fis2 r2
+ }
+ }
+ }
+ >>
+ }
+
+ altMelodieB = \relative c'' {
+ <<
+ {
+ %-------------------------------%
+ %-------- Wißt ihr noch --------%
+ %-------------------------------%
+ \repeat volta 4 {
+ e4. e8 e4 e4 d4 d4
+ e2 e2
+ e4. e8 e4 e4 g4 g4
+ fis2 fis1
+ g4. g8 g4 g4 a4 a4
+ g2 g2
+ f4. f8 d4 d4 d4 d4
+ e1 r2
+ f4. f8 d4 d4 d4 d4
+ e1 r2
+ }
+ }
+ >>
+ }
+
+ altMelodieC = \relative c'' {
+ <<
+ {
+ %-------------------------------%
+ %--------- Und es sang ---------%
+ %-------------------------------%
+ \repeat unfold 2 {
+ e,4. e8 e4 e4 d4 d4
+ e2 e2
+ e4. e8 e4 e4 g4 g4
+ fis2 fis1
+ g4. g8 g4 g4 a4 a4
+ g2 g2
+ f4. f8 d4 d4 d4 d4
+ e1 r2
+ f4. f8 d4 d4 d4 d4
+ }
+ \alternative {
+ { e1. ~ e1. }
+ { e1 r2 }
+ }
+ }
+ >>
+ }
+
+ tenorMelodieA = \relative c'' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ \repeat volta 2 {
+ r1 r1
+ a4. a8 a4 a4
+ a4 a4 e2
+ r1 r1
+ d'4. d8 d4 a4
+ c4 a4 b2
+ d4. d8 d4 a4
+ }
+ \alternative {
+ {
+ c4 a4 a2 ~ a2 r2
+ }
+ {
+ c4 a4 a2 ~ a2 r2
+ }
+ }
+ }
+ >>
+ }
+
+ tenorMelodieB = \relative c'' {
+ <<
+ {
+ %-------------------------------%
+ %-------- Wißt ihr noch --------%
+ %-------------------------------%
+ \repeat volta 4 {
+ c4. c8 c4 c4 b4 b4
+ a2 a2
+ a4. a8 a4 a4 a4 a4
+ a2 a1
+ b4. b8 b4 b4 d4 d4
+ b2 b2
+ a4. a8 a4 a4 a4 f4
+ a1 r2
+ a4. a8 a4 a4 a4 f4
+ a1 r2
+ }
+ }
+ >>
+ }
+
+ tenorMelodieC = \relative c'' {
+ <<
+ {
+ %-------------------------------%
+ %--------- Und es sang ---------%
+ %-------------------------------%
+ \repeat unfold 2 {
+ c4. c8 c4 c4 b4 b4
+ a2 a2
+ a4. a8 a4 a4 a4 a4
+ a2 a1
+ b4. b8 b4 b4 d4 d4
+ b2 b2
+ a4. a8 a4 a4 a4 f4
+ a1 r2
+ a4. a8 a4 a4 a4 f4
+ }
+ \alternative {
+ { a1. ~ a1. }
+ { a1 r2 }
+ }
+ }
+ >>
+ }
+
+ bassMelodieA = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ \repeat volta 2 {
+ r1 r1
+ f4. e8 d4 c4
+ b4 b4 a2
+ r1 r1
+ a'4. g8 f4 e4
+ d4 a'4 g2
+ a4. g8 f4 e4
+ }
+ \alternative {
+ {
+ g8 f8 e4 d2 ~ d2 r2
+ }
+ {
+ g8 f8 e4 d2 ~ d2 r2
+ }
+ }
+ }
+ >>
+ }
+
+ bassMelodieB = \relative c {
+ <<
+ {
+ %-------------------------------%
+ %-------- Wißt ihr noch --------%
+ %-------------------------------%
+ \clef bass
+ \repeat volta 4 {
+ a'4. a8 a4 a4 e4 e4
+ a,2 a2
+ g'4. g8 f4 f4 e4 e4
+ d2 d1
+ g4. g8 g4 g4 d4 d4
+ g2 g2
+ d4. d8 c4 c4 bes4 bes4
+ a1 r2
+ d4. d8 c4 c4 bes4 bes4
+ a1 r2
+ }
+ }
+ >>
+ }
+
+ bassMelodieC = \relative c {
+ <<
+ {
+ %-------------------------------%
+ %--------- Und es sang ---------%
+ %-------------------------------%
+ \clef bass
+ \repeat unfold 2 {
+ a'4. a8 a4 a4 e4 e4
+ a,2 a2
+ g'4. g8 f4 f4 e4 e4
+ d2 d1
+ g4. g8 g4 g4 d4 d4
+ g2 g2
+ d4. d8 c4 c4 bes4 bes4
+ a1 r2
+ d4. d8 c4 c4 bes4 bes4
+ }
+ \alternative {
+ { a1. ~ a1. }
+ { a1 r2 }
+ }
+ }
+ >>
+ }
diff --git a/hr/stch/golle/II/texte.ly b/hr/stch/golle/II/texte.ly
new file mode 100644
index 0000000..df53289
--- /dev/null
+++ b/hr/stch/golle/II/texte.ly
@@ -0,0 +1,46 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+% Abkürzungen
+
+ hodie = \lyricmode {
+ Ho -- die Chri -- stus na -- tus est!
+ }
+
+% Die Textaufteilungen
+
+ Tenor = \lyrics {
+ \hodie _ \hodie _ \hodie
+ bo -- ren ist!
+ }
+
+ Sopran = \lyrics {
+ Glo -- ri -- a in ex -- cel -- sis De -- o
+ et in ter -- ra pax hu -- mi -- ni -- bus
+ bo -- nae vo -- lun -- ta -- tis.
+ }
+
+ sopranText = \lyrics {
+ \hodie \hodie \hodie
+ bo -- ren ist!
+ Wißt ihr noch, wie es ge -- sche -- hen?
+ Im -- mer wer -- den wir's er -- zäh -- len:
+ wie wir einst den Stern ge -- se -- hen
+ mit -- ten in der dun -- klen Nacht,
+ mit -- ten in der dun -- klen Nacht.
+ Und es sang aus Him -- mels -- hal -- len:
+ Ehr sei Gott! Auf Er -- den Frie -- den!
+ Al -- len Men -- schen Wohl -- ge -- fal -- len,
+ Got -- tes Gna -- de al -- lem Volk,
+ Got -- tes Gna -- de al -- lem Volk!
+ Im -- mer wer -- den wir's er -- zäh -- len,
+ wie das Wun -- der einst ge -- sche -- hen
+ und wie wir den Stern ge -- se -- hen
+ mit -- ten in der dun -- klen Nacht,
+ mit -- ten in der dun -- klen Nacht.
+ }
+
+ tenorText = \lyrics {
+ \hodie \hodie \hodie
+ bo -- ren ist!
+ }
+
diff --git a/hr/stch/lux/dynArt.ly b/hr/stch/lux/dynArt.ly
new file mode 100644
index 0000000..30423d4
--- /dev/null
+++ b/hr/stch/lux/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/lux/lux.ly b/hr/stch/lux/lux.ly
new file mode 100644
index 0000000..384a598
--- /dev/null
+++ b/hr/stch/lux/lux.ly
@@ -0,0 +1,69 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Lux Aurumque"
+ composer = "Eric Whitacre"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ sop = \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with {} <<
+ %\sop
+ %\alt
+ %\ten
+ \bas
+ \new Lyrics \bassText
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/lux/midi.lua b/hr/stch/lux/midi.lua
new file mode 100644
index 0000000..58e69da
--- /dev/null
+++ b/hr/stch/lux/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/lux/stimmen.ly b/hr/stch/lux/stimmen.ly
new file mode 100644
index 0000000..516385f
--- /dev/null
+++ b/hr/stch/lux/stimmen.ly
@@ -0,0 +1,143 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key e \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1*23
+ r2 r4
+ <<
+ {
+ a4 b4 a2
+ }
+ {
+ e4 fis4 e2
+ }
+ >>
+ }
+ >>
+ } \addQuote keks \altMelodie
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r1
+ }
+ >>
+ }
+
+ bassA = \relative c' {
+ <<
+ %the actual tune
+ \clef bass
+ {
+ cis1 ~ cis2. r4
+ cis1 ~ cis2. r4
+ cis1 ~ cis2. r4
+ cis1 ~ cis2. r4
+ r2 cis4 cis4 b2. r4
+ r2 a4 a4 b2. r4
+ r4 e,4 e2 dis2. dis4( cis4) cis4 cis2
+ a2 b2 cis2. r4
+ r2 a'2 a1
+ r2 r4 a4 a1
+ cis,2 dis2 e2 fis2 r1
+ r2 r4 a4 b4[( fis4 a4 cis,4 dis4 b4] cis2)
+ cis2 dis2 a1
+ \bar "||"
+ cis1 cis2. r4
+ cis1 cis2. r4
+ cis1 cis2. r4
+ cis4 r4 cis4 r4 cis4 r4 r2
+ \key fis \major
+ cis1 ais2 r2
+ cis1 ais2 r2
+ cis1 ais2 r2
+ ais4 r4 ais4 r4 r1
+ gis1 gis1 ~ gis1
+ \bar "|."
+ }
+ >>
+ }
+ bassB = \relative c' {
+ <<
+ %the actual tune
+ \clef bass
+ {
+ s1*23
+ s2 s4
+ \cueDuring keks #UP { s4 s2. }
+ }
+ {
+ cis1( gis2.) r4
+ cis1( gis2.) r4
+ cis1( gis2.) r4
+ cis1( gis2.) r4
+ r2 a4 a4 fis2. r4
+ r2 e4 e4 fis2. r4
+ r4 cis4 b2 bes2. bes4( gis4) gis4 gis2
+ a2 b2 fis2. r4
+ r2 a'2 fis1
+ r2 r4 a4 fis1
+ fis,2 gis2 a2 b2 r1
+ %r2 r4 a4 b4( fis4 a4 cis,4 dis4 b4 cis2)
+ r2 r4 a'4 b4( fis4 a4 cis,4 dis4 b4 cis4 fis,4)
+ a2 b2 fis1
+ %
+ cis'1 gis2. r4
+ cis1 gis2. r4
+ cis1 gis2. r4
+ gis4 r4 gis4 r4 gis4 r4 r2
+ %
+ gis1 dis2 r2
+ gis1 dis2 r2
+ gis1 dis2 r2
+ dis4 r4 dis4 r4 r1
+ cis1 cis1 ~ cis1
+ }
+ >>
+ }
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ \override NoteColumn #'ignore-collision = ##t
+ \set Staff.aDueText = #""
+ \partcombine
+ \bassA
+ %\\
+ \bassB
+ >>
+ }
+
diff --git a/hr/stch/lux/stimmen_.ly b/hr/stch/lux/stimmen_.ly
new file mode 100644
index 0000000..f267f85
--- /dev/null
+++ b/hr/stch/lux/stimmen_.ly
@@ -0,0 +1,192 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key e \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1*23
+ r2 r4
+ <<
+ {
+ a4 b4 a2
+ }
+ {
+ e4 fis4 e2
+ }
+ >>
+ }
+ >>
+ } \addQuote keks \altMelodie
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r1
+ }
+ >>
+ }
+
+ bassAa = \relative c' {
+ cis1 ~ cis2. r4
+ cis1 ~ cis2. r4
+ cis1 ~ cis2. r4
+ cis1 ~ cis2. r4
+ }
+ bassAb = \relative c' {
+ r2 cis4 cis4 b2. r4
+ r2 a4 a4 b2. r4
+ r4 e,4 e2 dis2. dis4( cis4) cis4 cis2
+ }
+ bassAbc = \relative c {
+ r2 a'2 a1
+ r2 r4 a4 a1
+ cis,2 dis2 e2 fis2 r1
+ }
+ bassAc = \relative c' {
+ r2 r4 a4 b4[( fis4 a4 cis,4 dis4 b4] cis2)
+ }
+ bassAd = \relative c {
+ cis2 dis2 a1
+ \bar "||"
+ }
+ bassAe = \relative c {
+ cis1 cis2. r4
+ cis1 cis2. r4
+ cis1 cis2. r4
+ cis4 r4 cis4 r4 cis4 r4 r2
+ }
+ bassAf = \relative c {
+ \key fis \major
+ cis1 ais2 r2
+ cis1 ais2 r2
+ cis1 ais2 r2
+ ais4 r4 ais4 r4 r1
+ gis1 gis1 ~ gis1
+ \bar "|."
+ }
+ bassA = \relative c' {
+ <<
+ %the actual tune
+ \clef bass
+ {
+ \bassAa
+ \bassAb
+ \bassAc
+ \bassAd
+ \bassAe
+ \bassAf
+ }
+ >>
+ }
+ bassBa = \relative c' {
+ cis1( gis2.) r4
+ cis1( gis2.) r4
+ cis1( gis2.) r4
+ cis1( gis2.) r4
+ }
+ bassBb = \relative c' {
+ r2 a4 a4 fis2. r4
+ r2 e4 e4 fis2. r4
+ r4 cis4 b2 bes2. bes4( gis4) gis4 gis2
+ }
+ bassBbc = \relative c {
+ r2 a'2 fis1
+ r2 r4 a4 fis1
+ fis,2 gis2 a2 b2 r1
+ }
+ bassBc = \relative c' {
+ %r2 r4 a4 b4( fis4 a4 cis,4 dis4 b4 cis2)
+ r2 r4 a4 b4( fis4 a4 cis,4 dis4 b4 cis4 fis,4)
+ }
+ bassBd = \relative c {
+ a2 b2 fis1
+ %
+ }
+ bassBe = \relative c {
+ cis1 gis2. r4
+ cis1 gis2. r4
+ cis1 gis2. r4
+ gis4 r4 gis4 r4 gis4 r4 r2
+ %
+ }
+ bassBf = \relative c {
+ gis1 dis2 r2
+ gis1 dis2 r2
+ gis1 dis2 r2
+ dis4 r4 dis4 r4 r1
+ cis1 cis1 ~ cis1
+ }
+ bassB = \relative c' {
+ <<
+ %the actual tune
+ \clef bass
+ {
+ \bassBa
+ \bassBb
+ \bassBc
+ \bassBd
+ \bassBe
+ \bassBf
+ }
+ >>
+ }
+ bassMelodie = \relative c {
+ \clef bass
+ \override NoteColumn #'ignore-collision = ##t
+ \set Staff.aDueText = #""
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ {
+ s1*23
+ s2 s4
+ \cueDuring keks #UP { s4 s2. }
+ }
+ %\partcombine
+ {
+ << \bassAa \\ \bassBa>>
+ << \bassAb \bassBb>>
+ \oneVoice a2 b2
+ << { cis2. r4 } { fis,2. r4 } >>
+ << \bassAbc \\ \bassBbc>>
+ << \bassAc \bassBc>>
+ << \bassAd \bassBd>>
+ << \bassAe \bassBe>>
+ << \bassAf \bassBf>>
+ }
+ %\new Voice = "h" \bassA
+ %\\
+ %\new Voice = "t" \bassB
+ >>
+ }
+
diff --git a/hr/stch/lux/texte.ly b/hr/stch/lux/texte.ly
new file mode 100644
index 0000000..37afcac
--- /dev/null
+++ b/hr/stch/lux/texte.ly
@@ -0,0 +1,35 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ Lux,1*2 Lux,1*2 Lux,1*2 Lux,1*2
+ \skip2 ca4 -- li4 -- da,2. \skip4
+ \skip2 ca4 -- li4 -- da2. \skip4
+ \skip4 gra4 -- vis2 -- que,2.
+ gra2 -- vis4 -- que,2
+ gra2 -- vis2 -- que,2. \skip4
+ \skip2 pu2 -- ra,1 \skip2. pu4 -- ra1 ve2 -- lut2 au2 -- rum,2
+ \skip1 \skip2.
