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| author | Erich Eckner <git@eckner.net> | 2014-09-10 17:47:07 +0200 |
|---|---|---|
| committer | Erich Eckner <git@eckner.net> | 2014-09-10 17:47:07 +0200 |
| commit | 49d14358c33b7d0ba7e7c381f91943617c7723ea (patch) | |
| tree | fd55f0d3900d53978587d2228553359f86e69bbe /hr/stch | |
| parent | 646f69a657326ca8dd733dfa579a90f89823d677 (diff) | |
| download | Musik-49d14358c33b7d0ba7e7c381f91943617c7723ea.tar.xz | |
Hauke eingefügt
Diffstat (limited to 'hr/stch')
553 files changed, 48569 insertions, 0 deletions
diff --git a/hr/stch/Brahms-Fest-undGedenksprnncheop109-ChamberChoirofEurope-NicolMatt.zip b/hr/stch/Brahms-Fest-undGedenksprnncheop109-ChamberChoirofEurope-NicolMatt.zip Binary files differnew file mode 100644 index 0000000..0804bd0 --- /dev/null +++ b/hr/stch/Brahms-Fest-undGedenksprnncheop109-ChamberChoirofEurope-NicolMatt.zip diff --git a/hr/stch/agenda/leevsten/leevsten.ly b/hr/stch/agenda/leevsten/leevsten.ly new file mode 100644 index 0000000..20f2057 --- /dev/null +++ b/hr/stch/agenda/leevsten/leevsten.ly @@ -0,0 +1,58 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + +\version "2.10.10" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Dat Du min Leevsten büst" + composer = "Volkslied" + %text-translator = "<+Uebersetzer+>" + %tagline = "" + } + + \paper { + %<+weitere Einstellungen+> + } + + \layout { + %indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + %#(set-global-staff-size 17) + + \score { + \new ChoirStaff << + \tempo 4 = 80 + \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + %\lyricsto soprane \sopranAText + >> + %\new Lyrics \with { alignAboveContext=sopran } + %\lyricsto soprane \sopranAText + %\new Staff = alt << + %\new Voice = "alti" { \global \altMelodie } + %\lyricsto alti \altText + %>> + %\new Staff = tenor << + %\new Voice = "tenoere" { \global \tenorMelodie } + %\lyricsto tenoere \tenorText + %>> + %\new Staff = bass << + %\new Voice = "baesse" { \global \bassMelodie } + %\lyricsto baesse \bassText + %>> + >> + + \midi { + } + \layout{ + } + + } + diff --git a/hr/stch/agenda/leevsten/leevsten.midi b/hr/stch/agenda/leevsten/leevsten.midi Binary files differnew file mode 100644 index 0000000..2d0ef45 --- /dev/null +++ b/hr/stch/agenda/leevsten/leevsten.midi diff --git a/hr/stch/agenda/leevsten/leevsten.ps b/hr/stch/agenda/leevsten/leevsten.ps Binary files differnew file mode 100644 index 0000000..3409d23 --- /dev/null +++ b/hr/stch/agenda/leevsten/leevsten.ps diff --git a/hr/stch/agenda/leevsten/stimmen.ly b/hr/stch/agenda/leevsten/stimmen.ly new file mode 100644 index 0000000..462110c --- /dev/null +++ b/hr/stch/agenda/leevsten/stimmen.ly @@ -0,0 +1,320 @@ +%some settings% vim: ai sw=2 lbr nu + + global = { + \key e \major + \time 3/4 + } + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + \repeat unfold 58 { + s4*3 + } + } + +% Die Stimmen + +%{ + sopranMelodie = { + << + { \meta } + %articulation etc. + \repeat unfold 58 { + s4*3 + } + { + << + \sopranAMelodieI \\ + \sopranBMelodieI + >> + %Takt 20 + \sopranMelodieII + << + \sopranAMelodieIII \\ + \sopranBMelodieIII + >> + } + >> + } +%} + + sopranAMelodieI = \relative c'' + %the actual tune + { + b2. ~ b2. ~ b2. ~ b2. + e2. e2 b4 b2. + e,4 gis4 b4 fis4 fis8 dis8 b4 + e4 gis4 b4 fis2. + a4 cis8 b8 a4 gis4 b8 a8 gis4 + fis4 e4 fis4 gis4( b4( e4 ) ) + e2. e2( b4 ) b2. gis2. + \break + } + + sopranAMelodieIII = \relative c'' + { + cis4 dis2. + \break + %Takt 36 + cis2. e2. dis2. + e2. fis2. e2. + dis4 cis4 b4 + cis2 dis4 e4. e8 cis4 + cis4 a4 b4 b4( dis4( e4 ) ) + e2 fis4 gis4 fis4 e4 + cis4 cis4 b4 + \break + %Takt 50 + b2. ~ b2. ~ b2. + gis2. gis2. + } + + sopranBMelodieI = \relative c' + %the actual tune + { + e2. dis2. e2. dis2. + a'2. b2 gis4 a2 fis4 + e2 r4 + \repeat unfold 3 {R2.} + e2. dis2. + cis4 e4 dis4 gis4( b2) + a4 cis8 b8 a4 gis4 b8 a8 gis4 + fis4 e4 dis4 e2( gis4) + \break + } + + sopranBMelodieIII = \relative c' + { + fis4 fis2. + \break + %Takt 36 + a2. gis2. b2. + gis2. b2 fis4 gis2. + fis4 e4 dis4 + cis2 fis4 e4. e8 e4 + cis4 cis4 dis4 e4( fis4 b4) + a4 cis8( b8) a4 gis4 b8( a8) gis4 + fis4 e4 dis4 + \break + %Takt 50 + e2. ~ e4 gis4 b4 fis4 fis8 dis8 b4 + cis4 e4 gis4 dis2. + } + + sopranMelodieII = \relative c'' + { + b2 fis4 fis4 gis4 ais4 + b2 fis4 fis4 gis4 ais4 + b2. R2.*7 + b2( cis4) dis4.( e8) fis4 + b,2 + } + + sopranMelodieIV = \relative c' + { + e2. e2 b4 b2. b2. + } + + + sopranMelodie = { + << + { \meta } + %tunes glued together + { + << + \voiceOne \sopranAMelodieI \\ + \voiceTwo \sopranBMelodieI + >> + \oneVoice \sopranMelodieII + << + \voiceOne \sopranAMelodieIII \\ + \voiceTwo \sopranBMelodieIII + >> + \oneVoice \sopranMelodieIV + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %the actual tune + { + e4 gis4 b4 + fis,4 fis8 dis8 b4 + cis4 e4 gis4 + dis4 dis8 b8 gis4 + cis2. + e2. + e4 cis4 b4 + gis2 r4 + r1 + r1 + fis4 e4 dis4 + cis2. + b2. + a4 cis4 b4 + b4( e4 gis4) + e2. + dis2( e4) + cis2( b4) + b2 e4 + % || + dis2. + e2. + dis4 e4 fis4 + e2. + dis2 dis4 + r2. + r2.*4 + r2. + dis4( fis4 b4) + b2( ais4) + b2 b4 + dis2 c4 + b4( dis4 fis4) + c2. + cis4( e4 gis4) + dis2. + e4 gis4 b4 + fis4 fis8( dis8) b4 + e4 gis4 b4 + fis2. + a4 cis8( b8) a8 + gis4 b8( a8) gis4 + fis4 e4 fis4 + gis4( b2) + a4 cis8( b8) a4 + gis4 b8( a8) gis4 + fis4 e4 dis4 + e2. ~ + % || + e4 gis4 b4 + fis4 fis8 dis8 b4 + cis4 e4 gis4 + dis4 dis8 b8 gis4 + a2. + b2. + a2. + gis2. + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %the actual tune + { + e2. + b2. + cis2. + gis2. + a4 cis4 e4 + b4 b8 gis8 e4 + cis4 e4 dis4 + e2 r4 + r2. r2. r2. + r2. r2. r2. + e'2. + cis2. + b2( cis4) + a4 fis4 b4 + b2. + % || + b2. + ais4 b4 cis4 + b2. + ais4 b4 cis4 + b4 dis4 fis4 + cis4 cis8( ais8) fis4 + b4 dis4 fis4 + cis2. + e4 gis8( fis8) e4 + dis4 fis8( e8) dis4 + cis4 b4 cis4 + dis4( fis2) + e4 gis8( fis8) e4 + dis4 fis8( e8) dis4 + cis4 b4 ais4 + b2. + % || S.3 + cis4. a8 fis4 + c'2. + dis4. b8 gis4 + r4 + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + %the actual tune + \clef bass + { + r2. + r2. + r2. + r2. + a2. + gis2. + fis2 b4 + cis2 r4 + r2. + r2. + r2. + r2. + r2. + r2. + r2. + r2. + r2. + r2. + e4 gis4 b4 + fis4 fis8 dis8 b4 + cis4 cis8 ais8 fis4 + b4. cis8 dis4 + cis4 cis8 ais8 fis4 + b2. + r2. + { + { + \voiceOne + b'4 b4 cis4 + b4 gis4 ais4 + b2 cis4 + ais4. ais8 b4 + gis2 ais4 + ais2 b4 + gis2 fis4 + fis4. fis8 fis4 + dis4. e8 fis4 + fis2. + fis2. + gis2. + gis2. + } + { + \voiceTwo + gis'4 fis4 e4 + fis2. + g2 g4 + fis4. fis8 gis4 + e2 fis4 + dis2. + cis2 cis4 + b4. b8 ais4 + gis2 fis4 + b2. + fis2. + cis'2. + gis2. + } + } + } + >> + } +%{ +%} diff --git a/hr/stch/agenda/leevsten/texte.ly b/hr/stch/agenda/leevsten/texte.ly new file mode 100644 index 0000000..4d118be --- /dev/null +++ b/hr/stch/agenda/leevsten/texte.ly @@ -0,0 +1,58 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + +%abkürzungen + leevsten = \lyricmode { + Dat du min Leev -- sten _ büst, dat du wull weest, + } + + nacht = \lyricmode { + bi de Nacht, kumm bi de Nacht, segg, wo du heest, + } + + middernacht = \lyricmode { + Ik kumm um Mid -- der -- nacht, ik kumm Klock een, + } + + slöppt = \lyricmode { + Va -- der slöppt, Mo -- der slöppt, du slöppst al -- leen. + } + + kammerdöör = \lyricmode { + Klopp an de Kam -- mer -- döör, faud an de Klink, + } + + meent = \lyricmode { + Va -- der meent, Mo -- der meent, dat deit de + } + + leer = \lyricmode { + _ _ _ _ + } + +% Die Textaufteilungen + + sopranAText = \lyrics { + \leer _ \leevsten Kumm \nacht kumm, kumm, kumm. m + \leer \leer \leer \leer \leer _ Va -- der + } + + sopranBText = \lyrics { + m m m m kumm, kumm, segg, wo du heest, + \nacht m m m + kumm, kumm, ick slaap al -- leen. n_m m + Va -- der, Mo -- der meent, dat deit de Wind, + \meent Wind. m + } + + %altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + %} +% + %tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + %} +% + %bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + %} + diff --git a/hr/stch/agenda/leevsten/vk/leevsten.midi b/hr/stch/agenda/leevsten/vk/leevsten.midi Binary files differnew file mode 100644 index 0000000..68911d2 --- /dev/null +++ b/hr/stch/agenda/leevsten/vk/leevsten.midi diff --git a/hr/stch/agenda/leevsten/vk/leevsten.ps b/hr/stch/agenda/leevsten/vk/leevsten.ps Binary files differnew file mode 100644 index 0000000..90629e7 --- /dev/null +++ b/hr/stch/agenda/leevsten/vk/leevsten.ps diff --git a/hr/stch/beatles/ailh/ailh.ly b/hr/stch/beatles/ailh/ailh.ly new file mode 100644 index 0000000..201b02c --- /dev/null +++ b/hr/stch/beatles/ailh/ailh.ly @@ -0,0 +1,68 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "dynArt.ly" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "And I Love Her" + %composer = "<+Komponist+>" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + line-width = \paper-width - 50 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = ##f + page-count = 3 + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3) + } + } + + #(set-global-staff-size 14) + + \score { + \new ChoirStaff \with {} << + \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + \addlyrics { \sopranText } + >> + \new Staff = alt << + \new Voice = "alti" { \global \altMelodie } + \addlyrics { \altText } + \addlyrics { \altstz } + >> + %\new Lyrics \lyricsto "altstz" \strIII + \new Staff = tenor << + \new Voice = "tenoere" { \global \tenorMelodie } + \addlyrics { \tenorText } + \addlyrics { \tenstz } + >> + %\new Lyrics \lyricsto "tenstz" \strIII + \new Staff = bass << + \new Voice = "baesse" { \global \bassMelodie } + \addlyrics { \bassText } + >> + >> + %{ + \midi { + \context{ + \Score + tempoWholesPerMinute = #(ly:make-moment 100 4) + } + } + %} + \layout { + } + } + diff --git a/hr/stch/beatles/ailh/ailh.midi b/hr/stch/beatles/ailh/ailh.midi Binary files differnew file mode 100644 index 0000000..a9c3f6f --- /dev/null +++ b/hr/stch/beatles/ailh/ailh.midi diff --git a/hr/stch/beatles/ailh/dynArt.ly b/hr/stch/beatles/ailh/dynArt.ly new file mode 100644 index 0000000..0a8ee8e --- /dev/null +++ b/hr/stch/beatles/ailh/dynArt.ly @@ -0,0 +1,132 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + s1\p + s1 + s1 + s1\> + s1\! + s1*10 + s4. s8\< s2 + s1\! + s1*8 + s1\> + s4.\! s8\p\< s2 + s1\! + s1 + s1\< + s1\mf + s1 + s4. s8\< s2 + s1\f + s1 + s1\f + s1*14 + s2....\> s32\! + \bar "|." + } + +% articulation + + sopranArt = { + s4.-- s8 s2 + s4.-- s8 s2 + s4.--\< s8\! s4 s4-- + s1 + s4. s4\p s4. + s1*6 + s2.\< s4\! + s1*4 + s4 s2.\pp + s1*9 + s2.. s8-- + s1 + s8 s4.--\mp s4. s8-- + s1 + s2.. s8-- + s1*5 + s1\p + s1*4 + s2.\< s4\! + s1*7 + s1\p + s1 + } + + altArt = { + s8-- s4 s8 s2 + s8-- s4 s8 s2 + s8--\< s4 s8\! s4 s4-- + s1 + s4 s2.\p + s1*6 + s2.\< s4\! + s1*4 + s4 s2.\p + s1*9 + s2.. s8-- + s1 + s8 s4.-- s4. s8 + s1 + s2.. s8 + s1*5 + s4 s2.\p + s1*4 + s2.\< s4\! + s1 + s1*6 + s1\p + s1 + } + + tenorArt = { + s4.-- s8 s2 + s4.-- s8 s2 + s4.-- s8 s4 s4-- + s1 + s4 s2.\mp + s1*11 + s4 s2.\p + s1*9 + s2.. s8-- + s1 + s8 s4. s4. s8 + s1 + s2.. s8-- + s1*5 + s4 s2.\mp + s1*9 + s2.\< s4\! + s2 s2\> + s2 s2\mp + s1 + s1 + } + + bassArt = { + s1*2 + s4.\< s8\! s2 + s1 + s1\p + s1*6 + s2.\< s4\! + s1 + s1*3 + s1\pp + s1*9 + s2.. s8-- + s1 + s8 s4. s4. s8 + s1 + s2.. s8-- + s1*5 + s1\p + s1*4 + s2.\< s4\! + s1*7 + s1\p + s1 + } + diff --git a/hr/stch/beatles/ailh/dynArt_rina.ly b/hr/stch/beatles/ailh/dynArt_rina.ly new file mode 100644 index 0000000..eeb549e --- /dev/null +++ b/hr/stch/beatles/ailh/dynArt_rina.ly @@ -0,0 +1,127 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + s1\mp + \override BreathingSign #'text = \markup { \musicglyph #"scripts.upbow" } + s1\breathe + s1 + s1\< + s1\! + s1*7 + s1\mp + s1\breathe + s1*2 + % + s1*7 + s2.\breathe s4 + s1 + s1\< + s4\breathe s8 s8\mf s2 + s1*8 + % + s2.\< s4\! + s1*12 + s2\fermata s2 + s1*2 + } + +% articulation + + sopranArt = { + s1*4 + s4. s4->\p s4. + s4. s4-> s4. + s4. s4-> s4. + s1*3 + s1\espressivo + s2 s2\> + s1*4 + % + s4 s8-> s4-> s8 s4\> + s1\! + s1*4 + s1\> + s2.\< s4\! + s1*11 + % + s1 + s1\p\< + s1\> + s1\! + s1*3 + s1\espressivo + s2. s4\> + s1\! + s2. s4\> + s1\! + s1*4 + } + + altArt = { + s1*4 + s4 s2.->\p + s4 s2.-> + s4 s2.-> + s4 s2.-> + s4 s2.-> + s1 + s1\espressivo + s2 s2\> + s1*4 + % + s1*8 + s1*11 + % + s1 + s4 s2.\pp + s1*5 + s1\espressivo + s2. s4\> + s1\! + s2. s4\> + s1\! + s1*4 + } + + tenorArt = { + s1*4 + s4 s2.\mp + s1*6 + s1*5 + % + s1*8 + s1*11 + % + s1 + s4 s2.\p + s1*14 + } + + bassArt = { + s1*4 + s8->\p s2.. + s8-> s8-> s2. + s8-> s4-> s4 s4. + s1*3 + s1\espressivo + s2 s2\> + s1*4 + % + s8-> s4-> s4 s8 s4\> + s1\! + s1*4 + s1\> + s2.\< s4\! + s1*11 + % + s1 + s1\pp + s1*5 + s1\espressivo + s2. s4\> + s1\! + s1*6 + } + diff --git a/hr/stch/beatles/ailh/midi.lua b/hr/stch/beatles/ailh/midi.lua new file mode 100644 index 0000000..596ac5a --- /dev/null +++ b/hr/stch/beatles/ailh/midi.lua @@ -0,0 +1,50 @@ + -- some settings -- vim: ai sw=2 lbr nu encoding=utf8 et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { +]] + +post=[[ + \midi { + \context{ + \Score + tempoWholesPerMinute = #(ly:make-moment 100 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/beatles/ailh/midis/a.midi b/hr/stch/beatles/ailh/midis/a.midi Binary files differnew file mode 100644 index 0000000..3cdb73b --- /dev/null +++ b/hr/stch/beatles/ailh/midis/a.midi diff --git a/hr/stch/beatles/ailh/midis/ailh.midi b/hr/stch/beatles/ailh/midis/ailh.midi Binary files differnew file mode 100644 index 0000000..a9c3f6f --- /dev/null +++ b/hr/stch/beatles/ailh/midis/ailh.midi diff --git a/hr/stch/beatles/ailh/midis/b.midi b/hr/stch/beatles/ailh/midis/b.midi Binary files differnew file mode 100644 index 0000000..3ec768c --- /dev/null +++ b/hr/stch/beatles/ailh/midis/b.midi diff --git a/hr/stch/beatles/ailh/midis/s.midi b/hr/stch/beatles/ailh/midis/s.midi Binary files differnew file mode 100644 index 0000000..d7dad4b --- /dev/null +++ b/hr/stch/beatles/ailh/midis/s.midi diff --git a/hr/stch/beatles/ailh/midis/t.midi b/hr/stch/beatles/ailh/midis/t.midi Binary files differnew file mode 100644 index 0000000..d8ab5af --- /dev/null +++ b/hr/stch/beatles/ailh/midis/t.midi diff --git a/hr/stch/beatles/ailh/rina.ly b/hr/stch/beatles/ailh/rina.ly new file mode 100644 index 0000000..1e6dba6 --- /dev/null +++ b/hr/stch/beatles/ailh/rina.ly @@ -0,0 +1,67 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen_rina.ly" +\include "texte.ly" + + \header { + title = "And I Love Her" + %composer = "<+Komponist+>" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + line-width = \paper-width - 50 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = ##f + page-count = 3 + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3) + } + } + + #(set-global-staff-size 14) + + \score { + \new ChoirStaff \with {} << + \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + \addlyrics { \sopranText } + >> + \new Staff = alt << + \new Voice = "alti" { \global \altMelodie } + \addlyrics { \altText } + \addlyrics { \altstz } + >> + %\new Lyrics \lyricsto "altstz" \strIII + \new Staff = tenor << + \new Voice = "tenoere" { \global \tenorMelodie } + \addlyrics { \tenorText } + \addlyrics { \tenstz } + >> + %\new Lyrics \lyricsto "tenstz" \strIII + \new Staff = bass << + \new Voice = "baesse" { \global \bassMelodie } + \addlyrics { \bassText } + >> + >> + %{ + \midi { + \context{ + \Score + tempoWholesPerMinute = #(ly:make-moment 100 4) + } + } + %} + \layout { + } + } + diff --git a/hr/stch/beatles/ailh/stimmen.ly b/hr/stch/beatles/ailh/stimmen.ly new file mode 100644 index 0000000..cdd330f --- /dev/null +++ b/hr/stch/beatles/ailh/stimmen.ly @@ -0,0 +1,315 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + + global = { + \key f \major + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + \autoBeamOff + } + +% Die Stimmen + + sopranMelodie = \relative c'' { + << + { \meta } + \sopranArt + %the actual tune + { + e4. c8 ~ c2 + a4. f8 ~ f2 + e'4. c8 ~ c4 a4 ~ + a1 + r4 r8 a4 g4. + r4 r8 e4 d4. + r4 r8 a'4 g4. + r4 r8 e4 d4. + r4 r8 a'4 g4. + r4 r8 e4 d4. + d1( + f4. g4.) r4 + %f4. g8 ~ g2) + %f2 g2) + e'4. c8 ~ c2 + a4. f8 ~ f2 + %e'4. c8 ~ c2 + e'4. c4. r4 + a4. g8 ~ g2 + \repeat volta 2 { + r4 d8 a'4 g4. + r4 c,8 e4 d4. + r4 d8 a'4 g4. + r4 c,8 e4 f4. + r4 d8 a'4 g4. + r4 c,8 e4 d4. + d1 + d4. e4. d8 c8 + bes2 f'4.( e8 ~ + e1 ~ + e4) r8 a8 a8 a4 g8 ~ + g1 + r8 e'4. c4 a8 c8 ~ + c1 + e2 c4 a8 c8 ~ + c2 a4 c4 + a8( g8) g2. + } \alternative { + { + d'8( c8) c2. + c2. r4 + } + { + d8 c8 c2 r4 + } + } + \key ges \major + ees2.( des8 ces8 + bes1) + r4 ees,8 bes'4 aes4. + r4 des,8 f4 ges4. + ees'2.( des8 ces8) + bes4. ces4. des4 + ees1 + r4 des2. + bes4. ges8 ~ ges2 + f8( ges4) ees8 ~ ees2 + f'4. des4. ees4 ~ + ees1 ~ + ees2 r2 + ees1 ~ + ees1 + \bar "||" + } + >> + } + + altMelodie = \relative c'' { + << + { \meta } + \altArt + %the actual tune + { + g8( a4) e8 ~ e2 + c8( d4) a8 ~ a2 + g'8( a4) e8 ~ e4 d4 ~ + d1 + \break + r4 d2. + r4 c2. + r4 d2. + r4 c2. + \break + r4 d2. + r4 c2. + c1( + %d4. e8 ~ e2) + d4. e4.) r4 + \break% + g8( a4) e8 ~ e2 + c8( d4) a8 ~ a2 + %g'8( a4) e8 ~ e2 + g'8( a4) e4. r4 + c8( d4) bes8 ~ bes2 + \break + %\new Voice = "altstz" { + \repeat volta 2 { + r4 bes4 c4 d4 + g8 f4 a8 ~ a2 + r4 bes,4 c4 d4 + g8( f8 ~ f2.) + \break + r4 bes,4 c4 d4 + g8 f4 a8 ~ a2 + %\break + r4 a4 f4 d4 + c2. d8 c8 + \break + g2 d'4.( c8 ~ + c1 ~ + c4) r8 a'8 g8 f4 e8 ~ + e1 + %\break + r8 a4. a4 f8 g8 ~ + g1 + \break + d2 d4 d8 f8 ~ + f2 a4 c4 + f,4 f2. + } \alternative { + { + a8( e8) e2. + e2. r4 + \pageBreak + } + { + a8 e8 e2 r4 + } + } + %} + \key ges \major + r4 ees8 bes'4 aes4. + r4 des,8 f4 ees4. + r4 ces4 des4 ees4 + aes8( ges8 ~ ges2.) + \break + r4 ees8 bes'4 aes4. + f4. ees4. f4 + aes1 + r4 ees2. + \break + f8( ges4) ees8 ~ ees2 + des8( ees4) bes8 ~ bes2 + des'4. f,4. bes4 ~ + bes1 ~ + bes2 r2 + g1 ~ + g1 + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + \tenorArt + %the actual tune + \clef "treble_8" + { + c4. a8 ~ a2 + f4. d8 ~ d2 + c'4. a8 ~ a4 bes4 ~ + bes1 + r4 g4 a4 bes4 + e8 d4 f8 ~ f2 + r4 g,4 a4 bes4 + e8( d8 ~ d2.) + r4 g,4 a4 bes4 + e8 d4 f8 ~ f2 + r4 f4 d4 bes4 + a8( g8 ~ g2) d8 c8 + d4 a'2. ~ + a1 + %c4. a8 ~ a2 + c4. a4. r4 + f4. d8 ~ d2 + %\new Voice = "tenstz" { + \repeat volta 2 { + r4 g4 a4 bes4 + e8 d4 f8 ~ f2 + r4 g,4 a4 bes4 + e8( d8 ~ d2.) + r4 g,4 a4 bes4 + e8 d4 f8 ~ f2 + r4 f4 d4 bes4 + a8( g8 ~ g2) d8 c8 + d2 a'2 ~ + a1 ~ + a4 r8 a8 a8 a4 c8 ~ + c1 + r8 e4. d4 c8 b8 ~ + b1 + c2 a4 c8 bes8 ~ + bes2 a4 c4 + c8( bes8) bes2. + } \alternative { + { + bes8( g8) g2. + g2. r4 + } + { + bes8 g8 g2 r4 + } + } + %} + \key ges \major + r4 aes4 bes4 ces4 + f8 ees4 ges8 ~ ges2 + r4 aes,4 bes4 ces4 + f8( ees8 ~ ees2.) + r4 aes,4 bes4 ces4 + f8 ees4 ges8 ~ ges2 + r4 ges4 ees4 ces4 + bes8( aes8 ~ aes2) ees8 des8 + ees4 bes'2. ~ + bes2. ees,8 des8 + ees4 bes'2 des4 ~ + des1 ~ + des2 ees,4 des4 + ees2 bes'2 + bes1\fermata + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + \bassArt + %the actual tune + \clef bass + { + f2. f4 + bes,1 + f'4. f8 ~ f4 c4 ~ + c1 + g'8( bes4) c4 bes4. + d,8 a'8 ~ a2 d,4 + g8( bes4) c4 bes4. + d,8 a'8 ~ a2 d,4 + g8( bes4) c4 bes4. + d,8 a'8 ~ a2 c,4 + bes1( ~ + %bes4. c8 ~ c2) + bes4. c4.) r4 + f2. f4 + bes,1 + f'2. f4 + bes,4. c8 ~ c2 + \repeat volta 2 { + g'8( bes4) c4 bes4. + d,8( a'8 ~ a2) d,4 + g8 bes4 c4 bes4. + d,8( a'8 ~ a2) d,4 + g8 bes4 c4 bes4. + d,8 a'8 ~ a2 c,4 + bes1 + bes2. d8 c8 + c2 c4.( f,8 ~ + f1 ~ + f4) r8 a'8 g8 f4 a8 ~ + a1 + r8 f4. f4 f8 a,8 ~ + a1 + bes2 bes4 a8 g8 ~ + g2 r2 + r8 g4 d'8 a'4 g4 + } \alternative { + { + c,4 c2. + c2. r4 + } + { + c4 c2 r4 + } + } + \key ges \major + aes'8 ces4 des4 ces4. + ees,8 bes'8 ~ bes2 ees,4 + aes8 ces4 des4 ces4. + ees,8 bes'8 ~ bes2 ees,4 + aes8 ces4 des4 ces4. + ges,4. aes4. bes4 + fes'1 + r4 ces2. + ces2. ces4 + ges'2. ces,4 + ees4. ees4. ces4 ~ + ces1 ~ + ces2 r2 + f,1 ~ + f1 + } + >> + } + diff --git a/hr/stch/beatles/ailh/stimmen_rina.ly b/hr/stch/beatles/ailh/stimmen_rina.ly new file mode 100644 index 0000000..6b0f18a --- /dev/null +++ b/hr/stch/beatles/ailh/stimmen_rina.ly @@ -0,0 +1,316 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt_rina.ly" + + global = { + \key f \major + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + \autoBeamOff + } + +% Die Stimmen + + sopranMelodie = \relative c'' { + << + { \meta } + \sopranArt + %the actual tune + { + e4. c8 ~ c2 + a4. f8 ~ f2 + e'4. c8 ~ c4 a4 ~ + a1 + r4 r8 a4 g4. + r4 r8 e4 d4. + r4 r8 a'4 g4. + r4 r8 e4 d4. + r4 r8 a'4 g4. + r4 r8 e4 d4. + d1( + %f4. g4.) r4 + f4. g8 ~ g2) + %f2 g2) + e'4. c8 ~ c2 + a4. f8 ~ f2 + %e'4. c8 ~ c2 + e'4. c4. r4 + a4. g8 ~ g2 + \repeat volta 2 { + r4 d8 a'4 g4. + r4 c,8 e4 d4. + r4 d8 a'4 g4. + r4 c,8 e4 f4. + r4 d8 a'4 g4. + r4 c,8 e4 d4. + d1 + d4. e4. d8 c8 + bes2 f'4.( e8 ~ + e1 ~ + e4) r8 a8 a8 a4 c8 ~ + c1 + r8 e4. c4 a8 c8 ~ + c1 + e2 c4 a8 c8 ~ + c2 a4 c4 + a8( g8) g2. + } \alternative { + { + d'8( c8) c2. + c2. r4 + } + { + d8 c8 c2 r4 + } + } + \key ges \major + ees2.( des8 ces8 + bes1) + r4 ees,8 bes'4 aes4. + r4 des,8 f4 ges4. + ees'2.( des8 ces8) + bes4. ces4. des4 + ees1 + r4 des2. + bes4. ges8 ~ ges2 + f8( ges4) ees8 ~ ees2 + f'4. des4. ees4 ~ + ees1 ~ + ees2 r2 + ees1 ~ + ees1 + \bar "||" + } + >> + } + + altMelodie = \relative c'' { + << + { \meta } + \altArt + %the actual tune + { + g8( a4) e8 ~ e2 + c8( d4) a8 ~ a2 + g'8( a4) e8 ~ e4 d4 ~ + d1 + \break + r4 d2. + r4 c2. + r4 d2. + r4 c2. + \break + r4 d2. + r4 c2. + c1( + d4. e8 ~ e2) + %d4. e4.) r4 + \break% + g8( a4) e8 ~ e2 + c8( d4) a8 ~ a2 + %g'8( a4) e8 ~ e2 + g'8( a4) e4. r4 + c8( d4) bes8 ~ bes2 + \break + %\new Voice = "altstz" { + \repeat volta 2 { + r4 bes4 c4 d4 + g8 f4 a8 ~ a2 + r4 bes,4 c4 d4 + g8( f8 ~ f2.) + \break + r4 bes,4 c4 d4 + g8 f4 a8 ~ a2 + %\break + r4 a4 f4 d4 + c2. d8 c8 + \break + g2 d'4.( c8 ~ + c1 ~ + c4) r8 a'8 g8 f4 e8 ~ + e1 + %\break + r8 a4. a4 f8 g8 ~ + g1 + \break + d2 d4 d8 f8 ~ + f2 a4 c4 + f,4 f2. + } \alternative { + { + a8( e8) e2. + e2. r4 + \pageBreak + } + { + a8 e8 e2 r4 + } + } + %} + \key ges \major + r4 ees8 bes'4 aes4. + r4 des,8 f4 ees4. + r4 ces4 des4 ees4 + aes8( ges8 ~ ges2.) + \break + r4 ees8 bes'4 aes4. + f4. ees4. f4 + aes1 + r4 ees2. + \break + f8( ges4) ees8 ~ ees2 + des8( ees4) bes8 ~ bes2 + des'4. f,4. bes4 ~ + bes1 ~ + bes2 r2 + g1 ~ + g1 + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + \tenorArt + %the actual tune + \clef "treble_8" + { + c4. a8 ~ a2 + f4. d8 ~ d2 + c'4. a8 ~ a4 bes4 ~ + bes1 + r4 g4 a4 bes4 + e8 d4 f8 ~ f2 + r4 g,4 a4 bes4 + e8( d8 ~ d2.) + r4 g,4 a4 bes4 + e8 d4 f8 ~ f2 + r4 f4 d4 bes4 + a8( g8 ~ g2) d8 c8 + d4 a'2. ~ + a1 + %c4. a8 ~ a2 + c4. a4. r4 + f4. d8 ~ d2 + %\new Voice = "tenstz" { + \repeat volta 2 { + r4 g4 a4 bes4 + e8 d4 f8 ~ f2 + r4 g,4 a4 bes4 + e8( d8 ~ d2.) + r4 g,4 a4 bes4 + e8 d4 f8 ~ f2 + r4 f4 d4 bes4 + a8( g8 ~ g2) d8 c8 + d2 a'2 ~ + a1 ~ + a4 r8 a8 a8 a4 a8 ~ + a1 + r8 e'4. d4 c8 b8 ~ + b1 + c2 a4 c8 bes8 ~ + bes2 a4 c4 + c8( bes8) bes2. + } \alternative { + { + bes8( g8) g2. + g2. r4 + } + { + bes8 g8 g2 r4 + } + } + %} + \key ges \major + r4 aes4 bes4 ces4 + f8 ees4 ges8 ~ ges2 + r4 aes,4 bes4 ces4 + f8( ees8 ~ ees2.) + r4 aes,4 bes4 ces4 + f8 ees4 ges8 ~ ges2 + r4 ges4 ees4 ces4 + bes8( aes8 ~ aes2) ees8 des8 + ees4 bes'2. ~ + bes2. ees,8 des8 + ees4 bes'2 des4 ~ + des1 ~ + des2 ees,4 des4 + ees2 bes'2 + bes1\fermata + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + \bassArt + %the actual tune + \clef bass + { + f2. f4 + bes,1 + f'4. f8 ~ f4 c4 ~ + c1 + g'8( bes4) c4 bes4. + d,8 a'8 ~ a2 d,4 + g8( bes4) c4 bes4. + d,8 a'8 ~ a2 d,4 + g8( bes4) c4 bes4. + d,8 a'8 ~ a2 c,4 + bes1( ~ + bes4. c8 ~ c2) + %bes4. c4.) r4 + f2. f4 + bes,1 + f'2. f4 + bes,4. c8 ~ c2 + \repeat volta 2 { + g'8( bes4) c4 bes4. + d,8( a'8 ~ a2) d,4 + g8 bes4 c4 bes4. + d,8( a'8 ~ a2) d,4 + g8 bes4 c4 bes4. + d,8 a'8 ~ a2 c,4 + bes1 + bes2. d8 c8 + c2 c4.( f,8 ~ + f1 ~ + f4) r8 a'8 g8 f4 g8 ~ + g1 + r8 f4. f4 f8 a,8 ~ + a1 + bes2 bes4 a8 g8 ~ + g2 r2 + r8 g4 d'8 a'4 g4 + } \alternative { + { + c,4 c2. + c2. r4 + } + { + c4 c2 r4 + } + } + \key ges \major + aes'8 ces4 des4 ces4. + ees,8 bes'8 ~ bes2 ees,4 + aes8 ces4 des4 ces4. + ees,8 bes'8 ~ bes2 ees,4 + aes8 ces4 des4 ces4. + ges,4. aes4. bes4 + fes'1 + r4 ces2. + ces2. ces4 + ges'2. ces,4 + ees4. ees4. ces4 ~ + ces1 ~ + ces2 r2 + f,1 ~ + f1 + } + >> + } + diff --git a/hr/stch/beatles/ailh/texte.ly b/hr/stch/beatles/ailh/texte.ly new file mode 100644 index 0000000..b5bd772 --- /dev/null +++ b/hr/stch/beatles/ailh/texte.ly @@ -0,0 +1,151 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + + oberI = \lyricmode { + Love her, love her, + love her, love, + } + oberII = \lyricmode { + love her, love her, + } + loveIII = \lyricmode { + love her, love her, + love her, love + } + + strI = \lyricmode { + I give her all my love, + that’s all I do. + And if you saw my love + you’d love her too. + } + + strII = \lyricmode { + She gives me ev’ -- ry -- thing + and ten -- der -- ly. + The kiss my lo -- ver brings, + she brings to me. + } + + strIII = \lyricmode { + Bright are the stars that shine, + dark is the sky. + I know this love of mine + will ne -- ver die. + } + + tuttiI = \lyricmode { + And I love her. + A love like ours + could ne -- ver die + as long as I + have you near me, + } + + this = \lyricmode { + this love of mine + } + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + \oberI + \repeat unfold 6 { + doo doo + } + oo + \oberII + \oberII + nah nah nah + … + \repeat unfold 14 { _ } + _ _ _ + \tuttiI + near me. _ near _ me. + oo + doo doo doo doo doo doo + oo + \this + oo + \loveIII + oo + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + \oberI + \repeat unfold 6 { + doo + } + oo + \oberII + %\oberII + %love her, love \set associatedVoice = "altstz" her, + love her, love her, + \strII + \tuttiI + near me. _ near _ me. + doo doo doo doo doo doo + dark is the sky. + doo doo doo + \this + oo + \loveIII + oo + } + + altstz = \lyrics { + \repeat unfold 22 { _ } + \strIII + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + \oberI + \strI + And I + love her. + %\oberII + %love her, love \set associatedVoice = "tenstz" her, + love her, love her, + \strII + \tuttiI + near me _ near _ me. + \strIII + And I love her, + And I love her, + love, + and I love her. _ + } + + tenstz = \lyrics { + \repeat unfold 35 { _ } + \strIII + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + Love her, love, + love her, love, + doo_doo doo doo + doo doo doo + … + \repeat unfold 11 { _ } + oo + love her, love, + \oberII + nah_nah nah nah … + \repeat unfold 14 { _ } + _ _ + \tuttiI + near me _ near me. + doo doo doo doo … + \repeat unfold 13 { _ } + \this + oo + \loveIII + oo + } + diff --git a/hr/stch/beatles/blackbird/a.midi b/hr/stch/beatles/blackbird/a.midi Binary files differnew file mode 100644 index 0000000..41bd90d --- /dev/null +++ b/hr/stch/beatles/blackbird/a.midi diff --git a/hr/stch/beatles/blackbird/alt/blackbird.ly b/hr/stch/beatles/blackbird/alt/blackbird.ly new file mode 100644 index 0000000..13281fb --- /dev/null +++ b/hr/stch/beatles/blackbird/alt/blackbird.ly @@ -0,0 +1,61 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + +\version "2.12" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Blackbird" + composer = "John Lennon/Paul McCartney" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + %between-system-padding=10 + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 15) + + \score { + \new ChoirStaff \with {} << + \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + \addlyrics { \sopranText } + >> + \new Staff = alt << + \new Voice = "alti" { \global \altMelodie } + \addlyrics { \altText } + >> + \new Staff = tenor << + \new Voice = "tenoere" { \global \tenorMelodie } + \addlyrics { \tenorText } + >> + \new Staff = bass << + \new Voice = "baesse" { \global \bassMelodie } + \addlyrics { \bassText } + >> + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/stch/beatles/blackbird/alt/dynArt.ly b/hr/stch/beatles/blackbird/alt/dynArt.ly new file mode 100644 index 0000000..b50193b --- /dev/null +++ b/hr/stch/beatles/blackbird/alt/dynArt.ly @@ -0,0 +1,146 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + s2. + \time 4/4 + s1 + \repeat volta 2 { + \time 3/4 + s2. + \time 4/4 + s1 + s1 + s1 + \time 2/4 + s2 + \time 4/4 + s1 + s1 + s1 + s1 + s1 + } + \break + s1 + s1 + s1 + s1 + \time 2/4 + s2 + \break + \repeat volta 2 { + \time 3/4 + s2. + \time 4/4 + s1 + s1 + s1 + \time 2/4 + s2 + \time 4/4 + s1 + s1 + s1 + } + \break + s1 + s1 + s1 + s1 + \time 2/4 + s2 + \time 3/4 + s2. + \time 4/4 + s1 + s1 + s1 + s1 + s1 + s1 + \break + s1 + s1 + s1 + s1 + \bar "|." + } + +% articulation + + sopranArt = { + s2. + \time 4/4 + s1 + \repeat volta 2 { + \time 3/4 + s2. + \segno + \time 4/4 + s1 + s1 + s1 + \time 2/4 + s2 + \time 4/4 + s1 + s1 + s1 + s1 + \coda + s1 + } + s1 + s1 + s1 + s1 + \time 2/4 + s2 + \repeat volta 2 { + \time 3/4 + s2. + \time 4/4 + s1 + s1 + s1 + \time 2/4 + s2 + \time 4/4 + s1 + s1 + s1 + } + s1 + s1 + s1 + s1 + \time 2/4 + s2 + \time 3/4 + s2. + \time 4/4 + s1 + s1 + s1 + s1 + s1 + s2 s2 + ^\markup{"dal Segno al Coda"} + s1 + \coda + s1 + s1 + s1 + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/beatles/blackbird/alt/stimmen.ly b/hr/stch/beatles/blackbird/alt/stimmen.ly new file mode 100644 index 0000000..92353b1 --- /dev/null +++ b/hr/stch/beatles/blackbird/alt/stimmen.ly @@ -0,0 +1,285 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key g \major + %\override Staff.TimeSignature #'style = #'() + \time 3/4 + %\autoBeamOff + } + +% Die Stimmen + + sopPatA = \relative c'' { + g8 g8 g16 g16 g16 g16 g16 d'8. + } + + sopPatB = \relative c'' { + g8 g16 g16 ~ g8 a8 b16 a16 r8 g8 e8 + a8 g8 b8 a16 g16 ~ g2 + } + + sopPatC = \relative c'' { + } + + sopranMelodie = \relative c'' { + << + { \meta } + \sopranArt + %the actual tune + { + R2. + r1 + \repeat volta 2 { + \sopPatA + d2. r4 + a8 a8 a16 g16 a8 ~ a8 g8 c8 d16 b16 ~ + b4 r4 r2 + a8. b16 ~ b8 g8 ~ + g2. r4 + \sopPatB + \sopPatB + } + c4. a16( g16 ~ g4.) g8 ~ + g2. r4 + c4. a16( g16 ~ g4.) g8 ~ + g2. g'16 f16 d16 f16 ~ + f8 d16 d16 c8 bes16( f16) + \repeat volta 2 { + << + { + \voiceOne g2 r4 + } + \new Voice { + \voiceTwo \sopPatA + } + >> + \oneVoice + d'2. r4 + a8 a8 a16 g16 a8 ~ a8 g8 c8 d16 b16 ~ + b2. r4 + a4 b8 g8 ~ + g2. r4 + g8 g8 g8 a8 b16 a16 r8 g8 e8 + a8 b8 a8 g16 g16 ~ g2 + } + c4. a16( g16 ~ g4.) g8 ~ + g2. r4 + c4. a16( g16 ~ g4.) g8 ~ + g2. g'16 f16 d16 f16 ~ + f8 d16 d16 c8 bes16( f16) + g2 r4 + r1 + r1 + r1 + r1 + r1 + r1 + % coda + g8 g16 g16 ~ g16 a16( g8) b16 a16 r8 g8 e8 + a8 b8 a8 g16 g16 ~ g2 + g8 g16 g16 ~ g16 a16( g8) b16 a16 r8 g8 e8 + a8 g8 b16 a16 g8 ~ g2 + } + >> + } + + altPatA = \relative c' { + b4 c4 d4 + b'2. r4 + } + + altPatB = \relative c' { + e4 g4 fis4 a4 + g2. r4 + } + + altPatC = \relative c' { + e2 ees2 + d2 cis2 + c2 b4 r4 + } + + altPatD = \relative c'' { + a4 g4 f4 e4 + d2 e2 + a4 g4 f4 e4 + d2 cis2 + c2 + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + \altPatA + \repeat volta 2 { + \altPatA + \altPatB + fis4 g4 + \altPatC + e4 d4 cis2 + c2 b4 r4 + } + \altPatD + \repeat volta 2 { + \altPatA + \altPatB + fis'4 g4 + \altPatC + } + \altPatD + b,4 c4 d4 + b'2 b8 b8 b16 b16 b8 + b8 b16 b16 b16 b16 b8 b8 b8 b16 b16 b8 + b8 b8 b8 b8 b8 b8 b4 ~ + b2. r8 b8 + b,4 c4 d4 e4 + d4 cis4 c2 + % coda + e4 d4 cis2 + c2 b4 r4 + e4 d4 cis2 + c2 r8 <b g'>4. + } + >> + } + + tenPatA = \relative c' { + g8 g8 g8 g8 + } + + tenPatB = \relative c' { + r8 g16 g16 ~ g16 g16 g8 g8 g16 g16 ~ g16 g16 g8 + } + + tenPatC = \relative c' { + \tenPatA g8 g8 + } + + tenPatD = \relative c' { + \tenPatA \tenPatA + } + + tenPatE = \relative c' { + r8 g4 g8 ~ g8 g4 g8 ~ + g8 g16 g16 ~ g16 g16 g8 g8 g16 g16 ~ g16 g16 g8 + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + \tenPatC + \tenPatB + \repeat volta 2 { + \tenPatC + \tenPatB + \tenPatD + \tenPatB + \tenPatA + \tenPatB + \tenPatB + \tenPatB + r8 g4 g8 ~ g8 g16 g16 ~ g16 g16 g8 + \tenPatB + } + \tenPatE + \tenPatE + r8 g16 g16 ~ g16 g16 g8 + \repeat volta 2 { + \tenPatC + \tenPatB + \tenPatD + \tenPatB + \tenPatA + \tenPatB + \tenPatB + \tenPatB + } + \tenPatE + \tenPatE + r8 g16 g16 ~ g16 g16 g8 + \tenPatC + r8 g16 g16 g16 g16 g8 g8 g8 g16 g16 g8 + g8 g16 g16 g16 g16 g8 g8 g16 g16 ~ g16 g16 g8 + g8 g8 g8 g8 g8 g8 g4 ~ + g2. r8 g8 ~ + g8 g4 g8 ~ g8 g4 g8 ~ + g8 g4 g8 ~ g8 g16 g16 ~ g16 g16 g8 + %coda + r8 g4 g8 ~ g8 g16 g16 ~ g16 g16 g8 + \tenPatB + r8 g4 g8 ~ g8 g16 g16 ~ g16 g16 g8 + r8 g16 g16 ~ g16 g16 g8 r8 g4. + } + >> + } + + bassPatA = \relative c { + g4 a4 b4 + g'2. r4 + } + + bassPatB = \relative c { + c4 cis4 d4 dis4 + e4 e4 ees4 ees4 + d4 cis4 c4 c4 c4 c4 + b4 b4 a4 a4 + d4 d4 g,4 g4 + } + + bassPatC = \relative c { + f4 e4 d4 c4 + bes4 bes4 c4 c4 + f4 e4 d4 c4 + bes4 bes4 a4 a4 + d4 d4 + } + + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + \bassPatA + \repeat volta 2 { + \bassPatA + \bassPatB + c4 b4 a4 a4 + d4 d4 g,4 g4 + } + \bassPatC + \repeat volta 2 { + \bassPatA + \bassPatB + } + \bassPatC + g4 a4 b4 + g'4 g4 g4 g4 + g4 g4 g4 r4 + r1 + r2 r4 r8 + \override Staff.NoteHead #'style = #'cross + g8 + \override Staff.NoteHead #'style = #'default + g,4 a4 b4 c4 + b4 a4 d4 d4 + % coda + c4 b4 a4 a4 + d4 d4 g,4 g4 + c4 b4 a4 a4 + d4 d4 g,2 + } + >> + } + diff --git a/hr/stch/beatles/blackbird/alt/texte.ly b/hr/stch/beatles/blackbird/alt/texte.ly new file mode 100644 index 0000000..b6d8916 --- /dev/null +++ b/hr/stch/beatles/blackbird/alt/texte.ly @@ -0,0 +1,110 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + +% Abkürzungen + + tacetA = \lyricmode { + _ _ _ _ _ _ _ _ _ + } + + tacetB = \lyricmode { + _ _ _ + } + + tacetC = \lyricmode { + _ _ _ _ _ _ _ _ _ _ _ _ _ + } + + blackbird = \lyricmode { + Black -- bird, fly, + Black -- bird, fly, + in -- to the light of a dark, black night. + } + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + Black -- bird sin -- ging in the dead of night + Take these bro -- ken wings and learn to fly; + All your life + You were on -- ly wait -- ing for this mo -- ment to a -- rise. + _ + \tacetC + \blackbird + \tacetA + \tacetB + \tacetC + \blackbird + You were on -- ly wait -- ing for this mo -- ment to a -- rise. + You were on -- ly wait -- ing for this mo -- ment to a -- rise. + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + Dn dn dn dnn + Dn dn dn dnn … _ _ _ _ + \tacetC + \tacetC + \tacetA + _ _ %_ _ _ _ _ _ + \tacetC + \tacetA + _ dn dn dng -- a dn dn dng -- a dng -- a dn dn dn dng -- a dn + dn dn dn dn dn dn dnn … + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + Dn dn dn dn dn dn + a dng -- a dn dng -- a dng -- a dn + Dn dn dn dn dn dn + a dng -- a dn dng -- a dng -- a dn + … _ _ _ _ _ _ _ + \tacetA + _ _ _ _ + \tacetA + \tacetA + \tacetA + \tacetB + \tacetB + \tacetA + \tacetC + \tacetC + _ _ _ _ + \tacetB + \tacetB + \tacetA + _ _ _ _ _ _ _ _ + \tacetA + _ _ _ _ + \tacetA + \tacetA + \tacetA + \tacetC + \tacetC + _ _ _ _ + \tacetB + \tacetB + dng -- a dng -- a dn dn dn dng -- a dn + dn dng -- a dng -- a dn dn dn dng -- a dn + dn dn dn dn dn dn dnn + Dn … + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + Dn dn dn dnn + Dn dn dn dnn … _ _ _ _ + \tacetC + \tacetC + \tacetA + _ %_ _ _ _ _ + \tacetC + \tacetA + \tacetC + \tacetC + \tacetC + Frrr, + Dn dn dn dn … + } + diff --git a/hr/stch/beatles/blackbird/b.midi b/hr/stch/beatles/blackbird/b.midi Binary files differnew file mode 100644 index 0000000..6a8a88b --- /dev/null +++ b/hr/stch/beatles/blackbird/b.midi diff --git a/hr/stch/beatles/blackbird/blackbird.ly b/hr/stch/beatles/blackbird/blackbird.ly new file mode 100644 index 0000000..ee6bec1 --- /dev/null +++ b/hr/stch/beatles/blackbird/blackbird.ly @@ -0,0 +1,65 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Blackbird" + composer = "John Lennon/Paul McCartney" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + system-count = 12 + page-count = 2 + %between-system-padding=10 + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 14) + + \score { + \new ChoirStaff \with {} << + \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + >> + \new Lyrics = sop {s1} + \new Staff = alt << + \new Voice = "alti" { \global \altMelodie } + >> + \new Lyrics = alt {s1} + \new Lyrics = ten {s1} + \new Staff = tenor << + \new Voice = "tenoere" { \global \voiceOne \tenorMelodie } + \new Voice = "baesse" { \global \voiceTwo \bassMelodie } + >> + \new Lyrics = bass {s1} + \context Lyrics = sop \lyricsto soprane \sopranText + \context Lyrics = alt \lyricsto alti \altText + \context Lyrics = ten \lyricsto tenoere \tenorText + \context Lyrics = bass \lyricsto baesse \bassText + >> + \midi { + \context{ + \Score + tempoWholesPerMinute = #(ly:make-moment 72 4) + } + } + %\layout { + %} + } + diff --git a/hr/stch/beatles/blackbird/blackbird.midi b/hr/stch/beatles/blackbird/blackbird.midi Binary files differnew file mode 100644 index 0000000..27d2a28 --- /dev/null +++ b/hr/stch/beatles/blackbird/blackbird.midi diff --git a/hr/stch/beatles/blackbird/dynArt.ly b/hr/stch/beatles/blackbird/dynArt.ly new file mode 100644 index 0000000..ad57c50 --- /dev/null +++ b/hr/stch/beatles/blackbird/dynArt.ly @@ -0,0 +1,178 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + s2. + \time 4/4 + s1 + \repeat volta 2 { + \time 3/4 + s2. + \time 4/4 + s1 + \break + s1 + s1 + \time 2/4 + s2 + \time 4/4 + s1 + \break + s1 + s1 + s1 + s1 + } + \break + s1 + s1 + s1 + s1 + \time 2/4 + s2 + \break + \repeat volta 2 { + \time 3/4 + s2. + \time 4/4 + s1 + s1 + s1 + \break + \time 2/4 + s2 + \time 4/4 + s1 + s1 + s1 + } + \break + s1 + s1 + s1 + s1 + \break + \time 2/4 + s2 + \time 3/4 + s2. + \time 4/4 + s1 + s1 + \break + s1 + s1 + s1 + s1 + \break + \time 3/4 + s2. + \time 4/4 + s1 + s1 + s1 + \break + \time 2/4 + s2 + \time 4/4 + s1 + s1 + s1 + \break + s1 + s1 + s1 + s1 + \bar "|." + } + +% articulation + + sopranArt = { + s2. + \time 4/4 + s1 + \repeat volta 2 { + \time 3/4 + s2. + %\segno + \time 4/4 + s1 + s1 + s1 + \time 2/4 + s2 + \time 4/4 + s1 + s1 + s1 + s1 + %\coda + s1 + } + s1 + s1 + s1 + s1 + \time 2/4 + s2 + \repeat volta 2 { + \time 3/4 + s2. + \time 4/4 + s1 + s1 + s1 + \time 2/4 + s2 + \time 4/4 + s1 + s1 + s1 + } + s1 + s1 + s1 + s1 + \time 2/4 + s2 + \time 3/4 + s2. + \time 4/4 + s1 + s1 + s1 + s1 + s1 + s2 s2 + %^\markup{"dal Segno al Coda"} + \time 3/4 + s2. + %\segno + \time 4/4 + s1 + s1 + s1 + \time 2/4 + s2 + \time 4/4 + s1 + s1 + s1 + s1 + %\coda + s1 + s1 + s1 + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/beatles/blackbird/midi.lua b/hr/stch/beatles/blackbird/midi.lua new file mode 100644 index 0000000..f8b2520 --- /dev/null +++ b/hr/stch/beatles/blackbird/midi.lua @@ -0,0 +1,50 @@ + -- some settings -- vim: ai sw=2 lbr nu encoding=utf8 et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + +\version "2.12" +\include "stimmen.ly" + + \score { +]] + +post=[[ + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/beatles/blackbird/neu4/blackbird.ly b/hr/stch/beatles/blackbird/neu4/blackbird.ly new file mode 100644 index 0000000..13281fb --- /dev/null +++ b/hr/stch/beatles/blackbird/neu4/blackbird.ly @@ -0,0 +1,61 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + +\version "2.12" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Blackbird" + composer = "John Lennon/Paul McCartney" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + %between-system-padding=10 + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 15) + + \score { + \new ChoirStaff \with {} << + \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + \addlyrics { \sopranText } + >> + \new Staff = alt << + \new Voice = "alti" { \global \altMelodie } + \addlyrics { \altText } + >> + \new Staff = tenor << + \new Voice = "tenoere" { \global \tenorMelodie } + \addlyrics { \tenorText } + >> + \new Staff = bass << + \new Voice = "baesse" { \global \bassMelodie } + \addlyrics { \bassText } + >> + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/stch/beatles/blackbird/neu4/dynArt.ly b/hr/stch/beatles/blackbird/neu4/dynArt.ly new file mode 100644 index 0000000..540787d --- /dev/null +++ b/hr/stch/beatles/blackbird/neu4/dynArt.ly @@ -0,0 +1,171 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + s2. + \time 4/4 + s1 + \repeat volta 2 { + \time 3/4 + s2. + \time 4/4 + s1 + s1 + s1 + \time 2/4 + s2 + \time 4/4 + s1 + s1 + s1 + s1 + s1 + } + \break + s1 + s1 + s1 + s1 + \time 2/4 + s2 + \break + \repeat volta 2 { + \time 3/4 + s2. + \time 4/4 + s1 + s1 + s1 + \time 2/4 + s2 + \time 4/4 + s1 + s1 + s1 + } + \break + s1 + s1 + s1 + s1 + \time 2/4 + s2 + \time 3/4 + s2. + \time 4/4 + s1 + s1 + s1 + s1 + s1 + s1 + \time 3/4 + s2. + \time 4/4 + s1 + s1 + s1 + \time 2/4 + s2 + \time 4/4 + s1 + s1 + s1 + \break + s1 + s1 + s1 + s1 + \bar "|." + } + +% articulation + + sopranArt = { + s2. + \time 4/4 + s1 + \repeat volta 2 { + \time 3/4 + s2. + %\segno + \time 4/4 + s1 + s1 + s1 + \time 2/4 + s2 + \time 4/4 + s1 + s1 + s1 + s1 + %\coda + s1 + } + s1 + s1 + s1 + s1 + \time 2/4 + s2 + \repeat volta 2 { + \time 3/4 + s2. + \time 4/4 + s1 + s1 + s1 + \time 2/4 + s2 + \time 4/4 + s1 + s1 + s1 + } + s1 + s1 + s1 + s1 + \time 2/4 + s2 + \time 3/4 + s2. + \time 4/4 + s1 + s1 + s1 + s1 + s1 + s2 s2 + %^\markup{"dal Segno al Coda"} + \time 3/4 + s2. + %\segno + \time 4/4 + s1 + s1 + s1 + \time 2/4 + s2 + \time 4/4 + s1 + s1 + s1 + s1 + %\coda + s1 + s1 + s1 + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/beatles/blackbird/neu4/stimmen.ly b/hr/stch/beatles/blackbird/neu4/stimmen.ly new file mode 100644 index 0000000..be2f1b4 --- /dev/null +++ b/hr/stch/beatles/blackbird/neu4/stimmen.ly @@ -0,0 +1,305 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key g \major + %\override Staff.TimeSignature #'style = #'() + \time 3/4 + %\autoBeamOff + } + +% Die Stimmen + + sopPatA = \relative c'' { + g8 g8 g16 g16 g16 g16 g16 d'8. + } + + sopPatB = \relative c'' { + g8 g16 g16 ~ g8 a8 b16 a16 r8 g8 e8 + a8 g8 b8 a16 g16 ~ g2 + } + + sopPatC = \relative c'' { + } + + sopSAC = \relative c'' { + \sopPatA + d2. r4 + a8 a8 a16 g16 a8 ~ a8 g8 c8 d16 b16 ~ + b4 r4 r2 + a8. b16 ~ b8 g8 ~ + g2. r4 + \sopPatB + } + + sopranMelodie = \relative c'' { + << + { \meta } + \sopranArt + %the actual tune + { + R2. + r1 + \repeat volta 2 { + \sopSAC + \sopPatB + } + c4. a16( g16 ~ g4.) g8 ~ + g2. r4 + c4. a16( g16 ~ g4.) g8 ~ + g2. g'16 f16 d16 f16 ~ + f8 d16 d16 c8 bes16( f16) + \repeat volta 2 { + << + { + \voiceOne g2 r4 + } + \new Voice { + \voiceTwo \sopPatA + } + >> + \oneVoice + d'2. r4 + a8 a8 a16 g16 a8 ~ a8 g8 c8 d16 b16 ~ + b2. r4 + a4 b8 g8 ~ + g2. r4 + g8 g8 g8 a8 b16 a16 r8 g8 e8 + a8 b8 a8 g16 g16 ~ g2 + } + c4. a16( g16 ~ g4.) g8 ~ + g2. r4 + c4. a16( g16 ~ g4.) g8 ~ + g2. g'16 f16 d16 f16 ~ + f8 d16 d16 c8 bes16( f16) + g2 r4 + r1 + r1 + r1 + r1 + r1 + r1 + \sopSAC + % coda + g8 g16 g16 ~ g16 a16( g8) b16 a16 r8 g8 e8 + a8 b8 a8 g16 g16 ~ g2 + g8 g16 g16 ~ g16 a16( g8) b16 a16 r8 g8 e8 + a8 g8 b16 a16 g8 ~ g2 + } + >> + } + + altPatA = \relative c' { + b4 c4 d4 + b'2. r4 + } + + altPatB = \relative c' { + e4 g4 fis4 a4 + g2. r4 + } + + altPatC = \relative c' { + e2 ees2 + d2 cis2 + c2 b4 r4 + } + + altPatD = \relative c'' { + a4 g4 f4 e4 + d2 e2 + a4 g4 f4 e4 + d2 cis2 + c2 + } + + altSAC = \relative c' { + \altPatA + \altPatB + fis4 g4 + \altPatC + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + \altPatA + \repeat volta 2 { + \altSAC + e4 d4 cis2 + c2 b4 r4 + } + \altPatD + \repeat volta 2 { + \altPatA + \altPatB + fis'4 g4 + \altPatC + } + \altPatD + b,4 c4 d4 + b'2 b8 b8 b16 b16 b8 + b8 b16 b16 b16 b16 b8 b8 b8 b16 b16 b8 + b8 b8 b8 b8 b8 b8 b4 ~ + b2. r8 b8 + b,4 c4 d4 e4 + d4 cis4 c2 + \altSAC + % coda + e4 d4 cis2 + c2 b4 r4 + e4 d4 cis2 + c2 r8 <b g'>4. + } + >> + } + + tenPatA = \relative c' { + g8 g8 g8 g8 + } + + tenPatB = \relative c' { + r8 g16 g16 ~ g16 g16 g8 g8 g16 g16 ~ g16 g16 g8 + } + + tenPatC = \relative c' { + \tenPatA g8 g8 + } + + tenPatD = \relative c' { + \tenPatA \tenPatA + } + + tenPatE = \relative c' { + r8 g4 g8 ~ g8 g4 g8 ~ + g8 g16 g16 ~ g16 g16 g8 g8 g16 g16 ~ g16 g16 g8 + } + + tenSAC = \relative c' { + \tenPatC + \tenPatB + \tenPatD + \tenPatB + \tenPatA + \tenPatB + \tenPatB + \tenPatB + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + \tenPatC + \tenPatB + \repeat volta 2 { + \tenSAC + r8 g4 g8 ~ g8 g16 g16 ~ g16 g16 g8 + \tenPatB + } + \tenPatE + \tenPatE + r8 g16 g16 ~ g16 g16 g8 + \repeat volta 2 { + \tenPatC + \tenPatB + \tenPatD + \tenPatB + \tenPatA + \tenPatB + \tenPatB + \tenPatB + } + \tenPatE + \tenPatE + r8 g16 g16 ~ g16 g16 g8 + \tenPatC + r8 g16 g16 g16 g16 g8 g8 g8 g16 g16 g8 + g8 g16 g16 g16 g16 g8 g8 g16 g16 ~ g16 g16 g8 + g8 g8 g8 g8 g8 g8 g4 ~ + g2. r8 g8 ~ + g8 g4 g8 ~ g8 g4 g8 ~ + g8 g4 g8 ~ g8 g16 g16 ~ g16 g16 g8 + \tenSAC + %coda + r8 g4 g8 ~ g8 g16 g16 ~ g16 g16 g8 + \tenPatB + r8 g4 g8 ~ g8 g16 g16 ~ g16 g16 g8 + r8 g16 g16 ~ g16 g16 g8 r8 g4. + } + >> + } + + bassPatA = \relative c { + g4 a4 b4 + g'2. r4 + } + + bassPatB = \relative c { + c4 cis4 d4 dis4 + e4 e4 ees4 ees4 + d4 cis4 c4 c4 c4 c4 + b4 b4 a4 a4 + d4 d4 g,4 g4 + } + + bassPatC = \relative c { + f4 e4 d4 c4 + bes4 bes4 c4 c4 + f4 e4 d4 c4 + bes4 bes4 a4 a4 + d4 d4 + } + + bassSAC = \relative c' { + \bassPatA + \bassPatB + } + + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + \bassPatA + \repeat volta 2 { + \bassSAC + c4 b4 a4 a4 + d4 d4 g,4 g4 + } + \bassPatC + \repeat volta 2 { + \bassPatA + \bassPatB + } + \bassPatC + g4 a4 b4 + g'4 g4 g4 g4 + g4 g4 g4 r4 + r1 + r2 r4 r8 + \override Staff.NoteHead #'style = #'cross + g8 + \override Staff.NoteHead #'style = #'default + g,4 a4 b4 c4 + b4 a4 d4 d4 + \bassSAC + % coda + c4 b4 a4 a4 + d4 d4 g,4 g4 + c4 b4 a4 a4 + d4 d4 g,2 + } + >> + } + diff --git a/hr/stch/beatles/blackbird/neu4/texte.ly b/hr/stch/beatles/blackbird/neu4/texte.ly new file mode 100644 index 0000000..7e2841b --- /dev/null +++ b/hr/stch/beatles/blackbird/neu4/texte.ly @@ -0,0 +1,128 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + +% Abkürzungen + + tacetA = \lyricmode { + _ _ _ _ _ _ _ _ _ + } + + tacetB = \lyricmode { + _ _ _ + } + + tacetC = \lyricmode { + _ _ _ _ _ _ _ _ _ _ _ _ _ + } + + blackbird = \lyricmode { + Black -- bird, fly, + Black -- bird, fly, + in -- to the light of a dark, black night. + } + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + Black -- bird sin -- ging in the dead of night + Take these bro -- ken wings and learn to fly; + All your life + You were on -- ly wait -- ing for this mo -- ment to a -- rise. + \tacetC + \blackbird + _ + \tacetA + \tacetB + \tacetC + \blackbird + Black -- bird sin -- ging in the dead of night + Take these bro -- ken wings and learn to fly; + All your life + You were on -- ly wait -- ing for this mo -- ment to a -- rise. + You were on -- ly wait -- ing for this mo -- ment to a -- rise. + You were on -- ly wait -- ing for this mo -- ment to a -- rise. + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + Dn dn dn dnn + Dn dn dn dnn … _ _ _ _ + \tacetC + \tacetC + \tacetA + _ _ %_ _ _ _ _ _ + \tacetC + \tacetA + _ dn dn dng -- a dn dn dng -- a dng -- a dn dn dn dng -- a dn + dn dn dn dn dn dn dnn … + _ _ _ _ _ _ _ + Dn dn dn dnn … _ _ _ + \tacetC + \tacetA + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + Dn dn dn dn dn dn + a dng -- a dn dng -- a dng -- a dn + Dn dn dn dn dn dn + a dng -- a dn dng -- a dng -- a dn + … _ _ _ _ _ _ _ + \tacetA + _ _ _ _ + \tacetA + \tacetA + \tacetA + \tacetB + \tacetB + \tacetA + \tacetC + \tacetC + _ _ _ _ + \tacetB + \tacetB + \tacetA + _ _ _ _ _ _ _ _ + \tacetA + _ _ _ _ + \tacetA + \tacetA + \tacetA + \tacetC + \tacetC + _ _ _ _ + \tacetB + \tacetB + dng -- a dng -- a dn dn dn dng -- a dn + dn dng -- a dng -- a dn dn dn dng -- a dn + dn dn dn dn dn dn dnn + Dn … _ _ _ _ _ _ _ _ _ + Dn dn dn dn dn dn + a dng -- a dn dng -- a dng -- a dn + … _ _ _ _ _ _ _ + \tacetA + _ _ _ _ + \tacetA + \tacetA + \tacetA + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + Dn dn dn dnn + Dn dn dn dnn … _ _ _ _ + \tacetC + \tacetC + \tacetA + _ %_ _ _ _ _ + \tacetC + \tacetA + \tacetC + \tacetC + \tacetC + Frrr, + Dn dn dn dn … _ _ _ + Dn dn dn dnn … _ _ _ _ _ _ _ _ + \tacetC + } + diff --git a/hr/stch/beatles/blackbird/s.midi b/hr/stch/beatles/blackbird/s.midi Binary files differnew file mode 100644 index 0000000..8c94071 --- /dev/null +++ b/hr/stch/beatles/blackbird/s.midi diff --git a/hr/stch/beatles/blackbird/stimmen.ly b/hr/stch/beatles/blackbird/stimmen.ly new file mode 100644 index 0000000..919db58 --- /dev/null +++ b/hr/stch/beatles/blackbird/stimmen.ly @@ -0,0 +1,305 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key g \major + %\override Staff.TimeSignature #'style = #'() + \time 3/4 + %\autoBeamOff + } + +% Die Stimmen + + sopPatA = \relative c'' { + g8 g8 g16 g16 g16 g16 g16 d'8. + } + + sopPatB = \relative c'' { + g8 g16 g16 ~ g8 a8 b16 a16 r8 g8 e8 + a8 g8 b8 a16 g16 ~ g2 + } + + sopPatC = \relative c'' { + } + + sopSAC = \relative c'' { + \sopPatA + d2. r4 + a8 a8 a16 g16 a8 ~ a8 g8 c8 d16 b16 ~ + b4 r4 r2 + a8. b16 ~ b8 g8 ~ + g2. r4 + \sopPatB + } + + sopranMelodie = \relative c'' { + << + { \meta } + \sopranArt + %the actual tune + { + R2. + r1 + \repeat volta 2 { + \sopSAC + \sopPatB + } + c4. a16( g16 ~ g4.) g8 ~ + g2. r4 + c4. a16( g16 ~ g4.) g8 ~ + g2. g'16 f16 d16 f16 ~ + f8 d16 d16 c8 bes16( f16) + \repeat volta 2 { + << + { + \voiceOne g2 r4 + } + \new Voice { + \voiceTwo \sopPatA + } + >> + \oneVoice + d'2. r4 + a8 a8 a16 g16 a8 ~ a8 g8 c8 d16 b16 ~ + b2. r4 + a4 b8 g8 ~ + g2. r4 + g8 g8 g8 a8 b16 a16 r8 g8 e8 + a8 b8 a8 g16 g16 ~ g2 + } + c4. a16( g16 ~ g4.) g8 ~ + g2. r4 + c4. a16( g16 ~ g4.) g8 ~ + g2. g'16 f16 d16 f16 ~ + f8 d16 d16 c8 bes16( f16) + g2 r4 + r1 + r1 + r1 + r1 + r1 + r1 + \sopSAC + % coda + g8 g16 g16 ~ g16 a16( g8) b16 a16 r8 g8 e8 + a8 b8 a8 g16 g16 ~ g2 + g8 g16 g16 ~ g16 a16( g8) b16 a16 r8 g8 e8 + a8 g8 b16 a16 g8 ~ g2 + } + >> + } + + altPatA = \relative c' { + b4 c4 d4 + b'2. r4 + } + + altPatB = \relative c' { + e4 g4 fis4 a4 + g2. r4 + } + + altPatC = \relative c' { + e2 ees2 + d2 cis2 + c2 b4 r4 + } + + altPatD = \relative c'' { + a4 g4 f4 e4 + d2 e2 + a4 g4 f4 e4 + d2 cis2 + c2 + } + + altSAC = \relative c' { + \altPatA + \altPatB + fis4 g4 + \altPatC + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + \altPatA + \repeat volta 2 { + \altSAC + e4 d4 cis2 + c2 b4 r4 + } + \altPatD + \repeat volta 2 { + \altPatA + \altPatB + fis'4 g4 + \altPatC + } + \altPatD + b,4 c4 d4 + b'2 b8 b8 b16 b16 b8 + b8 b16 b16 b16 b16 b8 b8 b8 b16 b16 b8 + b8 b8 b8 b8 b8 b8 b4 ~ + b2. r8 b8 + b,4 c4 d4 e4 + d4 cis4 c2 + \altSAC + % coda + e4 d4 cis2 + c2 b4 r4 + e4 d4 cis2 + c2 r8 <b g'>4. + } + >> + } + + tenPatA = \relative c' { + g8 g8 g8 g8 + } + + tenPatB = \relative c' { + r8 g16 g16 ~ g16 g16 g8 g8 g16 g16 ~ g16 g16 g8 + } + + tenPatC = \relative c' { + \tenPatA g8 g8 + } + + tenPatD = \relative c' { + \tenPatA \tenPatA + } + + tenPatE = \relative c' { + r8 g4 g8 ~ g8 g4 g8 ~ + g8 g16 g16 ~ g16 g16 g8 g8 g16 g16 ~ g16 g16 g8 + } + + tenSAC = \relative c' { + \tenPatC + \tenPatB + \tenPatD + \tenPatB + \tenPatA + \tenPatB + \tenPatB + \tenPatB + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + \tenPatC + \tenPatB + \repeat volta 2 { + \tenSAC + r8 g4 g8 ~ g8 g16 g16 ~ g16 g16 g8 + \tenPatB + } + \tenPatE + \tenPatE + r8 g16 g16 ~ g16 g16 g8 + \repeat volta 2 { + \tenPatC + \tenPatB + \tenPatD + \tenPatB + \tenPatA + \tenPatB + \tenPatB + \tenPatB + } + \tenPatE + \tenPatE + r8 g16 g16 ~ g16 g16 g8 + \tenPatC + r8 g16 g16 g16 g16 g8 g8 g8 g16 g16 g8 + g8 g16 g16 g16 g16 g8 g8 g16 g16 ~ g16 g16 g8 + g8 g8 g8 g8 g8 g8 g4 ~ + g2. r8 g8 ~ + g8 g4 g8 ~ g8 g4 g8 ~ + g8 g4 g8 ~ g8 g16 g16 ~ g16 g16 g8 + \tenSAC + %coda + r8 g4 g8 ~ g8 g16 g16 ~ g16 g16 g8 + \tenPatB + r8 g4 g8 ~ g8 g16 g16 ~ g16 g16 g8 + r8 g16 g16 ~ g16 g16 g8 r8 g4. + } + >> + } + + bassPatA = \relative c { + g4 a4 b4 + g'2. r4 + } + + bassPatB = \relative c { + c4 cis4 d4 dis4 + e4 e4 ees4 ees4 + d4 cis4 c4 c4 c4 c4 + b4 b4 a4 a4 + d4 d4 g,4 g4 + } + + bassPatC = \relative c { + f4 e4 d4 c4 + bes4 bes4 c4 c4 + f4 e4 d4 c4 + bes4 bes4 a4 a4 + d4 d4 + } + + bassSAC = \relative c' { + \bassPatA + \bassPatB + } + + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + \bassPatA + \repeat volta 2 { + \bassSAC + c4 b4 a4 a4 + d4 d4 g,4 g4 + } + \bassPatC + \repeat volta 2 { + \bassPatA + \bassPatB + } + \bassPatC + g4 a4 b4 + g'4 g4 g4 g4 + g4 g4 g4 r4 + r1 + r2 r4 r8 + \override Staff.NoteHead #'style = #'cross + g8 + \override Staff.NoteHead #'style = #'default + g,4 a4 b4 c4 + b4 a4 d4 d4 + \bassSAC + % coda + c4 b4 a4 a4 + d4 d4 g,4 g4 + c4 b4 a4 a4 + d4 d4 g,2 + } + >> + } + diff --git a/hr/stch/beatles/blackbird/t.midi b/hr/stch/beatles/blackbird/t.midi Binary files differnew file mode 100644 index 0000000..0873a76 --- /dev/null +++ b/hr/stch/beatles/blackbird/t.midi diff --git a/hr/stch/beatles/blackbird/texte.ly b/hr/stch/beatles/blackbird/texte.ly new file mode 100644 index 0000000..7ed4563 --- /dev/null +++ b/hr/stch/beatles/blackbird/texte.ly @@ -0,0 +1,128 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + + tacetA = \lyricmode { + _ _ _ _ _ _ _ _ _ + } + + tacetB = \lyricmode { + _ _ _ + } + + tacetC = \lyricmode { + _ _ _ _ _ _ _ _ _ _ _ _ _ + } + + blackbird = \lyricmode { + Black -- bird, fly, + Black -- bird, fly, + in -- to the light of a dark, black night. + } + +% Die Textaufteilungen + + sopranText = \lyricmode { + %<+hier den Text für den Sopran eintragen+> + Black -- bird sin -- ging in the dead of night + Take these bro -- ken wings and learn to fly; + All your life + You were on -- ly wait -- ing for this mo -- ment to a -- rise. + \tacetC + \blackbird + _ + \tacetA + \tacetB + \tacetC + \blackbird + Black -- bird sin -- ging in the dead of night + Take these bro -- ken wings and learn to fly; + All your life + You were on -- ly wait -- ing for this mo -- ment to a -- rise. + You were on -- ly wait -- ing for this mo -- ment to a -- rise. + You were on -- ly wait -- ing for this mo -- ment to a -- rise. + } + + altText = \lyricmode { + %<+hier den Text für den Alt eintragen+> + Dn dn dn dnn + Dn dn dn dnn … _ _ _ _ + \tacetC + \tacetC + \tacetA + _ _ %_ _ _ _ _ _ + \tacetC + \tacetA + _ dn dn dng -- a dn dn dng -- a dng -- a dn dn dn dng -- a dn + dn dn dn dn dn dn dnn … + _ _ _ _ _ _ _ + Dn dn dn dnn … _ _ _ + \tacetC + \tacetA + } + + tenorText = \lyricmode { + %<+hier den Text für den Tenor eintragen+> + Dn dn dn dn dn dn + a dng -- a dn dng -- a dng -- a dn + Dn dn dn dn dn dn + a dng -- a dn dng -- a dng -- a dn + … _ _ _ _ _ _ _ + \tacetA + _ _ _ _ + \tacetA + \tacetA + \tacetA + \tacetB + \tacetB + \tacetA + \tacetC + \tacetC + _ _ _ _ + \tacetB + \tacetB + \tacetA + _ _ _ _ _ _ _ _ + \tacetA + _ _ _ _ + \tacetA + \tacetA + \tacetA + \tacetC + \tacetC + _ _ _ _ + \tacetB + \tacetB + dng -- a dng -- a dn dn dn dng -- a dn + dn dng -- a dng -- a dn dn dn dng -- a dn + dn dn dn dn dn dn dnn + Dn … _ _ _ _ _ _ _ _ _ + Dn dn dn dn dn dn + a dng -- a dn dng -- a dng -- a dn + … _ _ _ _ _ _ _ + \tacetA + _ _ _ _ + \tacetA + \tacetA + \tacetA + } + + bassText = \lyricmode { + %<+hier den Text für den Baß eintragen+> + Dn dn dn dnn + Dn dn dn dnn … _ _ _ _ + \tacetC + \tacetC + \tacetA + _ %_ _ _ _ _ + \tacetC + \tacetA + \tacetC + \tacetC + \tacetC + Frrr, + Dn dn dn dn … _ _ _ + Dn dn dn dnn … _ _ _ _ _ _ _ _ + \tacetC + } + diff --git a/hr/stch/beatles/cant_buy/cant_buy.ly b/hr/stch/beatles/cant_buy/cant_buy.ly new file mode 100644 index 0000000..61acc19 --- /dev/null +++ b/hr/stch/beatles/cant_buy/cant_buy.ly @@ -0,0 +1,71 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Can’t Buy Me Love" + composer = "John Lennon & Paul McCartney" + arranger = "Keith Abbs" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 15 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + %\override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 17) + + sop = \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + %\addlyrics { \sopranText } + >> + + alt = \new Staff = alt << + \new Voice = "alti" { \global \altMelodie } + %\addlyrics { \altText } + >> + + ten = \new Staff = tenor << + \new Voice = "tenoere" { \global \tenorMelodie } + %\addlyrics { \tenorText } + >> + + bas = \new Staff = bass << + \new Voice = "baesse" { \global \bassMelodie } + \addlyrics { \stzI } + \addlyrics { \stzII } + \addlyrics { \stzIII } + >> + + \score { + \new ChoirStaff \with {} << + \sop + \alt + \ten + \bas + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 108 2) + %} + %} + \layout { + } + } + diff --git a/hr/stch/beatles/cant_buy/cant_buy.midi b/hr/stch/beatles/cant_buy/cant_buy.midi Binary files differnew file mode 100644 index 0000000..8afa336 --- /dev/null +++ b/hr/stch/beatles/cant_buy/cant_buy.midi diff --git a/hr/stch/beatles/cant_buy/dynArt.ly b/hr/stch/beatles/cant_buy/dynArt.ly new file mode 100644 index 0000000..83b5621 --- /dev/null +++ b/hr/stch/beatles/cant_buy/dynArt.ly @@ -0,0 +1,97 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + s4\f + \repeat volta 2 { + \mark \markup { \small \musicglyph #"scripts.segno" } + \slurDashed + s2 \slurSolid s2 + s2. \slurDashed s4 + \slurSolid + s1*2 + \slurDashed + s2 \slurSolid s2 + s2 \slurDashed s2 + \slurSolid + s1*4 + s1\f + \mark \markup { \small \musicglyph #"scripts.coda" } + s1 + \bar "||" + \key g \major + \slurDashed + s1*6 + \time 6/8 + s8*6 + \slurSolid + \time 2/2 + s2. s4^\markup{ \dynamic p \bold "-" \dynamic f } + } + %\slurDashed + %s2 \slurSolid s2 + %s2. \slurDashed s4 + %\slurSolid + %s1*2 + %\slurDashed + %s2 \slurSolid s2 + %s2 \slurDashed s2 + %\slurSolid + %s1*4 + %s1\f + \mark \markup { \musicglyph #"scripts.coda" } + \key g \minor + s1*3 + s4\f s2.^\markup{ \italic "rit." } + s1\fermata + \bar "|." + } + unterArt = { + s4 + s1*8 + s1\p + s1*9 + s8*6 + s1*2 + s1\p + s1*3 + } + +% articulation + + sopranArt = { + \tempo "Lively, Madrigalian" 2=108 + s4 + s1*4 + s8 s8 s8 s8 s2 + s2 s8 s8 s4 + s1*4 + s8 s2..^\markup{ \bold { "3"\super"rd" "time To Coda" } } + s1%^\coda + s1*4 + s1*2 + \tempo \markup { + \concat { + ( + \smaller \general-align #Y #DOWN \note #"8" #1 + " = " + \smaller \general-align #Y #DOWN \note #"8" #1 + ) + } + } + s4. s4 + \once \override TextScript #'outside-staff-padding = #2 + s8^\markup{ \bold { "2"\super"nd" "time D. S. al Coda" } } + \override TextScript #'outside-staff-priority = #1 + } + + altArt = << \unterArt { + } >> + + tenorArt = << \unterArt { + } >> + + bassArt = << \unterArt { + } >> + diff --git a/hr/stch/beatles/cant_buy/midi.lua b/hr/stch/beatles/cant_buy/midi.lua new file mode 100644 index 0000000..247a28d --- /dev/null +++ b/hr/stch/beatles/cant_buy/midi.lua @@ -0,0 +1,50 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen_midi.ly" + + \score { +]] + +post=[[ + \midi { + \context{ + \Score + tempoWholesPerMinute = #(ly:make-moment 108 2) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/beatles/cant_buy/midis/a.midi b/hr/stch/beatles/cant_buy/midis/a.midi Binary files differnew file mode 100644 index 0000000..11dc7de --- /dev/null +++ b/hr/stch/beatles/cant_buy/midis/a.midi diff --git a/hr/stch/beatles/cant_buy/midis/b.midi b/hr/stch/beatles/cant_buy/midis/b.midi Binary files differnew file mode 100644 index 0000000..7930423 --- /dev/null +++ b/hr/stch/beatles/cant_buy/midis/b.midi diff --git a/hr/stch/beatles/cant_buy/midis/s.midi b/hr/stch/beatles/cant_buy/midis/s.midi Binary files differnew file mode 100644 index 0000000..dfd657d --- /dev/null +++ b/hr/stch/beatles/cant_buy/midis/s.midi diff --git a/hr/stch/beatles/cant_buy/midis/t.midi b/hr/stch/beatles/cant_buy/midis/t.midi Binary files differnew file mode 100644 index 0000000..22f71f6 --- /dev/null +++ b/hr/stch/beatles/cant_buy/midis/t.midi diff --git a/hr/stch/beatles/cant_buy/stimmen.ly b/hr/stch/beatles/cant_buy/stimmen.ly new file mode 100644 index 0000000..a26259b --- /dev/null +++ b/hr/stch/beatles/cant_buy/stimmen.ly @@ -0,0 +1,208 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key g \minor + %\override Staff.TimeSignature #'style = #'() + \time 2/2 + %\autoBeamOff + \partial 4 + } + +% Die Stimmen + + cues = \relative c'' { + s4 + s1*4 + d8 d8 d8 d8 s2 + s2 g,8[ g8] s4 + s1*4 + s8 s2.. + s1 + } \addQuote blahs \cues + + cuea = \relative c'' { + s4 + s1*4 + bes8 bes8 bes8 bes8 s2 + s2 d,8[ d8] s4 + s1*4 + s8 s2.. + s1 + } \addQuote blaha \cuea + + cuet = \relative c'' { + s4 + s1*4 + g8 g8 g8 g8 s2 + s2 bes,8[ bes8] s4 + s1*4 + s8 s2.. + s1 + } \addQuote blaht \cuet + + cueb = \relative c' { + s4 + s1*4 + g8[ g8] s8 s8 s2 + s2 d8[ d8] s4 + s1*4 + s8 s2.. + s1 + } \addQuote blahb \cueb + + sopranMelodie = \relative c'' { + << + { \meta } + \sopranArt + %the actual tune + { + d4 + { + d4 d8( d8) c4 bes4 + a4 g4 g4 g8( g8) + g4 d4 f4 g4 + g2. \parenthesize d'4 + \cueDuring blahs #UP { d4 d4 } c4 bes4 + a4 g4 \cueDuring blahs #UP { g4 } g8( g8) + g4 d4 f4 g4 + g2. r4 + r1 + r1 + d'8 d8 d4 c8( bes8) a4 + g4 g4 b4 d4 + d1( + b1) + bes8 bes8 a8 g8 a4 a4 + g4 g4 b4 d4 + d1( + b1) + a4( b8) c4( d8) + d2. \parenthesize d4 + } + g,2. r4 + r1 + r1 + d'8 d8 d4 c8( bes8) a4 + g1 + } + >> + } + + altMelodie = \relative c'' { + << + { \meta } + \altArt + %the actual tune + { + bes4 + { + bes4 bes8( bes8) a4 g4 + f4 c4 d4 ees8( ees8) + d4 d4 f8( e8) d8( c8) + b2. \parenthesize bes'4 + \cueDuring blaha #UP { bes4 bes4 } a4 g4 + f4 c4 \cueDuring blaha #UP { d4 } ees8( ees8) + d4 d4 f8( e8) d8( c8) + b2. r4 + d4 d4 ees4 d4 + c4 bes4 c4 bes4 + d8 e8 fis4 g4 fis4 + g4 g4 g4 g4 + fis1( + e4) e8( fis8) g8( e8) fis8( g8) + g4 g8 g8 fis8 g4 fis8 + g4 g4 g4 a8( g8) + fis1( + e4) e8( fis8) g8( e8) fis8( g8) + a4( g8) e4( g8) + fis2. \parenthesize bes4 + } + g2. r4 + d4 d4 ees4 d4 + c4 bes4 c4 bes4 + d8 e8 fis4 g4 fis4 + d1 + } + >> + } + + tenorMelodie = \relative c'' { + << + { \meta } + \tenorArt + %the actual tune + \clef "treble_8" + { + g4 + { + g4 g8( g8) d4 d4 + a8( bes8) c4 bes4 g8( a8) + bes4 c8( bes8) a4 a4 + g2. \parenthesize g'4 + \cueDuring blaht #UP { g4 g4 } d4 d4 + a8( bes8) c4 \cueDuring blaht #UP bes4 g8( a8) + bes8( d8) c8( bes8) a8( g8) a4 + g2. r4 + f4 f4 g4 f4 + f4 g4 a4 bes4 + fis8 g8 a4 d4 d8( c8) + b4 g'8( fis8) e8( d8) c8( b8) + b1( + g4) g8( a8) b8( g8) a8( b8) + g4 ees'4 d4 c4 + b4 g'8( fis8) e8( d8) c8( b8) + b1( + g4) g8( a8) b8( g8) a8( b8) + e4( d8) c4( b8) + a2. \parenthesize g'4 + } + b,2. r4 + f4 f4 g4 f4 + f4 g4 a4 bes4 + fis8 g8 a4 d4 d8( c8) + b1 + } + >> + } + + bassMelodie = \relative c' { + << + { \meta } + \bassArt + %the actual tune + \clef bass + { + g4 + { + g4 g,8( a8) bes8( c8) d8( ees8) + f4 ees4 d4 c8( c8) + bes4 a8( g8) d'4 d4 + g,2. \parenthesize g'4 + \cueDuring blahb #UP g4 g,8( a8) bes8( c8) d8( ees8) + f4 ees4 \cueDuring blahb #UP d4 c8( c8) + bes4 a8( g8) d'4 d4 g,2. r4 + bes4 bes4 ees4 bes4 + a4 g4 f4 bes4 + d8 d8 d4 d4 d4 + g,4 r4 r2 + r4 b8( c8) d8( b8) c8( d8) + e1 + ees8 ees8 c8 c8 d4 d4 + g,4 r4 r2 + r4 b8( c8) d8( b8) c8( d8) + e1 + c4( b8) a4( g8) + d'2. \parenthesize g4 + } + g,2. r4 + bes4 bes4 ees4 bes4 + a4 g4 f4 bes4 + d8 d8 d4 d4 d4 + g,1 + } + >> + } + diff --git a/hr/stch/beatles/cant_buy/stimmen_midi.ly b/hr/stch/beatles/cant_buy/stimmen_midi.ly new file mode 100644 index 0000000..c1fb8fc --- /dev/null +++ b/hr/stch/beatles/cant_buy/stimmen_midi.ly @@ -0,0 +1,240 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key g \minor + %\override Staff.TimeSignature #'style = #'() + \time 2/2 + %\autoBeamOff + \partial 4 + } + +% Die Stimmen + + cues = \relative c'' { + s4 + s1*4 + d8 d8 d8 d8 s2 + s2 g,8[ g8] s4 + s1*4 + s8 s2.. + s1 + } \addQuote blahs \cues + + cuea = \relative c'' { + s4 + s1*4 + bes8 bes8 bes8 bes8 s2 + s2 d,8[ d8] s4 + s1*4 + s8 s2.. + s1 + } \addQuote blaha \cuea + + cuet = \relative c'' { + s4 + s1*4 + g8 g8 g8 g8 s2 + s2 bes,8[ bes8] s4 + s1*4 + s8 s2.. + s1 + } \addQuote blaht \cuet + + cueb = \relative c' { + s4 + s1*4 + g8[ g8] s8 s8 s2 + s2 d8[ d8] s4 + s1*4 + s8 s2.. + s1 + } \addQuote blahb \cueb + + scs = \relative c'' { + d4 d8( d8) c4 bes4 + a4 g4 g4 g8( g8) + g4 d4 f4 g4 + g2. \parenthesize d'4 + \cueDuring blahs #UP { d4 d4 } c4 bes4 + a4 g4 \cueDuring blahs #UP { g4 } g8( g8) + g4 d4 f4 g4 + g2. r4 + r1 + r1 + d'8 d8 d4 c8( bes8) a4 + } + ccs = \relative c'' { + g4 g4 b4 d4 + d1( + b1) + bes8 bes8 a8 g8 a4 a4 + g4 g4 b4 d4 + d1( + b1) + a4( b8) c4( d8) + d2. \parenthesize d4 + } + cs = \relative c'' { + g2. r4 + r1 + r1 + d'8 d8 d4 c8( bes8) a4 + g1 + } + + sopranMelodie = \relative c'' { + << + { \meta } + \sopranArt + %the actual tune + { + d4 + \scs \ccs + \scs \ccs + \scs \cs + } + >> + } + + sca = \relative c'' { + bes4 bes8( bes8) a4 g4 + f4 c4 d4 ees8( ees8) + d4 d4 f8( e8) d8( c8) + b2. \parenthesize bes'4 + \cueDuring blaha #UP { bes4 bes4 } a4 g4 + f4 c4 \cueDuring blaha #UP { d4 } ees8( ees8) + d4 d4 f8( e8) d8( c8) + b2. r4 + d4 d4 ees4 d4 + c4 bes4 c4 bes4 + d8 e8 fis4 g4 fis4 + } + cca = \relative c'' { + g4 g4 g4 g4 + fis1( + e4) e8( fis8) g8( e8) fis8( g8) + g4 g8 g8 fis8 g4 fis8 + g4 g4 g4 a8( g8) + fis1( + e4) e8( fis8) g8( e8) fis8( g8) + a4( g8) e4( g8) + fis2. \parenthesize bes4 + } + ca = \relative c'' { + g2. r4 + d4 d4 ees4 d4 + c4 bes4 c4 bes4 + d8 e8 fis4 g4 fis4 + d1 + } + + altMelodie = \relative c'' { + << + { \meta } + \altArt + %the actual tune + { + bes4 + \sca \cca + \sca \cca + \sca \ca + } + >> + } + + sct = \relative c'' { + g4 g8( g8) d4 d4 + a8( bes8) c4 bes4 g8( a8) + bes4 c8( bes8) a4 a4 + g2. \parenthesize g'4 + \cueDuring blaht #UP { g4 g4 } d4 d4 + a8( bes8) c4 \cueDuring blaht #UP bes4 g8( a8) + bes8( d8) c8( bes8) a8( g8) a4 + g2. r4 + f4 f4 g4 f4 + f4 g4 a4 bes4 + fis8 g8 a4 d4 d8( c8) + } + cct = \relative c' { + b4 g'8( fis8) e8( d8) c8( b8) + b1( + g4) g8( a8) b8( g8) a8( b8) + g4 ees'4 d4 c4 + b4 g'8( fis8) e8( d8) c8( b8) + b1( + g4) g8( a8) b8( g8) a8( b8) + e4( d8) c4( b8) + a2. \parenthesize g'4 + } + ct = \relative c'' { + b,2. r4 + f4 f4 g4 f4 + f4 g4 a4 bes4 + fis8 g8 a4 d4 d8( c8) + b1 + } + + tenorMelodie = \relative c'' { + << + { \meta } + \tenorArt + %the actual tune + \clef "treble_8" + { + g4 + \sct \cct + \sct \cct + \sct \ct + } + >> + } + + scb = \relative c' { + g4 g,8( a8) bes8( c8) d8( ees8) + f4 ees4 d4 c8( c8) + bes4 a8( g8) d'4 d4 + g,2. \parenthesize g'4 + \cueDuring blahb #UP g4 g,8( a8) bes8( c8) d8( ees8) + f4 ees4 \cueDuring blahb #UP d4 c8( c8) + bes4 a8( g8) d'4 d4 g,2. r4 + bes4 bes4 ees4 bes4 + a4 g4 f4 bes4 + d8 d8 d4 d4 d4 + } + ccb = \relative c' { + g,4 r4 r2 + r4 b8( c8) d8( b8) c8( d8) + e1 + ees8 ees8 c8 c8 d4 d4 + g,4 r4 r2 + r4 b8( c8) d8( b8) c8( d8) + e1 + c4( b8) a4( g8) + d'2. \parenthesize g4 + } + cb = \relative c' { + g,2. r4 + bes4 bes4 ees4 bes4 + a4 g4 f4 bes4 + d8 d8 d4 d4 d4 + g,1 + } + + bassMelodie = \relative c' { + << + { \meta } + \bassArt + %the actual tune + \clef bass + { + g4 + \scb \ccb + \scb \ccb + \scb \cb + } + >> + } + diff --git a/hr/stch/beatles/cant_buy/texte.ly b/hr/stch/beatles/cant_buy/texte.ly new file mode 100644 index 0000000..6b031ae --- /dev/null +++ b/hr/stch/beatles/cant_buy/texte.ly @@ -0,0 +1,57 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + + ignon = { \set ignoreMelismata = ##t } + ignoff = { \unset ignoreMelismata } + stzI = \lyricmode { + I’ll \ignon buy you a \ignoff dia -- mond ring my \ignon friend, + if it \ignoff makes you feel al -- right. + I’ll get you an -- y -- thing, my \ignon friend, + if it \ignoff makes you feel al -- right. + I don’t care too much for mon -- ey, + mon -- ey can’t buy me love. + Can’t__ buy__ me__ love, + ev -- ’ry -- bod -- y tells me so. + Can’t__ buy__ me__ love, + no, no, no. I’ll + love. I don’t care too much for mon -- ey, + mon -- ey can’t buy me love. + } + stzII = \lyricmode { + _ give you all I’ve got to \ignon give + if you \ignoff say you love me too. + I may not__ have__ a__ lot to give_but + what_I’ve got I’ll__ give to you. + _ _ _ _ _ _ _ _ + _ _ _ _ _ \ignon _ + Fa la la la la la la, + fa la la la la la la, + fa la la la la la la, + fa la la la la. _ + } + stzIII = \lyricmode { + _ \ignon Say that you \ignoff need no dia -- mond rings + and__ I’ll be__ sa -- tis -- fied. + _ \ignon Tell_me that you \ignoff want the kind of things + that mo -- ney just can’t buy. + } + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + } + diff --git a/hr/stch/beatles/eleanor/dynArt.ly b/hr/stch/beatles/eleanor/dynArt.ly new file mode 100644 index 0000000..c8311ed --- /dev/null +++ b/hr/stch/beatles/eleanor/dynArt.ly @@ -0,0 +1,37 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + s1*4 \break + s1*4 \break + s1*5 \break + s1*5 \break + s1*4 \break + s1*4 \break + s1*5 \break + s1*5 \break + s1*4 \break + s1*4 \break + s1*4 \break + s1*4 \break + s1*5 \break + s1*5 \break + s1*4 \break + s1*5 + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/beatles/eleanor/eleanor.ly b/hr/stch/beatles/eleanor/eleanor.ly new file mode 100644 index 0000000..82e5dab --- /dev/null +++ b/hr/stch/beatles/eleanor/eleanor.ly @@ -0,0 +1,71 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Eleanor Rigby" + composer = "Lennon/McCartney" + %opus = "<+Werk+>" + arranger = "Andreas Kuch" + tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + system-count = 16 + page-count = 4 + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 12) + + sop = \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + \addlyrics { \sopranText } + >> + + alt = \new Staff = alt << + \new Voice = "alti" { \global \altMelodie } + \addlyrics { \altText } + >> + + ten = \new Staff = tenor << + \new Voice = "tenoere" { \global \tenorMelodie } + \addlyrics { \tenorText } + >> + + bas = \new Staff = bass << + \new Voice = "baesse" { \global \bassMelodie } + \addlyrics { \bassText } + >> + + \score { + \new ChoirStaff \with {} << + \sop + \alt + \ten + \bas + >> + \midi { + \context{ + \Score + tempoWholesPerMinute = #(ly:make-moment 100 4) + } + } + %\layout { + %} + } + diff --git a/hr/stch/beatles/eleanor/eleanor.midi b/hr/stch/beatles/eleanor/eleanor.midi Binary files differnew file mode 100644 index 0000000..9f176a3 --- /dev/null +++ b/hr/stch/beatles/eleanor/eleanor.midi diff --git a/hr/stch/beatles/eleanor/midi.lua b/hr/stch/beatles/eleanor/midi.lua new file mode 100644 index 0000000..44004bb --- /dev/null +++ b/hr/stch/beatles/eleanor/midi.lua @@ -0,0 +1,50 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { +]] + +post=[[ + \midi { + \context{ + \Score + tempoWholesPerMinute = #(ly:make-moment 100 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/beatles/eleanor/midis/a.midi b/hr/stch/beatles/eleanor/midis/a.midi Binary files differnew file mode 100644 index 0000000..91c9fd4 --- /dev/null +++ b/hr/stch/beatles/eleanor/midis/a.midi diff --git a/hr/stch/beatles/eleanor/midis/b.midi b/hr/stch/beatles/eleanor/midis/b.midi Binary files differnew file mode 100644 index 0000000..4971ad1 --- /dev/null +++ b/hr/stch/beatles/eleanor/midis/b.midi diff --git a/hr/stch/beatles/eleanor/midis/eleanor.midi b/hr/stch/beatles/eleanor/midis/eleanor.midi Binary files differnew file mode 100644 index 0000000..9f176a3 --- /dev/null +++ b/hr/stch/beatles/eleanor/midis/eleanor.midi diff --git a/hr/stch/beatles/eleanor/midis/s.midi b/hr/stch/beatles/eleanor/midis/s.midi Binary files differnew file mode 100644 index 0000000..50b1fbd --- /dev/null +++ b/hr/stch/beatles/eleanor/midis/s.midi diff --git a/hr/stch/beatles/eleanor/midis/t.midi b/hr/stch/beatles/eleanor/midis/t.midi Binary files differnew file mode 100644 index 0000000..2c48fdd --- /dev/null +++ b/hr/stch/beatles/eleanor/midis/t.midi diff --git a/hr/stch/beatles/eleanor/stimmen.ly b/hr/stch/beatles/eleanor/stimmen.ly new file mode 100644 index 0000000..443d934 --- /dev/null +++ b/hr/stch/beatles/eleanor/stimmen.ly @@ -0,0 +1,299 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key d \major + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + %\autoBeamOff + } + +% Die Stimmen + + stanza = \relative c { + e8 e8 fis8 d8 ~ d8 b8 r4 + d8 e8 fis8 a8 ~ a8 gis8 fis8 gis8 ~ + gis8 fis8 e8 fis8 ~ fis8 e8 d8 e8 ~ + e2 r2 + } + + lonely = \relative c { + e4 d8 e8 ~ e8 fis4 d8 ~ + d8 b4. r4 r8 b8 + b'4 fis8 e8 ~ e8 d4 b8 ~ + b2 r2 + e4 d8 e8 ~ e8 fis4 d8 ~ + d8 b4. r4 r8 b8 + d'4 b8 fis8 ~ fis8 e4 + } + + sopranI = \relative c'' { + b2 ~ b8 cis8 d8 e8 ~ + e8 d4 cis8 ~ cis8 b4 fis8 ~ + fis8 + } + sopranMelodie = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + \sopranI d4. r4 fis8 r8 + \repeat unfold 4 { fis8 r8 } + \sopranI d4. r4 fis8 r8 + \repeat unfold 4 { fis8 r8 } + \bar "||" + \transpose e e' { + \stanza + d8 e8 fis8 g8 ~ g8 fis8 r4 + \stanza + d8 e8 fis8 g8 ~ g8 fis4 r8 + } + \bar "||" + \repeat unfold 6 { + \repeat unfold 4 { fis8 r8 } + } + fis8 r8 fis8 r8 fis8 r8 r8 fis8 + d'4 b8 fis8 ~ fis8 e4 d8 ~ + \bar "||" + d2 b8 r8 b8 r8 + \repeat unfold 4 { + \repeat unfold 4 { b8 r8 } + } + b8 r8 b8 r8 r8 fis'8 b8 cis8 + d4.( cis8 ~ cis4. b8 ~ + b4. a8 ~ a4. b8 ~ + b2.) r4 + b8( cis8 d4) r4 fis,8 r8 + \bar "||" + \repeat unfold 3 { + \repeat unfold 4 { fis8 r8 } + } + b4( cis4 d4 e4 + fis1) + \octaveCheck c' + \repeat unfold 3 { + \repeat unfold 4 { fis8 r8 } + } + \repeat unfold 2 { + b2 ~ b8 cis8 d8 e8 ~ + e8 d4 cis8 ~ cis8 b4 fis8 ~ + fis8 d4. r4 fis8 r8 + fis8 r8 fis8 r8 fis8 r8 fis8 r8 + } + \bar "||" + r8 fis8 b4 fis8 b4 fis8 + b4 fis8 b8 ~ b8 fis8 b4 + fis8 b4 fis8 b4 fis8 b8 + r8 g8 d'4 g,8 d'4 g,8 + b4 e,8 b'8 ~ b8 a4 g8 + \repeat unfold 3 { + \repeat unfold 4 { fis8 r8 } + } + g8 r8 g8 r8 g8 r8 g8 r8 + g8 r8 g8 r8 fis8 r8 fis8 r8 + \bar "||" + \sopranI d4. b8 r8 b8 r8 + b8 r8 b8 r8 b8 r8 b8 r8 + \sopranI d4 r8 b8 r8 b8 r8 + b2 fis'4 fis4 + fis2 r2 + \bar "|." + } + >> + } + + altI = \relative c'' { + \repeat unfold 4 { g8 r8 } + fis8 r8 fis8 r8 fis8 r8 e8 fis8 + d8 fis8 cis8 fis8 d8 fis8 b,8 fis'8 + } + altII = \relative c' { + \repeat unfold 3 { + \repeat unfold 4 { fis8 r8 } + } + \repeat unfold 4 { g8 r8 } + g8 r8 g8 r8 fis8 r8 fis8 r8 + } + altMelodie = \relative c'' { + << + { \meta } + %\altArt + %the actual tune + { + \repeat unfold 4 { g8 r8 } + \altI + \repeat unfold 4 { g8 r8 } + \altI + % + \altII + \repeat unfold 3 { + \repeat unfold 4 { b,8 fis'8 } + } + \repeat unfold 3 { + \repeat unfold 4 { g8 } + } + r8 fis8 r8 fis8 + % + \transpose e e' { + \lonely d8 ~ + d4 fis8 r8 fis8 r8 fis8 r8 + } + % + \altII + \altII + \octaveCheck c + \repeat unfold 6 { + \repeat unfold 4 { b8 r8 } + } + b8 r8 b8 r8 b8 r8 r8 fis'8 + d'4 b8 fis8 ~ fis8 e4 d8 ~ + d4 g8 r8 g8 r8 g8 r8 + \altI + \repeat unfold 4 { g8 r8 } + \altI + b1( ~ + b4. fis8 ~ fis4. e8 ~ + e4. d8 ~ d2 + e2) b'4( a4 + g4. fis8 ~ fis8 e8 ~ e4) + \transpose e e' { + \stanza + d8 e8 fis8 g8 ~ g8 fis4 r8 + } + \repeat unfold 6 { + \repeat unfold 4 { fis8 r8 } + } + fis8 r8 fis8 r8 fis8 r8 r8 fis8 + d'4 b4 fis4 e4 + d2 r2 + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + \repeat unfold 8 { + \repeat unfold 4 { b8 r8 } + } + \repeat unfold 10 { + \repeat unfold 4 { b8 r8 } + } + \repeat unfold 2 { + a1 + gis1 + g1 + fis1 + } + \transpose e e { + \stanza + d8 e8 fis8 g8 ~ g8 fis8 r4 + \stanza + d8 e8 fis8 g8 ~ g8 fis4 r8 + } + \lonely d8 ~ + d2 b'8 r8 b8 r8 + \repeat unfold 8 { + \repeat unfold 4 { b8 r8 } + } + b4. b8 ~ b4 b4 ~ + b8 b8 ~ b4 b4. b8 ~ + b4 b4 ~ b8 b4. + g4. g8 ~ g4 g4 ~ + g8 g4. fis4 e4 + \octaveCheck c' + \repeat unfold 5 { + \repeat unfold 4 { b8 r8 } + } + \lonely d,8 ~ + d2 b'4 b4 + b2 r2 + } + >> + } + + bassI = \relative c { + r8 d8 fis8 g8 ~ g2 ~ + g1 + fis4 fis8 d8 b2 ~ + b1 ~ + b8 d8 b8 g8 ~ g2 ~ + g1 + r8 fis'8 d8 b8 ~ b2 ~ + b1 + } + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + \bassI + \repeat unfold 3 { + \repeat unfold 4 { b8 r8 } + } + g4( d'4 g4 d4) + g,8 r8 a8 r8 b8 r8 b8 r8 + \repeat unfold 2 { + \repeat unfold 4 { b8 r8 } + } + b8 r8 b8 r8 a8 r8 a8 r8 + g4 d'4 g4 d4 + g,8 r8 a8 r8 b8 r8 b8 r8 + \repeat unfold 8 { + \repeat unfold 4 { b8 r8 } + } + \repeat unfold 2 { + \repeat unfold 3 { + \repeat unfold 4 { b8 r8 } + } + g8 a8 b8 cis8 d8 e8 fis8 g8 ~ + } \alternative { + { + g4. b8 ~ b4 r4 + } + { + g4. b8 ~ b4. r8 + } + } + \repeat unfold 2 { + a1 + gis1 + g1 + fis1 + } + \bassI + \transpose e e { + \stanza + d8 e8 fis8 g8 ~ g8 fis4 r8 + } + r2 r8 fis,8 b8 cis8 + d8 e8 fis8 a8 ~ a8 gis8 fis8 gis8 ~ + gis8 fis8 e8 fis8 ~ fis8 e8 d8 e8 ~ + e2 ~ e8 b8 g8 b8 + e,4. b'8 ~ b4 r4 + \repeat unfold 2 { + a'1 + gis1 + g1 + } \alternative { + { + fis1 + } + { + fis2 d4 cis4 + } + } + b2 r2 + } + >> + } + diff --git a/hr/stch/beatles/eleanor/texte.ly b/hr/stch/beatles/eleanor/texte.ly new file mode 100644 index 0000000..8a0e123 --- /dev/null +++ b/hr/stch/beatles/eleanor/texte.ly @@ -0,0 +1,201 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + + ah = \lyricmode { + Ah, look at all the lone -- ly peo -- ple + } + + plum = \lyricmode { + plum plum plum plum + } + plumm = \lyricmode { + \plum \plum + } + plummm = \lyricmode { + \plumm \plum + } + plummmm = \lyricmode { + \plumm \plumm + } + + lonely = \lyricmode { + All the lone -- ly peo -- ple + where do they all come from? + All the lone -- ly peo -- ple + where do they all be -- long? + } + + eleanor = \lyricmode { + E -- lea -- nor Rig -- by + picks up the rice in a church where a wed -- ding has been + lives in a dream _ + } + waits = \lyricmode { + Waits at the win -- dow + wea -- ring a face that she keeps in a jar by the door + who is it for? _ + } + + father = \lyricmode { + Fa -- ther Mc Ken -- zie + wri -- ting the words of a ser -- mon that no -- one will hear + no -- one comes near _ + } + look = \lyricmode { + look at him wor -- king + dar -- ning his socks in the night when there’s no -- bo -- dy there + What does he care? _ + } + + buried = \lyricmode { + E -- lea -- nor Rig -- by + died in the church and was bu -- ried a -- long with her name + no -- bo -- dy came _ + } + grave = \lyricmode { + Fa -- ther Mc Ken -- zie + wi -- ping the dirt from his hands as he walks from the grave + no -- one was saved. _ + } + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + \ah plum + \plum + \ah plum + \plum + \eleanor + \waits + \plummmm + \plumm + plum plum plum du + du du du du du + plum plum + \plummmm + plum plum da da da + da %da da da da + da %da da + plum + \plummm + a %(d)a (d)a (d)a (d)a + \plummm + \ah plum + \plum + \ah plum + \plum + … _ _ _ _ + \repeat unfold 21 { _ } + %plum plum plum plum plum + %plum plum plum plum plum + %plum plum plum plum plum plum + %plum plum plum plum plum + %plum plum plum plum plum + \plummmm + \plum + \ah plum plum + \plum + \ah plum plum + na da da + da + } + + plumdi = \lyricmode { + \plum + plum plum plum di di + di di di di di di di di + } + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + \repeat unfold 2 { + \plum + \plumdi + } + \plum + \plummmm + % + … _ _ _ + \repeat unfold 8 { _ _ _ _ } + %\plummmm + %\plummmm + %\plum + plum plum + \lonely plum plum plum + \plummmm + \plummmm + \plumm + \plummmm + \plumm + plum plum plum du + du du du du du + plum plum plum + \plumdi + \plum + \plumdi + ah + na %na da da da + \grave + \plummmm + \plumm + plum plum plum da + da da da da da + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + \plummmm + \plummmm + \plummmm + \plumm + \plummmm + uh _ _ _ uh _ _ _ + \father + \look + \lonely plum plum + \plummmm + \plummmm + plum plum plum + plum plum plum + plum plum + plum plum plum + plum plum plum + \plummmm + \plum + \lonely da da da + } + + badamba = \lyricmode { + ba ba ba + dam ba ba ba + ba ba ba + ba ba ba + } + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + \badamba + \plummm + na %na na na + \plummmm + na na na na + \plum + \plummmm + \plummmm + \plummm + ba ba ba ba ba ba ba ba ba + \plummm + ba ba ba ba ba ba ba ba ba + uh _ _ _ uh _ _ _ + \badamba + \buried + bam bam bam + … \repeat unfold 17 { _ } + %bam bam bam bam bam bam bam + %bam bam bam bam bam bam + %bam bam bam + %bam bam + uh _ _ _ uh _ _ + na da da da + } + diff --git a/hr/stch/beatles/something/dynArt.ly b/hr/stch/beatles/something/dynArt.ly new file mode 100644 index 0000000..3210a5e --- /dev/null +++ b/hr/stch/beatles/something/dynArt.ly @@ -0,0 +1,31 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + s1*9 + s1*9 + s1 + s1 + %\break + \key a \major + s1*8 + \key c \major + s1*13 + \bar "|." + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/beatles/something/midi.lua b/hr/stch/beatles/something/midi.lua new file mode 100644 index 0000000..f8b2520 --- /dev/null +++ b/hr/stch/beatles/something/midi.lua @@ -0,0 +1,50 @@ + -- some settings -- vim: ai sw=2 lbr nu encoding=utf8 et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + +\version "2.12" +\include "stimmen.ly" + + \score { +]] + +post=[[ + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/beatles/something/something.ly b/hr/stch/beatles/something/something.ly new file mode 100644 index 0000000..2b13d5a --- /dev/null +++ b/hr/stch/beatles/something/something.ly @@ -0,0 +1,60 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + +\version "2.12" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Something" + composer = "Lennon/McCartney" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 17) + + \score { + \new ChoirStaff \with {} << + \new Lyrics = stext {} + \new Staff = frauen << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \voiceOne \sopranMelodie } + \new Voice = "alti" { \global \voiceTwo \altMelodie } + >> + \new Lyrics = atext {} + \new Lyrics = ttext {} + \new Staff = maenner << + \new Voice = "tenoere" { \global \voiceOne \tenorMelodie } + \new Voice = "baesse" { \global \voiceTwo \bassMelodie } + >> + \new Lyrics = btext {} + \context Lyrics = stext \lyricsto soprane { \sopranText } + \context Lyrics = atext \lyricsto alti { \altText } + \context Lyrics = ttext \lyricsto tenoere { \tenorText } + \context Lyrics = btext \lyricsto baesse { \bassText } + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/stch/beatles/something/stimmen.ly b/hr/stch/beatles/something/stimmen.ly new file mode 100644 index 0000000..b176fb1 --- /dev/null +++ b/hr/stch/beatles/something/stimmen.ly @@ -0,0 +1,218 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key c \major + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + %\autoBeamOff + } + +% Die Stimmen + + sopranMelodie = \relative c'' { + << + { \meta } + %\sopranArt + %the actual tune + { + \repeat unfold 2 { + r1 + c16 c8 c16 ~ c16 c16 c8 r4 c8 b8 ~ + b2 r2 + r8 bes16 bes16 ~ bes16 bes16 bes8 r8 c8 d16 c8 c16 ~ + c16 a8. r4 r2 + d8 d16 d16 ~ d16 d16 c8 r8 c8( d8) b16( a16 + b16 a16) g8 r4 r4 r8. g16 + a16 c16 a16 d16 ~ d16 a16 c8 r4 r8. a16 + e'16 d16 c16 d16 ~ d16 e16 c16( a16) r2 + } + r8 a8 c8-\bendAfter #-2 a8 bes4 b4 + a1 + % asking + r8. e16 e8 e16 e16 ~ e8 e16 gis16 ~ gis16 a8. + e4 a4 fis4 a8 cis8 + d4. d8 ~ d8( b8) cis16( d8.) + cis4 s4 s2 + r4 e,8 e8 e8 e8 a8 a8 + a8 a8 a8 a8 a8 a8 a8 a8 + a8 a8 a8 g8 ~ g4 ~ g16 fis8. + g2 r2 + % sth II + r8 a8 c16 b16 a8 bes4 b4 + c4 g4 ~ g4 g4 ~ + g4 ~ g8 g8 c8 g8 g8 f8 + e2( g4) bes4 + a4 ~ a8 a16( bes16) a4 g4 + a4 ~ a8 a16 a16 a4 a4 + g1 + e8 e8 e8 e8 e8 e8 e8 e8 + e8 e8 e8 e8 e8 e8 e8 e8 + f8 a8 c8 a8 bes4 b4 + a2. s4 + f2 g4 g4 + g1 + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + f2 g4 g4 + e8. e16 ~ e16 e16 e8 r4 e8 e8 ~ + e2 r2 + r8 e16 e16 ~ e16 e16 e8 r8 e8 e16 e8 f16 ~ + f16 f8. r8 a16( bes16) a4 g4 + fis4 ~ fis8 fis16 fis16 fis4 d4 + b16 b16 b8 c16 c16 c8 d4 d4 + e8 e8 e8 e8 e8 e8 e8 e8 + e8 e8 e8 e8 e8 e8 e8 e8 + % swh + f2 g4 g4 + e8. e16 ~ e16 e16 e8 r4 e8 e8 + r8 c8 e8 f8 e8( d8) c8 c8 + g'8 g16 g16 ~ g16 g16 g8 r8 g8 g16 g8 f16 ~ + f16 c8. r8 a'8 g8 f8 e8 c8 + fis4 ~ fis8 fis16 fis16 fis4 d4 + b16 b16 b8 c16 c16 c8 d4 d4 + e8 e8 e8 e8 e8 e8 e8 e8 + e8 e8 e8 e8 e8 e8 e8 e8 + f8 f8 f8 f8 g4 g4 + e1 + % asking + r8. cis16 cis8 cis16 cis16 ~ cis8 cis16 e16 ~ e16 fis8. + cis4 r4 r4 e16 fis8 fis16 ~ + fis8.( e16) d8 g8 ~ g4 ~ g16 fis8. + e4 s4 s2 + r8. cis16 cis16 cis8 cis16 ~ cis8 cis8 e16 fis8. + cis4 r4 r4 e16 fis8 fis16 ~ + fis8.( e16 d8) g8 ~ g4 ~ g16 fis8. + e2 r2 + % sth II + f2 g4 g4 + e8 e16 e16 ~ e16 e16 e8 r4 e8 e8 ~ + e4 r4 r2 + r8 d16 d16 ~ d16 d8 d16 ~ d16 e16 f8 ~ f8 f8 + f8 c16 c16 r4 r2 + fis8 fis16 fis16 ~ fis16 fis16 e8 r8 g8( f8) d8 ~ + d8 b8( c4) d4 d4 + c8 c8 c8 c8 c8 r8 r8 r16 a16 + e'16 d16 c16 d16 ~ d16 e16 c16( a16) r8 c8 c8 c8 + c8 f8 <f a>8 f8 g4 g4 + e2. s4 + f2 g4 g4 + e1 + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + r8 a8 c16 b16 a8 bes4 b4 + c2 g2 + c2 r4. g8 + g8 g16 g16 ~ g4 ~ g8 g8 bes8 bes16 a16 ~ + a16 c8. r4 r2 + a8 a16 a16 ~ a16 a16 a8 r8 a8 ~ a8 d8 ~ + d8 d8 r4 r4 r4 + c8 c8 c8 c8 c8 c8 c8 c8 + c8 c8 c8 c8 c8 c8 c8 c8 + r8 a8 c16 b16 a8 bes4 b4 + c2 g2 + c2 r2 + c8 c16 c16 ~ c8 c8 c4( bes8.) a16 ~ + a16 a8. r4 r2 + a8 a16 a16 ~ a16 a16 a8 r8 a8 ~ a8 d8 ~ + d8 d8 r4 r2 + c8 c8 c8 c8 c8 c8 c8 c8 + c8 c8 c8 c8 c8 c8 c8 c8 + c8 c8 c8 c8 ees4 d4 + cis1 + a8 a8 a8 a8 a8 a8 a8 a8 + a8 a8 a8 a8 a8 a8 a8 a8 + a8 a8 a8 a8 b8 b8 b8 b8 + a4 r2. + r8. a16 a16 a8 a16 ~ a8 a8 cis16 cis8. + a4 r4 r4 cis16 cis8 d16 ~ + d8.( a16 ~ a8) b8 ~ b4 ~ b16 b8. + c2 r2 + r1 + c8 c16 c16 ~ c16 c16 c8 r4 c8 b8 ~ + b4 r4 r2 + r8 bes16 bes16 ~ bes16 bes8 bes16 ~ bes16 c16 d8 ~ d8 c8 + c8 a16 a16 r4 r2 + d8 d16 d16 ~ d16 d16 c8 r8 c8( d8) b16( a16 + b16 a16) g8 r4 r4 r8. g16 + a16 c16 a16 d16 ~ d16 a16 c8 r8 c8 c8 c8 + c8 c8 c8 c8 c8 a8 a8 a8 + a8 c8 c8 c8 ees4 d4 + cis2. r4 + r8 a8 c16 b16 a8 bes4 b4 + c1 + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + f2 ees4 d4 + c4 ~ c8 c16 c16 c4 e8( f8) + g4( ~ g8 ~ g16 a16) g4 e8 d8 + c8 c16 c16 ~ c4 ~ c8 c8 c8 c16 f16 ~ + f16 f8. r8 f16( g16) f4 e4 + d4 ~ d8 d16 d16 d4 fis8 a8 + g16 g16 g8 a16 a16 a8 b4 b4 + a8 a8 a8 a8 gis8 gis8 gis8 gis8 + g8 g8 g8 g8 fis8 fis8 fis8 fis8 + f4 ~ f8 c8 ees4 d4 + c4 ~ c8 c16 c16 c4 e8( f8) + g4( ~ g8 ~ g16 a16 g4) e4 + e8 e16 e16 ~ e4 ~ e8 e8 e8 e16 f16 ~ + f16 f8. r8 a8 g8 f8 e8 c8 + d4 ~ d8 d16 d16 d4 fis8 a8 + g16 g16 g8 a16 a16 a8 b4 b4 + a8 a8 a8 a8 gis8 gis8 gis8 gis8 + g8 g8 g8 g8 fis8 fis8 fis8 fis8 + f4 f16 e16 d16 c16 ees4 d4 + r4 a'4 fis8 e8 cis8 b8 + a4 a'8 a8 gis8 gis8 gis8 gis8 + fis8 fis8 fis8 fis8 e8 e8 e8 e8 + d8 d8 fis8 fis8 g8 g8 g8 g8 + a8. gis16 ~ gis8 g8 ~ g16 fis8. f8 e8 + a,4 a'8 a8 gis8 gis8 gis8 gis8 + fis8 fis8 fis8 fis8 e8 e8 e8 e8 + d8 d8 fis8 fis8 g8 g8 g8 g8 + cis8. b16 ~ b8 a8 ~ a16 g8. e8 c8 + f2( ees4) d4 + c4 ~ c8 c16 c16 c4 e8( f8) + g4 ~ g8 g16( a16) g8 e8 e8 d8 + c2.( d8) e8 + f4 ~ f8 f16( g16) f4 e4 + d4 ~ d8 d16 d16 d4 fis4 + g16 g16 g8 a16 a16 a8 b4 b4 + a8 a8 a8 a8 gis8 gis8 gis8 gis8 + g8 g8 g8 g8 fis8 fis8 fis8 fis8 + f8 f8 f8 f8 ees4 d4 + r4 a'4 a8 aes8 g8 ges8 + f2 ees4 d4 + c1 + } + >> + } + diff --git a/hr/stch/beatles/something/texte.ly b/hr/stch/beatles/something/texte.ly new file mode 100644 index 0000000..f6f4353 --- /dev/null +++ b/hr/stch/beatles/something/texte.ly @@ -0,0 +1,216 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + +% Abkürzungen + + way = \lyricmode { + in the way she moves + } + + attracts = \lyricmode { + at -- tracts me like no o -- ther lo -- ver. + } + + unterdu = \lyricmode { + du du du du + du du du du du du du a + } + + obersth = \lyricmode { + Some -- thing in the way she woes me + } + + leave = \lyricmode { + don't want to leave her + } + + believe = \lyricmode { + you know I be -- lieve and + } + + smile = \lyricmode { + in her smile she + } + + ba = \lyricmode { + ba ba ba ba + ba ba ba ba + ba ba ba ba + ba ba ba ba + } + + need = \lyricmode { + that I don't need no o -- ther + } + + oberstyle = \lyricmode { + lo -- ver. + Some -- thing in her style that shows me + } + + unterlover = \lyricmode { + lo -- ver, no o -- ther lo -- ver + doo du du du du + } + + oberba = \lyricmode { + ba ba da ba ba u + } + + dimdim = \lyricmode { + dim dim dim dim + } + + grow = \lyricmode { + you're as -- king me will my love grow, + } + + know = \lyricmode { + I don't know + } + + stick = \lyricmode { + You stick a -- round now, it may show, + } + + think = \lyricmode { + all I have to do is think of + } + + knows = \lyricmode { + Some -- thing in the way she knows + } + + wa = \lyricmode { + wa -- ooh du du du du + } + + shows = \lyricmode { + Some -- thing in the things she shows me + } + +% Die Textaufteilungen + + sopranText = \lyricmode { + %<+hier den Text für den Sopran eintragen+> + Some -- thing \way + \attracts + \obersth + I \leave now, + \believe how. + Some -- where \smile knows + \need + \oberstyle + I \leave now, + \believe how + \oberba + % asking + \grow will grow, + \know \know + dim dim \dimdim + \dimdim \dimdim + dim dim dim \know + % c + du du du du du du + du du du + and \think her, + \wa + ah + \ba + ba + \leave now + du du du du + } + + altText = \lyricmode { + %<+hier den Text für den Alt eintragen+> + Some -- thing, some -- thing \way + \attracts + she woes me woe + \unterdu + \ba + Some -- where, some -- where \smile knows, + some -- where \smile knows + \need + \unterlover + du du du du du du du a + \ba + ba \oberba + % asking + \grow + \know _ \know + \stick + \know \know + % c + du du du + \knows + And \think her. + \shows + du a + ba ba ba ba ba + \believe how! ba ba ba + ba \leave now + du du du du + } + + tenorText = \lyricmode { + %<+hier den Text für den Tenor eintragen+> + du du du du + du du du, + some -- thing + \attracts + \obersth + \ba + du du du du + du du du + Some -- where + I don't need, don't need + \oberstyle + \ba + ba \oberba + % asking + \dimdim \dimdim \dimdim \dimdim \dimdim \dimdim dim + \stick + \know \know + % c + \knows + And \think her. + \shows + I \leave now, + ba ba ba + ba ba ba ba ba ba ba ba + ba \leave now + du du du du + du du du + } + + bassText = \lyricmode { + %<+hier den Text für den Baß eintragen+> + Some -- thing, some -- thing \way me and + \attracts + she woes me doo + du \unterdu + \ba + Some _ -- where, some -- where \smile knows + \need + \unterlover + du du du du du du du du a + \ba + ba du du du du du du + \leave + % asking + now dim dim \dimdim \dimdim \dimdim \dimdim \dimdim + love oh love will al -- ways grow dim dim \dimdim + \dimdim \dimdim \dimdim \dimdim + \dimdim dim dim + % c + du + \knows + and \think her, + \wa + du du du du du du du a + \ba + ba don't want to leave her, + \leave now + du du du + } + diff --git a/hr/stch/extra/aCapella/aCapella.ly b/hr/stch/extra/aCapella/aCapella.ly new file mode 100644 index 0000000..69e47ed --- /dev/null +++ b/hr/stch/extra/aCapella/aCapella.ly @@ -0,0 +1,80 @@ +%some settings% vim: ai et + +\version "2.12" +%\include "stimmen.ly" +%\include "texte.ly" + + \header { +% title = "<+Titel+>" +% composer = "<+Komponist+>" + %opus = "<+Werk+>" + %tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + %#(set-global-staff-size 17) + + melody = \relative c' { + \times 2/3{g8 g16} gis16 a8 a8 c16 + \times 2/3{b8 a16} b16 c8 g8. + \times 2/3{g8 g16} gis16 a8 a8 c16 + \times 2/3{b8 a16} b16 c16~c4 + %\repeat unfold 2 { + \times 2/3{e8 e16} e16 f8 f8 f16 + \times 2/3{g8 a16 f8 g16} e4 + %} + \times 2/3{e8 e16} e16 f8 f8 f16 + \times 2/3{g8 a16 f8 g16} e4 + % + \times 2/3{c8 c16} b16 a8 g16 \times 2/3{f8 e16} + d8 \times 2/3{g8 g16 c8 d16 e8 d16} + \times 2/3{c8 c16} b16 a8 g16 \times 2/3{f8 e16} + d8 g8 c,4 + } + + \score { +% \new ChoirStaff << + \new Staff = sopran << + { + \melody + } +% %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } +% \new Voice = "soprane" { \global \sopranMelodie } +% %\lyricsto soprane \sopranText + >> +% \new Staff = alt << +% \new Voice = "alti" { \global \altMelodie } +% %\lyricsto alti \altText +% >> +% \new Staff = tenor << +% \new Voice = "tenoere" { \global \tenorMelodie } +% %\lyricsto tenoere \tenorText +% >> +% \new Staff = bass << +% \new Voice = "baesse" { \global \bassMelodie } +% %\lyricsto baesse \bassText +% >> +% >> + \midi { + \context{ + \Score + tempoWholesPerMinute = #(ly:make-moment 60 4) + } + } + \layout { + } + } + diff --git a/hr/stch/extra/aCapella/aCapella.midi b/hr/stch/extra/aCapella/aCapella.midi Binary files differnew file mode 100644 index 0000000..c6247cb --- /dev/null +++ b/hr/stch/extra/aCapella/aCapella.midi diff --git a/hr/stch/extra/aCapella/aCapella.ps b/hr/stch/extra/aCapella/aCapella.ps Binary files differnew file mode 100644 index 0000000..e4c1f5b --- /dev/null +++ b/hr/stch/extra/aCapella/aCapella.ps diff --git a/hr/stch/extra/annika/Annika.ly b/hr/stch/extra/annika/Annika.ly new file mode 100644 index 0000000..4842af7 --- /dev/null +++ b/hr/stch/extra/annika/Annika.ly @@ -0,0 +1,66 @@ +%some settings% vim: ai encoding=utf8 et + +\version "2.12" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Annika" + %composer = "<+Komponist+>" + opus = "Annika Bosch gewidmet" + %tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 20 + bottom-margin = 20 + %between-system-padding=8 + ragged-last-bottom=#'f + foot-separation=20 + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-5 . 