+ et4 ca1. nunt2
+ an2 -- ge2 -- li,1
+ ca1 -- nunt,1 ca1 -- nunt,1 ca1 -- nunt1 mol2 -- li2 -- ter2 \skip2
+ na1 -- tum,1 na1 -- tum,1 na1 -- tum,1
+ mo2 -- do2 \skip1 na1 -- tum.1*2
+ }
+
diff --git a/hr/stch/nun/nun.ly b/hr/stch/nun/nun.ly
new file mode 100644
index 0000000..dbffb6b
--- /dev/null
+++ b/hr/stch/nun/nun.ly
@@ -0,0 +1,55 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+\version "2.10.10"
+\include "stimmen.ly"
+%\include "texte.ly"
+
+ \header {
+ title = "Nun fanget an"
+ composer = "Hans Leo Haßler, 1564–1612"
+ opus = "aus \"Neue teutsche Gesang\", 1596"
+ %tagline = ""
+ }
+
+ \paper {
+ %<+weitere Einstellungen+>
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ \score {
+ \new ChoirStaff <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\lyricsto soprane \sopranText
+ >>
+ \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\lyricsto alti \altText
+ >>
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ %\lyricsto tenoere \tenorText
+ >>
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\lyricsto baesse \bassText
+ >>
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-mment 72 4)
+ %}
+ %}
+ }
+
diff --git a/hr/stch/nun/nun.ps b/hr/stch/nun/nun.ps
new file mode 100644
index 0000000..049b5f1
--- /dev/null
+++ b/hr/stch/nun/nun.ps
Binary files differ
diff --git a/hr/stch/nun/stimmen.ly b/hr/stch/nun/stimmen.ly
new file mode 100644
index 0000000..82f7dca
--- /dev/null
+++ b/hr/stch/nun/stimmen.ly
@@ -0,0 +1,99 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+ %\include "dynArt.ly"
+
+ global = {
+ \key f \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 2/2
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ % { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ \once \set Score.voltaSpannerDuration = #(ly:make-moment 2 2)
+ \repeat volta 2 {
+ g2 g4 a4
+ bes4 c4 d2.
+ c4 c4 bes4
+ a4( g4( a2 ) )
+ g4 d'4 d4. d8
+ c4. c8 bes4. bes8
+ a4 g4 a2
+ a1 r1 r1 r1
+ r4 d4 c4. d8
+ b4. c8 a4. bes8
+ g4 g4 fis2
+ }
+ \alternative {
+ { g1 }
+ {
+ g2 d'2
+ }
+ }
+ {
+ ees2 d2
+ c4 bes4 c2
+ d2 r4 d4
+ c2 d2
+ bes4 g4 c2
+ d2 r2
+ r4 g,4 c4. bes8
+ %\revert Score.voltaSpannerDuration
+ \repeat volta 2 {
+ a4 a4 d4. c8
+ b2 r4 c4
+ a4 a4 d8( c8( bes8( a8( g4 ) ) ) )
+ g4 c8( bes8( a8( g8( fis4( g2( fis4 ) ) ) ) ) )
+ }
+ \alternative {
+ {
+ g1
+ r4 g4 c4. bes8
+ }
+ { g1 }
+ }
+ }
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ % { \meta }
+ %\altArt
+ %the actual tune
+ {
+ %r1 <++>
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ % { \meta }
+ %\tenorArt
+ %the actual tune
+ {
+ %r1 <++>
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ % { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ %r1 <++>
+ }
+ >>
+ }
+
diff --git a/hr/stch/nun/texte.ly b/hr/stch/nun/texte.ly
new file mode 100644
index 0000000..e69de29
--- /dev/null
+++ b/hr/stch/nun/texte.ly
diff --git a/hr/stch/pines/dynArt.ly b/hr/stch/pines/dynArt.ly
new file mode 100644
index 0000000..30423d4
--- /dev/null
+++ b/hr/stch/pines/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/pines/midi.lua b/hr/stch/pines/midi.lua
new file mode 100644
index 0000000..58e69da
--- /dev/null
+++ b/hr/stch/pines/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/pines/pines.ly b/hr/stch/pines/pines.ly
new file mode 100644
index 0000000..f557554
--- /dev/null
+++ b/hr/stch/pines/pines.ly
@@ -0,0 +1,60 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "<+Titel+>"
+ composer = "<+Komponist+>"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+ \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+ \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/pines/stimmen.ly b/hr/stch/pines/stimmen.ly
new file mode 100644
index 0000000..f31a511
--- /dev/null
+++ b/hr/stch/pines/stimmen.ly
@@ -0,0 +1,61 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key g \minor
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ d4 g2 g8 g8 d'2 d8 d8 c2 c8 a8
+ g2 bes8 bes8
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r1
+ }
+ >>
+ }
+
diff --git a/hr/stch/pines/texte.ly b/hr/stch/pines/texte.ly
new file mode 100644
index 0000000..3653454
--- /dev/null
+++ b/hr/stch/pines/texte.ly
@@ -0,0 +1,22 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/stch/praise/dynArt.ly b/hr/stch/praise/dynArt.ly
new file mode 100644
index 0000000..3f9af98
--- /dev/null
+++ b/hr/stch/praise/dynArt.ly
@@ -0,0 +1,57 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ \tempo 4=100
+ s8\ff s8
+ s2*3
+ s4 \breathe s4
+ s2*3
+ s4 \breathe s4
+ \break
+ %
+ s2*6
+ s2\<
+ s4\! s4
+ % } bla = {
+ s2\<
+ s4\ff s4
+ s2*3
+ \break
+ %
+ s2*13
+ s4\< s4
+ s4 \breathe s4\!
+ s2\fermata
+ %
+ s4 s8\ff s8
+ s2*7
+ s4 \breathe s4
+ s2*5
+ %
+ s2
+ s2\<
+ s4\! s4
+ s2\<
+ s4\! s4\ff
+ s2*5
+ s4-> s4
+ s2->\fermata
+ \bar "|."
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/praise/midi.lua b/hr/stch/praise/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/stch/praise/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/praise/praise.ly b/hr/stch/praise/praise.ly
new file mode 100644
index 0000000..f5aaa1a
--- /dev/null
+++ b/hr/stch/praise/praise.ly
@@ -0,0 +1,75 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "I will praise thee, o Lord"
+ subtitle = "(No. 3 of Three Motets)"
+ composer = "Knut Nystedt"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 17)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ %\new Staff = sopran { \sop }
+ %\new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ \new Staff = bass { \bas }
+ >>
+ %{
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/praise/praise.midi b/hr/stch/praise/praise.midi
new file mode 100644
index 0000000..3a16fb4
--- /dev/null
+++ b/hr/stch/praise/praise.midi
Binary files differ
diff --git a/hr/stch/praise/stimmen.ly b/hr/stch/praise/stimmen.ly
new file mode 100644
index 0000000..adfd7be
--- /dev/null
+++ b/hr/stch/praise/stimmen.ly
@@ -0,0 +1,198 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key c \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 2/4
+ %\autoBeamOff
+ \partial 4
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ mnf = \markup{ \italic "meno" \dynamic "f" }
+ %meta = { s4\ff }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ b8 b8
+ d4 \times 2/3 {d4 d8}
+ d4 ~ \times 2/3 {d8 d8 d8}
+ e2\espressivo(
+ d4) b8 b8
+ e4 \times 2/3 {e4 e8}
+ e4 e8 e8
+ e2\espressivo(
+ dis4) r4
+ %
+ r4 b8^\mnf b8
+ c8( b8) a8( fis8)
+ g4 a4
+ b4. b8
+ c2
+ r4 a4
+ d2
+ r4 b4
+ e2
+ d4 d4
+ e2
+ dis8( e8 fis4)
+ dis2
+ %
+ r8 b,8\f b8 b8
+ fis'4 g8 fis8
+ b4 ais4
+ d2 ~
+ d4 r4
+ cis4 cis8 cis8
+ b4 \breathe r4
+ r8 b8 b8 b8
+ cis4 d8 cis8
+ e4 ees4
+ fis4. r8
+ g,8( a8) a8 b8
+ b8( c8) c8 d8
+ e4( d4
+ c4) c4
+ a2
+ %
+ r4 b8 b8
+ d2
+ d4 ~ \times 2/3 {d8 d8 d8}
+ e2(
+ d4) b8 b8
+ e2
+ e4 e8 e8
+ e2(
+ dis4) r4
+ r4 b8^\mnf b8
+ c8( b8) a8( fis8)
+ g4( a4)
+ b2
+ c2
+ %
+ r4 a4
+ d2
+ r4 b4
+ e2
+ r4 d4
+ e2
+ r4 d4
+ e2( ~
+ e4 c4
+ <b e>4) r4
+ <g e'>4 r4
+ <b d>2
+ }
+ >>
+ }
+
+ %meta = { s4\p }
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ b'8 b8
+ g4 \times 2/3 {g4 g8}
+ b4 ~ \times 2/3 {b8 b8 b8}
+ e,2(
+ b'4) b8 b8
+ c4 \times 2/3 {b4 b8}
+ a4 g8 g8
+ e4( g4
+ b4) r4
+ r4 b8^\mnf b8
+ c8( b8) a8( fis8)
+ d4 c4
+ d4. d8
+ g2
+ r4 a4
+ b2
+ r4 b4
+ c2
+ d4 d4
+ d4( c4)
+ b4( a4)
+ b2
+ %
+ r8 b,8\f b8 b8
+ fis'4 g8 fis8
+ b4 ais4
+ d4( cis4
+ b4) r4
+ g4 g8 g8
+ fis4( e4) \breathe
+ d8( e8) e8 fis8
+ fis8( g8) g8 a8
+ b4( c4
+ a4.) \breathe a8
+ g8( a8 fis8 g8
+ e4) d4
+ c2(
+ a4) a4
+ d2
+ %
+ r4 b'8 b8
+ g2
+ b4 ~ \times 2/3 {b8 b8 b8}
+ e,2(
+ b'4) b8 b8
+ c4( b4)
+ a4 g8 g8
+ e4( g4
+ b4) r4
+ r4 b8^\mnf b8
+ c8( b8) a8( fis8)
+ d4( c4)
+ d2
+ g2
+ %
+ r4 a4
+ b2
+ r4 b4
+ c2
+ r4 d4
+ d2
+ r4 d4
+ d4( c4
+ b4 a4
+ e4) r4
+ c4 r4
+ g'2
+ }
+ >>
+ }
+
diff --git a/hr/stch/praise/texte.ly b/hr/stch/praise/texte.ly
new file mode 100644
index 0000000..b476059
--- /dev/null
+++ b/hr/stch/praise/texte.ly
@@ -0,0 +1,36 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ I will praise thee, O Lord, with my heart,
+ I will praise thee, O Lord, with my heart;
+ I will show forth all thy mar -- v’lous works,
+ show forth, show forth all thy mar -- v’lous works.
+ I will be glad and re -- joice in thee,
+ glad and re -- joice,
+ I will be glad and re -- joice in thee,
+ I will be glad and re -- joice in thee:
+ I will sing praise to thy name,
+ I will sing praise to thy name,
+ I will sing praise to thy name,
+ O thou most High,
+ O thou most High,
+ High, High!
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/stch/t14/queen1/dynArt.ly b/hr/stch/t14/queen1/dynArt.ly
new file mode 100644
index 0000000..4c0ba3c
--- /dev/null
+++ b/hr/stch/t14/queen1/dynArt.ly
@@ -0,0 +1,22 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ \set Score.skipBars = ##t
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/t14/queen1/midi.lua b/hr/stch/t14/queen1/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/stch/t14/queen1/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/t14/queen1/queen1.ly b/hr/stch/t14/queen1/queen1.ly
new file mode 100644
index 0000000..b0822c3
--- /dev/null
+++ b/hr/stch/t14/queen1/queen1.ly
@@ -0,0 +1,72 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Movement 1"
+ composer = "Tolga Kashif"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ %\new Staff = sopran { \sop }
+ %\new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ %\new Staff = bass { \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/t14/queen1/stimmen.ly b/hr/stch/t14/queen1/stimmen.ly
new file mode 100644
index 0000000..995e65b
--- /dev/null
+++ b/hr/stch/t14/queen1/stimmen.ly
@@ -0,0 +1,161 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key f \minor
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r1\fermata
+ R1*19
+ R1*12
+ R1*4
+ R1*4
+ R1*41
+ R1*4
+ aes2( bes2)
+ c1
+ des1
+ f2 f2
+ des1(
+ c1)
+ f,1 ~ f4 r4 aes2
+ \time 6/4
+ c1 des4 des4
+ \time 4/4
+ c2 c2
+ aes2 g2 ~
+ g2 ges4 ges4
+ g1(
+ ees'2) d2 ~
+ d2. r4
+ % 101
+ aes2. bes4
+ c2 d2
+ ees1
+ aes1
+ g1
+ ees2 des2 ~
+ des1
+ r1
+ r1
+ R1*14
+ R1*4
+ R1*4
+ aes2( bes2)
+ c2 c2
+ des2 des2
+ f2 f2
+ r2 des2(
+ c1)
+ des1 ~
+ des2 c2
+ f,1 ~
+ f4 r4 r2
+ R1*10
+ % 152
+ r8 f'4( e8) r8 f4( g8)
+ r8 f4( e8) r4 d4 ~
+ d2 d2
+ f2 a,4( f4)
+ r8 f'4( e8) r8 f4( g8)
+ r8 f4( e8) r4 c4( ~
+ c4 ees4) d4( bes4)
+ c4 ees4 d4 c4
+ ees2 d4 ees4
+ c2 c4 c4
+ ees2 d4 ees4
+ c2 c4 c4
+ ees2 c4 c4
+ ees2 c4 c4
+ ees1
+ bes1
+ \time 2/2
+ R1*4
+ R1*16
+ R1*16
+ R1*2
+ R1*7
+ R1*29
+ R1*3
+ \time 4/4
+ R1
+ % 246
+ bes2( c2)
+ bes2 c2
+ ees2 ees2
+ bes2 ees2
+ c1
+ f1
+ ees2 des4 c4
+ ees2 des4 c4
+ g'1 ~
+ g1 ~
+ g1
+ bes,1(
+ f1)
+ f'1(
+ ees1)
+ f1(
+ c1)
+ bes1(
+ des1) ~
+ des4 ees2. ~
+ ees4. ~ ees8 ~ ees2 ~
+ ees1 ~
+ ees1 ~
+ ees4 f2. ~
+ f1 ~
+ f8 r8 r4 r2
+ \bar "|."
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r1
+ }
+ >>
+ }
+
diff --git a/hr/stch/t14/queen1/texte.ly b/hr/stch/t14/queen1/texte.ly
new file mode 100644
index 0000000..3653454
--- /dev/null
+++ b/hr/stch/t14/queen1/texte.ly
@@ -0,0 +1,22 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/stch/t14/queen5/dynArt.ly b/hr/stch/t14/queen5/dynArt.ly
new file mode 100644
index 0000000..4c0ba3c
--- /dev/null
+++ b/hr/stch/t14/queen5/dynArt.ly
@@ -0,0 +1,22 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ \set Score.skipBars = ##t
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/t14/queen5/midi.lua b/hr/stch/t14/queen5/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/stch/t14/queen5/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/t14/queen5/queen5.ly b/hr/stch/t14/queen5/queen5.ly
new file mode 100644
index 0000000..dac7117
--- /dev/null
+++ b/hr/stch/t14/queen5/queen5.ly
@@ -0,0 +1,72 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Movement 5"
+ composer = "Tolga Kashif"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ %\new Staff = sopran { \sop }
+ %\new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ %\new Staff = bass { \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/t14/queen5/stimmen.ly b/hr/stch/t14/queen5/stimmen.ly
new file mode 100644
index 0000000..1da3bf6
--- /dev/null
+++ b/hr/stch/t14/queen5/stimmen.ly
@@ -0,0 +1,230 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key f \minor
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r1
+ c1
+ c1
+ c1
+ c1 ~
+ c2 c2
+ c2 c2 ~
+ c1 ~
+ \time 2/4
+ c2
+ \time 4/4
+ c1 ~
+ c2 ees2
+ des1 ~
+ des2 bes2
+ des1
+ des2 des2(
+ c1) ~
+ c1
+ \bar "||"
+ \key bes \major
+ d1 ~
+ d2. r4
+ R1*6
+ R1*8
+ R1*8
+ \time 6/4
+ R1*3/2
+ \time 4/4
+ R1*16
+ \key a \major
+ \time 2/2
+ R1*4
+ R1*9
+ \time 3/2
+ R1*3/2
+ \key ees \major
+ \time 2/2
+ R1*8
+ \time 3/2
+ R1*3
+ \time 2/2
+ R1*16
+ \time 3/2
+ R1*3/2
+ \key a \minor
+ \time 2/2
+ R1*12
+ R1*8
+ \repeat unfold 4 {
+ d2( cis2
+ b2 ais2)
+ b4 r4 r2
+ r1
+ }
+ \repeat unfold 2 {
+ f'2( f2
+ e2 dis2)
+ e4 e2. ~
+ e2 r2
+ }
+ % 144
+ f1(
+ e2 dis2
+ e2 e2 ~
+ e2) r2
+ f1 ~
+ f1
+ e4 r4 r2
+ r2 f2
+ \key aes \major
+ aes1 ~
+ aes2 aes2
+ aes1 ~
+ aes2 aes2
+ aes1 ~
+ aes2 aes2
+ aes1 ~
+ aes1 ~
+ aes1
+ r1
+ \key c \major
+ \time 4/4
+ aes8 aes4. ~ aes2 ~
+ aes2. r4
+ f8 f4. ~ f2 ~
+ f2 ~ f4. r8
+ r4 ees4 aes2 ~
+ aes2 aes2
+ bes,2. bes4
+ bes1
+ ees8 ees4. ~ ees2
+ r4 bes4 c4 bes4
+ ces1
+ g2 g2
+ a1
+ a2 e'2
+ e2( fis2)
+ d2 d2
+ bes2 bes2
+ d2 d2
+ e2. e4
+ f2 f2
+ r2 g2
+ g2 g2
+ a1
+ a2 a2
+ a1 ~
+ a2 a2
+ \key d \major
+ d,1 ~
+ d1 ~
+ d1 ~
+ d1
+ \key d \minor
+ R1*12
+ d2 ~ d8 r8 r4
+ d1 ~
+ d1(
+ c1)
+ bes1 ~
+ bes1
+ d,1
+ r1
+ \times 2/3 { g4( f4 d4 } g2)
+ bes1 ~
+ bes1 ~
+ bes2 bes2 ~
+ bes1 ~
+ bes2( a2)
+ % 218
+ bes2.( c4
+ d1)
+ ees1 ~
+ ees4 r4 ees2(
+ c2 d2 ~
+ d1
+ ees1)
+ g,1(
+ bes1
+ c1)
+ \key f \major
+ R1*18
+ R1*6
+ % 252
+ bes1
+ \key ees \major
+ ees1(
+ d1) ~
+ d2( c2 ~
+ c2 d2)
+ ees1(
+ d2 bes2
+ d2 c2)
+ des2( c2)
+ c4.( bes8 ~ bes4 c4
+ d1)
+ ees1(
+ d1)
+ g1(
+ ees1)
+ des1(
+ ees1) ~
+ ees2 ~ \times 2/3 { ees4 des4 bes4 }
+ ees1(
+ f2 des2)
+ ces1 ~
+ ces1
+ ees1 ~
+ ees1
+ \bar "|."
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r1
+ }
+ >>
+ }
+
diff --git a/hr/stch/t14/queen5/texte.ly b/hr/stch/t14/queen5/texte.ly
new file mode 100644
index 0000000..3653454
--- /dev/null
+++ b/hr/stch/t14/queen5/texte.ly
@@ -0,0 +1,22 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/stch/t14/queen6/dynArt.ly b/hr/stch/t14/queen6/dynArt.ly
new file mode 100644
index 0000000..4c0ba3c
--- /dev/null
+++ b/hr/stch/t14/queen6/dynArt.ly
@@ -0,0 +1,22 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ \set Score.skipBars = ##t
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/t14/queen6/midi.lua b/hr/stch/t14/queen6/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/stch/t14/queen6/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/t14/queen6/queen6.ly b/hr/stch/t14/queen6/queen6.ly
new file mode 100644
index 0000000..a89e9da
--- /dev/null
+++ b/hr/stch/t14/queen6/queen6.ly
@@ -0,0 +1,72 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Movement 6"
+ composer = "Tolga Kashif"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ %\new Staff = sopran { \sop }
+ %\new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ %\new Staff = bass { \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/t14/queen6/stimmen.ly b/hr/stch/t14/queen6/stimmen.ly
new file mode 100644
index 0000000..8d72d55
--- /dev/null
+++ b/hr/stch/t14/queen6/stimmen.ly
@@ -0,0 +1,142 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key d \minor
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ R1*6
+ R1*7
+ R1*6
+ R1*5
+ \key c \major
+ R1*12
+ R1*2
+ R1*3
+ R1*5
+ R1*6
+ R1
+ R1*8
+ c8 c4. ~ c4 c4 ~
+ c4 a8 b8 c4 d8( e8)
+ a,2. d4
+ f2 d2
+ c2 b2
+ a4 b8( c8) d4 e4
+ f2 f2
+ b,8( d8 c8 b8 c8 d8) c8( b8)
+ a4 a4 b4.( c8)
+ c2 d2
+ d2 d4 d4
+ d4 c4 ees4 d4
+ f4 g2 c,4
+ ees2 d4. r8
+ g1
+ g1
+ g1(
+ e2) c2 ~
+ c1 ~
+ c1
+ r1
+ r2 r4 a4
+ a4. b8 b4. b8
+ b4 c2. ~
+ c2 b4. b8
+ c2 c2
+ c2.( d4)
+ e2( f4.) r8
+ c4. c8 g4. g8
+ g2( f4 e4)
+ c'4. r8 b4. c8
+ b4 a2.
+ c4. d8 ~ d4 d4
+ a2 a2 ~
+ a1
+ b1
+ g'1
+ g1
+ d2 c4( b4)
+ a4 g4 ~ g4. r8
+ g'2 fis4.( g8)
+ fis4 e2.
+ g2 fis4( g4)
+ g2. r4
+ c,8 c4. c2
+ c2 c2
+ d2 a2 ~
+ a2 d2 ~
+ d2 cis2 ~
+ cis2 fis4 eis4
+ dis2( cis2
+ b2 ais2)
+ c2 c2 ~
+ c2 c2
+ c1 ~
+ c2 c2
+ c2 c2
+ % 393
+ \key e \major
+ gis1
+ gis1
+ gis1
+ gis2. r4
+ r1
+ r1
+ gis1
+ gis1
+ gis1
+ r1
+ r1\fermata
+ \bar "|."
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r1
+ }
+ >>
+ }
+
diff --git a/hr/stch/t14/queen6/texte.ly b/hr/stch/t14/queen6/texte.ly
new file mode 100644
index 0000000..3653454
--- /dev/null
+++ b/hr/stch/t14/queen6/texte.ly
@@ -0,0 +1,22 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/stch/tenor/caritas/caritas.ly b/hr/stch/tenor/caritas/caritas.ly
new file mode 100644
index 0000000..d41e864
--- /dev/null
+++ b/hr/stch/tenor/caritas/caritas.ly
@@ -0,0 +1,72 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "<+Titel+>"
+ composer = "<+Komponist+>"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ %\new Staff = sopran { \sop }
+ %\new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ %\new Staff = bass { \bas }
+ >>
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 66 4)
+ }
+ }
+ %\layout {
+ %}
+ }
+
diff --git a/hr/stch/tenor/caritas/caritas.midi b/hr/stch/tenor/caritas/caritas.midi
new file mode 100644
index 0000000..32d44b2
--- /dev/null
+++ b/hr/stch/tenor/caritas/caritas.midi
Binary files differ
diff --git a/hr/stch/tenor/caritas/dynArt.ly b/hr/stch/tenor/caritas/dynArt.ly
new file mode 100644
index 0000000..30423d4
--- /dev/null
+++ b/hr/stch/tenor/caritas/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/tenor/caritas/midi.lua b/hr/stch/tenor/caritas/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/stch/tenor/caritas/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/tenor/caritas/stimmen.ly b/hr/stch/tenor/caritas/stimmen.ly
new file mode 100644
index 0000000..11e7c3e
--- /dev/null
+++ b/hr/stch/tenor/caritas/stimmen.ly
@@ -0,0 +1,127 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key ees \major
+ %\override Staff.TimeSignature #'style = #'()
+ %\time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ \time 2/4
+ bes4 bes4
+ \time 3/4
+ bes8 bes8 bes8 bes8 bes4
+ \time 4/4
+ bes4( c4) bes8 bes8 bes8 bes8
+ \time 1/4
+ bes4
+ \time 2/4
+ bes4 bes4
+ \time 3/4
+ bes8 bes8 bes8 bes8 bes4
+ \time 4/4
+ bes4( c4) bes8 bes8 bes8 bes8
+ \time 2/4
+ bes4 bes8 bes8
+ c4 bes4
+ \time 3/4
+ aes8 aes8 bes8 bes8 g8 g8
+ a4 bes4 bes8 bes8
+ \time 2/4
+ c4 bes4
+ \time 3/4
+ aes8 aes8 bes8 bes8 g8 ees8
+ \time 2/4
+ aes4 g4
+ bes4 bes4
+ \time 3/4
+ bes8 bes8 f'8 g8 f8( ees8)
+ \time 4/4
+ ees2 d8 d8 bes4
+ \time 2/4
+ g4 c8 c8
+ d4 c4
+ \time 3/4
+ bes8 bes8 c8 c8 a8 a8
+ b4 c4 c8 c8
+ \time 2/4
+ d8 d8 c8 c8
+ \time 3/4
+ bes8 bes8 c4 a8( f8)
+ bes4 a4 f8 f8
+ \time 2/4
+ g8 g8 f8 f8
+ \time 3/4
+ ees8 ees8 f4 d4
+ ees4 d4 ees4
+ \time 2/4
+ ees4 ees4
+ bes'4 bes4
+ \time 3/4
+ bes8 bes8 bes8 bes8 bes4
+ \time 4/4
+ bes4( c4) bes8 bes8 bes8 bes8
+ \time 1/4
+ bes4
+ \time 5/8
+ bes4.( ~ bes4 ~
+ \time 2/4
+ bes2
+ aes2
+ \time 6/8
+ ees4. f4.) ~
+ \time 2/8
+ f4
+ \time 3/4
+ g4( ees4 aes4)
+ g2.
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r1
+ }
+ >>
+ }
+
diff --git a/hr/stch/tenor/caritas/texte.ly b/hr/stch/tenor/caritas/texte.ly
new file mode 100644
index 0000000..3653454
--- /dev/null
+++ b/hr/stch/tenor/caritas/texte.ly
@@ -0,0 +1,22 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/stch/tenor/flora/dynArt.ly b/hr/stch/tenor/flora/dynArt.ly
new file mode 100644
index 0000000..30423d4
--- /dev/null
+++ b/hr/stch/tenor/flora/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/tenor/flora/flora.ly b/hr/stch/tenor/flora/flora.ly
new file mode 100644
index 0000000..3aa2ee2
--- /dev/null
+++ b/hr/stch/tenor/flora/flora.ly
@@ -0,0 +1,75 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Les fleurs et les arbres"
+ composer = "Camille Saint-Saëns"
+ opus = "68 No. 2"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ system-count = 9
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 17)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ %\new Staff = sopran { \sop }
+ %\new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ %\new Staff = bass { \bas }
+ >>
+ \midi %{
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 60 2)
+ }
+ %}
+ {
+ }
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/tenor/flora/flora.midi b/hr/stch/tenor/flora/flora.midi
new file mode 100644
index 0000000..febf434
--- /dev/null
+++ b/hr/stch/tenor/flora/flora.midi
Binary files differ
diff --git a/hr/stch/tenor/flora/midi.lua b/hr/stch/tenor/flora/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/stch/tenor/flora/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/tenor/flora/stimmen.ly b/hr/stch/tenor/flora/stimmen.ly
new file mode 100644
index 0000000..27bf3b2
--- /dev/null
+++ b/hr/stch/tenor/flora/stimmen.ly
@@ -0,0 +1,220 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key e \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 2/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r2
+ r2
+ r4 r8 a8 a4 gis8 fis8 a4 gis8 b8 cis4 b8 a8 cis4 b8 b8 dis4 b8 cis8 b4
+ r8 b8 cis4 cis8 cis8 cis4 b8 b8 b4 b8 b8 b4 a8 a8
+ gis4( gis'4 ~ gis4 fis8 e8 dis8 cis8 b8) b8 b4 b8 b8 b4 r4
+ r2
+ r4 r8 dis8 dis4 cis8 b8 b4 ais8 r8
+ r2
+ r4 r8 dis8 dis4 dis8 dis8 dis4 dis8 bis8 cis4 bis8 fis'8 fis4 e4
+ r2
+ r2
+ r2
+ r4 r8 cis8 b4 b8 b8 b2 ~ b8 r8 r4
+ r2
+ r4 r8 cis8 cis4 cis8 cis8 cis4 b8 d8 d4 d8 d8 d4 c8 c8 c4 c8 c8 c2 ~ c8 r8
+ r8 cis8 cis4 dis8 eis8 eis4.( dis8) cis8 r8
+ r8 cis8 cis4 dis8 e8 e4.( dis8) cis8 r8
+ r8 cis8 d2 d4 d4 d2 ~ d8 r8
+ r8 d8 cis4 cis8 e8 e4 cis8 b8 a4 b8 cis8 cis4 a8 gis8 fis4 gis8 fis8 cis'4 r4
+ r4 cis4 b2 gis'2 ~ gis2 fis4 e4 dis4( cis4) b4 b4 b2 b4 b4 b4 r4
+ r2
+ gis2( a2) a4( gis4) b2 ~ b2 c2 e2
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r2
+ r2
+ r4 r8 e8 fis4 e8 dis8 fis4 e8 gis8 fis4 gis8 fis8 fis4 gis8 e8 dis4 dis8 e8 dis4
+ r8 fis8 gis4 a8 gis8 fis4 fis8 fis8 fis4 gis8 fis8 e4 e8 e8 gis2 ~ gis2 gis4
+ r8 e8 fis4 cis8 dis8 e4
+ r8 gis8 gis4 fis8 e8 e4 dis8 b'8 b4 ais8 gis8 gis4 dis8 r8
+ r2
+ r4 r8 gis8 fisis4 gis8 ais8 ais4 gis8 gis8 gis4 gis8 gis8 gis4 gis4
+ r4 e4 e4( cis'4 ~ cis4 b8 a8 gis8 fis8) e8 e8 e4 fis8 dis8 e2 ~ e8 r8
+ r8 e8 e4 fis8 e8 e4 e8 a8 a4 a8 a8 a4 a8 a8 a4 b8 b8 b4 a8 a8 b4 a8 a8 gis2 ~ gis8 r8
+ r8 eis8 eis4 fis8 gis8 gis4.( fis8) eis8 r8
+ r8 e8 e4 fis8 gis8 gis4.( fis8) e8 r8
+ r8 e8 f2 f4 f4 f2( e8) r8
+ r8 e8 e4 e8 e8 e4 e8 eis8 fis4 fis8 fis8 fis4 fis8 e8 e4 e8 e8 e4 r4
+ fis4( fisis4) gis2 ~ gis2 ~ gis4. gis8
+ r2
+ r2
+ r4 e8 e8 fis4 e8 fis8 dis4 cis8 dis8 e4
+ r8 e8 e4 fis8 e8 d4 e8 d8 c4 d8 c8 b4 r4
+ gis'2 ~ gis2 fis2 gis2
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ %r4\ff b4
+ r4 b4
+ b2 ~
+ b2 ~
+ b4 b8 b8
+ b4 b8 b8
+ a4 b8 cis8
+ a4 b8 b8
+ b4 b8 ais8
+ b4 r8 dis8
+ e4 fis8 e8
+ dis4 dis8 dis8
+ dis4 e8 dis8
+ cis4 cis8 cis8
+ e2 ~
+ e2
+ e4 r8 gis,8
+ a4 e8 fis8
+ gis4 r8 e'8
+ e4 dis8 cis8
+ cis4 gis8 r8
+ R2*3
+ r4 r8 bis8
+ ais4 bis8 cis8
+ cis4 bis8 dis8
+ e4 dis8 dis8
+ dis4 e4
+ \break
+ R2*3
+ r4 r8 gis,8
+ gis4 a8 fis8
+ gis2 ~
+ gis8 r8 r4
+ R2
+ r4 r8 e'8
+ \break
+ e4 fis8 e8
+ d4 d8 fis8
+ fis4 gis8 fis8
+ e4 e8 e8
+ eis4 fis8 fis8
+ eis2 ~
+ eis8 r8 r8 gis,8
+ \break
+ gis4 gis8 cis8
+ bis2
+ cis8 r8 r8 gis8
+ gis4 gis8 cis8
+ bis2
+ cis8 r8 r8 gis8
+ a2
+ a4 a4
+ a2(
+ gis8) r8 r8 gis8
+ \break
+ a4 a8 cis8
+ cis4 a8 gis8
+ fis4 gis8 a8
+ a4 cis8 cis8
+ cis4 cis8 cis8
+ cis4 r4
+ \break
+ r4 e4
+ e2 ~
+ e2 ~
+ e4. e8
+ R2*2
+ r4 gis,8 gis8
+ a4 gis8 a8
+ fis4 e8 fis8
+ gis4 r4
+ \break
+ R2
+ e'2(
+ fis2)
+ fis4( e4)
+ e2 ~
+ e2
+ c2
+ b2
+ \bar "|."