10) + } + } + + #(set-global-staff-size 22) + + \score { + \new Staff=melody << + \new Voice="mainA" { \global \melodie } + \lyricsto "mainA" \text + >> + %\new ChoirStaff << + %\new Staff = sopran << + %%\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + %\new Voice = "soprane" { \global \sopranMelodie } + %%\lyricsto soprane \sopranText + %>> + %\new Staff = alt << + %\new Voice = "alti" { \global \altMelodie } + %%\lyricsto alti \altText + %>> + %\new Staff = tenor << + %\new Voice = "tenoere" { \global \tenorMelodie } + %%\lyricsto tenoere \tenorText + %>> + %\new Staff = bass << + %\new Voice = "baesse" { \global \bassMelodie } + %%\lyricsto baesse \bassText + %>> + %>> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 90 4) + %} + %} + \layout { + } + } + diff --git a/hr/stch/extra/annika/Annika.midi b/hr/stch/extra/annika/Annika.midi Binary files differnew file mode 100644 index 0000000..3aa3fb1 --- /dev/null +++ b/hr/stch/extra/annika/Annika.midi diff --git a/hr/stch/extra/annika/Annika.ps b/hr/stch/extra/annika/Annika.ps Binary files differnew file mode 100644 index 0000000..8d1670e --- /dev/null +++ b/hr/stch/extra/annika/Annika.ps diff --git a/hr/stch/extra/annika/spaß/Annika.ps b/hr/stch/extra/annika/spaß/Annika.ps Binary files differnew file mode 100644 index 0000000..0de1fe0 --- /dev/null +++ b/hr/stch/extra/annika/spaß/Annika.ps diff --git a/hr/stch/extra/annika/stimmen.ly b/hr/stch/extra/annika/stimmen.ly new file mode 100644 index 0000000..c44795f --- /dev/null +++ b/hr/stch/extra/annika/stimmen.ly @@ -0,0 +1,97 @@ +%some settings% vim: ai encoding=utf8 et + + \version "2.12" +% \include "dynArt.ly" + + global = { + \key g \major + %\override Staff.TimeSignature #'style = #'() + \time 2/4 + } + +% Die Stimmen + + melodie= \relative c' { + %e8-. e-. e-. e-. + %e8-. e-. e-. e-. + %b8-. b-. b-. b-. + %e4-- e-- + e8 e e e + e8 e e e + b8 b b b + e4 e + %e8^\markup{\bold dolce} fis g4 + e8%^\markup{\bold dolce} + fis g4 + g16 a g fis e4 + %g8^\markup{\bold {molto espressivo} (e con lingua)} a b e + g8%^\markup{\bold {molto espressivo} (e con lingua)} + a b e + b2 + %\repeat unfold 2 { + %c8^\markup{ con amore ;-) }\sf c16 b a4 + %b8\sf b16 a g4 + %a8\sf a16 g fis8 g + c8%^\markup{ con amore ;-) }\sf + c16 b a4 + b8 b16 a g4 + a8 a16 g fis8 g + e2 + %c'8\mp\< c16 b a4 + c'8 c16 b a4 + b8 b16 a g4 + %a8^\markup {señorina}\f a16 g fis8 g + a8%^\markup {señorina}\f + a16 g fis8 g + %^\markup {rep. ad libidum} + e2 + %} + \bar ":|" + } + +% sopranMelodie = \relative c' { +% << +% { \meta } +% %\sopranArt +% %the actual tune +% { +% r1 +% } +% >> +% } +% +% altMelodie = \relative c' { +% << +% { \meta } +% %\altArt +% %the actual tune +% { +% r1 +% } +% >> +% } +% +% tenorMelodie = \relative c' { +% << +% { \meta } +% %\tenorArt +% %the actual tune +% \clef "treble_8" +% { +% r1 +% } +% >> +% } +% +% bassMelodie = \relative c { +% << +% { \meta } +% %\bassArt +% %the actual tune +% \clef bass +% { +% r1 +% } +% >> +% } +% diff --git a/hr/stch/extra/annika/texte.ly b/hr/stch/extra/annika/texte.ly new file mode 100644 index 0000000..be4d10d --- /dev/null +++ b/hr/stch/extra/annika/texte.ly @@ -0,0 +1,41 @@ +%some settings% vim: ai encoding=utf8 et + +% Abkürzungen + +% Die Textaufteilungen + + text=\lyrics { + + Un -- sre Stim -- men + woll'n er -- klin -- gen + und Dir et -- was sin -- gen + + denn Du warst + im -- mer für uns da + a -- ä -- a -- ä -- a + + Ein -- sing -- kul -- tur, + Stimm -- bil -- dung pur, + Ka -- nons in Moll und Dur: + + Drum hat -- ten wir + stets viel Plä -- sir, + An -- ni -- ka Bosch, mit Dir! + + } +% sopranText = \lyrics { +% <+hier den Text für den Sopran eintragen+> +% } +% +% altText = \lyrics { +% <+hier den Text für den Alt eintragen+> +% } +% +% tenorText = \lyrics { +% <+hier den Text für den Tenor eintragen+> +% } +% +% bassText = \lyrics { +% <+hier den Text für den Baß eintragen+> +% } +% diff --git a/hr/stch/extra/froehlich/dynArt.ly b/hr/stch/extra/froehlich/dynArt.ly new file mode 100644 index 0000000..756726f --- /dev/null +++ b/hr/stch/extra/froehlich/dynArt.ly @@ -0,0 +1,21 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/extra/froehlich/froehlich.ly b/hr/stch/extra/froehlich/froehlich.ly new file mode 100644 index 0000000..c688113 --- /dev/null +++ b/hr/stch/extra/froehlich/froehlich.ly @@ -0,0 +1,59 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + +\version "2.12" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Fröhlich fangt alle an" + %composer = "<+Komponist+>" + %opus = "<+Werk+>" + %tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 17) + + \score { + \new ChoirStaff \with {} << + \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + \addlyrics { \sopranText } + >> + \new Staff = alt << + %\new Voice = "alti" { \global \altMelodie } + %\addlyrics { \altText } + >> + \new Staff = tenor << + %\new Voice = "tenoere" { \global \tenorMelodie } + %\addlyrics { \tenorText } + >> + \new Staff = bass << + %\new Voice = "baesse" { \global \bassMelodie } + %\addlyrics { \bassText } + >> + >> + \midi { + \context{ + \Score + tempoWholesPerMinute = #(ly:make-moment 90 4) + } + } + \layout { + } + } + diff --git a/hr/stch/extra/froehlich/froehlich.midi b/hr/stch/extra/froehlich/froehlich.midi Binary files differnew file mode 100644 index 0000000..4523a0a --- /dev/null +++ b/hr/stch/extra/froehlich/froehlich.midi diff --git a/hr/stch/extra/froehlich/froehlich.ps b/hr/stch/extra/froehlich/froehlich.ps Binary files differnew file mode 100644 index 0000000..79b43f7 --- /dev/null +++ b/hr/stch/extra/froehlich/froehlich.ps diff --git a/hr/stch/extra/froehlich/midi.lua b/hr/stch/extra/froehlich/midi.lua new file mode 100644 index 0000000..f8b2520 --- /dev/null +++ b/hr/stch/extra/froehlich/midi.lua @@ -0,0 +1,50 @@ + -- some settings -- vim: ai sw=2 lbr nu encoding=utf8 et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + +\version "2.12" +\include "stimmen.ly" + + \score { +]] + +post=[[ + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/extra/froehlich/stimmen.ly b/hr/stch/extra/froehlich/stimmen.ly new file mode 100644 index 0000000..6639493 --- /dev/null +++ b/hr/stch/extra/froehlich/stimmen.ly @@ -0,0 +1,118 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key c \major + %\override Staff.TimeSignature #'style = #'() + \time 3/4 + %\autoBeamOff + \partial8 + } + +% Die Stimmen + + sopranMelodie = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + c8 ~ + c8 c8 c8 d8 d8 c8 ~ + c16 g16 a8 bes8 g4 a8 + a8 g8 f8 f8.( g16 a16 bes16 + c8 d8) d8 c4 c8 + d8 e8 f4 e8 d8 ~ + d16( c16 c4 b8) c8 e8 + d8 c8 c8.( d16 e16 f16 g8 + a8) a8 g4. + s8 + } + >> + } + + schrott = \relative c' { + << + { + %s8 + f8 ~ + f8 f8 f8 g8 g8 f8 + d8 c8 bes8 bes8( c8) d8 + %bes8( a8) bes8 + d8 c8 bes8 bes4 c8 ~ + c8 d4 r8 d8 ees8 + d8 c8 f8 f8( e8) f8 + f8 g4. a8 bes4 a4 g4. + f8 f8 e8 e8 r8 + s8 + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + a8 + a8 g8 f8 f8.( g16 a16 bes16 + c8 d8) d8 c4 c8 + d8 e8 f4 e8 d8 ~ + d16( c16 c4 b8) c8 e8 + d8 c8 c8.( d16 e16 f16 g8 + a8) a8 g4. + c,8 ~ + c8 c8 c8 d8 d8 c8 ~ + c16 g16 a8 bes8 g4% a8 + s8 + } + >> + } + + tenorMelodie = \relative c { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + c8 + d8 e8 f4 e8 d8 ~ + d16( c16 c4 b8) c8 e8 + d8 c8 c8.( d16 e16 f16 g8 + a8) a8 g4. + c,8 ~ + c8 c8 c8 d8 d8 c8 ~ + c16 g16 a8 bes8 g4 a8 + a8 g8 f8 f8.( g16 a16 bes16 + c8 d8) d8 c4 %c8 + s8 + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + e8 + d8 c8 c8.( d16 e16 f16 g8 + a8) a8 g4. + c,8 ~ + c8 c8 c8 d8 d8 c8 ~ + c16 g16 a8 bes8 g4 a8 + a8 g8 f8 f8.( g16 a16 bes16 + c8 d8) d8 c4 c8 + d8 e8 f4 e8 d8 ~ + d16( c16 c4 b8) c8 %e8 + s8 + } + >> + } + diff --git a/hr/stch/extra/froehlich/texte.ly b/hr/stch/extra/froehlich/texte.ly new file mode 100644 index 0000000..9eae99b --- /dev/null +++ b/hr/stch/extra/froehlich/texte.ly @@ -0,0 +1,45 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + +% Abkürzungen + + froehlich= \lyricmode { + Fröh -- lich fangt al -- le an, + mit mir zu sin -- gen + } + zum= \lyricmode { + zum Lob der mu -- si -- ca: + } + stimm= \lyricmode { + laßt Eu -- re Stimm‘ er -- klin -- gen + } + lob= \lyricmode { + zum Lob der mu -- si -- ca! + } + text= \lyricmode { + \froehlich \zum \stimm + } + +% Die Textaufteilungen + + sopranText = \lyrics { + \text \lob + } + + altText = \lyrics { + %\text + %zum Lob der mu -- si -- ca, + %der mu -- si -- ca! + gen \zum \stimm \lob + Fröh -- lich fangt al -- le an, + mit mir zu sin + } + + tenorText = \lyrics { + \stimm \lob \froehlich + zum Lob der mu -- si -- ca: + } + + bassText = \lyrics { + \lob \froehlich \zum \stimm + } + diff --git a/hr/stch/fertig/Abendsegen/Abendsegen.ly b/hr/stch/fertig/Abendsegen/Abendsegen.ly new file mode 100644 index 0000000..37bc1fc --- /dev/null +++ b/hr/stch/fertig/Abendsegen/Abendsegen.ly @@ -0,0 +1,90 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + +\version "2.12.1" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Abendsegen" + %title = \markup { "Abendsegen" } + subtitle = \markup { \huge "(deutsche Textfassung: Th. Cursch-Bühren)" } + composer = \markup { \column { \right-align \huge "Antonín Dvořak" \right-align \normalsize "Op. 29 Nr.1" } } + %opus = "Op. 29 Nr. 1" + %text-translator = "" + meinOddFooter = \markup { + \center-align { + "viel Spaß beim Singen" "und besucht uns unter" + \with-url #"www.studentenchor.de" \line { + \bold "www.studentenchor.de" + } + } + } + meinEndFooter = + \markup { + \with-url #"www.studentenchor.de" \line { + \bold "www.studentenchor.de" + } + } + } + + #(set-global-staff-size 10) + #(set-default-paper-size "a4" 'landscape) + #(ly:set-option 'point-and-click #f) + + \paper { + %<+weitere Einstellungen+> + after-title-space = 12\mm + page-top-space = 10\mm + bottom-margin = 17\mm + top-margin = 12\mm + line-width = 260\mm + system-count = 5 + foot-separation = 15\mm + head-separation = 0\mm + } + + \midi { + %\tempo 4 = <+bpm+> + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-2 . 2) + } + \context { + \Voice + \override TextScript #'padding = #2.0 + \override DynamicLineSpanner #'staff-padding = #1 + %\override DynamicText #'avoid-slur = #'outside + \override DynamicLineSpanner #'padding = #1.0 + \override DynamicTextSpanner #'staff-padding = #4 + } + } + + \score { + \new ChoirStaff << + \new Staff = sopran << + \new Voice = "meta" { \meta } + \new Voice = "soprane" { \global \sopranMelodie } + \lyricsto soprane \sopranText + >> + \new Staff = alt << + \new Voice = "meta" { \meta } + \new Voice = "alti" { \global \altMelodie } + \lyricsto alti \altText + >> + \new Staff = tenor << + \new Voice = "meta" { \meta } + \new Voice = "tenoere" { \global \tenorMelodie } + \lyricsto tenoere \tenorText + >> + \new Staff = bass << + \new Voice = "meta" { \meta } + \new Voice = "baesse" { \global \bassMelodie } + \lyricsto baesse \bassText + >> + >> + } + diff --git a/hr/stch/fertig/Abendsegen/abend.ly b/hr/stch/fertig/Abendsegen/abend.ly new file mode 100644 index 0000000..1650707 --- /dev/null +++ b/hr/stch/fertig/Abendsegen/abend.ly @@ -0,0 +1,91 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + +\version "2.12.1" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Abendsegen" + %title = \markup { "Abendsegen" } + subtitle = \markup { \huge "(deutsche Textfassung: Th. Cursch-Bühren)" } + composer = \markup { \column { \right-align \huge "Antonín Dvořak" \right-align \normalsize "Op. 29 Nr.1" } } + %opus = "Op. 29 Nr. 1" + %text-translator = "" + meinOddFooter = \markup { + \center-align { + "viel Spaß beim Singen" "und besucht uns unter" + \with-url #"www.studentenchor.de" \line { + \bold "www.studentenchor.de" + } + } + } + meinEndFooter = + \markup { + \with-url #"www.studentenchor.de" \line { + \bold "www.studentenchor.de" + } + } + } + + #(set-global-staff-size 9) + #(set-default-paper-size "a4" 'landscape) + #(ly:set-option 'point-and-click #f) + + \paper { + %<+weitere Einstellungen+> + after-title-space = 12\mm + page-top-space = 10\mm + bottom-margin = 17\mm + top-margin = 12\mm + line-width = 260\mm + system-count = 5 + foot-separation = 15\mm + head-separation = 0\mm + page-count = 2 + } + + \midi { + %\tempo 4 = <+bpm+> + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-2 . 2) + } + \context { + \Voice + \override TextScript #'padding = #2.0 + \override DynamicLineSpanner #'staff-padding = #1 + %\override DynamicText #'avoid-slur = #'outside + \override DynamicLineSpanner #'padding = #1.0 + \override DynamicTextSpanner #'staff-padding = #4 + } + } + + \score { + \new ChoirStaff << + \new Staff = sopran << + \new Voice = "meta" { \meta } + \new Voice = "soprane" { \global \sopranMelodie } + \lyricsto soprane \sopranText + >> + \new Staff = alt << + \new Voice = "meta" { \meta } + \new Voice = "alti" { \global \altMelodie } + \lyricsto alti \altText + >> + \new Staff = tenor << + \new Voice = "meta" { \meta } + \new Voice = "tenoere" { \global \tenorMelodie } + \lyricsto tenoere \tenorText + >> + \new Staff = bass << + \new Voice = "meta" { \meta } + \new Voice = "baesse" { \global \bassMelodie } + \lyricsto baesse \bassText + >> + >> + } + diff --git a/hr/stch/fertig/Abendsegen/abend.ps b/hr/stch/fertig/Abendsegen/abend.ps Binary files differnew file mode 100644 index 0000000..84638fc --- /dev/null +++ b/hr/stch/fertig/Abendsegen/abend.ps diff --git a/hr/stch/fertig/Abendsegen/alt/Abendsegen.ps b/hr/stch/fertig/Abendsegen/alt/Abendsegen.ps Binary files differnew file mode 100644 index 0000000..8e87ccc --- /dev/null +++ b/hr/stch/fertig/Abendsegen/alt/Abendsegen.ps diff --git a/hr/stch/fertig/Abendsegen/alt/Abendsegen_.ps b/hr/stch/fertig/Abendsegen/alt/Abendsegen_.ps Binary files differnew file mode 100644 index 0000000..bf31b29 --- /dev/null +++ b/hr/stch/fertig/Abendsegen/alt/Abendsegen_.ps diff --git a/hr/stch/fertig/Abendsegen/alt/abend.ps b/hr/stch/fertig/Abendsegen/alt/abend.ps Binary files differnew file mode 100644 index 0000000..740db73 --- /dev/null +++ b/hr/stch/fertig/Abendsegen/alt/abend.ps diff --git a/hr/stch/fertig/Abendsegen/stimmen.ly b/hr/stch/fertig/Abendsegen/stimmen.ly new file mode 100644 index 0000000..274e58d --- /dev/null +++ b/hr/stch/fertig/Abendsegen/stimmen.ly @@ -0,0 +1,196 @@ +%some settings% vim: ai sw=2 lbr nu + + global = { + \key bes \major + \time 2/4 + \autoBeamOff + } + + rit = \mark\markup {\italic {rit.}} + at = \mark\markup {\italic {a tempo}} + di = \mark\markup {\italic {dim.}} + pmm = \mark\markup {\bold {Poco meno mosso}} + + meta = { + \dynamicUp + % Tief im Walde + s2\p s2*6 s2\mp s2*2 s2\< s2\mf s4\rit s4 s2 \break\at + % Drunt im Dörfchen + s2 s2*2 s2\< s2 s8\! s4. s4 s4\> + s2\p s8 s4. s2\> s2\!\< s2\f s4\rit s4 s4\> s4\pp\fermata \pageBreak\at + % Wenn die Lieder + s2 s2*5 s2\rit s4\> s4\!\fermata\at + s2\p s2*3 s2\< s2\! s4. s8\> s4 s4\!\fermata \break + % und es tröstet + s2*2 s2 s2\< s4 s4\f s2 + \repeat unfold 2 {s8. s16 s4 s2} + s8 s4.\< s4\! s4 s4\di s4 s4 s4\fermata \break\pmm + % Traum + \crescTextCresc + s2\pp s2*3 s4 s4\< s2 + \crescHairpin + s2\f s2\> s2\p s4 s4\< s4\!\di s4 s2 \bar "|." + } + +% Die Stimmen + + sopranMelodie = \relative c' { + % Tief im Walde + bes'4 bes4 d8 c8 bes8 f8 + bes4 bes4 d8 c8 bes8 f8 + d'16 c16 bes8 a16 g16 fis8 g8 bes8 a8 g8 f4 f4 + bes4 bes4 d8 c8 bes8 f8 + bes4 bes4 des8 c8 bes8 f8 + des'16 c8 b16 aes16 ges16 f8 ees8 ges8 f8 ees8 des4 des4 + % Drunt im Dörfchen + des8 f8 aes8 aes8 a4 gis4 + cis2 ~ cis2 ~ cis8 cis8 e8 d8 cis8-> b4. + cis4-> gis4 b8. a16 a8 a8 + cis8-> gis8 gis8 gis8 b4 bes4 + bes4( ees8 ) d8 g8 g8 f8 bes,8 + f'8 ees16[ d16 ] c8 f8 d8.[ bes16 ] bes4 + % Wenn die Lieder + bes4 bes4 bes8 d16[ c16 ] bes8 f8 + bes4 bes4 bes8 d16[ c16 ] bes8 f8 + d'16[ c16 ] bes8 a16[ g16 ] fis8 g4 g4 + c8 d16[ bes16 ] a8 g8 f4 f8.[ bes16 ] + bes4 bes4 bes8 d16[ c16 ] bes8 f8 + bes4 bes4 bes8 des16[ c16 ] bes8 f8 + f'8 f8 ees8 des8 c4 bes4 + c8 c8 bes8 aes8 aes4 g4 + % und es tröstet + c,8\pp e8 g8 g8 aes4 g4 + c2 ~ c2 ~ c4( ees8 ) des8 c8. bes16 bes8 bes8 + c8.-> g16 g8 g8 bes4 aes4 + c8.-> g16 g8 g8 bes4 bes4 + bes8 bes8 ees8 d8 g4-> f4-> + f8 ees16[ d16 ] c8 f8 d8.[ bes16 ] bes4 + % Böser Traum + bes4 bes4 bes16[ c16 ] d16[ c16 ] bes8 f8 + bes4 bes4 bes16[ c16 ] d16[ c16 ] bes8 f8 + bes4( des8 ) ces8 bes8. bes16 c8 d8 + ees8 bes8 a8 g8 f4.( ees8 ) d4 r4 + g8 ees16[ f16 ] g8 a8 bes4( ees8.( d16 ) ) d2 + } + + altMelodie = \relative c' { + % Tief im Walde + f4 f4 f8 f8 f8 f8 + f4 f4 f8 f8 f8 f8 + bes16 a16 g8 fis16 e16 d8 d8 d8 e8 e8 f4 f4 + f4 f4 f8 f8 f8 f8 + f4 f4 f8 f8 f8 f8 + bes16 aes8 ges16 f16 ees16 des8 ees8 des8 c8 c8 des4 des4 + % Drunt im Dörfchen + r2 r2 + des8\p f8 aes8 aes8 a4 gis4 + a8 a8 cis8 b8 a8-> gis4. + gis4-> gis4 eis8. fis16 fis8 fis8 + gis8 gis8 gis8 gis8 eis4 e4 + f4( bes8 ) bes8 bes8 bes8 bes8 bes8 + a8 a8 a8 a8 bes8[ g8 ] f4 + % Wenn die Lieder + f4 f4 f8 f8 f8 f8 + f4 f4 f8 f8 f8 f8 + bes16[ a16 ] g8 fis16[ e16 ] d8 d4 d4 + f8 f8 f8 e8 d4 c8.[ f16 ] + f4 f4 f8 f8 f8 f8 + f4 f4 f8 f8 f8 f8 + f8 f8 aes8 f8 aes4 g4 + aes8 aes8 g8 f8 f4 e4 + % und es tröstet + r2 r2 + c8\pp e8 g8 g8 aes4 g4 + aes4( c8 ) bes8 aes8. g16 g8 g8 + g8.-> g16 g8 g8 e4 f4 + g8.-> g16 g8 g8 e4 e4 + f8 f8 bes8 bes8 bes4-> bes4-> + a8 a8 a8 a8 bes8[ g8 ] f4 + % Böser Traum + f4 f4 f8 f8 f8 f8 + f4 f4 f8 f8 f8 f8 + ges4( f8 ) f8 ges8. ges16 aes8 aes8 + g8 g8 f8 ees8 d4.( c8 ) bes4 r4 + ees8 ees8 ees8 ees8 d4( f4 ) f2 + } + + tenorMelodie = \relative c' { + % Tief im Walde + d'4 d4 f8 ees8 d8 d8 + d4 d4 f8 ees8 d8 d8 + d16 d16 d8 d16 a16 a8 bes8 d8 c8 bes8 a4 a4 + d4 d4 f8 ees8 d8 d8 + des4 des4 f8 ees8 des8 des8 + des16 des8 des16 des16 aes16 aes8 bes8 bes8 aes8 ges8 f4 f4 + % Drunt im Dörfchen + des8\p f8 aes8 aes8 a4 gis4 + cis2 ~ cis2 ~ cis8 cis8 fis8 fis8 e8-> d4. + cis4-> cis4 cis8. cis16 cis8 cis8 + cis8 cis8 cis8 cis8 cis4 cis4 + d4( g8 ) f8 ees8 ees8 d8 d8 + c8 c16[ d16 ] ees8 c8 d8[ ees8 ] d4 + % Wenn die Lieder + d4 d4 d8 f16[ ees16 ] d8 d8 + d4 d4 d8 f16[ ees16 ] d8 d8 + d8 d8 d8 a8 bes4 g4 + a8 d8 c8 bes8 bes4 a8.[ d16 ] + d4 d4 d8 f16[ ees16 ] d8 d8 + des4 des4 des8 des8 des8 des8 + des8 des8 c8 bes8 c8[ d8 ] ees4 + ees8 ees8 des8 des8 c4 c4 + % und es tröstet + c,8\pp e8 g8 g8 aes4 g4 + c2 ~ c2 ~ c4( f8 ) f8 ees8. des16 des8 des8 + c8.-> c16 c8 c8 c4 c4 + c8.-> c16 c8 c8 c4 cis4 + d8 d8 g8 f8 ees4-> d4-> + c8 c16[ d16 ] ees8 c8 d8[ ees8 ] d4 + % Böser Traum + d4 d4 d16[ ees16 ] f16[ ees16 ] d8 d8 + d4 d4 d16[ ees16 ] f16[ ees16 ] d8 d8 + des4( ces8 ) aes8 bes8. bes16 bes8 bes8 + bes8 bes8 bes8 bes8 bes4( a4 ) bes4 r4 + bes8 g16[ a16 ] bes8 c8 f,4( a4 ) bes2 + } + + bassMelodie = \relative c { + \clef bass + % Tief im Walde + bes4 bes4 bes'8 bes,8 bes8 bes8 + bes4 bes4 bes'8 bes,8 bes8 bes8 + g'16 g16 g8 d16 d16 d8 g8 g8 c,8 c8 f4 f4 + bes,4 bes4 bes'8 bes,8 bes8 bes8 + bes4 bes4 bes'8 bes,8 bes8 bes8 + ges'16 ges8 ges16 des16 des16 des8 ges8 ees8 aes8 aes,8 des4 des4 + % Drunt im Dörfchen + r2 r2 + des8\p f8 aes8 aes8 a4 gis4 + fis8 fis8 d8 d8 e8-> e4. + eis4-> eis4 gis8. fis16 fis8 fis8 + eis8 eis8 eis8 eis8 gis4 fis4 + f4 f4 f8 f8 f8 f8 + f8 f8 f8 f8 bes4 bes,4 + % Wenn die Lieder + bes'4 bes4 bes8 bes,8 bes8 bes8 + bes'4 bes4 bes8 bes,8 bes8 bes8 + g'8 g8 d8 d8 bes4 bes4 + a8 bes8 c8 c8 f4 f4 + bes4. f8 bes8 f8 d8 bes8 + bes'4. f8 bes8 f8 des8 bes8 + bes8 bes8 c8 des8 ees4 ees4 + aes8 aes,8 bes8 b8 c4 c4 + % und es tröstet + r2 r2 + c8\pp e8 g8 g8 aes4 g4 + f4 des4 ees8. ees16 ees8 ees8 + e8.-> e16 e8 e8 g4 f4 + e8.-> e16 e8 e8 g4 ges4 + f8 f8 f8 f8 f4-> f4-> + f8 f8 f8 f8 bes4 bes,4 + % Böser Traum + bes'16[ f16 ] d16[ ees16 ] f8 bes,8 bes'8 bes,8 bes8 bes8 + bes'16[ f16 ] d16[ ees16 ] f8 bes,8 bes'8 bes,8 bes8 bes8 + ges'4( des8 ) des8 ges8. ges16 f8 f8 + ees8 ees8 ees8 ees8 f2 g4 r4 + ees8 ees8 c8 c8 bes4( f4 ) bes2 + } diff --git a/hr/stch/fertig/Abendsegen/texte.ly b/hr/stch/fertig/Abendsegen/texte.ly new file mode 100644 index 0000000..57519f4 --- /dev/null +++ b/hr/stch/fertig/Abendsegen/texte.ly @@ -0,0 +1,78 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + +% Die Textaufteilungen + + hirt = \lyricmode { + Tief im Wal -- de steht ein Hirt bei sei -- nen Her -- den, + flat -- tert sein Man -- tel, er wallt ihm bis zur Er -- den. + } + + haus = \lyricmode { + Ein -- sam lugt des Hir -- ten Haus vom Wal -- des -- han -- ge, + drun -- ten im Ta -- le ein Dörf -- chen dehnt sich lan -- ge. + } + + herz = \lyricmode { + Drunt im Dörf -- chen läßt ein Mägd -- lein Lie -- der klin -- gen, + die aus lie -- bes -- trunk -- nem Her -- zen se -- lig drin -- gen, + die aus lie -- bes -- trunk -- nem Her -- zen se -- lig drin -- gen. + } + + grün = \lyricmode { + Wenn die Lie -- der sie hi -- nauf dem Lieb -- sten sen -- det, + klingt es, wie wenn fri -- sches Grün der Früh -- ling spen -- det. + } + + glöcklein = \lyricmode { + Ihm er -- klin -- gen wie des Glöck -- leins Ton die Lie -- der, + wenn er fromm des A -- bends kniet zum Be -- ten nie -- der, + } + + sang = \lyricmode { + und es trö -- stet ihn ihr Sang __ in ban -- gen Nä -- chten, + wenn sich in sein Träu -- men grau -- se Bil -- der fle -- chten, + wenn sich in sein Träu -- men grau -- se Bil -- der fle -- chten. + } + + segen = \lyricmode { + hört, mir singt mein Lieb -- chen mei -- nen A -- bend -- se -- gen, + mei -- nen A -- bend -- se -- gen. + } + + böse = \lyricmode { + Bö -- ser Traum in ban -- gen Nä -- chten soll mir nicht mein Herz er -- re -- gen: + } + + bang = \lyricmode { + Traum in ban -- gen Nä -- chten soll mich nicht er -- re -- gen: + } + + + sopranText = \lyrics { + \hirt \haus + \herz + \grün \glöcklein + \sang \bang \segen + } + + altText = \lyrics { + \hirt \haus + \herz + \grün \glöcklein + \sang \bang \segen + } + + tenorText = \lyrics { + \hirt \haus + \herz + \grün \glöcklein + \sang \bang \segen + } + + bassText = \lyrics { + \hirt \haus + \herz + \grün \glöcklein + \sang \böse \segen + } + diff --git a/hr/stch/fertig/abendlied/abendlied.ly b/hr/stch/fertig/abendlied/abendlied.ly new file mode 100644 index 0000000..bb48a4a --- /dev/null +++ b/hr/stch/fertig/abendlied/abendlied.ly @@ -0,0 +1,76 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "stimmen.ly" +\include "texte.ly" + +\pointAndClickOff + + \header { + title = "Abendlied" + composer = "Josef Rheinberger" + opus = "Op. 69, No. 3" %TODO: schmale geschützte! + tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + %#(set-global-staff-size 17) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \sopranMelodie } + %\addlyrics { \sopranText } + >> + + alt = << + \new Voice = "alti" { \altMelodie } + %\addlyrics { \altText } + >> + + ten = << + \new Voice = "tenoere" { \tenorMelodie } + %\addlyrics { \tenorText } + >> + + tenII = << + \new Voice = "tenoereZwei" { \global \tenorIIMelodie } + \addlyrics { \tenorText } + >> + + bas = << + \new Voice = "baesse" { \bassMelodie } + \addlyrics { \bassText } + >> + + \score { + \new ChoirStaff \with { } << + %\new Staff = sopran { \global \sop } + %\new Staff = alt { \global \alt } + %\new Staff = tenor { \global \ten } + \new Staff = tenoereII { \tenII } + %\new Staff = bass { \global \bas } + >> + \midi { + \context{ + \Score + tempoWholesPerMinute = #(ly:make-moment 100 4) + } + } + %\layout { + %} + } + diff --git a/hr/stch/fertig/abendlied/abendlied.midi b/hr/stch/fertig/abendlied/abendlied.midi Binary files differnew file mode 100644 index 0000000..f3d66fd --- /dev/null +++ b/hr/stch/fertig/abendlied/abendlied.midi diff --git a/hr/stch/fertig/abendlied/dynArt.ly b/hr/stch/fertig/abendlied/dynArt.ly new file mode 100644 index 0000000..fa59243 --- /dev/null +++ b/hr/stch/fertig/abendlied/dynArt.ly @@ -0,0 +1,70 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + s1*4 + s1\> + s1\! + s1*10 + s2 s2\dim + s1*14 + s2\> s2 + s4\! s4 s2 + s1*11 + s2 s2\ff + s2 s2\dim + s1 + s1\pp + s1\fermata + } + +% articulation + + oberArt = { + } + + unterArt = { + s1 + s1\p + s1\< + s4 s4\! s2 + s1*25 + s1\< + s4 s4\! s2 + s1 + % stop + } + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + tenorIIArt = { + s1*7 + s4 s2\f s4 + s1*2 + s4 s4\f s2 + s1*9 + s4 s2\f s4 + s1*4 + s2 s2\dim + s1*2 + s4 s4\p s2 + s1*4 + s4 s2\f s4 + s1*5 + s2 s2\p + s1*2 + s4 s4\f s2 + s1*6 + } + + bassArt = { + } + diff --git a/hr/stch/fertig/abendlied/midi.lua b/hr/stch/fertig/abendlied/midi.lua new file mode 100644 index 0000000..8d7d5be --- /dev/null +++ b/hr/stch/fertig/abendlied/midi.lua @@ -0,0 +1,51 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { + \unfoldRepeats +]] + +post=[[ + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/fertig/abendlied/stimmen.ly b/hr/stch/fertig/abendlied/stimmen.ly new file mode 100644 index 0000000..800a6c7 --- /dev/null +++ b/hr/stch/fertig/abendlied/stimmen.ly @@ -0,0 +1,169 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key f \major + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + \autoBeamOff + \override DynamicTextSpanner #'style = #'none + } + +% Die Stimmen + + sopranMelodie = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + r1 + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + r1 + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + r1 + } + >> + } + + tenorIIMelodie = \relative c' { + << + { \meta } + { \unterArt } + \tenorIIArt + %the actual tune + \clef "treble_8" + { + r1 + a2. a4 + g2. c4 + a4 a4 b4 b4 + g2 c2 + r1 + r1 + r4 g'2 f4 + e4 c2 d8[ ees8] + d1 + r4 f,4 a4 c4 + c2 g2 + fis1 + g2. bes4 + bes1 ~ + bes2 bes2 + g2( a2) + a1 + r1 + r1 + r4 d2 d4 + d4 g,4 a4 bes4 + c1 ~ + c1 + bes2 bes4.( a8) + g2 f4( a4) + bes2.( a8[ g8]) + a2 r2 + r4 c4 bes4 a4 + g2. c4 + a4 a4 b4 b4 + g2 c2 + r1 + r4 c2 c4 + c4 f,4 g4 a4 + bes2 bes2 + bes2( a4) f4 + c'2.( bes4) + a2 r2 + r2 f2 + g2. g4 + d'2 r2 + r4 c,4 f4 a4 + c2. c4 + f,2 a2 + a2 d,2 + g2 a2 + c1 + c,1%\fermata + \bar "|." + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + r1 + a2. a4 + c2. c4 + d4 d4 g4 g4 + c,2 c2 + r4 g'2 f4 + e4 c4 f4 a4 + bes2 a2 + g2 f2 + bes,1 + f1 + r1 + r1 + r4 g4 bes4 d4 + ees1( + bes2.) d4 + c1 + d1 + R1*4 + r4 c'2 c4 + c4 f,4 g4 a4 + bes2 bes,2 + c2. c4 + c1 + f,2 r2 + a2. a4 + c2. c4 + d4 d4 g4 g4 + c,2 c2 + r4 g'2 g4 + g4 c,4 d4 e4 + f1 + bes,2 bes2 + c2 c2 + c1 + d2 d2 + e2 f2 + bes,2 c2 + d2 g4( f4) + e2 f2 + c2. c4 + d2 d2 + a2 bes2 + c2 c2 + c1 + f,1\fermata + \bar "|." + } + >> + } + diff --git a/hr/stch/fertig/abendlied/texte.ly b/hr/stch/fertig/abendlied/texte.ly new file mode 100644 index 0000000..96a8e06 --- /dev/null +++ b/hr/stch/fertig/abendlied/texte.ly @@ -0,0 +1,45 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + Bleib bei uns, denn es will A -- bend wer -- den, + bleib bei uns, denn es will, + denn es will A -- bend wer -- den, + will A -- bend wer -- den, + und der Tag hat sich ge -- nei -- get, + hat sich ge -- nei -- get, + o bleib bei uns, denn es will A -- bend wer -- den, + und der Tag hat sich ge -- neigt, + hat sich ge -- nei -- get. + O bleib bei uns, + o bleib, o bleib bei uns, + denn es will A -- bend wer -- den. + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + Bleib bei uns, denn es will A -- bend wer -- den, + bleib bei uns, denn es will A -- bend, A -- bend wer -- den, + denn es will A -- bend wer -- den, + und der Tag hat sich ge -- nei -- get, + sich ge -- nei -- get, + bleib bei uns, denn es will A -- bend wer -- den, + und der Tag hat sich ge -- nei -- get, + hat sich ge -- nei -- get. + O bleib, o bleib bei uns, + o bleib, o bleib bei uns, + denn es will A -- bend wer -- den. + } + diff --git a/hr/stch/fertig/adeste/Adeste Fideles 1.PNG b/hr/stch/fertig/adeste/Adeste Fideles 1.PNG Binary files differnew file mode 100644 index 0000000..ab43ded --- /dev/null +++ b/hr/stch/fertig/adeste/Adeste Fideles 1.PNG diff --git a/hr/stch/fertig/adeste/Adeste fideles - 2.JPG b/hr/stch/fertig/adeste/Adeste fideles - 2.JPG Binary files differnew file mode 100644 index 0000000..dac21f6 --- /dev/null +++ b/hr/stch/fertig/adeste/Adeste fideles - 2.JPG diff --git a/hr/stch/fertig/adeste/adeste.ly b/hr/stch/fertig/adeste/adeste.ly new file mode 100644 index 0000000..aaa7f0a --- /dev/null +++ b/hr/stch/fertig/adeste/adeste.ly @@ -0,0 +1,81 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Adeste fideles" + %composer = "<+Komponist+>" + arranger = "Carl Thiel" + text = "Adeste fideles um 1790, Abbé Borderies" + opus = "Opus 7" + tagline = "" + } + + \paper { + print-page-number = ##f + line-width = \paper-width - 30 + top-margin = 15 + bottom-margin = 25 + top-system-spacing #'minimum-distance = 17 + ragged-last-bottom = #'f + system-count = 5 + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + \pointAndClickOff + + #(set-global-staff-size 16) + + sop = \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + \addlyrics { \sopOne } + \addlyrics { \sopThree } + \new Voice { \global \sopTwo } + >> + + alt = \new Staff = alt << + \new Voice = "alti" { \global \altMelodie } + %\addlyrics { \altText } + >> + + ten = \new Staff = tenor << + \new Voice = "tenoere" { \global \tenorMelodie } + \addlyrics { \tenOne } + \addlyrics { \tenThree } + \new Voice { \global \tenorTwo } + %\addlyrics { \tenorText } + >> + + bas = \new Staff = bass << + \new Voice = "baesse" { \global \bassMelodie } + %\addlyrics { \bassText } + >> + + \score { + \new ChoirStaff \with {} << + \sop + \alt + \ten + \bas + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + \texte + diff --git a/hr/stch/fertig/adeste/dynArt.ly b/hr/stch/fertig/adeste/dynArt.ly new file mode 100644 index 0000000..a4158e3 --- /dev/null +++ b/hr/stch/fertig/adeste/dynArt.ly @@ -0,0 +1,75 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + s4 + s1 + s1 + s1 + s2. s4\mf + s1 + s1 + s1 + s1 + s1\f + s1 + s4 s2.\> + s2. s4\p + s1 + s1 + s1 + s2. s4\f + s2 s4^\markup{ \italic "poco" } s4\> + s2\! s4\< s4\! + s1 + s2.%\fermata + \bar "|." + } + +% articulation + + mep = \markup{ \italic "meno" \dynamic "p" } + unterArt = { + s4^\markup{ \italic "poco" \dynamic "f" } + s2 s4\< s4\! + s2 s4\> s4\! + s2\! s2\! + s2\> s4\! s4 + } + + sopranArt = { + s4^\markup{ \bold "Mit freudigem Ausdruck" } + \repeat unfold 13 { s1 } + s2. s4^\mep + \repeat unfold 4 { s1 } + s2^\markup{ \italic "poco rit." } + } + + altArt = { + s4 + \repeat unfold 13 { s1 } + s2. s4^\mep + } + + tenorArt = { + << + \unterArt + { + s4 + \repeat unfold 13 { s1 } + s2. s4^\mep + } + >> + } + + bassArt = { + << + \unterArt + { + s4 + \repeat unfold 13 { s1 } + } + >> + } + diff --git a/hr/stch/fertig/adeste/midi.lua b/hr/stch/fertig/adeste/midi.lua new file mode 100644 index 0000000..58e69da --- /dev/null +++ b/hr/stch/fertig/adeste/midi.lua @@ -0,0 +1,50 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + +\version "2.12" +\include "stimmen.ly" + + \score { +]] + +post=[[ + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/fertig/adeste/stimmen.ly b/hr/stch/fertig/adeste/stimmen.ly new file mode 100644 index 0000000..e59b986 --- /dev/null +++ b/hr/stch/fertig/adeste/stimmen.ly @@ -0,0 +1,256 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key b \major + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + %\autoBeamOff + \partial 4 + } + +% Die Stimmen + + sopranMelodie = \relative c'' { + << + { \meta } + \sopranArt + %the actual tune + { + \oneVoice + r4 + r1 + r1 + r1 + r2 r4 b4 + b2 ais4 gis4 + ais4( b4) cis4 dis4 + ais4( b4) gis2 + fis2. r4 + { + \voiceOne + fis'2 e4 dis4 + e2 dis2 + cis4 dis4 b4 cis4 + ais4( gis4) fis4 + } + % Venite + \oneVoice + b4 + b4 ais4 b4 cis4 + b2 fis4 + \voiceOne + dis'4 + dis4 cis4 dis4 e4 + dis2 cis4 fis4 + e4 dis4 cis4 b4 + ais2 b4( e4) + dis2 cis2 + b2.\fermata + } + >> + } + sopTwo = \relative c'' { + << + { + \oneVoice + r4 + r1 + r1 + r1 + r2 r4 b4 + b2 ais4 gis4 + ais4( b4) cis4 dis4 + ais4( b4) gis2 + fis2 s4 r4 + \voiceTwo + % \dynamicOff + dis'2 b4 b4 + b4( ais4) b2 + ais4 ais4 gis4 gis4 + ais4( gis4) fis4 + % Venite + \oneVoice + b4 + b4 ais4 b4 cis4 + b2 fis4 + \voiceTwo + b4 + b4 ais4 b4 gis8 ais8 + b2 ais4 b4 + ais4 b4 cis4 b4 + ais2 b2 + b2. ais4 b2. + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + \bassArt + %the actual tune + { + r4 + r1 + r1 + r1 + r2 r4 fis4 + dis4( eis4) fis4 eis4 + fis2 fis4 fis4 + fis2 fis4( eis4) + fis2. r4 + <fis b>2 fis4 fis4 + fis2 fis2 + fis4 dis4 dis4 gis4 + fis4( eis4) cis4 + % Venite + fis4 + fis4 fis4 fis4 fis4 + fis2 fis4 fis4 + fis4 fis4 fis4 e4 + fis4( gis4) ais4 fis4 + fis4 fis4 gis4 gis4 + gis4( fisis4) gis2 + fis2( eis4) fis4 fis2.\fermata + } + >> + } + + tenorMelodie = \relative c'' { + << + { \meta } + \tenorArt + { + { + \voiceOne + b4 + b2 fis4 b4 + cis2( fis,4) gis8 ais8 + b4( cis4) dis4 e4 + dis2 cis4 + } + \oneVoice + b4 + b2 cis4 cis4 + cis2 cis4 b4 + dis2 cis2 + ais2. r4 + { \voiceOne dis2 cis4 b4 } + \oneVoice + cis2 b2 + cis4 ais4 b4 gis4 + cis4( b4) ais4 + % Venite + b4 + b4 cis4 dis4 cis4 + dis2 dis4 b4 + b4 fis4 b4 cis4 + dis4( e4) fis4 dis4 + e4 fis4 e4 dis4 + dis2 dis4( e4) + b2. cis4 dis2.\fermata + } + >> + } + tenorTwo = \relative c'' { + << + { + { + \voiceTwo + b4 + b2 fis4 b4 + cis2( fis,4) gis8 ais8 + b4( ais4) b4 b4 + b2 ais4 + } + \oneVoice + b4 + b2 cis4 cis4 + cis2 cis4 b4 + dis2 cis2 + ais2 s4 r4 + { \voiceTwo b2 fis4 b4 } + } + >> + } + + bassMelodie = \relative c { + \clef bass + << + { \meta } + \altArt + { + << + { + \voiceOne + b'4 + b2 fis4 b4 + cis2 fis,4 ~ fis4 + fis4 ~ fis4 fis4 gis4 + fis2 fis4 + } + \\ + \new Voice \with {\remove Dynamic_engraver } + { + \voiceTwo + b4 + b2 fis4 b4 + cis2 fis,4( e4) + dis4( fis4) b,4 e4 + b4( dis4) fis4 + } + >> + dis4 + gis2 fis4 cis4 + fis4( gis4) ais4 b4 + dis,4( gis4) cis2 + fis,2. r4 + << + { + \voiceOne + fis2 fis4 fis4 + fis2 fis2 + } + \\ + \new Voice \with {\remove Dynamic_engraver } + { + \voiceTwo + b,2 cis4 dis4 + cis4( fis4) b,2 + } + >> + fis'4 fisis4 gis4 eis4 + fis4( cis4) fis4 + % Venite + dis4 + dis4 fis4 b4 ais4 + b2 b4 r4 + r1 + r2 r4 + << + { + \voiceOne + fis4 + fis4 b4 e,4 gis4 + ais2 gis2 + b4( fis4 gis4) fis4 + fis2.\fermata + } + \\ + \new Voice \with {\remove Dynamic_engraver } + { + \voiceTwo + b,4 + cis4 dis4 e4 gis4 + dis2 gis4( cis,4) + dis2( gis4) fis4 + b,2. + } + >> + } + >> + } + diff --git a/hr/stch/fertig/adeste/texte.ly b/hr/stch/fertig/adeste/texte.ly new file mode 100644 index 0000000..754a3e2 --- /dev/null +++ b/hr/stch/fertig/adeste/texte.ly @@ -0,0 +1,141 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + +% Die Textaufteilungen + + sopVerseOne = \lyricmode { + \set stanza = "1." + Ve -- ni -- te + } + tenVerseOne = \lyricmode { + \set stanza = "1." + Ad -- es -- te fi -- de -- les + læ -- ti tri -- um -- phan -- tes; + ve -- ni -- te + } + sopVerseThree = \lyricmode { + \set stanza = "3." + ve -- la -- tum + } + tenVerseThree = \lyricmode { + \set stanza = "3." + Æ -- ter -- ni pa -- ren -- tis + splen -- do -- rem æ -- ter -- num + ve -- la -- tum + } + verseOne = \lyricmode { + ve -- ni -- te in Beth -- le -- hem. + Na -- tum vi -- de -- te + re -- gem An -- ge -- lo -- rum. + } + verseThree = \lyricmode { + sub car -- ne vi -- de -- bi -- mus; + De -- um in -- fan -- tem + pa -- nis in -- vo -- lu -- tum. + } + refr = \lyricmode { + Ve -- ni -- te ad -- o -- re -- mus. + Ve -- ni -- te ad -- o -- re -- mus. + Ve -- ni -- te ad -- o -- re -- mus Do -- mi -- num. + } + sopOne = \lyrics { + \sopVerseOne + \verseOne + \refr + } + sopThree = \lyrics { + \sopVerseThree + \verseThree + %\refr + } + tenOne = \lyrics { + \tenVerseOne + \verseOne + \refr + } + tenThree = \lyrics { + \tenVerseThree + \verseThree + %\refr + } + texte = \markup { + \fill-line { + " " + \column { + \line { + \bold " "%1." + \column { + " "%Herbei o ihr Gläubigen, fröhlich triumphierend" + " "%o kommet, o kommet nach Bethlehem" + " "%sehet das Kindlein uns zum Heil geboren!" + " "%O lasset uns anbeten, o lasset uns anbeten," + " "%o lasset uns anbeten den König, den Herrn." + " " + " " + " " + } + } + \line { + \bold "2." + \column { + "Engrege relicto humiles ad cunas" + "vocati pastores ad properant;" + "nosque ovanti gradu festinemus:" + } + } + } + " " + \column { + \line { + \bold "1." + \column { + "Herbei o ihr Gläubigen, fröhlich triumphierend" + "o kommet, o kommet nach Bethlehem" + "sehet das Kindlein uns zum Heil geboren!" + "O lasset uns anbeten, o lasset uns anbeten," + "o lasset uns anbeten den König, den Herrn." + " " + " " + " " + } + } + \line { + \bold "2." + \column { + "Der König der Ehren, Herrscher der Heerscharen" + "er ruht in der Krippe gering und arm:" + "Er, unser Gott, von Ewigkeit geboren." + " " + " " + " " + } + } + \line { + \bold "3." + \column { + "Kommt, singet dem Herren, o ihr Engelschöre," + "frohlocket, frohlocket ihr Seligen:" + "Ehre sei Gott im Himmel und auf Erden." + } + } + } + " " + } + } + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + } + diff --git a/hr/stch/fertig/alta/a5/alta.ly b/hr/stch/fertig/alta/a5/alta.ly new file mode 100644 index 0000000..c682ab2 --- /dev/null +++ b/hr/stch/fertig/alta/a5/alta.ly @@ -0,0 +1,66 @@ +%some settings% vim: ai sw=2 lbr nu + +\version "2.18" +\include "../stimmen.ly" +\include "../texte.ly" + +\pointAndClickOff + + \header { + title = "Alta trinita beata" + subtitle = "Trinitanisgesang aus dem 15. Jahrhundert" + opus = "eingerichtet von Günther Ramin" + tagline = "" + } + + \paper { + #(set-paper-size "a5") + line-width = \paper-width - 20\mm + bottom-margin = 10\mm + top-margin = 10\mm + %foot-separation = 0 + %head-separation = 0 + %after-title-space = 10 + %page-top-space = 0 + %between-system-space = 5 + page-count = 1 + system-count = 3 + ragged-last-bottom = #'f + } + + #(set-global-staff-size 13) + + \midi { + %\tempo 4 = <+bpm+> + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + \score { + \new ChoirStaff << + \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + \lyricsto soprane \sopranText + >> + \new Staff = alt << + \new Voice = "alti" { \global \altMelodie } + \lyricsto alti \altText + >> + \new Staff = tenor << + \new Voice = "tenoere" { \global \tenorMelodie } + \lyricsto tenoere \tenorText + >> + \new Staff = bass << + \new Voice = "baesse" { \global \bassMelodie } + \lyricsto baesse \bassText + >> + >> + } + diff --git a/hr/stch/fertig/alta/alta.ly b/hr/stch/fertig/alta/alta.ly new file mode 100644 index 0000000..3178044 --- /dev/null +++ b/hr/stch/fertig/alta/alta.ly @@ -0,0 +1,64 @@ +%some settings% vim: ai sw=2 lbr nu + +\version "2.12.1" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Alta trinita beata" + subtitle = "Trinitanisgesang aus dem 15. Jahrhundert" + opus = "eingerichtet von Günther Ramin" + tagline = "" + } + + \paper { + line-width = \paper-width - 40\mm + bottom-margin = 15\mm + top-margin = 20\mm + foot-separation = 0 + %head-separation = 0 + after-title-space = 10 + %page-top-space = 0 + %between-system-space = 5 + page-count = 1 + system-count = 3 + ragged-last-bottom = #'f + + } + + #(set-global-staff-size 16) + + \midi { + %\tempo 4 = <+bpm+> + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + \score { + \new ChoirStaff << + \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + \lyricsto soprane \sopranText + >> + \new Staff = alt << + \new Voice = "alti" { \global \altMelodie } + \lyricsto alti \altText + >> + \new Staff = tenor << + \new Voice = "tenoere" { \global \tenorMelodie } + \lyricsto tenoere \tenorText + >> + \new Staff = bass << + \new Voice = "baesse" { \global \bassMelodie } + \lyricsto baesse \bassText + >> + >> + } + diff --git a/hr/stch/fertig/alta/stimmen.ly b/hr/stch/fertig/alta/stimmen.ly new file mode 100644 index 0000000..85aec46 --- /dev/null +++ b/hr/stch/fertig/alta/stimmen.ly @@ -0,0 +1,175 @@ +%some settings% vim: ai sw=2 lbr nu + + global = { + \key fis \major + \time 4/4 + } + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + % bisher nur leere takte + s1*8 + s1\mf + s1*7 + s1\f + s1*3 + s1\p + s1*3 + } + +% Die Stimmen + + sopranMelodie = \relative c' { + << + { \meta } + %the actual tune + { + \repeat volta 2 { + %die folgenden Zeilen könnte auch lauten: + %fis2 fis4(gis) ais2 gis4(fis) + %b2 ais4(gis) ais2 ais + \tempo "Sehr ruhig" 4 = 76 + fis2^\markup{ piano e legato } fis4( gis4 ) + ais2 gis4( fis4 ) + b2 ais4( gis4 ) + ais2 ais2 + gis2 ais4( b4 ) + ais2 gis4( fis4 ) + gis4( b4 ) ais4( gis4 ) + fis2 fis2 + cis'2 cis4( dis4 ) + b1\( + cis4\)( b4 ) ais4( gis4 ) + ais2 ais2 + gis4( fis4 ) b4( gis4 ) + fis2 b4( ais4 ) + gis4( fis4 ) b4( gis4 ) + fis2 fis2 + } + \repeat volta 2 { + cis'2 cis4( dis4 ) + b2 cis4( dis4 ) + e4( dis4 ) cis4( ais4 ) + b2 gis2 + fis2 gis4( ais4 ) + b2 ais2 + gis4( fis4 ) b4( gis4 ) + fis2 fis2 + } + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %the actual tune + { + \repeat volta 2 { + cis2 cis4( eis4) + fis2 eis4( fis4) + fis2 fis4( eis4) + fis2 fis2 + eis2 fis2 + fis2 eis4( fis4) + eis4( fis4) fis4( eis4) + cis2 cis2 + ais'2 ais2 + gis1\( + gis2\) fis4( eis4) + fis2 fis2 + eis4( dis4) dis4( eis4) + fis2 fis2 + eis4( dis4) dis4( eis4) + cis2 cis2 + } + \repeat volta 2 { + ais'2 ais4( fis4) + gis2 gis4( b4) + cis4( b4) gis4( fis4) + fis2 eis2 + cis2 eis4( fis4) + fis2 fis2 + eis4( dis4) dis4( eis4) + cis2 cis2 + } + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %the actual tune + \clef "treble_8" + { + \repeat volta 2 { + ais2 ais4( cis4) + cis2 cis2 + dis2 cis2 + cis2 cis2 + cis2 cis4( dis4) + cis2 cis4( ais4) + cis4( dis4) cis2 + ais2 ais2 + fis'2 fis2 + dis1\( + eis2\) cis2 + cis2 cis2 + cis4( ais4) b4( cis4) + cis2 dis4( cis4) + cis4( ais4) b4( cis4) + ais2 ais2 + } + \repeat volta 2 { + fis'2 fis2 + dis2 e4( fis4) + gis4( fis4) e4( cis4) + dis2 cis2 + ais2 cis2 + dis2 cis2 + cis4( ais4) b4( cis4) + ais2 ais2 + } + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + %the actual tune + \clef bass + { + \repeat volta 2 { + fis2 fis4( cis4) + fis2 cis4( fis4) + b,2 fis'4( cis4) + fis2 fis2 + cis2 fis4( b,4) + fis'2 cis4( dis4) + cis4( b4) fis'4( cis4) + << { fis,2 fis2 } { fis'2 fis2 } >> + fis2 fis4( dis4) + gis1\( + cis,2\) fis4( cis4) + fis2 fis2 + cis4( dis4) gis,4( cis4) + fis2 b,4( fis'4) + cis4( dis4) gis,4( cis4) + fis2 fis2 + } + \repeat volta 2 { + fis2 fis4( dis4) + gis2 e4( dis4) + cis4( dis4) e4( fis4) + b,2 cis2 + fis2 cis4( fis4) + b,2 fis'2 + cis4( dis4) gis,4( cis4) + << { fis,2 fis2 } { fis'2 fis2 } >> + } + } + >> + } diff --git a/hr/stch/fertig/alta/texte.ly b/hr/stch/fertig/alta/texte.ly new file mode 100644 index 0000000..c40f26a --- /dev/null +++ b/hr/stch/fertig/alta/texte.ly @@ -0,0 +1,31 @@ +%some settings% vim: ai sw=2 lbr nu + +%rohfassung bass + + text = \lyricmode { + Al -- ta tri -- ni -- ta be -- a -- ta, + da no_-_i sem -- pre a -- do -- ra -- ta. + Tri -- ni -- ta glo -- ri -- o -- sa, + u -- ni -- ta ma -- ra -- vi -- glio -- sa. + Tu sei -- ma -- na sa -- po -- ro -- sa, + e tu -- ta de -- si -- de -- ro -- sa. + } + +% Die Textaufteilungen + + sopranText = \lyrics { + \text + } + + altText = \lyrics { + \text + } + + tenorText = \lyrics { + \text + } + + bassText = \lyrics { + \text + } + diff --git a/hr/stch/fertig/angry/angry.ly b/hr/stch/fertig/angry/angry.ly new file mode 100644 index 0000000..6dac00c --- /dev/null +++ b/hr/stch/fertig/angry/angry.ly @@ -0,0 +1,69 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Lord, how long wilt thou be angry?" + composer = "Henry Purcell" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + %#(set-global-staff-size 17) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \sopranMelodie } + %\addlyrics { \sopranText } + >> + + alt = << + \new Voice = "alti" { \altMelodie } + %\addlyrics { \altText } + >> + + ten = << + \new Voice = "tenoere" { \tenorMelodie } + %\addlyrics { \tenorText } + >> + + bas = << + \new Voice = "baesse" { \bassMelodie } + \addlyrics { \bassText } + >> + + \score { + \new ChoirStaff \with {} << + \set Score.skipBars = ##t + %\new Staff = sopran { \global \sop } + %\new Staff = alt { \global \alt } + %\new Staff = tenor { \global \ten } + \new Staff = bass { \global \bas } + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/stch/fertig/angry/dynArt.ly b/hr/stch/fertig/angry/dynArt.ly new file mode 100644 index 0000000..30423d4 --- /dev/null +++ b/hr/stch/fertig/angry/dynArt.ly @@ -0,0 +1,21 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/fertig/angry/midi.lua b/hr/stch/fertig/angry/midi.lua new file mode 100644 index 0000000..8d7d5be --- /dev/null +++ b/hr/stch/fertig/angry/midi.lua @@ -0,0 +1,51 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { + \unfoldRepeats +]] + +post=[[ + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/fertig/angry/stimmen.ly b/hr/stch/fertig/angry/stimmen.ly new file mode 100644 index 0000000..b0ff126 --- /dev/null +++ b/hr/stch/fertig/angry/stimmen.ly @@ -0,0 +1,132 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key g \minor + %\override Staff.TimeSignature #'style = #'() + \time 2/2 + %\autoBeamOff + } + +% Die Stimmen + + sopranMelodie = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + r1 + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + r1 + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + r1 + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + R1*9 + d1 ~ + d2 ees2 + b4 b4 b4 b4 + c2. c4 + d2. d4 + ees4 ees4 e2 + f2 fis2 + g2 b,2 + c2 c2 + d1 ~ + d1 + g,1 + R1*23 + g'2 g4 g4 + g2 r2 + c,2 c4 c4 + f2 bes,2 + ees2 ees2 + d4 d4 r2 + a'4 a4 bes2 ~ + bes2 d,2 + f2 f,2 + bes2 r2 + R1*4 + r2 f'4 f4 + fis4 fis4 g2 ~ + g4 f4 ees4 c4 + g2 g2 + c2 a2 + d2 g,4 g'4 + cis,4. cis8 cis4 cis4 + d4. d8 d2 + r1 + r1 + r2 ees4 ees4 + e4 e4 f2 ~ + f4 fis4 g2 ~ + g4 f4 ees4 d4( + c2) c2 + d1 ~ + d1 + g,1 + \time 3/4 + r4 r4 bes'4 + bes4. bes8 bes8 f8 + bes4 bes,4 bes'8. bes16 + a4 g4. f8 + f4 f4 f4 + ees4. d8 c4 + f4 g2 + c,2 r4 + R2.*3 + r4 r4 g8 g'8 + ees4 d4 c4 + g'8 g8 g4 g,4 + a2 r4 + r4 r4 a'8 d,8 + g4 a4 bes4 + a4 a4. g8 + f4( e4) d4 + a'2 a,4 + d2. ~ + d2 e4 + fis4 fis4 fis4 + g4 g4 a4 + bes4 bes,4 c4 + d2. ~ + d2 d4 + d2 c4 + d2. + g,2.\fermata + \bar "|." + } + >> + } + diff --git a/hr/stch/fertig/angry/texte.ly b/hr/stch/fertig/angry/texte.ly new file mode 100644 index 0000000..8b00ebd --- /dev/null +++ b/hr/stch/fertig/angry/texte.ly @@ -0,0 +1,39 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + Lord, how long wilt thou be an -- gry? + Shall thy jea -- lou -- sy burn like fire, + like fire for ev -- er? + % + Help us, O God, help us, O God of our sal -- va -- tion, + for the glo -- ry of thy name; + and be mer -- ci -- ful un to our sins, for thy name’s sake, + O de -- li -- ver us, de -- li -- ver us, + and be mer -- ci -- ful un -- to our sins, + for thy name’s sake. + So we, that are thy peo -- ple and the sheep of thy pas -- ture, + shall give thee thanks for e -- ver: + and will al -- ways be shew -- ing forth thy praise, + and will al -- ways, + will al -- ways be shew -- ing forth thy praise + from one ge -- ne -- ra -- tion, + from one ge -- ne -- ra -- tion to a -- no -- ther. + } + diff --git a/hr/stch/fertig/bach/bach.ly b/hr/stch/fertig/bach/bach.ly new file mode 100644 index 0000000..d57abc1 --- /dev/null +++ b/hr/stch/fertig/bach/bach.ly @@ -0,0 +1,55 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + +\version "2.10.10" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "<+Titel+>" + composer = "<+Komponist+>" + %text-translator = "<+Uebersetzer+>" + tagline = "" + } + + \paper { + %<+weitere Einstellungen+> + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + %#(set-global-staff-size 17) + + \score { + \new ChoirStaff << + %{ + \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + \lyricsto soprane \sopranText + >> + \new Staff = alt << + \new Voice = "alti" { \global \altMelodie } + \lyricsto alti \altText + >> + \new Staff = tenor << + \new Voice = "tenoere" { \global \tenorMelodie } + \lyricsto tenoere \tenorText + >> + %} + \new Staff = bass << + \new Voice = "baesse" { \global \bassMelodie } + \tempo 8 = 144 + %\lyricsto baesse \bassText + >> + >> + \midi { + } + + } + diff --git a/hr/stch/fertig/bach/bach.midi b/hr/stch/fertig/bach/bach.midi Binary files differnew file mode 100644 index 0000000..7aff85c --- /dev/null +++ b/hr/stch/fertig/bach/bach.midi diff --git a/hr/stch/fertig/bach/stimmen.ly b/hr/stch/fertig/bach/stimmen.ly new file mode 100644 index 0000000..ae3179c --- /dev/null +++ b/hr/stch/fertig/bach/stimmen.ly @@ -0,0 +1,274 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + + global = { + \key c \major + \time 3/4 + } + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + \repeat unfold 126 { + s4*3 \break + } + } + +% Die Stimmen + +%{ + sopranMelodie = \relative c' { + << + { \meta } + %articulation etc. + \repeat unfold <+number of parts+> { + s4*<+number of measures within a part+> + } + %the actual tune + { + r1 <++> + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %articulation etc. + \repeat unfold <+number of parts+> { + s4*<+number of measures within a part+> + } + %the actual tune + { + r1 <++> + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %articulation etc. + \repeat unfold <+number of parts+> { + s4*<+number of measures within a part+> + } + %the actual tune + { + r1 <++> + } + >> + } +%} + + first = { + r8 c8 c8 c'8 c c + b16 a b c d b + g f g a b g + a g a b c a + b a b c d b + } + + bassFirst = { + \first + c16 b c d e c + a8 d d, + g g f e16 d e f e f + e8 a d, g b g + c c b a d d, + g r8 r8 r4 g8 + d'4 r8 r4 g,8 + c4 r8 r4 c,8 + g'8 g, g f' f f + e16 d e f g e + c b c d e c + d c d e f d + e d e f g e + f e f g a f + d8 g g + c c bes a16 g a bes a bes + a8 d g, c e, c + f4 r8 r4 r8 + } + + bassSecond = { + \first + c16 b c d e c + a16 gis a b c a + fis e fis gis a fis + gis fis gis a b gis + a gis a b c a + f e f g a f + d c d e f d + e d e f g e + f e f g a f + d c d e f d + g f g a b g + e d e f g e + a g a b c a + f e f g a f + b a b c d b + g f g a b g + c8 c, e g e g + c4 r8 r4 c,8 + c'4 r8 r4 c,8 + c'8 r8 r8 r4 r8 + } + + bassThird = { + \relative c { + \first + } + c8 a f e g g, + c4 r8 r4 r8 + } + + bassForth = { + r4 a8 a' a a + a f d a' a a + a f d + d'16 e d c bes a + g f g a bes g + c d c bes a g + f e f g a f + bes c bes a g f + e d e f g e + a bes a g f e + d8 f16(e) f(d) + d'8 a f + d f16(e) f(d) + d'8 bes f + d gis16(fis) gis(e) + e'8 b g + c d16(c) b(a) + e'8 e,16 fis gis e + a b a g f e + d c d e f d + g a g f e d + c b c d e c + f g f e d c + b a b c d b + e f e d c(b) + c8 d e + a, a r r4 r8 + } + + bassFifth = { + r4 r8 fis'4 fis8 + g(b) g fis(d) fis + g4 r8 r4 r8 + } + + bassSixth = { + r4 r8 gis4 e8 + a(c) a e'4 e,8 + a4 a,8 + a'16 b a g f e + d c d e f d + g a g f e d + c b c d e c + f g f e d c + b4 b8 e(d) e + a, c16(b c a + a'8 e) c + a8 c16 b c a + a'8 f c + a8 dis16 cis dis b + b'8 fis d + g a16 g fis e + b'4 b,8 + e g e + a16 g a b c a + d e d c b a + g fis g a b a + c d c b a g + fis e fis g a fis + b c b a g fis + e d e fis gis e + a b a g fis e + dis cis dis e fis dis + e dis e fis g a + b8 a b + %takt 82 + e,4 r8 r4 r8 + } + + bassSeventh = { + r8 c8 c8 c'8 c c + %takt 90 + b16 a b c d b + g f g a b g + } + + bassEighth = { + \relative c' + c'2 g4 c,2 d4 + e(fis) g c, d2 + g,2. + e'2 g4 c(b) a + g(f) g c,2. + c'2 g4 c,2 d4 + e(fis)g c, d2 g,2. + e'2 g4 + c(b) a g(f) g c,2. + c'2 a4 e2 f4 + g(f) g c,2. + c4 c'8(bes a g) + f2 e4 + a8(b c4) c, g'2. + c2 e,4 f2 g4 + a(b) g c2(c,4) + f2. + c2 c'4 + c(b) c g(a) c, + g2. c2. + } + + bassPart = \relative c { + \clef bass \bassFirst + } + + bassMelodie = \relative c { + << + { \meta } + %articulation etc. + \repeat unfold 126 { + s4*3 + } + %the actual tune + \clef bass + { + \bassFirst + \bassSecond + r4*3 + \bassThird + \repeat unfold 3 { + r4*3 + } + %takt 42 + r4 r8 r4 r8 + r4*3 + \bassForth + \repeat unfold 3 { + r4*3 + } + %takt 62 + \bassFifth + r4*3 + \bassSixth + \repeat unfold 6 { + r4*3 + } + \bassSeventh + \repeat unfold 4 { + r4*3 + } + %hier dann das recitativo(baß) + %und die aria(sopran), + %das recitativo(tenor) + %und schließlich die aria(tenor) + %mitsamt dem recitativo(sopran) + %jetzt gehts doch tatsächlich nochmal weiter + %mit dem choral(36 takte) + \bassEighth + } + >> + } diff --git a/hr/stch/fertig/bach/texte.ly b/hr/stch/fertig/bach/texte.ly new file mode 100644 index 0000000..e69de29 --- /dev/null +++ b/hr/stch/fertig/bach/texte.ly diff --git a/hr/stch/fertig/blessing/alt/blessing.ps b/hr/stch/fertig/blessing/alt/blessing.ps Binary files differnew file mode 100644 index 0000000..25cc9e3 --- /dev/null +++ b/hr/stch/fertig/blessing/alt/blessing.ps diff --git a/hr/stch/fertig/blessing/blessing.ly b/hr/stch/fertig/blessing/blessing.ly new file mode 100644 index 0000000..58fa1aa --- /dev/null +++ b/hr/stch/fertig/blessing/blessing.ly @@ -0,0 +1,63 @@ +% vim: nu + +\version "2.12.1" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "An Irish Blessing" + subtitle = "(Traditional)" + composer = "James E. Moore" + } +#(set-global-staff-size 17) + + \paper { + ragged-last-bottom = ##f + system-count = 4 + line-width = 180\mm + between-system-space = 1\mm + after-title-space = 0\mm + foot-separation = 5\mm + top-separation = 0\mm + top-margin = 0\mm + bottom-margin = 10\mm + } + + \midi { + } + + \layout { + indent = #0 + \context { + % a little smaller so lyrics can be closer to the staff + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 2) + } + } + + \score { + \unfoldRepeats + %\simultaneous + \new ChoirStaff << + \new Staff = Frauen << + \new Voice = "meta" + { s1*8 \repeat volta 2 { s1*2 s1*2 } \alternative {{s1} {s1} {}} \bar "|." } + \new Voice = "soprane" { \voiceOne \global \sopranMelodie } + %\lyricsto soprane \sopranText + %>> + %\new Staff = Alt << + \new Voice = "alti" { \voiceTwo \global \altMelodie } + \lyricsto alti \altText + >> + \new Staff = Tenor << + \new Voice = "tenoere" { \global \tenorMelodie } + \lyricsto tenoere \tenorText + >> + \new Staff = Bass << + \new Voice = "baesse" { \global \bassMelodie } + \lyricsto baesse \bassText + >> + >> + \midi { + } + } diff --git a/hr/stch/fertig/blessing/blessing.midi b/hr/stch/fertig/blessing/blessing.midi Binary files differnew file mode 100644 index 0000000..a691611 --- /dev/null +++ b/hr/stch/fertig/blessing/blessing.midi diff --git a/hr/stch/fertig/blessing/blessing.ps b/hr/stch/fertig/blessing/blessing.ps Binary files differnew file mode 100644 index 0000000..cbb8831 --- /dev/null +++ b/hr/stch/fertig/blessing/blessing.ps diff --git a/hr/stch/fertig/blessing/midi.lua b/hr/stch/fertig/blessing/midi.lua new file mode 100644 index 0000000..fefb60b --- /dev/null +++ b/hr/stch/fertig/blessing/midi.lua @@ -0,0 +1,51 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { + \unfoldRepeats +]] + +post=[[ + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ { \global << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \]]..stimme..[[Melodie } + >> } +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/fertig/blessing/midis/a.midi b/hr/stch/fertig/blessing/midis/a.midi Binary files differnew file mode 100644 index 0000000..9e3a7b2 --- /dev/null +++ b/hr/stch/fertig/blessing/midis/a.midi diff --git a/hr/stch/fertig/blessing/midis/b.midi b/hr/stch/fertig/blessing/midis/b.midi Binary files differnew file mode 100644 index 0000000..bc30a05 --- /dev/null +++ b/hr/stch/fertig/blessing/midis/b.midi diff --git a/hr/stch/fertig/blessing/midis/s.midi b/hr/stch/fertig/blessing/midis/s.midi Binary files differnew file mode 100644 index 0000000..687398a --- /dev/null +++ b/hr/stch/fertig/blessing/midis/s.midi diff --git a/hr/stch/fertig/blessing/midis/t.midi b/hr/stch/fertig/blessing/midis/t.midi Binary files differnew file mode 100644 index 0000000..5c4f1cf --- /dev/null +++ b/hr/stch/fertig/blessing/midis/t.midi diff --git a/hr/stch/fertig/blessing/stimmen.ly b/hr/stch/fertig/blessing/stimmen.ly new file mode 100644 index 0000000..df3dd36 --- /dev/null +++ b/hr/stch/fertig/blessing/stimmen.ly @@ -0,0 +1,81 @@ +% vim: nu + +global = { + \key bes \major + \time 4/4 +} + +%Die Stimmen mit ihren jeweiligen Textaufteilungen + + sopranMelodie = \relative c' { + d8 f8 bes4 ees4. d8 c4 f,2 f8 f8 + g4. g8 f8 f8 f8 ees8 f2. f8 f8 + g4. g8 f4. g8 a4( g8 ) a8 bes4. bes8 + bes4. bes8 bes8 bes8 a8 bes8 c2. f,8 f8 + \repeat volta 2 { + g8 g8 f8 f8 f4. f8 d'8 d8 c8 d8 bes4. bes8 + ees2 ees8 d8 c8 bes8 f2. ees8 f8 + } \alternative { + { + f2. f8 f8 + } + { + f1 + } + } + } + + altMelodie = \relative c' { + d8 c8 d4 ees4. ees8 ees4 f4( ees4 ) c8 d8 + f4( ees8 ) ees8 ees8 d8 c8 ees8 c4( d2 ) c8 d8 + f4( ees8 ) ees8 c4( d8 ) d8 d4. d8 a'4( g8 ) f8 + ees8( a8( g8 ) ) f8 ees8 ees8 f8 g8 ees4( g4( f4 ) ) f8 f8 + \repeat volta 2 { + f8 ees8 c8 c8 c4( d8 ) d8 a'8 a8 a8 a8 a4( g8 ) f8 + ees8 a8 bes8( c8 ) f,8 f8 g8 g8 ees2. ees8 c8 + } \alternative { + { + c4( d2 ) f8 f8 + } + { + c4( d2. ) + } + } + } + + tenorMelodie = \relative c' { + f8 d8 a'4 g4. g8 a4 a4( g4 ) g8 a8 + bes4. bes8 g8 a8 bes8 a8 f2. bes8 bes8 + bes4. bes8 a4( bes8 ) bes8 c4. c8 d4. d8 + g,8( c8 bes8 ) a8 g8 c8 bes8 c8 bes2( a4 ) f8 f8 + \repeat volta 2 { + bes8 bes8 a8 a8 a4( bes8 ) bes8 c8 d8 ees8 d8 d4. d8 + bes8 c8 bes8( a8 ) a8 bes8 bes8 c8 bes4( g4( a4 ) ) a8 a8 + } \alternative { + { + f2. f8 f8 + } + { + f1 + } + } + } + + bassMelodie = \relative c { + \clef bass + bes8 bes8 bes4 bes4. bes8 bes4 bes2 bes8 bes8 + ees4. ees8 f8 f8 f8 f8 bes,2. d8 d8 + ees4. ees8 d4. d8 fis4( e8 ) fis8 g4. g8 + c,4. c8 c8 c8 d8 e8 f2. f8 f8 + \repeat volta 2 { + ees8 ees8 ees8 ees8 d4. d8 fis8 fis8 fis8 fis8 g4. g8 + c,2 d8 d8 ees8 ees8 f2. f8 f8 + } \alternative { + { + bes,2. f'8 f8 + } + { + bes,1 + } + } + } diff --git a/hr/stch/fertig/blessing/texte.ly b/hr/stch/fertig/blessing/texte.ly new file mode 100644 index 0000000..2f3eb92 --- /dev/null +++ b/hr/stch/fertig/blessing/texte.ly @@ -0,0 +1,38 @@ +%some settings% vim: ai sw=2 lbr nu + +% Abkürzungen + +% Die Textaufteilungen + + sopranText = \lyrics { + May the road rise to meet you. May the wind be al -- ways at your back. + May the sun shine warm up -- on__ your face, the rains fall soft + up -- on your fields, + and un -- til we meet a -- gain, un -- til we meet a -- gain, + may God hold you in the palm of His hand, and un -- hand. + } + + altText = \lyrics { + May the road rise to meet you. May the wind be al -- ways at your back. + May the sun shine warm up -- on your face, the rains fall soft + up -- on your fields, + and un -- til we meet a -- gain, un -- til we meet a -- gain, + may God, may God hold you in the palm of His hand, and un -- hand. + } + + tenorText = \lyrics { + May the road rise to meet you. May the wind be al -- ways at your back. + May the sun shine warm up -- on your face, the rains fall soft + up -- on your fields, + and un -- til we meet a -- gain, un -- til we meet a -- gain, + may God, may God hold you in the palm of His hand, and un -- hand. + } + + bassText = \lyrics { + May the road rise to meet you. May the wind be al -- ways at your back. + May the sun shine warm up -- on your face, the rains fall soft + up -- on your fields, + and un -- til we meet a -- gain, un -- til we meet a -- gain, + may God hold you in the palm of His hand, and un -- hand. + } + diff --git a/hr/stch/fertig/brevis_leavitt/agnus/a.midi b/hr/stch/fertig/brevis_leavitt/agnus/a.midi Binary files differnew file mode 100644 index 0000000..728c9fd --- /dev/null +++ b/hr/stch/fertig/brevis_leavitt/agnus/a.midi diff --git a/hr/stch/fertig/brevis_leavitt/agnus/agnus.ly b/hr/stch/fertig/brevis_leavitt/agnus/agnus.ly new file mode 100644 index 0000000..3a1abb5 --- /dev/null +++ b/hr/stch/fertig/brevis_leavitt/agnus/agnus.ly @@ -0,0 +1,78 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Agnus dei" + composer = "John Leavitt" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \RemoveEmptyStaves + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + \override VerticalAxisGroup #'remove-first = ##t + } + } + + #(set-global-staff-size 17) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \generalPausen + \new Voice = "soprane" { \sopranMelodie } + \new Voice = "alti" { \altMelodie } + %\addlyrics { \sopranText } + >> + + alt = << + \new Voice = "alti" { \altMelodie } + %\addlyrics { \altText } + >> + + ten = << + \new Voice = "tenoere" { \tenorMelodie } + %\addlyrics { \tenorText } + >> + + bas = << + \new Voice = "baesse" { \bassMelodie } + \addlyrics { \bassText } + >> + + \score { + \new ChoirStaff \with {} << + \new Staff = sopran \with { + fontSize = #-3 + \override StaffSymbol #'staff-space = #(magstep -3) + }{ \global \sop } + %\new Staff = alt { \global \alt } + \new Staff = tenor \with { + fontSize = #-3 + \override StaffSymbol #'staff-space = #(magstep -3) + }{ \global \ten } + \new Staff = bass { \global \bas } + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/stch/fertig/brevis_leavitt/agnus/b.midi b/hr/stch/fertig/brevis_leavitt/agnus/b.midi Binary files differnew file mode 100644 index 0000000..cbcade5 --- /dev/null +++ b/hr/stch/fertig/brevis_leavitt/agnus/b.midi diff --git a/hr/stch/fertig/brevis_leavitt/agnus/dynArt.ly b/hr/stch/fertig/brevis_leavitt/agnus/dynArt.ly new file mode 100644 index 0000000..30423d4 --- /dev/null +++ b/hr/stch/fertig/brevis_leavitt/agnus/dynArt.ly @@ -0,0 +1,21 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/fertig/brevis_leavitt/agnus/midi.lua b/hr/stch/fertig/brevis_leavitt/agnus/midi.lua new file mode 100644 index 0000000..e22ba8e --- /dev/null +++ b/hr/stch/fertig/brevis_leavitt/agnus/midi.lua @@ -0,0 +1,51 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { + \unfoldRepeats +]] + +post=[[ + \midi { + \context{ + \Score + tempoWholesPerMinute = #(ly:make-moment 120 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/fertig/brevis_leavitt/agnus/s.midi b/hr/stch/fertig/brevis_leavitt/agnus/s.midi Binary files differnew file mode 100644 index 0000000..8e63d84 --- /dev/null +++ b/hr/stch/fertig/brevis_leavitt/agnus/s.midi diff --git a/hr/stch/fertig/brevis_leavitt/agnus/stimmen.ly b/hr/stch/fertig/brevis_leavitt/agnus/stimmen.ly new file mode 100644 index 0000000..5540057 --- /dev/null +++ b/hr/stch/fertig/brevis_leavitt/agnus/stimmen.ly @@ -0,0 +1,226 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key e \major + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + %\autoBeamOff + } + +% Die Stimmen + + generalPausen = { + s1*8 + \break + s1*8 + \break + R1*3 + s1*4 + \break + s1*4 + s1*4 + \break + s1*4 + s1*4 + \break + s1*5 + r1 + s1 + s1 + } + frauenEnde = \relative c'' { + g2( d2) + e1 ~ + e1 + s1\fermata + } + sopPat = \relative c' { + r4 e4( gis4) b4 + c4.( g8) b2 + r4 e,4( gis4) b4 + c8( e8 d8 c8) b4. b8 + \voiceOne + d4 e8 d8 a4 fis8( gis8) + a2 cis2 + c4 d8( c8) a4 e8( f8) + g2 c4( b4) + a2( e2) + fis1 + g2( d2) + e1 + } + sopranMelodie = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + \oneVoice + R1 + R1*3 + \sopPat + s1*3 + \sopPat + % + r4 c4( e4) g4 + a4.( d,8) g2 + r4 g4( bes4) d4 + cis4.( a8) b4. b8 + d4 d8 cis8 a4 fis8( g8) + a2 cis2 + c4 c8( b8) g4 e8( f8) + g2 c4( b4) + a2( e2) + fis1 + \frauenEnde + gis1 + gis1\fermata + \bar "|." + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + s1*4 + s1*3 + %s2 s4. r8 + s1 + \voiceTwo + a'1( ~ + a1 ~ + a1 + g1) + R1*4 + % + s1*3 + r4 e4( gis4) b4 + c4.( g8) b2 + r4 e,4( gis4) b4 + c8( e8 d8 c8) b4. r8 + fis2 fis2 + fis4 fis2. + f2 f2 + e4 e2. + a2( e2) + fis1 + g2( d2) + e1 + % + r4 c2 e4 + d2 d2 + r4 d4( g4) bes4 + a2 fis4. fis8 + g2 g2( + fis4) fis4 fis4 fis4 + f2 f2 + r4 e8 e8 e4 e4 + e1 + fis4 a8 a8 a4 a4 + \frauenEnde + e1 + e1\fermata + } + >> + } + + maennerI = \relative c' { + R1 + d4 d4 cis4 cis4 + c2( b2) + gis1 + } + maennerII = \relative c { + r4 e4( e'4 d8 c8 + b2) b2 + c4( b8 a8) gis4. r8 + a2 a2 + a4 a2. + a2 a2 + g4 g2. + R1 + d'4 d4 cis4 cis4 + c2( b2) + c1 + } + maennerEnde = \relative c' { + c2( d2) + e1 ~ + e1 + R1\fermata + } + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + R1*8 + d1( + cis1 + c1 ~ + c1) + \maennerI + % + R1*4 + \maennerII + % + r4 c2 c4 + c2 b2 + r4 bes4( d4) f4 + e2 d4. d8 + b2 b2( + cis4) cis4 cis4 cis4 + a2 a2 + r4 c8 c8 c4 c4 + d2( cis2) + d4 a8 a8 a4 a4 + \maennerEnde + gis1 + gis1\fermata + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + R1*8 + fis1( ~ + fis1 + f1 + e1) + \maennerI + % + R1*4 + \maennerII + % + r4 c'8( b8 a4) g4 + fis2 g2 + r4 g2 g4 + g2 b4. b8 + d4 d8 cis8 a4 fis8( gis8) + a2 a2 + c4 c8( b8) g4 e8( f8) + g2 g2 + a2( cis2) + d1 + \maennerEnde + <b, e,>1 + q1\fermata + } + >> + } + diff --git a/hr/stch/fertig/brevis_leavitt/agnus/t.midi b/hr/stch/fertig/brevis_leavitt/agnus/t.midi Binary files differnew file mode 100644 index 0000000..0c870e3 --- /dev/null +++ b/hr/stch/fertig/brevis_leavitt/agnus/t.midi diff --git a/hr/stch/fertig/brevis_leavitt/agnus/texte.ly b/hr/stch/fertig/brevis_leavitt/agnus/texte.ly new file mode 100644 index 0000000..cef06f7 --- /dev/null +++ b/hr/stch/fertig/brevis_leavitt/agnus/texte.ly @@ -0,0 +1,36 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + Oo + mi -- se -- re -- re no -- bis. + Ag -- nus De -- i + Ag -- nus De -- i + Ag -- nus De -- i + mi -- se -- re -- re no -- bis. + Ag -- nus De -- i + Ag -- nus De -- i + qui tol -- lis pec -- ca -- ta mun -- di + do -- na no -- bis pa -- cem + A -- men, + A -- men. + A -- men. + A -- men. + } + diff --git a/hr/stch/fertig/brevis_leavitt/gloria/a.midi b/hr/stch/fertig/brevis_leavitt/gloria/a.midi Binary files differnew file mode 100644 index 0000000..1e1a823 --- /dev/null +++ b/hr/stch/fertig/brevis_leavitt/gloria/a.midi diff --git a/hr/stch/fertig/brevis_leavitt/gloria/b.midi b/hr/stch/fertig/brevis_leavitt/gloria/b.midi Binary files differnew file mode 100644 index 0000000..ae80404 --- /dev/null +++ b/hr/stch/fertig/brevis_leavitt/gloria/b.midi diff --git a/hr/stch/fertig/brevis_leavitt/gloria/dynArt.ly b/hr/stch/fertig/brevis_leavitt/gloria/dynArt.ly new file mode 100644 index 0000000..30423d4 --- /dev/null +++ b/hr/stch/fertig/brevis_leavitt/gloria/dynArt.ly @@ -0,0 +1,21 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/fertig/brevis_leavitt/gloria/gloria.ly b/hr/stch/fertig/brevis_leavitt/gloria/gloria.ly new file mode 100644 index 0000000..22267b7 --- /dev/null +++ b/hr/stch/fertig/brevis_leavitt/gloria/gloria.ly @@ -0,0 +1,80 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Gloria in excelsis Deo" + composer = "John Leavitt" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \RemoveEmptyStaves + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + \override VerticalAxisGroup #'remove-first = ##t + } + } + + #(set-global-staff-size 17) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \generalPausen + \frauenPausen + \new Voice = "soprane" { \voiceOne \sopranMelodie } + \new Voice = "alti" { \voiceTwo \altMelodie } + %\addlyrics { \sopranText } + >> + + alt = << + \new Voice = "alti" { \altMelodie } + %\addlyrics { \altText } + >> + + ten = << + \new Voice = "tenoere" { \tenorMelodie } + %\addlyrics { \tenorText } + >> + + bas = << + \new Voice = "baesse" { \bassMelodie } + \addlyrics { \bassText } + >> + + \score { + \new ChoirStaff \with {} << + \set Score.skipBars = ##t + \new Staff = sopran \with { + fontSize = #-3 + \override StaffSymbol #'staff-space = #(magstep -3) + }{ \global \sop } + %\new Staff = alt { \global \alt } + \new Staff = tenor \with { + fontSize = #-3 + \override StaffSymbol #'staff-space = #(magstep -3) + }{ \global \ten } + \new Staff = bass { \global \bas } + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/stch/fertig/brevis_leavitt/gloria/midi.lua b/hr/stch/fertig/brevis_leavitt/gloria/midi.lua new file mode 100644 index 0000000..e22ba8e --- /dev/null +++ b/hr/stch/fertig/brevis_leavitt/gloria/midi.lua @@ -0,0 +1,51 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { + \unfoldRepeats +]] + +post=[[ + \midi { + \context{ + \Score + tempoWholesPerMinute = #(ly:make-moment 120 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/fertig/brevis_leavitt/gloria/s.midi b/hr/stch/fertig/brevis_leavitt/gloria/s.midi Binary files differnew file mode 100644 index 0000000..c28a534 --- /dev/null +++ b/hr/stch/fertig/brevis_leavitt/gloria/s.midi diff --git a/hr/stch/fertig/brevis_leavitt/gloria/stimmen.ly b/hr/stch/fertig/brevis_leavitt/gloria/stimmen.ly new file mode 100644 index 0000000..115f6de --- /dev/null +++ b/hr/stch/fertig/brevis_leavitt/gloria/stimmen.ly @@ -0,0 +1,338 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key aes \major + %\override Staff.TimeSignature #'style = #'() + \time 6/8 + %\autoBeamOff + } + +% Die Stimmen + + generalPausen = { + R1*6/8*2 + s2.*7 + R1*6/8*3 + \break + s2.*8 + \break + s2.*4 + s2.*4 + \break + R1*2/4*4 + s2*4 + \pageBreak + s2*4 + R1*2/4*2 + s2*4 + \break + s2*5 + s2*2 + s2*2 + \break + R1*6/8*2 + s2.*8 + \break + s2.*4 + s2.*4 + \break + R1*6/8*2 + s2.*10 + } + frauenPausen = { + s2.*2 + s2.*7 + s2.*3 + % + s2.*8 + % + R1*6/8*4 + s2.*4 + % + s2*4 + s2*4 + % + s2*4 + s2*2 + s2*4 + % + s2*5 + R1*2/4*2 + s2*2 + % + s2.*2 + s2.*8 + R1*6/8*4 + s2.*4 + s2.*2 + s2.*10 + } + upper = \relative c'' { + aes8. aes16 aes8 ees8. ees16 ees'8 + d8.( c16) aes8 bes8 c8 d8 + } + lower = \relative c' { + ees8. ees16 ees8 aes,8. aes16 aes'8 + bes8.( aes16) fes8 ges8 aes8 bes8 + } + braceS = \relative c' { + s1*6/8*2 + aes'8. aes16 aes8 ees8. ees16 ees'8 + d8.( c16) bes8 c8 c4 + aes8. aes16 aes8 ees8. ees16 ees'8 + d8.( c16) bes8 c8 c4 + \upper + } + braceA = \relative c' { + s1*6/8*4 + ees8. ees16 ees8 aes,8. aes16 aes'8 + bes8.( aes16) ges8 aes8 aes4 + \lower + } + braceT = \relative c' { + R1*6/8*6 + \transpose c c, \upper + } + braceB = \relative c' { + R1*6/8*6 + \transpose aes' aes \lower + } + frauenIs = \relative c' { + ees4 aes8 aes4. + s2. + c8.( des16) ees8 ees8( des8) c8 + bes4. bes4. + aes4 ees8 ees4. + s2. + c8.( des16) ees8 ees8( f8) g8 + f4. f4. + s1*6/8*4 + ges4 ges8 ~ ges8 aes8 bes8 + aes4 des8 ~ des4. + des4 c8 ~ c8 aes4 + } + frauenIa = \relative c' { + s2. + ees4 bes'8 bes4. + s2. + bes8.( aes16) ges8 f8 ges8 aes8 + aes4 r8 r4. + aes4 des,8 des4. + c8.( des16) ees8 ees4 ees8 + c4. c4. + s1*6/8*4 + bes4 bes8 ~ bes8 c8 des8 + des4 aes'8 ~ aes4. + f4 ees8 ~ ees8 f4 + } + maennerI = \relative c' { + c4. bes4. + bes4. a4. + f4 f8 ~ f8 g8 aes8 + g4( c8 ~ c8) g4 + f4( bes8 ~ bes8) f4 + ees2. + ges4. des4. + f2. + } + maennerT = \relative c' { + r4 r8 r8 c8 c8 + des4 r8 r8 ees8 ees8 + ees4. c4. + des2. + c4 r8 r8 c8 c8 + des4 r8 r8 des8 des8 + \maennerI + aes4 bes8 ~ bes8 c4 + aes4.( g4.) + } + maennerB = \relative c { + r4 r8 r8 ees8 ees8 + f4 r8 r8 g8 g8 + aes4. g4. + ges4.( f4.) + f4 r8 r8 f8 f8 + f4 r8 r8 des'8 des8 + \maennerI + bes,4 c8 ~ c8 des4 + ees2. + } + frauenII = \relative c'' { + s2*4 + aes8 ees16 ees16 f8 c16 c16 + des8 f16 f16 ees8 bes'16 bes16 + aes8 ees8 f16 c16 c16 c16 + des8 f8 ees4 + \bar "||" + \key c \major + c'8 g16 g16 a8 e16 e16 + f8 a16 a16 g8 d'16 d16 + c8 g8 a16 e16 e16 e16 + f8 a8 g4 + s2*2 + a8 b16 c16 b8 c16 d16 + c8( g8) g4 + c8 b16( a16) b16( a16) g8 + e8. e16 e4 + ees4 f4 + f2 + g4 f4 + f2 + } + maennerII = \relative c' { + R2*4 + c8 aes16 aes16 bes8 ees,16 ees16 + f8 aes16 aes16 bes8 g16 g16 + c8 aes8 bes16 ees,16 ees16 ees16 + f8 aes8 bes4 + \bar "||" + \key c \major + r4 c8 g16 g16 + a8 f16 f16 g8 g16 g16 + r8 g16 g16 c8( g8) + a8( f8) g4 + R2*2 + c4 d4 + e2 + } + maennerIII = \relative c' { + g8 a16 bes16 a8 bes16 c16 + bes8( f8) f4 + bes8 a16( g16) a16( bes16) c8 + } + sopranMelodie = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + \braceS + ees'2. + s1*6/8*3 + \frauenIs + bes2. + %\mark \markup { "4. -- > 4" } + \time 2/4 + \frauenII + bes8( f'8) f4 + s2*2 + ees4 d4 + bes4 c4 + \bar "||" + \time 6/8 + \key bes \major + s1*6/8*2 + \transpose aes bes \frauenIs + c2. + \bar "||" + \key c \major + \transpose aes c' \braceS + g'2. ~ + g2. ~ + g2. ~ + g2. + \bar "|." + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + \braceA + aes'2. + s1*6/8*3 + \frauenIa + ees2. + \frauenII + bes'8( f8) f4 + s2*2 + g4 f4 + ees4 ees4 + \key bes \major + s1*6/8*2 + \transpose aes bes \frauenIa + ees2. + \key c \major + \transpose aes c' \braceA + c'2. ~ + c2. ~ + c2. ~ + c2. + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + \braceT + c2. + R1*6/8*3 + \maennerT + \maennerII + f4 e4 + c2 + \maennerIII + b8 f'8 f4 + b,8( f'8) f4 + R2*2 + bes,4 a4 + g4 a4 + \key bes \major + R1*6/8*2 + \transpose aes bes \maennerT + \key c \major + \transpose aes c' \braceT + e'2. ~ + e2. ~ + e2. ~ + e2. + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + \braceB + aes'2. + R1*6/8*3 + \maennerB + \maennerII + c4 b4 + b4( a4) + \maennerIII + b8 f8 f4 + b8( f8) f4 + c'8 c8 c8 c8 + c8 c8 c8 c8 + f,8 f8 f8 f8 + f8 f8 f8 f8 + \key bes \major + R1*6/8*2 + \transpose aes bes \maennerB + \key c \major + \transpose aes c' \braceB + c'2. ~ + c2. ~ + c2. ~ + c2. + } + >> + } + diff --git a/hr/stch/fertig/brevis_leavitt/gloria/t.midi b/hr/stch/fertig/brevis_leavitt/gloria/t.midi Binary files differnew file mode 100644 index 0000000..3cbe02a --- /dev/null +++ b/hr/stch/fertig/brevis_leavitt/gloria/t.midi diff --git a/hr/stch/fertig/brevis_leavitt/gloria/texte.ly b/hr/stch/fertig/brevis_leavitt/gloria/texte.ly new file mode 100644 index 0000000..16d84f8 --- /dev/null +++ b/hr/stch/fertig/brevis_leavitt/gloria/texte.ly @@ -0,0 +1,43 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + Glo -- ri -- a, Glo -- ri -- a in ex -- cel -- sis De -- o! + Glo -- ri -- a in ex -- cel -- sis De -- o. + Glo -- ri -- a in ex -- cel -- sis De -- o. + Et in ter -- ra pax ho -- mi -- ni -- bus, + ter -- ra pax ho -- mi -- ni -- bus. + Lau -- da -- mus te. Be -- ne -- di -- ci -- mus te. + A -- do -- ra -- mus te. Glo -- ri -- fi -- ca -- mus te. + Lau -- da -- mus te. Be -- ne -- di -- ci -- mus, + A -- do -- ra -- mus te. + Gra -- ti -- as, gra -- ti -- as, + Gra -- ti -- as a -- gi -- mus ti -- bi + prop -- ter mag -- nam glo -- ri -- am tu -- am. + Al -- le -- lu -- ia, + Al -- le -- lu -- ia, + Al -- le -- lu -- ia, + Al -- le -- lu -- ia. + Glo -- ri -- a in ex -- cel -- sis De -- o. + Glo -- ri -- a in ex -- cel -- sis De -- o. + Et in ter -- ra pax ho -- mi -- ni -- bus, + ter -- ra pax ho -- mi -- ni -- bus. + Glo -- ri -- a, Glo -- ri -- a in ex -- cel -- sis De -- o! + } + diff --git a/hr/stch/fertig/brevis_leavitt/kyrie/a.midi b/hr/stch/fertig/brevis_leavitt/kyrie/a.midi Binary files differnew file mode 100644 index 0000000..382da5e --- /dev/null +++ b/hr/stch/fertig/brevis_leavitt/kyrie/a.midi diff --git a/hr/stch/fertig/brevis_leavitt/kyrie/b.midi b/hr/stch/fertig/brevis_leavitt/kyrie/b.midi Binary files differnew file mode 100644 index 0000000..c0c708a --- /dev/null +++ b/hr/stch/fertig/brevis_leavitt/kyrie/b.midi diff --git a/hr/stch/fertig/brevis_leavitt/kyrie/dynArt.ly b/hr/stch/fertig/brevis_leavitt/kyrie/dynArt.ly new file mode 100644 index 0000000..30423d4 --- /dev/null +++ b/hr/stch/fertig/brevis_leavitt/kyrie/dynArt.ly @@ -0,0 +1,21 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/fertig/brevis_leavitt/kyrie/kyrie.ly b/hr/stch/fertig/brevis_leavitt/kyrie/kyrie.ly new file mode 100644 index 0000000..6d4052a --- /dev/null +++ b/hr/stch/fertig/brevis_leavitt/kyrie/kyrie.ly @@ -0,0 +1,79 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Kyrie eleison" + composer = "John Leavitt" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \RemoveEmptyStaves + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + \override VerticalAxisGroup #'remove-first = ##t + } + } + + #(set-global-staff-size 17) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \generalPausen + \new Voice = "soprane" { \sopranMelodie } + \new Voice = "alti" { \altMelodie } + %\addlyrics { \sopranText } + >> + + alt = << + \new Voice = "alti" { \altMelodie } + %\addlyrics { \altText } + >> + + ten = << + \new Voice = "tenoere" { \tenorMelodie } + %\addlyrics { \tenorText } + >> + + bas = << + \new Voice = "baesse" { \bassMelodie } + \addlyrics { \bassText } + >> + + \score { + \new ChoirStaff \with {} << + \set Score.skipBars = ##t + \new Staff = sopran \with { + fontSize = #-3 + \override StaffSymbol #'staff-space = #(magstep -3) + }{ \global \sop } + %\new Staff = alt { \global \alt } + \new Staff = tenor \with{ + fontSize = #-3 + \override StaffSymbol #'staff-space = #(magstep -3) + }{ \global \ten } + \new Staff = bass { \global \bas } + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/stch/fertig/brevis_leavitt/kyrie/midi.lua b/hr/stch/fertig/brevis_leavitt/kyrie/midi.lua new file mode 100644 index 0000000..e22ba8e --- /dev/null +++ b/hr/stch/fertig/brevis_leavitt/kyrie/midi.lua @@ -0,0 +1,51 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { + \unfoldRepeats +]] + +post=[[ + \midi { + \context{ + \Score + tempoWholesPerMinute = #(ly:make-moment 120 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/fertig/brevis_leavitt/kyrie/s.midi b/hr/stch/fertig/brevis_leavitt/kyrie/s.midi Binary files differnew file mode 100644 index 0000000..7cf8c18 --- /dev/null +++ b/hr/stch/fertig/brevis_leavitt/kyrie/s.midi diff --git a/hr/stch/fertig/brevis_leavitt/kyrie/stimmen.ly b/hr/stch/fertig/brevis_leavitt/kyrie/stimmen.ly new file mode 100644 index 0000000..c69e0eb --- /dev/null +++ b/hr/stch/fertig/brevis_leavitt/kyrie/stimmen.ly @@ -0,0 +1,267 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key a \major + %\override Staff.TimeSignature #'style = #'() + \time 3/4 + %\autoBeamOff + } + +% Die Stimmen + + generalPausen = { + s2.*19 + s4 r4 r4 + % + s2.*6 + r2. + r2. + s2.*6 + % + s2.*14 + R2.*4 + s2.*10 + } + uniOne = \relative c' { + e2. + f2. + g4. g8 g4 + g2. + e2. + f2. + \key a \major + } + uniTwoW = \relative c' { + e8( d8) cis4 e4 + fis4( b4) a4 + cis2. ~ + cis2. + } + uniTwoM = \relative c { + cis'8( d8) cis4 a4 + b2 b8( cis8) + d2 cis8( a8) + e2. + cis'8( b8) a4 cis4 + d2 d4 + cis2. ~ + cis2. + } + uniThreeM = \relative c' { + cis8( b8) a4 a4 + e2 e4 + } + sopranMelodie = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + \oneVoice + R1*3/4*4 + e8( d8) cis4 e4 + fis4( b4) a4 + cis,2. + r2. + e8( d8) cis4 e4 + fis4( b4) a4 + cis2. + r4 r4 a8( b8) + \break + \voiceOne + cis8( d8 cis4) a4 + b2 b8( cis8) + d2 cis8( a8) + e2 cis'8 d8 + e2. + e2. + e2. ~ + e4 s4 s4 + \bar "||" + \break + \key a \minor + a,4 a2 + g4 g2 + f4 f4 f4 + e2 c4 + f2 e8( f8) + d2. + s2. + s2. + \uniOne + \bar "||" + \break + e4. e8 e4 + e2. + a4 a2 + gis4 gis2 + fis4 fis4 fis4 + e2. + \uniTwoW + \break + a2. + gis2. + fis4 fis4 e4 + e2. + s2.*4 + e8( d8) cis2 + d2. + e8( d8) cis2 + d2. + e8( d8) cis4 e4 + fis4( a4) gis4 + a2. ~ + a2. ~ + a2. ~ + a2. + \bar "|." + } + >> + } + + altMelodie = \relative c'' { + << + { \meta } + %\altArt + %the actual tune + { + s2.*12 + \voiceTwo + a8. a16 a2 + g4 g2 + fis8. fis16 fis2 + e4 e2 + e8( d8) cis4 e4 + fis4( b4) a4 + cis2. ~ + cis4 s4 s4 + % + \key a \minor + e,4 e2 + e4 e2 + d4 d4 d4 + c2 c4 + d2 d4 + d2. + s2. + s2. + \uniOne + % + e4. e8 e4 + e2. + fis4 fis2 + d4 d2 + d4 d4 d4 + e2. + \uniTwoW + d2. + e2. + d4 d4 d4 + cis2. + s2.*4 + R2.*2 + e8( d8) cis2 + d2. + e8( d8) cis4 cis4 + d2 d4 + cis2.( + d2. + cis2. ~ + cis2.) + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + R1*3/4*12 + cis8. cis16 cis2 + d4 d2 + d8. d16 d2 + d4 d2 + cis8( b8) a4 cis4 + d2 d4 + e2. ~ + e4 r4 r4 + % + \key a \minor + c8( b8) a4 c4 + b4 g2 + f8( g8) a4 b4 + g2 c4 + bes2 bes4 + c4( b2) + r2. + r2. + \transpose c c, \uniOne + % + e,4. e8 e4 + e2. + \uniTwoM + fis2. + gis2. + a4 a4 gis4 + a2. + R1*3/4*8 + \uniThreeM + e2.( + fis2. + e2. ~ + e2.) + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + R1*3/4*12 + fis8. fis16 fis2 + g4 g2 + b8. b16 b2 + e,4 e2 + a2. + a,2. + a'2. ~ + a4 r4 r4 + % + \key a \minor + c8( b8) a4 c4 + b4 g2 + f8( g8) a4 b4 + g2 c4 + f,2 f4 + g2. + r2. + r2. + \transpose c c, \uniOne + % + e4. e8 e4 + e2. + \uniTwoM + d2. + cis2. + b4 b4 e4 + a2. + R1*3/4*8 + \uniThreeM + a,2. ~ + a2. ~ + a2. ~ + a2. + } + >> + } + diff --git a/hr/stch/fertig/brevis_leavitt/kyrie/t.midi b/hr/stch/fertig/brevis_leavitt/kyrie/t.midi Binary files differnew file mode 100644 index 0000000..f15e78c --- /dev/null +++ b/hr/stch/fertig/brevis_leavitt/kyrie/t.midi diff --git a/hr/stch/fertig/brevis_leavitt/kyrie/texte.ly b/hr/stch/fertig/brevis_leavitt/kyrie/texte.ly new file mode 100644 index 0000000..05e777c --- /dev/null +++ b/hr/stch/fertig/brevis_leavitt/kyrie/texte.ly @@ -0,0 +1,35 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + Ky -- ri -- e~e -- lei -- son. + Ky -- ri -- e~e -- lei -- son. + e -- lei -- son. + Chris -- te e -- lei -- son, + e -- le -- i -- son, + e -- le -- i -- son. + Al -- le, Al -- le -- lu -- ia. + Al -- le, Al -- le -- lu -- ia. + Chris -- te~e -- lei -- son + e -- le -- i -- son. + Chris -- te e -- le -- i -- son. + Al -- le, Al -- le -- lu -- ia. + Ky -- ri -- e~e -- le -- i -- son. + } + diff --git a/hr/stch/fertig/brevis_leavitt/sanctus/a.midi b/hr/stch/fertig/brevis_leavitt/sanctus/a.midi Binary files differnew file mode 100644 index 0000000..980fe48 --- /dev/null +++ b/hr/stch/fertig/brevis_leavitt/sanctus/a.midi diff --git a/hr/stch/fertig/brevis_leavitt/sanctus/b.midi b/hr/stch/fertig/brevis_leavitt/sanctus/b.midi Binary files differnew file mode 100644 index 0000000..a0ab61b --- /dev/null +++ b/hr/stch/fertig/brevis_leavitt/sanctus/b.midi diff --git a/hr/stch/fertig/brevis_leavitt/sanctus/dynArt.ly b/hr/stch/fertig/brevis_leavitt/sanctus/dynArt.ly new file mode 100644 index 0000000..30423d4 --- /dev/null +++ b/hr/stch/fertig/brevis_leavitt/sanctus/dynArt.ly @@ -0,0 +1,21 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/fertig/brevis_leavitt/sanctus/midi.lua b/hr/stch/fertig/brevis_leavitt/sanctus/midi.lua new file mode 100644 index 0000000..e22ba8e --- /dev/null +++ b/hr/stch/fertig/brevis_leavitt/sanctus/midi.lua @@ -0,0 +1,51 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { + \unfoldRepeats +]] + +post=[[ + \midi { + \context{ + \Score + tempoWholesPerMinute = #(ly:make-moment 120 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/fertig/brevis_leavitt/sanctus/s.midi b/hr/stch/fertig/brevis_leavitt/sanctus/s.midi Binary files differnew file mode 100644 index 0000000..4a1955f --- /dev/null +++ b/hr/stch/fertig/brevis_leavitt/sanctus/s.midi diff --git a/hr/stch/fertig/brevis_leavitt/sanctus/sanctus.ly b/hr/stch/fertig/brevis_leavitt/sanctus/sanctus.ly new file mode 100644 index 0000000..0c1a223 --- /dev/null +++ b/hr/stch/fertig/brevis_leavitt/sanctus/sanctus.ly @@ -0,0 +1,80 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Festival sanctus" + composer = "John Leavitt" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \RemoveEmptyStaves + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + \override VerticalAxisGroup #'remove-first = ##t + } + } + + #(set-global-staff-size 16) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \generalPausen + \frauenPausen + \new Voice = "soprane" { \voiceOne \sopranMelodie } + \new Voice = "alti" { \voiceTwo \altMelodie } + %\addlyrics { \sopranText } + >> + + alt = << + \new Voice = "alti" { \altMelodie } + %\addlyrics { \altText } + >> + + ten = << + \new Voice = "tenoere" { \tenorMelodie } + %\addlyrics { \tenorText } + >> + + bas = << + \new Voice = "baesse" { \bassMelodie } + \addlyrics { \bassText } + >> + + \score { + \new ChoirStaff \with {} << + \set Score.skipBars = ##t + \new Staff = sopran \with { + fontSize = #-3 + \override StaffSymbol #'staff-space = #(magstep -3) + }{ \global \sop } + %\new Staff = alt { \global \alt } + \new Staff = tenor \with{ + fontSize = #-3 + \override StaffSymbol #'staff-space = #(magstep -3) + }{ \global \ten } + \new Staff = bass { \global \bas } + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/stch/fertig/brevis_leavitt/sanctus/stimmen.ly b/hr/stch/fertig/brevis_leavitt/sanctus/stimmen.ly new file mode 100644 index 0000000..e1b1b74 --- /dev/null +++ b/hr/stch/fertig/brevis_leavitt/sanctus/stimmen.ly @@ -0,0 +1,405 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key a \major + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + %\autoBeamOff + } + +% Die Stimmen + + generalPausen = { + r1 + s1 + s1*4 + \break + r1 + s1 + s1*4 + r1 + r1 + r1 + \break + s1*8 + \break + % + s1*4 + s2.*2 + s1*4 + \break + s1*3 + s1*3 + s1*10/8*4 + R1*3 + s1*8 + \break + s1*8 + \break + % + s1*4 + s2.*3 + s1 + s1*10/8*4 + %\time 4/4 + s2 r2 + } + frauenPausen = { + s1 + r1 + s1*4 + s1 + r1 + s1*4 + s1 + s1 + s1 + s1*8 + % + s1*4 + s2.*2 + s1*4 + R1*3 + s1*3 + s1*10/8*4 + s1*3 + s1*16 + % + r1 s1 r1 s1 + s2.*3 + s1 + s1*10/8*4 + s1 + } + frauenI = \relative c'' { + a8( b8 cis8) d8 ~ d8 cis4 b8 + d4 cis4 b4 a4 + a8( b8 cis8) d8 ~ d8 d8 cis8 b8 + } + maennerI = \relative c' { + a4. a8 ~ a4 a4 + a4. a8 ~ a4 a4 + a4. a8 ~ a8 a8 a8 a8 + } + frauenII = \relative c' { + fis8( gis8) a8 e8 ~ e8 a4 d8( ~ + d8 cis8) b8 a8 ~ a8 e4. + fis4. e8 ~ e4 cis4 ~ + cis2. a'4 + } + maennerII = \relative c' { + d4 d8 cis8 ~ cis8 cis4 a8 ~ + a4 b8 cis8 ~ cis8 cis4. + d4. b8 ~ b4 a4 ~ + a2. + } + frauenIII = \relative c' { + d8( e8 fis8) g8 ~ g8 fis4 e8 + g4 fis4 e4 d4 + d8( e8 fis8) g8 ~ g8 g8 fis8 e8 + } + maennerIII = \relative c { + fis8( g8 a8) b8 ~ b8 a4 g8 + b4 a4 g4 fis4 + fis8( g8 a8) b8 ~ b8 b8 a8 g8 + } + commonIV = \relative c' { + a8( b8 cis8) d8 ~ d8 cis4 b8 + d4 cis4 b4 a4 + a8( b8 cis8) d8 ~ d8 d8 cis8 b8 + } + oberIV = \relative c' { + b4. b8 ~ b4 b4 + b4. b8 ~ b4 b4 + b4. b8 ~ b8 b8 b8 b8 + b4 b2. + \commonIV + e4 e2. + } + unterIV = \relative c' { + e8( fis8 gis8) a8 ~ a8 gis4 fis8 + a4 gis4 fis4 e4 + e8( fis8 gis8) a8 ~ a8 a8 gis8 fis8 + b4 b2. + \transpose c c' \commonIV + a4 a2. + a4. a8 ~ a4 a4 + a4. a8 ~ a4 a4 + a4. a8 ~ a8 a8 a8 a8 + } + frauenV = \relative c' { + b8 cis8 d8 cis8( d8) e8 + dis8 e8 fis8 eis8( fis8) gis8 + fis8 gis8 a8 gis8( a8) b8 + \time 4/4 + a8. a16 a2 r4 + } + oberVI = \relative c' { + R1*10/8 + d8 cis8 a8 c8 b8 g8 a4 a4 + a4. b4. c2 + d4. e4. + } + unterVI = \relative c' { + a8 gis8 e8 g8 fis8 d8 e4 e4 + d8 cis8 a8 c8 b8 g8 a4 a4 + a'8 gis8 e8 g8( fis8) d8 e4 e4 + d'8 cis8 a8 c8( b8) g8 + } + sopranMelodie = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + s1*2 + d'4 cis2 \times 2/3 { b8 a8 b8 } + d4 cis2 \times 2/3 { b8 a8 b8 } + d4 cis2( d4) + e8. e16 e2. + s1*2 + d4 cis2 \times 2/3 { b8 a8 b8 } + d4 cis2 \times 2/3 { b8 a8 b8 } + d4 cis2( d4) + e8. e16 e2. + s1 + \repeat volta 2 { + s1*2 + } + \frauenI + e4 e2. + \frauenI + e4 e2. + \bar "||" + \mark \markup { \smaller \musicglyph #"scripts.segno" } + \frauenII + \time 6/8 + a,8( gis8) fis8 e4. + d'8( cis8) b8 a4. + \time 4/4 + b4 b2. + b4 b2. + a4 a2. ~ + a1 + \once \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible + \mark \markup { \smaller \musicglyph #"scripts.coda" } + s1*3 + cis4. d8 ~ d4 b4 ~ + b8 cis4. a4. b8 ~ + b4 \times 2/3 { b8 a8 b8 } cis4 cis4 + \time 10/8 + R1*10/8 + d8 cis8 a8 c8 b8 g8 a4 a4 + a4. b4. c2 + d4. e4. f4( g4) + \time 4/4 + s1*3 + \frauenIII + a,4 a2. + \transpose c c' \oberIV + a8( b8 cis8) d8 ~ d8 cis4 b8 + d4 cis4 b4 a4 + a8( b8 cis8) d8 ~ d8 d8 cis8 b8 + e4^\markup { "D.S. al Coda" } e2. + \bar "||" + \mark \markup { \smaller \musicglyph #"scripts.coda" } + s1 + d4 cis2. + s1 + cis4 b2. + \time 6/8 + \frauenV + \time 10/8 + \transpose d d' \oberVI f'4( g4) + a4 a4 s2 + \bar "|." + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + s1*2 + b'4 a2 \times 2/3 { a8 g8 a8 } + b4 a2 \times 2/3 { a8 g8 a8 } + b4 a2( b4) + a8. a16 a2. + s1*2 + b4 a2 \times 2/3 { a8 g8 a8 } + b4 a2 \times 2/3 { a8 g8 a8 } + b4 a2( b4) + g8. g16 g2. + s1 + \repeat volta 2 { + s1*2 + } + \frauenI + a4 a2. + cis,8( d8 e8) fis8 ~ fis8 e4 d8 + fis4 e4 d4 cis4 + cis8( d8 e8) fis8 ~ fis8 fis8 e8 d8 + g4 g2. + \frauenII + a8( gis8) fis8 e4.( + g4.) a8 g8 fis8 + g4 g2. + g4 g2. + a4 a2. ~ + a1 + s1*3 + a4. a8 ~ a4 g4 ~ + g8 a4. f4. g8 ~ + g4 \times 2/3 { g8 f8 g8 } a4 a4 + a8 gis8 e8 g8 fis8 d8 e4 e4 + d8 cis8 a8 c8 b8 g8 a4 a4 + a'8 gis8 e8 g8 fis8 d8 e4 e4 + d'8 cis8 a8 c8 b8 g8 a4( b4) + s1*3 + \frauenIII + d,4 d2. + \unterIV + g4 g2. + s1 + b4 a2. + s1 + a4 g2. + \frauenV + \transpose a a' \unterVI a4( <b d>4) + <a e'>4 q4 s2 + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + R1 + r2 fis4 e4 ~ + e2. \times 2/3 { e8 d8 e8 } + fis4 e2 \times 2/3 { e8 d8 e8 } + fis4 e2( fis4) + cis8. cis16 cis2. + R1 + r2 fis4 e4 ~ + e2. \times 2/3 { e8 d8 e8 } + fis4 e2 \times 2/3 { e8 d8 e8 } + fis4 e2( fis4) + e8. e16 e2. + R1 + \repeat volta 2 { + R1*2 + } + R1*4 + \maennerI + e4 e2. + \maennerII a,4 + fis'8 e8 d8 cis4.