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r2
+ r2
+ r4 r8 e8
+ e4 e8 e8 e4 e8 e8 e4 e8 e8 e4 e8 gis8 fis4 gis8 fis8 b4
+ r8 b8 a4 a8 a8 a4 a8 a8 gis4 gis8 gis8 a4
+ <<
+ {
+ a8 a8 b4( bis4 cis4 ais4)
+ b4
+ }
+ \\
+ {
+ a,8 a8 b4( bis4 cis4 ais4)
+ b4
+ }
+ >>
+ r8 b8 b4 b8 b8 e4 r4
+ r2
+ r2
+ r2
+ r4 r8 dis8 gis4 fis8 e8 dis2 ~ dis2
+ r4 r8 gis8 gis4 gis8 bis8 bis4 cis4
+ r2
+ r2
+ r2
+ r4 r8 ais,8 b4 b8 b8 e2 ~ e8 r8 r4
+ r2
+ r4 r8 a8 a4 a8 a8 a4 a8 a8 a4 a8 a8 a4 a8 a8 gis4 fis8 fis8 cis'2 ~ cis8 r8
+ r8 cis,8 cis4 cis8 cis8 <gis' gis,>2 cis,8 r8
+ r8 cis8 cis4 cis8 cis8 <gis' gis,>2 cis,8 r8
+ r8 cis8 b2 b4 b4 b2 ~ b8 r8
+ r8 b8 a4 a8 a8 a4 a8 a8 a4 a8 a8 a4 a'8 a8 a4 a8 a8 ais4 r4
+ r4 ais4 b2 ~ b2 ~ b4. b8
+ r2
+ r2
+ r4 b,8 b8 b4 b8 b8 b4 b8 b8 e4 r4
+ r2
+ r2
+ r2
+ r2
+ b'2 ~ b2 a2 e2
+ }
+ >>
+ }
+
diff --git a/hr/stch/tenor/flora/texte.ly b/hr/stch/tenor/flora/texte.ly
new file mode 100644
index 0000000..2e0d8df
--- /dev/null
+++ b/hr/stch/tenor/flora/texte.ly
@@ -0,0 +1,45 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ Les fleurs et les ar -- bres,
+ Les bron -- zes, les mar -- bres,
+ Les ors, les é -- maux,
+ La mer, les fon -- tai -- nes,
+ Les monts et les plai -- nes
+ Con -- so -- lent,
+ con -- so -- lent nos maux.
+ Les fleurs et les ar -- bres,
+ La mer, les fon -- tai -- nes,
+ Les monts et les plai -- nes
+ con -- so -- lent nos maux.
+ Na -- ture é -- ter -- nel -- le,
+ Tu sem -- bles plus bel -- le
+ Au sein des dou -- leurs!
+ Na -- ture é -- ter -- nel -- le,
+ Tu sem -- bles plus bel -- le
+ Au sein des dou -- leurs!
+ Et l’art nous do -- mi -- ne,
+ Sa flamme il -- lu -- mi -- ne
+ Le rire et les pleurs,
+ sa flam -- me il -- lu -- mi -- ne
+ Le rire, et les pleurs,
+ le rire et les pleurs.
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/stch/tenor/jungfrun/dynArt.ly b/hr/stch/tenor/jungfrun/dynArt.ly
new file mode 100644
index 0000000..30423d4
--- /dev/null
+++ b/hr/stch/tenor/jungfrun/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/tenor/jungfrun/jungfrun.ly b/hr/stch/tenor/jungfrun/jungfrun.ly
new file mode 100644
index 0000000..bd6638c
--- /dev/null
+++ b/hr/stch/tenor/jungfrun/jungfrun.ly
@@ -0,0 +1,73 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Zum Tanze da geht ein Mädel"
+ arranger = "Hugo Alfvén"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ %\new Staff = sopran { \sop }
+ %\new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ %\new Staff = bass { \bas }
+ >>
+ \midi %{
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 120 4)
+ }
+ %}
+ {}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/tenor/jungfrun/jungfrun.midi b/hr/stch/tenor/jungfrun/jungfrun.midi
new file mode 100644
index 0000000..e7b8bec
--- /dev/null
+++ b/hr/stch/tenor/jungfrun/jungfrun.midi
Binary files differ
diff --git a/hr/stch/tenor/jungfrun/jungfrun_.midi b/hr/stch/tenor/jungfrun/jungfrun_.midi
new file mode 100644
index 0000000..4a84662
--- /dev/null
+++ b/hr/stch/tenor/jungfrun/jungfrun_.midi
Binary files differ
diff --git a/hr/stch/tenor/jungfrun/midi.lua b/hr/stch/tenor/jungfrun/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/stch/tenor/jungfrun/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/tenor/jungfrun/stimmen.ly b/hr/stch/tenor/jungfrun/stimmen.ly
new file mode 100644
index 0000000..e278f30
--- /dev/null
+++ b/hr/stch/tenor/jungfrun/stimmen.ly
@@ -0,0 +1,142 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key c \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 3/4
+ \partial 4
+ \autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ % {
+ c4
+ c4 c8 c8 c8 c8
+ c4 c4 c4
+ c4 c8 c8 c8 c8
+ c4 c4 c4
+ c4 c8 c8 c8 c8
+ c4 c4 c4
+ d4 d4 d4
+ c2 c4
+ c4 c8 c8 c8 c8
+ c4 c4 c4
+ d4 d4 d4
+ c2 cis4
+ d4 c4 b4
+ c2 e4
+ d4 d4 b4
+ c2 cis4
+ d4 c4 b4
+ b2 c4
+ c4 b4 d4
+ c4 r4 r4
+ R2.*3
+ r4 r4 g4
+ c4 e8 d8 c8 b8
+ a4 b4 c4
+ g4 a4 b4
+ c2 g4
+ c4 e8 d8 c8 b8
+ a4 b4 c4
+ g4 a4 b4
+ c2 e4
+ f2 d4
+ %e2( c4)
+ %d4( b4) d4
+ e2 c4
+ d4 b4 d4
+ g2 e4
+ f2 d4
+ %}
+ %e2( c4)
+ %d4( g4) b,4
+ e2 c4
+ d4 g4 b,4
+ c4 r4 c4
+ \key f \major
+ a4 c8 bes8 a8 g8
+ f4 bes8[ c8] d4
+ e4 g,4 bes4
+ a4 f8 g8 a4
+ a4 c8 bes8 a8 g8
+ f4 bes8[ c8] d4
+ e4 g,4 c8[ bes8]
+ a2 c4
+ c4 c8[ b8] c8[ d8]
+ c4 c4 c4
+ bes4 c8[ b8] d8[ c8]
+ f,2 c'4
+ bes4 c4 c4
+ e4 f4 e4
+ d8[ e8] d8[ c8] bes4
+ a4 r4 r4
+ % {
+ r4 c8 r8 r4
+ r4 c8 r8 c8 r8
+ r4 c8 r8 c8 r8
+ r4 f8 r8 r4
+ r4 c8 r8 r4
+ r4 c8 r8 d8 r8
+ e8 r8 f8 r8 g8 r8
+ r4 f8 r8 e4
+ \key c \major
+ f4 f4 d4
+ e4 e4 c4
+ d4 b4 d4
+ g2 e4
+ f4 f4 d4
+ e4 e4 c4
+ d4 g4 b,4
+ c2
+ \bar "|."
+ %}
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r1
+ }
+ >>
+ }
+
diff --git a/hr/stch/tenor/jungfrun/texte.ly b/hr/stch/tenor/jungfrun/texte.ly
new file mode 100644
index 0000000..80a9aa8
--- /dev/null
+++ b/hr/stch/tenor/jungfrun/texte.ly
@@ -0,0 +1,52 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ Zum Tan -- ze da geht ein Mä -- del,
+ zum Tan -- ze da geht ein Mä -- del,
+ zum Tan -- ze da geht ein Mä -- del
+ mit gül -- de -- nem Band,
+ zum Tan -- ze da geht ein Mä -- del
+ mit gül -- de -- nem Band,
+ das schlingt sie dem Bur -- schen fest um die Hand,
+ das schlingt sie dem Bur -- schen fest um die Hand.
+ %
+ mein herz -- al -- ler -- lieb -- stes Mä -- del,
+ so laß mich doch los,
+ mein herz -- al -- ler -- lieb -- stes Mä -- del,
+ so laß mich doch los,
+ ich lau -- fe dir auch so nicht da -- von,
+ ich lau -- fe dir auch so nicht da -- von.
+ %
+ Da lö -- set die schö -- ne Jung -- fer das
+ gül -- de -- ne, gül -- de -- ne Band,
+ lö -- set die schö -- ne Jung -- fer das
+ gül -- de -- ne Band.
+ %
+ Da war in den Wald schon der Bur -- sche ge -- rannt,
+ da war in den Wald schon der Bur -- sche ge -- rannt.
+ Päng!
+ Päng, päng!
+ Päng, päng, päng!
+ Päng!
+ Päng, päng, päng, päng, päng, päng!
+ Ach, willst du mich ha -- ben, dann komm zu mir her,
+ ach, willst du mich ha -- ben, dann komm zu mir her.
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/stch/tenor/motett/dynArt.ly b/hr/stch/tenor/motett/dynArt.ly
new file mode 100644
index 0000000..30423d4
--- /dev/null
+++ b/hr/stch/tenor/motett/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/tenor/motett/midi.lua b/hr/stch/tenor/motett/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/stch/tenor/motett/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/tenor/motett/motett.ly b/hr/stch/tenor/motett/motett.ly
new file mode 100644
index 0000000..26ac8af
--- /dev/null
+++ b/hr/stch/tenor/motett/motett.ly
@@ -0,0 +1,72 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "<+Titel+>"
+ composer = "<+Komponist+>"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ %\new Staff = sopran { \sop }
+ %\new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ %\new Staff = bass { \bas }
+ >>
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 80 2)
+ }
+ }
+ %\layout {
+ %}
+ }
+
diff --git a/hr/stch/tenor/motett/motett.midi b/hr/stch/tenor/motett/motett.midi
new file mode 100644
index 0000000..3154aec
--- /dev/null
+++ b/hr/stch/tenor/motett/motett.midi
Binary files differ
diff --git a/hr/stch/tenor/motett/stimmen.ly b/hr/stch/tenor/motett/stimmen.ly
new file mode 100644
index 0000000..7ee393f
--- /dev/null
+++ b/hr/stch/tenor/motett/stimmen.ly
@@ -0,0 +1,130 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key ees \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/2
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ bes2. bes4 g2 c2
+ bes1 ees2 r2
+ bes2. bes4 bes2 ees2
+ ees1 f2 r2
+ d2. g,4 b2 c2
+ ees2 ees,2 bes'2 c2
+ ees1( d2) bes2
+ aes2 g2 aes2 bes2
+ c1. c2
+ bes1 bes2 r2
+ R1*2
+ r2 r2 des2. ces4
+ bes2. bes4 ces2 des2
+ bes2.( ces4) ces2 r2
+ R1*2*5
+ ees,1. g2
+ aes1 r1
+ aes1. aes2
+ aes2 g2 g2. r4
+ r2 r2 c2. r4
+ ees1. ees,2
+ bes'1 bes2 r2
+ bes1( c2) f2
+ d2.( ees4) g,2 r2
+ c1. c2
+ f,1 bes2 r2
+ r2 r2 bes2. c4
+ d2 r2 ees2. ees4
+ g,1( d'2) d2
+ d1 g,2 bes2
+ ees2( e2 f2) r2
+ R1*2
+ % p7 %
+ g,1 ~ g4 r4 r2
+ aes1 ~ aes4 r4 r2
+ aes1. aes2
+ f1 f1
+ aes1. f'2
+ c1( d1)
+ f1 r2 r2
+ % p8 %
+ R1*2
+ bes,2. bes4 des2 ces2
+ bes1 bes2 r2
+ ees2. ees4 d2 c2
+ d1 b2 r2
+ ees,2. ees4 ees'2 ees2
+ bes\breve(
+ aes2) g2 g2 aes2
+ bes1. aes2
+ aes1 g2 r2
+ c2. a4 b2. r4
+ R1*2*2
+ ees1( bes2) aes2
+ aes1 g2 r2
+ R1*2*2
+ r2 r2 ees'1(
+ des1) c1
+ des2 c2 bes2 aes2
+ bes2 bes2 r2 r2
+ R1*2
+ r2 r2 ees1 ~
+ ees2. bes4 bes2 bes2
+ bes2 bes2 ees1(
+ des1) ces1
+ bes1( aes1)
+ g1 f1
+ bes\breve ~
+ bes\breve(
+ aes\breve)
+ g\breve
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r1
+ }
+ >>
+ }
+
diff --git a/hr/stch/tenor/motett/texte.ly b/hr/stch/tenor/motett/texte.ly
new file mode 100644
index 0000000..3653454
--- /dev/null
+++ b/hr/stch/tenor/motett/texte.ly
@@ -0,0 +1,22 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/stch/tenor/nox/dynArt.ly b/hr/stch/tenor/nox/dynArt.ly
new file mode 100644
index 0000000..30423d4
--- /dev/null
+++ b/hr/stch/tenor/nox/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/tenor/nox/midi.lua b/hr/stch/tenor/nox/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/stch/tenor/nox/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/tenor/nox/nox.ly b/hr/stch/tenor/nox/nox.ly
new file mode 100644
index 0000000..27c7f2e
--- /dev/null
+++ b/hr/stch/tenor/nox/nox.ly
@@ -0,0 +1,74 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "Nox Aurumque"
+ composer = "Eric Whitacre"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ %\new Staff = sopran { \sop }
+ %\new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ %\new Staff = bass { \bas }
+ >>
+ \midi %{
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ %}
+ {
+ }
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/tenor/nox/nox.midi b/hr/stch/tenor/nox/nox.midi
new file mode 100644
index 0000000..8243869
--- /dev/null
+++ b/hr/stch/tenor/nox/nox.midi
Binary files differ
diff --git a/hr/stch/tenor/nox/stimmen.ly b/hr/stch/tenor/nox/stimmen.ly
new file mode 100644
index 0000000..80c95e1
--- /dev/null
+++ b/hr/stch/tenor/nox/stimmen.ly
@@ -0,0 +1,332 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key f \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ \autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranSplitAa = \relative c' {
+ { % 1
+ f1
+ e2. r4
+ f1
+ e2. r4
+ c'4 c2.
+ aes4 aes2 bes4
+ f2. f4
+ e2. r4
+ c'8( bes8 ~ bes2) c4
+ d4 d2 r4
+ f2. f4
+ f4 f4
+ }
+ }
+
+ sopranSplitBa = \relative c' {
+ { % 1
+ f8( e8 ~ e2.)
+ c2. r4
+ f8( e8 ~ e2.)
+ c2. r4
+ c'8( aes8) <aes g>2.
+ g4 g2 aes4
+ f8( e8 ~ e2) e4
+ c2. r4
+ bes'8( a8 ~ a2) c4
+ c4 c2 r4
+ f8( e8 ~ e2) f4
+ e4 e4
+ }
+ }
+
+ sopranSplitAb = \relative c' {
+ { % 14.2
+ \times 2/3 { r4 a'4( bes4 }
+ c2.) f,4
+ g2
+ }
+ }
+
+ sopranSplitBb = \relative c' {
+ { % 14.2
+ \times 2/3 { r4 a'4( bes4 ~ }
+ bes2.) f4
+ f2
+ }
+ }
+
+ sopranSplitAc = \relative c' {
+ { % 37
+ f'1
+ e1
+ r2 r4 f,4(
+ ees'2) des2
+ c1 ~
+ c1
+ \bar "||"
+ }
+ }
+
+ sopranSplitBc = \relative c' {
+ { % 37
+ c'2( e2)
+ c1
+ r2 r4 f,4 ~
+ f2( g4) ees4
+ f1 ~
+ f1
+ %
+ }
+ }
+
+ sopranSplitAd = \relative c' {
+ { % 49
+ r1
+ }
+ }
+
+ sopranSplitBd = \relative c' {
+ { % 49
+ r1
+ }
+ }
+
+ sopranSplitAe = \relative c' {
+ { % 54
+ r1
+ }
+ }
+
+ sopranSplitBe = \relative c' {
+ { % 54
+ r1
+ }
+ }
+
+ sopranSplitAf = \relative c' {
+ { % 73
+ r1
+ }
+ }
+
+ sopranSplitBf = \relative c' {
+ { % 73
+ r1
+ }
+ }
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ <<
+ { \voiceOne \sopranSplitAa }
+ \\
+ { \voiceTwo \sopranSplitBa }
+ >>
+ \oneVoice
+ {
+ \times 2/3 { r4 g''4 a4 }
+ bes,4 d4 \times 2/3 { r4 g4 a4 }
+ bes,4 <c f>4
+ }
+ <<
+ { \voiceOne \sopranSplitAb }
+ \\
+ { \voiceTwo \sopranSplitBb }
+ >>
+ \oneVoice
+ {
+ r4 d,4
+ <ees f>2. bes4
+ a4( c4) r4 d4(
+ <ees f>2 bes'4) bes,4
+ c4 r4 r4 d4\glissando
+ <ees f>2. bes4
+ c4 c4 f2
+ <d f>2. q4
+ q1
+ \bar "||"
+ r4 <d' bes>2.
+ <a ges>1
+ r4 <d bes>2 <a ges>4
+ <d bes>4 <bes g>2.(
+ <a ges>1)
+ r4 <ees' d>2 <d c>4
+ <c bes>2 <bes a>2
+ <a fis>2 <bes g>2
+ <a ges>1
+ r4 <f' e>2.
+ <e c>1
+ r4 <f e>2( <e c>4)
+ }
+ <<
+ { \voiceOne \sopranSplitAc }
+ \\
+ { \voiceTwo \sopranSplitBc }
+ >>
+ %\oneVoice
+ %{
+ %}
+ %<<
+ % { \voiceOne \sopranSplitAc }
+ % { \voiceTwo \sopranSplitBc }
+ %>>
+ %\oneVoice
+ %{
+ %}
+ %<<
+ % { \voiceOne \sopranSplitAd }
+ % { \voiceTwo \sopranSplitBd }
+ %>>
+ %\oneVoice
+ %{
+ %}
+ %<<
+ % { \voiceOne \sopranSplitAe }
+ % { \voiceTwo \sopranSplitBe }
+ %>>
+ %\oneVoice
+ %{
+ %}
+ %<<
+ % { \voiceOne \sopranSplitAf }
+ % { \voiceTwo \sopranSplitBf }
+ %>>
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r2 c4( f4)
+ aes2. r4
+ r2 c,4( g'4)
+ aes2. r4
+ r4 r8 f8( d'4) e4
+ f4 f2 e4
+ r2 c,4 f4
+ aes2. r4
+ r4 r8 a8( bes4) f'4
+ d4 e2.
+ r4 r8 g8( e4) f4
+ c4 c4 r4 e4(
+ d4.) g,8 d'2
+ bes4 bes8[( c8] d2
+ a2) a2
+ g2 r2
+ g2 g2
+ bes2 r2
+ g2 g2
+ bes4 r4 r2
+ g2 g2
+ a4 a2 r4
+ r2 fis4 fis4
+ fis1
+ \bar "||"
+ r4 fis'2.
+ d1
+ r4 fis2 d4
+ g4 d2. ~
+ d1
+ r4 g2 ees4
+ ees2 d2
+ d1 ~
+ d2 g,4( g'4)
+ aes2. g4 ~
+ g2 g,4( g'4)
+ aes2. g4
+ f2 g4 f4
+ aes1
+ R1*2
+ r2 a,2
+ a4 a2.
+ \bar "||"
+ \break
+ r2 f4( bes4)
+ des2. r4
+ r2 f,4( c'4)
+ des2. r4
+ r4 r8 f,8( ges'4) f4
+ c2 des4 bes4
+ r2 f4( bes4)
+ des2. r4
+ \bar "||"
+ r4 r8 e8( cis4) d4
+ e2( fis2)
+ r4 r8 e8( cis4) g'4
+ g2( fis2)
+ R1
+ g4 e4 d4 a4
+ d4 f4 f4 e4
+ d2 g,4( g'4)
+ \bar "||"
+ e4 e8([ d8)] c8([ d8)] e4
+ e4 e8([ d8)] c8([ d8)] e4
+ r4 b4( g'4) fis4
+ d2 d8[ d8 fis8 g8]
+ r4 c,4 e4( g4)
+ r4 c,4( g'4) e4
+ b2 d4 d4
+ d1
+ \bar "||"
+ a2 c2
+ b4 b4 r2
+ a4( c2) c4
+ d4 r4 r2
+ g,2 g2
+ b2. r4
+ \bar "||"
+ r2 c,4( f4)
+ e2. r4
+ r2 c4( g'4)
+ e2. r4
+ r2 c4 c'4
+ des8([ c8)] c8([ bes8)] bes8([ a8)] a8([ g8)]
+ g8([ ges8)] ges8([ fes8)] fes8([ ees8)] des8([ c8)]
+ r2 fis2 ~
+ fis2 fis2 ~
+ fis2 fis2 ~
+ fis1
+ \bar "|."
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r1
+ }
+ >>
+ }
+
diff --git a/hr/stch/tenor/nox/texte.ly b/hr/stch/tenor/nox/texte.ly
new file mode 100644
index 0000000..6ed853c
--- /dev/null
+++ b/hr/stch/tenor/nox/texte.ly
@@ -0,0 +1,57 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyricmode {
+ %<+hier den Text für den Tenor eintragen+>
+ Au -- rum, au -- rum,
+ in -- fu -- sca -- tum et
+ ob -- scu -- rum,
+ ca -- nens noc -- tis,
+ ca -- nens mor -- tis
+ ac -- qui -- es -- cens ca -- nen -- do,
+ an -- ge -- lum,
+ som -- ni -- it,
+ au -- ro -- ra -- rum,
+ bel -- lo -- rum.
+ Bel -- lum!
+ Bel -- lum, bel -- lum!__
+ La -- cri -- mas re -- rum.__
+ O__ ar -- ma!__
+ O__ la -- mi -- na au -- ra -- ta!
+ Vo -- la -- tu.
+ Au -- rum, au -- rum,
+ in -- fu -- sca -- tum et
+ au -- rum,
+ su -- sci -- ta!__ Su -- sci -- ta!__
+ Al -- te su -- pra mu -- rum an -- ge li,
+ ad ex -- ul -- tan -- tes, ex -- ul -- tan -- tes
+ %ad__ a -- las, ex -- ul -- tan -- te,
+ ad__ a --
+ \set ignoreMelismata = ##t
+ las, ex -- ul -- tan -- te,
+ \unset ignoreMelismata
+ %ad__ a -- las, ex_ul_tan_te,
+ a -- las,__ ad__ a -- las, ad a -- las,
+ au -- ro -- ra -- rum,
+ au -- ro -- rum
+ som -- no -- rum.
+ Au -- rum, au -- rum,
+ ca -- nens a -- la -- rum__ ca -- nens um -- bra -- rum,__
+ um -- bra -- rum.__
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/stch/tenor/wetter/I/I.ly b/hr/stch/tenor/wetter/I/I.ly
new file mode 100644
index 0000000..7778b0e
--- /dev/null
+++ b/hr/stch/tenor/wetter/I/I.ly
@@ -0,0 +1,72 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "<+Titel+>"
+ composer = "<+Komponist+>"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ %\new Staff = sopran { \sop }
+ %\new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ %\new Staff = bass { \bas }
+ >>
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ %\layout {
+ %}
+ }
+
diff --git a/hr/stch/tenor/wetter/I/I.midi b/hr/stch/tenor/wetter/I/I.midi
new file mode 100644
index 0000000..277c095
--- /dev/null
+++ b/hr/stch/tenor/wetter/I/I.midi
Binary files differ
diff --git a/hr/stch/tenor/wetter/I/dynArt.ly b/hr/stch/tenor/wetter/I/dynArt.ly
new file mode 100644
index 0000000..30423d4
--- /dev/null
+++ b/hr/stch/tenor/wetter/I/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/tenor/wetter/I/midi.lua b/hr/stch/tenor/wetter/I/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/stch/tenor/wetter/I/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/tenor/wetter/I/stimmen.ly b/hr/stch/tenor/wetter/I/stimmen.ly
new file mode 100644
index 0000000..c2c158d
--- /dev/null
+++ b/hr/stch/tenor/wetter/I/stimmen.ly
@@ -0,0 +1,102 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key c \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 2/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ between = \relative c' {
+ a8( g8) a4
+ a8( g8) a4
+ b8( a8) b4
+ g8( fis8) g4
+ a8( g8) a4
+ a8( g8) a4
+ b8( a8) b4
+ b8( a8) b4
+ \time 7/8
+ a2 ~ a4. ~
+ a2 ~ a4. ~
+ a2 ~ a4. ~
+ }
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ \repeat unfold 5 {
+ R2*4
+ }
+ %\repeat percent 4 {
+ \repeat unfold 4 {
+ a8( g8) a4
+ a8( g8) a4
+ b8( a8) b4
+ g8( d8) g4
+ }
+ \between
+ \time 2/4
+ a2 ~
+ a8( g8) a4
+ a8( g8) a4
+ b8( a8) b4
+ g8( d8) g4
+ %\repeat percent 5 {
+ \repeat unfold 5 {
+ a8( g8) a4
+ a8( g8) a4
+ b8( a8) b4
+ g8( d8) g4
+ }
+ \between
+ \time 2/4
+ a2 ~
+ a2 ~
+ a2
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r1
+ }
+ >>
+ }
+
diff --git a/hr/stch/tenor/wetter/I/texte.ly b/hr/stch/tenor/wetter/I/texte.ly
new file mode 100644
index 0000000..3653454
--- /dev/null
+++ b/hr/stch/tenor/wetter/I/texte.ly
@@ -0,0 +1,22 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/stch/tenor/wetter/II/II.ly b/hr/stch/tenor/wetter/II/II.ly
new file mode 100644
index 0000000..7778b0e
--- /dev/null
+++ b/hr/stch/tenor/wetter/II/II.ly
@@ -0,0 +1,72 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "<+Titel+>"
+ composer = "<+Komponist+>"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ %\new Staff = sopran { \sop }
+ %\new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ %\new Staff = bass { \bas }
+ >>
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ %\layout {
+ %}
+ }
+
diff --git a/hr/stch/tenor/wetter/II/II.midi b/hr/stch/tenor/wetter/II/II.midi
new file mode 100644
index 0000000..1f562a8
--- /dev/null
+++ b/hr/stch/tenor/wetter/II/II.midi
Binary files differ
diff --git a/hr/stch/tenor/wetter/II/dynArt.ly b/hr/stch/tenor/wetter/II/dynArt.ly
new file mode 100644
index 0000000..30423d4
--- /dev/null
+++ b/hr/stch/tenor/wetter/II/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/tenor/wetter/II/midi.lua b/hr/stch/tenor/wetter/II/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/stch/tenor/wetter/II/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/tenor/wetter/II/stimmen.ly b/hr/stch/tenor/wetter/II/stimmen.ly
new file mode 100644
index 0000000..4d6bfbe
--- /dev/null
+++ b/hr/stch/tenor/wetter/II/stimmen.ly
@@ -0,0 +1,92 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key f \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 3/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ f2( e4
+ d2) r4
+ c2 r8 c8
+ c2 r4
+ d2 r4
+ \repeat unfold 2 {
+ f2( e4
+ d2) r4
+ c2( r8 c8
+ c2 r4
+ d2 r4
+ }
+ cis2. ~
+ cis2 r4
+ \key bes \major
+ e4.( c4.
+ bes2) r4
+ bes4\( a4 g4
+ a4. g4. ~
+ g4. f4. ~
+ f4. g4. ~
+ g4. a4.
+ b4 b4\) r4
+ R2.
+ \key f \major
+ d2( d4
+ d4 e4. c8
+ a4 bes2)
+ R2.*2
+ a2 r4
+ bes2 r4
+ a2. ~
+ a2.
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r1
+ }
+ >>
+ }
+
diff --git a/hr/stch/tenor/wetter/II/texte.ly b/hr/stch/tenor/wetter/II/texte.ly
new file mode 100644
index 0000000..3653454
--- /dev/null
+++ b/hr/stch/tenor/wetter/II/texte.ly
@@ -0,0 +1,22 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/stch/tenor/wetter/III/III.ly b/hr/stch/tenor/wetter/III/III.ly
new file mode 100644
index 0000000..7778b0e
--- /dev/null
+++ b/hr/stch/tenor/wetter/III/III.ly
@@ -0,0 +1,72 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "<+Titel+>"
+ composer = "<+Komponist+>"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ %\new Staff = sopran { \sop }
+ %\new Staff = alt { \alt }
+ \new Staff = tenor { \ten }
+ %\new Staff = bass { \bas }
+ >>
+ \midi {
+ \context{
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ %\layout {
+ %}
+ }
+
diff --git a/hr/stch/tenor/wetter/III/III.midi b/hr/stch/tenor/wetter/III/III.midi
new file mode 100644
index 0000000..f63f4a6
--- /dev/null
+++ b/hr/stch/tenor/wetter/III/III.midi
Binary files differ
diff --git a/hr/stch/tenor/wetter/III/dynArt.ly b/hr/stch/tenor/wetter/III/dynArt.ly
new file mode 100644
index 0000000..30423d4
--- /dev/null
+++ b/hr/stch/tenor/wetter/III/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/tenor/wetter/III/midi.lua b/hr/stch/tenor/wetter/III/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/stch/tenor/wetter/III/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/tenor/wetter/III/stimmen.ly b/hr/stch/tenor/wetter/III/stimmen.ly
new file mode 100644
index 0000000..4370b2f
--- /dev/null
+++ b/hr/stch/tenor/wetter/III/stimmen.ly
@@ -0,0 +1,101 @@
+%some settings% vim: ai sw=2 lbr nu et
+#(define ((compound-time one two num mun) grob)
+ (grob-interpret-markup grob
+ (markup #:override '(baseline-skip . 0) #:number
+ (#:line (
+ (#:column (one num))
+ (#:vcenter "+")
+ (#:column (two mun)))))))
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key c \major
+ %\override Staff.TimeSignature #'style = #'()
+ \override Staff.TimeSignature #'stencil = #(compound-time "2" "4" "9" "8")
+ \time 13/8
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ R8*13*2
+ \repeat volta 2 {
+ R8*13
+ r2 r2 r4. r4. r4 e8(
+ a8 b8 a8 b8 a8 b8 a8 b8 a8 b8 a8 b8 a8
+ g8 e8) r2 r4 r8
+ r2 r2 r4. r4. r4 e8(
+ b'8 c8 b8 c8 b8 c8 b8 c8 b8 c8 b8 c8 a8
+ g8 e8) r2 r4 r8
+ r2 r4 r8 d'4 c8 d8 b4
+ r4 a4( a4. a4 g8 a8 f4)
+ r4 b4( b4. b4 a8 b8 g4)
+ r4 a4( a4. a4 g8 a8 f4)
+ r2 e8 d8 e8 d8 e8 d8 e8 d8 e8
+ }
+ c'8 d8 c4 r8 e8( d8 c8 d8 c8 d8 c8 d8
+ e2 ~ e4) d8( ~ d4. d4.