( + d4.) fis8 e8 d8 + d4 d2. + e4 e2. + a,4 a2. ~ + a1 + cis4. d8 ~ d4 b4 ~ + b8 cis4. a4. b8 ~ + b4 \times 2/3 { b8 a8 b8 } cis4 cis4 + e4. fis8 ~ fis4 d4 ~ + d8 e4. c4. d8 ~ + d4 \times 2/3 { d8 cis8 d8 } e4 e4 + R1*10/8 + d8 cis8 a8 c8 b8 g8 a4 a4 + a4. b4. c2 + d4. e4. f4( d4) + R1*3 + \maennerIII + d4 d2. + \oberIV + cis8( d8 e8) fis8 ~ fis8 e4 d8 + fis4 e4 d4 cis4 + cis8( d8 e8) fis8 ~ fis8 fis8 e8 d8 + e4 e2. + r2 fis4 e4 ~ + e1 + r2 e4 d4 ~ + d1 + R1*6/8 + b8 cis8 dis8 cis8( dis8) eis8 + fis4. e4. + e2. r4 + \oberVI f4( d4) + e4 e4 r2 + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + R1 + b'4 a2. ~ + a2. \times 2/3 { a8 a8 a8 } + a4 a2 \times 2/3 { a8 a8 a8 } + a4 a2. + a8. a16 a2. + R1 + b4 a2. ~ + a2. \times 2/3 { a8 a8 a8 } + a4 a2 \times 2/3 { a8 a8 a8 } + a4 a2. + c8. c16 c2. + R1 + \repeat volta 2 { + R1*2 + } + R1*4 + \maennerI + c4 c2. + \maennerII r4 + r4. cis8 b8 a8 + b8 a8 g8 d4. + g4 g2. + e4 e2. + a4 a2. ~ + a1 + a4. fis8 ~ fis4 g4 ~ + g8 e4. f4. d8 ~ + d4 \times 2/3 { g8 f8 g8 } a4 a4 + a4. a8 ~ a4 a4 ~ + a8 a4. a4. a8 ~ + a4 \times 2/3 { a8 a8 a8 } a4 a4 + a8 gis8 e8 g8 fis8 d8 e4 e4 + d8 cis8 a8 c8 b8 g8 a4 a4 + a'8 gis8 e8 g8 fis8 d8 e4 e4 + d'8 cis8 a8 c8 b8 g8 a4( b4) + R1*3 + \maennerIII + d,4 d2. + \transpose c c, \unterIV + c'4 c2. + b4 a2. ~ + a1 + a4 g2. ~ + g1 + R1*6/8*2 + a8 b8 cis8 b8( cis8) d8 + cis8. cis16 cis2 r4 + \unterVI a4( b4) + a4 a4 r2 + } + >> + } + diff --git a/hr/stch/fertig/brevis_leavitt/sanctus/t.midi b/hr/stch/fertig/brevis_leavitt/sanctus/t.midi Binary files differnew file mode 100644 index 0000000..14cc685 --- /dev/null +++ b/hr/stch/fertig/brevis_leavitt/sanctus/t.midi diff --git a/hr/stch/fertig/brevis_leavitt/sanctus/texte.ly b/hr/stch/fertig/brevis_leavitt/sanctus/texte.ly new file mode 100644 index 0000000..720c462 --- /dev/null +++ b/hr/stch/fertig/brevis_leavitt/sanctus/texte.ly @@ -0,0 +1,54 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + } + + pleni = \lyricmode { + Ple -- ni sunt cœ -- li et ter -- ra + Glo -- ri -- a Glo -- ri -- a tu -- a + } + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + \repeat unfold 2 { + Sanc -- tus + Do -- mi -- nus De -- us + Do -- mi -- nus De -- us + Sa -- ba -- oth! + } + Ho -- san -- na Ho -- san -- na Ho -- san -- na in ex -- cel -- sis! + Be -- ne -- dic -- tus Be -- ne -- dic -- tus qui ve -- nit + no -- mi -- ne Do -- _ mi -- ne De -- i De -- i De -- i. + \repeat unfold 2 { + Sanc -- tus Sanc -- tus Sanc -- tus + Do -- mi -- nus De -- us + } + \pleni + Ple -- ni sunt cœ -- li et ter -- ra + Glo -- ri -- a Glo -- ri -- a tu~a! + \repeat unfold 3 { + Ho -- san -- na Ho -- san -- na De -- o + Ho -- san -- na in ex -- cel -- sis! + } + Ho -- san -- na Ho -- san -- na + Ho -- san -- na in ex -- cel -- sis! + Sanc -- tus Sanc -- tus + Do -- mi -- nus De -- us Sa -- ba -- oth! + \pleni + Ho -- san -- na in ex -- cel -- sis + Ho -- san -- na in ex -- cel~sis + De -- o! + } + diff --git a/hr/stch/fertig/canzone/canzone.ly b/hr/stch/fertig/canzone/canzone.ly new file mode 100644 index 0000000..7264a69 --- /dev/null +++ b/hr/stch/fertig/canzone/canzone.ly @@ -0,0 +1,48 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + +\version "2.12.1" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Canzone da due soldi" + composer = "Musica di C. Conida" + opus = "Armonizzazione di C. Riffero" + %tagline = "" + } + + \paper { + %<+weitere Einstellungen+> + } + + \midi { + %\tempo 4 = <+bpm+> + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 17) + + \score { + \new ChoirStaff << + \new Staff = frauen << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \voiceOne \sopranMelodie } + \new Voice = "alti" { \global \voiceTwo \altMelodie } + \lyricsto soprane \sopranText + >> + \new Staff = maenner << + \new Voice = "tenoere" { \global \voiceOne \tenorMelodie } + \new Voice = "baesse" { \global \voiceTwo \bassMelodie } + \new Voice = "bass" { \global \voiceTwo \bassExtra } + \lyricsto bass \bassText + >> + >> + } + diff --git a/hr/stch/fertig/canzone/canzone.ps b/hr/stch/fertig/canzone/canzone.ps Binary files differnew file mode 100644 index 0000000..128b616 --- /dev/null +++ b/hr/stch/fertig/canzone/canzone.ps diff --git a/hr/stch/fertig/canzone/stimmen.ly b/hr/stch/fertig/canzone/stimmen.ly new file mode 100644 index 0000000..e0ee233 --- /dev/null +++ b/hr/stch/fertig/canzone/stimmen.ly @@ -0,0 +1,260 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + + global = { + \key d \minor + \time 4/4 + } + + meta = { + } + %{ + %(dynamic) marks global to all voices + \dynamicUp + \repeat unfold <+number of parts+> { + s4*<+number of measures within a part+> \break + } + %} + +% Die Stimmen + + sopranMelodie = \relative c'' { + << + { \meta } + %%articulation etc. + %\repeat unfold <+number of parts+> { + %s4*<+number of measures within a part+> + %} + %the actual tune + { + % E_una + a2 gis2 + \repeat volta 3 { + a4 gis4 a4 bes8 a8 ~ a8 d,4. e4 f4 + a4. g8 ~ g2 ~ g2 r8 g4 fis8 + g4 fis4 g4 a8 g8 ~ g8 cis,4. d4 e4 + g4. f8 ~ f2 ~ f2 r8 a4 gis8 + a4 gis4 a4 bes8 a8 ~ a8 d,4. e4 f4 + c'4. bes8 ~ bes2 ~ bes2 r8 c4 bes8 + a4 a4 g4 f8 g8 ~ g8 g4 ~ g8 f8 e4 d8 ~ + } + \alternative { + { + d1 + % Du du a + d8 r8 d8 e8 r8 a4 gis8 + } + { + d1 ~ d8 r8 r4 r4 a'4 + a8 r8 r4 bes8 r8 bes8 a8 ~ a8 r8 r4 r4 a4 + a8 r8 r4 bes8 r8 bes8 a8 ~ a8 r8 r4 r4 a4 + bes8 r8 r4 bes8 r8 bes8 bes8 ~ bes8 + r8 r4 bes4 bes8 a8 ~ a8 r8 a8 r8 g8 r8 f8 a8 ~ a2 + % E_una + r8 a4 gis8 + } + { + \times 2/3 { + d8 r8 a'4 bes4 b4 c4 cis4 + } + d8 r8 r4 <<b2 e2>> + } + } + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %%articulation etc. + %\repeat unfold <+number of parts+> { + %s4*<+number of measures within a part+> + %} + %the actual tune + { + % E_una + cis2 cis2 + \repeat volta 3 { + d4 d4 cis4 cis8 d8 ~ d8 d4. cis4 d4 + d4. d8 ~ d2 ~ d2 r8 d4 d8 + cis4 cis4 cis4 cis8 cis8 ~ cis8 a4. a4 a4 + d4. d8 ~ d2 ~ d2 r8 cis4 cis8 + d4 d4 cis4 cis8 d8 ~ d8 d4. cis4 d4 + a'4. g8 ~ g2 ~ g2 r8 a4 g8 + f4 f4 e4 d8 d8 ~ d8 d4 ~ d8 cis8 cis4 d8 ~ + } + \alternative { + { + % Du du a + d1 d8 r8 d8 cis8 r8 cis4 cis8 + } + { + d2( bes2( a8 ) ) r8 r4 r4 f'4 + g8 r8 r4 g8 r8 g8 g8 ~ g8 r8 r4 r4 g4 + f8 r8 r4 f8 r8 f8 f8 ~ f8 r8 r4 r4 a4 + g8 r8 r4 e8 r8 e8 e8 ~ e8 + r8 r4 d4 e8 f8 ~ f8 r8 f8 r8 f8 r8 f8 e8 ~ e2 + r8 cis4 cis8 + } + { + \times 2/3 { + d8 r8 a4 bes4 b4 c4 cis4 + } + d8 r8 r4 f2 + } + } + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %%articulation etc. + %\repeat unfold <+number of parts+> { + %s4*<+number of measures within a part+> + %} + %the actual tune + { + % E_una + a2 a2 + \repeat volta 3 { + f4 f4 g4 g8 a8 ~ a8 a4. g4 a4 + bes4. bes8 ~ bes2 ~ bes2 r8 bes4 bes8 + a4 a4 a4 a8 a8 ~ a8 a4. a4 a4 + a4. a8 ~ a2 ~ a2 r8 a4 a8 + f4 f4 g4 g8 a8 ~ a8 a4. g4 a4 + g4. g8 ~ g2 ~ g2 r8 g4 g8 + a4 a4 a4 a8 f8 ~ f8 f4 ~ f8 a8 g4 f8 ~ + } + \alternative { + { + f1 f8 r8 f8 a8 r8 a4 a8 + } + { + f2( g2( f8 ) ) r8 r4 r4 d'4 + e8 r8 r4 d8 r8 d8 cis8 ~ cis8 r8 r4 r4 cis4 + d8 r8 r4 d8 r8 d8 d8 ~ d8 r8 r4 r4 d4 + c8 r8 r4 d8 r8 d8 c8 ~ c8 r8 r4 + c4 c8 c8 ~ c8 r8 c8 r8 c8 r8 c8 cis8 ~ cis2 + % E_una + r8 a4 a8 + } + { + \times 2/3 { + f8 r8 a4 bes4 b4 c4 cis4 + } + d8 r8 r4 <<a2 d2>> + } + } + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + %%articulation etc. + %\repeat unfold <+number of parts+> { + %s4*<+number of measures within a part+> + %} + %the actual tune + \clef bass + { + % E_una + a2 a2 + \repeat volta 3 { + d4 d4 e4 e8 f8 ~ f8 f4. e4 d4 + s2*3 r8 g,4 g8 + a4 a4 e'4 e8 a,8 ~ a8 a4. b4 cis4 + s2*3 r8 a4 a8 + d4 d4 e4 e8 f8 ~ f8 f4. e4 d4 + s2*3 r8 g4 g8 + d4 d4 c4 c8 bes8 ~ bes8 bes4 ~ bes8 a8 a4 d8 ~ + } + \alternative { + { + d2( c2 ) + % Du du a + bes8 r8 bes8 a8 r8 a4 a8 + } + { + d1 ~ d8 s8 s4 s2 + s1*7 + % E_una + s2 r8 a4 a8 + } + %{ + d4 d4 e4 e8 f8 ~ f8 f4. e4 d4 + s2*3 r8 g,4 g8 + a4 a4 e'4 e8 a,8 ~ a8 a4. b4 cis4 + s2*3 r8 a4 a8 + d4 d4 e4 e8 f8 ~ f8 f4. e4 d4 + s2*3 r8 g4 g8 + d4 d4 c4 c8 bes8 ~ bes8 bes4. a8 a4 d8 ~ + %} + { + \times 2/3 { + d8 r8 a4 bes4 b4 c4 cis4 + } + d8 r8 r4 <<d2 e2>> + } + } + } + >> + } + + bassExtra = \relative c { + << + { \meta } + %%articulation etc. + %\repeat unfold <+number of parts+> { + %s4*<+number of measures within a part+> + %} + %the actual tune + \clef bass + { + s1 + \repeat volta 3 { + s1*2 + % soldi + g4\( a4 bes4 d4 g2 \) s2 + s1*2 + % borghi + d4\( e4 f4 a4 d,2 \) s2 + s1*2 + % cordi + g,4\( a4 bes4 d4 g2 \) s2 + s1*2 + } + \alternative { + { s1*2 } + { + % si + s1 s8 d4. d4 d4 + cis8. d16 cis8. d16 e2 + r8 e4. e4 e4 + d8. e16 d8. e16 f2 + r8 f4. f4 f4 + e8. f16 e8. f16 g2 + r8 g4. f4 g8 a8 ~ a1 ~ a2 s2 + } + { + s1*2 + } + } + } + %{ + s1*2 + % soldi + g,4( a4( bes4( d4( g2 ) ) ) ) s2 + s1*2 + % borghi + d4( e4( f4( a4( d,2 ) ) ) ) s2 + s1*2 + % sogna + g,4( a4( bes4( d4( g2 ) ) ) ) s2 + s1*4 + %} + >> + } diff --git a/hr/stch/fertig/canzone/texte.ly b/hr/stch/fertig/canzone/texte.ly new file mode 100644 index 0000000..e955735 --- /dev/null +++ b/hr/stch/fertig/canzone/texte.ly @@ -0,0 +1,76 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + +%Rohfassung Baß + + eins = \lyricmode { + E_u -- na sem -- pli -- ce can -- zo -- ne + da due sol -- di, que si can -- ta per le stra -- de + dei sob -- bor -- ghi, + e ri -- sve -- gli_an fon -- do_el a -- ni -- mo_i + ri -- cor -- di + d'u -- na dol -- ce spen -- sie -- ra -- ta gio -- ven -- tu. + Du du a... E_u -- na + } + + drei = \lyricmode { + E_u -- na sem -- pli -- ce can -- zo -- ne + da due sol -- di, que si can -- ta per le stra -- de + dei sob -- bor -- ghi, + per qui spe -- ra, per qui a -- ma, + per qui so -- gna. + e l'e -- ter -- na dol -- ce_'sto -- ria de l'a -- mor. + va va va va va va + va + } + + bass = \lyricmode { + Si ve -- de_a prie -- re pia -- no pian, + qual -- que fi -- ne -- stra d'a -- lon -- tan, + che qui s'af -- fac -- cia d'as -- col -- tar + e so -- spi -- rar. + } + %{ + bass = \lyricmode { + Si4. ve4 -- de_a4 prie8. -- re16 pia8. -- no16 pian,2 + qual4. -- que4 fi4 -- ne8. -- stra16 d'a8. -- lon16 -- tan,2 + c'e4. qui4 s'af4 -- fac8. -- cia16 d'as8. -- col16 -- tar2 + e4. so4 -- spi8 -- rar.__8 + %} + sopran = \lyricmode { + Du a du du a + du a du du a + du a du du a + du du a du du du a...__ + } + + sogna = \lyricmode { + III._Per chi spe -- ra, + per chi a__ ma, + per chi so -- gna__ + e l'e -- ter -- na + dol -- ce sto__ ria + del -- l'a -- mor.__ + } + + unten = \lyricmode { + so_ _ _ _ _ gna + } + +% Die Textaufteilungen + + sopranText = \lyrics { + \eins + _ + \sopran + E_u -- na + _ va va va va va va va + %\drei + } + + bassText = \lyrics { + sol_ _ _ _ di + -bor_ _ _ _ ghi + -cor_ _ _ _ di + \bass + } + diff --git a/hr/stch/fertig/capricciata/capricciata.ly b/hr/stch/fertig/capricciata/capricciata.ly new file mode 100644 index 0000000..edc4677 --- /dev/null +++ b/hr/stch/fertig/capricciata/capricciata.ly @@ -0,0 +1,74 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + +\version "2.12" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Capricciata" + composer = "Adriano Banchieri, 1567-1634" + %opus = "<+Werk+>" + %tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 15) + + \score { + \new ChoirStaff \with {} << + \new Staff = sopranA << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "sopraneA" { \global \sopranMelodieA } + \addlyrics { \sopranText } + >> + \new Staff = altA << + \new Voice = "altiA" { \global \altMelodieA } + \addlyrics { \altText } + >> + \new Staff = bassA << + \new Voice = "baesseA" { \global \bassMelodieA } + \addlyrics { \bassText } + >> + >> +% \new ChoirStaff \with {} << +% \new Staff = sopranB << +% %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } +% \new Voice = "sopraneB" { \global \sopranMelodieB } +% %\addlyrics { \sopranText } +% >> +% \new Staff = altB << +% \new Voice = "altiB" { \global \altMelodieB } +% %\addlyrics { \altText } +% >> +% \new Staff = tenorB << +% \new Voice = "tenoereB" { \global \tenorMelodieB } +% %\addlyrics { \tenorText } +% >> +% \new Staff = bassB << +% \new Voice = "baesseB" { \global \bassMelodieB } +% %\addlyrics { \bassText } +% >> +% >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/stch/fertig/capricciata/dynArt.ly b/hr/stch/fertig/capricciata/dynArt.ly new file mode 100644 index 0000000..756726f --- /dev/null +++ b/hr/stch/fertig/capricciata/dynArt.ly @@ -0,0 +1,21 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/fertig/capricciata/midi.lua b/hr/stch/fertig/capricciata/midi.lua new file mode 100644 index 0000000..f8b2520 --- /dev/null +++ b/hr/stch/fertig/capricciata/midi.lua @@ -0,0 +1,50 @@ + -- some settings -- vim: ai sw=2 lbr nu encoding=utf8 et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + +\version "2.12" +\include "stimmen.ly" + + \score { +]] + +post=[[ + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/fertig/capricciata/stimmen.ly b/hr/stch/fertig/capricciata/stimmen.ly new file mode 100644 index 0000000..7a9ba74 --- /dev/null +++ b/hr/stch/fertig/capricciata/stimmen.ly @@ -0,0 +1,228 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key c \major + %\override Staff.TimeSignature #'style = #'() + \time 2/2 + \autoBeamOff + } + +% Die Stimmen + + sopranMelodieA = \relative c'' { + << + { \meta } + %\sopranArt + %the actual tune + { + \repeat volta 2 { + c4 c8 c8 b4 g4 + a2 g2 + f4 f8 f8 e4 c4 + d2 c2 + r4 g'4 c4. c8 + a4. a8 d4. d8 + } + \alternative { + { + b2 a4 c4( ~ + \time 3/2 + c4 b8 a8 b2) c2 + } + { + \time 3/2 + b2 a4 c2( b4) + } + } + \time 2/2 + c4 g4 g8( f8 g8 a8 + \repeat volta 2 { + g4) g4 r2 + r4 e4 e8( d8 e8 f8 + e4) e4 r4 e4 + e8( d8 e8 f8 g4) g4 + g4( fis8 e8 fis2) + g1 + r2 c,4 d8 e8 + f4 e4 d4 c4 + r2 g'4 a8 b8 + c4 d4 c4 b4 + r2 e4 d8 c8 + b4 a4 b4 c4 + } + \alternative { + { + d4 e4 d2 + e4 g,4 g8( f8 g8 a8 + } + { + %<<s4) + g4) e4 d2 + c1 + } + } + \bar "||" + } + >> + } + + altMelodieA = \relative c'' { + << + { \meta } + %\altArt + %the actual tune + { + \repeat volta 2 { + r1 + c4 c8 c8 b4 g4 + a2 g2 + g4 g8 g8 e4 c4 + d2 c2 + r4 c4 f4. f8 + } + \alternative { + { + d4 g4 f8 d8 e8 c8 + \time 3/2 + e4( d8 c8 d2) c2 + } + { + \time 3/2 + d4. g8 f8 d8 e8 c8 d2 + } + } + \time 2/2 + c4 e4 e8( d8 e8 f8 + \repeat volta 2 { + e4) e4 r2 + r4 g4 g8( f8 g8 a8 + g4) g4 r4 g4 + c8( b8 c8 d8 c4) b4 + b4( a8 g8 a2) + b1 + g4 a8 b8 c4 b4 + a4 g4 r2 + g4 a8 b8 c4 d4 + c4 b4 r2 + e4 d8 c8 b4 a4 + b4 c4 d4 e4 + } + \alternative { + { + d4( c2 b4) + \slurDown + c4 e,4 e8( d8 e8 f8) + } + { + d'4( c2 b4) + c1 + } + } + } + >> + } + + bassMelodieA = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + \repeat volta 2 { + r1 + r1 + r2 c'4 c8 c8 + b4 g4 a2 + g2 r4 c,4 + f4. f8 d4. d8 + } + \alternative { + { + g4. e8 f4 e4 + \time 3/2 + g1 c,2 + } + { + \time 3/2 + g'4. e8 f4 e4 g2 + } + } + c,1 + \repeat volta 2 { + r4 c'4 c8( b8 c8 d8 + c4) c4 r2 + r4 c4 c8( b8 c8 d8 + c2) g2 + d'1 + g,2 g4 a8 b8 + c4 b4 a4 g4 + r2 d4 e8 f8 + g4 f4 e4 d4 + a'4 g8 f8 e4 d4 + e4 f4 g4 a4 + g1 ~ + } + \alternative { + { + g1 + c,1 + } + { + g'1 \repeatTie + c,1 + } + } + } + >> + } + + sopranMelodieB = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + r1 + } + >> + } + + altMelodieB = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + r1 + } + >> + } + + tenorMelodieB = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + r1 + } + >> + } + + bassMelodieB = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + r1 + } + >> + } + diff --git a/hr/stch/fertig/capricciata/texte.ly b/hr/stch/fertig/capricciata/texte.ly new file mode 100644 index 0000000..1cc23be --- /dev/null +++ b/hr/stch/fertig/capricciata/texte.ly @@ -0,0 +1,53 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + +% Abkürzungen + + nobili = \lyricmode { + u -- dret' hor ho -- ra quat -- tro bel -- li_hu -- mo -- ri. + } + + frauen = \lyricmode { + bel -- li_hu -- mo -- ri: + Un ca -- ne, un cuc -- co, un chiù per spas -- so, + } + + maenner = \lyricmode { + quat -- tro bel -- li_hu -- mo -- ri: + Un gat -- to, un chiù per spas -- so, + } + + far = \lyricmode { + far con -- trap -- pun -- to_a men -- te, + far con -- trap -- pun -- to_a men -- te, + far con -- trap -- pun -- to_a men -- te so -- praun bas -- so. + } + +% Die Textaufteilungen + + sopranText = \lyrics { + No -- bi -- li spet -- ta -- to -- ri, + no -- bi -- li spet -- ta -- to -- ri, + \nobili + \frauen + \far + Un ca____________________so -- praun bas -- so. + } + + altText = \lyrics { + No -- bi -- li spet -- ta -- to -- ri, + no -- bi -- li spet -- ta -- to -- ri, + \nobili + ho -- ra quat -- tro + \frauen + \far + Un ca -- bas -- so. + } + + bassText = \lyrics { + No -- bi -- li spet -- ta -- to -- ri, + \nobili + \maenner + \far + _ -- so. + } + diff --git a/hr/stch/fertig/carol/carol.ly b/hr/stch/fertig/carol/carol.ly new file mode 100644 index 0000000..d71a67d --- /dev/null +++ b/hr/stch/fertig/carol/carol.ly @@ -0,0 +1,61 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Carol of the Bells" + composer = "M. Leontovich" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + line-width = \paper-width - 50 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + system-count = 10 + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 11) + + \score { + \new ChoirStaff \with {} << + \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + \addlyrics { \sopranText } + >> + \new Staff = alt << + \new Voice = "alti" { \global \altMelodie } + \addlyrics { \altText } + >> + \new Staff = tenor << + \new Voice = "tenoere" { \global \tenorMelodie } + \addlyrics { \tenorText } + >> + \new Staff = bass << + \new Voice = "baesse" { \global \bassMelodie } + \addlyrics { \bassText } + >> + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/stch/fertig/carol/dynArt.ly b/hr/stch/fertig/carol/dynArt.ly new file mode 100644 index 0000000..55628d6 --- /dev/null +++ b/hr/stch/fertig/carol/dynArt.ly @@ -0,0 +1,178 @@ +%some settings% vim: ai sw=2 lbr nu et + + dec = ^\markup{ \bold \italic "decresc." } + dwr = ^\markup{ \bold \italic "dim. (without ritard.)" } + dm = ^\markup{ \bold \italic "dim." } + sim = ^\markup{ \bold \italic "simile" } + meta = { + %(dynamic) marks global to all voices + \dynamicUp + \repeat unfold 4 { s2. } + \break + \repeat volta 2 { + \repeat unfold 8 { s2. } + \break + s4\mf s2 + \repeat unfold 3 { s2. } + \break + s4\f s2 + \repeat unfold 3 { s2. } + \break + s4\ff s2 + \repeat unfold 9 { s2. } + s2.\dec + s2. + \break + } \alternative { + \repeat unfold 4 { s2. } + \break + \repeat unfold 6 { s2. } + } + } + +% articulation + + sopranArt = { + s4\pp-- s8-.^\markup{ \bold \italic "(staccato)" } s8-. s4-. + \repeat unfold 3 { s4-- s8-. s8-. s4-. } + \repeat volta 2 { + s4\pp-- s8-. s8-. s4-. + s4-- s8-. s8-. s4-. + s4\sim s8 s8 s4 + s4 s8 s8 s4 + s4\p s8 s8 s4 + \repeat unfold 7 { s4 s8 s8 s4 } + \repeat unfold 4 { + s4 s8 s8 s4 + } + s4 s8 s8 s8 s8 + s4 s8 s8 s8 s8 + s4 s8 s8 s8 s8 + s4 s8 s8 s4 + \repeat unfold 2 { + s8\f^\markup{ \bold \italic "cresc." } s8 s8 s8 s8 s8 + s8\dec s8 s4 s4 + } + s4\dwr s8 s8 s4 + s4 s8 s8 s4 + s4 s8 s8 s4 + s4 s8 s8 s4 + } \alternative { + { + s4\pp s8 s8 s4 + \repeat unfold 3 { + s4 s8 s8 s4 + } + } + { + s2.\dwr ~ + s2. ~ + s2. ~ + s2.\fermata\ppp + s4\mf s8 s8\fermata s4-> ~ + s2. + } + } + } + + altArt = { + \repeat unfold 4 { s4 s8 s8 s4 } + \repeat volta 2 { + s2.->\pp + \repeat unfold 3 { s2.-> } + s2.->\p + \repeat unfold 3 { s2.-> } + s4-- s8-. s8-. s4-. + s4-- s8-. s8-. s4-. + s4\sim s8 s8 s4 + s4 s8 s8 s4 + \repeat unfold 8 { s2. } + s2.\f + s2. + s2. + s2. + s2.\dm + s2. + s2. + s2. + } \alternative { + { + \repeat unfold 4 { s2. } + } + { + s2.\dm ~ + s2. ~ + s2. ~ + s2.\fermata\ppp + s4\mf s8 s8\fermata s4-> ~ + s2. + } + } + } + + tenorArt = { + \repeat unfold 4 { s4 s8 s8 s4 } + \repeat volta 2 { + \repeat unfold 4 { s2. } + s2.->\p + \repeat unfold 3 { s2.-> } + s4-- s8-. s8-. s4-. + s4-- s8-. s8-. s4-. + s4\sim s8 s8 s4 + s4 s8 s8 s4 + \repeat unfold 8 { s2. } + s2.\ff + s2. + s2. + s4-> s8 s8 s4 + s2.\dm + s2. + s2. + s2. + } \alternative { + { + \repeat unfold 4 { s2. } + } + { + s2.\dm + s2. + s2. + s4 s8 s8 s4\fermata + s2. + s2. + } + } + } + + bassArt = { + \repeat unfold 4 { s4 s8 s8 s4 } + \repeat volta 2 { + \repeat unfold 8 { s2. } + s4-- s8-. s8-. s4-. + s4-- s8-. s8-. s4-. + s4\sim s8 s8 s4 + s4 s8 s8 s4 + \repeat unfold 8 { s2. } + s2.->\ff + s2.-> + s2.-> + s2-> s4 + s2.\dm + s2. + s2. + s2. + } \alternative { + { + \repeat unfold 4 { s2. } + } + { + s2.\dm ~ + s2. ~ + s2. ~ + s2.\fermata\ppp + s2. + s2.->\fermata + } + } + } + diff --git a/hr/stch/fertig/carol/midi.lua b/hr/stch/fertig/carol/midi.lua new file mode 100644 index 0000000..58e69da --- /dev/null +++ b/hr/stch/fertig/carol/midi.lua @@ -0,0 +1,50 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + +\version "2.12" +\include "stimmen.ly" + + \score { +]] + +post=[[ + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/fertig/carol/stimmen.ly b/hr/stch/fertig/carol/stimmen.ly new file mode 100644 index 0000000..780dcde --- /dev/null +++ b/hr/stch/fertig/carol/stimmen.ly @@ -0,0 +1,172 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.14" + \include "dynArt.ly" + + global = { + \key bes \major + %\override Staff.TimeSignature #'style = #'() + \time 3/4 + %\autoBeamOff + } + +% Die Stimmen + + sopranMelodie = \relative c'' { + << + { \meta } + \sopranArt + %the actual tune + { + \repeat unfold 4 { bes4 a8 bes8 g4 } + \repeat volta 2 { + \repeat unfold 12 { bes4 a8 bes8 g4 } + \repeat unfold 4 { + d'4 c8 d8 bes4 + } + g'4 g8 g8 f8( ees8) + d4 d8 d8 c8( bes8) + c4 c8 c8 d8( c8) + g4 g8 g8 g4 + \repeat unfold 2 { + d8 e8 fis8 g8 a8 bes8 + c8 d8 c4 bes4 + } + \repeat unfold 4 { + bes4 a8 bes8 g4 + } + } \alternative { + { + \repeat unfold 4 { + bes4 a8 bes8 g4 + } + } + { + g2. ~ + g2. ~ + g2. ~ + g2. + d'4 c8 d8 g,4 ~ + g2. + } + } + \bar "|." + } + >> + } + + altMelodie = \relative c'' { + << + { \meta } + \altArt + %the actual tune + { + \repeat unfold 4 { R2. } + \repeat volta 2 { + \repeat unfold 2 { g2. f2. ees2. d2. } + \repeat unfold 4 { g4 g8 g8 g4 } + \repeat unfold 4 { bes4 a8 bes8 g4 } + \repeat unfold 4 { g4 g8 g8 g4 } + \repeat unfold 2 { d2. e4( fis4) g4 } + d2. c2. + f2. ees2. + } \alternative { + { + d2. ~ + d2. ~ + d2. + R2. + } + { + d2. ~ + d2. ~ + d2. ~ + d2. + bes'4 a8 bes8 g4 ~ + g2. + } + } + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + \tenorArt + %the actual tune + \clef "treble_8" + { + \repeat unfold 4 { R2. } + \repeat volta 2 { + \repeat unfold 4 { R2. } + ees2. d2. c2. bes2. + c4 c8 c8 c4 + d4 d8 d8 d4 + ees4 ees8 ees8 ees4 + d4 d8 d8 d4 + d2. e2. f4( ees4) d4 + g8( f8) ees4 d4 + d4 ees8 ees8 d8( c8) + d4 d8 d8 d4 + ees4 ees8 ees8 f8( ees8) + d4 d8 d8 d4 + \repeat unfold 4 { bes4 a8 bes8 g4 } + \repeat unfold 4 { g2. } + } \alternative { + { + g2. ~ + g2. ~ + g2. + R2. + } + { + \repeat unfold 4 { bes4 a8 bes8 g4 } + R2. + R2. + } + } + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + \bassArt + %the actual tune + \clef bass + { + \repeat unfold 4 { R2. } + \repeat volta 2 { + \repeat unfold 8 { R2. } + ees4 ees8 ees8 ees4 + g4 g8 g8 g4 + c4 c8 c8 c4 + \repeat unfold 5 { g4 g8 g8 g4 } + \repeat unfold 4 { bes4 a8 bes8 g4 } + d2. + d2. + d2. + d2( e4) + f2. ees2. d2. c2. + } \alternative { + { + g2. ~ + g2. ~ + g2. + R2. + } + { + g2. ~ + g2. ~ + g2. ~ + g2. + R2. + g2. + } + } + } + >> + } + diff --git a/hr/stch/fertig/carol/texte.ly b/hr/stch/fertig/carol/texte.ly new file mode 100644 index 0000000..4a6c52f --- /dev/null +++ b/hr/stch/fertig/carol/texte.ly @@ -0,0 +1,87 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + + words = \lyricmode { + One seems to hear, Words of good cheer, + From ev’ -- ry -- where Fil -- ling the air + } + pound = \lyricmode { + O, how they pound, Rise -- ing their sound, + O’er hill and dale, Tell -- ing their tale, + } + ring = \lyricmode { + Gay -- ly they ring, While peo -- ple sing + song of good cheer, Christ -- mas is here! + } + song = \lyricmode { + Ding, dong, ding, dong, That is their song, + With joy -- ful ring, All car -- ol -- ign. + } + send = \lyricmode { + On, on they send, on with -- out end + their joy -- ful tone to ev’ -- ry home. + } + +% Die Textaufteilungen + + sopranText = \lyrics { + \override LyricText #'self-alignment-X = #CENTER + %<+hier den Text für den Sopran eintragen+> + Heark! how the bells, sweet sil -- ver bells, + All seem to say “Throw cares a -- way” + Christ -- mas is here Bring -- ing good cheer + To young and old, Meek and the bold, + \song + \words + \pound + \ring + Mer -- ry, mer -- ry, mer -- ry, mer -- ry Christ -- mas! + Mer -- ry, mer -- ry, mer -- ry, mer -- ry Christ -- mas! + \send + Heark! how the bells, sweet sil -- ver bells, + All seem to say “Throw cares a -- way” + dong + Ding, dong, ding, dong. + } + + altText = \lyrics { + \override LyricText #'self-alignment-X = #CENTER + %<+hier den Text für den Alt eintragen+> + Ding, dong, ding, dong, + Ding, dong, ding, dong + \words + \pound + \ring + Ding, ding, dong, + Ding, ding dong, + Ding, dong, ding, ding, dong, + dong + Ding, dong, ding, dong. + } + + tenorText = \lyrics { + \override LyricText #'self-alignment-X = #CENTER + %<+hier den Text für den Tenor eintragen+> + Ding, dong, ding, dong + \words + O, how hap -- py are their tones, + \ring + \song + Ding, dong, ding, ding, + dong, + \send + } + + bassText = \lyrics { + \override LyricText #'self-alignment-X = #CENTER + %<+hier den Text für den Baß eintragen+> + \words + \pound + \ring + Ding, dong, ding, dong, + Ding, dong, ding, ding, dong, + dong + Bohm! + } + diff --git a/hr/stch/fertig/deep/a.midi b/hr/stch/fertig/deep/a.midi Binary files differnew file mode 100644 index 0000000..a21232d --- /dev/null +++ b/hr/stch/fertig/deep/a.midi diff --git a/hr/stch/fertig/deep/b.midi b/hr/stch/fertig/deep/b.midi Binary files differnew file mode 100644 index 0000000..c521ca7 --- /dev/null +++ b/hr/stch/fertig/deep/b.midi diff --git a/hr/stch/fertig/deep/deep.ly b/hr/stch/fertig/deep/deep.ly new file mode 100644 index 0000000..efc8657 --- /dev/null +++ b/hr/stch/fertig/deep/deep.ly @@ -0,0 +1,70 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "stimmen.ly" +\include "texte.ly" + +\pointAndClickOff + + \header { + title = "Deep River" + composer = "Norman Luboff" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + %#(set-global-staff-size 17) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \sopranMelodie } + %\addlyrics { \sopranText } + >> + + alt = << + \new Voice = "alti" { \altMelodie } + %\addlyrics { \altText } + >> + + ten = << + \new Voice = "tenoere" { \tenorMelodie } + \addlyrics { \tenorText } + >> + + bas = << + \new Voice = "baesse" { \bassMelodie } + \addlyrics { \bassText } + >> + + \score { + \new ChoirStaff \with {} << + %\new Staff = sopran { \global \sop } + %\new Staff = alt { \global \alt } + \new Staff = tenor { \global \ten } + %\new Staff = bass { \global \bas } + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/stch/fertig/deep/dynArt.ly b/hr/stch/fertig/deep/dynArt.ly new file mode 100644 index 0000000..0948121 --- /dev/null +++ b/hr/stch/fertig/deep/dynArt.ly @@ -0,0 +1,51 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + s1\p + s1 + s1^\markup{ \italic "poco cresc." } + s2 s2\> + s1\! + s1 + s1*2 + \bar "||" + s1\p + s1*4 + s1*3 + \bar "||" + s8\f s4^\markup{ \italic "cresc. poco a poco" } s8 s2 + s1*2 + s2 s2\ff + s1*4 + s2 s2\fermata + \bar "||" + s1\p + s4 s2 s4\< + s4 s4\! s2 + s4 s4^\markup{ \italic "rit." } s4 s4^\markup{ \italic "ten." } + s1 + s2 s4.^\markup{ \italic "ten." } s8 + s1 + s2 s4.\fermata s8 + \override BreathingSign #'text = \markup{ \musicglyph #"scripts.rvarcomma" } + s8^\markup{ \italic "rit." } s8 s4 s8 s8^\markup{ \italic "ten." } \breathe s4 + s4 s2.\fermata + \bar "|." + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/fertig/deep/midi.lua b/hr/stch/fertig/deep/midi.lua new file mode 100644 index 0000000..b12fb9a --- /dev/null +++ b/hr/stch/fertig/deep/midi.lua @@ -0,0 +1,51 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { + \unfoldRepeats +]] + +post=[[ + \midi { + \context{ + \Score + tempoWholesPerMinute = #(ly:make-moment 100 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/fertig/deep/s.midi b/hr/stch/fertig/deep/s.midi Binary files differnew file mode 100644 index 0000000..a01e16d --- /dev/null +++ b/hr/stch/fertig/deep/s.midi diff --git a/hr/stch/fertig/deep/stimmen.ly b/hr/stch/fertig/deep/stimmen.ly new file mode 100644 index 0000000..a068f78 --- /dev/null +++ b/hr/stch/fertig/deep/stimmen.ly @@ -0,0 +1,142 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key des \major + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + %\autoBeamOff + } + +% Die Stimmen + + sopranMelodie = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + r1 + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + r1 + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + aes2 ~ aes8( ges8 f4) + ges4 ges2 ges4 + aes4 aes4 des4. bes8 + aes4 aes4( ges4) ~ ges4 + aes2( a4 bes4) + bes4 ges4 bes4. bes8 + bes8 aes8 bes4 bes8 bes8 aes8 ges8 + f4 f2. + \bar "||" + \break + f1 + ges1 + aes2 bes4 des4 + c4 aes4 ges2 + aes2 a4 bes4 + bes4 ges4 bes2 + bes4 aes4 bes4 ges4 + f4( ges4 f2) + \bar "||" + \break + bes8 bes4 c8 des8( c8) bes4 + aes4( f2) aes8 aes8 + bes4( des4) c4( bes4) + aes4( f2) aes4 + des2( a4) bes4 + bes4( ges2) bes4 + aes2. c4 + bes1 ~ + bes2( g2\fermata) + \bar "||" + \break + aes2 ~ aes8( ges8 f4) + ges4 ges2 ges4 + aes4 aes4 des4. bes8 + aes4 aes4( ges4) ~ ges4 + aes2( a4 bes4) + ges4 ges4 g4. g8 + bes8 aes8 bes4 bes8 bes8 aes8 ges8 + f4 f4( fes4.\fermata) fes8 + f8 bes8 aes4 g8 g8 ges8 ges8 + f4 f2.\fermata + \bar "|." + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + des,2 ~ des8( des8 des4) + ges4 ges2 ges4 + aes4 aes4 bes4. bes8 + f4 f4( ees4 aes4) + des2( c4)( bes8)( aes8) + ges4 ges4 g4. g8 + aes8 aes8 aes4 aes8 aes8 aes8 aes8 + des,4 des2. + \bar "||" + \break + des1 + ges1 + aes2 bes2 + f2 ees4 aes4 + des2( c4)( bes8)( aes8) + ges2 g2 + aes2 aes2 + des,1 + \bar "||" + \break + bes''8 bes4 bes8 bes4 bes4 + f4( f,2) f'8 f8 + bes4( aes4) g4( ges4) + f4( f,2) aes4 + des2( c4) bes8( aes8) + ges2. g4 + aes2. a4 + bes2( aes2)( + g2)( ees2\fermata) + \bar "||" + \break + des2 ~ des8( des8 des4) + ges4 ges2 ges4 + aes4 aes4 bes4. bes8 + f4 f4( ees4 aes4) + des2( c4)( bes8)( aes8) + ges4 fes4 ees4. ees8 + f8 f8 f4 f8 f8 f8 f8 + des4 des4( ges4.\fermata) ges8 + aes8 ges8 fes4 ees8 ees8 aes8 aes8 + des,4 des2.\fermata + \bar "|." + } + >> + } + diff --git a/hr/stch/fertig/deep/t.midi b/hr/stch/fertig/deep/t.midi Binary files differnew file mode 100644 index 0000000..8b91f6b --- /dev/null +++ b/hr/stch/fertig/deep/t.midi diff --git a/hr/stch/fertig/deep/texte.ly b/hr/stch/fertig/deep/texte.ly new file mode 100644 index 0000000..8010338 --- /dev/null +++ b/hr/stch/fertig/deep/texte.ly @@ -0,0 +1,52 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + +% Die Textaufteilungen + + commonI = \lyricmode { + Deep Riv -- er, + my home is o -- ver Jor -- dan + Deep Riv -- er, Lord, + I want to cross o -- ver in -- to camp ground. + } + + commonII = \lyricmode { + Oh don’t you want to go + to that Gos -- pel feast + that prom -- ised land + where all is peace. + } + + commonIII = \lyricmode { + Deep Riv -- er + my home is o -- ver Jor -- dan + Deep Riv -- er Lord + I want to cross o -- ver in -- to camp ground + I want to cross o -- ver in -- to camp ground. + } + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + \commonI + Oo _ _ _ _ _ _ _ Oo _ _ _ _ _ _ _ _ _ _ + \commonII + \commonIII + } + + bassText = \lyricmode { + %<+hier den Text für den Baß eintragen+> + \commonI + Oo _ _ _ _ _ _ Oo _ _ _ _ _ + \commonII + \commonIII + } + diff --git a/hr/stch/fertig/dicta/dicta.ly b/hr/stch/fertig/dicta/dicta.ly new file mode 100644 index 0000000..b6d2518 --- /dev/null +++ b/hr/stch/fertig/dicta/dicta.ly @@ -0,0 +1,87 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "stimmen.ly" +\include "texte.ly" + +\pointAndClickOff + + \header { + title = "Gloriosa dicta sunt Nr. 2" + subtitle = "Communio an Mariæ Empfängnis - 8. Dezember" + composer = "Vytautas Miškinis" + %opus = "<+Werk+>" + tagline = \markup { + \musicglyph #"scripts.segno" + \musicglyph #"noteheads.shufnagel.virga" + \musicglyph #"scripts.upedalheel" + \musicglyph #"pedal.d" + \musicglyph #"pedal.e" + \musicglyph #"scripts.dpedalheel" + \musicglyph #"noteheads.shufnagel.virga" + \musicglyph #"pedal.e" + \musicglyph #"scripts.dpedalheel" + \musicglyph #"timesig.C44" + \musicglyph #"clefs.petrucci.c3_change" + \musicglyph #"scripts.flageolet" + \dynamic r + } + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 14) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + \addlyrics { \sopranText } + >> + + alt = << + \new Voice = "alti" { \global \altMelodie } + \addlyrics { \altText } + >> + + ten = << + \new Voice = "tenoere" { \global \tenorMelodie } + \addlyrics { \tenorText } + >> + + bas = << + \new Voice = "baesse" { \global \bassMelodie } + \addlyrics { \bassText } + >> + + \score { + \new ChoirStaff \with { printPartCombineTexts = ##f + beamExceptions = #'() + } << + \new Staff = sopran { \sop } + \new Staff = alt { \alt } + \new Staff = tenor { \ten } + \new Staff = bass { \bas } + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/stch/fertig/dicta/dynArt.ly b/hr/stch/fertig/dicta/dynArt.ly new file mode 100644 index 0000000..325b3af --- /dev/null +++ b/hr/stch/fertig/dicta/dynArt.ly @@ -0,0 +1,215 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + s1 + s1 + s1 + s1 + s1 + \break + % + s1 + s1 + s1 + s1 + s1 + \break + % + s1^\markup{ \italic "cresc. molto" } + s1 + s1 + s1 + s1 + s1 + \bar "||" + \pageBreak + % + \key d \major + s1\mp + s1 + s2.\< s4\f + s1 + s2.\< s4\ff + \break + % + s4 s2\> s4\f^\markup{ \italic "dim. poco a poco" } + s2. s4\mf + s2. s4\mp + s1 + s4\p s4 s4\fermata s4\> + \breathe + \bar "||" + \break + % + s2\! s8 s8\> s4 + s2\mp s8 s8\> s4 + s1\! + s4\fermata s2\> s4\! + \bar "|." + } + + mpesp = \markup{ \dynamic "mp" \italic " espr."} + % mfesp = \markup{ \center-align \line { \dynamic "mf" \italic " espr."} } + mfesp = \markup{ \dynamic "mf" \italic " espr."} + ris = \markup{ \italic "risoluto poco a poco" } + +% articulation + + oberArt = { + \dynamicUp + s1 + s1 + s1 + s1 + s1 + \break + % + s1 + s1 + s1 + s1 + s1 + \break + % + s1 + s1 + s4 s2.\f + s4 s2.^\markup{ \italic "dim." } + s1 + s1 + \bar "||" + \pageBreak + % + \key d \major + s1 + s1 + s1 + s1 + s1 + \break + % + s1 + s1 + s1 + s1 + s1 + \bar "||" + \break + % + s2\mp s2 + s1 + s1 + s1 + \bar "|." + } + + sopranArt = << \oberArt { + \tempo "Moderato" 4=60 + s1^\mpesp + s1\p + s1 + s1 + s1\mp + s1 + s1 + s1 + s1^\ris + s1 + s1^\ris + s1 + s4 s2.^\markup{ \italic "allargando" } + s1 + s1 + s1^\markup{ \italic "poco rit." } + % + s1^\markup{ \italic "più mosso ma leggiero" } + s1*6 + s1^\markup{ \italic "rit." } + s1*2 + % + s1^\markup{ \italic "Tempo I" } + s1 + s8^\markup{ \italic "Lento" } s8\p s2 s4 + s1 + } >> + + altArt = << \oberArt { + s1\p + s1 + s1^\mpesp + s1\p + s1 + s1 + s1 + s1 + s1 + s1 + s1 + s1 + s1 + s1 + s1 + s1 + % + s1*10 + % + s1 + s1 + s4 s8 s8\p s2 + s1 + } >> + + tenorArt = << \oberArt { + s1\p + s1^\mpesp + s1\p + s1 + s8 s8\mp s2. + s1 + s1 + s1 + s1 + s1 + s1 + s1 + s1 + s1 + s1 + s1 + % + s1*10 + % + s1 + s1 + s4 s8 s8\p s2 + s1 + } >> + + bassArt = { + s1\p + s1 + s1 + s1^\mpesp + s1 + s1 + s1 + s1 + s1 + s2. s8 \once \override Staff.TextScript #'extra-offset = #'(8 . 0) \once \override Staff.TextScript #'self-alignment-X = #RIGHT s8^\mfesp + s1 + s1 + s1\f + s1^\markup{ \italic "dim." } + s1 + s1 + % + s1*10 + % + s1\mf + s1 + s4 s8 s8\p s2 + s1 + } + diff --git a/hr/stch/fertig/dicta/midi.lua b/hr/stch/fertig/dicta/midi.lua new file mode 100644 index 0000000..8aef7d6 --- /dev/null +++ b/hr/stch/fertig/dicta/midi.lua @@ -0,0 +1,53 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { + << + \unfoldRepeats +]] + +post=[[ + >> + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 100 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/fertig/dicta/stimmen.ly b/hr/stch/fertig/dicta/stimmen.ly new file mode 100644 index 0000000..89cbaf6 --- /dev/null +++ b/hr/stch/fertig/dicta/stimmen.ly @@ -0,0 +1,184 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key a \major + \override Staff.TimeSignature #'style = #'() + \time 4/4 + %\autoBeamOff + } + +% Die Stimmen + + sopranMelodie = \relative c'' { + << + { \meta } + \sopranArt + %the actual tune + { + a16 b16 cis8 ~ cis8 a8 gis8 a8 e4 + a4 a4 gis4 gis4 + a4 a4 a4 b4 + cis4 a4 e'4 e4 + a,16 b16 cis8 ~ cis8 a8 a16 b16 cis8 ~ cis8 a8 + a16 b16 cis8 ~ cis8 a8 a16 b16 cis8 ~ cis8 a8 + b8 a8 a4 b8 a8 a4 + b8 a8 a4 b8 a8 b4 + cis4. a8 b8 cis8 ~ cis8 a8 + b8 cis8 ~ cis8 a8 b8 cis8 ~ cis4 + a4 a4 b4 b4 + cis4 cis4 d4 d4 + r4 a'4 g4 e4 + r4 cis4 b4 g4 + r4 e2 e4 + e1 + % + fis8 fis4. e8 fis8 g8 g8 + a8 a4. d8 cis8 b8 b8 + a4 a2 a4 + fis'8 e8 d2 a4 + fis'8 e8 g2 a4 + g4 fis2 fis4 + e4 d2 d4 + cis4 b2 b4 + a4 g2 g4 + fis4 e4 e2 + % + fis16 g16 a8 ~ a8 fis8 e8 d8 e4 + fis16 g16 a8 ~ a8 fis8 e8 d8 e4 + r8 fis8 e2 fis4 ~ + fis1 + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + \altArt + %the actual tune + { + e4 e4 e4 e4 + e4 e4 fis4 e4 + fis16 e16 d8 ~ d8 fis8 fis8 e8 e4 + d4 d4 a'4 gis4 + e4 e4 e4 e4 + e4 e4 e4 e4 + fis4 fis4 e4 e4 + d4 d4 d4 e4 + e4 e4 d4 d4 + e4 e4 fis4 fis4 + e4 e4 fis4 fis4 + gis4 gis4 a4 a4 + r4 cis4 d4 b4 + r4 a4 g4 e4 + r4 cis2 cis4 + c1 + % + d8 d4. d8 d8 d8 d8 + e8 e4. fis8 fis8 fis8 fis8 + e4 e2 a4 + a8 a8 g2 a4 + a8 a8 b2 cis4 + a2 a4 a4 + fis2 fis4 fis4 + d2 d4 d4 + d2 d4 d4 + cis2 b2 + % + d8 d8 d8 d8 d8 d8 cis4 + d8 d8 d8 d8 b8 b8 b4 + r4 r8 d8 d2 + d1 + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + \tenorArt + %the actual tune + \clef "treble_8" + { + cis4 cis4 cis4 cis4 + a16 b16 cis8 ~ cis8 a8 b8 cis8 cis4 + b4 a4 b4 a4 + a4 b4 d4 b4 + r8 a16 b16 cis8 a8 ~ a8 a16 b16 cis8 a8 ~ + a8 a16 b16 cis8 a8 ~ a8 a16 b16 cis8 a8 ~ + a4 b8 a8 a4 b8 a8 + a4 b8 a8 a4 gis4 + a4 a4 a4 a4 + a4 a4 a4 a4 + cis4 cis4 d4 d4 + e4 e4 fis4 fis4 + r4 e4 a4 g4 + r4 e4 d4 b4 + r4 a2 a4 + g1 + % + a8 a4. a8 a8 b8 b8 + cis8 cis4. d8 d8 e8 d8 + d4 cis2 a4 + d8 cis8 b2 a4 + d8 cis8 d2 e4 + fis2 fis4 cis4 + d2 d4 a4 + b2 b4 b4 + b2 b4 b4 + a2 g2 + % + a8 a8 a8 a8 b8 b8 b4 + a8 a8 a8 a8 g8 g8 g4 + r4 r8 b8 a2 + a1 + } + >> + } + + bassMelodie = \relative c' { + << + { \meta } + \bassArt + %the actual tune + \clef bass + { + a4 a4 gis4 gis4 + fis4 fis4 e4 e4 + d4 d4 cis4 cis4 + b16 cis16 d8 ~ d8 fis8 fis8 e8 e4 + a4 a4 gis4 gis4 + fis4 fis4 e4 e4 + d4 d4 cis4 cis4 + b4 b4 e4 e4 + a,4 a4 b4 b4 + cis4 cis4 d4 d8 a'8 + b8 cis8 ~ cis8 a8 b8 cis8 ~ cis8 a8 + b8 cis8 ~ cis8 a8 b8 cis8 ~ cis8 d8 + cis2. d4 + e,2. d4 + a1 ~ + a4 a4 b4 c4 + % + d8 d4. cis8 d8 e8 e8 + fis8 fis4. b8 a8 g8 g8 + a4 a2 a4 + d,8 d8 d2 a'4 + d,8 d8 a'2 a4 + d2 cis4 fis,4 + b2 a4 d,4 + g2 fis4 fis4 + e2 e4 e4 + a,2 a2 + % + d16 e16 fis8 ~ fis8 d8 g8 g8 a4 + d,16 e16 fis8 ~ fis8 d8 b8 b8 a4 + r4 r8 g'8 g2 + d1 + } + >> + } + diff --git a/hr/stch/fertig/dicta/texte.ly b/hr/stch/fertig/dicta/texte.ly new file mode 100644 index 0000000..7c64510 --- /dev/null +++ b/hr/stch/fertig/dicta/texte.ly @@ -0,0 +1,100 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + + Glo = \lyricmode { + Glo -- ri -- o -- sa, + } + + glo = \lyricmode { + glo -- ri -- o -- sa, + } + + Dicta = \lyricmode { + Glo -- ri -- o -- sa dic -- ta sunt, + } + + dicta = \lyricmode { + glo -- ri -- o -- sa dic -- ta sunt, + } + + Sunt = \lyricmode { + Dic -- ta sunt, + } + + sunt = \lyricmode { + dic -- ta sunt + } + + m = \lyricmode { + Ma -- ri -- a, + } + + inter = \lyricmode { + Ma -- ri -- a: + qui -- a fe -- cit ti -- bi, + qui -- a fe -- cit ti -- bi mag -- na + qui pot -- ens est, + qui pot -- ens est, + \m \m \m \m + } + + finis = \lyricmode { + \Dicta + \dicta + Ma -- ri -- a. + } + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + \Dicta + \glo \glo \glo + \glo \glo \glo \dicta dic -- ta sunt, + \Sunt dic -- ta de te, + \m \m \m + te \m te \m \m + \m + \inter + qui pot -- ens est. + \finis + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + \Glo \glo + \dicta + \glo \glo \glo + glo -- ri -- o -- sa \sunt de te, + \m te, \m te \m te \m + \m \m + \inter + Ma -- ri -- a. + \finis + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + \Glo + \dicta + \glo \glo + \glo \glo \glo \dicta + dic -- ta sunt, \sunt de te, + \m te, \m te \m te \m + \m \m + \inter + Ma -- ri -- a. + \finis + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + \Glo \glo \glo + \dicta \glo \glo glo -- ri -- o -- sa \sunt de te, \m te, \m + \m \m \m \m de te, de te, de te, + \inter + Ma -- ri -- a. + \finis + } + diff --git a/hr/stch/fertig/down/a5/down.ly b/hr/stch/fertig/down/a5/down.ly new file mode 100644 index 0000000..2cb17df --- /dev/null +++ b/hr/stch/fertig/down/a5/down.ly @@ -0,0 +1,98 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.18" +\include "dynArt.ly" +\include "../stimmen.ly" +\include "../texte.ly" + +\pointAndClickOff + + \header { + title = "Down to the River to Pray" + composer = "Traditional" + arranger = "Philip Lawson" + %opus = "<+Werk+>" + tagline = \markup { + %\bold "studentenchor" + } + } + + \paper { + #(set-paper-size "a5") + line-width = \paper-width - 20 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + print-page-number = #'f + page-count = 5 + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 14) + + sop = << + \set Staff.instrumentName = "Frauenstimmen" + \set Staff.shortInstrumentName = "F" + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + %\new NullVoice { s4 s2*98 \pageBreak } + \new Voice = "soprane" { \global \sopranMelodie } + >> + + alt = << + \set Staff.instrumentName = "Alt" + \set Staff.shortInstrumentName = "A" + \new Voice = "alti" { \global \altMelodie } + >> + + ten = << + \set Staff.instrumentName = "Tenor" + \set Staff.shortInstrumentName = "T" + \new Voice = "tenoere" { \global \tenorMelodie } + >> + + ban = << + \set Staff.instrumentName = "Bariton" + \set Staff.shortInstrumentName = "Bn" + \new Voice = "baritone" { \global \baritoneMelodie } + >> + + bas = << + \set Staff.instrumentName = "Baß" + \set Staff.shortInstrumentName = "B" + \new Voice = "baesse" { \global \bassMelodie } + >> + + \score { + \new ChoirStaff \with { printPartCombineTexts = ##f } << + \new Staff = sopran { \sop } + \new Lyrics \lyricsto soprane \sopranText + %\new Staff = alt { \alt } + %\new Lyrics \lyricsto alti \altText + \new Staff = tenor { \ten } + \new Lyrics \lyricsto tenoere \tenorText + \new Staff = baritone { \ban } + \new Lyrics \lyricsto baritone \baritoneText + \new Staff = bass { \bas } + \new Lyrics \lyricsto baesse \bassText + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + \context { \Staff + \RemoveEmptyStaves + \override VerticalAxisGroup.remove-first = ##t + } + } + } + diff --git a/hr/stch/fertig/down/a5/down_landscape.ly b/hr/stch/fertig/down/a5/down_landscape.ly new file mode 100644 index 0000000..535928f --- /dev/null +++ b/hr/stch/fertig/down/a5/down_landscape.ly @@ -0,0 +1,89 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.18" +\include "dynArt.ly" +\include "../stimmen.ly" +\include "../texte.ly" + +\pointAndClickOff + + \header { + title = "Down to the River to Pray" + composer = "Traditional" + arranger = "Philip Lawson" + %opus = "<+Werk+>" + tagline = \markup { + %\bold "studentenchor" + } + } + + \paper { + #(set-paper-size "a5" 'landscape) + line-width = \paper-width - 20 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + print-page-number = #'f + page-count = 4 + system-count = 12 + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 12) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + %\new NullVoice { s4 s2*98 \pageBreak } + \new Voice = "soprane" { \global \sopranMelodie } + >> + + alt = << + \new Voice = "alti" { \global \altMelodie } + >> + + ten = << + \new Voice = "tenoere" { \global \tenorMelodie } + >> + + ban = << + \new Voice = "baritone" { \global \baritoneMelodie } + >> + + bas = << + \new Voice = "baesse" { \global \bassMelodie } + >> + + \score { + \new ChoirStaff \with { printPartCombineTexts = ##f } << + \new Staff = sopran { \sop } + \new Lyrics \lyricsto soprane \sopranText + %\new Staff = alt { \alt } + %\new Lyrics \lyricsto alti \altText + \new Staff = tenor { \ten } + \new Lyrics \lyricsto tenoere \tenorText + \new Staff = baritone { \ban } + \new Lyrics \lyricsto baritone \baritoneText + \new Staff = bass { \bas } + \new Lyrics \lyricsto baesse \bassText + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + \context { \Staff + \RemoveEmptyStaves + \override VerticalAxisGroup.remove-first = ##t + } + } + } + diff --git a/hr/stch/fertig/down/a5/dynArt.ly b/hr/stch/fertig/down/a5/dynArt.ly new file mode 100644 index 0000000..8e87c22 --- /dev/null +++ b/hr/stch/fertig/down/a5/dynArt.ly @@ -0,0 +1,103 @@ +%some settings% vim: ai sw=2 lbr nu et + + vbreak = { + \break % unless landscape + } + wbreak = { + \break % unless landscape short + } + + meta = { + %(dynamic) marks global to all voices + %\override Staff.TimeSignature #'style = #'() + \dynamicUp + \key aes \major + \time 2/4 + \partial 4 + \tempo "Folky (in one)" 2 = 72 + s4\mp + s2*8 + % 9 + \wbreak + s2*8 + % 17 + \break + s2\mp + s2*7 + % 25 + \wbreak + s2*8 + % 33 + \break + s2*9 + % 42 + \vbreak + s2*8 + % 50 + \break + s2*8 + % 58 + \vbreak + s2*8 + % 66 + \break + s2*9 + % 75 + \vbreak + s2*8 + % 83 + \break + s2*16 + % 99 + \break + s2*9 + \vbreak + s2*8 + % 116 + \break + s2^\markup{ \italic "cresc." } + s2*7 + s2\mp + s2*5 + s2\> + s2 + \break + s2\! + s2*8 + \vbreak + s2*6 + s2\< + s2 + \break + s2\mf + s2*7 + \vbreak + s2*4 + s2*2 + \break + s2^\markup{ \italic "dim." } + s2*5 + \break + s2*7 + \vbreak + s2*4 + s2^\markup{ \italic "rit." } + s2*2 + s8 s4\> s16. s32\! + \bar "|." + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/fertig/down/down-page-1.svg b/hr/stch/fertig/down/down-page-1.svg new file mode 100644 index 0000000..fa00e29 --- /dev/null +++ b/hr/stch/fertig/down/down-page-1.svg @@ -0,0 +1,1740 @@ +<svg xmlns="http://www.w3.org/2000/svg" xmlns:xlink="http://www.w3.org/1999/xlink" version="1.2" width="210.00mm" 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a/hr/stch/fertig/down/down-page3.png b/hr/stch/fertig/down/down-page3.png Binary files differnew file mode 100644 index 0000000..9d063d1 --- /dev/null +++ b/hr/stch/fertig/down/down-page3.png diff --git a/hr/stch/fertig/down/down-page4.png b/hr/stch/fertig/down/down-page4.png Binary files differnew file mode 100644 index 0000000..43145e5 --- /dev/null +++ b/hr/stch/fertig/down/down-page4.png diff --git a/hr/stch/fertig/down/down.ly b/hr/stch/fertig/down/down.ly new file mode 100644 index 0000000..06d48e0 --- /dev/null +++ b/hr/stch/fertig/down/down.ly @@ -0,0 +1,84 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.18" +\include "dynArt.ly" +\include "stimmen.ly" +\include "texte.ly" + +\pointAndClickOff + + \header { + title = "Down to the River to Pray" + composer = "Traditional" + arranger = "Philip Lawson" + %opus = "<+Werk+>" + tagline = \markup { + %\bold "studentenchor" + } + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 17) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + >> + + alt = << + \new Voice = "alti" { \global \altMelodie } + >> + + ten = << + \new Voice = "tenoere" { \global \tenorMelodie } + >> + + ban = << + \new Voice = "baritone" { \global \baritoneMelodie } + >> + + bas = << + \new Voice = "baesse" { \global \bassMelodie } + >> + + \score { + \new ChoirStaff \with { printPartCombineTexts = ##f } << + \new Staff = sopran { \sop } + \new Lyrics \lyricsto soprane \sopranText + %\new Staff = alt { \alt } + %\new Lyrics \lyricsto alti \altText + \new Staff = tenor { \ten } + \new Lyrics \lyricsto tenoere \tenorText + \new Staff = baritone { \ban } + \new Lyrics \lyricsto baritone \baritoneText + \new Staff = bass { \bas } + \new Lyrics \lyricsto baesse \bassText + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + \context { \Staff + \RemoveEmptyStaves + \override VerticalAxisGroup.remove-first = ##t + } + } + } + diff --git a/hr/stch/fertig/down/down.ps b/hr/stch/fertig/down/down.ps Binary files differnew file mode 100644 index 0000000..6b3c4b5 --- /dev/null +++ b/hr/stch/fertig/down/down.ps diff --git a/hr/stch/fertig/down/dynArt.ly b/hr/stch/fertig/down/dynArt.ly new file mode 100644 index 0000000..4b0a043 --- /dev/null +++ b/hr/stch/fertig/down/dynArt.ly @@ -0,0 +1,67 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + %\override Staff.TimeSignature #'style = #'() + \dynamicUp + \key aes \major + \time 2/4 + \partial 4 + \tempo "Folky (in one)" 2 = 72 + s4\mp + s2*16 + \break + s2\mp + s2*15 + \break + s2*17 + \break + s2*16 + \break + s2*17 + \break + s2*16 + \break + s2*17 + \break + s2^\markup{ \italic "cresc." } + s2*7 + s2\mp + s2*5 + s2\> + s2 + \break + s2\! + s2*14 + s2\< + s2 + \break + s2\mf + s2*7 + \break + s2*4 + s2*2 + s2^\markup{ \italic "dim." } + s2*5 + \break + s2*11 + s2^\markup{ \italic "rit." } + s2*2 + s8 s4\> s16. s32\! + \bar "|." + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/fertig/down/midi.lua b/hr/stch/fertig/down/midi.lua new file mode 100644 index 0000000..8aef7d6 --- /dev/null +++ b/hr/stch/fertig/down/midi.lua @@ -0,0 +1,53 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { + << + \unfoldRepeats +]] + +post=[[ + >> + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 100 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/fertig/down/stimmen.ly b/hr/stch/fertig/down/stimmen.ly new file mode 100644 index 0000000..c7912b6 --- /dev/null +++ b/hr/stch/fertig/down/stimmen.ly @@ -0,0 +1,599 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.18" + + global = { + %\autoBeamOff + } + + went = \relative c'' { + << + { + aes4 aes8 aes8 aes8 aes8 aes4 aes4 + } + { + ees4 ees8 ees8 ees8 ees8 ees4 ees4 + } + >> + r4 + << + { + bes'8 bes8 bes8 c8 bes4 aes4 c4 bes8( aes8) aes4 + } + { + f8 f8 f8 aes8 f4 ees4 aes4 f8( ees8) ees4 + } + >> + << + { + \voiceOne + f8( ees8) + } + \new Voice { + \voiceTwo + des4 + } + >> + \oneVoice + } + + choir = \markup{ \italic "Stagger breathing" } + +% Die Stimmen + + sopranMelodie = \relative c'' { + << + { \meta } + %\sopranArt + %the actual tune + { + r4 + R2*49 + << + { + bes2\mp^\choir ~ bes4 aes4 c2 bes8 aes4. ~ aes2 ~ aes2 ~ aes2 ~ aes2 + bes2 ~ bes4 aes4 c2 bes8 aes4. aes4 aes8 e8 aes8 aes8 + } + { + g2 ~ g4 f4 aes2 f8 ees4. ~ ees2 ~ ees2 ~ ees2 ~ ees2 + g2 ~ g4 f4 aes2 f8 ees4. ees4 ees8 ees8 ees8 ees8 + } + >> + r4 R2 R2 + r4 ees4\mf ees4 f4 + \went + << + { + ees4 c4 ees4. f8 aes4 c4 c8( bes8) aes4 bes2 aes8 aes4 f8 ees2 ~ ees4 + } + { + c4 aes4 c4. des8 ees4 aes4 aes8( f8) ees4 f2 f8 f4 f8 ees2 ~ ees4 + } + >> + r4 + % 83 + << + { + bes'2 bes4 aes4 c4 ees4 + } + { + ees,2 ees4 ees4 aes4 aes4 + } + >> + << + { + \voiceOne + bes8( aes4.) + } + \new Voice { + \voiceTwo + ees2 + } + >> + \oneVoice + << + { + c'4 bes4 aes2 aes8 aes4. + } + { + aes4 f4 f2 f8 f4. + } + >> + << + { + \voiceOne + f8( ees4.) + } + \new Voice { + \voiceTwo + c2 + } + >> + \oneVoice + << + { + bes'2 bes4 aes4 c4 ees4 + } + { + ees,2 ees4 ees4 aes4 aes4 + } + >> + << + { + \voiceOne + bes8( aes4.) + } + \new Voice { + \voiceTwo + ees2 + } + >> + \oneVoice + << + { + c'4 bes8 aes8 aes8 aes8 + } + { + aes4 f8 ees8 ees8 ees8 + } + >> + << + { + \voiceOne + f8( ees8) + } + \new Voice { + \voiceTwo + des4 + } + >> + \oneVoice + ees2 ~ ees2 + r4 ees4\p ees4 f4 + \went + << + { + ees4 c4 ees4. f8 aes4 c4 c8( bes8) aes4 bes2 aes8 aes4 f8 ees2 ~ ees4 + } + { + c4 c4 c4. des8 ees4 aes4 aes8( f8) ees4 f2 f8 f4 des8 c2 ~ c4 + } + >> + r4 + << + { + bes'2 bes4 aes4 c4 ees4 + } + { + ees,2 ees4 ees4 aes4 aes4 + } + >> + << + { + \voiceOne + bes8( aes4.) + } + \new Voice { + \voiceTwo + ees2 + } + >> + \oneVoice + << + { + c'8 bes4. aes4 aes8 f8 aes8 aes8 aes4 + } + { + aes8 f4. f4 f8 f8 f8 f8 f4 + } + >> + << + { + \voiceOne + f8( ees4.) + } + \new Voice { + \voiceTwo + c2 + } + >> + \oneVoice + << + { + bes'8 bes4. bes4 aes4 c4 ees4 + } + { + ees,8 ees4. ees4 ees4 aes4 aes4 + } + >> + << + { + \voiceOne + bes8( aes4.) + } + \new Voice { + \voiceTwo + ees2 + } + >> + \oneVoice + << + { + c'4 bes8 aes8 aes8 aes8 + } + { + aes4 f8 ees8 ees8 ees8 + } + >> + << + { + \voiceOne + f8( ees8) + } + \new Voice { + \voiceTwo + des4 + } + >> + \oneVoice + << + { + ees2 ~ ees2 + } + { + c2 ~ c2 + } + >> + R2*17 + << + { + bes'2( ~ bes4 aes4 c2) bes8( aes4. ~ aes2) aes2 ~ aes2 aes2 + bes2( ~ bes4 aes4 c2) bes8( aes4.) aes4 aes8 aes8 aes8 aes8 + } + { + g2( ~ g4 f4 aes2) f8( ees4. ~ ees2) ees2 ~ ees2 ees2 + g2( ~ g4 f4 aes2) f8( ees4.) ees4 ees8 ees8 ees8 ees8 + } + >> + << + { + \voiceOne + f8( ees8) + ees2 ~ ees2 + R2 R2 r4 + ees4\p ees4 f4 + } + \new Voice { + \voiceTwo + ees4 + ees2 ~ ees2 ~ ees2 ~ ees2 ~ ees2 ~ ees2 + } + >> + \oneVoice + << + { + aes4 aes8 aes8 aes8 aes8 aes4 aes2 + bes8 bes8 bes8 c8 bes4 aes4 c4 bes8( aes8) aes4 f8( ees8) ees4 c4 ees4. f8 aes4 f4 aes4 c4 bes2 aes8 aes4 f8 ees2 ~ ees2\fermata + } + %{ + s2*11 + s2^\markup{ \italic "rit."} + s2*2 + s8 s4\> s16. s32\! + %} + >> + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + r1 + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + { + \clef "treble_8" + r4 + R2*32 + r4 ees,4\mp ees4 f4 aes4 aes8 aes8 aes8 aes8 aes4 aes2 + bes8 bes8 bes8 c8 bes4 aes4 c4 bes8( aes8) aes4 f8( ees8) ees4 c4 ees4. f8 aes4 f4 aes4 c4 bes2 aes8 aes4 f8 ees2 ~ ees4 r4 bes'2 bes4 aes4 c4 ees4 bes8( aes4.) c4 bes4 aes2 aes8 aes4. ees2 bes'8 bes4. bes4 aes4 c4 ees4 bes8( aes4.) c4 bes8 aes8 aes8 aes8 f8( ees8) ees2 ~ ees2 + R2 R2 + c'4\mf c8 c8 c8 c8 c4 c4 r4 des8 des8 des8 ees8 des4 c4 ees4 des8( c8) c4 bes8( aes8) aes4 f4 aes4. bes8 c4 ees4 ees8( des8) c4 des2 des8 des4 des8 c2 ~ c4 r4 + bes2 bes4 c4 ees4 ees4 des8( c4.) ees4 des4 des2 des8 des4. aes2 + bes2 bes4 c4 ees4 ees4 des8( c4.) ees4 des8 des8 des8 des8 des4 ees2 ~ ees2 + R2 R2 + << + { + c4\p c8 c8 c8 c8 c4 c4 + } + { + aes4 aes8 aes8 aes8 aes8 aes4 aes4 + } + >> + r4 + << + { + des8 des8 des8 ees8 des4 c4 ees4 des8( c8) c4 bes8( aes8) aes4 aes4 aes4. bes8 c4 ees4 ees8( des8) c4 des2 des8 des4 aes8 aes2 ~ aes4 + } + { + bes8 bes8 bes8 c8 bes4 aes4 c4 bes8( aes8) aes4 f8( ees8) ees4 c4 ees4. f8 aes4 c4 c8( bes8) aes4 bes2 aes8 aes4 f8 ees2 ~ ees4 + } + >> + r4 + << + { + bes'2 bes4 c4 ees4 ees4 + } + { + g,2 g4 aes4 c4 c4 + } + >> + << + { + \voiceOne + des8( c4.) + } + \new Voice { + \voiceTwo + aes2 + } + >> + \oneVoice + << + { + ees'8 des4. des4 des8 des8 des8 des8 des4 + } + { + c8 bes4. aes4 aes8 f8 aes8 aes8 aes4 + } + >> + << + { + \voiceOne + aes2 + } + \new Voice { + \voiceTwo + f8( ees4.) + } + >> + \oneVoice + << + { + bes'8 bes4. bes4 c4 ees4 ees4 + } + { + g,8 g4. g4 aes4 c4 c4 + } + >> + << + { + \voiceOne + des8( c4.) + } + \new Voice { + \voiceTwo + aes2 + } + >> + \oneVoice + << + { + ees'4 des8 des8 des8 des8 bes8( aes8) aes2 ~ aes2 + { R2 R2 } + ees'2\p^\markup{ (Oo) } ~ ees2 ~ ees2 ~ ees2 ~ ees2 ~ ees2 ~ ees2 + f2 ~ f2 ~ f2 ~ f2 ~ f2 ~ f2 ~ f2 ~ f2 + ees2( ~ ees4 des4 c2) c2 ~ c2 des2 ~ des2 des2 + ees2( ~ ees4 des4 c2) c2 c4 bes8 aes8 aes8 aes8 aes4 + aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 + } + { + c4 bes8 aes8 aes8 aes8 f8( ees8) ees2 ~ ees2 + { \dynamicDown \stemDown ees2\p^\choir ~ ees2 ~ } \stemNeutral \dynamicNeutral ees2 ~ ees2 ~ ees2 ~ ees2 ~ ees2 ~ ees2 ~ ees2 + des2 ~ des2 ~ des2 ~ des2 ~ des2 ~ des2 ~ des2 ~ des2 + ees2^\markup{""} ~ ees2 ~ ees2 ees2 ~ ees2 f2 ~ f2 f2 + ees2 ~ ees2 ~ ees2 ees2 ees4 des8 des8 des8 des8 des4 des2 ~ des2 ~ des2 ~ des2 ~ des2 ~ des2 + } + >> + } + >> + } + + baritoneMelodie = \relative c { + << + { \meta } + %\tenorArt + %the actual tune + { + \clef "bass" + r4 + R2*131 + r4 ees4\mp ees4 f4 aes4 aes8 aes8 aes8 aes8 aes4 aes2 + bes8 bes8 bes8 c8 bes4 aes4 c4 bes8( aes8) aes4 f8( ees8) ees4 c4 ees4. f8 aes4 f4 aes4 c4 bes2 aes8 aes4 f8 ees2 ~ ees2 + bes'2 bes4 aes4 c4 ees4 bes8( aes4.) c4 bes4 aes2 aes8 aes4. f8( ees4.) + bes'2 bes4 aes4 c4 ees4 bes8( aes4.) c4 bes8 aes8 aes8 aes8 f8( ees8) ees2 ~ ees2 ~ ees2 ~ ees2 ~ ees2 ~ ees2 + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + ees4 ees4 f4 aes4 aes8 aes8 aes8 aes8 aes4 aes2 bes8 bes8 bes8 c8 bes4 aes4 c4 bes8( aes8) aes4 f8( ees8) ees4 c4 ees4. f8 aes4 f4 aes4 c4 bes2 aes8 aes4 f8 ees2 ~ ees4 r4 + %{ + << + { + bes'2 bes4 aes4 c4 ees4 bes8( aes4.) c4 bes4 aes2 aes8 aes4. \voiceOne f8( ees4.) \oneVoice bes'2 bes4 aes4 c4 ees4 bes8( aes4.) c4 bes8 aes8 aes8 aes8 f8( ees8) ees2 ~ ees2 + } + \new Voice { + g2 g4 f4 aes4 c4 f,8 ees4. aes4 f4 f2 ees8 ees4. \voiceTwo c2 \oneVoice g'2 g4 f4 aes4 c4 f,8 ees4. f4 f8 ees8 ees8 ees8 des4 ees2 ~ ees2 + } + >> + %} + << + { + bes'2 bes4 aes4 c4 ees4 bes8( aes4.) c4 bes4 aes2 aes8 aes4. + } + { + g2 g4 f4 aes4 c4 f,8 ees4. aes4 f4 f2 ees8 ees4. + } + >> + << + { + \voiceOne f8( ees4.) + } + \new Voice { + \voiceTwo c2 + } + >> + \oneVoice + << + { + bes'2 bes4 aes4 c4 ees4 bes8( aes4.) c4 bes8 aes8 aes8 aes8 + } + { + g2 g4 f4 aes4 c4 f,8 ees4. f4 f8 ees8 ees8 ees8 + } + >> + << + { + \voiceOne + f8( ees8) + } + \new Voice { + \voiceTwo + des4 + } + >> + \oneVoice + << + { + ees2 ~ ees2 + } + { + ees2 ~ ees2 + } + >> + R2 R2 + << + { + ees2^\choir ~ ees2 ~ ees2 ~ ees2 ~ ees2 ~ ees2 ~ ees2 + des2 ~ des2 ~ des2 ~ des2 ~ des2 ~ des2 ~ des2 ~ des2 + ees2 ~ ees2 ~ ees2 ~ ees2 ~ ees2 + f2 ~ f2 ~ f2 + ees2 ~ ees2 ~ ees2 ~ ees2 des4 des8 des8 des8 des8 + } + { + aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 + aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 aes4 aes8 aes8 aes8 aes8 + } + >> + r4 R2 R2 + R2*35 + << + { + ees'4\p ees8 ees8 ees8 ees8 ees4 ees4 + } + { + c4 c8 c8 c8 c8 c4 c4 + } + >> + r4 + << + { + f8 f8 f8 aes8 f4 ees4 aes4 f8( ees8) ees4 des4 c4 f4 c4. des8 ees4 aes4 aes8( f8) ees4 f2 f8 f4 des8 c2 ~ c4 + } + { + des8 des8 des8 ees8 des4 c4 ees4 des8( c8) c4 bes4 aes4 f4 aes4. bes8 c4 ees4 ees8( des8) c4 des2 des8 des4 bes8 aes2 ~ aes4 + } + >> + r4 + << + { + ees'2 ees4 ees4 aes4 aes4 + } + { + bes,2 bes4 c4 ees4 aes4 + } + >> + << + { + \voiceOne + f8( ees4.) + } + \new Voice { + \voiceTwo + aes,2 + } + >> + \oneVoice + << + { + aes'8 f4. f4 f8 f8 f8 f8 f4 ees2 + ees8 ees4. ees4 ees4 aes4 aes4 + } + { + ees8 des4. des4 des8 des8 des8 des8 des4 c2 + bes8 bes4. bes4 c4 ees4 aes4 + } + >> + << + { + \voiceOne + f8( ees4.) + } + \new Voice { + \voiceTwo + aes,2 + } + >> + \oneVoice + << + { + aes'4 f8 f8 f8 f8 des4 c2 ~ c2 + } + { + ees4 des8 des8 des8 des8 bes4 aes2 ~ aes2 + } + >> + aes2\p^\choir ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 + aes2 ~ aes2 ~ aes2 aes2 ~ aes2 aes2 ~ aes2 aes2 + aes2 ~ aes2 ~ aes2 aes2 aes4 aes8 aes8 aes8 aes8 aes4 + aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 ~ aes2 + } + >> + } + + %{ + << + { + \voiceOne + } + \new Voice { + \voiceTwo + } + >> + \oneVoice + << + { + } + { + } + >> + %} + % TODO: dynamics diff --git a/hr/stch/fertig/down/texte.ly b/hr/stch/fertig/down/texte.ly new file mode 100644 index 0000000..832bd54 --- /dev/null +++ b/hr/stch/fertig/down/texte.ly @@ -0,0 +1,117 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + + olim = \lyricmode { + As I went down in the riv -- er to pray, + stud -- y -- in’ a -- bout that good old way + and who shall wear + } + + cmon = \lyricmode { + let’s go down, + let’s go down, + come on down. + } + + river = \lyricmode { + let’s go down, + down in the riv -- er to pray. + } + + sugg = \lyricmode { + let’s go down, + come on down, + don’t you wan -- na go down? + } + + show = \lyricmode { + Good Lord, show me the way. + } + + robe = \lyricmode { + the robe and crown, + } + + star = \lyricmode { + the star -- ry crown, + } + +% Die Textaufteilungen % -- _ + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + Oo _ _ _ _ + _ _ _ _ _ + down in the riv -- er + \olim \star + \show + Oh, fa -- thers, \cmon + Oh, fa -- thers, \river + \olim \robe + \show + Oh, moth -- ers, \sugg + Come on, moth -- ers, \river + % + Oh, down, down, down. + Oh, down, down in the riv -- er to pray. + \olim \robe + \show + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + \olim \robe + \show + Oh, broth -- ers, \cmon + Come on, broth -- ers, \river + down in the riv -- er to pray, + stud -- y -- in’ a -- bout that good old way + and who shall wear \star + \show + Oh, fa -- thers, \cmon + Oh, fa -- thers, \river + down in the riv -- er to pray, + stud -- y -- in’ a -- bout that good old way + and who shall wear \robe + \show + Oh, moth -- ers, \sugg + Come on, moth -- ers, \river + % + Oo _ + Oh, down, down, down. + Oh, down, down in the riv -- er to pray. + } + + baritoneText = \lyrics { + %<+hier den Text für den Bariton eintragen+> + \olim \star + \show + Oh, sin -- ners, \cmon + Oh, sin -- ners, \river + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + \olim \star + \show + Oh, sis -- ters, \cmon + Oh, sis -- ters, \river + Mm_(or_Oo) (Oo) + down in the riv -- er + down in the riv -- er to pray, + stud -- y -- in’ a -- bout that good old way + and who shall wear \robe + \show + Oh, moth -- ers, \sugg + Come on, moth -- ers, \river + % + Oo + Oh, down, down, down. + Oh, down, down in the riv -- er to pray. + } + diff --git a/hr/stch/fertig/edel/alt/edel.ps b/hr/stch/fertig/edel/alt/edel.ps Binary files differnew file mode 100644 index 0000000..72fd816 --- /dev/null +++ b/hr/stch/fertig/edel/alt/edel.ps diff --git a/hr/stch/fertig/edel/alt/edel_.ps b/hr/stch/fertig/edel/alt/edel_.ps Binary files differnew file mode 100644 index 0000000..3b8748c --- /dev/null +++ b/hr/stch/fertig/edel/alt/edel_.ps diff --git a/hr/stch/fertig/edel/edel.ly b/hr/stch/fertig/edel/edel.ly new file mode 100644 index 0000000..09c89be --- /dev/null +++ b/hr/stch/fertig/edel/edel.ly @@ -0,0 +1,80 @@ +% vim: encoding=utf8 nu + +\version "2.12.1" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Von edler Art" + composer = "Johannes Brahms" + } + + #(set-global-staff-size 18) + + \paper { + %system-count = 4 + ragged-last-bottom = ##f + foot-separation = 7\mm + bottom-margin = 7\mm + top-margin = 7\mm + head-separation = 4\mm + print-page-number = ##f + %between-system-padding = 10\mm + after-title-space = 7\mm + page-top-space = 0\mm + line-width = 170\mm + } + + \midi { + %\tempo 4 = 72 + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-2 . 2) + } + \context { + \Voice + \override TextScript #'padding = #1.0 + } + } + + cpap = \markup {\italic {cresc. poco a poco}} + rit = \markup {\italic {rit.}} + + \score { + \new ChoirStaff << + \new Staff = sopran << + \new Voice = "meta" { \metaDynamics } + \new Voice = "Dyn" { \sopranDyn } + \new Voice = "soprane" { \global \sopranMelodie } + \lyricsto soprane \sopranText + \lyricsto soprane \oberTextZwei + \lyricsto soprane \oberTextDrei + >> + \new Staff = alt << + \new Voice = "meta" { \metaDynamics } + \new Voice = "alti" { \global \altMelodie } + \lyricsto alti \altText + \lyricsto alti \oberTextZwei + \lyricsto alti \oberTextDrei + >> + \new Staff = tenor << + \new Voice = "meta" { \metaDynamics } + \new Voice = "tenoere" { \global \tenorMelodie } + \lyricsto tenoere \tenorText + \lyricsto tenoere \oberTextZwei + \lyricsto tenoere \oberTextDrei + >> + \new Staff = bass << + \new Voice = "meta" { \metaDynamics } + \new Voice = "baesse" { \global \bassMelodie } + \lyricsto baesse \bassText + \lyricsto baesse \bassTextZwei + \lyricsto baesse \bassTextDrei + >> + >> + } + diff --git a/hr/stch/fertig/edel/edel.ps b/hr/stch/fertig/edel/edel.ps Binary files differnew file mode 100644 index 0000000..f374178 --- /dev/null +++ b/hr/stch/fertig/edel/edel.ps diff --git a/hr/stch/fertig/edel/stimmen.ly b/hr/stch/fertig/edel/stimmen.ly new file mode 100644 index 0000000..7ed3cfe --- /dev/null +++ b/hr/stch/fertig/edel/stimmen.ly @@ -0,0 +1,63 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + +global = { + \key f \major + \time 4/4 +} + +% markups + + pc = \markup {\italic {poco cresc.}} + cpap = \markup {\italic {cresc. poco a poco}} + rit = \markup {\italic {rit.}} + +% Die Stimmen + + metaDynamics = { + \set hairpinToBarline = ##f + \dynamicUp + s1*5 s1^\pc s1*2 s2\< s4\! s4 s4 s2.\> \pageBreak + s1\! s2. s4\< s4 s4\! s2^\cpap s1*3 + s4\< s4\! s2\> s2^\rit s4\! s4 \bar "|." + } + + sopranDyn = { + \set hairpinToBarline = ##f + \dynamicUp + s1 s1\p s2\< s4\! s4 s2\< s2\> s4 s4\< s2\> s2.\! s4\< s2\> s2\! + s4 s2.\< s1\! s1 s4\p s4\< s2\> s1\! s1 s1 s1 s4 s4\f s2 s1 s1 + } + + + sopranMelodie = \relative c'' { + r1 f2 e4 d4 c4 bes4 a4^>( ~ a8 g8( f8( g8 ) ) ) e4 d2 + r4 d'4 c4 d4 e2 r4 e4 f4 d4 c2 r4 c4 d4 e4 + a,4 a4 c4.( bes8( a8( bes8 ) ) ) g4 f2 r4 f4 g4 a4 d,2 r4 a'4 + bes4 c4 a4 r8 a8 d4 d4 c4 f4 e4 d4 cis2 r4 a4 c4 c4 + d4 f4 e8.( d16( c8( bes8( a8( g16( f16 ) ) ) ) ) ) g4 f2 + } + + altMelodie = \relative c'' { + r2 c2 bes4 aes4 ges4 f4 e4( d4( cis4 ) ) d4( ~ d4. cis8 ) d2 + r4 f4 g4 f4 e4 g4 a4 e4 d8( f4( g8( a2 ) ) ) r4 e4 g4 e4 + f2 e4 d4 ~ d4 e4 f2 r2 e2 d4 bes4 c4 f4 + f4 g4 f4 ees4 f4 f4 g4 a4 g4 g4 e2 r4 f4 g4 g4 + bes4 f4 a4( e4 ~ e8.( f16 ) ) f8( e8 ) f2 + } + + tenorMelodie = \relative c'' { + f2 e4 c4 d4 c4 c4 a4 g2 r2 r2 r4 a4 + bes4 a4 g8( c4( b8( c2 ) ) ) r4 c4 a4 bes4 c4 f4 e4( c4 ~ c8( bes8 ) ) c4 + a2 a4 f4 ~ f4 c'4 a2 d2 c4 a4 bes2 r4 c4 + d4 c4 c4 c4 a4 a4 g4 c4 c4 bes4 a4 e'4 f2 e2 + f4 d4 c4( a8( g8( c8.( a16 ) ) ) ) c4 a2 + } + + bassMelodie = \relative c { + \clef bass + f2 a4 a4 bes4 f4 c4 d4 e4 g4 a4( bes4 ~ bes8( g8 ) ) a4 d,2 + r4 d4 e4 d4 c2 r4 a4 d4 bes4 f'2 a2 g4 c,4 + d2 a4 bes4 ~ bes4 c4 f2 r1 bes2 a4 f4 + d4 e4 f4 a4 d,4 d4 e4 f4 c4 g'4 a4 a4 d4 d4 c4 c4 + bes4 bes,4 c2 ~ c4 c4 f,2 + } diff --git a/hr/stch/fertig/edel/texte.ly b/hr/stch/fertig/edel/texte.ly new file mode 100644 index 0000000..18a753a --- /dev/null +++ b/hr/stch/fertig/edel/texte.ly @@ -0,0 +1,133 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + +% Die Textaufteilungen + + art = \lyricmode { + Von ed -- ler Art, + } + + bart = \lyricmode { + von ed -- ler Art, + } + + zart = \lyricmode { + auch rein und zart, + } + + kron = \lyricmode { + bist du ein Kron, + } + + ar = \lyricmode { + der ich mich han er -- ge -- ben gar, glaub mir fürwahr; _ + } + + herz = \lyricmode { + das Herz in mir kränkt sich nach dir, + } + + ehr = \lyricmode { + da -- rum ich b'gehr auf all dein Ehr: + hilf mir, ich hab nicht Tro -- stes mehr. + } + + + sopranText = \lyrics { + \art \zart \kron \ar + \herz \ehr + } + + altText = \lyrics { + \sopranText + } + + tenorText = \lyrics { + \sopranText + } + + bassText = \lyrics { + \art \bart \zart \kron \ar + \herz \ehr + } + + + tu = \lyricmode { + Wie ich ihm tu, + } + + tuba = \lyricmode { + wie ich ihm tu, + } + + ruh = \lyricmode { + hab ich kein Ruh, + } + + alt = \lyricmode { + ohn dein Ge -- stalt, die mich mit G'walt + } + + at = \lyricmode { + ge -- fan -- gen hat: Herz -- lieb, gib Rat, + } + + versieh = \lyricmode { + des ich mich doch zu dir ver -- sieh + } + + iel = \lyricmode { + in Hoff -- nung viel, nit mehr ich will, + al -- lein setz mir ein gna -- digs Ziel. + } + + oberTextZwei = \lyrics { + \tu \ruh \alt \at + \versieh \iel + } + + bassTextZwei = \lyrics { + \tu \tuba \ruh \alt \at + \versieh \iel + } + + + bist = \lyricmode { + Seit du die bist, + } + + baßt = \lyricmode { + seit du die bist, + } + + List = \lyricmode { + gen der ich List + } + + ol = \lyricmode { + nit brau -- chen soll, das weißt du wohl: + } + + erz = \lyricmode { + ohn al -- len Scherz will dir mein Herz + } + + treuen = \lyricmode { + in Treu -- en sein, da -- rum ich dein + } + + ag = \lyricmode { + kein Stund im Tag vor Leid und Klag, + auch rech -- ter Lieb ver -- ges -- sen mag. + } + + + oberTextDrei = \lyrics { + \bist \List \ol \erz + \treuen \ag + } + + bassTextDrei = \lyrics { + \bist \baßt \List \ol \erz + \treuen \ag + } + diff --git a/hr/stch/fertig/emanuel/dynArt.ly b/hr/stch/fertig/emanuel/dynArt.ly new file mode 100644 index 0000000..dad4f68 --- /dev/null +++ b/hr/stch/fertig/emanuel/dynArt.ly @@ -0,0 +1,30 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + \repeat unfold 3 { + s1*4 + \break + s1*3 + \break + s1*4 + \pageBreak + } + \bar "|." + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/fertig/emanuel/emanuel.ly b/hr/stch/fertig/emanuel/emanuel.ly new file mode 100644 index 0000000..7c832fd --- /dev/null +++ b/hr/stch/fertig/emanuel/emanuel.ly @@ -0,0 +1,88 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "stimmen.ly" +\include "texte.ly" + +\pointAndClickOff + + \header { + title = "Enatus est Emanuel (Geborn ist uns Immanuel)" + composer = "Michael Prætorius" + %opus = "<+Werk+>" + tagline = \markup { + \musicglyph #"scripts.segno" + \musicglyph #"noteheads.shufnagel.virga" + \musicglyph #"scripts.upedalheel" + \musicglyph #"pedal.d" + \musicglyph #"pedal.e" + \musicglyph #"scripts.dpedalheel" + \musicglyph #"noteheads.shufnagel.virga" + \musicglyph #"pedal.e" + \musicglyph #"scripts.dpedalheel" + \musicglyph #"timesig.C44" + \musicglyph #"clefs.petrucci.c3_change" + \musicglyph #"scripts.flageolet" + \dynamic r + } + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 18) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + \addlyrics { \sopranText } + %\addlyrics { \sopB } + >> + + alt = << + \new Voice = "alti" { \global \altMelodie } + \addlyrics { \altText } + %\addlyrics { \altB } + >> + + ten = << + \new Voice = "tenoere" { \global \tenorMelodie } + \addlyrics { \tenorText } + %\addlyrics { \tenB } + >> + + bas = << + \new Voice = "baesse" { \global \bassMelodie } + \addlyrics { \bassText } + %\addlyrics { \basB } + >> + + \score { + \new ChoirStaff \with { printPartCombineTexts = ##f } << + \new Staff = sopran { \sop } + \new Staff = alt { \alt } + \new Staff = tenor { \ten } + \new Staff = bass { \bas } + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/stch/fertig/emanuel/midi.lua b/hr/stch/fertig/emanuel/midi.lua new file mode 100644 index 0000000..8aef7d6 --- /dev/null +++ b/hr/stch/fertig/emanuel/midi.lua @@ -0,0 +1,53 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { + << + \unfoldRepeats +]] + +post=[[ + >> + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 100 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/fertig/emanuel/stimmen.ly b/hr/stch/fertig/emanuel/stimmen.ly new file mode 100644 index 0000000..2ab8279 --- /dev/null +++ b/hr/stch/fertig/emanuel/stimmen.ly @@ -0,0 +1,196 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key f \major + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + \autoBeamOff + } + +% Die Stimmen + + sopranMelodie = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + f2 c'8 c8 c8 c8 + d4 bes4 c2 + f2 d2 + c1 + f8 e8 d8 c8 d8 d8 c4 + a2 bes2 + c1 + f,4 g4 a8.[ bes16 c8] a8 + bes8 g8 f8 e8 f8.[ g16 a8] a8 + bes4 g4 f4 e4 + f1 + % + R1 + R1 + c'2. b4 + c1 + R1 + c2 d2 + g,1 + f4 g4 a8.[ bes16 c8] a8 + bes8 g8 f8 e8 f8.[ g16 a8] a8 + bes4 g4 f4 e4 + f1 + % + r4 f4 c'8 c8 c8 c8 + d4 bes4 c2 + f2 d2 + c1 + f8 e8 d8 c8 d8 d8 c4 + a2 bes2 + c1 + f,4 g4 a8.[ bes16 c8] a8 + bes8 g8 f8 e8 f8.[ g16 a8] a8 + bes4 g4 f4 e4 + f1 + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + r4 f4 f8 f8 e8 f8 + bes,4 d4 c8[ d8] e4 + a2 g2 + g1 + a8 g8 f8 e8 f8 g8 c,4 + f2. f4 + e1 + d4 e4 f4. f8 + f8 e8 d8[ c16 bes16 c8] c8 c8 f8 + f4 e4 d8[ c16 bes16 c8] c8 + c1 + % + R1 + R1 + a'2 g2 + e1 + R1 + f2. d4 + e1 + d4 e4 f4. f8 + f8 e8 d8[ c16 bes16 c8] c8 c8 f8 + f4 e4 d8[ c16 c16 d8] d8 + c1 + % + r4 c4 c8 g'8 f8 e8 + g4 g4 g2 + f2 f2 + f1 + a8 g8 f8 e8 g8 g8 e4 + f2. f4 + e1 + d4 e4 f4. f8 + f8 e8 d8[ c16 bes16 c8] c8 c8 f8 + f4 e4 d8[ c16 bes16 c8] c8 + c1 + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + R1 + R1 + c2. b4 + c4. d8 e2 + R1 + c4 d2 d4 + g,2 c2 + a4 bes4 c8.[ bes16 a8] c8 + d8 c8 a8 g8 a8.[ bes16 c8] c8 + d8 d8 c8.[ bes16] a8[ g16 f16 g8] g8 + a1 + % + f2 c'8 c8 c8 c8 + d4 bes4 c2 + f2 d2 + c1 + f8 e8 d8 c8 d8 d8 c4 + a2 bes2 + c1 + a4 bes4 c8.[ bes16 a8] c8 + d8 c8 a8 g8 a8.[ bes16 c8] c8 + d8 d8 c8.[ bes16] a8[ g16 f16 g8] g8 + a1 + % + r4 a4 a8 g8 a8 c8 + bes4 d4 c2 + a2 bes2 + a1 + a8 c8 a8 c8 b8 b8 c4 + c2 d2 + g,2 c2 + a4 bes4 c8.[ bes16 a8] c8 + d8 c8 a8 g8 a8.[ bes16 c8] c8 + d8 d8 c8.[ bes16] a8[ g16 f16 g8] g8 + a1 + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + R1 + R1 + f2 g2 + c,1 + R1 + f4. e8 d4 d4 + c1 + d4 g4 f4. f8 + bes,8 c8 d8 g8 f4. f8 + bes,4 c4 d4 c4 + f1 + % + r4 f4 f8 f8 e8 f8 + bes,4 d4 c8[ d8] e4 + f2 g2 + c,2. c'8 bes8 + a8[ g8 f8] e8 f8 g8 a4 + f4. e8 d4 d4 + c1 + d4 g4 f4. f8 + bes,8 c8 d8 g8 f4. f8 + bes,4 c4 d4 c4 + f1 + % + r4 f4 f8 e8 f8 a8 + g4 g4 c,2 + d2 bes2 + f'1 + d8 e8 f8 a8 g8 g8 c,4 + f4. e8 d4 d4 + c1 + d4 g4 f4. f8 + bes,8 c8 d8 g8 f4. f8 + bes,4 c4 d4 c4 + f1 + } + >> + } + diff --git a/hr/stch/fertig/emanuel/texte.ly b/hr/stch/fertig/emanuel/texte.ly new file mode 100644 index 0000000..83ef79d --- /dev/null +++ b/hr/stch/fertig/emanuel/texte.ly @@ -0,0 +1,219 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + + enatus = \lyricmode { + E -- na -- tus est E -- ma -- nu -- el, + } + + dom = \lyricmode { + do -- mi -- nus, + } + + prae = \lyricmode { + quem præ -- di -- xit Ga -- bri -- el, + } + + salve = \lyricmode { + do -- mi -- nus sal -- va -- tor no -- ster est, + sal -- va -- tor no -- ster est. + } + + jacet = \lyricmode { + Hic ja -- cet in præ -- se -- pi -- o, + } + + puer = \lyricmode { + pu -- er ad -- mi -- ra -- bi -- lis, + } + + lux = \lyricmode { + Hæc lux est or -- ta ho -- di -- e, + do -- mi -- nus, + ex Ma -- ri -- a vir -- gi -- ne, + } + + rio = \lyricmode { + Do -- mi -- nus sal -- va -- tor no -- ster est, + sal -- va -- tor no -- ster est. + } + + finis = \lyricmode { + \dom + \salve + \lux + \dom + \rio + } + + geb = \lyricmode { + Ge -- born ist uns Im -- ma -- nu -- el, + } + + chr = \lyricmode { + Christ, der Herr, + } + + gabi = \lyricmode { + wie ver -- kün -- digt Gab -- ri -- el, + } + + hi = \lyricmode { + Christ, der Herr, der un -- ser Hei -- land ist, + der un -- ser Hei -- land ist. + } + + liegt = \lyricmode { + Hier liegt es in dem Krip -- pe -- lein, + } + + wer = \lyricmode { + doch ist Gott dies Kin -- de -- lein, + } + + helle = \lyricmode { + Es leuch -- tet uns ein hel -- ler Schein, + Christ, der Herr, + von Ma -- rie, der Jung -- frau rein, + } + + high = \lyricmode { + Christ, der Herr, + der un -- ser Hei -- land ist, + der un -- ser Hei -- land ist. + } + + ende = \lyricmode { + \chr + \hi + \helle + \chr + \high + } + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + \enatus + \dom + \prae + \dom + \salve + \dom + \finis + } + sopB = \lyrics { + \override LyricText #'font-shape = #'italic + \geb + \chr + \gabi + \chr + \hi + \chr + \ende + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + \enatus _ + \dom + \prae + \dom + \salve + \dom + \finis + } + altB = \lyrics { + \override LyricText #'font-shape = #'italic + \geb _ + \chr + \gabi + \chr + \hi + \chr + \ende + } + + rioTen = \lyricmode { + sal -- va -- tor no -- ster est, + sal -- va -- tor no -- _ ster est. + } + + highTen = \lyricmode { + der un -- ser Hei -- land ist, + der un -- ser Hei -- _ land ist. + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + \dom _ _ + do -- _ mi -- nus, _ + do -- mi -- nus + \rioTen + \jacet + \dom + \puer + \dom + do -- mi -- nus + \rioTen + \lux + \dom _ + Do -- mi -- nus + \rioTen + } + tenB = \lyrics { + \override LyricText #'font-shape = #'italic + \chr _ _ + Christ, _ der Herr, _ + \chr + \highTen + \liegt + \chr + \wer + \chr + \chr + \highTen + \helle + \chr _ + \chr + \highTen + } + + domBas = \lyricmode { + do -- _ _ mi -- nus, + } + + chrBas = \lyricmode { + Christ, _ _ der Herr, + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + \dom + \domBas + \salve + \jacet _ + \dom + \puer + \domBas + \salve + \lux + \domBas + \rio + } + basB = \lyrics { + \override LyricText #'font-shape = #'italic + \chr + \chrBas + \hi + \liegt _ + \chr + \wer + \chrBas + \hi + \helle + \chrBas + \high + } + diff --git a/hr/stch/fertig/evening/alt/evening.ps b/hr/stch/fertig/evening/alt/evening.ps Binary files differnew file mode 100644 index 0000000..72345ba --- /dev/null +++ b/hr/stch/fertig/evening/alt/evening.ps diff --git a/hr/stch/fertig/evening/evening.ly b/hr/stch/fertig/evening/evening.ly new file mode 100644 index 0000000..7a8b0bc --- /dev/null +++ b/hr/stch/fertig/evening/evening.ly @@ -0,0 +1,81 @@ +% vim: nu + +\version "2.12.1" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = \markup \center-align {"Evening Rise" " " " "} + composer = "Satz: Meinhard Ansohn" + } + + #(set-global-staff-size 17) + + \paper { + ragged-last-bottom = ##f + system-count = 2 + top-margin = 15\mm + bottom-margin = 20\mm + left-margin = 32\mm + line-width = 147\mm + head-separation = 6\mm + foot-separation = 15\mm + after-title-space = 10\mm + } + + %\midi { + %\tempo 4=72 + %} + + \layout { + indent = #0 + \context { + % a little smaller so lyrics can be closer to the staff + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3.5 . 3.5) + } + } + + \score { + %\simultaneous + \new ChoirStaff << + \new Staff = oberstimme + << \set Staff.instrumentName = #"Sopran I (6.) " + \new Voice = "xtras" { s1*4 s1*4 \bar "|." } + \new Voice = "soprane" { \global \oberMusic } + \lyricsto soprane \oberWords + >> + \new Staff = melodie + << \set Staff.instrumentName = #"Sopran II (1.) " + \new Voice = "sopraneTwo" { \global \melMusic } + \lyricsto sopraneTwo \melWords + >> + \new Staff = altEins + << \set Staff.instrumentName = #"Alt I (3.) " + \new Voice = "alti" { \global \altAM } + \lyricsto alti \altAW + >> + \new Staff = altZwei + << \set Staff.instrumentName = #"Alt II (2.) " + \new Voice = "altiTwo" { \global \altBM } + \lyricsto altiTwo \altBW + >> + \new Staff = tenor + << \set Staff.instrumentName = #"Tenor (5.) " + \new Voice = "tenoere" { \global \tenorMusic } + \lyricsto tenoere \tenorWords + >> + \new Staff = bass + << \set Staff.instrumentName = #"Baß (4.) " + \new Voice = "baesse" { \global \bassMusic } + \lyricsto baesse \bassWords + >> + >> +% \midi{ +% \context{ +% \Score +% tempoWholesPerMinute = #(ly:make-moment 72 4) +% } +% %\tempo 4=72 +% } + } diff --git a/hr/stch/fertig/evening/evening.midi b/hr/stch/fertig/evening/evening.midi Binary files differnew file mode 100644 index 0000000..d59bd2a --- /dev/null +++ b/hr/stch/fertig/evening/evening.midi diff --git a/hr/stch/fertig/evening/evening_christoph.ly b/hr/stch/fertig/evening/evening_christoph.ly new file mode 100644 index 0000000..6dd49aa --- /dev/null +++ b/hr/stch/fertig/evening/evening_christoph.ly @@ -0,0 +1,82 @@ +% vim: nu + +\version "2.12.1" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = \markup \center-align {"Evening Rise" " " " "} + composer = "Satz: Meinhard Ansohn" + tagline = "" + } + + #(set-global-staff-size 17) + + \paper { + ragged-last-bottom = ##f + system-count = 2 + top-margin = 15\mm + bottom-margin = 20\mm + left-margin = 22\mm + line-width = 167\mm + head-separation = 6\mm + foot-separation = 15\mm + after-title-space = 10\mm + } + + %\midi { + %\tempo 4=72 + %} + + \layout { + indent = #12 + \context { + % a little smaller so lyrics can be closer to the staff + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3.5 . 3.5) + } + } + + \score { + %\simultaneous + \new ChoirStaff << + \new Staff = oberstimme + << \set Staff.instrumentName = #"Sopran I (6.) " + \new Voice = "xtras" { s1*4 s1*4 \bar "|." } + \new Voice = "soprane" { \global \oberMusic } + \lyricsto soprane \oberWords + >> + \new Staff = melodie + << \set Staff.instrumentName = #"Sopran II (1.) " + \new Voice = "sopraneTwo" { \global \melMusic } + \lyricsto sopraneTwo \melWords + >> + \new Staff = altEins + << \set Staff.instrumentName = #"Alt I (3.) " + \new Voice = "alti" { \global \altAM } + \lyricsto alti \altAW + >> + \new Staff = altZwei + << \set Staff.instrumentName = #"Alt II (2.) " + \new Voice = "altiTwo" { \global \altBM } + \lyricsto altiTwo \altBW + >> + \new Staff = tenor + << \set Staff.instrumentName = #"Tenor (5.) " + \new Voice = "tenoere" { \global \tenorMusic } + \lyricsto tenoere \tenorWords + >> + \new Staff = bass + << \set Staff.instrumentName = #"Baß (4.) " + \new Voice = "baesse" { \global \bassMusic } + \lyricsto baesse \bassWords + >> + >> +% \midi{ +% \context{ +% \Score +% tempoWholesPerMinute = #(ly:make-moment 72 4) +% } +% %\tempo 4=72 +% } + } diff --git a/hr/stch/fertig/evening/stimmen.ly b/hr/stch/fertig/evening/stimmen.ly new file mode 100644 index 0000000..d27db04 --- /dev/null +++ b/hr/stch/fertig/evening/stimmen.ly @@ -0,0 +1,43 @@ +% vim: nu + +global = { + \key g \major + \time 4/4 + #(override-auto-beam-setting '(end 1 8 * *) 1 4) + #(override-auto-beam-setting '(end 1 8 * *) 1 2) + #(override-auto-beam-setting '(end 1 8 * *) 3 4) +} + +%Die Stimmen + + oberMusic = \relative c' { + e8(fis)g(a) b4 b8(c) b4 a8(g) a2 d4 d a4. d8 d4 b b2 + b8 c b2 a8(g) a b a2 b8 a g(fis) e4 a g8(fis) fis1 + } + + melMusic = \relative c' { + e4 b' b2 a4 b e,2 g4 g fis g8(fis) e4 b' b2 + e,4 b' b4. b8 a4 b e, e8 fis g4 g fis g8(fis) e1 + } + + altAM = \relative c' { + e4 g fis2 g4 g e2 e4 d d e8 d b4 g'8(fis) dis2 + e4 g fis4. fis8 g4 g8(fis) e2 e4 e d d b1 + } + + altBM = \relative c' { + #(set-accidental-style 'no-reset) + e4 e dis2 d4 d cis2 c4 c d b8 d e4 e fis2 + e4 e dis4. dis8 d4 d cis cis8 cis c4 c d b8(d) e1 + } + + tenorMusic = \relative c' { + e4 e fis2 g8(fis) g(a) b2 c8(b) g4 a g8 a b4 b a2 + g4 e fis4. b8 b4 g b e,8 e e4 g c8(b) a4 b1 + } + + bassMusic = \relative c { + \clef bass + e4 e8(c) b2 d4 b a2 c4 e d2 g8(fis) e4 b2 + e4 e8(d) b4. cis8 d4 g, a2 c4 c d d e1 + } diff --git a/hr/stch/fertig/evening/texte.ly b/hr/stch/fertig/evening/texte.ly new file mode 100644 index 0000000..fb6a5cc --- /dev/null +++ b/hr/stch/fertig/evening/texte.ly @@ -0,0 +1,33 @@ +% vim: encoding=utf8 nu + +%Die Textaufteilungen + + oberWords = \lyrics { + Eve -- ning ri -- ses, spi -- rit come, sun goes down, the day is done. + Mo -- ther Earth a -- wa -- kens me with the heart -- beat of the sea. + } + + melWords = \lyrics { + Eve -- ning rise, spi -- rit come, sun goes down, the day is done. + Mo -- ther Earth a -- wa -- kens me with the heart -- beat of the sea. + } + + altAW = \lyrics { + Eve -- ning rise, spi -- rit come, sun goes down when the day is done. + Mo -- ther Earth a -- wa -- kens me, heart -- beat of the sea. + } + + altBW = \lyrics { + Eve -- ning rise, spi -- rit come, sun goes down when the day is done. + Mo -- ther Earth a -- wa -- kens me with the heart -- beat of the sea. + } + + tenorWords = \lyrics { + Eve -- ning rise, spi -- rit come, sun goes down when the day is done. + Mo -- ther Earth a -- wa -- kens me with the heart -- beat of the sea. + } + + bassWords = \lyrics { + Eve -- ning rise, spi -- rit come, sun goes down, day is done. + Mo -- ther Earth a -- wa -- kens me, heart -- beat of the sea. + } diff --git a/hr/stch/fertig/factus/dynArt.ly b/hr/stch/fertig/factus/dynArt.ly new file mode 100644 index 0000000..36b62e8 --- /dev/null +++ b/hr/stch/fertig/factus/dynArt.ly @@ -0,0 +1,102 @@ +%some settings% vim: ai encoding=utf8 et + + meta = { + %(dynamic) marks global to all voices + } + +% articulation + + ne=\markup{\dynamic mf \italic {nicht eilen} } + + sopranArt = { + \dynamicUp + s2\p s4 s4\> + s1*2 + s2 s2\! + s2\mf s2\> + s1*2 + s2 s2\!\< + s2\! s2\> + s2 s2\! + s1\p + s1\< + s1 + s1 + s2\! s2\< + s1 + s2\!\f s2 + s1 + s1 + s1^\ne + s1 + s4 s2.\> + s1 + s4\! s2.\< + s2 s2\! + s4 s2.\< + s1 + s1\!\f + s1 + s2.\< s4\> + s1 + s2\! s4 s4\mf + s4 s2.\> + s1 + s2... s16\! + } + + altArt = { + \dynamicDown + s1*30 + s1*2 + s4 s4\mf s2 + s1*2 + } + + tenorArt = { + \dynamicUp + s1*30 + s1 + s2 s4 s4\mf + s1*3 + } + + bassArt = { + \dynamicDown + s1 + s1\p\> + s1 + s2 s2\! + s1 + s1\mf\> + s1 + s2 s2\!\< + s2\! s2\> + s2 s2\! + s1\p + s1\< + s1 + s1 + s2\! s2\< + s1 + s1\f + s1 + s1 + s2. s4\mf + s1 + s1\> + s1 + s4\! s2.\< + s1 + s4\! s2.\< + s1 + s1\! + s1 + s2.\f\< s4\> + s1 + s2\! s2 + s4 s4\mf s2\> + s1 + s2 s2\! + } + diff --git a/hr/stch/fertig/factus/factus.ly b/hr/stch/fertig/factus/factus.ly new file mode 100644 index 0000000..1a98baa --- /dev/null +++ b/hr/stch/fertig/factus/factus.ly @@ -0,0 +1,72 @@ +%some settings% vim: ai encoding=utf8 et + +\version "2.12.1" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Graduale: Christus factus est." + composer = "A. Bruckner" + %opus = "<+Werk+>" + %tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + %#(set-global-staff-size 17) + + \score { + \new ChoirStaff << + %\new Lyrics = "sop" { s4 } + \new Staff = "frauen" << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "fPausen" { \global \frauenPausen } + \new Voice = "SopArt" { \global \sopranArt } + \new Voice = "AltArt" { \global \altArt } + \new Voice = "soprane" { \global \voiceOne \sopranMelodie } + \new Voice = "alti" { \global \voiceTwo \altMelodie } + >> + \new Lyrics = "alt" { s4 } + \new Lyrics \with { alignAboveContext = "frauen" } + \lyricsto "sopEnde" \ende + %\context Lyrics = "sop" \lyricsto "sopEnde" \ende + \context Lyrics = "alt" \lyricsto "altEnde" \ende + \lyricsto propterF \propter + \lyricsto soprane \sopranText + %\lyricsto altEnde \ende + \new Lyrics = "t" { s1 } + \new Staff = maenner << + \new Voice = "mPausen" { \global \maennerPausen } + \new Voice = "BassArt" { \global \bassArt } + \new Voice = "TenorArt" { \global \tenorArt } + \new Voice = "tenoere" { \global \voiceOne \tenorMelodie } + \new Voice = "baesse" { \global \voiceTwo \bassMelodie } + >> + \new Lyrics = "b" { s1 } + \context Lyrics = "t" \lyricsto tenEnde \ende + \lyricsto propterM \propter + \context Lyrics = "b" \lyricsto bassEnde \ende + %\lyricsto bassEnde \ende + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + %\layout { + %} + } + diff --git a/hr/stch/fertig/factus/factus.ps b/hr/stch/fertig/factus/factus.ps Binary files differnew file mode 100644 index 0000000..6c488da --- /dev/null +++ b/hr/stch/fertig/factus/factus.ps diff --git a/hr/stch/fertig/factus/stimmen.ly b/hr/stch/fertig/factus/stimmen.ly new file mode 100644 index 0000000..215a23a --- /dev/null +++ b/hr/stch/fertig/factus/stimmen.ly @@ -0,0 +1,260 @@ +%some settings% vim: ai encoding=utf8 et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key f \major + %\override Staff.TimeSignature #'style = #'() + \time 2/2 + } + +% Die Stimmen + + frauenPausen = \relative c'' { + s1*3 + s2 r2 + s1*5 + s2 r2 + s1*8 + s2 r2 + s1*4 + r4 s4*3 s1 + r4 s4*3 s1 + s1*8 \bar "||" + } + + maennerPausen = \relative c { + r1 + s1*2 + s2 r2 + r1 + s1*4 + s2 r2 + s1*8 + s2 r2 + r1 + s1*3 + r4 s2. + s1 + r4 s2. + s1 + r1 + s1*7 + } + + sopranMelodie = \relative c'' { + << + { \meta } + %\sopranArt + %the actual tune + { + c2 bes4( a4) + f2 f2 + f2 e2 + f2 s2 + d'2 c4( bes4) + g2 g2 + g2 fis2 + g2 bes2 + bes2^>( a2) + g2 s2 + %%% -- 11 -- %%% + c1 + g2 g4 g4 + a2 g4 g4 + b2( c2) + b2 b2( + bes2) a2 + f'2 e2 + e4( d4 c4 d4) + e2 s2 + %%% -- 20 -- %%% + \new Voice = "propterF" { + \voiceOne + e4 d4 c4 b4 + a2 b2 + } + c4 c4 b4 b4 + b2 a2 + s4 a4 a4 a4 + bes2 bes2 + s4 c2 c4 + d2 d2 + f2 e4( d4) + c2 bes4( a4) + g4( d'4 c8[ bes8]) a8[( g8]) + f2 e2 + g2^> f2 + \new Voice = "sopEnde" { + \voiceOne + \dynamicUp + bes2 a4( g4) + f2( e2) + f1 + } + } + >> + } + + altMelodie = \relative c'' { + << + { \meta } + %\altArt + %the actual tune + { + a2 g4( f4) + c2 c2 + c2 c2 + c2 s2 + bes'2 a4( g4) + d2 d2 + d2 d2 + d2 g2 + g2( f2) + e2 s2 + %%% -- 11 -- %%% + e1 + e2 e4 e4 + f2 e4 e4 + g1 + g2 gis2( + e2) e2 + a2 a2 + g1 + g2 s2 + %%% -- 20 -- %%% + c4 b4 a4 g4 + fis2 g2 + a4 a4 g4 g4 + g2 fis2 + s4 fis4 fis4 fis4 + g2 g2 + s4 a2 f4 + f2 f2 + d'2 c4( bes4) + a2 g4( f4) + g4( a4 g4) d4 + c2 c2 + c2 c2 + \new Voice = "altEnde" { + \voiceTwo + r2 d4 d4 + c1 + c1 + } + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + s1 + c2 bes4( a4) + g2 g2 + a2 s2 + s1 + d2 c4( bes4) + a2 a2 + bes2 d2 + c1 + c2 s2 + %%% -- Takt 11 -- %%% + c1 + c2 c4 c4 + c2 c4 c4 + d2( e2) + d2 e2( + d2) c2 + d2 c2 + c4( b4 a4 b4) + c2 s2 + %%% -- Takt 20 -- %%% + \autoBeamOff + s1 + d8 d8 d8 d8 d4 d4 + \autoBeamOn + d4 d4 d4 d4 + d2 d2 + s4 d4 d4 d4 + d2 d2 + s4 a2 a4 + bes2 bes2 + s1 + f'2( cis4) d4 + d2. c8( bes8) + a2 g2 + bes2^> a2 + \new Voice = "tenEnde" { + \voiceOne + \dynamicUp + d2 c4( bes4) + a2( g2) + a1 + } + } + >> + } + + bassMelodie = \relative c' { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + s1 + a2 g4( f4) + c2 c2 + f2 s2 + s1 + bes2 a4( g4) + d2 d2 + g2 g2 + e2_>( f2) + c2 s2 + %%% -- 11 -- %%% + c1 + c2 c4 c4 + f2 c4 c4 + g'2( c,2) + g'2 e2( + a2) a2 + f2 fis2 + g1 + c,2 s2 + %%% -- 20 -- %%% + s1 + \new Voice = "propterM" { + \voiceTwo + \autoBeamOff + c'8 c8 c8 c8 b4 b4 + } + fis4 fis4 g4 g4 + d'2 d,2 + s4 d4 d4 d4 + g2 g2 + s4 f2 f4 + bes,2 bes2 + s1 + r1 + bes'4( fis4 g4) bes,4 + c2 c2 + r1 + \new Voice = "bassEnde" { + \voiceTwo + r2 bes4 bes4 + c1 + << + f,1 f'1 + >> + } + } + >> + } + diff --git a/hr/stch/fertig/factus/texte.ly b/hr/stch/fertig/factus/texte.ly new file mode 100644 index 0000000..d4de644 --- /dev/null +++ b/hr/stch/fertig/factus/texte.ly @@ -0,0 +1,34 @@ +%some settings% vim: ai encoding=utf8 et + +% Abkürzungen + +christus = \lyricmode { + Chri -- stus, Chri -- stus fa -- ctus est. + Chri -- stus, Chri -- stus fa -- ctus est pro no -- bis + o -- be -- di -- ens us -- que ad mor -- tem + mor -- tem au -- tem cru -- cis. +} + +propter = \lyrics { + Pro -- pter quod et De -- us +} + +exaltavit = \lyricmode { + ex -- al -- ta -- vit il -- lum, + et de -- dit il -- li, + il -- li no -- men, + quod est su -- per o -- mne no -- men, no -- men, +} + +ende = \lyricmode { + o -- mne no -- men. +} + +% Die Textaufteilungen + + sopranText = \lyrics { + \christus + \exaltavit + no -- men + } + diff --git a/hr/stch/fertig/gaudeamus/a5/gaudeamus.ly b/hr/stch/fertig/gaudeamus/a5/gaudeamus.ly new file mode 100644 index 0000000..be3b322 --- /dev/null +++ b/hr/stch/fertig/gaudeamus/a5/gaudeamus.ly @@ -0,0 +1,67 @@ +%some settings% vim: ai sw=2 lbr nu + +\version "2.18" +%\include "../dynArt.ly" +\include "../stimmen.ly" +\include "../texte.ly" + +\pointAndClickOff + + \header { + title = "Gaudeamus Igitur" + composer = "Satz: Siegfried Müller" + opus = "Studentenlied" + tagline = "" + } + + \paper { + #(set-paper-size "a5") + %page-top-space = 20\mm + line-width = \paper-width - 20 + top-margin = 10\mm + bottom-margin = 10\mm + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 13) + + \score { + \new ChoirStaff << + \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + \addlyrics { \eins } + \addlyrics { \drei } + \addlyrics { \vier } + >> + \new Staff = alt << + \new Voice = "alti" { \global \altMelodie } + %\lyricsto alti \altText + >> + \new Staff = tenor << + \new Voice = "tenoere" { \global \tenorMelodie } + \addlyrics { \eins } + \addlyrics { \drei } + \addlyrics { \vier } + >> + \new Staff = bass << + \new Voice = "baesse" { \global \bassMelodie } + %\lyricsto baesse \bassText + >> + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-mment 72 4) + %} + %} + } + diff --git a/hr/stch/fertig/gaudeamus/gaudeamus.ly b/hr/stch/fertig/gaudeamus/gaudeamus.ly new file mode 100644 index 0000000..8ff7a98 --- /dev/null +++ b/hr/stch/fertig/gaudeamus/gaudeamus.ly @@ -0,0 +1,64 @@ +%some settings% vim: ai sw=2 lbr nu + +\version "2.12.1" +%\include "dynArt.ly" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Gaudeamus Igitur" + composer = "Satz: Siegfried Müller" + opus = "Studentenlied" + tagline = "" + } + + \paper { + %page-top-space = 20\mm + line-width = \paper-width - 30 + top-margin = 10\mm + bottom-margin = 10\mm + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 16) + + \score { + \new ChoirStaff << + \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + \addlyrics { \eins } + \addlyrics { \drei } + \addlyrics { \vier } + >> + \new Staff = alt << + \new Voice = "alti" { \global \altMelodie } + %\lyricsto alti \altText + >> + \new Staff = tenor << + \new Voice = "tenoere" { \global \tenorMelodie } + \addlyrics { \eins } + \addlyrics { \drei } + \addlyrics { \vier } + >> + \new Staff = bass << + \new Voice = "baesse" { \global \bassMelodie } + %\lyricsto baesse \bassText + >> + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-mment 72 4) + %} + %} + } + diff --git a/hr/stch/fertig/gaudeamus/stimmen.ly b/hr/stch/fertig/gaudeamus/stimmen.ly new file mode 100644 index 0000000..fffef60 --- /dev/null +++ b/hr/stch/fertig/gaudeamus/stimmen.ly @@ -0,0 +1,124 @@ +%some settings% vim: ai sw=2 lbr nu +\version "2.12.1" + global = { + \key c \major + \override Staff.TimeSignature #'style = #'() + \time 3/4 + } + + meta = { + %(dynamic) marks global to all voices + \set Timing.beamExceptions = #'() + \set Timing.beatStructure = #'(1 1 1) + \dynamicUp + % bisher nur leere takte + \repeat unfold 4 { + s4*3 + } + \break + \repeat unfold 7 { + s4*3 + } + s4*5 + \bar "||" + } + +% Die Stimmen + + sopranMelodie = \relative c'' { + << + { \meta } + %the actual tune + { + \repeat volta 2 { + c8. g16 g4 c4 + a8. a16 a2 + b8. c16 d4 b4 + c8.( e16) c4 r4 + } + b8. c16 d4 d4 + e8. c16 d4 d4 + b8. c16 d4 d4 + e8. c16 d4 d4 + \break + c8. b16 a8 (f'8) e8 (d8) + e4( d4) c4 + c8. b16 a8 (f'8) e8 (d8) + \time 2/4 g4( b,4) + \time 3/4 c4 r4 r4 + } + >> + } + + altMelodie = \relative c'' { + << + { \meta } + %the actual tune + { + \repeat volta 2 { + g8. e16 e8 (f8) g4 + f8. f16 f4( g4) + f8. g16 a4 g4 + g4 e4 r4 + } + <g d>8. <g a>16 <g b>4 <g b>4 + <g c>8. <g a>16 <g b>4 <g b>4 + <g d>8. <g a>16 <g b>4 <g b>4 + <g c>8. <g a>16 <g b>4 <g b>4 + g8. e16 f8 (a8) g8 (a8) + g4( f4) e4 + g8. e16 f8 (a8) g8 (a8) + \time 2/4 c8( b16 a16 g4) + \time 3/4 g4 r4 r4 + } + >> + } + + tenorMelodie = \relative c'' { + << + { \meta } + %the actual tune + { + \repeat volta 2 { + e8. c16 c4 c4 + c8. c16 c4( cis4) + d8. c16 c8 (f8) e8 (d8) + e8.( c16) g4 r4 + } + b8. c16 d4 d4 + e8. c16 d4 d4 + b8. c16 d4 d4 + e8. c16 d4 d4 + c8. c16 c4 c4 + c4.( b8) c4 + c8. c16 c4 c4 + \time 2/4 e4( d8 f8) + \time 3/4 e4 r4 r4 + } + >> + } + + bassMelodie = \relative c' { + << + { \meta } + %the actual tune + \clef bass + { + \repeat volta 2 { + c8. c,16 c8 (d8) e4 + f8. f16 f4( e4) + d8. e16 f4 g4 + c,4 c4 r4 + } + g'8. <g a>16 <g b>4 <g b>4 + <g c>8. <g a>16 <g b>4 <g b>4 + g8. <g a>16 <g b>4 <g b>4 + <g c>8. <g a>16 <g b>4 <g b>4 + e8. c16 f8 (d8) e8 (f8) + g4.( gis8) a4 + e8. c16 f8 (d8) e8 (f8) + \time 2/4 g4( g,4) + \time 3/4 c4 r4 r4 + } + >> + } diff --git a/hr/stch/fertig/gaudeamus/texte.ly b/hr/stch/fertig/gaudeamus/texte.ly new file mode 100644 index 0000000..47862d5 --- /dev/null +++ b/hr/stch/fertig/gaudeamus/texte.ly @@ -0,0 +1,57 @@ +%some settings% vim: ai sw=2 lbr nu + +% Abkürzungen + + eins = \lyricmode { + Gau -- de -- a -- mus i -- gi -- tur, + iu -- ve -- nes dum su -- mus. + Post iu -- cun -- dam iu -- ven -- tu -- tem, + post mo -- le -- stam se -- ne -- ctu -- tem + nos ha -- be -- bit hu -- mus, + nos ha -- be -- bit hu -- mus. + } + + drei = \lyricmode { + Vi -- ta no -- stra bre -- vis est, + bre -- vi fi -- ni -- e -- tur, + ve -- nit mors ve -- lo -- _ -- ci -- ter, + ra -- pit nos a -- tro -- _ -- ci -- ter, + ne -- mi -- ni par -- ce -- tur, + ne -- mi -- ni par -- ce -- tur. + } + + vier = \lyricmode { + Vi -- vat a -- ca -- de -- mi -- a, + vi -- vant pro -- fes -- so -- res, + vi -- vat mem -- brum quod -- _ -- li -- bet, + vi -- vant mem -- bra, quae -- _ -- li -- bet, + sem -- per sint in flo -- re, + sem -- per sint in flo -- re! + } + +% Die Textaufteilungen + + sopranText = \lyrics { + \eins + \drei + \vier + } + + altText = \lyrics { + \eins + \drei + \vier + } + + tenorText = \lyrics { + \eins + \drei + \vier + } + + bassText = \lyrics { + \eins + \drei + \vier + } + diff --git a/hr/stch/fertig/geh_aus/a.midi b/hr/stch/fertig/geh_aus/a.midi Binary files differnew file mode 100644 index 0000000..584b3ba --- /dev/null +++ b/hr/stch/fertig/geh_aus/a.midi diff --git a/hr/stch/fertig/geh_aus/b.midi b/hr/stch/fertig/geh_aus/b.midi Binary files differnew file mode 100644 index 0000000..9f56211 --- /dev/null +++ b/hr/stch/fertig/geh_aus/b.midi diff --git a/hr/stch/fertig/geh_aus/dynArt.ly b/hr/stch/fertig/geh_aus/dynArt.ly new file mode 100644 index 0000000..27334df --- /dev/null +++ b/hr/stch/fertig/geh_aus/dynArt.ly @@ -0,0 +1,66 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + \tempo "Allegro ma molto moderato." + %\override DynamicTextSpanner #'style = #'none + s4 + s1*4 + s2. s4\mf + %\break + s1\< + s1\> + \break + s4\! s2. + s1*3 + %\break + s1 + s2 s2\> + s2\! s2^\markup { \italic "cresc." } + \break + s1*3 + s2 s2\f + %\break + s1*2 + s1^\markup { \italic "sempre" \dynamic "f" } + s4 s2.^\markup { \italic "rit." } + s2. + \bar "|." + } + +% articulation + + oberArt = { + s4\f + s1*7 + s2. s4\p + s1\< + s1\! + s4-> s2. + s2 s2\< + s1*10 + s2. + } + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + s4 + s4 s4\f s2 + s1*6 + s4 s4\mf s2-> + s2 s2\< + s4 s2.\! + s4 s4\mf s2 + s1*10 + s2. + } + diff --git a/hr/stch/fertig/geh_aus/geh_aus.ly b/hr/stch/fertig/geh_aus/geh_aus.ly new file mode 100644 index 0000000..9e1c25d --- /dev/null +++ b/hr/stch/fertig/geh_aus/geh_aus.ly @@ -0,0 +1,101 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "stimmen.ly" +\include "texte.ly" + +\pointAndClickOff + + \header { + title = "Sommerlied" + subtitle = "Song of Summer" + composer = "Max Bruch" + opus = "Op. 60 No. 2" + tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + system-count = 3 + page-count = 1 + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 16) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { + \transpose c bes, + { + \voiceOne + \sopranMelodie + } + } + % { + \new Voice = "alti" { + \transpose c bes, + { + \voiceTwo + \altMelodie + } + } + % } + >> + + alt = << + \new Voice = "alti" { + \transpose c bes, + \altMelodie + } + >> + + ten = << + \new Voice = "tenoere" { + \transpose c bes, + \tenorMelodie + } + >> + + bas = << + \new Voice = "baesse" { + \transpose c bes, + \bassMelodie + } + \addlyrics { \stzIb } + \addlyrics { \stzIIb } + \addlyrics { \stzIIIb } + \addlyrics { \stzIVb } + >> + + \score { + \new ChoirStaff \with { printPartCombineTexts = ##f } << + \new Staff = sopran { \global \sop } + %\new Lyrics \lyricsto soprane \stzI + %\new Staff = alt { \global \alt } + %\new Lyrics \lyricsto alti \stzII + \new Staff = tenor { \global \ten } + %\new Lyrics \lyricsto tenoere \stzIII + %\new Lyrics \lyricsto tenoere \stzIV + \new Staff = bass { \global \bas } + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/stch/fertig/geh_aus/m.ly b/hr/stch/fertig/geh_aus/m.ly new file mode 100644 index 0000000..9a5bbdc --- /dev/null +++ b/hr/stch/fertig/geh_aus/m.ly @@ -0,0 +1,32 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { + << + \unfoldRepeats + \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + >> + \new Staff = alt << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "alti" { \global \altMelodie } + >> + \new Staff = tenor << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "tenoere" { \global \tenorMelodie } + >> + \new Staff = bass << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "baesse" { \global \bassMelodie } + >> + >> + \midi { + \context{ + \Score + tempoWholesPerMinute = #(ly:make-moment 120 4) + } + } + } diff --git a/hr/stch/fertig/geh_aus/midi.lua b/hr/stch/fertig/geh_aus/midi.lua new file mode 100644 index 0000000..0776208 --- /dev/null +++ b/hr/stch/fertig/geh_aus/midi.lua @@ -0,0 +1,53 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { + << + \unfoldRepeats +]] + +post=[[ + >> + \midi { + \context{ + \Score + tempoWholesPerMinute = #(ly:make-moment 120 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/fertig/geh_aus/s.midi b/hr/stch/fertig/geh_aus/s.midi Binary files differnew file mode 100644 index 0000000..9871738 --- /dev/null +++ b/hr/stch/fertig/geh_aus/s.midi diff --git a/hr/stch/fertig/geh_aus/satb.midi b/hr/stch/fertig/geh_aus/satb.midi Binary files differnew file mode 100644 index 0000000..cbd9ce2 --- /dev/null +++ b/hr/stch/fertig/geh_aus/satb.midi diff --git a/hr/stch/fertig/geh_aus/stimmen.ly b/hr/stch/fertig/geh_aus/stimmen.ly new file mode 100644 index 0000000..8b162d7 --- /dev/null +++ b/hr/stch/fertig/geh_aus/stimmen.ly @@ -0,0 +1,153 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key bes \major + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + %\autoBeamOff + \partial 4 + } + +% Die Stimmen + + sopranMelodie = \relative c'' { + << + { \meta } + \oberArt + %the actual tune + { + g4 + c2. g4 + a4. a8 c4 d4 + e2. e4 + f4. c8 f4 e4 + d4. a8 a4 d4 + c4 b4 b4 c4 + d1 + d2 r4 g,4 + a4. b8 b4 c4 + d2. e4 + d4( c4) r4 c4 + g4. f8 g4 a4 + bes2. c4 + a2 d2 + c4( b4) c4( d4) + e4( d4) c4( d4) + b1 + c2 f2 + e4( d4) e4( f4) + g4( f4) e4( d4) + c1( + d1) + c2.\fermata + } + >> + } + + altMelodie = \relative c' { + << + % { \meta } + % \oberArt + %the actual tune + { + g'4 + g2. e4 + f4. a8 g4 a8( b8) + c2. g4 + a4. a8 c4 a4 + a4. f8 f4 a4 + g4. g8 g4 g4 + g2.( fis4) + g2 r4 d4 + e4. f8 f4 g4 + a4( c4) b2 + b4( c4) r4 e,4 + e4. d8 e4 f4 + f4( d4) e4.( g8) + g4( f4) a2 + g2 a4( b4) + b2 a2 + a4( gis4 fis4 gis4) + a2 a4( d4) + c4( b4) c4( d4) + e4( d4) c4( b4) + a2( c2) ~ + c4( b4 a4 b4) + c2.%\fermata + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + \oberArt + %the actual tune + \clef "treble_8" + { + g4 + e'2. c4 + c4. f8 e4 f4 + g2. c,4 + c4. c8 a4 c4 + f4. d8 d4 f4 + d4 d4 d4 g,4 + b2( a4 c4) + b2 r4 b4 + c4. d8 d4 e4 + f2. g4 + f4( e4) r4 c4 + bes4. c8 bes4 a4 + g2 c2 + c2 f2 + d2 c4( b4) + g'4( f4) e4( f4) + e1 + e2 d2 + g,2 g'2 + g2 g4( f4) + e1( + g2 f2) + e2.\fermata + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + \bassArt + %the actual tune + \clef bass + { + r4 + r4 c4 c'2 ~ + c2. g4 + c,2. c4 + f4. a8 f4 a4 + d,4. f8 f4 d4 + g4 g4 f4 e4 + b4( c4) d2 + r4 g,4 g'2 ~ + g4 g4 g2 ~ + g1 + r4 c,4 c'2 ~ + c1 ~ + c2 c,2 + f2 d2 + g2. g4 + e4( g4) a4( d,4) + e1 + a2 d,2 + g2. f4 + e4( g4) c4( g4) + a1( + g1) + c,2.\fermata + } + >> + } + diff --git a/hr/stch/fertig/geh_aus/t.midi b/hr/stch/fertig/geh_aus/t.midi Binary files differnew file mode 100644 index 0000000..fc46633 --- /dev/null +++ b/hr/stch/fertig/geh_aus/t.midi diff --git a/hr/stch/fertig/geh_aus/texte.ly b/hr/stch/fertig/geh_aus/texte.ly new file mode 100644 index 0000000..4433649 --- /dev/null +++ b/hr/stch/fertig/geh_aus/texte.ly @@ -0,0 +1,113 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + + stzI = \lyrics { + \set stanza = "1." + Geh’ aus, mein Herz, und su -- che Freud + in die -- ser lie -- ben Som -- mer -- zeit, + an dei -- nes Got -- tes Ga -- ben! + Schau an der schö -- nen Gär -- ten Zier, + und sie -- he, wie sie dir und mir + sich aus -- ge -- schmü -- cket ha -- ben, + sich aus -- ge -- schmü -- cket ha -- ben! + } + + stzII = \lyrics { + \set stanza = "2." + Die Bäu -- me ste -- hen vol -- ler Laub, + das Erd -- reich de -- cket sei -- nen Staub + mit ei -- nem grü -- nen Klei -- de. + Nar -- cis -- sen und die Tu -- li -- pan + die zie -- hen sich viel schö -- ner an + als Sa -- lo -- mo -- nis Sei -- de, + als Sa -- lo -- mo -- nis Sei -- de! + } + + stzIII = \lyrics { + \set stanza = "3." + Die Ler -- che schwingt sich in die Luft, + das Täub -- chen fliegt aus sei -- ner Kluft + und macht sich in die Wäl -- der. + Die hoch -- be -- lob -- te Nach -- ti -- gall + er -- götzt und füllt mit ih -- rem Schall + Berg, Hü -- gel, Thal und Fel -- der, + Berg, Hü -- gel, Thal und Fel -- der! + } + + stzIV = \lyrics { + \set stanza = "4." + Ich sel -- ber kann und mag nicht ruh’n, + des gro -- ßen Got -- tes gro -- ßes Thun + er -- weckt mir al -- le Sin -- nen! + Ich sin -- ge mit, wenn al -- les singt + und las -- se was dem Höch -- sten klingt, + aus mei -- nem Her -- zen rin -- nen, + aus mei -- nem Her -- zen rin -- nen! + } + + bstart = \lyricmode { + Geh’ aus, mein Herz! + } + stzIb = \lyrics { + \set stanza = "1." + \bstart + in die -- ser lie -- ben Som -- mer -- zeit, + an dei -- nes Got -- tes Ga -- ben! + \bstart + \bstart + sich aus -- ge -- schmü -- cket ha -- ben, + sich aus -- ge -- schmü -- cket ha -- ben! + } + + stzIIb = \lyrics { + \set stanza = "2." + \bstart + das Erd -- reich de -- cket sei -- nen Staub + mit ei -- nem grü -- nen Klei -- de. + \bstart + \bstart + als Sa -- lo -- mo -- nis Sei -- de, + als Sa -- lo -- mo -- nis Sei -- de! + } + + stzIIIb = \lyrics { + \set stanza = "3." + \bstart + das Täub -- chen fliegt aus sei -- ner Kluft + und macht sich in die Wäl -- der. + \bstart + \bstart + Berg, Hü -- gel, Thal und Fel -- der, + Berg, Hü -- gel, Thal und Fel -- der! + } + + stzIVb = \lyrics { + \set stanza = "4." + \bstart + des gro -- ßen Got -- tes gro -- ßes Thun + er -- weckt mir al -- le Sin -- nen. + \bstart + \bstart + aus mei -- nem Her -- zen rin -- nen, + aus mei -- nem Her -- zen rin -- nen! + } + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + } + diff --git a/hr/stch/fertig/goodnight/TODO b/hr/stch/fertig/goodnight/TODO new file mode 100644 index 0000000..6a82c37 --- /dev/null +++ b/hr/stch/fertig/goodnight/TODO @@ -0,0 +1 @@ +respice finem diff --git a/hr/stch/fertig/goodnight/alt/goodnight.ps b/hr/stch/fertig/goodnight/alt/goodnight.ps Binary files differnew file mode 100644 index 0000000..2b30b7f --- /dev/null +++ b/hr/stch/fertig/goodnight/alt/goodnight.ps diff --git a/hr/stch/fertig/goodnight/alt/stimmen (Kopie).ly b/hr/stch/fertig/goodnight/alt/stimmen (Kopie).ly new file mode 100644 index 0000000..c4fd57f --- /dev/null +++ b/hr/stch/fertig/goodnight/alt/stimmen (Kopie).ly @@ -0,0 +1,302 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + + global = { + \key g \major + \time 4/4 + \partial 4. + } + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + s8 s4 + \repeat volta 2 { + s1*7 + } + \alternative { + { s1 } + { s1 } + } + %\break + s1*4 %\break + \repeat unfold 12 { + s4*4 %\break + } + { s1*5 } + } + +% Die Stimmen + + sopranMelodie = \relative c'' { + << + { \meta } + %%articulation etc. + %%\repeat unfold <+number of parts+> { + %%s4*<+number of measures within a part+> + %%} + %the actual tune + { + s8 s4 + \repeat volta 2 { + s1*4 + % hate to leave + r8 b8 ais8 b8 a8 g4 g8 + a8 a8 b8 c8 ~ c8 s8 s4 + s1 + } + \alternative { + { s1 } + { s1 } + } + % morning + r8 a4 g8 a8 g8 \times 2/3 {a8 g8 a8} + b8 d,8 ~ d2 s4 + r8 a'4 g8 b8 d8 ~ \times 2/3 {d8 b8 g8} + a8( g8 ~ g2 ) s4 + r8 c,8 a'16 a16 a16 g16 a8 g8 s8 s8 + s1*3 + % parents + r8 a4 g8 a8( g8 ) \times 2/3 {a8( g8 ) a8} + b8 d,8 ~ d2 s4 + r8 a'8 a8 g8 b8 d8 ~ \times 2/3 {d8 b8 g8} + a8( g8 ~ g2 ) s4 + r8 c,8 \times 2/3 {a'8 a8 a8} a8 s8 s8 s8 + s1*3 + { s1*5 } + } + >> + } + + sopranGemein = \relative c'' { + << + { \meta } + %%articulation etc. + %%\repeat unfold <+number of parts+> { + %%s4*<+number of measures within a part+> + %%} + %the actual tune + { + s8 s4 + \repeat volta 2 { + \repeat unfold 2 { + % Goodnight + s8 b8 b8 a8 g8 b4 b8 + a4 b8 b8( a4 ) s4 + } + % so goodnight + s1 s2 s8 b4 a8 + b4 a8( g8 ) fis4 a8 a8( + } + \alternative { + { g2 ) s2 } + { g2 s2 } + } + \repeat unfold 2 { + % maybe/going + s1*4 s2.. g8 + b4 b4 b8 e,8 s8 e8 + b'4 b4 b8( a8 ) b8 b8( a8 ) s8 s4 s2 + } + { + g2 s8 b4 a8 + b4 a8( g8 ) fis4 a8 a8( + g2 ) s8 b4 a8 + b4 a8( g8 ) fis4 a8 a8( + g2 ) s2 + } + } + >> + } + + altMelodie = \relative c'' { + << + { \meta } + %%articulation etc. + %%\repeat unfold <+number of parts+> { + %%s4*<+number of measures within a part+> + %%} + %the actual tune + { + s8 s4 + \repeat volta 2 { + \repeat unfold 2 { + % Goodnight + s8 g8 g8 fis8 e8 g4 g8 + e4 g8 g8( fis4 ) s4 + } + % Oh & so + d2( ~ d2 g2 ~ g8) g4 g8 + g4 g4 d4 fis8 fis8( + } + \alternative { + { d2 ) s2 } + { d2 s2 } + } + % Oh + e1( d2. ) s4 + e1( d2. ) s4 + e2. r8 g8 + % maybe + g4 g4 g8 e8 s8 e8 + g4 g4 g4 g8 g8( fis8 ) s8 s4 s2 + % Oh + e1( d2. ) s4 + e1( d2. ) s4 + e2 ~ e8 s8 s8 g8 + % going + g4 g4 g8 e8 s8 e8 + g4 g4 g4 g8 g8( fis8 ) s8 s4 s2 + { + d2 s8 g4 g8 + g4 g4 d4 fis8 fis8( + d2 ) s8 g4 g8 + g4 g4 d4 fis8 fis8( + d2 ) s2 + } + } + >> + } + + frauenPausen = { + r8 r4 r8 + s2.. s2. r4 + r8 s2.. s2. r4 + s1 s1 s1 + \mark \markup { \musicglyph #"scripts.coda"\tiny{2} } + s2 r2 s2 r2 + \mark \markup { \musicglyph #"scripts.coda"\tiny{1} } + %well + s1 s2. r4 + %\pageBreak + s1 s2. r4 + s1 s2. r8 s8 + s1 s8 r8 r4 + \override Score.RehearsalMark #'self-alignment-X = #LEFT + \mark "Dal Segno al Coda 1" + r2 + \bar "||" + \break + \mark \markup { \musicglyph #"scripts.coda"\tiny{1} } + s1 s2. r4 + s1 s2. r4 + s1 s2. r8 s8 + s1 s8 r8 r4 + \override Score.RehearsalMark #'self-alignment-X = #LEFT + \mark "Dal Segno al Coda 2" + r2 + \bar "||" + \break + \mark \markup { \musicglyph #"scripts.coda"\tiny{2} } + s1*4 + s2 r2 + \bar "||" + } + + tenorMelodie = \relative c' { + << + { \meta } + %%articulation etc. + %\repeat unfold <+number of parts+> { + %s4*<+number of measures within a part+> + %} + %the actual tune + { + r8 r4 + \repeat volta 2 { + \repeat unfold 2 { + % Goodnight + r8 d8 d8 c8 b8 d4 d8 + c4 e8 e8( d4 ) r4 + } + % Oh & so + b2( ~ b2 c2 ~ c8 ) c4 c8 + d4 c8( b8 ) a4 c8 c8( + } + \alternative { + { b2 ) r2 } + { b2 r2 } + } + \repeat unfold 2 { + % Oh + g1( b2. ) r4 + g1( b2. ) r4 + g2. r8 g8 + % maybe/going + d'4 d4 e8 b8 r8 e8 + d4 d4 d4 d8 d8 ~ d8 s8 s4 r2 + } + { + b2 r8 c4 c8 + d4 c8( b8 ) a4 c8 c8( + b2 ) r8 c4 c8 + d4 c8( b8 ) a4 c8 c8( + b2 ) s2 + } + } + >> + } + + auftakt = { + \times 2/3 {d8 b8 d8} + } + + bassMelodie = \relative c { + << + { \meta } + %%articulation etc. + %%\repeat unfold <+number of parts+> { + %%s4*<+number of measures within a part+> + %%} + %the actual tune + \clef bass + { + d8 \auftakt + \repeat volta 2 { + % doodelei + g,2( e'8 ) e4 e8 + a,4 a8 a8( d8 ) d8 \auftakt + % well + g,2( e'8 ) e4 e8 + a,4 a8 a8( d8 ) d8 e8 fis8 + % doo again & so + g2( f2( e2( ees8 ) ) ) ees4 ees8 + d4 d4 d4 d8 d8( + } + \alternative { + { + g,2 ) r8 d'8 \auftakt + } + { + g,2 r8 g8 a8 b8 + } + } + \repeat unfold 2 { + % doodelei & maybe/going + c1( g4 ) g'4 g8 e8 d8 e8 + c1( g4 ) ~ + \times 2/3 {g8 g'8 g8} f4 \times 2/3 {g,8 a8 b8} + c2. r8 g8 g'4 fis4 e8 e8 r8 e8 + g4 g4 g8( e8 ) g8 g8( + a8 ) s8 s4 r8 d,8 \auftakt + } + { + g,2 r8 ees'4 ees8 + d4 d4 d4 d8 d8 + ( g,2 ) r8 ees'4 ees8 + d4 d4 d4 fis8 fis8 + ( g2 ) s2 + } + } + >> + } + + maennerPausen = { + s4. + s1*8 + s1*8 + s8 r8 r4 s2 + s1*7 + s8 r8 r4 s2 + s1*4 + s2 r2 + } diff --git a/hr/stch/fertig/goodnight/alt/texte (Kopie).ly b/hr/stch/fertig/goodnight/alt/texte (Kopie).ly new file mode 100644 index 0000000..331ba92 --- /dev/null +++ b/hr/stch/fertig/goodnight/alt/texte (Kopie).ly @@ -0,0 +1,102 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + +%Rohfassung + + auf = \lyricmode { + Doot doo doo doo + } + + Doo = \lyricmode { + doo, + well, it's time to go, + } + + takt = \lyricmode { + doot doo doo doo + } + + doo = \lyricmode { + doo doo doo doo + } + + good = \lyricmode { + so good -- night, sweet -- heart, + good -- night. + } + + doot = \lyricmode { + doot doo doo doo doo doo, + doo doo doo + doo doo doo doo, + } + + maybe = \lyricmode { + but don't mean may -- be, + You know I love You so. + } + + + + Good = \lyricmode { + Good -- night, sweet -- heart, + well it's time to go, + } + + leave = \lyricmode { + I hate to leave you, + I real -- ly must say + } + + morning = \lyricmode { + Well, it's three o' -- clock in the mor -- ning, + Babe, I just can't treat you right, + I have to leave you, Ba -- by, + } + + parents = \lyricmode { + Mo -- ther, oh, and your fa -- ther + might hear if I stay here too long, + a kiss and we'll part + } + + going = \lyricmode { + and I'll be go -- ing, + you know I hate to go. + } + + drei = \lyricmode { + _ \good \good + } + +% Die Textaufteilungen + + sopranText = \lyricmode { + \leave + \morning + \parents + } + + altText = \lyrics { + \Good + \Good + Oh + \good _ + Oh Oh Oh + \maybe + Oh Oh Oh + \going + \drei + } + + bassText = \lyrics { + \auf \Doo + \takt \Doo + \doo \good \auf + _ Doo doo doo + doo \doot + \maybe \auf + doo \doot + \going \auf + \drei + } + diff --git a/hr/stch/fertig/goodnight/goodnight.ly b/hr/stch/fertig/goodnight/goodnight.ly new file mode 100644 index 0000000..d9696b3 --- /dev/null +++ b/hr/stch/fertig/goodnight/goodnight.ly @@ -0,0 +1,65 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + +\version "2.12.1" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Goodnight, well it's time to go" + composer = "Calvin Carter, James Hudson" + translator = "Arr: Robert Sund" + %tagline = "" + } + + \paper { + line-width = \paper-width - 40 + after-title-space = 10 + top-margin = 10 + bottom-margin = 10 + foot-separation = 8 + ragged-last-bottom = ##f + page-count = 2 + system-count = 9 + } + + \midi { + %\tempo 4 = <+bpm+> + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3) + } + } + + #(set-global-staff-size 16) + + \score { + \new ChoirStaff << + \new Lyrics = "sop" { s4 } + \new Staff = "frauen" << + %%\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \voiceOne \sopranMelodie } + \new Voice = "gemein" { \global \voiceThree \sopranGemein } + \new Voice = "alti" { \global \voiceTwo \altMelodie } + \new Voice = "fR" { \global \frauenPausen } + >> + \context Lyrics = "sop" \lyricsto "soprane" \sopranText + \lyricsto alti \altText + \new Staff = "maenner" << + \new Voice = "tenoere" { \global \voiceOne \tenorMelodie } + \new Voice = "baesse" { \global \voiceTwo \bassMelodie } + \new Voice = "mR" { \global \maennerPausen } + \lyricsto baesse \bassText + >> + >> +% \midi{ +% \context{ +% \Score +% tempoWholesPerMinute = #(ly:make-moment 84 4) +% } +% } + } + diff --git a/hr/stch/fertig/goodnight/goodnight.midi b/hr/stch/fertig/goodnight/goodnight.midi Binary files differnew file mode 100644 index 0000000..ba94b89 --- /dev/null +++ b/hr/stch/fertig/goodnight/goodnight.midi diff --git a/hr/stch/fertig/goodnight/goodnight.ps b/hr/stch/fertig/goodnight/goodnight.ps Binary files differnew file mode 100644 index 0000000..2f8c9a6 --- /dev/null +++ b/hr/stch/fertig/goodnight/goodnight.ps diff --git a/hr/stch/fertig/goodnight/mgl/goodnight.ps b/hr/stch/fertig/goodnight/mgl/goodnight.ps Binary files differnew file mode 100644 index 0000000..7048e18 --- /dev/null +++ b/hr/stch/fertig/goodnight/mgl/goodnight.ps diff --git a/hr/stch/fertig/goodnight/stimmen.ly b/hr/stch/fertig/goodnight/stimmen.ly new file mode 100644 index 0000000..5c09e62 --- /dev/null +++ b/hr/stch/fertig/goodnight/stimmen.ly @@ -0,0 +1,320 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + + global = { + \key g \major + \time 4/4 + \partial 4. + } + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + s8 s4 + \repeat volta 2 { + s1*7 + } + \alternative { + { s1 } + { s1 } + } + %\break + s1*4 %\break + \repeat unfold 12 { + s4*4 %\break + } + { s1*5 } + } + +% Die Stimmen + + sopranMelodie = \relative c'' { + << + { \meta } + %%articulation etc. + %%\repeat unfold <+number of parts+> { + %%s4*<+number of measures within a part+> + %%} + %the actual tune + { + s8 s4 + \repeat volta 2 { + s1*4 + % hate to leave + r8 b8 ais8 b8 a8 g4 g8 + a8 a8 b8 c8 ~ c8 s8 s4 + s1 + } + \alternative { + { s1 } + { s1 } + } + % morning + r8 a4 g8 a8 g8 \times 2/3 {a8 g8 a8} + b8 d,8 ~ d2 s4 + r8 a'4 g8 b8 d8 ~ \times 2/3 {d8 b8 g8} + a8( g8 ~ g2 ) s4 + r8 c,8 a'16 a16 a16 g16 a8 g8 s8 s8 + s1*3 + % parents + s1 + r8 a4 g8 a8( g8 ) \times 2/3 {a8( g8 ) a8} + b8 d,8 ~ d2 s4 + r8 a'8 a8 g8 b8 d8 ~ \times 2/3 {d8 b8 g8} + a8( g8 ~ g2 ) s4 + r8 c,8 \times 2/3 {a'8 a8 a8} a8 s8 s8 s8 + s1*3 + { s1*5 } + } + >> + } + + sopranGemein = \relative c'' { + << + { \meta } + %%articulation etc. + %%\repeat unfold <+number of parts+> { + %%s4*<+number of measures within a part+> + %%} + %the actual tune + { + s8 s4 + \repeat volta 2 { + \repeat unfold 2 { + % Goodnight + s8 b8 b8 a8 g8 b4 b8 + a4 b8 b8( a4 ) s4 + } + % so goodnight + s1 s2 s8 b4 a8 + b4 a8( g8 ) fis4 a8 a8( + } + \alternative { + { g2 ) s2 } + % { g2 s2 } + {} + } + \repeat unfold 2 { + { g2 s2 } + % maybe/going + s1*4 s2.. g8 + b4 b4 b8 e,8 s8 e8 + b'4 b4 b8( a8 ) b8 b8( a8 ) s8 s4 s2 + } + { + g2 s8 b4 a8 + b4 a8( g8 ) fis4 a8 a8( + g2 ) s8 b4 a8 + b4 a8( g8 ) fis4 a8 a8( + g2 ) s2 + } + } + >> + } + + altMelodie = \relative c'' { + << + { \meta } + %%articulation etc. + %%\repeat unfold <+number of parts+> { + %%s4*<+number of measures within a part+> + %%} + %the actual tune + { + s8 s4 + \repeat volta 2 { + \repeat unfold 2 { + % Goodnight + s8 g8 g8 fis8 e8 g4 g8 + e4 g8 g8( fis4 ) s4 + } + % Oh & so + d2( ~ d2 g2 ~ g8) g4 g8 + g4 g4 d4 fis8 fis8( + } + \alternative { + { d2 ) s2 } + { d2 s2 } + } + % Oh + e1( d2. ) s4 + e1( d2. ) s4 + e2. r8 g8 + % maybe + g4 g4 g8 e8 s8 e8 + g4 g4 g4 g8 g8( fis8 ) s8 s4 s2 + % Oh + { d2 s2 } + e1( d2. ) s4 + e1( d2. ) s4 + e2 ~ e8 s8 s8 g8 + % going + g4 g4 g8 e8 s8 e8 + g4 g4 g4 g8 g8( fis8 ) s8 s4 s2 + { + d2 s8 g4 g8 + g4 g4 d4 fis8 fis8( + d2 ) s8 g4 g8 + g4 g4 d4 fis8 fis8( + d2 ) s2 + } + } + >> + } + + frauenPausen = { + r8 r4 %r8 + \mark \markup { \musicglyph #"scripts.segno"}%\tiny{2} } + r8 + s2.. s2. r4 + r8 s2.. s2. r4 + s1 s1 s1 + \mark \markup { \musicglyph #"scripts.coda"}%\tiny{2} } + s2 r2 s2 r2 + %\mark \markup { \musicglyph #"scripts.coda"\tiny{1} } + %well + s1 s2. r4 + %\pageBreak + s1 s2. r4 + s1 s2. r8 s8 + s1 s8 %r8 r4 + \override Score.RehearsalMark #'self-alignment-X = #LEFT + \mark "Dal Segno al Coda"% 1" + r8 r4 + r2 + \pageBreak + \bar "||" + \break + \mark \markup { \musicglyph #"scripts.coda"}%\tiny{1} } + s2 r2 + s1 s2. r4 + s1 s2. r4 + s2 s8 r4 s8 s2. r8 s8 + s1 s8 r8 r4 + \override Score.RehearsalMark #'self-alignment-X = #LEFT + \mark "Dal Segno al Coda"% 2" + r2 + \bar "||" + \break + \mark \markup { \musicglyph #"scripts.coda"}%\tiny{2} } + s2 r8 s4. + s1 + s2 r8 s4. + s1 + s2 r2 + \bar "||" + } + + tenorMelodie = \relative c' { + << + { \meta } + %%articulation etc. + %\repeat unfold <+number of parts+> { + %s4*<+number of measures within a part+> + %} + %the actual tune + { + r8 r4 + \repeat volta 2 { + \repeat unfold 2 { + % Goodnight + r8 d8 d8 c8 b8 d4 d8 + c4 e8 e8( d4 ) r4 + } + % Oh & so + b2( ~ b2 c2 ~ c8 ) c4 c8 + d4 c8( b8 ) a4 c8 c8( + } + \alternative { + { b2 ) r2 } + % { b2 r2 } + {} + } + \repeat unfold 2 { + { b2 r2 } + % Oh + g1( b2. ) r4 + g1( b2. ) r4 + g2. r8 g8 + % maybe/going + d'4 d4 e8 b8 r8 e8 + d4 d4 d4 d8 d8 ~ d8 s8 s4 r2 + } + { + b2 r8 c4 c8 + d4 c8( b8 ) a4 c8 c8( + b2 ) r8 c4 c8 + d4 c8( b8 ) a4 c8 c8( + b2 ) s2 + } + } + >> + } + + auftakt = { + \times 2/3 {d8 b8 d8} + } + + bassMelodie = \relative c { + << + { \meta } + %%articulation etc. + %%\repeat unfold <+number of parts+> { + %%s4*<+number of measures within a part+> + %%} + %the actual tune + \clef bass + { + d8 \auftakt + \repeat volta 2 { + % doodelei + g,2( e'8 ) e4 e8 + a,4 a8 a8( d8 ) d8 \auftakt + % well + g,2( e'8 ) e4 e8 + a,4 a8 a8( d8 ) d8 e8 fis8 + % doo again & so + g2( f2( e2( ees8 ) ) ) ees4 ees8 + d4 d4 d4 d8 d8( + } + \alternative { + { + g,2 ) r8 d'8 \auftakt + } + %{ + g,2 r8 g8 a8 b8 + %} + {} + } + \repeat unfold 2 { + % doodelei & maybe/going + { + g,2 r8 g8 a8 b8 + } + c1( g4 ) g'4 g8 e8 d8 e8 + c1( g4 ) ~ + \times 2/3 {g8 g'8 g8} f4 \times 2/3 {g,8 a8 b8} + c2. r8 g8 g'4 fis4 e8 e8 r8 e8 + g4 g4 g8( e8 ) g8 g8( + a8 ) s8 s4 r8 d,8 \auftakt + } + { + g,2 r8 ees'4 ees8 + d4 d4 d4 d8 d8 + ( g,2 ) r8 ees'4 ees8 + d4 d4 d4 fis8 fis8 + ( g2 ) s2 + } + } + >> + } + + maennerPausen = { + s4. + s1*8 + s1*8 + s8 r8 r4 s2 + s1*8 + s8 r8 r4 s2 + s1*4 + s2 r2 + } diff --git a/hr/stch/fertig/goodnight/texte.ly b/hr/stch/fertig/goodnight/texte.ly new file mode 100644 index 0000000..f02b5fd --- /dev/null +++ b/hr/stch/fertig/goodnight/texte.ly @@ -0,0 +1,103 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + +%Rohfassung + + auf = \lyricmode { + Doot doo doo doo + } + + Doo = \lyricmode { + doo, + well, it's time to go, + } + + takt = \lyricmode { + doot doo doo doo + } + + doo = \lyricmode { + doo doo doo doo + } + + good = \lyricmode { + so good -- night, sweet -- heart, + good -- night. + } + + doot = \lyricmode { + doot doo doo doo doo doo, + doo doo doo + doo doo doo doo, + } + + maybe = \lyricmode { + but don't mean may -- be, + You know I love You so. + } + + + + Good = \lyricmode { + Good -- night, sweet -- heart, + well it's time to go, + } + + leave = \lyricmode { + I hate to leave you, + I real -- ly must say + } + + morning = \lyricmode { + Well, it's three o' -- clock in the mor -- ning, + Babe, I just can't treat you right, + I have to leave you, Ba -- by, + } + + parents = \lyricmode { + Mo -- ther, oh, and your fa -- ther + might hear if I stay here too long, + a kiss and we'll part + } + + going = \lyricmode { + and I'll be go -- ing, + you know I hate to go. + } + + drei = \lyricmode { + _ \good \good + } + +% Die Textaufteilungen + + sopranText = \lyricmode { + \leave + \morning + \parents + } + + altText = \lyrics { + \Good + \Good + Oh + \good _ + Oh Oh Oh + \maybe + _ Oh Oh Oh + \going + \drei + } + + bassText = \lyrics { + \auf \Doo + \takt \Doo + \doo \good \auf + _ Doo doo doo + doo \doot + \maybe \auf + _ Doo doo doo + doo \doot + \going \auf + \drei + } + diff --git a/hr/stch/fertig/head/a.midi b/hr/stch/fertig/head/a.midi Binary files differnew file mode 100644 index 0000000..318384f --- /dev/null +++ b/hr/stch/fertig/head/a.midi diff --git a/hr/stch/fertig/head/a5/head.ly b/hr/stch/fertig/head/a5/head.ly new file mode 100644 index 0000000..9f26b89 --- /dev/null +++ b/hr/stch/fertig/head/a5/head.ly @@ -0,0 +1,86 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.18" +\include "../dynArt.ly" +\include "../stimmen.ly" +\include "../texte.ly" + +\pointAndClickOff + + \header { + title = "God be in my head" + composer = "John Rutter" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + #(set-paper-size "a5") + line-width = \paper-width - 20 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 12) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \voiceOne \sopranMelodie } + \new Voice = "alti" { \voiceTwo \altMelodie } + %\addlyrics { \text } + >> + + alt = << + \new Voice = "alti" { \altMelodie } + >> + + ten = << + \new Voice = "tenoere" { \tenorMelodie } + >> + + bas = << + \new Voice = "tenoere" { \voiceOne \tenorMelodie } + \new Voice = "baesse" { \voiceTwo \bassMelodie } + >> + + \score { + \new ChoirStaff \with {} << + \new Lyrics = so \with { \override VerticalAxisGroup.staff-affinity = #DOWN } + \new Staff = sopran { \global \sop } + \new Lyrics = al { + } + \new Lyrics { \lyricsto soprane \text } + %\new Staff = alt { \global \alt } + %\new Staff = tenor { \global \ten } + \new Lyrics = te \with { \override VerticalAxisGroup.staff-affinity = #DOWN } + \new Staff = bass { \global \bas } + \new Lyrics = ba { + } + \context Lyrics = so + \lyricsto "soprane" \sopranText + \context Lyrics = al + \lyricsto "alti" \altText + \context Lyrics = te + \lyricsto "tenoere" \tenorText + \context Lyrics = ba + \lyricsto "baesse" \bassText + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/stch/fertig/head/b.midi b/hr/stch/fertig/head/b.midi Binary files differnew file mode 100644 index 0000000..07d1b78 --- /dev/null +++ b/hr/stch/fertig/head/b.midi diff --git a/hr/stch/fertig/head/dynArt.ly b/hr/stch/fertig/head/dynArt.ly new file mode 100644 index 0000000..3d62a3f --- /dev/null +++ b/hr/stch/fertig/head/dynArt.ly @@ -0,0 +1,48 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + \tempo "Tranquillo - poco rubato" 4 = 100 + s8\p s4.^\markup{ \italic "legato sempre" } s2 + \repeat unfold 4 s1 + \break + s2\cresc s2 + s2 s2\mp + s1 + s1 + s2 s2\> + \break + s2\p s2 + s1 + s1\< + s1\mf + s2 s2\> + \break + s1\p + s1 + s1 + s1 + \break + s1\pp^\markup{ \bold "Poco meno mosso" } + s1 + s1\< + s1\> + s8\pp s4.\> s2^\markup{ \bold "rit." } + s1\ppp + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/fertig/head/head.ly b/hr/stch/fertig/head/head.ly new file mode 100644 index 0000000..7811440 --- /dev/null +++ b/hr/stch/fertig/head/head.ly @@ -0,0 +1,80 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "dynArt.ly" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "God be in my head" + composer = "John Rutter" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 17) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \voiceOne \sopranMelodie } + \new Voice = "alti" { \voiceTwo \altMelodie } + \addlyrics { \sopranText } + >> + + alt = << + \new Voice = "alti" { \altMelodie } + >> + + ten = << + \new Voice = "tenoere" { \tenorMelodie } + >> + + bas = << + \new Voice = "tenoere" { \voiceOne \tenorMelodie } + \new Voice = "baesse" { \voiceTwo \bassMelodie } + >> + + \score { + \new ChoirStaff \with {} << + \new Staff = sopran { \global \sop } + \new Lyrics \with { alignAboveContext = sopran } { + \lyricsto "soprane" \sopranText + } + \new Lyrics \with { alignBelowContext = sopran } { + \lyricsto "soprane" \altText + } + %\new Staff = alt { \global \alt } + %\new Staff = tenor { \global \ten } + \new Staff = bass { \global \bas } + \new Lyrics \with { alignAboveContext = bass } { + \lyricsto "soprane" \tenorText + } + \new Lyrics \with { alignBelowContext = bass } { + \lyricsto "soprane" \bassText + } + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/stch/fertig/head/midi.lua b/hr/stch/fertig/head/midi.lua new file mode 100644 index 0000000..a87bcc0 --- /dev/null +++ b/hr/stch/fertig/head/midi.lua @@ -0,0 +1,51 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { + \unfoldRepeats +]] + +post=[[ + \midi { + \context{ + \Score + tempoWholesPerMinute = #(ly:make-moment 72 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/fertig/head/s.midi b/hr/stch/fertig/head/s.midi Binary files differnew file mode 100644 index 0000000..fc5400c --- /dev/null +++ b/hr/stch/fertig/head/s.midi diff --git a/hr/stch/fertig/head/stimmen.ly b/hr/stch/fertig/head/stimmen.ly new file mode 100644 index 0000000..a69ef82 --- /dev/null +++ b/hr/stch/fertig/head/stimmen.ly @@ -0,0 +1,157 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + + global = { + \key e \major + \override Staff.TimeSignature #'style = #'() + \time 4/4 + %\autoBeamOff + } + +% Die Stimmen + + sopranMelodie = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + \key e \major + e2 b'2 + cis4 a4 b2 + e,2 fis4 gis4 + a4( gis4 fis4) e4 + fis2 e2 + e2 b'2 + e4 cis4 b2 + b2 cis4 dis4 + e4( dis4 cis4 b4 + cis2) b2 + b2 a4( b4) + gis4 cis4 fis,2 + gis2 ais4 b4 + cis4( b4 ais4 gis4 + ais2) gis2 + fis2 b2 + e,4 fis8( gis8) a2 + fis2 fis4 e4 + dis4( e4) fis2\fermata + fis2 fis2 + gis4 b4 e,2\fermata + e2 fis4( gis4) + a4( gis4 fis4) e4 + fis1 + gis1\fermata + } + >> + } + + altMelodie = \relative c' { + << + % { \meta } + %\altArt + %the actual tune + { + e2 e4( dis4) + cis4 a'4 gis4( fis4) + e2 e4 e4 + e4( dis4 cis4) e4 + e4( dis4) b2 + b2 b2 + cis4 e4 dis2 + e4( dis4) cis4 fis4 + gis2( e4 dis4 + fis4. e8) e4( cis4) + dis2 e4( dis4) + dis4 cis4 cis4( b4) + e2 gis4 gis4 + gis1( ~ + gis4 fis2) fis8( e8) + cis2 b2 + b4 b4 e4( b4) + e4( dis4) cis4 cis4 + cis4( bis4) cis2 + d4( cis4) b4( a4) + e'4 e4 e2 + e4( dis4) cis4( b4) + cis2. e4 + e2( dis2) + e1 + } + >> + } + + tenorMelodie = \relative c { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + e4( fis4) gis4( b4) + a4 e'4 dis4( cis4) + b2 cis4 b4 + a4( b4 cis4) gis4 + b4.( a8) a4( fis4) + gis4( a4) fis2 + gis4 ais4 b4( ais4) + gis2 ais4 b4 + e2( gis,4 b4 ~ + b4 ais4) fis2 + b2 cis4( a4) + b4 gis4 ais4( gis4) + b2 e4 dis4 + e2.( cis4 + ais4 dis8 cis8) b2 + ais4( gis4) fis4( a4) + gis4 gis4 gis4( fis4) + gis4( b4) a4 gis4 + a4( gis4) cis2 + a2 fis2 + b4 gis4 b4( a4\fermata) + gis2 e2 + a2. gis4 + b4( a4 fis4 b4) + gis1 + } + >> + } + + bassMelodie = \relative c { + << + % { \meta } + %\bassArt + %the actual tune + \clef bass + { + e2 e2 + e4 cis'4 b4( a4 + gis4) gis,4 a4 b4 + cis4( b4 a4) cis4 + b2 e2 + e2. dis4 + cis4 cis4 gis'4( fis4) + e2 e4 dis4 + cis2( e4 gis4 + fis2) b,2 + b'4( a4) gis4( fis4) + fis4 e4 dis2 ~ + dis4 cis4 cis'4 b4 + ais4( b4 cis4 e,4 + dis2) e2 + e2 dis2 + dis4 d4 cis4( dis4) + e2 e4 e4 + fis4( gis4) a2\fermata + d,2 d2 + d4 d4 cis2 + b2 a4( gis4) + fis2( a4) cis4 + b1 + <b e,>1 + \bar "|." + } + >> + } + diff --git a/hr/stch/fertig/head/t.midi b/hr/stch/fertig/head/t.midi Binary files differnew file mode 100644 index 0000000..99e7a8b --- /dev/null +++ b/hr/stch/fertig/head/t.midi diff --git a/hr/stch/fertig/head/texte.ly b/hr/stch/fertig/head/texte.ly new file mode 100644 index 0000000..85bd69f --- /dev/null +++ b/hr/stch/fertig/head/texte.ly @@ -0,0 +1,42 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + + text = \lyricmode { + God be in my head and in my un -- der -- stand -- ing. + God be in mine eyes and in my look -- ing. + God be in my mouth and in my speak -- ing. + God be in mine heart and in my think -- ing. + God be at my end and in my de -- part -- ing. + } + + ober = \lyricmode { + \repeat unfold 25 { _ } + _ _ _ _ speak -- ing, + } + +% Die Textaufteilungen + + sopranText = \lyricmode { + %<+hier den Text für den Sopran eintragen+> + \ober + } + + altText = \lyricmode { + %<+hier den Text für den Alt eintragen+> + \ober + } + + tenorText = \lyricmode { + %<+hier den Text für den Tenor eintragen+> + \ober + } + + bassText = \lyricmode { + %<+hier den Text für den Baß eintragen+> + _ _ _ _ head and + _ _ _ _ _ _ God be + \repeat unfold 12 { _ } + mouth and + } + diff --git a/hr/stch/fertig/himmelsbogen/dynArt.ly b/hr/stch/fertig/himmelsbogen/dynArt.ly new file mode 100644 index 0000000..32a829e --- /dev/null +++ b/hr/stch/fertig/himmelsbogen/dynArt.ly @@ -0,0 +1,38 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + \tempo 4 = 80 + s1\mf + s1*3 + \break + s1*4 + \break + s1*4 + \break + s1*5 + %s2.\fermata s4 + s2. s4 + } + +% articulation + + sopranArt = { + s1*4 + s1*4 + s1*4 + s1*4 + s4 s4^\markup { \italic "rit." } s2 + s1 + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/fertig/himmelsbogen/himmelsbogen.ly b/hr/stch/fertig/himmelsbogen/himmelsbogen.ly new file mode 100644 index 0000000..33f936d --- /dev/null +++ b/hr/stch/fertig/himmelsbogen/himmelsbogen.ly @@ -0,0 +1,77 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Steigt der Mond am Himmelsbogen" + composer = "aus Wales" + arranger = "Karl-Josef Müller" + translator = "Helmut König" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + %#(set-global-staff-size 17) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + { \meta } + \new Voice = "soprane" { \voiceOne \sopranMelodie } + \new Voice = "alti" { \voiceTwo \altMelodie } + %\addlyrics { \sopranText } + >> + + alt = << + \new Voice = "alti" { \altMelodie } + %\addlyrics { \altText } + >> + + ten = << + \new Voice = "tenoere" { \tenorMelodie } + %\addlyrics { \tenorText } + >> + + bas = << + { \meta } + \new Voice = "tenoere" { \voiceOne \tenorMelodie } + \new Voice = "baesse" { \voiceTwo \bassMelodie } + %\addlyrics { \stzI } + %\addlyrics { \stzII } + >> + + \score { + \new ChoirStaff \with { printPartCombineTexts = ##f } << + \new Staff = sopran { \global \sop } + \new Lyrics \lyricsto soprane \stzI + \new Lyrics \lyricsto soprane \stzII + %\new Staff = alt { \global \alt } + %\new Staff = tenor { \global \ten } + \new Staff = bass { \global \bas } + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/stch/fertig/himmelsbogen/midi.lua b/hr/stch/fertig/himmelsbogen/midi.lua new file mode 100644 index 0000000..8d7d5be --- /dev/null +++ b/hr/stch/fertig/himmelsbogen/midi.lua @@ -0,0 +1,51 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { + \unfoldRepeats +]] + +post=[[ + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/fertig/himmelsbogen/stimmen.ly b/hr/stch/fertig/himmelsbogen/stimmen.ly new file mode 100644 index 0000000..a4d4eaa --- /dev/null +++ b/hr/stch/fertig/himmelsbogen/stimmen.ly @@ -0,0 +1,137 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key a \major + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + \autoBeamOff + %\set Staff.melismaBusyProperties + } + +% Die Stimmen + + sopranMelodie = \relative c' { + << + % { \meta } + \sopranArt + %the actual tune + { + a'4. gis8 fis4 a4 + b4. a8 gis4 e4 + fis2 gis4. gis8 + a2 r2 + a4. gis8 fis4 a4 + b4. a8 gis4 e4 + fis2 gis4. gis8 + a2. r4 + d4 cis4 d4 e4 + fis4 e4 d4 cis4 + d4 cis4 b4 a4 + cis4 b4 a4 gis4 + a4. gis8 fis4 a4 + b4. a8 gis4 e4 + fis2 gis4. gis8 + a2. r4 + fis2 gis4. gis8 + a2.\fermata r4 + } + >> + } + + altMelodie = \relative c' { + << + % { \meta } + %\altArt + %the actual tune + { + e4. e8 d4 e4 + dis4 fis4 e4 e4 + d2 d4. d8 + cis4( e4 fis8[ e8] d4) + cis8[ e8] eis4 fis4 e4 + dis8[ e8] fis4 e4 e4 + fis8([ e8] dis4) e4. d8 + cis4( d4 e8[ fis8] g4) + fis4 g4 a4 b4 + ais4 fis4 fis4 fis4 + fis4 g4 fis4 fis4 + e4 fis4 e4 d4 + cis8[ e8] eis4 fis4 e4 + d8[ e8] fis4 e4 e4 + d2 d4. d8 + cis2. r4 + d2 d8[ fis8 d8] d8 + cis2. r4 + } + >> + } + + tenorMelodie = \relative c' { + << + % { \meta } + %\tenorArt + %the actual tune + %\clef "treble_8" + { + cis4. b8 a4 a4 + fis4 b4 b4 gis4 + a2 b4. b8 + a2.( gis4) + a8[ cis8] b4 a4 a4 + fis4 b4 b4 gis4 + b2 b8[ d8 cis8] b8 + a4( b4 cis8[ d8] e4) + d4 a4 d4 d4 + e4 cis4 b4 ais4 + b4 ais4 b4 b4 + a4 d4 cis4 b4 + a8[ cis8] b4 a4 a4 + fis4 b4 b4 gis4 + a2 b4. b8 + a2. r4 + a4( b4) b8[ d8 cis8] b8 + a2.\fermata r4 + } + >> + } + + bassMelodie = \relative c { + << + % { \meta } + %\bassArt + %the actual tune + \clef bass + { + \autoBeamOff + \repeat volta 2 { + a4 cis4 d4 cis4 + b4 dis4 e4 e4 + d4( cis4) b4 e4 + a,4( cis4 d4 e4) + a,4 cis4 d4 cis4 + b8[ cis8] dis4 e4 e4 + dis8([ cis8] b4) e4 e4 + a,2.( cis4) + d4 e4 fis4 g4 + fis4 ais,4 b4 cis4 + b4 cis4 d4 dis4 + e2 e2 + a,4 cis4 d4 cis4 + b8[ cis8] dis4 e4 e4 + } \alternative { + { + d4( cis4) b4 e4 a,2. r4 + } + { + d8( cis8 b4) e4 e4 + <e a,>2. r4 + } + } + \bar "|." + } + >> + } + diff --git a/hr/stch/fertig/himmelsbogen/texte.ly b/hr/stch/fertig/himmelsbogen/texte.ly new file mode 100644 index 0000000..039c71e --- /dev/null +++ b/hr/stch/fertig/himmelsbogen/texte.ly @@ -0,0 +1,49 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + + wann = \lyricmode { + in dunk -- ler Nacht, + } + Wann = \lyricmode { + in dunk -- ler Nacht. + } + stzI = \lyrics { + \set stanza = "1. " + Steigt der Mond am Him -- mels -- bo -- gen \wann + kom -- men Ster -- ne her -- ge -- zo -- gen \Wann + Und der Tag ver -- klingt nun lei -- se, + singt noch sei -- ne letz -- te Wei -- se, + %singt noch sei -- ne Wei -- se, + geht dann auf die gro -- ße Rei -- se \Wann + } + stzII = \lyrics { + \set stanza = "2. " + Und die Ster -- ne in der Run -- de \wann + leuch -- ten uns die spä -- te Stun -- de \Wann + Al -- le Zu -- kunft ist ver -- bor -- gen, + doch das Herz mit sei -- nen Sor -- gen + %doch das Herz mit Sor -- gen + war -- tet wie -- der auf den Mor -- gen + _ _ _ _ + \Wann + } + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + } + diff --git a/hr/stch/fertig/ix/dynArt.ly b/hr/stch/fertig/ix/dynArt.ly new file mode 100644 index 0000000..4de7733 --- /dev/null +++ b/hr/stch/fertig/ix/dynArt.ly @@ -0,0 +1,61 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + %\override Staff.TimeSignature #'style = #'() + \dynamicUp + \key d \minor + \time 2/2 + s1*12 + \break + %himmel + s1*10 + %ein tag + s1*7 + \break + s1*5 + %schnur + s1*15 + \break + %hütte + s1*7 + \break + s1*7 + %held + s1*1 + \break + s1*15 + s1 + \break + %sonne + s1*12 + \break + %himmel + s1*10 + \bar "||" + \break + %ehre + s1*8 + %geist + s1*6 + %ἁρχη + s1*10 + %amen + s1*3 + \bar "|." + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/fertig/ix/ix.ly b/hr/stch/fertig/ix/ix.ly new file mode 100644 index 0000000..4f6c312 --- /dev/null +++ b/hr/stch/fertig/ix/ix.ly @@ -0,0 +1,90 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "stimmen.ly" +\include "texte.ly" + +\pointAndClickOff + + \header { + title = "Die Himmel erzählen die Ehre Gottes" + composer = "Heinrich Schütz" + %opus = "<+Werk+>" + tagline = \markup { + \bold "studentenchor" + } + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 16) + + sopI = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "sopraneI" { \global \sopranIMelodie } + %\addlyrics { \sopranText } + >> + + sopII = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "sopraneII" { \global \sopranIIMelodie } + %\addlyrics { \sopranText } + >> + + alt = << + \new Voice = "alti" { \global \altMelodie } + %\addlyrics { \altText } + >> + + tenI = << + \new Voice = "tenoereI" { \global \tenorIMelodie } + %\addlyrics { \tenorText } + >> + + tenII = << + \new Voice = "tenoereII" { \global \tenorIIMelodie } + %\addlyrics { \tenorText } + >> + + bas = << + \new Voice = "baesse" { \global \bassMelodie } + %\addlyrics { \bassText } + >> + + \score { + \new ChoirStaff \with { printPartCombineTexts = ##f } << + \new Staff = sopranA { \sopI } + \new Staff = sopranB { \sopII } + \new Staff = alt { \alt } + \new Staff = tenorA { \tenI } + \new Staff = tenorB { \tenII } + \new Staff = bass { \bas } + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + \context { + \Staff + \RemoveEmptyStaves + \override VerticalAxisGroup.remove-first=##t + } + } + } + diff --git a/hr/stch/fertig/ix/midi.lua b/hr/stch/fertig/ix/midi.lua new file mode 100644 index 0000000..8aef7d6 --- /dev/null +++ b/hr/stch/fertig/ix/midi.lua @@ -0,0 +1,53 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { + << + \unfoldRepeats +]] + +post=[[ + >> + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 100 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/fertig/ix/stimmen.ly b/hr/stch/fertig/ix/stimmen.ly new file mode 100644 index 0000000..a487ec6 --- /dev/null +++ b/hr/stch/fertig/ix/stimmen.ly @@ -0,0 +1,187 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + %\autoBeamOff + } + +% Die Stimmen + + sopranIMelodie = \relative c'' { + << + { \meta } + %\sopranArt + %the actual tune + { + r1 r1 d2 ees2 d4 d4 c4 c8 c8 bes2. a4 a1 a2 r4 a4 ~ a4 bes4 c2 c4 bes4 a4. a8 a4 d2 c4 bes2 a2 g1 + d'2 e2 f4 d4 c4 c8 c8 ees2 d2 d1 d2 r4 d4 ~ d4 d4 ees2 ees4 f4 c4. c8 c4 bes4 g4 a4 ~ a8 g8 g2 fis4 g1 + r1 r1 r1 r4 a4 a4 a4 bes2 c4 d4 ~ d4 c4 c2 bes1 + \repeat unfold 5 { + r1 + } + r1 r1 r4 f8 g8 a4 a8 bes8 c8 c8 bes8 a8 g4 g4 r4 g8 a8 bes4 bes8 c8 d2 r8 d8 c8 bes8 a4 a4 f'2 ees2 d2 c1 bes2 bes4 f4 ~ f4 a4 c2 bes4 d4. c8 bes4 a4 d,4 r2 r4 d'4. c8 bes4 a4 g4 r2 + d'2 g,4 d'4 ees2 d4 d4 ~ d4 c4 c2 ~ c2 c2 r4 bes2 g4 bes2 a4 g4 fis1 + \repeat unfold 9 { + r1 + } + r2 r4 a4 c4 a8 a8 g4 f4 g4 g4 e4 c4 r4 c'4 c8 bes8 a8 g8 a4 bes4 r4 f'4 d4 bes4 r4 c4 a4 f4 r2 r1 r2 c4 c8 d8 e8 f8 g4. f8 d8 e8 fis4 g2 fis4 g2 r4 d'4 bes4 g4 r2 + r1 r4 d4 d4 e4 f4. f8 f4 g4 a2 a4 bes4 c1 d1 + bes4 d4 g,4. f8 e4 d4 g4 f4 e4 d8 d8 cis4 d4 ~ d4 cis4 d2 + r4 d'4 c4 f4 ~ f8 ees8 d8 c8 bes4 c4 fis,4 bes4 a2 g1 + d'2 e2 f4 d4 c4 c8 c8 ees2 d2 d1 d2 r4 d4 ~ d4 d4 ees2 ees4 f4 c4. c8 c4 bes4 g4 a4 ~ a8 g8 g2 fis4 g1 + r1 r1 g4. g8 f4 d4 g8 a8 bes8 c8 d8 a8 d4 ~ d4 c4 d2 + r1 r1 r1 r4 bes4 f4. g8 a4 f4 f'2 ees2 ees2 d2 d4 d4 ~ d4 c8 bes8 a2 b1 + d2 e2 f4 d4 c2 c4 ees2 d4 d2. d4 d2 r4 d4 ~ d4 d4 ees4. ees8 ees4 f4 c4. c8 c4 bes4 g8 g8 a4 ~ a8 g8 g2 fis4 g1 g1 ~ g1 g1 + } + >> + } + + sopranIIMelodie = \relative c'' { + << + { \meta } + %\sopranArt + %the actual tune + { + g2 bes2 a4 a4 g4 g8 g8 f4 f4 g4 a4 bes4 bes4 a4 a8 a8 g2. e4 fis1 fis2 r4 fis4 ~ fis4 g4 a2 a4 d4 c4. c8 c4 bes4 g4 a4 ~ a4 g2 fis4 g1 + b2 c2 a4 bes4 a4 a8 a8 c2 g2 a1 a2 r4 a4 ~ a4 bes4 bes2 bes4 bes4 a4. a8 a4 f'2 ees4 d2 d2 d1 + r1 r1 r1 r4 fis,4 fis4 fis4 g2 a4 bes4 ~ bes4 bes4 a2 bes1 + \repeat unfold 5 { + r1 + } + r1 r1 r1 r4 c,8 d8 e4 e8 f8 g8 g8 f8 e8 d4 d4 r2 r8 bes'8 a8 g8 f4 f4 r4 f4 g2 f4 bes4 ~ bes4 a8 g8 a2 bes2 r4 d4 ~ d4 f2 ees4 d1 d2 r4 d4 ~ d8 c8 bes4 a4 g4 r1 + r2 bes2 g4 a4 bes2 a4 a2 g4 a2 a4 g4 ~ g4 f4 g2 ~ g2 a4 bes4 a1 + \repeat unfold 9 { + r1 + } + r4 f4 a4 f8 f8 c4. d8 e4 d4 e2 r4 c'4 a4 f4 r4 f'4 f8 e8 d8 c8 bes4 f4 r4 d'4 c8 bes8 a8 g8 f4 c'4 r2 r2 r4 g4 e4 c4 r2 g'4 g8 a8 bes8 c8 d8 c16 bes16 a4 g4 a2 g4 d'4 bes4 g4 + r1 r1 r1 r4 d4 d4 e4 f4. f8 f4 g4 a4 bes8 bes8 bes4 a4 bes2 f4 g4 d2 bes'4 d4 g,4. f8 e4 d4 g4 f4 e4 d8 d8 e2 d4 a'4 f4 bes4. a8 f8 g8 a4 bes4 g4. f16 g16 a4 g2 fis4 g1 + b2 c2 a4 bes4 a4 a8 a8 c2 g2 a1 a2 r4 a4 ~ a4 bes4 bes2 bes4 bes4 a4. a8 a4 f'2 ees4 d2 d2 d1 + r1 r1 r2 d4. d8 bes4 g4 a4 g8 f8 g8 f8 g8 a8 bes2 a2 r2 + r1 r1 d1 c1 ~ c2 c2 bes2. bes4 a4 d,4 d'2 d1 + b2 c2 a4 bes4 a2 a4 c2 g4 a2. a4 a2 r4 a4 ~ a4 bes4 bes4. bes8 bes4 bes4 a4. a8 a4 f'4 f4 ees8 ees8 d1 d1 ees2. d4 c1 b1 + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + r1 d2 ees2 d4 d4 c4 c8 c8 bes2 f4 f4 g2 c2 d1 d2 r4 d4 ~ d4 g4 f2 f4 bes,4 f'4. f8 f4 bes,2 c4 d2 d2 g,1 + g'2 g2 f4 f4 f4 f8 f8 g2. g4 fis1 fis2 r4 fis4 ~ fis4 g4 g2 g4 f4 f4. f8 f4 d2 c4 a4 bes8 c8 d4 d4 b1 + r1 r1 r1 r4 d4 d4 d4 d2 f4 f4 ~ f4 g4 f2 f2 r4 f4 f4 f8 f8 f4 f8 d8 f2 f4 d8 d8 f4 d8 d8 c4 d4 ees4 d2 c4 d1 + r4 bes8 c8 d4 d8 e8 f2 r8 f8 e8 d8 c4 c4 r2 + r1 r1 r1 r2 r8 f8 d8 c8 bes4 bes4 r4 f'4 ~ f4 c4 f2 f1 + r4 f4 c4 ees4 g1 fis2 r4 f4 a4 d,4 d4. e8 fis4 g4 r2 + r2 g2 c,4 c4 g'2 f4 f2 e4 f2 f4 ees4 ~ ees4 d4 ees2 ~ ees2 f4 g4 d1 + \repeat unfold 9 { + r1 + } + r1 r1 r2 g4 e4 c4 r4 r2 r4 bes4 bes8 c8 d8 e8 f4. g8 a8 g8 f4 ~ f8 e16 d16 c8 d8 ees8 f8 g8 f16 ees16 d4 c4 d2 c2 g'4 e4 c4 r4 r2 + r1 r1 d4 d8 e8 f8 g8 a8 g16 f16 e4 d4 e2 d2 r2 r4 bes4 bes4 g4 d'4. d8 d4 g4 f4 ees8 ees8 f2 bes,4 bes4 d4 g,4 ~ g4 g4 g2 g2 g2 g2 a4 bes8 bes8 a2 d2 d4 bes4 f'4. ees8 d8 c8 bes4 ees2 d1 bes1 + g'2 g2 f4 f4 f4 f8 f8 g2. g4 fis1 fis2 r4 fis4 ~ fis4 g4 g2 g4 f4 f4. f8 f4 d2 c4 a4 bes8 c8 d4 d4 b1 + r1 r1 r1 g'4. g8 f4 d4 ees2 d2 + r1 r1 r1 r1 r4 f4 c4. d8 ees4 c4 g'2 g4 g4 d4. e8 fis4 g2 fis4 g1 + g2 g2 f4 f4 f2 f4 g2 g4 fis2. fis4 fis2 r4 fis4 ~ fis4 g4 g4. g8 g4 f4 f4. f8 f4 d4 d4 c8 bes8 a4 d,4 d'2 d1 c2. d4 ees1 d1 + } + >> + } + + tenorIMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + { + \clef "treble_8" + \repeat unfold 12 { + r1 + } + d2 c2 c4 bes4 c4 c8 c8 c2 d2 d1 a2 r4 d4 ~ d4 bes4 bes2 bes4 f4 a4. a8 f2 r4 c'4 ~ c4 bes4 a4 a4 g1 + d'4 g,4 bes4. c8 d8 ees8 d4. e8 f4 ~ f4 e4 e2 d4 d,4 d4 d4 g2 f4 bes4 ~ bes4 ees,4 f2 bes1 + r1 r2 r4 bes8 bes8 d4 bes8 bes8 a4 f4 g8 a8 bes2 a8 g8 fis4 g2 fis4 g4 + g8 a8 bes4 bes8 c8 d2 r8 d8 c8 bes8 a4 a4 r4 f8 g8 a4 a8 bes8 c8 c8 bes8 a8 g4 g4 r2 r8 g8 f8 e8 d4 d4 r2 r8 d'8 bes8 a8 g4 g4 r8 bes8 d8 bes8 c1 d1 + bes4 a2 c4 d2 g,2 a4 d4. c8 bes4 a4 g4 a4 bes4 d4 d4 r2 + \repeat unfold 6 { + r1 + } + d2 r4 d4 bes4 g8 g8 d'4 d8 e8 f1 r4 e2 d4 e2. e4 e4 a,4 d4. c8 bes4 g4 r4 bes4 c4 d4 ees2 d2 r4 d4 f4 d8 d8 c4 bes4 c1 + r1 r2 r4 c,4 f8 g8 a8 bes8 c2 f,2 r4 bes4 bes8 c8 d8 e8 f4 f,8 g8 a8 bes8 c4. bes8 g8 a8 b4 c2 b4 c4 g4 e4 c4 r1 r2 r4 d'4 bes4 g4 g4 g8 a8 bes8 c8 d4. c8 a8 b8 cis4 d2 cis4 d1 + \repeat unfold 12 { + r1 + } + d2 c2 c4 bes4 c4 bes8 bes8 c2 d2 d1 a2 r4 d4 ~ d4 bes4 bes2 bes4 f4 a4. a8 f2 r4 c'4 ~ c4 bes4 a4 a4 g1 + d'4. d8 bes4 g4 a8 g8 a8 bes8 c4 d4 ~ d4 c4 d2 + r1 r1 r2 d4. d8 bes4 g4 ees'2 d2 c4 c4 bes2 r4 bes4 f4. g8 a4 f4 r4 c'4 g4. a8 bes2 g2 a1 g1 + d'2 c2 c4 bes4 c2 c4 c2 d4 d2. a4 a2 r4 d4 ~ d4 bes4 bes4. bes8 bes4 f4 a4. a8 f2 r4 c'4 c4 bes8 bes8 a2 b1 g1 ~ g1 g1 + } + >> + } + + tenorIIMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + { + \clef "treble_8" + \repeat unfold 12 { + r1 + } + g2 g2 a4 f4 a2 g2 r4 d4 fis4. g8 a2 ~ a4 d,4 r4 a'4 ~ a4 g4 g2 g4 bes4 c2 a4 bes4. d,8 a'4 fis4 g4 a4 d,4 d1 + r2 d'4 g,4 bes4. c8 d2 ~ d4 d4 cis2 d1 + r1 r1 r4 d4 d4 d8 d8 d4 d8 c8 d2 ~ d2 d2 r2 r4 a8 a8 c4 f,8 f8 g4 a4 bes4 a8 g8 a2 g1 + r4 d8 e8 f4 f8 g8 a8 c8 a8 bes8 c4 c4 r1 r2 r4 g8 a8 bes4 bes8 c8 d2 r8 a8 f8 e8 d4 d4 r8 g8 bes8 c8 d4 bes4 r8 f8 a8 bes8 c4 f,4 + r2 bes2 f2 a4 g4 ~ g8 a8 bes4. c8 d4 ~ d4 a4 r2 r4 bes4 fis4 g4 d4 g4 r2 + \repeat unfold 6 { + r1 + } + r1 bes2 r4 bes4 a4 f8 f8 a4 a8 b8 cis2 cis4 d4 cis2. cis4 cis2 a4 d4 ~ d8 c8 bes8 a8 g2 a4 bes2 a4 bes4 bes4 d4 bes8 bes8 f4. g8 a4 g4 a2 r4 f4 a4 f8 f8 c'4 d4 c1 + r4 c4 a4 f4 r4 f'4 d4 bes4 r4 bes4 f8 g8 a8 bes8 c4. bes16 a16 g4 c,4 r1 r2 r4 c4 c8 d8 e8 f8 g8 a8 bes8 c8 d4 ees4 d2 g,2 d'4 bes4 g4 r4 r2 r1 r1 + \repeat unfold 12 { + r1 + } + g2 g2 a4 f4 a2 g2 r4 d4 fis4. g8 a2 ~ a4 d,4 r4 a'4 ~ a4 g4 g2 g4 bes4 c2 a4 bes4. d,8 a'4 fis4 g4 a4 d,4 d1 + r2 g4. g8 f4 d4 g8 a8 bes4 ~ bes4 a8 g8 a2 + r1 r2 g4. g8 f4 d4 bes'8 c8 bes8 a8 g4. a16 bes16 c8 d8 c8 bes8 a4 bes4 bes4 a4 bes1 r2 r4 f4 c4. d8 ees4 c4 r4 d4 d2 ~ d4 d4 d2 d1 + g2 g2 a4 f4 a2 ~ a4 g4 g4 d4 ~ d4 a'2 d4 d2 r4 a4 ~ a4 g4 g4. g8 g4 bes4 c2 a4 bes4. d,8 a'4 fis4 g4 a4 d,4 d2 g2 ~ g4 f4 e2 ~ e4 d4 c2 d1 + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + \repeat unfold 12 { + r1 + } + g2 c2 f4 bes,4 f'4 f8 f8 c2 b2 d1 d2 r4 d4 ~ d4 g4 ees2 ees4 d4 f4. f8 f4 bes,2 c4 d2 d2 g,1 + r1 g'4 g,4 bes4. c8 d4 g4 a2 d,1 r1 r1 r4 bes'4 bes4 bes8 bes8 bes4 bes8 a8 bes2 ~ bes2 bes2 r4 bes,8 bes8 f'4 d8 d8 c4 d4 ees2 d1 + r1 r4 bes8 c8 d4 d8 e8 f1 r2 r4 c8 d8 e4 e8 f8 g2 r4 g,8 a8 bes4 bes8 c8 d2 bes2 ees2 bes2 f'1 bes,2 + r4 bes4 ~ bes4 f'2 c4 g'1 d2 bes'2 fis4 g4 d4 g,4 r1 + \repeat unfold 6 { + r1 + } + r1 g'2 r4 g4 f4 d8 d8 f4 f8 g8 a2 a4 bes4 a4. a8 a4 a,4 a'2 fis4 fis4 g4. f8 ees2 ~ ees4 d4 c2 bes2 r4 bes4 d4 bes8 bes8 f'4 g4 f1 + r1 r1 r2 r4 f4 d4 bes4 r2 r2 r4 f4 f8 g8 a8 bes8 c8 d8 ees8 f8 g4 a4 g2 c,2 r4 g'4 e4 c4 r2 + r1 r2 r4 g4 g8 a8 bes8 c8 d8 e8 f8 g8 a4 bes4 a2 d,1 + \repeat unfold 12 { + r1 + } + g,2 c2 f4 bes,4 f'4 f8 f8 c2 b2 d1 d2 r4 d4 ~ d4 g4 ees2 ees4 d4 f4. f8 f4 bes,2 c4 d2 d2 g,1 + r1 d'4. d8 c4 bes4 ees2 d2 + r1 r1 d4. d8 bes4 g4 ees'8 f8 ees8 d8 c2 d2 ees4 f4 bes,1 + r1 r2 r4 c4 g4. a8 bes4 g4 d'1 g,1 + g2 c2 f4 bes,4 f'2 f4 c2 b4 d2. d4 d2 r4 d4 ~ d4 g4 ees4. ees8 ees4 d4 f4. f8 f4 bes,4 bes4 c8 c8 d1 g,1 c1 ~ c1 g1 + } + >> + } + diff --git a/hr/stch/fertig/ix/texte.ly b/hr/stch/fertig/ix/texte.ly new file mode 100644 index 0000000..02ed3b0 --- /dev/null +++ b/hr/stch/fertig/ix/texte.ly @@ -0,0 +1,22 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + +% Die Textaufteilungen % -- _ + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + } + diff --git a/hr/stch/fertig/jauchzet/a.midi b/hr/stch/fertig/jauchzet/a.midi Binary files differnew file mode 100644 index 0000000..7729316 --- /dev/null +++ b/hr/stch/fertig/jauchzet/a.midi diff --git a/hr/stch/fertig/jauchzet/a5/jauchzet.ly b/hr/stch/fertig/jauchzet/a5/jauchzet.ly new file mode 100644 index 0000000..8eb2915 --- /dev/null +++ b/hr/stch/fertig/jauchzet/a5/jauchzet.ly @@ -0,0 +1,81 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.18" +\include "../dynArt.ly" +\include "../stimmen.ly" +\include "../texte.ly" + +\pointAndClickOff + + \header { + title = "Jauchzet dem Herrn, alle Welt" + composer = "Felix Mendelssohn Bartholdy" + text = "Psalm 100" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + #(set-paper-size "a5") + line-width = \paper-width - 20 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + %page-count = 3 + %system-count = 12 + print-page-number = #'f + } + + \layout { + indent = #0 + \context { + \Staff + %printPartCombineTexts = ##f + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 11.2) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \sopranMelodie } + >> + + alt = << + \new Voice = "alti" { \altMelodie } + >> + + ten = << + \new Voice = "tenoere" { \tenorMelodie } + >> + + bas = << + \new Voice = "baesse" { \bassMelodie } + \new Lyrics \lyricsto firstBass { \bassText } + >> + + \score { + \new ChoirStaff \with {} << + \new Staff = sopran { \sop } + \new Lyrics \lyricsto soprane \sopranText + \new Staff = alt { \alt } + \new Lyrics \lyricsto alti \altText + \new Staff = tenor { \ten } + \new Lyrics \lyricsto tenoere \tenorText + \new Staff = bass { \bas } + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + \context { \Staff + \RemoveEmptyStaves + \override VerticalAxisGroup.remove-first = ##t + } + } + } + diff --git a/hr/stch/fertig/jauchzet/b.midi b/hr/stch/fertig/jauchzet/b.midi Binary files differnew file mode 100644 index 0000000..5b834e2 --- /dev/null +++ b/hr/stch/fertig/jauchzet/b.midi diff --git a/hr/stch/fertig/jauchzet/dynArt.ly b/hr/stch/fertig/jauchzet/dynArt.ly new file mode 100644 index 0000000..4cadaaf --- /dev/null +++ b/hr/stch/fertig/jauchzet/dynArt.ly @@ -0,0 +1,263 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + \tempo "Andante con moto" + s1\f + s1 + s1 + s1*8 + s2.\fermata s4\p + s1 + s1\< + s4^>\f s2.\> + s8 s2..\! + \break + s1\p + s1^\markup{\italic "cresc."} + s1 + s1\f + s1 + % + s1*2 + s1\p + s1*7 + \bar "||" + \break + %\pageBreak + \tempo "Poco lento" + \key f \major + s1*16 + \break + s2.\< s4\> + s8 s2..\! + s2\< s8 s4.\> + s1\mf\< + s2\f s2\> + s1 + s1\p + s1 + \break + s1\p + s1\mf + s1\f + s1 + s2 s2\f\> + s2. s16 s8.\! + s1\p + s1\fermata + \bar "||" + \break + %\pageBreak + \tempo "Andante" + \key c \major + s1*6 + s1*2 + \break + s1*4 + s2..\< s8\! + \break + s1\f + s1^\markup{\italic "dim."} + s2 s2\p + s1*3 + s1\> + s1\!\fermata + \bar "|." + } + +% articulation + + frauen = { + s1 + s2 s4 s4\mp\< + s1\mf\> + s1\mp + s1*2 + s1\< + s1\! + s1\mf + s1*2 + s4 s2.\mf + s1*12 + } + + maenner = { + s4.\mp s8\< s4. s8\! + s1*2 + s2 s2\< + s1\! + s1\> + s1\! + s2.\< s4\! + s1 + s2. s4\< + s4\! s2.\> + s1\! + s1*12 + } + + unter = { + s1\p + s1 + s4 s2.^\markup{\italic "cresc."} + s1 + s8 s2.\< s8\! + s1 + s1\p + s1 + } + + sopranArt = { + \dynamicUp + s1 + s1 + s1 + s1*8 + s2. s4 + s1 + s1 + s4 s2. + s8 s2.. + s1 + s1 + s1 + s1\f + s2 s2^\markup{\italic "dim."} + % + s1*2 + s1 + s1*2 + s2..\< s8\! + s1 s4 s2\> s8 s8\! + s2.\< s4\> + s4 s2.\! + % + \frauen + s4 s2.^\markup{\italic "cresc."} + s1*7 + % + s1*8 + s1\p + s1*7 + s1 + s4. s8^\markup{\italic "cresc."} s2 + s1\f + s1*2 + } + + altArt = { + \dynamicUp + s1 + s1 + s1 + s1*8 + s2. s4 + s1 + s1 + s4 s2. + s8 s2.. + s1 + s1 + s1 + s1\f + s2 s2 + % + s1^\markup{\italic "dim."} + s1*3 + s4 s4\< s16 s8\! s16\> s4 + s1\! + s1*2 + s2\< s2\> + s8 s2..\! + % + \frauen + s4 s2.^\markup{\italic "cresc."} + s1*7 + % + \unter + s1\p + s1*7 + s4. s8^\markup{\italic "cresc."} s2 + s1 + s1\f + s1*2 + } + + tenorArt = { + \dynamicUp + s1 + s1 + s1 + s1*8 + s2. s4 + s1 + s1 + s4 s2. + s8 s2.. + s1 + s1 + s1 + s1\f + s2 s2 + % + s2 s2^\markup{\italic "dim."} + s1*2 + s8 s4.\< s2\> + s1\! + s2.\< s32 s8..\! + s1 + s2 s2\> + s4 s2.\! + s1 + % + \maenner + s1 + s1*7 + % + \unter + s1\p + s1*7 + s4. s8^\markup{\italic "cresc."} s2 + s1 + s2. s4\f + s1*2 + } + + bassArt = { + \dynamicUp + s1 + s1 + s1 + s1*8 + s2. s4 + s1 + s1 + s4 s2. + s8 s2.. + s1 + s1 + s1 + s1\f + s2 s2 + % + s1 + s1^\markup{\italic "dim."} + s1*6 + s2\< s4\! s4\> + s4 s2.\! + % + \maenner + s4 s2.^\markup{\italic "cresc."} + s1*7 + % + \unter + s4 s2.\p + s1*7 + s1 + s2. s4^\markup{\italic "cresc."} + s1\f + s1*2 + } + diff --git a/hr/stch/fertig/jauchzet/jauchzet.ly b/hr/stch/fertig/jauchzet/jauchzet.ly new file mode 100644 index 0000000..38e6a62 --- /dev/null +++ b/hr/stch/fertig/jauchzet/jauchzet.ly @@ -0,0 +1,74 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.18" +\include "dynArt.ly" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Jauchzet dem Herrn, alle Welt" + composer = "Felix Mendelssohn Bartholdy" + text = "Psalm 100" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + page-count = 3 + system-count = 12 + } + + \layout { + indent = #0 + \context { + \Staff + %printPartCombineTexts = ##f + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + \RemoveEmptyStaves + } + } + + #(set-global-staff-size 12) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \sopranMelodie } + >> + + alt = << + \new Voice = "alti" { \altMelodie } + >> + + ten = << + \new Voice = "tenoere" { \tenorMelodie } + >> + + bas = << + \new Voice = "baesse" { \bassMelodie } + \new Lyrics \lyricsto firstBass { \bassText } + >> + + \score { + \new ChoirStaff \with {} << + \new Staff = sopran { \sop } + \new Lyrics \lyricsto soprane \sopranText + \new Staff = alt { \alt } + \new Lyrics \lyricsto alti \altText + \new Staff = tenor { \ten } + \new Lyrics \lyricsto tenoere \tenorText + \new Staff = bass { \bas } + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/stch/fertig/jauchzet/midi.lua b/hr/stch/fertig/jauchzet/midi.lua new file mode 100644 index 0000000..e22ba8e --- /dev/null +++ b/hr/stch/fertig/jauchzet/midi.lua @@ -0,0 +1,51 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { + \unfoldRepeats +]] + +post=[[ + \midi { + \context{ + \Score + tempoWholesPerMinute = #(ly:make-moment 120 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/fertig/jauchzet/s.midi b/hr/stch/fertig/jauchzet/s.midi Binary files differnew file mode 100644 index 0000000..2e496c4 --- /dev/null +++ b/hr/stch/fertig/jauchzet/s.midi diff --git a/hr/stch/fertig/jauchzet/stimmen.ly b/hr/stch/fertig/jauchzet/stimmen.ly new file mode 100644 index 0000000..8715358 --- /dev/null +++ b/hr/stch/fertig/jauchzet/stimmen.ly @@ -0,0 +1,576 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.18" + + global = { + \key c \major + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + \autoBeamOff + } + +% Die Stimmen + + sopZwo = \relative c' { + s1 + s2 s4 a'4 + bes1 + a1 + s1 + s2 s4 c4 + c2( b2) + g2 s2 + c4 c8 c8 c4 bes4 + c4. c8 c2 + s1 + s4 c4 c4 c4 + c4( b2 d4) + c4.( b8) a2 + s1 + s1 + c2. c4 + bes1 + d2. bes4 + c1 + a2 a2 + f4( g4 a4) d,4 + g1 + a2 s2 + r4 bes4( a4) g4 + f2 s2 + d'2 bes2 + g2. r4 + s2 a4 a4 + f4( g4 a4) d,4 + g1 + f1 + } + + sopranMelodie = \relative c' { \global + << + { \meta } + \sopranArt + %the actual tune + { + g'2 g4 g4 + c2 c4 d4 + e1\fermata + g,4 g8 g8 a4 g4 + f2 e2 + c'4 c8 c8 c4 c4 + c4( d4) e4 c4 + b4 a4 g4 b4 + e2.( d4 ~ + d4) c2 c4 + c1 + b2. e,4 + e4. e8 e4 e4 + g1 + a1 + a2 r2 + a4. a8 a4 a4 + bes2. bes4 + d2 d2 f4. f8 f4 f4 + f2 c4 bes4 + % + a1 ~ + a4 a4 g4 f4 + e4( g4 c2 ~ + c4) b2 r4 + r2 r4 c8 c8 + d4 c4 c4 b4 + c1 ~ + c4 b4 c4 a4 + g1 + g1 + << + \relative c' { + \voiceTwo \sopZwo + } + \new Voice { + \voiceOne + s1 + s2 s4 c4 + d1 + c1 + s1 + s2 s4 c4 + d2.( f4) + e2 s2 + c4 c8 c8 d4 d4 + f4. f8 f2 + s1 + s4 c4 c4 c4 + % + f2 e2( ~ + e4. d8) c2 + s1 + s1 + c2. c4 + d1 + d2. d4 + e1 + f2 e2 + d2( c4) bes4 + g2.( bes4) + a2 s2 + c2. c4 + d2 s2 + g2. g4 + g4( f4 e4 d4) + c2 f4 e4 + d2( c4) bes4 + g2.( bes4) + a1 + } + \new Voice { + R1 r2 r4 s4 s1*2 R1 r2 r4 s4 s1*4 R1 s1 + s1*2 R1 R1 s1*7 s2 r2 s1 s2 r2 s1*6 + } + >> + \oneVoice + R1*8 + c4 c4 f4 e4 + d2 c2 + e4 e8 e8 g4 e4 + d4 d4 f4 e8[ d8] + c4 c8 c8 d4 e4 + f4 f4 e2 + d4 e8 e8 f4 e8[ d8] + d4 d4 c2 ~ + c1 + c4 c8 c8 f4 e4 + d4( c2) c4 + c2 b2 + c1 + } + >> + } + + altZwo = \relative c' { + s1 + s2 s4 f4 + bes,1 + f'1 + s1 + s2 s4 a4 + f2( g2) + c,2 s2 + f4 f8 f8 f4 f4 + f4. f8 f2 + s1 + s4 f4 f4 f4 + d2( e2) + a,2 a2 + s1 + s1 + f'2. e4 + d1 + bes'4( a4 g4) f4 + e1 + f2 a2 + bes,2( c4) d4 + c1 + c2 s2 + c2. c4 + bes2 s2 + g'4( f4 e4) d4 + c2. s4 + s2 d4 e4 + d4( bes4 c4) d4 + c1 + c1 + } + + altMelodie = \relative c' { \global + << + { \meta } + \altArt + %the actual tune + { + e2 e4 f4 + g2 g4 g4 + c1\fermata + g4 g8 g8 a4 g4 + f2 e2 + g4 g8 g8 a4 g4 f2 e2 + r2 c'4( b4) + a4 g4 f4 f4 + e2 a4 g4 + e4( fis4) g2 ~ + g2. c,4 + c4. c8 c4 c4 + d1 + d1 + cis2 r2 + d4. d8 d4 d4 + d2. d4 + f2 f2 + bes4. bes8 f4 g4 + a2 r2 + % + a4 g4 f4 e4 + d2( e4) f4 + g2. f4 + e4 d2 r4 + r4 g8 g8 a4 g4 + f4( e4) d2 + c4 c4 d4 e4 + f4. f8 e4 d4 + d1 + e1 + << + \relative c' { + \voiceOne + s1 + s2 s4 f4 + f2( e2) + f1 + s1 + s2 s4 a4 + a2( g2) + g2 s2 + a4 a8 a8 f4 bes4 + bes4. a8 a2 + s1 + s4 a4 a4 a4 + % + a2( gis2) + a2 e2 + s1 + s1 + f2. f4 + f1 + bes2. bes4 + g1 + f2 c'2 + f,2. f4 + f2( c2) + c2 s2 + r4 g'4( f4) e4 + d2 s2 + bes'4( a4 g4) g4 + e2. s4 + s2 d4 a'4 + d,4( f2) f4 + c1 + c1 + } + \new Voice { \voiceTwo \altZwo } + \new Voice { + R1 r2 r4 s4 s1*2 R1 r2 r4 s4 s1*4 R1 s1 + s1*2 R1 R1 s1*7 s2 r2 s1 s2 r2 s1 s2. r4 r2 s2 s1*3 + } + >> + \oneVoice + c4 c4 f4 e4 + d2 c2 + e4 e8 e8 g4 e4 + d4 d4 f4 e8[ d8] + c4 c8 c8 d4 e4 + f4 f4 e2 + d4 e8 e8 f4 e8[ d8] + d4 d4 c2 + e4 e4 f4 g4 + f2 e2 + a4 a8 a8 g4. g8 + g4 g4 a4 gis4 + e4 e8 e8 a4 g4 + f4 a4 a2 + a4 a8 a8 a4 g8[ a8] + g4 g8[ f8] e2 + f4 e8 e8 a4 g4 + a4 g8 g8 c4 c4 + a4( g4 f4) e8[ d8] + d2 d2 + e1 + } + >> + } + + tenZwo = \relative c' { + c4 c8 c8 d4 d4 + c4. c8 c2 + s1 + s4 c4 c4 c4 + c4( b2 d4) + c4.( b8) a2 + s2 s4 b4 + c1 + c2 s2 + s2 s4 a4 + bes1 + a1 + s1 + s2 s4 c4 + c2( b2) + c2 s2 + a2. a4 + f1 + bes2. bes4 + bes1 + a2 a2 + d2 f,2 + f2( e2) + f2 s2 + s1 + d'4( c4 bes4) a4 + g2 g2 + g2. s4 + s2 a4 cis4 + f2 f,2 + c1 + c1 + } + + tenorMelodie = \relative c' { \global + << + { \meta } + \tenorArt + %the actual tune + \clef "treble_8" + { + c2 c4 d4 + e2 e4 f4 + g1\fermata + R1 + R1 + e4 e8 e8 f4 e4 + a,2 g2 + r4 f'4 e4 d4 + c4 b4 a4 r4 + r4 g'4( f4) e4 + c2 d2 ~ + d2. g,4 + g4. g8 g4 g4 + g1 + f1 + e2 r2 + f4. f8 f4 f4 + f2. f4 + bes2 bes2 + d4. d8 d4 d4 + c2 r2 + % + r2 d4 c4 + b4 b4 c4 d4 + e4( d4) c2 + r8 g8 g8 g8 a4 g4 + f2 e2 + d4 e8[ f8] g4 g4 + c4( b4 a4) g4 + a4 g4 c2( ~ + c2 b2) + c1 + << + \relative c' { + \voiceOne + c4 c8 c8 d4 d4 + f4. f8 f2 + s1 + s4 c4 c4 c4 + f2 e2 ~ + e2 c2 + s2 s4 d4 + e2.( g4) + f2 s2 + s2 s4 c4 + d1 + c1 + % + s1 + s2 s4 c4 + d2.( f4) + e2 s2 + c2. c4 + f,1 + d'2. d4 + c1 + f2 c2 + d2 f2 + c1 + c4 f4( e4) d4 + c2 s2 + f4( e4 d4) c4 + bes2 bes2 + bes2. s4 + s2 d4 cis4 + d2( ees4) d4 + g,1 + a1 + } + \new Voice { \voiceTwo \tenZwo } + \new Voice { + s1*2 R1 r4 s2. s1*2 r2 r4 s4 s1 s2 r2 r2 s2 s1*2 + R1 r2 r4 s4 s1 s2 r2 s1*8 s2 r2 s1*2 s2. r4 r2 s2 s1*3 + } + >> + \oneVoice + a4 a4 b4 c4 + c4( b4) c2 + c4 c8 c8 c4 c4 + c4 b4 a4 gis4 + a4 a8 a8 b4 c4 + d4 d4 c2 + c4 c8 c8 c4 c4 + c4 b4 c2 + g4 g4 a4 c4 + c4( b4) g2 + c4 c8 c8 c4. c8 + c4 b4 b4 b4 + a4 a8 a8 a4 cis4 + d4 d4 cis2 + d4 cis8 cis8 a8[ b8] c4 + c4 b4 c2 + a4 g8 g8 f'4 e4 + f4 e8 e8 a4( g4 + f4 c2) a4 + g2 g2 + g1 + } + >> + } + + bassZwo = \relative c' { + c4 c8 c8 c4 bes4 + f4. f8 f2 + s1 + s4 f4 f4 f4 + d2( e2) + a,2 a2 + s2 s4 g4 + c1 + f,2 s2 + s2 s4 f'4 + bes,1 + f1 + s1 + s2 s4 a'4 + f2( g2) + c,2 c4 bes4 + a2. a4 + bes1 + g2. g4 + c1 + d2 a2 + bes2( f4) bes4 + c1 + f,2 s2 + a2. a4 + bes2 s2 + g'2 g2 + c,2. s4 + s2 d4 a4 + bes2( f4) bes4 + c1 + f,1 + } + + bassMelodie = \relative c { \global + << + { \meta } + \bassArt + %the actual tune + \clef bass + \new Voice = firstBass { + c'2 c4 c4 + c2 c4 c4 + c1\fermata + R1 + R1 + c4 c8 c8 c4 c4 + f,2 c4 c4 + d2 e2 ~ + e4 e4 a4 b4 + c4 c,4 f4 g4 + a2 g2 + g2. c,4 + c4. c8 c4 c4 + bes1 + a1 + a2 r2 + d4. d8 d4 d4 + bes2. bes4 + bes2 bes2 + bes'4. bes8 bes4 bes4 + f1 ~ + % + f1 + f4 f4 e4 d4 + c4( b4) a2 + g1 + g1 ~ + g2. g'8 g8 + a4 g4 f4 e4 + d2( c4) <f f,>4 + <g g,>1 + c,1 + << + \new Voice \relative c' { + \voiceOne + c4 c8 c8 c4 bes4 + bes4. a8 a2 + s1 + s4 a4 a4 a4 + a2( gis2) + a2 e2 + s2 s4 g4 + g2( bes2) + a2 s2 + s2 s4 f4 + f2( e2) + f1 + % + s1 + s2 s4 a4 + a2( g2) + g2 s2 + f2. f4 + bes1 + g2. g4 + g1 + d2 e2 + bes'2( a4) g4 + g2.( e4) + a2 s2 + f2. f4 + f2 s2 + d'2 g,2 + g2. s4 + s2 d'4 a4 + bes2 f2 + f2( e2) + f1 + } + { \voiceTwo \bassZwo } + \new Voice { + s1*2 R1 r4 s2. s1*2 r2 r4 s4 s1 s2 r2 r2 s2 s1*2 + R1 r2 r4 s4 s1 s2 s2 s1*8 s2 s2 s1*2 s2. r4 r2 s2 s1*3 + } + >> + \oneVoice + f4 e4 d4 c4 + g2 c2 + a'4 a8 a8 e4. f8 + g4 g4 d4 e4 + a4 g8 g8 f4 e4 + d4 f4 a2 + f4 g8 g8 a4 g8[ f8] + g4 g4 c,2 ~ + c4 c4 c4 c4 + g2 c2 + a'4 a8 a8 e4. f8 + g4 g4 d4 e4 + a4 a8 g8 f4 e4 + d4 d4 a2 + f'4 e8 e8 d4 e8[ f8] + g4 g4 c,2 ~ + c1 ~ + c2 c4 c8 c8 + f4 e4 a4 f4 + g2 g,2 + c1 + } + >> + } + diff --git a/hr/stch/fertig/jauchzet/t.midi b/hr/stch/fertig/jauchzet/t.midi Binary files differnew file mode 100644 index 0000000..d94f6b0 --- /dev/null +++ b/hr/stch/fertig/jauchzet/t.midi diff --git a/hr/stch/fertig/jauchzet/texte.ly b/hr/stch/fertig/jauchzet/texte.ly new file mode 100644 index 0000000..7a51466 --- /dev/null +++ b/hr/stch/fertig/jauchzet/texte.ly @@ -0,0 +1,152 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + + jauchzet = \lyricmode { + Jauch -- zet dem Herrn al -- le Welt! + } + Dienet = \lyricmode { + Die -- net dem Herrn mit Freu -- den, + } + dienet = \lyricmode { + die -- net dem Herrn mit Freu -- den, + } + kommt = \lyricmode { + kommt vor sein An -- ge -- sicht mit Froh -- lo -- cken. + Er -- ken -- net, daß der Herr Gott ist. + Er hat uns ge -- macht, und nicht wir selbst, zu sei -- nem Volk + } + unzu = \lyricmode { + und zu Scha -- fen + } + weide = \lyricmode { + sei -- ner Wei -- de, + } + Weide = \lyricmode { + sei -- ner Wei -- de. + } + frauen = \lyricmode { + mit Dan -- ken, mit Lo -- ben, + ge -- het zu sei -- nen To -- ren ein, + zu sei -- nen Vor -- hö -- fen + Dan -- ket ihm, dan -- ket ihm, + lo -- bet sei -- nen Na -- men. + Dan -- ket ihm, dan -- ket ihm, + lo -- bet sei -- nen Na -- men. + } + maennerA = \lyricmode { + Ge -- het zu sei -- nen To -- ren ein, + zu sei -- nen Vor -- hö -- fen + mit Lo -- ben, mit Dan -- ken, mit Lo -- ben. + } + maennerB = \lyricmode { + dan -- ket ihm, lo -- bet sei -- nen Na -- men. + } + wahrheit = \lyricmode { + und sei -- ne Wahr -- heit + } + fuf = \lyricmode { + für und für, + } + unter = \lyricmode { + Denn der Herr ist freund -- lich, + und sei -- ne Gna -- de wäh -- ret e -- wig + \wahrheit \fuf + } + freundlich = \lyricmode { + Herr ist freund -- lich, + und sei -- ne Gna -- de wäh -- ret e -- wig + \wahrheit \fuf + } + wahr = \lyricmode { + und sei -- ne Wahr -- heit, + } + heit = \lyricmode { + und sei -- ne Wahr -- heit wäh -- ret für und für. + } + +% Die Textaufteilungen + + sopranText = \lyricmode { + %<+hier den Text für den Sopran eintragen+> + \jauchzet + \Dienet + \dienet + \kommt + \unzu \weide + \unzu \weide \Weide + % + \frauen + % + Denn der \freundlich + \wahrheit \fuf + \heit + } + + altText = \lyricmode { + %<+hier den Text für den Alt eintragen+> + \jauchzet + \Dienet + \dienet + \kommt + \unzu sei -- ner, \weide + \unzu \weide + \unzu \Weide + % + \frauen + % + \unter + \wahrheit \fuf + Denn der \freundlich + \wahrheit \fuf + \wahr + \heit + } + + tenorText = \lyricmode { + %<+hier den Text für den Tenor eintragen+> + \jauchzet + \Dienet + \kommt + \unzu \weide + zu Scha -- fen \weide + \unzu sei -- ner, \Weide + % + \maennerA + Dan -- ket ihm, + \maennerB + Dan -- ket ihm, + dan -- ket, + \maennerB + % + \unter + \wahrheit \fuf + Denn der \freundlich + \wahrheit \fuf + \wahr + \wahrheit \fuf + } + + bassText = \lyricmode { + %<+hier den Text für den Baß eintragen+> + \jauchzet + \Dienet + mit Freu -- den, + \kommt + \unzu \weide + \unzu sei -- ner, \Weide + % + \maennerA + Dan -- ket, + dan -- ket ihm, + \maennerB + Dan -- ket ihm, + \maennerB + % + \unter + \wahrheit _ \fuf + Der \freundlich + \wahrheit _ \fuf + \heit + } + diff --git a/hr/stch/fertig/jene/a5/dynArt_.ly b/hr/stch/fertig/jene/a5/dynArt_.ly new file mode 100644 index 0000000..7813ceb --- /dev/null +++ b/hr/stch/fertig/jene/a5/dynArt_.ly @@ -0,0 +1,53 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + %\override Staff.TimeSignature #'style = #'() + \dynamicUp + \key a \major + \time 4/4 + s1 + s4\fermata + \bar "" + \break + s2. + s4\fermata + \bar "" + \break + s2. + s1*1 + s4 + \bar "" + \break + s2. + \bar "||" + s2. + \bar "" + \break + s4 + s1*2 + \break + s1*3 + \break + s1*2 + \break + s1*3 + \break + s1*3 + \bar ":|." + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/fertig/jene/a5/jene.ly b/hr/stch/fertig/jene/a5/jene.ly new file mode 100644 index 0000000..749ef51 --- /dev/null +++ b/hr/stch/fertig/jene/a5/jene.ly @@ -0,0 +1,188 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.18" +%\include "dynArt_.ly" +\include "../dynArt.ly" +\include "../stimmen.ly" +\include "../texte.ly" + +\pointAndClickOff + + \header { + title = "Ja, in Jene" + %composer = "<+Komponist+>" + arranger = "Siegfried Müller" + %opus = "<+Werk+>" + tagline = \markup { + %\bold "studentenchor" + } + } + + \paper { + #(set-paper-size "a5") + line-width = \paper-width - 20 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + page-count = 2 + system-count = 7 + print-page-number = #'f + } + + \layout { + indent = #25 + short-indent = #5 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 15) + + sop = << + \set Staff.instrumentName = "Sopran" + \set Staff.shortInstrumentName = "S" + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + \addlyrics { \sopranText } + >> + + alt = << + \set Staff.instrumentName = "Alt" + \set Staff.shortInstrumentName = "A" + \new Voice = "alti" { \global \altMelodie } + %\addlyrics { \altText } + >> + + ten = << + \set Staff.instrumentName = "Tenor" + \set Staff.shortInstrumentName = "T" + \new Voice = "tenoere" { \global \tenorMelodie } + \addlyrics { \tenorText } + >> + + bas = << + \set Staff.instrumentName = "Männerstimmen" + \set Staff.shortInstrumentName = "M" + \new Voice = "baesse" { \global \bassMelodie } + \addlyrics { \bassText } + >> + + \score { + \new ChoirStaff \with { printPartCombineTexts = ##f } << + \new Staff = sopran { \sop } + \new Staff = alt { \alt } + %\new Staff = tenor { \ten } + \new Staff = bass { \bas } + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + \context { \Staff + \RemoveEmptyStaves + \override VerticalAxisGroup.remove-first = ##t + } + } + } + + \markup { + \override #'(font-name . "Liberation Sans Narrow") + \fill-line { + \line { + \column { + "2." + " " + " " + " " + " " + " " + "3." + " " + " " + " " + " " + } + \column { + "Und die Straßen sind so sauber," + "|:sind sie gleich ein wenig krumm,:|" + "denn ein Wasser wird gelassen," + "aller Wochen durch die Gassen" + "|:in der ganzen Stadt herum.:|" + " " + "Und ein Wein wächst auf den Bergen," + "|:und der Wein ist gar nicht schlecht,:|" + "tut er auch die Strümpfe flicken" + "und den Hals zusammendrücken," + "|:ist er doch zur Bowle recht.:|" + } + } + \line { + \column { + "4." + " " + " " + " " + " " + " " + "7." + " " + " " + " " + " " + } + \column { + "Die Philister und die Wirte" + "|:sind die besten auf der Welt,:|" + "Wein und Bier in vollen Humpen" + "tun sie den Studenten pumpen" + "|:und dazu noch bares Geld.:|" + " " + "Auf den Straßen, auf den Gassen" + "|:stehn Studenten allzuhauf,:|" + "Mädchen an den Fenstern stehen" + "und auf die Studenten sehen" + "|:und wer will, der schaut hinauf.:|" + } + } + \line { + \column { + "8." + " " + " " + " " + " " + " " + "9." + " " + " " + " " + " " + } + \column { + "Und die allergrößte Freiheit" + "|:herrscht in Jene auf dem Damm,:|" + "In Schlafröcken darf man gehen" + "und den Bart sich lassen stehen," + "|:wie ein jeder will und kann.:|" + " " + "Denn die allergrößte Freiheit" + "|:hat in Jene der Student,:|" + "Wenn die andern früh aufstehen" + "und gestreßt zur Arbeit gehen" + "|:legt er sich ins Nest und pennt.:|" + %\line { } + %\line { } + %\line { } + %\line { } + %\line { } + %\line { } + } + } + } + } + diff --git a/hr/stch/fertig/jene/dynArt.ly b/hr/stch/fertig/jene/dynArt.ly new file mode 100644 index 0000000..20e2deb --- /dev/null +++ b/hr/stch/fertig/jene/dynArt.ly @@ -0,0 +1,43 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + %\override Staff.TimeSignature #'style = #'() + \dynamicUp + \key a \major + \time 4/4 + s1 + s4\fermata s2. + s4\fermata + \bar "" + \break + s2. + s1*2 + \bar "||" + \break + s1*3 + \break + s1*3 + \break + s1*2 + \break + s1*3 + \break + s1*3 + \bar ":|." + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/fertig/jene/jene.ly b/hr/stch/fertig/jene/jene.ly new file mode 100644 index 0000000..add34f7 --- /dev/null +++ b/hr/stch/fertig/jene/jene.ly @@ -0,0 +1,128 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.18" +\include "dynArt.ly" +\include "stimmen.ly" +\include "texte.ly" + +\pointAndClickOff + + \header { + title = "Ja, in Jene" + %composer = "<+Komponist+>" + arranger = "Siegfried Müller" + %opus = "<+Werk+>" + tagline = \markup { + %\bold "studentenchor" + } + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 16) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + \addlyrics { \sopranText } + >> + + alt = << + \new Voice = "alti" { \global \altMelodie } + %\addlyrics { \altText } + >> + + ten = << + \new Voice = "tenoere" { \global \tenorMelodie } + \addlyrics { \tenorText } + >> + + bas = << + \new Voice = "baesse" { \global \bassMelodie } + \addlyrics { \bassText } + >> + + \score { + \new ChoirStaff \with { printPartCombineTexts = ##f } << + \new Staff = sopran { \sop } + %\new Staff = alt { \alt } + \new Staff = tenor { \ten } + \new Staff = bass { \bas } + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + + \markup { + \override #'(font-name . "Liberation Sans Narrow") + \fill-line { + \line { + \column { + "2." + " " + " " + "4." + " " + " " + } + \column { + "Und die Straßen sind so sauber, sind sie gleich ein wenig krumm," + "denn ein Wasser wird gelassen, aller Wochen durch die Gassen" + "in der ganzen Stadt herum." + %"3 Und ein Wein wächst auf den Bergen," + %"und der Wein ist gar nicht schlecht, und der Wein ist gar nicht schlecht," + %"tut er auch die Strümpfe flicken und den Hals zusammendrücken," + %"ist er doch zur Bowle recht, ist er doch zur Bowle recht." + "Die Philister und die Wirte sind die besten auf der Welt." + "Wein und Bier in vollen Humpen tun sie den Studenten pumpen" + "und dazu noch bares Geld." + %"7. Auf den Straßen, auf den Gassen" + %"stehn Studenten allzuhauf, stehn Studenten allzuhauf," + } + } + \line { + \column { + "8." + " " + " " + "9." + " " + " " + } + \column { + "Und die allergrößte Freiheit herrscht in Jene auf dem Damm." + "In Schlafröcken darf man gehen und den Bart sich lassen stehen," + "wie ein jeder will und kann." + "Denn die allergrößte Freiheit hat in Jene der Student." + "Wenn die andern früh aufstehen und gestreßt zur Arbeit gehen" + "legt er sich ins Nest und pennt." + %\line { } + %\line { } + %\line { } + %\line { } + %\line { } + %\line { } + } + } + } + } + diff --git a/hr/stch/fertig/jene/midi.lua b/hr/stch/fertig/jene/midi.lua new file mode 100644 index 0000000..8aef7d6 --- /dev/null +++ b/hr/stch/fertig/jene/midi.lua @@ -0,0 +1,53 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { + << + \unfoldRepeats +]] + +post=[[ + >> + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 100 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/fertig/jene/stimmen.ly b/hr/stch/fertig/jene/stimmen.ly new file mode 100644 index 0000000..a8c4641 --- /dev/null +++ b/hr/stch/fertig/jene/stimmen.ly @@ -0,0 +1,73 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + + global = { + %\autoBeamOff + } + +% Die Stimmen + + sopranMelodie = \relative c'' { + << + { \meta } + %\sopranArt + %the actual tune + { + r1 r4 r4 r2 + r4 a8 a8 fis'2( ~ fis4 d8 cis8) b2 ~ b4 r4 r2 + r2 r4 e,8 e8 a8 a8 b8 b8 cis8 a8 a8 a8 gis4 a4 b4 cis4 b8( e8 dis8 cis8 b4) a8 a8 gis4 gis4 b4 b4 e,2 + r4 e8 e8 d'4. b8 cis4. a8 cis8( b8) b4 + r4 e,8 e8 d'4. b8 cis4. a8 cis8( b8) b4 + r4 e,8 e8 a4 a4 b4 b4 e4.( cis8 a4) a8 gis8 fis8( d'8) cis8( b8) cis4 b4 a2 r2 + } + >> + } + + altMelodie = \relative c'' { + << + { \meta } + %\tenorArt + %the actual tune + { + r2 r2 r4 a8 a8 cis2 a4 a8 a8 a2( b4 a4) gis2 ~ gis4 r4 r2 + r2 r4 e8 e8 e8 fis8 gis8 fis8 e8 e8 e8 e8 e2 e2 gis4. a8 gis4 e8 fis8 e4 e4 e4 dis4 e2 + r4 e8 e8 b'4. gis8 a4. fis8 a8( gis8) gis4 + r4 e8 e8 b'4. gis8 a4. fis8 a8( gis8) gis4 + r4 e8 e8 e4 e4 e8( fis8) a8( gis8) b4( gis4 a4) e8 e8 fis4 a4 a4 a8( gis8) a2 r2 + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + { + \clef "treble_8" + r2 r2 r4 a8 a8 cis2 a4 a8 a8 a2( b4 a4) gis2 ~ gis4 r4 r2 + r2 r4 e8 e8 e8 fis8 gis8 fis8 e8 e8 e8 e8 e2 e2 gis4. a8 gis4 e8 fis8 e4 e4 e4 dis4 e2 + r4 e8 e8 b'4. gis8 a4. fis8 a8( gis8) gis4 + r4 e8 e8 b'4. gis8 a4. fis8 a8( gis8) gis4 + r4 e8 e8 e4 e4 e8( fis8) a8( gis8) b4( gis4 a4) e8 e8 fis4 a4 a4 a8( gis8) a2 r2 + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + r4 e8 e8 a2 e4 r4 r2 r4 a8 a8 d,2( ~ d4 b4) e2 ~ e4 r2 + e8 e8 a4 a4 e4 e4 cis4( e8 cis8) a4 cis8 cis8 d4 cis4 gis'4 a4 e2( ~ e8 dis8) cis8 dis8 e4 cis4 b4 b4 e4 + e8 e8 d8 cis8 b8 a8 <e' e,>1 q4 + e8 e8 d8 cis8 b8 a8 <e' e,>1 q4 + gis,8 b8 e4 d4 cis2 gis4( d'4) cis4( e4 fis4) cis8 a8 d4 fis4 e4 e4 a,2 r4 e'8 e8 + } + >> + } + diff --git a/hr/stch/fertig/jene/texte.ly b/hr/stch/fertig/jene/texte.ly new file mode 100644 index 0000000..e31b156 --- /dev/null +++ b/hr/stch/fertig/jene/texte.ly @@ -0,0 +1,49 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + + lebt = \lyricmode { + in Je -- ne lebt sich’s + } + selbst = \lyricmode { + bin ja sel -- ber drin ge -- we -- sen + wie da steht ge -- druckt zu le -- sen, + zehn Se -- me -- ster wohl -- ge -- mut, + zehn Se -- me -- ster wohl -- ge -- mut. + } + +% Die Textaufteilungen % -- _ + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + Ja, in Je -- ne. + Ja \lebt be -- ne + ja \lebt gut. Ja \lebt gut, + \selbst + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + Ja, in Je -- ne. + ja, in Je -- ne. + Ja \lebt be -- ne + ja \lebt gut. + Ja \lebt gut, + \selbst + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + Ja, in Je -- ne, + ja, in Je -- ne. + Ja, \lebt be -- ne, + ja \lebt gut, + ja \lebt gut, + \selbst + Und die + } + diff --git a/hr/stch/fertig/joshua/dynArt.ly b/hr/stch/fertig/joshua/dynArt.ly new file mode 100644 index 0000000..30423d4 --- /dev/null +++ b/hr/stch/fertig/joshua/dynArt.ly @@ -0,0 +1,21 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/fertig/joshua/joshua.ly b/hr/stch/fertig/joshua/joshua.ly new file mode 100644 index 0000000..6fc1f20 --- /dev/null +++ b/hr/stch/fertig/joshua/joshua.ly @@ -0,0 +1,69 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Jushua Fit The Battle Of Jericho" + composer = "Traditional" + arranger = "Carsten Gerlitz" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + %#(set-global-staff-size 17) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \sopranMelodie } + %\addlyrics { \sopranText } + >> + + alt = << + \new Voice = "alti" { \altMelodie } + %\addlyrics { \altText } + >> + + ten = << + \new Voice = "tenoere" { \tenorMelodie } + %\addlyrics { \tenorText } + >> + + bas = << + \new Voice = "baesse" { \bassMelodie } + \addlyrics { \bassText } + >> + + \score { + \new ChoirStaff \with {} << + %\new Staff = sopran { \global \sop } + %\new Staff = alt { \global \alt } + %\new Staff = tenor { \global \ten } + \new Staff = bass { \global \bas } + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/stch/fertig/joshua/midi.lua b/hr/stch/fertig/joshua/midi.lua new file mode 100644 index 0000000..8d7d5be --- /dev/null +++ b/hr/stch/fertig/joshua/midi.lua @@ -0,0 +1,51 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { + \unfoldRepeats +]] + +post=[[ + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/fertig/joshua/stimmen.ly b/hr/stch/fertig/joshua/stimmen.ly new file mode 100644 index 0000000..7f1ae56 --- /dev/null +++ b/hr/stch/fertig/joshua/stimmen.ly @@ -0,0 +1,90 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key e \minor + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + %\autoBeamOff + } + +% Die Stimmen + + sopranMelodie = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + r1 + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + r1 + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + r1 + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + e4 r8 e8( d4) r8 d8( c4) r8 c8( b4) dis4 + e4 r8 e8( d4) r8 d8( c4) r8 c8( b4) dis4 + \mark \markup { \smaller \musicglyph #"scripts.segno" } + \repeat volta 2 { + e4 r8 e8( d4) r8 d8( c4) r8 c8( b4) e4 + b4 r8 dis8( fis4) b,4 + e8 e8( d4) c4 b4 + e4 r8 e8( d4) r8 d8( c4) r8 c8( b4) e4 + b4 c4 cis4 dis4 + \mark \markup { \smaller \musicglyph #"scripts.coda" } + } \alternative { + { + e4 d4 c4 b4 + } + { + e4 b4 e4 r4 + } + } + e1 ~ + e1 + e1 + fis1 + e1 ~ + e1 + b4 c4 cis4 dis4 + e4^\markup { "D. S. al Coda" } d4 c4 b4 + \bar "||" + \mark \markup { \musicglyph #"scripts.coda" } + \set melismaBusyProperties = #'() + r8 c'8( b8 e,8) r4 \override NoteHead #'style = #'cross d4 + \bar "|." + } + >> + } + diff --git a/hr/stch/fertig/joshua/texte.ly b/hr/stch/fertig/joshua/texte.ly new file mode 100644 index 0000000..a4036c8 --- /dev/null +++ b/hr/stch/fertig/joshua/texte.ly @@ -0,0 +1,33 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + dm de_dm de_dm de_dm dm + dm de_dm de_dm de_dm dm + dm de_dm de_dm de_dm dm + dm de_dm dm de de_dm dm dm + dm de_dm de_dm de_dm dm + dm dm dm dm + dm dm dm dm + dm dm dm + hm hm hm hm + dm dm dm dm dm dm dm dm + tum -- blin’ down + } + diff --git a/hr/stch/fertig/koenige/dynArt.ly b/hr/stch/fertig/koenige/dynArt.ly new file mode 100644 index 0000000..30423d4 --- /dev/null +++ b/hr/stch/fertig/koenige/dynArt.ly @@ -0,0 +1,21 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/fertig/koenige/koenige.ly b/hr/stch/fertig/koenige/koenige.ly new file mode 100644 index 0000000..5b9bd09 --- /dev/null +++ b/hr/stch/fertig/koenige/koenige.ly @@ -0,0 +1,66 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Die Könige" + composer = "Peter Cornelius, 1824 - 1874" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + %#(set-global-staff-size 17) + + sop = \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \voiceOne \sopranMelodie } + %\addlyrics { \sopranText } + \new Voice = "alti" { \global \voiceTwo \altMelodie } + %\addlyrics { \altText } + >> + + ten = \new Staff = tenor << + \new Voice = "tenoere" { \global \voiceOne \tenorMelodie } + %\addlyrics { \tenorText } + \new Voice = "baesse" { \global \voiceTwo \bassMelodie } + %\addlyrics { \bassText } + >> + + \score { + \new ChoirStaff \with {} << + \new Staff = solo \new Voice { \global \soloMelodie } + \sop + \new Lyrics = first { } + \new Lyrics \lyricsto "soprane" \altText + %\alt + \ten + %\bas + \context Lyrics = first { \lyricsto "soprane" \sopranText } + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/stch/fertig/koenige/midi.lua b/hr/stch/fertig/koenige/midi.lua new file mode 100644 index 0000000..58e69da --- /dev/null +++ b/hr/stch/fertig/koenige/midi.lua @@ -0,0 +1,50 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + +\version "2.12" +\include "stimmen.ly" + + \score { +]] + +post=[[ + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/fertig/koenige/stimmen.ly b/hr/stch/fertig/koenige/stimmen.ly new file mode 100644 index 0000000..321001f --- /dev/null +++ b/hr/stch/fertig/koenige/stimmen.ly @@ -0,0 +1,142 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key g \major + %\override Staff.TimeSignature #'style = #'() + \time 3/4 + %\autoBeamOff + \partial 4. + } + +% Die Stimmen + + soloMelodie = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + d8 b'8 fis8 + \repeat volta 2 { + a8 g8 b,8 c8 e8. d16 + \bar "||" + \time 4/4 + d4 r8 d8 g8 a8 b8 a16 g16 + g8 c8 g4 r8 g8 b8 c8 + d8 b16 a16 g8 fis16 g16 e8 b'4 a8 + g8 a8 b8 ais16 b16 d8 cis16 b16 a4 + r8 a8 gis8 a8 c8 a8 b8 a16 g16 + c8 g8 b8 a16 g16 e8( fis8 g8) d8 + } \alternative { + { + \time 2/4 + e8 fis16 e16 d4 + \bar "||" + \time 3/4 + r4 r8 d8 b'8 fis8 + } + { + \time 4/4 + e8 fis16 e16 d4 ~ d8 r8 r4 + } + } + r4 r8 d8 b'8. c16 b4 g8 fis8 e8 g8 fis2 + r8 d8 c'8. a16 e'8 d8 b8 g8 + r8 g8 g8 e8 b'2 + r8^\markup{ \italic "etwas bewegter" } c8 b8 g8 e8 fis16 e16 dis8 e8 + fis8 c'8 b8 a16 g16 e8 fis16 e16 dis8 e8 + fis8 fis8 c'8 b8 a8 g16 e16 d8^\markup{ \italic "rit." } d'16 c16 + b4^\markup{ \italic "im Zeitmaß" } b8 a16 g16 d'8 b8 g8 fis8 e8 fis16 g16 d4 r2 + e4 d8. d16 b'2\fermata + \bar "|." + } + >> + } + + sopranMelodie = \relative c'' { + << + { \meta } + %\altArt + %the actual tune + { + r8 r4 + r4 r4 g4 d'4 b4 g4 d'4 e4 e4 d2 + r4 d4 e4 fis4 g4 fis4 e4 e4 d2 + r4 b4 e4 d4 c4 b4 a2 g2 r4 + a2 g2 + d'2 b2 r1 + d2 b2 r1 + c4 b4 a4 b4 c4 b4 a4 b4 c4 c8( b8) a2 g2 + g8( g'4) fis8 ~ fis8 e4 d4 c4 b8 a2 g2\fermata + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + r8 r4 + r4 r4 e4 g4 fis4 e4 g4 g4 g4 g2 + r4 g4 g4 b4 b4 b4 b4 a8( g8) fis2 + r4 g4 g4 g4 g8( fis8) g4 g4( fis4) d2 r4 + g4( fis4) e2 + fis2 g2 r1 + fis2 g2 r1 + dis4 e4 e4 fis8( e8) + dis4 e4 e4 fis8( e8) + dis4 e4 e4( d4) d4( g4) + g4 g4 g4 g4 fis4 g4 g4( fis4) d2 + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + r8 r4 + r4 r4 c4 b4 d4 b4 g8( d'8) c4 c4 b2 + r4 d4 b4 dis4 e4 b4 d4 cis4 d2 + r4 d4 c4 b4 a8( d8) d4 e4( d8 c8) b2 r4 + e4( d8 c8) b2 + a4( d4) d2 b4( cis4) d2 + c4( a8 d8) d2 b4( cis4) dis2 + a4 g4 c4 b4 a4 g4 c4 b4 + a4 g4 g4. fis8 g8( b8 cis4) + d4 d4 c4 b4 d4 d4 e4( d8 c8) b2 + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + r8 r4 + r4 r4 c'4 g4 d4 e4 b4 c4 c4 g'2 + r4 b4 g4 fis4 e4 d4 g4 a4 d,2 + r4 g4 c,4 g'4 a8( d,8) g8( b,8) + c4( d4) g2 r4 + c,4( d4) g2 + d2 g2 g4( e4) b2 + a4( d4) g2 g4( e4) b2 + fis'4 g4 a4 a8( g8) + fis4 g4 a4 a8( g8) + fis4 g4 c,4( d4) g4( e4) + b4 b'4 c4 g4 a4 b4 c8( c,8 d4) g2\fermata + } + >> + } + diff --git a/hr/stch/fertig/koenige/texte.ly b/hr/stch/fertig/koenige/texte.ly new file mode 100644 index 0000000..0f56b38 --- /dev/null +++ b/hr/stch/fertig/koenige/texte.ly @@ -0,0 +1,38 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + +% Die Textaufteilungen + + sopranText = \lyricmode { + %<+hier den Text für den Sopran eintragen+> + Wie schön leuch -- tet der Mor -- gen -- stern + voll Gnad und Wahr -- heit von dem Herrn, + die sü -- ße Wur -- zel Jes -- se. + ses -- %sen. + \set associatedVoice = tenoere + sen. + Lieb -- lich, lieb -- lich, + freund -- lich, freund -- lich, + \set associatedVoice = alti + schön und herr -- lich, + groß und ehr -- lich, + reich an Ga -- ben, + hoch und sehr präch -- tig er -- ha -- ben. + } + + altText = \lyricmode { + %<+hier den Text für den Alt eintragen+> + Du Sohn Da -- vids aus Ja -- kobs Stamm + mein Hei -- land und mein Bräu -- ti -- gam, + hast mit mein Herz be + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + } + diff --git a/hr/stch/fertig/locus/alt/locus.ps b/hr/stch/fertig/locus/alt/locus.ps Binary files differnew file mode 100644 index 0000000..0092af0 --- /dev/null +++ b/hr/stch/fertig/locus/alt/locus.ps diff --git a/hr/stch/fertig/locus/locus.log b/hr/stch/fertig/locus/locus.log new file mode 100644 index 0000000..3a51573 --- /dev/null +++ b/hr/stch/fertig/locus/locus.log @@ -0,0 +1,10 @@ +# -*-compilation-*-
+»C:/Dokumente und Einstellungen/Hauke Rehr/Desktop/lilydocs/locus/locus.ly« wird verarbeitet
+Analysieren...