+ e2) r1 e8(
+ d8 e8 d8 e8 d8 e8 d8 e8 d8 e8 d8 e8 d8)
+ r2 a4. a4. a4 e8(
+ a2 a4. a4. a4) e8
+ a2 a4. a4. a4 e8(
+ a2 a4. a4. a4) e8(
+ a2 a4. a4. a4) d,8(
+ e2 e4. e4. e4) b8
+ e2 e4. e4. e4 g8
+ a2 a4. a4. a4 e8
+ e2 e4. e4. e4 b8
+ r2 r4 r8 d'4 cis8 d8 b4
+ r4 a4( a4. a4 g8 a8 f4)
+ r4 b4( b4. b4 a8 b8 g4)
+ r4 a4( a4. a4 g8 a8 f4)
+ r2 e8 d8 e8 d8 e8 d8 e8 d8 e8
+ R8*13
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r1
+ }
+ >>
+ }
+
diff --git a/hr/stch/tenor/wetter/III/texte.ly b/hr/stch/tenor/wetter/III/texte.ly
new file mode 100644
index 0000000..3653454
--- /dev/null
+++ b/hr/stch/tenor/wetter/III/texte.ly
@@ -0,0 +1,22 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/stch/tenor/wetter/dynArt.ly b/hr/stch/tenor/wetter/dynArt.ly
new file mode 100644
index 0000000..30423d4
--- /dev/null
+++ b/hr/stch/tenor/wetter/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/stch/tenor/wetter/midi.lua b/hr/stch/tenor/wetter/midi.lua
new file mode 100644
index 0000000..8aef7d6
--- /dev/null
+++ b/hr/stch/tenor/wetter/midi.lua
@@ -0,0 +1,53 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+ <<
+ \unfoldRepeats
+]]
+
+post=[[
+ >>
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 100 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/stch/tenor/wetter/stimmen.ly b/hr/stch/tenor/wetter/stimmen.ly
new file mode 100644
index 0000000..8fc1f86
--- /dev/null
+++ b/hr/stch/tenor/wetter/stimmen.ly
@@ -0,0 +1,60 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key c \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r1
+ }
+ >>
+ }
+
diff --git a/hr/stch/tenor/wetter/texte.ly b/hr/stch/tenor/wetter/texte.ly
new file mode 100644
index 0000000..3653454
--- /dev/null
+++ b/hr/stch/tenor/wetter/texte.ly
@@ -0,0 +1,22 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/stch/tenor/wetter/wetter.ly b/hr/stch/tenor/wetter/wetter.ly
new file mode 100644
index 0000000..0962eff
--- /dev/null
+++ b/hr/stch/tenor/wetter/wetter.ly
@@ -0,0 +1,72 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+\pointAndClickOff
+
+ \header {
+ title = "<+Titel+>"
+ composer = "<+Komponist+>"
+ %opus = "<+Werk+>"
+ tagline = \markup {
+ \bold "studentenchor"
+ }
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ sop = <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with { printPartCombineTexts = ##f } <<
+ \new Staff = sopran { \sop }
+ %\new Staff = alt { \alt }
+ %\new Staff = tenor { \ten }
+ %\new Staff = bass { \bas }
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/stch/willkommen/stimmen.ly b/hr/stch/willkommen/stimmen.ly
new file mode 100644
index 0000000..be42f9c
--- /dev/null
+++ b/hr/stch/willkommen/stimmen.ly
@@ -0,0 +1,109 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+ global = {
+ \key as \major
+ \override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ }
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ % bisher nur leere takte
+ %\repeat unfold 24 {
+ %s4*4
+ %}
+ }
+
+% Die Stimmen
+
+ TenorSoloA = \relative c' {
+ f4 as8 g8 f8 es8 as8 des8
+ c2 c8 c8 es8 es8
+ des8 c8 c8 bes8 as2
+ as4 as8 c8 des4 bes4
+ as4. g8 f4 es4
+ bes'8 bes8 des4. bes8 as8 as8
+ g4. (bes8) bes2
+ }
+
+ TenorSoloB =\relative c' {
+ f4. f8 as8 g8 f8 es8
+ as8 as8 des8 des8 c2
+ c8 c8 es8 es8 des8 des16 des16 c8 c8
+ c4 bes4 as2
+ as4 as8 c8 des8 bes8 as8 as16 g16
+ f4 es4 bes'8 bes8 bes8 bes8
+ des8 bes8 as8 as16 as16 g4. bes8
+ \time 2/4
+ bes2
+ }
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %the actual tune
+ {
+ c2 (es2
+ f4.) f8 es4 f4
+ g2 as2
+ as1
+ as2 (bes2
+ des4.) des8 c4 as4
+ es'2 es2
+ es1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %the actual tune
+ {
+ c2 ~c2
+ ~c4. c8 c4 c4
+ es2 f2
+ es1
+ f2 (g2
+ as4.) as8 as4 es4
+ as4 (g8 f8) g2
+ as1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %the actual tune
+ {
+ c2 (as2
+ ~as4.) as8 g4 as4
+ bes2 des2
+ des4 (c8 bes8 c2)
+ c2 (es2
+ f4.) f8 es4 as,4
+ bes2 bes2
+ c1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c' {
+ <<
+ { \meta }
+ %the actual tune
+ \clef bass
+ {
+ c2 (as2
+ f4.) f8 c4 f4
+ es2 des2
+ as1
+ f'2 (es2
+ des4.) des8 as4 f'4
+ es2 es2
+ << es1 as,1 >>
+ }
+ >>
+ }
diff --git a/hr/stch/willkommen/willkommen.ly b/hr/stch/willkommen/willkommen.ly
new file mode 100644
index 0000000..9e09d54
--- /dev/null
+++ b/hr/stch/willkommen/willkommen.ly
@@ -0,0 +1,51 @@
+%some settings% vim: ai sw=2 lbr nu encoding=utf8
+
+\version "2.12.1"
+\include "stimmen.ly"
+%\include "texte.ly"
+
+ \header {
+ title = "Nun sei willkommen, Herre Christ"
+ %composer = "<+Komponist+>"
+ %opus = "<+Werk+>"
+ %tagline = ""
+ }
+
+ \paper {
+ %<+weitere Einstellungen+>
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ \score {
+ %\new Staff = TenorA <<
+ %\new Voice = "soloA" { \global \TenorSoloA }
+ %>>
+ \new ChoirStaff <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \voiceOne \sopranMelodie }
+ %\lyricsto soprane \sopranText
+ \new Voice = "alti" { \global \voiceTwo \altMelodie }
+ %\lyricsto alti \altText
+ >>
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \voiceOne \tenorMelodie }
+ %\lyricsto tenoere \tenorText
+ \new Voice = "baesse" { \global \voiceTwo \bassMelodie }
+ %\lyricsto baesse \bassText
+ >>
+ >>
+ %\new Staff = TenorB <<
+ %\new Voice = "soloB" { \global \TenorSoloB }
+ %>>
+ }
+
diff --git a/hr/stch/willkommen/willkommen.ps b/hr/stch/willkommen/willkommen.ps
new file mode 100644
index 0000000..4ed347a
--- /dev/null
+++ b/hr/stch/willkommen/willkommen.ps
Binary files differ
diff --git a/hr/three/lilydocs/dornwald/dornwald.ly b/hr/three/lilydocs/dornwald/dornwald.ly
new file mode 100644
index 0000000..fdf7188
--- /dev/null
+++ b/hr/three/lilydocs/dornwald/dornwald.ly
@@ -0,0 +1,59 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Maria durch ein Dornwald ging"
+ composer = "Traditional, 17. Jh."
+ arranger = "Lorenz Maierhofer"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 18)
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "fp" { \global \frauenPausen }
+ \new Voice = "soprane" { \global \voiceOne \sopranMelodie }
+ \new Voice = "alti" { \global \voiceTwo \altMelodie }
+ %\addlyrics { \altText }
+ >>
+ \new Lyrics = trd \with {alignAboveContext = sopran}
+ \new Lyrics { \lyricsto soprane { \sopranText } }
+ \new Lyrics { \lyricsto alti { \altText } }
+ \context Lyrics = trd { \lyricsto "third" \lyricmode { A -- men. } }
+ \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \tenorText }
+ >>
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/three/lilydocs/dornwald/dynArt.ly b/hr/three/lilydocs/dornwald/dynArt.ly
new file mode 100644
index 0000000..772c8f1
--- /dev/null
+++ b/hr/three/lilydocs/dornwald/dynArt.ly
@@ -0,0 +1,37 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ s4
+ s1
+ s2
+ \tieDashed
+ s2
+ \tieSolid
+ s1
+ s1
+ s1
+ s2.
+ \slurDashed
+ \tieDashed
+ s4
+ s1
+ \slurSolid
+ \tieSolid
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/three/lilydocs/dornwald/midi.lua b/hr/three/lilydocs/dornwald/midi.lua
new file mode 100644
index 0000000..58e69da
--- /dev/null
+++ b/hr/three/lilydocs/dornwald/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/three/lilydocs/dornwald/stimmen.ly b/hr/three/lilydocs/dornwald/stimmen.ly
new file mode 100644
index 0000000..b1a2eee
--- /dev/null
+++ b/hr/three/lilydocs/dornwald/stimmen.ly
@@ -0,0 +1,109 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key bes \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ \partial 4
+ }
+
+% Die Stimmen
+
+ frauenPausen = {
+ s4
+ \repeat unfold 3 { s1 }
+ s2 r4 s4
+ \repeat unfold 5 { s1 }
+ s2.
+ % 11
+ r4
+ \repeat unfold 3 { s1 }
+ s2 r4 s4
+ }
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ d4^\markup{ \bold "Innig " } <<g4. {s8 \tempo4=80 s4}>> a8 bes4 d4 bes4 a8( g8) a4 ~ a4
+ bes4 bes8 bes8 c2 d2 s4 bes8( c8)
+ d4. c8 d4 ees8( d8) c4. bes8 c4 d8( c8)
+ bes4. a8 bes4 \set melismaBusyProperties = #'() c8( bes8) \unset melismaBusyProperties a4. g8 a4 a4
+ g4. a8 bes4 d4 bes4( a4) g4\fermata \bar "||"
+ % 11
+ s4
+ d'1 ~ d2 d2
+ bes4 bes8 bes8 c2 d2 s4 bes8( c8)
+ d4. c8 d4 ees8 d8 c4. bes8 c4 d8 c8
+ bes4 bes8 a8 bes4 c8( bes8) a4 a8 g8 a4 a4
+ <<
+ { g4. a8 bes4 d4 bes4( a4) g4\fermata }
+ \new Voice="third" { \voiceThree \override NoteColumn #'force-hshift = #-1.7 d'1 d2. }
+ >> \bar "|."
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ d4
+ g4. d8 g4 g4 d8( cis8) d8( e8) \set melismaBusyProperties = #'() fis4 ~ fis4 \unset melismaBusyProperties
+ g4 g8 g8 g2 fis2 s4 g8( a8)
+ bes8( a8 g8) a8 bes4 bes8( f8) f4. g8 a4 \set melismaBusyProperties = #'() fis8( d8) \unset melismaBusyProperties
+ d4. d8 g4 g8 ~ g8 fis4. e8 fis8( e8) fis4
+ g4. d8 g4 bes4 g4( fis4) g4
+ % 11
+ s4
+ g1 ~ g2 g4( fis4)
+ g4 g8 g8 g2 fis2 s4 g8( a8)
+ bes8( a8 g8) a8 bes4 bes8 f8 f4. g8 a4 fis8 d8
+ d4 d8 d8 g4 g8 ~ g8 fis4 fis8 e8 fis8( e8) fis4
+ g4. d8 g4 bes4 g4( fis4) g4
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ d4 g4. fis8 g4 bes8( a8) g4 fis8( g8) d4 ~ d4
+ g8( f8) ees8 d8 c8( ees8 g4) <a d,>2 r2
+ r4 r8 d,8 g8 f8 g8 bes8 a4. g8 f4 d8( fis8)
+ g4. f8 ees4 ees8( c8) d4. d8 d4 d4
+ r2 g4 g8( f8) ees8( c8 d4) <g g,>4\fermata
+ % 11
+ d4 g4 g8 a8 bes4 d4 bes4 a8 g8 a4 a4
+ g8( f8) ees8 d8 c8( ees8 g4) <a d,>2 r2
+ r4 r8 d,8 g8 f8 g8 bes8 a4. g8 f4 d8 fis8
+ g4 f8 f8 ees4 ees8( c8) d4 d8 d8 d4 d4
+ r2 g4 g8( f8) ees8( c8 d4) <g g,>4\fermata
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r1
+ % 11
+ }
+ >>
+ }
+
diff --git a/hr/three/lilydocs/dornwald/texte.ly b/hr/three/lilydocs/dornwald/texte.ly
new file mode 100644
index 0000000..d232cfe
--- /dev/null
+++ b/hr/three/lilydocs/dornwald/texte.ly
@@ -0,0 +1,46 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ Ma -- ri -- a durch ein Dorn -- wald ging.
+ Ky -- rie e -- lei -- son.
+ Ma -- ri -- a durch ein Dorn -- wald ging,
+ der hat in sieb‘n Jahr kein Laub ge -- tra -- gen.
+ Je -- sus und Ma -- ri -- a.
+ A -- men.
+ Ky -- rie e -- lei -- son.
+ Als sie das Kind durch den Wald ge -- tra -- gen,
+ da ha -- ben die Dor -- nen Ro -- sen ge -- tra -- gen.
+ Je -- sus und Ma -- ri -- a.
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ Was trug Ma -- ri -- a un -- term Her -- zen?
+ Ky -- rie e -- lei -- son.
+ Ein klei -- nes Kind -- lein oh -- ne Schmer -- zen, das
+ trug Ma -- ri -- a un -- term Her -- zen.
+ Je -- sus und Ma -- ri -- a.
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ _ _ _ _ _ _ _ _
+ _ _ _ _ _
+ %Ma -- ri -- a durch ein Dorn -- wald ging,
+ %der hat in sieb‘n Jahr kein Laub ge -- tra -- gen.
+ _ _ _ _ _ _ _ _
+ _ _ _ _ _ _ _ _
+ _ _ _ _ _
+ Da ha -- ben die Dor -- nen Ro -- sen ge -- tra -- gen.
+ Ky -- rie e -- lei -- son.