+Interpretation der Musik...[8][16][24][32][40][48]
+Vorverarbeitung der grafischen Elemente...
+Ideale Seitenanzahl wird gefunden...
+Musik wird auf 1 oder 2 Seiten angepasst...
+Systeme erstellen...
+Layout nach »/Dokumente und Einstellungen/Hauke Rehr/Desktop/lilydocs/locus/locus.ps« ausgeben...
+Konvertierung nach »/Dokumente und Einstellungen/Hauke Rehr/Desktop/lilydocs/locus/locus.pdf«...
diff --git a/hr/stch/fertig/locus/locus.ly b/hr/stch/fertig/locus/locus.ly new file mode 100644 index 0000000..68dda4c --- /dev/null +++ b/hr/stch/fertig/locus/locus.ly @@ -0,0 +1,76 @@ +% vim: encoding=utf8 nu + +\version "2.12.1" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Locus iste" + %subtitle = "(Traditional)" + composer = "Anton Bruckner, 1824-1896" + } + +#(set-global-staff-size 16) + + \paper { + ragged-last-bottom = ##f + %system-count = 4 + page-count = 2 + line-width = 182\mm + %between-system-space = 1\mm + %after-title-space = 0\mm + foot-separation = 15\mm + top-margin = 20\mm + bottom-margin = 25\mm + } + + \midi { + } + + \layout { + indent = #0 + \context { + % a little smaller so lyrics can be closer to the staff + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-4 . 4) + } + \context { + \Voice + \consists Ambitus_engraver + } + } + + \score { + %\simultaneous + \new ChoirStaff << + \new Staff = Sopran << + \new Voice = "meta" + { + \dynamicUp + s1*3 s1 %\> + s1*2 \break + s1 %\! + s1% \break + s1*5 \break + s1*7 \pageBreak + s1*4 s1*2 s1*3 \break + s1*4 s1*4 \break + s1*6 s1*5 \bar "|." + } + \new Voice = "soprane" { \global \sopMusic } + \lyricsto soprane \oberWords + >> + \new Staff = Alt << + \new Voice = "alti" { \global \altMusic } + \lyricsto alti \oberWords + >> + \new Staff = Tenor << + \new Voice = "tenoere" { \global \tenorMusic } + \lyricsto tenoere \tenorWords + >> + \new Staff = Bass << + \new Voice = "baesse" { \global \bassMusic } + \lyricsto baesse \bassWords + >> + >> + } diff --git a/hr/stch/fertig/locus/locus.ps b/hr/stch/fertig/locus/locus.ps Binary files differnew file mode 100644 index 0000000..d01131e --- /dev/null +++ b/hr/stch/fertig/locus/locus.ps diff --git a/hr/stch/fertig/locus/locus/locus.ly b/hr/stch/fertig/locus/locus/locus.ly new file mode 100644 index 0000000..17c4712 --- /dev/null +++ b/hr/stch/fertig/locus/locus/locus.ly @@ -0,0 +1,68 @@ +% vim: encoding=utf8 nu + +\version "2.12.2" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Locus iste" + %subtitle = "(Traditional)" + composer = "Anton Bruckner, 1824-1896" + } + +#(set-global-staff-size 13) + + \paper { + ragged-last-bottom = ##f + system-count = 5 + page-count = 1 + line-width = 182\mm + %between-system-space = 1\mm + %after-title-space = 0\mm + foot-separation = 15\mm + top-margin = 10\mm + bottom-margin = 25\mm + tagline="" + } + + \midi { + } + + \layout { + indent = #0 + \context { + % a little smaller so lyrics can be closer to the staff + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3) + } + \context { + \Voice + \consists Ambitus_engraver + } + } + + \score { + %\simultaneous + \new ChoirStaff << + \new Lyrics = sop {s1} + \new Staff = frauen << + \new Voice = "fPausen" { \frauenPausen } + \new Voice = "soprane" { \global \voiceOne \sopMusic } + \new Voice = "alti" { \global \voiceTwo \altMusic } + >> + \new Lyrics = "alt" {s1} + \new Lyrics = "ten" {s1} + \new Staff = maenner << + \new Voice = "mPausen" { \maennerPausen } + \new Voice = "tenoere" { \global \voiceOne \tenorMusic } + \new Voice = "baesse" { \global \voiceTwo \bassMusic } + >> + \new Lyrics = bass {s1} + \context Lyrics = sop \lyricsto soprane \oberWords + \context Lyrics = alt \lyricsto alti \oberWords + \context Lyrics = ten \lyricsto tenoere \tenorWords + \context Lyrics = bass \lyricsto baesse \bassWords + >> + \layout { + } + } diff --git a/hr/stch/fertig/locus/locus/stimmen.ly b/hr/stch/fertig/locus/locus/stimmen.ly new file mode 100644 index 0000000..627b0eb --- /dev/null +++ b/hr/stch/fertig/locus/locus/stimmen.ly @@ -0,0 +1,166 @@ +% vim: encoding=utf8 nu + +global = { + \key c \major + \time 4/4 +} + +%Die Stimmen mit ihren jeweiligen Textaufteilungen + + frauenPausen = { + \dynamicUp + s1 + s2. r4 + r4 s2. + s2. r4 %\> + s1 + s2. r4 \break + r4 s2. %\! + s2. r4 + r4 s2. + r4 s2. + s1*1 + s4 r4 r2 \break + r4 s2. + s1 + s1 + s2 r2 + r4 s2. + s1*2 + s2 r2 %\pageBreak + r1 + s1 + s2. r4 + s1 + s2. r4 + s1*3 + s2 r2 \break + %s1*4 s1*4 \break + %s1*6 s1*5 \bar "|." + s1*3 + r1 + r4 s2. + s1*3 + s2. r4 \bar "|." + } + + maennerPausen = { + s1*3 + s2. r4 + s1*15 + s2 r2 + s1*12 + r1 + r4 s2. + s1*3 + s2. r4 + } + + sopMusic = \relative c'' { + % Locus iste + c2. b4 a2 g4 s4 + s4 g4 a4 e4 g4. g8 f4 s4 + d'2. c4 c2 b4 s4 + s4 d4 e4 g4 f4. f8 e4 s4 + s4 f4 f4 e4 s4 f,2 e4 + d2.^\coda c4 b4 s4 s2 + % in aestimabile + s4 d4 d4 d4 d4. e8 f4( bes4 ) + d2. e4 e4 a,4 s2 + s4 e4 e4 e4 e4. fis8 g4( c4 ) + e2. fis4 fis4 b,4 s2 + s1 fis4 fis4 fis4 fis4 g8. g16 g4 g4 s4 + e4 e4 e4 e4 f8. f16 f4 f4 s4 + f2 e2 a2. g4 f4. f8 e2 e4( d4 ) s2^\markup{da capo al coda} + % Locus iste +% c'2. b4 a2 g4 r4 +% r4 g4 a4 e4 g4. g8 f4 r4 +% d'2. c4 c2 b4 r4 +% r4 d4 e4 g4 f4. f8 e4 r4 +% r4 f4 f4 e4 r4 f,2 e4 + d2.(^\coda e4 f2 fis2 ~ fis2 ) g2 + s1 s4 g4 f4 e4 f2 d2 + d1 ~ d2 d2 e2. s4 + } + + altMusic = \relative c' { + % Locus iste + e2. e4 e2 e4 s4 + s4 e4 e4 e4 d4. d8 d4 s4 + fis2. fis4 fis2 g4 s4 + s4 g4 g4 g4 g4. g8 g4 s4 + s4 g4 g4 g4 s4 d2 c4 + b2 g2 g4 s4 s2 + % in aestimabile + s4 d'4 d4 d4 d4. d8 d4( f4 ) + f2. g4 a4 e4 s2 + s4 e4 e4 e4 e4. e8 e4( g4 ) + g2. a4 b4 fis4 s2 + s1 e4 e4 dis4 dis4 d8. d16 d4 d4 s4 + d4 d4 cis4 cis4 c8. c16 c4 c4 s4 + b2 c2 c2. c4 c4. b8 c2 c4( b4 ) s2 + % Locus iste +% e2. e4 e2 e4 r4 +% r4 e4 e4 e4 d4. d8 d4 r4 +% fis2. fis4 fis2 g4 r4 +% r4 g4 g4 g4 g4. g8 g4 r4 +% r4 g4 g4 g4 r4 d2 c4 + c4( b4 bes2 ~ bes4 a4 c2 ~ c2 ) b2 + s1 s4 c4 b4 c4 c2 c2 + c1( b2 ) b2 c2. s4 + } + + tenorMusic = \relative c { + \clef "treble_8" + % Locus iste + g'2. g4 c2 c4 r4 + r4 c4 c4 c4 a4. a8 a4 s4 + a2. d4 d2 d4 r4 + r4 b4 c4 d4 d4. d8 c4 r4 + r4 d4 d4 c4 r4 g2 g4 + f2 e2 d4 r4 r2 + % in aestimabile + r4 d4 bes'4 c4 d4. d8 d2 + d2. d4 d4 cis4 r2 + r4 e,4 c'4 d4 e4. e8 e2 + e2. e4 e4 dis4 s2 + c4 c4 c4 c4 b8. b16 b4 b4 r4 + bes4 bes4 bes4 bes4 a8. a16 a4 a4 r4 + aes4 aes4 aes4 aes4 g8. g16 g4 g4 r4 + f4 f4 e4 e4 d4. d8 e4( c4 ) g'2 r2 + % Locus iste +% g2. g4 c2 c4 r4 +% r4 c4 c4 c4 a4. a8 a4 r4 +% a2. d4 d2 d4 r4 +% r4 b4 c4 d4 d4. d8 c4 r4 +% r4 d4 d4 c4 r4 g2 g4 + g1( f2 a2 ~ a2 ) g2 + s1 s4 g4 g4 g4 a2 a2 + g1 ~ g2 g2 g2. s4 + } + + bassMusic = \relative c { + \clef bass + % Locus iste + c2. c4 c2 c4 c4 + c2. c4 d4. d8 d4 s4 + d2. d4 g,2 g4 g'4 + f2( e4 ) b4 c4. c8 c4 c4 + b2 c2 b2 c2 + g2 g2 g4 g4 g4 a4 + % in aestimabile + bes4. d8 g4( a4 ) bes2. bes4 + bes2( bes,2 ) a4 a4 a4 b4 + c4. e8 a4( b4 ) c2. c4 + c2( c,2 ) b2 s2 + \repeat unfold 9 r1 + % Locus iste +% c2. c4 c2 c4 c4 +% c2. c4 d4. d8 d4 r4 +% d2. d4 g,2 g4 g'4 +% f2( e4 ) b4 c4. c8 c4 c4 +% b2 c2 b2 c2 + g2( g'4 cis,4 d2. dis4 e2 ) e2 + s1 s4 e4 d4 c4 f,2 fis2 + g1 ~ g2 g2 c2. s4 + } diff --git a/hr/stch/fertig/locus/locus/texte.ly b/hr/stch/fertig/locus/locus/texte.ly new file mode 100644 index 0000000..d9164db --- /dev/null +++ b/hr/stch/fertig/locus/locus/texte.ly @@ -0,0 +1,49 @@ +% vim: encoding=utf8 nu + +cus = \lyricmode { + cus i -- ste a De -- o fa -- ctus +} + +factus = \lyricmode { + a De -- o, De -- o fa -- ctus +} + +sacra = \lyricmode { + in -- ae -- sti -- ma -- bi -- le sa -- cra -- men -- +} + +irre = \lyricmode { + ir -- re -- pre -- hen -- si -- bi -- lis +} + +ade = \lyricmode { + a De -- o, De -- o, De -- o, +} + + anfang = \lyricmode { + Lo -- \cus est lo -- \cus est, \factus est + \sacra tum, \sacra tum + } + + ende = \lyricmode { +% Lo -- \cus est, lo -- \cus est, +% \ade \factus est. + De -- o, \factus est. + } + + oberWords = \lyricmode { + \anfang + \irre est, \irre est, \irre est. + \ende + } + + tenorWords = \lyricmode { + \anfang + \irre est, \irre est, \irre est, \irre est. + \ende + } + + bassWords = \lyricmode { + \anfang + \ende + } diff --git a/hr/stch/fertig/locus/stimmen.ly b/hr/stch/fertig/locus/stimmen.ly new file mode 100644 index 0000000..19a1e70 --- /dev/null +++ b/hr/stch/fertig/locus/stimmen.ly @@ -0,0 +1,116 @@ +% vim: encoding=utf8 nu + +global = { + \key c \major + \time 4/4 +} + +%Die Stimmen mit ihren jeweiligen Textaufteilungen + + sopMusic = \relative c'' { + % Locus iste + c2. b4 a2 g4 r4 + r4 g4 a4 e4 g4. g8 f4 r4 + d'2. c4 c2 b4 r4 + r4 d4 e4 g4 f4. f8 e4 r4 + r4 f4 f4 e4 r4 f,2 e4 + d2. c4 b4 r4 r2 + % in aestimabile + r4 d4 d4 d4 d4. e8 f4( bes4 ) + d2. e4 e4 a,4 r2 + r4 e4 e4 e4 e4. fis8 g4( c4 ) + e2. fis4 fis4 b,4 r2 + r1 fis4 fis4 fis4 fis4 g8. g16 g4 g4 r4 + e4 e4 e4 e4 f8. f16 f4 f4 r4 + f2 e2 a2. g4 f4. f8 e2 e4( d4 ) r2 + % Locus iste + c'2. b4 a2 g4 r4 + r4 g4 a4 e4 g4. g8 f4 r4 + d'2. c4 c2 b4 r4 + r4 d4 e4 g4 f4. f8 e4 r4 + r4 f4 f4 e4 r4 f,2 e4 + d2.( e4 f2 fis2 ~ fis2 ) g2 + r1 r4 g4 f4 e4 f2 d2 + d1 ~ d2 d2 e2. r4 + } + + altMusic = \relative c' { + % Locus iste + e2. e4 e2 e4 r4 + r4 e4 e4 e4 d4. d8 d4 r4 + fis2. fis4 fis2 g4 r4 + r4 g4 g4 g4 g4. g8 g4 r4 + r4 g4 g4 g4 r4 d2 c4 + b2 g2 g4 r4 r2 + % in aestimabile + r4 d'4 d4 d4 d4. d8 d4( f4 ) + f2. g4 a4 e4 r2 + r4 e4 e4 e4 e4. e8 e4( g4 ) + g2. a4 b4 fis4 r2 + r1 e4 e4 dis4 dis4 d8. d16 d4 d4 r4 + d4 d4 cis4 cis4 c8. c16 c4 c4 r4 + b2 c2 c2. c4 c4. b8 c2 c4( b4 ) r2 + % Locus iste + e2. e4 e2 e4 r4 + r4 e4 e4 e4 d4. d8 d4 r4 + fis2. fis4 fis2 g4 r4 + r4 g4 g4 g4 g4. g8 g4 r4 + r4 g4 g4 g4 r4 d2 c4 + c4( b4 bes2 ~ bes4 a4 c2 ~ c2 ) b2 + r1 r4 c4 b4 c4 c2 c2 + c1( b2 ) b2 c2. r4 + } + + tenorMusic = \relative c' { + % Locus iste + g'2. g4 c2 c4 r4 + r4 c4 c4 c4 a4. a8 a4 r4 + a2. d4 d2 d4 r4 + r4 b4 c4 d4 d4. d8 c4 r4 + r4 d4 d4 c4 r4 g2 g4 + f2 e2 d4 r4 r2 + % in aestimabile + r4 d4 bes'4 c4 d4. d8 d2 + d2. d4 d4 cis4 r2 + r4 e,4 c'4 d4 e4. e8 e2 + e2. e4 e4 dis4 r2 + c4 c4 c4 c4 b8. b16 b4 b4 r4 + bes4 bes4 bes4 bes4 a8. a16 a4 a4 r4 + aes4 aes4 aes4 aes4 g8. g16 g4 g4 r4 + f4 f4 e4 e4 d4. d8 e4( c4 ) g'2 r2 + % Locus iste + g2. g4 c2 c4 r4 + r4 c4 c4 c4 a4. a8 a4 r4 + a2. d4 d2 d4 r4 + r4 b4 c4 d4 d4. d8 c4 r4 + r4 d4 d4 c4 r4 g2 g4 + g1( f2 a2 ~ a2 ) g2 + r1 r4 g4 g4 g4 a2 a2 + g1 ~ g2 g2 g2. r4 + } + + bassMusic = \relative c { + \clef bass + % Locus iste + c2. c4 c2 c4 c4 + c2. c4 d4. d8 d4 r4 + d2. d4 g,2 g4 g'4 + f2( e4 ) b4 c4. c8 c4 c4 + b2 c2 b2 c2 + g2 g2 g4 g4 g4 a4 + % in aestimabile + bes4. d8 g4( a4 ) bes2. bes4 + bes2( bes,2 ) a4 a4 a4 b4 + c4. e8 a4( b4 ) c2. c4 + c2( c,2 ) b2 r2 + \repeat unfold 9 r1 + % Locus iste + c2. c4 c2 c4 c4 + c2. c4 d4. d8 d4 r4 + d2. d4 g,2 g4 g'4 + f2( e4 ) b4 c4. c8 c4 c4 + b2 c2 b2 c2 + g2( g'4 cis,4 d2. dis4 e2 ) e2 + r1 r4 e4 d4 c4 f,2 fis2 + g1 ~ g2 g2 c2. r4 + } diff --git a/hr/stch/fertig/locus/texte.ly b/hr/stch/fertig/locus/texte.ly new file mode 100644 index 0000000..95834ea --- /dev/null +++ b/hr/stch/fertig/locus/texte.ly @@ -0,0 +1,48 @@ +% vim: encoding=utf8 nu + +cus = \lyricmode { + cus i -- ste a De -- o fa -- ctus +} + +factus = \lyricmode { + a De -- o, De -- o fa -- ctus +} + +sacra = \lyricmode { + in -- ae -- sti -- ma -- bi -- le sa -- cra -- men -- +} + +irre = \lyricmode { + ir -- re -- pre -- hen -- si -- bi -- lis +} + +ade = \lyricmode { + a De -- o, De -- o, De -- o, +} + + anfang = \lyricmode { + Lo -- \cus est lo -- \cus est, \factus est + \sacra tum, \sacra tum + } + + ende = \lyricmode { + Lo -- \cus est, lo -- \cus est, + \ade \factus est. + } + + oberWords = \lyrics { + \anfang + \irre est, \irre est, \irre est. + \ende + } + + tenorWords = \lyrics { + \anfang + \irre est, \irre est, \irre est, \irre est. + \ende + } + + bassWords = \lyrics { + \anfang + \ende + } diff --git a/hr/stch/fertig/magnum_l/a5/dynArt.ly b/hr/stch/fertig/magnum_l/a5/dynArt.ly new file mode 100644 index 0000000..bbc7e3f --- /dev/null +++ b/hr/stch/fertig/magnum_l/a5/dynArt.ly @@ -0,0 +1,272 @@ +%some settings% vim: ai sw=2 lbr nu et + + rit = \markup{\bold\italic{rit.}} + prit = \markup{\bold\italic{poco rit.}} + mrit = \markup{\bold\italic{molto rit.}} + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + \override BreathingSign.text = \markup { \musicglyph #"scripts.caesura.straight" } + \tempo "Adagio, molto legato e espressivo" 4=72 + s1*3 + s2 s4^\rit s4\fermata + \breathe + \tempo "A tempo" + s1*4 + \time 3/2 + s2. + \bar "" + \break + s2.\p + s2. s2.\< + \time 4/4 + s1\mp + s1*4 + s2 s4\fermata \tempo "A tempo" s4\p + s1 + s2 s2\fermata \breathe + \bar "||" + \break + \tempo "Poco più mosso" 4=76 + s1*3 + s2 s2 + \tempo "A tempo" + s1*4 + \time 3/2 + s2. + \bar "" + \break + s2. + s2. s2.\< + \time 4/4 + s1\mf + s1*4 + s2\> s4\fermata \tempo "A tempo" s4\p + s1*2 + s4 s2.\> + \bar "||" + \break + \time 3/2 + \tempo "Tempo primo" + s1.\pp + s1.*2 + s2. s2. + \tempo "A tempo" + s1.*2 + s1.\< + s1 s2 + \bar "||" + \break + \time 4/4 + \tempo "A tempo, poco deliberamente" + s1*3 + s2 s2\< + \tempo "A tempo" + s1*3 + s1\> + \bar "||" + \time 3/2 + s2.\! + \bar "" + \break + s2. + s2. s2.\< + \time 4/4 + s1\mf + s1*4 + s2 s4\fermata + \bar "" + \break + s4\p + s4 s2. + \tempo "A tempo" + s1*2 + s4 s2. + \tempo "A tempo" + s1*3 + s1 + \tempo "Meno mosso" + s1\pp + s2 s2\fermata + s2...\fermata\ppp\> s16\! + %s2 s4..\fermata s16\ppp + %s2...\fermata\> s16\! + \bar "|." + } + + nalt = { + \dynamicUp + s1\pp + s1*4 + s1*3 + s1.*2 + s1*8 + s1\p + s1*7 + s2. s2.\mp + s1. + s1*9 + s1.*8 + s1\mf + s1*3 + s1\f + s1*3 + s2. s2.\mp + s1. + s1*17 + } + + yalt = { + s4 s2.\pp + s1*4 + s1*3 + s1.*2 + s1*8 + s4 s2.\p + s1*6 + s4 s2.\mp + s2. s2. + s1. + s1*9 + s1.*8 + s4 s2.\mf + s1*3 + s4 s2.\f + s1*3 + s1.*2 + s1*17 + } + +% articulation + + sopranArt = << + \nalt + { + s1*3 + s2 s4 s4 + s1\pp + s1*3 + s1.*2 + s1*5 + s1^\rit + s1*2 + s1 + s1*2 + s2 s2^\prit + s1*4 + s2. s2. + s1. + s1*5 + s1^\rit + s1*2 + s4 s2.^\rit + s1.*3 + s2. s2.^\prit + s1.*3 + s1 s2^\mrit + s1*3 + s2 s2^\prit + s1 + s1*3 + s1. + s1. + s1*4 + s1 + s1^\rit + s4 s2.^\mrit + s1*2 + s4 s2.^\prit + s4 s2.\mp + s1*2 + s1\>^\mrit + s1*3 + } + >> + + altArt = << + \yalt + { + s1*4 + s1\pp + s1*2 + s4 s2.\p + s1.*2 + s1*8 + s1 + s1*7 + s2. s2. + s1. + s1*9 + s1.*8 + s1 + s1*3 + s1 + s1*3 + s1.\mp + s1. + s1*9 + s4 s2.\mp + s1 + s1*2 + s1\> + s1*3 + } + >> + + tenorArt = << + \nalt + { + s1*4 + s4 s2.\pp + s1*3 + s1.*2 + s1*8 + s1 + s1*7 + s2. s2. + s1. + s1*9 + s1.*8 + s1 + s1*3 + s1 + s1*3 + s1.\mp + s1. + s1*7 + s4 s2.\mp + s1*5 + s2 s2\> + s1*3 + } + >> + + bassArt = << + \nalt + { + s1*4 + s1\pp + s1*3 + s1.*2 + s1*8 + s1 + s1*7 + s2. s2. + s1. + s1*9 + s1.*8 + s1 + s1*3 + s1 + s1*3 + s1.\mp + s1. + s1*9 + s4 s2.\mp + s1*3 + s1\> + s1*3 + } + >> + diff --git a/hr/stch/fertig/magnum_l/a5/dynArt_.ly b/hr/stch/fertig/magnum_l/a5/dynArt_.ly new file mode 100644 index 0000000..7dc6ebc --- /dev/null +++ b/hr/stch/fertig/magnum_l/a5/dynArt_.ly @@ -0,0 +1,297 @@ +%some settings% vim: ai sw=2 lbr nu et + + rit = \markup{\bold\italic{rit.}} + prit = \markup{\bold\italic{poco rit.}} + mrit = \markup{\bold\italic{molto rit.}} + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + \override BreathingSign.text = \markup { \musicglyph #"scripts.caesura.straight" } + \tempo "Adagio, molto legato e espressivo" 4=72 + s1*3 + s2 s4^\rit s4\fermata + \breathe + \break + \tempo "A tempo" + s1 + s2. + s4 + s1*2 + \time 3/2 + s2. + \bar "" + %\break + s2.\p + s2. + \bar "" + \break + s2.\< + \time 4/4 + s1\mp + s1*4 + s2 s4\fermata + \bar "" + \break + \tempo "A tempo" s4\p + s1 + s2 s2\fermata \breathe + \bar "||" + %\break + \tempo "Poco più mosso" 4=76 + s1*3 + s2 s2 + \break + \tempo "A tempo" + s1*4 + \time 3/2 + s2. + s2. + s2. + \bar "" + \break + s2.\< + \time 4/4 + s1\mf + s1*4 + s2\> s4\fermata + \bar "" + \break + \tempo "A tempo" s4\p + s1*2 + s4 s2.\> + \bar "||" + %\break + \time 3/2 + \tempo "Tempo primo" + s1.\pp + s1 + \bar "" + \break + s2 + s1. + s2. s2. + \break + \tempo "A tempo" + s1.*2 + s1.\< + s1 s2 + \bar "||" + \break + \time 4/4 + \tempo "A tempo, poco deliberamente" + s1*3 + s2 s2\< + \break + \tempo "A tempo" + s1*3 + s1\> + \bar "||" + \time 3/2 + s2.\! + \bar "" + %\break + s2. + s2. + \bar "" + \break + s2.\< + \time 4/4 + s1\mf + s1*4 + s2 s4\fermata + \bar "" + \break + s4\p + s4 s2. + \tempo "A tempo" + s1*2 + s4 s2. + \break + \tempo "A tempo" + s1*3 + s1 + \tempo "Meno mosso" + s1\pp + s2 s2\fermata + s2...\fermata\ppp\> s16\! + %s2 s4..\fermata s16\ppp + %s2...\fermata\> s16\! + \bar "|." + } + + nalt = { + \dynamicUp + s1\pp + s1*4 + s1*3 + s1.*2 + s1*8 + s1\p + s1*7 + s2. s2.\mp + s1. + s1*9 + s1.*8 + s1\mf + s1*3 + s1\f + s1*3 + s2. s2.\mp + s1. + s1*17 + } + + yalt = { + s4 s2.\pp + s1*4 + s1*3 + s1.*2 + s1*8 + s4 s2.\p + s1*6 + s4 s2.\mp + s2. s2. + s1. + s1*9 + s1.*8 + s4 s2.\mf + s1*3 + s4 s2.\f + s1*3 + s1.*2 + s1*17 + } + +% articulation + + sopranArt = << + \nalt + { + s1*3 + s2 s4 s4 + s1\pp + s1*3 + s1.*2 + s1*5 + s1^\rit + s1*2 + s1 + s1*2 + s2 s2^\prit + s1*4 + s2. s2. + s1. + s1*5 + s1^\rit + s1*2 + s4 s2.^\rit + s1.*3 + s2. s2.^\prit + s1.*3 + s1 s2^\mrit + s1*3 + s2 s2^\prit + s1 + s1*3 + s1. + s1. + s1*4 + s1 + s1^\rit + s4 s2.^\mrit + s1*2 + s4 s2.^\prit + s4 s2.\mp + s1*2 + s1\>^\mrit + s1*3 + } + >> + + altArt = << + \yalt + { + s1*4 + s1\pp + s1*2 + s4 s2.\p + s1.*2 + s1*8 + s1 + s1*7 + s2. s2. + s1. + s1*9 + s1.*8 + s1 + s1*3 + s1 + s1*3 + s1.\mp + s1. + s1*9 + s4 s2.\mp + s1 + s1*2 + s1\> + s1*3 + } + >> + + tenorArt = << + \nalt + { + s1*4 + s4 s2.\pp + s1*3 + s1.*2 + s1*8 + s1 + s1*7 + s2. s2. + s1. + s1*9 + s1.*8 + s1 + s1*3 + s1 + s1*3 + s1.\mp + s1. + s1*7 + s4 s2.\mp + s1*5 + s2 s2\> + s1*3 + } + >> + + bassArt = << + \nalt + { + s1*4 + s1\pp + s1*3 + s1.*2 + s1*8 + s1 + s1*7 + s2. s2. + s1. + s1*9 + s1.*8 + s1 + s1*3 + s1 + s1*3 + s1.\mp + s1. + s1*9 + s4 s2.\mp + s1*3 + s1\> + s1*3 + } + >> + diff --git a/hr/stch/fertig/magnum_l/a5/dynArt_four.ly b/hr/stch/fertig/magnum_l/a5/dynArt_four.ly new file mode 100644 index 0000000..e169345 --- /dev/null +++ b/hr/stch/fertig/magnum_l/a5/dynArt_four.ly @@ -0,0 +1,276 @@ +%some settings% vim: ai sw=2 lbr nu et + + rit = \markup{\bold\italic{rit.}} + prit = \markup{\bold\italic{poco rit.}} + mrit = \markup{\bold\italic{molto rit.}} + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + \override BreathingSign.text = \markup { \musicglyph #"scripts.caesura.straight" } + \tempo "Adagio, molto legato e espressivo" 4=72 + s1*3 + s2 s4^\rit s4\fermata + \breathe + \tempo "A tempo" + s1*4 + \time 3/2 + s2. + \bar "" + s2.\p + \noBreak + s2. + \bar "" + s2.\< + \time 4/4 + s1\mp + s1*4 + s2 s4\fermata \tempo "A tempo" s4\p + s1 + s2 s2\fermata \breathe + \bar "||" + \break + \tempo "Poco più mosso" 4=76 + s1*3 + s2 s2 + \tempo "A tempo" + s1*4 + \time 3/2 + s2. + \bar "" + s2. + \noBreak + s2. + \bar "" + s2.\< + \time 4/4 + s1\mf + s1*4 + s2\> s4\fermata \tempo "A tempo" s4\p + s1*2 + s4 s2.\> + \bar "||" + \break + \time 3/2 + \tempo "Tempo primo" + s1.\pp + s1.*2 + s2. s2. + \tempo "A tempo" + s1.*2 + s1.\< + s1 s2 + \bar "||" + \break + \time 4/4 + \tempo "A tempo, poco deliberamente" + s1*3 + s2 s2\< + \tempo "A tempo" + s1*3 + s1\> + \bar "||" + \time 3/2 + s2.\! + \bar "" + \break + s2. + s2. s2.\< + \time 4/4 + s1\mf + s1*4 + s2 s4\fermata + \bar "" + \break + s4\p + s4 s2. + \tempo "A tempo" + s1*2 + s4 s2. + \tempo "A tempo" + s1*3 + s1 + \tempo "Meno mosso" + s1\pp + s2 s2\fermata + s2...\fermata\ppp\> s16\! + %s2 s4..\fermata s16\ppp + %s2...\fermata\> s16\! + \bar "|." + } + + nalt = { + \dynamicUp + s1\pp + s1*4 + s1*3 + s1.*2 + s1*8 + s1\p + s1*7 + s2. s2.\mp + s1. + s1*9 + s1.*8 + s1\mf + s1*3 + s1\f + s1*3 + s2. s2.\mp + s1. + s1*17 + } + + yalt = { + s4 s2.\pp + s1*4 + s1*3 + s1.*2 + s1*8 + s4 s2.\p + s1*6 + s4 s2.\mp + s2. s2. + s1. + s1*9 + s1.*8 + s4 s2.\mf + s1*3 + s4 s2.\f + s1*3 + s1.*2 + s1*17 + } + +% articulation + + sopranArt = << + \nalt + { + s1*3 + s2 s4 s4 + s1\pp + s1*3 + s1.*2 + s1*5 + s1^\rit + s1*2 + s1 + s1*2 + s2 s2^\prit + s1*4 + s2. s2. + s1. + s1*5 + s1^\rit + s1*2 + s4 s2.^\rit + s1.*3 + s2. s2.^\prit + s1.*3 + s1 s2^\mrit + s1*3 + s2 s2^\prit + s1 + s1*3 + s1. + s1. + s1*4 + s1 + s1^\rit + s4 s2.^\mrit + s1*2 + s4 s2.^\prit + s4 s2.\mp + s1*2 + s1\>^\mrit + s1*3 + } + >> + + altArt = << + \yalt + { + s1*4 + s1\pp + s1*2 + s4 s2.\p + s1.*2 + s1*8 + s1 + s1*7 + s2. s2. + s1. + s1*9 + s1.*8 + s1 + s1*3 + s1 + s1*3 + s1.\mp + s1. + s1*9 + s4 s2.\mp + s1 + s1*2 + s1\> + s1*3 + } + >> + + tenorArt = << + \nalt + { + s1*4 + s4 s2.\pp + s1*3 + s1.*2 + s1*8 + s1 + s1*7 + s2. s2. + s1. + s1*9 + s1.*8 + s1 + s1*3 + s1 + s1*3 + s1.\mp + s1. + s1*7 + s4 s2.\mp + s1*5 + s2 s2\> + s1*3 + } + >> + + bassArt = << + \nalt + { + s1*4 + s1\pp + s1*3 + s1.*2 + s1*8 + s1 + s1*7 + s2. s2. + s1. + s1*9 + s1.*8 + s1 + s1*3 + s1 + s1*3 + s1.\mp + s1. + s1*9 + s4 s2.\mp + s1*3 + s1\> + s1*3 + } + >> + diff --git a/hr/stch/fertig/magnum_l/a5/dynArt_three.ly b/hr/stch/fertig/magnum_l/a5/dynArt_three.ly new file mode 100644 index 0000000..1367e87 --- /dev/null +++ b/hr/stch/fertig/magnum_l/a5/dynArt_three.ly @@ -0,0 +1,282 @@ +%some settings% vim: ai sw=2 lbr nu et + + rit = \markup{\bold\italic{rit.}} + prit = \markup{\bold\italic{poco rit.}} + mrit = \markup{\bold\italic{molto rit.}} + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + \override BreathingSign.text = \markup { \musicglyph #"scripts.caesura.straight" } + \tempo "Adagio, molto legato e espressivo" 4=72 + s1*3 + s2 s4^\rit s4\fermata + \breathe + \tempo "A tempo" + s1*4 + \time 3/2 + s2. + \bar "" + s2.\p + \noBreak + s2. + \bar "" + s2.\< + \time 4/4 + s1\mp + s1*4 + s2 s4\fermata \tempo "A tempo" s4\p + s1 + s2 s2\fermata \breathe + \bar "||" + \break + \tempo "Poco più mosso" 4=76 + s1*3 + s2 s2 + \tempo "A tempo" + s1*4 + \time 3/2 + s2. + \bar "" + s2. + \noBreak + s2. + \bar "" + s2.\< + \time 4/4 + s1\mf + s1*4 + s2\> s4\fermata \tempo "A tempo" s4\p + s1*2 + s4 s2.\> + \bar "||" + \break + \time 3/2 + \tempo "Tempo primo" + s1.\pp + s1.*2 + s2. s2. + \tempo "A tempo" + s1. + s2. + \bar "" + s2. + s1.\< + s1 s2 + \bar "||" + %\break + \time 4/4 + \tempo "A tempo, poco deliberamente" + s1\! + s1*2 + s2 s2\< + \break + \tempo "A tempo" + s1*3 + s1\> + \bar "||" + \time 3/2 + s2.\! + \bar "" + s2. + s2. + \bar "" + s2.\< + \time 4/4 + s1\mf + s1*4 + s2 s4\fermata + \bar "" + \break + s4\p + s4 s2. + \tempo "A tempo" + s1*2 + s4 s2. + \tempo "A tempo" + s1*3 + s1 + \tempo "Meno mosso" + s1\pp + s2 s2\fermata + s2...\fermata\ppp\> s16\! + %s2 s4..\fermata s16\ppp + %s2...\fermata\> s16\! + \bar "|." + } + + nalt = { + \dynamicUp + s1\pp + s1*4 + s1*3 + s1.*2 + s1*8 + s1\p + s1*7 + s2. s2.\mp + s1. + s1*9 + s1.*8 + s1\mf + s1*3 + s1\f + s1*3 + s2. s2.\mp + s1. + s1*17 + } + + yalt = { + s4 s2.\pp + s1*4 + s1*3 + s1.*2 + s1*8 + s4 s2.\p + s1*6 + s4 s2.\mp + s2. s2. + s1. + s1*9 + s1.*8 + s4 s2.\mf + s1*3 + s4 s2.\f + s1*3 + s1.*2 + s1*17 + } + +% articulation + + sopranArt = << + \nalt + { + s1*3 + s2 s4 s4 + s1\pp + s1*3 + s1.*2 + s1*5 + s1^\rit + s1*2 + s1 + s1*2 + s2 s2^\prit + s1*4 + s2. s2. + s1. + s1*5 + s1^\rit + s1*2 + s4 s2.^\rit + s1.*3 + s2. s2.^\prit + s1.*3 + s1 s2^\mrit + s1*3 + s2 s2^\prit + s1 + s1*3 + s1. + s1. + s1*4 + s1 + s1^\rit + s4 s2.^\mrit + s1*2 + s4 s2.^\prit + s4 s2.\mp + s1*2 + s1\>^\mrit + s1*3 + } + >> + + altArt = << + \yalt + { + s1*4 + s1\pp + s1*2 + s4 s2.\p + s1.*2 + s1*8 + s1 + s1*7 + s2. s2. + s1. + s1*9 + s1.*8 + s1 + s1*3 + s1 + s1*3 + s1.\mp + s1. + s1*9 + s4 s2.\mp + s1 + s1*2 + s1\> + s1*3 + } + >> + + tenorArt = << + \nalt + { + s1*4 + s4 s2.\pp + s1*3 + s1.*2 + s1*8 + s1 + s1*7 + s2. s2. + s1. + s1*9 + s1.*8 + s1 + s1*3 + s1 + s1*3 + s1.\mp + s1. + s1*7 + s4 s2.\mp + s1*5 + s2 s2\> + s1*3 + } + >> + + bassArt = << + \nalt + { + s1*4 + s1\pp + s1*3 + s1.*2 + s1*8 + s1 + s1*7 + s2. s2. + s1. + s1*9 + s1.*8 + s1 + s1*3 + s1 + s1*3 + s1.\mp + s1. + s1*9 + s4 s2.\mp + s1*3 + s1\> + s1*3 + } + >> + diff --git a/hr/stch/fertig/magnum_l/a5/magnum_l.ly b/hr/stch/fertig/magnum_l/a5/magnum_l.ly new file mode 100644 index 0000000..3dc41cb --- /dev/null +++ b/hr/stch/fertig/magnum_l/a5/magnum_l.ly @@ -0,0 +1,102 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.18" +\include "dynArt_.ly" +%\include "../dynArt.ly" +\include "../stimmen.ly" +\include "../texte.ly" + +\pointAndClickOff + + \header { + title = "O Magnum Mysterium" + composer = "Morten Lauridsen" + %opus = "<+Werk+>" + tagline = \markup { + %\bold "studentenchor" + } + } + + \paper { + #(set-paper-size "a5") + line-width = \paper-width - 20 + top-margin = 8 + bottom-margin = 10 + ragged-last-bottom = #'f + system-count = 14 + page-count = 5 + print-page-number = #'f + } + %#(set-default-paper-size "a4" 'landscape) + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 12) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "sopA" { \global \sSolo } + << + \new Voice = "soprane" { \global \sopranMelodie } + \addlyrics { \sopranText } + >> + \new NullVoice = "saligner" { \sSolo } + >> + + alt = << + \new Voice = "alti" { \global \altMelodie } + \addlyrics { \altText } + >> + + ten = { \dynamicUp << + \meta + \tenorArt + { \nalt } + { \partcombine + { \tenorMelodieA } + { \tenorMelodieB } + } + \new NullVoice = "taligner" { \tenorMelodieA } + %\new Voice = "tenoere" { \global \tenorMelodieA } + %\lyricsto "t1" { \tenorText } + %\lyricsto "one" \tenorText + % \new Lyrics { \lyricsto "one" \tenorText } + %\new Lyrics { \lyricsto "tenoere" \tenorText } + >> } + + bas = << + \new Voice = "baesse" { \global \bassMelodie } + \addlyrics { \bassText } + >> + + \score { + \new ChoirStaff \with { printPartCombineTexts = ##f \accepts Devnull } << + \new Staff = sopran { \sop } + \new Lyrics \with { alignAboveContext = sopran } { + \lyricsto "saligner" \sSoloText + } + \new Staff = alt { \alt } + \new Staff = tenor { \ten } + %\new Staff = extra { \new Voice { \global \tenorMelodieB } } + \new Lyrics { \lyricsto "taligner" \tenorText } + \new Staff = bass { \bas } + >> + %{ + \midi { + \context{ + \Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + tempoWholesPerMinute = #(ly:make-moment 80 4) + } + } + %} + \layout { + } + } + diff --git a/hr/stch/fertig/magnum_l/a5/magnum_l_.ly b/hr/stch/fertig/magnum_l/a5/magnum_l_.ly new file mode 100644 index 0000000..2684ab4 --- /dev/null +++ b/hr/stch/fertig/magnum_l/a5/magnum_l_.ly @@ -0,0 +1,104 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.18" +\include "dynArt_four.ly" +%\include "dynArt_three.ly" +%\include "dynArt_.ly" +%\include "../dynArt.ly" +\include "../stimmen.ly" +\include "../texte.ly" + +\pointAndClickOff + + \header { + title = "O Magnum Mysterium" + composer = "Morten Lauridsen" + %opus = "<+Werk+>" + tagline = \markup { + %\bold "studentenchor" + } + } + + \paper { + #(set-paper-size "a5") + line-width = \paper-width - 20 %16 + top-margin = 10 %8 + bottom-margin = 10 %8 + ragged-last-bottom = #'f + system-count = 8 + page-count = 4 + print-page-number = #'f + } + %#(set-default-paper-size "a4" 'landscape) + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 11) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "sopA" { \global \sSolo } + << + \new Voice = "soprane" { \global \sopranMelodie } + \addlyrics { \sopranText } + >> + \new NullVoice = "saligner" { \sSolo } + >> + + alt = << + \new Voice = "alti" { \global \altMelodie } + \addlyrics { \altText } + >> + + ten = { \dynamicUp << + \meta + \tenorArt + { \nalt } + { \partcombine + { \tenorMelodieA } + { \tenorMelodieB } + } + \new NullVoice = "taligner" { \tenorMelodieA } + %\new Voice = "tenoere" { \global \tenorMelodieA } + %\lyricsto "t1" { \tenorText } + %\lyricsto "one" \tenorText + % \new Lyrics { \lyricsto "one" \tenorText } + %\new Lyrics { \lyricsto "tenoere" \tenorText } + >> } + + bas = << + \new Voice = "baesse" { \global \bassMelodie } + \addlyrics { \bassText } + >> + + \score { + \new ChoirStaff \with { printPartCombineTexts = ##f \accepts Devnull } << + \new Staff = sopran { \sop } + \new Lyrics \with { alignAboveContext = sopran } { + \lyricsto "saligner" \sSoloText + } + \new Staff = alt { \alt } + \new Staff = tenor { \ten } + %\new Staff = extra { \new Voice { \global \tenorMelodieB } } + \new Lyrics { \lyricsto "taligner" \tenorText } + \new Staff = bass { \bas } + >> + %{ + \midi { + \context{ + \Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + tempoWholesPerMinute = #(ly:make-moment 80 4) + } + } + %} + \layout { + } + } + diff --git a/hr/stch/fertig/magnum_l/dynArt.ly b/hr/stch/fertig/magnum_l/dynArt.ly new file mode 100644 index 0000000..16179ef --- /dev/null +++ b/hr/stch/fertig/magnum_l/dynArt.ly @@ -0,0 +1,259 @@ +%some settings% vim: ai sw=2 lbr nu et + + rit = \markup{\bold\italic{rit.}} + prit = \markup{\bold\italic{poco rit.}} + mrit = \markup{\bold\italic{molto rit.}} + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + \override BreathingSign.text = \markup { \musicglyph #"scripts.caesura.straight" } + \tempo "Adagio, molto legato e espressivo" 4=72 + s1*3 + s2 s4^\rit s4\fermata + \breathe + \tempo "A tempo" + s1*4 + \time 3/2 + s2. s2.\p + s2. s2.\< + \time 4/4 + s1\mp + s1*4 + s2 s4\fermata \tempo "A tempo" s4\p + s1 + s2 s2\fermata \breathe + \bar "||" + \tempo "Poco più mosso" 4=76 + s1*3 + s2 s2 + \tempo "A tempo" + s1*4 + \time 3/2 + s1. + s2. s2.\< + \time 4/4 + s1\mf + s1*4 + s2\> s4\fermata \tempo "A tempo" s4\p + s1*2 + s4 s2.\> + \bar "||" + \break + \time 3/2 + \tempo "Tempo primo" + s1.\pp + s1.*2 + s2. s2. + \tempo "A tempo" + s1.*2 + s1.\< + s1 s2 + \bar "||" + \break + \time 4/4 + \tempo "A tempo, poco deliberamente" + s1*3 + s2 s2\< + \tempo "A tempo" + s1*3 + s1\> + \bar "||" + \time 3/2 + s1.\! + s2. s2.\< + \time 4/4 + s1\mf + s1*4 + s2 s4\fermata s4\p + s4 s2. + \tempo "A tempo" + s1*2 + s4 s2. + \tempo "A tempo" + s1*3 + s1 + \tempo "Meno mosso" + s1\pp + s2 s2\fermata + s2...\fermata\ppp\> s16\! + %s2 s4..\fermata s16\ppp + %s2...\fermata\> s16\! + \bar "|." + } + + nalt = { + \dynamicUp + s1\pp + s1*4 + s1*3 + s1.*2 + s1*8 + s1\p + s1*7 + s2. s2.\mp + s1. + s1*9 + s1.*8 + s1\mf + s1*3 + s1\f + s1*3 + s2. s2.\mp + s1. + s1*17 + } + + yalt = { + s4 s2.\pp + s1*4 + s1*3 + s1.*2 + s1*8 + s4 s2.\p + s1*6 + s4 s2.\mp + s2. s2. + s1. + s1*9 + s1.*8 + s4 s2.\mf + s1*3 + s4 s2.\f + s1*3 + s1.*2 + s1*17 + } + +% articulation + + sopranArt = << + \nalt + { + s1*3 + s2 s4 s4 + s1\pp + s1*3 + s1.*2 + s1*5 + s1^\rit + s1*2 + s1 + s1*2 + s2 s2^\prit + s1*4 + s2. s2. + s1. + s1*5 + s1^\rit + s1*2 + s4 s2.^\rit + s1.*3 + s2. s2.^\prit + s1.*3 + s1 s2^\mrit + s1*3 + s2 s2^\prit + s1 + s1*3 + s1. + s1. + s1*4 + s1 + s1^\rit + s4 s2.^\mrit + s1*2 + s4 s2.^\prit + s4 s2.\mp + s1*2 + s1\>^\mrit + s1*3 + } + >> + + altArt = << + \yalt + { + s1*4 + s1\pp + s1*2 + s4 s2.\p + s1.*2 + s1*8 + s1 + s1*7 + s2. s2. + s1. + s1*9 + s1.*8 + s1 + s1*3 + s1 + s1*3 + s1.\mp + s1. + s1*9 + s4 s2.\mp + s1 + s1*2 + s1\> + s1*3 + } + >> + + tenorArt = << + \nalt + { + s1*4 + s4 s2.\pp + s1*3 + s1.*2 + s1*8 + s1 + s1*7 + s2. s2. + s1. + s1*9 + s1.*8 + s1 + s1*3 + s1 + s1*3 + s1.\mp + s1. + s1*7 + s4 s2.\mp + s1*5 + s2 s2\> + s1*3 + } + >> + + bassArt = << + \nalt + { + s1*4 + s1\pp + s1*3 + s1.*2 + s1*8 + s1 + s1*7 + s2. s2. + s1. + s1*9 + s1.*8 + s1 + s1*3 + s1 + s1*3 + s1.\mp + s1. + s1*9 + s4 s2.\mp + s1*3 + s1\> + s1*3 + } + >> + diff --git a/hr/stch/fertig/magnum_l/logfile b/hr/stch/fertig/magnum_l/logfile new file mode 100644 index 0000000..94526a1 --- /dev/null +++ b/hr/stch/fertig/magnum_l/logfile @@ -0,0 +1,32 @@ +GNU LilyPond 2.14.2 +»magnum_l.ly« wird verarbeitet +Analysieren... +Interpretation der Musik... +Interpretation der Musik... +Interpretation der Musik... +Interpretation der Musik... +stimmen.ly:227:10: Warnung: already have slur + d1 + ( +stimmen.ly:324:12: Warnung: Legatobogen kann nicht beendet werden + fis4 + ) fis4 fis4( fis4) +stimmen.ly:228:17: Warnung: already have slur + d4) d4 d4 + ( d4) +stimmen.ly:324:29: Warnung: Legatobogen kann nicht beendet werden + fis4) fis4 fis4( fis4 + ) +[8] +stimmen.ly:240:11: Warnung: already have slur + b2. + ( g4 +[16][24][32][40][48][56][64][72] +Vorverarbeitung der grafischen Elemente... +MIDI-Ausgabe nach »magnum_l.midi«... +Ideale Seitenanzahl wird gefunden... +Musik wird auf 2 oder 3 Seiten angepasst... +Systeme erstellen... +Layout nach »magnum_l.ps« ausgeben... +Konvertierung nach »./magnum_l.pdf«... +Erfolg: Kompilation erfolgreich beendet diff --git a/hr/stch/fertig/magnum_l/magnum_l.ly b/hr/stch/fertig/magnum_l/magnum_l.ly new file mode 100644 index 0000000..6e6745a --- /dev/null +++ b/hr/stch/fertig/magnum_l/magnum_l.ly @@ -0,0 +1,97 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.18" +\include "dynArt.ly" +\include "stimmen.ly" +\include "texte.ly" + +\pointAndClickOff + + \header { + title = "O Magnum Mysterium" + composer = "Morten Lauridsen" + %opus = "<+Werk+>" + tagline = \markup { + %\bold "studentenchor" + } + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + %#(set-default-paper-size "a4" 'landscape) + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 14) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "sopA" { \global \sSolo } + << + \new Voice = "soprane" { \global \sopranMelodie } + \addlyrics { \sopranText } + >> + \new NullVoice = "saligner" { \sSolo } + >> + + alt = << + \new Voice = "alti" { \global \altMelodie } + \addlyrics { \altText } + >> + + ten = { \dynamicUp << + \meta + \tenorArt + { \nalt } + { \partcombine + { \tenorMelodieA } + { \tenorMelodieB } + } + \new NullVoice = "taligner" { \tenorMelodieA } + %\new Voice = "tenoere" { \global \tenorMelodieA } + %\lyricsto "t1" { \tenorText } + %\lyricsto "one" \tenorText + % \new Lyrics { \lyricsto "one" \tenorText } + %\new Lyrics { \lyricsto "tenoere" \tenorText } + >> } + + bas = << + \new Voice = "baesse" { \global \bassMelodie } + \addlyrics { \bassText } + >> + + \score { + \new ChoirStaff \with { printPartCombineTexts = ##f \accepts Devnull } << + \new Staff = sopran { \sop } + \new Lyrics \with { alignAboveContext = sopran } { + \lyricsto "saligner" \sSoloText + } + \new Staff = alt { \alt } + \new Staff = tenor { \ten } + %\new Staff = extra { \new Voice { \global \tenorMelodieB } } + \new Lyrics { \lyricsto "taligner" \tenorText } + \new Staff = bass { \bas } + >> + %{ + \midi { + \context{ + \Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + tempoWholesPerMinute = #(ly:make-moment 80 4) + } + } + %} + \layout { + } + } + diff --git a/hr/stch/fertig/magnum_l/magnum_l.midi b/hr/stch/fertig/magnum_l/magnum_l.midi Binary files differnew file mode 100644 index 0000000..48cfc72 --- /dev/null +++ b/hr/stch/fertig/magnum_l/magnum_l.midi diff --git a/hr/stch/fertig/magnum_l/magnum_l_.midi b/hr/stch/fertig/magnum_l/magnum_l_.midi Binary files differnew file mode 100644 index 0000000..85829d2 --- /dev/null +++ b/hr/stch/fertig/magnum_l/magnum_l_.midi diff --git a/hr/stch/fertig/magnum_l/midi.lua b/hr/stch/fertig/magnum_l/midi.lua new file mode 100644 index 0000000..8aef7d6 --- /dev/null +++ b/hr/stch/fertig/magnum_l/midi.lua @@ -0,0 +1,53 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { + << + \unfoldRepeats +]] + +post=[[ + >> + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 100 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/fertig/magnum_l/stimmen.ly b/hr/stch/fertig/magnum_l/stimmen.ly new file mode 100644 index 0000000..b70074d --- /dev/null +++ b/hr/stch/fertig/magnum_l/stimmen.ly @@ -0,0 +1,604 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.18" + + global = { + \key d \major + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + %\autoBeamOff + } + +% Die Stimmen + + sSolo = \relative c'' { + s1*4 + s1*4 + s1.*2 + s1*8 + s1*4 + s1*4 + s1.*2 + s1*9 + s1.*7 + s2 s2 + { + \voiceOne + a4 d4 + d1 ~ + d4 e4 a,4 e'8( d8) + d1 ~ + d4 a4 a4 d4 + g1 ~ + g4 e4 a,4 e'8( d8) + d1( ~ + d4 a4) d,2 + } + } + + sopranMelodie = \relative c'' { + << + { \meta } + \sopranArt + %the actual tune + { + a1 + a2 a4 a4 + a4( b4 g4 a4 ~ + a4) a4 a4 ~ a4 + d1 + d4( e4) a,4 a4 + a4( d4 g,4 a4 ~ + a4) d,4 d2 + r2 r4 b'4( cis4) d4 + d4( a4) d,4 d'4 e4 fis4 + g2.( fis4 + e4 g4 a,4) cis4 + cis4( d4 d,4) g4 + g4( fis4 d4 g4 ~ + g4 fis4 d4) a'4 + a4 e4 d4 d4( ~ + d4 g4 e4) d4 + e2 e2 + a1 + a2 a4 a4 + a4( b4 g4 a4 ~ + a4) a4 a2 + d1 + d4( e4) a,4 a4 + a4( d4 g,4 a4 ~ + a4) d,4 d2 + r2 r4 b'4 cis4 d4 + d4 a4 d,4 d'4 e4 fis4 + g2.( fis4 + e4 g4 a,4) cis4 + cis4( d4 d,4) g4 + g4( fis4 d4) g4 + g4 fis4 d4( a'4) + a4( e4) fis4 d4 + d4 g4 e4 d4 + e2 e2 ~ + e4 a4 a4 a4 + a2( ~ a4 b4 g4 a4 ~ + a2) a2 a4 a4 + b4 b4 b2 fis4 g4 + a2 a4 a4 a4 a4 + a2( ~ a4 b4 g4 a4 ~ + a2) a4 a4 a4 a4 + d4 d4 d1 + d4( e4) + %{ + << + \new Voice="s1" { + \voiceOne + s2 a,4 d4 + d1 ~ + d4 e4 a,4 e'8( d8) + d1 ~ + d4 a4 a4 d4 + g1 ~ + g4 e4 a,4 e'8( d8) + d1( ~ + d4 a4) d,2 + } + \\ + \context Voice="soprane" { + \voiceTwo + e'2( a,2) + a1 + a2 a4 a4 + a4( b4 g4 a4 ~ + a4) a4 a2 + d1 + d4( e4) a,4 a4 + a4( d4 g,4 a4 ~ + a4) d,4 d2 + } + >> + %} + { + \voiceTwo + e2( a,2) + a1 + a2 a4 a4 + a4( b4 g4 a4 ~ + a4) a4 a2 + d1 + d4( e4) a,4 a4 + a4( d4 g,4 a4 ~ + a4) d,4 d2 + } + \oneVoice + r2 r4 b'4( cis4) d4 + d4( a4) d,4 d'4 e4 fis4 + g2.( fis4 + e4 g4 a,4) cis4 + cis4( d4 d,4) g4 + g4( fis4 d4) g4 + g4 fis4 d4( a'4) + a4( e4) d4 d4 + d4 g4 e4 d4 + d1 + d1 + r1 + r4 a'2 a4 + a4( b4 g4 a4 ~ + a1) + a1 + d,2 d2 + d2( a2) + a1 + } + >> + } + + both = \relative c'' { + << + \partcombine + \relative c'' { + \voiceOne + d1( ~ + d2 a4) b4 + a2( d,4) + } + \\ + \relative c'' { + \voiceTwo + g4( fis4 e4 g4 + a2.) a4 + e2( d4) + } + >> + \oneVoice + } + + altMelodie = \relative c' { + << + { \meta } + \altArt + %the actual tune + { + r4 d4( g4 e4) + a,2 a4 e'4 + g1( + d4) e4 e4( d4) + g1 + e4( d4) cis4 d4 + d2. d4 + d4 d4 e4 fis4 + a4 e4 fis4 a2 a4 + <g a>2 d4 a'4 a4 a4 + \both + d,4 + d1 ~ + d2. d4 + e4 e4 d4 cis4( + d2.) d4 + d2 d2 + r4 d4( g4 e4) + a,2 a4 e'4 + g1( + d4) e4 e4( d4) + g1 + e4( d4) cis4 d4 + d2. d4 + d4 d4 e4 fis4 + a4 e4 fis4 a4 a4 a4 + <a b>4 q4 d,4 a'4 a4 a4 + \both + d,4 + d2. d4 + d4 d4 d2 + e2 d4 cis4 + d4 d4 d4 d4 + e2 e2 ~ + e1 + e2( d2 ~ d4 a'4 + gis2) fis2 cis4 cis4 + d4 d4 d2 d4 d4 + e2 e1 + e2( d2 ~ d4 a'4 + gis2) fis4 fis4 fis4 fis4 + fis4 fis4 << \partcombine \context Voice="alti" \relative c' { \voiceOne d4( fis4 g4 d'4) } \\ \relative c' { \voiceTwo s2 g2 } >> \oneVoice + <d' a>2 a2( <g e>2) + r4 d4( g4 e4) + a,2 a4 e'4 + g1( + d4) e4 e4( d4) + << + \partcombine + \relative c'' { + \voiceOne + g1 + a2 a4 d,4 + g2. g4 + } + \\ + \relative c' { + \voiceTwo + b1 + e4( d4) cis4 d4 + b2. b4 + } + >> + \oneVoice + d4 d4 e4 fis4 + a4 e4 fis4 a2 a4 + <a g>2 d,4 a'4 a4 a4 + \both + d,4 + d2. d4 + d4 d4 d2 + e2 d4 cis4 + d4 d4 d4 d4 + a1 + a1 + r4 d4 g4 e4 + e1( + g1 + e1 + d1) + d2 a2 + b2( g2) + a1 + } + >> + } + + tenorMelodieA = \relative c' { + << + %the actual tune + \clef "treble_8" + { + \time 4/4 + e1 + e2 e4 a,4 + d1( + d4) d4 d4( d4) + r4 d4( g4 e4) + a,2 a4 e'4 + d1( + e4) d4 d2( + \time 3/2 + e2 ~ e4) d2 d4 + d2 a4 e'4 e4 e4 + \time 4/4 + fis4( g2 e4 ~ + e2.) e4 + d2. a4 + b2.( g4 + fis2.) g4 + a4 a4 fis4 fis4( + g2.) g4 + a2 a2 + \bar "||" + e'1 + e2 e4 a,4 + d1 ~ + d4 d4 d2 + r4 d4( g4 e4) + a,2 a4 e'4 + d1( + e4) d4 d2\(( + \time 3/2 + e2) ~ e4\) d4 d4 d4 + d4 d4 a4 e'4 e4 e4 + \time 4/4 + fis4( g2 e4 ~ + e2.) e4 + d2. a4 + b2. g4 + fis4 fis4 fis4( g4) + a2 fis4 fis4 + g4 g4 g4 g4 + a2 a2 ~ + a1 + \bar "||" + \time 3/2 + d2( b1 + cis2) cis2 fis,4 fis4 + fis4 fis4 fis2 fis4 fis4 + a2 a1 + d2( b1 + cis2) cis4 cis4 cis4 cis4 + d4 d4 d1 + e4( d4) d4( a4 d2) + \bar "||" + \time 4/4 + e1 + e2 e4 e4 + d1 ~ + d4 d4 d2 + r4 d4( g4 e4) + cis2 d4 e4 + d1( + e4) d4 d2\(( + \bar "||" + \time 3/2 + e2) ~ e4\) d2 d4 + d2 a4 e'4 e4 e4 + \time 4/4 + fis4( g2 e4 ~ + e2.) e4 + d2. a4 + b2. g4 + fis4 fis4 fis4( g4) + a2 fis4 fis4 + g2 g2 + r4 a2 a4 + a4( b4 g4 a4 ~ + a2. d4) + d1( ~ + d1 + e2 a,2) + r4 d4( g4) e4 + a,2( d2 + a2 e2) + fis1 + \bar "|." + } + >> + } + + tenorMelodieB = \relative c' { + << + %the actual tune + \clef "treble_8" + { + d1 + a2 a4 a4 + g1( + fis4) fis4 fis4( fis4) + r4 d'4( g4 e4) + a,2 a4 a4 + a1 ~ + a4 a4 a2 ~ + \time 3/2 + a2 ~ a4 d2 d4 + d2 a4 e'4 e4 e4 + \time 4/4 + d1( + e2.) e4 + d2. a4 + a2.( g4 + fis2.) g4 + a4 a4 fis4 fis4( + g2.) g4 + a2 a2 + \bar "||" + d1 + a2 a4 a4 + g1( + fis4) fis4 fis2 + r4 d'4( g4 e4) + a,2 a4 a4 + a1 ~ + a4 a4 a2 ~ + \time 3/2 + a2 ~ a4 d4 d4 d4 + d4 d4 a4 e'4 e4 e4 + \time 4/4 + d1( + e2.) e4 + d2. a4 + a2. g4 + fis4 fis4 fis4( g4) + a2 fis4 fis4 + g4 g4 g4 g4 + a2 a2 ~ + a1 + \bar "||" + \time 3/2 + d2( a1 + cis2) cis2 fis,4 fis4 + fis4 fis4 fis2 fis4 fis4 + a2 a1 + d2( a1 + cis2) cis4 cis4 cis4 cis4 + b4 b4 b1 + a2 a2( b4 a4) + \bar "||" + \time 4/4 + d1 + cis2 cis4 cis4 + b1( + a4) a4 a2 + r4 d4( g4 e4) + a,2 a4 cis4 + a1 ~ + a4 a4 a2 ~ + \bar "||" + \time 3/2 + a2 ~ a4 d2 d4 + d2 a4 e'4 e4 e4 + \time 4/4 + d1( + e2.) e4 + d2. a4 + a2. g4 + fis4 fis4 fis4( g4) + a2 fis4 fis4 + g2 g2 + r4 a2 a4 + a4( b4 g4 a4 ~ + a2. d4) + d1( ~ + d1 + e2 a,2) + r4 d4( g4) e4 + a,2( d2 + a2 e2) + d1 + } + >> + } + + beide = { + << + \partcombine + \relative c' { + \voiceOne + d4 cis4 + b1( + a4) a4 a2 ~ + a2 ~ a4 + } + \\ + \relative c' { + \voiceTwo + a4 a4 + g1( + fis4) fis4 fis2( + cis2 d4) + } + >> + \oneVoice + } + + bassMelodie = \relative c { + << + { \meta } + \bassArt + %the actual tune + \clef bass + { + fis1 + cis2 cis4 cis4 + b1( + a4) a4 a4 ~ a4 + b'1 + a2 + \beide + g2 g4 + fis2 a4 d4 d4 d4 + b1( + cis2.) cis4 + fis,2. fis4 + g2.( b,4 + a2.) b4 + cis4 cis4 b4 b4 ~ + b2. b4 + cis2 cis2 + fis1 + cis2 cis4 cis4 + b1( + a4) a4 a2 + b'1 + a2 + \beide + g4 g4 g4 + fis4 fis4 a4 d4 d4 d4 + b1( + cis2.) cis4 + fis,2. fis4 + g2. b,4 + a4 a4 a4( b4) + cis2 b4 b4 + b4 b4 b4 b4 + cis2 cis2 ~ + cis1 + fis2( g1 + fis2) fis2 fis4 fis4 + b,4 b4 b2 b4 b4 + cis2 cis1 + fis2( g1 + fis2) fis4 fis4 fis4 fis4 + << + \partcombine + \relative c { + \voiceOne + fis4 fis4 fis1 + e2 e2 e4 e4 + fis1( + e4) e4 e4 e4 + g1( + fis4) fis4 fis4 fis4 + g1( + e4) e4 e4 e4 + g1( + fis2) fis2 + a2 ~ a4 + } + \\ + \relative c { + \voiceTwo + b4 b4 b1 + a2 a2 a4 a4 + <a d,>1 ~ + q4 q4 q4 q4 + <b d,>1( + <a d,>4) q4 q4 q4 + <b d,>1( + <a d,>4) q4 q4 q4 + <b d,>1( + <a d,>2) q2( + cis2 d4) + } + >> + \oneVoice + g2 g4 + fis2 a4 d4 d4 d4 + b1( + cis2.) cis4 + fis,2. fis4 + g2. b,4 + a4 a4 a4( b4) + cis2 b4 b4 + b4 b4 b4 + << + \partcombine + \relative c { + \voiceOne + g'4 + fis1 + g1( + a4) g2 g4 + fis1 + g1 + a1 + g1 + fis2 fis2 + d2 ~ d2 + a1 + } + \\ + \relative c { + \voiceTwo + b4 + a1 + b1( + cis4) b2 b4 + a1( + b1 + cis1) + b1 + a2 a2 + g2 ~ g2 + d1 + } + >> + \oneVoice + } + >> + } + diff --git a/hr/stch/fertig/magnum_l/texte.ly b/hr/stch/fertig/magnum_l/texte.ly new file mode 100644 index 0000000..a230aa6 --- /dev/null +++ b/hr/stch/fertig/magnum_l/texte.ly @@ -0,0 +1,146 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + + teilA = \lyricmode { + O mag -- num my -- ste -- ri -- um, + O mag -- num my -- ste -- ri -- um, + sa -- cra -- men -- tum, + et ad -- mi -- ra -- bi -- le, + et ad -- mi -- ra -- bi -- le sa -- cra -- men -- tum, + O mag -- num my -- ste -- ri -- um, + O mag -- num my -- ste -- ri -- um, + vi -- de -- rent Do -- mi -- num, + ut a -- ni -- ma -- li -- a vi -- de -- rent Do -- mi -- num na -- tum, + ja -- cen -- tem in præ -- se -- pio! + } + +% Die Textaufteilungen + + oberB = \lyricmode { + Be -- a -- ta Vir -- go, + cu -- jus vi -- sce -- ra me -- ru -- e -- runt, + Be -- a -- ta Vir -- go, + por -- ta -- re Do -- mi -- num Chri -- stum. + O mag -- num my -- ste -- ri -- um, + O mag -- num my -- ste -- ri -- um, + sa -- cra -- men -- tum, + ut a -- ni -- ma -- li -- a vi -- de -- rent Do -- mi -- num na -- tum, + ja -- cen -- tem in præ -- se -- pio. + Al -- le -- lu -- ia! + Al -- le -- lu -- ia! + } + + sSoloText = \lyricmode { + Al -- le -- lu -- ia! + Al -- le -- lu -- ia! + Al -- le -- lu -- ia! + Al -- le -- lu -- ia! + } + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + \teilA + \oberB + } + + altA = \lyricmode { + O mag -- num my -- ste -- ri -- um, + O mag -- num my -- ste -- ri -- um, + et ad -- mi -- ra -- bi -- le sa -- cra -- men -- tum, + et ad -- mi -- ra -- bi -- le, + et ad -- mi -- ra -- bi -- le sa -- cra -- men -- tum, + O mag -- num my -- ste -- ri -- um, + O mag -- num my -- ste -- ri -- um, + ut a -- ni -- ma -- li -- a vi -- de -- rent Do -- mi -- num, + ut a -- ni -- ma -- li -- a vi -- de -- rent Do -- mi -- num na -- tum, + ja -- cen -- tem in præ -- se -- pio! + } + + altB = \lyricmode { + Vir -- go, + cu -- jus vi -- sce -- ra me -- ru -- e -- runt, + Vir -- go, + por -- ta -- re Do -- mi -- num Chri -- stum. + O mag -- num my -- ste -- ri -- um, + O mag -- num my -- ste -- ri -- um, + et ad -- mi -- ra -- bi -- le sa -- cra -- men -- tum, + ut a -- ni -- ma -- li -- a vi -- de -- rent Do -- mi -- num na -- tum, + ja -- cen -- tem in præ -- se -- pio. + Al -- le -- lu -- ia! + Al -- le -- lu -- ia! + } + + bassB = \lyricmode { + Vir -- go, + cu -- jus vi -- sce -- ra me -- ru -- e -- runt, + Vir -- go, + por -- ta -- re Do -- mi -- num Chri -- stum. + Al -- le -- lu -- ia! + Al -- le -- lu -- ia! + Al -- le -- lu -- ia! + Al -- le -- lu -- ia! + sa -- cra -- men -- tum, + ut a -- ni -- ma -- li -- a vi -- de -- rent Do -- mi -- num na -- tum, + ja -- cen -- tem in præ -- se -- pio. + Al -- le -- lu -- ia! + Al -- le -- lu -- ia! + } + + unterB = \lyricmode { + Vir -- go, + cu -- jus vi -- sce -- ra me -- ru -- e -- runt, + Vir -- go, + por -- ta -- re Do -- mi -- num Chri -- stum. + O mag -- num my -- ste -- ri -- um, + O mag -- num my -- ste -- ri -- um, + sa -- cra -- men -- tum, + ut a -- ni -- ma -- li -- a vi -- de -- rent Do -- mi -- num na -- tum, + ja -- cen -- tem. + Al -- le -- lu -- ia! + Al -- le -- lu -- ia! + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + \altA + \altB + } + + tenorText = \lyricmode { + %<+hier den Text für den Tenor eintragen+> + \teilA + \unterB + } + + tenorTextA = \lyricmode { + %<+hier den Text für den Tenor eintragen+> + O mag -- num my -- ste -- ri -- um, + O mag -- num my -- ste -- ri -- um, + sa -- cra -- men -- tum, + et ad -- mi -- ra -- bi -- le, + et ad -- mi -- ra -- bi -- le sa -- cra -- men -- tum, + O mag -- num my -- ste -- _ ri -- um, + O mag -- num my -- ste -- ri -- um, _ + vi -- de -- rent Do -- mi -- num, + ut a -- ni -- ma -- li -- a vi -- de -- rent Do -- mi -- num na -- tum, + ja -- cen -- tem in præ -- se -- pio! _ + Vir -- go, + cu -- jus vi -- sce -- ra me -- ru -- e -- runt, + Vir -- go, + por -- ta -- re Do -- mi -- num Chri -- stum. + O mag -- num my -- ste -- _ ri -- um, + O mag -- num my -- ste -- ri -- um, _ + sa -- cra -- men -- tum, + ut a -- ni -- ma -- li -- a vi -- de -- rent Do -- mi -- num na -- tum, + ja -- cen -- tem. + Al -- le -- lu -- ia! + Al -- le -- lu -- ia! + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + \teilA + \bassB + } + diff --git a/hr/stch/fertig/psallite/dynArt.ly b/hr/stch/fertig/psallite/dynArt.ly new file mode 100644 index 0000000..9ce0352 --- /dev/null +++ b/hr/stch/fertig/psallite/dynArt.ly @@ -0,0 +1,52 @@ +%some settings% vim: ai sw=2 lbr nu et + +#(define ((my-time one num) grob) + (grob-interpret-markup grob + (markup #:override '(baseline-skip . 0) #:number + (#:line ( + (#:column (one num))))))) + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + s1*2*4 + \break + s1*2*4 + \break + \repeat volta 2 { + s1*2*4 + \pageBreak + s1*2*4 + \break + s1*2*4 + \break + s1*2*2 + s1 s1 + } \alternative { + { + \once \override Staff.TimeSignature #'stencil = #(my-time "2" "2") + \time 2/2 + s1 + } + { + \time 4/2 + s1*2 + } + } + \bar "|." + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/fertig/psallite/dynArt_.ly b/hr/stch/fertig/psallite/dynArt_.ly new file mode 100644 index 0000000..cd6ea77 --- /dev/null +++ b/hr/stch/fertig/psallite/dynArt_.ly @@ -0,0 +1,57 @@ +%some settings% vim: ai sw=2 lbr nu et + +#(define ((my-time one num) grob) + (grob-interpret-markup grob + (markup #:override '(baseline-skip . 0) #:number + (#:line ( + (#:column (one num))))))) + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + s1*2*4 + \break + s1*2*4 + \break + \repeat volta 2 { + \time 2/2 + s1 + \time 4/2 + s1*2*4 + \pageBreak + s1*2*4 + \break + s1*2*4 + \break + s1*2*2 + } \alternative { + { + %\once \override Staff.TimeSignature #'stencil = #(my-time "2" "2") + %\time 4/2 + s1 + s1 + } + { + %\time 4/2 + \time 6/2 + s1 + s1*2 + } + } + \bar "|." + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/fertig/psallite/midi.lua b/hr/stch/fertig/psallite/midi.lua new file mode 100644 index 0000000..8aef7d6 --- /dev/null +++ b/hr/stch/fertig/psallite/midi.lua @@ -0,0 +1,53 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { + << + \unfoldRepeats +]] + +post=[[ + >> + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 100 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/fertig/psallite/psallite.ly b/hr/stch/fertig/psallite/psallite.ly new file mode 100644 index 0000000..153cd2c --- /dev/null +++ b/hr/stch/fertig/psallite/psallite.ly @@ -0,0 +1,92 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "stimmen.ly" +\include "texte.ly" + +\pointAndClickOff + + \header { + title = "Psallite" + composer = "unbekannt, bei Prætorius" + %opus = "<+Werk+>" + tagline = \markup { + \with-url + #"www.studentenchor.de" + \line { + \musicglyph #"scripts.segno" + \musicglyph #"noteheads.shufnagel.virga" + \musicglyph #"scripts.upedalheel" + \musicglyph #"pedal.d" + \musicglyph #"pedal.e" + \musicglyph #"scripts.dpedalheel" + \musicglyph #"noteheads.shufnagel.virga" + \musicglyph #"pedal.e" + \musicglyph #"scripts.dpedalheel" + \musicglyph #"timesig.C44" + \musicglyph #"clefs.petrucci.c3_change" + \musicglyph #"scripts.flageolet" + \dynamic r + } + } + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 16) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + \addlyrics { \sopranText } + \addlyrics { \sopTtwo } + >> + + alt = << + \new Voice = "alti" { \global \altMelodie } + \addlyrics { \altText } + \addlyrics { \altTtwo } + >> + + ten = << + \new Voice = "tenoere" { \global \tenorMelodie } + \addlyrics { \tenorText } + \addlyrics { \tenTtwo } + >> + + bas = << + \new Voice = "baesse" { \global \bassMelodie } + \addlyrics { \bassText } + \addlyrics { \basTtwo } + >> + + \score { + \new ChoirStaff \with { printPartCombineTexts = ##f } << + \new Staff = sopran { \sop } + \new Staff = alt { \alt } + \new Staff = tenor { \ten } + \new Staff = bass { \bas } + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/stch/fertig/psallite/stimmen.ly b/hr/stch/fertig/psallite/stimmen.ly new file mode 100644 index 0000000..68dd48a --- /dev/null +++ b/hr/stch/fertig/psallite/stimmen.ly @@ -0,0 +1,169 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key g \major + \override Staff.TimeSignature #'style = #'() + \time 4/2 + %\autoBeamOff + } + +% Die Stimmen + + extendLV = #(define-music-function (parser location further) (number?) + #{ + \once \override LaissezVibrerTie #'X-extent = #'(0 . 0) + \once \override LaissezVibrerTie #'details #'note-head-gap = #(/ $further -2) + \once \override LaissezVibrerTie #'extra-offset = #(cons (/ $further 2) 0) + #}) + + sopranMelodie = \relative c'' { + << + { \meta } + %\sopranArt + %the actual tune + { + R1*2 + g2 d2 g2 r2 + a4 b4 c4 a4 b1 + g4 g4 g4 fis4 e4 e4 d2 + g2 d2 g2 r2 + a4 b4 c4 a4 b4 b4 a4 c4 + b4 b4 a4 c4 b2. g4 + a4 g4 g4 fis4 g1 + % + r1 b2 d4 d4 + c4 c4 b4 b4 d4 d4 c4 c4 + b2 r2 r1 + R1*2 + R1*2 + r1 b2. a4 + b2 c2 d2. d4 + b2 d2 c2 b2 + a4 a4 g2 g2 d2 + g2 r2 a4 b4 c4 a4 + b1 g4 g4 g4 fis4 + e4 e4 d2 g2 d2 + g2 r2 a4 b4 c4 a4 + b4 b4 a4 c4 b4 b4 a4 c4 + b2. g4 a4 g4 g4 fis4 + g1 + g\breve + } + >> + } + + altMelodie = \relative c'' { + << + { \meta } + %\altArt + %the actual tune + { + R1*2 + r2 g2 d2 g2 + fis4 fis4 e4 fis4 g1 + b,4 b4 b4 d4 cis4 cis4 d2 + R1*2 + fis4 fis4 e4 fis4 g4 g4 fis4 e4 + g4 g4 fis4 e4 g2. d4 + e4 e4 d4 d4 b1 + % + r1 g'2 g4 g4 + c,4 c4 g'4 g4 d4 d4 a'4 a4 + g2 r2 r1 + R1*2 + R1*2 + r1 g2. fis4 + e2 e2 d2. d4 + g2 fis2 a2 g2 + fis4 fis4 g2 r2 g2 + d2 g2 fis4 fis4 e4 fis4 + g1 b,4 b4 b4 d4 + cis4 cis4 d2 r1 + r1 fis4 fis4 e4 fis4 + g4 g4 fis4 e4 g4 g4 fis4 e4 + g2. d4 e4 e4 d4 d4 + d1 + d\breve + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + d2 a2 d1 ~ + d1 r1 + d4 d4 c4 c4 d1 ~ + d1 r1 + b4 b4 b4 d4 c4 c4 d2 + d4 d4 c4 c4 d4 d4 d4 c4 + d4 d4 d4 c4 d2. b4 + c4 b4 a4 a4 g1 ~ + % + g\breve + R1*2 + r1 b2. a4 + b2 c2 d2. d4 + b2 d2 c2 b2 + a4 a4 g2 d'2. d4 + b2 a2 a1 + r2 d2 a2 d2 ~ + d\breve + r1 d4 d4 c4 c4 + d\breve + r1 b4 b4 b4 d4 + c4 c4 d2 d4 d4 c4 c4 + d4 d4 d4 c4 d4 d4 d4 c4 + d2. b4 c4 b4 a4 a4 + \extendLV #1.5 + g1 \laissezVibrer %~ \once \override NoteHead #'transparent = ##t g1 + g\breve + } + >> + } + + bassMelodie = \relative c' { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + r1 g2 d2 + g\breve + d4 d4 a'4 a4 g1 ~ + g1 r1 + g4 g4 g4 fis4 e4 e4 d2 + d4 d4 a'4 a4 g4 g4 d4 a'4 + g4 g4 d4 a'4 g2. g4 + c,4 c4 d4 d4 g,1 ~ + % + g\breve + R1*2 + r1 g'2. fis4 + e2 e2 d2. d4 + g2 fis2 a2 g2 + fis4 fis4 g2 g2. d4 + g2 a2 d,1 + r1 r2 g2 + d2 g2 ~ g1 ~ + g1 d4 d4 a'4 a4 + g\breve + r1 g4 g4 g4 fis4 + e4 e4 d2 d4 d4 a'4 a4 + g4 g4 d4 a'4 g4 g4 d4 a'4 + g2. g4 c,4 c4 d4 d4 + \extendLV #1.5 + g,1 \laissezVibrer%~ \once \override NoteHead #'transparent = ##t g1 + g\breve + } + >> + } + diff --git a/hr/stch/fertig/psallite/stimmen_.ly b/hr/stch/fertig/psallite/stimmen_.ly new file mode 100644 index 0000000..206a857 --- /dev/null +++ b/hr/stch/fertig/psallite/stimmen_.ly @@ -0,0 +1,177 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt_.ly" + + global = { + \key g \major + \override Staff.TimeSignature #'style = #'() + \time 4/2 + %\autoBeamOff + } + +% Die Stimmen + + extendLV = #(define-music-function (parser location further) (number?) + #{ + \once \override LaissezVibrerTie #'X-extent = #'(0 . 0) + \once \override LaissezVibrerTie #'details #'note-head-gap = #(/ $further -2) + \once \override LaissezVibrerTie #'extra-offset = #(cons (/ $further 2) 0) + #}) + + sopranMelodie = \relative c'' { + << + { \meta } + %\sopranArt + %the actual tune + { + R1*2 + g2 d2 g2 r2 + a4 b4 c4 a4 b1 + g4 g4 g4 fis4 e4 e4 d2 + g2 d2 g2 r2 + a4 b4 c4 a4 b4 b4 a4 c4 + b4 b4 a4 c4 b2. g4 + a4 g4 g4 fis4 g1 + % + r1 + b2 d4 d4 c4 c4 b4 b4 + d4 d4 c4 c4 b2 r2 + R1*2 + R1*2 + R1*2 + b2. a4 b2 c2 + d2. d4 b2 d2 + c2 b2 a4 a4 g2 + g2 d2 g2 r2 + a4 b4 c4 a4 b1 + g4 g4 g4 fis4 e4 e4 d2 + g2 d2 g2 r2 + a4 b4 c4 a4 b4 b4 a4 c4 + b4 b4 a4 c4 b2. g4 + a4 g4 g4 fis4 + g1 + a4 g4 g4 fis4 + g\breve + } + >> + } + + altMelodie = \relative c'' { + << + { \meta } + %\altArt + %the actual tune + { + R1*2 + r2 g2 d2 g2 + fis4 fis4 e4 fis4 g1 + b,4 b4 b4 d4 cis4 cis4 d2 + R1*2 + fis4 fis4 e4 fis4 g4 g4 fis4 e4 + g4 g4 fis4 e4 g2. d4 + e4 e4 d4 d4 b1 + % + r1 + g'2 g4 g4 c,4 c4 g'4 g4 + d4 d4 a'4 a4 g2 r2 + R1*2 + R1*2 + R1*2 + g2. fis4 e2 e2 + d2. d4 g2 fis2 + a2 g2 fis4 fis4 g2 + r2 g2 d2 g2 + fis4 fis4 e4 fis4 g1 + b,4 b4 b4 d4 cis4 cis4 d2 + r1 r1 + fis4 fis4 e4 fis4 g4 g4 fis4 e4 + g4 g4 fis4 e4 g2. d4 + e4 e4 d4 d4 + d1 + e4 e4 d4 d4 + d\breve + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + d2 a2 d1 ~ + d1 r1 + d4 d4 c4 c4 d1 ~ + d1 r1 + b4 b4 b4 d4 c4 c4 d2 + d4 d4 c4 c4 d4 d4 d4 c4 + d4 d4 d4 c4 d2. b4 + c4 b4 a4 a4 g1 ~ + % + g1 ~ + g1 r1 + R1*2 + b2. a4 b2 c2 + d2. d4 b2 d2 + c2 b2 a4 a4 g2 + d'2. d4 b2 a2 + a1 r2 d2 + a2 d2 ~ d1 ~ + d1 r1 + d4 d4 c4 c4 d1 ~ + d1 r1 + b4 b4 b4 d4 c4 c4 d2 + d4 d4 c4 c4 d4 d4 d4 c4 + d4 d4 d4 c4 d2. b4 + c4 b4 a4 a4 + \extendLV #1.5 + g1 \laissezVibrer %~ \once \override NoteHead #'transparent = ##t g1 + c4 b4 a4 a4 + g\breve + } + >> + } + + bassMelodie = \relative c' { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + r1 g2 d2 + g\breve + d4 d4 a'4 a4 g1 ~ + g1 r1 + g4 g4 g4 fis4 e4 e4 d2 + d4 d4 a'4 a4 g4 g4 d4 a'4 + g4 g4 d4 a'4 g2. g4 + c,4 c4 d4 d4 g,1 ~ + % + g1 ~ + g1 r1 + R1*2 + g'2. fis4 e2 e2 + d2. d4 g2 fis2 + a2 g2 fis4 fis4 g2 + g2. d4 g2 a2 + d,1 r1 + r2 g2 d2 g2 ~ + g\breve + d4 d4 a'4 a4 g1 ~ + g1 r1 + g4 g4 g4 fis4 e4 e4 d2 + d4 d4 a'4 a4 g4 g4 d4 a'4 + g4 g4 d4 a'4 g2. g4 + c,4 c4 d4 d4 + \extendLV #1.5 + g,1 \laissezVibrer%~ \once \override NoteHead #'transparent = ##t g1 + c4 c4 d4 d4 + g,\breve + } + >> + } + diff --git a/hr/stch/fertig/psallite/texte.ly b/hr/stch/fertig/psallite/texte.ly new file mode 100644 index 0000000..c612ad8 --- /dev/null +++ b/hr/stch/fertig/psallite/texte.ly @@ -0,0 +1,141 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + + primum = \lyricmode { + Psal -- li -- te u -- ni -- ge -- ni -- to + Chri -- sto, de -- i fi -- li -- o, + } + + secundum = \lyricmode { + re -- demp -- to -- ri, + do -- mi -- no, + pu -- e -- ru -- lo ia -- cen -- ti + in præ -- se -- pi -- o. + } + + psalSop = \lyricmode { + \primum + psal -- li -- te + \secundum + } + + psalUnter = \lyricmode { + \primum + \secundum + } + + inter = \lyricmode { + \repeat unfold 12 { _ } + } + + interUp = \lyricmode { + \inter + \inter _ + } + + interDn = \lyricmode { + \inter _ + _ _ _ _ _ + } + + eins = \lyricmode { + Singt und klingt Je -- su, Got -- tes Kind + und Ma -- ri -- en Söh -- ne -- lein, + } + + zwei = \lyricmode { + un -- serm lie -- ben Je -- su -- lein im Krip -- pe -- lein + beim Öchs -- lein und beim E -- se -- lein! + } + + sukSop = \lyricmode { + \eins + singt und klingt + \zwei + } + + sukUnter = \lyricmode { + \eins + \zwei + } + + kind = \lyricmode { + Ein klei -- nes Kin -- de -- lein liegt in dem Krip -- pe -- lein; + } + + engel = \lyricmode { + al -- le lie -- ben En -- ge -- lein die -- nen dem + } + + zwischenUp = \lyricmode { + \kind + \engel Kin -- de -- lein. + } + + zwischenDn = \lyricmode { + \engel Kin -- de -- lein und sin -- gen ihm fein. + } + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + \psalSop + \interUp + \psalSop + o. + } + sopTtwo = \lyrics { + \override LyricText #'font-shape = #'italic + \sukSop + \zwischenUp + \sukSop + lein! + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + \psalUnter + \interUp + \psalUnter + o. + } + altTtwo = \lyrics { + \override LyricText #'font-shape = #'italic + \sukUnter + \interUp + \sukUnter + lein! + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + \psalUnter + \interDn + \psalUnter + o. + } + tenTtwo = \lyrics { + \override LyricText #'font-shape = #'italic + \sukUnter + \zwischenDn + \sukUnter + lein! + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + \psalUnter + \interDn + \psalUnter + o. + } + basTtwo = \lyrics { + \override LyricText #'font-shape = #'italic + \sukUnter + \zwischenDn + \sukUnter + lein! + } + diff --git a/hr/stch/fertig/psallite/texte_.ly b/hr/stch/fertig/psallite/texte_.ly new file mode 100644 index 0000000..f4bc2a7 --- /dev/null +++ b/hr/stch/fertig/psallite/texte_.ly @@ -0,0 +1,149 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + + primum = \lyricmode { + Psal -- li -- te u -- ni -- ge -- ni -- to + Chri -- sto, de -- i fi -- li -- o, + } + + secundum = \lyricmode { + re -- demp -- to -- ri, + do -- mi -- no, + pu -- e -- ru -- lo ia -- cen -- ti + in præ -- se -- pi -- o. + } + + psalSop = \lyricmode { + \primum + psal -- li -- te + \secundum + } + + psalUnter = \lyricmode { + \primum + \secundum + } + + inter = \lyricmode { + \repeat unfold 12 { _ } + } + + interUp = \lyricmode { + \inter + \inter _ + } + + interDn = \lyricmode { + \inter _ + _ _ _ _ _ + } + + eins = \lyricmode { + Singt und klingt Je -- su, Got -- tes Kind + und Ma -- ri -- en Söh -- ne -- lein, + } + + zwei = \lyricmode { + un -- serm lie -- ben Je -- su -- lein im Krip -- pe -- lein + beim Öchs -- lein und beim E -- se -- lein! + } + + sukSop = \lyricmode { + \eins + singt und klingt + \zwei + } + + sukUnter = \lyricmode { + \eins + \zwei + } + + kind = \lyricmode { + Ein klei -- nes Kin -- de -- lein liegt in dem Krip -- pe -- lein; + } + + engel = \lyricmode { + al -- le lie -- ben En -- ge -- lein die -- nen dem + } + + zwischenUp = \lyricmode { + \kind + \engel Kin -- de -- lein. + } + + zwischenDn = \lyricmode { + \engel Kin -- de -- lein und sin -- gen ihm fein. + } + + finis = \lyricmode { + in præ -- se -- pi -- o. + } + + ende = \lyricmode { + und beim E -- se -- lein! + } + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + \psalSop + \interUp + \psalSop + \finis + } + sopTtwo = \lyrics { + \override LyricText #'font-shape = #'italic + \sukSop + \zwischenUp + \sukSop + \ende + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + \psalUnter + \interUp + \psalUnter + \finis + } + altTtwo = \lyrics { + \override LyricText #'font-shape = #'italic + \sukUnter + \interUp + \sukUnter + \ende + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + \psalUnter + \interDn + \psalUnter + \finis + } + tenTtwo = \lyrics { + \override LyricText #'font-shape = #'italic + \sukUnter + \zwischenDn + \sukUnter + \ende + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + \psalUnter + \interDn + \psalUnter + \finis + } + basTtwo = \lyrics { + \override LyricText #'font-shape = #'italic + \sukUnter + \zwischenDn + \sukUnter + \ende + } + diff --git a/hr/stch/fertig/reiselein/reiselein.ly b/hr/stch/fertig/reiselein/reiselein.ly new file mode 100644 index 0000000..0cbe372 --- /dev/null +++ b/hr/stch/fertig/reiselein/reiselein.ly @@ -0,0 +1,54 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + +\version "2.12.1" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Ich brach drei dürre Reiselein" + composer = "Hugo Distler, 1908-1942" + %opus = "<+Werk+>" + %tagline = "" + } + + \paper { + %<+weitere Einstellungen+> + } + + \midi { + %\tempo 4 = <+bpm+> + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + %#(set-global-staff-size 17) + + \score { + \new ChoirStaff << + \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + << + \new Voice = "soprane" { \global \voiceOne \sopranMelodie } + \lyricsto soprane \sopranText + \new Voice = "alti" { \global \voiceTwo \altMelodie } + >> + >> + %\new Staff = alt << + %>> + \new Staff = tenor << + << + \new Voice = "tenoere" { \global \voiceOne \tenorMelodie } + \new Voice = "baesse" { \global \voiceTwo \bassMelodie } + >> + >> + %\new Staff = bass << + %>> + >> + } + diff --git a/hr/stch/fertig/reiselein/reiselein.ps b/hr/stch/fertig/reiselein/reiselein.ps Binary files differnew file mode 100644 index 0000000..6d84235 --- /dev/null +++ b/hr/stch/fertig/reiselein/reiselein.ps diff --git a/hr/stch/fertig/reiselein/stimmen.ly b/hr/stch/fertig/reiselein/stimmen.ly new file mode 100644 index 0000000..f53e3f4 --- /dev/null +++ b/hr/stch/fertig/reiselein/stimmen.ly @@ -0,0 +1,117 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + + global = { + \key c \major + \override Staff.TimeSignature #'style = #'() + \time 3/4 + \partial 4 + } + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + %\repeat unfold <+number of parts+> { + %s4*<+number of measures within a part+> + %} + } + +% articulation + + sopranArt = { + %\repeat unfold <+number of parts+> { + %s4*<+number of measures within a part+> + %} + } + + altArt = { + %\repeat unfold <+number of parts+> { + %s4*<+number of measures within a part+> + %} + } + + tenorArt = { + %\repeat unfold <+number of parts+> { + %s4*<+number of measures within a part+> + %} + } + + bassArt = { + %\repeat unfold <+number of parts+> { + %s4*<+number of measures within a part+> + %} + } + +% Die Stimmen + + sopranMelodie = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + a'4 c4. c8 a8 a8 + c4. c8 a8 c8 + \time 4/4 c4 d4 c4 a4 + \time 3/4 g8( a8 f8 g8~g8 ) g8 + b4. b8 g8 g8 + b4 a4 g4 + \time 7/8 g4 g8 e8 fis4 fis8 + \time 3/4 g2 + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + f4 g4. a8 f8 f8 + g4. a8 f8 a8 + c4. c8 a4 g4 + e8( f8( d8( e8 ~ e8 ) ) ) ees8 + g4. f8 ees8 f8 + g4 f4 ees4 + d4 d8 d8 d4 d8 + g2 + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + { + c4 d4. d8 c8 c8 + d4. d8 c8 c8 + a4 f4 c'4 c4 + c8( d8( bes8( c8 ~ c8 ) ) ) c8 + d4. d8 d8 c8 + d4. d8 c4 + c4 c8 bes8 a4 a8 + g2 + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + c4 f4. f8 c8 c8 + f4. f8 c8 c8 + f4 a4 f4 f4 + c2 c4 + f4. f8 c8 c8 + f4. f8 c4 + g'4 g8 g8 d4 d8 + g,2 + } + >> + } diff --git a/hr/stch/fertig/reiselein/texte.ly b/hr/stch/fertig/reiselein/texte.ly new file mode 100644 index 0000000..727fbec --- /dev/null +++ b/hr/stch/fertig/reiselein/texte.ly @@ -0,0 +1,25 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + +% Abkürzungen + +% Die Textaufteilungen + + sopranText = \lyrics { + Ich brach drei dür -- re Rei -- se -- lein + vom har -- ten Ha -- sel -- strauch + und tat sie in ein Ton -- krüg -- lein; + warm war das Was -- ser auch. + } + + %altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + %} + + %tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + %} + + %bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + %} + diff --git a/hr/stch/fertig/richte/dynArt.ly b/hr/stch/fertig/richte/dynArt.ly new file mode 100644 index 0000000..c4ac926 --- /dev/null +++ b/hr/stch/fertig/richte/dynArt.ly @@ -0,0 +1,69 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + s1\f + s1*4 + \override Hairpin #'style = #'dashed-line + s2\> s2\p + s1*3 + s2.\fermata s8 s8\f + s1*5 + s2\> s2\p + s1*3 + s1\fermata + s2\f s2 + s1*11 + s2..\fermata s8\mf + \bar "||" + \time 3/8 + s4.*12 + \revert Hairpin #'style + s4\< s8 + s8.\sf s8. + s4.*5 + s8 s8\f s8 + s4.*11 + s4 s8\p + s4.*4 + s4. + s4.*2 + \bar "||" + \key d \major + \time 4/4 + s1\p + s1*6 + s2\f s2 + s1*3 + s2.\f s4 + s1*3 + s1%\ff + s1*14 + s1\fermata + \bar "||" + } + + maennerOber = { + s1*33 + s4.*36 + s4.^\markup{ "[" \italic "dim." "]" } + s4.*2 + s1*3 + s1\p + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/fertig/richte/midi.lua b/hr/stch/fertig/richte/midi.lua new file mode 100644 index 0000000..58e69da --- /dev/null +++ b/hr/stch/fertig/richte/midi.lua @@ -0,0 +1,50 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + +\version "2.12" +\include "stimmen.ly" + + \score { +]] + +post=[[ + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/fertig/richte/richte.ly b/hr/stch/fertig/richte/richte.ly new file mode 100644 index 0000000..b453a26 --- /dev/null +++ b/hr/stch/fertig/richte/richte.ly @@ -0,0 +1,77 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "stimmen.ly" +\include "texte.ly" + +\pointAndClickOff + + \header { + title = "Richte mich, Gott" + composer = "Felix Mendelssohn Bartholdy" + text = "Psalm 43" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 17) + + sop = \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + %\addlyrics { \sopranText } + >> + + alt = \new Staff = alt << + \new Voice = "alti" { \global \altMelodie } + %\addlyrics { \altText } + >> + + ten = \new Staff = tenor << + \new Voice = "tenoere" { \global \tenorMelodie } + %\addlyrics { \tenorText } + >> + + tenII = \new Staff = tenorTwo << + \new Voice = "tenoere" { \global \tenorIIMelodie } + \addlyrics { \text } + >> + + bas = \new Staff = bass << + \new Voice = "baesse" { \global \bassMelodie } + \addlyrics { \text } + >> + + \score { + \new ChoirStaff \with {} << + %\sop + %\alt + %\ten + \tenII + %\bas + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/stch/fertig/richte/stimmen.ly b/hr/stch/fertig/richte/stimmen.ly new file mode 100644 index 0000000..03e49f0 --- /dev/null +++ b/hr/stch/fertig/richte/stimmen.ly @@ -0,0 +1,411 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key f \major + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + %\autoBeamOff + } + +% Die Stimmen + + sopranMelodie = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + r1 + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + r1 + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + r1 + } + >> + } + + tenorIIMelodie = \relative c' { + << + { \meta } + \maennerOber + %\tenorArt + %the actual tune + \clef "treble_8" + { + a2 d,4 bes'4 + a2. d4 + c4 a4 f4 bes4 + a4 f4 d4 e8 f8 + g2 g4 a8 bes8 + a1 ~ + a1 ~ + a1 ~ + a1 ~ + a2. r8 a8 + a2 d,4 bes'4 + a2 d2 + c4 a4 f4 bes8 bes8 + a4 f4 d4 e8 e8 + f2 e4 f4 + c1 ~ + c1 ~ + c1 ~ + c1 ~ + c1 + c'2 c4 c4 + c1 ~ + c4 d4 d4 d4 + d2 d2 ~ + d4 d4 c4 g4 + bes2 bes2 ~ + bes4 bes4 a4 a4 + bes4 bes8 a8 c2 + c2 %c4( bes4) + %a4( d4 e4) f4 + %<< + %{ + \voiceTwo + f,4 g4 + a4( bes4 c4) d4 + e4 fis4 g4 a4 + bes4 bes4 bes,2 + a2.. + %} + % { + %\voiceOne + c4 bes4 + a4( d4 e4) f4 + g4 d4 d4 cis4 + d4 bes4 g2 + cis2.. + %} + %>> + %\clef "treble_8" + %\oneVoice + a8 + \time 3/8 + a8 d,8 bes'8 + a8. a16 a8 + a8 f8 g8 + a4 a8 + a8 c8 bes8 + \repeat unfold 6 { a4. ~ } + a8 r8 a8 + a4 d8 + c8. a16 g8 + f8 g8 a8 + c,4. ~ + c4. ~ + c4. ~ + c4. + r8 c'8 c8 + bes8 c8 d8 + c8. bes16 a8 + g8 a8 bes8 + a4. ~ + a4. ~ + a4. ~ + a4. + r8 a8 a8 + a8 d,8 bes'8 + a4 a8 + a4. + f4 bes8 + bes8 bes8 bes8 + c4 c8 + g8 g8 g8 + e4 a8 + a8 a8 a8 + a8[ d,8] bes'8 + a8 a8 g8 + \bar "||" + \key d \major + \time 4/4 + fis1 ~ + fis1 + e1 + b'1 ~ + b1 + a2 gis2 + a1 + cis2 d4. cis8 + cis1 + cis2 d4. cis8 + cis1 + d2. d4 + d4. d8 d4 d4 + cis2( d2) ~ + d2 cis2 + a2\ff b4. fis8 + fis1 + a2 b4. fis8 + fis1 + fis2. fis4 + g2 a2 + e2 e2 + e2 e2 + a2 b2 + d,2. fis4 + a4. a8 a2 + fis2 d2 + d2 e2 + fis1( + g1) + fis1 + \bar "|." + %{ + \bar "||" + \break + \key f \major + \clef "bass" + f2. f4 + g2 a2 + bes1 + a1 + a2 a2 + \set melismaBusyProperties = #'() + d1( + c1) + \unset melismaBusyProperties + f,2 f2 + bes,1 ~ + bes1 + \set melismaBusyProperties = #'() + g2( c2) + \unset melismaBusyProperties + c1 ~ + c1 + f,1 + f'2. f4 + g2 a2 + bes1 + a1 + a2 a2 + d2. d4 + c1 + f,2 f2 + bes,1 ~ + bes1( + g2) g2 + a2 a2 + a2 a2 + d1 + r1 + r1 + r1 + f,1 ~ + f2 f2 + g2 a2 + bes1 ~ + bes2 a2 + c1 ~ + c1 + f,1 + \bar "|." + %} + } + >> + } + + bassMelodie = \relative c' { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + a2 d,4 bes'4 + a2. d4 + c4 a4 f4 bes4 + a4 f4 d4 e8 f8 + g2 g4 a8 bes8 + a1 ~ + a1 ~ + a1 ~ + a1 ~ + a2. r8 a8 + a2 d,4 bes'4 + a2 d2 + c4 a4 f4 bes8 bes8 + a4 f4 d4 e8 e8 + f2 e4 f4 + c1 ~ + c1 ~ + c1 ~ + c1 ~ + c1 + c'2 c4 c4 + f,1 ~ + f4 d4 d4 d4 + g2 g2 ~ + g4 g4 g4 g4 + g4( f4 e4 d4) + c4 c4 c4 c4 + c4 c8 c8 c2 f2 + << + { + \voiceTwo + f,4 g4 + a4( bes4 c4) d4 + e4 fis4 g4 a4 + bes4 bes4 bes,2 + a2.. + } + { + \voiceOne + c'4 bes4 + a4( d4 e4) f4 + g4 d4 d4 cis4 + d4 bes4 g2 + cis2.. + } + >> + \clef "treble_8" + \oneVoice + a8 + \time 3/8 + a8 d,8 bes'8 + a8. a16 a8 + a8 f8 g8 + a4 a8 + a8 c8 bes8 + \repeat unfold 6 { a4. ~ } + a8 r8 a8 + a4 d8 + c8. a16 g8 + f8 g8 a8 + c,4. ~ + c4. ~ + c4. ~ + c4. + r8 c'8 c8 + bes8 c8 d8 + c8. bes16 a8 + g8 a8 bes8 + a4. ~ + a4. ~ + a4. ~ + a4. + r8 a8 a8 + a8 d,8 bes'8 + a4 a8 + a4. + f4 bes8 + bes8 bes8 bes8 + c4 c8 + g8 g8 g8 + e4 a8 + a8 a8 a8 + a8[ d,8] bes'8 + a8 a8 g8 + \bar "||" + \key d \major + \time 4/4 + fis1 ~ + fis1 + e1 + b'1 ~ + b1 + a2 gis2 + a1 + cis2 d4. cis8 + cis1 + cis2 d4. cis8 + cis1 + d2. d4 + d4. d8 d4 d4 + cis2( d2) ~ + d2 cis2 + a2 b4. fis8 + fis1 + a2 b4. fis8 + fis1 + fis2. fis4 + g2 a2 + e2 e2 + e2 e2 + a2 b2 + d,2. fis4 + a4. a8 a2 + fis2 d2 + d2 e2 + fis1( + g1) + fis1 + \bar "|." + %{ + \bar "||" + \break + \key f \major + \clef "bass" + f2. f4 + g2 a2 + bes1 + a1 + a2 a2 + \set melismaBusyProperties = #'() + d1( + c1) + \unset melismaBusyProperties + f,2 f2 + bes,1 ~ + bes1 + \set melismaBusyProperties = #'() + g2( c2) + \unset melismaBusyProperties + c1 ~ + c1 + f,1 + f'2. f4 + g2 a2 + bes1 + a1 + a2 a2 + d2. d4 + c1 + f,2 f2 + bes,1 ~ + bes1( + g2) g2 + a2 a2 + a2 a2 + d1 + r1 + r1 + r1 + f,1 ~ + f2 f2 + g2 a2 + bes1 ~ + bes2 a2 + c1 ~ + c1 + f,1 + \bar "|." + %} + } + >> + } + diff --git a/hr/stch/fertig/richte/texte.ly b/hr/stch/fertig/richte/texte.ly new file mode 100644 index 0000000..5468da6 --- /dev/null +++ b/hr/stch/fertig/richte/texte.ly @@ -0,0 +1,54 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + + text = \lyrics { + Rich -- te mich, Gott! und füh -- re mei -- ne Sa -- che + wi -- der das un -- hei -- li -- ge Volk. + Denn du bist der Gott, du bist der Gott mei -- ner Stär -- ke; + war -- um ver -- stö -- ßest du mich? + Sen -- de dein Licht und dei -- ne Wahr -- heit, + daß sie mich lei -- ten zu dei -- nem hei -- li -- gen Ber -- ge, + und zu dei -- ner Woh -- nung, und zu dei -- ner Woh -- nung. + % + Daß ich hin -- ein -- ge -- he zum Al -- _ tar Got -- tes, zu _ dem Gott, + der mei -- ne Freu -- de und Won -- _ ne ist, + und dir, Gott, auf der Har -- _ fe dan -- ke, mein Gott, + und dir, Gott, auf der Har -- fe dan -- ke, + dir Gott, auf der Har -- fe dan -- ke, mein Gott, + dir Gott, auf der Har -- _ fe dan -- ke, mein + % + Gott, mein Gott, _ mein Gott? + Har -- re auf Gott! + Har -- re auf Gott! + Denn ich wer -- de ihm noch dan -- ken. + Har -- re auf Gott! + Har -- re auf Gott! + Denn ich wer -- de ihm noch dan -- ken, + daß er mei -- nes An -- ge -- sichts Hil -- fe und mein Gott ist! + % + Eh -- re sei dem Va -- ter und dem Soh -- ne + und dem hei -- li -- gen Gei -- ste. + Wie es war im An -- fang, + jetzt und im -- mer -- dar und von E -- wig -- keit zu E -- wig -- keit. + A -- men, a -- _ _ men, a -- men. + } + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + } + diff --git a/hr/stch/fertig/ride/a.midi b/hr/stch/fertig/ride/a.midi Binary files differnew file mode 100644 index 0000000..0c2b5c4 --- /dev/null +++ b/hr/stch/fertig/ride/a.midi diff --git a/hr/stch/fertig/ride/b.midi b/hr/stch/fertig/ride/b.midi Binary files differnew file mode 100644 index 0000000..7837da5 --- /dev/null +++ b/hr/stch/fertig/ride/b.midi diff --git a/hr/stch/fertig/ride/dynArt.ly b/hr/stch/fertig/ride/dynArt.ly new file mode 100644 index 0000000..1aad1d7 --- /dev/null +++ b/hr/stch/fertig/ride/dynArt.ly @@ -0,0 +1,83 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + \override BreathingSign #'text = \markup { \musicglyph #"scripts.caesura.straight" } % caesura-like? double-slash! + s4. + \mark \markup { \smaller \musicglyph #"scripts.segno" } + \repeat volta 2 { + s8 s4-> s8 s2 + s4. s8-> s2 + s8 s4-> s8 s2 + s4. s8-> s2 + s1 + s4. s8-> s2 + s4. s8-> s2 + } \alternative { + { + s4. s8-> s2 + } + { + s4. s8-> s2 + } + } + s1 + s4.-> s8\fp s2\< + s1 + s4.->\> s8\fp s4 s4\cresc + s1 + s4.->\! s8 s2 + s1 + s2.. s8 + \bar "|." + s2. \bar "||" s4 + \repeat volta 2 { + s2.\< s4\! + s2.\< s4\! + s1\< + s4.\! s8-> s2 + s2.\> s4\! + s2.\> s4\! + s8 s2..\cresc + } \alternative { + { + s4. s8-> s2 + } + { + s1\! + } + } + s8 s4-> s8\cresc s2 + s2. s4\! + s8 s4-> s8 s2 + s4. s8-> s2 + s1 + s4. s8-> s2 + s4.->\f s8 s2 + s4.->\mf s8-> s2 + s8 s4\mf s8 s2\cresc + s4. s8-> s2 + s8 s4\mf s8\cresc s2 + s4. s8-> s8 \breathe s8--\! s8-- s8-- + s8-> s4-> s8-> s8-> s8-> s8-> s8-> + s2-> s2-> + s1 + s1->\fermata\f + \bar "|." + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/fertig/ride/midi.lua b/hr/stch/fertig/ride/midi.lua new file mode 100644 index 0000000..e22ba8e --- /dev/null +++ b/hr/stch/fertig/ride/midi.lua @@ -0,0 +1,51 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { + \unfoldRepeats +]] + +post=[[ + \midi { + \context{ + \Score + tempoWholesPerMinute = #(ly:make-moment 120 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/fertig/ride/ride.ly b/hr/stch/fertig/ride/ride.ly new file mode 100644 index 0000000..2cde048 --- /dev/null +++ b/hr/stch/fertig/ride/ride.ly @@ -0,0 +1,77 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "stimmen.ly" +\include "texte.ly" + +\pointAndClickOff + + \header { + title = "Ride the Chariot" + %composer = "<+Komponist+>" + arranger = "William Henry Smith" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + page-count = 2 + } + + \layout { + indent = #0 + \context { + \Staff + \RemoveEmptyStaves + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + \override VerticalAxisGroup #'remove-first = ##t + } + } + + #(set-global-staff-size 17) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + %\addlyrics { \sopranText } + >> + + alt = << + \new Voice = "alti" { \global \altMelodie } + %\addlyrics { \altText } + >> + + ten = << + \new Voice = "tenoere" { \global \tenorMelodie } + \addlyrics { \tenorText } + >> + + bas = << + \new Voice = "baesse" { \global \bassMelodie } + \addlyrics { \bassText } + >> + + \score { + << + \new Staff { \new Voice { \global \soloMelodie } } + \new ChoirStaff \with { printPartCombineTexts = ##f } << + %\new Staff = sopran { \sop } + %\new Staff = alt { \alt } + \new Staff = tenor { \ten } + %\new Staff = bass { \bas } + >> + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/stch/fertig/ride/s.midi b/hr/stch/fertig/ride/s.midi Binary files differnew file mode 100644 index 0000000..56de4b9 --- /dev/null +++ b/hr/stch/fertig/ride/s.midi diff --git a/hr/stch/fertig/ride/stimmen.ly b/hr/stch/fertig/ride/stimmen.ly new file mode 100644 index 0000000..629086e --- /dev/null +++ b/hr/stch/fertig/ride/stimmen.ly @@ -0,0 +1,217 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key g \major + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + %\autoBeamOff + \partial 4. + \override DynamicTextSpanner #'style = #'none + } + +% Die Stimmen + + soloMelodie = \relative c' { + << + % { \meta } nope! + { + s4. + s1*4 + \break + s1*4 + \break + r4. r4. d8\f d8 + g8 g8 g4 b8 d4. ~ + d2 r4 d,8 d8 + g8 g8 g8 a8 b8 g4. ~ + g2. d8 d8 + g8 g8 g8 g8 b8 d4. ~ + d2 r4 c4 + b8 b8 b8 b8 b8 a8 g8 g8 + a8 a4 a8 g2^\markup { \italic "D.S." } + a8 a4 a8 g4 + g'4 + \break + g4 d4 d4 d8 ~ d8 + d8( c8) b4 g2 + d'1\< ~ + d2.\! g4 + \break + g4 d4 d4 d4 + d8( c8) b4 g2 + d'1\< ~ + d2.\! g4 + d2. \repeatTie r4 + \break + <<d2\mf { s4. s8\cresc }>> e2 + e2( fis2) + <<d2\mf { s4. s8\cresc }>> g2 + e2( fis2) + g1\f + g1 + d4.\f e8( e2) + d4.->\mf <d g,>8-> ~ q8 g,8->\f g8-> g8-> + g'1-> ~ + g2 ~ g8 g,8-> g8-> g8-> + g'1-> ~ + g2 ~ g8 r8 r4 + \break + s1*4 + } + >> + } + + sopranMelodie = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + r1 + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + r1 + } + >> + } + + tenorPartI = \relative c' { + r8 b4 b8 e8 e8 e8 d8 + c4 c8 c8-> ~ c4 r4 + r8 b4 b8 g8 g8 g8 g8 + a4 g8 fis8 ~ fis4 r4 + r8 d'8 d8 d8 d8 c8 b8 b8 + c4 b8 e8 ~ e2 + d4. cis8 ~ cis2 + c4. b8 ~ b4 r4 + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + r8 r4 + \tenorPartI + c4. b8 ~ b4 r4 + r1 + b4. b8 ~ b2 ~ + b1 + c4. b8 ~ b2 ~ + b1 + d4. d8 ~ d4 e4 + d8 d8 d8 d8 d8 c8 b8 b8 + c8 c4 c8 b2 + c8 c4 c8 b4 r4 + b1 + c1 + b8 b4 b8 d8 d8 d8 d8 + c4 c8 b8 ~ b2 + b1 + g1 + b8 b4 b8 d8 d8 d8 d8 + c4 c8 b8 ~ b2 + c4 c8 b8-> ~ b2 + \tenorPartI + r8 d4 d8 c8 c8 c8 c8 + bes4 bes8 b8 ~ b2 + r8 d4 d8 c8 c8 c8 c8 + d4 d8 e8 ~ e8 d8 d8 d8 + b8 b4 b8 b8 b8 c8 d8 + c2 c2 + b4-> b4-> c4-> a4-> + b1 + } + >> + } + + ride = \relative c' { + g8 g4 g8 e8 e8 e8 e8 + a4 e8 d8 ~ d8 d8-> e8-> fis8-> + g8 e4 d8 b8 b8 b8 b8 + a4 a8 d8 ~ d8 d8-> e8-> fis8-> + g4 g4 f4 f4 + e4 d8 c8 ~ c2 + d4. e8 ~ e4( a,4) + } + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + d8-> e8-> fis8-> + \ride + d4. g,8 ~ g8 d'8-> e8-> fis8-> + d4. g,8 ~ g4 r4 + r1 + g'4. g8 ~ g2 ~ + g1 + c,4. <g g'>8 ~ q2 ~ + q1 + <b b'>4. <g g'>8 ~ q4 c4 + d8 d8 d8 d8 d8 dis8 e8 e8 + a,8 a4 d8 <g, g'>8 d'8-> e8-> fis8-> + a,8 a4 d8 <g, g'>4 + r4 + g'1 + g1 + g8 g4 e8 d8 d8 d8 d8 + d4 d8 <g, g'>8 ~ q2 + g'2( f2) + e2( ees2) + d8 d4 e8 d8 d8 d8 d8 + d4 d8 <g, g'>8 ~ q2 + d'4 d8 g,8 ~ g8 d'8-> e8-> fis8-> + \ride + d4. g,8 ~ g4 r4 + r8 f'4 f8 e8 e8 e8 e8 + ees4 ees8 d8 ~ d2 + r8 f4 f8 e8 e8 e8 e8 + d4 g8 <c, c'>8 ~ q8 + %\partcombine + << + \relative c' { %\voiceOne + c8 b8 a8 + g8 g4 g8 g8 g8 g8 g8 + e2 a2 + } + %\\ + \relative c' { %\voiceTwo + c8 b8 a8 + g8 g4 fis8 e8 d8 c8 b8 + a2 b2 + } + >> + << + \relative c' { + \voiceOne + g1-> ~ + g1-> + } + \\ + \relative c' { + \voiceTwo + g2. g4-> + g,1 + } + \addlyrics { Lord, my Lord } + >> + } + >> + } + diff --git a/hr/stch/fertig/ride/t.midi b/hr/stch/fertig/ride/t.midi Binary files differnew file mode 100644 index 0000000..8af95e7 --- /dev/null +++ b/hr/stch/fertig/ride/t.midi diff --git a/hr/stch/fertig/ride/texte.ly b/hr/stch/fertig/ride/texte.ly new file mode 100644 index 0000000..8ec4a3a --- /dev/null +++ b/hr/stch/fertig/ride/texte.ly @@ -0,0 +1,82 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + + gonna = \lyricmode { + I’m gon -- na ride in the char -- iot in the morn -- ing, Lord, + } + ride = \lyricmode { + Ride, ride, + Ride in the char -- i -- ot to see my Lord. + } + ready = \lyricmode { + I’m get -- tin’ read -- y for the judg -- ment day, + } + Ride = \lyricmode { + Ride the char -- iot in the morn -- ing, + } + waiting = \lyricmode { + I’m wait -- in’ for the char -- iot ’cause I’m read -- y to go. + } + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + \Ride Lord, + \Ride Lord, + \ready my Lord, my Lord. + my Lord. + Oh yes + Oh, yes, + Oh, yes, + \waiting + read -- y to go. + \ride + \ride + see my Lord. + \Ride Lord, + \Ride Lord, + \ready + My Lord, my Lord, + \Ride Lord, + \Ride Lord, + I’m gon -- na ride in the char -- i -- ot to see my Lord, + to see my Lord. + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + \gonna + \gonna + \ready + my Lord, my Lord. Im gon -- na + my Lord. + Oh yes + Oh, yes, + Oh, yes, + \waiting + I’m gon -- na + read -- y to go. + \ride + \ride + see my Lord. + \gonna + \gonna + \ready + my Lord, my Lord, + \Ride Lord, + \Ride + %\set associatedVoice = upper + Lord, + I’m gon -- na ride in the char -- i -- ot to see my Lord, my Lord. + } + diff --git a/hr/stch/fertig/riverside/dynArt.ly b/hr/stch/fertig/riverside/dynArt.ly new file mode 100644 index 0000000..ca8ed9e --- /dev/null +++ b/hr/stch/fertig/riverside/dynArt.ly @@ -0,0 +1,55 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + } + +% articulation + + pat = { + s2 s8-- s8-. s8 s8-. + } + dot = { + s2 s8-- s8-. s8 s8-> + } + sopranArt = { + s4. + \repeat unfold 16 s1 + \repeat unfold 16 s1 + \dot + } + + altArt = { + s4. + \repeat unfold 16 s1 + \repeat unfold 14 s1 + \pat + \pat + \dot + } + + tenorArt = { + } + + bassArt = { + s4. + s4-. s2. + \repeat unfold 3 { + s1 + s1-> + } + s1 + s4-. s2. + \override BreathingSign #'text = \markup { \musicglyph #"scripts.caesura" } + s2. \breathe s4-> + s1-> + \repeat unfold 5 s1 + \repeat unfold 6 s1 + s4 s2-> s4 + \repeat unfold 7 s1 + \pat + \pat + \dot + } + diff --git a/hr/stch/fertig/riverside/midi.lua b/hr/stch/fertig/riverside/midi.lua new file mode 100644 index 0000000..8d7d5be --- /dev/null +++ b/hr/stch/fertig/riverside/midi.lua @@ -0,0 +1,51 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { + \unfoldRepeats +]] + +post=[[ + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/fertig/riverside/riverside.ly b/hr/stch/fertig/riverside/riverside.ly new file mode 100644 index 0000000..510b853 --- /dev/null +++ b/hr/stch/fertig/riverside/riverside.ly @@ -0,0 +1,75 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Down By The Riverside" + composer = "Traditional" + arranger = "Carsten Gerlitz" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 17) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \partcombine + { \sopranMelodie } + { \altMelodie } + %\new Voice = "soprane" { \voiceOne \sopranMelodie } + %\new Voice = "alti" { \voiceTwo \altMelodie } + %\addlyrics { \sopranText } + >> + + alt = << + %\addlyrics { \altText } + >> + + ten = << + \new Voice = "tenoere" { \tenorMelodie } + %\addlyrics { \tenorText } + >> + + bas = << + \new Voice = "baesse" { \bassMelodie } + \addlyrics { \bassText } + \addlyrics { \second } + \addlyrics { \third } + \addlyrics { \fourth } + >> + + \score { + \new ChoirStaff \with { printPartCombineTexts = ##f } << + \new Staff = sopran { \global \sop } + %\new Staff = alt { \global \alt } + %\new Staff = tenor { \global \ten } + \new Staff = bass { \global \bas } + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/stch/fertig/riverside/stimmen.ly b/hr/stch/fertig/riverside/stimmen.ly new file mode 100644 index 0000000..5114868 --- /dev/null +++ b/hr/stch/fertig/riverside/stimmen.ly @@ -0,0 +1,163 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key g \major + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + %\autoBeamOff + \partial 4. + } + +% Die Stimmen + + sopranMelodie = \relative c' { + << + { \meta } + \sopranArt + %the actual tune + { + r8 r4 + r2 b'4 g4 + d4 e4 g4 fis4 + r4 b4 b4. ais8 + b8 a4 g8 ~ g4 r4 + r4 a4 a4. gis8 + a8 g4 fis8 ~ fis4 r4 + r4 b4 b4. ais8 + b8 a4 g8 ~ g4 r4 + r2 b4 g4 + g4 g4 a2 + r4 b4 b4. ais8 + b8 a4 g8 ~ g4 g4 + a4 a8 a8 a4 c4 + b2 a2 + g1 ~ + g4 s8 g8 a4 b8 b8 + % + c8 c4 c8 ~ c4 c4 + c4 d4 g,4 a8 ais8 + b8 b4 b8 ~ b4 a4 + g2. g4 + a2 a4 a4 + a8 a4. g4 a4 + b1 ~ + b4 s8 g8 a4 b8 b8 + c8 c4 c8 ~ c4 c4 + c4 d4 g,4 a8 ais8 + b8 b4 b8 ~ b4 a4 + g2. g4 + a2 a4 a4 + a8 c4. b4 a4 + g1 ~ + g1 ~ + g2 g8 g8 r8 b8 + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + \altArt + %the actual tune + { + r8 r4 + r2 d4 c4 + c4 c4 c4 d4 + r4 d4 d4. cis8 + d8 c4 b8 ~ b4 s4 + r4 c4 c4. b8 + c8 e4 d8 ~ d4 s4 + r4 d4 d4. cis8 + d8 c4 b8 ~ b4 r4 + r2 d4 c4 + e4 c4 fis2 + r4 d4 d4. cis8 + d8 c4 b8 ~ b4 b4 + c4 c8 c8 c4 a4 + d4( g4) c,4( e4) + b2 e4 ees4 + d4 s8 g8 a4 b8 b8 + % + r4 fis4 e8 e4 g8 ~ + g4. e8 ~ e4 f8 fis8 + g4 g4 ~ g8 fis4 fis8 + d1 + e1( + c1 + g'4) g2 a4 + b4 s8 g8 a4 b8 b8 + r4 f4 e8 e4 g8 ~ + g4. e8 ~ e4 f8 fis8 + g4 g4 ~ g8 fis4 fis8 + d1 + e1 + e8 e4. e8( eis8) fis4 + r2 e8 e8 r8 d8 + r2 e8 e8 r8 d8 + r2 e8 e8 r8 d8 + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + r1 + } + >> + } + + bassMelodie = \relative c' { + << + { \meta } + \bassArt + %the actual tune + \clef bass + { + b8 b8 ais8 + b4 d,2 e4 + g4 g4 a2 + g1 ~ + g2 r8 g8 fis8 e8 + d1 ~ + d2 r8 d8 e8 fis8 + g1 ~ + g2 r8 b8 b8 ais8 + b4 d,2 e4 + c4 e4 d4 d4 + g1 ~ + g2. f4 + e2 ees2 + d2 d2 + g2 c4 c4 + b4 r8 g8 a4 b8 b8 + \bar "||" + r4 a4 g8 g4 e8 ~ + e4. c8 ~ c4 ees8 ees8 + d4 d4 ~ d8 dis4 dis8 + e1 + c1( d2 e4 fis4 + g4) b2 c4 + d4 r8 g,8 a4 b8 b8 + r4 a4 g8 g4 e8 ~ + e4. c8 ~ c4 ees8 ees8 + d4 d4 ~ d8 dis4 dis8 + e1 + c1 + c4 c4 d4 d4 + g,2 c8 c8 r8 b8 + r2 c8 c8 r8 b8 + r2 c'8 c8 r8 g8 + \bar "|." + } + >> + } + diff --git a/hr/stch/fertig/riverside/texte.ly b/hr/stch/fertig/riverside/texte.ly new file mode 100644 index 0000000..773465f --- /dev/null +++ b/hr/stch/fertig/riverside/texte.ly @@ -0,0 +1,46 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + + second = \lyrics { I’m gon -- na put on my trave -- lin’ shoes } + third = \lyrics { I’m gon -- na put on my long white robe } + fourth = \lyrics { I’m gon -- na put on my star -- ry crown } + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + I’m gon -- na lay down my sword and shield + down, + gon -- na lay down, + gon -- na lay down, + I’m gon -- na lay down my sword and shield, + lay down + I gon -- na war no more, + war no more. + I ain’t gon -- na + stud -- y war no more, + gon -- na stud -- y war no more, + ooh war no more. + I ain’t gon -- na + stud -- y war no more, + gon -- na stud -- y war no more, + ooh + stud -- y war no more, + war no more, + war no more, + war no more. + } + diff --git a/hr/stch/fertig/ros_distler/midis.zip b/hr/stch/fertig/ros_distler/midis.zip Binary files differnew file mode 100644 index 0000000..fc544b2 --- /dev/null +++ b/hr/stch/fertig/ros_distler/midis.zip diff --git a/hr/stch/fertig/ros_distler/midis/alt.midi b/hr/stch/fertig/ros_distler/midis/alt.midi Binary files differnew file mode 100644 index 0000000..a004bef --- /dev/null +++ b/hr/stch/fertig/ros_distler/midis/alt.midi diff --git a/hr/stch/fertig/ros_distler/midis/bass.midi b/hr/stch/fertig/ros_distler/midis/bass.midi Binary files differnew file mode 100644 index 0000000..3420aab --- /dev/null +++ b/hr/stch/fertig/ros_distler/midis/bass.midi diff --git a/hr/stch/fertig/ros_distler/midis/ros.midi b/hr/stch/fertig/ros_distler/midis/ros.midi Binary files differnew file mode 100644 index 0000000..daacb86 --- /dev/null +++ b/hr/stch/fertig/ros_distler/midis/ros.midi diff --git a/hr/stch/fertig/ros_distler/midis/sopran.midi b/hr/stch/fertig/ros_distler/midis/sopran.midi Binary files differnew file mode 100644 index 0000000..11ac9e9 --- /dev/null +++ b/hr/stch/fertig/ros_distler/midis/sopran.midi diff --git a/hr/stch/fertig/ros_distler/midis/tenor.midi b/hr/stch/fertig/ros_distler/midis/tenor.midi Binary files differnew file mode 100644 index 0000000..df00c9d --- /dev/null +++ b/hr/stch/fertig/ros_distler/midis/tenor.midi diff --git a/hr/stch/fertig/ros_distler/ros.ly b/hr/stch/fertig/ros_distler/ros.ly new file mode 100644 index 0000000..894769a --- /dev/null +++ b/hr/stch/fertig/ros_distler/ros.ly @@ -0,0 +1,77 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + +\version "2.12.1" +\include "stimmen.ly" +%\include "texte.ly" + + \header { + title = "Es ist ein Ros entsprungen" + composer = "Satz: Hugo Distler, 1908-1942" + opus = "aus der \"Weihnachtsgeschichte\" op.10" + %tagline = "" + } + + \paper { + %<+weitere Einstellungen+> + } + + \midi { + %\tempo 4 = <+bpm+> + } + + \layout { + indent = #0 + \context { + \Score + \remove "Timing_translator" + \remove "Default_bar_line_engraver" + \remove "Time_signature_engraver" + %\override SpacingSpanner #'uniform-stretching = ##t + %\override SpacingSpanner #'strict-note-spacing = ##t + proportionalNotationDuration = #(ly:make-moment 1 2) + } + \context { + \Staff + \consists "Timing_translator" + \consists "Default_bar_line_engraver" + \consists "Time_signature_engraver" + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } +% \context { +% \Voice +% \remove "Forbid_line_break_engraver" +% } + } + + #(set-global-staff-size 16) + + \score { + \new ChoirStaff << + \new Staff = sopran << + %%\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie \end } + %\lyricsto soprane \sopranText + >> + \new Staff = alt << + \new Voice = "alti" { \global \altMelodie \end } + %\lyricsto alti \altText + >> + \new Staff = tenor << + \new Voice = "tenoere" { \global \tenorMelodie \end } + %\lyricsto tenoere \tenorText + >> + \new Staff = bass << + \new Voice = "baesse" { \global \bassMelodie \end } + %\lyricsto baesse \bassText + >> + >> +% \midi{ +% \context{ +% \Score +% tempoWholesPerMinute = #(ly:make-moment 84 4) +% } +% } + %{ + %} + } + diff --git a/hr/stch/fertig/ros_distler/ros.midi b/hr/stch/fertig/ros_distler/ros.midi Binary files differnew file mode 100644 index 0000000..3fff1ae --- /dev/null +++ b/hr/stch/fertig/ros_distler/ros.midi diff --git a/hr/stch/fertig/ros_distler/ros.ps b/hr/stch/fertig/ros_distler/ros.ps Binary files differnew file mode 100644 index 0000000..5fe1ff1 --- /dev/null +++ b/hr/stch/fertig/ros_distler/ros.ps diff --git a/hr/stch/fertig/ros_distler/stimmen.ly b/hr/stch/fertig/ros_distler/stimmen.ly new file mode 100644 index 0000000..0b24a35 --- /dev/null +++ b/hr/stch/fertig/ros_distler/stimmen.ly @@ -0,0 +1,141 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + + global = { + \key e \major + \time 3/2 + \partial 2 + \cadenzaOn + } + end = {\cadenzaOff} + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + s4*24 %\break + %\repeat unfold <+number of parts+> { + %s4*<+number of measures within a part+> + %} + } + +% articulation + + sopranArt = { + %\repeat unfold <+number of parts+> { + %s4*<+number of measures within a part+> + %} + } + + altArt = { + %\repeat unfold <+number of parts+> { + %s4*<+number of measures within a part+> + %} + } + + tenorArt = { + %\repeat unfold <+number of parts+> { + %s4*<+number of measures within a part+> + %} + } + + bassArt = { + %\repeat unfold <+number of parts+> { + %s4*<+number of measures within a part+> + %} + } + +% Die Stimmen + + sopranMelodie = \relative c'' { + << + { \meta } + %\sopranArt + %the actual tune + { + b2\p + \bar "|" \time 4/4 b4 b4 cis4 b4 + \bar "|" b2 gis2 + \bar "|" a2 gis4 fis4 ~ + \bar "|" fis4 e2 dis4 + \bar "|" \time 3/2 <<{e4.( fis8 gis2)}\\ {e1}>> gis2 + \bar "|" \time 4/4 fis4 dis4 e4 cis4 + \bar "|" b2 b'2 + \bar "|" b4 b4 cis4 b4 + \bar "|" b2 gis2 + \bar "|" a2 gis4 fis4 ~ + \bar "|" fis4 e2 dis4 + \bar "|" <<{e4.( fis8 gis2)}\\ {e1}>> + \bar "||" + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + r4 e4\p + \bar "|" \time 4/4 e4 fis4 a4 a4 + \bar "|" gis4( fis8( e8( fis2 ) ) ) + \bar "|" e4 e4 dis4 b4 + \bar "|" cis4.( dis8( e4 ) ) fis4 + \bar "|" \time 5/4 gis4.( fis8 e2 ) e4 + \bar "|" e4 e4 gis4.( fis8 ) e4 + \bar "|" \time 4/4 \times 2/3 { fis8.( gis16 e8 } fis2) e4 + \bar "|" e4 fis4 a4 a4 + \bar "|" gis4( fis8( e8( fis2 ) ) ) + \bar "|" e4 e4 dis4 b4 + \bar "|" cis4.( dis8( e4 ) ) fis4 + \bar "|" gis4.( fis8( e2 ) ) + \bar "||" + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + { + r4 b'4\p + \bar "|" b4 cis4 e4 e4 dis2 + \bar "|" \time 5/4 cis4 cis2 cis4 cis4 + \bar "|" e4.( dis8( b4( cis4 ) ) ) b4 + \bar "|" gis8( a b cis) b2 b4 + \bar "|" b2 gis4 cis4 cis4 + \bar "|" \time 4/4 dis8( cis8 b4 ) b2 + \bar "|" \time 3/2 b4 cis4 e4 e4 dis2 + \bar "|" \time 5/4 cis4 cis2 cis4 cis4 + \bar "|" e4.( dis8( b4( cis4 ) ) ) b4 + \bar "|" \time 4/4 gis8( a b cis b2) + \bar "||" + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + r2 + \bar "|" \time 4/4 r1 + \bar "|" r2 r4 cis'4\p ~ + \bar "|" cis4 a2 b4 + \bar "|" gis2 fis2 + \bar "|" \time 3/2 e4.( cis8( e2 ) ) e2 + \bar "|" \time 4/4 b4 cis4 e4 e4 + \bar "|" b2. r4 + \bar "|" r1 + \bar "|" r2 r4 cis'4 ~ + \bar "|" cis4 a2 b4 + \bar "|" gis2 fis2 + \bar "|" e1 + \bar "||" + } + >> + } diff --git a/hr/stch/fertig/ros_distler/tenorBass.midi b/hr/stch/fertig/ros_distler/tenorBass.midi Binary files differnew file mode 100644 index 0000000..9e630df --- /dev/null +++ b/hr/stch/fertig/ros_distler/tenorBass.midi diff --git a/hr/stch/fertig/ros_distler/texte.ly b/hr/stch/fertig/ros_distler/texte.ly new file mode 100644 index 0000000..d073090 --- /dev/null +++ b/hr/stch/fertig/ros_distler/texte.ly @@ -0,0 +1,22 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + +% Abkürzungen + +% Die Textaufteilungen + + sopranText = \lyrics { + <+hier den Text für den Sopran eintragen+> + } + + altText = \lyrics { + <+hier den Text für den Alt eintragen+> + } + + tenorText = \lyrics { + <+hier den Text für den Tenor eintragen+> + } + + bassText = \lyrics { + <+hier den Text für den Baß eintragen+> + } + diff --git a/hr/stch/fertig/schoß/a.midi b/hr/stch/fertig/schoß/a.midi Binary files differnew file mode 100644 index 0000000..576f9a0 --- /dev/null +++ b/hr/stch/fertig/schoß/a.midi diff --git a/hr/stch/fertig/schoß/a5/schoß.ly b/hr/stch/fertig/schoß/a5/schoß.ly new file mode 100644 index 0000000..e5e0245 --- /dev/null +++ b/hr/stch/fertig/schoß/a5/schoß.ly @@ -0,0 +1,90 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.18" +\include "../dynArt.ly" +\include "../stimmen.ly" +\include "../texte.ly" + +\pointAndClickOff + + \header { + title = "Dem dunkeln Schoß der heilgen Erde" + subtitle = "Aus Schillers „Lied von der Glocke“" + composer = "Johannes Brahms" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + #(set-paper-size "a5") + line-width = \paper-width - 20 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + print-page-number = #'f + page-count = 2 + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 12.3) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { + %\voiceOne + \sopranMelodie + } + %\new Voice = "alti" { \voiceTwo \altMelodie } + %\addlyrics { \sopranText } + >> + + alt = << + \new Voice = "alti" { \altMelodie } + %\addlyrics { \altText } + >> + + ten = << + \new Voice = "tenoere" \with { \remove Forbid_line_break_engraver } { \global \tenorMelodie } + %\addlyrics { \tenorText } + >> + + bas = << + %\new Voice = "tenoere" { \voiceOne \tenorMelodie } + \new Voice = "baesse" { + %\voiceTwo + \bassMelodie + } + %\addlyrics { \bassText } + >> + + \score { + \new ChoirStaff \with {} << + \new Staff = sopran \with { + %fontSize = #-3 + %\override StaffSymbol #'staff-space = #(magstep -3) + } { \global \sop } + \new Lyrics \lyricsto soprane \sopranText + \new Staff = alt { \global \alt } + \new Lyrics \lyricsto alti \altText + \new Staff = tenor { \global \ten } + \new Lyrics \lyricsto tenoere \tenorText + \new Staff = bass { \global \bas } + \new Lyrics \lyricsto baesse \bassText + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/stch/fertig/schoß/b.midi b/hr/stch/fertig/schoß/b.midi Binary files differnew file mode 100644 index 0000000..b05856b --- /dev/null +++ b/hr/stch/fertig/schoß/b.midi diff --git a/hr/stch/fertig/schoß/bass/schoß.ly b/hr/stch/fertig/schoß/bass/schoß.ly new file mode 100644 index 0000000..7b57783 --- /dev/null +++ b/hr/stch/fertig/schoß/bass/schoß.ly @@ -0,0 +1,73 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Dem dunkeln Schoß der heilgen Erde" + composer = "Johannes Brahms" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 17) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \voiceOne \sopranMelodie } + \new Voice = "alti" { \voiceTwo \altMelodie } + %\addlyrics { \sopranText } + >> + + alt = << + \new Voice = "alti" { \altMelodie } + %\addlyrics { \altText } + >> + + ten = << + \new Voice = "tenoere" { \tenorMelodie } + %\addlyrics { \tenorText } + >> + + bas = << + \new Voice = "tenoere" { \voiceOne \tenorMelodie } + \new Voice = "baesse" { \voiceTwo \bassMelodie } + \addlyrics { \bassText } + >> + + \score { + \new ChoirStaff \with {} << + \new Staff = sopran \with { + fontSize = #-3 + \override StaffSymbol #'staff-space = #(magstep -3) + } { \global \sop } + %\new Staff = alt { \global \alt } + %\new Staff = tenor { \global \ten } + \new Staff = bass { \global \bas } + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/stch/fertig/schoß/dynArt.ly b/hr/stch/fertig/schoß/dynArt.ly new file mode 100644 index 0000000..d114fb0 --- /dev/null +++ b/hr/stch/fertig/schoß/dynArt.ly @@ -0,0 +1,121 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + \partial 4 + s4\p + s1*7 + s2. + \bar "" + \break + s4 + s1*4 + s1\< + s1 + s1\> + s2 s8 s8\fermata + \bar "" + \break + s4 + s1*3 + s2 + s2^\markup{ \italic "cresc." } + s2. s4\< + s2.. s8\! + s2 s2\> + s2 s8 s8\! + \bar "" + \break + s4 + s1*5 + \break + s1\f + s1 + s2 + \bar "" + s2 + s1 + s1\< + s2.. s8\! + s2.\> + \bar "" + \break + s4 + s2 s2\< + s1 + s2.. s8\! + s1\> + s8\! s8 s2 s4\pp + s1 + s1\< + s1\> + s1\!\fermata + \bar "|." + } + +% articulation + + sopranArt = { + s4 + s1*15 + s4 s2.\! + s1*8 + % + s1*3 + s8 s2..\< + s2 s8 s4.\! + s1 + s1\> + s2\! s2\p + s1*3 + s2.. s8\! + s1*9 + } + + altArt = { + s4 + s1*15 + s2 s8\! s4. + s1*8 + % + s1*3 + s2. s4\< + s2.. s8\! + s1*6 + s2.. s8\! + s1*9 + } + + tenorArt = { + s4 + s1*15 + s2 s8\! s8 s4\p + s1*7 + s2. s4\p + % + s1*3 + s1\< + s2.. s8\! + s1*6 + s2 s8 s4.\! + s1*9 + } + + bassArt = { + s4 + s1*15 + s4 s2.\! + s1*8 + % + s1*3 + s4. s8\< s2 + s2.. s8\! + s2 s2\> + s1 + s4 s4\! s2\p + s1*3 + s2..\> s8\! + s1*9 + } + diff --git a/hr/stch/fertig/schoß/midi.lua b/hr/stch/fertig/schoß/midi.lua new file mode 100644 index 0000000..b12fb9a --- /dev/null +++ b/hr/stch/fertig/schoß/midi.lua @@ -0,0 +1,51 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { + \unfoldRepeats +]] + +post=[[ + \midi { + \context{ + \Score + tempoWholesPerMinute = #(ly:make-moment 100 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/fertig/schoß/s.midi b/hr/stch/fertig/schoß/s.midi Binary files differnew file mode 100644 index 0000000..2c7d53f --- /dev/null +++ b/hr/stch/fertig/schoß/s.midi diff --git a/hr/stch/fertig/schoß/schoß.ly b/hr/stch/fertig/schoß/schoß.ly new file mode 100644 index 0000000..4cf8aa0 --- /dev/null +++ b/hr/stch/fertig/schoß/schoß.ly @@ -0,0 +1,85 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "dynArt.ly" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Dem dunkeln Schoß der heilgen Erde" + subtitle = "Aus Schillers „Lied von der Glocke“" + composer = "Johannes Brahms" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 17) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { + %\voiceOne + \sopranMelodie + } + %\new Voice = "alti" { \voiceTwo \altMelodie } + %\addlyrics { \sopranText } + >> + + alt = << + \new Voice = "alti" { \altMelodie } + %\addlyrics { \altText } + >> + + ten = << + \new Voice = "tenoere" { \global \tenorMelodie } + %\addlyrics { \tenorText } + >> + + bas = << + %\new Voice = "tenoere" { \voiceOne \tenorMelodie } + \new Voice = "baesse" { + %\voiceTwo + \bassMelodie + } + %\addlyrics { \bassText } + >> + + \score { + \new ChoirStaff \with {} << + \new Staff = sopran \with { + %fontSize = #-3 + %\override StaffSymbol #'staff-space = #(magstep -3) + } { \global \sop } + \new Lyrics \lyricsto soprane \sopranText + \new Staff = alt { \global \alt } + \new Lyrics \lyricsto alti \altText + \new Staff = tenor { \global \ten } + \new Lyrics \lyricsto tenoere \tenorText + \new Staff = bass { \global \bas } + \new Lyrics \lyricsto baesse \bassText + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/stch/fertig/schoß/stimmen.ly b/hr/stch/fertig/schoß/stimmen.ly new file mode 100644 index 0000000..b4adfa6 --- /dev/null +++ b/hr/stch/fertig/schoß/stimmen.ly @@ -0,0 +1,124 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + + global = { + \key d \major + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + \autoBeamOff + \partial 4 + } + +% Die Stimmen + + sopranMelodie = \relative c' { + << + { \meta } + \sopranArt + %the actual tune + { + \key d \major + d4 + a'2 b2 fis2. a4 e4( g4 fis4) e4 d2 fis4 fis4 b2 gis2 a2 g4( b4) d4( a4) fis4( a4) + d,2. d4 a'2 b2 fis2. a4 e4( g4) fis4( e4) d2 fis4 fis4 e2 a4( gis4) fis2 b4( a4) a2 gis2 a2. r4 + r2 r4 a4 e'2 fis2 cis2 d2 cis2( b2) a4 fis'2 e4 ~ e4 d4 cis4 b4 a4( c4) b4( a4) g2 b4 r4 + r2 r4 cis4 d2 a4 r4 r4 b4 c2 g4 c4 g'2 ~ g4( f4) ees4( d4) cis4. cis8 d4 f,4 + e1 r2 d2 a'2 b2 fis2. a4 e4( g4) fis4( e4) d2 fis4 e4 + a4( g4) fis2 b4( a4) gis2 e'4( d4) cis4( b4) d4( a4) a4( g4) g1( fis2) g2 d'1 e1 a,1 + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + \altArt + %the actual tune + { + d4 + a'2 b2 fis2. r4 r2 r4 cis4 b2 d4 r4 r4 d4 f4. f8 e2 g4( d4) d2 d2 + d2( cis4) d4 d2 d2 d2 cis2 e2 cis2 b2 d4 d4 cis4( b4) a4( a'4) a2 gis4( fis4) e4( eis4) fis4( d4) d2( cis4) r4 + r1 r1 r2 r4 d4 a'2. g4( ~ g4 fis4) g4 b4 fis2( a4 g4) ~ g4 fis4 fis2( ~ fis4 dis4) e4 r4 + r4 g4 bes2 a4 r4 r4 f4 aes2 g4 r4 r2 r4 g4 a4( bes4 a4) d,4 a'4 g4 f4 d4 + d4. d8 d4( cis4 ~ cis4) b4 a2 c2 b4 d4 d2 c2 b2 c2 c4( b4) a4 b4 + cis2 fis4( e4) d2 gis4( fis4) e2 eis2 fis2 e4( d4) cis1( d4 c2) b4 ~ b2 d2 ~ d2 cis2 d1 + } + >> + } + + tenorMelodie = \relative c { + << + { \meta } + \tenorArt + %the actual tune + \clef "treble_8" + { + d4 + a'2 b2 fis2. a4 e4( g4 fis4) g4 fis2 b4 r4 r2 r4 b4 e4 a,4 d4 g,4 fis2 a2 + a2. d,4 d2 d4( g4) a2 a2 b2 ais4( fis4) fis2 b4 a4 gis2 a4( e'4) d4( cis4) b2 bis4( cis4) d4( b4) b2( a4) a4 + e'2 fis2 cis2 d2 e8([ fis8] g2 fis4 ~ fis4 e4 d2) ~ d4 a4 r4 g4 d'2( e2) ~ e4 d8[ a8] b4 c4 b2 g4 b4 e2 cis4 r4 r4 a4 d2 b4 r4 r4 g4 c1( cis4 d4 fis4) g4 f4 e4 d4 b4 + b4 b4 a4. a8 g2. fis4 fis2 g2 a2. fis4 g2 a4( g4) fis4( g4) a4 r4 + r4 a4 d4 cis4 b2 e4( d4) cis4( b4) cis4( d4) a4( d4) cis4( b4) a1 ~ a2 g2 g1 g1 fis1 + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + \bassArt + %the actual tune + \clef bass + { + d4 + a'2 b2 + fis2. r4 + r2 r4 a,4 + b2 b4 r4 + r2 d2 + cis2 b2 + a4. a8 a4 fis4 + a2. d4 + fis,2 g2 + d'2 fis2 + g4( e4) fis4( ais,4) + b2 b4 b4 + e4( d4) cis2 + d2 dis2 + e2 e2 + %<<a,2. s2 s4\fermata>> r4 + <<a,2. s2 s4>> r4 + r1 + r2 r4 d4 + a'2 b2 + fis2 g4 g,4 + d'2 e2 + b2 cis2 + d2 dis2 + e2 e4 r4 + r2 g2 + fis2 f2 ~ + f2 e2 ~ + e2 ees2 ~ + ees4 d4 c4 bes4 + a2 gis2 + a1 ~ + a2 a2( ~ + a4 d4) g,4 b4 + d2 dis2 + e2 a,2 + d4( g,4) d'4 g4 + fis4( e4) d2 + g4( fis4) e2 + gis2 gis2 + a1 ~ + a4 r4 r4 a,4 + d2 e2 + b1 + a1 + d1%\fermata + } + >> + } + diff --git a/hr/stch/fertig/schoß/t.midi b/hr/stch/fertig/schoß/t.midi Binary files differnew file mode 100644 index 0000000..7712ff0 --- /dev/null +++ b/hr/stch/fertig/schoß/t.midi diff --git a/hr/stch/fertig/schoß/texte.ly b/hr/stch/fertig/schoß/texte.ly new file mode 100644 index 0000000..8013343 --- /dev/null +++ b/hr/stch/fertig/schoß/texte.ly @@ -0,0 +1,70 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + +% Die Textaufteilungen + + sopranText = \lyricmode { + %<+hier den Text für den Sopran eintragen+> + Dem dun -- keln Schoß der heil -- gen Er -- de + ver -- traut der Sä -- mann sei -- ne Saat + und hofft, daß sie ent -- kei -- men wer -- de + zum Se -- gen nach des Him -- mels Rat. + Noch köst -- li -- che -- ren Sa -- men, + noch köst -- li -- che -- ren Sa -- men ber -- gen + wir trau -- ernd, + wir trau -- ernd, + wir trau -- ernd in der Er -- de Schoß + und hof -- fen, daß er aus den Sär -- gen er -- blü -- hen + soll zu schö -- nerm, schö -- nerm Los, + zu schö -- nerm Los. + } + + altText = \lyricmode { + %<+hier den Text für den Alt eintragen+> + Dem dun -- keln Schoß der Er -- de + ver -- traut der Sä -- mann sei -- ne Saat + und hofft, daß sie ent -- kei -- men wer -- de + zum Se -- gen nach des Him -- mels Rat. + Noch köst -- li -- che -- ren Sa -- men ber -- gen + wir trau -- ernd, + wir trau -- ernd, + wir trau -- ernd in der Er -- de, + in der Er -- de Schoß + und hof -- fen, daß er aus den Sär -- gen er -- blü -- hen + soll zu schö -- nerm, schö -- nerm Los, + zu schö -- nerm Los. + } + + tenorText = \lyricmode { + %<+hier den Text für den Tenor eintragen+> + Dem dun -- keln Schoß der heil -- gen Er -- de + ver -- traut der Sä -- mann sei -- ne Saat + und hofft, daß sie ent -- kei -- men wer -- de + zum Se -- gen nach des Him -- mels Rat. + Noch köst -- li -- che -- ren Sa -- men, + noch köst -- li -- che -- ren ber -- gen + wir trau -- ernd, + wir trau -- ernd, + wir trau -- ernd in der Er -- de, + in der Er -- de Schoß + und hof -- fen, daß er aus den Sär -- gen er -- blü -- hen + soll zu schö -- nerm, schö -- nerm Los, + zu schö -- nerm Los. + } + + bassText = \lyricmode { + %<+hier den Text für den Baß eintragen+> + Dem dun -- keln Schoß der Er -- de + ver -- traut der Sä -- mann sei -- ne Saat + und hofft, daß sie ent -- kei -- men wer -- de + zum Se -- gen nach des Him -- mels Rat. + Noch köst -- li -- che -- ren, + noch köst -- li -- che -- ren Sa -- men ber -- gen + wir trau -- ernd, + wir trau -- ernd in der Er -- de Schoß + und hof -- fen, daß er aus den Sär -- gen er -- blü -- hen + soll zu schö -- nerm Los, + zu schö -- nerm, schö -- nerm Los. + } + diff --git a/hr/stch/fertig/sleep/a5/dynArt.ly b/hr/stch/fertig/sleep/a5/dynArt.ly new file mode 100644 index 0000000..5c07f1c --- /dev/null +++ b/hr/stch/fertig/sleep/a5/dynArt.ly @@ -0,0 +1,869 @@ +%some settings% vim: ai sw=2 lbr nu et +#(define ((compound-time one two num) grob) + (grob-interpret-markup grob + (markup #:override '(baseline-skip . 0) #:number + (#:line ( + (#:column (one num)) + (#:column (two num))))))) + % #:vcenter "+" +#(define ((compound-times one two three num) grob) + (grob-interpret-markup grob + (markup #:override '(baseline-skip . 0) #:number + (#:line ( + (#:column (one num)) + (#:column (two num)) + (#:column (three num))))))) + meta = { + %(dynamic) marks global to all voices + \dynamicUp + \tempo "Lento; lontano e molto legato" + s2 s4 s4\pp s4 s4 s4 s4 + \time 2/4 + s4 s4 + \time 4/4 + s2. + s4 s4 s4 s4 s4 + \time 2/4 + s4 s4 + \time 4/4 + s2. + s4 s4 s4 s4 s4 + \time 3/4 + s4 s2 + \override Staff.TimeSignature #'stencil = #(compound-time "2" "4" "4") + \time 6/4 + %\time 2/4 + s4 s4 + %\time 4/4 + s4 s4 s4 s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s1\> + %\time 2/4 + \break + s4\! \tempo "Poco più mosso" s4\mf + %\time 4/4 + s4 s4 s4 s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s1 + %\time 2/4 + s8 s8 + s4\mp + %\time 4/4 + s4 s4 s4 s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s2. + \breathe + \revert Staff.TimeSignature #'stencil + s4\mf + \time 4/4 + s4 s4 s4 s4 s4 s4 s4 s4 s4\> s4 s4 s4 + \time 2/4 + s4 s4 + \time 4/4 + s2\p s2 + \break + s1 s2^\markup{ \italic "transparente" } s2 + \override Staff.TimeSignature #'stencil = #(compound-time "2" "4" "4") + \time 6/4 + %\time 2/4 + s2 + %\time 4/4 + s2 s2 + %\time 2/4 + s2 + %\time 4/4 + s1 + %\time 2/4 + s2 + %\time 4/4 + s2 + \revert Staff.TimeSignature #'stencil + s2 + %\break + \time 4/4 + s2 + s4 s4 s4 s4 s4 s4 + \override Staff.TimeSignature #'stencil = #(compound-time "2" "4" "4") + \time 6/4 + %\time 2/4 + s4 s4 + %\time 4/4 + s1 + %\time 2/4 + s2 + %\time 4/4 + s4 s4 s2 + %\time 2/4 + s2 + %\time 4/4 + s4 s4 + \revert Staff.TimeSignature #'stencil + s2 + \time 4/4 + s2\!\fermata + \once \override BreathingSign #'text = \markup { \musicglyph #"scripts.caesura.straight" } + \breathe + % What + s4 s4 + %\break + \override Staff.TimeSignature #'stencil = #(compound-times "4" "2" "4" "4") + \time 10/4 + s2 s2 + %\time 2/4 + s2 + %\time 4/4 + s1 + s2\< s2 + %\time 2/4 + s2 + %\time 4/4 + \revert Staff.TimeSignature #'stencil + s1 + \time 2/4 + s2 + \override Staff.TimeSignature #'stencil = #(compound-times "4" "4" "2" "4") + \time 10/4 + %\time 4/4 + s2 s2 s2 s8 s8 + s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s2 s2 s2 s8 s8 + s4 + %\time 2/4 + s4 + \revert Staff.TimeSignature #'stencil + s4 + \time 4/4 + s2 s2 + %\time 4/4 + s4 s4 s4 s4 s4\ff s4 s4 s4 s4 s4 + s2 s4\> s4 s4 s4 s4 s4 s2 \breathe + s2\p\< s4\> s4\! + s2\< s4\> s4\! + s1\< + s1\> s1\mf s1\> + s4\p s4 s2 + s4^\markup{ \italic "dim. poco a poco" } s4 s2 + s4 s4 s2 + s4 s4 s2 + \repeat volta 2 { + s4 s4 s2 + s4\ppp s4 s2 + } + } + +% articulation + + oberArt = { + s1*2 + s2 + s1*2 + s2 + s1*2 + s2. + s2 + s1 + s2 + s1 + s2 + s1 + s2 + s1 + s2 + s1 + s2 + s1*4 + s2 + s1*2 + s4\< s8 s8\mp s2\> + s2\! + s4\< s8 s8\mp s2\> + s2\! + s4\< s8 s8\mp s2\> + s2\! + s4\< s8 s8\mp s2\> + s4\! s4 s2 % <- then + s1 + s2 + s1 + s2 + s1 + s2 + s1 + s2 s4 s8\p s8^\markup { \italic "espressivo" } + } + + unterArt = { + %(dynamic) marks global to all voices + \dynamicUp + s2 s4 s4 s4 s4 s4 s4 + \time 2/4 + s4 s4 + \time 4/4 + s2. + s4 s4 s4 s4 s4 + \time 2/4 + s4 s4 + \time 4/4 + s2. + s4 s4 s4 s4 s4 + \time 3/4 + s4 s2 + \time 6/4 + %\time 2/4 + s4 s4 + %\time 4/4 + s4 s4 s4 s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s1 + %\time 2/4 + s4 s4 + %\time 4/4 + s4 s4 s4 s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s1 + %\time 2/4 + s8 s8 + s4 + %\time 4/4 + s4 s4 s4 s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s2. + s4 + \time 4/4 + s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 + \time 2/4 + s4 s4 + \time 4/4 + s2 s2 + % If + s2 s4 s4 + s2 s2 + \time 6/4 + %\time 2/4 + s2 + %\time 4/4 + s2 s2 + %\time 2/4 + s2 + %\time 4/4 + s1 + %\time 2/4 + s2 + %\time 4/4 + s2 + s2 + %\break + % Then + \time 4/4 + s2 + s4 s4 s4 s4 s4 s4 + \time 6/4 + %\time 2/4 + s4 s4 + %\time 4/4 + s2 s4 s4 + %\time 2/4 + s2 + %\time 4/4 + s4 s4 s4 s4 + %\time 2/4 + s2 + %\time 4/4 + s4 s4 + s2 + \time 4/4 + s2 + s4 s4 + %\break + \time 10/4 + s2 s2 + %\time 2/4 + s2 + %\time 4/4 + s1 + s2 s2 + %\time 2/4 + s2 + %\time 4/4 + s1 + \time 2/4 + s16 s8. s4 + \time 10/4 + %\time 4/4 + s2 s2 s2 s8 s8 + s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s2 s2 s2 s8 s8 + s4 + %\time 2/4 + s4 + s4 + \time 4/4 + s2 s2 + %\time 4/4 + s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 + s2 s4 s4 s4 s4 s4 s4 s2 + s2 s4 s4 + s2 s4 s4 + s1 + s2. s4 s1 s1 + \breathe + s8 s4.\> s2\! + s4\> s4 s2\! + s4\> s4 s2\! + s4\> s4 s2\! + \repeat volta 2 { + s4\> s4 s2\! + s8 s4.\> s2\! + } + } + + sopranArt = { + %(dynamic) marks global to all voices + \dynamicUp + s2 s4 s4 s4 s4 s4 s4 + \time 2/4 + s4 s4 + \time 4/4 + s2. + s4 s4 s4 s4 s4 + \time 2/4 + s4 s4 + \time 4/4 + s2. + s4 s4 s4 s4 s4 + \time 3/4 + s4 s2 + \time 6/4 + %\time 2/4 + s4 s4 + %\time 4/4 + s4 s4 s4 s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s1 + %\time 2/4 + s4 s4 + %\time 4/4 + s4 s4 s4 s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s1 + %\time 2/4 + s8 s8 + s4 + %\time 4/4 + s4 s4 s4 s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s2. + s4 + \time 4/4 + s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 + \time 2/4 + s4 s4 + \time 4/4 + s2 s2 + % If + s2 s4 s4\pp + s2 s2 + \time 6/4 + %\time 2/4 + s2 + %\time 4/4 + s2 s2 + %\time 2/4 + s2 + %\time 4/4 + s1 + %\time 2/4 + s2 + %\time 4/4 + s2 + s2 + %\break + % Then + \time 4/4 + s2 + s4 s4 s4 s4 s4 s4 + \time 6/4 + %\time 2/4 + s4 s4 + %\time 4/4 + s2 s4 s4\mp + %\time 2/4 + s2\< + %\time 4/4 + s4\> s4 s4 s4\! + %\time 2/4 + s2\< + %\time 4/4 + s4\> s4 + s2 + \time 4/4 + s2 + s4 s4 + %\break + \time 10/4 + s2 s2 + %\time 2/4 + s2 + %\time 4/4 + s1 + s2 s2 + %\time 2/4 + s2 + %\time 4/4 + s1 + \time 2/4 + s16 s8.\! s4\f + \time 10/4 + %\time 4/4 + s2 s2 s2 s8 s8 + s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s2 s2 s2 s8 s8 + s4 + %\time 2/4 + s4 + s4 + \time 4/4 + s2\< s2 + %\time 4/4 + s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 + s2 s4 s4 s4 s4 s4 s4 s2 + s2 s4 s4 + s2 s4 s4 + s1 + s2. s4\< s1 s1 + s4 s4 s2 + s4 s4 s2 + s4 s4 s2 + s4 s4 s2 + \repeat volta 2 { + s4^\markup{\italic "repeat and dim. al niente"}^\markup{\italic "gradually reduce dynamic to a whisper;"} s4 s2 + s4 s4 s2 + } + } + + altArt = { + %(dynamic) marks global to all voices + \dynamicUp + s2 s4 s4 s4 s4 s4 s4 + \time 2/4 + s4 s4 + \time 4/4 + s2. + s4 s4 s4 s4 s4 + \time 2/4 + s4 s4 + \time 4/4 + s2. + s4 s4 s4 s4 s4 + \time 3/4 + s4 s2 + \time 6/4 + %\time 2/4 + s4 s4 + %\time 4/4 + s4 s4 s4 s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s1 + %\time 2/4 + s4 s4 + %\time 4/4 + s4 s4 s4 s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s1 + %\time 2/4 + s8 s8 + s4 + %\time 4/4 + s4 s4 s4 s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s2. + s4 + \time 4/4 + s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 + \time 2/4 + s4 s4 + \time 4/4 + s2 s2 + % If + s2 s2\pp + s2 s2 + \time 6/4 + %\time 2/4 + s2 + %\time 4/4 + s2 s2 + %\time 2/4 + s2 + %\time 4/4 + s1 + %\time 2/4 + s2 + %\time 4/4 + s2 + s2 + %\break + % Then + \time 4/4 + s4 s4\pp + s4 s4 s4 s4 s4 s4 + \time 6/4 + %\time 2/4 + s4 s4 + %\time 4/4 + s2 s4 s4\mp + %\time 2/4 + s2\< + %\time 4/4 + s4\> s2 s4\! + %\time 2/4 + s2\< + %\time 4/4 + s4\> s4 + s2 + \time 4/4 + s2 + s4 s4 + %\break + \time 10/4 + s2 s2 + %\time 2/4 + s2 + %\time 4/4 + s1 + s2 s2 + %\time 2/4 + s2 + %\time 4/4 + s1 + \time 2/4 + s16 s8.\! s4\f + \time 10/4 + %\time 4/4 + s2 s2 s2 s8 s8 + s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s2 s2 s2 s8 s8 + s4 + %\time 2/4 + s4 + s4 + \time 4/4 + s2\< s2 + %\time 4/4 + s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 + s2 s4 s4 s4 s4 s4 s4 s2 + s2 s4 s4 + s2 s4 s4 + s1 + s2 s2\< s1 s1 + s4 s4 s2 + s4 s4 s2 + s4 s4 s2 + s4 s4 s2 + \repeat volta 2 { + s4 s4 s2 + s4 s4 s2 + } + } + + tenorArt = { + %(dynamic) marks global to all voices + \dynamicUp + s2 s4 s4 s4 s4 s4 s4 + \time 2/4 + s4 s4 + \time 4/4 + s2. + s4 s4 s4 s4 s4 + \time 2/4 + s4 s4 + \time 4/4 + s2. + s4 s4 s4 s4 s4 + \time 3/4 + s4 s2 + \time 6/4 + %\time 2/4 + s4 s4 + %\time 4/4 + s4 s4 s4 s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s1 + %\time 2/4 + s4 s4 + %\time 4/4 + s4 s4 s4 s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s1 + %\time 2/4 + s8 s8 + s4 + %\time 4/4 + s4 s4 s4 s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s2. + s4 + \time 4/4 + s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 + \time 2/4 + s4 s4 + \time 4/4 + s2 s2 + % If + s4 s2.\pp + s2 s2 + \time 6/4 + %\time 2/4 + s2 + %\time 4/4 + s2 s2 + %\time 2/4 + s2 + %\time 4/4 + s1 + %\time 2/4 + s2 + %\time 4/4 + s2 + s2 + %\break + % Then + \time 4/4 + s2 + s4 s4\mp s4 s4 s4 s4 + \time 6/4 + %\time 2/4 + s4 s4 + %\time 4/4 + s1 + %\time 2/4 + s2\< + %\time 4/4 + s8 s8\! s4 s2\> + %\time 2/4 + s2\! + %\time 4/4 + s4\< s16 s8.\! + s2\> + \time 4/4 + s2 + s4 s4 + %\break + \time 10/4 + s2 s2 + %\time 2/4 + s2 + %\time 4/4 + s1 + s2 s2 + %\time 2/4 + s2 + %\time 4/4 + s1 + \time 2/4 + s2 + \time 10/4 + %\time 4/4 + s2\f s2 s2 s8 s8 + s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s2 s2 s2 s8 s8 + s4 + %\time 2/4 + s4 + s4 + \time 4/4 + s2 s2\< + %\time 4/4 + s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 + s2 s4 s4 s4 s4 s4 s4 s2 + s2 s4 s4 + s2 s4 s4 + s1 + s2 s2\< s1 s1 + s4 s4 s2 + s4 s4 s2 + s4 s4 s2 + s4 s4 s2 + \repeat volta 2 { + s4 s4 s2 + s4 s4 s2 + } + } + + bassArt = { + %(dynamic) marks global to all voices + \dynamicUp + s2 s4 s4 s4 s4 s4 s4 + \time 2/4 + s4 s4 + \time 4/4 + s2. + s4 s4 s4 s4 s4 + \time 2/4 + s4 s4 + \time 4/4 + s2. + s4 s4 s4 s4 s4 + \time 3/4 + s4 s2 + \time 6/4 + %\time 2/4 + s4 s4 + %\time 4/4 + s4 s4 s4 s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s1 + %\time 2/4 + s4 s4 + %\time 4/4 + s4 s4 s4 s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s1 + %\time 2/4 + s8 s8 + s4 + %\time 4/4 + s4 s4 s4 s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s2. + s4 + \time 4/4 + s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 + \time 2/4 + s4 s4 + \time 4/4 + s2 s2 + % If + s1\pp s2 s2 + \time 6/4 + %\time 2/4 + s2 + %\time 4/4 + s2 s2 + %\time 2/4 + s2 + %\time 4/4 + s1 + %\time 2/4 + s2 + %\time 4/4 + s2 + s2 + %\break + % Then + \time 4/4 + s2 + s4 s4\mp s4 s4 s4 s4 + \time 6/4 + %\time 2/4 + s4 s4 + %\time 4/4 + s1 + %\time 2/4 + s2 + %\time 4/4 + s4\< s16 s8.\! s2\> + %\time 2/4 + s2\! + %\time 4/4 + s4\< s16 s8.\! + s2\> + \time 4/4 + s2 + s4 s4 + %\break + \time 10/4 + s2\p\< s2 + %\time 2/4 + s2\mp + %\time 4/4 + s1\> + s2 s2 + %\time 2/4 + s2 + %\time 4/4 + s1 + \time 2/4 + s2 + \breathe + \time 10/4 + %\time 4/4 + s2\f s2 s2 s8 s8 + s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s2 s2 s2 s8 s8 + s4 + %\time 2/4 + s4 + s4 + \time 4/4 + s2 s2\< + %\time 4/4 + s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 + s2 s4 s4 s4 s4 s4 s4 s2 + s2 s4 s4 + s2 s4 s4 + s1 + s2 s2\< s1 s1 + s4 s4 s2 + s4 s4 s2 + s4 s4 s2 + s4 s4 s2 + \repeat volta 2 { + s4 s4 s2 + s4 s4 s2 + } + } + diff --git a/hr/stch/fertig/sleep/a5/sleep.ly b/hr/stch/fertig/sleep/a5/sleep.ly new file mode 100644 index 0000000..59efb8d --- /dev/null +++ b/hr/stch/fertig/sleep/a5/sleep.ly @@ -0,0 +1,83 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.18" +\include "dynArt.ly" +\include "../stimmen.ly" +\include "../texte.ly" + +\pointAndClickOff + + \header { + title = "Sleep" + composer = "Eric Whitacre" + poet = "Charles Anthony Silvestri" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + %#(set-paper-size "a5") + line-width = \paper-width - 10 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + print-page-number = #'f + } + #(set-default-paper-size "a5" 'landscape) + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 11.8) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \sopranMelodie } + %\addlyrics { \sopranText } + >> + + alt = << + \new Voice = "alti" { \altMelodie } + %\addlyrics { \altText } + >> + + ten = << + \new Voice = "tenoere" { \tenorMelodie } + %\addlyrics { \tenorText } + >> + + bas = << + \new Voice = "baesse" { \bassMelodie } + %\addlyrics { \bassText } + >> + + \score { + \new ChoirStaff \with {} << + \new Staff = sopran { \global \sop } + \new Lyrics \lyricsto "soprane" \sopranText + \new Staff = alt { \global \alt } + \new Lyrics \lyricsto "alti" \altText + \new Staff = tenor { \global \ten } + \new Lyrics \lyricsto "tenoere" \tenorText + \new Staff = bass { \global \bas } + \new Lyrics \lyricsto "baesse" \bassText + >> + %{ + \midi { + \context{ + \Score + tempoWholesPerMinute = #(ly:make-moment 72 4) + } + } + %} + % { + \layout { + } + %} + } + diff --git a/hr/stch/fertig/sleep/dynArt.ly b/hr/stch/fertig/sleep/dynArt.ly new file mode 100644 index 0000000..e5a09a9 --- /dev/null +++ b/hr/stch/fertig/sleep/dynArt.ly @@ -0,0 +1,867 @@ +%some settings% vim: ai sw=2 lbr nu et +#(define ((compound-time one two num) grob) + (grob-interpret-markup grob + (markup #:override '(baseline-skip . 0) #:number + (#:line ( + (#:column (one num)) + (#:column (two num))))))) + % #:vcenter "+" +#(define ((compound-times one two three num) grob) + (grob-interpret-markup grob + (markup #:override '(baseline-skip . 0) #:number + (#:line ( + (#:column (one num)) + (#:column (two num)) + (#:column (three num))))))) + meta = { + %(dynamic) marks global to all voices + \dynamicUp + \tempo "Lento; lontano e molto legato" + s2 s4 s4\pp s4 s4 s4 s4 + \time 2/4 + s4 s4 + \time 4/4 + s2. + s4 s4 s4 s4 s4 + \time 2/4 + s4 s4 + \time 4/4 + s2. + s4 s4 s4 s4 s4 + \time 3/4 + s4 s2 + \override Staff.TimeSignature #'stencil = #(compound-time "2" "4" "4") + \time 6/4 + %\time 2/4 + s4 s4 + %\time 4/4 + s4 s4 s4 s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s1\> + %\time 2/4 + s4\! \tempo "Poco più mosso" s4\mf + %\time 4/4 + s4 s4 s4 s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s1 + %\time 2/4 + s8 s8 + s4\mp + %\time 4/4 + s4 s4 s4 s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s2. + \breathe + \revert Staff.TimeSignature #'stencil + s4\mf + \time 4/4 + s4 s4 s4 s4 s4 s4 s4 s4 s4\> s4 s4 s4 + \time 2/4 + s4 s4 + \time 4/4 + s2\p s2 + s1 s2^\markup{ \italic "transparente" } s2 + \override Staff.TimeSignature #'stencil = #(compound-time "2" "4" "4") + \time 6/4 + %\time 2/4 + s2 + %\time 4/4 + s2 s2 + %\time 2/4 + s2 + %\time 4/4 + s1 + %\time 2/4 + s2 + %\time 4/4 + s2 + \revert Staff.TimeSignature #'stencil + s2 + %\break + \time 4/4 + s2 + s4 s4 s4 s4 s4 s4 + \override Staff.TimeSignature #'stencil = #(compound-time "2" "4" "4") + \time 6/4 + %\time 2/4 + s4 s4 + %\time 4/4 + s1 + %\time 2/4 + s2 + %\time 4/4 + s4 s4 s2 + %\time 2/4 + s2 + %\time 4/4 + s4 s4 + \revert Staff.TimeSignature #'stencil + s2 + \time 4/4 + s2\!\fermata + \once \override BreathingSign #'text = \markup { \musicglyph #"scripts.caesura.straight" } + \breathe + % What + s4 s4 + %\break + \override Staff.TimeSignature #'stencil = #(compound-times "4" "2" "4" "4") + \time 10/4 + s2 s2 + %\time 2/4 + s2 + %\time 4/4 + s1 + s2\< s2 + %\time 2/4 + s2 + %\time 4/4 + \revert Staff.TimeSignature #'stencil + s1 + \time 2/4 + s2 + \override Staff.TimeSignature #'stencil = #(compound-times "4" "4" "2" "4") + \time 10/4 + %\time 4/4 + s2 s2 s2 s8 s8 + s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s2 s2 s2 s8 s8 + s4 + %\time 2/4 + s4 + \revert Staff.TimeSignature #'stencil + s4 + \time 4/4 + s2 s2 + %\time 4/4 + s4 s4 s4 s4 s4\ff s4 s4 s4 s4 s4 + s2 s4\> s4 s4 s4 s4 s4 s2 \breathe + s2\p\< s4\> s4\! + s2\< s4\> s4\! + s1\< + s1\> s1\mf s1\> + s4\p s4 s2 + s4^\markup{ \italic "dim. poco a poco" } s4 s2 + s4 s4 s2 + s4 s4 s2 + \repeat volta 2 { + s4 s4 s2 + s4\ppp s4 s2 + } + } + +% articulation + + oberArt = { + s1*2 + s2 + s1*2 + s2 + s1*2 + s2. + s2 + s1 + s2 + s1 + s2 + s1 + s2 + s1 + s2 + s1 + s2 + s1*4 + s2 + s1*2 + s4\< s8 s8\mp s2\> + s2\! + s4\< s8 s8\mp s2\> + s2\! + s4\< s8 s8\mp s2\> + s2\! + s4\< s8 s8\mp s2\> + s4\! s4 s2 % <- then + s1 + s2 + s1 + s2 + s1 + s2 + s1 + s2 s4 s8\p s8^\markup { \italic "espressivo" } + } + + unterArt = { + %(dynamic) marks global to all voices + \dynamicUp + s2 s4 s4 s4 s4 s4 s4 + \time 2/4 + s4 s4 + \time 4/4 + s2. + s4 s4 s4 s4 s4 + \time 2/4 + s4 s4 + \time 4/4 + s2. + s4 s4 s4 s4 s4 + \time 3/4 + s4 s2 + \time 6/4 + %\time 2/4 + s4 s4 + %\time 4/4 + s4 s4 s4 s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s1 + %\time 2/4 + s4 s4 + %\time 4/4 + s4 s4 s4 s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s1 + %\time 2/4 + s8 s8 + s4 + %\time 4/4 + s4 s4 s4 s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s2. + s4 + \time 4/4 + s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 + \time 2/4 + s4 s4 + \time 4/4 + s2 s2 + % If + s2 s4 s4 + s2 s2 + \time 6/4 + %\time 2/4 + s2 + %\time 4/4 + s2 s2 + %\time 2/4 + s2 + %\time 4/4 + s1 + %\time 2/4 + s2 + %\time 4/4 + s2 + s2 + %\break + % Then + \time 4/4 + s2 + s4 s4 s4 s4 s4 s4 + \time 6/4 + %\time 2/4 + s4 s4 + %\time 4/4 + s2 s4 s4 + %\time 2/4 + s2 + %\time 4/4 + s4 s4 s4 s4 + %\time 2/4 + s2 + %\time 4/4 + s4 s4 + s2 + \time 4/4 + s2 + s4 s4 + %\break + \time 10/4 + s2 s2 + %\time 2/4 + s2 + %\time 4/4 + s1 + s2 s2 + %\time 2/4 + s2 + %\time 4/4 + s1 + \time 2/4 + s16 s8. s4 + \time 10/4 + %\time 4/4 + s2 s2 s2 s8 s8 + s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s2 s2 s2 s8 s8 + s4 + %\time 2/4 + s4 + s4 + \time 4/4 + s2 s2 + %\time 4/4 + s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 + s2 s4 s4 s4 s4 s4 s4 s2 + s2 s4 s4 + s2 s4 s4 + s1 + s2. s4 s1 s1 + \breathe + s8 s4.\> s2\! + s4\> s4 s2\! + s4\> s4 s2\! + s4\> s4 s2\! + \repeat volta 2 { + s4\> s4 s2\! + s8 s4.\> s2\! + } + } + + sopranArt = { + %(dynamic) marks global to all voices + \dynamicUp + s2 s4 s4 s4 s4 s4 s4 + \time 2/4 + s4 s4 + \time 4/4 + s2. + s4 s4 s4 s4 s4 + \time 2/4 + s4 s4 + \time 4/4 + s2. + s4 s4 s4 s4 s4 + \time 3/4 + s4 s2 + \time 6/4 + %\time 2/4 + s4 s4 + %\time 4/4 + s4 s4 s4 s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s1 + %\time 2/4 + s4 s4 + %\time 4/4 + s4 s4 s4 s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s1 + %\time 2/4 + s8 s8 + s4 + %\time 4/4 + s4 s4 s4 s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s2. + s4 + \time 4/4 + s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 + \time 2/4 + s4 s4 + \time 4/4 + s2 s2 + % If + s2 s4 s4\pp + s2 s2 + \time 6/4 + %\time 2/4 + s2 + %\time 4/4 + s2 s2 + %\time 2/4 + s2 + %\time 4/4 + s1 + %\time 2/4 + s2 + %\time 4/4 + s2 + s2 + %\break + % Then + \time 4/4 + s2 + s4 s4 s4 s4 s4 s4 + \time 6/4 + %\time 2/4 + s4 s4 + %\time 4/4 + s2 s4 s4\mp + %\time 2/4 + s2\< + %\time 4/4 + s4\> s4 s4 s4\! + %\time 2/4 + s2\< + %\time 4/4 + s4\> s4 + s2 + \time 4/4 + s2 + s4 s4 + %\break + \time 10/4 + s2 s2 + %\time 2/4 + s2 + %\time 4/4 + s1 + s2 s2 + %\time 2/4 + s2 + %\time 4/4 + s1 + \time 2/4 + s16 s8.\! s4\f + \time 10/4 + %\time 4/4 + s2 s2 s2 s8 s8 + s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s2 s2 s2 s8 s8 + s4 + %\time 2/4 + s4 + s4 + \time 4/4 + s2\< s2 + %\time 4/4 + s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 + s2 s4 s4 s4 s4 s4 s4 s2 + s2 s4 s4 + s2 s4 s4 + s1 + s2. s4\< s1 s1 + s4 s4 s2 + s4 s4 s2 + s4 s4 s2 + s4 s4 s2 + \repeat volta 2 { + s4^\markup{\italic "repeat and dim. al niente"}^\markup{\italic "gradually reduce dynamic to a whisper;"} s4 s2 + s4 s4 s2 + } + } + + altArt = { + %(dynamic) marks global to all voices + \dynamicUp + s2 s4 s4 s4 s4 s4 s4 + \time 2/4 + s4 s4 + \time 4/4 + s2. + s4 s4 s4 s4 s4 + \time 2/4 + s4 s4 + \time 4/4 + s2. + s4 s4 s4 s4 s4 + \time 3/4 + s4 s2 + \time 6/4 + %\time 2/4 + s4 s4 + %\time 4/4 + s4 s4 s4 s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s1 + %\time 2/4 + s4 s4 + %\time 4/4 + s4 s4 s4 s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s1 + %\time 2/4 + s8 s8 + s4 + %\time 4/4 + s4 s4 s4 s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s2. + s4 + \time 4/4 + s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 + \time 2/4 + s4 s4 + \time 4/4 + s2 s2 + % If + s2 s2\pp + s2 s2 + \time 6/4 + %\time 2/4 + s2 + %\time 4/4 + s2 s2 + %\time 2/4 + s2 + %\time 4/4 + s1 + %\time 2/4 + s2 + %\time 4/4 + s2 + s2 + %\break + % Then + \time 4/4 + s4 s4\pp + s4 s4 s4 s4 s4 s4 + \time 6/4 + %\time 2/4 + s4 s4 + %\time 4/4 + s2 s4 s4\mp + %\time 2/4 + s2\< + %\time 4/4 + s4\> s2 s4\! + %\time 2/4 + s2\< + %\time 4/4 + s4\> s4 + s2 + \time 4/4 + s2 + s4 s4 + %\break + \time 10/4 + s2 s2 + %\time 2/4 + s2 + %\time 4/4 + s1 + s2 s2 + %\time 2/4 + s2 + %\time 4/4 + s1 + \time 2/4 + s16 s8.\! s4\f + \time 10/4 + %\time 4/4 + s2 s2 s2 s8 s8 + s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s2 s2 s2 s8 s8 + s4 + %\time 2/4 + s4 + s4 + \time 4/4 + s2\< s2 + %\time 4/4 + s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 + s2 s4 s4 s4 s4 s4 s4 s2 + s2 s4 s4 + s2 s4 s4 + s1 + s2 s2\< s1 s1 + s4 s4 s2 + s4 s4 s2 + s4 s4 s2 + s4 s4 s2 + \repeat volta 2 { + s4 s4 s2 + s4 s4 s2 + } + } + + tenorArt = { + %(dynamic) marks global to all voices + \dynamicUp + s2 s4 s4 s4 s4 s4 s4 + \time 2/4 + s4 s4 + \time 4/4 + s2. + s4 s4 s4 s4 s4 + \time 2/4 + s4 s4 + \time 4/4 + s2. + s4 s4 s4 s4 s4 + \time 3/4 + s4 s2 + \time 6/4 + %\time 2/4 + s4 s4 + %\time 4/4 + s4 s4 s4 s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s1 + %\time 2/4 + s4 s4 + %\time 4/4 + s4 s4 s4 s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s1 + %\time 2/4 + s8 s8 + s4 + %\time 4/4 + s4 s4 s4 s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s2. + s4 + \time 4/4 + s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 + \time 2/4 + s4 s4 + \time 4/4 + s2 s2 + % If + s4 s2.\pp + s2 s2 + \time 6/4 + %\time 2/4 + s2 + %\time 4/4 + s2 s2 + %\time 2/4 + s2 + %\time 4/4 + s1 + %\time 2/4 + s2 + %\time 4/4 + s2 + s2 + %\break + % Then + \time 4/4 + s2 + s4 s4\mp s4 s4 s4 s4 + \time 6/4 + %\time 2/4 + s4 s4 + %\time 4/4 + s1 + %\time 2/4 + s2\< + %\time 4/4 + s8 s8\! s4 s2\> + %\time 2/4 + s2\! + %\time 4/4 + s4\< s16 s8.\! + s2\> + \time 4/4 + s2 + s4 s4 + %\break + \time 10/4 + s2 s2 + %\time 2/4 + s2 + %\time 4/4 + s1 + s2 s2 + %\time 2/4 + s2 + %\time 4/4 + s1 + \time 2/4 + s2 + \time 10/4 + %\time 4/4 + s2\f s2 s2 s8 s8 + s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s2 s2 s2 s8 s8 + s4 + %\time 2/4 + s4 + s4 + \time 4/4 + s2 s2\< + %\time 4/4 + s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 + s2 s4 s4 s4 s4 s4 s4 s2 + s2 s4 s4 + s2 s4 s4 + s1 + s2 s2\< s1 s1 + s4 s4 s2 + s4 s4 s2 + s4 s4 s2 + s4 s4 s2 + \repeat volta 2 { + s4 s4 s2 + s4 s4 s2 + } + } + + bassArt = { + %(dynamic) marks global to all voices + \dynamicUp + s2 s4 s4 s4 s4 s4 s4 + \time 2/4 + s4 s4 + \time 4/4 + s2. + s4 s4 s4 s4 s4 + \time 2/4 + s4 s4 + \time 4/4 + s2. + s4 s4 s4 s4 s4 + \time 3/4 + s4 s2 + \time 6/4 + %\time 2/4 + s4 s4 + %\time 4/4 + s4 s4 s4 s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s1 + %\time 2/4 + s4 s4 + %\time 4/4 + s4 s4 s4 s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s1 + %\time 2/4 + s8 s8 + s4 + %\time 4/4 + s4 s4 s4 s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s2. + s4 + \time 4/4 + s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 + \time 2/4 + s4 s4 + \time 4/4 + s2 s2 + % If + s1\pp s2 s2 + \time 6/4 + %\time 2/4 + s2 + %\time 4/4 + s2 s2 + %\time 2/4 + s2 + %\time 4/4 + s1 + %\time 2/4 + s2 + %\time 4/4 + s2 + s2 + %\break + % Then + \time 4/4 + s2 + s4 s4\mp s4 s4 s4 s4 + \time 6/4 + %\time 2/4 + s4 s4 + %\time 4/4 + s1 + %\time 2/4 + s2 + %\time 4/4 + s4\< s16 s8.\! s2\> + %\time 2/4 + s2\! + %\time 4/4 + s4\< s16 s8.\! + s2\> + \time 4/4 + s2 + s4 s4 + %\break + \time 10/4 + s2\p\< s2 + %\time 2/4 + s2\mp + %\time 4/4 + s1\> + s2 s2 + %\time 2/4 + s2 + %\time 4/4 + s1 + \time 2/4 + s2 + \breathe + \time 10/4 + %\time 4/4 + s2\f s2 s2 s8 s8 + s4 + %\time 2/4 + s4 s4 + %\time 4/4 + s2 s2 s2 s8 s8 + s4 + %\time 2/4 + s4 + s4 + \time 4/4 + s2 s2\< + %\time 4/4 + s4 s4 s4 s4 s4 s4 s4 s4 s4 s4 + s2 s4 s4 s4 s4 s4 s4 s2 + s2 s4 s4 + s2 s4 s4 + s1 + s2 s2\< s1 s1 + s4 s4 s2 + s4 s4 s2 + s4 s4 s2 + s4 s4 s2 + \repeat volta 2 { + s4 s4 s2 + s4 s4 s2 + } + } + diff --git a/hr/stch/fertig/sleep/midi.lua b/hr/stch/fertig/sleep/midi.lua new file mode 100644 index 0000000..8d7d5be --- /dev/null +++ b/hr/stch/fertig/sleep/midi.lua @@ -0,0 +1,51 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { + \unfoldRepeats +]] + +post=[[ + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/fertig/sleep/sleep.ly b/hr/stch/fertig/sleep/sleep.ly new file mode 100644 index 0000000..2b95c3f --- /dev/null +++ b/hr/stch/fertig/sleep/sleep.ly @@ -0,0 +1,81 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.18" +\include "dynArt.ly" +\include "stimmen.ly" +\include "texte.ly" + +\pointAndClickOff + + \header { + title = "Sleep" + composer = "Eric Whitacre" + poet = "Charles Anthony Silvestri" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + #(set-default-paper-size "a4" 'landscape) + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 15.5) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \sopranMelodie } + %\addlyrics { \sopranText } + >> + + alt = << + \new Voice = "alti" { \altMelodie } + %\addlyrics { \altText } + >> + + ten = << + \new Voice = "tenoere" { \tenorMelodie } + %\addlyrics { \tenorText } + >> + + bas = << + \new Voice = "baesse" { \bassMelodie } + %\addlyrics { \bassText } + >> + + \score { + \new ChoirStaff \with {} << + \new Staff = sopran { \global \sop } + \new Lyrics \lyricsto "soprane" \sopranText + \new Staff = alt { \global \alt } + \new Lyrics \lyricsto "alti" \altText + \new Staff = tenor { \global \ten } + \new Lyrics \lyricsto "tenoere" \tenorText + \new Staff = bass { \global \bas } + \new Lyrics \lyricsto "baesse" \bassText + >> + %{ + \midi { + \context{ + \Score + tempoWholesPerMinute = #(ly:make-moment 72 4) + } + } + %} + % { + \layout { + } + %} + } + diff --git a/hr/stch/fertig/sleep/sleep.midi b/hr/stch/fertig/sleep/sleep.midi Binary files differnew file mode 100644 index 0000000..4073fd2 --- /dev/null +++ b/hr/stch/fertig/sleep/sleep.midi diff --git a/hr/stch/fertig/sleep/stimmen.ly b/hr/stch/fertig/sleep/stimmen.ly new file mode 100644 index 0000000..10e445b --- /dev/null +++ b/hr/stch/fertig/sleep/stimmen.ly @@ -0,0 +1,258 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.18" + + global = { + \key c \minor + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + %\autoBeamOff + } + +% Die Stimmen + + sopranMelodie = \relative c' { + << + { \meta } + \oberArt + \sopranArt + %the actual tune + { + r2 r4 c4\( f4 ees4 d4 << { \voiceOne bes'4 c4 } \new Voice { \voiceTwo g4 aes4 } >> \oneVoice ees4 f2.\) c4\( bes4 c4 ees4 ees4 ees4 f4 g2.\) f4\( ees4 ees4 f4 f4 g4 ees2 ees4 << { \voiceOne ees4 } \new Voice { \voiceTwo d4 } >> \oneVoice ees4 d4 d4 ees4 f4 f4 f1\) + r4 d'4\( << { f4 ees4 d4 ees4 g,4 bes4 bes1 ~ bes8 } { c4 c4 bes4 c4 g4 bes4 a1 ~ a8\) } >> r8 f4\( f4 f4 f4 f4 f4 f4 f2.\) <d' bes>4\( << { a4 c4 g4 bes4 d,4 g4 } { f4 a4 ees4 g4 d4 ees4 } >> f4 f4 f4 f4 e4 ees4 ees4 ees4 c1\) ~ c2 r4 c4\( c'4 c4 <d b>4 q4\) r2 c4\( <f c>4 <d b>2\) r4 c4\( <ees d>4 q4 d4 d4\) r2 <f ees>4\( q4 d2\) + r1 r1 r2 r2 r4 c,4\( <bes' aes>4 q4 d,2.\) ees4\( bes'4 <ees bes>4 f,1 ~ f2\) r4 c4\( c4 c4 d4 ees4 ees4 ees4 f2.\) ees4\( g4 aes4 << { bes4 c4 d4 ees4 f1 ~ f8 } { g,4 g4 g4 c4 ees1 ~ ees8\) } >> r8 + aes,4\( << { ees'4 ees4 f4 g4 g4 g4 g2 ~ g8 } { c,4 c4 d4 d4 ees4 ees4 ees2 ~ ees8\) } >> r8 + aes,4\( << { ees'4 ees4 f4 g4 g4 g4 g2 ~ g8 } { c,4 c4 d4 d4 ees4 ees4 ees2 ~ ees8\) } >> r8 + aes,4\( << { \voiceOne ees'4 ees4 f4 g4 g2( aes2 aes2. g4 ~ g4 f2) f4 } \new Voice { \voiceTwo c4 c4 d4 d4 ees4( g2. ees1 c2 ees4) } >> \oneVoice << { ees2( c4 bes4 aes4 g4 f2) } { c'4( d4 c4 bes4 s4 s4 s2)\) } >> + d,2( c4) r4 ees2( d4) r4 d2( c4) c8( f8 ~ f2.) bes4( <d bes>2 <c aes>4) ees,4( ~ ees2 f2) ~ f1 ~ f1 ~ f1 ~ f1 ~ f1 ~ f1 + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + \oberArt + \unterArt + \altArt + %the actual tune + { + r2 r4 aes4\( c4 c4 bes4 d4 ees4 ees4 ees2.\) aes,4\( g4 aes4 c4 d4 c4 d4 <ees bes>2.\) d4\( c4 d4 d4 ees4 ees4 d2 c4 bes4 c4 d4 c4 d4 ees4 ees4 e1\) + r4 bes'4\( aes4 g4 f4 aes4 ees4 d4 <f c>1 ~ q8\) r8 <c a>4\( <ees bes>4 q4 q4 q4 q4 q4 q2.\) g4\( d4 f4 c4 d4 bes4 bes4 ees4 d4 e4 ees4 d4 d4 d4 bes4 c1\) ~ c4 r4 c2\( <aes' f>4 q4 g4 g4\) r2 <aes f>4\( q4 <b g>2\) + r4 c,4\( <aes' f>4 q4 <b g>4 q4\) r2 <aes f>4\( q4 <b g>2\) + r4 c,4\( c2 c2 c2 c2 c4 c4 c4 c4 ees4 ees4 c2.\) c4\( <aes' ees>4 q4 c,1 ~ c2\) + r4 c4\( aes4 aes4 bes4 bes4 c4 c4 ees2.\) ees4\( <ees c>4 q4 q4 q4 <ees d>4 <g ees>4 <bes f>1 ~ q8\) r8 + aes4\( <aes ees>4 q4 <bes f>4 <bes g>4 <bes aes>4 q4 q2 ~ q8\) r8 + aes4\( <aes ees>4 q4 <bes f>4 <bes g>4 <bes aes>4 q4 q2 ~ q8\) r8 + aes4^\( <aes ees>4 q4 <bes f>4 <bes g>4 << { \voiceOne bes4( ees4 des2 c2 bes2 aes2 f4) f4 aes4( bes4 aes4 g4 ees1)\) } \new Voice { \voiceTwo aes1( ~ aes2. g4 aes2 ees4) d4 ees4( f4 ees4 d4 ees1) } >> \oneVoice + bes2( aes4) r4 bes2. r4 bes2. aes4( ees'4 bes4 d2) <f d>2( <ees c>2 d1) + \repeat unfold 6 { + e4( ees4) r2 + } + } + >> + } + + tenorMelodie = \relative c { + << + { \meta } + \oberArt + \unterArt + \tenorArt + %the actual tune + \clef "treble_8" + { + r2 r4 ees4\( + aes4 g4 f4 bes4 + aes4 g4 + bes2.\) ees,4\( + d4 c4 g'4 f4 + ees4 f4 + g2.\) f4\( + ees4 f4 f4 g4 + g4 g2 + ees4 f4 + aes4 f4 g4 g4 + bes4 aes4 + g1\) + r4 g'4\( + f4 ees4 d4 ees4 + g,4 <bes g>4 + <a g>1 ~ + q8\) r8 c,4\( + d4 ees4 f4 g4 + a4 d4 + g,2.\) bes4\( + a4 a4 g4 bes4 + f4 g4 f4 f4 + g4 bes4 g4 g4 + f4 ees4 + g1\) + r4 c2.\pp\( + ees4 ees4 d4 d4\) + r2 + ees4\( ees4 d2\) + r4 c4\( + ees4 ees4 d4 d4\) + r4 c4\(( + d4) ees4 f2\) + r2 r4 c4\mp\( + bes4 bes4 aes4 aes4 + ees'4 ees4 + d2\) \breathe d2 + c2\< + d2 d2\> + r4\! c4\( + d4\< d4 d2\> ~ + << { d2\)\fermata } { s8 s4.\! } >> r4 c,4\( + ees4 ees4 f4 g4 + aes4 bes4 + bes1\) + <c aes>2\( <bes g>2 + aes2( + bes1 ~ + bes2)\) + \breathe + <c aes>2\( <bes g>2 + <c aes>2 ~ q8\) r8 q4\(( + <g' ees>4 <f c>4 + <c aes>2) <bes g>2 + <aes f>2 ~ q8\) r8 <c aes>4( + <g' ees>4 <f c>4 + <c aes>2) + << + { + \voiceOne + bes2\(( + aes4 c4 des4 f4 + ees4 c4 ees4 g4 ~ + g4 f4 ees4) d4 + c4( d4 c4 bes4 + \hideNotes + c4 bes2.)\) + \unHideNotes + } + \new Voice { + \voiceTwo + g2( + aes2. des4 + ees4 c4 bes4 ees4 + c4) aes4 bes2( + aes4 bes4 aes4 bes4 + c4 bes2.) + } + >> + \oneVoice + ees,2. r4 + f2. r4 + ees1 + f2\> bes2\<( + c2 aes4 ees4 + f1) \breathe + \repeat unfold 4 { g4( bes4) r2 } + \repeat volta 2 { + g4( bes4) r2 + g4( bes4) r2 + } + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + \unterArt + \bassArt + %the actual tune + \clef bass + { + r2 r4 aes4\( << { \voiceOne c4 c4 bes4 d4 + ees4 c4 } \new Voice { \voiceTwo f,4 c'4 bes4 g4 aes4 c4 } >> \oneVoice + d2.\) + aes4\( g4 f4 c'4 bes4 + aes4 bes4 + <bes ees,>2.\) + bes4\( aes4 aes4 bes4 bes4 + c4 bes2 + <ees aes,>4 <ees g,>4 + <c f,>4 bes4 b4 c4 + d4 c4 + c1\) + r4 d'4\( + c4 c4 bes4 <c aes>4 + c,4 <d g,>4 + <c f,>1 ~ + q8\) r8 + q4\( + << + { + d4 ees4 f4 ees4 f4 bes4 + } + { + f,4 g4 a4 bes4 + c4 f4 + } + >> + <ees bes>2.\) + <d g,>4\( << { \voiceOne d4 c4 c4 d4 bes4 bes4 } \new Voice { \voiceTwo d4 f,4 c'4 g4 bes4 ees,4 } >> \oneVoice bes'4 bes4 c4 d4 c4 bes4 + aes4 aes4 + << { \voiceOne c2.\) r4 } \new Voice { \voiceTwo g2 r2 } >> \oneVoice + c'1 c2 c2 + c2 + c2 c2 + c2 + c1 + c2 + c2 c2 ~ c2 + r4 c4\( <f, d>4 q4 <ees c>4 q4 + <c' g>4 q4 + <bes f>1\) + r2 + q4\( q4 q2\) + c2\( + q4 q4 q2 ~ q2\fermata\) + r4 << { + c,4\( ees2 ees2 c2( d1)\) + ees2\( ees2 c2( d1 ~ d2)\) + aes'2\( ees2 c2 ~ c8\) r8 + f4\(( c'4 aes4 ees2) ees2 c2 ~ c8\) r8 + f4( c'4 aes4 ees2) + } { + c4 aes2 g2 f2 ~ f1 + aes2 g2 f2 ~ f1 ~ f2 + aes2 g2 f2 ~ f8 r8 + c'4( aes'4 f4 aes,2) g2 f2 ~ f8 r8 + c'4 aes'4 f4 aes,2 + } >> + << + { + \voiceOne + ees'2\(( c4 f2 aes4 c4 ees,2 g4 aes4) f4 d2( ees4 f4 ees4 d4 ees2 d2)\) + } + \new Voice { + \voiceTwo + g,2( f4 c'4 aes4 des4 aes'4 aes,4 ees'4 bes4 f'4) c4 + f,2( aes4 bes4 aes4 g4 aes4 ees'4 d2) + } + >> + \oneVoice + aes2. r4 + bes2. r4 + aes1 + << + { + \voiceOne + bes2( f'2 ees1 bes1) + } + \new Voice { + \voiceTwo + bes1( aes1 bes1) + } + >> \oneVoice + \repeat unfold 6 { + c4( d4) r2 + } + } + >> + } + diff --git a/hr/stch/fertig/sleep/texte.ly b/hr/stch/fertig/sleep/texte.ly new file mode 100644 index 0000000..20abd9b --- /dev/null +++ b/hr/stch/fertig/sleep/texte.ly @@ -0,0 +1,90 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + + commonI = \lyricmode { + The eve -- ning hangs be -- neath the moon, + A sil -- ver thread on dark -- ened dune. + With clos -- ing eyes and rest -- ing head I know that sleep is com -- ing soon. + Up -- on my pil -- low safe in bed, + A thou -- sand pic -- tures fill my head, + I can -- not sleep, my mind’s a -- flight; + And yet my limbs seem made of lead. + If there are nois -- es in the night, + } + + oberI = \lyricmode { + A fright -- ening shad -- ow, flick -- ering light; + } + surrender = \lyricmode { + I sur -- ren -- der un -- to sleep, + } + commonII = \lyricmode { + clouds of dream + give sec -- ond sight. + What dreams may come, + } + dad = \lyricmode { + dark and deep, + } + frauenI = \lyricmode { + Of fly -- ing wings and soar -- ing leap + As \surrender + As \surrender + As \surrender + } + +% Die Textaufteilungen + + sopranText = \lyricmode { + %<+hier den Text für den Sopran eintragen+> + \commonI + \oberI + Where \commonII + both \dad + \frauenI + \repeat unfold 6 { + sleep, + } + } + + altText = \lyricmode { + %<+hier den Text für den Alt eintragen+> + \commonI + \oberI + Then \surrender + Where \commonII + both \dad + \frauenI + \repeat unfold 11 { + sleep, + } + } + + tenorText = \lyricmode { + %<+hier den Text für den Tenor eintragen+> + \commonI + \oberI + Then \surrender + Where \commonII + both \dad + \dad \dad \dad + dark un -- to sleep, + \repeat unfold 11 { + sleep, + } + } + + bassText = \lyricmode { + %<+hier den Text für den Baß eintragen+> + \commonI + in the night, + Then \surrender + \commonII + \dad \dad \dad + dark un -- to sleep, + \repeat unfold 10 { + sleep, + } + } + diff --git a/hr/stch/fertig/sommarpsalm/a5/sommarpsalm.ly b/hr/stch/fertig/sommarpsalm/a5/sommarpsalm.ly new file mode 100644 index 0000000..07df272 --- /dev/null +++ b/hr/stch/fertig/sommarpsalm/a5/sommarpsalm.ly @@ -0,0 +1,85 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.18" +\include "../dynArt.ly" +\include "../stimmen.ly" +\include "../texte.ly" + +\pointAndClickOff + + \header { + title = "Sommarpsalm" + composer = "Waldemar Åhlén" + text = "Carl David af Wirsen" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + #(set-paper-size "a5") + line-width = \paper-width - 20 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + ragged-last = ##t + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 13) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + { \meta } + { \frauenArt } + \new Voice = "soprane" { \voiceOne \sopranMelodie } + \new Voice = "alti" { \voiceTwo \altMelodie } + %\addlyrics { \sopranText } + >> + + alt = << + \new Voice = "alti" { \altMelodie } + %\addlyrics { \altText } + >> + + ten = << + \new Voice = "tenoere" { \tenorMelodie } + %\addlyrics { \tenorText } + >> + + bas = << + { \meta } + { \maennerArt } + \new Voice = "tenoere" { \voiceOne \tenorMelodie } + \new Voice = "baesse" { \voiceTwo \bassMelodie } + %\addlyrics { \stzI } + %\addlyrics { \stzII } + %\addlyrics { \stzIII } + >> + + \score { + \new ChoirStaff \with { printPartCombineTexts = ##f } << + \new Staff = sopran { \global \sop } + \new Lyrics \lyricsto soprane \stzI + \new Lyrics \lyricsto soprane \stzII + \new Lyrics \lyricsto soprane \stzIII + %\new Staff = alt { \global \alt } + %\new Staff = tenor { \global \ten } + \new Staff = bass { \global \bas } + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/stch/fertig/sommarpsalm/a5/sommarpsalm_orig.ly b/hr/stch/fertig/sommarpsalm/a5/sommarpsalm_orig.ly new file mode 100644 index 0000000..edf3604 --- /dev/null +++ b/hr/stch/fertig/sommarpsalm/a5/sommarpsalm_orig.ly @@ -0,0 +1,85 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.18" +\include "../dynArt_orig.ly" +\include "../stimmen.ly" +\include "../texte_orig.ly" + +\pointAndClickOff + + \header { + title = "Sommarpsalm" + composer = "Waldemar Åhlén" + text = "Carl David af Wirsen" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + #(set-paper-size "a5") + line-width = \paper-width - 20 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + ragged-last = ##t + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 13) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + { \meta } + { \frauenArt } + \new Voice = "soprane" { \voiceOne \sopranMelodie } + \new Voice = "alti" { \voiceTwo \altMelodie } + %\addlyrics { \sopranText } + >> + + alt = << + \new Voice = "alti" { \altMelodie } + %\addlyrics { \altText } + >> + + ten = << + \new Voice = "tenoere" { \tenorMelodie } + %\addlyrics { \tenorText } + >> + + bas = << + { \meta } + { \maennerArt } + \new Voice = "tenoere" { \voiceOne \tenorMelodie } + \new Voice = "baesse" { \voiceTwo \bassMelodie } + %\addlyrics { \stzI } + %\addlyrics { \stzII } + %\addlyrics { \stzIII } + >> + + \score { + \new ChoirStaff \with { printPartCombineTexts = ##f } << + \new Staff = sopran { \global \sop } + \new Lyrics \lyricsto soprane \stzI + \new Lyrics \lyricsto soprane \stzII + \new Lyrics \lyricsto soprane \stzIII + %\new Staff = alt { \global \alt } + %\new Staff = tenor { \global \ten } + \new Staff = bass { \global \bas } + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/stch/fertig/sommarpsalm/dynArt.ly b/hr/stch/fertig/sommarpsalm/dynArt.ly new file mode 100644 index 0000000..c4e1f40 --- /dev/null +++ b/hr/stch/fertig/sommarpsalm/dynArt.ly @@ -0,0 +1,87 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + \tempo "Andante" + s4\mp + s2.*3 + s2 \breathe s4\mf + s2.*3 + s2 \breathe + \bar "" + \break + s4 + s2.*3 + s2 \breathe s4 + s2.*3 + s2 \breathe + \bar "" + \break + s4\p + s2. + s2 \breathe s4 + s2. + s2 s4 + s2\f s4 + s2.*2 + s2 \breathe + \bar "" + \break + s4 + s2.*2 + s4 s2^\markup { \italic "rit." } + s2.\p + \bar "|." + } + +% articulation + + frauenArt = { + s4 + s2.\< + s4 s2\! + s2 s4\> + s2 s4\! + s2.*2 + s4 s2\> + s2.\! + s2.\< + s2 s4\! + s2. + s2 s4\mf + s2.*2 + s2.\> + s2\! s4 + s2\< s4\> + s2.\! + s2\< s4\> + s2.\! + s2.*2 + s2.\> + s2\! s4\< + s2.\! + s2. + s2.\> + s2.\! + } + + maennerArt = { + s4 + s2.*12 + s2 s4\mf + s2.*15 + } + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/fertig/sommarpsalm/dynArt_orig.ly b/hr/stch/fertig/sommarpsalm/dynArt_orig.ly new file mode 100644 index 0000000..8e879f4 --- /dev/null +++ b/hr/stch/fertig/sommarpsalm/dynArt_orig.ly @@ -0,0 +1,87 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + %\tempo "Ej långsamt" + s4\mp + s2.*3 + s2 \breathe s4\mf + s2.*3 + s2 \breathe + \bar "" + \break + s4 + s2.*3 + s2 \breathe s4 + s2.*3 + s2 \breathe + \bar "" + \break + s4\p + s2. + s2 \breathe s4 + s2. + s2 s4 + s2\f s4 + s2.*2 + s2 \breathe + \bar "" + \break + s4 + s2.*2 + s4 s2^\markup { \italic "rit." } + s2.\p + \bar "|." + } + +% articulation + + frauenArt = { + s4^\markup{ \italic "Ej långsamt" } + s2.\< + s4 s2\! + s2 s4\> + s2 s4\! + s2.*2 + s4 s2\> + s2.\! + s2.\< + s2 s4\! + s2. + s2 s4\mf + s2.*2 + s2.\> + s2\! s4 + s2\< s4\> + s2.\! + s2\< s4\> + s2.\! + s2.*2 + s2.\> + s2\! s4\< + s2.\! + s2. + s2.\> + s2.\! + } + + maennerArt = { + s4 + s2.*12 + s2 s4\mf + s2.*15 + } + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/fertig/sommarpsalm/midi.lua b/hr/stch/fertig/sommarpsalm/midi.lua new file mode 100644 index 0000000..8d7d5be --- /dev/null +++ b/hr/stch/fertig/sommarpsalm/midi.lua @@ -0,0 +1,51 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { + \unfoldRepeats +]] + +post=[[ + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/fertig/sommarpsalm/sommarpsalm.ly b/hr/stch/fertig/sommarpsalm/sommarpsalm.ly new file mode 100644 index 0000000..31f4756 --- /dev/null +++ b/hr/stch/fertig/sommarpsalm/sommarpsalm.ly @@ -0,0 +1,81 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "dynArt.ly" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Sommarpsalm" + composer = "Waldemar Åhlén" + text = "Carl David af Wirsen" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 17) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + { \meta } + { \frauenArt } + \new Voice = "soprane" { \voiceOne \sopranMelodie } + \new Voice = "alti" { \voiceTwo \altMelodie } + %\addlyrics { \sopranText } + >> + + alt = << + \new Voice = "alti" { \altMelodie } + %\addlyrics { \altText } + >> + + ten = << + \new Voice = "tenoere" { \tenorMelodie } + %\addlyrics { \tenorText } + >> + + bas = << + { \meta } + { \maennerArt } + \new Voice = "tenoere" { \voiceOne \tenorMelodie } + \new Voice = "baesse" { \voiceTwo \bassMelodie } + %\addlyrics { \stzI } + %\addlyrics { \stzII } + %\addlyrics { \stzIII } + >> + + \score { + \new ChoirStaff \with { printPartCombineTexts = ##f } << + \new Staff = sopran { \global \sop } + \new Lyrics \lyricsto soprane \stzI + \new Lyrics \lyricsto soprane \stzII + \new Lyrics \lyricsto soprane \stzIII + %\new Staff = alt { \global \alt } + %\new Staff = tenor { \global \ten } + \new Staff = bass { \global \bas } + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/stch/fertig/sommarpsalm/sommarpsalm.midi b/hr/stch/fertig/sommarpsalm/sommarpsalm.midi Binary files differnew file mode 100644 index 0000000..339c2e2 --- /dev/null +++ b/hr/stch/fertig/sommarpsalm/sommarpsalm.midi diff --git a/hr/stch/fertig/sommarpsalm/stimmen.ly b/hr/stch/fertig/sommarpsalm/stimmen.ly new file mode 100644 index 0000000..634706b --- /dev/null +++ b/hr/stch/fertig/sommarpsalm/stimmen.ly @@ -0,0 +1,172 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + + global = { + \key a \major + %\override Staff.TimeSignature #'style = #'() + \time 3/4 + %\autoBeamOff + \partial 4 + } + +% Die Stimmen + + sopranMelodie = \relative c' { + << + % { \meta } + %\sopranArt + %the actual tune + { + e4 + e2 a4 + b4( cis4) a4 + fis2 gis4 + a2 cis4 + cis4( e4) d4 + cis4( b4) a4 + b2. + b2 e,4 + e2 a4 + b4( cis4) a4 + fis2 gis4 + a2 cis4 + b4( e4) gis,4 + a4( gis4) e4 + fis2. + e2 e4 + d'2 d4 + b2 b4 + <a e'>2 <b e>4 + <a cis>4( <b d>4) <cis e>4 + <d fis>2 <cis e>4 + e4( d4) cis4 + b2. + b2 cis4 + d2 cis4 + b4( a4) fis4 + gis2( a4) + a2\fermata + } + >> + } + + altMelodie = \relative c' { + << + % { \meta } + %\altArt + %the actual tune + { + e4 + cis2 cis4 + d2 d4 + d2 d4 + cis2 e4 + e2 fis4 + e2 e4 + e4( cis4 dis4) + e2 d4 + cis2 cis4 + d2 d4 + d4( fis4) eis4 + fis2 dis4 + e2 e4 + e2 e4 + e2( dis4) + e2 e4 + fis2 fis4 + gis4( fis4) gis4 + fis2 gis4 + a2 a4 + <fis a>2 <e a>4 + <gis b>2 a4 + a2. + <e gis>2 <e fis>4 + <d fis>2 <e a>4 + fis2 d4 + d2. + cis2 + } + >> + } + + tenorMelodie = \relative c' { + << + % { \meta } + %\tenorArt + %the actual tune + % \clef "treble_8" + { + e,4 + e2 e4 + fis2 fis4 + a4( cis4) b4 + a2 a4 + a2 a4 + a4( d4) cis4 + a2. + a4( gis4) fis4 + e2 e4 + fis2 fis4 + a4( cis4) b4 + cis2 a4 + b2 b4 + a4( b4) gis4 + cis4( b2) + gis2 e'4 + a,2 a4 + b4( a4) b4 + cis2 d4 + e2 e4 + d2 cis4 + b2 a4 + fis'2. + b,2 ais4 + b2 a4 + d2 cis4 + b2. + a2\fermata + } + >> + } + + bassMelodie = \relative c { + << + % { \meta } + %\bassArt + %the actual tune + \clef bass + { + e4 + a,2 a4 + <a e'>2 q4 + q2 q4 + q2 a'4 + cis,2 d4 + a'2 a4 + fis2( b,4) + e2 e4 + a,2 a4 + a2 a4 + a2 a4 + <a a'>2 <fis fis'>4 + <gis gis'>2 cis4 + cis4( b4) cis4 + a4( b2) + e2 e4 + e2 e4 + e2 e4 + e2 e4 + a2 a4 + <d, a'>2 a'4 + e2 fis4 + dis4( cis4 dis4) + e2 cis4 + <b fis'>2 cis4 + d2 d4 + << { e2( e,4) } e'2. >> + <a, e'>2 + } + >> + } + diff --git a/hr/stch/fertig/sommarpsalm/texte.ly b/hr/stch/fertig/sommarpsalm/texte.ly new file mode 100644 index 0000000..ec6388f --- /dev/null +++ b/hr/stch/fertig/sommarpsalm/texte.ly @@ -0,0 +1,53 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + + stzI = \lyrics { + \set stanza = "1. " + Wie herr -- lich grü -- nen Baum und Strauch + und zie -- ren Tal und Hän -- ge. + Ein zar -- ter mil -- der war -- mer Hauch + um -- spielt das Blatt -- ge -- men -- ge. + Im Son -- nen -- schein wogt Flur und Hain + und wiegt sich in den Win -- den. + Der Som -- mer will sich fin -- den. + } + stzII = \lyrics { + \set stanza = "2. " + Dem hel -- len Lied im Wie -- sen -- grund, + dem dump -- fen Wal -- des -- rau -- schen, + dem kann man nun so man -- che Stund + mit al -- ler Ehr -- furcht lau -- schen. + Und Vo -- gel -- sang im Ü -- ber -- schwang, + ge -- würzt durch Blü -- ten -- düf -- te, + er -- hebt sich in die Lüf -- te. + } + stzIII = \lyrics { + \set stanza = "3. " + O gu -- ter Gott, wie ist Dir gleich + der lich -- te Son -- nen -- rei -- gen. + Im Som -- mer willst Du gna -- den -- reich + uns Dei -- ne Grö -- ße zei -- gen. + All Fleisch ist Heu, all Le -- ben Streu, + ver -- gäng -- lich al -- les Trei -- ben, + nur Dein Wort wird ver -- blei -- ben. + } + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + } + diff --git a/hr/stch/fertig/sommarpsalm/texte_orig.ly b/hr/stch/fertig/sommarpsalm/texte_orig.ly new file mode 100644 index 0000000..536b814 --- /dev/null +++ b/hr/stch/fertig/sommarpsalm/texte_orig.ly @@ -0,0 +1,56 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + + stzI = \lyrics { + \set stanza = "1. " + En vän -- lig grön -- skas ri -- ka dräkt + har smyck -- at dal och äng -- ar. + Nu sme -- ker vin -- dens ljum -- ma fläkt + de fag -- ra ör -- te -- sän -- gar. + Och so -- lens ljus + och lun -- dens sus + och vå -- gens sorl bland vi -- den + för -- kun -- na som -- mar -- ti -- den. + } + stzII = \lyrics { + \set stanza = "2. " + Sin lyc -- ka och sin som -- mar -- ro + de y -- ra fåg -- lar pri -- sa; + Ur sko -- gens snår, ur stil -- la bo + fram -- kling -- ar de -- ras -- vi -- sa. + En hymn går opp + av fröjd och hopp + från de -- ras gla -- da kvä -- den, + från blom -- mor -- na och trä -- den. + } + stzIII = \lyrics { + \set stanza = "3. " + Men Du, o Gud, som gör vår jord + så skön i som -- marns stun -- der. + Giv, att jag ak -- tar främst ditt ord + och di -- na nå -- des -- un -- der. + Allt kött är hö, + och blomst -- ren dö + och ti -- den allt för -- dri -- ver + blott Her -- rens ord för -- bli -- ver. + } + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + } + diff --git a/hr/stch/fertig/spirit/dynArt.ly b/hr/stch/fertig/spirit/dynArt.ly new file mode 100644 index 0000000..30423d4 --- /dev/null +++ b/hr/stch/fertig/spirit/dynArt.ly @@ -0,0 +1,21 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/fertig/spirit/midi.lua b/hr/stch/fertig/spirit/midi.lua new file mode 100644 index 0000000..8d7d5be --- /dev/null +++ b/hr/stch/fertig/spirit/midi.lua @@ -0,0 +1,51 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { + \unfoldRepeats +]] + +post=[[ + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/fertig/spirit/spirit.ly b/hr/stch/fertig/spirit/spirit.ly new file mode 100644 index 0000000..6b60223 --- /dev/null +++ b/hr/stch/fertig/spirit/spirit.ly @@ -0,0 +1,79 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Ev’ry time I feel the spirit" + %composer = "<+Komponist+>" + arranger = "William L. Dawson" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \RemoveEmptyStaves + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + \override VerticalAxisGroup #'remove-first = ##t + } + } + + %#(set-global-staff-size 17) + + sol = << + \new Voice = "soloVoice" { \solo } + %\addlyrics { \soloBla } + >> + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \sopranMelodie } + %\addlyrics { \sopranText } + >> + + alt = << + \new Voice = "alti" { \altMelodie } + %\addlyrics { \altText } + >> + + ten = << + \new Voice = "tenoere" { \tenorMelodie } + %\addlyrics { \tenorText } + >> + + bas = << + \new Voice = "baesse" { \bassMelodie } + \addlyrics { \bassText } + >> + + \score { + << + \new Staff = solo { \global \sol } + \new Lyrics = soloText \lyricsto soloVoice \soloBla + \new ChoirStaff \with {} << + %\new Staff = sopran { \global \sop } + %\new Staff = alt { \global \alt } + %\new Staff = tenor { \global \ten } + \new Staff = bass { \global \bas } + >> + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/stch/fertig/spirit/stimmen.ly b/hr/stch/fertig/spirit/stimmen.ly new file mode 100644 index 0000000..b47fc7d --- /dev/null +++ b/hr/stch/fertig/spirit/stimmen.ly @@ -0,0 +1,141 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key ees \major + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + %\autoBeamOff + \partial 4. + } + +% Die Stimmen + + solo = \relative c { + \clef "bass" + r4. + \repeat unfold 7 { r1 } + \break + r2 r8 bes8 c8 ees8 + g4 g4. c,8. ees8. + g2 ~ g8 bes,8 c8 ees8 + bes'4 g4. f4 g8 + ees2 ~ ees8 bes8 c8 ees8 + g4 g4. bes,8 c8 ees8 + g2 ~ g8 bes,8 c8 ees8 + bes'4 g4. g8 f8 g8 + ees2 ~ ees8 r4. + \break + \repeat unfold 7 { r1 } + \break + r2 r8 c8. ees8. + g4 g4 ~ g8 bes,8 c16 c16 ees8 + g2 ~ g8 bes,8 c8 ees8 + bes'4 g4. g8 f8 g8 + ees2 ~ ees8 bes8 c8 ees8 + g4 g4. bes,8 c8 ees8 + g2 ~ g8 bes,8 c8 ees8 + bes'4 g4. f8. g8. + ees2 ~ ees8 r4. + \break + } + + sopranMelodie = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + r1 + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + r1 + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + r1 + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + ees4 ees8 + % \repeat volta 2 { + % } + aes4 aes4. aes4 aes8 + ees4 ees4. ees4 ees8 + bes8 bes8 c4. bes4 bes8 + ees2 ~ ees8 ees8 f8 g8 + aes4 aes4. aes4 aes8 + ees4 ees4. ees4 ees8 + bes8 bes8 c4. bes4 bes8 + ees2 ~ ees8 r8 r4 + ees,2. r4 + ees2. r4 + ees1 ~ + ees2 ~ ees8 r4. + ees2. r4 + ees2. r4 + ees1 ~ + ees2 ~ ees8 ees'4 ees8 + aes4 aes4. aes4 aes8 + g4 g4. ees4 bes8 + b8 b8 c4. bes4 bes8 + bes'4( aes4 g8) ees8 f8 g8 + aes4 aes4. a4 a8 + bes8( aes8) g4. ees4 ees8 + ees8 ees8 aes,4. bes4 bes8 + ees2 ~ ees8 r4. + ees,2. r4 + ees2. r4 + ees1 ~ + ees2 ~ ees8 r4. + ees2. r4 + ees2. r4 + ees1 ~ + ees2 ~ ees8 r4. + aes'4 g4 f2 + g4 f4 ees4 d4 + c4 g4 aes4 bes4 + c4 d4 ees2 + aes4 g4 f2 + bes4 aes4 g4. r8 + ees8 d8 c8 bes8 aes4 bes4 + bes8 c8 bes8 aes8 g8 r4. + aes'8 bes8 aes8 g8 f8 f8 f8 f8 + g8 aes8 g8 f8 ees4( g,4) + bes4 b8( d8) c4 f,4 + bes8 a8 bes8 c8 d8 ees8 f8( g8) + aes8 bes8 c8 bes8 aes8 g8 f8 aes8 + g8 aes8 bes8 aes8 g8 f8 ees8 g8 + bes8 b8 c4\fermata r8 bes4 bes8 + ees,2 ~ ees8\fermata + \bar "|." + } + >> + } + diff --git a/hr/stch/fertig/spirit/texte.ly b/hr/stch/fertig/spirit/texte.ly new file mode 100644 index 0000000..6f383e6 --- /dev/null +++ b/hr/stch/fertig/spirit/texte.ly @@ -0,0 +1,70 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + +% Die Textaufteilungen + + soloBla = \lyrics { + Up -- on the moun -- tain + my Lord spoke, + Out of His mouth came + fire and smoke; + Looked all a -- round me, + It looked so fine, + till I asked my Lord + if all was mine. + % + Jor -- dan ri -- ver + is chil -- ly and cold, + It chills the bo -- dy, + but not the soul; + There ain’t but one train + up -- on this track, + it runs to heav -- en + an’ right back. + } + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + Ev -- ’ry time I feel the spir -- it, + Mov -- ing in my heart, + I will pray; + Yes, Ev -- ’ry time I feel the spir -- it, + Mov -- ing in my heart, + I will pray, + Hum _ _ _ _ _ + Ev -- ’ry time I feel the spir -- it, + Mov -- ing in my heart, + I will pray; + Yes, Ev -- ’ry time I feel the spir -- it, + Mov -- ing in my heart, + I will pray. + Hum _ _ _ _ _ + I will pray, + ev -- ’ry time I feel the spi -- rit, I will pray, + I will pray, + I will pray, + Ev -- ’ry time I feel the spi -- rit, I will pray, + Ev -- ’ry time I feel the spi -- rit, + Mov -- ing in my heart, + Oh, the spir -- it + mov -- ing in my heart, + Oh, yes + Ev -- ’ry time I feel the spi -- rit, + Mov -- ing in my heart, + oh, mov -- ing in my heart, + I will pray. + } + diff --git a/hr/stch/fertig/tebje/TODO.txt b/hr/stch/fertig/tebje/TODO.txt new file mode 100644 index 0000000..b8deb9c --- /dev/null +++ b/hr/stch/fertig/tebje/TODO.txt @@ -0,0 +1 @@ +punkte immer nach oben
diff --git a/hr/stch/fertig/tebje/alt/tebje.ps b/hr/stch/fertig/tebje/alt/tebje.ps Binary files differnew file mode 100644 index 0000000..71b451f --- /dev/null +++ b/hr/stch/fertig/tebje/alt/tebje.ps diff --git a/hr/stch/fertig/tebje/stimmen.ly b/hr/stch/fertig/tebje/stimmen.ly new file mode 100644 index 0000000..a467abf --- /dev/null +++ b/hr/stch/fertig/tebje/stimmen.ly @@ -0,0 +1,85 @@ +% vim: encoding=utf8 nu + +global = { + \key ees \major + \time 4/4 + \slurDashed + \tieDashed +} + + + text = \new Lyrics { + \lyricmode { + Te -- bje pa -- jom, te -- bja bla -- gos_-_la -- wim, + te -- bja bla -- go -- da -- rim. Gos -- po -- di. + I mo -- lim -- sia bo -- sche -- nasch. + I mo -- lim -- sia bo -- sche -- nasch. + I mo -- lim -- sia bo -- sche -- nasch, bo -- sche -- nasch. + Mo -- lim -- sia bo -- sche -- nasch. + } + } + +%Die Stimmen mit ihren jeweiligen Textaufteilungen + + breit = \markup { \italic "breit" } + aTempo = \markup { \italic "a tempo" } + getragen = \markup { \bold "Getragen" } + + metaVoice = { + \repeat volta 2 { \partial 4 s4\pp s1*4 s4 s4\< s2 s1 s1\! s2. } + \crescTextCresc + \repeat volta 8 { r4 s1 s1 \< s1*3 s1\f^\breit s1\pp^\aTempo s2. } + r4 s1*4 \bar "|." + } + + sopMusic = \relative c'' { + g4^\getragen g2. g4 g2( f4 ) bes4 + aes2. bes4 aes4 ~ aes4 g4 g4 + bes4 bes4 b4 b4 c1 + bes2 aes2 g2. s4 + g4 g8 g8 aes4( bes4 ) aes4. aes8 aes2 + a4 a8 a8 bes4( c4 ) bes4. bes8 bes2 + b4 b8 b8 c4( d4 ) c4. c8 c2 + bes2 aes2 g2. s4 + aes2 g2 aes2( g2 ) + f2 aes2 g1\fermata + } + + altMusic = \relative c' { + ees4 ees2. ees4 ees2( d4 ) f4 + ees2. f4 f4 ~ f4 ees4 ees4 + g4 g4 f4 f4 ees1 + g2 f2 ees2. s4 + ees4 ees8 ees8 ees4 ~ ees4 ees4. ees8 ees2 + f4 f8 f8 f4 ~ f4 f4. f8 f2 + g4 g8 f8 ees4( f4 ) g4. g8 fis2 + g2 f2 ees2. s4 + ees2 ees2 d2( ees2 ) + ees2 ees4( d4 ) ees1 + } + + tenorMusic = \relative c' { + bes4 bes2. bes4 bes2 ~ bes4 d4 + c2. bes4 bes4 ~ bes4 bes4 bes4 + g4 g4 g4 g4 g2( aes2 ) + ees'2 d2 bes2. s4 + bes4 bes8 bes8 c4( des4 ) c4. c8 c2 + c4 c8 c8 d4( ees4 ) d4. d8 d2 + d4 d8 d8 c4( b4 ) ees4. ees8 ees2 + ees2 d2 bes2. s4 + c2 bes2 bes4( b4( c2 ) ) + c2 bes2 bes1\fermata + } + + bassMusic = \relative c { + ees4 ees2. g4 bes2( bes,4 ) bes4 + c2. d4 ees4 ~ ees4 ees4 ees4 + ees4 ees4 d4 d4 c4( bes4 aes2 ) + bes2 bes2 ees2. s4 + ees4 ees8 ees8 ees4 ~ ees4 aes4. aes8 aes2 + f4 f8 f8 f4 ~ f4 bes4. bes8 bes2 + g4 g8 g8 g4 ~ g4 c4. bes8 a2 + bes2. bes,4 ees2. s4 + aes,2 ees'2 f2( c2 ) + aes2 bes2 ees1 + } diff --git a/hr/stch/fertig/tebje/tebje.log b/hr/stch/fertig/tebje/tebje.log new file mode 100644 index 0000000..1643515 --- /dev/null +++ b/hr/stch/fertig/tebje/tebje.log @@ -0,0 +1,12 @@ +# -*-compilation-*-
+»C:/Dokumente und Einstellungen/Hauke Rehr/Desktop/lilydocs/tebje/tebje.ly« wird verarbeitet
+Analysieren...