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/three/lilydocs/ewigkeit/e.ly b/hr/three/lilydocs/ewigkeit/e.ly
new file mode 100644
index 0000000..0ad37fa
--- /dev/null
+++ b/hr/three/lilydocs/ewigkeit/e.ly
@@ -0,0 +1,68 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+%\include "texte.ly"
+
+ \header {
+ title = "<+Titel+>"
+ composer = "<+Komponist+>"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ sop = \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with {} <<
+ %\sop
+ %\alt
+ %\ten
+ \bas
+ >>
+ \midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ }
+ %\layout {
+ %}
+ }
+
diff --git a/hr/three/lilydocs/ewigkeit/e.midi b/hr/three/lilydocs/ewigkeit/e.midi
new file mode 100644
index 0000000..f0b4c47
--- /dev/null
+++ b/hr/three/lilydocs/ewigkeit/e.midi
Binary files differ
diff --git a/hr/three/lilydocs/ewigkeit/stimmen.ly b/hr/three/lilydocs/ewigkeit/stimmen.ly
new file mode 100644
index 0000000..1178078
--- /dev/null
+++ b/hr/three/lilydocs/ewigkeit/stimmen.ly
@@ -0,0 +1,74 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ %\include "dynArt.ly"
+
+ global = {
+ \key c \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ % { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ % { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ % { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ % { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ \key f \major
+ f4 bes,4 c4 f4 d4 c4 c'4 a4 f4 bes,4 c4 d4 e4 f4 c4 e4( c4) a'4( f4) r2
+ r1
+ r2. a4
+ d,4 e4 a4 f4 c4 b4 cis4 a4 d4 e4 f4 d4
+ a4( e4) gis4( e4) c'4( a4) r2
+ r1
+ r2. d4 g,4 a4 d,4 bes'4
+ f4 e4 fis4 d4 g4 a4 bes4 g4 d4 a4 cis4( a4) f'4( d4) r2
+ r1
+ r4 c4 c4 d4 ees4 f4 g4 a4 bes1 ~ bes1 a4 f4 f4
+ g4 a4 g4 a4 b4 c2 r2
+ r1
+ r2. c4 f,4 g4 c,4 a4
+ g4 g'4 e4 c4 f4 g4 a4 b4 c4 g4 b4( g4) e4( c4) r2
+ }
+ >>
+ }
+
diff --git a/hr/three/lilydocs/himmelslieder/dynArt.ly b/hr/three/lilydocs/himmelslieder/dynArt.ly
new file mode 100644
index 0000000..30423d4
--- /dev/null
+++ b/hr/three/lilydocs/himmelslieder/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/three/lilydocs/himmelslieder/himmelslieder.ly b/hr/three/lilydocs/himmelslieder/himmelslieder.ly
new file mode 100644
index 0000000..31aa07b
--- /dev/null
+++ b/hr/three/lilydocs/himmelslieder/himmelslieder.ly
@@ -0,0 +1,90 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Engel haben Himmelslieder"
+ subtitle = " "
+ composer = "Französisches Volkslied"
+ arranger = \markup \center-column { "Hellmut Wormsbacher" " " }
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ #(set-paper-size "a5")
+ line-width = \paper-width - 20
+ top-margin = 20
+ bottom-margin = 20
+ markup-system-spacing #'basic-distance = 20
+ left-margin = 10
+ right-margin = 10
+ ragged-last-bottom = #'f
+ system-count = 4
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-8 . 5)
+ }
+ \context {
+ \Lyrics
+ \override VerticalAxisGroup #'staff-affinity = ##f
+ %\override VerticalAxisGroup #'padding = #3
+ %\override VerticalAxisGroup #'basic-distance = #3
+ %\override VerticalAxisGroup #'minimum-distance = #3
+ \override VerticalAxisGroup #'staff-staff-spacing = #'(
+ (padding . 1)
+ (basic-distance . 4)
+ (minimum-distance . 1)
+ )
+ }
+ }
+
+ #(set-global-staff-size 15)
+
+ sop = \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ \addlyrics { \altText }
+ >>
+
+ alt = \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \sop
+ %\alt
+ %\ten
+ %\bas
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ \header {
+ %opus = " "
+ }
+ }
+
diff --git a/hr/three/lilydocs/himmelslieder/midi.lua b/hr/three/lilydocs/himmelslieder/midi.lua
new file mode 100644
index 0000000..58e69da
--- /dev/null
+++ b/hr/three/lilydocs/himmelslieder/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/three/lilydocs/himmelslieder/stimmen.ly b/hr/three/lilydocs/himmelslieder/stimmen.ly
new file mode 100644
index 0000000..d3ec553
--- /dev/null
+++ b/hr/three/lilydocs/himmelslieder/stimmen.ly
@@ -0,0 +1,70 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key ees \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ g4 g4 g4 g8( bes8) bes4. aes8 g4 ees4
+ g4 g8. f16 g4 g8( bes8) bes4. aes8 g2
+ g4 g4 g4 g8( bes8) bes4. aes8 g4 ees4
+ g4 g8. f16 g4 g8( bes8) bes4. aes8 g2 \break
+ bes2( c8 bes8 aes8 g8 aes2 bes8 aes8 g8 f8
+ g2 aes8 g8 f8 ees8 f4.) bes,8 bes2
+ ees4 f4 g4 aes4 g2 f2
+ bes2( c8 bes8 aes8 g8 aes2 bes8 aes8 g8 f8
+ g2 aes8 g8 f8 ees8 f4.) bes,8 bes2
+ ees4 f4 g4 aes4 g2( f2) ees2. r4
+ \bar "|."
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ r1
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r1
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r1
+ }
+ >>
+ }
+
diff --git a/hr/three/lilydocs/himmelslieder/texte.ly b/hr/three/lilydocs/himmelslieder/texte.ly
new file mode 100644
index 0000000..987c132
--- /dev/null
+++ b/hr/three/lilydocs/himmelslieder/texte.ly
@@ -0,0 +1,72 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ <<
+ {
+ \set stanza = #"1. "
+ En -- gel ha -- ben Him -- mels -- lie -- der
+ auf den Fel -- dern an -- ge -- stimmt.
+ E -- cho hallt vom Ber -- ge wi -- der,
+ daß es je -- des Ohr ver -- nimmt.
+ }
+ \new Lyrics {
+ \set stanza = #"2. "
+ Hir -- ten, was ist euch be -- geg -- net,
+ daß ihr so voll Ju -- bel seid?
+ Gott hat heut die Welt ge -- seg -- net,
+ Christ er -- schien der Er -- den -- zeit.
+ }
+ \new Lyrics {
+ \set stanza = #"3. "
+ Gott gibt al -- len Men -- schen Frie -- den,
+ die des gu -- ten Wil -- lens sind.
+ Freu -- de wur -- de uns be -- schie -- den
+ durch ein neu -- ge -- bor -- nes Kind.
+ }
+ >>
+ Glo -- ri -- a in ex -- cel -- sis De -- o,
+ glo -- ri -- a in ex -- cel -- sis De -- o!
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ <<
+ {
+ \set stanza = #"1. "
+ Hört der En -- gel hel -- le Lie -- der
+ klin -- gen das wei -- te Feld ent -- lang:
+ und die Ber -- ge hal -- len wi -- der
+ von des _ Him -- mels Lob -- ge -- sang:
+ }
+ \new Lyrics {
+ \set stanza = #"2. "
+ Hir -- ten, wa -- rum wird ge -- sun -- gen?
+ Sagt mir doch eu -- res Ju -- bels Grund!
+ Welch ein Sieg ward denn er -- run -- gen,
+ den uns die Chö -- re ma -- chen kund?
+ }
+ \new Lyrics {
+ \set stanza = #"3. "
+ Sie ver -- kün -- den uns mit Schal -- le,
+ daß der Er -- lö -- ser nun er -- schien,
+ dank -- bar sin -- gen sie heut al -- le,
+ an die -- sem Fest und grü -- ßen ihn.
+ }
+ >>
+ Glo -- ri -- a in ex -- cel -- sis De -- o,
+ glo -- ri -- a in ex -- cel -- sis De -- o!
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/three/lilydocs/may/dynArt.ly b/hr/three/lilydocs/may/dynArt.ly
new file mode 100644
index 0000000..07482f3
--- /dev/null
+++ b/hr/three/lilydocs/may/dynArt.ly
@@ -0,0 +1,57 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ \repeat unfold 5 { s2. } \break
+ \repeat unfold 8 { s2. } \break
+ \repeat unfold 8 { s2. } \break
+ \repeat unfold 8 { s2. } \break
+ \repeat unfold 8 { s2. } \break
+ \repeat unfold 8 { s2. } \break
+ \repeat unfold 8 { s2. } \break
+ \repeat unfold 8 { s2. } \break
+ }
+
+% articulation
+
+ sopranArt = {
+ \repeat unfold 30 { s2. }
+ s2.
+ s4.( s8) s4
+ s2.
+ s2.
+ s2.
+ s4.( s8) s4
+ }
+
+ altArt = {
+ \repeat unfold 30 { s2. }
+ s2.
+ s4. s8 s4
+ s2.
+ s2.
+ s2.
+ s4.( s8) s4
+ }
+
+ tenorArt = {
+ \repeat unfold 30 { s2. }
+ s2.
+ s4. s8 s4
+ s2.
+ s2.
+ s2.
+ s4.( s8) s4
+ }
+
+ bassArt = {
+ \repeat unfold 30 { s2. }
+ s2.
+ s4. s8 s4
+ s2.
+ s2.
+ s2.
+ s4.( s8) s4
+ }
+
diff --git a/hr/three/lilydocs/may/may.ly b/hr/three/lilydocs/may/may.ly
new file mode 100644
index 0000000..89c0ba3
--- /dev/null
+++ b/hr/three/lilydocs/may/may.ly
@@ -0,0 +1,67 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.12"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "May it be"
+ composer = "Mark Brymer"
+ arranger = "Maximilian Lörzer"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ #(set-global-staff-size 18)
+ sop = \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ \addlyrics { \sopranText }
+ >>
+ alt = \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ \addlyrics { \altText }
+ >>
+ ten = \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ \addlyrics { \altText }
+ %\addlyrics { \tenorText }
+ >>
+ bas = \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ \addlyrics { \altText }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \sop
+ \alt
+ \ten
+ \bas
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/three/lilydocs/may/may.ps b/hr/three/lilydocs/may/may.ps
new file mode 100644
index 0000000..776f808
--- /dev/null
+++ b/hr/three/lilydocs/may/may.ps
Binary files differ
diff --git a/hr/three/lilydocs/may/midi.lua b/hr/three/lilydocs/may/midi.lua
new file mode 100644
index 0000000..58e69da
--- /dev/null
+++ b/hr/three/lilydocs/may/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/three/lilydocs/may/stimmen.ly b/hr/three/lilydocs/may/stimmen.ly
new file mode 100644
index 0000000..4842ff9
--- /dev/null
+++ b/hr/three/lilydocs/may/stimmen.ly
@@ -0,0 +1,165 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key bes \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 3/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ sopranMelodie = \relative c' {
+ <<
+ { \meta }
+ \sopranArt
+ %the actual tune
+ {
+ r4 r4 \repeat unfold 2 { \repeat unfold 2 { bes8 c8
+ c8( d8) ~ d8 c8 d8 f8
+ g2 g8( bes8)
+ f4. d8 bes8( c8)
+ c2 } d8( f8)
+ f8( g8) ~ g8 f8 g8 bes8
+ f2 d8 f8
+ g4. f16( d16) c8. d16
+ f2.
+ f2 g4 bes2 f4 bes2 c4 bes4( a4) r8 a8
+ bes2 f4 f4 ees4( d4) ees2 f4 f2 r8 d8
+ f2 g4 bes2 f4 bes2 c4 bes4( a4) r8 a8
+ bes2 f4 g2 f8( ees8) f2 f4 f2\fermata } a4
+ bes2 f4 g2 f8( ees8) f2 f4 f2.
+ \bar "|."
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ \altArt
+ %the actual tune
+ {
+ r4 r4
+ %fst
+ \repeat unfold 2
+ { bes8 c8 c8( bes8) ~ bes8 c8 d8 d8 ees2 }
+ \alternative {
+ { ees4 d4. d8 bes8( a8) a2}
+ { ees'8( g8) d4. bes8 bes8( a8) a2 }
+ } r4
+ bes2.
+ d2 d4
+ ees2 ~ ees8. d16
+ c2.
+ f2 f4 g2 d4 g2 g4 f2 r8 f8
+ f2 d4 c4 c4( bes4) bes2 d4 c2 r8 d8
+ f2 f4 g2 d4 g2 g4 f2 r8 f8
+ g2 d4 ees2 d8( ees8) c2 c4 d2\fermata
+ % snd
+ \repeat unfold 2
+ { bes8 c8 c8( bes8) ~ bes8 c8 d8 d8 ees2 }
+ \alternative {
+ { ees4 d2 bes8( a8) a2}
+ { ees'8( g8) d4. bes8 bes8( a8) a2 }
+ } r4
+ bes2.(
+ d2) d4(
+ ees2) ees8. d16
+ c2.
+ f2 f4 g2 d4 g2 g4 f2 r8 f8
+ f2 d4 c4 c4( bes4) bes2 c4 c2 r8 d8
+ f2 f4 g2 d4 g2 g4 ees2 r8 ees8
+ g2 d4 ees2 d8( ees8) c2 c4 d2\fermata
+ f4
+ g2 d4 ees2 d8( c8) c2 c4 d2.
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ \tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ r4 r4
+ \repeat unfold 2 { bes8 a8
+ a8( bes8) ~ bes8 a8 bes8 bes8
+ bes2 } \alternative { { bes8( g8)
+ f4. f8 f4
+ f2 } { bes8( d8)
+ bes4. f8 f4
+ f2 r4 } }
+ g2.
+ bes2 bes4
+ bes2 ~ bes8. bes16
+ bes2( a4)
+ d2 d4 d2 bes4 ees2 ees4 c2 r8 c8
+ d2 bes4 a4 g4( f4) g2 bes4 bes4( a4) r8 bes8
+ d2 d4 d2 bes4 ees4( d4) c4 c2 r8 c8
+ d2 bes4 bes2 bes4 bes2 a4 bes2\fermata
+ \repeat unfold 2 { bes8 a8
+ a8( bes8) ~ bes8 a8 bes8 bes8
+ bes2 } \alternative { { bes8( g8)
+ f2 f4
+ f2 } { bes8( d8)
+ bes4. f8 f4
+ f2 r4 } }
+ g2.( f2) bes4 ~ bes2
+ bes8. bes16
+ bes2( a4)
+ d2 d4 d2 bes4 ees2 ees4 c2 r8 c8
+ d2 bes4 a4 g4( f4) g2 bes4 bes4( a4) r8 bes8
+ d2 d4 d2 bes4 c4( bes4) bes4 c2 r8 c8
+ d2 bes4 bes2 bes4 bes2 a4 bes2\fermata
+ c4 d2 bes4 bes2 bes4 bes2 a4 bes2.
+ }
+ >>
+ }
+
+ bassMelodie = \relative c' {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ r4 r4
+ %fst
+ %fst
+ bes8 a8
+ g4. g8 g8 g8 ees2 ees4 bes4. bes8
+ { bes8( c8) c2 }
+ %snd
+ bes'8 a8
+ g4. g8 g8 f8 ees2 ees4 bes4. bes8
+ { bes8( f'8) f2 }
+ r4 ees2. bes2 bes4 ees2 ~ ees8. f16 f2.
+ bes2 bes4 g2 f4 ees2 ees4 f2 r8 f8
+ bes,2 bes4 f'4 f2 ees2 f4 f2 r8 bes,8
+ bes2 bes'4 g2 f4 ees2 ees4 f2 r8 f8
+ g2 f4 ees2 ees4 f2 f4 bes,2\fermata
+ %snd
+ %fst
+ bes'8 a8
+ g4. g8 g8 g8 ees2 ees4 bes2
+ { bes8( c8) c2 }
+ %snd
+ bes'8 a8
+ g4. g8 g8 f8 ees2 ees4 bes2
+ { bes8( f'8) f2 }
+ r4 ees2.( bes2) bes4( ees2) ees8. f16 f2.
+ bes2 bes4 g2 f4 ees2 ees4 f2 r8 f8
+ bes,2 bes4 f'4 f2 ees2 f4 f2 r8 bes,8
+ bes2 bes'4 g2 f4 ees2 ees4 f2 r8 fis8
+ g2 f4 ees2 ees4 f2 f4 bes2\fermata
+ a4 g2 f4 ees2 ees4 f2 f,4 bes2.
+ }
+ >>
+ }
+
diff --git a/hr/three/lilydocs/may/texte.ly b/hr/three/lilydocs/may/texte.ly
new file mode 100644
index 0000000..87275c6
--- /dev/null
+++ b/hr/three/lilydocs/may/texte.ly
@@ -0,0 +1,74 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+% Die Textaufteilungen
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ May it be an eve -- ning star
+ shines down up -- on you.