+Interpretation der Musik...[8][16][24][24]
+Vorverarbeitung der grafischen Elemente...
+Zeilenumbrüche werden berechnet...
+Systeme erstellen...
+Ideale Seitenanzahl wird gefunden...
+Musik wird auf eine Seite angepasst...
+Systeme erstellen...
+Layout nach »/Dokumente und Einstellungen/Hauke Rehr/Desktop/lilydocs/tebje/tebje.ps« ausgeben...
+Konvertierung nach »/Dokumente und Einstellungen/Hauke Rehr/Desktop/lilydocs/tebje/tebje.pdf«...
diff --git a/hr/stch/fertig/tebje/tebje.ly b/hr/stch/fertig/tebje/tebje.ly new file mode 100644 index 0000000..890b55a --- /dev/null +++ b/hr/stch/fertig/tebje/tebje.ly @@ -0,0 +1,64 @@ +% vim: encoding=utf8 nu + +\version "2.12.1" +\include "stimmen.ly" + + \header { + title = "Tebje Pajom" + subtitle = "Altrussischer Kirchengesang" + composer = "Melodie: Dimitri Bortnianski" + arranger = \markup { + \column \right-align { + "Satz: Hans-Joachim Rolf" "[Deutscher Text: Klaus Siefert]" + } + } + } + +#(set-global-staff-size 18) + + \paper { + ragged-last-bottom = ##f + system-count = 4 + top-margin = 15\mm + bottom-margin = 10\mm + line-width = 175\mm + } + + \midi { + %\tempo 4=72 + } + + \layout { + indent = #0 + \context { + % a little smaller so lyrics can be closer to the staff + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 4.5) + } + } + + \score { + %\simultaneous + \new ChoirStaff << + \new Staff = Frauen << + %\new Staff = Sopran << + \new Voice = "meta" \metaVoice + \new Voice = "soprane" { \voiceOne \global \sopMusic } + \lyricsto soprane \text + %>> + %\new Staff = Alt << + \new Voice = "alti" { \voiceTwo \global \altMusic } + %\lyricsto alti \text + >> + \new Staff = Maenner << + \new Voice = "meta" { \clef bass \metaVoice } + %\new Staff = Tenor << + \new Voice = "tenoere" { \voiceOne \global \tenorMusic } + \lyricsto tenoere \text + %>> + %\new Staff = Bass << + \new Voice = "baesse" { \voiceTwo \global \bassMusic } + %\lyricsto baesse \text + >> + >> + } diff --git a/hr/stch/fertig/tebje/tebje.ps b/hr/stch/fertig/tebje/tebje.ps Binary files differnew file mode 100644 index 0000000..46eadff --- /dev/null +++ b/hr/stch/fertig/tebje/tebje.ps diff --git a/hr/stch/fertig/tore/dynArt.ly b/hr/stch/fertig/tore/dynArt.ly new file mode 100644 index 0000000..8c6536f --- /dev/null +++ b/hr/stch/fertig/tore/dynArt.ly @@ -0,0 +1,24 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + s2.*29 + \break + s2.*1 + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/fertig/tore/midi.lua b/hr/stch/fertig/tore/midi.lua new file mode 100644 index 0000000..58e69da --- /dev/null +++ b/hr/stch/fertig/tore/midi.lua @@ -0,0 +1,50 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + +\version "2.12" +\include "stimmen.ly" + + \score { +]] + +post=[[ + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/fertig/tore/stimmen.ly b/hr/stch/fertig/tore/stimmen.ly new file mode 100644 index 0000000..f4d6613 --- /dev/null +++ b/hr/stch/fertig/tore/stimmen.ly @@ -0,0 +1,191 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key g \major + %\override Staff.TimeSignature #'style = #'() + \time 3/4 + %\autoBeamOff + } + +% Die Stimmen + + sopranIMelodie = \relative c'' { + << + { \meta } + %\sopranArt + %the actual tune + { + d4. d8 d4 d4. d8 d4 + r4 d4 d4 c2 c4 + b4. c8 d4 b4 a2 g4 g4 a4 + b4 b4 c4 d2. a4 a4 b4 c4 c4 d4 e4. d8 c4 b2 a4 + e'4. e8 e4 e4. e8 e4 + r4 e4 e4 c4. d8 e4 e4 f2 e2 r4 + R2.*3 + r4 a,4 b4 c4 c4 d4 e2. b4 b4 cis4 dis2 dis4 e4 e4. dis8 e2. + e4 b4 b4 b4 cis4 d4 cis4 cis4 r4 + R2.*3 + d4 d4 d4 b2 r4 r4 e4 e4 c2 c4 + a4 a4 a4 d4 d4 d4 b2 b4 + r4 e4 e4 c4. d8 e4 d2 r4 + e4. e8 e4 e4. e8 e4 + r4 e4 e4 d2 d4 + c4. d8 e4 c4 b2 a2 r4 + R2.*10 + b4 c4 d4 b4 c4 d4 b4 c4 d4 e2 e4 + e2 e4 e2 e4 + e2 d4 e4. f8 g4 e4 d2 c4 + e4 e4 d2 d4 g,4 a4 b4 c4 d4 e4 d4. c8 b4 e4 d2 d2. + \bar "|." + } + >> + } + sopranIIMelodie = \relative c'' { + << + { \meta } + %\sopranArt + %the actual tune + { + b4. b8 b4 b4. b8 b4 + r4 b4 b4 a2 a4 g4. a8 b4 g4 g4 fis4 g2 r4 + R2. + r4 d4 e4 fis4 fis4 g4 a2. e2 fis4 gis2 a4 + c4. c8 c4 c4. c8 c4 + r4 c4 c4 a4. b8 c4 c4 c4 b4 c2 r4 + R2.*5 + r4 e,4 fis4 g4 g4 a4 b2 b4 b4 b2 b2. + gis4 gis4 gis4 gis4 a4 b4 a4 a4 r4 + R2.*3 + b4 b4 b4 g2 r4 r4 g4 g4 a2 a4 + fis4 fis4 fis4 b4 b4 b4 g2 g4 + r4 c4 c4 a4. b8 c4 b2 r4 + c4. c8 c4 c4. c8 c4 + r4 c4 c4 b2 b4 a4. b8 c4 a4 a4 gis4 a2 r4 + R2.*10 + g4 a4 b4 g4 a4 b4 g4 a4 b4 c2 c4 + c2 c4 c2 c4 c2 b4 c4. d8 e4 c4 c4 b4 c4 + c4 c4 b2 b4 e,4 fis4 g4 a4 b4 c4 + b4. a8 g4 c4 a2 b2. + } + >> + } + + altMelodie = \relative c'' { + << + { \meta } + %\altArt + %the actual tune + { + g4. g8 g4 g4. g8 g4 + r4 g4 g4 e2 e4 g2. g4 d2 d2 r4 + R2.*6 + g4. g8 g4 g4. g8 g4 r4 g4 g4 a4. a8 g4 g4 f2 g4 + c,4 d4 e4 e4 f4 g2. d4 d4 e4 f2. e2. + r4 e4 e4 e4 e4 e4 fis2 fis4 g4 fis2 e2. + R2.*2 + a4 e4 e4 e4 fis4 g4 fis2 g4 g4 g4. fis8 g2 r4 + d4 d4 d4 e2. r4 e4 e4 d2 d4 + fis4 fis4 fis4 g2. r4 e4 e4 f4. f8 g4 g2 r4 + g4. g8 g4 g4. g8 g4 + r4 g4 g4 g2 g4 e2. e4 e2 e2 r4 + R2.*4 + e4 f4 g4 e4 f4 g4 e4 f4 g4 g2 g4 + e4. f8 g4 g4 g4. fis8 g2 r4 + % R2.*2 + g2 g4 g2 g4 + e4 f4 g4 e4 f4 g4 e4 f4 g4 g2 g4 + g2. g4 g2 g4 g4 g4 g2 g4 + g2 g4 c,2 c4 g'2. g4 g4. fis8 g2. + } + >> + } + + tenorIMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + d4. d8 d4 d4. d8 d4 + r4 d4 b4 c2 c4 d2. e4 a,2 b2 r4 + r4 g4 a4 b4 b4 c4 d2. a4 a4 b4 c4 c4 d4 e2 a,4 + e'4. c8 c4 c4. c8 c4 + r4 c4 c4 c4. c8 c4 c4 d2 e2 r4 + R2.*5 + r4 c4 c4 b4 b4 b4 b2 b4 b4 b2 b2. + e4 e4 e4 e2 e4 + cis4 cis4 cis4 cis4 d4 e4 a,2 d4 e4 d2 b2 r4 + b4 b4 b4 g2. + r4 c4 c4 d2 d4 d4 d4 d4 e2. + r4 c4 c4 c4. c8 c4 d2 r4 + c4. c8 c4 c4. c8 c4 r4 c4 c4 d2 d4 a2. a4 b2 cis2 r4 + R2. + b4 c4 d4 b4 c4 d4 b4 c4 d4 e2 e4 e2 e4 e2 e4 + e2 d4 c4. d8 e4 d4 d2 d2 r4 + R2.*2 + e2 e4 e2 e4 e2 e4 e2 b4 + e4. d8 c4 c4 d2 e4 c4 c4 d2 d4 + c2 d4 e2 c4 d2. e4 a,4 d4 d2. + } + >> + } + tenorIIMelodie = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + b4. b8 b4 b4. b8 b4 r4 g4 g4 c2 c4 g2. g4 d'4 d,4 g2 r4 + R2.*6 + g4. g8 g4 g4. g8 g4 r4 g4 g4 f4. f8 g4 g4 d'2 g,2 r4 + R2. + r4 g4 a4 b4 b4 c4 d2. a2. + r4 g4 g4 g4 g4 g4 fis2 fis4 e4 fis2 gis2. + R2.*2 + e4 a4 a4 a4 d4 cis4 d2 g,4 c4 a2 g2 r4 + g4 g4 g4 e2. r4 a4 a4 d2 a4 b4 b4 b4 e,2. + r4 g4 g4 a4. a8 g4 g2 r4 + g4. g8 g4 g4. g8 g4 + r4 g4 g4 g2 g4 c4. b8 a4 e4 e2 a2 r4 + R2. + g4 a4 b4 g4 a4 b4 g4 a4 b4 c2 c4 c2 c4 c2 c4 + c2 b4 c4. c8 c4 b4 a2 g2 r4 + R2.*2 + c2 c4 c2 c4 c2 c4 c2 g4 + c2. g4 g2 c4 g4 g4 g2 g4 g2 g4 c2 a4 + d2. g,4 d'4 a4 g2. + } + >> + } + + bassMelodie = \relative c' { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + g4. g8 g4 g4. g8 g4 + r4 g4 g4 a2 a,4 b2. c4 d2 g,2 r4 + R2.*6 + c4. c8 c4 c4. c8 c4 r4 c4 c4 f4. f8 e4 e4 d2 c2 r4 + r4 c4 d4 e4 e4 f4 g2. d2. + r4 a4 b4 c4 c4 d4 e2. b2. e4 b2 e2. + R2.*2 + a,4 a4 a4 a4 a4 a4 d2 b4 c4 d2 g2 r4 + R2.*3 + d4 d4 d4 b2. r4 e4 e4 c2 c4 f4. f8 e4 g2 r4 + c,4. c8 c4 c4. c8 c4 r4 c4 c4 g'2 g,4 a2. a4 e'2 a,2 r4 + d4 e4 fis4 g2 g4 g2 g4 g2 g4 + c,4 d4 e4 c4 d4 e4 c4 d4 e4 e4 f4 g4 c,2. g'4 d2 g2 r4 + R2.*2 + c,4 d4 e4 c4 d4 e4 c4 d4 e4 e4 f4 g4 c,2. c4 g'2 c,4 + c4 c4 g'2 g,4 c2 b4 a2 a4 b2. c4 d2 g2. + } + >> + } + diff --git a/hr/stch/fertig/tore/texte.ly b/hr/stch/fertig/tore/texte.ly new file mode 100644 index 0000000..20af431 --- /dev/null +++ b/hr/stch/fertig/tore/texte.ly @@ -0,0 +1,144 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + + machetA = \lyricmode { + Ma -- chet die To -- re weit + und die Tü -- ren in _ _ der Welt hoch, + } + + machetB = \lyricmode { + Ma -- chet die To -- re weit + und die Tü -- ren in der Welt hoch, + } + + herrA = \lyricmode { + Es ist der Herr, + stark und mäch -- tig, + es ist der Herr, + stark und mäch -- tig, stark und mäch -- tig im Streit. + } + + herrB = \lyricmode { + Es ist der Herr, + stark und mäch -- tig, + es ist der Herr, + stark und mäch -- tig im Streit. + } + + ehrenA = \lyricmode { + daß der Kö -- nig der Eh -- ren, + daß der Kö -- nig der Eh -- ren ein -- zie -- he. + } + + ehrenB = \lyricmode { + daß der Kö -- nig der Eh -- ren, + daß der Kö -- nig der Eh -- ren ein -- zie -- he. + } + + hosiannaA = \lyricmode { + Ho -- _ si -- an -- _ na + ho -- _ si -- an -- na + ho -- si -- an -- na + dem _ Soh -- _ _ ne Da -- vids, + ho -- si -- an -- na, ho -- _ si -- an -- _ na + in _ _ der Hö -- he. + } + + hosiannaB = \lyricmode { + Ho -- _ si -- an -- _ na + ho -- _ si -- an -- na + in _ _ der Hö -- _ he. + Ho -- si -- an -- na, ho -- _ si -- an -- _ na + ho -- _ si -- an -- na in der Hö -- he, + ho -- si -- an -- na, ho -- si -- an -- na + in der Hö -- _ he. + } + + hosiannaC = \lyricmode { + Ho -- _ si -- an -- _ na + ho -- _ si -- an -- na + ho -- si -- an -- na, + ho -- si -- an -- na in der Hö -- he. + Ho -- si -- an -- na, + ho -- si -- an -- na in _ _ der Hö -- he. + Ho -- si -- an -- na, ho -- si -- an -- na + in der Hö -- _ he, + } + + hosiannaD = \lyricmode { + Ho -- _ si -- an -- na + ho -- si -- an -- na + ho -- _ si -- an -- _ na + ho -- _ si -- an -- _ na + in der Hö -- he. + Ho -- _ si -- an -- _ na + ho -- _ si -- an -- _ na + in der Hö -- he. + Ho -- si -- an -- na, + ho -- si -- an -- na in der Hö -- he. + } + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + \machetA + \ehrenA + \machetB + daß der Kö -- nig der Eh -- ren, + daß der Kö -- nig ein -- zie -- _ he. + Wer ist der -- sel -- bi -- ge Kö -- nig? + \herrA + \machetA + \hosiannaA + } + + altText = \lyricmode { + %<+hier den Text für den Alt eintragen+> + \machetB + \machetB + daß der Kö -- nig der Eh -- ren, + daß der Kö -- nig, + daß der Kö -- nig der Eh -- ren ein -- zie -- he. + Wer ist der -- sel -- bi -- ge Kö -- nig der Eh -- _ ren? + \herrB + \machetB + \hosiannaB + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + \machetB + daß der Kö -- nig der Eh -- ren, + daß der Kö -- ing ein -- zie -- he. + %\machetB + Ma -- chet die To -- re weit + und die Tü -- ren in der Welt + \set associatedVoice = "tenoereB" + hoch, + %\ehrenB + daß der Kö -- nig der Eh -- ren, + daß der Kö -- nig der Eh -- ren ein -- zie -- + \set associatedVoice = "tenoereA" + he. + Wer ist der -- sel -- be, + wer ist der -- sel -- bi -- ge Kö -- nig der Eh -- ren? + \herrB + \machetB + \hosiannaC + } + + bassText = \lyricmode { + %<+hier den Text für den Baß eintragen+> + \machetB + \machetB + \ehrenB + Wer ist der -- sel -- bi -- ge Kö -- nig der Eh -- ren? + Es ist der Herr, + stark und mäch -- tig, + mäch -- tig im Streit. + \machetB + \hosiannaD + } + diff --git a/hr/stch/fertig/tore/tore.ly b/hr/stch/fertig/tore/tore.ly new file mode 100644 index 0000000..50cf8fc --- /dev/null +++ b/hr/stch/fertig/tore/tore.ly @@ -0,0 +1,76 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Machet die Tore weit" + composer = "Andreas Hammerschmidt (1612 - 1675)" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 15) + + sop = \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "sopraneA" { \global \voiceOne \sopranIMelodie } + \new Voice = "sopraneB" { \global \voiceTwo \sopranIIMelodie } + %\addlyrics { \sopranText } + >> + + alt = \new Staff = alt << + \new Voice = "alti" { \global \altMelodie } + %\addlyrics { \altText } + >> + + ten = \new Staff = tenor << + \new Voice = "tenoereA" { \global \voiceOne \tenorIMelodie } + \new Voice = "tenoereB" { \global \voiceTwo \tenorIIMelodie } + %\addlyrics { \tenorText } + >> + + bas = \new Staff = bass << + \new Voice = "baesse" { \global \bassMelodie } + %\addlyrics { \bassText } + >> + + \score { + \new ChoirStaff \with {} << + \sop + \new Lyrics \lyricsto "sopraneA" \sopranText + \new Lyrics = "alt" + \alt + \ten + \new Lyrics \lyricsto "tenoereA" \tenorText + \new Lyrics = "bass" + \bas + \context Lyrics = "alt" { \lyricsto "alti" \altText } + \context Lyrics = "bass" { \lyricsto "baesse" \bassText } + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/stch/fertig/traenen/LTBreitkopfFraktur.zip b/hr/stch/fertig/traenen/LTBreitkopfFraktur.zip Binary files differnew file mode 100644 index 0000000..6609767 --- /dev/null +++ b/hr/stch/fertig/traenen/LTBreitkopfFraktur.zip diff --git a/hr/stch/fertig/traenen/LTBreitkopfFraktur/LTBreitkopfFrakturHalbfettU1S.otf b/hr/stch/fertig/traenen/LTBreitkopfFraktur/LTBreitkopfFrakturHalbfettU1S.otf Binary files differnew file mode 100644 index 0000000..c78c9cc --- /dev/null +++ b/hr/stch/fertig/traenen/LTBreitkopfFraktur/LTBreitkopfFrakturHalbfettU1S.otf diff --git a/hr/stch/fertig/traenen/LTBreitkopfFraktur/LTBreitkopfFrakturU1S.otf b/hr/stch/fertig/traenen/LTBreitkopfFraktur/LTBreitkopfFrakturU1S.otf Binary files differnew file mode 100644 index 0000000..e41fcee --- /dev/null +++ b/hr/stch/fertig/traenen/LTBreitkopfFraktur/LTBreitkopfFrakturU1S.otf diff --git a/hr/stch/fertig/traenen/LTBreitkopfFrakturU1S.otf b/hr/stch/fertig/traenen/LTBreitkopfFrakturU1S.otf Binary files differnew file mode 100644 index 0000000..e41fcee --- /dev/null +++ b/hr/stch/fertig/traenen/LTBreitkopfFrakturU1S.otf diff --git a/hr/stch/fertig/traenen/_diff b/hr/stch/fertig/traenen/_diff new file mode 100644 index 0000000..7851436 --- /dev/null +++ b/hr/stch/fertig/traenen/_diff @@ -0,0 +1,62 @@ +4a5,14 +> % Die Textaufteilungen +> +> sopranText = \lyrics { +> %<+hier den Text für den Sopran eintragen+> +> } +> +> altText = \lyrics { +> %<+hier den Text für den Alt eintragen+> +> } +> +24,73d33 +< +< % Die Textaufteilungen +< +< sopranText = \lyrics { +< %<+hier den Text für den Sopran eintragen+> +< Die \wer +< wer -- den mit_x Freu -- den ern -- ten, +< %die \wer +< die +< mi[t]~ Trä -- nen, +< mi[t]~ Trä -- nen sä -- en, +< die \wer +< wer -- den mit_x Freu -- den, +< mit_x Freu -- den ern -- ten, +< wer -- den mit_x Freu -- den, +< mit_x Freu -- den ern -- ten. +< Sie ge -- hen hin, +< sie ge -- hen hin, +< sie ge -- hen hin und_x wei -- nen, +< sie ge -- hen hin, +< sie ge -- hen hin und_x wei -- nen +< \edlen Sa -- men, +< \edlen Sa -- men +< und_x \bk -- men mit \bfr -- den +< \ihre \br -- ben, +< und_x \bk -- men mit \bfr -- den +< \ihre Gar -- ben, +< und tra -- gen ed -- len Sa -- men +< und_x \bk -- men mit \bfr -- den +< \ihre \br -- ben, +< \edlen Sa -- men, +< \edlen Sa -- men, +< \edlen Sa -- men +< und_x \bk -- men mit \bfr -- den +< \ihre \br -- ben, +< und_x \bk -- men mit \bfr -- den +< \ihre \br -- ben,_~ +< ih -- re Gar -- ben, +< und_x \bk -- men mit \bfr -- den +< \ihre \br -- ben, +< und_x \bk -- men mit \bfr -- den +< \ihre Gar -- ben,_~ +< und brin -- gen ih -- re, ih -- re Gar -- ben, +< ih -- re \br -- ben. +< } +< +< altText = \lyrics { +< %<+hier den Text für den Alt eintragen+> +< } +< diff --git a/hr/stch/fertig/traenen/a5/LTBreitkopfFrakturU1S.otf b/hr/stch/fertig/traenen/a5/LTBreitkopfFrakturU1S.otf Binary files differnew file mode 100644 index 0000000..e41fcee --- /dev/null +++ b/hr/stch/fertig/traenen/a5/LTBreitkopfFrakturU1S.otf diff --git a/hr/stch/fertig/traenen/a5/breitkopf_fraktur_regular.ttf b/hr/stch/fertig/traenen/a5/breitkopf_fraktur_regular.ttf Binary files differnew file mode 100644 index 0000000..118403f --- /dev/null +++ b/hr/stch/fertig/traenen/a5/breitkopf_fraktur_regular.ttf diff --git a/hr/stch/fertig/traenen/a5/dynArt.ly b/hr/stch/fertig/traenen/a5/dynArt.ly new file mode 100644 index 0000000..fd29a3c --- /dev/null +++ b/hr/stch/fertig/traenen/a5/dynArt.ly @@ -0,0 +1,551 @@ +%some settings% vim: ai sw=2 lbr nu et + + wantbreak = { + \break + } + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + \tempo 2 = 66-72 + \time 4/2 + s\breve + s\breve + s\breve + s\breve + s\breve + \tempo \markup { + \concat { + \smaller \general-align #Y #DOWN \note #"2" #1 + " = " + \smaller \general-align #Y #DOWN \note #"4" #1 + } + } + %\break + \time 6/2 + s1. + \bar "" + \wantbreak + s1. + s\breve. + \tempo \markup { + \concat { + \smaller \general-align #Y #DOWN \note #"4" #1 + " = " + \smaller \general-align #Y #DOWN \note #"2" #1 + } + } + %\break + \time 4/2 + s2 + \bar "" + \wantbreak + s1. + s\breve + s\breve + s2 + \bar "" + \wantbreak + s1. + s1 + \bar "" + %\break + s1 + s\breve + s\breve + s\breve + \tempo \markup { + \concat { + \smaller \general-align #Y #DOWN \note #"2" #1 + " = " + \smaller \general-align #Y #DOWN \note #"4" #1 + } + } + %\break + \wantbreak + \time 6/2 + s\breve. + s1. + \bar "" + %\break + s1. + s\breve. + s\breve. + s\breve. + s\breve. + \tempo \markup { + \concat { + \smaller \general-align #Y #DOWN \note #"4" #1 + " = " + \smaller \general-align #Y #DOWN \note #"2" #1 + } + } + \time 4/2 + s1 + \bar "" + s1 + s\breve + %\break + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + %\break + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + % + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + } + +% articulation + + brt = { + \override BreathingSign #'text = \markup { \musicglyph #"scripts.rcomma" } + \breathe + } + trb = { + \override BreathingSign #'text = \markup { \musicglyph #"scripts.rvarcomma" } + \breathe + } + sopranIArt = { + s\breve\p + s\breve + s1 \brt s1 + s\breve + s\breve + \time 6/2 + s1. \trb s1.\f + s1 \brt s\breve + \time 4/2 + s\breve + s\breve + s\breve + s\breve + s1 s1\p + s\breve + s\breve + s\breve \trb + \time 6/2 + s\breve\f s2 \brt s2 + s\breve. + s\breve. + s1 s1. \breathe s2 + s1 s1. \trb s2 + s1 \brt s\breve + \time 4/2 + s\breve + s\breve + s2 s2\p s1 + s2 \breathe s1. + s\breve + s\breve + s\breve + s\breve + s\breve + s2 \breathe s1. + s1. s2\mf + s\breve + s\breve + s\breve + s4 s4\f s2.. \breathe s8 s2 + s2 \trb s1. + s1 s8 s8\mf s4 s2 + s2. \breathe s4\f s1 + s\breve + s2 s2\mf s1 + s\breve + s\breve + s2 \breathe s1. + s\breve + s2. s4\f s2.. \brt s8 + s\breve + s\breve + s\breve + s4 \trb s1.. + s4 \breathe s1.. + s\breve + s\breve + s\breve + } + + sopranIIArt = { + s1 s1\p + s\breve + s2 \brt s1. + s\breve + s\breve + \time 6/2 + s1. \trb s1.\f + s1 \brt s\breve + \time 4/2 + s\breve + s\breve + s\breve + s1 s1\p + s\breve + s\breve + s\breve + s\breve \breathe + \time 6/2 + s\breve\f s2 \brt s2 + s\breve. + s\breve. + s1 s1. \breathe s2 + s1 s1. \trb s2 + s1 \brt s\breve + \time 4/2 + s\breve + s\breve + s2 s1\p s4 \breathe s4 + s1. \brt s2 + s\breve + s\breve + s2 \breathe s1. + s\breve + s\breve + s\breve + s\breve \trb + s\breve\mf + s\breve + s\breve + s2. s4\f s2.. \brt s8 + s1 s4 \trb s2. + s1 s8 s2..\mf + s1. s2\f + s\breve + s1 \breathe s1\mf + s\breve + s1. \breathe s2 + s\breve + s\breve + s\breve + s2. s1\f s8 \brt s8 + s\breve + s8 \trb s2.. \breathe s1 + s\breve + s\breve + s\breve + s\breve + s\breve + } + + altArt = { + s\breve + s\breve + s\breve + s\breve + s\breve + \time 6/2 + s\breve. + s\breve. + \time 4/2 + s1 s1\p + s\breve + s2 \trb s1. + s2. \brt s4 s1 + s\breve + s\breve + s\breve + s\breve \trb + \time 6/2 + s\breve.\f + s\breve. + s\breve. + s\breve. + s\breve. + s1 \brt s\breve + \time 4/2 + s1. s2\p + s\breve \trb + s\breve + s2 \breathe s1. + s1. \brt s2 + s\breve + s\breve + s2 \breathe s1. + s\breve + s\breve + s\breve + s1. s2\mf + s1.. \trb s4\f + s2.. \brt s8 s1 + s\breve + s\breve + s2 s8 s4.\mf s1 + s2. \trb s4\f s2.. \brt s8 + s\breve + s\breve + s2 s1.\mf + s\breve \breathe + s\breve + s4 s1\f s8 \brt s8 s2 + s\breve + s1. s8 \trb s4. + s\breve + s\breve + s2.. \brt s8 s1 + s\breve + s\breve + s2 \trb s1. + s\breve + } + + %{ + tenorArt = { + \trb + s1 + s1 + s1\< + s2 s2\! + s1-> + s2 \breathe s2\< + s2\> s2\< + s2\> s2\! + s1\< + s1\> + s1\! \breathe + s1. + s1. + s1-> s2\> + s1 \breathe + s1\! + s2-> s2 \breathe + s2 s2\< + s2\> s2\! + s2-> s2 + s2 s2\< + s4 s4\> \brt s4\! \trb s4 + s2 \breathe s2\< + s2\> s2\! + s1-> + s1\> + s2\! s2 + s1 + s1->\> + s1 + s1.\! + s1. + s1. + s1. + s1. + s2-> s2 s2\> + s1 s2\! + s1. + s1. + s1. + s1. + s2-> s2 s2\> + s1 + s2\! s2 + s1 + s1-> + s1 + s1 + s1 + s1 + s1 + s2-> s2 + s1 + s2 s4 s4\< + s4\> s4\! s2 + s1 + s1 + s1 + s2-> s2 + s1 + s2 s2\< + s2\> s2\! + s1-> + s1 + s1 + s2-> s2 \breathe + s1 + s2-> s2 + s1 + s1 + s1 + s2-> s4 \breathe s4 + s1 + s2 s4-> s4 + s1 + s2 s2\< + s2\> s2\! + s1 + s4-> s4 s2 + s2 s2-> + s2 \breathe s2 + s4 s4\< s4\> s4\! + s2-> s2 \breathe + s2 s2\< + s2\> s2\! + s1 + s2 s2\< + s4->\> s4 s2\! + s1 + s1 + s2 s2-> + s4 \breathe s4 s2 + s2-> s2 + s1 + s1 + s1 + s4-> s4 s4 s4-> + s2\> s4\! s4 + s1 + s2 s2-> + s4 \breathe s4 s2 + s1 + s2-> s2 + s1 + s4-> s4 s2 + s4-> s4 s2\> + s1\! + } + %} + + tenorArt = { + s1 s1 + s1\p s2 s2 + s1 s2 \trb s2 + s2 s2 s2 s2 \brt + s1 s1 + % + s1. \trb s1. + s1. \brt s1 s2 + % + s1 \trb s1\p + s2 s2 \breathe s2 s2 + s2 s2 \brt s2 s2 + s2 s2 s4 s4 \brt s4 s4 + s2 \trb s2 s2 s2 + s1 s1 + s2 s2 s1 + s1 s1 + % + s1. s1. + s1. s1.\f + s1 \brt s2 s2 s2 s2 + s1 s2 s1. + s1. s1. + s1 \breathe s2 s2 s2 s2 + % + s1 s2 s2\p + s1 s1 + s1 s1 + s1 s1 + s1 s2 s2 + s1 s2 \breathe s4 s4 + s4 s4 s2 s1 + s1 s1 + s2 s2 s1 + s2 s2 s2 \breathe s2 + s1 s1 + s1\mf s2 s2 \trb + s1 s2 s2 + s1 s4 s4\f s2 + s4. \brt s2.. s2 \trb s4 + s2.. \brt s8 s1 + s2 s8 s4.\mf s2 s2 + s1 s4 s2.\f + s4 s4 s2 s2 s2 + s2 \trb s2\mf s4 s4 s4 s4 + s2 s2 \breathe s2 s2 + s2 s2 s1 + s2 s2 s4 s4 s2 + s2. s4\f s2.. \brt s8 + s2 s2 s4 \trb s4 s2 + s2 s2 s1 + s1 s1 + s4 s4 \breathe s4 s4 s2 s4 s4 + s2.. \brt s8 s2 s2 + s4 \trb s4 s2 s1 + s2 s8 \breathe s2.. \brt s2 + s4 s4 s2 s4 s4 s2 + s1 + } + + bassArt = { + s\breve + s\breve + s\breve + s\breve + s\breve + \time 6/2 + s\breve. + s\breve. + \time 4/2 + s2 s1.\p + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + \time 6/2 + s\breve. + s1. s1.\f + s1 \brt s\breve + s\breve. + s\breve. + s1 \breathe s\breve + \time 4/2 + s1 \trb s1\p + s\breve + s\breve + s\breve + s1 \brt s1 + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s4 s1\f s8 \breathe s8 s2 + s\breve + s1 s4. \breathe s8 s2 + s\breve + s4 s1\f s8 \breathe s8 s2 + s4. \trb s1 \brt s8 s2 + s\breve + s1 s1\mf + s1. \trb s2 + s\breve + s2. s1\f s8 \brt s8 + s\breve + s\breve + s\breve + s1 \trb s1 + s\breve + s\breve + s2 s8 \breathe s2.. \breathe s2 + s\breve + s\breve + } + diff --git a/hr/stch/fertig/traenen/a5/dynArt_.ly b/hr/stch/fertig/traenen/a5/dynArt_.ly new file mode 100644 index 0000000..461dcac --- /dev/null +++ b/hr/stch/fertig/traenen/a5/dynArt_.ly @@ -0,0 +1,539 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + \tempo 2 = 66-72 + \time 4/2 + s\breve + s\breve + s\breve + s\breve + s\breve + \tempo \markup { + \concat { + \smaller \general-align #Y #DOWN \note #"2" #1 + " = " + \smaller \general-align #Y #DOWN \note #"4" #1 + } + } + %\break + \time 6/2 + s\breve. + s\breve. + \tempo \markup { + \concat { + \smaller \general-align #Y #DOWN \note #"4" #1 + " = " + \smaller \general-align #Y #DOWN \note #"2" #1 + } + } + %\break + \time 4/2 + s1 + \bar "" + s1 + s\breve + s\breve + s\breve + s1 + \bar "" + %\break + s1 + s\breve + s\breve + s\breve + \tempo \markup { + \concat { + \smaller \general-align #Y #DOWN \note #"2" #1 + " = " + \smaller \general-align #Y #DOWN \note #"4" #1 + } + } + %\break + \time 6/2 + s\breve. + s1. + \bar "" + %\break + s1. + s\breve. + s\breve. + s\breve. + s\breve. + \tempo \markup { + \concat { + \smaller \general-align #Y #DOWN \note #"4" #1 + " = " + \smaller \general-align #Y #DOWN \note #"2" #1 + } + } + \time 4/2 + s1 + \bar "" + s1 + s\breve + %\break + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + %\break + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + % + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + } + +% articulation + + brt = { + \override BreathingSign #'text = \markup { \musicglyph #"scripts.rcomma" } + \breathe + } + trb = { + \override BreathingSign #'text = \markup { \musicglyph #"scripts.rvarcomma" } + \breathe + } + sopranIArt = { + s\breve\p + s\breve + s1 \brt s1 + s\breve + s\breve + \time 6/2 + s1. \trb s1.\f + s1 \brt s\breve + \time 4/2 + s\breve + s\breve + s\breve + s\breve + s1 s1\p + s\breve + s\breve + s\breve \trb + \time 6/2 + s\breve\f s2 \brt s2 + s\breve. + s\breve. + s1 s1. \breathe s2 + s1 s1. \trb s2 + s1 \brt s\breve + \time 4/2 + s\breve + s\breve + s2 s2\p s1 + s2 \breathe s1. + s\breve + s\breve + s\breve + s\breve + s\breve + s2 \breathe s1. + s1. s2\mf + s\breve + s\breve + s\breve + s4 s4\f s2.. \breathe s8 s2 + s2 \trb s1. + s1 s8 s8\mf s4 s2 + s2. \breathe s4\f s1 + s\breve + s2 s2\mf s1 + s\breve + s\breve + s2 \breathe s1. + s\breve + s2. s4\f s2.. \brt s8 + s\breve + s\breve + s\breve + s4 \trb s1.. + s4 \breathe s1.. + s\breve + s\breve + s\breve + } + + sopranIIArt = { + s1 s1\p + s\breve + s2 \brt s1. + s\breve + s\breve + \time 6/2 + s1. \trb s1.\f + s1 \brt s\breve + \time 4/2 + s\breve + s\breve + s\breve + s1 s1\p + s\breve + s\breve + s\breve + s\breve \breathe + \time 6/2 + s\breve\f s2 \brt s2 + s\breve. + s\breve. + s1 s1. \breathe s2 + s1 s1. \trb s2 + s1 \brt s\breve + \time 4/2 + s\breve + s\breve + s2 s1\p s4 \breathe s4 + s1. \brt s2 + s\breve + s\breve + s2 \breathe s1. + s\breve + s\breve + s\breve + s\breve \trb + s\breve\mf + s\breve + s\breve + s2. s4\f s2.. \brt s8 + s1 s4 \trb s2. + s1 s8 s2..\mf + s1. s2\f + s\breve + s1 \breathe s1\mf + s\breve + s1. \breathe s2 + s\breve + s\breve + s\breve + s2. s1\f s8 \brt s8 + s\breve + s8 \trb s2.. \breathe s1 + s\breve + s\breve + s\breve + s\breve + s\breve + } + + altArt = { + s\breve + s\breve + s\breve + s\breve + s\breve + \time 6/2 + s\breve. + s\breve. + \time 4/2 + s1 s1\p + s\breve + s2 \trb s1. + s2. \brt s4 s1 + s\breve + s\breve + s\breve + s\breve \trb + \time 6/2 + s\breve.\f + s\breve. + s\breve. + s\breve. + s\breve. + s1 \brt s\breve + \time 4/2 + s1. s2\p + s\breve \trb + s\breve + s2 \breathe s1. + s1. \brt s2 + s\breve + s\breve + s2 \breathe s1. + s\breve + s\breve + s\breve + s1. s2\mf + s1.. \trb s4\f + s2.. \brt s8 s1 + s\breve + s\breve + s2 s8 s4.\mf s1 + s2. \trb s4\f s2.. \brt s8 + s\breve + s\breve + s2 s1.\mf + s\breve \breathe + s\breve + s4 s1\f s8 \brt s8 s2 + s\breve + s1. s8 \trb s4. + s\breve + s\breve + s2.. \brt s8 s1 + s\breve + s\breve + s2 \trb s1. + s\breve + } + + %{ + tenorArt = { + \trb + s1 + s1 + s1\< + s2 s2\! + s1-> + s2 \breathe s2\< + s2\> s2\< + s2\> s2\! + s1\< + s1\> + s1\! \breathe + s1. + s1. + s1-> s2\> + s1 \breathe + s1\! + s2-> s2 \breathe + s2 s2\< + s2\> s2\! + s2-> s2 + s2 s2\< + s4 s4\> \brt s4\! \trb s4 + s2 \breathe s2\< + s2\> s2\! + s1-> + s1\> + s2\! s2 + s1 + s1->\> + s1 + s1.\! + s1. + s1. + s1. + s1. + s2-> s2 s2\> + s1 s2\! + s1. + s1. + s1. + s1. + s2-> s2 s2\> + s1 + s2\! s2 + s1 + s1-> + s1 + s1 + s1 + s1 + s1 + s2-> s2 + s1 + s2 s4 s4\< + s4\> s4\! s2 + s1 + s1 + s1 + s2-> s2 + s1 + s2 s2\< + s2\> s2\! + s1-> + s1 + s1 + s2-> s2 \breathe + s1 + s2-> s2 + s1 + s1 + s1 + s2-> s4 \breathe s4 + s1 + s2 s4-> s4 + s1 + s2 s2\< + s2\> s2\! + s1 + s4-> s4 s2 + s2 s2-> + s2 \breathe s2 + s4 s4\< s4\> s4\! + s2-> s2 \breathe + s2 s2\< + s2\> s2\! + s1 + s2 s2\< + s4->\> s4 s2\! + s1 + s1 + s2 s2-> + s4 \breathe s4 s2 + s2-> s2 + s1 + s1 + s1 + s4-> s4 s4 s4-> + s2\> s4\! s4 + s1 + s2 s2-> + s4 \breathe s4 s2 + s1 + s2-> s2 + s1 + s4-> s4 s2 + s4-> s4 s2\> + s1\! + } + %} + + tenorArt = { + s1 s1 + s1\p s2 s2 + s1 s2 \trb s2 + s2 s2 s2 s2 \brt + s1 s1 + % + s1. \trb s1. + s1. \brt s1 s2 + % + s1 \trb s1\p + s2 s2 \breathe s2 s2 + s2 s2 \brt s2 s2 + s2 s2 s4 s4 \brt s4 s4 + s2 \trb s2 s2 s2 + s1 s1 + s2 s2 s1 + s1 s1 + % + s1. s1. + s1. s1.\f + s1 \brt s2 s2 s2 s2 + s1 s2 s1. + s1. s1. + s1 \breathe s2 s2 s2 s2 + % + s1 s2 s2\p + s1 s1 + s1 s1 + s1 s1 + s1 s2 s2 + s1 s2 \breathe s4 s4 + s4 s4 s2 s1 + s1 s1 + s2 s2 s1 + s2 s2 s2 \breathe s2 + s1 s1 + s1\mf s2 s2 \trb + s1 s2 s2 + s1 s4 s4\f s2 + s4. \brt s2.. s2 \trb s4 + s2.. \brt s8 s1 + s2 s8 s4.\mf s2 s2 + s1 s4 s2.\f + s4 s4 s2 s2 s2 + s2 \trb s2\mf s4 s4 s4 s4 + s2 s2 \breathe s2 s2 + s2 s2 s1 + s2 s2 s4 s4 s2 + s2. s4\f s2.. \brt s8 + s2 s2 s4 \trb s4 s2 + s2 s2 s1 + s1 s1 + s4 s4 \breathe s4 s4 s2 s4 s4 + s2.. \brt s8 s2 s2 + s4 \trb s4 s2 s1 + s2 s8 \breathe s2.. \brt s2 + s4 s4 s2 s4 s4 s2 + s1 + } + + bassArt = { + s\breve + s\breve + s\breve + s\breve + s\breve + \time 6/2 + s\breve. + s\breve. + \time 4/2 + s2 s1.\p + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + \time 6/2 + s\breve. + s1. s1.\f + s1 \brt s\breve + s\breve. + s\breve. + s1 \breathe s\breve + \time 4/2 + s1 \trb s1\p + s\breve + s\breve + s\breve + s1 \brt s1 + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s4 s1\f s8 \breathe s8 s2 + s\breve + s1 s4. \breathe s8 s2 + s\breve + s4 s1\f s8 \breathe s8 s2 + s4. \trb s1 \brt s8 s2 + s\breve + s1 s1\mf + s1. \trb s2 + s\breve + s2. s1\f s8 \brt s8 + s\breve + s\breve + s\breve + s1 \trb s1 + s\breve + s\breve + s2 s8 \breathe s2.. \breathe s2 + s\breve + s\breve + } + diff --git a/hr/stch/fertig/traenen/a5/traenen.ly b/hr/stch/fertig/traenen/a5/traenen.ly new file mode 100644 index 0000000..7feaccb --- /dev/null +++ b/hr/stch/fertig/traenen/a5/traenen.ly @@ -0,0 +1,102 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.18" + %\include "gregorian.ly" +\include "dynArt_.ly" +\include "../stimmen.ly" +\include "../texte.ly" + +\pointAndClickOff + + \header { + title = "Die mit Tränen säen" + composer = "Heinrich Schütz" + %opus = "<+Werk+>" + tagline = \markup { + %\bold "studentenchor" + } + } + + %#(set-default-paper-size "a4" 'landscape) + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-2 . 2.5) + } + } + + #(set-global-staff-size 12) + + + sopI = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "sopraneI" { \global \sopranIMelodie } + \addlyrics { \sopranIText } + >> + + sopII = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "sopraneII" { \global \sopranIIMelodie } + \addlyrics { \sopranIIText } + >> + + alt = << + \new Voice = "alti" { \global \altMelodie } + \addlyrics { \altText } + >> + + ten = << + \new Voice = "tenoere" { \global \tenorMelodie } + \addlyrics { \tenorText } + >> + + bas = << + \new Voice = "baesse" { \global \bassMelodie } + \addlyrics { \bassText } + >> + + \paper { + #(set-paper-size "a5" 'landscape) + %#(set-paper-size "a5") + line-width = \paper-width - 18 + top-margin = 10 + bottom-margin = 10 + #(define fonts + (make-pango-font-tree "Breitkopf Fraktur" + "DejaVu Sans" + "Droid Sans Mono" + (/ 12 20))) + ragged-last-bottom = #'f + page-count = 6 + print-page-number = #'f + } + + \score { + \new StaffGroup \with { printPartCombineTexts = ##f } << + \new Staff = sopranI { \sopI } + %\new Lyrics \lyricsto sopraneI \sopranText + \new Staff = sopranII { \sopII } + \new Staff = alt { \alt } + \new Staff = tenor { \ten } + \new Staff = bass { \bas } + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + \context { \Staff + \RemoveEmptyStaves + \override VerticalAxisGroup.remove-first = ##t + } + \context { + \Voice + \remove Forbid_line_break_engraver + } + } + } + diff --git a/hr/stch/fertig/traenen/a5/traenen_.ly b/hr/stch/fertig/traenen/a5/traenen_.ly new file mode 100644 index 0000000..3575d07 --- /dev/null +++ b/hr/stch/fertig/traenen/a5/traenen_.ly @@ -0,0 +1,102 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.18" + %\include "gregorian.ly" +\include "dynArt_.ly" +\include "../stimmen.ly" +\include "../texte.ly" + +\pointAndClickOff + + \header { + title = "Die mit Tränen säen" + composer = "Heinrich Schütz" + %opus = "<+Werk+>" + tagline = \markup { + %\bold "studentenchor" + } + } + + %#(set-default-paper-size "a4" 'landscape) + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-2 . 2.5) + } + } + + #(set-global-staff-size 13) + + + sopI = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "sopraneI" { \global \sopranIMelodie } + \addlyrics { \sopranIText } + >> + + sopII = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "sopraneII" { \global \sopranIIMelodie } + \addlyrics { \sopranIIText } + >> + + alt = << + \new Voice = "alti" { \global \altMelodie } + \addlyrics { \altText } + >> + + ten = << + \new Voice = "tenoere" { \global \tenorMelodie } + \addlyrics { \tenorText } + >> + + bas = << + \new Voice = "baesse" { \global \bassMelodie } + \addlyrics { \bassText } + >> + + \paper { + %#(set-paper-size "a5" 'landscape) + #(set-paper-size "a5") + line-width = \paper-width - 20 + top-margin = 10 + bottom-margin = 10 + #(define fonts + (make-pango-font-tree "Breitkopf Fraktur" + "DejaVu Sans" + "Droid Sans Mono" + (/ 13 20))) + ragged-last-bottom = #'f + page-count = 7 + print-page-number = #'f + } + + \score { + \new StaffGroup \with { printPartCombineTexts = ##f } << + \new Staff = sopranI { \sopI } + %\new Lyrics \lyricsto sopraneI \sopranText + \new Staff = sopranII { \sopII } + \new Staff = alt { \alt } + \new Staff = tenor { \ten } + \new Staff = bass { \bas } + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + \context { \Staff + \RemoveEmptyStaves + \override VerticalAxisGroup.remove-first = ##t + } + \context { + \Voice + \remove Forbid_line_break_engraver + } + } + } + diff --git a/hr/stch/fertig/traenen/breitkopf_fraktur_regular.ttf b/hr/stch/fertig/traenen/breitkopf_fraktur_regular.ttf Binary files differnew file mode 100644 index 0000000..118403f --- /dev/null +++ b/hr/stch/fertig/traenen/breitkopf_fraktur_regular.ttf diff --git a/hr/stch/fertig/traenen/dynArt.ly b/hr/stch/fertig/traenen/dynArt.ly new file mode 100644 index 0000000..4682170 --- /dev/null +++ b/hr/stch/fertig/traenen/dynArt.ly @@ -0,0 +1,532 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + \tempo 2 = 66-72 + \time 4/2 + s\breve + s\breve + s\breve + s\breve + s\breve + \tempo \markup { + \concat { + \smaller \general-align #Y #DOWN \note #"2" #1 + " = " + \smaller \general-align #Y #DOWN \note #"4" #1 + } + } + %\break + \time 6/2 + s\breve. + s\breve. + \tempo \markup { + \concat { + \smaller \general-align #Y #DOWN \note #"4" #1 + " = " + \smaller \general-align #Y #DOWN \note #"2" #1 + } + } + \break + \time 4/2 + s1 + \bar "" + s1 + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + \tempo \markup { + \concat { + \smaller \general-align #Y #DOWN \note #"2" #1 + " = " + \smaller \general-align #Y #DOWN \note #"4" #1 + } + } + \break + \time 6/2 + s\breve. + s\breve. + s\breve. + s\breve. + s\breve. + s\breve. + \tempo \markup { + \concat { + \smaller \general-align #Y #DOWN \note #"4" #1 + " = " + \smaller \general-align #Y #DOWN \note #"2" #1 + } + } + \time 4/2 + s1 + \bar "" + \break + s1 + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + \break + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + } + +% articulation + + brt = { + \override BreathingSign #'text = \markup { \musicglyph #"scripts.rcomma" } + \breathe + } + trb = { + \override BreathingSign #'text = \markup { \musicglyph #"scripts.rvarcomma" } + \breathe + } + sopranIArt = { + s\breve\p + s\breve + s1 \brt s1 + s\breve + s\breve + \time 6/2 + s1. \trb s1.\f + s1 \brt s\breve + \time 4/2 + s\breve + s\breve + s\breve + s\breve + s1 s1\p + s\breve + s\breve + s\breve \trb + \time 6/2 + s\breve\f s2 \brt s2 + s\breve. + s\breve. + s1 s1. \breathe s2 + s1 s1. \trb s2 + s1 \brt s\breve + \time 4/2 + s\breve + s\breve + s2 s2\p s1 + s2 \breathe s1. + s\breve + s\breve + s\breve + s\breve + s\breve + s2 \breathe s1. + s1. s2\mf + s\breve + s\breve + s\breve + s4 s4\f s2.. \breathe s8 s2 + s2 \trb s1. + s1 s8 s8\mf s4 s2 + s2. \breathe s4\f s1 + s\breve + s2 s2\mf s1 + s\breve + s\breve + s2 \breathe s1. + s\breve + s2. s4\f s2.. \brt s8 + s\breve + s\breve + s\breve + s4 \trb s1.. + s4 \breathe s1.. + s\breve + s\breve + s\breve + } + + sopranIIArt = { + s1 s1\p + s\breve + s2 \brt s1. + s\breve + s\breve + \time 6/2 + s1. \trb s1.\f + s1 \brt s\breve + \time 4/2 + s\breve + s\breve + s\breve + s1 s1\p + s\breve + s\breve + s\breve + s\breve \breathe + \time 6/2 + s\breve\f s2 \brt s2 + s\breve. + s\breve. + s1 s1. \breathe s2 + s1 s1. \trb s2 + s1 \brt s\breve + \time 4/2 + s\breve + s\breve + s2 s1\p s4 \breathe s4 + s1. \brt s2 + s\breve + s\breve + s2 \breathe s1. + s\breve + s\breve + s\breve + s\breve \trb + s\breve\mf + s\breve + s\breve + s2. s4\f s2.. \brt s8 + s1 s4 \trb s2. + s1 s8 s2..\mf + s1. s2\f + s\breve + s1 \breathe s1\mf + s\breve + s1. \breathe s2 + s\breve + s\breve + s\breve + s2. s1\f s8 \brt s8 + s\breve + s8 \trb s2.. \breathe s1 + s\breve + s\breve + s\breve + s\breve + s\breve + } + + altArt = { + s\breve + s\breve + s\breve + s\breve + s\breve + \time 6/2 + s\breve. + s\breve. + \time 4/2 + s1 s1\p + s\breve + s2 \trb s1. + s2. \brt s4 s1 + s\breve + s\breve + s\breve + s\breve \trb + \time 6/2 + s\breve.\f + s\breve. + s\breve. + s\breve. + s\breve. + s1 \brt s\breve + \time 4/2 + s1. s2\p + s\breve \trb + s\breve + s2 \breathe s1. + s1. \brt s2 + s\breve + s\breve + s2 \breathe s1. + s\breve + s\breve + s\breve + s1. s2\mf + s1.. \trb s4\f + s2.. \brt s8 s1 + s\breve + s\breve + s2 s8 s4.\mf s1 + s2. \trb s4\f s2.. \brt s8 + s\breve + s\breve + s2 s1.\mf + s\breve \breathe + s\breve + s4 s1\f s8 \brt s8 s2 + s\breve + s1. s8 \trb s4. + s\breve + s\breve + s2.. \brt s8 s1 + s\breve + s\breve + s2 \trb s1. + s\breve + } + + %{ + tenorArt = { + \trb + s1 + s1 + s1\< + s2 s2\! + s1-> + s2 \breathe s2\< + s2\> s2\< + s2\> s2\! + s1\< + s1\> + s1\! \breathe + s1. + s1. + s1-> s2\> + s1 \breathe + s1\! + s2-> s2 \breathe + s2 s2\< + s2\> s2\! + s2-> s2 + s2 s2\< + s4 s4\> \brt s4\! \trb s4 + s2 \breathe s2\< + s2\> s2\! + s1-> + s1\> + s2\! s2 + s1 + s1->\> + s1 + s1.\! + s1. + s1. + s1. + s1. + s2-> s2 s2\> + s1 s2\! + s1. + s1. + s1. + s1. + s2-> s2 s2\> + s1 + s2\! s2 + s1 + s1-> + s1 + s1 + s1 + s1 + s1 + s2-> s2 + s1 + s2 s4 s4\< + s4\> s4\! s2 + s1 + s1 + s1 + s2-> s2 + s1 + s2 s2\< + s2\> s2\! + s1-> + s1 + s1 + s2-> s2 \breathe + s1 + s2-> s2 + s1 + s1 + s1 + s2-> s4 \breathe s4 + s1 + s2 s4-> s4 + s1 + s2 s2\< + s2\> s2\! + s1 + s4-> s4 s2 + s2 s2-> + s2 \breathe s2 + s4 s4\< s4\> s4\! + s2-> s2 \breathe + s2 s2\< + s2\> s2\! + s1 + s2 s2\< + s4->\> s4 s2\! + s1 + s1 + s2 s2-> + s4 \breathe s4 s2 + s2-> s2 + s1 + s1 + s1 + s4-> s4 s4 s4-> + s2\> s4\! s4 + s1 + s2 s2-> + s4 \breathe s4 s2 + s1 + s2-> s2 + s1 + s4-> s4 s2 + s4-> s4 s2\> + s1\! + } + %} + + tenorArt = { + s1 s1 + s1\p s2 s2 + s1 s2 \trb s2 + s2 s2 s2 s2 \brt + s1 s1 + % + s1. \trb s1. + s1. \brt s1 s2 + % + s1 \trb s1\p + s2 s2 \breathe s2 s2 + s2 s2 \brt s2 s2 + s2 s2 s4 s4 \brt s4 s4 + s2 \trb s2 s2 s2 + s1 s1 + s2 s2 s1 + s1 s1 + % + s1. s1. + s1. s1.\f + s1 \brt s2 s2 s2 s2 + s1 s2 s1. + s1. s1. + s1 \breathe s2 s2 s2 s2 + % + s1 s2 s2\p + s1 s1 + s1 s1 + s1 s1 + s1 s2 s2 + s1 s2 \breathe s4 s4 + s4 s4 s2 s1 + s1 s1 + s2 s2 s1 + s2 s2 s2 \breathe s2 + s1 s1 + s1\mf s2 s2 \trb + s1 s2 s2 + s1 s4 s4\f s2 + s4. \brt s2.. s2 \trb s4 + s2.. \brt s8 s1 + s2 s8 s4.\mf s2 s2 + s1 s4 s2.\f + s4 s4 s2 s2 s2 + s2 \trb s2\mf s4 s4 s4 s4 + s2 s2 \breathe s2 s2 + s2 s2 s1 + s2 s2 s4 s4 s2 + s2. s4\f s2.. \brt s8 + s2 s2 s4 \trb s4 s2 + s2 s2 s1 + s1 s1 + s4 s4 \breathe s4 s4 s2 s4 s4 + s2.. \brt s8 s2 s2 + s4 \trb s4 s2 s1 + s2 s8 \breathe s2.. \brt s2 + s4 s4 s2 s4 s4 s2 + s1 + } + + bassArt = { + s\breve + s\breve + s\breve + s\breve + s\breve + \time 6/2 + s\breve. + s\breve. + \time 4/2 + s2 s1.\p + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + \time 6/2 + s\breve. + s1. s1.\f + s1 \brt s\breve + s\breve. + s\breve. + s1 \breathe s\breve + \time 4/2 + s1 \trb s1\p + s\breve + s\breve + s\breve + s1 \brt s1 + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s\breve + s4 s1\f s8 \breathe s8 s2 + s\breve + s1 s4. \breathe s8 s2 + s\breve + s4 s1\f s8 \breathe s8 s2 + s4. \trb s1 \brt s8 s2 + s\breve + s1 s1\mf + s1. \trb s2 + s\breve + s2. s1\f s8 \brt s8 + s\breve + s\breve + s\breve + s1 \trb s1 + s\breve + s\breve + s2 s8 \breathe s2.. \breathe s2 + s\breve + s\breve + } + diff --git a/hr/stch/fertig/traenen/midi.lua b/hr/stch/fertig/traenen/midi.lua new file mode 100644 index 0000000..8aef7d6 --- /dev/null +++ b/hr/stch/fertig/traenen/midi.lua @@ -0,0 +1,53 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { + << + \unfoldRepeats +]] + +post=[[ + >> + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 100 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/fertig/traenen/stimmen.ly b/hr/stch/fertig/traenen/stimmen.ly new file mode 100644 index 0000000..6a1a6fb --- /dev/null +++ b/hr/stch/fertig/traenen/stimmen.ly @@ -0,0 +1,245 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + + global = { + \key c \major + %\override Staff.TimeSignature #'style = #'() + \autoBeamOff + \override Staff.BarLine #'transparent = ##t + } + +% Die Stimmen + + sopranIMelodie = \relative c' { + << + { \meta } + \sopranIArt + %the actual tune + { + d1. d2 f\breve e1 d4( e4 f4 d4 e4 d4 e4 c4 d4 f4 e4 d4 e4 d4 d2. cis8 b8 cis2) d1. + d'2 c2 b2 c2 bes2 a2 b2 a2 g2 f1 r1 R\breve R\breve R\breve r1 + a1. a2 c1 b1 e\breve a,1 + % + f'2 e2 d2 e2 d2 c2 d2 c2 b2 a1 r2 R\breve. + d2 c2 b2 c2 b2 a2 bes2 a2 g2 f1 a2 g2 f2 e2 f2 g2 e2 fis1 r1 R\breve + % + r2 b2 c2 d2 e2 d2 c2( b1 a1 gis2) a1 r2 a1 a2.( g4 g1 fis2) g2 r4 e4 f2 g2 a2.( b4 c2) a2 f1 e1 r2 e4 f8 g8 a2. d,4 g2 f2 R\breve + % + R\breve r4 d'4 c4 c8 a8 b4 b8 g8 a8 g8 a8 b8 c4 c4 b4 e4. d8 d4. c8 c2( b4) c2 r8 e,8 fis8 g8 a4 f4 e2 d4 f4 e4 e8 a8 g4 g4 r2 r8 g8 g8 g8 g4 g4 e4 e4 r2 cis4 d8 e8 f2. d4 cis2 d2 r1 r1 e4 f8 g8 a2. f4 d4 f4 e4( f2 e4) f1 + % + r1 r2 r4 d'4 c4 c8 a8 b4 b8 g8 a8 g8 a8 b8 gis4( a2 gis4) a2 r2 r8 d8 d8 d8 d4 c4 b2 a2 r8 e8 e8 e8 f4 g4 a4( d,4) e4 a2 g2 f2( e4) f4 f4 e4 e8 c8 d4 d4 r2 + R\breve r8 c'8 c8 c8 c4 bes4 a1 a\breve + } + >> + } + + sopranIIMelodie = \relative c'' { + << + { \meta } + \sopranIIArt + %the actual tune + { + r1 a1. a2 bes1 a2 a4( g4 f4 g4 a4 f4 g4 f4 g4 e4 f4 d4 g2. f4 f4 e8 d8 e1) d1. f2 f2 g2 a2 g2 f2 g2 f2 e2 f1 r1 R\breve R\breve r1 + d1. d2 f1 e1 r2 e2 g2.( f4 e2) f2 g1 fis1 + % + a2 a2 b2 c2 b2 a2 b2 a2 gis2 a1 r2 R\breve. + f2 e2 d2 e2 e2 f2 g2 f2 e2 f1 d'2 b2 b2 c2 a2 bes2 a2 a1 r1 R\breve + % + r2 g2 a2 b4 b4 c2 d2 e2 d2 c1 b1 r2 a2 g1 fis2 a2 bes1 a1 r2 g1 g2.( f4 f2. e4 e2. d4 d1 cis4 b4) c1 c4 d8 e8 f4 f4 e2 f2 R\breve + % + R\breve r2 r4 a4 g4 g8 e8 f4 f8 d8 e8 d8 e8 f8 g2 c,4 d4 g2 g2 g2 r8 g8 a8 b8 c4 bes4 a2 a2 + r2 b4 e4. d8 d4. c8 c4.( b8 b4. a8 a2 gis4) a2 a4 b8 c8 d4 g,4 e2 fis2 + r2 d4 e8 f8 g4 e4 e2 cis2 c4 d8 e8 f2. d4 g4( f4 g2) a1 + % + r1 R\breve r2 r4 e'4 d4 d8 b8 c4 c8 a8 b8 a8 b8 c8 a4.( b8 gis4 a2 gis4) a8 c8 c8 c8 c4 b4 a4 g4 f8( g8 a2) e4 r2 r1 + r2 r4 a2 g2 f2( e4) f2 r1 r8 a8 a8 a8 a4 f4 e4( d4 e2) f\breve + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + \altArt + %the actual tune + { + R\breve + R\breve + R\breve + R\breve + R\breve + R\breve. + R\breve. + r1 a1. a2 bes1 a2 d1 c1 bes4 bes2( a4 a2. g4 g4 f8 g8) a1 + %\break + r2 a1 a2 e'2 b2 cis2( d2. cis8 b8 cis2) d1 + % + d2 c2 b2 a1 a2 d1( e2) a,1 r2 + d2 d2 e2 c2 f2 e2 d1 r2 a2 g2 f2 bes2. bes4 c2 c1 f2 e2 b2 e2 d2 d2 cis2 d1 r2 a2 b2 c2 d1 + % + g2 e1 d2 c2 g2 g4 a4 b2 r4 e4 e4 f4 g2 e2 f1 e1 r2 d2 fis2 g2 a2 d,2 e1 d1 r2 c1 c2.( b4 a4 g4 a1) a1 r1 r2 a4 b8 c8 d2. c4 b2 a4 + % + e'4 c4 c8 a8 b4 b8 g8 a8 g8 a8 b8 c2 a1 r1 r2 r8 g'8 g8 g8 f4 f4 e2 d2 r8 e8 c8 d8 e2. d4 cis2 d4 d4 c4 a8 a8 e'4 e8 e8 c8 b8 c8 d8 b4 c4 r8 g'8 g8 g8 g4 e4 e2 e2 r1 + r2 a,4 b8 cis8 d1 ~ d4 c4 b2 a1 a4 b8 c8 d4 d4 c2 c2 + % + r4 c4 a4 a8 f8 c'4 c8 b8 a8 g8 a8 b8 gis4( a2 gis4) a2 r8 e'8 e8 e8 d4 d4 c4( b8 a8 b2) a8 a'8 a8 a8 g4 g4 f2 e1 + r1 r2 r4 f4 e4 e8 c8 d4 d8 b8 c8 b8 c8 d8 bes2 a2 r2 r8 f8 g8 f8 g4 a4 bes2 a2 r8 c8 c8 c8 b4 g4 a4 a4 e'4 d4 cis4( d2 cis4) d\breve + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + \tenorArt + %the actual tune + \clef "treble_8" + { + R\breve + d1. + d2 + cis1 + d2 d1 + c1 + bes2 + a\breve + %\time 3/2 + d,1. + bes'2 a2 g2 + f1 f2 + bes1( c2) + %\time 2/2 + f,1 + f2 f2 + e2 e2 + fis2 g1 + f2 + e2( a4 g4 + f4 e4 f2. + e4 e4 d8[ c8]) + d2 d'1 + d2 + cis1 + e1 + r2 d2 + a2 a2 + g1 + a1 + %\time 3/2 + R\breve. + r1. + c2 b2 a2 + b2 a2 g2 + a2 d2 cis2 + d1 r2 + r1. + r1. + a2 g2 f2 + g2 g2 a2 + f2 d2 a'2 + %\time 2/2 + a1 + r2 fis2 + g2 a2 + b1 + % + R\breve + r1 + r2 fis2 + g2 a2 + b2 r4 b4 + c2 d2 + e2 e,4 a2( + g4 f4 e4 + d1) + a'2 r4 a4 + b2 c2 + d2 r4 d,4 + e2 f2 + g2( + a1) d,2 + e1 + e2 r2 + a4 b8 c8 d4 bes4 + c2 f,2 + fis4 g8 a8 b4 a4 + gis2 a2 + % + r1 + r4 a4 g4 g8 e8 + f4 f8 d8 e8 d8 e8 fis8 + g2 d4 d'4 + c4 c8 a8 b4 b8 g8 + a8. g16 a8 f8 g4 g4 + r2 r8 g8 a8 b8 + c4 b4 a1 + d,2 + r4 c'4 b4 b8 g8 + a4 a4 r8 e'8 e8 e8 + d4 d4 c2 + b2 a4 b8 cis8 + d2. bes4 + a2 d,2 + fis4 g8 a8 b2. + a4 gis2 + a2 r2 + f4 g8 a8 bes2. + a4 g2 + f2 + % + r4 a4 + g4 g8 e8 f4 f8 d8 + e8 d8 e8 f8 d2 + e4 a4 g4 g8 e8 + f2 e2 + r1 + r1 + r8 e'8 e8 e8 e4 d4 + c4 e4 e8 a,8 b4 + c2 r4 d4 + c4 c8 a8 bes4 bes8 g8 + a8 g8 a8 bes8 g2 + f4 a4 g4 g8 e8 + f4 f8 d8 e8 d8 e8 f8 + g2 c,8 a'8 a8 a8 + a4 g4 f4 d4 + f4 e4 r2 + a4 f4 e2 + d\breve\fermata + \revert Staff.BarLine #'transparent + \bar "|." + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + \bassArt + %the actual tune + \clef bass + { + R\breve + R\breve + R\breve + R\breve + R\breve + R\breve. + R\breve. + r2 d1 d2 cis1 d\breve r1 d1 d2 c2 bes1 a1 r1 r2 a'1 g1 f2 e1 d1 + % + R\breve. r1. a'2 g2 f2 g2 f2 e2 f2 d2 a'2 d,1 r2 r1. + r1. f2 e2 d2 e2 d2 c2 d2 g,2 a2 d1 d1 b2 a2 g1 + % + R\breve r2 b2 c2 d2 e1 e2 e2.( d4 d1 cis2) d1 r2 d1 d2.( c4 c1 b2) c1 c1 a\breve a1 R\breve d4 e8 fis8 g4 a4 e2 a,2 + % + r4 a'4 g4 g8 e8 f4 f8 d8 e8 d8 e8 c8 d2 a2 r1 r4 a'4 g4 g8 e8 f4 f8 d8 e8 d8 e8 f8 g2 c,2 r1 r4 a'4 f4 d8 d8 a'4 a8 f8 g8 f8 g8 e8 f4 f8 d8 e4 e8 c8 g'4 g8 g,8 c8 b8 c8 d8 e2 a,2 r1 + r1 d4 e8 fis8 g2. a4 e2 a,2 a4 b8 c8 d2 bes2 c1 f,2 + % + r4 f'4 e4 e8 c8 d4 d8 b8 c8 b8 c8 d8 b2 a2 r2 R\breve R\breve + r8 a'8 a8 a8 a4 g4 f4 e4 d2 a2 r2 r1 r4 d2 c4 bes2.( a4 g2) f8 f'8 f8 f8 f4 e4 d4 bes4 a\breve d\breve + } + >> + } + diff --git a/hr/stch/fertig/traenen/texte.ly b/hr/stch/fertig/traenen/texte.ly new file mode 100644 index 0000000..2b0f683 --- /dev/null +++ b/hr/stch/fertig/traenen/texte.ly @@ -0,0 +1,193 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + + wer = \lyricmode { + mit Trä -- nen, + mit Trä -- nen sä -- en, + } + edlen = \lyricmode { + und tra -- gen ed -- len + } + ihre = \lyricmode { + und brin -- gen ih -- re + } + sopstart = \lyricmode { + Die mit Trä -- nen sä -- en, + wer -- den mit Freu -- den, + mit Freu -- den ern -- ten, + } + futur = \lyricmode { + wer -- den mit Freu -- den, + mit Freu -- den ern -- ten, + } + +% Die Textaufteilungen + + sopranIText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + \sopstart + die mit Trä -- nen sä -- en, + \futur + \futur + mit Freu -- den, + mit Freu -- den ern -- ten. + Sie ge -- hen hin und wei -- nen, + und wei -- nen, + sie ge -- hen hin und wei -- nen + \edlen Sa -- men, + und kom -- men mit Freu -- den + \ihre Gar -- ben, + \ihre Gar -- ben, + und tra -- gen ed -- len Sa -- men, + und kom -- men mit Freu -- den + \ihre Gar -- ben, + \edlen Sa -- men, + und tra -- gen ed -- len, + ed -- len Sa -- men, + und kom -- men mit Freu -- den + \ihre Gar -- ben, + \ihre Gar -- ben, + \ihre Gar -- ben, + ih -- re Gar -- ben, + und kom -- men mit Freu -- den + \ihre Gar -- ben. + } + + sopranIIText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + \sopstart + die mit Trä -- nen, mit Trä -- nen sä -- en, + \futur + \futur + mit Freu -- den, + mit Freu -- den ern -- ten. + Sie ge -- hen, sie ge -- hen hin und wei -- nen, + und wei -- nen, + und wei -- nen, + und wei -- nen, + \edlen Sa -- men, + und kom -- men mit Freu -- den + \ihre Gar -- ben, + ih -- re Gar -- ben, + und tra -- gen ed -- len Sa -- men, + \ihre Gar -- ben, + \edlen Sa -- men, + \edlen Sa -- men, + \edlen Sa -- men, + und kom -- men mit Freu -- den + \ihre Gar -- ben, + und brin -- gen ih -- re, ih -- re Gar -- ben, + ih -- re Gar -- ben, + \ihre Gar -- ben, + ih -- re Gar -- ben. + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + Die \wer + die mit Trä -- nen sä -- en, + wer -- den mit Freu -- den ern -- ten, + wer -- den mit Freu -- den ern -- ten, + wer -- den mit Freu -- den ern -- ten, + mit Freu -- den, mit Freu -- den ern -- ten. + Sie ge -- hen hin, + sie ge -- hen hin, + sie ge -- hen hin, + sie ge -- hen hin und wei -- nen, + sie ge -- hen hin und wei -- nen, + und wei -- nen + \edlen Sa -- men, + und kom -- men mit Freu -- den + \ihre Gar -- ben, + \ihre Gar -- ben, + \edlen Sa -- men, + und kom -- men mit Freu -- den + \ihre Gar -- ben, + \ihre Gar -- ben, + \edlen Sa -- men, + \edlen Sa -- men, + und kom -- men mit Freu -- den + \ihre Gar -- ben, + \ihre Gar -- ben, + \ihre Gar -- ben, + und kom -- men mit Freu -- den + \ihre Gar -- ben, + \ihre Gar -- ben, + \ihre Gar -- ben, + ih -- re Gar -- ben. + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + Die \wer + wer -- den mit Freu -- den ern -- ten, + %die \wer + die + mit Trä -- nen, + mit Trä -- nen sä -- en, + die \wer + wer -- den mit Freu -- den, + mit Freu -- den ern -- ten, + wer -- den mit Freu -- den, + mit Freu -- den ern -- ten. + Sie ge -- hen hin, + sie ge -- hen hin, + sie ge -- hen hin und wei -- nen, + sie ge -- hen hin, + sie ge -- hen hin und wei -- nen + \edlen Sa -- men, + \edlen Sa -- men + und kom -- men mit Freu -- den + \ihre Gar -- ben, + und kom -- men mit Freu -- den + \ihre Gar -- ben, + und tra -- gen ed -- len Sa -- men + und kom -- men mit Freu -- den + \ihre Gar -- ben, + \edlen Sa -- men, + \edlen Sa -- men, + \edlen Sa -- men + und kom -- men mit Freu -- den + \ihre Gar -- ben, + und kom -- men mit Freu -- den + \ihre Gar -- ben,_~ + ih -- re Gar -- ben, + und kom -- men mit Freu -- den + \ihre Gar -- ben, + und kom -- men mit Freu -- den + \ihre Gar -- ben,_~ + und brin -- gen ih -- re, ih -- re Gar -- ben, + ih -- re Gar -- ben. + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + Die \wer + mit Trä -- nen sä -- en, + wer -- den mit Freu -- den, + mit Freu -- den ern -- ten, + wer -- den mit Freu -- den, + mit Freu -- den ern -- ten. + Sie ge -- hen hin, + sie ge -- hen hin und wei -- nen, + und wei -- nen, + und wei -- nen + \edlen Sa -- men, + und kom -- men mit Freu -- den + \ihre Gar -- ben, + und kom -- men mit Freu -- den + \ihre Gar -- ben, + und kom -- men mit Freu -- den + \ihre Gar -- ben, + und kom -- men mit Freu -- den + \ihre Gar -- ben, + und tra -- gen ed -- len Sa -- men + und tra -- gen ed -- len Sa -- men + und kom -- men mit Freu -- den + \ihre Gar -- ben, + und brin -- gen ih -- re, ih -- re Gar -- ben, + ih -- re Gar -- ben, + und brin -- gen ih -- re, ih -- re Gar -- ben. + } + diff --git a/hr/stch/fertig/traenen/texte_.ly b/hr/stch/fertig/traenen/texte_.ly new file mode 100644 index 0000000..b5b8644 --- /dev/null +++ b/hr/stch/fertig/traenen/texte_.ly @@ -0,0 +1,81 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + + bk = \markup { + \bold{k}\hspace #-.6 om + } + br = \markup { + Ga\hspace #-.6 \bold{r} + } + bfr = \markup { + \bold{Fr}\hspace #-.6 eu + } + wer = \lyricmode { + mi[t]~ Trä -- nen, + mi[t]~ Trä -- nen sä -- en, + } + edlen = \lyricmode { + und_x tra -- gen ed -- len + } + ihre = \lyricmode { + und brin -- gen ih -- re + } + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + Die \wer + wer -- den mit_x Freu -- den ern -- ten, + %die \wer + die + mi[t]~ Trä -- nen, + mi[t]~ Trä -- nen sä -- en, + die \wer + wer -- den mit_x Freu -- den, + mit_x Freu -- den ern -- ten, + wer -- den mit_x Freu -- den, + mit_x Freu -- den ern -- ten. + Sie ge -- hen hin, + sie ge -- hen hin, + sie ge -- hen hin und_x wei -- nen, + sie ge -- hen hin, + sie ge -- hen hin und_x wei -- nen + \edlen Sa -- men, + \edlen Sa -- men + und_x \bk -- men mit \bfr -- den + \ihre \br -- ben, + und_x \bk -- men mit \bfr -- den + \ihre Gar -- ben, + und tra -- gen ed -- len Sa -- men + und_x \bk -- men mit \bfr -- den + \ihre \br -- ben, + \edlen Sa -- men, + \edlen Sa -- men, + \edlen Sa -- men + und_x \bk -- men mit \bfr -- den + \ihre \br -- ben, + und_x \bk -- men mit \bfr -- den + \ihre \br -- ben,_~ + ih -- re Gar -- ben, + und_x \bk -- men mit \bfr -- den + \ihre \br -- ben, + und_x \bk -- men mit \bfr -- den + \ihre Gar -- ben,_~ + und brin -- gen ih -- re, ih -- re Gar -- ben, + ih -- re \br -- ben. + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + } + diff --git a/hr/stch/fertig/traenen/traenen.ly b/hr/stch/fertig/traenen/traenen.ly new file mode 100644 index 0000000..c8379d0 --- /dev/null +++ b/hr/stch/fertig/traenen/traenen.ly @@ -0,0 +1,94 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" + %\include "gregorian.ly" +\include "dynArt.ly" +\include "stimmen.ly" +\include "texte.ly" + +\pointAndClickOff + + \header { + title = "Die mit Tränen säen" + composer = "Heinrich Schütz" + %opus = "<+Werk+>" + tagline = \markup { + %\bold "studentenchor" + } + } + + #(set-default-paper-size "a4" 'landscape) + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 15) + + + sopI = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "sopraneI" { \global \sopranIMelodie } + \addlyrics { \sopranIText } + >> + + sopII = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "sopraneII" { \global \sopranIIMelodie } + \addlyrics { \sopranIIText } + >> + + alt = << + \new Voice = "alti" { \global \altMelodie } + \addlyrics { \altText } + >> + + ten = << + \new Voice = "tenoere" { \global \tenorMelodie } + \addlyrics { \tenorText } + >> + + bas = << + \new Voice = "baesse" { \global \bassMelodie } + \addlyrics { \bassText } + >> + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + #(define fonts + (make-pango-font-tree "Breitkopf Fraktur" + "DejaVu Sans" + "Droid Sans Mono" + (/ 15 20))) + ragged-last-bottom = #'f + } + + \score { + \new StaffGroup \with { printPartCombineTexts = ##f } << + \new Staff = sopranI { \sopI } + %\new Lyrics \lyricsto sopraneI \sopranText + \new Staff = sopranII { \sopII } + \new Staff = alt { \alt } + \new Staff = tenor { \ten } + \new Staff = bass { \bas } + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + \context { + \Voice + \remove Forbid_line_break_engraver + } + } + } + diff --git a/hr/stch/fertig/verleih/a.midi b/hr/stch/fertig/verleih/a.midi Binary files differnew file mode 100644 index 0000000..f16bd5c --- /dev/null +++ b/hr/stch/fertig/verleih/a.midi diff --git a/hr/stch/fertig/verleih/b.midi b/hr/stch/fertig/verleih/b.midi Binary files differnew file mode 100644 index 0000000..c692b02 --- /dev/null +++ b/hr/stch/fertig/verleih/b.midi diff --git a/hr/stch/fertig/verleih/dynArt.ly b/hr/stch/fertig/verleih/dynArt.ly new file mode 100644 index 0000000..30423d4 --- /dev/null +++ b/hr/stch/fertig/verleih/dynArt.ly @@ -0,0 +1,21 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/fertig/verleih/midi.lua b/hr/stch/fertig/verleih/midi.lua new file mode 100644 index 0000000..b12fb9a --- /dev/null +++ b/hr/stch/fertig/verleih/midi.lua @@ -0,0 +1,51 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { + \unfoldRepeats +]] + +post=[[ + \midi { + \context{ + \Score + tempoWholesPerMinute = #(ly:make-moment 100 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/fertig/verleih/s.midi b/hr/stch/fertig/verleih/s.midi Binary files differnew file mode 100644 index 0000000..039bcfa --- /dev/null +++ b/hr/stch/fertig/verleih/s.midi diff --git a/hr/stch/fertig/verleih/stimmen.ly b/hr/stch/fertig/verleih/stimmen.ly new file mode 100644 index 0000000..c1843a0 --- /dev/null +++ b/hr/stch/fertig/verleih/stimmen.ly @@ -0,0 +1,173 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key ees \major + %\override Staff.TimeSignature #'style = #'() + \time 3/4 + %\autoBeamOff + } + +% Die Stimmen + + sopranMelodie = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + ees4 g4 f4 + ees2 ees4 + ees4( bes'4) aes4 + g2 g4 + c2 bes4 + aes4( g4) ees8( f8) + g2. + ees4 r4 r4 + ees4 aes4 aes8 g8 + f2 r4 + f4 bes4 bes8 aes8 + g2 r4 + bes4 ees4 des4 + c4( bes4) aes8( bes8) + c2. + c,2 r4 + R2. + R2. + R2. + r4 r4 c'8 d8 + ees2( des4) + c4 bes4 aes4 + g2. ~ + g4 r4 g4 + ces2. ~ + ces4( bes4) aes4 + g4( f2) + ees2. ~ + ees2. + \bar "|." + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + bes4 ees4 ees8 d8 + ees2 des4 + c4( ees4.) d8 + ees2 g4 + aes2 f4 + f4( ees4) ees4 + ees4( d2) + ees4 r4 r4 + ees4 f4 ees4 + d2 r4 + d4 ees4 f4 + bes,2 r4 + ees4 f4 g4 + aes4( g4) f4 + e8( f8 g4 f4) + e2 r4 + R2. + R2. + r4 r4 g4 + aes4 g4 f4 + bes2. + ees,2 f4 + g2. ~ + g4 r4 c,4 + c2. + ees2 aes4 + ees4( d2) + ees2 bes4 + bes2. + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + g4 bes4 bes4 + g2 bes4 + ees,4( g4) f4 + ees2 ees'4 + ees2 d4 + bes2 c4 + c2( b4) + c4 r4 r4 + g4 aes4 bes8 c8 + d2 r4 + bes8( aes8) g4 f4 + g2 r4 + g4 aes4 bes4 + c8( des8 ees4) aes,4 + g8 aes8 bes4 aes4 + g4( c4.) c8 + c2 c,4 + r4 r4 c'8( d8) + ees2( des4) + c4 bes4 aes4 + g2. + c2 c8 d8 + ees2. ~ + ees4 r4 ees4 + ees2. ~ + ees4( d4) c4 + bes2 aes4 + g4( f2) + g2. + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + ees4 ees4 bes4 + c2 g4 + aes4( g8 aes8) bes4 + ees2 ees4 + aes,2 bes4 + d4( ees4) aes4 + g2. + c,4 r4 r4 + c4 f4 g8[ aes8] + bes2 r4 + bes,4 c4 d4 + ees2 r4 + ees8[ des8] c4 ees4 + aes4( ees4) f4 + c2. + c2 r4 + r4 r4 g'4 + aes4 g4 f4 + bes2. + r4 r4 f4 + g2 g4 + aes4 g4 f4 + c'2. ~ + c4 r4 c,4 + aes2. ~ + aes2 aes4 + bes2. ~ + bes2. + ees2. + } + >> + } + diff --git a/hr/stch/fertig/verleih/t.midi b/hr/stch/fertig/verleih/t.midi Binary files differnew file mode 100644 index 0000000..c661a8b --- /dev/null +++ b/hr/stch/fertig/verleih/t.midi diff --git a/hr/stch/fertig/verleih/texte.ly b/hr/stch/fertig/verleih/texte.ly new file mode 100644 index 0000000..1a38986 --- /dev/null +++ b/hr/stch/fertig/verleih/texte.ly @@ -0,0 +1,29 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + Ver -- leih uns Frie -- den gnä -- dig -- lich, + Herr Gott zu un -- sern Zei -- ten! + Es ist doch _ ja kein and -- rer nicht, + der _ für uns könn -- te strei -- ten, + denn du, un -- ser Gott, + denn du, denn du, un -- ser Gott, + denn du, al -- lei -- ne. + } + diff --git a/hr/stch/fertig/verleih/verleih.ly b/hr/stch/fertig/verleih/verleih.ly new file mode 100644 index 0000000..ec3eb12 --- /dev/null +++ b/hr/stch/fertig/verleih/verleih.ly @@ -0,0 +1,68 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Verleih uns Frieden gnädiglich" + composer = "Felix Mendelssohn Baartholdy" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + %#(set-global-staff-size 17) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \voiceOne \sopranMelodie } + %\addlyrics { \sopranText } + >> + + alt = << + \new Voice = "alti" { \voiceTwo \altMelodie } + %\addlyrics { \altText } + >> + + ten = << + \new Voice = "tenoere" { \voiceOne \tenorMelodie } + %\addlyrics { \tenorText } + >> + + bas = << + \new Voice = "baesse" { \voiceTwo \bassMelodie } + \addlyrics { \bassText } + >> + + \score { + \new ChoirStaff \with {} << + \new Staff = sopran { << { \global \sop } { \global \alt } >> } + %\new Staff = alt { \global \alt } + \new Staff = tenor { << { \global \ten } { \global \bas } >> } + %\new Staff = bass { \global \bas } + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/stch/fertig/willkommen/stimmen.ly b/hr/stch/fertig/willkommen/stimmen.ly new file mode 100644 index 0000000..9cdc7cc --- /dev/null +++ b/hr/stch/fertig/willkommen/stimmen.ly @@ -0,0 +1,116 @@ +%some settings% vim: ai sw=2 lbr nu + + global = { + \key as \major + \override Staff.TimeSignature #'style = #'() + \time 4/4 + \override BreathingSign #'text = \markup { \musicglyph #"scripts.upbow" } + \autoBeamOff + \set melismaBusyProperties = #'(slurMelismaBusy) + } + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + % bisher nur leere takte + %\repeat unfold 24 { + %s4*4 + %} + } + +% Die Stimmen + + TenorSoloA = \relative c' { + f4^\markup{"Tenor-Solo"} as8[ g8] f8[ es8] as8 des8 + c2\breathe c8[ c8] es8[ es8] + des8[ c8] c8[ bes8] as2\breathe + as4 as8 c8 des4 bes4 + as4. g8 f4 es4 + bes'8[ bes8] des4. bes8 as8[ as8] + g4.( bes8) bes2 + \bar "||" + } + + TenorSoloB =\relative c' { + f4.^\markup{"Tenor-Solo"} f8 as8[ g8] f8[ es8] + as8[ as8] des8[ des8] c2\breathe + c8[-\parenthesize\f c8] es8[ es8] des8 des16[ des16] c8[ c8] + c4 bes4 as2\breathe + as4-\parenthesize\p as8 c8 des8[ bes8] as8 as16[ g16] + f4 es4\breathe bes'8[ bes8] bes8[ bes8] + des8[ bes8] as8 as16[ as16] g4. bes8 + \time 2/4 + bes2 + \bar "||" + } + + sopranMelodie = \relative c' { + << + { \meta } + %the actual tune + { + c2\p (es2 + f4.) f8 es4 f4 + g2\< as2 + as1\>\breathe + as2\mf (bes2 + des4.) des8 c4\breathe as4\< + es'2 es2\> + es1\! + } + >> + \bar "||" + } + + altMelodie = \relative c' { + << + { \meta } + %the actual tune + { + c2 ~c2 + ~c4. c8 c4 c4 + es2 f2 + es1 + f2 (g2 + as4.) as8 as4 es4 + as4 (g8 f8) g2 + as1 + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %the actual tune + { + c2 (as2 + ~as4.) as8 g4 as4 + bes2 des2 + des4 (c8 bes8 c2)\breathe + c2 (es2 + f4.) f8 es4\breathe as,4 + bes2 bes2 + <c aes>1 + %<c \parenthesize aes>1 + } + >> + } + + bassMelodie = \relative c' { + << + { \meta } + %the actual tune + \clef bass + { + c2 (as2 + f4.) f8 c4 f4 + es2 des2 + as1 + f'2 (es2 + des4.) des8 as4 f'4 + es2 es2 + << es1 as,1 >> + } + >> + } diff --git a/hr/stch/fertig/willkommen/texte.ly b/hr/stch/fertig/willkommen/texte.ly new file mode 100644 index 0000000..63d8e69 --- /dev/null +++ b/hr/stch/fertig/willkommen/texte.ly @@ -0,0 +1,40 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + Ky -- ri -- e e -- lei -- _ son. + Ky -- ri -- e e -- lei -- _ son. + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + } + + tenorTextA = \lyrics { + %<+hier den Text für den Tenor eintragen+> + \set stanza = "1. " + Nun sei will -- kom -- men, Her -- re Christ, + der du un -- ser al -- ler Her -- re bist. + Nun sei will -- kom -- men, lie -- ber Her -- re, + hier auf Er -- den al -- so schö -- ne. + } + + tenorTextB = \lyrics { + %<+hier den Text für den Tenor eintragen+> + \set stanza = "2. " + Nun ist Gott ge -- bo -- ren, + un -- ser al -- ler Trost, + der der Höl -- len Pfor -- ten + mit sei -- nem Kreuz auf -- stoßt. + Die Mut -- ter hat ge -- hei -- ßen Ma -- ri -- a, + wie in al -- len Chri -- sten -- bü -- chern ge -- schrie -- ben steht. + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + } + diff --git a/hr/stch/fertig/willkommen/willkommen.ly b/hr/stch/fertig/willkommen/willkommen.ly new file mode 100644 index 0000000..8d24cf6 --- /dev/null +++ b/hr/stch/fertig/willkommen/willkommen.ly @@ -0,0 +1,68 @@ +%some settings% vim: ai sw=2 lbr nu + +\version "2.12.1" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Nun sei willkommen, Herre Christ" + composer = "Christoph J. Westphal" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + %<+weitere Einstellungen+> + ragged-last-bottom = ##f + top-margin = 15 + bottom-margin = 15 + left-margin = 10 + right-margin = 10 + markup-system-spacing #'basic-distance = 12 + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + %#(set-global-staff-size 17) + + \score { + \new Staff = TenorA << + \new Voice = "soloA" { \global \dynamicUp \TenorSoloA } + \lyricsto soloA \tenorTextA + >> + } + \score { + \new ChoirStaff << + \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \voiceOne \sopranMelodie } + \lyricsto soprane \sopranText + \new Voice = "alti" { \global \voiceTwo \altMelodie } + %\lyricsto alti \altText + >> + \new Staff = tenor << + \new Voice = "tenoere" { \global \voiceOne \tenorMelodie } + %\lyricsto tenoere \tenorText + \new Voice = "baesse" { \global \voiceTwo \bassMelodie } + %\lyricsto baesse \bassText + >> + >> + \layout { + } + %\midi { + %} + } + \score { + \new Staff = TenorB << + \new Voice = "soloB" { \global \dynamicUp \TenorSoloB } + \lyricsto soloB \tenorTextB + >> + } + % TODO: breathe & dyn & Text & balken + diff --git a/hr/stch/fertig/willkommen/willkommen.midi b/hr/stch/fertig/willkommen/willkommen.midi Binary files differnew file mode 100644 index 0000000..6656ff1 --- /dev/null +++ b/hr/stch/fertig/willkommen/willkommen.midi diff --git a/hr/stch/fertig/xci/dynArt.ly b/hr/stch/fertig/xci/dynArt.ly new file mode 100644 index 0000000..be83ad6 --- /dev/null +++ b/hr/stch/fertig/xci/dynArt.ly @@ -0,0 +1,28 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + %\override Staff.TimeSignature #'style = #'() + \dynamicUp + \key g \major + \time 4/4 + \partial 4 + s4 + s1*72 + \bar "|." + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/fertig/xci/midi.lua b/hr/stch/fertig/xci/midi.lua new file mode 100644 index 0000000..8aef7d6 --- /dev/null +++ b/hr/stch/fertig/xci/midi.lua @@ -0,0 +1,53 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { + << + \unfoldRepeats +]] + +post=[[ + >> + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 100 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/fertig/xci/stimmen.ly b/hr/stch/fertig/xci/stimmen.ly new file mode 100644 index 0000000..76f730d --- /dev/null +++ b/hr/stch/fertig/xci/stimmen.ly @@ -0,0 +1,202 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + %\autoBeamOff + } + +% Die Stimmen + + sopranIMelodie = \relative c'' { + << + { \meta } + %\sopranArt + %the actual tune + { + d4 d4 d4 d4 d4 g2 b,4 b4 a4 b4 c4 e4 d1 ~ d4 r4 r2 + r1 r1 + r2 r4 d4 d4 d4 d4 d4 g2 b,4 b4 b4 a4 e'4 e4 dis1 ~ dis4 r4 r2 + r2 e2 ~ e4 e4 fis4 e4 d2 d4 d4 d4 fis4 e4 d4 cis2 d2 ~ d4 d4 cis4 b4 a2. b4 a1 a2 r2 + r1 r1 + r2 a4 a4 a4 a8 a8 b4 b4 d2 c2 + r1 + r2 g4 g4 c4 c8 c8 e4 e4 g2 e2 e2 e2 d4 d4 cis4( b4) ais4 b4 cis4 d4 e1 d2 d2 + r1 + r2 r4 cis4 d4 d4 d4 d4 g2 b,4 b4 a4 b4 c4 e4 d2 g,4 g4 a4 a8 a8 b4 b4 c2 c2 cis4 cis8 cis8 cis4 cis4 d2 d2 d2 d4 d4 e2 g2 a,2.( b8 c8) b2 r2 + r2 g4 a4 b4 b4 e2 d4 g,4 g4 a4 b4 b4 e2 d2 d4 d4 d4( c4) b4( c4) b2( a2) d1 + r1 + b4 b4 c4 cis4 d4( g4) fis4 e4 d4 b4 a4 e'4 d1 ~ d2 g,2 + r1 + r2 b4 b4 b2.( a4) g1 + r1 + r4 b4 b4 b4 b2.( a4) g1 + } + >> + } + + sopranIIMelodie = \relative c'' { + << + { \meta } + %\sopranArt + %the actual tune + { + b4 b4 b4 c4 c4 b2 g4 g4 g4 g4 c4 c4 b1 ~ b4 r4 r2 + r1 r1 + r2 r4 a4 b4 b4 c4 c4 b2 g4 g4 g4 g4 fis4 a4 b1 ~ b4 r4 r2 + r2 cis2 ~ cis4 cis4 cis4 cis4 cis2 b4 b4 b4 b4 e4 g,4 a2 d2 ~ d4 b4 cis4 d4 a2. g4 fis2( a2) a2 r2 + r1 r1 + r2 a4 a4 a4 a8 a8 a4 a4 gis2 a2 + r1 + r2 g4 g4 g4 g8 g8 c4 c4 e2 e2 cis2 cis2 b4 b4 b2 fis4 gis4 ais4 b4 cis1 ~ cis4 cis4 b4 a4 gis4( d'4 cis4 b4) b2 ais4 ais4 b4 b4 c4 c4 b2 g4 g4 g4 g4 g4 c4 b2 r2 + r1 + r2 e,4 e4 a4 a8 a8 a4 a4 d2 b2 d2 b4 b4 e2 c2 a1 g2 r2 + r2 g4 g4 g4 b4 c2 g4 g4 g4 g4 g4 g4 c2 b2 b4 b4 b4( c4) g2 g2( d2) d1 + r1 + g4 g4 a4 ais4 b4( g4) d2( ~ d4 d'4) c4 bes4 a1 g1 + r1 + r2 g4 g4 g2( fis2) g1 + r1 + r4 g4 g4 g4 g2( fis2) g1 + } + >> + } + + altIMelodie = \relative c'' { + << + { \meta } + %\altArt + %the actual tune + { + g4 g4 g4 g4 fis4 g2 e4 e4 e4 g4 g4 fis4 g1 ~ g4 r4 r2 + r1 r1 + r2 r4 fis4 g4 g4 g4 fis4 g2 e4 e4 e4 e4 a4 fis4 fis1 ~ fis4 r4 r2 + r2 a2 ~ a4 a4 a4 a4 a2 a4 a4 gis4 gis4 g4 g4 g2 fis2 ~ fis4 e4 e4 e4 e2 a4( d,4) fis2.( e4) fis2 r2 + r1 r1 + r2 fis4 fis4 f4 f8 f8 f4 f4 f2 e2 + r1 + r2 e4 e4 g4 g8 g8 g4 g4 c2 g2 g2 e2 b4 b4 b2 cis4 d4 e4 fis4 e2( fis2) fis1( eis1) ~ eis2 fis4 fis4 b4 b4 a4 a4 b2 d,4 g4 g4 f4 e4 fis4 g2 r2 + r2 g4 g4 g4 g8 g8 g4 g4 g2 g2 fis2 fis2 g2 b4 b4 c4( b4) a4( g4) fis4( e4 d2) d2 r2 + r2 e4 e4 f4 f4 e2 g4 d4 e4 e4 f4 f4 e2 g2 g4 g4 g2 g2 g2( fis2) g1 + r1 + g1 ~ g4 b4 a4 g4 g1( ~ g2 fis2) g1 + r1 + r2 d4 d4 d1 d1 + r1 + r4 d4 d4 d4 d1 d1 + } + >> + } + + altIIMelodie = \relative c'' { + << + { \meta } + %\altArt + %the actual tune + { + g4 g4 g4 d4 d4 e2 d4 d4 c4 d4 e4 c4 g'1 ~ g4 r4 r2 + r1 r1 + r2 r4 d4 d4 d4 d4 d4 e2 d4 d4 c4 c4 c4 c4 b1 ~ b4 r4 r2 + r2 e2 ~ e4 e4 a4 a4 d,2 d4 d4 e4 e4 e4 b4 cis2 fis2 ~ fis4 b4 g4 e4 e2 fis4( d4) d2( cis2) d2 r2 + r1 r1 + r2 d4 d4 d4 d8 d8 d4 d4 d2 e2 + r1 + r2 c4 c4 e4 e8 e8 g4 g4 g2 g2 g2 cis,2 fis4 fis4 eis2 fis4 fis4 fis4 fis4 g2( fis2) fis1( g1) ~ g2 fis4 fis4 fis4 fis4 d4 d4 d2 d4 d4 c4 d4 e4 c4 g'2 r2 + r1 r1 + r2 e4 e4 d4 d8 d8 fis4 fis4 b2 b4 g4 g2 a2 d,1 d2 r2 + r2 c4 c4 d4 d4 c2 g'4 g4 e4 c4 d4 d4 c2 d2 g4 g4 g2 g2 d1 d1 + r1 r1 r1 + g4 g4 a4 bes4 d,1 d1 + r1 + r2 b4 b4 c1 b1 + r1 + r4 d4 d4 d4 d1 d1 + } + >> + } + + tenorIMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + { + \clef "treble_8" + r4 + r1 r1 r1 + r2 d2 ~ d4 d4 e4 d4 c2 c4 c4 c4 b4 a4 e'4 d1 d2 r2 + r1 r1 + r2 dis2 ~ dis4 dis4 e4 d4 cis2 cis2 ~ cis2 fis4 fis4 fis2 fis4 d4 d4 d4 cis4 d4 e2 d4 cis4 b2( e4) d4 cis2 d2 + r2 a2 a4 d4 cis4 e4 d2 d4 d4 d4 d4 g4 g4 fis1 + r1 + r2 c4 c4 c4 c8 c8 d4 d4 f2 e2 ~ e4 e8 e8 e4 e4 e2( b2 cis2 fis2) fis2 r2 + fis,4 fis'4 e4 d4 cis2 cis4 cis4 d4( e4) fis2 b,2( cis4 d4) d2( cis4 e4 d1 ~ d2 f2 e4 d4 c2) d2 d4 d4 d4 d8 d8 d4 d4 c2 c2 e4 e8 e8 e4 e4 b2 d2 f2 f4 f4 e2 e2 c2.( a4) g2 g4 a4 b4 b4 e2 d4 g,4 g4 a4 b4 b4 e2 d2 g,4 g4 d'1 g2. c,4 d1 d2 d4 d4 d4( c4) b4( c4) b4( g4) d2 + r1 + b'4 b4 c4 cis4 d1 d2 d4 d4 d2.( c4) b1 + r1 + r4 d4 d4 d4 d2.( c4) b4 b4 b4 b4 c1 b1 + } + >> + } + + tenorIIMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + { + \clef "treble_8" + r4 + r1 r1 r1 + r2 b2 ~ b4 b4 b4 b4 b2 a4 g4 fis4 g4 a4 a4 a1 g2 r2 + r1 r1 + r2 b2 ~ b4 b4 b4 b4 b2 a2 ~ a2 cis4 cis4 d2 d4 b4 b4 b4 cis4 b4 a2 d,4 fis4 b2. b4 e2 d2 + r2 g,2 fis4 fis4 e4 g4 fis2 b4 b4 b4 a4 d4 d4 d1 + r1 + r2 c4 c4 c4 c8 c8 c4 c4 c2 c2 ~ c4 c8 c8 c4 c4 c2( e2 ~ e2 cis2) d2 r2 + fis,4 d'4 cis4 b4 b2 ais4 ais4 b4( cis4) d2 gis,1 gis2( ais4 cis4 b2 fis2 b2 d2 g,2. a4) b2 b4 b4 c4 c8 c8 b4 b4 g2 g2 cis4 cis8 cis8 cis4 cis4 fis,2 fis2 d'2 d4 g,4 g2 g2 d1 d2 g4 g4 g4 g4 c2 b4 g4 g4 fis4 g4 g4 c2 b2 g4 g4 b1 g2. a4 b2( d2) d2 b4 b4 b4( c4) g2 + r1 + b4 b4 c4 cis4 d2( e2 a,4 b4 c2) b2 b4 b4 g2( a2) d,1 ~ d1 ~ d4 g4 g4 g4 g2( fis2) g4 g4 g4 g4 d1 g1 + } + >> + } + + bassIMelodie = \relative c' { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + r4 + r1 r1 r1 + r2 g2 ~ g4 g4 g4 g4 e2 e4 e4 a4 d,4 g4 g4 g2( fis2) b2 r2 + r1 r1 + r2 fis2 ~ fis4 fis4 e4 e4 e2 e2 a2. a4 fis2 fis4 fis4 e4 e4 e4 e4 e2 b4 d4 g2. g4 a2 a4 r4 + r2 a2 a4 a4 a4 a4 d2 fis,4 fis4 e4 fis4 g4 b4 a1 + r1 + r2 a4 a4 a4 a8 a8 a4 a4 a2 g2 ~ g4 g8 g8 g4 g4 g1( ~ g2 fis2) fis2 g2 fis2 fis4 fis4 fis2 fis4 fis4 fis2 b2 b1( ~ b2 fis2 ~ fis2 a2) g1( ~ g2 c2) g2 b4 b4 a4 a8 a8 g4 g4 c2 bes2 a4 a8 a8 a4 a4 b2 b2 b2 g4 g4 g2 c,2 a'4( g4 fis2) g2 e4 e4 g4 g4 g2 g4 g4 g4 c,4 d4 d4 g2 g2 g4 g4 g1 ~ g2. g4 g2( a2) b2 g4 g4 g1 d1 g4 g4 a4 ais4 b4( g4 d2 ~ d1) d2 f4 f4 e2( fis2) g2 g2 d1 g4 f4 f4 f4 e2( ees2) d4 d4 d4 d4 d1 d1 + } + >> + } + + bassIIMelodie = \relative c' { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + r4 + r1 r1 r1 + r2 g2 ~ g4 g4 e4 e4 a,2 a4 a4 a4 b4 c4 cis4 d1 g,2 r2 + r1 r1 + r2 b2 ~ b4 a4 g4 g4 a2 a2 g2 fis2 b2 b4 b4 e4 e4 e4 e4 a,2 b4 a4 g2. g4 g2 fis4 g4 a2. a4 d4 d4 a4 a4 b2 a4 a4 g4 a4 b4 g4 d'1 + r1 + r2 a'4 a4 g4 g8 g8 f4 f4 f2 c2 ~ c4 c8 c8 c4 c4 c2( b2 ~ b2 ais2) b2 r2 + fis'4 fis4 fis,4 fis4 fis2 fis4 fis4 fis1 fis1 fis1 ~ fis1 g1 ~ g1 g2 g'4 g4 f4 f8 f8 f4 f4 e2 e2 a,4 a8 a8 a4 a4 b2 b2 g2 g4 g4 c2 c2 d1 g,2 e'4 e4 d4 d4 c2 g4 g4 c4 c4 b4 b4 c2 g2 g'4 g4 f1( e2) ees2 d2( c2) b2 f'4 f4 e2 ees2 d1 ~ d2 d2 d1 ~ d1 g,2 g4 g4 g1 g2 g2 g1 g4 g4 g4 g4 g1 g4 g4 g4 g4 g1 g1 + } + >> + } + diff --git a/hr/stch/fertig/xci/texte.ly b/hr/stch/fertig/xci/texte.ly new file mode 100644 index 0000000..02ed3b0 --- /dev/null +++ b/hr/stch/fertig/xci/texte.ly @@ -0,0 +1,22 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + +% Die Textaufteilungen % -- _ + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + } + diff --git a/hr/stch/fertig/xci/xci.ly b/hr/stch/fertig/xci/xci.ly new file mode 100644 index 0000000..69a0f6a --- /dev/null +++ b/hr/stch/fertig/xci/xci.ly @@ -0,0 +1,76 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "stimmen.ly" +\include "texte.ly" + +\pointAndClickOff + + \header { + title = "Denn er hat seinen Engeln befohlen über dir" + composer = "Felix Mendelssohn Bartholdy (1809–1847)" + %opus = "<+Werk+>" + tagline = \markup { + \bold "studentenchor" + } + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 17) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "sopraneI" { \global \voiceOne \sopranIMelodie } + \new Voice = "sopraneII" { \global \voiceTwo \sopranIIMelodie } + %\addlyrics { \sopranText } + >> + + alt = << + \new Voice = "altiI" { \global \voiceOne \altIMelodie } + \new Voice = "altiII" { \global \voiceTwo \altIIMelodie } + %\addlyrics { \altText } + >> + + ten = << + \new Voice = "tenoereI" { \global \voiceOne \tenorIMelodie } + \new Voice = "tenoereII" { \global \voiceTwo \tenorIIMelodie } + %\addlyrics { \tenorText } + >> + + bas = << + \new Voice = "baesseI" { \global \voiceOne \bassIMelodie } + \new Voice = "baesseII" { \global \voiceTwo \bassIIMelodie } + %\addlyrics { \bassText } + >> + + \score { + \new ChoirStaff \with { printPartCombineTexts = ##f } << + \new Staff = sopran { \sop } + \new Staff = alt { \alt } + \new Staff = tenor { \ten } + \new Staff = bass { \bas } + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/stch/golle/I/komm.ly b/hr/stch/golle/I/komm.ly new file mode 100644 index 0000000..9cbdc26 --- /dev/null +++ b/hr/stch/golle/I/komm.ly @@ -0,0 +1,59 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + +\version "2.10.10" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "I. O komm, o komm, du Morgenstern" + composer = "J. Golle" + %opus = "<+Werk+>" + %tagline = "" + } + + \paper { + %<+weitere Einstellungen+> + } + + \midi { + %\tempo 4 = <+bpm+> + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 19) + + \score { + << + \new Staff = solo << + \new Voice = "altSolistin" { \global \altSolo } + \lyricsto altSolistin \soloText + >> + \new ChoirStaff << + \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + \lyricsto soprane \sopranText + >> + \new Staff = alt << + \new Voice = "alti" { \global \altGemein << \altA \\ \altB >> } + %\lyricsto alti \altText + >> + \new Staff = tenor << + \new Voice = "tenoere" { \global \tenorMelodie } + \lyricsto tenoere \tenorText + >> + \new Staff = bass << + \new Voice = "baesse" { \global \bassMelodie } + %\lyricsto baesse \bassText + >> + >> + >> + } + diff --git a/hr/stch/golle/I/komm.ps b/hr/stch/golle/I/komm.ps Binary files differnew file mode 100644 index 0000000..299f4c5 --- /dev/null +++ b/hr/stch/golle/I/komm.ps diff --git a/hr/stch/golle/I/stimmen.ly b/hr/stch/golle/I/stimmen.ly new file mode 100644 index 0000000..2a2e8f8 --- /dev/null +++ b/hr/stch/golle/I/stimmen.ly @@ -0,0 +1,204 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + + global = { + \key c \major + \time 6/4 + } + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + %\repeat unfold <+number of parts+> { + %s4*<+number of measures within a part+> + %} + } + +% articulation + + soloArt = { + %\repeat unfold <+number of parts+> { + %s4*<+number of measures within a part+> + %} + } + + sopranArt = { + %\repeat unfold <+number of parts+> { + %s4*<+number of measures within a part+> + %} + } + + altArt = { + %\repeat unfold <+number of parts+> { + %s4*<+number of measures within a part+> + %} + } + + tenorArt = { + %\repeat unfold <+number of parts+> { + %s4*<+number of measures within a part+> + %} + } + + bassArt = { + %\repeat unfold <+number of parts+> { + %s4*<+number of measures within a part+> + %} + } + +% Die Stimmen + + altSolo = \relative c' { + << + { \meta } + %\soloArt + %the actual tune + { + r4 r4 d4 f2 c'4 + a2 g4 f4( d4 ) a'4 + a1. + r1. r1. r1. + r4 r4 f4 c'2 b4 + a2 d,4 e4( f4 ) g4 a1. + r1. r1. r1. + e2 e4 f4. d8 f4 + g2 e4 a2. + c4 c4 b4 a2 d4 + c4 b2 a2. ~ a1. + r1. r1. r1. + a2 a4 b4. g8 b4 + c2 a4 d2. ~ d1. + r2. d4 c4 a4 + d2. ~ d2 d4 + c4 b2 a2. + } + >> + } + + sopranMelodie = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + r1. r1. r1. + r4 r4 f4 f2 e4 + d2 g4 f4 e2 + d1. + r1. r1. r1. + r4 r4 c'4 c2 b4 + a2 d4 c4 b2 + a1. + r1. r1. r1. r1. + e2 e4 f4. d8 f4 + g2 e4 a2. + c4 c4 b4 a2 d4 + c4 b2 a2. ~ a1. + r1. + f'4 f4 e4 d2 g4 + f4 e2 d2. + f4 f4 e4 d2 g4 + f4 e2 d2. + } + >> + } + + altGemein = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + r1. r1. r1. + r4 r4 d4 d2 c4 + b2 d4 c4 b2 + a1. + r1. r1. r1. + r4 r4 a'4 a2 g4 + fis2 a4 g4 fis2 + e1. + r1. r1. r1. r1. + c2 c4 d4. d8 d4 + } + >> + } + + altA = \relative c { + \voiceOne + e'2 e4 e2. + e4 a4 g4 fis2 a4 + g4 fis2 e2. ~ e1. + s1. + a4 d4 c4 b2 d4 + c4 b2 a2. + a4 d4 c4 b2 d4 + c4 b2 a2. + } + + altB = \relative c' { + \voiceTwo + d2 d4 d2. + c4 e4 e4 e2 e4 + e4 d2 cis2. ~ cis1. + r1. + f4 a4 a4 a2 a4 + a4 g2 fis2. + f4 a4 a4 a2 a4 + a4 g2 fis2. + } + + tenorMelodie = \relative c'' { + << + { \meta } + %\tenorArt + %the actual tune + { + r1. r1. r1. + r4 r4 a4 a2 d,4 + a'2 a4 a2 g4 + a1. + r1. r1. r1. + r4 r4 e'4 e2 a,4 + e'2 e4 e4 d2 + cis1. + r1. r1. r1. r1. + a2 a4 c4. c8 c4 + b2 b4 a2. + a4 a4 e4 a2 a4 + a2 g4 a2. ~ a1. + r1. + d4 d4 a4 d2 d4 + d2 c4 d2. + d4 d4 a4 d2 d4 + d2 c4 d2. + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + r1. r1. r1. + r4 r4 d4 d4( e4 ) f4 + g4( f4 ) e4 a2 a,4 + d1. + r1. r1. r1. + r4 r4 a4 a4( b4 ) c4 + d4( c4 ) b4 e2 e4 + << e1. a,1. >> + r1. r1. r1. r1. + a2 a4 a'4. a8 a4 + g2 g4 fis2. + a,4 b4 c4 d4( c4 ) b4 + e2 e4 << { e2. ~ e1. } { a,2. ~ a1. } >> + r1. + d4 e4 f4 g4( f4 ) e4 + a2 a4 << a2. d,2. >> + d4 e4 f4 g4( f4 ) e4 + a2 a4 << a2. d,2. >> + } + >> + } diff --git a/hr/stch/golle/I/texte.ly b/hr/stch/golle/I/texte.ly new file mode 100644 index 0000000..c07ffa8 --- /dev/null +++ b/hr/stch/golle/I/texte.ly @@ -0,0 +1,41 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + +% Abkürzungen + + hale = \lyricmode { + Freut euch und singt Ha -- le -- lu -- ja. + } + + freut = \lyricmode { + Freut euch, freut euch, der Herr ist nah. + \hale + } + +% Die Textaufteilungen + + soloText = \lyrics { + O komm, o komm, du Mor -- gen -- stern,... + Ver -- treib das Dun -- kel uns -- rer Nacht... + \freut + \freut + } + + sopranText = \lyrics { + _...laß uns dich schau -- en, un -- sern Herrn. + _...durch dei -- nes kla -- ren Lich -- tes Pracht. + \freut + \hale \hale + } + + altText = \lyrics { + \sopranText + } + + tenorText = \lyrics { + \sopranText + } + + bassText = \lyrics { + \sopranText + } + diff --git a/hr/stch/golle/II/dynArt.ly b/hr/stch/golle/II/dynArt.ly new file mode 100644 index 0000000..bd2d482 --- /dev/null +++ b/hr/stch/golle/II/dynArt.ly @@ -0,0 +1,36 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + %\repeat unfold <+number of parts+> { + %s4*<+number of measures within a part+> + %} + } + +% articulation + + sopranArt = { + %\repeat unfold <+number of parts+> { + %s4*<+number of measures within a part+> + %} + } + + altArt = { + %\repeat unfold <+number of parts+> { + %s4*<+number of measures within a part+> + %} + } + + tenorArt = { + %\repeat unfold <+number of parts+> { + %s4*<+number of measures within a part+> + %} + } + + bassArt = { + %\repeat unfold <+number of parts+> { + %s4*<+number of measures within a part+> + %} + } + diff --git a/hr/stch/golle/II/hodie.ly b/hr/stch/golle/II/hodie.ly new file mode 100644 index 0000000..36bfb49 --- /dev/null +++ b/hr/stch/golle/II/hodie.ly @@ -0,0 +1,45 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + +\version "2.10.10" +\include "parts.ly" +\include "texte.ly" + + \header { + title = "Hodie Christus natus est" + composer = "JG" + %opus = "<+Werk+>" + %tagline = "" + } + + \paper { + %<+weitere Einstellungen+> + } + + \midi { + %\tempo 4 = <+bpm+> + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + %\context { + %\Score + %\remove "Timing_translator" + %\remove "Default_bar_line_engraver" + %} + %\context { + %\ChoirStaff + %\consists "Timing_translator" + %\consists "Default_bar_line_engraver" + %} + } + + #(set-global-staff-size 12) + + \score { + \wholeMusic + } + diff --git a/hr/stch/golle/II/hodie.ps b/hr/stch/golle/II/hodie.ps Binary files differnew file mode 100644 index 0000000..d82c4a8 --- /dev/null +++ b/hr/stch/golle/II/hodie.ps diff --git a/hr/stch/golle/II/parts.ly b/hr/stch/golle/II/parts.ly new file mode 100644 index 0000000..49430b2 --- /dev/null +++ b/hr/stch/golle/II/parts.ly @@ -0,0 +1,86 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + +\include "stimmen.ly" +\include "texte.ly" + + partA = \new ChoirStaff << + \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodieA } + %\lyricsto soprane \sopranText + >> + \new Staff = alt << + \new Voice = "alti" { \global \altMelodieA } + %\lyricsto alti \altText + >> + \new Staff = tenor << + \new Voice = "tenoere" { \global \tenorMelodieA } + %\lyricsto tenoere \tenorText + >> + \new Staff = bass << + \new Voice = "baesse" { \global \bassMelodieA } + %\lyricsto baesse \bassText + >> + >> + + partB = \new ChoirStaff << + \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \sopranMelodieB } + %\lyricsto soprane \sopranText + >> + \new Staff = alt << + \new Voice = "alti" { \altMelodieB } + %\lyricsto alti \altText + >> + \new Staff = tenor << + \new Voice = "tenoere" { \tenorMelodieB } + %\lyricsto tenoere \tenorText + >> + \new Staff = bass << + \new Voice = "baesse" { \bassMelodieB } + %\lyricsto baesse \bassText + >> + >> + + partC = \new ChoirStaff << + \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \sopranMelodieC } + %\lyricsto soprane \sopranText + >> + \new Staff = alt << + \new Voice = "alti" { \altMelodieC } + %\lyricsto alti \altText + >> + \new Staff = tenor << + \new Voice = "tenoere" { \tenorMelodieC } + %\lyricsto tenoere \tenorText + >> + \new Staff = bass << + \new Voice = "baesse" { \bassMelodieC } + %\lyricsto baesse \bassText + >> + >> + + wholeMusic = { + << + \new Staff = TenorSolo << + \new Voice = "Tsolo" { \global \tenorSolo } + \lyricsto Tsolo \Tenor + >> + \partA + >> + \\ + \break + \partB + \\ + \break + << + \new Staff = SopranSolo << + \new Voice = "Ssolo" { \global \sopranSolo } + \lyricsto Ssolo \Sopran + >> + \partC + >> + } diff --git a/hr/stch/golle/II/stimmen.ly b/hr/stch/golle/II/stimmen.ly new file mode 100644 index 0000000..f1b2a41 --- /dev/null +++ b/hr/stch/golle/II/stimmen.ly @@ -0,0 +1,352 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + + \include "dynArt.ly" + + global = { + \key c \major + \override Score.TimeSignature #'style = #'() + \time 2/2 + } + +% Die Stimmen + + tenorSolo = \relative c'' { + \repeat volta 2 { + d4. d8 c4 a4 + g4 d4 a'2 ~ a1 ~ a2 r2 + f'8. f16 e4 d4 c4 + a4 c4 d2 ~ d1 ~ d2 r2 + d4 d8 d8 d4 a4 + } + \alternative { + { + c4 a4 a2 ~ a2 r2 + } + { + c4 a4 a2 ~ a2 + } + } + } + + sopranSolo = \relative c'' { + %-------------------------------% + %--------- Und es sang ---------% + %-------------------------------% + r2*8 + \time 3/2 + r4 d2 b4 d2 ~ \time 2/2 d2 r4 d4 ~ d4 d4 d4 g4 + f4( d4 ) d2 ~ d2 r4 a4 ~ a4 d4 c4 c4 + a1 ~ a2 r4 d4 + \time 3/2 + a4 a8 a8 c4. c8 f4 f4 + e4( a,4 ) a1 + } + + sopranMelodieA = \relative c'' { + << + { \meta } + %\sopranArt + %the actual tune + { + \repeat volta 2 { + r1 r1 + d4. c8 a4 f4 + g4 d4 a'2 + r1 r1 + f'4. e8 d4 c4 + a4 c4 d2 + f4. e8 d4 c4 + } + \alternative { + { + a4 c4 d2 ~ d2 r2 + } + { + a4 c4 d2 ~ d2 r2 + } + } + } + >> + } + + sopranMelodieB = \relative c'' { + << + { + %-------------------------------% + %-------- Wißt ihr noch --------% + %-------------------------------% + \repeat volta 4 { + \time 3/2 + e,4. e8 f4 f4 g4 g4 + \time 2/2 + a2 a2 + \time 3/2 + a4. a8 b4 b4 c4 c4 + d2 d1 + d4. d8 d4 d4 f4 f4 + \time 2/2 + d2 d2 + \time 3/2 + d4. d8 f,4 f4 d4 d4 + a'1 r2 + d4. d8 f,4 f4 d4 d4 + a'1 r2 + } + } + >> + } + + sopranMelodieC = \relative c'' { + << + { + %-------------------------------% + %--------- Und es sang ---------% + %-------------------------------% + \repeat unfold 2 { + \time 3/2 + e,4. e8 f4 f4 g4 g4 + \time 2/2 + a2 a2 + \time 3/2 + a4. a8 b4 b4 c4 c4 + d2 d1 + d4. d8 d4 d4 f4 f4 + \time 2/2 + d2 d2 + \time 3/2 + d4. d8 f,4 f4 d4 d4 + a'1 r2 + d4. d8 f,4 f4 d4 d4 + } + \alternative { + { a'1. ~ a1. } + { a'1 r2 } + } + } + >> + } + + altMelodieA = \relative c'' { + << + { \meta } + %\altArt + %the actual tune + { + \repeat volta 2 { + r1 r1 + a4. g8 f4 d4 + d4 d4 c2 + r1 r1 + c'4. b8 a4 g4 + f4 e4 g2 + c4. b8 a4 g4 + } + \alternative { + { + e4 g4 fis2 ~ fis2 r2 + } + { + e4 g4 fis2 ~ fis2 r2 + } + } + } + >> + } + + altMelodieB = \relative c'' { + << + { + %-------------------------------% + %-------- Wißt ihr noch --------% + %-------------------------------% + \repeat volta 4 { + e4. e8 e4 e4 d4 d4 + e2 e2 + e4. e8 e4 e4 g4 g4 + fis2 fis1 + g4. g8 g4 g4 a4 a4 + g2 g2 + f4. f8 d4 d4 d4 d4 + e1 r2 + f4. f8 d4 d4 d4 d4 + e1 r2 + } + } + >> + } + + altMelodieC = \relative c'' { + << + { + %-------------------------------% + %--------- Und es sang ---------% + %-------------------------------% + \repeat unfold 2 { + e,4. e8 e4 e4 d4 d4 + e2 e2 + e4. e8 e4 e4 g4 g4 + fis2 fis1 + g4. g8 g4 g4 a4 a4 + g2 g2 + f4. f8 d4 d4 d4 d4 + e1 r2 + f4. f8 d4 d4 d4 d4 + } + \alternative { + { e1. ~ e1. } + { e1 r2 } + } + } + >> + } + + tenorMelodieA = \relative c'' { + << + { \meta } + %\tenorArt + %the actual tune + { + \repeat volta 2 { + r1 r1 + a4. a8 a4 a4 + a4 a4 e2 + r1 r1 + d'4. d8 d4 a4 + c4 a4 b2 + d4. d8 d4 a4 + } + \alternative { + { + c4 a4 a2 ~ a2 r2 + } + { + c4 a4 a2 ~ a2 r2 + } + } + } + >> + } + + tenorMelodieB = \relative c'' { + << + { + %-------------------------------% + %-------- Wißt ihr noch --------% + %-------------------------------% + \repeat volta 4 { + c4. c8 c4 c4 b4 b4 + a2 a2 + a4. a8 a4 a4 a4 a4 + a2 a1 + b4. b8 b4 b4 d4 d4 + b2 b2 + a4. a8 a4 a4 a4 f4 + a1 r2 + a4. a8 a4 a4 a4 f4 + a1 r2 + } + } + >> + } + + tenorMelodieC = \relative c'' { + << + { + %-------------------------------% + %--------- Und es sang ---------% + %-------------------------------% + \repeat unfold 2 { + c4. c8 c4 c4 b4 b4 + a2 a2 + a4. a8 a4 a4 a4 a4 + a2 a1 + b4. b8 b4 b4 d4 d4 + b2 b2 + a4. a8 a4 a4 a4 f4 + a1 r2 + a4. a8 a4 a4 a4 f4 + } + \alternative { + { a1. ~ a1. } + { a1 r2 } + } + } + >> + } + + bassMelodieA = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + \repeat volta 2 { + r1 r1 + f4. e8 d4 c4 + b4 b4 a2 + r1 r1 + a'4. g8 f4 e4 + d4 a'4 g2 + a4. g8 f4 e4 + } + \alternative { + { + g8 f8 e4 d2 ~ d2 r2 + } + { + g8 f8 e4 d2 ~ d2 r2 + } + } + } + >> + } + + bassMelodieB = \relative c { + << + { + %-------------------------------% + %-------- Wißt ihr noch --------% + %-------------------------------% + \clef bass + \repeat volta 4 { + a'4. a8 a4 a4 e4 e4 + a,2 a2 + g'4. g8 f4 f4 e4 e4 + d2 d1 + g4. g8 g4 g4 d4 d4 + g2 g2 + d4. d8 c4 c4 bes4 bes4 + a1 r2 + d4. d8 c4 c4 bes4 bes4 + a1 r2 + } + } + >> + } + + bassMelodieC = \relative c { + << + { + %-------------------------------% + %--------- Und es sang ---------% + %-------------------------------% + \clef bass + \repeat unfold 2 { + a'4. a8 a4 a4 e4 e4 + a,2 a2 + g'4. g8 f4 f4 e4 e4 + d2 d1 + g4. g8 g4 g4 d4 d4 + g2 g2 + d4. d8 c4 c4 bes4 bes4 + a1 r2 + d4. d8 c4 c4 bes4 bes4 + } + \alternative { + { a1. ~ a1. } + { a1 r2 } + } + } + >> + } diff --git a/hr/stch/golle/II/texte.ly b/hr/stch/golle/II/texte.ly new file mode 100644 index 0000000..df53289 --- /dev/null +++ b/hr/stch/golle/II/texte.ly @@ -0,0 +1,46 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + +% Abkürzungen + + hodie = \lyricmode { + Ho -- die Chri -- stus na -- tus est! + } + +% Die Textaufteilungen + + Tenor = \lyrics { + \hodie _ \hodie _ \hodie + bo -- ren ist! + } + + Sopran = \lyrics { + Glo -- ri -- a in ex -- cel -- sis De -- o + et in ter -- ra pax hu -- mi -- ni -- bus + bo -- nae vo -- lun -- ta -- tis. + } + + sopranText = \lyrics { + \hodie \hodie \hodie + bo -- ren ist! + Wißt ihr noch, wie es ge -- sche -- hen? + Im -- mer wer -- den wir's er -- zäh -- len: + wie wir einst den Stern ge -- se -- hen + mit -- ten in der dun -- klen Nacht, + mit -- ten in der dun -- klen Nacht. + Und es sang aus Him -- mels -- hal -- len: + Ehr sei Gott! Auf Er -- den Frie -- den! + Al -- len Men -- schen Wohl -- ge -- fal -- len, + Got -- tes Gna -- de al -- lem Volk, + Got -- tes Gna -- de al -- lem Volk! + Im -- mer wer -- den wir's er -- zäh -- len, + wie das Wun -- der einst ge -- sche -- hen + und wie wir den Stern ge -- se -- hen + mit -- ten in der dun -- klen Nacht, + mit -- ten in der dun -- klen Nacht. + } + + tenorText = \lyrics { + \hodie \hodie \hodie + bo -- ren ist! + } + diff --git a/hr/stch/lux/dynArt.ly b/hr/stch/lux/dynArt.ly new file mode 100644 index 0000000..30423d4 --- /dev/null +++ b/hr/stch/lux/dynArt.ly @@ -0,0 +1,21 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/lux/lux.ly b/hr/stch/lux/lux.ly new file mode 100644 index 0000000..384a598 --- /dev/null +++ b/hr/stch/lux/lux.ly @@ -0,0 +1,69 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Lux Aurumque" + composer = "Eric Whitacre" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + %#(set-global-staff-size 17) + + sop = \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + %\addlyrics { \sopranText } + >> + + alt = \new Staff = alt << + \new Voice = "alti" { \global \altMelodie } + %\addlyrics { \altText } + >> + + ten = \new Staff = tenor << + \new Voice = "tenoere" { \global \tenorMelodie } + %\addlyrics { \tenorText } + >> + + bas = \new Staff = bass << + \new Voice = "baesse" { \global \bassMelodie } + %\addlyrics { \bassText } + >> + + \score { + \new ChoirStaff \with {} << + %\sop + %\alt + %\ten + \bas + \new Lyrics \bassText + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/stch/lux/midi.lua b/hr/stch/lux/midi.lua new file mode 100644 index 0000000..58e69da --- /dev/null +++ b/hr/stch/lux/midi.lua @@ -0,0 +1,50 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + +\version "2.12" +\include "stimmen.ly" + + \score { +]] + +post=[[ + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/lux/stimmen.ly b/hr/stch/lux/stimmen.ly new file mode 100644 index 0000000..516385f --- /dev/null +++ b/hr/stch/lux/stimmen.ly @@ -0,0 +1,143 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key e \major + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + %\autoBeamOff + } + +% Die Stimmen + + sopranMelodie = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + r1 + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + r1*23 + r2 r4 + << + { + a4 b4 a2 + } + { + e4 fis4 e2 + } + >> + } + >> + } \addQuote keks \altMelodie + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + r1 + } + >> + } + + bassA = \relative c' { + << + %the actual tune + \clef bass + { + cis1 ~ cis2. r4 + cis1 ~ cis2. r4 + cis1 ~ cis2. r4 + cis1 ~ cis2. r4 + r2 cis4 cis4 b2. r4 + r2 a4 a4 b2. r4 + r4 e,4 e2 dis2. dis4( cis4) cis4 cis2 + a2 b2 cis2. r4 + r2 a'2 a1 + r2 r4 a4 a1 + cis,2 dis2 e2 fis2 r1 + r2 r4 a4 b4[( fis4 a4 cis,4 dis4 b4] cis2) + cis2 dis2 a1 + \bar "||" + cis1 cis2. r4 + cis1 cis2. r4 + cis1 cis2. r4 + cis4 r4 cis4 r4 cis4 r4 r2 + \key fis \major + cis1 ais2 r2 + cis1 ais2 r2 + cis1 ais2 r2 + ais4 r4 ais4 r4 r1 + gis1 gis1 ~ gis1 + \bar "|." + } + >> + } + bassB = \relative c' { + << + %the actual tune + \clef bass + { + s1*23 + s2 s4 + \cueDuring keks #UP { s4 s2. } + } + { + cis1( gis2.) r4 + cis1( gis2.) r4 + cis1( gis2.) r4 + cis1( gis2.) r4 + r2 a4 a4 fis2. r4 + r2 e4 e4 fis2. r4 + r4 cis4 b2 bes2. bes4( gis4) gis4 gis2 + a2 b2 fis2. r4 + r2 a'2 fis1 + r2 r4 a4 fis1 + fis,2 gis2 a2 b2 r1 + %r2 r4 a4 b4( fis4 a4 cis,4 dis4 b4 cis2) + r2 r4 a'4 b4( fis4 a4 cis,4 dis4 b4 cis4 fis,4) + a2 b2 fis1 + % + cis'1 gis2. r4 + cis1 gis2. r4 + cis1 gis2. r4 + gis4 r4 gis4 r4 gis4 r4 r2 + % + gis1 dis2 r2 + gis1 dis2 r2 + gis1 dis2 r2 + dis4 r4 dis4 r4 r1 + cis1 cis1 ~ cis1 + } + >> + } + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + \override NoteColumn #'ignore-collision = ##t + \set Staff.aDueText = #"" + \partcombine + \bassA + %\\ + \bassB + >> + } + diff --git a/hr/stch/lux/stimmen_.ly b/hr/stch/lux/stimmen_.ly new file mode 100644 index 0000000..f267f85 --- /dev/null +++ b/hr/stch/lux/stimmen_.ly @@ -0,0 +1,192 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key e \major + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + %\autoBeamOff + } + +% Die Stimmen + + sopranMelodie = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + r1 + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + r1*23 + r2 r4 + << + { + a4 b4 a2 + } + { + e4 fis4 e2 + } + >> + } + >> + } \addQuote keks \altMelodie + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + r1 + } + >> + } + + bassAa = \relative c' { + cis1 ~ cis2. r4 + cis1 ~ cis2. r4 + cis1 ~ cis2. r4 + cis1 ~ cis2. r4 + } + bassAb = \relative c' { + r2 cis4 cis4 b2. r4 + r2 a4 a4 b2. r4 + r4 e,4 e2 dis2. dis4( cis4) cis4 cis2 + } + bassAbc = \relative c { + r2 a'2 a1 + r2 r4 a4 a1 + cis,2 dis2 e2 fis2 r1 + } + bassAc = \relative c' { + r2 r4 a4 b4[( fis4 a4 cis,4 dis4 b4] cis2) + } + bassAd = \relative c { + cis2 dis2 a1 + \bar "||" + } + bassAe = \relative c { + cis1 cis2. r4 + cis1 cis2. r4 + cis1 cis2. r4 + cis4 r4 cis4 r4 cis4 r4 r2 + } + bassAf = \relative c { + \key fis \major + cis1 ais2 r2 + cis1 ais2 r2 + cis1 ais2 r2 + ais4 r4 ais4 r4 r1 + gis1 gis1 ~ gis1 + \bar "|." + } + bassA = \relative c' { + << + %the actual tune + \clef bass + { + \bassAa + \bassAb + \bassAc + \bassAd + \bassAe + \bassAf + } + >> + } + bassBa = \relative c' { + cis1( gis2.) r4 + cis1( gis2.) r4 + cis1( gis2.) r4 + cis1( gis2.) r4 + } + bassBb = \relative c' { + r2 a4 a4 fis2. r4 + r2 e4 e4 fis2. r4 + r4 cis4 b2 bes2. bes4( gis4) gis4 gis2 + } + bassBbc = \relative c { + r2 a'2 fis1 + r2 r4 a4 fis1 + fis,2 gis2 a2 b2 r1 + } + bassBc = \relative c' { + %r2 r4 a4 b4( fis4 a4 cis,4 dis4 b4 cis2) + r2 r4 a4 b4( fis4 a4 cis,4 dis4 b4 cis4 fis,4) + } + bassBd = \relative c { + a2 b2 fis1 + % + } + bassBe = \relative c { + cis1 gis2. r4 + cis1 gis2. r4 + cis1 gis2. r4 + gis4 r4 gis4 r4 gis4 r4 r2 + % + } + bassBf = \relative c { + gis1 dis2 r2 + gis1 dis2 r2 + gis1 dis2 r2 + dis4 r4 dis4 r4 r1 + cis1 cis1 ~ cis1 + } + bassB = \relative c' { + << + %the actual tune + \clef bass + { + \bassBa + \bassBb + \bassBc + \bassBd + \bassBe + \bassBf + } + >> + } + bassMelodie = \relative c { + \clef bass + \override NoteColumn #'ignore-collision = ##t + \set Staff.aDueText = #"" + << + { \meta } + %\bassArt + %the actual tune + { + s1*23 + s2 s4 + \cueDuring keks #UP { s4 s2. } + } + %\partcombine + { + << \bassAa \\ \bassBa>> + << \bassAb \bassBb>> + \oneVoice a2 b2 + << { cis2. r4 } { fis,2. r4 } >> + << \bassAbc \\ \bassBbc>> + << \bassAc \bassBc>> + << \bassAd \bassBd>> + << \bassAe \bassBe>> + << \bassAf \bassBf>> + } + %\new Voice = "h" \bassA + %\\ + %\new Voice = "t" \bassB + >> + } + diff --git a/hr/stch/lux/texte.ly b/hr/stch/lux/texte.ly new file mode 100644 index 0000000..37afcac --- /dev/null +++ b/hr/stch/lux/texte.ly @@ -0,0 +1,35 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + Lux,1*2 Lux,1*2 Lux,1*2 Lux,1*2 + \skip2 ca4 -- li4 -- da,2. \skip4 + \skip2 ca4 -- li4 -- da2. \skip4 + \skip4 gra4 -- vis2 -- que,2. + gra2 -- vis4 -- que,2 + gra2 -- vis2 -- que,2. \skip4 + \skip2 pu2 -- ra,1 \skip2. pu4 -- ra1 ve2 -- lut2 au2 -- rum,2 + \skip1 \skip2. + et4 ca1. nunt2 + an2 -- ge2 -- li,1 + ca1 -- nunt,1 ca1 -- nunt,1 ca1 -- nunt1 mol2 -- li2 -- ter2 \skip2 + na1 -- tum,1 na1 -- tum,1 na1 -- tum,1 + mo2 -- do2 \skip1 na1 -- tum.1*2 + } + diff --git a/hr/stch/nun/nun.ly b/hr/stch/nun/nun.ly new file mode 100644 index 0000000..dbffb6b --- /dev/null +++ b/hr/stch/nun/nun.ly @@ -0,0 +1,55 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + +\version "2.10.10" +\include "stimmen.ly" +%\include "texte.ly" + + \header { + title = "Nun fanget an" + composer = "Hans Leo Haßler, 1564–1612" + opus = "aus \"Neue teutsche Gesang\", 1596" + %tagline = "" + } + + \paper { + %<+weitere Einstellungen+> + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + %#(set-global-staff-size 17) + + \score { + \new ChoirStaff << + \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + %\lyricsto soprane \sopranText + >> + \new Staff = alt << + \new Voice = "alti" { \global \altMelodie } + %\lyricsto alti \altText + >> + \new Staff = tenor << + \new Voice = "tenoere" { \global \tenorMelodie } + %\lyricsto tenoere \tenorText + >> + \new Staff = bass << + \new Voice = "baesse" { \global \bassMelodie } + %\lyricsto baesse \bassText + >> + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-mment 72 4) + %} + %} + } + diff --git a/hr/stch/nun/nun.ps b/hr/stch/nun/nun.ps Binary files differnew file mode 100644 index 0000000..049b5f1 --- /dev/null +++ b/hr/stch/nun/nun.ps diff --git a/hr/stch/nun/stimmen.ly b/hr/stch/nun/stimmen.ly new file mode 100644 index 0000000..82f7dca --- /dev/null +++ b/hr/stch/nun/stimmen.ly @@ -0,0 +1,99 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + + %\include "dynArt.ly" + + global = { + \key f \major + %\override Staff.TimeSignature #'style = #'() + \time 2/2 + } + +% Die Stimmen + + sopranMelodie = \relative c'' { + << + % { \meta } + %\sopranArt + %the actual tune + { + \once \set Score.voltaSpannerDuration = #(ly:make-moment 2 2) + \repeat volta 2 { + g2 g4 a4 + bes4 c4 d2. + c4 c4 bes4 + a4( g4( a2 ) ) + g4 d'4 d4. d8 + c4. c8 bes4. bes8 + a4 g4 a2 + a1 r1 r1 r1 + r4 d4 c4. d8 + b4. c8 a4. bes8 + g4 g4 fis2 + } + \alternative { + { g1 } + { + g2 d'2 + } + } + { + ees2 d2 + c4 bes4 c2 + d2 r4 d4 + c2 d2 + bes4 g4 c2 + d2 r2 + r4 g,4 c4. bes8 + %\revert Score.voltaSpannerDuration + \repeat volta 2 { + a4 a4 d4. c8 + b2 r4 c4 + a4 a4 d8( c8( bes8( a8( g4 ) ) ) ) + g4 c8( bes8( a8( g8( fis4( g2( fis4 ) ) ) ) ) ) + } + \alternative { + { + g1 + r4 g4 c4. bes8 + } + { g1 } + } + } + } + >> + } + + altMelodie = \relative c' { + << + % { \meta } + %\altArt + %the actual tune + { + %r1 <++> + } + >> + } + + tenorMelodie = \relative c' { + << + % { \meta } + %\tenorArt + %the actual tune + { + %r1 <++> + } + >> + } + + bassMelodie = \relative c { + << + % { \meta } + %\bassArt + %the actual tune + \clef bass + { + %r1 <++> + } + >> + } + diff --git a/hr/stch/nun/texte.ly b/hr/stch/nun/texte.ly new file mode 100644 index 0000000..e69de29 --- /dev/null +++ b/hr/stch/nun/texte.ly diff --git a/hr/stch/pines/dynArt.ly b/hr/stch/pines/dynArt.ly new file mode 100644 index 0000000..30423d4 --- /dev/null +++ b/hr/stch/pines/dynArt.ly @@ -0,0 +1,21 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/pines/midi.lua b/hr/stch/pines/midi.lua new file mode 100644 index 0000000..58e69da --- /dev/null +++ b/hr/stch/pines/midi.lua @@ -0,0 +1,50 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + +\version "2.12" +\include "stimmen.ly" + + \score { +]] + +post=[[ + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/pines/pines.ly b/hr/stch/pines/pines.ly new file mode 100644 index 0000000..f557554 --- /dev/null +++ b/hr/stch/pines/pines.ly @@ -0,0 +1,60 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "<+Titel+>" + composer = "<+Komponist+>" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + %#(set-global-staff-size 17) + + \score { + \new ChoirStaff \with {} << + \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + %\addlyrics { \sopranText } + >> + \new Staff = alt << + \new Voice = "alti" { \global \altMelodie } + %\addlyrics { \altText } + >> + \new Staff = tenor << + \new Voice = "tenoere" { \global \tenorMelodie } + %\addlyrics { \tenorText } + >> + \new Staff = bass << + \new Voice = "baesse" { \global \bassMelodie } + %\addlyrics { \bassText } + >> + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/stch/pines/stimmen.ly b/hr/stch/pines/stimmen.ly new file mode 100644 index 0000000..f31a511 --- /dev/null +++ b/hr/stch/pines/stimmen.ly @@ -0,0 +1,61 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key g \minor + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + %\autoBeamOff + } + +% Die Stimmen + + sopranMelodie = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + d4 g2 g8 g8 d'2 d8 d8 c2 c8 a8 + g2 bes8 bes8 + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + r1 + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + r1 + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + r1 + } + >> + } + diff --git a/hr/stch/pines/texte.ly b/hr/stch/pines/texte.ly new file mode 100644 index 0000000..3653454 --- /dev/null +++ b/hr/stch/pines/texte.ly @@ -0,0 +1,22 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + } + diff --git a/hr/stch/praise/dynArt.ly b/hr/stch/praise/dynArt.ly new file mode 100644 index 0000000..3f9af98 --- /dev/null +++ b/hr/stch/praise/dynArt.ly @@ -0,0 +1,57 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + \tempo 4=100 + s8\ff s8 + s2*3 + s4 \breathe s4 + s2*3 + s4 \breathe s4 + \break + % + s2*6 + s2\< + s4\! s4 + % } bla = { + s2\< + s4\ff s4 + s2*3 + \break + % + s2*13 + s4\< s4 + s4 \breathe s4\! + s2\fermata + % + s4 s8\ff s8 + s2*7 + s4 \breathe s4 + s2*5 + % + s2 + s2\< + s4\! s4 + s2\< + s4\! s4\ff + s2*5 + s4-> s4 + s2->\fermata + \bar "|." + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/praise/midi.lua b/hr/stch/praise/midi.lua new file mode 100644 index 0000000..8aef7d6 --- /dev/null +++ b/hr/stch/praise/midi.lua @@ -0,0 +1,53 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { + << + \unfoldRepeats +]] + +post=[[ + >> + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 100 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/praise/praise.ly b/hr/stch/praise/praise.ly new file mode 100644 index 0000000..f5aaa1a --- /dev/null +++ b/hr/stch/praise/praise.ly @@ -0,0 +1,75 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "stimmen.ly" +\include "texte.ly" + +\pointAndClickOff + + \header { + title = "I will praise thee, o Lord" + subtitle = "(No. 3 of Three Motets)" + composer = "Knut Nystedt" + %opus = "<+Werk+>" + tagline = \markup { + \bold "studentenchor" + } + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 17) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + %\addlyrics { \sopranText } + >> + + alt = << + \new Voice = "alti" { \global \altMelodie } + %\addlyrics { \altText } + >> + + ten = << + \new Voice = "tenoere" { \global \tenorMelodie } + \addlyrics { \tenorText } + >> + + bas = << + \new Voice = "baesse" { \global \bassMelodie } + %\addlyrics { \bassText } + >> + + \score { + \new ChoirStaff \with { printPartCombineTexts = ##f } << + %\new Staff = sopran { \sop } + %\new Staff = alt { \alt } + \new Staff = tenor { \ten } + \new Staff = bass { \bas } + >> + %{ + \midi { + \context{ + \Score + tempoWholesPerMinute = #(ly:make-moment 100 4) + } + } + %} + \layout { + } + } + diff --git a/hr/stch/praise/praise.midi b/hr/stch/praise/praise.midi Binary files differnew file mode 100644 index 0000000..3a16fb4 --- /dev/null +++ b/hr/stch/praise/praise.midi diff --git a/hr/stch/praise/stimmen.ly b/hr/stch/praise/stimmen.ly new file mode 100644 index 0000000..adfd7be --- /dev/null +++ b/hr/stch/praise/stimmen.ly @@ -0,0 +1,198 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key c \major + %\override Staff.TimeSignature #'style = #'() + \time 2/4 + %\autoBeamOff + \partial 4 + } + +% Die Stimmen + + sopranMelodie = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + r1 + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + r1 + } + >> + } + + mnf = \markup{ \italic "meno" \dynamic "f" } + %meta = { s4\ff } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + b8 b8 + d4 \times 2/3 {d4 d8} + d4 ~ \times 2/3 {d8 d8 d8} + e2\espressivo( + d4) b8 b8 + e4 \times 2/3 {e4 e8} + e4 e8 e8 + e2\espressivo( + dis4) r4 + % + r4 b8^\mnf b8 + c8( b8) a8( fis8) + g4 a4 + b4. b8 + c2 + r4 a4 + d2 + r4 b4 + e2 + d4 d4 + e2 + dis8( e8 fis4) + dis2 + % + r8 b,8\f b8 b8 + fis'4 g8 fis8 + b4 ais4 + d2 ~ + d4 r4 + cis4 cis8 cis8 + b4 \breathe r4 + r8 b8 b8 b8 + cis4 d8 cis8 + e4 ees4 + fis4. r8 + g,8( a8) a8 b8 + b8( c8) c8 d8 + e4( d4 + c4) c4 + a2 + % + r4 b8 b8 + d2 + d4 ~ \times 2/3 {d8 d8 d8} + e2( + d4) b8 b8 + e2 + e4 e8 e8 + e2( + dis4) r4 + r4 b8^\mnf b8 + c8( b8) a8( fis8) + g4( a4) + b2 + c2 + % + r4 a4 + d2 + r4 b4 + e2 + r4 d4 + e2 + r4 d4 + e2( ~ + e4 c4 + <b e>4) r4 + <g e'>4 r4 + <b d>2 + } + >> + } + + %meta = { s4\p } + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + b'8 b8 + g4 \times 2/3 {g4 g8} + b4 ~ \times 2/3 {b8 b8 b8} + e,2( + b'4) b8 b8 + c4 \times 2/3 {b4 b8} + a4 g8 g8 + e4( g4 + b4) r4 + r4 b8^\mnf b8 + c8( b8) a8( fis8) + d4 c4 + d4. d8 + g2 + r4 a4 + b2 + r4 b4 + c2 + d4 d4 + d4( c4) + b4( a4) + b2 + % + r8 b,8\f b8 b8 + fis'4 g8 fis8 + b4 ais4 + d4( cis4 + b4) r4 + g4 g8 g8 + fis4( e4) \breathe + d8( e8) e8 fis8 + fis8( g8) g8 a8 + b4( c4 + a4.) \breathe a8 + g8( a8 fis8 g8 + e4) d4 + c2( + a4) a4 + d2 + % + r4 b'8 b8 + g2 + b4 ~ \times 2/3 {b8 b8 b8} + e,2( + b'4) b8 b8 + c4( b4) + a4 g8 g8 + e4( g4 + b4) r4 + r4 b8^\mnf b8 + c8( b8) a8( fis8) + d4( c4) + d2 + g2 + % + r4 a4 + b2 + r4 b4 + c2 + r4 d4 + d2 + r4 d4 + d4( c4 + b4 a4 + e4) r4 + c4 r4 + g'2 + } + >> + } + diff --git a/hr/stch/praise/texte.ly b/hr/stch/praise/texte.ly new file mode 100644 index 0000000..b476059 --- /dev/null +++ b/hr/stch/praise/texte.ly @@ -0,0 +1,36 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + I will praise thee, O Lord, with my heart, + I will praise thee, O Lord, with my heart; + I will show forth all thy mar -- v’lous works, + show forth, show forth all thy mar -- v’lous works. + I will be glad and re -- joice in thee, + glad and re -- joice, + I will be glad and re -- joice in thee, + I will be glad and re -- joice in thee: + I will sing praise to thy name, + I will sing praise to thy name, + I will sing praise to thy name, + O thou most High, + O thou most High, + High, High! + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + } + diff --git a/hr/stch/t14/queen1/dynArt.ly b/hr/stch/t14/queen1/dynArt.ly new file mode 100644 index 0000000..4c0ba3c --- /dev/null +++ b/hr/stch/t14/queen1/dynArt.ly @@ -0,0 +1,22 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + \set Score.skipBars = ##t + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/t14/queen1/midi.lua b/hr/stch/t14/queen1/midi.lua new file mode 100644 index 0000000..8aef7d6 --- /dev/null +++ b/hr/stch/t14/queen1/midi.lua @@ -0,0 +1,53 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { + << + \unfoldRepeats +]] + +post=[[ + >> + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 100 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/t14/queen1/queen1.ly b/hr/stch/t14/queen1/queen1.ly new file mode 100644 index 0000000..b0822c3 --- /dev/null +++ b/hr/stch/t14/queen1/queen1.ly @@ -0,0 +1,72 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "stimmen.ly" +\include "texte.ly" + +\pointAndClickOff + + \header { + title = "Movement 1" + composer = "Tolga Kashif" + %opus = "<+Werk+>" + tagline = \markup { + \bold "studentenchor" + } + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + %#(set-global-staff-size 17) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + %\addlyrics { \sopranText } + >> + + alt = << + \new Voice = "alti" { \global \altMelodie } + %\addlyrics { \altText } + >> + + ten = << + \new Voice = "tenoere" { \global \tenorMelodie } + %\addlyrics { \tenorText } + >> + + bas = << + \new Voice = "baesse" { \global \bassMelodie } + %\addlyrics { \bassText } + >> + + \score { + \new ChoirStaff \with { printPartCombineTexts = ##f } << + %\new Staff = sopran { \sop } + %\new Staff = alt { \alt } + \new Staff = tenor { \ten } + %\new Staff = bass { \bas } + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/stch/t14/queen1/stimmen.ly b/hr/stch/t14/queen1/stimmen.ly new file mode 100644 index 0000000..995e65b --- /dev/null +++ b/hr/stch/t14/queen1/stimmen.ly @@ -0,0 +1,161 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key f \minor + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + %\autoBeamOff + } + +% Die Stimmen + + sopranMelodie = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + r1 + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + r1 + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + r1\fermata + R1*19 + R1*12 + R1*4 + R1*4 + R1*41 + R1*4 + aes2( bes2) + c1 + des1 + f2 f2 + des1( + c1) + f,1 ~ f4 r4 aes2 + \time 6/4 + c1 des4 des4 + \time 4/4 + c2 c2 + aes2 g2 ~ + g2 ges4 ges4 + g1( + ees'2) d2 ~ + d2. r4 + % 101 + aes2. bes4 + c2 d2 + ees1 + aes1 + g1 + ees2 des2 ~ + des1 + r1 + r1 + R1*14 + R1*4 + R1*4 + aes2( bes2) + c2 c2 + des2 des2 + f2 f2 + r2 des2( + c1) + des1 ~ + des2 c2 + f,1 ~ + f4 r4 r2 + R1*10 + % 152 + r8 f'4( e8) r8 f4( g8) + r8 f4( e8) r4 d4 ~ + d2 d2 + f2 a,4( f4) + r8 f'4( e8) r8 f4( g8) + r8 f4( e8) r4 c4( ~ + c4 ees4) d4( bes4) + c4 ees4 d4 c4 + ees2 d4 ees4 + c2 c4 c4 + ees2 d4 ees4 + c2 c4 c4 + ees2 c4 c4 + ees2 c4 c4 + ees1 + bes1 + \time 2/2 + R1*4 + R1*16 + R1*16 + R1*2 + R1*7 + R1*29 + R1*3 + \time 4/4 + R1 + % 246 + bes2( c2) + bes2 c2 + ees2 ees2 + bes2 ees2 + c1 + f1 + ees2 des4 c4 + ees2 des4 c4 + g'1 ~ + g1 ~ + g1 + bes,1( + f1) + f'1( + ees1) + f1( + c1) + bes1( + des1) ~ + des4 ees2. ~ + ees4. ~ ees8 ~ ees2 ~ + ees1 ~ + ees1 ~ + ees4 f2. ~ + f1 ~ + f8 r8 r4 r2 + \bar "|." + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + r1 + } + >> + } + diff --git a/hr/stch/t14/queen1/texte.ly b/hr/stch/t14/queen1/texte.ly new file mode 100644 index 0000000..3653454 --- /dev/null +++ b/hr/stch/t14/queen1/texte.ly @@ -0,0 +1,22 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + } + diff --git a/hr/stch/t14/queen5/dynArt.ly b/hr/stch/t14/queen5/dynArt.ly new file mode 100644 index 0000000..4c0ba3c --- /dev/null +++ b/hr/stch/t14/queen5/dynArt.ly @@ -0,0 +1,22 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + \set Score.skipBars = ##t + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/t14/queen5/midi.lua b/hr/stch/t14/queen5/midi.lua new file mode 100644 index 0000000..8aef7d6 --- /dev/null +++ b/hr/stch/t14/queen5/midi.lua @@ -0,0 +1,53 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { + << + \unfoldRepeats +]] + +post=[[ + >> + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 100 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/t14/queen5/queen5.ly b/hr/stch/t14/queen5/queen5.ly new file mode 100644 index 0000000..dac7117 --- /dev/null +++ b/hr/stch/t14/queen5/queen5.ly @@ -0,0 +1,72 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "stimmen.ly" +\include "texte.ly" + +\pointAndClickOff + + \header { + title = "Movement 5" + composer = "Tolga Kashif" + %opus = "<+Werk+>" + tagline = \markup { + \bold "studentenchor" + } + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + %#(set-global-staff-size 17) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + %\addlyrics { \sopranText } + >> + + alt = << + \new Voice = "alti" { \global \altMelodie } + %\addlyrics { \altText } + >> + + ten = << + \new Voice = "tenoere" { \global \tenorMelodie } + %\addlyrics { \tenorText } + >> + + bas = << + \new Voice = "baesse" { \global \bassMelodie } + %\addlyrics { \bassText } + >> + + \score { + \new ChoirStaff \with { printPartCombineTexts = ##f } << + %\new Staff = sopran { \sop } + %\new Staff = alt { \alt } + \new Staff = tenor { \ten } + %\new Staff = bass { \bas } + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/stch/t14/queen5/stimmen.ly b/hr/stch/t14/queen5/stimmen.ly new file mode 100644 index 0000000..1da3bf6 --- /dev/null +++ b/hr/stch/t14/queen5/stimmen.ly @@ -0,0 +1,230 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key f \minor + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + %\autoBeamOff + } + +% Die Stimmen + + sopranMelodie = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + r1 + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + r1 + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + r1 + c1 + c1 + c1 + c1 ~ + c2 c2 + c2 c2 ~ + c1 ~ + \time 2/4 + c2 + \time 4/4 + c1 ~ + c2 ees2 + des1 ~ + des2 bes2 + des1 + des2 des2( + c1) ~ + c1 + \bar "||" + \key bes \major + d1 ~ + d2. r4 + R1*6 + R1*8 + R1*8 + \time 6/4 + R1*3/2 + \time 4/4 + R1*16 + \key a \major + \time 2/2 + R1*4 + R1*9 + \time 3/2 + R1*3/2 + \key ees \major + \time 2/2 + R1*8 + \time 3/2 + R1*3 + \time 2/2 + R1*16 + \time 3/2 + R1*3/2 + \key a \minor + \time 2/2 + R1*12 + R1*8 + \repeat unfold 4 { + d2( cis2 + b2 ais2) + b4 r4 r2 + r1 + } + \repeat unfold 2 { + f'2( f2 + e2 dis2) + e4 e2. ~ + e2 r2 + } + % 144 + f1( + e2 dis2 + e2 e2 ~ + e2) r2 + f1 ~ + f1 + e4 r4 r2 + r2 f2 + \key aes \major + aes1 ~ + aes2 aes2 + aes1 ~ + aes2 aes2 + aes1 ~ + aes2 aes2 + aes1 ~ + aes1 ~ + aes1 + r1 + \key c \major + \time 4/4 + aes8 aes4. ~ aes2 ~ + aes2. r4 + f8 f4. ~ f2 ~ + f2 ~ f4. r8 + r4 ees4 aes2 ~ + aes2 aes2 + bes,2. bes4 + bes1 + ees8 ees4. ~ ees2 + r4 bes4 c4 bes4 + ces1 + g2 g2 + a1 + a2 e'2 + e2( fis2) + d2 d2 + bes2 bes2 + d2 d2 + e2. e4 + f2 f2 + r2 g2 + g2 g2 + a1 + a2 a2 + a1 ~ + a2 a2 + \key d \major + d,1 ~ + d1 ~ + d1 ~ + d1 + \key d \minor + R1*12 + d2 ~ d8 r8 r4 + d1 ~ + d1( + c1) + bes1 ~ + bes1 + d,1 + r1 + \times 2/3 { g4( f4 d4 } g2) + bes1 ~ + bes1 ~ + bes2 bes2 ~ + bes1 ~ + bes2( a2) + % 218 + bes2.( c4 + d1) + ees1 ~ + ees4 r4 ees2( + c2 d2 ~ + d1 + ees1) + g,1( + bes1 + c1) + \key f \major + R1*18 + R1*6 + % 252 + bes1 + \key ees \major + ees1( + d1) ~ + d2( c2 ~ + c2 d2) + ees1( + d2 bes2 + d2 c2) + des2( c2) + c4.( bes8 ~ bes4 c4 + d1) + ees1( + d1) + g1( + ees1) + des1( + ees1) ~ + ees2 ~ \times 2/3 { ees4 des4 bes4 } + ees1( + f2 des2) + ces1 ~ + ces1 + ees1 ~ + ees1 + \bar "|." + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + r1 + } + >> + } + diff --git a/hr/stch/t14/queen5/texte.ly b/hr/stch/t14/queen5/texte.ly new file mode 100644 index 0000000..3653454 --- /dev/null +++ b/hr/stch/t14/queen5/texte.ly @@ -0,0 +1,22 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + } + diff --git a/hr/stch/t14/queen6/dynArt.ly b/hr/stch/t14/queen6/dynArt.ly new file mode 100644 index 0000000..4c0ba3c --- /dev/null +++ b/hr/stch/t14/queen6/dynArt.ly @@ -0,0 +1,22 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + \set Score.skipBars = ##t + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/t14/queen6/midi.lua b/hr/stch/t14/queen6/midi.lua new file mode 100644 index 0000000..8aef7d6 --- /dev/null +++ b/hr/stch/t14/queen6/midi.lua @@ -0,0 +1,53 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { + << + \unfoldRepeats +]] + +post=[[ + >> + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 100 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/t14/queen6/queen6.ly b/hr/stch/t14/queen6/queen6.ly new file mode 100644 index 0000000..a89e9da --- /dev/null +++ b/hr/stch/t14/queen6/queen6.ly @@ -0,0 +1,72 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "stimmen.ly" +\include "texte.ly" + +\pointAndClickOff + + \header { + title = "Movement 6" + composer = "Tolga Kashif" + %opus = "<+Werk+>" + tagline = \markup { + \bold "studentenchor" + } + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + %#(set-global-staff-size 17) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + %\addlyrics { \sopranText } + >> + + alt = << + \new Voice = "alti" { \global \altMelodie } + %\addlyrics { \altText } + >> + + ten = << + \new Voice = "tenoere" { \global \tenorMelodie } + %\addlyrics { \tenorText } + >> + + bas = << + \new Voice = "baesse" { \global \bassMelodie } + %\addlyrics { \bassText } + >> + + \score { + \new ChoirStaff \with { printPartCombineTexts = ##f } << + %\new Staff = sopran { \sop } + %\new Staff = alt { \alt } + \new Staff = tenor { \ten } + %\new Staff = bass { \bas } + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/stch/t14/queen6/stimmen.ly b/hr/stch/t14/queen6/stimmen.ly new file mode 100644 index 0000000..8d72d55 --- /dev/null +++ b/hr/stch/t14/queen6/stimmen.ly @@ -0,0 +1,142 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key d \minor + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + %\autoBeamOff + } + +% Die Stimmen + + sopranMelodie = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + r1 + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + r1 + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + R1*6 + R1*7 + R1*6 + R1*5 + \key c \major + R1*12 + R1*2 + R1*3 + R1*5 + R1*6 + R1 + R1*8 + c8 c4. ~ c4 c4 ~ + c4 a8 b8 c4 d8( e8) + a,2. d4 + f2 d2 + c2 b2 + a4 b8( c8) d4 e4 + f2 f2 + b,8( d8 c8 b8 c8 d8) c8( b8) + a4 a4 b4.( c8) + c2 d2 + d2 d4 d4 + d4 c4 ees4 d4 + f4 g2 c,4 + ees2 d4. r8 + g1 + g1 + g1( + e2) c2 ~ + c1 ~ + c1 + r1 + r2 r4 a4 + a4. b8 b4. b8 + b4 c2. ~ + c2 b4. b8 + c2 c2 + c2.( d4) + e2( f4.) r8 + c4. c8 g4. g8 + g2( f4 e4) + c'4. r8 b4. c8 + b4 a2. + c4. d8 ~ d4 d4 + a2 a2 ~ + a1 + b1 + g'1 + g1 + d2 c4( b4) + a4 g4 ~ g4. r8 + g'2 fis4.( g8) + fis4 e2. + g2 fis4( g4) + g2. r4 + c,8 c4. c2 + c2 c2 + d2 a2 ~ + a2 d2 ~ + d2 cis2 ~ + cis2 fis4 eis4 + dis2( cis2 + b2 ais2) + c2 c2 ~ + c2 c2 + c1 ~ + c2 c2 + c2 c2 + % 393 + \key e \major + gis1 + gis1 + gis1 + gis2. r4 + r1 + r1 + gis1 + gis1 + gis1 + r1 + r1\fermata + \bar "|." + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + r1 + } + >> + } + diff --git a/hr/stch/t14/queen6/texte.ly b/hr/stch/t14/queen6/texte.ly new file mode 100644 index 0000000..3653454 --- /dev/null +++ b/hr/stch/t14/queen6/texte.ly @@ -0,0 +1,22 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + } + diff --git a/hr/stch/tenor/caritas/caritas.ly b/hr/stch/tenor/caritas/caritas.ly new file mode 100644 index 0000000..d41e864 --- /dev/null +++ b/hr/stch/tenor/caritas/caritas.ly @@ -0,0 +1,72 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "stimmen.ly" +\include "texte.ly" + +\pointAndClickOff + + \header { + title = "<+Titel+>" + composer = "<+Komponist+>" + %opus = "<+Werk+>" + tagline = \markup { + \bold "studentenchor" + } + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + %#(set-global-staff-size 17) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + %\addlyrics { \sopranText } + >> + + alt = << + \new Voice = "alti" { \global \altMelodie } + %\addlyrics { \altText } + >> + + ten = << + \new Voice = "tenoere" { \global \tenorMelodie } + %\addlyrics { \tenorText } + >> + + bas = << + \new Voice = "baesse" { \global \bassMelodie } + %\addlyrics { \bassText } + >> + + \score { + \new ChoirStaff \with { printPartCombineTexts = ##f } << + %\new Staff = sopran { \sop } + %\new Staff = alt { \alt } + \new Staff = tenor { \ten } + %\new Staff = bass { \bas } + >> + \midi { + \context{ + \Score + tempoWholesPerMinute = #(ly:make-moment 66 4) + } + } + %\layout { + %} + } + diff --git a/hr/stch/tenor/caritas/caritas.midi b/hr/stch/tenor/caritas/caritas.midi Binary files differnew file mode 100644 index 0000000..32d44b2 --- /dev/null +++ b/hr/stch/tenor/caritas/caritas.midi diff --git a/hr/stch/tenor/caritas/dynArt.ly b/hr/stch/tenor/caritas/dynArt.ly new file mode 100644 index 0000000..30423d4 --- /dev/null +++ b/hr/stch/tenor/caritas/dynArt.ly @@ -0,0 +1,21 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/tenor/caritas/midi.lua b/hr/stch/tenor/caritas/midi.lua new file mode 100644 index 0000000..8aef7d6 --- /dev/null +++ b/hr/stch/tenor/caritas/midi.lua @@ -0,0 +1,53 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { + << + \unfoldRepeats +]] + +post=[[ + >> + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 100 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/tenor/caritas/stimmen.ly b/hr/stch/tenor/caritas/stimmen.ly new file mode 100644 index 0000000..11e7c3e --- /dev/null +++ b/hr/stch/tenor/caritas/stimmen.ly @@ -0,0 +1,127 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key ees \major + %\override Staff.TimeSignature #'style = #'() + %\time 4/4 + %\autoBeamOff + } + +% Die Stimmen + + sopranMelodie = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + r1 + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + r1 + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + \time 2/4 + bes4 bes4 + \time 3/4 + bes8 bes8 bes8 bes8 bes4 + \time 4/4 + bes4( c4) bes8 bes8 bes8 bes8 + \time 1/4 + bes4 + \time 2/4 + bes4 bes4 + \time 3/4 + bes8 bes8 bes8 bes8 bes4 + \time 4/4 + bes4( c4) bes8 bes8 bes8 bes8 + \time 2/4 + bes4 bes8 bes8 + c4 bes4 + \time 3/4 + aes8 aes8 bes8 bes8 g8 g8 + a4 bes4 bes8 bes8 + \time 2/4 + c4 bes4 + \time 3/4 + aes8 aes8 bes8 bes8 g8 ees8 + \time 2/4 + aes4 g4 + bes4 bes4 + \time 3/4 + bes8 bes8 f'8 g8 f8( ees8) + \time 4/4 + ees2 d8 d8 bes4 + \time 2/4 + g4 c8 c8 + d4 c4 + \time 3/4 + bes8 bes8 c8 c8 a8 a8 + b4 c4 c8 c8 + \time 2/4 + d8 d8 c8 c8 + \time 3/4 + bes8 bes8 c4 a8( f8) + bes4 a4 f8 f8 + \time 2/4 + g8 g8 f8 f8 + \time 3/4 + ees8 ees8 f4 d4 + ees4 d4 ees4 + \time 2/4 + ees4 ees4 + bes'4 bes4 + \time 3/4 + bes8 bes8 bes8 bes8 bes4 + \time 4/4 + bes4( c4) bes8 bes8 bes8 bes8 + \time 1/4 + bes4 + \time 5/8 + bes4.( ~ bes4 ~ + \time 2/4 + bes2 + aes2 + \time 6/8 + ees4. f4.) ~ + \time 2/8 + f4 + \time 3/4 + g4( ees4 aes4) + g2. + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + r1 + } + >> + } + diff --git a/hr/stch/tenor/caritas/texte.ly b/hr/stch/tenor/caritas/texte.ly new file mode 100644 index 0000000..3653454 --- /dev/null +++ b/hr/stch/tenor/caritas/texte.ly @@ -0,0 +1,22 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + } + diff --git a/hr/stch/tenor/flora/dynArt.ly b/hr/stch/tenor/flora/dynArt.ly new file mode 100644 index 0000000..30423d4 --- /dev/null +++ b/hr/stch/tenor/flora/dynArt.ly @@ -0,0 +1,21 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/tenor/flora/flora.ly b/hr/stch/tenor/flora/flora.ly new file mode 100644 index 0000000..3aa2ee2 --- /dev/null +++ b/hr/stch/tenor/flora/flora.ly @@ -0,0 +1,75 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "stimmen.ly" +\include "texte.ly" + +\pointAndClickOff + + \header { + title = "Les fleurs et les arbres" + composer = "Camille Saint-Saëns" + opus = "68 No. 2" + tagline = \markup { + \bold "studentenchor" + } + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + system-count = 9 + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 17) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + %\addlyrics { \sopranText } + >> + + alt = << + \new Voice = "alti" { \global \altMelodie } + %\addlyrics { \altText } + >> + + ten = << + \new Voice = "tenoere" { \global \tenorMelodie } + \addlyrics { \tenorText } + >> + + bas = << + \new Voice = "baesse" { \global \bassMelodie } + %\addlyrics { \bassText } + >> + + \score { + \new ChoirStaff \with { printPartCombineTexts = ##f } << + %\new Staff = sopran { \sop } + %\new Staff = alt { \alt } + \new Staff = tenor { \ten } + %\new Staff = bass { \bas } + >> + \midi %{ + \context{ + \Score + tempoWholesPerMinute = #(ly:make-moment 60 2) + } + %} + { + } + \layout { + } + } + diff --git a/hr/stch/tenor/flora/flora.midi b/hr/stch/tenor/flora/flora.midi Binary files differnew file mode 100644 index 0000000..febf434 --- /dev/null +++ b/hr/stch/tenor/flora/flora.midi diff --git a/hr/stch/tenor/flora/midi.lua b/hr/stch/tenor/flora/midi.lua new file mode 100644 index 0000000..8aef7d6 --- /dev/null +++ b/hr/stch/tenor/flora/midi.lua @@ -0,0 +1,53 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { + << + \unfoldRepeats +]] + +post=[[ + >> + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 100 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/tenor/flora/stimmen.ly b/hr/stch/tenor/flora/stimmen.ly new file mode 100644 index 0000000..27bf3b2 --- /dev/null +++ b/hr/stch/tenor/flora/stimmen.ly @@ -0,0 +1,220 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key e \major + %\override Staff.TimeSignature #'style = #'() + \time 2/4 + %\autoBeamOff + } + +% Die Stimmen + + sopranMelodie = \relative c'' { + << + { \meta } + %\sopranArt + %the actual tune + { + r2 + r2 + r4 r8 a8 a4 gis8 fis8 a4 gis8 b8 cis4 b8 a8 cis4 b8 b8 dis4 b8 cis8 b4 + r8 b8 cis4 cis8 cis8 cis4 b8 b8 b4 b8 b8 b4 a8 a8 + gis4( gis'4 ~ gis4 fis8 e8 dis8 cis8 b8) b8 b4 b8 b8 b4 r4 + r2 + r4 r8 dis8 dis4 cis8 b8 b4 ais8 r8 + r2 + r4 r8 dis8 dis4 dis8 dis8 dis4 dis8 bis8 cis4 bis8 fis'8 fis4 e4 + r2 + r2 + r2 + r4 r8 cis8 b4 b8 b8 b2 ~ b8 r8 r4 + r2 + r4 r8 cis8 cis4 cis8 cis8 cis4 b8 d8 d4 d8 d8 d4 c8 c8 c4 c8 c8 c2 ~ c8 r8 + r8 cis8 cis4 dis8 eis8 eis4.( dis8) cis8 r8 + r8 cis8 cis4 dis8 e8 e4.( dis8) cis8 r8 + r8 cis8 d2 d4 d4 d2 ~ d8 r8 + r8 d8 cis4 cis8 e8 e4 cis8 b8 a4 b8 cis8 cis4 a8 gis8 fis4 gis8 fis8 cis'4 r4 + r4 cis4 b2 gis'2 ~ gis2 fis4 e4 dis4( cis4) b4 b4 b2 b4 b4 b4 r4 + r2 + gis2( a2) a4( gis4) b2 ~ b2 c2 e2 + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + r2 + r2 + r4 r8 e8 fis4 e8 dis8 fis4 e8 gis8 fis4 gis8 fis8 fis4 gis8 e8 dis4 dis8 e8 dis4 + r8 fis8 gis4 a8 gis8 fis4 fis8 fis8 fis4 gis8 fis8 e4 e8 e8 gis2 ~ gis2 gis4 + r8 e8 fis4 cis8 dis8 e4 + r8 gis8 gis4 fis8 e8 e4 dis8 b'8 b4 ais8 gis8 gis4 dis8 r8 + r2 + r4 r8 gis8 fisis4 gis8 ais8 ais4 gis8 gis8 gis4 gis8 gis8 gis4 gis4 + r4 e4 e4( cis'4 ~ cis4 b8 a8 gis8 fis8) e8 e8 e4 fis8 dis8 e2 ~ e8 r8 + r8 e8 e4 fis8 e8 e4 e8 a8 a4 a8 a8 a4 a8 a8 a4 b8 b8 b4 a8 a8 b4 a8 a8 gis2 ~ gis8 r8 + r8 eis8 eis4 fis8 gis8 gis4.( fis8) eis8 r8 + r8 e8 e4 fis8 gis8 gis4.( fis8) e8 r8 + r8 e8 f2 f4 f4 f2( e8) r8 + r8 e8 e4 e8 e8 e4 e8 eis8 fis4 fis8 fis8 fis4 fis8 e8 e4 e8 e8 e4 r4 + fis4( fisis4) gis2 ~ gis2 ~ gis4. gis8 + r2 + r2 + r4 e8 e8 fis4 e8 fis8 dis4 cis8 dis8 e4 + r8 e8 e4 fis8 e8 d4 e8 d8 c4 d8 c8 b4 r4 + gis'2 ~ gis2 fis2 gis2 + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + %r4\ff b4 + r4 b4 + b2 ~ + b2 ~ + b4 b8 b8 + b4 b8 b8 + a4 b8 cis8 + a4 b8 b8 + b4 b8 ais8 + b4 r8 dis8 + e4 fis8 e8 + dis4 dis8 dis8 + dis4 e8 dis8 + cis4 cis8 cis8 + e2 ~ + e2 + e4 r8 gis,8 + a4 e8 fis8 + gis4 r8 e'8 + e4 dis8 cis8 + cis4 gis8 r8 + R2*3 + r4 r8 bis8 + ais4 bis8 cis8 + cis4 bis8 dis8 + e4 dis8 dis8 + dis4 e4 + \break + R2*3 + r4 r8 gis,8 + gis4 a8 fis8 + gis2 ~ + gis8 r8 r4 + R2 + r4 r8 e'8 + \break + e4 fis8 e8 + d4 d8 fis8 + fis4 gis8 fis8 + e4 e8 e8 + eis4 fis8 fis8 + eis2 ~ + eis8 r8 r8 gis,8 + \break + gis4 gis8 cis8 + bis2 + cis8 r8 r8 gis8 + gis4 gis8 cis8 + bis2 + cis8 r8 r8 gis8 + a2 + a4 a4 + a2( + gis8) r8 r8 gis8 + \break + a4 a8 cis8 + cis4 a8 gis8 + fis4 gis8 a8 + a4 cis8 cis8 + cis4 cis8 cis8 + cis4 r4 + \break + r4 e4 + e2 ~ + e2 ~ + e4. e8 + R2*2 + r4 gis,8 gis8 + a4 gis8 a8 + fis4 e8 fis8 + gis4 r4 + \break + R2 + e'2( + fis2) + fis4( e4) + e2 ~ + e2 + c2 + b2 + \bar "|." + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + r2 + r2 + r4 r8 e8 + e4 e8 e8 e4 e8 e8 e4 e8 e8 e4 e8 gis8 fis4 gis8 fis8 b4 + r8 b8 a4 a8 a8 a4 a8 a8 gis4 gis8 gis8 a4 + << + { + a8 a8 b4( bis4 cis4 ais4) + b4 + } + \\ + { + a,8 a8 b4( bis4 cis4 ais4) + b4 + } + >> + r8 b8 b4 b8 b8 e4 r4 + r2 + r2 + r2 + r4 r8 dis8 gis4 fis8 e8 dis2 ~ dis2 + r4 r8 gis8 gis4 gis8 bis8 bis4 cis4 + r2 + r2 + r2 + r4 r8 ais,8 b4 b8 b8 e2 ~ e8 r8 r4 + r2 + r4 r8 a8 a4 a8 a8 a4 a8 a8 a4 a8 a8 a4 a8 a8 gis4 fis8 fis8 cis'2 ~ cis8 r8 + r8 cis,8 cis4 cis8 cis8 <gis' gis,>2 cis,8 r8 + r8 cis8 cis4 cis8 cis8 <gis' gis,>2 cis,8 r8 + r8 cis8 b2 b4 b4 b2 ~ b8 r8 + r8 b8 a4 a8 a8 a4 a8 a8 a4 a8 a8 a4 a'8 a8 a4 a8 a8 ais4 r4 + r4 ais4 b2 ~ b2 ~ b4. b8 + r2 + r2 + r4 b,8 b8 b4 b8 b8 b4 b8 b8 e4 r4 + r2 + r2 + r2 + r2 + b'2 ~ b2 a2 e2 + } + >> + } + diff --git a/hr/stch/tenor/flora/texte.ly b/hr/stch/tenor/flora/texte.ly new file mode 100644 index 0000000..2e0d8df --- /dev/null +++ b/hr/stch/tenor/flora/texte.ly @@ -0,0 +1,45 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + Les fleurs et les ar -- bres, + Les bron -- zes, les mar -- bres, + Les ors, les é -- maux, + La mer, les fon -- tai -- nes, + Les monts et les plai -- nes + Con -- so -- lent, + con -- so -- lent nos maux. + Les fleurs et les ar -- bres, + La mer, les fon -- tai -- nes, + Les monts et les plai -- nes + con -- so -- lent nos maux. + Na -- ture é -- ter -- nel -- le, + Tu sem -- bles plus bel -- le + Au sein des dou -- leurs! + Na -- ture é -- ter -- nel -- le, + Tu sem -- bles plus bel -- le + Au sein des dou -- leurs! + Et l’art nous do -- mi -- ne, + Sa flamme il -- lu -- mi -- ne + Le rire et les pleurs, + sa flam -- me il -- lu -- mi -- ne + Le rire, et les pleurs, + le rire et les pleurs. + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + } + diff --git a/hr/stch/tenor/jungfrun/dynArt.ly b/hr/stch/tenor/jungfrun/dynArt.ly new file mode 100644 index 0000000..30423d4 --- /dev/null +++ b/hr/stch/tenor/jungfrun/dynArt.ly @@ -0,0 +1,21 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/tenor/jungfrun/jungfrun.ly b/hr/stch/tenor/jungfrun/jungfrun.ly new file mode 100644 index 0000000..bd6638c --- /dev/null +++ b/hr/stch/tenor/jungfrun/jungfrun.ly @@ -0,0 +1,73 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "stimmen.ly" +\include "texte.ly" + +\pointAndClickOff + + \header { + title = "Zum Tanze da geht ein Mädel" + arranger = "Hugo Alfvén" + %opus = "<+Werk+>" + tagline = \markup { + \bold "studentenchor" + } + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + %#(set-global-staff-size 17) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + %\addlyrics { \sopranText } + >> + + alt = << + \new Voice = "alti" { \global \altMelodie } + %\addlyrics { \altText } + >> + + ten = << + \new Voice = "tenoere" { \global \tenorMelodie } + \addlyrics { \tenorText } + >> + + bas = << + \new Voice = "baesse" { \global \bassMelodie } + %\addlyrics { \bassText } + >> + + \score { + \new ChoirStaff \with { printPartCombineTexts = ##f } << + %\new Staff = sopran { \sop } + %\new Staff = alt { \alt } + \new Staff = tenor { \ten } + %\new Staff = bass { \bas } + >> + \midi %{ + \context{ + \Score + tempoWholesPerMinute = #(ly:make-moment 120 4) + } + %} + {} + \layout { + } + } + diff --git a/hr/stch/tenor/jungfrun/jungfrun.midi b/hr/stch/tenor/jungfrun/jungfrun.midi Binary files differnew file mode 100644 index 0000000..e7b8bec --- /dev/null +++ b/hr/stch/tenor/jungfrun/jungfrun.midi diff --git a/hr/stch/tenor/jungfrun/jungfrun_.midi b/hr/stch/tenor/jungfrun/jungfrun_.midi Binary files differnew file mode 100644 index 0000000..4a84662 --- /dev/null +++ b/hr/stch/tenor/jungfrun/jungfrun_.midi diff --git a/hr/stch/tenor/jungfrun/midi.lua b/hr/stch/tenor/jungfrun/midi.lua new file mode 100644 index 0000000..8aef7d6 --- /dev/null +++ b/hr/stch/tenor/jungfrun/midi.lua @@ -0,0 +1,53 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { + << + \unfoldRepeats +]] + +post=[[ + >> + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 100 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/tenor/jungfrun/stimmen.ly b/hr/stch/tenor/jungfrun/stimmen.ly new file mode 100644 index 0000000..e278f30 --- /dev/null +++ b/hr/stch/tenor/jungfrun/stimmen.ly @@ -0,0 +1,142 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key c \major + %\override Staff.TimeSignature #'style = #'() + \time 3/4 + \partial 4 + \autoBeamOff + } + +% Die Stimmen + + sopranMelodie = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + r1 + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + r1 + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + % { + c4 + c4 c8 c8 c8 c8 + c4 c4 c4 + c4 c8 c8 c8 c8 + c4 c4 c4 + c4 c8 c8 c8 c8 + c4 c4 c4 + d4 d4 d4 + c2 c4 + c4 c8 c8 c8 c8 + c4 c4 c4 + d4 d4 d4 + c2 cis4 + d4 c4 b4 + c2 e4 + d4 d4 b4 + c2 cis4 + d4 c4 b4 + b2 c4 + c4 b4 d4 + c4 r4 r4 + R2.*3 + r4 r4 g4 + c4 e8 d8 c8 b8 + a4 b4 c4 + g4 a4 b4 + c2 g4 + c4 e8 d8 c8 b8 + a4 b4 c4 + g4 a4 b4 + c2 e4 + f2 d4 + %e2( c4) + %d4( b4) d4 + e2 c4 + d4 b4 d4 + g2 e4 + f2 d4 + %} + %e2( c4) + %d4( g4) b,4 + e2 c4 + d4 g4 b,4 + c4 r4 c4 + \key f \major + a4 c8 bes8 a8 g8 + f4 bes8[ c8] d4 + e4 g,4 bes4 + a4 f8 g8 a4 + a4 c8 bes8 a8 g8 + f4 bes8[ c8] d4 + e4 g,4 c8[ bes8] + a2 c4 + c4 c8[ b8] c8[ d8] + c4 c4 c4 + bes4 c8[ b8] d8[ c8] + f,2 c'4 + bes4 c4 c4 + e4 f4 e4 + d8[ e8] d8[ c8] bes4 + a4 r4 r4 + % { + r4 c8 r8 r4 + r4 c8 r8 c8 r8 + r4 c8 r8 c8 r8 + r4 f8 r8 r4 + r4 c8 r8 r4 + r4 c8 r8 d8 r8 + e8 r8 f8 r8 g8 r8 + r4 f8 r8 e4 + \key c \major + f4 f4 d4 + e4 e4 c4 + d4 b4 d4 + g2 e4 + f4 f4 d4 + e4 e4 c4 + d4 g4 b,4 + c2 + \bar "|." + %} + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + r1 + } + >> + } + diff --git a/hr/stch/tenor/jungfrun/texte.ly b/hr/stch/tenor/jungfrun/texte.ly new file mode 100644 index 0000000..80a9aa8 --- /dev/null +++ b/hr/stch/tenor/jungfrun/texte.ly @@ -0,0 +1,52 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + Zum Tan -- ze da geht ein Mä -- del, + zum Tan -- ze da geht ein Mä -- del, + zum Tan -- ze da geht ein Mä -- del + mit gül -- de -- nem Band, + zum Tan -- ze da geht ein Mä -- del + mit gül -- de -- nem Band, + das schlingt sie dem Bur -- schen fest um die Hand, + das schlingt sie dem Bur -- schen fest um die Hand. + % + mein herz -- al -- ler -- lieb -- stes Mä -- del, + so laß mich doch los, + mein herz -- al -- ler -- lieb -- stes Mä -- del, + so laß mich doch los, + ich lau -- fe dir auch so nicht da -- von, + ich lau -- fe dir auch so nicht da -- von. + % + Da lö -- set die schö -- ne Jung -- fer das + gül -- de -- ne, gül -- de -- ne Band, + lö -- set die schö -- ne Jung -- fer das + gül -- de -- ne Band. + % + Da war in den Wald schon der Bur -- sche ge -- rannt, + da war in den Wald schon der Bur -- sche ge -- rannt. + Päng! + Päng, päng! + Päng, päng, päng! + Päng! + Päng, päng, päng, päng, päng, päng! + Ach, willst du mich ha -- ben, dann komm zu mir her, + ach, willst du mich ha -- ben, dann komm zu mir her. + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + } + diff --git a/hr/stch/tenor/motett/dynArt.ly b/hr/stch/tenor/motett/dynArt.ly new file mode 100644 index 0000000..30423d4 --- /dev/null +++ b/hr/stch/tenor/motett/dynArt.ly @@ -0,0 +1,21 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/tenor/motett/midi.lua b/hr/stch/tenor/motett/midi.lua new file mode 100644 index 0000000..8aef7d6 --- /dev/null +++ b/hr/stch/tenor/motett/midi.lua @@ -0,0 +1,53 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { + << + \unfoldRepeats +]] + +post=[[ + >> + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 100 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/tenor/motett/motett.ly b/hr/stch/tenor/motett/motett.ly new file mode 100644 index 0000000..26ac8af --- /dev/null +++ b/hr/stch/tenor/motett/motett.ly @@ -0,0 +1,72 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "stimmen.ly" +\include "texte.ly" + +\pointAndClickOff + + \header { + title = "<+Titel+>" + composer = "<+Komponist+>" + %opus = "<+Werk+>" + tagline = \markup { + \bold "studentenchor" + } + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + %#(set-global-staff-size 17) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + %\addlyrics { \sopranText } + >> + + alt = << + \new Voice = "alti" { \global \altMelodie } + %\addlyrics { \altText } + >> + + ten = << + \new Voice = "tenoere" { \global \tenorMelodie } + %\addlyrics { \tenorText } + >> + + bas = << + \new Voice = "baesse" { \global \bassMelodie } + %\addlyrics { \bassText } + >> + + \score { + \new ChoirStaff \with { printPartCombineTexts = ##f } << + %\new Staff = sopran { \sop } + %\new Staff = alt { \alt } + \new Staff = tenor { \ten } + %\new Staff = bass { \bas } + >> + \midi { + \context{ + \Score + tempoWholesPerMinute = #(ly:make-moment 80 2) + } + } + %\layout { + %} + } + diff --git a/hr/stch/tenor/motett/motett.midi b/hr/stch/tenor/motett/motett.midi Binary files differnew file mode 100644 index 0000000..3154aec --- /dev/null +++ b/hr/stch/tenor/motett/motett.midi diff --git a/hr/stch/tenor/motett/stimmen.ly b/hr/stch/tenor/motett/stimmen.ly new file mode 100644 index 0000000..7ee393f --- /dev/null +++ b/hr/stch/tenor/motett/stimmen.ly @@ -0,0 +1,130 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key ees \major + %\override Staff.TimeSignature #'style = #'() + \time 4/2 + %\autoBeamOff + } + +% Die Stimmen + + sopranMelodie = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + r1 + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + r1 + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + bes2. bes4 g2 c2 + bes1 ees2 r2 + bes2. bes4 bes2 ees2 + ees1 f2 r2 + d2. g,4 b2 c2 + ees2 ees,2 bes'2 c2 + ees1( d2) bes2 + aes2 g2 aes2 bes2 + c1. c2 + bes1 bes2 r2 + R1*2 + r2 r2 des2. ces4 + bes2. bes4 ces2 des2 + bes2.( ces4) ces2 r2 + R1*2*5 + ees,1. g2 + aes1 r1 + aes1. aes2 + aes2 g2 g2. r4 + r2 r2 c2. r4 + ees1. ees,2 + bes'1 bes2 r2 + bes1( c2) f2 + d2.( ees4) g,2 r2 + c1. c2 + f,1 bes2 r2 + r2 r2 bes2. c4 + d2 r2 ees2. ees4 + g,1( d'2) d2 + d1 g,2 bes2 + ees2( e2 f2) r2 + R1*2 + % p7 % + g,1 ~ g4 r4 r2 + aes1 ~ aes4 r4 r2 + aes1. aes2 + f1 f1 + aes1. f'2 + c1( d1) + f1 r2 r2 + % p8 % + R1*2 + bes,2. bes4 des2 ces2 + bes1 bes2 r2 + ees2. ees4 d2 c2 + d1 b2 r2 + ees,2. ees4 ees'2 ees2 + bes\breve( + aes2) g2 g2 aes2 + bes1. aes2 + aes1 g2 r2 + c2. a4 b2. r4 + R1*2*2 + ees1( bes2) aes2 + aes1 g2 r2 + R1*2*2 + r2 r2 ees'1( + des1) c1 + des2 c2 bes2 aes2 + bes2 bes2 r2 r2 + R1*2 + r2 r2 ees1 ~ + ees2. bes4 bes2 bes2 + bes2 bes2 ees1( + des1) ces1 + bes1( aes1) + g1 f1 + bes\breve ~ + bes\breve( + aes\breve) + g\breve + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + r1 + } + >> + } + diff --git a/hr/stch/tenor/motett/texte.ly b/hr/stch/tenor/motett/texte.ly new file mode 100644 index 0000000..3653454 --- /dev/null +++ b/hr/stch/tenor/motett/texte.ly @@ -0,0 +1,22 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + } + diff --git a/hr/stch/tenor/nox/dynArt.ly b/hr/stch/tenor/nox/dynArt.ly new file mode 100644 index 0000000..30423d4 --- /dev/null +++ b/hr/stch/tenor/nox/dynArt.ly @@ -0,0 +1,21 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/tenor/nox/midi.lua b/hr/stch/tenor/nox/midi.lua new file mode 100644 index 0000000..8aef7d6 --- /dev/null +++ b/hr/stch/tenor/nox/midi.lua @@ -0,0 +1,53 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { + << + \unfoldRepeats +]] + +post=[[ + >> + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 100 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/tenor/nox/nox.ly b/hr/stch/tenor/nox/nox.ly new file mode 100644 index 0000000..27c7f2e --- /dev/null +++ b/hr/stch/tenor/nox/nox.ly @@ -0,0 +1,74 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "stimmen.ly" +\include "texte.ly" + +\pointAndClickOff + + \header { + title = "Nox Aurumque" + composer = "Eric Whitacre" + %opus = "<+Werk+>" + tagline = \markup { + \bold "studentenchor" + } + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + %#(set-global-staff-size 17) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + %\addlyrics { \sopranText } + >> + + alt = << + \new Voice = "alti" { \global \altMelodie } + %\addlyrics { \altText } + >> + + ten = << + \new Voice = "tenoere" { \global \tenorMelodie } + \addlyrics { \tenorText } + >> + + bas = << + \new Voice = "baesse" { \global \bassMelodie } + %\addlyrics { \bassText } + >> + + \score { + \new ChoirStaff \with { printPartCombineTexts = ##f } << + %\new Staff = sopran { \sop } + %\new Staff = alt { \alt } + \new Staff = tenor { \ten } + %\new Staff = bass { \bas } + >> + \midi %{ + \context{ + \Score + tempoWholesPerMinute = #(ly:make-moment 100 4) + } + %} + { + } + \layout { + } + } + diff --git a/hr/stch/tenor/nox/nox.midi b/hr/stch/tenor/nox/nox.midi Binary files differnew file mode 100644 index 0000000..8243869 --- /dev/null +++ b/hr/stch/tenor/nox/nox.midi diff --git a/hr/stch/tenor/nox/stimmen.ly b/hr/stch/tenor/nox/stimmen.ly new file mode 100644 index 0000000..80c95e1 --- /dev/null +++ b/hr/stch/tenor/nox/stimmen.ly @@ -0,0 +1,332 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key f \major + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + \autoBeamOff + } + +% Die Stimmen + + sopranSplitAa = \relative c' { + { % 1 + f1 + e2. r4 + f1 + e2. r4 + c'4 c2. + aes4 aes2 bes4 + f2. f4 + e2. r4 + c'8( bes8 ~ bes2) c4 + d4 d2 r4 + f2. f4 + f4 f4 + } + } + + sopranSplitBa = \relative c' { + { % 1 + f8( e8 ~ e2.) + c2. r4 + f8( e8 ~ e2.) + c2. r4 + c'8( aes8) <aes g>2. + g4 g2 aes4 + f8( e8 ~ e2) e4 + c2. r4 + bes'8( a8 ~ a2) c4 + c4 c2 r4 + f8( e8 ~ e2) f4 + e4 e4 + } + } + + sopranSplitAb = \relative c' { + { % 14.2 + \times 2/3 { r4 a'4( bes4 } + c2.) f,4 + g2 + } + } + + sopranSplitBb = \relative c' { + { % 14.2 + \times 2/3 { r4 a'4( bes4 ~ } + bes2.) f4 + f2 + } + } + + sopranSplitAc = \relative c' { + { % 37 + f'1 + e1 + r2 r4 f,4( + ees'2) des2 + c1 ~ + c1 + \bar "||" + } + } + + sopranSplitBc = \relative c' { + { % 37 + c'2( e2) + c1 + r2 r4 f,4 ~ + f2( g4) ees4 + f1 ~ + f1 + % + } + } + + sopranSplitAd = \relative c' { + { % 49 + r1 + } + } + + sopranSplitBd = \relative c' { + { % 49 + r1 + } + } + + sopranSplitAe = \relative c' { + { % 54 + r1 + } + } + + sopranSplitBe = \relative c' { + { % 54 + r1 + } + } + + sopranSplitAf = \relative c' { + { % 73 + r1 + } + } + + sopranSplitBf = \relative c' { + { % 73 + r1 + } + } + + sopranMelodie = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + << + { \voiceOne \sopranSplitAa } + \\ + { \voiceTwo \sopranSplitBa } + >> + \oneVoice + { + \times 2/3 { r4 g''4 a4 } + bes,4 d4 \times 2/3 { r4 g4 a4 } + bes,4 <c f>4 + } + << + { \voiceOne \sopranSplitAb } + \\ + { \voiceTwo \sopranSplitBb } + >> + \oneVoice + { + r4 d,4 + <ees f>2. bes4 + a4( c4) r4 d4( + <ees f>2 bes'4) bes,4 + c4 r4 r4 d4\glissando + <ees f>2. bes4 + c4 c4 f2 + <d f>2. q4 + q1 + \bar "||" + r4 <d' bes>2. + <a ges>1 + r4 <d bes>2 <a ges>4 + <d bes>4 <bes g>2.( + <a ges>1) + r4 <ees' d>2 <d c>4 + <c bes>2 <bes a>2 + <a fis>2 <bes g>2 + <a ges>1 + r4 <f' e>2. + <e c>1 + r4 <f e>2( <e c>4) + } + << + { \voiceOne \sopranSplitAc } + \\ + { \voiceTwo \sopranSplitBc } + >> + %\oneVoice + %{ + %} + %<< + % { \voiceOne \sopranSplitAc } + % { \voiceTwo \sopranSplitBc } + %>> + %\oneVoice + %{ + %} + %<< + % { \voiceOne \sopranSplitAd } + % { \voiceTwo \sopranSplitBd } + %>> + %\oneVoice + %{ + %} + %<< + % { \voiceOne \sopranSplitAe } + % { \voiceTwo \sopranSplitBe } + %>> + %\oneVoice + %{ + %} + %<< + % { \voiceOne \sopranSplitAf } + % { \voiceTwo \sopranSplitBf } + %>> + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + r1 + } + >> + } + + tenorMelodie = \relative c { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + r2 c4( f4) + aes2. r4 + r2 c,4( g'4) + aes2. r4 + r4 r8 f8( d'4) e4 + f4 f2 e4 + r2 c,4 f4 + aes2. r4 + r4 r8 a8( bes4) f'4 + d4 e2. + r4 r8 g8( e4) f4 + c4 c4 r4 e4( + d4.) g,8 d'2 + bes4 bes8[( c8] d2 + a2) a2 + g2 r2 + g2 g2 + bes2 r2 + g2 g2 + bes4 r4 r2 + g2 g2 + a4 a2 r4 + r2 fis4 fis4 + fis1 + \bar "||" + r4 fis'2. + d1 + r4 fis2 d4 + g4 d2. ~ + d1 + r4 g2 ees4 + ees2 d2 + d1 ~ + d2 g,4( g'4) + aes2. g4 ~ + g2 g,4( g'4) + aes2. g4 + f2 g4 f4 + aes1 + R1*2 + r2 a,2 + a4 a2. + \bar "||" + \break + r2 f4( bes4) + des2. r4 + r2 f,4( c'4) + des2. r4 + r4 r8 f,8( ges'4) f4 + c2 des4 bes4 + r2 f4( bes4) + des2. r4 + \bar "||" + r4 r8 e8( cis4) d4 + e2( fis2) + r4 r8 e8( cis4) g'4 + g2( fis2) + R1 + g4 e4 d4 a4 + d4 f4 f4 e4 + d2 g,4( g'4) + \bar "||" + e4 e8([ d8)] c8([ d8)] e4 + e4 e8([ d8)] c8([ d8)] e4 + r4 b4( g'4) fis4 + d2 d8[ d8 fis8 g8] + r4 c,4 e4( g4) + r4 c,4( g'4) e4 + b2 d4 d4 + d1 + \bar "||" + a2 c2 + b4 b4 r2 + a4( c2) c4 + d4 r4 r2 + g,2 g2 + b2. r4 + \bar "||" + r2 c,4( f4) + e2. r4 + r2 c4( g'4) + e2. r4 + r2 c4 c'4 + des8([ c8)] c8([ bes8)] bes8([ a8)] a8([ g8)] + g8([ ges8)] ges8([ fes8)] fes8([ ees8)] des8([ c8)] + r2 fis2 ~ + fis2 fis2 ~ + fis2 fis2 ~ + fis1 + \bar "|." + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + r1 + } + >> + } + diff --git a/hr/stch/tenor/nox/texte.ly b/hr/stch/tenor/nox/texte.ly new file mode 100644 index 0000000..6ed853c --- /dev/null +++ b/hr/stch/tenor/nox/texte.ly @@ -0,0 +1,57 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + } + + tenorText = \lyricmode { + %<+hier den Text für den Tenor eintragen+> + Au -- rum, au -- rum, + in -- fu -- sca -- tum et + ob -- scu -- rum, + ca -- nens noc -- tis, + ca -- nens mor -- tis + ac -- qui -- es -- cens ca -- nen -- do, + an -- ge -- lum, + som -- ni -- it, + au -- ro -- ra -- rum, + bel -- lo -- rum. + Bel -- lum! + Bel -- lum, bel -- lum!__ + La -- cri -- mas re -- rum.__ + O__ ar -- ma!__ + O__ la -- mi -- na au -- ra -- ta! + Vo -- la -- tu. + Au -- rum, au -- rum, + in -- fu -- sca -- tum et + au -- rum, + su -- sci -- ta!__ Su -- sci -- ta!__ + Al -- te su -- pra mu -- rum an -- ge li, + ad ex -- ul -- tan -- tes, ex -- ul -- tan -- tes + %ad__ a -- las, ex -- ul -- tan -- te, + ad__ a -- + \set ignoreMelismata = ##t + las, ex -- ul -- tan -- te, + \unset ignoreMelismata + %ad__ a -- las, ex_ul_tan_te, + a -- las,__ ad__ a -- las, ad a -- las, + au -- ro -- ra -- rum, + au -- ro -- rum + som -- no -- rum. + Au -- rum, au -- rum, + ca -- nens a -- la -- rum__ ca -- nens um -- bra -- rum,__ + um -- bra -- rum.__ + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + } + diff --git a/hr/stch/tenor/wetter/I/I.ly b/hr/stch/tenor/wetter/I/I.ly new file mode 100644 index 0000000..7778b0e --- /dev/null +++ b/hr/stch/tenor/wetter/I/I.ly @@ -0,0 +1,72 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "stimmen.ly" +\include "texte.ly" + +\pointAndClickOff + + \header { + title = "<+Titel+>" + composer = "<+Komponist+>" + %opus = "<+Werk+>" + tagline = \markup { + \bold "studentenchor" + } + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + %#(set-global-staff-size 17) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + %\addlyrics { \sopranText } + >> + + alt = << + \new Voice = "alti" { \global \altMelodie } + %\addlyrics { \altText } + >> + + ten = << + \new Voice = "tenoere" { \global \tenorMelodie } + %\addlyrics { \tenorText } + >> + + bas = << + \new Voice = "baesse" { \global \bassMelodie } + %\addlyrics { \bassText } + >> + + \score { + \new ChoirStaff \with { printPartCombineTexts = ##f } << + %\new Staff = sopran { \sop } + %\new Staff = alt { \alt } + \new Staff = tenor { \ten } + %\new Staff = bass { \bas } + >> + \midi { + \context{ + \Score + tempoWholesPerMinute = #(ly:make-moment 100 4) + } + } + %\layout { + %} + } + diff --git a/hr/stch/tenor/wetter/I/I.midi b/hr/stch/tenor/wetter/I/I.midi Binary files differnew file mode 100644 index 0000000..277c095 --- /dev/null +++ b/hr/stch/tenor/wetter/I/I.midi diff --git a/hr/stch/tenor/wetter/I/dynArt.ly b/hr/stch/tenor/wetter/I/dynArt.ly new file mode 100644 index 0000000..30423d4 --- /dev/null +++ b/hr/stch/tenor/wetter/I/dynArt.ly @@ -0,0 +1,21 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/tenor/wetter/I/midi.lua b/hr/stch/tenor/wetter/I/midi.lua new file mode 100644 index 0000000..8aef7d6 --- /dev/null +++ b/hr/stch/tenor/wetter/I/midi.lua @@ -0,0 +1,53 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { + << + \unfoldRepeats +]] + +post=[[ + >> + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 100 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/tenor/wetter/I/stimmen.ly b/hr/stch/tenor/wetter/I/stimmen.ly new file mode 100644 index 0000000..c2c158d --- /dev/null +++ b/hr/stch/tenor/wetter/I/stimmen.ly @@ -0,0 +1,102 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key c \major + %\override Staff.TimeSignature #'style = #'() + \time 2/4 + %\autoBeamOff + } + +% Die Stimmen + + sopranMelodie = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + r1 + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + r1 + } + >> + } + + between = \relative c' { + a8( g8) a4 + a8( g8) a4 + b8( a8) b4 + g8( fis8) g4 + a8( g8) a4 + a8( g8) a4 + b8( a8) b4 + b8( a8) b4 + \time 7/8 + a2 ~ a4. ~ + a2 ~ a4. ~ + a2 ~ a4. ~ + } + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + \repeat unfold 5 { + R2*4 + } + %\repeat percent 4 { + \repeat unfold 4 { + a8( g8) a4 + a8( g8) a4 + b8( a8) b4 + g8( d8) g4 + } + \between + \time 2/4 + a2 ~ + a8( g8) a4 + a8( g8) a4 + b8( a8) b4 + g8( d8) g4 + %\repeat percent 5 { + \repeat unfold 5 { + a8( g8) a4 + a8( g8) a4 + b8( a8) b4 + g8( d8) g4 + } + \between + \time 2/4 + a2 ~ + a2 ~ + a2 + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + r1 + } + >> + } + diff --git a/hr/stch/tenor/wetter/I/texte.ly b/hr/stch/tenor/wetter/I/texte.ly new file mode 100644 index 0000000..3653454 --- /dev/null +++ b/hr/stch/tenor/wetter/I/texte.ly @@ -0,0 +1,22 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + } + diff --git a/hr/stch/tenor/wetter/II/II.ly b/hr/stch/tenor/wetter/II/II.ly new file mode 100644 index 0000000..7778b0e --- /dev/null +++ b/hr/stch/tenor/wetter/II/II.ly @@ -0,0 +1,72 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "stimmen.ly" +\include "texte.ly" + +\pointAndClickOff + + \header { + title = "<+Titel+>" + composer = "<+Komponist+>" + %opus = "<+Werk+>" + tagline = \markup { + \bold "studentenchor" + } + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + %#(set-global-staff-size 17) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + %\addlyrics { \sopranText } + >> + + alt = << + \new Voice = "alti" { \global \altMelodie } + %\addlyrics { \altText } + >> + + ten = << + \new Voice = "tenoere" { \global \tenorMelodie } + %\addlyrics { \tenorText } + >> + + bas = << + \new Voice = "baesse" { \global \bassMelodie } + %\addlyrics { \bassText } + >> + + \score { + \new ChoirStaff \with { printPartCombineTexts = ##f } << + %\new Staff = sopran { \sop } + %\new Staff = alt { \alt } + \new Staff = tenor { \ten } + %\new Staff = bass { \bas } + >> + \midi { + \context{ + \Score + tempoWholesPerMinute = #(ly:make-moment 100 4) + } + } + %\layout { + %} + } + diff --git a/hr/stch/tenor/wetter/II/II.midi b/hr/stch/tenor/wetter/II/II.midi Binary files differnew file mode 100644 index 0000000..1f562a8 --- /dev/null +++ b/hr/stch/tenor/wetter/II/II.midi diff --git a/hr/stch/tenor/wetter/II/dynArt.ly b/hr/stch/tenor/wetter/II/dynArt.ly new file mode 100644 index 0000000..30423d4 --- /dev/null +++ b/hr/stch/tenor/wetter/II/dynArt.ly @@ -0,0 +1,21 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/tenor/wetter/II/midi.lua b/hr/stch/tenor/wetter/II/midi.lua new file mode 100644 index 0000000..8aef7d6 --- /dev/null +++ b/hr/stch/tenor/wetter/II/midi.lua @@ -0,0 +1,53 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { + << + \unfoldRepeats +]] + +post=[[ + >> + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 100 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/tenor/wetter/II/stimmen.ly b/hr/stch/tenor/wetter/II/stimmen.ly new file mode 100644 index 0000000..4d6bfbe --- /dev/null +++ b/hr/stch/tenor/wetter/II/stimmen.ly @@ -0,0 +1,92 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key f \major + %\override Staff.TimeSignature #'style = #'() + \time 3/4 + %\autoBeamOff + } + +% Die Stimmen + + sopranMelodie = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + r1 + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + r1 + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + f2( e4 + d2) r4 + c2 r8 c8 + c2 r4 + d2 r4 + \repeat unfold 2 { + f2( e4 + d2) r4 + c2( r8 c8 + c2 r4 + d2 r4 + } + cis2. ~ + cis2 r4 + \key bes \major + e4.( c4. + bes2) r4 + bes4\( a4 g4 + a4. g4. ~ + g4. f4. ~ + f4. g4. ~ + g4. a4. + b4 b4\) r4 + R2. + \key f \major + d2( d4 + d4 e4. c8 + a4 bes2) + R2.*2 + a2 r4 + bes2 r4 + a2. ~ + a2. + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + r1 + } + >> + } + diff --git a/hr/stch/tenor/wetter/II/texte.ly b/hr/stch/tenor/wetter/II/texte.ly new file mode 100644 index 0000000..3653454 --- /dev/null +++ b/hr/stch/tenor/wetter/II/texte.ly @@ -0,0 +1,22 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + } + diff --git a/hr/stch/tenor/wetter/III/III.ly b/hr/stch/tenor/wetter/III/III.ly new file mode 100644 index 0000000..7778b0e --- /dev/null +++ b/hr/stch/tenor/wetter/III/III.ly @@ -0,0 +1,72 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "stimmen.ly" +\include "texte.ly" + +\pointAndClickOff + + \header { + title = "<+Titel+>" + composer = "<+Komponist+>" + %opus = "<+Werk+>" + tagline = \markup { + \bold "studentenchor" + } + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + %#(set-global-staff-size 17) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + %\addlyrics { \sopranText } + >> + + alt = << + \new Voice = "alti" { \global \altMelodie } + %\addlyrics { \altText } + >> + + ten = << + \new Voice = "tenoere" { \global \tenorMelodie } + %\addlyrics { \tenorText } + >> + + bas = << + \new Voice = "baesse" { \global \bassMelodie } + %\addlyrics { \bassText } + >> + + \score { + \new ChoirStaff \with { printPartCombineTexts = ##f } << + %\new Staff = sopran { \sop } + %\new Staff = alt { \alt } + \new Staff = tenor { \ten } + %\new Staff = bass { \bas } + >> + \midi { + \context{ + \Score + tempoWholesPerMinute = #(ly:make-moment 100 4) + } + } + %\layout { + %} + } + diff --git a/hr/stch/tenor/wetter/III/III.midi b/hr/stch/tenor/wetter/III/III.midi Binary files differnew file mode 100644 index 0000000..f63f4a6 --- /dev/null +++ b/hr/stch/tenor/wetter/III/III.midi diff --git a/hr/stch/tenor/wetter/III/dynArt.ly b/hr/stch/tenor/wetter/III/dynArt.ly new file mode 100644 index 0000000..30423d4 --- /dev/null +++ b/hr/stch/tenor/wetter/III/dynArt.ly @@ -0,0 +1,21 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/tenor/wetter/III/midi.lua b/hr/stch/tenor/wetter/III/midi.lua new file mode 100644 index 0000000..8aef7d6 --- /dev/null +++ b/hr/stch/tenor/wetter/III/midi.lua @@ -0,0 +1,53 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { + << + \unfoldRepeats +]] + +post=[[ + >> + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 100 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/tenor/wetter/III/stimmen.ly b/hr/stch/tenor/wetter/III/stimmen.ly new file mode 100644 index 0000000..4370b2f --- /dev/null +++ b/hr/stch/tenor/wetter/III/stimmen.ly @@ -0,0 +1,101 @@ +%some settings% vim: ai sw=2 lbr nu et +#(define ((compound-time one two num mun) grob) + (grob-interpret-markup grob + (markup #:override '(baseline-skip . 0) #:number + (#:line ( + (#:column (one num)) + (#:vcenter "+") + (#:column (two mun))))))) + + \version "2.12" + \include "dynArt.ly" + + global = { + \key c \major + %\override Staff.TimeSignature #'style = #'() + \override Staff.TimeSignature #'stencil = #(compound-time "2" "4" "9" "8") + \time 13/8 + %\autoBeamOff + } + +% Die Stimmen + + sopranMelodie = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + r1 + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + r1 + } + >> + } + + tenorMelodie = \relative c { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + R8*13*2 + \repeat volta 2 { + R8*13 + r2 r2 r4. r4. r4 e8( + a8 b8 a8 b8 a8 b8 a8 b8 a8 b8 a8 b8 a8 + g8 e8) r2 r4 r8 + r2 r2 r4. r4. r4 e8( + b'8 c8 b8 c8 b8 c8 b8 c8 b8 c8 b8 c8 a8 + g8 e8) r2 r4 r8 + r2 r4 r8 d'4 c8 d8 b4 + r4 a4( a4. a4 g8 a8 f4) + r4 b4( b4. b4 a8 b8 g4) + r4 a4( a4. a4 g8 a8 f4) + r2 e8 d8 e8 d8 e8 d8 e8 d8 e8 + } + c'8 d8 c4 r8 e8( d8 c8 d8 c8 d8 c8 d8 + e2 ~ e4) d8( ~ d4. d4. + e2) r1 e8( + d8 e8 d8 e8 d8 e8 d8 e8 d8 e8 d8 e8 d8) + r2 a4. a4. a4 e8( + a2 a4. a4. a4) e8 + a2 a4. a4. a4 e8( + a2 a4. a4. a4) e8( + a2 a4. a4. a4) d,8( + e2 e4. e4. e4) b8 + e2 e4. e4. e4 g8 + a2 a4. a4. a4 e8 + e2 e4. e4. e4 b8 + r2 r4 r8 d'4 cis8 d8 b4 + r4 a4( a4. a4 g8 a8 f4) + r4 b4( b4. b4 a8 b8 g4) + r4 a4( a4. a4 g8 a8 f4) + r2 e8 d8 e8 d8 e8 d8 e8 d8 e8 + R8*13 + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + r1 + } + >> + } + diff --git a/hr/stch/tenor/wetter/III/texte.ly b/hr/stch/tenor/wetter/III/texte.ly new file mode 100644 index 0000000..3653454 --- /dev/null +++ b/hr/stch/tenor/wetter/III/texte.ly @@ -0,0 +1,22 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + } + diff --git a/hr/stch/tenor/wetter/dynArt.ly b/hr/stch/tenor/wetter/dynArt.ly new file mode 100644 index 0000000..30423d4 --- /dev/null +++ b/hr/stch/tenor/wetter/dynArt.ly @@ -0,0 +1,21 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/stch/tenor/wetter/midi.lua b/hr/stch/tenor/wetter/midi.lua new file mode 100644 index 0000000..8aef7d6 --- /dev/null +++ b/hr/stch/tenor/wetter/midi.lua @@ -0,0 +1,53 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" + + \score { + << + \unfoldRepeats +]] + +post=[[ + >> + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 100 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/stch/tenor/wetter/stimmen.ly b/hr/stch/tenor/wetter/stimmen.ly new file mode 100644 index 0000000..8fc1f86 --- /dev/null +++ b/hr/stch/tenor/wetter/stimmen.ly @@ -0,0 +1,60 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key c \major + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + %\autoBeamOff + } + +% Die Stimmen + + sopranMelodie = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + r1 + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + r1 + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + r1 + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + r1 + } + >> + } + diff --git a/hr/stch/tenor/wetter/texte.ly b/hr/stch/tenor/wetter/texte.ly new file mode 100644 index 0000000..3653454 --- /dev/null +++ b/hr/stch/tenor/wetter/texte.ly @@ -0,0 +1,22 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + } + diff --git a/hr/stch/tenor/wetter/wetter.ly b/hr/stch/tenor/wetter/wetter.ly new file mode 100644 index 0000000..0962eff --- /dev/null +++ b/hr/stch/tenor/wetter/wetter.ly @@ -0,0 +1,72 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "stimmen.ly" +\include "texte.ly" + +\pointAndClickOff + + \header { + title = "<+Titel+>" + composer = "<+Komponist+>" + %opus = "<+Werk+>" + tagline = \markup { + \bold "studentenchor" + } + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + %#(set-global-staff-size 17) + + sop = << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + %\addlyrics { \sopranText } + >> + + alt = << + \new Voice = "alti" { \global \altMelodie } + %\addlyrics { \altText } + >> + + ten = << + \new Voice = "tenoere" { \global \tenorMelodie } + %\addlyrics { \tenorText } + >> + + bas = << + \new Voice = "baesse" { \global \bassMelodie } + %\addlyrics { \bassText } + >> + + \score { + \new ChoirStaff \with { printPartCombineTexts = ##f } << + \new Staff = sopran { \sop } + %\new Staff = alt { \alt } + %\new Staff = tenor { \ten } + %\new Staff = bass { \bas } + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/stch/willkommen/stimmen.ly b/hr/stch/willkommen/stimmen.ly new file mode 100644 index 0000000..be42f9c --- /dev/null +++ b/hr/stch/willkommen/stimmen.ly @@ -0,0 +1,109 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + + global = { + \key as \major + \override Staff.TimeSignature #'style = #'() + \time 4/4 + } + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + % bisher nur leere takte + %\repeat unfold 24 { + %s4*4 + %} + } + +% Die Stimmen + + TenorSoloA = \relative c' { + f4 as8 g8 f8 es8 as8 des8 + c2 c8 c8 es8 es8 + des8 c8 c8 bes8 as2 + as4 as8 c8 des4 bes4 + as4. g8 f4 es4 + bes'8 bes8 des4. bes8 as8 as8 + g4. (bes8) bes2 + } + + TenorSoloB =\relative c' { + f4. f8 as8 g8 f8 es8 + as8 as8 des8 des8 c2 + c8 c8 es8 es8 des8 des16 des16 c8 c8 + c4 bes4 as2 + as4 as8 c8 des8 bes8 as8 as16 g16 + f4 es4 bes'8 bes8 bes8 bes8 + des8 bes8 as8 as16 as16 g4. bes8 + \time 2/4 + bes2 + } + + sopranMelodie = \relative c' { + << + { \meta } + %the actual tune + { + c2 (es2 + f4.) f8 es4 f4 + g2 as2 + as1 + as2 (bes2 + des4.) des8 c4 as4 + es'2 es2 + es1 + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %the actual tune + { + c2 ~c2 + ~c4. c8 c4 c4 + es2 f2 + es1 + f2 (g2 + as4.) as8 as4 es4 + as4 (g8 f8) g2 + as1 + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %the actual tune + { + c2 (as2 + ~as4.) as8 g4 as4 + bes2 des2 + des4 (c8 bes8 c2) + c2 (es2 + f4.) f8 es4 as,4 + bes2 bes2 + c1 + } + >> + } + + bassMelodie = \relative c' { + << + { \meta } + %the actual tune + \clef bass + { + c2 (as2 + f4.) f8 c4 f4 + es2 des2 + as1 + f'2 (es2 + des4.) des8 as4 f'4 + es2 es2 + << es1 as,1 >> + } + >> + } diff --git a/hr/stch/willkommen/willkommen.ly b/hr/stch/willkommen/willkommen.ly new file mode 100644 index 0000000..9e09d54 --- /dev/null +++ b/hr/stch/willkommen/willkommen.ly @@ -0,0 +1,51 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + +\version "2.12.1" +\include "stimmen.ly" +%\include "texte.ly" + + \header { + title = "Nun sei willkommen, Herre Christ" + %composer = "<+Komponist+>" + %opus = "<+Werk+>" + %tagline = "" + } + + \paper { + %<+weitere Einstellungen+> + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + %#(set-global-staff-size 17) + + \score { + %\new Staff = TenorA << + %\new Voice = "soloA" { \global \TenorSoloA } + %>> + \new ChoirStaff << + \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \voiceOne \sopranMelodie } + %\lyricsto soprane \sopranText + \new Voice = "alti" { \global \voiceTwo \altMelodie } + %\lyricsto alti \altText + >> + \new Staff = tenor << + \new Voice = "tenoere" { \global \voiceOne \tenorMelodie } + %\lyricsto tenoere \tenorText + \new Voice = "baesse" { \global \voiceTwo \bassMelodie } + %\lyricsto baesse \bassText + >> + >> + %\new Staff = TenorB << + %\new Voice = "soloB" { \global \TenorSoloB } + %>> + } + diff --git a/hr/stch/willkommen/willkommen.ps b/hr/stch/willkommen/willkommen.ps Binary files differnew file mode 100644 index 0000000..4ed347a --- /dev/null +++ b/hr/stch/willkommen/willkommen.ps |