+ May it be when dark -- ness falls,
+ your heart will be true.
+
+ You walk a lone -- ly road;
+ oh, how far you are from home.
+
+ Mor -- ni -- e u -- tú -- li -- e.
+ Be -- lieve and you will find your way.
+ M -- or -- ni -- e a -- lan -- ti -- e.
+ A prom -- ise lives with -- in you now.
+
+ May it be the sha -- dow’s call
+ will fly a -- way
+ May it be you jour -- ney on
+ to light the day.
+
+ When_the night is o -- ver -- come,
+ you may rise to find the sun.
+
+ Mor -- ni -- e u -- tú -- li -- e.
+ Be -- lieve and you will find your way.
+ M -- or -- ni -- e a -- lan -- ti -- e.
+ A prom -- ise lives with -- in you now.
+ A prom -- ise lives with -- in you now.
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ May it be an eve -- ning star
+ shines down up -- on you.
+ May it be when dark -- ness falls,
+ your heart will be true.
+
+ walk road;
+ how far from home.
+
+ Mor -- ni -- e u -- tú -- li -- e.
+ Be -- lieve and you will find your way.
+ M -- or -- ni -- e a -- lan -- ti -- e.
+ A prom -- ise lives with -- in you now.
+
+ May it be the sha -- dow’s call
+ will fly a -- way
+ May it be you jour -- ney on
+ to light the day.
+
+ hm -- hm
+ find the sun.
+
+ Mor -- ni -- e u -- tú -- li -- e.
+ Be -- lieve and you will find your way.
+ M -- or -- ni -- e a -- lan -- ti -- e.
+ A prom -- ise lives with -- in you now.
+ A prom -- ise lives with -- in you now.
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ }
+
diff --git a/hr/three/lilydocs/odot b/hr/three/lilydocs/odot
new file mode 100644
index 0000000..9839854
--- /dev/null
+++ b/hr/three/lilydocs/odot
@@ -0,0 +1,12 @@
+//some settings// vim: et
+
+igd?
+ανδρα;
+μηνiν;
+
+avc?
+τεκνον
+ω ποπε
+
+Atala !
+frau justitia in verlegenheit -> in taberna quando sumus
diff --git a/hr/three/lilydocs/swing b/hr/three/lilydocs/swing
new file mode 100644
index 0000000..699c4d7
--- /dev/null
+++ b/hr/three/lilydocs/swing
@@ -0,0 +1,9 @@
+" //some settings// vim: et
+
+:%s: \(\S\+\)4\.\(\S*\): \18\2 \~ \18 \~ \18:g
+:%s: \(\S\+\)4\(\S*\): \18\2 \~ \18:g
+:%s:\(\~ \S\+\)[,']:\1:g
+" caution: might work badly on hand-written lines
+:%s: \(\S\+\)8\(\S*\)\{ \~\}* \(\S\+8\S*\)\( \~\}*: \\times 2\/3 { \14\2\3 \4\5 }:g
+
+
diff --git a/hr/three/lilydocs/tell/dynArt.ly b/hr/three/lilydocs/tell/dynArt.ly
new file mode 100644
index 0000000..30423d4
--- /dev/null
+++ b/hr/three/lilydocs/tell/dynArt.ly
@@ -0,0 +1,21 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ meta = {
+ %(dynamic) marks global to all voices
+ \dynamicUp
+ }
+
+% articulation
+
+ sopranArt = {
+ }
+
+ altArt = {
+ }
+
+ tenorArt = {
+ }
+
+ bassArt = {
+ }
+
diff --git a/hr/three/lilydocs/tell/midi.lua b/hr/three/lilydocs/tell/midi.lua
new file mode 100644
index 0000000..58e69da
--- /dev/null
+++ b/hr/three/lilydocs/tell/midi.lua
@@ -0,0 +1,50 @@
+ -- some settings -- vim: ai sw=2 lbr nu et
+
+pre=[[
+%some settings% vim: ai sw=2 lbr nu encoding=utf8 et
+
+\version "2.12"
+\include "stimmen.ly"
+
+ \score {
+]]
+
+post=[[
+ \midi {
+ \context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ }
+ }
+ }
+]]
+
+voices={ "s", "a", "t", "b" }
+expand = { s="sopran", a="alt", t="tenor", b="bass" }
+map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" }
+
+function text(stimme)
+ return
+[[
+ \new Staff = ]]..stimme..[[ <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie }
+ >>
+]]
+end
+
+function err() print("oops") os.exit() end
+
+which=which or "satb"
+if type(which)~="string" then err() end
+
+for _,v in pairs(voices) do
+ if string.find(which, v) then pre=pre..text(expand[v]) end
+end
+
+input=pre..post
+
+--os.execute(lilypond -...)
+io.stdout:write(input)
+os.exit()
+
diff --git a/hr/three/lilydocs/tell/stimmen.ly b/hr/three/lilydocs/tell/stimmen.ly
new file mode 100644
index 0000000..36bbdcc
--- /dev/null
+++ b/hr/three/lilydocs/tell/stimmen.ly
@@ -0,0 +1,267 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+ \version "2.12"
+ \include "dynArt.ly"
+
+ global = {
+ \key aes \major
+ %\override Staff.TimeSignature #'style = #'()
+ \time 4/4
+ %\autoBeamOff
+ }
+
+% Die Stimmen
+
+ goSoprano = \relative c'' {
+ c2 c8. bes16 aes8. f16 ees2 aes2
+ bes8 bes4 bes8 bes4 aes4 c4 aes4 f8( ees4.)
+ c'2 c8. bes16 aes8. f16 ees2 aes4 des4
+ c8 c4 bes8 ~ bes8 aes8 bes4
+ }
+
+ goAlto = \relative c'' {
+ aes2 aes8. f16 ees8. des16 c2 f2
+ g8 g4 g8 g4 f4 aes4 ees4 des2
+ aes'2 aes8. f16 ees8. des16 c2 f4 aes4
+ aes8 aes4 g8 ~ g8 f8 g4
+ }
+
+ goTenore = \relative c' {
+ ees2 ees8. des16 c8. bes16 aes4( bes4) c2
+ des8 des4 des8 des4 des4 ees4 c4 bes2
+ ees2 ees8. des16 c8. bes16 aes4( bes4) c4 bes4
+ c8 ees4 des8 ~ des8 c8 des4
+ }
+
+ goBasso = \relative c' {
+ aes2 aes8. aes16 aes8. aes16 aes4( g4) f4( e4)
+ ees8 ees4 ees8 ees4 ees4 aes4 aes4 bes4( g4)
+ aes2 aes8. aes16 aes8. aes16 aes4( g4) f4 e4
+ ees8 ees4 ees8 ~ ees8 ees8 ees4
+ }
+
+ solo = \relative c' {
+ <<
+ { \meta }
+ %\soloArt
+ % the actual tune
+ {
+ r1*10
+ \repeat volta 2 {
+ r4
+ }
+ }
+ >>
+ }
+
+ sopranMelodie = \relative c'' {
+ <<
+ { \meta }
+ %\sopranArt
+ %the actual tune
+ {
+ \repeat volta 2 {
+ \goSoprano
+ } \alternative {
+ {
+ aes4 ees4 aes4 bes4
+ }
+ {
+ aes1
+ }
+ }
+ r1
+ \repeat volta 2 {
+ R1*7
+ r4 ees4 aes4 bes4
+ \goSoprano
+ } \alternative {
+ {
+ aes1
+ r1
+ }
+ {
+ aes4 r4 aes2 ~
+ }
+ }
+ aes4 aes4 aes8 bes8 c8 des8 ees2 ees,4 bes'4
+ }
+ >>
+ }
+
+ altMelodie = \relative c' {
+ <<
+ { \meta }
+ %\altArt
+ %the actual tune
+ {
+ \repeat volta 2 {
+ \goAlto
+ } \alternative {
+ {
+ ees4 ees4 f4 g4
+ }
+ {
+ ees1
+ }
+ }
+ r1
+ \repeat volta 2 {
+ R1*7
+ r4 ees4 f4 g4
+ \goAlto
+ } \alternative {
+ {
+ ees1
+ r1
+ }
+ {
+ ees2. r4
+ }
+ }
+ c'2 ees,4 aes4 g8 aes8 bes8 c8 des4 ees,4
+ }
+ >>
+ }
+
+ tenorMelodie = \relative c' {
+ <<
+ { \meta }
+ %\tenorArt
+ %the actual tune
+ \clef "treble_8"
+ {
+ \repeat volta 2 {
+ \goTenore
+ } \alternative {
+ {
+ c4 ees4 ees4 des4
+ }
+ {
+ c4.
+ <<
+ { des8( ~ des8 c8) des4 }
+ { aes8 ~ aes4 aes4 }
+ >>
+ }
+ }
+ <<
+ { c4. des8( ~ des8 c8) des4 }
+ { aes4. aes8 ~ aes2 }
+ >>
+ \repeat volta 2 {
+ <<
+ {
+ c4. des8( ~ des8 c8) des4
+ c4. des8( ~ des8 c8) des4
+ des4. des8( ~ des8 c8) des4
+ ees4. des8( ~ des8 c8) des4
+ ees4. des8( ~ des8 c8) des4
+ c4. c8( ~ c8 bes8) c4
+ d4. d8( ~ d8 c8) d4
+ ees4. des8( ~ des8 c8) des4
+ }
+ {
+ aes4. aes8 ~ aes2
+ aes4. aes8 ~ aes2
+ bes4. bes8 ~ bes2
+ c4. aes8 ~ aes2
+ c4. aes8 ~ aes2
+ aes4. aes8 ~ aes2
+ bes4. bes8 ~ bes2
+ bes4. bes8 ~ bes2
+ }
+ >>
+ \goTenore
+ } \alternative {
+ {
+ <<
+ {
+ c4. des8( ~ des8 c8) des4
+ c4 des4( ~ des8 c8) des4
+ }
+ {
+ aes4. aes8 ~ aes4 aes4
+ aes4 aes2 aes4
+ }
+ >>
+ }
+ {
+ c4 r4 r4 ees4
+ }
+ }
+ ees8 des8 c8 bes8 c4 aes4 bes2 ees,2
+ }
+ >>
+ }
+
+ bassMelodie = \relative c {
+ <<
+ { \meta }
+ %\bassArt
+ %the actual tune
+ \clef bass
+ {
+ \repeat volta 2 {
+ \goBasso
+ } \alternative {
+ {
+ <ees aes,>4 ees4 ees4 ees4
+ }
+ {
+ <<
+ { ees4. f8 ~ f4 f4 }
+ { aes,4. aes8 ~ aes4 aes4 }
+ >>
+ }
+ }
+ <<
+ { ees'4. f8 ~ f4 f4 }
+ { aes,4. aes8 ~ aes4 aes4 }
+ >>
+ \repeat volta 2 {
+ <<
+ {
+ ees'4. f8 ~ f4 f4
+ ees4. f8 ~ f4 f4
+ g4. g8 ~ g4 g4
+ aes4. f8 ~ f4 f4
+ ees4. f8 ~ f4 f4
+ ees4. ees8 ~ ees4 ees4
+ f4. f8 ~ f4 f4
+ g4. g8 ~ g4 g4
+ }
+ {
+ aes,4. aes8 ~ aes4 aes4
+ aes4. aes8 ~ aes4 aes4
+ ees'4. ees8 ~ ees4 ees4
+ aes,4. aes8 ~ aes4 aes4
+ aes4. aes8 ~ aes4 aes4
+ aes4. aes8 ~ aes4 aes4
+ bes4. bes8 ~ bes4 bes4
+ ees4. ees8 ~ ees4 ees4
+ }
+ >>
+ \goBasso
+ } \alternative {
+ {
+ <<
+ {
+ ees4. f8 ~ f4 f4
+ ees4 f2 f4
+ }
+ {
+ aes,4. aes8 ~ aes4 aes4
+ aes4 aes2 aes4
+ }
+ >>
+ }
+ {
+ aes4 c'4 c8 bes8 aes8 f8
+ }
+ }
+ ees2 ees4 r4 r4 des'4 des8 c8 bes8 aes8
+ }
+ >>
+ }
+
diff --git a/hr/three/lilydocs/tell/tell.ly b/hr/three/lilydocs/tell/tell.ly
new file mode 100644
index 0000000..e1a074f
--- /dev/null
+++ b/hr/three/lilydocs/tell/tell.ly
@@ -0,0 +1,69 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+\version "2.14"
+\include "stimmen.ly"
+\include "texte.ly"
+
+ \header {
+ title = "Go, Tell it on the Mountain"
+ %composer = "<+Komponist+>"
+ arranger = "Roland M. Carter"
+ %opus = "<+Werk+>"
+ tagline = ""
+ }
+
+ \paper {
+ line-width = \paper-width - 30
+ top-margin = 10
+ bottom-margin = 10
+ ragged-last-bottom = #'f
+ }
+
+ \layout {
+ indent = #0
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5)
+ }
+ }
+
+ %#(set-global-staff-size 17)
+
+ sop = \new Staff = sopran <<
+ %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." }
+ \new Voice = "soprane" { \global \sopranMelodie }
+ %\addlyrics { \sopranText }
+ >>
+
+ alt = \new Staff = alt <<
+ \new Voice = "alti" { \global \altMelodie }
+ %\addlyrics { \altText }
+ >>
+
+ ten = \new Staff = tenor <<
+ \new Voice = "tenoere" { \global \tenorMelodie }
+ %\addlyrics { \tenorText }
+ >>
+
+ bas = \new Staff = bass <<
+ \new Voice = "baesse" { \global \bassMelodie }
+ %\addlyrics { \bassText }
+ >>
+
+ \score {
+ \new ChoirStaff \with {} <<
+ \sop
+ \alt
+ \ten
+ \bas
+ >>
+ %\midi {
+ %\context{
+ %\Score
+ %tempoWholesPerMinute = #(ly:make-moment 72 4)
+ %}
+ %}
+ \layout {
+ }
+ }
+
diff --git a/hr/three/lilydocs/tell/texte.ly b/hr/three/lilydocs/tell/texte.ly
new file mode 100644
index 0000000..498a75c
--- /dev/null
+++ b/hr/three/lilydocs/tell/texte.ly
@@ -0,0 +1,64 @@
+%some settings% vim: ai sw=2 lbr nu et
+
+% Abkürzungen
+
+ tell = \lyricmode {
+ Go, tell it on the moun -- tain,
+ o -- ver the hills and ev -- ’ry -- where.
+ Go, tell it on the moun -- tain,
+ that Je -- sus Christ is
+ }
+ gt = \lyricmode {
+ Go, tell it!
+ }
+
+% Die Textaufteilungen
+
+ stanzaA = \lyricmode {
+ When I was a seek -- er
+ I sought both night and day,
+ I asked the Lord to help me
+ and He showed me the way.
+ }
+ stanzaB = \lyricmode {
+ He made me a watch -- man
+ up -- on the ci -- ty wall,
+ And if I am a Chris -- tian
+ I am the least of all.
+ }
+ stanzaC = \lyricmode {
+ Shep -- herds lay a -- watch -- ing
+ their flock that sta -- ry night,
+ An an -- gel of the Lord came
+ and shone a ho -- ly light.
+ }
+
+ sopranText = \lyrics {
+ %<+hier den Text für den Sopran eintragen+>
+ \tell
+ a -- born. O won’t you
+ born. O won’t you
+ \tell
+ a -- born.
+ born. Go!
+ Go, tell it on the moun -- tain, go,
+ }
+
+ altText = \lyrics {
+ %<+hier den Text für den Alt eintragen+>
+ \tell
+ a -- born. O won’t you
+ }
+
+ tenorText = \lyrics {
+ %<+hier den Text für den Tenor eintragen+>
+ \tell
+ a -- born. O won’t you
+ }
+
+ bassText = \lyrics {
+ %<+hier den Text für den Baß eintragen+>
+ \tell
+ a -- born. O won’t you
+ }
+